#on one hand i don't know how well this will adapt to anime. on the other hand getting an anime would boost popularity theoretically

[creativehomicide]

I saw people writing doppel headcanons so I wanted to post my own, along with some drawings for how I think their anatomy works

So my headcanon for doppelgangers is that their original forms are comprised of many MANY thin tentacles that intertwine together and morph in order to take the shape of what they want to turn into. The green hands we see before a doppelganger kills the doorman aren't part of their default form, but more so one of many adaptations they can make to their bodies meant for attacking. These tentacles are very flexible and stretchy, and they can heal quickly, making it difficult to kill a doppel.

Doppelgangers are capable of shapeshifting into humans and animals, as well as more monstrous transformations, however the latter is rarely used for long periods of time due to it depleting so much energy. They don't really use it unless it's an emergency (or if the doppel is stupid and overestimates itself/doesn't think things through.)

I imagine they can also weaponize parts of their body to form sharp blades or spikes, or more advanced variations. The best comparison I can think of are the aliens from Parasyte.

It's rare to see a doppelganger in its original form since it doesn't revert back after it's killed, it remains in the last form it took before dying. Also most of the time when someone witnesses a doppelganger mid-transformation, it's from one disguise to another. Plus they shapeshift fast so if someone happens to see a doppel go from the original form to a different one, they only get a brief glimpse.

Doppelgangers are carnivorous and subsist on a diet of raw meat. While in theory it is possible for a doppelganger to survive on a human-free diet, humans are considered the most nutritious and "tastiest." The fact that most doppelgangers have a strong disdain for humanity leads to very few attempting to put that into practice. Cannibalizing fellow doppelgangers has similar benefits, however it has the potential to cause illnesses. They're capable of eating small amounts of human food but too much also causes sickness.

Alcohol also doesn't affect doppels. I imagine if the government was trying to create spies for infiltration missions, doppelgangers getting drunk would be a huge liability so they made them have a high alcohol resistance, plus resistance to poison. (Which unfortunately makes them much harder to kill)

They're also programmed to be fluent in all languages upon reaching maturity, which helps for spy missions. This can be used as a way to detect doppelgangers though. If the doppel isn't paying attention and you switch over to a different language, they tend to immediately switch over to that language as well. Granted this trick only works if you know another language and they're disguised as a person that you're certain ISN'T fluent in that language.

Doppelgangers mature quickly and reproduce at a crazy rate, which is why the doppelganger problem grew so quickly after only a decade. However, a lot of doppelgangers attempt to assimilate and hunt humans before they've reached maturity and fully grasped their shapeshifting capabilities. This is why a lot of doppelgangers we come across in the game are so bad at replicating appearances or don't understand basic human behaviors; it's because they're children and are still learning.

(You look me dead in the eye and tell me this wasn't written by a child /lh)

That's about all the headcanons I have so far. If you actually read through this, thank you and feel free to share your own thoughts in the replies or in my askbox

💜

#tnmn #that's not my neighbor #thats not my neighbor #my art #tnmn headcanon #doppelganger #tnmn fanart

[evilminji]

Actually? You know what would be darkly hilarious?

If, when the GIW can't get ghosts declared both malicious AND non-sapient/sentient? They push for "dumb animals" instead.

Which is accepted. Ghosts are animals. Checks out, says scientists everywhere.

HOW "dumb"?

What? Says the GIW, mid-victory high fives. They did not expect a follow up question. They SHOULD have, as this is the SCIENTIFIC community and that is literally their job, but here we are.

How. "Dumb"? The scientists repeate slower. What methodology did you use? What is your sample size? Are their different sub-species? Is this dimension like ours? Is Ghost the equivalent to Mammal? It says here their are humanoid ones.

What IQ are we talking about here and HOW DID YOU TEST??

A goldfish, parrot, and dolphin are all animals. WILDLY different levels of intelligence. You can't treat them the same. Technically speaking, WE are animals.

The GIW does not like where this conversation is going. Tries to shut it down.

.......well NOW the scientists are both offended AND invested. How DARE you try to push faulty science and hide the Truth from them! They're gonna do their OWN studies! *picks up the phone and dials that one embarrassing spiritualist friend they had in college* Hey! You still think you can summon ghosts? I'll pay you to try it for Science!

And like? As a Ghost? It's degrading as hell. But ALSO these fuckos just Whoopsie'd you into having both protections under the law, since animal abuse IS illegal, AND just put the ENTIRE planets scientific community on their asses.... by accident.

So you take a deeeeeeep breath you don't even need. Remember you're doing this for the little ghost babies and fluffy ghost animals. And show up at a research facility like "yes, hello, I am Ghost. Here for you to poke and prod at. Please ask me to name the object on the flash card or whatever IQ tests do these days."

Should you HAVE to prove your own fucking sentience? No. But? You do it. You're even polite about it. Ask for a copy of the study they plan to publish so you can BEAT some mother fuckers with it. The scientists nod in understanding and use the BIG font for your copy so it'll hurt more.

They've been there.

And just? Shitty people getting what they wanted only to have it blow up in their faces?? I see all these angst "but what if they were declared ANIMALS" prompts and I just?? Are we talking PARROT or goldfish!? One has the average intelligence of about a human 4yr old and the other is a FISH! People get RIGHTFULLY furious when you treat INTELLIGENT animals badly.

And would, in fact, adapt pretty easy to discovering one of said animal has become HUMAN lvl intelligent. It's easy to grasp the idea of human intelligence lvl dolphin or monkeys. Maybe there was some mutated strain, maybe in uetro tampering. Who knows. But if I tried to sell you a human intelligent housefly? Gold fish? Lizard?

You wouldn't believe me. There is some kind of trick at play.

So if GHOSTS are seen as animals? Everyone nods and then later? Someone comes in TV and very excitedly informs you "we found INTELLIGENT LIFE amongst the ghosts!" You'd believe it. Probably be really excited by your conversation starter for the day. Get a taco and move on with your life.

But? Having to willing sit for a barrage of testing? Is going to suuuuuuck so bad. Poor Danny. SATs all over again. For HOURS. At multiple facilities, just to be CERTAIN it's not a one off. All because he not certain he can insure good behavior from other ghosts and This Is IMPORTANT. He ALSO can't be certain it's even SAFE.

Might be a trap.

But if he has to do it again and again and again? Mexico to Bavaria to China to the Maldives? If this is what it takes for the scientific community to bitchslap the GIW into ORBIT before the UN? Hand him that pencil.

He has no where more important to be.

@hdgnj @nerdpoe @mutable-manifestation @ailithnight @the-witchhunter

#dpxdc #dp x dc #dc x dp #dcxdp #dc x dp prompt #you wanna call me an animal? #well check mate! #SO ARE YOU #now they're asking what KIND of animal i am! #and THIS ghost is sayin SAPIEN! #i am in your scientific community #disproving your theories! #your studies were bad and you should feel bad! #danny phantom

[videogamelover99]

OKAY BUT LISTEN. LISTEN. I WANNA BREAK DOWN SOME OF THE PANELS FROM THIS SCENE CAUSE UH. This is like a powerpoint of the audience realizing the Sheep are not Chuuya's friends.

First off, baby? Baby. Also Chuuya's body language in the art is so, like, embarassed/self-conscious teen, except instead of the problem being hanging out with the wrong people in high school its...Mafia-level stakes. Anyway, Chuuya curling up while hiding from his "friends" immediately gives you a sense he is not the one in control.

Dazai-like expression who? Chuuya is putting on a mask so eerily similar...it gives us some great parallels.

Chuuya unnecessarily apologizing to Shirase? Yeah. Straight from the book.

Insane over Shirase's solid B+ gaslighting. I don't remember if these lines are from the book, but Shirase implying Chuuya's the one "acting like a tyrant" when he literally didn't do anything?? Except ask politely for favors? Throughout the whole conversation he's been the polar opposite. But hey, maybe Shirase's just projecting.

Haha, "somehow".

Nothing to add here except Shirase's body language in this is SO much better than the anime. In the anime he just acted mad and kinda hot-headed. Here he's smiling, acting friendly, giving off those "ofc I'm on your side Chuuya but you make it so hard for these made-up reasons" vibes. Shirase is opportunistic, manipulative, he believes he has control over Chuuya, and therefore his ability.

Of course, Dazai can tell immediately what Shirase is doing. That Shirase has more power over Chuuya than Chuuya does over any of the Sheep (which is once again reinforced by the body language. Shirase's arm over Chuuya's shoulders, swamping him. Being physically taller than Chuuya. Chuuya just kind of standing there, passively.

Also despite what Shirase seems to believe, he and the other Sheep are not one bit smarter than Chuuya. They're eagerly celebrating their victory when Chuuya can clearly tell this is some sort of plan on Dazai's part.

