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crocodilenjoyer · 2 days

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op fic recs

dont tell my professors.

A head pops up on the other side of Straw Hat; the last of the fading sunlight refracts off Roronoa’s earrings, winking at her. “Oh,” he says, sounding only mildly surprised to see her. “You’re here too.”

“What are you talking about? What’s going on?”

Roronoa grins. “Yeah. He does this.”

Nami props herself up a little higher on her already bruising elbow. Straw Hat’s got an arm wrapped around Roronoa, same as her, pinning him to his other side.

“Okay,” Nami says, feeling her third headache in as many hours beginning to creep up. “What is this?”

“How he sleeps, I guess. Been doing it since we started sailing together.”

“You’re joking.”

Roronoa shrugs.

“Well, how do we get him to let go?”

“Dunno. Haven’t figured that part out yet,” Roronoa says and then, because he’s no help at all, lays back down.

Sanji is carefully placing a cherry on top of the ice cream, his hands nimble, soft, almost—gentle. But all Zoro sees is the way the hems of his pants are still soaked in blood from an earlier skirmish with a marine ship, red seeping into the cracks on the floorboard, spattering across the kitchen floor in a slow drip, drip, drip.

Zoro stares, fascinated. He can’t bring himself to look away.

(Or, Zoro and Sanji—terrible monsters, in love)

“I don’t buy it,” Pete retorts. “Someone like you? Some cook from East Blue? You’re probably worth a couple hundred thousand bellies at best, maybe a million, if your captain’s somebody.”

Sanji tilts his head back so that it rests against the dirty wall behind him. He’s still upright, somehow, through sheer stubbornness or spite. He doesn’t look like someone who only has tonight left to live. In fact, he looks sharp. There’s no better word for it. His expression is still as peaceable as it has been since he arrived, but watching him is like watching a knife slide out of its sheath. He is, abruptly, dangerous. A tool made for cutting.

“If you knew where I’ve been, you would be terrified of me,” he says.

A catalogue of things stolen by, for, and from Princess Vivi of Alabasta with regards to a certain thief, as documented by her long-suffering captain of the guard.

“If you’re looking for Arlong, he’s inside,” she says, pointing at the monstrous building. Jinbe doesn’t look away from her, from the bruise over her eye. She can’t be older than thirteen or fourteen. Her fingers are worn red and raw. As he watches, a drop of blood drips to the ground.

A girl, with reddish hair and exhausted eyes and a ragged, forced smile, and it’s Koala but it’s not.

(Jinbe goes to check in on his brother, and finds some things that need to be set right.)

“Do you think you can bench press me?” Luffy asks, interrupting him in the middle of a crunch, and Zoro pauses and says, “yeah, sure.”

There’s a tightening feeling low in Shanks’ stomach as his gaze follows those long fingers wrap around the neck of the bottle, the candlelight lancing over a sharp cheekbone. Mihawk is terrifying before he is beautiful, but Shanks isn’t afraid of him, and Mihawk is so fucking pretty. The dim glow filtering in through the windows is beginning to tinge warm, reminding Shanks that they’re on borrowed time; he glances at the clock and decides. He reaches over before Mihawk can straighten and curls his fingers around the shell of his ear.

“Hey.”

Mihawk stills and looks at him from the corner of his eye, barely turning his head. The bottle is in his hand, and Shanks trails his fingers down Mihawk’s jaw to take the liquor from him and set it down on the table.

“Wanna bang?”

Sanji and Zoro have very different love languages.

Standards by taizi | nr, probably g | post-timeskip | gen, straw hats | 2.4k

"You aren't planning on bringing that boy in with you tomorrow night, are you? Our restaurant has certain standards."

(In which the Straw Hats set out to prove their captain meets certain standards; whether he likes it or not.)

Usopp gets his hands on a tattoo machine.

Soon after, he gets his hands all over his crew.

When they’re on the forecastle, with the helm just behind them and the figurehead casting them further in shadow, Usopp calls, “Raise the sails!”

Luffy’s gasp next to his ear is the best part of his entire day.

The sails unfold in a great rolling crash of canvas. Even the striped gaff swings out, catching the wind. The whole sloop gives a powerful lurch as if she’s eager to sprint out of port on the back of whatever gale blows along next.

And painted on the foresail, bold and bright and proud, is a grinning Jolly Roger in a yellow straw hat.

“That’s mine,” Luffy whispers, hushed and awed.

