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#maybe they have reasons the character matters to them
quimichi · 1 day
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-ˏˋ . . . ⇢ ˗ˏˋ CRUSH HDCS ࿐ྂ Pt. 1.....
WARNING: × pure fluff in my opinion
SUMMARY: just some idiots with a crush...you :)
CHARACTERS: Aether, Albedo, Al-haitham, Amber, Arlecchino, Ayaka, Ayato & Baizhu x F!Reader
WORD COUNT: 1.537
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AETHER
ᯓᡣ𐭩 Paimon is so done with his constant ranting and crying about you
ᯓᡣ𐭩 She had to stop herself from telling you so often like "Just PLEASE date him already" because she couldn't just fall into her besties back like that
ᯓᡣ𐭩 you would think he doesn't really like you cause he's all quite. Wrong, he actually jusz tries to cope with his rising heat and nervousness around you
ᯓᡣ𐭩 did he once tell you that you smell nice even tho you were sweating lile a sinner in church? Yes
ᯓᡣ𐭩 did he also tell you that you look a bit different and like you haven't slept good after a haircut?...yes
ᯓᡣ𐭩 listen, he was concerned for you-
ᯓᡣ𐭩 everything was so embarrassing for him he thought you hate him now--- well, you didn't. Its hard not to find this weird and awkward ball of sunshine nice
ᯓᡣ𐭩 he also helps you out a lot, no matter whats the issue he's ready to help. And Paimon is the third wheel
ᯓᡣ𐭩 sometimes when he's nervous and talks to you he like suddenly needs to swallow down spit cause it gets stuck in his throat?? Idk how to explain it but i have this issue lol and its so hard to cover up the swallowing cause then people know youre nervous-
ᯓᡣ𐭩 literally once walked into a wall because he was looking at you. Luckily no one saw...except Paimon--she won't let him forget that ever
ᯓᡣ𐭩 speaking of Paimon, bro literally asked her for advice, and she was useful? Hey, look. Shes more than just emergency food-
ᯓᡣ𐭩 she was like, "If you truly love someone, you cook them something good! Love goes through the stomach!"
ᯓᡣ𐭩 and thats why he desperately cooks for you every day---just put Paimon out of her misery and kiss him already
ALBEDO
ᯓᡣ𐭩 has no idea how and why it happened but he won't complain, you are pretty so-
ᯓᡣ𐭩 kinda takes it as an opportunity to study love a bit lol. Its not like he's dumb, far from that, he knows what hes feeling and why he feels attracted to you.
ᯓᡣ𐭩 but somehow he can't tell you, words fail him to explain why although he knows
ᯓᡣ𐭩 is confused and is irritated lol
ᯓᡣ𐭩 did tell Succrose about it and my girl can hardly keep secrets-
ᯓᡣ𐭩 oh and like around a week after he noticed his crush on you he confessed
ᯓᡣ𐭩 he's pretty blunt and honest, straightforward if you will.
ᯓᡣ𐭩 there's honestly not much to say, he knows he likes you, also probably knows it's mutual, logic conclusion would be that he confesses so you two can consider a relationship after some time
ᯓᡣ𐭩 easy??? Like what's not to get???
AL-HAITHAM
ᯓᡣ𐭩 the strongest feeling he ever had for someone else was a book character-and that's also pretty rare cause he doesn't read fiction he only reads facts-
ᯓᡣ𐭩 treats you normally with a sprinkle of kindness
ᯓᡣ𐭩 you don't notice, no one would notice. Good for Al-Haitham cause ew what if people realize hes just a regular human being?? Can't have that
ᯓᡣ𐭩 would tell you to take breaks and eat an apple or other fruits in those breaks so you can concentrate better afterwards. Oh and take a breath of fresh air
ᯓᡣ𐭩 keeps the bitch face on. Only drops it when you're not looking.
ᯓᡣ𐭩 finds it incredibly cute when you play with your hair or bite your lip. Your concentration is adorable...
ᯓᡣ𐭩 if you read like him, he would consider reading one of your favorite books, even if it's stupid and not his thing at all. He wants a good reason to talk to you
ᯓᡣ𐭩 has no idea how to get out of the "I'm so fucking cool" bs to actually get closer to you without seeming cringe or needy
ᯓᡣ𐭩 feelings aren't his thing but hey, he trys. Just pay more attention and maybe you make it easier for him by doing the first step
AMBER
ᯓᡣ𐭩 nah cause she's so honest about it-
ᯓᡣ𐭩 probably all Mondstadt and their granny's know that Amber has a crush on you, except for you....dumbass
ᯓᡣ𐭩 she always asks you if you wanna join her on god knows what adventures
ᯓᡣ𐭩 she also always packs lunch for you
ᯓᡣ𐭩 like i said, she is pretty vocal about it and shows it quite well that she has an interest in you....and youre just brushing it off as kindness
ᯓᡣ𐭩 always ready to help! And she doesn't even need a thank you. Helping you is enough to make her happy, seeing your relieved is all she needs.
ᯓᡣ𐭩 gifts you flowers on a regular basis because they're just as pretty as you ♡
ᯓᡣ𐭩 she's so straightforward about her crush on you it's insane. People think she's dating you already, well wrong--
ᯓᡣ𐭩 big talk and actions but when it comes to beinh very vocal about her feelings she shuts down-she would stutter and blush not knowing what to say-
ᯓᡣ𐭩 like, pls stop being so oblivious to her attempts and just tell her you like her--then she'll confess too!
ARLECCHINO
ᯓᡣ𐭩 look, she's a busy woman (father), she doesn't have time for stupid crushes. She'll either tell you immediately once she figured it out, or just waits till the feelings disappear over time.
ᯓᡣ𐭩 why? If she is uncertain that this would work out with a fatui harbinger, then she wouldn't confess at all. You won't notice a thing.
ᯓᡣ𐭩 but if she does feel like it could work out, maybe not immediately because you need time...and yeah maybe she needs to know a 100% too, she would court you (??)
ᯓᡣ𐭩 presenting you the finest things from all nations. Also giving you ifts from your home region cause...well maybe you miss it? And if you're from Fontaine she gives you only the most expensive shit hidden from all normal ordinary people-
ᯓᡣ𐭩 she sneaks her way in your heart ngl-
ᯓᡣ𐭩 and if she ever sees you with one of the things she gave you, she would make sure others know. Who knows who might have an interest in you.
ᯓᡣ𐭩 would also make some space in her schedule just for you. Lets you know too. No, not to make you feel bad, nahhh. She wants you to know how important you are to her.
ᯓᡣ𐭩 and that she will always have time for you no matter what.
ᯓᡣ𐭩 she's kinda advertising herself. "Look, I'm the baddest bitch around."
AYAKA
ᯓᡣ𐭩 also makes space in her very busy schedule just for you. And if she can't find the time so you both can be alone, she takes you with her to her appointments and everything.
ᯓᡣ𐭩 wants her brothers 'ok' for it all. She wouldn't feel quite comfy if Ayato wouldn't like you. Thomas opinion is also very important to her.
ᯓᡣ𐭩 if she every plays this weird cooking game with you, she trys to make it tame. She doesn't want you too disgusted or near throwing up cause then she'd feel bad
ᯓᡣ𐭩 and also trys cooking for you normally. She trys ok, she's getting better and better. Takes this as an excuse to cook your favorite meals.
ᯓᡣ𐭩 dances with you! She's shy about it but she does. Ayaka teaches you her favorite dances and moves, and would get quite close to you by doing this...plus for her
ᯓᡣ𐭩 but besides this she's very shy about her crush on you and won't admit it very fast. Even after months she wouldn't dare say a word about it to you or hint anything to drastic.
ᯓᡣ𐭩 tbh, it has to be you who would need to make the first step lol
AYATO
ᯓᡣ𐭩 very obvious...I mean...he gives you flowers, jewelry, new clothes. He takes you to events or dinners, important meetings. Lets you stay in the Kamisato estate for free. Bitch you even have your own room??
ᯓᡣ𐭩 ITS SO OBVIOUS
ᯓᡣ𐭩 i can't tell you more, except, just...just talk with him about it. Confront him and say, "yes" that's all he wants to hear from you.
ᯓᡣ𐭩 and see you happy ofc
BAIZHU
ᯓᡣ𐭩 if Chansheng can keep her mouth shut he wouldn't tell you at all. Or at least not so fast.
ᯓᡣ𐭩 if you know, you know. Baizhus story is...something. i won't spoiler tho
ᯓᡣ𐭩 because of that he needs to be very sure about it all. He can't just jump into something that might not work out at all or have no future in the beginning.
ᯓᡣ𐭩 he would show his interest with nice little gestures. Giving you medicine for free, helping your loved ones when sick also for free, smiling just a bit more at you or teaching you about herbs and all.
ᯓᡣ𐭩 he's very gentle with you, scared he might break you. In truth it's actually him who would break--
ᯓᡣ𐭩 Qiqi would notice, she's a smart girl ofc she would. Yeah she knew you two were a thing before you two knew lol
ᯓᡣ𐭩 oh yeah and Changsheng blew it all-
ᯓᡣ𐭩 "Your hands wouldn't shake so much if you wouldn't love her"
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TAGLIST ♡
@hehothrowawayfae @lucienbarkbark @ryu--19 @theblades @rikasurl
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geekgirles · 2 days
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The Osamodas' Projecting and Shortsightenedness and Their Consequences
For a while now I've been thinking on what I think is the Osamodas' true Fatal Flaw, the reason why their manipulations fail to affect Amalia (aside from their true intentions being practically see-through), and chapters 6 and 7 have only served to confirm my suspicions.
The Osamodas' greatest weakness is their utter lack of understanding of their enemies/targets, in this case Yugo and Amalia, but moreso the last remaining Sheran Sharm.
I had already begun to suspect Aurora at least knew nothing of Amalia because of her debut in season 3. More specifically, her choice in suitors for the Sadida Princess.
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Just look at the two of them. While Aurora looks smug and so sure of herself and her decision, Amalia is wholly uninterested and annoyed, even bored. Which already anticipates how much of a failure this dinner is going to be.
If introducing solely her relatives to Amalia didn't make her true intentions transparent enough, that is to say, to strengthen her family's hold over Sadida politics rather than trying to find a suitable partner for her sister-in-law; then the way Aurora describes Ashdur to her certainly does, as well as it illustrates how her and her family's understanding of Amalia is entirely superficial and mistaken.
Before introducing Ashdur, Aurora tries sweet-talking Amalia into the ambush (because that's the only way to describe forcing an unsuspecting person to meet up with someone during what should be an intimate family dinner) by saying:
"J'aimerais vous présenter quelqu'un qui a beaucoup de points communs avec vous."
"I would like to introduce you to someone who has a lot in common in with you."
Except that's not really how things are, are they?
Ashdur's introduction was short and anything but impactful, and yet it perfectly encapsulated the type of character he is: a brainless beauty. Yes, his muscular physique usually means he is at least conventionally attractive, but during his introduction all he does is pose cockily and flex, quite literally. The fact that Aurora has the nerve to say he and Amalia have a lot in common when that's all he does already highlights what the Osamodas princess truly thinks of her sister-in-law: in Aurora's eyes, Amalia is nothing but a pretty face.
By contrast, Amalia already has Aurora and her true personality pinned down, no matter how much she tries to hide it behind fake pleasantries and an emo haircut. As evidenced when she wastes no time pointing out Armand and Aurora had already tried the same thing with her brothers, or when she accurately deduces Ashdur is her cousin.
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Whereas Aurora is incapable of seeing past her own twisted perception of Amalia, it's plain to see the latter only needed some time around her brother's wife and maybe one attempt at roping her into an arranged marriage to be able to accurately pinpoint the kind of person she is: a manipulator with no respect for her or her people and who only thinks about her own nation and position in court.
