#like with all the characters they’ve introduced/has been confirmed will be introduced we better get young avengers

[winterlovesong1]

Winter Rewatched Nancy Drew

Welcome to my first rewatch of my current favorite comfort show ❤️ Under the cut are my thoughts and a few insights I hope you enjoy - I’ll be going through each episode and posting these periodically with the tag winter rewatched Nancy Drew.

3x03 - The Journey of the Dangerous Mind

So I’ve taken up this space to dig into any potential double meaning to the episode titles and this one is interesting because yes it’s about the larger mystery arc, and also about the mini mystery for this episode - but also I think in an episode specifically crafted for Nace!Pining - it also insinuates something alarming about what’s only been kept in the haven of each of their minds at this point - the idea that their feelings could lead to some sort of danger - although we don’t know what this at this point as a present audience member, but we do as a rewatcher...

Overall MVP

I choose Bess - because she ties together both sides of the storyline in this episode - she’s the one to bring the pieces together so to speak and I feel like she doesn’t get enough credit - as evident by her conversation with Ace that even though the topic isn’t about “I deserve praise” it’s sort of underlying in the talk they have. Bess really doesn’t get enough acknowledgment and I think she’s feeling that here - we see that later on in the season when she actually calls the crew out on it - but here in this episode is just the seedling of that feeling rising to the surface.

Most Heartfelt Moment

“I just didn’t want the box for a podcast. It was for her.”

Ok - the whole tie up of the mini storyline here at the end of the episode was so precious - and Laci finally revealing that she didn’t want the box for mystery solving purposes but for personal reasons was just *puddle of mush*

Best Overall Line

“Inside the nightmare factory? How come you never take a vote?”

Tagline alert! I love when lines appear in the episode that encapsulate the show and George seems to get alot of them it seems as I’m noticing in my rewatch.

“You can feel good.”

SUPPORTIVE ACE BE STILL MY HEART. And the proximity he has to Nancy in this episode and then for him to say this toward the episode in the final moments of the scene - I can’t...

Best Comedic Moment

No girl. I am the Fan.

George really slayed the comedy this episode - but not in the hilarious, knee slapping way - in the heartfelt, no apologies way we all love her for. Also putting her character in such a sincere situation as a con where people - fans - are gathered to celebrate a thing is comedy in itself - not that George isn’t sincere - she is the icon of honesty - its just a con is something so pure and George just is not the type to go “yes, I will go celebrate and gather with my peers over a shared love - I have better things to do, thank you very much.”

Scare Rating There’s definitely scarier episodes but this one was creepy - so maybe 6? Nace Slow Burn Rating

3x03. The episode perfectly crafted for Nace!Pining. An episode that basically was written to showcase and run home the idea these two are meant for each other, but also introduce if they are meant for each other, will they meet the fate of so many other love stories they’ve come across in their mystery solving “career.”

Or will they defeat the curse that’s piled up against them?

My favorite moment upon rewatch was this tiny moment after Ace pulls Nancy to safety - right after Nancy says “something about that reenactment didn’t make sense...” - the way Ace takes this singular moment for himself - even though they’ve been on the other side, they’ve been safe for several minutes now - this is the moment he’s confirming for himself she’s ok - and it’s everything to me.

The rating scale at this point I feel like is mute but 10/10.

Favorite Fashion Moment

Nancy just looked great in this episode overall. Also Ace in the purple shirt <3 Missing Moment Drabble

New drabble here - domestic Nace inspired by this episode...

Another missing moment here

#nace #tv: nancy drew #winter rewatched nancy drew

[wrenhyperfixates]

What do you mean by "another incarnation of Loki" ?

Well, what don’t I mean? Lady Loki, kid Loki, king Loki (could this even be the rouge Loki variant?), or really any other Loki from any other branch in the timeline

#but most likely would be the first two I said #like if we got kid Loki in the young avengers that (I can only assume) they’re doing it would be 👌 #like with all the characters they’ve introduced/has been confirmed will be introduced we better get young avengers #Phase 5 perhaps? #so any kind of alternate Loki is basically what I mean #don’t necessarily think that means variant Loki will be gone if we get another one too #but I need more evidence to fully formulate my ~theories~ #ask #anon ask #anon #the loki show #the loki show spoilers

[thecarnivorousmuffinmeta]

What would a cw adaptation of Harry Potter look like?

Having not watched too many cw shows myself (I just hear about their nonsense), I phoned @therealvinelle who made the poor life choices of having watched much more of The Vampire Diaries than I have and watching any Supernatural.

The following is her beautiful response:

So for starters, we merge Snape and Tom's characters. This is because Snape isn't hot, and because Tom needs to be near the kids. Tom still looks like Tom Riddle, and he's a teacher who seduces Hermione. At no point are any thoughts about the fact that he's a teacher sleeping with a student had

Harry is a blond now, and he's also dating Hermione. A love triangle ensues, one where Tom will hover sexily but dangerously in empty classrooms and make vague threats that Hermione find very sexually arousing.

The love triangle is the focal point of this show.

Voldemort is Tom's evil alter ego, who killed Harry's parents over that prophecy. He wants to kill Harry as well, but it's not the season finale yet so he's not actually doing anything about it. Too busy seducing Hermione.

Instead he just does vaguely sinister things, like release a basilisk that Harry heroically saves Hermione from.

He every so often has charged conversations with McGonagall (Who has been aged down and is in her thirties. She's still considered ancient), implying they had an affair once.

Harry and Hermione piece together that Tom and Voldemort aRe ThE sAmE pErSoN.

(Piece together meaning that Dumbledore, who only appeared in the second half of the first season and the show never bothers to clarify what his job actually is, gets a focal episode where he tells them the story of Tom Riddle through flashbacks. Terrible flashback wigs and costumes galore.)

Tom will later, in season 3 where he goes full woobie and we learn that none of his evil deeds were ever his fault, reveal that there's more to the story. That orphanage he grew up in? It was a special school for muggle-borns where they trained a future wizarding militia. Tom was the only one who broke free of their oppressive regime. The other children... GREW UP TO BECOME THE ORDER OF THE PHOENIX.

But I'm skipping how season 1 ended. The answer is that Hermione disavowed Tom in the season 1 finale since he was evil, he was too sexy bad boy to care except subtle wigglings of his eyebrow told the captive Tomione-shipping audience that he did in fact care. Harmione shippers think they're all delusional. She then jumped into Harry's arms.

Which was poor decision making on her end, because in season 2 Harry joins the dark side. This lasts for half a season, mostly because the arc featured so much filler. Tom, who was imprisoned in season 1, becomes Hermione's supportive pen pal through this ordeal and she starts to wonder if maybe there's good in him after all.

Sirius Black is introduced, he's a lawyer living in the Muggle world and he was in love with Lily. We get a flashback showing us how sad Sirius was when she married James, and there is buildup for an arc where Harry's paternity will be questioned. This arc is scrapped, and Sirius is written out of the show altogether, never to be mentioned again.

Ginny gets pregnant by Neville. Neville dies tragically shortly afterwards, killed by Harry because Harry is a dark wizard now. This is actually the spinoff door episode to the new show the CW is trying to launch, "The Weasleys".

Neville's death has no real consequences, Harry returns to the light and is forgiven in time to become the child's godfather.

Oh, and can't believe I forgot: they've all been aged up to 17.

End of season 2, Tom escapes prison.

Season 3, we get the whole "DUMBLEDORE is the real villain!" arc. Tom killing Harry's parents in season 1 is forgotten, the show doesn't outright retcon it but it doesn't want the viewers to remember it either.

Hermione is once again in a love triangle, only this time Tom and Harry have both done bad things (but we'll only bring up the 2 bad things Harry did (killed Neville and said a mean thing to Hermione) and none of the 282985204592 bad things Tom did) so Hermione has a hard time.

Hermione also discovers that she's a uniquely powerful witch. She has the power to make windows shatter, candles flicker, and wind blow all about. Everyone is frightfully impressed with this.

Mid-season 3 finale, Dumbledore destroys Tom's body. It's terribly dramatic, but then turns out to only be a mild inconvenience as he is resurrected four episodes later. He's resurrected by Hermione's window shattering powering, she closed her eyes very intensely and bam, he's back.

We learn about the horcruxes, which by themselves are shockingly similar to the horcruxes of the original books. The big change, however, is that this Tom didn't know he had horcruxes, those evil bastards at the orphanage split his soul in the night through ominous rituals (another flashback here). He has no idea where this other half of his soul is.

Season finale, we learn that Hermione is in fact his horcrux. This is why they had so much in common (they don't have anything in common) and why she got through his bad boy persona (he hasn't been a bad boy since season 1!). They were soulmates this whole time!

Harry despairs in the face of this, and he and Hermione have a teary conversation where she confirms that yes, the Tomione shippers won.

He also has a pleasant conversation with Tom, as a bromance has bloomed between the two.

Alas. The episode ends on a cliffhanger, as the door flings open dramatically. Dumbledore walks in, bearing proof that Tom made an Unbreakable Vow to always serve the Order, a Vow that was obliviated from him. He drags Tom kicking and screaming away from a crying Hermione, the season ends with her resolve to find a way to save him.

(Sorry, I'm on a roll here)

Season 4, a year later. Harry and Hermione have been searching ever since Tom disappeared. They've become closer than ever, but apart from three or four moments of extreme sexual tension per episode, Hermione is Faithful™

News of Tom's terrorist actions as an Order member reach them with regular intervals. Hermione remains convinced that he's being forced to do all this and doesn't actually want to hurt anybody, Harry's not so sure.

They catch up to him in Minneapolis (did I mention this entire show takes place in the states? All the actors are American.) and he tells them to stop trying to save him. Hermione, devastated, takes this to mean he never loved her, he was only ever a psychopath playing with her feelings. She tells him as much, and Tom confirms, yeah, he's a cold-hearted son of a bitch (Harry's favorite insult for him).

They break up, and Hermione gets back with Harry. They return to their home city in North Dakota.

At the very end of that same episode, Tom is able to visit Harry for 15 seconds in the form of a specter and very dramatically tell him how he does love Hermione but he's not good for her, better to make a clean break, yada yada. DON'T LOOK FOR ME.

Harry agrees, sure no problem, he can do that. Just one noble bro to another.

Tom nods, thanks for having sex with my girl while I rot in hell, bro.

It is in this same season premier episode that the show introduces the Blacks. Remember Sirius Black? Yeah, this is sexy family.

They become instant fan favorites, and one of them is shipped with Tom (the fans now hate both Harry and Hermione).

Pandering as always, the show lets said character run into Tom. And it's not Bellatrix, oh no. It's Athena, a CW original Black. She's indistinguishable from the original Bellatrix and it's unclear why she's not just Bellatrix.

Tom is ordered to kill her, but they have a moment of truly intense eye contact so he only injures her (the killing curse doesn't exist in this show. Don't ask how Harry got his scar. No really, don't ask, the show never explained it). Shippers go wild.

Tom is eventually able to break free of the Unbreakable Vow through the power of true love (book fans are sobbing, this show gets nothing right), and he returns to Hermione, begs her to take him back. She rebuffs him, and he goes to get drunk at a bar. This is where Narcissa (aged down to 25) finds him. They have sex.

He has a brief fling with her, only to get into a more serious relationship with Athena. This leads to Hermione getting jealous.

We're now dealing with a love pentagon, of sorts. Harry and Tom love Hermione, Tom also loves Athena, Narcissa wants Harry but she has undeniable sexual chemistry with Tom.

The show descends into back-and-forth-ing, and does not get renewed.

The end.

POST SCRIPT:

The oddly popular side character that the CW never wanted to be popular at all and keeps having to make mysteriously vanish for half a season so that the plot(?) can avoid being derailed is Draco.

He's super competent but the show will never admit that.

Later, Athena plays this same role.

- @therealvinelle

#harry potter #harry potter meta #harry potter headcanon #cw #cw meta #meta #headcanon #opinion #vinelle #therealvinelle

[bipediam]

Dude I am so EXCITED about the Night at the Museum reboot! Look look look, i KNOW that it won’t be the same as the original, and it’s very possible that Disney ffs it up. But as of right now, the premise of it just seems INCREDIBLE.

We know Kahmunrah is going to come back as the main antagonist. Dude, KAHMUNRAH. Hands down the best, most entertaining villain of the franchise. I want that funky jealous brother back in my life.

Nick is going to be the new night guard! Like, that is SUCH a smart, natural way of addressing Larry leaving in the last movie. Larry’s gone, who better to take over for him than his son, Nick? Nick, who we already know and love as a character, and who already has a relationship with the exhibits? Hell yes. I am so excited to see how Nick handles this new position! He’s gonna be unsure and new at it and i want to see how he adapts.

They’ve also confirmed that Jed, Octavius, Sacagawea, and Teddy will be back! Apparently Joan of Arc is going to be introduced too?! Like dude, JOAN OF ARC. I would LOVE that, especially since the original movies had very few female characters compared to male characters. Off the top of my head i can name about 25 male characters throughout the movies and only about 6 females, only one of which is actually reoccurring (Sacagawea) and all of which are love interests (I stg if they make Joan of Arc a love interest).

The fact that it’s going to be animated is also an an interesting premise. An animated version might provide a lot more artistic liberties in terms of what the characters can do and where they go. It’s also not often that a live action movie is rebooted into an animated one (as opposed to the other way around). So, i’m excited to see what they do with that.

Of course, i do have some worries about it. It’s completely possible that they butcher the animated aspect of it. I also think it’s going to have an all new cast of actors. Of course, this isn’t inherently bad, but they really have to play their cards right and choose the right people: actors that have good chemistry, provide proper representation of poc characters, their relationships, etc. I’m also cautiously hopeful in regards to how they portray Jed and Octavius. Steve Coogan pretty much made it canon in the third movie that Octavius liked men and, specifically, liked Jedediah. Is Disney going to ignore that, keep the two as just friends, or actually provide some queer representation? Disney hasn’t been great with stuff like that in the past.

It’s supposed to come out later this year though, and so far, it actually sounds good? I won’t put all my eggs in one basket yet, but i’m hoping to be pleasantly surprised. If not, at least we still have the originals ;). Hopefully we get a trailer for it too.

Source: [x]

#NATM #night at the museum #jedtavius

[iamnmbr3]

Another day. Another questionable interview from someone involved with the production. This time the Director (who to her credit at least is better than Mike Waldron in that she is able to say she likes Loki’s character whereas his interviews drip with open disdain and disrespect and he can’t even pretend otherwise). (x)

Kate Herron: But Loki doesn't have many friends, you know? He builds this friendship with Mobius across the second episode.

Here again we get out-of-universe confirmation that the narrative framing of Mobius in a positive light is intentional. Mobius is not Loki’s friend. He’s his captor and his torturer. Loki isn’t on equal footing with Mobius. They don’t even have a boss-employee relationship. LOKI WAS MOBIUS’S SLAVE until he escaped. He was being held against his will and coerced under threat of death to work for Mobius and his organization without compensation. That is slavery. And it’s not ok. 

Mobius also berated him by telling him that he is inherently evil and monstrous - the very things that drove him to suicide. Mobius is complicit in acts of torture, genocide, murder, privacy violation, and  police brutality and shows no signs of having any problem with it. He’s no more Loki’s friend than Thanos or the Black Order are. 

When has he ever treated Loki with dignity or respect? Even if we ignore all the horrific stuff, he’s just plain not nice to Loki. He constantly mocks and belittles him and never takes his side. That’s not a how a friend behaves!  That’s how a bully behaves! Where is the basis for this friendship??!!

Kate Herron: “And obviously, we're seeing it through Loki and Sylvie's POV. You know, neither of them are good or bad. A complete, pure good hero would probably join the queue and be like, "Well, hopefully we'll get on the train." But they're not those characters. They're going to try and get on it.”

