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#or analysis
dicenete · 13 days
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Hey, I'm rambling about IkePri again
Okay, I just need to get these thoughts I have about Gilbert von Obsidian out because I enjoy predicting stuff and overthinking design and narrative choices even tho they might not be right. :P But there really isn't that much predicting other than me overthinking about narrative and design choices. This time there will be most likely spoilers of Gilbert's route so far, and route of Clavis and some thoughts I have just gathered while playing the game in general. I try to put these thoughts in cohesive order, but well... I don't know if I can really, because I just need to get these out of my head. These are my thoughts, ramblings and opinions. Feel free to form your own and certainly disagree with me! I apologize about the lack of art in this post. I'm busy with work currently so no fanart for a while. I'm also not native English speaker, so there might be grammatical errors and such. Sorry about that. Everything under the cut.
To start with Ikemen Prince is a romance visual novel first and foremost. That doesn't mean it can't be deep (and it certainly has been deeper than I initially expect, which left me positively surprised). I suppose there is somesort of thematic vibe that there is no prince whose ideals are the main thesis of the game itself. But that also kinda leaves that fact there is no huge catharsis regarding the world and it's state. Everything so far has been left quite open. And the more I have learned about lore of the world, I really feel like anti-monarchist here xd Clavis really sold me the idea for real. Or atleast throw away the absolute monarchy. That's where I think things should go, but that's my own belief. (really, the last king of Rhodolite... He umm... I have some opinions.) Chevalier and Gilbert First things first: I don't hate or dislike Chevalier as a character. There are just some things that give me Deus Ex Machina feels. But I know it is what they are going for with him. This genius that so far ahead of everyone that it is so alien concept to rest of the people. And well that is a very hard concept to pull off without being a genius yourself as a writer. Or that is what I feel like. But what I do love is what the writers are doing with him and Gilbert in thematic sense! (Hence why Chev x Gilbert sounds so juicy to me)
I really took steps to the deep end as I started to think about why I have enjoyed Gilbert's route or was interested in his story to begin with, but have little interest in trying Chev's one. Because they are so similar but they really aren't.
How I would describe it is that where as Clavis is the complementary to Chev, the purple to his yellow, the emotionality vs rationality, the heart vs the brain, Gilbert is more like right brain to Chev's left brain. If it makes sense like that xd Their color schemes are harmonious. Not opposite. Almost like how Nokto and Licht's color schemes are harmonious with each others.
(Nokto (Blue + white + gold) vs Licht (Blue + black + gold)) Not to mention that their names clearly are meant to mean light and dark. (Licht: variant for light, Nokto: comes form latin nox or noctis, meaning night = dark) But that is a rambling for another time.) Both their crests are tigers. White and black tiger. Chev's color scheme is White + gold and black. Whereas Gilbert's is Black + gold and white. But then the overall color that game devs use to signal about the characters baffles me a bit. Gold/Yellow vs Black/dark red. They don't seem to have too much connection or that of which comes to my mind quickly and without digging deeper. (because I believe that if you dig deep enough, you have digged yourself into a trap of overthinking about things. (Justifying things because you want to justify them, which I'm not big fan of. And sometimes things don't need meaning and we have to live with that. As much as it pains my overthinker brain.)) But here is my impressions about Gilbert so far. I'm at the point where MC has left the Clavis's party (I loved it btw). Gilbert really does give me toxic INFJ villain feels, but let's not get too hang up on terms such as that. But he is someone who is driven forth by his own ideals and desire to change the world better. He, like Clavis, seems to cloak himself in this idea that he is the villain and is okay, even happy, to take that role. He is the one who, like Chevalier, has thrown away emotional attachment out of the window (or so they say) unlike Clavis who makes his choices based more on emotion rather than rational thinking. Maybe that's why I like Clavis and Gilbert, they push MC out of their black and white thinking. That things are not so easy peezy as "choose a right king and everyone will be happy". There will always be someone who is mad about it. That's why I really loved the scene with Gilbert with the orphaned kids and the Clavis's party. He seems to enjoy the company of children (who are not morally corrupted or tainted) and he really empathically listens to those who are angry. He believes in the idea that "no one remembers what you said, but they will always remember how you made them feel". (A quote with debatable origin, people say that it was coined by Maya Angelou. But I really love this quote, because I think it is the truth.) Gilbert isn't trying to rationalize against someone's choices with pure intellect. He uses empathy to guide him to the most rational outcome in that emotional scope. But he also uses this to manipulate people with fear. He uses fear extensively and he does it actively. Where as I feel like Chev just has that aura about him automatically. Hence my next thought: Action vs Stasis!