Dazai destroying any leverage they had over Chuuya and yet knowing there's some reason Chuuya is doing this anyway. Offering him a choice.

As I've said before (and it's more obvious than ever in the manga) Shirase's using it to gain Mafia territory by getting some of their members captured. I've stated this before, and we do get a confirmation:

The "self defense rule" is something Chuuya explicitly created. To not strike unless provoked. I have a lot of thoughts on this and why but that's not for this post.

And we have!! Dazai getting pissed off on Chuuya's behalf!! He's scary.

(Spoiler alert: they are not his friends.)

Ahhhh

Ahhhhhhhh

Guys I love this chapter. Because on one hand, Shirase, like the rest of the Sheep, have very legitimate fears. They're literally a bunch of kids that used to be preyed on by other organizations, and if Chuuya is not guaranteed to protect them, then...well...they're in horrible danger, really.

The problem is that Chuuya is ready to protect them. But they don't trust him, and it seems they never have. The whole thing is built on Shirase (and probably the others) holding some kind of emotional and social power over Chuuya, therefore guaranteeing their safety. But when that's not longer the case, well, they don't trust Chuuya to protect them. I'm curious how the manga is going to adapt Dazai's whole "meat" story later on because the issue isn't a selfish conflict of interest. The issue is trust, and the lack of it between Chuuya and the rest of the Sheep.

It's like the Sheep built their gang on high school clique rules, and didn't realize Chuuya's not just operating out of a sense of obligation and need to belong, but genuine care. Anyway, that's all I have to say. The art is beautiful.

#bsd #bungou stray dogs #nakahara chuuya #dazai osamu #soukoku #fifteen manga #fifteen light novel #shirase

[infriga]

Another thing from the One Piece live action that I have a lot of thoughts about is a certain change they made that normally I might have disliked but actually felt they did rather well.

That being, Luffy listening to crew members backstories.

In the manga Luffy often goes out of his way to avoid listening to crew member's backstories when they're told by other people, because he doesn't like hearing about his crew from other characters and also because he's of the opinion that he doesn't give a shit about their past because doesn't change how he feels about them. All he needs to know is "this person hurt my friend/made my friend cry/has ill will towards my friend". He trusts implicitly that if his friend has a problem with someone then it's with good reason, he doesn't need to know the particulars. He'll listen to the crew member themself if they're the one talking about it, but if someone else is doing the telling he often leaves or falls asleep, with a few exceptions (like Brook's backstory, because hearing Brook's backstory is important for realizing who Brook is, which crew he came from, and his relation to Laboon. I think the fact that the one telling him is another crew member also helps here). This was a trait I liked about him, the way he places importance on hearing about this stuff directly from the person and wants to know what they want and how they feel out of their own mouth. It was a cool, subtle trait that adds some depth to him. It also gives this sense of respect to the privacy of someone who doesn't get to tell their own story, maybe not intentionally on Luffy's part, who doesn't really have a strong concept of privacy tbh, but as a vibe you know? Obviously it's a good way to provide exposition especially if the character isn't the type to tell their own story, but there's still an invasion of privacy on some level even if it's arguably justified.

Nami's backstory is one such instance like this. He refuses to listen about Nami from Nojiko (literally says "no thanks I'm not interested in her past" and leaves). He doesn't need to know about Nami's past to want to help her and he wants to hear that she needs help directly from her.

In the live action however, he listens to Nojiko this time, when she tells Nami's story. And I get why, the way the story is arranged doesn't give as much room for Luffy to wander off and witness Nami's confrontation with the villagers separately, and that aspect of his character would probably be difficult to get across without making him seem like a dick in live action to newcomers, hell it doesn't always get across in the manga/anime either, since I've seen plenty of people complain about him doing it and saying it's a dick move. But! They added a line in the live action that I think managed to get across the same feeling about his character quite well in a succinct way. It was when he says "I'm tired of hearing about Nami from other people".

It brings to mind what he says to Robin in Enies Lobby. "I want to hear it from your own mouth!" he wants to hear about his friends and how they feel directly from them, not second hand from other people. And he wants to hear the truth because he knows when his friends are lying about how they feel. He doesn't care how well those other people know the crew member in question, he cares about learning about them directly from them. And later when they do the scene™ with Nami, it doesn't ring false when she says "you don't know anything about what's going on here" and he replies with "I don't" because to him since he didn't hear it from her directly he doesn't really know what's going on. He just knows that she's in pain and needs him but he wants to hear it from her, that she needs help. It isn't as subtle and doesn't have as many layers of interpretation that the original portrayal of this character trait is able to be, but that's just the nature of an adaptation like this, they have to be smart about what subtleties they keep and what they have to be more obvious/blunt about. There are actually a few areas where the live action are more subtle, like the way they take out a lot of exposition but still manage to explain a lot of stuff about their world through show rather than tell. The dialogue about devil fruits for example, they never outright say that devil fruit users have their power drained when they're submerged in water, but they do have scenes showing the effects and people referencing that aspect of fruits in ways that feel more natural to people who live in the world and aren't giving obligatory exposition. Other people have mentioned this but the live action is surprisingly good with show don't tell, and use it in all the right ways.

I get the feeling that some of the small adjustments they made to the script and exposition and stuff like Luffy's behaviour still feel right and in-character/canon compliant (not literally canon-compliant but in spirit if you know what I mean) to me because they feel like they get across some of the more subtle aspects of his character that a lot of people miss. Like it bugs me when people say the live action made Luffy "smarter" which I'm probably gonna make a whole separate post about. For now I'll just say, Luffy isn't anywhere near as stupid as a lot of people think he is.

Or when people think him not wanting to eat when he's worried about Zoro is out of character, when we've seen in the original series that Luffy actually *does* have a harder time eating or thinking about food when he's stressed out about his friends. In the original series it does generally take a bit more stress to get him to that point, but like I said I think they adjusted it to make this point more clear in live action, that Luffy's love of his friends and crew overshadow his love for food. And it also gives them a small moment to showcase more of Sanji's caring nature when it comes to food when he responds by trying to feed Luffy and convince him to eat, which is a great moment to add especially since they were limited with Sanji's characterisation due to him joining the latest in the season, they managed to pack in so much characterisation for him into a relatively short window and I was impressed by that. And I have some examples regarding Luffy abstaining from food for the sake of others or being more reluctant to eat when stressed, but I think I'll leave that for a separate post as well.

They had less time to develop the crew relationships so they made sure to emphasize their bonds within the scenes they did have, putting more weight on Luffy's worry for Zoro, having Luffy be a bit more outwardly attentive to the interpersonal dynamics of the crew, being a little bit more obvious about Luffy's emotional intelligence, etc. None of these things feel like they actually change anything about Luffy's core character, they just showcase aspects of his character that already exist and are just more subtle in the original, because it's a long running series and can afford to take more time to establish these character traits. Luffy might not have shown as much outward anxiety over Zoro's injury in the manga, but that's because Oda had more time to build up the relationship before that point, so the live action took advantage of the injury subplot to be more overt about how Luffy feels about Zoro, as well as how his one point of anxiety that really gets to him consistently is the safety of his crew and him feeling helpless when he can't do anything because the problem isn't something he can punch away. So in altering that scenario a bit they can still keep that sense of a deep bond between the two despite having less time to show them growing close in smaller moments like the manga does. They probably realised that having Luffy leave or fall asleep during Nami's backstory wouldn't come across as well in the live action or fit the narrative structure changes, but they still took a moment to add a line that acknowledged that part of Luffy's character.

Like part of why most of the changes they did make didn't bother me is because of that feeling that no matter what they changed they were still dedicated to being as true to the characters as possible in the most fundamental ways. I'd certainly much rather have the live action place emphasis on Luffy's emotional intelligence and empathy and care for his crew instead of putting emphasis on him being stupid and comedic and sacrificing some of his empathy and emotional intelligence in the process. Do I love when Luffy is a hilarious dumbass? Absolutely, but that isn't the most important part of his character, so I'm glad they did the opposite of flanderize him, and they still did keep the funny dumbass part of him intact they just didn't put more importance on it than they needed to.

Anyway, this got away from me, but I just wanted to make a post about this because I feel like it's a good example of how the show makes most of the changes work because it still feels like they get the core of the show and the characters. Which makes sense if Oda was so anal about it and had them change scenes or lines if they didn't feel right for the characters. Oda of all people would know what is or isn't in character for them, so I can feel the way these subtle changes still feel right despite the differences.