“Told you so,” Usopp says smugly.

Ever since he'd left home, people had not stopped asking Zoro about his accent.

Or, the reason Zoro was allowed to wander around alone in Wano.

He keeps moving forward at a steady pace, resisting the urge to run because how fucking embarrassing would that be, running because he missed them, and as he breaks through the treeline he shouts, “Oi, oi—what took you guys so long? It's been—”

And then he freezes, because yes, actually—something is very, very wrong.

The Sunny is anchored just off shore, close enough to see the deck but far enough away that the crew has had to take the Mini Merry to make land. Scattered across the beach in various stages of chaos—rolling around, yelling, fighting—are his crew but not his crew, so similar and yet so, so different. They look younger, fresher, and whatthefuck there, on the deck of the Sunny just peering over the railing, he catches a flash of green—his own green hair—

“Ah, fuck,” he grunts, and then immediately turns back around because no, actually, he does not want to deal with this.

It’s been a while since Sanji has gotten some action, which is the only reason why Zoro’s deplorable, barely-there attempt somehow works. Obviously.

Luffy looks again at the bitemarks that he left on Zoro’s wrist. Zoro’s usually hurt, one way or another. Sometimes it’s definitely been Luffy’s fault too, but the bitemarks feel different. They ain’t like normal bruises or cuts. There’s something about seeing the shape of his teeth in Zoro’s skin. Something about the colors, the slightly paler insides of Zoro’s wrists, and the blueness of his veins, and the dark pink color of where Luffy bit him.

Luffy unhinges his jaw and crams an entire breakfast ham down his throat. He chews reflectively a moment and then demands,

“Zoro, you wanna have a date tonight?”

Zoro answers by inhaling the rest of his orange juice through his nose and promptly spewing it everywhere.

“That a yes?”

Luffy and Zoro destroy a restaurant, end up lost, get in a bar fight with a bunch of pirates and go on their first date. Not necessarily in that order.

“Sanji! It’s lunchtime, right? Now? Soon? Now, right?”

His legs are tight around Sanji’s waist and his arms have come around Sanji’s chest and crossed, grabbing the opposite shoulders, the whole length of his chest pressed tight and close. Sanji can feel the vibration when he talks, the snap of the rubber resonating in his bones.

Luffy’s hair is tickling the back of his neck.

The whole thing is – it’s –

For a long second Sanji is frozen.

“Sanji?”

It feels –

(The Straw Hat Pirates set sail in the East Blue.)

If he gets caught stealing again, if he loses his other hand, he’ll never be a pirate. Never be anything besides a crippled beggar, pleading for scraps.

If he doesn’t steal, he’ll starve.

Despite the fluid nature of his ambition, Zoro himself rarely changes: principles, directions, appearance. And when he does, he makes sure it's under the heavy influence of both long-term irritation and a healthy dose of the nearest hard liquor.

Or, Zoro is trans, surgeries cost money, and there's little to no verified adult supervision in his life.

“God, again?!” Usopp looks down at Sanji who's sitting against a column and tilting his head back while pressing a tissue against his bleeding nose.

“Shu' ub,” Sanji growls. Or, he tries to. It sounds rather unimpressive.

“You're terrible,” Usopp says but he can't hold back the fond smile that's been blooming all over his face again and again ever since he's stepped foot on the Sunny after returning to Sabaody.

It's the big party after defeating Hody Jones. Usopp gets Sanji away from all the mermaids. (Honestly, Sanji, these nosebleeds are disgusting.)

#riko.txt #zolu #zosan #usosan #straw hat pirates #fic recs #mishanks #nami #crocodile #sanji #namivivi #jinbe #zoro

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kaijutegu · 3 months

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Alligator Body Language and You, or: How To Know When An Alligator On Social Media is Being Stressed for Views

Alligators are wild animals. Despite the idiotic claims of animal abusers like Jay Brewer, they cannot be domesticated, which means they are always going to react on the same natural instincts they've had for millions of years. Habituated, yes. Tamed, yes. Trained, definitely. Crocodilians can form bonds with people- they're social and quite intelligent. They can solve problems, use tools, and they're actually quite playful. Alligators are also really good at communicating how they're feeling, but to somebody who doesn't spend much time around them, their body language can be a bit mystifying. And it doesn't help when social media influencers are saying shit like this:

That is not what a happy gator looks like.