They snuck onto a train??? That’s what she thinks a grey character is? That’s so dull! Loki was a complex and grey character. Larry (as I call the tv show character) and Sylvie...got on a train without a ticket. That’s laughable! That doesn’t make me think about complex morality or issues. And c’mon. All the heroic Avengers have done that level of rule breaking MANY times and they don’t lose their “pure good hero status.” Tony Stark constantly does things like that! I want Loki back. HE is a grey character. But I haven’t seen him in the show so far. Instead I get Larry the watered down clown. 

Kate Herron: “When Loki and Mobius are at Pompeii, for example, that's shown through Loki's POV, right? He's joyous and he cracked the case. Pompeii was horrific, but we're seeing it through his perspective and he's in a completely different headspace.”

You know a scene can have more than one emotion right? Like he could be happy about solving the case but also horrified at the destruction of Pompeii? Instead he is laughing at the people who are about to die horrifically and seems to have no compassion for them whatsoever. Sure people can headcanon reasons why he behaved that way (and more power to them. Fixing dumb canon is what fandom is all about!) but the narrative framing is to me pretty clearly lighthearted and the director confirms that intent. There seems to be no awareness that by having Loki behave so callously it makes him come across as incredibly cruel. Far more than he ever was in canon. 

In Thor 2011 Thor is laughing while slaughtering Jotnar (as is considered appropriate in his culture) but Loki isn’t. He kills when he has to but he doesn’t enjoy it, something that’s unusual for the culture he was raised in. This Pompeii scene could’ve been a great time to see Loki’s more compassionate side as he looks at the people who are going to die. We could’ve seen some real conflict from him. And it would’ve been a great moment to start introducing the concept that he’s more than just a simple villain to more casual viewers. Instead, although they think they’re “redeeming” Larry over the course of the show they’ve made him far worse and more villainous. I wish they had hired an experienced Director who also understands Loki - like Kenneth Brannaugh!!! - rather than a Director who has never headed up a major project before. Though even the best Director couldn’t fix the abysmal and ooc script and story Mike Waldron came up with. 

Kate Herron: “I think that's the thing that's really key for her is that she's a completely original character, completely born out of our writers, and that, for me, was exciting.” 

Remember when I said Sylvie is the favored OC? Called it. 

Kate Herron: “The train scene I love because Loki doesn't get many wins and it's nice to see him having a nice sing-song. He's just enjoying himself. Because I think that's such a funny way, as well, to show the difference between him and Sylvie is that she's on a mission. She's like, "We're going to get off this moon." And when she's offered a drink, she's like, "No, thank you."

WOW. I hate this SO much. So suddenly Sylvie gets to act more like Loki and Loki suddenly doesn’t know how to be subtle and is just a dumb clown messing everything up. C’mon! This is absolutely ridiculous. This is not Loki silvertongue. This is not the Loki who tried to diffuse the situation on Jotunheim and almost succeeded. This is not the Loki who was always a restraining voice in Thor’s ear. They’ve turned Sylvie into discount Loki without any depth or complexity or vulnerability and they’ve turned Loki into discount Thor ft. dumb clown! Absolutely outrageous. 

Kate Herron: “everything is not what it seems and even in our design, people have picked up on certain things. Like the way that they dress, or the posters and that there's something a bit more going on there.”

If the TVA actually turn out to be twist villains I will laugh SO hard; I’d say that twist is too dumb even for Marvel but...it’s really not! Like. Guys. If they’re gonna be TWIST villains you have to not have them do obviously villainous things on screen!!!! BECAUSE THEN IT’S NOT A TWIST!!!!

From the moment we meet them we see them commit acts of police brutality, murder, genocide, trial without due process, enslavement, privacy violation, and torture IN ORDER TO ELIMINATE FREE WILL. Like. They are literally the most evil organization in the MCU. Even Thanos can’t compare. So having them be revealed as villains will fall flat. Because the twist isn’t the audience learning new information or the main character learning it. It’s just the narrative suddenly acknowledging it and treating their atrocities seriously. So the twist is in the real world not the show. And it’ll make Larry look like an even bigger idiot than he already does if he’s suddenly like “Wait the people who tortured and enslaved me are evil?! What?!??!” (I stg if he has to fight miss minutes in the end like I joked about I will lose it).

Also. Why make it a twist?! When you treat the villains as a joke it robs the narrative of tension. Their acts of evil should’ve been acknowledged from the beginning in order to create sympathy for the protagonist and tension in the narrative as we watch him try to escape this situation! Smh. The only funny joke in this series is how badly the writing fails. 

#Loki tv series #random musings #Marvel #MCU #loki show #loki series #loki 2021 #loki tv show #Loki Series critical #loki tv series interviews #my post

[choicesenthusiast]

Representation at Pixelberry: The Follow-Up

One year ago, on June 15, 2020, Pixelberry released a statement regarding representation at the company. Here is the LINK to the original blog post, and here was MY RESPONSE. Oh, how naïve and optimistic I was. It contained a list of goals and promises they hoped to accomplish within a year. Well, a year has passed, and here is my attempt to hold PB accountable. I'll be going over the five main points of their representation plan and if they achieved what they promised. All criticisms are about content released after June 15th. Long post beware, but I'm not putting it under a read more because I feel like it's important for all to see.

1. Commitment to diversity of Love Interests - FAIL

We’ve already been moving towards having Love Interests have customizable skin tones. We will continue to do this with some stories, while also having some characters with clear ethnic identities. At the same time when we have multiple love interests of different ethnicities, we are aiming for those Love Interests to have equal game time.

"LIs with customizable skin tones" mean they come in three flavours: white, black, and ambiguously Asian/Latinx interchangeably. So far I have rarely seen an LI as connected to their culture/ethnicity as Rafael Aveiro, and he just talked about his Vovo's food if he ever were on screen. They had many chances with the other OH LIs as well. Even Ayna Seth and Tatum Mendoza were confirmed to be Indian and Filipino, respectively, though FA gets a little leeway, as it was set in a fictional west-European continent.

As for equal game time? I'm sure the biggest example we can all think of was the mess that was Open Heart 3, which was written during the hiatus (which only existed because they were going to straight up kill Rafael in Book 2). Game time was not equal among LIs, and the white male LI was heavily favoured. PB also continues to pay female LIs dirt by giving them no screen time. In addition to that, LGBT+ players, who are consistently underrepresented, receive one (1) unprepared pride month survey, prpbably only because someone asked them about it on Twitter.

This is the meat and potatoes of everything because it's what they're outputting to their audience. It's what the people see. Given that things haven't been going so well lately in this department, consider this promise a big fat fail.

2. More authentic and diverse hairstyles for people of color - QUESTIONABLE

Our team will focus on providing more authentic and representative hairstyles. We are prioritizing these hairstyles outside of our normal book processes and will introduce them in new books as they are ready.

While, yes, they have added two new hairstyles in WEH, they also just took Jade Bonet's hair and recycled it for LoA F!MC. PB recycles all their hair more often than not.

3. More diverse book covers - QUESTIONABLE

This is an initiative we started in January of this year. As a result the number of Black, Latinx, Asian, Native American, Pacific Islander, mixed, and other characters on new book covers increased from 35% of characters in 2019 to 60% characters in the first half of 2020. However, the number of black characters is still not high enough this year. More are already scheduled for books later this year. We will make sure that Black characters are well represented on our covers in the future.

"Diverse" does not just mean by race, but also gender, sexual orientation, etc. FA has the only recent MLM cover. And don't tell me that the FA and LoA covers are any different from each other. The only black characters on covers are Zoey Wade (QB), and Black!Gabe Ricci (LoA) and Bastien (WB), which aren't even their canon races unless you choose them to be. This is the case for many single-LI books, such as Cassian Keane (W:ABR, which technically premiered on Mar. 16, but the sentiment is the same), Sam Dalton (TNA), and Dakota Winchester (WEH). Not to mention the customizable/multi LI books like DS, RT, BaBu2, MTFL, etc. Majority of these covers are just cishet couples delicately cradling each other's bodies or whatever. And we're not even gonna get into how PB literally put the Open Heart LIs in order of their favouritism on Book 3's cover.

4. Writers/Staff - QUESTIONABLE

We will be engaging in professional training on historical and current racism for our writers to ensure more of them have a better understanding and more context for views of diverse characters in Choices. We will also create a program that gives more authority to people of color in the studio to advise writers and artists on more authentic portrayals in both writing and art of black, brown, and minority characters.

A story with a Black-led cast is something I have asked for in the past, but failed to follow-up on. We will very likely start this with a Black-led cast story led by Chelsa, one of Pixelberry's Black writers.

We will increase the number of diverse writers we source for new stories, starting with hiring more Black and Latinx writers to lead the charge.

For all teams at Pixelberry we will actively work to bring in more Black and Latinx candidates with the goal to increase the number of Black and Latinx employees at Pixelberry. Although Pixelberry is over 50% female, on teams where females are not at 50% we will actively work to source more female candidates.

This promise seemed like a copout from the start because we have no way of knowing who works on what at PB unless we very meticulously stalk their LinkedIn or Twitter or whatever. We have no solid statistics except for what they feed us. I do know, however, that they recently let the Ms. Match writers go and were hiring for external writers, but there really is no way of knowing what's going on behind-the-scenes with their 112+ employees, and of course there would be NDAs involved. We are yet to see a book with an all-Black cast, and receive rare development updates with new books. Actually, I think a really good way to promote diversity is to do staff showcases on their social media. Just a way to show the public who's responsible for what. Writers, game devs, the art team, etc. Don't think it'll happen, but it's always a good idea.

5. Donations - QUESTIONABLE

Pixelberry will also be making $100,000 in donations to Black Girls Code, the Black Writers Collective, and the Latinx Writers Collective at Techqueria. Rather than as a lump sum, we will be making these donations over the course of a year to remind us that we are not making short term changes, but are committed to long term sustainable actions. We’ll also be donating up to an additional $100k from profits for this week, 6/15-6/21.