#One piece #one piece live action #Opla #OPLA spoilers #Long post #Okay I didn't mean for this post to be anywhere near this long #but I still have so many thoughts and emotions about the live action and the series and Luffy in general #I gave up on proofreading this post cause I typed it in the bathroom lol so sorry for any typos #This was supposed to be my thoughts about literally one line of dialogue how did this happen #Sp

[avocado-writing]

Hello! Could I request BG3 origin companions + Halsin and Rolan reacting to you asking them to help you work out/get fit? I've just started my fitness journey (for health reasons) and motivating myself can be really hard sometimes ;-;

good luck on your fitness journey, anon! i lost a load of weight over lockdown so i know that it can be difficult but i promise you it's possible!

Astarion

he' will literally complain the whole time but will do it anyway.

he doesn't work out with you, but he will sit to the side as you exercise and shout 'encouragements' at you.

"oh that weightlifting looks like it's absolutely awful, keep it up!" or he sees you eating a protein bowl and he's like "good on you for eating that but I'm glad I only need to survive off blood"

but still let you know he's proud of you and is, overall, supportive and sweet.

Gale

I am not a 'gale has abs' truther. sorry larian he has a str 8 I'm not buying it.

still, he will really really do his best to help be your workout partner.

if he spots you with weightlifting he has to do it with a mage hand too, or my boy is not strong enough to make sure you don't hurt yourself lol

he will get so knackered trying to keep up with you but he'll do it! he wants to be a good exercise partner!

is the best for looking up dietary stuff & researching into best exercises for the parts of your body you want to focus on.

maybe he does have abs by the time of you get into a good routine...

Wyll

Wyll is the only str8 companion I buy having abs. he's a swordsman and keeps himself lean to be good in a fight.

uses his swordmanship knowledge as a fitness regime - the two of you spar every day for long periods, it's a great workout!

helps you cool down after too, shows you the best way to help ease the sting of lactic acid.

he will sit down with you and make an exercise plan for each day. if he's doing this with you you're going the whole way, not half-arsing it.

exhausting but a great workout partner!

Karlach

very excited. jumps into training with you way too fast and hard. you are exhausted after the first couple of days and go to bed aching from it.

when she realises she cuts down on what she's asking you to do and tries to build up your strength and endurance on a curve rather than all at once.

she loves getting up early and going for a jog, just the two of you.

great at weight lifting. you're able to lift far more than you could every dream of after a couple of months.

she flexes at you and you flex back, then break into laughter. she loves having someone to do this with!

Shadowheart

especially when she's still a sharran, she is very much a 'feel the burn' sort of exercise partner.

your body hurts? good. keep going. that's how you know it's working. shar wants you to feel the pain.

lots of yoga and meditation, too. helps you restore balance to yourself after a tough session.

you go to bed sore every night but she just uses heals on you the next morning before you get going again.

it works but god, it is rough.

Lae'zel

"hmm. very well, i have seen how enviously you look at my body. i will train you to have my strength."

like karlach, she throws you in to the deep end, because that is how githyanki do it. unlike karlach she does not let up.

she is brutal but you see results quickly. another one of the companions who likes sparring. will make you fight her again and again until she can see proof your muscles are developing.

one day she gives you a compliment about how well you're doing and you're glowing for the rest of the day.

Halsin

for sure uses his wildshape to help you work out, turning into bigger and bigger animals and getting you to carry them as you run.

very supportive! constantly giving you a stream of praise about how well you are doing.

suggests good plants to supply you with extra vitamins, makes sure you are drinking water and staying hydrated.

being so old he probably has his own workout routine which he adapts for you. is aware of how much you can do but also helps you increase your endurance - he is the best at planning what you're doing that day.

Rolan

will. not. shut. up. about. how. he. hates. this.

"i don't want to do this >:(" "then don't." "no wait--"

groans and whines as he jogs next to you. eventually uses a floating disk to hover next to you as you run a circuit.

when you point out he's just giving up, that incites him, and he becomes a halfway decent workout buddy - he says it's just to spite you, but you think it may be because he enjoys spending time with you...

#shadowheart x reader #shadowheart x tav #karlach x reader #Karlach x tav #astarion x reader #astarion x tav #companions x tav #Companions x reader #Bg3 x reader #gale x reader #gale of waterdeep x reader #gale x tav #Gale of waterdeep x tav #halsin x reader #halsin x tav #wyll x reader #wyll x tav #wyll ravengard x reader #Wyll ravengard x tav #rolan x tav #rolan x reader #lae'zel x reader #lae'zel x tav

[icycoldninja]

Hello, how are you? can I request dmc boys with a reader who’s first language isn’t English? instead it’s something like french or Spanish whichever language you prefer

Oh sure! They might be kinda short, but here ya go and enjoy!

Sparda boys + V x Reader who speaks another language headcannons

¤ Dante ¤

-Demons have the ability to adapt quickly, meaning Dante can easily learn whatever language you speech after just a few months of hearin you speak it.

-Thinks it's really cool that you speak a language other than English, because it is.

-If you speak French or Spanish, he'll constantly be handing you things like packages of baby wipes or other things and ask you to read the Spanish or French text to see if the English translation is accurate.

-If you speak Italian, he will try to sing Italian opera songs to you, but he's a horrible singer, and, well, it was awful.

■ Vergil ■

-Vergil is half demon and can learn languages naturally easily--however, he is a massive nerd, and if you speak a certain language, you can bet he'll learn it too.

-He's gonna use you for practice, having you teach him to read, write, and speak in your other language.

-If you speak any of the Germanic or Romance languages, he will locate classy literature in these languages, learn the language, then read said literature to you.

-If you speak an Asian language, then that's even better, cause now you don't have to wait for dubbed anime!

□ Nero □

-Thinks it's awesome you can speak another language because he doesn't know anyone else who can.

-Wants to vacation somewhere where this language is spoken, just so you have a chance to flex your skills.

-Wants to learn too, but doesn't have the adaptability of a demon, so maybe not.

-Always listens to love songs in the language you speak, and would love it if you sang them to him. Even if he doesn't know what any of it means, it's still awesome.

● V ●

-Immediately goes out and buys a book of poetry in the language that you speak and asks you to read it to him.

-Finds that Germanic languages (if you speak one) are oddly soothing to listen to; better than ASMR.

-Also wants to learn the language too, but he'll be taking his time with it.

-If you can translate William Blake's poems to the language you speak, that'd be amazing. He'd melt instantly.

#Dmc #Dmc5 #devil may cry 5 #devil may cry #Dmc dante #Dmc vergil #Dmc Nero #Dmc v #Dmc5 dante #Dmc5 vergil #Dmc5 Nero #Dmc5 v #Devil may cry dante #Devil may cry vergil #Devil may cry Nero #Devil may cry v #Devil may cry 5 dante #Devil may cry 5 vergil #Devil may cry 5 Nero #Devil may cry 5 v #dante x reader #vergil x reader #nero x reader #v x reader #dmc dante x reader #dmc vergil x reader #dmc nero x reader #dmc v x reader #Headcannons #Sorry it's so short

[dduane]

I have only finished writing the first draft of my first novel so I'm nowhere near considering the legal side of writing yet but I'm curious, so if you don't mind me asking I got two questions:

1) Do laws forbidding writers from reading fanfic of their work go over to other mediums, like visual novels for example? Or let's say I wrote a script and was lucky enough to get it produced as an animated short, would these laws still pertain to it? Or do stories outside the written medium have a completely different set of laws pertaining to them?

2) If an author writes a standalone and reads fanfic of said standalone, then goes on to write a series completely separate from their previous work with a different world and cast can the fanfic author still sue if they detect similarities? Even if their fanfic is attached to a completely different story?

Sorry if these questions are weird and rambly, it's 1 AM over here.

Let me clarify this. These aren't laws that I've been following: they're self-designed rules, based on the current legal realities obtaining in the markets where my IP is known and on offer.

Re 1): Written or not written—drawn, sung, or performed as interpretive dance for all I care—work created with consent in one's own universe must have come about with underlying binding written agreements in place. Without such agreements existing, viewing work in any format that's based in one's own universe will inevitably expose one legally. If I write a graphic novel and people write fanfic based on it, I will not read their fanfic because it could expose me legally to claims that further work done in my IP was based on their fic. Ditto if I write a script and it gets produced, and people see it and write fanfic about it, I won't read that fanfic either. The medium doesn't matter.

Re 2): If I write what for the time being is a standalone novel and read fanfic based on it, and then write a completely different series per your description, can a fanfic author still sue me if they detect similarities? Even if their fanfic is attached to a completely different story?

Well, if they've got the money, and depending on where they're located (for national laws differ), sure they can. The suit may well be sourced in confusion, or malice, or both, but they can. And the suit may in due time be lost or thrown out of court for being frivolous, but no matter how the cards fall, it's going to wind up costing you, the writer, a fair bit of money to get shut of it. A year's worth of your earnings? Two years' worth? Five? And what will be left of your career at that point?