That's a terrified, furious gator who isn't attacking because the ogre handling her has her in a chokehold. She's doing everything she can to express her displeasure, and he's lying about it because he knows his audience doesn't even know how to think critically about what he's doing. He knows that because his audience doesn't know anything about these animals, he can get away with it. This I think is why I hate him so much- he deliberately miseducates his audience. He knows what he's doing is factually inaccurate, he just doesn't care because attention means more to him than anything else in the world.

Let's change that! Here are two really important lessons for understanding alligator body language on social media.

Lesson 1: Alligators Don't Smile (in fact, most animals don't)

So what's going on in this video? Jay Brewer is aggressively choking his white alligator Coconut while scrubbing algae off of her with a toothbrush. And make no mistake, he is digging into the creature's throat while she is visibly distressed. He claims she's happy- but she's not. He is willfully misrepresenting what this animal is feeling. That's a problem, because people... well, we actually kind of suck at reading other species' body language. The reason for this is that we tend to overlay our own responses on their physical cues, and that's a problem. For example, let's look at an animal with a really similar face to ours, the chimpanzee. Check out Ama's toothy grin!

Wait, no. That's not a happy smile. That's a threat display. When a chimpanzee "smiles," it's either terrified and doing a fear grimace, or it's showing you its teeth because it intends on using them in your face.

How about a dog? Look at my smiling, happy puppy!

Oh wait no, this is a picture of Ryder when he was super overwhelmed by noise and people during a holiday party. He'd hopped up in my sister's lap to get away from stuff that was happening on the floor and was panting quite heavily. See the tension in the corners of his mouth and his eyes? A lot of the time when a dog "smiles," the smile isn't happy. It's stress! Why Animals Do The Thing has a nice writeup about that, but the point is, our body language is not the same as other species. And for reptiles, body language is wildly different.

For instance, look at these two alligators. Pretty cute, right? Look at 'em, they're posing for a Christmas card or something! How do you think they're feeling?

Well, I'll tell you how the normal one is feeling. He's annoyed! Why is he annoyed? Because the albino just rolled up, pushed another gator off the platform, and is trying to push this guy, too. I know this because I actually saw it happen. It was pretty funny, not gonna lie. He's not gaping all the way, but he was hissing- you can actually see him getting annoyed in the sequence I took right before this shot. Look at him in this first shot here- he's just relaxing, and you can see he isn't gaping even a little bit.

By the end, he's expressing displeasure, but not enough to actually do anything about it. He's annoyed, but he's comfy and that's where one of the best basking areas is, so he'll put up with it.

Reptiles open their mouths wide for a lot of reasons, but never because they are actively enjoying a sensation. Unless they're eating. No reptile smiles- they can't. They don't even have moveable lips. If a reptile is gaping, it's doing so because:

It is doing a threat display.

It is making certain vocalizations, all of which are threats. Alligators are one of the rare reptiles that do regularly vocalize, but most of their calls aren't made with a wide open mouth.

It is about to bite something delicious or somebody stupid. Check out this video- virtually all of the gaping here is anticipatory because these trained gators know darn well that the bowl is full of delicious snacks. (I have some issues with Florida's Wildest, but the man knows how to train a gator AND he is honest about explaining what they're doing and why, and all of his animals are healthy and well-cared for, and he doesn't put the public or his staff at risk- just himself.)

youtube

It's too hot and it has opened its mouth to vent some of that heat and thermoregulate. This is the main reason why alligators will often have their mouths part of the way open, but sometimes they'll open all the way for thermoregulation. This is what a thermoregulatory gape looks like- usually it's not all the way open, kinda more like < rather than V, but you can't say that 100% of the time. Additionally, a thermoregulatory gape... typically happens when it's hot out. If they're inside, maybe they've been under their basking light for too long. Heat's the dominant factor, is what I'm getting at.

There is another reason that a captive crocodilian might be gaping, and that's because it's doing so on command. Some places have their gators trained to gape on cue, like St. Augustine Alligator Farm and other good zoos. They have the animals do this in presentations that are genuinely educational. They ask the animals to open their mouths so that they can show off their teeth and demonstrate how their tongues seal off the back of their mouth. They'll also do it as part of routine healthcare, because looking at their teeth is important.

In this case, the animals aren't gaping because they're stressed, they're gaping because they know they're gonna get a piece of chicken or fish if they do it. And what's more, they're doing it on cue. They have a specific command or signal that tells them to open wide. It's not an instinctive response to a situation. It's trained. If the animal provides the behavior after a cue, the situation is much less likely to be negatively impactful.