And this incapability to see Amalia for who she truly is is very clearly widespread all over the Osamodas royal family. As they all seem to look down and disrespect her even when such behaviour is wholly inappropriate.
(I'll never forgive the Osamodas King for having the nerve to openly refuse Amalia's request to send and ask for help when it was her kingdom that was about to be overridden by Wakfu-draining monsters).
But the funny thing is, in a very roundabout way, this all is sort of Armand's fault. As my friend @alittlebookdust once pointed out, due to his inability to let go of his jealousy and bitterness until their father passed on, Armand was very open in his own contempt of his little sister, even in front of other people, which goes as far as the first season.
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Despite being overjoyed to see his sister return after months of absence, Armand was still not above reprimanding and looking down on her to the point of Amalia breaking out in tears in front of Eva and, unbeknownst to them, Master Joris. And back then their relationship was arguably better than the low it reached in season 3 and early season 4, since despite everything Armand was still the most torn up over her disappearance and didn't hesitate to be affectionate with her even in front of the court.
A stark contrast to his reaction upon her return from Inglorium, when he went as far as to neglect to inform her their father had passed away, instead cruelly getting her hopes up.
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But I'm going on a tangent here. The point is, due to his lack of restraint over his own emotions, Armand's behaviour became key in shaping the Osamodas' view on the Sadida princess. They didn't see a fellow royal and warrior who is willing to do whatever it takes for the sake of her kingdom and the world, but a foolish, spoiled little princess who'd much rather go on some adventure than look out for her people. And so, they treated her accordingly because Armand never did anything to stop them.
You know something's wrong when your wife openly calls your little sister, whom you love despite everything, a weed and you don't do anything to stop her or have her show some respect at least out of respect for you and your family. Or when your father-in-law spits he doesn't take orders from her and the most you can do is tell him to listen to her, instead of pointedly reminding him he is an outsider with no sway over your kingdom daring to talk back to your princess and protector.
Even in season 4, despite mending fences with Amalia, Armand could go back to screaming and treating her less than ideally at the drop of a hat, such as when she brought up Yugo after the assembly or when he made light of their expedition to find out where the Nécromes came from. This last instant being a particularly glaring example because he had just defended Yugo as a trusted ally that could mark the difference between their survival or extinction to his father-in-law.
And at the same time, this exchange between in-laws also proves how the Osamodas failed to properly read even Armand, arguably one of the few allies they had in the Sadida Kingdom (besides the traitors from the webtoon, that is).
From their interactions, it's clear to see the Osamodas King expected that, by marrying his daughter, Armand would become easily influenced and maleable, someone he could mold into fulfilling his agenda. Throughout their entire conversation, all the Osamodas King does is belittle the Sadida Kingdom and question Armand's choices, while the latter smartly and effectively counters his people are better suited for war and hold a higher position within their world (by virtue of hosting the Tree of Life and, therefore, their survival being key in that of the other Twelvians) than the Osamodas.
And the fact that Aurora actually berates Armand for defending himself and his kingdom against her father's ill-concealed insults already comes to show she was sent to the Sadida Kingdom not to become his queen and partner, but to sway him to their side.
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The Osamodas thought they could turn Armand into their puppet through a political marriage, but his own royal upbringing, pride and love for his kingdom proved them wrong.
And their being incapable of seeing past what meets the eye or, worse, their own prejudiced, arrogant assumptions might be what will inevitably prove to be their undoing in the webtoon. Because once again they're making assumptions, this time about both Yugo and Amalia, without really knowing either of them.
I'm still inclined to believe they're the ones behind Yugo's poisoning, even if I'm open to twists. Mainly because the way the story is going, it can either be revealed they're not responsible, or they can be feigning ignorance to try and turn the Sadidas against Yugo and Amalia only to later on be revealed as the masterminds after all.
Let's not forget how chapter 6 was not subtle about the fact that there are most likely traitors in the kingdom that've been reporting back to them, or how the Osamodas King very ominously said they must make sure Yugo loses the Sadida's support...all before it's revealed Yugo's poison isn't just extremely harmful to the point his survival is all thanks to his god-like status, but so maddeningly painful it's actually causing him to lose control of his powers and wreak havoc.
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If I'm right and they are indeed behind this, then their impulsiveness and incapability to foresee their opponents' next move, only expecting the kind of underhanded tactics they would pull, is going to come back to bite them and put a damper on their plans.
Because by poisoning Yugo, the love of Amalia's life and all the family she has left, they've done the last thing they wanted, let alone needed.
They've pushed Amalia past her limit.
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She was ready to entrust them with her kingdom.
They had won! Amalia truly held what she believed to be her brother's wishes in such high regard she was willing to try and honour them, despite how painful or wrong it seemed to her.
They expected her to hold onto power almost as desperately as they're trying to do, which, in their mind, justified going to such lengths just to get rid of her and her husband, the saviour of their world. Except that's not Amalia, that's them. So by poisoning Yugo, by failing to see Amalia would indeed do what she considered best for her kingdom and honour her brother's legacy, they have essentially signed their death sentence.
And even if by some miracle they were innocent, their actions, both past and present—Aurora's contemptuous and manipulative treatment of Amalia, their betrayal and abandonement against the Nécromes, their trying to drive her away from her people by usurping the throne, their refusal to even admit they did something wrong and apologise for their actions, always justifying themselves or shifting the blame—, already speak louder than words. Because Amalia has no reason to believe their innocence, meaning now she will hold onto the throne and fight them tooth and nail, with everything she has.
No matter what happens next, whatever fate befalls the Osamodas, they have no one but themselves to blame.
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tocomplainfriend · 2 days
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Oh no
TW - racism and Slavery, power dynamics
really meh. IDK why they went mecha with the cherubs. The energy of the fight and how much it lasted was really lacking. I'm annoyed still by the "GUYS STOLAS IS SO SAAAAAD" bullshit. Why is the thumbnail so bad? I thought it was fake.
There is not an understanding of classism or power dynamics or anything.
Blitz was right, Stolas is a privileged asshole that constantly reduced their relationship into something sexual and belittled blitz, in remarks of him as a lower / IMP. Stolas did a scenario where Blitz job depended on them having sex. The series is creating a scenario where Blitz needs to love Stolas back because Stolas is so UWU sad baby that 'loves' him.
The main reason i hated the re-write of Stolas and blitz meeting-is because is exactly this: (something I've been aware of for a while.)
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This exact situation of white slave owners making the kids of their slaves play with their white kids (I originally got introduced to this idea for a long form criticism of the Princess and the frog Story from Disney). IDK why would you make a scenario where there is inequality to the imps and how they suffer racism- if you just want Stolas to be in the right and Blitz in the wrong
I do not care if Stolas is sad and his life (even tho better because he is rich and has a literal book that gives him powers, vs being an IMP that could die, suffer from property and any possible scenario they are exposed to- or be a slave servant to the richer people because they were born imps.) he doesn't get to freed from all his wrong doings. No matter how depressed he is, his power is still higher and over Blitz. And creating a terrible scenario for blitz or any Imp for that matter.
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They are really going for the plot line of But Stolas is a good rich privileged person.
Also, a scenario where the discriminated x privileged... There is the direct connection to the "what about everyone else".
If a non discriminated against person with big power is not bigoted to the person, the one they fell in love with. Does only that one discriminated person get saved from their social situation? Does everybody else still suffers because they don't happen to be the one. But what if the privileged person still discriminates against those people, but not their "special one".
Also... if you get a scenario as the discriminated one where you get to be saved from your situation, that's fucked. This person loves you if you say yes to them then you don't have to deal with being poor and as oppressed by the system but only you! Your entire group of people lives in the same conditions as you... If you say no, then you'll go back to being oppressed. This person on power hold power over you still. How much can you wight in with your own problems and boundaries, if the other one can throw you away into your old way of living. Can you leave the relationship? If you leave, you can get all the things you did with the privileged person cause maybe they don't hate you for being from a certain minority group, but the system over all hasn't changed. Can your group of people only get better life conditions by loving the pre-existing group in power? Those that person even like you, or do they like the power they hold onto you? Or maybe they like your race for your race more than you as a person.
Just a thing in the writing of this kind of story.
Also, character can have flaws, but they need to be recognized as flaws in writing.
Stolas are constantly victimizing himself (just like any sad privileged asshole would). He can't take the fact that if blitz is angry at him is for a reason, because he doesn't see his treatment of his as a bad thing. Cause in Stoals pov he enjoyed having power over blitz and calling him an IMP and forcing his romanticized view of the situation on to him- But Blitz was pulling a fast one to get money, This rich guy who he got gifted to as a slave playmate now is holding his job over his head in exchanged for sex, the same guy constantly does sexual advances towards him even when he explicitly says he doesn't want that (remember all of Loo loo land episode?), he gets call plenty of imp based "petnames" (“My impish little play-thing”) from a guy that can literary buy imps as slaves any day, suddenly he has to reciprocate his romantic feelings because he is sad, and apparently he wanted something more even thought he made it entirely empty and sexual all this time.
Stolas fake apologized, got fairly screamed at and victimized himself.
And apparently calling him out is bad for Blitz to do? Victim blaming.
I think by the last episode, they are going to kick Stolas out of the castle, technically putting him in a similar social position to imps with nowhere to go. Even if it doesn't magically work that way. -and Stolas is going to be "more sad and more in the right, so Blitz has no ground to complain now, right!?" ...
The way all of this episode and series is written tries so hard to delete any negative feeling against systemic problems, classism related issues, etc. if it's against a character the series wants you to like. If it's Stolas then he did nothing wrong, the power dynamic doesn't exist... if it is Mammon then he is a terrible person holding his power over others' capitalism sucks... oh but not Stolas tho! If it is Ozzi there is no power dynamic over a disabled imp, constant searching for appreciation from someone he fells is above him (like he tried to get with Mammon, because Ozzie is a good highly privileged person. No bad things to look out for! Fuck capitalism, but I'm one of the good rich people, no criticism is possible!
All that bad stuff could that people in my position of power is awful! But I would, could never do that! Because I'm a good one! Hmm
If you don't see the problem here, you may be a problem or may be justifying something terrible.
Also, funny enough about the short of Millie and Sally... I can't believe you only get content of a female character AND MILLIE IN SPECIFIC in extra side content that Viv didn't even care enough to write herself... and also the short gave me nothing new about her, I got more for Sally (and finally something normal! More than a line and she gets to have a character).
I hope there is a better episode for her.
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seelestia · 12 hours
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⟡ to set one's self aflame. (do it all for love.)
⎯ how protective are they of you? how do they protect you and how do they like being protected in return? { s for security ノordered by @phantovia! }
RESERVED FOR! ꒰ character ꒱. lyney ft. gn!reader. { 1.5k words wc }
FLAVOR! ꒰ genre ꒱. fluff & sprinkles of lore angst, established relationship.
TOPPINGS! ꒰ tags ꒱. lowkey a character study made poetic (???). mentions of self-destructive habits, also pls don't smile at lyney bcs he's weak in the knees for u.
BAKER’S NOTE! ꒰ thoughts ꒱. thanks for the req, yona! i got to appreciate this silly guy all over again thanks to u ‹3 ik ur acc is already archived so i hope this made for a nice tribute. pls take care of urself & have a good life ahead 🫂
© seelestia on tumblr, june 2024. please do not repost, plagiarize, translate, use for AI-related purposes or claim as your own.
