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#or advice?
monorayjak · 6 months
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I want to come out to the people I care about. I want to be honest with them. I've written and rewritten a letter to my mom about all of it tens of times now; I just... I'm scared.
What if they don't believe me? What if they try to convince me I'm wrong? What if I am wrong? And I just went through all of this because I tricked myself? What if its the exact opposite and they try to pull me farther for my own good without realizing this stuff takes time? What if my extended family finds out? I mean one of my uncles is already a mentally unstable bigoted religious freak who's considered killing people and himself before because he can. What if people I care about get hurt? But also... what if I can't keep going like this much longer? It hurts. So much. Its fucking with my grades, I'm scared. I feel like I'm fucking up so much.
It just... it feels like no matter what I do is wrong.
Holy shit
I'm living in a trolley problem.
If I take action, it's untelling how many will be affected; but if I don't take action it will just be me affected at first. But even if I don't take action, I get the feeling the people I care about will be hurt as well, just later on. You know... now that I've thought that through... maybe I should make a list of things that could happen depending on the choice, kind of like a pro-con list, but... is that stupid?
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storybookprincess · 5 months
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if i can impart any one piece of wisdom to y’all, it’s to, whenever possible, assume good intentions
assume people are trying their best, want to be good and treat others well, and that when their behavior doesn’t align with those goals, it’s because of outside factors that are pushing them to their limit
it’s hard to do, it doesn’t always come naturally, but it’s worth it
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rubyleaf · 3 months
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Honestly? My main piece of advice for writing well-rounded characters is to make them a little bit lame. No real living person is 100% cool and suave 100% of the time. Everyone's a little awkward sometimes, or gets too excited about something goofy, or has a silly fear, or laughs about stupid things. Being a bit of a loser is an incurable part of the human condition. Utilize that in your writing.
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foldingfittedsheets · 29 days
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Something that literally changed my life was working with a friend on a coding thing. He was helping me create an auto rig script and was trying to explain something to me but his words were just turning into static in my brain. I was tired and confused and there was so many new concepts happening.
I could feel myself working toward a crying meltdown and was getting preemptively ashamed of what was about to happen when he said, “Hey, are you someone who benefits from breaks?”
It broke me.
Did I benefit from breaks? I didn’t know. I’d never taken them.
When a problem frustrated or upset me I just gritted my teeth and plowed through the emotional distress because eventually if you batter and flail at something long enough you figure it out. So what if you get bruised on the way.
I viscerally remembered in that moment being forced to sit at the table late into the night with my dad screaming at me, trying to understand math. I remembered taking that with me into adulthood and having breakdowns every week trying to understand coding. I could have taken a break? Would it help? I didn’t know! I’d never taken one!
“Yes,” I told him. We paused our call. I ate lunch. I focused on other stuff for half an hour. I came back in a significantly better state of mind, and the thing he’d been trying to explain had been gently cooking in the back of my head and seemed easier to understand.
Now when I find myself gritting my teeth at problems I can hear his gentle voice asking if I benefit from breaks. Yes, dear god, yes why did I never get taught breaks? Why was the only way I knew to keep suffering until something worked?
I was relating to this same friend recently my roadtrip to the redwoods with my wife. “We stopped every hour or so to get out and stretch our legs and switch drivers. It was really nice. When I was a kid we’d just drive twelve hours straight and not stop for anything, just gas. We’d eat in the car and power through.”
He gave a wry smile, immediately connecting the mindset of my parents on a road trip to what they’d instilled in me about brute forcing through discomfort. “Do you benefit from breaks?” he echoed, drawing my attention to it, making me smile with the same sad acknowledgement.
Take breaks. You’re allowed. You don’t have to slam into problems over and over and over, let yourself rest. It will get easier. Take. Breaks.
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torturedpoetemotions · 7 months
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If the right way is too hard, fuck it. Do it the wrong way.
Folding clothes keeps you from getting the laundry done? Stop folding clothes. Put a basket in your room and throw your unfolded clean stuff into it right out of the dryer, it's fine.
Rinsing dishes off keeps you from loading the dishwasher? Load them dirty and run it twice.
Chopping onions keeps you from making yourself dinner? Buy the freezer bags of chopped onions.
You forget to take your meds and don't want to get out of bed to get them? Start putting them next to the bed.
Can't keep up with the dishes? Get paper plates. Worried about environment impact? Order biodegradable ones online if your local store doesn't have one.
Make the task easier. Put things where you use them instead of where they "go." Eliminate the steps that keep you from finishing the task. Eliminate the task that is stressing you out.
Do it the "wrong" way. It's literally fine.
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art-tnt · 3 months
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khaleesiofalicante · 9 months
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these are very wise (and very real) words. believe me.
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humunanunga · 7 months
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You can believe in magic, but watch out.