Gilbert and Clavis are action oriented. They shake the gameboard, they make the first moves. Gilbert probably more than Clavis. They both want change. Is it change for the better, we will see, I still haven't finished Gilbert's route but he really gives me this "I'm willing to become the greatest threat so that people unite to defeat me." or "I will conquer all so there will no longer be wars.". Chev, on the other hand, symbolizes stasis. His goal is to keep the kingdom of Rhodolite going. That's his duty and he is willing to take it. (even tho we can debate if that is something he really really believes in or even thinks about that much. I feel like it is out of obligation rather than of personal ideal. But alas, I have not played Chev's route yet.) Chev is reactive rather than proactive. He waits for the opponent to make the first move and reacts accordingly. (I'm not saying he is not reactive once game is on. More like "if there was not threat to deal with, he wouldn't create one".)
Chev doesn't care what you think about him. Gilbert does. He might seem like he doesn't but he is really there to prove a point. (I will pick up his dislike for lying later >.>) Chev is not. Chev knows that his way is the right way for him and that is enough for him. Chev also actively makes a "gettaway plan" for himself in Clavis. He knows that Clavis is the final thread that keeps him from going overboard because he understand that he has to be blind for "individual people" aspect to be a good ruler. Gilbert probably understands this about himself too, but he is trying to prove a point. So he needs to go overboard. Because masses of people need absolutes to react to. If it is something banal, it won't do. His evil actions need to shake the very foundation of ideas. The people have to face those things head on and see it for themselves. They cannot be sheltered. Gilbert gives me the vibes that he is willing to sacrifice himself not for the kingdom, but for the betterment of all mankind. He is happy to become the villain #1 if that means that other people will rise and take down the corrupted Obsidian or the corrupted idea. I would say that he is Lawful Good going on about things like Lawful Evil.
Gilbert asking questions means that he wants you to think, he wants to challenge your opinions and how you look at the world. Same as Clavis. They yearn for change. They want to change the world. Where as Chev wants to maintain things as they are. Chev "If it is not broken, we don't need to fix it" Michel. Where as Clavis and Gilbert want to improve the system. They are idealistic. Gilbert and lying
This is something very interesting. At first I thought that he was all "I dislike when people lie to me." but he really is "I dislike lying in all its forms." And he does say that he doesn't lie. And I'm starting to believe that is really the case. All the things he says are true. But because how other people see him, they are suspicious anyway. Like MC is. Like we all probably are when we start the route and think "So what is your trauma, baby girl?" When he is unsure or knows that he shouldn't say the thing he really thinks or that is true, he will deflect or give a very vague response. Which makes me quite happy to replay his route at somepoint with this in mind. In conclusion: Welcome to my TED talk, with no head or tail, just me overthinking about things about a otome gacha game. If you read this far, thank you for your time. Remember, if I ramble about it, it just means that I'm invested. Have a good day~
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loadinghellsing · 9 months
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Hellsing Ultimate - episode 8
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Ahhhhhh uwdshjweiushdvj
I genuinely love the fact that Nikolai and Dazai are so similar yet so different. How when Fyodor died, Dazai didn't make jokes, celebrate his victory, or anything of the sort because Nikolai was there, and he knew how it felt to lose the only person who understood you, your only true friend right in front of your eyes while feeling helpless because you can't stop it. How, when Oda died, Dazai uncovered his eye, and when Fyodor died, Nikolai uncovered his eye. Both of them cover most of their body, both of them have suicidal ideation/implications. Nikolai wants freedom, and Dazai is seen to want something other than life, to "Wake me from the oxidizing world of a dream" (This was said in the dark era, forgot what episode.), both of them hide their true emotions/feelings behind their dramatic and eccentric facade, never showing their true emotions. Both of them are so similar yet so different in so many ways and I love that so much. (I got a couple of these similarities from a video I saw on Pinterest!)
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namehere-ro · 10 months
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I know I’m reading too much into it
but when phil fit and the eggs talking to bob and they commented about his haircut and make over Q!Phil is first to point out the ankle bracelet (gps) and telling him about it that he being located all the time and saying “srry I didn’t how to tell you that” , that reminded me to c!Philza when he was put under house arrest he was given kinda the same thing ankle monitor , I think it’s was the first thing he noticed other than ofc bob hair(lol)
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badoccultadvice · 1 year
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I have a question for anyone who practices face reading techniques or does face readings as a service
I'm sure cosmetic surgery poses difficulties in all forms, but in particular: how does Botox affect your readings? Its effect of numbing/freezing face muscles, plus how it gradually puffs up the face with extended use, has actually been making it hard for me to draw portraits of certain celebrities because I've had to come up with new rules for how Botox faces work. Do Botox-affected features match up with any meanings already in your face reading practice?