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lyney is protective to a concerning extent. the instinct of an older brother, maybe?
there is some sort of irony to be found in it all since the reason he protects to a 'concerning' extent is out of concern in the first place.
behind his show of brilliance, you consider yourself lucky enough to have witnessed a side to lyney that his audience wouldn't have guessed; that he is a worrier in every aspect of the word. whether for his family, for you, for his friends or for others he comes across that are plagued by misfortune - if all that worry were to come in the shape of dimes, he'd already have an abundance of them to share with the entire nation of fontaine.
but he has no choice, does he?
his background is not a clean slate nor is it a display of sunshine and rainbows resembling his magic shows. lyney's hands are tainted, covered by his gloves as a measly means of self-solace. he has to worry. associating himself deeply and intimately with another is a risk on its own - comparable to dragging someone else down into the murkier depths with him. he can never do that, never has the courage nor the heart to.
(but fortunately for him, you've always been braver than most.)
. . .isn't that why you offered your hand, your trust to him first? he swore to never let you down from that day on.
easier said than done, however.
the house of the hearth operates within the shadows but as for its foes? some also prefer to dwell in the dark and some move in broad daylight. no matter what it is, they all require the same precaution: for him to keep his guard up at all times. every child has been trained by “father” to know that but you're an innocent, tied to this precarious matter merely due to your connection with him.
(“i don't regret anything,” you told him but he didn't look into your eyes, conflicted. you couldn't tell if he believed you or not.)
how was your day? have you eaten? you look sad, did something happen? — all these little questions are a way for him to show that he cares, that you're important, that you're his responsibility and he'll be there for you.
bound by both guilt and love, lyney promises to keep you safe. from whatever kinds of threats there are; whether it be fools with nefarious schemes or even an insect you're too scared to touch, he'll keep you safe all the same. so please, don't hide from him if you're dealing with something. it's better to let him handle it. . . right, correction: the two of you can handle it together.
(truly, his desire to protect can both be his greatest strength and most formidable foe.)
the way lyney protects is through self-sacrifice, granting peace in exchange for destruction of the self.
since the very beginning, lyney has grown used to seeing the world through the lens of a protector.
he recalls the old times where he and lynette loitered the streets in ragged clothes and the only refuge he could provide her with was his hand. it mattered not if he was freezing cold from the rain. . . as long as his little sister was protected, comforted by whatever warmth he had left - it's alright. to do that wasn't an option then, it was a necessity.
to sacrifice himself is a habit. it's easy to adopt but not at all easy to discard.
in lyney's eyes, burdens often seem as if they would be lighter upon his shoulders than they are on another's - but this is only wishful thinking. only meant to convince himself that pain shall eventually lose its harsh bite the more he bears it. “well, has it?” if asked, he cannot give an answer. regardless, that alone is enough of a justification for him because he can't bear the thought of doing anything else; to stand idly by, to be utterly useless.
if he has the means to protect others, why wouldn't he do so? even if he wears himself down to the bone, he’d do it again. akin to a bright flame lit in a hearth, lyney envelopes those near him in a blanket of warmth - and if the blaze threatens to flicker, he'd simply ignite a piece of himself to prevent it from diminishing into futile cinders. he won't let it happen.
(but little does he know that even cinders still serve a purpose. they exist as proof, a sign that his sacrifice has never been in vain.)
in return, lyney feels protected by simply knowing that you're happy (and your acknowledgement of his efforts).
let's call it an innate principle that belongs to a magician; he wants to see smiles on the faces of others. “a smile weighs much lighter for your face to carry compared to a frown, no?” he joked to you once, tapping gently on the corner of his lips with a grin. it was said with a light heart, but you knew he meant it deep down.
(he always does so much, only to ask for so little in return.)
you were not so cruel that you couldn't even grant him that, so you smiled. genuine and grateful. “. . .thank you, lyney,” you said. he fell quiet then. had the wind been knocked out of his lungs or had the world stopped spinning? he thought he saw stars in your eyes, but that couldn't possibly be true. the sun glaring down at him from behind the clouds above remained unmoved.
not like it mattered, anyway. his poor heart was far too occupied with you to care about the answer. “o-oh? you're welcome. . .” lyney blinked, multiple times, dazedly.
gratitude is not a foreign concept to him; he often receives it from an audience member, a lonely elder he briefly chatted with, a fellow member from the house of the hearth — so, just what makes it different now? perhaps, it's because he knows that you've beared witness to his heart that lies deeper within.
that you see right through him, that you're thanking him for who he truly is, although he no longer has a definite image of “self” from the countless white lies piling at his feet like a tower. yet he finds comfort in it, in the way you hold his sullied hands so kindly. he isn't wearing gloves this time. strange, lyney had never imagined transparency to be a feeling so benevolent and cathartic.
no matter what thoughts are buzzing in his head or what ache tugs on his body, they can pester him as much as they'd like - with one swift recall of your smile, lyney feels as if he can banish them even if momentarily. they'll come back sooner or later, he knows, but is it cowardly of him to find solace in that brief respite?
when lynette taps on his cheek to wake him up in the morning, when freminet knocks on his door to deliver something, when other siblings flock around him to welcome him home, or when you come to visit him after a long day — those worries disappear — but even if he already knows that they will make their inevitable return. . . perhaps, everything will be okay.
(it has to be, he tells himself.)
“did something happen yesterday?”
your lunch with a certain feline girl in front of hotel bouffes d'ete kickstarts with a simple question. but the abruptness of it all wipes away the content look on your face and replaces it with a frown.
the tea in your cup reflects your reflection as much as it does your perplexity. lynette lifts her own teacup to her lips, composed while you're lost in thought, confused.
“lyney went home with a wide smile on his face yesterday,” she elaborates, humming either at the tea or at the current matter she's recalling. perhaps, even both but you aren't sure yet. “while this wouldn't be an odd occurrence, i thought there must've been a special occasion to warrant a smile that wide.”
ah. the realization dawns on you in gentle waves. he said something that prompted a smile out of you yesterday — the exchange of a kind “thank you” from your side and a flustered “you're welcome” from his — not that smiling is a rarity around him, hardly, the one thing magicians do best is attract smiles.
your gaze drifts down to stare at nothing in particular. fond memories filled with the face of a familiar magician swims before your eyes. “hm. . . it must've meant a lot more to him than i expected,” you mumble to yourself. in your eyes, you'd think the look on your face represents the paradigm of nostalgia but in lynette's eyes, you look like a madman smiling to yourself so intensely.
“not you too,” she lets out a resigned sigh, placing down her teacup. “smiling to yourself like that. . .” she shakes her head in a disappointed manner, “you and lyney must've been rubbing off on each other these days.”
“maybe a bit too much,” lynette adds, but there is a ghost of a smile on her face this time around.
you can only smile sheepishly.
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— thank you for reading! reblogs with comments are most appreciated.
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milksnake-tea · 3 days
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❀ ˎˊ- prompt: after the dreammaster tells him the bad news, sunday is left alone with his thoughts and his work.
❀ ˎˊ- sunday x gn!reader
❀ ˎˊ- wc: 753
❀ ˎˊ- warnings: major 2.2 spoilers, mental breakdowns/panic attacks, mentions of injuries and war
❀ ˎˊ- a/n: ive spoiled sunday too much it's time for him to suffer to keep equilibrium 🗿 anyways this isn't a reader insert but rather a character study (i was going to do an essay but this is more fun) so yippee enjoy <3
❀ ˎˊ- img credits
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Pen scratched against paper like nails on a chalkboard. The angel’s gloved hand gripped it with enough force to shatter a small bird’s neck, slashing signature after signature onto the pages upon pages of official paperwork, Penacony’s need and his shackles.
The paper could've been a death certificate and he would've signed it. His golden eyes scanned each page within seconds, forgetting its contents by the time he signed it and moved onto the next. There was only one thought on his mind - there was only room for one thought.
Robin- Robin, Robin, Robin. His mind was his worst enemy, conjuring horrific images of her fate.
Bloody- No, Mr. Wood said she was at a hospital now, so she should be fine- she should've been fine when he let her leave. There never should've been a gunman, never should've been a war, never should've been a damned bullet in her neck-
He should've never let her go- he should've convinced her to stay, there were many ways to be a singer without having to leave Penacony, the Internet didn't exist for no reason but she insisted, she wanted to go, she wanted to fly, she wanted to experience the world so why didn't she tell him that she was going into a warzone?
She should've told him- no, she must've known that he wouldn't have let her go, but what kind of older brother would let his kid sister go off into a battlefield? Especially since things like this would happen, and-
CRACK!
Sunday barely registered the ink running down his hand, staining it a deep, deep black. He saw the black seep into whatever paper he was working on. Somewhere in the back of his head, he cursed it, cursed that stupid pen, cursed himself for being careless, but again and again, those thoughts were washed out by his imagined image of his weakened and vulnerable sister barely hanging onto life as she breathed through a machine, light years away from home.
His chest hurt. Was he hyperventilating? Maybe. Probably. High-pitched ringing like a siren filled his ears - he couldn't even hear his own breath. Something pricked - no, stabbed, it hurt more than he'd initially thought - in his hand, likely his pen. Was he bleeding? He hoped not, but honestly, he couldn't care less right now. No matter how much pain he was in, it was nothing compared to the agony that Robin must be experiencing.
Mr. Gopher Wood’s words echoed in his mind.
Following the Odes of Harmony… that was what led Robin on that path. He understood her desires to help the weak, of course he did - he too wished to help humanity, who couldn't help themselves. But like this? By extending assistance to the pitiful and weak humanity, whose only goal was to survive, who would only take advantage of her kindness? By making herself a target?
If she'd told him, he could've secured help for the refugees, he could've put in a request to take them into Penacony, he could've done anything, anything that wouldn't have ended with a bullet in her neck. But no, she decided to lie to him and didn't even bother to tell him of her injury.
He blinked wearily. He could feel his eye bags weighing down on his face. Tiredly, he stared at the dried ink that ruined his hand and his paperwork.
Why didn't Xipe protect her? Wasn't Robin one of Their most devoted acolytes?
He took off the stained glove, absentmindedly checking his hand for injuries. His gaze wandered back to the ruined paperwork, his signature half-signed and broken right at the sharp N.
Weak. That's what the Harmony was.
He stood up. Carefully, he picked up the ruined paper, reading over its contents.
Insignificant.
Its sender wasn't exactly important, either - just another despicable dog of the IPC, and not even a high-ranked one. He could just say that he'd never received it in the first place, and no one would dare to question him.
Taking leisurely steps, casting tall shadows in his wake, he held the paper over one of the many candles that lined his office, and watched indifferently as it caught flame. Within seconds, the paper was charred black, and then mere embers.
Numbly, he turned back to his desk, clicking his tongue at the remaining ink, pooled around a shattered pen.
He should clean it up, shouldn't he. The faster he got his paperwork done, the sooner he could see Robin.
And maybe, just maybe, he could then convince her to stay.
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reblogs w comments are appreciated !!
tags: @sh0jun, @themoderatelyawesomeninja, @xphantasmagoriax, @rainswept, @lucensei
@akutasoda , @naraven , @scribs-dibs , @apathicace
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fabbyf1 · 2 days
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Hi!
I’m not sure of this is how to go about this correctly.
I’m not sure what your position is on others drawing inspiration/directly from your incredible fan fiction writing but, on Ao3 there is a fic called ❤️lestappen- One shorts💙 by lestapeeen. The most recent chapter (14) is very similar to the monza chapter of long live(twwct) specifically the piggy back and proposal promise. some of the dialogue is exactly the same.
I figured you should know. If it’s a cool with you or if you knew already, sorry to be a bother.
DISCLAIMER: This post, by no means, is asking for ANYBODY to send this author mentioned (and tagged) below hate. On anon or main. I have been pretty damn clear with my feelings on the matter below. They know what they've done, and I won't stand for it. Nobody needs to make this worse by sending them death threats. With that out of the way, let's deep dive, shall we?