The whole situation is better avoided by not reading any fanfic based on your work. In any format. Any time, any place. Period.

What's workable, and legal, and safe, is the following approach to derivative works from the IP owner's point of view.

Let's say that (for example) a producer or playwright approaches me and wants to adapt So You Want To Be A Wizard as a stage play. If that happens I have them get in touch with my agent, my agent proposes a license fee for allowing them to do this, and draws up a contract with that person essentially stating that they have my permission to adapt my book. Once that contract's in force (meaning it's been signed and money's changed hands), it's perfectly safe for me to look at those people's material written in my universe, because we're both bound by a concrete agreement on how the creative process will go forward and how the results will be used.

Or alternately: Let's say that some writers I know think it would be fun to write Young Wizards stories, and when I hear about this, I say "Okay, let's do a YW anthology." And I talk it over with my agent and then we call in a crowd of writers whose talents I trust and whom I think would be interested in taking part. Those interested all sign contracts with me that say they've got my permission to create those works using my IP / in my universe, and to get paid for them. My side of those contracts stipulates (as seems fair) that, if they invent something particularly cool while working in my universe, I retain the right to use and expand on that concept or language at a later date if I like. (If they have a problem with that, that's their call: they don't have to sign the contract or be in the anthology.) And I can obviously now read all this work and have it, legally speaking, be perfectly safe for me.

But let's try looking at the situation from a different direction. I open my ask box one morning and find that someone's stuffed the idea for a Young Wizards short story into it, also saying, "And I'd like to publish this as fanfic, if it's okay with you." Without an agreement in place, without my permission, this person has forced me to look at material which potentially infringes my copyright. But that doesn't matter in terms of my immediate legal options, because fanfic is also conditionally protected by copyright. (This is a complex situation, but this article deals with some of it, and links to more discussion.)

My first urge is to simply delete the thing and pretend I never saw it. But unfortunately Tumblr's records of my web accesses will now contain proof that someone logging into my account, from my computer (or iPad, or phone...) has opened and viewed that ask. Should I ever wind up in court with this person, their lawyers will have demanded that data from Tumblr and will use it to prove that I had access to their client's idea.

So now—assuming they've actually gone ahead and done this writing and publishing—I have to get hold of my lawyer and have them contact Tumblr and get that person's identity and contact info from them, so that they can be sent a cease-and-desist letter. I hate having to do this, but evidence that you have not been defending your copyright can be used against you.

Now let me be blunt. Like most writers, I'm not wealthy. And the simple business described in the paragraph above could cost me a month's income or more in billings from the lawyer. What am I supposed to eat, next month, while I'm trying to write? ...It's a good thing I like ramen.

...Though if I was wealthy, things could get much worse.

Let's say that in an access of utter pre-caffeine idiocy, and a weary desire to be nice to a clueless innocent, I just tell that person in the ask box, "Okay, fine, knock yourself out... just don't make money from it and don't do it where I'll see it." And they say "Of course, I'd never want to cause you trouble, your fiction has meant so much to me..." And then some kind of gloriously indescribable series of events occurs that somehow or other raises the Young Wizards series' profile way higher than it is at the moment, and makes its originator even a little bit rich and famous.*

...And a year or two or five later, in these increasingly litigious times, that person from the ask box who was so nice and said they'd never want to cause me trouble... suddenly starts having second thoughts. ...After all, I've got all this money now, and without their contribution, maybe it would never have happened, right? Don't they have a right to some of that? It's only fair!

You can just hear the thought processes, because we've seen this play out elsewhere before now. "Come on, she'll never miss it. She's probably got a castle in Ireland with solid gold toilets by now. She's got a TV series in the works, and when that comes out she'll have lots more money. She'll never miss a few thousand [ / few tens of thousands / few hundred thousand...] out of that!" And shortly they're on the phone to some lawyers, and the tabloids, and Variety and The Hollywood Reporter, with claims that the Young Wizards series in the works is based on their idea. In fact, they can prove I not only read it, I gave them permission to write in my universe!

...And suddenly Hulu/HBO/RandoStartupStreamingNetwork has stopped taking my agent's calls.

(sigh) So, as I said above: just don't read fanfic based in your own universe, mmkay? You'll thank me later.

*Without the universe's originator then suffering some kind of toxic ethical shift after the fact. (shrug) Stranger things have happened.

#fanfic #profic #and their intersection

[dragonfoxgirl]

I started to become aware of the life I've built up. I have transformed into a character from a book I'm not entirely sure I've written myself. But if this is the case, my creator has certainly placed me in one of the strangest, happiest chapters.

I've become a house witch. Surrounded by her animals, plants and colorful trinkets.

I create with my hands. My eyes, the window to the worlds inside me.

I cover my body in colors and comfortable fabrics and bask through the mornings in bed with my three cats, my dog and my amazing fuzzy rabbit.

I walk barefoot as much as I can. Naked as much as I want. I lay on the cool floor, stretch like a cat and relishing in every single crack and pop from my achy back.

I drink terere like it's a magical potion and it may as well be in the sense that every zip is like drinking the scent of fresh soil.

I go out for no reason at all. I take my rabbit with me, sometimes my dog too and we sit at the supermarket bench enjoying the breeze of the door ventilators and people-watch.

I talk to them too. The ones brave enough to approach the crazy lady with a rabbit and dog in her lap. I see myself as the coocky zanny character they'll go tell their spouces about later.

I relish in the moment of being the magical creature in young children's minds when they see me in my rainbow hippie-ish clothes and walking my bunny on a leash because I know they'll recall my image for the rest of their lives while reminiscing about their childhood.

I enjoy my food unapologetically like an animal. I dig my teeth into my guilty pleasure burgers while whipping ketchup with my arm.

I've got a bird living in my bathroom as I raise it from a fledgling. A pigeon who takes showers with me. I talk to my plants as if they're my children.

I have lost the need for a standard and majorly consistent routine. I've created my own because I live and work for me. Me and my children, ofcourse.

I've become somewhat ... adapted to my limitations. But from that, I've embraced what I've accomplished and I've expanded them into real-life fantasies.

Maybe I'll never have the classic happy life. Maybe I'll never call anyone husband or work in a studio. Maybe I'll never drive a car or have many many many friends.

Maybe, I'll never dare to step outside my comfort zone in a major crazy way.

Because I don't want to risk this. This life I have. This autonomy. This freedom. This leasure.

To be crazy, messy, wild and fantastically deluded. I'm supposed to be!

I'm the crazy neighborhood lady. The witchy aunt figure that teaches you how to throw clay and lose your fear of bees.

I'm me. This me that exists for now.... and when that starts to change as I move to the next chapter... God I hope it still feels like it.

#artists on tumblr #neurodivergent #spirituality #wild woman #witch

[meiieiri]

Something about JJK 236 is bothering me

That fight...was awesome, but it could have gone better.

Other than the fact that I'm currently in mourning over our king's garish demise (don't get me wrong, I do want him to be happy in the afterlife and I'm slowly coming to terms with his death, it's just I can't really process all this yet), I'm still a bit confused how we got here so quickly.

I have countless questions and I know Gege will probably brush this off in the coming chapters and pull yet another meeska-mooska-Mickey Mouse Clubhouse move.

But there is one that lingers in my mind up to this day:

Remember during the Fearsome Womb Arc when Yuji and Sukuna deliberated with each other on the possible resurrection or re-animation of Itadori's body via a deathmatch?

Yeah. We all know Sukuna, the king of all curses, is a master at one-shotting his opponent. Just take a look at what he did to our best rose-colored boy who went from this:

To this, in a split second (lmao):

Yeah, yeah, I've read all the “copium” theories from other Gojo fans such as myself who are kinda on the fence when it comes to accepting Gojo's death as being final or not, but, let me bring this back real quick to the matter at hand.

Sukuna went for the head with Itadori. Of course, maybe he did that to shut him up sure, but what I'm getting at is, the head is the singlemost critical point to hit when it comes to sorcery dogfights.

He knows this.

And he probably knows that Gojo Satoru, the darling of the heavens, the uncontested gem of Jujutsu Society, is a reverse cursed technique user. Pretty obvious thing to catch since Satoru had been using RCT the entire showdown to heal his countless critical wounds.

So, Sukuna, in all his centuries of wreaking havoc on the world, should know that the only way to permanently kill a sorcerer who uses RCT is by targeting the head. There were so many instances in this entire deathmatch that we are completely blown away by Sukuna's prowess and overall mastery of Jujutsu.

Can you imagine the amount of practice he's had over the years with other "greatest sorcerer of their generation"s? He knows the ins and outs of Jujutsu like scripture, which is exactly what kept Gojo Satoru on his backfoot for some parts of their skirmish.