Interested in answers based on any form of face reading--please share as many details about your practice or tradition as you like. Thanks!
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thebettergothera · 2 years
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My take on stardust chronicles (the first movie, I have not watched the other two yet):
My friend Seterica invited me over to watch the series with nem, since ney were apparently shocked I have never heard of it. Initially, neir intent was to rope me into making fun of the series. It's reviews were so low I just had to see what everyone seemed to hate so much about it.
As we began watching, I somehow felt charmed. It was not the most quality felt film however... I did not dislike it. The main character has a concrete... Personality. The settings were also not too great...
But there was just a LITTLE something that I could not find that made me actually pay attention. It was like my brain was piecing together puzzle pieces the movie gave.. Like it was trusting the audience with secret information.
I admit... The majority of the film lacked a placed villain... X was an interesting specimen to observe.
However, I believe X's lack of placed concrete motives gave the audience more creative liberty in interpreting the character.
I favor villains a lot in stories and usually lean towards the more bland ones.
Most of the movie followed a shaky path. But I ended up liking it.
Seterica noticed I was actually getting into it and made fun of me for a brief moment but later getting tired and kicked me out after we finished.
I think ney were disappointed I didnt contribute to neir bullying.
But now I kind of want to watch the other two movies.... Thoughts?.
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the fact that kobolds seem to be this more "animalistic" race, with kuro talking in broken language and like improper grammar. this, coupled with the fact that he seems unaware of the fact that he's being exploited by mick, makes kobolds appear to be less intelligent than other races.
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but we actually find out that the simple speech patterns are in fact due to common being kuro's second language. and in a scene where kabru talks to kuro in his native language, it's actually kabru with the simple speech patterns.
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we even learn that kuro seems to actually have a much better understanding of his situation with mick than we first imagine. merely wanting to stay with them so they can have someone who they can feel relaxed around.
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this, coupled with a bunch of other things, really makes dungeon meshi stand out from other fantasy media. there are no "dumb" or "evil" races, they're all just people.
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linktoo-doodles · 3 months
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resurrection is sort of romantic, isnt it
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rockpapercynic · 2 months
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A.I. photos are flooding social media and contributing to an Internet where we can't believe what we see. Spotting A.I. 📷s is an important media literacy skill.
None of us have time to research every image we see. We just need people to notice BEFORE THEY LIKE OR SHARE that an image might be fake. If unsure, check it or don't share.
I've started drawing some comics explaining the basic of AI spot-checking and media literacy in the age of disinformation. Follow along here or on my Twitter.
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artbyblastweave · 5 months
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I'm not the first to mention this, but one bit that I thought was really clever in Steven Universe is the ways in which the show subtly justifies the cartoonism of the principle cast always wearing the same outfit for ease-of-animation purposes. The gems are a gimme in that they're all hardlight-projections, and even before that's solidified as a plot point they're otherworldly and superheroic enough that you don't really think to question it. But Steven canonically just owns hundreds and hundreds of those star shirts, which are leftover merchandise from his father's fizzled-out career as a rock star. Into which you can read a whole bunch of other stuff if you really want to, right? And I do want to. It's reflective of Greg's misplaced optimism that he got hundreds of those made in the first place, and it's a benign but visible example of how Steven's life is shaped by the knock-on effects of decisions his parents made before he was even alive. He's got his mother's superpowers and he's wearing his father's shirts.
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ambrosiagourmet · 1 month
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I've seen pieces from this extra comic before, but never read the full thing until today. And holy shit does it hammer home just how much the story is about class.
Multiple times, when food comes up in this comic, it’s also in context of money:
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I've seen this last panel on the right brought up before in context of like, dungeon meshi's relationship with fat and eating, but in the full context of the comic it really hits how much adventuring directly consumes bodies for money.
As much as this has been part of the story the whole time, showcased as early chapters 19 and 20...
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It never fully hit me before how often adventuring comes down to having no other way to make money but to throw yourself into death repeatedly. To be used, whether it’s by individual selfish people (like the resurrection group that is happy to try and get Kabru's group to kill each other to get extra gold from them in chapter 32), or by the greater cog of the Dungeon Economy in general.