YOU KNOW WHAT?
First off, god bless you, bestie. God BLESS you. I want to smooch you on your incredibly wonderful forehead. Thank you so much for bringing this to my attention. I cannot be everywhere at once and cannot possibly read every fanfic posted to AO3, but it's not fucking cool for people to straight-up plagiarize my shit.
Secondly, I'd like to ask that if ANY of my followers come across something that looks very suspiciously similar to my fics, please let me know. You can for sure send it on anon, or send me a dm.
Now, with that being said, I clicked on this fucking fic not knowing what to think. I went into it with a pretty open mind, knowing that there are quite a few authors currently posting fics that are verrrrrrrrrrry similar to my writing style. I've gotten pretty close to calling a few of these authors out but haven't for a few reasons.
Fanfics based on the same ship, in the same canon setting, are always going to be... let's use the word "similar" here. The plot can only change so much when you're following canon events, you know? I don’t write AUs, so I’m only going off canon-inspired fics. My fics generally follow along with canon timelines and therefore, other author’s fics that follow the same timeline are going to be... similar. I get that and accept that.
Characterizations are bound to be... well, fuck it, let's use that word "similar" again. I'm gonna be pretty forgiving when someone's Max is damn near the same as my Max because one: I'm a good and forgiving person, and two: I think my characters (while totally fucking fictional) are very life-like to the real person. So, with that in mind, when I read a fic with characterizations similar to mine... I will usually give somebody grace... and accept that maybe, just possibly, they see Max Verstappen (the person) the same way I do (fictionally) and it’s a big old coincidence that our fics read so similar. You know? Does that make sense?
But with all that being said, I’m not a fucking idiot. 
And honestly? I give more grace than I should on this goddamn website. (lmfao, respectfully.) This is sadly not the first time that somebody has very much written in my likeness, and I know it won't be the last. But this is definitely the boldest version of plagiarism I've seen. I haven’t clicked on any chapter except for 14, and I heavily skimmed the first part, but let’s take a little deep dive into some of the highlights. Because I will show the receipts, bestie.
from their story:
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from long live:
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..... right, let's move on.
from their story:
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from long live:
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okay................. sure
from their story:
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from long live:
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If you're going to plagiarize my shit... you could at least put it in a different font, so to speak. "Hey, can I copy your homework?” “Sure, but change it up a bit.” 
Girlie pop, you stopped even trying to change it the fuck up. 
Let me be clear: I do not authorize anybody to translate, re-post or distribute my work without my written consent. This is in a disclaimer (that I will post below) in every single one of my fics. Taking MY dialogue is NOT okay. 
Direct quote from the beginning note of Long Live:  DISCLAIMER #4: This is 100% fictional, and I do not own any person, team, or sponsor referenced in this story. I mean no offense to any person(s) mentioned and characterized in this story. I am not affiliated with any part of Formula 1 or its subsections. Please do not translate, re-post, or distribute my work without my written consent. I will cry.
To sum up, writing is not easy, and it takes time and effort. Time away from my friends, my girlfriend, my family. Time away from my job and my other hobbies. Long Live is 76 thousand words and took me countless hours to write.
To have somebody so blatantly and disrespectfully post MY SHIT as their own and not even try to give me credit? To not write a note that said, “Heyyyyy go read long live, which I [clearly] really enjoyed!” or even a “Some of this dialogue was inspired by @fabbyf1” or even just a “lmfao some of this i didn’t write but the rest i did” really pisses me off.
Why did it ever have to come to this?
I am SO disappointed right now.
Happy fucking Friday, I guess.
For full transparency, here is the link to their fic: https://archiveofourown.org/works/55255699 and here is the link to their tumblr: @l-estappen
Here is the link to MY fic, which was posted on April 2nd, 2023, and written in Google Docs with revision history about a month before that. I have receipts out the fucking ass, my dear. https://archiveofourown.org/works/46190509/chapters/116284915
Be well.
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Note
hi! so I have this idea that won't leave my mind about a fanfic/story between lady jessica x fem! reader. basically reader is part of one of the great houses and she married duke leto because of a political alliance. jessica was already leto’s concubine and paul had already been born too.
the relationship between reader and jessica was never the best one. jessica always had this pet peeve with reader, maybe jealousy because she was married with leto, but reader never wanted to be married with him and never had romantic feelings for him too.
they relationship began to change when they come to arrakis, specifically when they are left in the desert to die (is “saved” by the harkonnen also because he is a member of one of the great houses).
jessica sees the reader as the only thing left of what she called home, then she starts to develop feelings. reader already had some “strange” feelings for jessica, like a devotion/admiration to a goddess.
– s
ps: i’m the same person who requested the jessica x fem! corrino reader.
[Hi Anon! Keeping me busy, I see :)]
Riptides
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Lady Jessica x Fem! Duchess Reader
Summary: The past haunts. It puts things both bad and good into perspective. Whether it is to mend or to separate, that is entirely up to the doer.
Warnings: None, just overall angsty. (Hurt + Comfort).
A/N: This work is contrived of ‘ficlets’. Plain text moves linearly, set in Dune II after Jamis has been killed. Italicized text does not move linearly, pertaining to snapshots of the past. R is the sister of Lord Fenring, not shown in the movie. (This is not a white or perceived to be white character, it is as self-insert as possible). I also did my best to lean into realism, (less R admiration of Jessica, more conflict), as it is more my style. !!! I really, really, really, really like exploring true characterization or playing around with characters, so this is a very angsty fic !!! (Alia steals the show, again).
Word Count: 4.2k
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Paul was an uneasy sleeper. Looking at Jessica as she twitched in the Fremen tent, you realized just where he had gotten it from. Jessica was coated in sweat. Paul was the furthest away from you. It was a sad truth that neither of them ever really warmed up to you. And how could you blame them? The marriage to House Atreides was nothing you’d ever asked for. It just was. But Jessica couldn’t understand that. And you wouldn’t try to make her understand that. Perhaps if things had gone differently from the start, perhaps if you’d been given the opportunity to make her acquaintance before you were dragged to the marital bed… None of it mattered.
Jessica twitched again, an unpleasant dream. The duke was dead. Your protection was gone, and by some miracle you’d made it with the other two out of the desert and into the path of the Fremen. Paul had fought for his right to live, Jessica had bested Stilgar, then killed Jamis to protect him and his mother’s right in the Fremen, but you? The best you had was the Bene Gesserit training given to all noble women of high ranking houses. A Sayyadina, like Jessica. It put you in a poor place with the Fremen.
“Hnnmm-” Jessica jerked.
You looked at her, analyzing her facial expressions. Her eyes flew open, and she sat up, lunging.
“Jessi-”
Her hands gripped your shoulder as she pushed you down, prepared to strike. The dim light of the eclipse halted her motions.
“Oh.” she gasped.
Her blue eyes were wide, and afraid. It must have been a hell of a dream.
“All this time and I still forget there’s three of us.” 
Loud voices came from inside the Duke’s chambers. He’d called you here, supposedly to meet with Jessica. Your earlier interactions were never pleasant, she was clipped with you.
“Jessica, please. She is a political ally and another route of maintaining peace upon Arrakis.” Duke Leto reasoned with his concubine.
“And a force of contention in this house! She is slow to learn the Fremen ways, slow to develop relationships with the house staff, and worse, her closest friend is a teenage boy.”
“Paul is close to her age it is reasonable-”
“Yes. They are close in age. I wonder why that is.”
Duke Leto didn’t answer, rather he opened the door, gesturing you inside. You wore thin, flowy clothing, similar to the clothing worn in House Fenring. It was far less conservative than Jessica’s, and you supposed that was a mistake in and of itself. The Duke paid no attention to your clothes. One night to seal your marriage, as was custom. The Bene Gesserit had already decided you would not bear an Atreides child. You slept with him the night after your period had ended. No child would have been conceived, no heir above Paul.
“There are three of us in this marriage.” Leto spoke. “For better or worse, we need to remain as one unit,” he made a circular gesture with his hands, “And that cannot happen without work to build the cohesion between the two of you.”
Jessica’s eyes were bright, intense, her mouth drawn into a thinly concealed scowl.
“Lady Jessica,” you began. “If it is my friendship with Paul that worries you, I will end it.”
Jessica gave one last look at her Duke, leaving before she had spoken a word to you. 
Jessica crouched in the sand, taking refuge from the heat in a cluster of boulders. You couldn’t blame her, she was nauseous. The babe produced nausea as it was, but the sight of water collection from several still living Harkonnens couldn’t have made it any better. She looked green, practically, having thrown up in the sand. Stilgar had scooped it into a bag, attaching it to a pack. No waste. But the lack of water wasn’t going to help her.
“Jessica.” you murmured, crouching beside her on the ground. “Here.”
You exposed the straw from your suit, offering it to her.
“I can’t accept it.” Jessica shook her head.
“It’s a gift for my future step-daughter. You can and you will.”
Jessica didn’t really mean it when she refused the water. She knew you’d press the issue, and she’d accept. She needed the water, and you could do without a little water for a little while. The only issue was that it required bringing her face close to you, which she did. The water was warm. The same temperature as your body, but it did the trick. She drank a few mouthfuls of water, more than she needed, but you didn’t object. She’d take what she could get from you, although her mindset was starting to change.
“The young Lady Fenring, sister of Lord Fenring.” Reverend Gauis Helen Mohiam drawled. “The Bene Gesserit have secured you a marriage…”
So that was what she was here for? A marriage was reasonable, you were of the age to be used to further the Bene Gesserit breeding program. 
“There’s a catch.” the Reverend spoke, holding her hand up to prevent you from assenting. “The union is childless.”
Your mouth snapped shut. A childless marriage? What kind of a thing was that? The Bene Gesserit was better off training you to be a junior reverend than marrying you to a man without birthing a child. What of the breeding programme? What of the needed changes to be made to the bloodlines with the Atreides resistance?
“You will be our spy. There are many eyes upon House Atreides, but we need eyes from inside.”
“What of Lady Jessica, your reverence?”
Helen Mohiam chuffed at that.
“Lady Jessica has served her own purpose since she fell in love with her Duke. One of my best pupils, one of my worst failures. You are young, unswayed by the love of men, swayed by the approval and service to your sisters of the Bene Gesserit. You will serve us well there.”
Taking a breath in, you nodded once.
“I assume Lady Jessica is not to be made aware of this?”
“Lady Jessica should never know of the master you serve. Your duty is to play the role of a jealous wife. Distance between Jessica and you is the only way our intel can be confirmed. Do not get close. Never, ever, give her reason to suspect you are anything but madly in love with the Duke Atreides.”
“You never cried over my father.” Paul murmured to you, sitting on a dune during nightfall.
It was peaceful tonight. The dunes of Arrakis were calm, without wind whipping over the sand, without the whirr of Harkonnen machinery.
“The Fremen don’t waste water. We are Fremen.”
“No. Before. In the tent we slept in before Duncan found us, you did not cry. You were scared, and upset, but you…”
“I never loved your father. I was his wife in name and rank. But I never loved him.” you admitted, not looking at him.
Paul went quiet. He was a deep thinker, like his father. An inner monologue that only they were privy to playing in their head at all moments, a monologue that very rarely came to the surface.
“I knew your father for six months. We were married in a time of great uncertainty for your house, a time of great uncertainty for the Bene Gesserit and Landsraad. There was no time to love him. But I respected him.”
Paul gave a bob of his head. There was sand in his hair. You reached over, shaking it clean. His hair was getting long.
“You need a haircut.” 
“The Fremen don’t all have short hair.”
“Long hair on the warmest part of your head, the head that is most directly exposed to the sun, is a poor idea. Give me your crysknife.”