There has been no proof, no receipts, no evidence from PB that they have donated anything to anyone, and as far as we're concerned, their word doesn't mean anything. No news or updates news about it. I would love to believe that they did something, but as you can see, I've become quite the pessimist. BWC still uses PB's old logo (like, pre-Choices) on their sponsors page, and the last interaction they've had with BGC was in 2013. They don't even follow each other on Instagram. In fact, BGC received a huge donation from MacKenzie Scott, formerly Bezos last July. Yes, that billionaire Bezos, and that got coverage from them. Obviously donations don't need to be for publicity, but in this case I think it's important there should be proof. Again, it's really hard to tell with these behind-the-scenes things, but given how PB loves to gloat and hates to keep promises, we can assume that none of this happened.

~~~

So, what's the takeaway? That PB's fallen down the drainhole of shitty content and empty promises and has no intention of climbing out as long as they still make that bank? Seems counterproductive, because good representation gets good feedback and income. They pump out bad books with barebones "representation" if you can call it that, then drop their precious merch and pretend all is fine and dandy. But just as I suspected one year ago, none of this matters, because people forget things, and people move on, and shit gets swept under rugs. Yet, here I am, yelling at a company in a post I for sure doubt they'll see. Because if not me, then who?

@playchoices Your move. It's been your move for a year now. When will you actually make it?

#playchoices #choices stories you play

[sparklespectres]

Yesterday’s Lie was MUCH different than I was expecting (in the best way) but like- ouch??

Im glad we have one mystery solved with Vee (V? I’m not sure.), and I really appreciate that she was a type of demon we already knew about as opposed to something completely new! I think that’s always a really smart decision in shows- it saves time in having to come up with completely new magic rules/systems while also bringing up the consistency and continuity of the overall demon lore that we’ve gotten from earlier episodes. Plus the reasoning behind her leaving and taking Luz’s place was really well done, with it illustrating Vee’s story itself, showing a different perspective and set of opinions on Luz’s story so far, and giving us another example of Belo’s tendency to take over and abuse magical things, which is a point they’ve been driving home all season.

It makes me happy that Camila is willing to let Vee stay despite the circumstances; I think that was a good illustration of her character to wrap things up before the angst at the end. I’m going to have to watch the episode again to really get my thoughts together, but I think this was a really good episode in terms of introducing Camila as a more important character! (Not that it’s not just a good ep in general lol) It shows us that, no, she doesn’t want Luz to lose all this creativity and imagination that she has, and is willing to support her, but doesn’t want it to negatively impact her life in things like school- like she says in A Lying Witch and a Warden, she doesn’t want it holding her back. Regardless, she cares about Luz and it’s clear that they have a very close relationship! They do such a good job of offering up little tidbits of information through comments Luz makes in episodes or pictures in backgrounds or whatever that I feel like we kind of inferred a lot of that anyways, but this episode really confirms what a lot of people were thinking about her characterization and their relationship. The end scene and her having Luz make the promise to stay does really sting though? Like I can’t pinpoint what it is about it that hurts as much but I just feel for Luz on such a personal level because I can imagine it is SUCH a hard situation to explain in a short amount of time, and although it seems like Luz knows what she wants and where she wants to be, it’s SO difficult to see a parent that you’re close to upset over something that you chose, and I really think they captures those emotions perfectly, which help to justify her making that promise to stay in the human realm even though it’s very clear that she won’t be happy doing that. You can really feel the urgency between the two of them in that final moment, with them both just throwing out these big last-ditch efforts to repair this disconnect that they have in their relationship, but only illustrating that rift more clearly and not actually fixing it. Camila is offering to make things change to be better for Luz once she gets back, believing that the issue is within her and that she has pushed Luz to this, when the problem that Luz has is just with the human realm itself, not her. Luz promising to stay in the human realm eliminates the possibility of that problem ever being able to be solved, putting the two of them into a cycle that they won’t be able to get out of. I think the whole situation they’ve arranged between Camila and Luz is just wonderfully written because like, neither of them are completely in the right or wrong. Camila has every right to be angry at Luz for going off to another realm and lying about it (moreso about the lying I think?), but Luz making that decision is clearly justified in the relationships she’s made and the things she’s learned. Her skills and insane creativity are more of a strength in the boiling isles, and the traits that people she was surrounded with in the human realm might have made fun of are appreciated in the boiling isles, allowing her to gain a trusted mentor, various close and loyal friends, and even a girlfriend! Overall, It feels like Camila sees Luz’s “fantasy world” as the enemy here, and looks at it as something that is taking her daughter away from her, while not realizing that the real problem is the environment that gave Luz a reason to create that fantasy in the first place. I think there’s great potential for her to realize that over some time, and that realization will be the turning point for Luz to be able to go back to the boiling isles. But, like I said, I really need to watch the episode again to have a super clear picture of their dynamic and be able to analyze it more.

#the owl house #toh spoilers #the owl house spoilers #yesterday’s lie #this is a big incoherent ramble and I’m sorry #I just have FEELINGS

[nikadoesanart]

My predictions on BSD getting animated going forward

I’ll be taking a look at the novel page counts (Japanese and English) and comparing them to the screen time they’ve gotten so far and then using this to predict how long the remaining light novel adaptations will be (approximately). At the end will also be my rough prediction/hopes for the order of some of these being adapted. I say some because I have yet to read what there is so far of the gaiden novel translations, the main story manga has essentially still been on the DOA arc almost since where the anime left off, and I personally think that it’s currently too soon for Storm Bringer (aside from money purposes).

Note, most of this was written well before the anime 5th anniversary livestream but the announcements wound up not affecting it. I then of course made adjustments as needed account for the novel content we do have so far, both in Japanese and in English (officially).

Page to Episode Count

Not counting the afterward, ads, etc for the English/US copy, Japanese is including it

Also all eng page counts are using the Yen Press release and jp page counts are taken from the fandom wiki

*148 is purely counting the Untold Origins portion of the novel. If we also count the A Day at the Agency short story that’s included before it (56 pages), then we get the full 203

Also the English page count for BEAST was noted before the English release date but after page counts have been posted by affiliated retailers, so subtract a couple pages from the written count of 176 for the time being to account for the afterward and possible character sheets being included

Now that we have our page to episode counts (as of April 5th, 2021), let’s find the actual content run time of what we do have animated so far.

Seasons 1-3 and the OVA all have the same episode length/duration. Each episode is 23 minutes, and we can subtract 3 minutes on average from that to account for the OP and ED being played. This leaves us with an average of 20 minutes of BSD story content per episode. So on average, each of the first 3 seasons contain 240 minutes, or 4 hours, worth of story content.

Dead Apple’s total run time is 91 minutes, with the OP and ED making up 9 of those minutes. However, we do have a bit of the story content being played while the ED is playing (as sometimes happens in the anime as well). To keep the math simple, I’ll be approximating story content time at 82 minutes.

Apply these numbers to the novels that have been animated so far and this is (approximately) what we get:

Now let’s use these numbers to predict the screen time needed for the other novels

Note that we can’t really use Entrance Exam as a fair measure because of how much got cut out (just compare the run time of it to Dark Era and it speaks for itself). However, the numbers for Dark Era and Dead Apple are the best ones to use, as they both have minimal changes between anime and novel and both have official English translations currently available. Take out the approximate time taken up by OP/ED and and the numbers pretty much match up.

So with that being said, we can estimate Untold Origins (only) at approximately 3 eps/60 min and 55 Minutes at 1h 40-55min/100-115 min or 5-6 eps if it doesn’t get a movie. We can also estimate the A Day at the Detective Agency short story at the beginning of Untold Origins to take up about 1 ep, probably even a bit less.

1+ 3 + 5-6 = 9-10 episodes which isn’t enough for a full single cour season unless they all get put into one big OVA season, but also 10-11 eps (or less) seasons are a thing (ie. Fugou Keiji: Balance Unlimited, Blood Lad, Black Butler: Book of Circus, The Seven Deadly Sins: Signs of a Holy War, FLCL)

My personal predictions/hopes for the anime adaptation timeline going forward

This is considering the manga content, current “pausing/stopping points” what wouldn’t be too awkward, each of the novels relevancy/necessity to the main story manga, and assuming we continue with single cour (12-13 ep) seasons

Hopefully/ideally a 55 Minutes movie

S4: ch 54-70

Early S5 (preferably) or end of S4: Untold Origins or A Day at the Agency

S5: ch 71-88/around where we are now?

A Day at the Agency can, in my opinion at least, be chucked in at any point either as a single episode OVA or as the light novel content for s4 (maybe not even taking a full episode and then starting ch 54 in the last few minutes for example). Keep in mind that the current DOA arc is a long one and has plenty to it, so personally I think it may even be better to not include a novel adaptation in a future S4, as it would likely already be a right squeeze content wise. Remember, we also have a few XX.5 chapters that are continuations of the chapter directly before them.

I still need to read what’s currently available of the gaiden novel fan translations but it can probably be adapted at any point as well. I’m estimating approximately 5-6 eps as an OVA series. I don’t really think it would get a movie, partially because you can make it only so long, especially since it’s an anime movie and unlike Storm Bringer, it doesn’t have Chuuya to practically guarantee the profit.

BEAST also doesn’t directly impact the main story and can be adapted at virtually any point. However, seeing as we do have a live action confirmed for it and it’s page count lines up very closely with Dark Era, it can be either 4 eps or (more likely in my opinion) a movie, as it can be considered almost stand alone content.

Personally, I believe it is currently way too soon to animate Storm Bringer as it came out only a little over a month ago (as of writing this) and has minimal plot necessity as of ch 91, but I do believe it should be either split into 2 movies (a part 1 and part 2) or it would need 8 episodes, likely as an OVA season. If it were to get animated sooner than 55 Minutes or Untold Origins, which I believe to be very unlikely, I feel that it would almost certainly be driven by the financial gains of Chuuya being included, and his popularity alone. Reminder, SB is about Chuuya and not SKK. Dazai’s appearance in SB is proportionally a very small percentage and he’s not even mentioned in the official plot summary.

However, you can argue that SB is starting to have some relevance now, with the recent mention of the Order of the Clock Tower in ch 90 and the increased relevance of sealed ability weapons in ch 91. However, I really do believe that you can’t adapt Storm Bringer before 55 Minutes because of Standard Island and its treaty, it also talks about sealed ability weapons, knowing who Wells is, and 55 Minutes canonically takes place during the “downtime” portion of S3. In fact, here’s Asagiri’s words directly from the Afterward (translation by Yen Press):

“this volume didn’t take place in the past, but rather sometime after the tenth volume of the manga. In other words, it’s a tale about the ‘usual’ detective agency in novel format.” (55 minutes, p 237)

Untold Origins also should be adapted sooner rather than later (at least compared to SB in my opinion) because it’s about Ranpo and Fukuzawa’s shared past, which becomes increasingly relevant ch 70 onwards, as well as the need for the ADA being founded (which ties in with Yosano’s backstory in ch 65-66).

In regards to whether I think each of these would be better suited to a movie adaptation or as multiple regular length anime episodes, it’s mainly due to page count and partly due to the budget difference between the two, as well as how difficult I think it would be to animate each of these based on what needs to be drawn. The anime industry isn’t the fastest to switch to newer technology, hence why we see issues with 3D blending sometimes. I really do think that at the very least, 55 Minutes deserves the movie budget because of how detailed and complex the architecture of Standard Island is described as, as well all the mechanical parts needed for the final battle of the novel. Hate the lizard mouths introduced in Dead Apple all you want, but you can’t deny that the 3D cgi was blended very smoothly. For any of the other novels to be movies, it’s more so because gaiden and BEAST can be considered their own stand alone stories that don’t rely too heavily on the main story in terms of when they take place and get adapted. I feel that SB is more likely to get its own season or an OVA season more so due to its length, but multiple part anime movies have also been done before (ie. the Fate/Stay Night: Heaven’s Feel movies), so it’s not entirely impossible. Especially considering that merely having any Chuuya screen time means that you can expect the profit and popularity to really go up, especially with SKK being on screen together (regardless of whether you love or hate how the fandom tends to push a shipping POV on them).

These are all of course just my hopes and predictions and estimates based on information currently available, so take them with some salt. I’d love to hear opinions on how, when, and why each of the currently non animated novels should be adapted going forward. Also please stop begging the relevant BSD official Twitter pages for SB to be animated next and go read the other light novels you Chuuya simp

#bsd #bungou stray dogs #bsd analysis #bsd theories #bsd dead apple #bungo stray dogs #bsd manga #bsd storm bringer #bsd light novel #bsd anime #bsd 55 minutes #bsd beast #bsd gaiden #bsd untold origins

[hayleysayshay]

On Wu’s backstory:

Wu is a character many people find annoying, but I enjoy. His backstory is vague at best. Here is what we know.

Wu is the grand nephew of Hou-Ting. He is the only heir to the throne.

At some point he moved to Republic City. Commentary implies that he was there doing a degree

At some point Mako was made his bodyguard. Commentary implies that Mako was his bodyguard for the three years.

The canon status of all commentary is debatable. As far as I see it, the show is true canon, the only reason we take the commentary as canon is because nothing contradicts it, but it is particularly substantial.

So, let’s analyse this backstory. This is all my personal opinion and headcanon and based upon what I find interesting and what fits Wu’s character as we see it in Book 4.

Was there a Royal Family massacre and is Wu traumatised?

We don’t see any other family members than Hou-Ting in Book 3. In Book 4, we are introduced to Wu, and only Wu. He is the heir to the throne.

At the end of book 3, Ba Sing Se falls to a the angry citizens of Ba Sing Se. We do see them enter the palace. They are seen looting and burning.

So, did this mob murder the rest of the Royal Family? Wu is the only heir. He is the grand nephew. This implies both his parents and grandparents are dead. What happened to them? They all must have died fairly young if Wu is the heir as a twenty something in Book 4.

I believe this is the basis of the ‘royal family massacre’ argument. Wu is too young to be the only heir to the throne. And the mob were angry. Therefore, the heirs above Wu were killed.

Now to be clear: the real reason Wu is a young heir is because Bryke wanted someone young for Mako to bounce off of. He’s around the same age as Mako but has a completely different life to him. Wu is not serious whereas Mako is. Wu is flippant and Mako is serious. Wu is extroverted and Mako is introverted. Wu is rich, Mako is not. This contrast is more fun if they’re the same age.

I say this because I think it’s clear that Wu was created with no clear trauma in mind. Wu does not act especially scared, or traumatised by the past. He is cautious and scared of hearing of Hou-Ting’s death, but acts in a comedic manner (fake strangling sounds) but then resumes a proper mourning action (may she rest in piece). Wu acts fairly silly throughout the series, enjoys the attention from fans, and even towards the end he creates a plan that he hopes will gain him attention from Korra. Wu is breezy and flippant and shallow, only really maturing towards the end and appears to be genuinely committed to dismantling the monarchy.

The trauma seen in fan works is a result of fan expansions, and personally I don’t really see it having a strong basis in the show. Wu is never really shown to be scared, or withdrawn at any points. Wu is never shown to be angry at the local populace who killed his family, as although Wu is shallow he never treats anyone badly. So is he masking? That’s totally up to your interpretation. Wu could be burying all his negative emotions and is acting out to hide his trauma. This is perfectly plausible. Personally, the lack of anger is what slightly damns this interpretation for me, I’m sure he’d show something.

Also I don’t think Wu not being fully prepared to take the throne is unreasonable— it makes sense if he was going to finish his education before starting public duties and gaining more political experience. And he could have made public experiences but still be fairly shallow. It’s implied that the Dai Li have a great degree of power so Wu not taking things that seriously or having a lot of experience is perfectly reasonable: it’s not needed for him to do so. So no, I don’t think Wu being the primary heir to the throne has to be sudden and unexpected because Wu isn’t very well prepared or serious.

How Old is Wu?

If you take the idea that he was in Republic City doing a degree when Hou-Ting was murdered, he could have been eighteen at the time, and twenty-one by the time of Book 4. He could be older. He could have started the degree at a younger age however, so he could even be nineteen at the start of Book 4.

If you ignore the idea that Wu was in Republic City prior to Book 3, and only came to Republic City to be safe after the Queen’s death, he could he even younger, potentially around eighteen in Book 4 if you HC him as young, but he could also still be older than Mako. Basically nothing confirmed, but I think it does depend on how seriously you take the commentary about the degree.