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deoidesign · 10 months
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A general cane guide for writers and artists (from a cane user, writer, and artist!)
Disclaimer: Though I have been using a cane for 6 years, I am not a doctor, nor am I by any means an expert. This guide is true to my experience, but there are as many ways to use a cane as there are cane users!
This guide will not include: White canes for blindness, crutches, walkers, or wheelchairs as I have no personal experience with these.
This is meant to be a general guide to get you started and avoid some common mishaps/misconceptions in your writing, but you absolutely should continue to do your own research outside of this guide!
This is NOT a medical resource!!! And never tell a real person you think they're using a cane wrong!
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The biggest recurring problem I've seen is using the cane on the wrong side. The cane goes on the opposite side of the pain! If your character has even-sided pain or needs it for balance/weakness, then use the cane in the non-dominant hand to keep the dominant hand free. Some cane users also switch sides to give their arm a rest!
A cane takes about 20% of your weight off the opposite leg. It should fit within your natural gait and become something of an extension of your body. If you need more weight off than 20%, then crutches, a walker, or a wheelchair is needed.
Putting more pressure on the cane, using it on the wrong side, or having it at the wrong height can make it less effective, and can cause long term damage to your body from improper pressure and posture. (Hugh Laurie genuinely hurt his body from years of using a cane wrong on House!)
(some people elect to use a cane wrong for their personal situation despite this, everyone is different!)
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(an animated GIF of a cane matching the natural walking gait. It turns red when pressure is placed on it.)
When going up and down stairs, there is an ideal standard: You want to use the handrail and the cane at the same time, or prioritize the handrail if it's only on one side. When going up stairs you lead with your good leg and follow with the cane and hurt leg together. When going down stairs you lead with the cane and the bad leg and follow with the good leg!
Realistically though, many people don't move out of the way for cane users to access the railing, many stairs don't have railings, and many are wet, rusty, or generally not ideal to grip.
In these cases, if you have a friend nearby, holding on to them is a good idea. Or, take it one step at a time carefully if you're alone.
Now we come to a very common mistake I see... Using fashion canes for medical use!
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(These are 4 broad shapes, but there is INCREDIBLE variation in cane handles. Research heavily what will be best for your character's specific needs!)
The handle is the contact point for all the weight you're putting on your cane, and that pressure is being put onto your hand, wrist, and shoulder. So the shape is very important for long term use!
Knob handles (and very decorative handles) are not used for medical use for this reason. It adds extra stress to the body and can damage your hand to put constant pressure onto these painful shapes.
The weight of a cane is also incredibly important, as a heavier cane will cause wear on your body much faster. When you're using it all day, it gets heavy fast! If your character struggles with weakness, then they won't want a heavy cane if they can help it!
This is also part of why sword canes aren't usually very viable for medical use (along with them usually being knob handles) is that swords are extra weight!
However, a small knife or perhaps a retractable blade hidden within the base might be viable even for weak characters.
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Bases have a lot of variability as well, and the modern standard is generally adjustable bases. Adjustable canes are very handy if your character regularly changes shoe height, for instance (gotta keep the height at your hip!)
Canes help on most terrain with their standard base and structure. But for some terrain, you might want a different base, or to forego the cane entirely! This article covers it pretty well.
Many cane users decorate their canes! Stickers are incredibly common, and painting canes is relatively common as well! You'll also see people replacing the standard wrist strap with a personalized one, or even adding a small charm to the ring the strap connects to. (nothing too large, or it gets annoying as the cane is swinging around everywhere)
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(my canes, for reference)
If your character uses a cane full time, then they might also have multiple canes that look different aesthetically to match their outfits!
When it comes to practical things outside of the cane, you reasonably only have one hand available while it's being used. Many people will hook their cane onto their arm or let it dangle on the strap (if they have one) while using their cane arm, but it's often significantly less convenient than 2 hands. But, if you need 2 hands, then it's either setting the cane down or letting it hang!
For this reason, optimizing one handed use is ideal! Keeping bags/items on the side of your free hand helps keep your items accessible.
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When sitting, the cane either leans against a wall or table, goes under the chair, or hooks onto the back of the chair. (It often falls when hanging off of a chair, in my experience)
When getting up, the user will either use their cane to help them balance/support as they stand, or get up and then grab their cane. This depends on what it's being used for (balance vs pain when walking, for instance!)
That's everything I can think of for now. Thank you for reading my long-but-absolutely-not-comprehensive list of things to keep in mind when writing or drawing a cane user!
Happy disability pride month! Go forth and make more characters use canes!!!
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thatsbelievable · 7 months
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sanguinarysanguinity · 7 months
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Expanding a thought from a conversation this morning:
In general, I think "Is X out-of-character?" is not a terribly useful question for a writer. It shuts down possibility, and interesting directions you could take a character.