“It’s ceremonial.” Paul corrected, offended. “And Jessica has long hair, as does Chani.”
You sighed. That it was. They were only drawn when someone was to die, or when handed down from one individual to another. It would be borderline sacrilegious to use it for a haircut. Chani had thick hair, like the Fremen, and Paul had thick hair too, but he was complaining of headaches, from adjustment to the desert climate, you assumed.
“I’m cutting it off.” you decided.
One of the fremen had an iron knife, generally used for cooking. You cut Paul’s hair, leaving the top of his head longer and the sides short. You bagged the hair.
“Do you want to keep it?” you asked the boy.
“Hair doesn’t hold water.”
“It’s said to hold memory.” you murmured. “Do you want to keep it?”
Paul shook his head. He had enough memories in his head to remain unbothered with those from a scrap of hair.
“I’ll keep it.” Jessica murmured, reaching forward for the bag of hair.
She tucked it away in a pouch on her stillsuit. She seemed equally sentimental as she was a bit sad.
“I had a trimming of his baby hair.” Jessica murmured, brow furrowed. “It would have been burned with the rest of Arrakeen.”
You looked up at her, and then nodded once. A box of sentimental items was something you and Jessica seemed to share. Both went up in flames with the Arrakis city. The only thing left of your lives before being the both of you and Paul. Jessica settled beside you, sitting on the dune with you. She was deep in thought, and for good reason. The past was a territory she chartered regularly, for better or worse. 
“Were we ever competing for Leto?” Jessica asked, voice soft, and yet tinged with a scratchiness caused by water retention.
The thought itself was a sad one, and a bit difficult to answer. The Bene Gesserit order had dictated that you play the role of the devoted spouse. It was under their orders that you’d romance Leto, vying for his attention, for his trust, for his innermost thoughts; those that were not as secret as he may have believed. Perhaps you’d played a role in the downfall of House Atreides? No. Not perhaps. The information you’d provided the Reverend Mother had led to the Emperor’s decision to exterminate House Atreides. Of course you had never known it was the plan of the order, but… How much of the fall of House Atreides were you responsible for.
“I…”
Tears sprung in your eyes. Tears you couldn’t cry, a waste of a body’s water. And yet your chest ached. The muscles in your throat contracted painfully, and you blinked rapidly to dispel the tears. Tension grew in your lungs as your body fought against sobs.
“Oh.” Jessica said.
Oh.
Oh? That was all?
Leto rolled in his sleep, wet breath ghosting over your bare shoulder. You’d assumed he’d leave after the marital act, returning to his bed with Jessica, but he hadn’t. Rather, the man had slumped over into the bed, closing his eyes and letting out a weary sigh, as if to say ‘it’s done’. There was wetness between your thighs; wetness that you weren’t responsible for. Sure, you’d forced your body into being wet enough to take the Duke of House Atreides, but this particular remnant was not yours. It disturbed you.
The cool of the washroom felt heavenly, and you were grateful for the stone walls and the shades over the windows. Castle Atreides was wet, the rain of the ocean planet keeping a humidity in the air that would corrode traditional drywall. Not that the staff didn’t keep things spotless, but in most other circumstances, one could have fretted over black mold.
“What are you doing?” a deep baritone voice ghosted in the bathroom.
You were in the middle of scrubbing your skin clean, trying to rid yourself of the act.
“... Bathing.” you answered the Duke Leto.
He stared down at you for sometime.
“I shared the post-coital bath with Lady Jessica on our first night.” he mused.
“I am not her.” you replied, voice taut with a bit of discomfort.
Leto nodded, and without waiting for permission, he stepped inside the bath with you. It was a show of equality, giving you what he had given her. But it was wrong, in a lot of ways. You didn’t deserve his equality, even though the Bene Gesserit tasked you with taking more than equal share of his love.
“Does my age bother you?” Leto finally broke the silence.
“No.” you answered quickly. “It’s not about age, it’s about-”
“-Duty?” Leto cut you off.
You nodded once. The Duke of Caladan was attractive. No question about it. A chiseled jaw, a firm, strong build and commanding manner, he looked good for his age. Better than some men your age. There was appeal in his maturity, but appeal was besides the point.
“Should I expect this again?” he asked. “Should I expect to begin… Conception efforts?
The very words made you want to crawl out of your skin, and it was apparent on your face. So apparent was your discomfort that Leto let out a raspy laugh, shaking his head.
“So that’s a no.” Leto answered his own question.
“The Bene Gesserit wish that Paul remain the sole heir to your house.”
“They won’t have you bear even a daughter?” Leto asked in confusion.
You took a breath. Discussing the aims of your Sisterhood was not something you were allowed to do, but something Leto was confident enough in doing. It was because of Jessica. She had given him too much power, too much knowledge. Hence why he questioned you with such brazen authority.
“The aims of my Sisterhood are not to be discussed with my husband.”
“Well then I expect the same.” Leto darkly murmured.
The same? The concept baffled you. To speak about the Bene Gesserit to your husband was, by nature, against your orders. And to speak of your husband to the Bene Gesserit was your duty. 
“I… Cannot give you that.” you murmured.
“I will annul the marriage.”
The thought frightened you. For you to lose the marriage to House Atreides was of the highest failure. You would lose so much. Political rank, status in the Bene Gesserit… It could mean exile.
“Please, this is my duty we are discussing. I wouldn’t even be married to you without the Bene Gesserit.” you tried to explain.
“No, no you would not. And I wouldn’t even need the political stability from this marriage if it wasn’t for the Bene Gesserit. If you damn me with your meddling, I have no choice but to damn you.” Leto spoke, authoritarian commands reverberating off of the wall.
He was your husband, yes. But this was the Duke of Caladan and House Atreides you were talking to. He was a powerhouse, a force that could do just short of bending wind to his aims.
“I have a people to protect, a son.” Leto continued, eyes ablaze with ruthless determination. “You are new to this house. If it comes between choosing my son and my family’s protection over political stability, I will make that choice. Now promise me that you will not speak of me to the Bene Gesserit.”
“Duke Leto...”
“Promise me!”
His voice echoed off of the stone walls, crashing into you again and again. Your lower lip trembled. Duke Leto Atreides was not a bully, but he was a father. And sometimes those lines could blur.
“I promise.” you whispered, eyes wide and afraid.
Duke Leto visibly slackened in the tub, taking a deep breath in and releasing it. 
“I’ve scared you. I will take my leave of you, if that is what you wish.”
You gave one small nod, and Leto stood, leaving the tub and exiting the washroom. Perhaps if he’d maintained that iron grasp over you from the first night, perhaps if he’d inspired love, devotion, trust in him that Jessica had been privy too for over a decade… Perhaps if you had kept your promise, none of this would have happened.
The sietch was quiet. Unnaturally so. Jessica could feel the humidity with every breath she took. She hated it, for a myriad of reasons. Namely because it was like some perverted, hellish imitation of the humidity of her home Caladan. Not one breath she took had the cool taste of salt, all of it stank of bodies. Her stillsuit was a natural filter, and it sucked the moisture off of her skin, mostly. The residual moisture to cool the body made her feel itchy. All the time.
Paul was sleeping. He was an unusually light sleeper, always had been. But in the Fremen ranks, he slept deeply. It meant something, his relaxation, but Jessica was too bereaved to care on this particular night. Bereaved by the loss of Leto, the loss of her home world and safety, but also by the second body that lay beside her. Jessica was disturbed by the Duchess Atreides, former Lady Fenring, not to be confused with Margot Fenring. Paul had brought up a point, about her crying. The Duchess had never cried, not once. The despair of the burning city of Arakeen, the death of Duke Leto, the confusion and panic; none of it had brought a tear to her eye. But that simple question over competition had brought out an almost haunted reaction from her, and fostered a sadistic fascination inside Jessica. Jessica knew the language of the body. She knew the cues and the faces one might make in different emotions, she’d been taught this. The duchess had been ashamed. Guilty, crippled with some unseen burden. Perhaps it was time that Jessica dug into that.
“I can hear you’re awake.” Jessica murmured, reaching up to stroke a hand through her companion’s hair.
The gesture itself was false. Jessica wasn’t intending to be kind, or comforting at this moment. She wanted answers.
“I can’t sleep.” came the response.
Jessica hummed at this, turning her body to rest against [Reader]’s, spooning the young woman from behind.
“Why?”
You could feel Jessica’s breath on your neck. It was fainter than Leto’s had been. Everything she did, every movement or question the woman asked, it was dissected by you. A game of analysis, the both of you brushing hands in tender show of affection while each sheathed a knife under their sleeve. It was an exhausting and all too familiar game. And perhaps one worth burying, along with the dead.
“It’s my fault that Leto is dead.”
Jessica stiffened, and you could hear the audible slowing of her breath. 
“Explain.” 
There was no time to gather your thoughts. Not these thoughts, anyways.
“The Bene Gesserit tasked me with reporting information regarding House Atreides and their affairs. I told them everything about the Duke, about Paul and about you. For six months.” you admitted, voice growing progressively unsteady as you continued.
It was so difficult not to cry, and you were consumed by grief, guilt, shame. Too consumed to pay attention to the cues Jessica gave as she processed your statement.
“Do you think we didn’t know?”
The sentence was so soft spoken, you almost didn’t catch it.
“What?” you whimpered.
A hand cupped your face. Tenderly, without an ulterior motive.
“Did you think that Leto and I did not guess that you were reporting information back to the Bene Gesserit?” Jessica repeated, voice gentle.
“But I promised him I wouldn’t.” 
Jessica smiled, a soft, achingly sad smile.
“Yes. You promised him, a false promise given under coercion through fear and threat of political exile and potential deposition. I was a Bene Gesserit first, you must remember this. Your loyalty to the Sisterhood was something we factored in, everything we did under your eyes was, in essence, filtered.”
Filtered? They’d been showing you a reality that hadn’t been true? Your breath caught as you processed, hardly breathing as further thoughts raced through your head, memories crowding outward. Did this mean that you never knew them, for all this time? That you never knew your Duke? The man you were wedded to, the man you could’ve loved… You’d never even gotten a fair chance at love with him. Jessica had stacked the odds in her favor before you’d even begun playing the game. Not one moment of affection from him could be trusted, some of the memories you were just now learning to cherish, it had all been a lie.
“No, no, don’t waste your water!” Jessica whispered, desperately trying to prevent you from crying.
It was too late. Tears streamed down your cheeks, salty and concentrated with all kinds of neurotransmitters and other various compounds. Jessica, for her credit, thought fast. Her lips pressed over your cheeks, working quickly to collect the moisture.
“No…” you sobbed.
Jessica cradled your head with one hand, holding your body to her with the other. This was the grief she’d been searching for, the pain. And it wasn’t as satisfying as she wished it could have been. Sure, the games she’d played against you had been for the good of her family, for the good of Atreides, but it wasn’t easy hurting people. It wasn’t easy throwing them under, like a riptide ghosting over the shores of Caladan. But for better or worse, the outcome was the same. You’d both lost things in the feud, in the deceit. Jessica had lost her husband, a husband outside of traditional binds, a husband of the soul. You’d lost your livelihood, your innocence, your… 
As Jessica held you in her arms, she realized just how alike the two of you were. How different things could have been if you met under different circumstances. Jessica didn’t have many allies now. No political connections, no ties to the desert planet and peoples. She had a son, fifteen and burdened with a peculiar, tortured purpose. Jessica had a fetal daughter, stirring and swimming about as she developed, too young to know the danger that awaited. And finally, Jessica had this woman in her arms. A Bene Gesserit, a powerful young woman whom Jessica could work with. An ally, perhaps. A companion, most certainly. A reason to move forward with haste.
“Jessica.” she heard you whimper.