Have Wu and Mako worked together for three years?

This is going to be my strongest opinion, but I don’t think their relationship makes much sense if they’ve known eachother for three years.

I feel like this was meant to explain what Mako was doing for three years, but Mako doing his job as a detective was enough. So I don’t think it was needed.

In the episode where Wu’s coronation is ruined, Wu has a breakdown. Mako asks why he even wants to be King. He apologises, and Wu says that ‘no-one ever spoke to him like that’.

No-one has ever spoken to Wu like, even Mako. For three years? I don’t buy it. Mako is professional but he does talk back to Wu. Mako doesn’t think Wu is deserving of power just because he was born into it. I can’t believe Mako would his tongue on Wu for three years.

Also, I think Wu and Mako have a nice arc over Book 4. They get to know each-other more deeply. Mako sees the more mature side of Wu. I just don’t get the impression that they really knew each other that well beforehand, and I think you’d learn more about each other if you were together 24/7 for three years.

Obviously a lot of fan works expand on this and make the whole three years together thing make sense (by making them fuck usually and then having ensuing drama), but my critique is that I often think this over explains Wu’s character and ignores the very real shallowness Wu does show in early Book 4 by making It doesn’t meant I don’t love these fics, but I just don’t really ever reconcile them with the version of Wu we see in the show.

What I headcanon.

Again, this is literally just headcanon, and the events have no real confirmation in canon, it’s just what I think is both interesting and what I think matches with Wu’s characterisation in the show, whilst also giving him a backstory and more depth.

Wu’s grandparent and heir to the throne had one child, who became Wu’s father. This grandparent and heir dies. This grandparent dies young.

Wu’s parent’s were married. It was a political arrangement as Wu’s mother was from a rich family. Their marriage is strained. They have one child, Wu and don’t really talk to eachother much. Wu’s Dad dies young from partying too hard. Wu is left the only heir.

Wu’s mother remarries a wealthy baron or something. Because of not doing widowhood properly she is not welcome at the palace and moves away from Ba Sing Se. She and Wu have a strained relationship, since she never really wanted Wu in the first place. They sometimes exchange letters. (This could be swapped for his father and his mother was the heir but honestly I just wanted a strained relationship with a maternal figure. She got her happy ending but not with Wu).

Wu and Queen Hou-Ting have a very strained relationship as Hou Ting considers him weak, and despises animals which Wu loves.

Wu ends up with no real close familial relationship and is used to never really caring about anything. He is very isolated and is mostly raised by Dai-Li appointed carers.

At twenty ish Wu decides he wants out and asks to study in Republic City. The Queen is against this but Wu is insistent and she sees it as an excuse to get him out of her hair.

Wu moved to Republic City. After the fall of the walls, the Dai Li are in disarray as much of the leadership flees the city. Wu was previously appointed Dai Li bodyguards but Republic City officials replace them with city appointed bodyguards instead to maintain order. Unsure of how to proceed with Wu, Raiko and the other leaders agree that Wu shall complete his degree whilst Kuvira restores order. Wu is rarely included in meetings that decide the Earth Kingdom’s policy because they don’t like him and everyone just accepts he will be a King supported by his advisors and won’t rule himself.

Wu is of course horrified but he has a lack of personal stake in the death of his great aunt other than the realisation that he is now under a lot of pressure, which Wu mostly just ignores.

Wu completed his degree. After this, he begins to move into the public sphere and begins to make public appearances. Instead of a rotating team of bodyguards he requests a personal one, Mako, because he saw him a newspaper and thought he was hot really cool. This happens around six months before Republic City.

Mako treats Wu as a job, but the events of Book 4 eventually push them to become better friends and get to know eachother. Wu matures What happens next is either comics canon or my own ideas.

This is complete headcanon and I expect some people disagree! Hope it makes sense.

#wuko #Prince wu #mako #legend of korra #tlok #lok #avatar

[itsclydebitches]

While I agree that it seems egregious that three people fighting a Grimm - who should realistically also draw its attention due to the terror such circumstances should cause - are less interesting to the Grimm than the mad boss... I think I get what Meyers was going for.

That last line in particular reminded me of another time where a Grimm ignored someone who's scared for their life, in favor of a pissed off criminal:

I think the reason I have such a problem with it is because of the different contexts? Like, I never interpreted Roman’s death as the grimm singling his anger out over Ruby’s fear. Rather, Roman is simply established as the easiest target. There’s a battle going on and there are literally hundreds of grimm swarming the skies. Ruby and Roman are the only ones left on the airship since Neo was blown away. She’s fallen with Roman still standing above her, almost covering her, whereas his back is completely open… So not only does it make sense that out of all these grimm at least one of them would peel off to attack the duo, but that out of the duo Roman is the easiest to snatch up. Call it the grimm taking advantage of the easiest prey, call it pure dumb luck, but regardless I never questioned how or why a grimm swooped down and ate Roman, given everything that’s going on. You're flying down to Beacon when you spot this human standing temptingly on an airship, utterly oblivious. Hell yeah, eat him.

In contrast, Myers’ situation requires that the reader believe in grimm getting picky about who they attack. It’s no longer a chaotic fight where anything might happen, where everyone is in danger no matter what kind of negative emotion they're producing, but a case of the grimm actively ignoring a bunch of grimm-drawing things to go after one individual, only because they’re angry. Roman and the twins are down in the bad guy’s basement. They’re all afraid because they’re human beings facing down a massive grimm (we get that line about Roman trying to reassure the girls). They’ve already started attacking this grimm, pissing it off. The door is currently locked. There’s an untold number of bad guy goons between the basement entrance and the boss who sits upstairs somewhere in an office… yet we’re supposed to believe that, because the boss got angry, the grimm ignored all of these factors to make a beeline for him and him alone, necessitating his escape. It just seems very improbable to me. If we’re going to introduce rules like this then the heroes don’t need to worry about protecting scared civilians, or other huntsmen actively engaging grimm anymore. Just get someone pissed off over there and the grimm will drop everything to go after them instead!

Oh also, regarding the other ask, tumblr isn’t letting me publish it :/ (maybe because of the GIF??) Regardless, yes, there’s absolutely something to be said for the way RWBY has “trained” its audience to read romance. We rarely see characters outright admit to their feelings, or if they do it happens after years of RWBY content between introducing their assumed feelings and confirming them. Rather than verbal admissions, blushing is used as the primary indicator of interest and hand-holding used as a more serious step forward, prior to the confirmation kiss. Characters don’t really blush out of bashfulness, only romantic embarrassment: Nora blushes at mentions of her and Ren, Ilia blushes while talking about Blake, and most notably Blake blushes when Yang compliments her. So when Roman compliments Neo and she blushes… yeah, we’ve been taught to read that in a particular way. Even though, broadening things outside of RWBY’s specific context, a blush really can just be a blush. Toss in Neo’s “cute” comment, Roman wanting to impress her, jokes about buying flowers, the kiss on the cheek and yeah, I can see why fans would interpret that as the foundation for a romance. They are small details, arguably inconsequential details that technically prove nothing, but the point here is that RWBY builds most of its romances on ambiguous details that technically prove nothing. Which is where the frustration surrounding romances like Blake/Yang stems from. Many fans want a firm confirmation, not a bunch of coding that we assume is meant to be romantic… but there’s always a possibility RT might pull back. If they were to commit than the rep in the webseries would be better and we wouldn’t be pondering so much over otherwise innocent interactions between Neo and Roman.

#rwby #rwde #mymetas

[starcrossedkaiju]

Kingslayer AU: Chapter Six

Finally. Onto the newer chapters. These’ll have a lot more character development and bonding. I wrote this about two days ago. So it’s hot off the presses.

I’m actually kinda proud of this one. Also I’m trying to make these shorter because I don’t wanna be writing a single chapter for three days straight anymore; it was burning me the hell out.

Tango readjusted his scarf, throwing the end of it behind him. It hit Scott in the face on the way down.

“Watch it,” Scott smacked the man in front of him on the shoulder.

“You’re annoying,” Tango replied from in front of him.

“Guys,” Impulse scolded.

They were approaching the end of the tree line, which would lead them right to the gates of Dogwarts. Scott had been looking at his feet for most of the journey, which is why he ran into Tango when he stopped suddenly.

Tango turned around and pushed him away, “Watch it,” he said with sarcasm.

The group chose to stop just inside the trees. Impulse drew a cloth from his pocket and wrapped it over Scott’s eyes. If he was the one making the plan he wouldn’t have himself as a kidnapping victim, it was a bit on the nose. Tango said it was just for looks.

Scott’s weapons were taken and stashed in Impulse’s Ender Chest, as well as his pager.

Scott sighed, “I still don’t understand why we can’t just get in there and…” he made a stabbing gesture to the air.

Impulse made a sarcastic attempt at looking shocked, “okay, first off, there’s six of them and three of us,” he pointed out.

“Second, that would be impulsive and stupid. They would all come back and hunt us for sport,” he said.

“Says you,” Scott said in the wrong direction, because he was blindfolded. Impulse rolled his eyes at the jape.

“Okay, you ready?” Tango put a hand on Scott’s shoulder. Eager to get a move on.

“As ever,” Scott replied. Then he was lifted off his feet by his accomplices, both of which were taller than him. A hand under each arm.

The trio left the trees and trudged up the mountain towards Dogwarts. Scott went over his life choices in his head while Tango and Impulse quietly argued over not dropping him.

Apparently someone was waiting for them, because Tango began exchanging words with a person standing in front of the gates. It was Etho, no doubt. They discussed the elephant in the room, Scott stuck to the plan and said nothing. Even when Etho asked him how it felt.

He did flip him the bird though.

When Scott was re-introduced to the ground he was on a set of wooden steps. Tango had gone inside, presumably to alert the boss of the situation. Impulse kept a firm grip on Scott’s forearm.

“You know what to do right?” Impulse asked.

Scott nodded. Hoping his acting skills weren’t too rough around the edges.

The door clicked open and a pair of hands dragged him into the main base, pushed him down in a chair, and pulled his blindfold off.

Across from Scott, standing over the opened book on the enchantment table was the Red King. A shiny new pair of sunglasses rested on his face, on top of a purple-tinted nose, and his arm was in a sling. The sight almost brought a smile to Scott’s face.

Ren clapped the book shut and stood to assess his guest.

“Well, what a pleasant surprise,” he greeted without a smile.

Tango put a hand on Scott’s back, “I think you’d be pleased to know he came to us,” he said.

An eyebrow raised from under Ren’s sunglasses. He reached out and pulled a chair from a table near the wall, positioning it in front of Scott.

Ren sighed and sat down, crossing his legs, “is that so?” he asked. Scott started getting uncomfortable.

Impulse made to speak up but was silenced by a hand.

“Let the man speak for himself,” Ren ordered, “come on now dude. Don’t tell me you’ve lost your voice,” he teased.

Scott cleared his throat, “I came to them. Yes,” he confirmed.

“Why,” Ren asked sternly.

Scott did his best not to squirm.

“I changed my mind,” he said, “I want except your offer. To join the Red Army,” Scott explained.

Ren laughed out loud. He threw his head back and leaned backwards. Scott bit the inside of his lip and looked away. Tango shifted on his feet.

“Really?” Ren asked, he was almost crying.

“Ren…” Impulse attempted to calm the king down but was silenced.

“No, no, by all means I want to hear what Major has to say,” Ren said with encouragement.

Scott grimaced, “Although I do not agree that kidnapping me was the best way to go about gaining my interest,” he started.

“Well it certainly gained some interest,” Ren said under his breath.

“I was already considering leaving my agreement with the Red Desert; and do not get me wrong I don’t appreciate anything you and your men have put me or my husband through,” Scott raised his voice. Assertiveness taking over, he stood up.

“I can see an opportunity when it holds an axe above my head,” Scott crossed his arms.

“I am willing to come to an agreement with you. I will join your army, I will act as a double agent, I will act under your orders, on one condition,” he held up a finger.

Ren slowly stood to meet his gaze, although he was a lot taller.

“Jimmy will not be involved,” Scott said explicitly.

The Red King turned away and went back to the enchantment table, he gazed into the book absently. Then tossed it back on the table.

“You’re on thin Ice Major,” Ren concluded and quickly left.

Scott expected a handshake at least.

“I’d say that went pretty well,” Tango said after the door slammed.

“He agreed?” Scott asked.

“Well he didn’t reject. So I’d say you’re hired,” Impulse provided.

“He thinks you’re a valuable asset. I don’t think he could afford to refuse your offer,” Tango leaned down and reassured.

Scott slouched down in the chair and rubbed his eyes. This was a bad idea.

His first orders came two days later. He was put in charge of the “chores”. Which essentially meant he was doing everything nobody else wanted to do.

Tango assured him that the Red Army was just sizing him up to see if he was actually serious. It was precaution, considering Scott had sort of blindsided them by joining forces. Nobody would look him in the eyes unless they were ordering him around. He knew he wasn’t meant to feel welcome there.

“They’ll come around, although I’m not sure why it bothers you,” he said.

“It’s just awkward,” Scott excused, “they act like I’m gonna pull a knife on them whenever there’s only two of us on the room,” he said.

“Well, after you showed them the door two weeks ago they’ve been a bit jumpy,” Tango replied.

Being the supply runner meant the sacrifice of his sleep schedule, except for his three “off days”. In order to operate effectively he had to do most of his chores at night when his husband was sleeping; and thank god he did that most of the time.

Most of the time.

The other times Scott packed a bag full of iron or wood and said he was running errands under the guise of not being able to sleep. It didn’t feel good to lie, but as far as Jimmy was concerned Scott only left the house on the nights they were both awake.

At the next meeting Scott complained to Tango over a bottle of mystery alcohol, “I may as well be an indentured servant,” he poured himself another glass.

“You know, Scott, you’re actually doing something pretty important,” Tango said from where he was lounging on a pile of pillows.

“Indentured servant,” Scott repeated.

“You’re the one in charge of all their resources. I mean they even have you doing farm work right? So you know like, everything about them,” Tango pointed out.

Scott put his head down on the table, “to the last stack of paper,” he deadpanned.

Tango sighed, he got up and pat his teammate on the back.

“At least you’re not on Nether duty,” he said.

“I’m leading a double life! I’m lying to my husband, I’m lying to my friends, I’m lying to the whole Red Army! Who am I?,” Scott shouted; and he meant it more than he’d like to under the alcohol.

“Okay, that’s deeper than I wanna go,” Tango replied. He sat back down and chugged the last of his drink.

“I mean I’m just sitting here, letting other people write my life for me!” Scott continued.

“Okay calm down,” Tango said.

“No! I won’t. You have no idea what I’ve been through,” Scott stood up, his chair slammed on the ground.

Tango shot to his feet, “then enlighten me, Scott. Enlighten me on how hard your life has been while you ignored the rest of the server,” he yelled.

“While you sat back and did nothing, watching the world fall apart around you?” he provided.

“You don’t know me,” Scott said with disgust.

“And who does, Scott?” Tango replied.

The other couldn’t answer, because Tango was right. Scott nodded curtly, picked up his drink, and left the room.

He finished his drink on the way out and threw the glass against the rock face next to the abandoned cow farm.

The shards exploded and scattered in the snow.

Impulse found him sitting on a bolder an hour later, sharpening a stick with a rock.

“I heard you had a disagreement,” he said without warning.

Scott turned around, then resumed his sulking.

“We had an argument, you may as well call it what it is,” he replied.

“Hm,” Impulse responded.

“He insulted me,” Scott complained.

“Does “insulted” mean he said something true that you don’t like?” Impulse asked.

Scott didn’t respond.

Impulse leaned on the side of the bolder and looked into the distance, thinking about his next sentences. Chips of wood fell near his feet.

“You know it would be a lot easier if you two could just get along,” he said.

“Okay dad,” Scott deadpanned.

“Don’t start with me now. I’m trying to help you,” Impulse cautioned.

“Sorry,” Scott apologized. He felt worse when he insulted Impulse than when he insulted Tango.

“I know he’s a bit of a handful, but so are you. I want to make this as easy as possible, and I know you’re not looking to make friends right now, but I think you would feel better-“ Impulse started, Scott rolled his eyes and scoffed.

“You would feel better if you just,” he gestured with his hands between himself and Scott, “let us in,” Impulse finished a bit dejected.

Scott stopped sharpening his dwindling stick. He sighed and dropped it in his lap, putting his head on his knees.

“Who else can it be Scott? Don’t shut down on us like this,” Impulse begged.

“Leave me alone,” Scott said without hesitation.

Impulse lingered next to him, then pat his hand on the rock and nodded. He walked away.

Scott raised his head and watched him until his head disappeared under the hill.

#ACT 2 BABEY #kingslayer au #3rdlife #3rd life smp #3rdlife smp #scott smajor #me trying to remember who is in this #tangotek #impulsesv #rendog #ethoslab #barely but he is there. #mcyt #cas types

[him-e]

what did you think of shadow and bone? have you read the books? i only read the duology

Thoughts on Shadow and Bone, now that you've probably seen it?

I think the show is alright? It lacks a real wow factor as far as I’m concerned, but it’s enjoyable. It’s especially enjoyable in those parts I didn’t anticipate to like / didn’t even know would be there. 

Whereas the main selling points leave a lot to be desired.