Now, here's the thing that's bothering me:

I liken Sukuna as something like a super computer. All that battle experience is readily available to him like some Jujutsu techniques data bank, not to mention, Mahoraga's adaptation clearly gave him yet another advantage in this fight for the title of the strongest.

He knows Satoru Gojo has been frying his brain using Reverse Cursed Technique this entire time, and he's probably seen his former opponents do the same as well. He knows that the only way to kill them is by dealing a devastating blow to the head via decapitation or complete obliteration of the body.

So, my question now is:

Why did he bother cutting Gojo in this particular manner? Why didn't he go straight for the head, since Mahoraga's adaptation blueprint can now allow Sukuna to cut through reality/space itself and therefore bypass Gojo’s infinity non-selectively?

Arrogance now that he's secured his definitive victory? Or the so-called warrior's high? Why leave room for obvious speculation when it could so easily be crushed into smithereens if he just went for the kill?

It's all very confusing. I'll point back to the time when Sukuna swiftly decapitated Itadori.

And I'm willing to bet that that move was deliberate since at the time, Itadori had already been in Jujutsu High for quite some time and Sukuna must have realized that under the tutelage of Gojo and other sorcerers, he must be learning a thing or two about RCT here and there which may have led him to end the fight quickly hence, the resurrection of Yuji Itadori.

Now before, ya'll attack me, I know what manga panel you're gonna throw at me to deconstruct this entire analysis and dismiss it as "copium". So, I'll put this here:

I know it may look like Gojo's entire head has been blown off at this point seeing the pool of blood he's currently lying on. But why is Gege or the editor making the effort to cover Gojo’s head with the text bubble when, logically speaking (and coldly at that), Gojo should be deader than dead? Which he…in theory based on the afterlife sequence, SHOULD be.

And with that whole North/South thing to cap it all off? Though, I wouldn't dwell on that. The wording in that bit was very vague and I’m not really into the habit of over-reading so hehe~

Anyway.

Could it be there's something else in store for Gojo Satoru? Is something else at play here?

Or is this simply a writer's failsafe, just in case Gege wishes to bring back Gojo Satoru so that he'll have a rational explanation as to how that came to be? No one knows. But I think this wasn't some on-the-fly decision by Gege or the editors.

Gege Akutami - though as a writer myself, I find his current choices for the story to be a little questionable with the many gray areas where plotholes could eventually arise - has been deliberate about this story since the beginning, having already mapped out the fate of Fushiguro Megumi.

This panel, the entire chapter, the circumstances we're now currently witnessing is deliberate. And maybe...we haven't seen the last of Satoru yet.

I'll leave this here for everyone to think about. This is all speculation, after all, so don't be mean about it, Jesus. In the meantime, I'll just admire my husband, Suguru, for now and will probably go back to writing my fics~ 💕

#jujutsu kaisen #jjk 236 #jjk theory #gojo satoru #geto suguru #ryomen sukuna #gojo satoru theory #gojo #gojo satoru x reader #i do hope he’s still alive though #please please let this be the case #jjk #gojo is alive agenda

[cineflections]

You know, if there was one manga that would be adapted to live action and succeed, I never would have guessed it to be this one.

I'm ofc talking about the One Piece Live Action on Netflix

A whole day binge right after release, I was READY, and thankfully, I was not disappointed. There are cuts and streamlining of the story, characters coming in earlier than in the manga/anime, and some of the emotional bits don't hit as hard as in the original. Still, I can feel the love the production team has of One Piece. The characters are goofy and lovable, but they are also serious and straight-faced.

One thing that I noticed throughout was the constant close up to faces and sometimes straight on, as if almost breaking the 4th wall. The very first scene with Luffy is like this, but there he DOES look into the camera directly, but the pov of the camera is revealed to be a newsbird. It's like a statement that they know this is a silly pirate romp, they know that some people will not take this seriously, but they will not do 4th wall breaks silly, but in-universe silly. Does that make sense?

I laughed at several points in the show, big and wide smile on my face and pointing at the screen several times...

But I do wonder how much of my laugh was on the show's on merit or if I was only calling back on the the source material. At times I did feel the straw hat crew not being as iconic as in the manga/anime. The extreme reactions, the over the top noises and actions, at the same time I realize that real people generally don't act like that.

I appreciate the show runners attention to details. Putting stuff in to tease future arcs, adapting some cover stories, some of the complete unhinged behaviors of characters (Garp I'm looking at you!).

This show adapted Romance Dawn, orange town, syrup village, baratie, and arlong park.

There are so many moments that are almost scene by scene taken from the manga. Luffy in the barrel and meeting Koby. Alvida with her giant spike club. We got to see some pre-captured Zoro moments (particularly him killing a baroque works agent!), Nami being a sneak.

Then we meet the one and only clown Buggy! They hammed him up, they made him a showman and a real clown (with a real bulgy nose as well, props!). I loved Buggy. Goddamn what a show stealer. Excellent casting, his devil fruit was show cased so well and it looked good!

Usopp's introduction is the most changed. The kids are gone and the Black Cat pirates never call in the entire crew or Jango. Instead of the fight on the slope by the beach it's instead in Kaya's house from which they cannot escape. The actor for Kuro nailing the mannerism and hand movements, altho his "teleporting" looks a bit wonky.

With Baratie we are finally introduced to Sanji! Who's British now 😆. And Mihawk's introduction tho! Badass and just so over the top and goofy. I love him so much! This is where we got the biggest change where we instead get Arlong and crew coming in smashing the place up (a tiny bit). Arlong may not be as tall as he should be but I love the practical approach instead of CGI, which means he actually feels present! All the fishmen we see are guys in costume and prosthetics!

Arlong Park felt a bit more rushed than the earlier parts, but I do think they nailed *that* scene tho.

If the bar for live action adaptation was below the ground, I would say now there's a new bar, which is on the ground 😅. I think it's a solid show but it might be my bias talking. I do have some gripes tho.

One thing that was constant in East Blue Saga was how much village people hate or are scared of pirates. I think they got the marines right, and the pirates, but they failed to really have the village people be a character in their own right. In the manga and anime the villagers are mostly a monolith who will think and act alike in situations and be part of the happenings either by watching or fighting. We got just about none of it here, except a mention in Arlong Park. They did some really good and cool world building with lots of people populating the sets in the background - but that's it, they're just extras to fill out the screen. There are ofc a few exceptions but I felt it was not enough.

I wish they had Luffy be more agile when using his gum-gum powers. Whenever he springs a pistol or a whip is stands in place, which I found boring (and they did so well with Zoro's fights!). I do think the explanation is that they decided for Luffy to be coming into his powers as we go. That we will learn with him all the things he can do (him not knowing he can blow himself up like a balloon proves this). I hope that in season 2 (please netflix!) they show the growth in his fighting!

But to end this long post. I just wanna say how much I fucking love the dude playing Mihawk. Goddamn he's so fun. MVP.

For the straw hats, I would say that Usopp feels the closest to manga version, and Luffy feels the most distant from it. But I don't dislike this, and I think the actor for Luffy has so much potential to really make the role his own.

It will never be "just like" the manga and anime, but that's ok! It's a new adaptation (in live action) made by people you can tell loves the source material and really really tried to make it work! I respect that, and I respect this show. Please watch it on Netflix! It's a fun and silly time, just like it should be!

#series #one piece #one piece live action #op #opla #monkey d luffy #roronoa zoro #nami #usopp #sanji #dracule mihawk #monkey d garp #buggy the clown #netflix

[genericpuff]

And with that, 2000 years of history and 10+ years of an animated adaption later, Attack on Titan is over.

I wasn't planning on making an essay post about this but like all of my essay posts, it got crazy out of hand, so here we are. I have a lot to say on it and the more I wrote, the more I realized exactly what the Attack on Titan finale was about. It's cathartic. It's also kind of a big shitpost but not for the reasons you might think.

Spoilers for the Attack on Titan finale ahead! CW: DISCUSSION OF WAR AND GENOCIDE AHEAD!

Now for anyone who knows what I'm about to talk about (and anyone who follows my stuff here), I'm sure you're wondering , what side do I fall on in regards to Attack on Titan's ending? Am I about to talk shit about it? It's very divisive and somewhat inconclusive. It followed the exact ending in the manga which, while expected, was still disappointing to many who had hoped the anime would take some other path.

But I have to ask, could there have been any other way?

Eren committed mass genocide, bordering on extinction of the entire human race. There was no way that he was gonna come out of it redeemed or as a hero, and he knew it. He went straight up Walter White core here and like Walter White, he is not a hero.

The fact that the Marlayans have been constantly going to war with other countries using Eldians as their personal soldiers goes to show that for countries that seek out conquest, there's no target too small or insignificant that can't be marked as an "enemy", and we see that reflected in Eren as well, in his pursuing of "freedom", an ever-moving goalpost that can never truly be satisfied.