Leaning down, Jessica smiled softly, cupping your face. There was a tear on your upper lip. 
“Yes?”
Another tear fell, but Jessica would wait to collect it, wait for you to speak.
“I’m sorry. For everything.”
She leaned down, collecting the freshly fallen tear on your cheek, and then lower. A soft kiss, the brush of her tongue over the wet upper lip concealed with the plush of her mouth.
“I’m sorry too.”
Her head dipped to yours, and for the first time, Jessica could feel a twin heartbeat, low and rapid. Alia’s tiny, six week heart had begun to beat.
Epilogue
“Alia!” you shouted, chasing after the toddler.
Even with Alia’s higher consciousness, she was young, rambunctious, and as fond as her mother is of games.
“Can’t get me!” Alia squealed, darting through the sietch, moving so fast you could hardly keep up.
The little tot was small, blonde haired as Jessica would have been at her age, and fast. But the robes she wore, the robes of the Sayyadina, were a bit too long for her, meant to grow with the little warrior child. She tripped, and went sprawling over the stone floor of the sietch. Alia cried out, breath immediately speeding up in her body’s attempt to formulate a reactionary cry.
“Oh, honey.” you spoke, wrapping the toddler up in your arms.
Her brown eyes were wide and teary, and she did her best not to sniffle. Alia was, after all, an adult in the body of a child. But that child’s body was filled with child emotions and feelings. Falls hurt a lot, and this fall was probably the worst Alia had experienced so far.
“Hurts.” Alia whimpered. “Can’t… ‘M gonna cry.”
You chuckled, kissing her soft cheeks as the child tried not to cry. You found the scraped knee, gently kissing that too. Soft footsteps came behind you, and two hands encircled your shoulders as Jessica crouched down.
“Did someone fall?” Jessica asked, tone sincere and non-patronizing.
“Yes.” Alia stuck out her bottom lip.
Jessica chuckled, gently taking Alia from your arms. Both you and your companion gently worked to bring Alia down from the pinnacle of tears, soothing her sore knee with kisses. Alia was adorable like this. It was the only time she ever let the two of you baby her.
“Mommies?” Alia asked. “Love you.”
You both smiled, taking terms kissing over her face as she squealed in delight. It was a soft moment during tense times. 
“Alia, should we attack Momma with kisses?” Jessica fake-whispered to Alia.
“YES!” Alia screeched, little hands grabbing at your face as she kissed all over your face and hair. 
Jessica was right with her, holding you in place and kissing over the bridge of your nose, your cheeks, your chin, your neck. And as Alia pulled away to giggle, she snagged your jaw in her hands, pressing a firm kiss to your lips.
“Eww!!!” Alia whined.
Jessica chuckled, and you both doubled down, kissing each other more passionately to mollify the little toddler beneath you. But as you pulled away, you both felt Alia’s hands on your faces, and a wry grin on her tiny cheeks.
“Mommy’s turn!”
Both you and Alia pounced on Jessica, covering the usually stoic woman with kisses until she shrieked with laughter. Time healed a lot of wounds. And the past was something you cherished, almost as much as you cherished the present. Alia made sure of that.
Tags: @ilovehotactresses, @marvelwomenrule, @coffee-is-my-oxygen, @bjoerkumlaut, @lovelyy-moonlight
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komorezuki · 2 days
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Lord of the Files
CW too much love to my girl here(*♡∀♡)
As The Demon Chronicler and just a big fan of our beloved demon I feel she is not revealed by the fandom enough and I want to fix it and talk about her more. Thanks @yowlthinks for the reminder.
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The warrior
Let's start with the main thing: Dagon is a warrior by nature. She was really happy when Azi declared a war. She was the one that encouraged the troops before Armageddidn't. It would seem, why not Beelzebub do this as a big boss? But Beelzebub is completely burned out (burned out demon, lol) and they don't live for the fighting unlike Dagon. War is just a work for them.
In addition I can mention that Dagon is wearing a navy uniform ahead of the Armageddon 2.0. In my headcanon she is going to be responsible for water-related disasters. And I really wonder if she has her own subordinates. Maybe they would look like lovecraftian The Deep Ones.
Plus, Dagon is suspicious and this has it in common with Michael. I don't think that Dagon really fears the empty cardbox, but in that case it is logical to expect a trap. After all, they face their enemies in the place that belongs to retired traitors.
The faithful one
The second thing that I see as her fundamental personality traits is loyalty to Hell and maybe complete loyalty to demons as a race. It manifests itself in different ways. At least she really likes to look eldritch. She is the only demon who doesn't change her appearance on earth.
Dagon doesn't also manifest excessive cruelty (unlike Hastur). She is quite phlegmatic like B, but she really enjoys her work and the confrontation with angels. She doesn't manifest any anger or even strong fear during the non-Crowley's non-execution. And the strangest thing: she didn't even punish Furfur for his stupid fail. Why didn't she? Why did anyone call her the master of torments? And I especially love the scene of reunion of brielzebub and Dagon is like
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It seems she doesn't welcome romantic relationships and holding hands. I get you, my dear, I quite get you. However, notice that she doesn't also express any hatred or disapproval for B's escape (unlike Shax), just a shock.
Dagon doesn't look power-hungry - she reacts calmly to Shax's appointment (the reason also may be that Dagon doesn't see Shax as a competitor). Dagon shields her colleagues from the alleged trap. *fangirling sounds* Maybe she doesn't have strong negative demonic emotions like hatred or brutality, but when it comes to choosing the side, she has no doubt and hesitation. This is the opposite of "independent" demons like Beelzebub or Crowley. And honestly this is a matter of respect.
About angelfish
In fact, in my headcanon all immortals are aromantic, and specifically Dagon hasn't any close attachments at all. Her (metaphorical)(occult) heart belongs only to Hell. She and Michael have this in common: Michael is also loyal to Heaven.And I like to consider them as colleagues who are on the same wavelength. Like Brielzebub was in S1. So i don't think there is any close friendship or love between them, rather the "cooperation with old enemies", you know. Most likely they are in touch and exchange information (like Crowley and Shax).
Well, it was a huge longread about the minor character but I really feel that Dagon deserves more analysis. This post is dedicated to @andagon and the shoal of Dagons.
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chaotickimchi · 2 days
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Killing Your Darlings - A guide on writing death
(Inspired by some writing tips I saw on pinterest. I decided to try my hand at a “writing death” guide. Small disclaimer, these are suggestions or things to consider, there is no rule book on writing death and your story/characters will ultimately play a role in the shape and shades you colour in your scenes with.)
SHOW DON’T TELL?
How does your character discover the death? Is it really necessary to show the body to the audience? 
Consider this, which will have more impact on your character, watching someone die or getting a phone call and hearing the news from afar? Depending on your story, it could be more gutwrenching if your character isn’t there to say their final goodbye. Sometimes not showing the body can be more devastating. Don’t underestimate your readers empathy and imagination, if your characters have a very strong bond, severing that tie from a distance can be incredibly impactful. Just because your character dies, doesn’t mean you have to show the body. If that’s the case for you, then you don’t have to worry about describing the “death scene” at all. 
WHAT’S IN A NAME?
Writing a murder mystery or a battle? Well, I suppose your character will see a lot of shit, time to describe the Dead Darling. 
Corpse. Cadaver. Body. Remains. Carcass. The Deceased. 
Several words refer to a dead body and they aren’t all created equally! You wouldn’t call your character’s dear old granny a “carcass” for example, and how many of us use the term “cadaver” to describe human remains in a casual setting? Consider the context, who is speaking, what is their relation to the Dead Darling? The use of a particular noun can change the weight and mood of the scene, there’s a reason your local funeral director doesn’t go around saying “CARCASS” to grieving widows/widowers, it sounds harsh and nasty. Maybe your character is in denial and doesn’t even describe the Dead Darling as “dead”, instead they view them as “like a doll” or “impossibly still” or looking like they’re asleep. 
Context matters, so consider the relationship between the Dead Darling and the character and also the situation they are in. Take the following as a rough example; 
Detective Mc Dude has been called to a scene, he’s given a rough description of the victim over the radio as he drives to the scene. He arrives and to his horror, he recognises the body as that of his secret lover. His colleague joins him and fills him in as Detective Mc Dude tries to gather himself.  “Detective, the remains were found this morning by a jogger. We’ve yet to make an I.D …” Detective Mc Dude’s mind is reeling as he wrestles against his inner turmoil and the need to maintain his composure and act professionally. Later, he goes to the coroner to discuss the autopsy results. The coroner describes the injuries they have discovered on the corpse. Detective Mc Dude begins to build his case. 
While the example lacks a lot of detail and flourish, I do hope it helps illustrate how the weight shifts around with the use of different nouns throughout the example. The coroner in this example feels no attachment to the Dead Darling, this is their job, they see a corpse and try to gather evidence. Detective Mc Dude recognises her body, whereas his colleague sees the remains. Do you see the difference there? Mc Dude sees the person, her body, his colleague doesn’t know who she is or what her story is, he has less connection to her and he sees the remains, it feels more distant and impersonal compared to Mc Dude. 
This might be a bit of a head scratcher, the differences are very subtle but can become really pronounced when weilded well in a scene. My advice is to pay attention to discussions of death in real life or books/tv/films etc. Read your paragraphs out loud and see how they feel, sometimes you can intuit what fits and what doesn’t. You may notice things that surprise you, for example, news readers often say “a body has been found” or “the remains of a man/woman were found”, whereas you and your friends/family are more likely to describe a deceased loved one with “his or her body”. 
A detail as small as using personal pronouns can carry significant weight, likewise, the type of language used can convey a lot of emotion. His/her body can be used to create a sense of closeness or sympathy, corpse can suggest a clinical or distant view, carcass or remains could indicate a hint of barbarism or malice. That's not to say that “corpse” can’t be used sympathetically or that “body” can’t be used to convey malice, it’s worth experimenting with which types of nouns you want to use. 
YOU LOOK LIKE DEATH WARMED UP- OH WAIT
Death comes in many shapes, sizes, colours, smells, and forms. A character sitting at someones sickbed watching them fade away will have a completely different vibe from Detective Mc Dude discovering a stomach-churning murder scene. Unless the dead body randomly falls out of the sky, chances are your character might notice some context clues or details in the environment before we get to the body. This could be anything from the beeps of machines and the sterile hospital smell, or maybe there’s a blood trail on the floor and the sweet stench of death clings to the air. It’s rather likely you’ll set up a scene before you zoom in on the finer details of the body, what kind of things would catch your character's attention? 
Now your character has come across a body… What do they see? The glassy dead-eyed stare, mouth twisted in a painful grimmace, the massive gaping chest hole where the facehugger popped out- Wow, that escalated quickly… 
Think for a second, what might your character notice first; look of terror in the victims eyes or THE MASSIVE FUCKING WOUND IN HIS CHEST… I know, the blue lips and glassy eyes might feel like a great place to start, but I’m willing to bet a massive pool of blood would catch your character's attention first, they’d probably have to get closer to see the look of terror in their eyes! Consider the larger details if your character is further away and hone in on the finer details if/when they are closer.
Not all deaths are quite so … gruesome. Maybe someone died peacefully, closed their eyes, smiled, and slipped away in a dream. Describing the “look of death” doesn’t have to be all that far removed from how you write regular emotions and expressions, except in death these expressions get locked in or frozen in time. A dead body isn’t all that different from a living one when you think about it, so why would you reinvent the descriptive wheel? A living or a dead body could “wear a painful grimace,” let your character read whatever expressions they can uncover when they find the Dead Darling. 