A better question, I believe, is "What would it take for Character to do X?" What extremity would she find herself in, where X starts to look like a good idea? What loyalties or fears leave him with X as his only option? THAT'S where a potentially interesting story lies.
In practice, I find that you can often justify much more from a character than you initially dreamed you could: some of my best stories come from "What might drive Character to do [thing he would never do]?" As long as you make it clear to the reader what the hell pushed your character to this point, you've got the seed of a compelling story on your hands.
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monorayjak · 7 months
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I... it's getting hard to live like this. Hiding who I am to so many people. It hurts. I wrote a thing earlier today and I felt I summed up the feeling pretty well I think, reworded a bit to sound better:
"It feels like torturous self harm to be fully aware of who I am and yet imprison myself in a fortress of a false identity that's slowly caving in around me."
What I'm getting at here... I think... I think it might be time for me to come out to some people...and I really need some advice.
As of now, only four people IRL know about me, that's my therapist, my cousin (who was genuinely more like a sister to me), a friend at college (I knew they were extremely supportive and they had no connection to other people I know, so it seemed like a safe bet to tell her (I was right)), a friend I interacted with occasionally in high school who has since come out as trans herself (actually what got me to message her, saw her online and wanted to ask so I didn't misgender her or anything, and we got talking and I quickly realized she'd understand.)
At the moment, I'm still living with my mom, which is fine, I know she'll support me in her own way (she's queer herself, she has internalized issues, but she tries). I know my university I go to, despite having once been a "christian college," have opened up and been supportive of most of the students who do come out in one way or another. I know at least a few of the professors there who are absolutely trying to be supportive to everyone to the best of their abilities. My therapist knows, as mentioned before, but he is also... well, he ain't exactly a pro with gender and sexuality stuff (still a good guy, he just messes up what he's talking about here and there, like using masculine pronouns when he talks about a transwoman (largely I think its because he usually talks about them when they first started transitioning, and I don't think he thinks about gendering them correctly in reference to them coming out... if that makes any sense).
The issues... well, for one, I live in the bible belt. My extended family (who we are finally trying to cut ourselves off from now that the only think holding us together (my grandmother) is gone) lives all around me and the majority of them are.........well lets just say they really don't like my mom being gay, and one of them bullied a kid he was fostering because, in his words, "the kid's a fucking sissy!" Yeah... not a fan of that uncle. (In related news I am genuinely afraid of that man because he is very fucking clearly not mentally stable and has talked about killing himself and others before (while preaching at church!) and he is... really aggressive and has access to guns) I'm too poor to even consider leaving the state, and with... well frankly I'm a bit of a fuckup who really can't live on their own... yeah... fun times. Insurance may cover parts of things, but... honestly I don't even fucking know. Like I said, I know my mom will try to support me, but she is also... well, how do I say this? She tends to not know how to react to stuff. A large reason I don't talk about stuff with her is that she has a habit of turning it around into something about herself (not in a manipulative way, mind you. I just think she doesn't realize why it feels bad to tell her something like this and then have her break down a bit because I didn't tell her sooner or because she didn't work it out herself or anything like that). Basically, if I tell her, its either going to go one of two ways.
She reacts negatively and turns it around about herself and takes the moment to be hurt she didn't work things out or that I didn't tell her. (Literally once opened up to her when I was little (like 11?) about how much I hated myself... she said the next day she spent the entire night crying because she thought she failed... I understand what she was going for, but, honestly not something you should tell your kid who just opened up. Practically had it ingrained internally "If I feel bad, hide it. Because my mom will be devastated by it.")
She goes too supportive and expects me to be willing to open up immediately. Basically just forgetting she can't push me into being out and honest because it takes time to work up the courage.
Both of these options are... iffy. To say the least.
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possessedpasm · 6 months
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Something I try to keep in mind when making art that looks vintage is keeping a limited color pallette. Digital art gives you a very wide, Crisp scope of colors, whereas traditional art-- especially older traditional art-- had a very limited and sometimes dulled use of color.
This is a modern riso ink swatch, but still you find a similar and limited selection of colors to mix with. (Mixing digitally as to emulate the layering of ink riso would be coloring on Multiply, and layering on top of eachother 👉)
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If you find some old prints, take a closer look and see if you can tell what colors they used and which ones they layered... a lot of the time you'll find yellow as a base!
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Misprints can really reveal what colors were used and where, I love misprints...
Something else I keep in the back of my mind is: how the human eye perceives color on paper vs. a screen. Ink and paint soaks into paper, it bleeds, stains, fades over time, smears, ect... the history of a piece can show in physical wear. What kind of history do you want to emulate? Misprinted? Stained? Kept as clean as possible, but unable to escape the bluing damages of the sun? It's one of my favorite things about making vintage art. Making it imperfect!