The Jaegerists were hellbent on creating a new empire on the bloodshed of Marley - 'an eye for an eye', so to speak.

Nothing was ever going to truly satisfy either 'side' in the conflict of humanity vs. Eldians because such conflicts' origins have been obfuscated in hundreds of years of history, propaganda, and generational trauma that has repeated itself for so long that many don't even know what they're fighting for anymore, aside from one thing - that they don't want to suffer, that they shouldn't have to suffer for the actions of their ancestors, that they want peace and happiness but don't know where to start with taking the first step.

I think people are disappointed in this ending because, let's face it, it's anime, and it's an anime adaption that took years to finish. We always want to see some kind of vindication from stories like these, but I think in having vindication, it ultimately removes the point altogether of what's being said.

As much as we may try to fight it, try to deny it, the course of human history travels in a circle. Conflict will always arise. History is written by the victors, and those victors will be seen as heroes by whichever side they're fighting for regardless of what heinous acts they may have committed to justify their salvation. And after all of that conflict, regardless of the result - time goes on, and new conflicts arise.

But I don't think that means we have to succumb to grief and suffering and that's a point that I'm seeing missed in a lot of the discussion around the finale. There's a very powerful scene between Armin and Zeke, in which Armin talks about how he was born to run up the hill with Mikasa and Eren. He recognizes fully that if his life isn't meant to be long, he can still cherish those small moments that he thinks back on fondly, the moments that defined his life with the people he cared about.

And that's really all life is. Small moments and experiences that stick with us until the end. The very act of being born in and of itself is a cosmic miracle that gives us the chance to experience things that bring us joy and stay with us forever - however short or long that 'forever' may be. We take these small moments for granted when we're comfortable, but we look for them the most when we're suffering.

If I can relate all this to another piece of media that says the same thing - albeit with a much brighter ending - FF XIV: Endwalker also asks a similar question to Attack on Titan - is the only meaning in life to suffer and die? Of course, by its end, we learn that while death and suffering is an inevitable part of life - not something that should be avoided - it shouldn't persuade us to give in to fear and despair as a constant state of being. And I think Attack on Titan goes for a very similar approach, albeit slightly more as a cautionary tale - a nihilistic reminder that ultimately, the losses and victories we find in our current point of history are still just that, a single point, a blip that will be forgotten until it's ultimately repeated, and there's no escaping that.

It cautions us that freedom cannot exist without constant vigilance for war and conflict. It cautions us that our values and core beliefs for attaining freedom, love and happiness can be twisted into a weapon to cause harm, vindication gained at the cost of another. It cautions us that when left in the wrong hands, power can and will be abused by the ignorant while propagandizing itself as "the greater good".

So why not just find the joy that we can? The friendships, the little moments, the things that bring us happiness even if only temporary. Conflict is inevitable, suffering is inevitable, but that doesn't mean life isn't worth living. "Happiness" is not a tangible end point - it's the side effect of living a meaningful life that's true to yourself.

Attack on Titan is over. Some will argue the ending was the only way, others will argue that there could have been another way and that the anime adaption had the chance to change it but still didn't for reasons beyond their comprehension.

But isn't that the whole point? We'll argue. We'll bargain. Many of the arguments made will reinforce our own beliefs further rather than sway us. Many of us will insist there had to be another way, just as Armin insisted that this couldn't have been the only way, that humanity must have had another option. Meanwhile, many of us will acknowledge that at the end of the day, this is the story Isayama wanted to tell, and regardless of whether or not it makes him an idiot toying with his audience and admitting defeat by lampshading it in the penultimate scene of Eren admitting to his own idiocy, this was the power given to him and he used it in the best way he knew how.

Much like in any conflict, there's one thing that unites both sides - the human need for joy, connection, and freedom.

We might not agree on how Attack on Titan ended, but we can agree that it was a hell of a ride, and I hope we can all agree that it was worth riding, even if it wasn't satisfying for everyone in the end. It brought many people together regardless of their backgrounds, experiences, and differences, and connected them through something they all loved for over ten years. And despite how big a part of our lives it was, life will still go on, and we'll move on to other things to watch, enjoy, and argue over. Isayama will move on to whatever awaits him next, knowing fully well that his choice was his own, that he created the series he wanted to create regardless of how people feel about it. We'll all look for our own forms of joy and happiness as life moves on around us, as conflicts come and go.

Isn't that really what freedom is at the end of the day?

#also ok i know this turned into a philosophical post but like #i'm still just talking about fucking anime #so please for the love of god i don't want to be seeing anyone using this post as a way to play devil's advocate on real actual war crimes #human conflict in and of itself is an enigmatic inevitability but blatant actions of genocide and colonization are not #and that was made VERY clear by the end of the series through eldians and marlayans putting aside their differences to take out eren #also ymir being in love with king fritz was a bit of a weird thing to do but that's for another post #i think it spoke more to her just being that desperate for connection that she fell into an abusive relationship #but idk it could have been executed better esp because a lot of the 'romance' in AoT is weird #still i really enjoyed the finale tbh and i don't think we're supposed to be left feeling strictly one way about it #the fact that we're arguing over whether or not the finale was good is literally just proving isayama right ngl LOL #attack on titan #attack on titan finale #attack on titan spoilers #shingeki no kyojin #shingeki no kyojin finale #shingeki no kyojin spoilers #essay post #long post #tw genocide #tw war

[arminreindl]

Mekosuchus

My recent-most Wikipedia deep dive was in equal parts enlightening and frustrating and it concerned no other than Mekosuchus, everyones favourite heartbreaker of a recently extinct crocodile.

For those unfamiliar, let me give you some footnotes before getting into the nitty gritty. Mekosuchus is, or was, a genus of terrestrial (NOT ARBOREAL) dwarf crocodile from Australasia, first appearing during the Late Oligocene. They were small, how small we don't precisely know but its generally estimated that adults would be in the 1-2 meter range (so about 3 to 6 feet I believe?). The heartbreaking part? The last confirmed Mekosuchus died out only 3.000 years ago, and some publications even suggest they could have stuck around until just 1.700 years ago. Yeah, we got REALLY close.

Art by yours truly, I'll explain the massive difference down below, just be patient.

But lets get some of the basics out of the way. Mekosuchus was a small mekosuchine crocodilian and currently, four species are recognized. Mekosuchus whitehunterensis is the oldest from the Oligocene/Miocene of mainland Australia, immediately succeeded by M. sanderi during the Miocene. Both these species were described as having had blade-like posterior teeth (at the back of the jaw) and both coexisted with a ton of other crocs, including Baru, Quinkana and some bizarre ones like Ultrastenos.

After a bizarre break in the fossil record, Mekosuchus shows up again during the Holocene on the islands of New Caledonia and Vanuatu, ironically mirroring the meiolaniid turtles I talked about previously. Fossils are securely dated to about 3.000 years ago, but Balouet and Buffetaut also suggested that some of the younger remains may only be 1.720 years old, overlapping with human settlements. But this isn't accepted by everyone. Regardless, these species differ from their older cousins by lacking the blade-like teeth, instead going for crushing dentition.

Art by artbyjrc and Kahless28

With such different teeth comes different ecology, of course. A 2015 study suggests that the neck vertebrae of M. whitehunterensis were well adapted to rapid stresses, specifically caused by side-to-side movement of the head. It is thus speculated that they shook their heads to strip meat from carcasses, rather than performing the iconic death roll (as that might hurt the animal on land).

M. inexpectatus meanwhile was seemingly better adapted at crushing hard-shelld things, crabs, insects, maybe snails even. Holt and colleagues suggest that it might have lived much like a modern dwarf crocodile, spending its time in river streams and coming out at night to forage. Dwarf crocodile via the San Diego Zoo and Mekosuchus illustrated by my friend BatmanelVisigodo

Both however are thought to be terrestrial, having short, altirostral skulls, big eyes and nares that face sideways, not upwards as in semi-aquatic crocodilians. They were however NOT ARBOREAL. Yes I know I know, its a bummer. To those unaware, a commonly cited missconception is that Mekosuchus was a tree-dweller, which was originally suggested by Paul Willis in the 1990s. However, this was more of an off-hand comment at the time that certain people (including me in the past) have run with, causing it to spread and be almost considered fact by some. Hell, it says a lot when Mekosuchus, in many circles, is thought of as "that tree croc". However, not only was Willis suggestion based on the now outdated notion that monitor lizards weren't around at the same time, later authors also note that the toes of Mekosuchus really don't show any adaptations to climbing specifically. So alas, it would seem that this was only a myth. But don't worry too much, sometimes crocs climb regardless, just not vertically up a tree. Mekosuchus artwork by Manusuchus

Now at the beginning I teased that there's a reason why my images for M. whitehunterensis and M. inexpectatus look so different. Well its kind of painful really. Despite being known for about 30 years now, with 300+ bones known from New Caledonia alone, Mekosuchus is incredibly poorly studied. The original description only figured around half a dozen bones and while the next three species were all named in the span of just 5 years, they are all incredibly fragmentary. And then, just after another expedition collected more bones....things went silent.