Smells, sounds and other sensations. You don’t have to go ham with descriptions, sometimes less is more, it really is down to you, but another thing you might want to consider are the smells, and sounds going on around them. Maybe your character disassociates a little and you forgo the visual stimuli entirely and need to express death using other senses, maybe it happens in a very dark room, or maybe you just want to draw in other descriptive elements into your death scene. 
Sounds: Siren blaring and alarms bleeping, the faintest little ‘huff’ as they draw their final breath, the ominous death-rattle cough, piercing shrieks suddenly cut short, a gutwrenching crunch-squelch, the click of a switch and the poignant silence of the life support machine ceasing. 
Smells: bleach/disinfectant, latex gloves, blood/gore, rot and decay, sickly-sweet or vomit-inducing, smog/smoke and fire, the smell of the Dead Darlings perfume, the environment (e.g. outside perhaps the smell of death is swept away by the powerful salty-sea spray or masked by the stink of the sewer the body was dumped in…)
CONCLUSIONS
There’s still a lot to explore, but I hope this has given you some food for thought when considering death in your stories. There’s more to explore, such as what happens after death (funerals, burials, anniversaries), writing scenes where your character murders/is murdered, the various ways characters can die… Faking character deaths … like there is a WHOLE LOT but this just covers a few things I find helpful to consider or at least think about when I read/write stories or generally listen to how language works around me. 
Good luck killing you Darlings ;)
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lemotmo · 3 days
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Just read your review for the finale and I so agree with you, that was not how you do a season finale
Everyone says that it's because the season was only 10 ep so it was rushed, but when you know you will have so little time why try to jungle so many stories and risk doing justice to none
I only like 2 things about this episode happy mara and all the buddie chris interaction
The pacing was so bad that made the acting look bad - ryan was the only one who really had any work to do
I am not a fan of having gerrad back but maybe whatever they have planned with him will work out - I saw people saying him back is a way to have tommy more involved next season, flesh him out and I hope that is not the case, I don't need more of him they should have used the scenes he was in this season instead of wasting them
I know the writers don't base their decisons on what fans want, but it kind feels that the reason b/t is still together is a combination of a short season and of how well it was received and how loud their fans are (though not unheard of, off the top of my head misha collins stayed on spn because of how much people liked him - not that you can compare them, castiel is an amazing character, t*ommy not so much)
b/t have 1 min of screentime and almost as many posts on here as buddie does - makes me feel like am am failing in supporting buddie as a fan
I am glad to know you are not giving up on them and love to hear if you have any theories about how they can come together in s8
Thank you!!🌞
Hey Nonny! I hear you loud and clear! I agree so much!
BT having so much posts mainly has to do with the newness of it all I think. I've also seen a lot of more negative posts about BT in the BT tag, so the tag is also used to criticise the BT relationship. So that might give it a bit more nuance.
The same thing is going on on Twitter. I checked out 'bucktommy' tag which was trending and most of the posts there were people being offended and disappointed in the BT storyline. So, I think we're good there.
Don't feel like you're failing at anything. This isn't a matter of winning or failing. It's fandom. It is what it has always been: fickle and fleeting. :)
Gerrard being back is not so much about Tommy as he doesn't work at the 118. But it was all about Tommy once again being used as a plot device to 'remind' us of Gerrard and his bigoted ways. It was a big shiny beacon of light shining on the fact that Gerrard was coming back to create havoc.
Fleshing out Tommy doesn't make sense with all the main characters and their storylines they already have going on. But if they decide to go that way, I still fully believe we'll start seeing how incompatible Buck and Tommy really are. Throw Buck's connection with Eddie into the mix and the show has all the ingredients for juicy relationship drama. Would I like a storyline like this? No, not one single bit.
But this is a drama show, so it could happen. Ultimately, I always see Buddie come out on top. Everything the show has shown us up to the season 7 finale, was always about how deeply connected Buck and Eddie are. They aren't going to chance hurting one of the most beloved core relationships on 911 to fit in this forced relationship between Buck and Tommy.
And... Nope not giving up on them! I've been here for 6 years, never hoping for cannon at all, but now the opportunity and good-will is there. It's there in the show and it's there in the interviews. Ryan and Oliver are all for it. So, yeah... I'm sat for season 8.
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abitterberryblog · 3 days
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TWOTM Emissa Corenius : An Over-Analyzation
Major The Will of the Many spoilers and random theories ahead !!
Okay, so when I first read The Will of the Many, I wasn’t reading properly, and I just kinda assumed that Emissa was just a kinda blandly written character in such a well-written world. That was, of course, until the whole twist thing. What I liked was that it wasn’t a complete 360, and that she didn’t end up as extremely bad, but flawed enough for me not to be annoyed with her existence, and for her to not seem like only a Mary Sue 'love interest' character.
The thing is, I don't think she is at all.
First of all, I’m starting this with an analyzation of her relationship with Vis, and her not-so-role as a ‘love interest’. Was it real? Was it fake? I think she eventually did grow to be fond over him after a while, but I’ve always known she was going to betray him somehow. Something about the vibes.
It all started with the glass of water at the infirmary. I know there’s a chance that maybe she’s just, idk, kind or whatever, but after the ending, I’m not so 100% sure.
Not only that, but Ulciscor  constantly nagging about how suspicious he was of her. (Normally I'd pass it off as Ulciscor  being obsessed and hyper-anxious about the mission thing, but this was Emissa, and that caught my interest.)
There’s a really fat chance that she was, somehow, working with Veridius. This does not mean that she’s evil or whatever, and I'm still trying to figure out of Veridius is good or not, but it does make her a lot more interesting and complex.
Towards the end of the Iudicium, Emissa uses Will. You can’t use Will during academy stuff without some sort of source, or somebody allowing to use it. It's simply not possible?? Veridius? He’s literally the Principalis of the academy, after all, and during the infirminary scene at the end of the book, its implied that the Principalis spoke with Emissa beforehand, when he says to Vis that ‘she’s distraught’ and tries convincing Vis to talk to her.
What I noticed in this book is that the author, James Islington, is very careful in what he keeps in the book. Details. Hints. No matter how small or useless they seem. There are MAJOR spoilers, but : Here's a funny example I found.
See? Everything is littered in little details to be explored upon later. Even something as simple as a background detail of Aequa flipping coins.
ALSO, and something that I don’t see talked about for some reason, is the fact that Emissa knows that Indol was planning to deflect from Military to Religion. Indol never told her this. He’s shocked that she knows. Guess who may know??? Veridius???? That's right!!!
The question is, why would Veridius tell Emissa this? No idea from me here. But something else during the Iudicium arc catches my attention, and it’s the fact that Veridius PRIVATELY tells everybody what prize they would get if they won the whole thing. As implied by Eidhin (after he cancels on the Iudicium thing for Vis’ sake), Veridius often tempts them with something they really, really badly want,  and something that would drive them to want to win. 
I’m surprised not many people talk about that scene where Emissa asks Vis for the Heart of Jovan in the Iudicium, so she could win. She’s upset by this, obviously, since she cries and stuff, but I notice that she says “I can’t let us get separated.”
When I first read, I assumed she was talking about Vis, but that wouldn’t make sense, since she basically stabbed him as he fell off a tower (?) like, five seconds later. And also, her and Vis being separated wouldn't be related to her winning the Iudicium, (unless she's in a scenario where she'll have to leave forever or something if she doesn't win, which isn't really likely), Which makes me wonder, who was she really talking about?
Hopefully, we’re find out in the next book. Someone she really cared about? Relative? Family member? Am I missing something? Will this be important?
After all, we don’t exactly 100% know why Veridius planted Vis near the Callidus-Eidhin punchy debacle. He obviously knew Vis would step in.
At first I wondered if he was trying to kick Vis out and expel him, which is probably more likely, but right now I’m running on four hours of sleep and I am high on theories.
I think I’ve read this theory somewhere on the Hierarchy subreddit, too, but what if Veridius planned this whole thing, not to expel Vis, but to plant Vis near the stables as his punishment, maybe for Emissa to keep an eye on him? Or woo him for secrets or whatever the fuck? 
At the very least, whether Veridius did purposely plant Vis there for that sole reason, or as an afterthought after Vis worms himself out with the Threefold Apology, I do think that Veridius did make Emissa watch over Vis on purpose.
Otherwise, I think it’ll be a little random with Emissa just casually joining Vis to scoop horse dung, and I do not care how cool or attractive or fascinating he may appear, I still think it’s important. Hopefully? And why do I think so, you may ask?
I do not really think Islington deliberately wanted Emissa and Vis to be like, endgame, endgame. Like, The EndgameTM.  Maybe Emissa was trying to get more information on him. I don't know. It’s plausible. Emissa is top of the academy after Indol, and besides Indol being of course the smartest (as told by Vis), Emissa is FAR smarter than most readers deem her to be. I don't think everything as simple as this. Emissa simply cannot be this blind and radiant and carefree. She isn't in a perfume ad. We've established, from the book itself, that twotm is LAYERS upon LAYERS and twist after twist.
First of all, I’m so sorry, but Emissa and Vis have like no chemistry (imo). They do have maybe like a teeny, tiny bit, but the thing is that Vis has more chemistry with LITERALLY every other character his age BESIDES Emissa. I know, I know, every writer isn’t perfect, but there’s something so suspicious about Emissa and Vis’ dynamic.
As mentioned once on a Hierarchy Series subreddit post, Emissa and Vis have a strange dynamic that is unlike the others characters. With literally every single other character/friendship/relationship that Vis is in, there are details of each interaction, each feeling Vis has with them, what they do, bla bla bla, snippets of the scene, dialogue, ect.
But with Emissa, it’s sort of just…speedran? Like, besides the whole Suus island romance debacle and theatrics, their interactions just sort of go…
“Emissa visited me in the stables and we talked. For a long time. She helped me. She's nice. Also, her eyes are really green.” 
“Emissa sometimes studied with Callidus and I in the morning, sometimes not. Blablabla, she’s great and funny.”
“Emissa talked with me during Suus after noticing that I was uncomfortable with the politician people, blabla. ”
“Emissa and I trained together. In Three. Emissa helped me study. In Three. Wow, she makes me smile. Haha.”
Obviously, I'm exaggerating, but I'm definitely NOT wrong. Open the book and reread it. I DARE you to tell me I'm wrong.
See, there’s no real scene with them. Is it just me who noticed this? Just a time jump where Vis summarizes everything he did with her and how awesome and fun it was. There’s no way an author, writing a book with this much description and detail, just fumbles a romance by writing it like this.
NOT ONLY THAT, but even the CONFESSION scene isn’t anything as theatric as the rest of the book. Not even a SMIDGEN. Even the whole kiss can be easily forgotten. It’s not some dramatic confession. It's not romantic. It's not even sweet and heart-warming in that subtle, simple way. It's just a really lukewarm 'maybe i like you' and then boom, and it's over in an instant.
Vis mentions Indol and the secret that Emissa accidentally exposes of Indol, and then Emissa (suspiciously) changes the topic to how much she likes Vis and kisses Vis. And then boom, romance. A quick end scene, as if it wasn't ever important.
Isn’t it like, hella SUSPICIOUS? She changed the topic. Kissed him. Distracted him. And then the scene ended like it wasn't a whole Vis-Developing, Emissa-Developing, HUGE relationship moment.
Which, yeah, maybe she did like him at some point, but it sure as hell is convenient, isn’t it? I’m super invested in her character now, which is ironic because I used to not be able to STAND her because I just thought her character was just a really poorly written love interest.
I’m convinced Islington has the writer ability to write a confession/kiss scene much better, and much less random than that. Which means that I really don’t think he INTENDED to make hearts swoon. Just to distract.
Emissa is very fascinating, and few people acknowledge that, and I am EXTREMELY excited for The Strength of the Few to release.
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nashidakyouko · 6 months
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No, I do not think that liking a problematic or even evil character means you're a bad person.