The good stuff: the visuals. The aesthetic. The overall concept. Production, casting and costumes are excellent, the setting is fascinating. The worldbuilding isn’t perfect and is sometimes confusing, which is probably due to the show jumping ahead of the books and introducing elements that happen much later in the book saga, but I’m loving the vague steampunk-y vibe of it mixed with more typical fantasy stuff and slavic-inspired lore, the fact that it’s set in dystopian Russia rather than your usual ye olde England.

I find it interesting that in this ‘verse the Grisha are simultaneously superstars, privileged elite, legendary creatures and despised outcasts, according to the context and the type of magic they wield. It’s A Lot, and so far it’s all a bit underdeveloped and messy, like a patchwork of different narratives and tropes sewn together without an organic worldbuilding structure. (there are hints to a past when they were hunted, but how did they go from that to being, essentially, an institutionalized asset to the government isn’t clear yet. There’s huge narrative potential in this, and I hope future seasons will delve into those aspects)

Many of the supporting characters are surprisingly solid. I appreciated that Genya and Zoya eventually sort of traded places, subverting the audience’s assumptions about them and their own character stereotypes, despite the little screentime they were given.

Breakout characters/ships for me were Nina/Matthias, and even more so the Crows, i.e. the stuff I didn’t see coming and knew nothing about (having only read the first book). (I thought the entire Crows subplot was handled in a somewhat convoluted way, at least in the first episodes; it was hard to keep track of who wanted Alina and why, but the Crows’ chemistry is so strong it carried the whole Plot B on its shoulders).

HELNIK. As an enemies to lovers dynamic, Helnik was SUPER on the nose, I’d say bordering on clichéd with the unapologetic, straight outta fanfiction use of classic tropes like “we need to team up to survive” and “there’s only one bed and we’ll freeze to death if we don’t take our conveniently damp clothes off and keep each other warm with the heat of our naked bodies” (not that I’m complaining, but i like to pine for my ships a bit before getting to the juicy tropetown part, tyvm). And then they’re suddenly on opposite sides again because of a tragic misunderstanding - does Bardugo hate high-conflict dynamics? It certainly seems so, because between Helnik and Darklina I’m starting to see a pattern where the slow burn and blossoming mutual trust is rushed and painted in broad, stereotypical strokes to get as fast as possible to the part where they *hate each other again* and that’s... huh. Something.

^That’s probably why I’m almost more interested in Kaz x Inej, because their relationship feels a bit more nuanced, a bit more mysterious, and a bit more unpredictable. (I didn’t bother spoiling myself about them, so I really don’t know where they’re going, but it’s refreshing to see a dynamic that the narrative isn’t scrambling to define in one direction or the other as quickly as possible)

-

Now, as for Darklina VS Malina... I found exactly what I expected. 

Both are ship dynamics I’m, on principle, very much into (light heroine/dark villain, pining friends to lovers) but both are also much less interesting than they claim to be, or could have been with different narrative choices. I’ll concede that the show characters are all more fleshed out and likable than their book counterparts, and the cringe parts I vaguely remembered from the books played out differently. And, well, Ben Barnes dominates the scene, he’s hot as HELL, literally every single second he’s on screen is a fuck you to Bardugo’s attempts to make his character lame and uninteresting and I’m LOVING it, lol.

But yeah, B Barnes aside, Darklina is intrinsically, deliberately made to be unshippable. 

It makes me mad, because it’s - archetypally speaking - made of shipping dynamite: yin/yang-sun and moon, opposites attract, COMPLEMENTARY POWERS AND SO ON. And what does Bardugo do with these ingredients? A FUCKING DELIBERATE DISASTER:

^ Placing the kiss so early on (season 1, episode five) effectively kills the romantic tension that was (correctly) building up until that point, and leaves the audience very little to still hope for, in terms of emotional evolution of the dynamic. 

Bardugo lays all the good stuff down as early and quickly as possible (the bonding, the conflicted attraction, the recognizing the other as one’s equal, etc) only to turn the tables and pull the rug so y’all sick creepyshippers won’t have anything to look forward to, because THEY’VE ALREADY HOOKED UP AND THAT BELONGS TO THE PAST, IT’S OVER, THEY’RE ENEMIES. This, combined to the fact that she falls for him *without* knowing who he really is, is the opposite of what I want from a heroine/villain ship (it’s basically lovers to enemies, and while that can be valid too, I wanted to see more pining and more prolonged, tormented symbolic attraction to the Shadow/Animus on Alina’s part). 

But here’s the trick: it’s not marketed as lovers to enemies - it has all the aesthetics and trappings of an enemies to lovers (the Darkling is, from the get go, villain-presenting, starting from his name), so it genuinely feels like a trollfic, or at the very least a cautionary tale *against* shipping the heroine with the tall dark brooding young villain, and I don’t think it’s cool at all. It makes the story WAY less interesting, because it humanizes the villain early on (when it’s not yet useful or poignant to the story, because it’s unearned) but it’s a red herring. The real plot twist is that the villain shouldn’t be sympathized with, just defeated: there’s a promise of nuanced storytelling, that is quickly denied and tossed aside. So is the idea of incorporating your Shadow (a notion that Bardugo must be familiar with, otherwise she wouldn’t have structured Alina and the Darkling as polar opposites who complement each other, but that she categorically refutes)

Then we have Malina. The good ship.

Look, I’m not that biased against it. I don’t want to be biased on principle against a friends to lovers dynamic that antagonizes a heroine/villain one, because every narrative is different, and for personal reasons I can deeply relate to the idea of being (unspeakably) in love with your best friend. So there are aspects of Malina that I can definitely be into, but it troubles me that in this specific context it’s framed as a regression. It’s Alina’s comfort zone, a fading dream of happiness from an idealized childhood, to sustain which the heroine systematically stunts her growth and literally repressed her own powers, something that in the books made her sickly and weak. But the narrative weirdly romanticizes this codependency, often making her tunnel vision re: going back to Mal her primary goal and centering on him her entire backstory/motivation, to the point that when she starts acting more serious re: her powers and alleged mission to destroy the Fold, it feels inorganic and unearned. 

Mal is intrinsically extraneous to Alina’s powers, he doesn’t share them, he doesn’t understand them, he has little to offer to help her with them, and so the feeling is that he’s also extraneous to her heroine’s journey, aside from being a sort of sidekick or safe harbor to eventually come back to. People have compared him to Raoul from Phantom of the Opera, and yeah, he has the same ~magic neutralizer~ vibe, tbh.

The narrative also polarizes Mal’s normalcy and relative “safety” against Aleksander’s sexy evil, framing Alina’s quasi-platonic fixation on the former as a better and purer form of love than her (much more visible and palpable) attraction to the latter. This is exacerbated by the show almost entirely relying on scenes of them as kids to convey their bond. I’m sure there are ways to depict innocent pining for your best friend that don’t involve obsessively focusing on flashbacks of two CHILDREN running in a meadow and looking exactly like brother and sister. LIKE. I get it, they’re like soulmates in every possible way, BUT DO THEY WANT TO KISS EACH OTHER?

Which brings me to a general complain: for a young adult saga centering on a young heroine and full of so many hot people, this story is weirdly unsexy? There are a lot of shippable dynamics, but they’re done in such a careless, ineffective way that makes ZERO EFFORT to work on stuff like slow burn, pining and romantic tension, and when it does it’s so heavy handed that the viewer doesn’t feel encouraged at all to fill the blanks with their imagination and start anticipating things (which is, imo, the ESSENCE of shipping). The one dynamic that got vaguely close to this is, again, Kaz and Inej, and coincidentally it’s also the one we didn’t get confirmed as romantic YET. Other than that, where’s the slow burn? What ship am I supposed to agonize over during the hiatus to season two? Has shipping become something to feel ashamed of, like an embarrassing relative you no longer want to invite in your home?

Anyway, back to Alina/Darkling/Mal, this is how the story reads to me:

girl suspects to be special, carefully pretends to be normal so she can stay with Good Boy

the girl’s powers eventually manifest; she’s forcibly separated from Good Boy

the girl’s powers attract Bad Boy who is her equal and opposite but is also a major asshole

girl initially falls for Bad Boy; has to learn a hard lesson that nobody that sexy will ever want her for who she is, he’s just trying to exploit her

also, no, there is no such thing as a Power Couple

girl is literally given a slave collar by Bad Boy through which he harnesses her power (a parody of the Twin Scars trope)

you know how the story initially suggested that the joint powers of Darkness and Light would defeat evil? LOL NO, Darkness is actually evil itself and the way you destroy evil is using Light to destroy Darkness, forget that whole Jungian bullshit of integrating your shadow, silly!

conclusion: girl realizes being special sucks. She was right all along! Hiding and suppressing her powers was the best choice! She goes back to the start, to the same Good Boy she was meekly pining for prior to the start of the story.

... there’s an uncomfortable overall subtext that reads a lot like a cautionary tale against - look, not just against darkships and villain/heroine pairings, but also *overpowered* heroines and, well... change? Growth?

Like, it’s certainly a Choice that Alina starts the story *already* in love with Mal. That she always knew it was him. The realization could have happened later (making the dynamic much more shippable, too), but no. 

#anon #asks #* #sab for ts #long post #darklina for ts #malina for ts #sorry it took me a while but i wanted to see the whole season first

[strangerivy]

Caught

Summary:  Born in the underground, you were doomed to die there. With your will to survive you tried to steal from Levi Ackerman, caught in the act he sees something in you, taking you in under his wing. It's been five years since then and you are loyal as ever to him and would follow him anywhere, even to the corps. Warnings: Swearing | Mild Violent Depictions Pairings: Levi Ackerman x Reader (y/n) Genre: 18+ | Tiny Amounts of Fluff  Word Count: 2.3k Author’s Note: My first Levi fic! I apologize if there is some inaccuracies I tried to find out as much info as I could on the AOT universe and the character backstories. For the sake of the stories Levi is 26 in this particular moment in time, which i believe is within rough estimate of what he would of been around this time and the reader is 24. As always I would love to hear what you guys think and if there is any scenarios you would like to see for a Levi fic just send me a message!

|| Masterlist | AOT Masterlist ||

Year 844 - Summer

The Underground. God, what a dump. But I guess you couldn’t complain too much, at least you had a roof over your head, and you ate alright compared to most in the underground. Of course, none of this would have been possible on your own. Levi was mostly the brains of everything. It was him who saw something in you when you tried to steal from him, offering a bed and food how could you say no? What he saw though? You still don’t know to this day and every time you ask; he just smirks and walks off without a word.

That was five years ago now and you were as loyal as ever to him. Of course, you did NOT appreciate how he made you scrub your body raw when he first brought you back to Furlan and his place throwing out your old, ripped clothes and exchanged them for new clean ones.

You launched your hooks of your ODM gear into a nearby building launching yourself forward, you eyed Levi through your hair seeing him shoot a glance at you before turning his attention back ahead. You looked over to your left at Isabel who gave you a beaming bright smile.

You were glad when she showed up on your guy's doorsteps only a few years ago now. It was nice having another girl around even though she was younger than you and had a more innocent look on the world despite living in the underground.

“Y/N,” Levi pulls you out of your thoughts and you look over at him with curious eyes, he doesn’t say anything but gestures with his head behind him. You look over your shoulder seeing what looks to be MP’s. Only this time, there seems to be more than the usual, and while the three in front were in their usual attire the four in the back had on emerald green cloaks with hoods that hid their faces. It seems that the honorary guest has finally arrived.

“Heh, military police again, it seems they never learn,” Isabel looked back looking rather bored at seeing the MP’s, but quickly looked up at Levi with a big smile, “Hey bro was that line cool or what?” She beamed, making you let out a small chuckle at how proud she was.

“Are you dense?” Levi answered plainly causing her to frown.

“Don’t worry Isabell, I thought it was pretty cool,” You smiled over at her and she grinned back at you. Levi took the lead, maneuvering his way around the tight corners of the buildings with ease, the rest of you easily following with your own individual flairs. Levi always said it looked like you were dancing when it came to how you moved in your ODM gear.

When Levi first introduced you to the ODM gear, you were skeptical, not sure if you would like to risk your life in the gear but after seeing Levi use the gear so easily you took him up on the training. Much to Levi’s surprise, you took to the gear with graceful ease.

Your group's quick maneuvering threw off the MP’s that we’re following you losing control of their ODM gear unable to make the sharp turn but the four with the cloaks made it with ease. You shot your hooks out pulling forward through another road ending up next to Furlan this time, Levi now right in front of the three of you after pulling a trick move on our four pursuers.

“That movement, those aren’t MP’s,” Furlan pointed out looking back at the group as they moved easily back onto your tail.

“No,” You agreed, Levi, looked back at you with a blank expression as if to check on you before turning forward again.

“It’s them,” Levi answered, Furlan, letting out a small gasp turning in his gear a little to get a better look at them, “It’s the wings of freedom crest otherwise known as the Survey Corps.”

You grimaced knowing now it was time for your plan to take action, you looked back at the cloaked group before turning back to Levi, you speed up a little on your gas to move beside him and he gave a nod.

“Seems these battle-ready soldiers are a cut above the rest, aye Levi?” Furlan asked with such confidence it made you smirk. Levi glanced over at you.

“You ready?” He asked and you gave a quick nod and then he looked back.

“You two, you know what to do?” Levi asked Furlan and Isabel.

“Of course,” Isabel confirmed, and I could hear the smirk in her voice. I watched as their cables released from the walls pulling back and heard their gear take off in opposite directions of each other shortly after I heard two of the corps people take off after them.

“Let’s see what they’ve got,” You said looking over at Levi with a smirk.

“Y/N,” You looked over at Levi to see he was already looking over at you, “Be careful,”

You shot him a smirk getting into position, “Always,”

You both released your hooks grappling into a nearby alley pulling yourselves faster letting the gear gracefully pull you through the air. Levi and you easily twisting through the air to avoid the clothing lines. Levi shot his hooks into an open window of a run-down building, disappearing with precise speed. You opted above, grappling to the top of the roof launching yourself quick into the air, quickly twirling into the direction you wanted before grappling to a building in the next street over.

You spotted Levi just below you but just before you were going to move down towards him you watched as one of the core members cut him off slamming into him making him lose his foot for a moment. You let out a growl pulling yourself forward to get to him but was suddenly knockdown by a body slamming into you. You let out a scream as you lost control of the gear hitting a canopy from a shop stall then falling on to the ground with a loud smack the air from your lungs pushed out of you with force.

You let out a couple of coughs from the impact getting air back into your lungs. You let out a groan as you sat up looking down the alley seeing Levi holding back one of the corps members. You went to move to get up before you were quickly grabbed, your arms held back behind you.

“Levi!” You yelled in a panic trying to fight off your captor, “Get your hands off me!” You screamed tugging at your wrist that was held with a firm tight grip. The sound of clanking metal coming from behind you. A moment later you felt the cool metal on your wrist and the click of the lock.

“Hey let me go! Asshole!” You looked up to see Isabel and Furlan brought into the alley from the two other corps members. Isabel kicking and screaming in chaotic Isabel fashion. Furlan standing there looking collected as ever.

Levi looked back at those two and then back towards you, his face relaxing but with a harsh glare towards the man and then his knife dropping to the ground as he surrendered. Your captor pushed you to move forward. The Scotts lined you up forcing you to your knees as who you assumed was their leader stood in front of you. A tall blonde hair blue-eyed man with an intense gaze but not as intimating as Levi’s. The man was a giant though compared to your 5”2’ stature and there was something about the way that he carried himself that made him look so determined like nothing could stop him from reaching whatever goal he set for himself.

He held up one of your ODM gears to the four of you. “I want to ask you a few questions, where did you get these?” he asked looking at the four of you but then landing on Levi where his gaze stayed. The four of you remained quiet, “Each one of you is pretty skilled, who was your instructor?” More silence from the four of you. The man remained calm taking a few steps forward stopping in front of Levi. You looked over at him with a sharp glare and he eyed you with a curious look before turning to look back at Levi.

“You must be their leader have you ever undertaken squad training before?” He asked directly to Levi now. Levi remained quiet his gaze never moving from the ground. After a minute of silence, a hand shot out into your view grabbing Levi tightly by the hair pulling him backward, and then slamming his face into the ground into a puddle soaking the ends of the collar of his shirt brown with the muddy water.

You let out a growl and fought your bindings to get to Levi, one of the other Corp members coming to hold your still by grabbing a hold of your arms.

“Get your hand off him,” You screamed with a protective rage.

“Asshole!” Isabel shouted angrily at the corps member. Levi struggled to turn his head out of the muddle shaking with anger as he glared up at the blonde.

“I’ll ask again, where did you learn to use the 3D maneuver gear?” Levi remained silent once again keeping his eyes trained on the man and vice versa. Never breaking their gaze from each other, almost as if they were challenging one another.

“Is it really that crazy?” Furlan shouted up at the blonde, “We’re self-taught!”