The last 20 years saw the publication of only a single paper extensively dealing with Mekosuchus itself, with two skull reconstructions coming out in less detailed sources. The first is Holt et al. 2007, a powerpoint presentation from a paleontological conference. The presentation made some fascinating claims and even provided a reconstruction of the skull, but sadly. Nothing ever came of it, the research was never formally published and the lead author has since then changed fields into Astronomy. Actually had a nice talk with him earlier today. Then there's Scanlon 2014, which offers even less. In the book  Carnivores of Australia: past, present and future, Scanlon briefly touches upon mekosuchines, featuring a new composite reconstruction of M. whitehunterensis. However, this is not elaborated on in the text, despite the drastic differences to how M. inexpectatus has been reconstructed before. So we are left with two very different appearances. Are they simply really different looking species? Is one interpretation faulty? Should Mekosuchus be split? Who knows, might be a while until we figure it out. But until then, here's the two together, one looking much like a dwarf crocodilian, the other more like a sebecid. An interesting contrast for sure.

As per usual, this research was done as part of me doing a major haul of a Wikipedia page which you can read here Mekosuchus - Wikipedia. It's been an interesting, if a little frustrating task, but it was fun properly reading up on this animal and putting this information out there for people that don't wanna dig through 30 years of literature (including one paper in French). Hopefully I suceeded, at least the page is a bit bulkier now.

#wikipedia editing #palaeoblr #paleontology #prehistory #long post #crocodile #mekosuchus #land crocodile #mekosuchinae #new caledonia #extinction #paleo #science

[rabarbarzcukrem]

So... I've finally watched the first Utena musical

The whole cast singing the lines of the prince in masks without him appearing himself...do you get it... he's an idea...he doesn't exist... He's just a concept from a fairytale repeated by everyone...

Utena's deep voice <333

"What's so special about this letter?" said to Wakaba...

Saionji is so dramatic I love it

I don't like the fact that Utena's uniform clearly has a different shape to the shape of the ones worn by guys. It was like that in the anime too, but in real life it looks weird, like it's too small for the actress. Otherwise the costumes are amazing tho

Zettai unmei mokushiroku was used so well... Compared to the first few songs it's very sudden and intense, very fitting for the first scene in which Utena enters the dueling arena

The way everyone moves is so in character, Anthy picking up her dress when she walks (like a princess), Touga constantly with hands in his pockets (laid-back and indifferent), Juri with arms crossed (shielding herself), Utena's strong butch energy

I love how they did the sword of Dios thing

Wtf is this disco song??? It's so random and out of nowhere...Wait. Is it this musical's equivalent of the anime intro?? That's so smart...

The song slaps actually

OF COURSE the EGG SPEECH is a SONG

Anthy's voice is so pretty I'm gonna cry

Utena immediately calling Anthy her friend, even though she doesn't know her...she is so full of love to give and so starved for close human connection.... (how very middle school of her too). I can't look at this scene without thinking about what's to come.. "you showed me a taste of true friendship"...

"Are you (anthy and touga) close?" Oooh boy

Nanami is perfect...Her song with Miki on the keys lmao. Wakaba constantly in the background... foreshadowing??

There are like. 5 different scenes happening at once

Utena and Wakaba's friendship contrasted with Touga and Saionji's broken one...damn...

"I measure the time I spend hating the student council" LMAOOO

Anthy's creepy laugh... Actually this is a good visual way to show how weird she appears to the other characters and make sure the audience associates this uneasy feeling with her

Juri standing on the chair lol. The humor in this version makes it so clear that those are highschool students

And I adore the meta jokes about weird shit going on in the background during the council meetings and no one really knowing what the stop watch does

I noticed that Juri touches her hair whenever she's vulnerable. Nice detail

Juri angst...ouch...

Why is the sword of Dios so big tho

"The sword Juri sent flying through the air came down to shatter her own rose...was the floor of the arena the only thing it pierced?" OW OW OW

THIS SCENE BROKE ME

Saionji calling Touga "motherfucker" I'm dead

Different girls playing Utena in the coffin, covering their faces with the doll...

AND THEN DUELISTS JOINING TO SING UTENA'S LINES THAT SHE WILL NEVER LEAVE THE COFFIN. WITH ANTHY AT THE END. GENIUS

The cooking song is so cute and catchy

UTENA SPITTING AT SAIONJI I'M LOVING THIS

Saionji joining the shadow girls...this is hilarious

I love the desperate song of Wakaba inspiring Utena to take back who she was. And her being the only one to say that the girl's outfit doesn't suit Utena... But as soon as her role of inspiring the main character is fulfilled, the curtain falls and only Utena is left on stage.

...Surely....

The ending was amazing..

All in all I'm convinced that a stage play of Utena is the best type of adaptation that could ever be made. The anime already had allusions to theatre and stages so it works perfectly.

#I can't wait to watch the second one #revolutionary girl utena #rgu #moje

[bunniefaery]

I saw this article calling Sasuke a Villain and how the live-action shouldn't include his "villain" arc, because it "felt tedious and too convoluted to the bigger narrative" and instead they should make him a pivot for the fight against the Otsutsuki...

Did this person watch the anime or read the manga?

Article from CBR, Title: The Naruto Live-Action Movie Doesn't Need To Adapt This Villain Arc

1. Protect Konoha from what? The Uchiha wanted to end the decades long discrimination and oppression they were facing at the hands of the higher ups... (Not to mention that when Kurama attacked the village (under genjutsu, when Naruto was born), and during the konoha crush, no other villages went to attack the Leaf after the events), not even after the Pein arc...

2. Most people would hate growing up alone, and why was that sentence in bold?

3. Sasuke didn't find out about the true reason Itachi did what he did, until after Itachi died, as well as the real reason behind said Coup... as far as I am aware. And why wouldn't he want revenge against Konoha (specifically the 3 people who are left that caused all of his trauma and the uchiha genocide, it'd be 4 but the Sandaime Hokage was already dead by this point in the story)

4. What "wars" against Madara and Obito? There was only 1 War against them, the 4th great ninja war, that lasted 2 days a.k.a. approximately ~212 episodes, including filler (volumes 55 through 59 in the Manga, according to google)

"Naruto and Sasuke were reincarnations of her sons (Ashura and Indra, respectively)"

Okay, so the author didn't watch nor read Naruto...

Indra and Ashura Otsutsuki are not Kaguya's sons... they are her grandsons 👁️👄👁️ Homura and Hagoromo Otsutsuki are her sons... and Hagoromo is Ashura and Indra's father…

I feel like the author doesn't know much about Kaguya either, if they did they'd know her story.

"The advantage of Sasuke being a rebel without defecting from Konoha is that Naruto would have the help needed to fight the big villains of the franchise: the Ōtsutsuki."

When the time came, was Sasuke not helping Naruto with that? 🧐 And why shouldn't he have defected from Konoha? What good could they do for him?

Why does Sasuke need to be convinced to return home, when his home was taken from him by this "home" the author speaks of, that "home" being Konoha? Why should he return to the place that treated his people so poorly that they felt they no other choice but to do a coup against the people in charge of Konoha only to be wiped out for daring to stand up for themselves after years of oppression...?

Konoha, specifically Danzo, the third hokage, and 2 hogake advisors, Homura and Koharu (3 of which where Tobirama Senju's students and all 4 of which were on his personal team, and we all know what Tobi thought of the Uchiha) forced Itachi to wipeout his whole clan, excluding Sasuke, and then blamed him for it. They swept what they did under a filthy rug, that already had many skeletons piling up, and acted like he was the most evil person... He was a child and he was forced to do that and to become a fugitive by the old people in charge, who had no business being in charge of Konoha since there should've been a 5th Hokage by then... (regardless if Itachi regretted it or not, which he never really does)

I won't say it...😇

"Sasuke could learn more about how Indra developed a dark side, which passed down to the Uchiha, while Ashura's light gave way to the Senju and Uzumaki (Naruto's family) clans"

1. While I do agree that Naruto should've learnt more of the Uzumaki (and the Namikaze), besides finding out they excelled in Sealing Jutsus, had very long lives and were a bit savage (it wasn't in-depth at all, and there is no one to teach him, since the Uzumaki are also victims of genocide (in which Konoha did not help protect them) and well, I don't know what happened to Minato's people)

2. And that Sasuke should've learnt more of his people (but how was he going to, when he was the only one left at age 7/8?)