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You can see the bleed, the wobble of the lines on the rug, the fading, the dirt... beautiful!!
Thinking in terms of traditional-method art while drawing digital can help open avenues to achieving that genuine, vintage look!
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soy-sauce-and-mothra · 8 months
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Hey! Are there blacksmiths in your story? I'm a hobbyist blacksmith and I'm here to help!
Blacksmithing is one of those things that a lot of people get wrong because they don't realize it stuck around past the advent of the assembly line. Here's a list of some common misconceptions I see and what to do instead!
Not all blacksmiths are gigantic terrifying muscly guys with beards and deep voices. I am 5'8, skinny as a twig, have the muscle mass of wet bread, and exist on Tumblr. Anybody who is strong enough to pick up a hammer and understands fire safety can be a blacksmith.
You can make more than just swords with blacksmithing. Though swords are undeniably practical, they're not the only things that can be made. I've made candle holders, wall hooks, kebab skewers, fire pokers, and more. Look up things other people have made, it's really amazing what can be done.
"Red-hot" is actually not that hot by blacksmith terms. when heated up, the metal goes from black, to red, to orange, to yellow, to white. (for temperature reference, I got a second degree burn from picking up a piece of metal on black heat) The ideal color to work with the metal is yellow. White is not ideal at all, because the metal starts sparking and gets all weird and lumpy when it cools. (At no point in this process does the metal get even close to melting. It gets soft enough to work with, but I have never once seen metal become a liquid.)
Blacksmithing takes fucking forever. Not even taking into account starting the forge, selecting and preparing metal, etc. etc. it takes me around an hour to make one (1) fancy skewer. The metals blacksmiths work with heat up and cool down incredibly fast. When the forge is going good, it only takes like 20 seconds to get your metal hot enough to work with, but it takes about the same time for it to cool down, sometimes even less.
As long as you are careful, it is actually stupidly easy to not get hurt while blacksmithing. When I picked up this hobby I was like "okay, cool! I'm gonna make stuff, and I'm gonna end up in the hospital at some point!" Thus far, the latter has yet to occur. I've been doing this for nearly a year. I have earned myself a new scar from the aforementioned second degree burn, and one singe mark on my jeans. I don't even wear gloves half the time. Literally just eye protection, common sense, and fast reflexes and you'll probably be fine. (Accidents still happen of course, but I have found adequate safety weirdly easy to achieve with this hobby)
A forge is not a fire. The forge is the thing blacksmiths put their metal in to heat it up. It starts as a small fire, usually with newspaper or something else that's relatively small and burns easily, which we then put in the forge itself, which is sort of a fireplace-esque thing (there's a lot of different types of forge, look into it and try to figure out what sort of forge would make the most sense for the context you're writing about) and we cover it with coal, which then catches fire and heats up. The forge gets really hot, and sometimes really bright. Sometimes when I stare at the forge for too long it's like staring into the sun. The forge is also not a waterfall of lava, Steven Universe. It doesn't work like that, Steven Universe.
Welding and blacksmithing are not the same thing. They often go hand-in-hand, but you cannot connected two pieces of metal with traditional blacksmithing alone. There is something called forge welding, where you heat your metal, sprinkle borax (or the in-universe equivalent) on it to prevent the metal from oxidizing/being non-weldable, and hammer the pieces together very quickly. Forge welding also sends sparks flying everywhere, and if you're working in a small space with other blacksmiths, you usually want to announce that you're welding before you do, so that everyone in a five-foot radius can get out of that five-foot radius. You also cannot just stuck some random pebbles into the forge and get a decent piece of metal that you can actually make something with, Steven Universe. It doesn't work like that, Steven Universe.
Anvils are really fucking heavy. Nothing else to add here.
Making jewelry is not a blacksmithing thing unless you want jewelry made of steel. And it will be very ugly if you try. Blacksmithing wasn't invented to make small things.
If there's anything here I didn't mention, just ask and I'll do my best to answer.
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ianosmond · 25 days
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Important safety information about the eclipse on Monday
You *can* remove the eclipse glasses during totality; not before or after.
If you find yourself falling apart instead of falling in love, turn around, bright eyes.
It is no longer considered best practice to cut the beating heart out of a human chest at the top of a pyramid to bring the sun back; nowadays, they just short out a LUCAS device.
If you are imprisoned by an evil bishop, break out, and look for a hawk and a wolf who are in love.
Most critically - No matter what, do not buy any strange and exotic plants which mysteriously appear during the eclipse.
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heywriters · 11 months
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If you want to write a dumb little story with a dumb little plot and ridiculously silly characters. No one's stopping you. Genuinely, no one should be allowed to stop you. Write that dumb story with your whole heart and don't hold back.
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