“Self-taught? That’s absurd,” The man said not believing what was the actual truth.

“We wanted to escape this place, something a man like you could never understand! You lived your whole life above ground while we suffered down here!” Furlan yelled at the man.

“Yeah, now take your filthy hands off of my bro!” Isabel yelled up at the man “Stop pretending to be all tough just because you’re soldiers,” The man hummed curiously looking up at the man who was holding Levi’s head down speaking to him silently. The one holding Levi down grabbed him by his hair lifting back him up.

The blonde kneeled to Levi looking at him curiously, “My name is Erwin Smith, what is your name?”

“Levi,” Levi spoke for the first time.

“Levi, I’m going to make you a deal,” the blonde, now known as Erwin, offered, Levi raised an eyebrow at him.

“A deal?” He questioned.

“We will let you and your group off the hook this time, I only ask for your strength.” Erwin paused his growing more serious as he stared down at Levi, “Join the Survey Corps, or else.” You all let out a gasp at the offer looking at Levi to see what his response was. But you already knew what it would be. The plan going well so far. You just need to keep playing the part.

Levi narrowed his eyes at Erwin, “Or else what?”

“You’ll be handed over to the military police and considering the length of your Rap Sheet. The military police will make sure you guys suffer far worse than anything down here.” Erwin walked back a few steps looking out into the underground before turning around with a knowing smirk, “You make the call Levi,”

Levi stayed silent staring up at Erwin, water dripping from the ends of his hair from the puddle he was shoved into. “Very well,” He agreed but a cold glare on his face towards Erwin showed his distrust to the man, “I’ll join the Survey Corps, you bastard.”

Your body tensed as the realization hit that the plan has worked so far but that also meant you were going to have to be a part of the military for a time. Levi was the first to have the cuffs removed and then you, Levi moved over to you kneeling, gently taking your hands turning them over to inspect your wrist.

“You alright?” He asked softly seeing the red marks on your skin left by the cuffs from you pulling on them, his thumb rubbing over them gently as to not irritate the skin more. You felt butterflies in your stomach as he broke his cold stare for a moment replaced with a warm caring gaze before helping you stand returning to back his usually unamused look before anyone else could see.

Except for Furlan that is, he was looking over at you with a knowing smirk as Levi went to check on Isabel. That kid didn’t miss a damn thing. You remember back to a night not too long after you agreed to join their group after living with them for a few months where he mentioned that Levi seemed to have a soft spot for you, you called him an idiot and he laughed waving you off. But since that night you couldn’t help but notice the small things he did differently with you.

You rubbed your wrist as he went to check on Isabel and Furlan. The Scouts lead you out of the underground and you paused as you were about to step out on the surface. You had to admit you were a bit nervous. You had never stepped outside and you honestly never thought you would. The underground was all you knew. It may have been full of struggle and holds some of your darkest memories, but it was familiar at least. You knew what to expect from your day-to-day life.

Isabel stopped next to you feeling your uneasiness, you looked over at her with a small frown upset with yourself for not being able to do something as easy as taking a step. She offered out her hand and you stared at it.

“Together?” She offered quietly with a toothy grin, you let out an uneasy breath with a slight nod grabbing hold of her hand as you both crossed the threshold to the surface together with a smile and chuckle. You looked up with bright eyes at Levi and Furlan who were standing there waiting for the two of you. Furlan with a bright smile and Levi with the hint of one his lip twitching up.

“Tch, idiots,”

|| Masterlist | AOT Masterlist ||

#levi ackerman #levi ackerman x reader #levi x reader #levi ackerman fanfiction #levi ackerman fic #attack on titan #attack on titan fanfiction #captain levi #levi ackerman attack on titan #levi attack on titan #furlan church #isabel magnolia #erwin smith

[autisticcassandracain]

🔥 kori

dickkory sucks but not for any of the reasons dickkory haters say it sucks. most dickkory hate is literally just ppl hating on kori disguised as a 'personal opinion' on ships and usually those opinions make it extremely obvious that they never bothered to like, actually read The New Teen Titans lmao. 'dickkory was mostly sexual' is especially a terrible take because not only is it blatantly untrue, it's also based in the slut-shaming Kori has received over the years for being sexually open, and the mischaracterization she's received bc people saw an opportunity to reduce a female character to a sex object with a thin veil of plausible deniability in the form of 'characterization' and took it.

Most arguments against dickkory I've seen focus on the idea that Kori didn't offer Dick much, which is HILARIOUS because you have a MUCH better argument for the reverse, which is exactly what I will now proceed to argue.

got long, is under the cut, you know the drill. TL;DR Kori and Dick's relationship was badly built up, Kori provides more emotional support for Dick than Dick provides for Kori, Kori was more important to Dick's development than Dick was to Kori, and I don't think it's ever even been stated why Kori likes Dick.

Also donnakory was built up way better than dickkory and I'd argue Donna has had more of an influence on Kori than Dick ever did. That last one isn't explained in-depth it's just important to me that you know this.

Dick and Kori barely interacted prior to getting together, and yet we were supposed to believe this narrative that Dick was definitely in love with Kori and just couldn't admit it. I literally did a double take the first time Kori mused to herself about being confused Dick 'wouldn't admit to being in love with her' like I'm sorry WHEN did that get established??? I'm too aro for 'love at first sight' bullshit you have to actually make them interact or I won't buy it. This lack of build-up was my first problem with dickkory, but I was willing to ignore it if the actual relationship appealed to me.

It didn't. Dick and Kori's relationship is marked by a pattern of what, to me, is incompatibility. Dick is the type of person who, when stresses, lashes out at others and pushes them away. He's seen doing this multiple times to Kori in The New Teen Titans, most notably shortly after they got together when he was stressed due to having too much on his plate, and in the Return to Tamaran/Karras/Marriage arc. Kori consistently reacts to this behavior by blaming herself for it. The first time, she comes to Donna to ask her if she's done anything wrong, after which Donna reassures her that Dick's just Like That, and Kori resolves to be as supportive as she can.

The second time bothers me much more; on Tamaran, Dick is so mean to her she ends up having a full-on breakdown, which she first seeks support for from Joey, but later, she just stays depressed until she can return to Earth. While Dick's behaviour was influenced by his brainwashing, we never get confirmation of how much of it was influenced, and on top of that, the comic repeatedly and consistently frames Kori as having 'hurt Dick' during this arc afterwards, making her say this repeatedly, while never refuting it or addressing the ways Dick has harmed Kori during this arc.

While Dick did man up and apologize in both circumstances (I think the second apology was lacking, but the first was quite good), it still established a pattern that I find uncomfortable. Dick is rude to Kori, Kori takes it personally and wonders what she's done wrong, Kori tries to talk it out with Dick, Dick snaps at her and pushes her away, but eventually realizes he's been mean and apologizes. What bothers me the most in this pattern is the part where Kori consistently blames herself for Dick's behaviour, and assumes she's done something wrong to make him behave this way. Every time this came up in the comics, it made me deeply uncomfortable, because I've seen enough real-life relationships with a very similar dynamic to this that were deeply unhealthy to make this set off all my alarm bells.

I want to stress that I don't think dickkory is actually unhealthy in canon, but it reminds me of enough unhealthy relationships I've known for me to be personally uncomfortable with it.

That's not the only part that reminds me of those relationships: I feel like Dick is getting way more out of this relationship than Kori. Kori is consistently shown to support Dick when he goes through tough situations, even when Dick responds by trying to push her away or being rude to her. Similarly, Dick has stated that Kori was the one who helped him open up about his emotions, and has had a tremendous positive effect on his character development as a result; he even goes so far as to name her one of the elements of his Nightwing identity. Kori pushes Dick to explore new areas of himself, and supports him when he has problems.

Dick, by contrast.... doesn't really do this with Kori. When Kori needed support, Dick was consistently either absent or actually rude to her. Again, this is most prominent during the Karras arc; during a time when Kori desperately needed someone to support her, Dick was only concerned with his own hurt feelings. And again, yes, he was brainwashed during this, but again, we never actually got confirmation on how much of this behaviour was due to brainwashing, and much of the writing afterwards framed Kori was the one in the wrong here, so my point stands. This was the singular most important moment Kori needed support, and Dick blew it, and the narrative basically let him off the hook for it.

The only time I can think of when Dick supported Kori in non-battle related situations was right after the Wildebeest arc in New Titans, but that was also the start of Kori's character massacre for the break up arc, so I don't exactly have fond memories of that. I'm sure there's been more minor moments where he's supported her that I'm forgetting, but I shouldn't have to have this much trouble coming up with times Dick has emotionally supported Kori.

Furthermore, Dick hasn't had a similar effect on Kori's character development to Kori's effect on Dick. While Kori did develop while she was with Dick, this wasn't really due to Dick. Her short-lived change of heart about the morality of murder was due to her personal experiences, and while Dick probably aided in this decision, so did Donna and even the rest of the Titans. It was not something that was uniquely Dick, the way Dick opening up about his emotions was uniquely Kori. Her distancing herself from Tamaran and embracing Earth was also not uniquely Dick, and was in fact a realization that mostly took place in his absence. Other parts of her character development follow this pattern.

I'm not saying Dick has had no effect on Kori's character progression, but he wasn't instrumental in it the way Kori was instrumental in his. Kori's character would've likely progressed in an extremely similar fashion even without him, and I can't say the same for Dick. If anyone influenced Kori's development in a similar way Dick influenced Kori's, it was Donna, who was the one to introduce her to Earth culture, supported her through various tough times and insecurities, helped her find a job (albeit it on accident) and frequently worked with her later, etc. etc. And even then, I don't think Donna's effect on Kori was quite as dramatic as Kori's effect on Dick.

The final nail in the coffin for any interest I may have had in dickkory is the fact that I, honest to god, have no idea why Kori likes Dick. I don't. Dick has several internal monologues about how much he loves Kori for her passion, her drive, her openness, and the way she pushes him to explore new parts of himself and open up, but Kori... doesn't really do the same for Dick. I can make guesses as to why I think Kori likes Dick, even fairly educated ones (I think Kori likes Dick at least in part because his intellectual approach to life is new and interesting to her, for example), but they've never stated it explicitly the way they've stated what Kori likes about Dick. And for a series that'll state practically everything explicitly if it can, up to and including what's happening on the panel right now, this is very weird to me.

Any of these problems, isolated, I could've gotten past; even a two of these problems I could've probably ignored. Three would've been pushing it, but all of them? No chance. Any good will I had towards the relationship was buried with the Karras arc, and then shot in the head for good measure when they continuously talked about it as if Kori was the one at fault there.

All of these problems combined make it very clear to me that Kori was not the primary concern in this relationship. Kori was invented as a love interest for Dick, and it shows. This entire relationship is about what it does for Dick, how it helps Dick. The only thing Kori gets out of it, at least to me, is the happiness she gets from being in love, and frankly, she could get that with literally any other character.

The fact that people keep reducing her character to this relationship also infuriates me and makes me even less inclined to like it, especially when they can't even bother to remember Kori was the one who broke up with Dick and instead treat Kori as the one who was left heartbroken and has never gotten over it, while Dick gets to move on with his life and other love interests.

I think this relationship had potential; I think their contrasting personalities could've made for an interesting relationship, and I've enjoyed some isolated moments and fandom portrayals of them before. But after reading The New Teen Titans, I just do not understand why so many Kori fans like this relationship so much. I went into the series neutral on the relationship but hopeful about being won over, to straight-up hating it.

Also that one time they used a relationship between a man who was about to shoot his wife for cheating on him as a direct and obvious parallel to dickkory was SO GODDAMN AWFUL. why the hell did they think that was a good idea. why.

#my posts #koriand'r #dick grayson #anti-dickkory

[fanmoose12]

Partners

Characters: Petra Ral, Levi, Hanji Zoe x Levi Genre: Action / Mystery / Romance Rating: T

Detective!au

Summary: when Petra was promoted to a detective and partnered up with legendary Levi Ackerman, she felt like the happiest person in the world.

But, as she soon found out, detective Ackerman she used to admire so much was actually a far cry from the ideal policeman Petra thought he was. He was rude, harsh and easily annoyed. And, in addition, he still hadn’t moved on from the death of his previous partner - detective Hange Zoe.

Chapter 11/?

Chapter 1

Chapter 2

Сhapter 3

Chapter 4

Chapter 5

Chapter 6

Сhapter 7

Сhapter 8

Chapter 9

Chapter 10

With every word from Levi's mouth, Erwin's face grew darker and darker.

"Fuck." He declared, as soon as Levi had finished. "Fuck," he repeated, rubbing his temples. He took a deep, heavy sigh, and when he blinked, the tense expression was miraculously gone, the usual look, full of determination and conviction, taking its place.

"So no sign of forced entry?” he asked, calm and collected and completely devoid of the previous frustration. “No sign of struggle? And no sign of Petra?"

"Yes, sir." Oluo confirmed with a frantic nod, which reminded Levi of a stupid toy dog Hange once put in his car.

Had the matter at hand been at least a little less grave, perhaps, he’d even crake a smile at the comparison. Hange definitely would have. Alas…

“And do we know who’s behind it?”

“No,” Levi replied. “Hange suspects one of Zeke’s man, but she also thinks some third party is involved.”

Erwin accepted his answer, slowly scratching his chin. “And where is Hange herself?"

“She went to talk to Zeke to ask if he knows something, and…" Levi faltered, not sure if he should share this information with Erwin. Hange was sure that Zeke was innocent, and Levi never doubted her, but…

"And?" Erwin prompted.

Fuck it, Levi decided. Perhaps, Erwin’s unbiased opinion was exactly what they needed.

"Oluo found Zeke's cigarette pack inside the apartment," he said, throwing it on Erwin's desk.

"It's not his," there wasn’t even a hint of doubt in his voice. Erwin didn’t even glance twice at the evidence presented to him. "Zeke would never be so careless. Someone's trying to sabotage him, and they are not very good at it."

“So you think it’s someone else?”

“Naturally.”

Erwin’s confidence eased a portion of his worries. If he and Hange were of the same mind, then it must be the truth. At least, he didn’t let Hange meet up with a potential culprit all by herself. Not that it gradually quelled his concern, but it was something…

“Zeke Yeager…” Oluo mumbled, biting his thumb. “Yeager, Yeager… I heard this name somewhere…”

“Huh?” Levi raised an eyebrow, looking quizzically at him.

“Yeager!” he exclaimed, his eyes lightening up. “Of course! Yes, now it came back to me!”

“What came back?” Levi demanded, glaring at Oluo in annoyance. God, how he hated being kept in the dark…

Oluo didn’t respond, irritating Levi even more. Instead he reached Erwin’s desk in two short strides, pushing him aside. “May I, sir?”

“Be my guest,” Erwin made a welcoming gesture, pulling his chair back. “If you know something, then…”

“Could be just a coincidence,”Oluo muttered, as he opened the database on Erwin’s computer. “But…”

For a long moment nothing happened. The office was silent, except for the sounds of typing on a keyboard, and Oluo’s quiet murmurs.  

Levi shared a look with Erwin. He shrugged helplessly, seeming just as bewildered by Oluo’s actions, as Levi himself felt.

“Aha!” he beamed, finally showing Erwin what he found. “Like I said, could be just a coincidence, but I came across name Yeager before. Here.”

“A family murdered in their own house,” Erwin began reading, his eyes quickly scanning the page. “Wife and husband found dead in their own bedroom by their fourteen year old son, who came back from a sleepover. The identity of a murderer remains unknown.”

“It was the first case I took as I started working,” Oluo confessed, scratching his neck. “That’s why it stuck with me. Don’t know if it has any connections to your Zeke…”

“The father of the family, Grisha Yeager,” Levi read the name from behind Erwin’s shoulder. “Zeke is his son. From the first marriage, but still… Maybe, he was murdered, because someone wanted to get back at Zeke.”

“And now that same someone wants to finish the job,” Erwin agreed. “The culprit was never found after all. It’s a solid theory.”

“Or as solid as we can get for now,” Levi nodded.

"It's different from other cases, though,” Erwin contemplated thoughtfully, his gaze turning distant, as he taped his finger against the desk.

"Other cases?" Oluo shuddered. "Are you talking about recent... Murder cases?" he paled, his lower lip trembled, and Levi started to regret bringing him here. They needed to keep their heads clear. Petra needed them to keep their heads clear. There was no time for worrying and panicking right now.

In Levi’s experience, that attitude could only lead to more tragedy.

"It's obviously different with Petra," Erwin said, his voice going an octave softer. Levi stared at him, almost gawking. Erwin wasn't the man to give empty promises. Either he was that optimistic about this whole ordeal, or... Levi preferred not to think about the other possibility.

"Levi?" Erwin turned to him. "What do you think?"

"I think Oluo is right, Petra was taken by someone close to Zeke. But either it was the same perpetrator from before or someone else, it remains to be unknown," he replied. "And I think we don't have any time to waste."

"Agreed," Erwin clenched his jaw, his brows furrowed. "I'll talk with Pixis and Nile, ask if they know anything or if they have any people they can spare... We need to start the search..."