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Which, to be clear, is all too often how things work in the real world, too. So many jobs burn through the health and lives of workers. Dungeon Meshi just makes it literal in a new way: by making the healing and resurrection, a core part to the adventuring loop, directly use fat, muscle, and energy from the body being healed.
Imagine Amazon, but if you got injured at work, they could literally burn up some of your body to get you back to working sooner. And that was seen as an advantage of the job.
And then you have Laios, thinking about eating monsters:
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Not just because he likes monsters a lot. But because it would help. He says something similar in the actual manga too, during the chapter discussing his dream with the Winged Lion
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Laios wants to be able to make a home for Falin. He wants to give her a place where she never has to eat alone. And when he gets a party, he wants to give them a way to eat well. And when he runs a country, well…
He wants to ensure that everyone has enough to eat.
Food is political. Food ties into class, and money. What is deemed "proper" to eat, what is a luxury, what is crass… so much of it comes down to money.
Being judged for eating what's available, when what is “proper” isn't affordable, is already a thing that happens. People forced into work that consumes their energy is already a thing that happens.
Dungeon Meshi has a lot of fantastical elements, but boy is its examination of food and class very real.
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laughableillusions · 7 months
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You! American fan of foreign or otherwise un-American media! Are you aware of the nuances and cultural differences that are portrayed in that media and have an understanding that you as an outsider looking in should be careful with the lenses you analyze that media in because you have a different perspective that is not catered to?
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swampjawn · 3 months
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Time to talk an unnecessary amount about floors!
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Episode 6 of Dungeon Meshi was produced in collaboration with a smaller studio, Enishiya - and it went way harder than I expected, for being made up of two relatively simple and self contained stories focusing on one character each.
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And you can really see how those extra resources meant the animators could give full focus to both halves of the episode. Let's take a look at one piece that stole the show.
The first half was handled primarily by episode director/storyboard artist Keita Nagahara and co-animation director Hirotoshi (or Hiroaki? [1]) Arai. It's actually kinda insane how much of this section can be attributed to these two.
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But the real star of the show is the second half, Chilchuck vs the mimic, led by co-animation director Toya Ooshima in his first animation director role for TV anime!
And the biggest aspect that knocked my dang boots off was something that's very consistent with Ooshima's style: background animation!
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By animating the backgrounds rather than using painted still images, Ooshima and the team of other similarly skilled animators are able to create these beautiful dynamic camera movements that wouldn't be possible otherwise. Like these cuts by Takeshi Maenami where the camera becomes an expressive part of the scene, zipping forward and backward, and tilting to emphasize the speed of this murderous hermit crab. (Maenami's style is also very recognizable here - snappy timing and quick camera movements)
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Or this cut by the incredible Kaito Tomioka which cleverly combines a traditional background for the walls with a fully animated floor. The level of detail in these tiles is just completely insane, and used to great effect with this wide, diagonal angle, and the way the camera tentatively drifts forward before reversing direction, and the tiles blur out as it speeds up.
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I don't think I'm the only one caught off guard by how much they full-assed this little side story, but it was a pleasant surprise!
I broke down the entire episode in this video here. A lot of research went into this one, and I think it's the best one of these videos I've made so far, so if you're at all interested in more of this type of analysis in video form, I would really appreciate it if you checked it out, or re-blogged this post! Thanks
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[1] It's listed as Hirotoshi on Anime News Network, but Hiroaki on a key frame that Studio Trigger shared on Twitter, so I'm not sure which one is wrong.
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shyjusticewarrior · 3 months
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Jason is an "I'd kill for you" person stuck in a "live for me" family.
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faeyuh · 3 months
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guys. going insane.
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in these scenes, his hair gets way spikier than normal, they look like knives for gods sake. this only happens when he wants to seem THREATENING
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but when around people he trusts like ROSIE his hair (probably unintentionally) gets ROUNDER and SOFTER, even his coat has less spikes than usual.
GUYS HE HAS A LITERAL SOFT SIDE IM GOING INSANE
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thetrashiestbaby · 10 months
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thinking about Nimona’s face in this scene because she already knows how this plays out, she’s lived this already and while Bal has the hope that she once had in his eyes, she KNOWS what happening before the sword is even raised. She’s NOT SURPRISED she’s NOT SHOCKED she’s only DISAPPOINTED that Ambrosius can turn on the man he loves because she’s already played this out with Gloreth
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