I'm not condoning the character's actions—often not even in the context of the show. And certainly, I'm not approving those actions in the real world.
But it's a story. The world won't end if someone likes a character. Sometimes they are just well-written characters (obviously not all are well-written, but that's not the point of this mini-essay). Even if they are pure evil, if that is the purpose, then good! Achieved! (i.e. Lion King's Scar, Fullmetal Alchemist's King Bradley, Buffy's Glory, Avatar's Ozai, and many more) (then some characters who are not pure evil, but treated as irredeemable or just scum, i.e. She-Ra's Catra, Princess Mononoke's Eboshi, Buffy's Faith Lehane, etc.)
I can appreciate them for what they are while still not touching them with a 39-and-a-half-foot pole if they were real.
This goes double for characters that could reasonably have redemption arcs (or who have redemption [with varying degrees of success], but for half the fans it isn't ever good enough [sometimes even for me, I admit]—because apparently bad actions make a bad, unchangeable person, forever. But that's another post).
Evil exists in every world. Only shaming it when it's convenient (such as attacking fans of a thing), does very little to help any real victims.
Instead of screaming about an evil character, consider putting that energy into helping real people, real victims, and trying to stop problems (i.e. assault, genocide, misogyny, war, official/unofficial slave labor, hate groups, etc.) in whatever little ways you can. Find a good charity and donate. Give food and money to shelters and victims. Listen to their stories. Some of them might even tell you that the fiction you are so opposed to actually helped them feel less alone. Or any number of things that might have made the story cathartic for them, making it so they like the bad guy as a bad guy. Or, hey, just ignore the people who are bugging you and enjoy whatever media you want. Put your energy there instead unless the truth isn't that you don't care about victims, and you're just virtue-signalling.
*This is not about actual victims who are being upset or triggered. The only thing I have to say there is that you can go to a different media. Be safe, but don't tell OTHER POSSIBLE VICTIMS that the way they cope is inherently bad.
**ABSOLUTELY you can dislike characters or whatever. You can entirely judge them as evil and immoral. I am not saying you have to go along with every single thing. ABSOLUTELY you should not have to engage with things that you hate or make you uncomfortable or even triggered! None of this was meant to undermine any of that. I mostly just mean that everyone has their own experience AND fiction follows different rules, usually for the sake of telling a story. You do NOT have to engage or fake being comfortable. You CAN say you have issues with something. You should say! But your experience is not EVERYONE'S experience, so everyone—on both sides of this—needs to be more mindful of that.
***writing essays about the evils of characters and even how they may reflect or affect the real world is totally a different thing than screaming endlessly about it online. No problem there.
#evil characters#evil in media#I like never make posts like this but I've seen too much discourse lately and no matter how much I hate a certain character I'm not going#to say anyone liking them is an apologist w/o knowing their feelings or how they lived. I might be annoyed & then forget about it usually#purity police#purity politics#anti purity police#writing#characterization#discourse#don't just assume things about someone based on fictional tastes#think what you want I guess but maybe don't publicly attack people without the context?#there are bad people out there even just in the fandom sphere (PewDiePie being JUST ONE famous example of many)#but don't lump in someone who likes Uncle Iroh with war criminal apologists#or people who like cannibalistic characters with actual cannibalism or supporting it#you don't know them#maybe they have reasons the character matters to them#but even if that reason is just that it's fun or they're hot then so what?#as long as the fan isn't eating people or slaughtering others then let them enjoy fiction even in cases where you think the fiction sucks#also you can criticize the work or character without making it about how the fans must be bad too#just saw someone say ~Catra Cult~ not welcome#and like sure curate your experience here but calling it a CULT? You're the one who looks bad at that point#a wild Kyouchan appeared#and again#a wild Kyouchan appeared in the tags#I had much to say and even more but I'm sure I'll lose followers and make people mad just with this so for now I leave it here#virtue signaling
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royalarchivist · 3 months
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[A sad violin song plays over an image of a sad hamster]
Pac: This doesn't have anything to do with me – I wear a blue sweatshirt, you're crazy, this mouse doesn't even have a sweatshirt, this hamster! [Reading chat] Am I a depressed hamster?
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[ Transcript continued ↓ ]*
Pac: Actually– that's fine! I embrace that idea – of course I'm going to be depressed, are you crazy? [He hits his desk, then starts counting off people on his fingers] Fit is gone, Richarlyson is gone, Ramon is gone, Bagi and Empanada who were always there when we were there are also gone, I haven't seen them! It's just me and Tubbo, and sometimes Philza shows up.
Pac: I lost Chume Labs, I lost the Favela, I lost Murder Mystery, I lost Ilha Chume Labs, it's crazy! Look at how much I've lost, and I've gained nothing! Of course I'm going to be depressed, are you crazy?! How am I supposed to be happy?!
Pac: [Reading chat] "You have us Pac," that's true, thank you. No, that's true, sorry.
* NOTE: Please note that this is an incomplete transcript, as I was primarily relying on Aypierre's translation mod at the time and if I am not confident of the translation, I do not include it. As always, please feel free to add on translations or message me corrections.
#Pactw#QSMP#Pac#March 18 2024#As much as I love keeping people updated about Pac / the other Portuguese-speaking creators#I think I might not make as many transcribed posts for their clips anymore#I just don't think I'm qualified enough to be transcribing things for a language I don't know#like yeah we have the Qlobal Translator and Aypierre's translators to rely on#And I'm always upfront when I'm not 100% sure about a translation#but I've been thinking about it a lot and it kinda makes me feel a bit icky. Idk.#I might be overthinking this but I just I don't want to spread around translations I'm not super confident about#esp. since I know a lot of people cite my clips in analysis posts or link them to other people as resources#and 90% of the time I'm like ''Hell yeah I love seeing people getting a lot of use out of the archive''#but sometimes I get a bit anxious like ''Did I do a good enough job translating this''#''Am I ruining someone's entire perception of a conversation or character because I left one word out or mistranslated something?''#And like I said that's normally not a HUGE concern since if I'm not certain about a translation I just won't post a clip. but you know#idk it might just be the anxiety talking but I really really don't want to spread bad info#Happy to hear other folks' perspective#I'm really grateful for people like Bell and Pix and others who translate clips and I always try to reblog those#but we don't have a ton of people posting clips & translating things on Tumblr since we're so English-centric#which is part of the reason WHY I like sharing clips of the non-English-speaking CCs#but at the same time I want to do an accurate job representing what they're saying#Maybe I'll just start posting things and give a TLDR context of what they're talking about but not a transcript#that way native-speakers can hop in and add translations if that's something they're comfortable doing#and if not then well. at least I'm not sharing something that isn't super accurate#idk I'm just thinking out loud a bit in the tags#But I'm open to hearing other people's thoughts on the matter#Anyways giant rant aside. q!Pac is NOT doing ok rn
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sskk-manifesto · 3 months
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Proof that bsd would be a lot better if they just let it pass the Bechdel test more often
#It barely counts too since the conversation between Kyouka and Kouyou verges a lot on men but eh that's the best we can offer#Idk I just really like Kyouka's arc and think that in this episode too it was well developed.#Her relationship with Kouyou really is one of the most interesting of the whole franchise.#About that I LOVE LOVE LOVE KOUYOU WHY AREN'T WE TALKING ABOUT HER ALL THE TIME I want her back as soon as possible 😭😭😭#And her va is k/l/k's Ryuuko va aka my favourite va ever from my favourite anime ever. God I love k/l/k an inconceivable amount#Which is funny because k/l/k also does have a villain mother figure#The Kyouka / Kouyou dynamics are a lot like. The very watered down version of the Emma / Isabella dynamics.#(I'm once again saying read t/p/n)#I just think. Kyouka's interior struggle is really interesting and we don't talk about it enough!!!#Also FINALLY SEASON 2 ATSUSHI HOW I'VE MISSED YOU!!!!!!!!#I really don't know what's up with anime Atsushi every time he's on screen I'm hit by cuteness aggression. It's an illness.#Next. Can we agree Reason Living is the best b/sd op of them all both music wise and visuals wise#MAYBE on par with True Story for visuals but that's it.#Again I really can't vibe with Granrodeao but that's intrinsically a matter of personal taste //////#MARGARET!!!!!!!!!!!!!!!!!!!!!!!!! MARGARET!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!#Also Akutagawa voice cameo eheh <33#There'll probably be a lot of screaming over characters this time lol sorry in advance. Unfollow me now etc. etc.#random rambles
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boy in silly sitting positions compilation
#cats#I especially like the last one where he just has one single paw poking out of that box for some reason lol#I still have costumes to post and like a billion other things.... grr... constantly failing at staying active on social media aughh#I think because currently my Main Focus is on trying to get my game done and stuff.. which basically just means sitting and writing all day#so there's not much to post about. Though I know the Good At Social Media thing to do would be to post about the#writing and share progress and talk about the game and characters or whatever to try to build interest or something but that is SOOO weird#to me.. I could maybe get it if it was like a tiny tiny discord groupchat of playtesters with like 5 people in#it.. But something about talking openly about things before they happen is weird to me?? Like presumptuous feeling or something#''oooo guess whats gonna happen LATER!!!'' like.. how do you know.. what if it doesnt. what if you dont finish it. what if its not the way#you think it's going to be. what if something changes. etc. Like I literally avoid movie trailers and game trailers for the same reason ghj#Even if it's not ME doing it it just feels... weird.. Maybe it has to do with my OCD and how I just don't like talking about ''future''#things in Certain Terms. Like if I was going to say ''Oh yeah sure. come over to my house in a few months''. I would have to follow it up#with like ''HOPEFULLY you can come over to my house in a few months'' or 'They'll come over in a few months MOST LIKELY''. Because just#stating that something will happen matter of factly takes for granted like.. what if somehting horrible happens and I DONT have a house#in a few months? or what if something bad happens to me. or to the person coming over? I can't ever DEFINITELY say with 100% certainty#that one could ACTUALLY come to my house in a few months. anything could change. So I have to allot for that in my phrasing. hbjjkn#There are a lot of situations where you're expected to just Assume Things but for some reason that bothers me. My brain literally does not#even Assume the most basic things.. like how do *I* know that just because it's someones birthday that they want to be wished a happy#birthday? what if they dont? everyone is different and has different preferences. I should check with them first. or wait until they public#ly announce that theyre accepting birthday wishes. I have to allot for all 5034859069 rare possibilities at any given time and never take#anything for certain. etc. ghjbjhbh.... ANYWAY.. I have been feeling a bit sick lately as usual.. but still slowly making progress on some#things. Moslty I need to edit costume photos. make sculptures. and work on the game. Going back reading some of the old writing from like#2018 and suprisingly I don't have to change that much of it? In fact I like it mostly. so that's good. I would be very interested if I were#playing the game myself. Though that doesnt mean much since my tastes are so niche lol..#Still really want to clear some of my million tumblr drafts as well... alas and aughh and ooughh and so on and so forth. Between all of my#evil appointments other such things...why cant I have one billion dollar to retire into relaxed hermit artist life of no stressors.. bleas
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ludinusdaleth · 3 days
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i wish people realized when someone is talking about characters such as liliana or bor'dor that not one person is asking them to worship at their altars and call them their favorite characters, but just to acknowledge that they were built as People with stories in the narrative. someone comparing them to essek isnt asking you to like them as much as essek but to see how they have all been affected by ludinus's propoganda/manipulation, and why they believe it and got to that point. if your instinct is to call any and all analyses of a villain crazy and indicative of choosing their side, im sorry you're missing out on so much juicy narrative. it will not make you suck ludinus's cock to break down what makes an antagonist tick and compare them to more protagonistic characters whose themes they expand upon.
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