"Sannes!" Oluo suddenly exclaimed, startling Erwin and Levi. "Sannes, we should check him first! We’ve planted a bug on him just yesterday!"

"Fuck," Levi groaned in frustration, feeling like the biggest and the most useless idiot in the world. He had completely forgotten about it.

"I didn't see him at work today," Erwin noted. "Perhaps, it's worth checking it out. Take care of it, Levi."

"Will do," he nodded. "Permission to go?"

"Report to me once you find anything," Erwin stood up. "I'll go to Pixis and Nile."

Levi nodded again, and left the office, his steps swift and heavy.

 ***

"Could it be our lead?" Oluo asked.

They've listened through every conversation that Sannes had that day and the day before. And only one of them, the one where he had agreed to a meeting with an unknown man, had raised Levi's suspicion.

"Not sure if we can call it a lead," he mumbled, biting his lip. There was no word about Petra and no mention of the actual location, but it was something they could work with. It was a starting point, at the very least. Much better than nothing. "But it's definitely a clue. Come on, we need to continue our investigation."

"Meaning..."

"Meaning we're going to break into Sannes' office and see if we can find something inside. Don't worry," he clasped Oluo's shoulder with just a little too much force. Oluo coughed, almost doubling over under Levi’s hard hand. "Nothing you hadn't done before."

  ***

“Zeke is a fool,” the man sneered, his voice full of disgust. “He’s not the man he was before. Ever since he took in that Zoe, he made mistake after mistake. It’s time to put an end to this. It’s time for someone else to take over his legacy. Our gang needs a new leader. Someone, who has as much potential as Zeke, but who doesn’t yet possess any of his flaws. Someone, who is cunning and ruthless. There is only one man who can do this," he finished, and even from afar Petra could see a shine of adoration in his eyes.

Sannes scoffed, rolling his eyes, not moved by the passionate speech at all. "And who is that?"

"No one can achieve the greatness Zeke once possessed. Except," the man smiled, and the sight of it made shivers run down Petra's spine.

"His own brother."

"You've gone mad," Sannes rolled his eyes, still unconvinced. "You've lost it completely, and now you want to drag me down with you. I refuse. Good luck getting arrested, but I’m out of here.”

“You’ll regret this, Sannes,” the man promised, his eyes flashing. “You’ll come begging for us to take you back in no time.”

“I really doubt that, boy,” Sannes sneered, his face showing nothing but disgust. “And if you’re going to actually proceed with your plan, then be ready to meet Ackerman. Believe me, it won’t be a pleasing experience. See you in prison,” he finished, and left, throwing the door shut.

As soon as Sannes had stormed out, the man with an eerie smile turned around to face her.

Instantly, Petra closed her eyes and lowered her head, but the man simply laughed.

"There is no need to pretend," he spoke, shortening the distance between them. "I know you've been awake for quite some time, detective Ral."

She looked up then, saying nothing and glaring at him beneath her bangs. Just the sight of that man left her breathless, her heart beating so loudly she could hear it in her ears, but she wouldn’t show him her fear. She was better than this. He may have had an ultimate upper hand over her, but she would never give him the satisfaction of seeing her tremble.

"I think we've started off on a wrong foot," the man smiled, the shadow of a lightbulb above him making him look even creepier. "I haven't even introduced myself. I'm Floch, nice to meet you!"

With the same crazy smile on his lips, he reached out and patted her shoulder. Petra winced, unable to move away from the undesired touch.

"What do you want from me?" she hissed, trying to hide the shaking in her voice. As discreetly as possible, she tried to loosen her restraints. In movies she watched with Erd, Gunter and Oluo, heroes always freed themselves so easily, the ropes being nothing more than a nuisance. But in reality, they didn't bulge an inch. Petra searched through her mind, trying to remember what characters from those movies did. Wiggle out of the restrains? Broke their wrists? Or was it applicable only for the handcuffs? Shit. She should have watched more movies like this, instead of melodramas and rom-coms. Shifting her attention back to the present, she stared up at her captor, still glaring at him defiantly.

"What do I want from you? The same thing I wanted from the others."

The same thing he wanted from the others? But the others were... dead. Petra suppressed a shiver.

"It's nothing personal, really,” he continued in the same careless manner. “All I need from you is to motivate your partner."

"Levi?" Petra gasped. "What it has to do with him?"

To her surprise, the man shrugged. "Nothing, really. In a way," he swept his hand across the room. "He's just a victim of circumstances. He's one of the best detectives in this city and he has a personal connection with Zeke. It'd be a shame not to use him."

"But why do you need him?" she pulled on the ropes, leaning closer towards the man and looking deep inside his eyes, trying to see right through him, trying to understand him. "Why can't you just kill Zeke and be done with it?"

The man tutted, shaking his head. "That's not what I—" there it was, that same pleased, creepy smile. "What we want to do. Taking Zeke's life would be too easy. We want to destroy it. But unfortunately," he continued in a voice of badly feigned sympathy. "You're not the main event here."

"Not the main event?" Petra echoed, confused. If it wasn't her, then....

"Not sure if you've met...” his eyes lightened up with something dark and dangerous. The smile on his face grew wider, more sinister. “But surely you've heard of one Hange Zoe?"

"Hah," a short chuckle escaped her lips. Very soon it turned into a full blown laughter. Petra would have clenched her sides if she wasn't tied up, she would have doubled over, hands on her knees and chest heaving, overcome with a sudden feat of giggles.

"What are you laughing at?" Floch inquired, the smile disappearing under a frown.

"You, of course," Petra answered, still breathless. "You're a bigger fool than I thought. To think that you can take on Hange Zoe..." of course, he had already gotten her, but Floch had taken her by surprise and she wasn't nearly as experienced and skilled as Hange. And even if they do somehow catch Hange... "Levi would never let you even get close to her. More than that," Petra raised her chin, a confident smirk pulling on her lips. "I'm sure he'll show up here so very soon. He'll save me and ruin your stupid plan. Then you'll be rotting in jail alongside your Zeke."

"We'll see about that," Floch promised through gritted teeth. "Wait a couple of hours, detective, and we'll see if your optimism would remain just as strong."

He gave her a furious look and then did a sharp turn, heading to the door.

“Enjoy your last hours. I’ll come to check up on you later.”

With that he had left, and Petra finally managed to breathe normally.

*** "Weren't you supposed to be good at this?" Levi dryly inquired. With a bored expression on his face, he was leaning against the wall, watching Oluo fiddle with a lock on the door to Sannes' office.

"I never said I was," Oluo grunted, wiping sweat from his forehead. His head darted from one side to other, checking if the hallway remained empty. "It's my first time breaking into someone's office, you know."

"Eh?" Levi frowned, confused. "Then how did you and Petra get in the other day?"

"I stole a key," Oluo huffed.

Levi rolled his eyes, pushing Oluo aside. "Let me handle it then. You go and stand on a lookout."

Oluo didn't need to be asked twice. He got his fair share of bullying from Levi today. With an annoyed but very quiet - he wasn’t so thrilled about receiving even more insults - sigh, he rose to his feet, going to do what Levi had requested of him. He didn’t even reach the end of a hallway, and Levi was calling out to him.

"Already?" his eyebrows went up. "You broke the lock so quickly? How?"

"Well," Levi shrugged and pushed the door open, sporting an almost smug expression. "Let's just say I wasn't always a law-abiding policeman."

"So cool..." Oluo whispered in reverence, as he followed Levi inside the office.

In Oluo's humble opinion and in comparison to a small cubicle he shared with Erd, Sannes' office was huge. A large desk, a wide bookshelf that took up most of the wall, a leather couch and a mini-fridge with a coffee machine and a microwave oven? If affiliating yourself with criminals meant you can have a workplace like this... Oluo wasn't that opposed to the idea anymore.

But they took Petra, he reminded himself. They were the bad guys, even if they were much richer and more successful than he could ever be. They certainly didn’t deserve any of it. And his job was to catch them. 

"So what should be our starting point?" he asked Levi.

"You could start with telling me what the fuck you are doing inside my damn office."

With heart in his throat, Oluo whirled around. As his eyes met Sannes' dark and furious ones, Oluo gulped, slowly taking a step back.

He chanced a glance at Levi and was surprised to see that he didn't look as scared and panicked as Oluo himself felt.

Quite the contrary.

"Sannes." he snarled.

With wide eyes and mouth open in shock, Oluo watched how Levi manhandled Sannes, a man, who was almost twice his size. He pushed him to the wall, fisting hands into his shirt.

"Where is Petra, you scumbag?" he hissed into his face. "Where are you holding her?"

“Let go of me, you freak!” Sannes shouted. “I don’t know what you’re talking about!”

“Oh, but you do,” Levi’s voice dropped even lower, almost resembling a growl. “You know about everything – Zeke’s dealings, Petra’s kidnapping, Hange’s survival,” he pulled Sannes even closer. “So I repeat my question – where are you holding her?”

"I don't know!" Sannes wheezed out, already out of breath.

"Bullshit," Levi answered, his voice so dark and dangerous it made shivers run down Oluo's back. And he wasn’t the one Levi was talking to. He really didn’t envy Sannes right now. "You know it, and if you're not a complete idiot, you're going to tell me everything right fucking now."

Sannes looked down at him, his gaze calculating.  "If I tell you, do you promise not to reveal my connection with Zeke?"

"No,” Levi answered coolly, shaking Sannes once more. “But you're going to tell me anyway."

Sannes closed his eyes, breathing deeply through his nose. "Fine,” he said. “I'll tell you everything. Just let me go."

"Smart choice," Levi murmured and instantly took a step back.

Sannes sighed, running a shaky hand through his hair. "He's keeping her at the docks,” he mumbled, his face aimed at the ground. “I'll send you the exact location."

"Good," Levi nodded, much calmer now. "And after you do that, go straight to Erwin. If I were you, I wouldn't make him wait. Perhaps, he'd be more merciful then. Although,” he added, sending Sannes one last glare. “I doubt he actually would."

Levi turned on his heels then, walking out of the office. Oluo stayed behind for a second longer, a pressing need to ask Sannes a question arising in him.

"Petra?" his voice broke on her name, but Oluo willed himself to stand strong, looking up at Sannes without an ounce of fear. "Is she alright?"

"Dragged and unconscious," Sannes replied, rubbing the spot where Levi had grabbed him. "But she's unharmed. For now."

For now. Those two words made his knees buckle. They needed to hurry. Petra's life was on the line.

***

With sweat dripping down her face and completely out of breath, Hange finally reached Zeke's hideout.

Panting like a chain-smoker and with her leg muscles burning, she climbed all four sets of stairs, cursing Zeke all the while. Why couldn't he put his office on the first floor? Or next to a police precinct? Would have made her life so much easier.

As expected, Zeke was inside his meeting room, smoking. The fat rings of smoke were flowing around the room, flying just below the ceiling before dissipating into nothingness. Hange narrowed her eyes, squinting at the cigarette in his fingers. Could the cigarette from Petra’s apartment really belong to him? Perhaps, they should have run some tests on it… No, Hange shook her head. Zeke was innocent - at least, in that regard.

She looked around the room, nodding at Pieck and Porco, who, as usual, were sitting next to their boss.

"Ah, my dear Hange!" sweeping the ash from his cigarette, Zeke raised his hands, opening them in a welcoming gesture. "What brings you here? Already missed us?" he winked and Hange scoffed.

"Missed your ugly face?” she rolled her eyes. “Not in a million years."

Zeke shook his head, his gaze filling with disappointment. "Detective Ackerman has a terrible influence on your sense of humor," he complained, his expression turning sourer.

"Whatever," Hange fell down on a chair next to him. "I came to ask you for help. Petra is missing."

"Petra?" Zeke frowned, looking genuinely confused. The lost look inside his eyes cemented Hange's conclusion that he wasn't the one involved in her kidnapping. Zeke was sleazy and unreliable, but he was also a very bad liar. Well, that meant they managed to rule out one possible suspect…

"Yes, Petra. Levi's partner."

"Ah, he found a new one already?" Zeke spread his lips into a wide, self-contained smirk. "Not very loyal, is he?"

More loyal than you will ever be, Hange wanted to say, but stopped herself. Now was not the time to start a pointless squabble.

"Do you know something or not?" she demanded from him.

"I don't," Zeke answered, putting a cigarette to his lips and exhaling the smoke right in Hange's face. He knew how much she hated it, asshole. She waved the smoke away, scowling fiercely. "But I do know one thing," he turned to Porco. "The time has come, start packing."

Without asking for clarification, Porco nodded, thrusted hands into the pockets of his leather jacket and hurriedly left.

Hange watched him go, stunned. Was Zeke planning something? What could it be? Why didn’t she know about it?

There was only one way to find out. She surveyed Zeke’s face carefully, trying to see his motives reflected there.

"Packing? To where? What the hell are you talking about, Zeke?"

"Don't worry about our destination," he patted her hand, looking so condensing Hange had to clench her fists to stop herself from punching the bastard. "You're going with us after all."

"Like hell I will!" Hange threw his hands off, glaring at Zeke. "And you can’t seriously expect me to follow you. What does all of it mean?"

Zeke shrugged, lightening up another cigarette and taking a long drag. "It's the grand finale, Zoe. The dramatic climax, the thrilling last act. And I was never the one for theatrics. So I'll leave the stage and go on my way."

"You promised to help," Hange grunted. She couldn't believe it, she actually trusted the bastard, and now he tries to escape? She wouldn't let him. "Or did you lie to us?"

"I wasn't lying," Zeke scoffed. "Like I said, I don't enjoy the drama. I simply changed my mind."

"So you won't honor your promise?"

Zeke rolled his eyes. "Zoe, please. I'm a criminal. The word honor was never in my vocabulary."

"Fine," Hange huffed, blowing hair out of her face. The attempt to awaken his consciousness failed. Maybe, she could appeal to his ego instead… "But someone is targeting you. Don't you want to know who it is?"

"Not particularly,” Zeke shook his head. “Since they went through all that trouble just to get me, I'd rather we never meet. Lord knows what they're going to do then, and, unlike you, detective, I know what self-preservation means."

"So that's it? You're just going to leave?"

Hange couldn’t believe it. She knew Zeke was a scumbag, but goddamn it. She didn’t expect him to be that untrustworthy.

"Of course, I’m not going to just leave," Zeke smiled. "I'll take you with me. To make sure that no one is going to follow us."

Hange snorted. "You're that delusional? I told you already, I'd rather die than go anywhere with you."

"Be it as you wish," he said. "Pieck," he lazily outstretched his hand to her. "Make our dear detective cooperate. Do with her what you want, but make sure she won’t get in our way."

Hange turned to Pieck, her heart skipping a beat. She held her breath and tensed her muscles, anticipating her first move. She could take Pieck in a fight, in theory. But in reality, she came unarmed, and Pieck always carried a gun. And a couple of knifes.

And Hange wasn't sure that her wits were much sharper.

There was a bit, the air in the room growing stiff. Hange swallowed, her one eye narrowed, as she watched Pieck. Maybe, if she makes the first move—

"No." Pieck said suddenly.

For a moment, there was silence. Hange sat there, dumbfounded, staring at Pieck and feeling utterly lost. She didn’t mishear? Did Pieck really—

Next to her, Zeke seemed to have the exact same trouble. He blinked a few times and then his expression changed, turning into a look of betrayal and fury.

"What did you just say?" he snarled, baring teeth at her.

"No," Pieck repeated, staring straight at him, not swayed by his outburst. "I won't touch Hange, and you, Zeke, will go with her and surrender to the police."

"What do you think—"

"Stop it, Zeke," Pieck sighed tiredly. "Own up to your shit and stop running away. Do you really not get it? If you do this right now, whether you'll kill Hange or take her with you, this—" she gestured around, her gaze on Zeke hard and disappointed. "This running and hiding will never end. If you touch a hair on her head, detective Ackerman will get you even from underneath the Earth. Accept it, Zeke," she stood up and squeezed his shoulder. "You've lost that battle the moment you started it. You simply picked up the wrong opponents."

With slow, elegant steps Pieck approached Hange and bent down to leave a gentle kiss on her cheek. "Goodbye, Hange," she murmured, tucking a hair behind her ear. "It's been fun."

In spite of herself, Hange smiled. Sarcastic, adorable Pieck always had such an effect on her. "Are you leaving already?" she asked, touching a place where Pieck's lips met her skin.

"Well," Pieck grinned. "Pock had started packing, right?"

"And where are you going?" Zeke wondered, his lips pressed in a line and hands crossed at his chest. He stubbornly refused to even glance at Pieck.

"A secret," she chirped, smiling cheerfully. "But I'll make sure to send a postcard. Hange, I'll send yours to detective Ackerman's address?” she winked, chuckling at the sight of red color on Hange’s cheek. “And, Zeke? You'll be staying at the state prison, right?"

"Oh fuck off, Pieck," he groaned. "Go away already."

Their eyes met for a second, and Zeke's gaze softened ever so slightly. "Try not to get caught, will you?"

"Roger that, chief!" Pieck saluted, kissed Zeke too and then headed to the entrance, gliding on the floor and humming under her breath.

"You two should talk," she advised Hange and Zeke, and then quietly closed the door.

As soon as Pieck was gone, Zeke dropped his head on his hands, sighing in frustration.

"How the fuck do you do it, Zoe?" he sent her a side-glance. "How the fuck do you manage to inspire that kind of loyalty in people?"

Hange shrugged, sitting back in a chair, and curled her lips in a crooked grin. "Try not being a complete jerk, perhaps?"

"Fuck off," he retorted, hiding his face again. "You'll send me to jail, right?"

"R-right," Hange sang. "And before that, you'll help us looking for Petra."

"And if I refuse?"

"Initially, I planned to be the one organizing your arrest. But I can give that honor to Levi..."

Zeke visibly shuddered.

"Fine," he looked up, fixing the glasses on his face and brushing the hair back from his forehead. "I'll help you. Now get the hell out of here."

Hange arched an eyebrow. "You're coming with me, you know that?"

"I'll come," he huffed. "I promise. For real this time," he added, when Hange just kept giving him an unimpressed look. "Just give me half an hour to get all of my possessions in order, would you? I don't know if I'll be coming back after all."

"Half an hour." Hange nodded, looking at him strictly. "If you don't show up in half an hour, I'm sending Levi to get you."