3. Indra's dark side... it wasn't passed down, nor did it emerge until his father gave his little brother the title of successor and expected him to follow without questions, having his birthright taken away because he was more introverted than his little brother whom their father called "the flunky useless dropout younger brother" (according to a panel I saw). And implied, at least to me, that ninjustu was created for wars and all things evil (Indra created ninjustu when he was just a child). ah yes his dark side the Uchiha inherited, that darkness of wanting to be treated like people and with respect in the village they helped make.

4. Kushina calls the Uzumaki, among other things, a bit savage. Batsuma Senju punched Hashirama, a child at the time, for being angry/sad that his little brother died, saying he was disrespecting his brother (and him) by basically questioning the system. Tobirama is a Senju, who was not shy about his hatred and prejudice against the Uchiha Clan (he is after all the founder of the bigoted psuedo science that was the "Curse of Hatred" the Uchiha are supposedly afflicted by, a clan that according to him is cursed and called Sasuke "a brat possessed by Uchiha evil") and that's on Ashura's "light" that gave way for his descendants, the Uzumaki and the Senju, "a clan of love~"🥰

Right, because he wasn't a pivot to the story, nor did his and naruto's story have any "heart and impact"... Right...

At some point, I wonder if some of this article is just satire 😅

#pro sasuke #anti sasusaku #sasuke uchiha #sasuke #naruto #anti konoha #anti danzo #anti hiruzen #pro uchiha #naruto article #anime article #naruto live action #Naruto live action article #I don't like SasuSaku but I do like Sakura she's a good villainess disguised as a heroine #anti naruto ending #anime #anime and manga #I had go write this twice because Tumblr wouldn't save the first draft 😭 #uchiha clan #uchiha massacre

[natlacentral]

Avatar Netflix Season 2 Will 'Condense' Original Storyline (Exclusive)

Season 2 of Avatar: The Last Airbender will follow in the footsteps of the first season's storytelling "condensing." 

Each season of the animated Avatar series had twenty episodes, most of which followed their own adventures. When it came to the live-action show, the first season only had eight hour-long installments.

This led to many elements of the original storyline getting condensed, such as the combination and relocation of a handful of plot threads to the team’s stay in Omashu—meeting the Mechanist, Jet, Bumi, and venturing into the Secret Tunnel.

As one might imagine, these types of changes did not always land well with audiences.

Season 2 Will Condense Original Avatar Storyline

Speaking with The Direct at Paleyfest 2024, Avatar: The Last Airbender Seasons 2 and 3 executive producer Jabbar Raisani confirmed that they will need to condense some of the original story as the Netflix show moves forward.

Raisani pointed out how their handling of Seasons 2 and 3  which will conclude the live-action series - will be "a lot like Season 1," which also means "some condensing" has "to take place:"

"I think it's a lot like season 1. There's a lot of content in the animated series. And we will be looking at all that content. But we don't have the number of episodes that we have in the animated series. So, certainly, there will be some condensing that has to take place."

While speaking to The Direct about the possibility of more original moments in Season 2 for his character, Uncle Iroh actor Paul Sun-Hyung Lee shared that he "[does not] know how they’re going to remix the stories" going forward:

"I wish I could; I have no idea what they have planned for us... I know we're getting an opportunity to finish telling the story. Obviously, the animated series is going to be the template for us. But other than that, I don't know how they're going to remix the stories. Nobody tells me nothing. So I'm just gonna show up. And yeah, hopefully, we get a better, clearer sense of where we're going with that in the future. But right now, I have no idea what's going to happen."

While the original animated series has been finished for nearly two decades, the story of those characters will continue in a new animated film called Aang: The Last Airbender.

Currently, not many details are known about the project, but fans do know it will follow team Avatar as they are older following the events Avatar.

As for whether its story will have any influence on future episodes of Netflix’s The Last Airbender, Raisani admitted it will not, at least "not at this point:"

"No, not at this point. We are really looking at the animated series at what came before and less of sort of what they're currently doing on the new movies."

As for whether or not he would be interested in potentially adapting Legend of Korra for live-action, he firmly responded:

"Certainly, I'd be interested in anything that is in this universe."

[ Avatar 2025 Movie: Last Airbender Release, Cast & Everything We Know About Adult Aang Film ]

Remixing Season 2 Episodes Was Inevitable

When it comes to adapting the source material, condensing is unavoidable. Avatar: The Last Airbender fans shouldn't be surprised the same will be happening for Seasons 2 and 3.

Simply put, 20-minute bite-size adventures do not work well for the more extended episode structures of the Netflix show. If the original episode is a self-contained, isolated story, odds are it may not make the cut—or be weaved in with other plot threads.

Hopefully, at the very least, fan-favorite episodes such as the desert spirit library and how Appa got stolen can see the light of day in live action.

One thing that will make it notably more difficult to stick to the original episodes, though, is how behind on Aang’s bending lessons he is. Book 2 is all about him learning earthbending from Toph—however, in the live-action Last Airbender series, he hasn't even started lessons for waterbending.

The show is ahead of the game when it comes to Azula’s storyline, however, as she doesn’t originally appear until Season 2. That alone could save some episodes from the chopping block.

#natla #atla #avatar the last airbender #netflix avatar #netflix atla #avatar netflix #atla netflix #dallas liu #jabbar raisani #paul sun hyung lee #the direct #article #paleyfest

[hiding-in-the-vault]

I would love to know more about the cave au. Why are the cave more dangerous now? Who's death Dream managed to get safety for bringing them back?

And because I'm a huge fantasy dwarves and fallen london fan : how did the architecture change? Is it safe to build underground or is everyone nomadic now? How is the food situation?

Long post oh boy!

The cave au is kinda like taking Dream's original mention of a "world altering event" and making it very literal. In minecraft terms, I'd describe it like the cave and cliff update installed overnight except on amplified mode. All of this is because there is so much imbalance™, that's the overworld is behaving erratically.

Most of the shifting already occurred underground by the time they noticed something was wrong. But things shifted a looott to the point where what they had explored had been altered or displaced, and what now expands below dwarfs their existing tunnels in comparison. So to answer the first question, it's essentially uncharted, for one. For two, the mobs are acting as unpredictable as the earth is, swarming the tunnels en masse. But more importantly, the longer theyre down there, the longer this goes on, the more the mobs get altered themselves. (which originally was so i can say hey more things glow now :) pretty!) But now, we're talking like massive spiders in every classic work of fantasy. I'm mulling over introducing new things here too, for flavor. (like those mods with the huge centipedes ughuhg) Maybe a warden or two gets displaced and starts wandering the tunnels, who knows! On that note, sculk is probably on the rise as well and they need to be careful about keeping it from getting too close.

As for who dies-- ngl, I haven't decided 100%. For what it's worth, this is only the First death, not the only one. I've been thinking one of the teens, as they seem most likely to wander too out from camp and get Got by something. First I thought Tubbo, but I don't really want Tommy to have to ask Dream to bring him back. (not like he'd do it alone- the entire group wants to avoid casualties) Then I thought Tommy, but discduo can't hog limbo forever, right, we've been there and seen that! My desire to not repeat things that already happened in canon vs whatever actually feels most likely, FIGHT!!

I haven't put too much thought into generated structures yet, like the dungeons or ancient cities, but I would like there to be some change there as well. It'd be coooool. (shaking your hand, i loove dwarven architecture) The walls of the caverns themselves often have a stretched feel about them. A looot of stalactite and stalagmites, on massive scales. I'd say it is safe enough to build, once they find a place that feels fitting- a cavern big enough for them but not too big that they'll have to share it. Water, nutrient rich dirt, existing vegetation preferred, etc etc. But even then, the caves do still shift on occasion. Basically earthquakes that will require them to do some repairs and plan structures around, but it's possible! They think, anyway :D

And finally food. They go in prepared the best they can. A lot of them has massive farms and lots of animals, ofc. They can't drag too many animals into the caves with them, but they prepared as much food as they could before going on, with intentions to start new farms once they settle down. Lots of potatoes, yay for Dream! And Some the underground lakes have a surprising about of fish in them. In all the uproar above ground, there was a lot of flooding, but many of those bodies of water pooled underground as well, taking the fish with them. This becomes a bit more reliable as time passes as well, as the fish adapt.

I'm kinda rolling with mobs very short life cycles and using that to explain why they change so much faster. Also Magic™

#vault talks #cave au #i havent seen too much about fallen london but i'm nodding along with google images! #Im excited to do more concept art of what im envisioning #want it to be a little more exciting than some houses in a cave yknow ;) #also havent decided how long they wander for and therefore how much of an issue food becomes #kinda hoping to wherever the vibes take me rn