It's also important to remember that there's a difference between a partially open mouth and a gape! As discussed above, alligators will often have their mouths a little bit open just to maintain temperature homeostasis. It helps them stay comfy, temperature-wise. These guys are all doing thermoregulatory open-mouthed behavior- that slight open and relaxed body posture is a dead giveaway. (That and it's the hottest spot in the enclosure.)

Lesson 2: A Happy Gator Is A Chill Gator

So if alligators don't smile or have facial expressions other than the :V that typically signifies distress, how else can you tell how they're feeling? One way is stillness. See, alligators subscribe to the philosophy of if it sucks... hit da bricks.

Basically, if they hate it, they'll leave. Unless, y'know, somebody has their meaty claws digging into their throat or is otherwise restraining them. (Restraint isn't always bad, btw. Sometimes the animal is going through a medical thing or needs to be restrained for their safety- which a responsible educator will explain.)

Let's look at a very similar scenario, in which a captive alligator is getting his back scrubbed.

As you can see, it's quite different. First, he's not being restrained at all. Second, look at how relaxed he is! He's just chilling there vibing! He could simply get up and leave if he wanted to, because he's not being held. Towards the end of the video, as he lifts his head, you can see that his respiratory rate is very even as his throat flutters a bit. I'm not sure what this facility is, so I can't comment on care/general ethics, but like. In this specific case, this is an alligator enjoying being scrubbed! And you can tell because he's not doing anything. A happy gator is content to be doing what they're doing.

Why Should I Listen To You?

Now, you should ask yourself, why should you listen to me? Why should you trust me, who does not own an alligator, versus Jay Brewer, who owns several?

Well, first off, there's no profit for me in telling you that what you're seeing on social media is in fact not what you're being told you're seeing. I'm not getting paid to do this. That's the thing with people who make social media content. The big names aren't doing it just for fun. They're doing it for money. Whether that's profit through partnerships or sponsorships, or getting more people to visit their facilities, or ad revenue, you can't ignore the factor of money. And this is NOT a bad thing, because it allows educators to do what they're passionate about! People deserve to be paid for the work that they do!

But the problem starts when you chase the algorithm instead of actually educating. A "smiling" alligator gets the views, and if people don't know enough to know better, it keeps getting the views. People love unconventional animal stories and they want those animals to be happy- but the inability to even know where to start with critically evaluating these posts really hinders the ability to spread real information. Like, this post will probably get a couple hundred notes, but that video of Coconut being scrubbed had almost 400,000 likes when I took that screenshot. Think about how many eyeballs that's reached by now. What I'm saying here is that it's just... really important to think critically about who you're getting your information from. What do dissenters say in the comments? What do other professionals say? You won't find a single herpetologist that has anything good to say about Prehistoric Pets, I can tell you that right now.

Another reason you can trust me is that my sources are not "just trust me bro," or "years of experience pretending my pet shop where animals come to die is a real zoo." Instead, here are my primary sources for my information on alligator behavior:

Dragon Songs: Love and Adventure among Crocodiles, Alligators, and Other Dinosaur Relations- Vladimir Dinets

The Secret Social Lives of Reptiles- J. Sean Doody, Vladimir Dinets, Gordon M. Burghardt

Social Behavior Deficiencies in Captive American Alligators (Alligator mississippiensis)- Z Walsh, H Olson, M Clendening, A Rycyk

Social Displays of the American Alligator (Alligator mississippiensis)- Kent Vliet

Social Signals and Behaviors of Adult Alligators and Crocodiles- Leslie Garrick, Jeffery Lang

Never smile at a crocodile: Gaping behaviour in the Nile crocodile at Ndumo Game Reserve, South Africa- Cormac Price, Mohamed Ezat, Céline Hanzen, Colleen Downs (this one's Nile crocs, not American alligators, but it's really useful for modeling an understanding of gape behaviors and proximity)

Thermoregulatory Behavior of Captive American Alligators (Alligator mississippiensis)- Cheryl S. Asa, Gary D. London, Ronald R. Goellner, Norman Haskell, Glenn Roberts, Crispen Wilson

Unprovoked Mouth Gaping Behavior in Extant Crocodylia- Noah J. Carl, Heather A. Stewart, Jenny S. Paul

Thank you for reading! Here's a very happy wild alligator from Sanibel for your trouble.

#reptiblr #alligator #crocodile #Youtube

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