She would have stayed behind and monitored him, but time was of the essence. She promised Levi she'd back in two hours. And the watch was telling her it was almost an hour past that. She needed to get back, and quickly. Hurrying out of the building, Hange rushed to the precinct.

But in her haste to get back to Levi, she didn't see a swift shadow that followed right after her.

***

One way, then the other, back and forth, left and right, Levi paced around the room.  

Seven. That was the amount of steps needed to get from one end of Erwin's office to the other.

Levi glanced out of the window, and then turned around, starting anew. He clenched and unclenched his fists, thinking if he should look at his phone again. Maybe, he missed a message? Didn't hear its ringing? Maybe, she had already replied to a dozen of his texts and calls?

"Levi," a heavy hand fell on his shoulder, making him stop in his tracks. "Levi, we can't wait any longer," again, Erwin's voice was so much gentler than usual, and that alone should have been enough for him to realize that he was being irrational. That, the eyes of a dozen other policemen, gathered in Erwin’s office, who looked at him with a mix of worry and sympathy.

"We have the location," Erwin reminded, bringing him back to present.

"I know."

"We have the team."

"I know."

"We have a plan."

"I know," Levi gritted through teeth. "But we do not have Hange!"

Frustrated, he turned away from Erwin. He took out his phone, holding it tightly.

Why didn't she call? Why didn't pick up the phone and answer his texts? Where the fuck was she? She promised to be back in two hours. Almost three passed and no sign of that messy, four-eyed brilliant weirdo. The knot in his stomach grew tighter with each passing second.

Logically, he knew Hange could be simply running late. She could be stuck in traffic or she could be busy trying to get some kind of useful information out of Zeke. But while Hange was never the one to care about such trite matters as punctuality and she could easily get absentminded and usually appeared to be scatterbrained and frivolous, she was so very different during the times like this. Times, when lives were on the line. Hange never let herself be so unfocused, that’s why Levi was so worried now. He was anxious, and he knew that feeling won't go away until he sets his eyes on Hange, alive, breathing and well. He just got her back, the thought of losing her… Levi cursed, checking the phone again.

"Levi..." Erwin sighed, patting his shoulder. "You know, we can't waste our time."

He knew that. Petra needed their help, needed him. He couldn't let her down, but still...

Hange, oh god, Hange. He couldn’t lose her. Not again.

"Perhaps, detective Zoe isn't going to come back," came a quiet murmur from the corner of the room.

Levi’s head whirled in that direction, and, in a flash, he was beside him. "What did you just say?" he demanded from Oluo, barely stopping himself from grabbing him just as forcefully as he had done with Sannes.  

Oluo swallowed, a trail of sweat rolling down his face, but he stared back at Levi, raising his chin.

"She was working with an enemy for more than two years. Maybe, she was the one who kidnapped Petra."

Levi closed his eyes, counting to ten in his head. He was not going to lose it right now. He was not. Not when Erwin - and a dozen other of his colleagues - were looking at him.

"Bozado," he began as calmly as he was able in that moment. "Do you trust me?"

"Of course, sir!" he answered without a moment of hesitation.

"Good," Levi nodded. "You trust me. And I trust Hange. With my life. And if you are at least half as smart as you're trying to appear, you'll trust her too. If you're not ready to,” his gaze grew harder, enabling Oluo from turning away. “Then get the fuck out of my team. If you doubt Hange, you doubt me, and I can’t work like that, I have to trust my people. So what do you say – are you leaving or staying?"

"I'm... I'm staying with you, sir."

"Alright," Levi watched Oluo’s face for another second, his eyes narrowed. Would he follow his orders without question? It seemed like he would. He hoped so, at least. With a low, thoughtful hum, Levi turned to Erwin. "We can start the operation. Bozado will lead my team."

He pointedly ignored the shocked gasp from Oluo. The boy wasn’t nearly as experienced, wasn’t even a detective, but their mission was to get back Petra. And Levi believed Oluo wouldn’t let himself fuck it all up.

It's obvious he has feelings for her, Hange once told him. She was right that time, but then again – when she wasn’t?

"And you, Levi?" Erwin asked.

"Half an hour," he promised. "Half an hour, and I'll be at the location."

Hange swore to come back to him. This time, Levi won't let her broke that promise.

Closing the door behind himself, he hurried to Zeke. He prayed that Hange was alright. Zeke wouldn’t get out of this alive, if she weren’t.

***

The silence pressed onto her. The silence, the waiting for god knows what - it was all making Petra go slowly insane. She wanted to hear something, any sound would do at this point.

Or so she thought.

But then Floch came back, sauntering inside and still sporting the same deranged grin, and Petra realized that she preferred silence so much more than the low, out of tune humming mixed with the sound of him polishing the various knifes taken from a long table in front of him.

She squirmed, the ropes digging into her skin even more. It would leave bruises, she thought absentmindedly.

Bruises? She chided herself almost immediately. Who would care about bruises if they find her dead? She suppressed another shiver.

They won't find her dead, Petra tried to persuade herself. They won't, because so very soon Levi would be here, and he'll save her. Perhaps, detective Hange would be with him, maybe, Oluo too...

She had friends who cared about her. They won't let her be murdered. She just had to keep believing in them.

"What are you waiting for?" she asked Floch, trying to distract herself from the thousand of horrible what ifs.

Why haven’t you— no, she wouldn’t ask him that. She would remain optimistic.

“You’ll see very soon,” he told her enigmatically. “My friend is almost here.”

His friend? Did he mean Zeke’s brother? The one, who had planned it all? And what would happen, when he comes? Would he—

No, she stopped herself once again. She needed to hold onto that hope. She needed to stay strong.

The sound of footsteps somewhere above her startled Petra. Hearing them too, Floch started chuckling. He turned to Petra, pressing a finger to his lips.

“That’s my friend,” he whispered quietly, as though it was the biggest secret in the world. “And he brought someone with him.”

The next second, the door opened and a man – so young, probably in his early twenties – stumbled in. He was hobbling slightly, his hand pressed to a place just below his hairline. His face was a mess – split lip, bruised eye that already started to turn deep purple, bloodied nose and forehead.

“You didn’t tell me she was a fucking psycho,” he grumbled, glaring daggers at Floch. “I wouldn’t have a chance, if I wasn’t armed.”

“But?” Floch passed him a white cloth to wipe off the blood. “You’ve caught her, right?” his voice was full of hope, and his fingers were trembling in anticipation.

“She’s in my car, dragged out of her mind. Help me get her here.”

“With pleasure,” Floch turned to Petra, winking. “You’ll have company so very soon, detective. I hope you’re excited! I am!”

He didn’t stop to hear her response, following after his friend and leaving her alone once again.

It was possibly her last chance, she realized. Petra desperately pulled on the ropes, trying to get away, but to no avail. She couldn’t move an inch, and it seemed like the more she struggled, the tighter her bindings became.

Not enough time passed, before Floch had returned, dragging a body inside. His friend put the chair, right next to Petra, and Floch dropped the body there.

No, not just some body, Petra realized. Fear crippled inside her, seizing her heart in its merciless hold.

Not just some body, Hange Zoe’s body.

Her head was bowed, but even from where she was sitting, in a poorly lit room, Petra could see blood dripping down her cheek and neck.

So much blood, she thought. She was breathing, albeit faintly. But she wasn’t waking up.

Her heart stopped, as Petra realized another thing – if Hange was there, no one was looking for her. And if no one was looking… then Hange and she… they would most probably… not be found.

At least, not alive, or so it seemed.

Petra tried to hold onto that sliver of hope, but with Hange Zoe’s bloodied face in her line of sight, it was getting increasingly harder and harder to.

#/gasps/ update?? to that fic???? #levihan #also yeah pieck and porco had simply turned into bonnie and clyde they're legends like that

[ethanredotter]

My ideas for Zootopia 2

Ah, Zootopia. It broke the record for the biggest opening weekend for an animated film, went on to be Disney Animation’s third most profitable film ever, became the second highest grossing original film of all time, and was nominated for and won innumerable awards including many for best animated picture, and rightfully so. It introduced us to a beautiful, creative, and lovable world populated by amazing characters, and had a poignant message that was conveyed, in my humble opinion, in the best possible way. I liked it a lot when it first came out, but after recently getting into stuff with a similar concept (Beastars), and being subsequently recommended various fan content on YT (Savage Company, Return to Zootopia), I got back into the film again and absolutely fell in love with it to the point that it’s joined my top three films alongside Coco, and The Land Before Time. 

Which is why I am really, really craving a followup of some kind.

Seriously, of all of Disney Animation’s recent films (or heck, films in general), I feel like this one has the greatest potential for a sequel. The setting oozes creativity from its every pore, has so many nooks and crannies that we didn’t manage to explore in the film, its two main leads were perfect and I really feel still have plenty of room to grow, and there are still so many ideas old and new that can be explored. So far we’ve received a few tie-in books, a hidden object game which is no longer available, a few comics, including a series about stories from Nick and Judy’s childhoods, a very large and intricate land expansion under construction in Shanghai Disneyland and a game starring Nick and Judy in Epcot, and a Disney+ original series focusing on various characters from around the city. All of these are fantastic, but four years after the film’s release, we’ve received no official confirmation of a proper continuation to Nick and Judy’s story like a sequel or TV series, just a few rumors here and there.

We’ll get some kind of proper followup eventually, that’s for sure, but what could it do? What kinds of places could they take us to? What ideas could it explore? What could happen to our leads, and what kinds of new characters could they befriend or combat? Well, I’m gonna give my ideas right here; buckle up, because I have a lot.

The City

Let me start off with the City itself. I mean… It’s marvelous. The architecture, like the Oasis Casino, central station, first precinct, the various neighborhoods. The accommodations like the sprinklers, water tubes, Little Rodentia, and the climate wall! The city of Zootopia is a star in and of itself with just how much care, attention, and creativity was put into its every crevice, and we barely got to see half of what it has to offer, as we only got a proper look at five of its twelve districts. They’ve revealed a few other districts via some maps and books (Meadowlands, Outback Island, Canal District) but there are a bunch of others yet to be revealed, and plenty unexplored.

Let’s start with what could be done with the ones already revealed. The Canal District could accommodate the city’s highly aquatic residents like hippos, otters, muskrats, beavers and manatees, and also be one of the city’s primary trade hubs. In terms of layout, it could be like Venice meets the Mekong Delta on steroids where the citizens live and make their living either in boats, or in buildings whose entrances are right on the water. There could be some walkways for less aquatic animals, but most of the transportation is through the water; either via swimming, or via motorboats, riverboats, jet skis, and ferries. And indeed, this is possibly what they had in mind judging by the concept art of the canals. I hope to see them implement something like this in the future; this stuff is just insanely cool! In terms of infrastructure, alongside the various docks and warehouses, I’m thinking that it could be a place for aquaculture where all manner of freshwater seafood are raised, as well as plenty of touristy stuff like river cruises. Maybe we could have a boat chase here, or perhaps just a relaxing moment between our leads, or maybe both. 

The meadowlands would be a place for more temperate grazers like sheep, horses, bison, and various kinds of deer. It could be akin to a massive park district with plenty of recreation and places to enjoy a bit of fresh air, and its buildings could possibly be like hobbit holes and built into the hills. I’m thinking it could also be a place with a lot of mills to process both food and textiles, and its overall atmosphere could be quite agricultural and country while being in the middle of a city and not having much in the way of crops.

Now on to potential districts

Credit to @florenze​

The one that I and many others have thought of the most is a nocturnal cave district. This would be located beneath the rest of the city, and would, of course, have little to no light in order to accommodate its main inhabitants such as moles, mole rats, and bats. This place could have homes on the ceiling and walls for the bats, with various cranes and elevators for the non-bats to get around both to visit, and do maintenance. I imagine bat homes could be quite atypical compared to other species since they’d likely sleep upside down and crawl on walls a fair bit, and if they need to get anywhere they can just fly, so much like the canals, they might not have much in the way of front yards and instead just have elevators and sheer drops on their front doors. Likewise, the less residential buildings could have entrances at higher floors for the bats as well. Entrances to the district could be drive-in cave mouths, as well as big openings for the bats to just fly straight out of to see the other districts at night.

As an opposite to that, I was thinking that a central mountain district would also be cool to see. This would accommodate mountain sheep and goats, takins, pikas, llamas, as well as snow leopards, brown bears, and other mammals who like high and rocky locales. This place could be even more vertical than the cave district, and require either elevators, stairways, or surefootedness to get around, as well as perhaps some oxygen tanks depending on how high it goes. Therefore, cars would be nowhere to be seen, and if anyone wants to get in, they’ll need to park outside, or better yet just take public transportation to allow room for residents’ vehicles. Buildings could possibly be carved out from the stone, and the overall atmosphere could be a mix of the Himalayas and the Andes, and also a bit of the Rockies and Urals.

Regardless of what districts they show us, I would like to see a few more angles to the city than just a bright and clean middle class. Show off its dirty underbelly too, and I don’t just mean more of the street hustlers and thieves like Nick, Finnick, and Weaselton. The first film did an excellent job of showing us that Zootopia wasn’t some perfect society with its discrimination and criminals, and while we did get a nice glimpse of its dirtier side, I want to see more of the run down neighborhoods and their residents. Heck, maybe make poverty an aspect of the plot and a motivator for the villain. Although, they also could also easily cover it with Nick due to the fact that his family was struggling back in the day. Alongside that, I’d like to see high society too, especially the oasis casino that they really wanted to show off, but couldn't find a way to. Show us just how both lavish and run down this city can be.

New Characters

Of all the things I love the film for, its characters and their arcs are probably the biggest things, especially those of the leads. This film has a very diverse cast from a big old cape buffalo to a tiny little fennec fox, and they’re all quite memorable and fun. Now I know what some of you are thinking, “why are you covering new characters before the old ones”? Mostly because I have fewer ideas, but also because the ideas I have for some of the old characters are quite big.

Firstly, I’d like to talk about Nick’s family, starting with his mother. Yes, Mrs. Wilde is already an established character, but I’m still putting her in here since I want to talk about Nick’s family in the same section, and she’s gotten very little characterization; heck, we don't even know her name. She seems like a very nice and supportive vixen from what we saw from the flashback, there was a tweet from Rich Moore that we can infer a fair bit from, and the end of a comic that showed her being a very nice mother and a massive fan of a rock band made of rabbits. Nick is seemingly an only child since no siblings are mentioned anywhere, and they certainly seemed to be financially struggling at some point since he said that his mom “scraped up” the money for the scout uniform, and in the comics he was always extremely short on money and didn’t even have an allowance. Rich referring to her as “Mrs. Wilde” as opposed to “Ms. Wilde” shows that she was/is married and that the husband was probably Nick’s father. The last line of the tweet highly indicates that she and Nick are in contact and on speaking terms (although it really begs the question of where she was during his graduation as there’s not a fox in sight (although there were plenty of seats out of sight and obscured)), and also potentially hints at, uh… Things we’ll get to later. Unfortunately, we don’t know anything more about her. Did she know about Nick’s bad behavior? Did Nick even tell her about the incident with the scouts? Was she ever estranged from him? I’d like for it to be talked about, preferably with her present. I don’t want her to just show up in a call or something, I want her to actually have a scene with her son, and I’d love for her to meet Judy as well.

At least we know a thing or two about her, but we don’t know a thing about Nick’s father that has been confirmed. In one of the original cuts of the film, Mr. Wilde was a tailor who wanted to start up a company with his son called Wilde and Son’s Suitopia and give his kit the best future he could possibly have. Unfortunately, after many attempts at getting a loan to start it up, Nick tried to stop some lemming bankers from denying their loan by trying to grab the stamp from them, was spotted by a guard, and was forcibly and permanently separated from his dad because the city in that cut was was a horrible place full of horrible prey who thought that predators were nothing but horrible monsters ready to blow at any time to the point that they were forced to wear shock collars that would zap them whenever they got even remotely excited. Seriously, screw this setting, it made Beastars look like a freaking paradise. Anyway, back on track. Nick only mentions his mom, so where is his dad? Again, a fair bit can be inferred from the sources on his mother. The simple fact that he wasn’t mentioned in the flashback or the comics seems to indicate that he was out of their lives at that point in Nick’s childhood. Go figure, fans have gone nuts with the possibilities. I’ve seen depictions of him ranging from dead, to estranged, to a genuinely good dad who’s back in their lives now, and a psychotic criminal mastermind who wants Nick to be his heir… Yeah. Out of all those depictions, the loving father one is my favorite. Sure, Rich didn’t mention him in the tweet, but that could have been a simple omission since the question was about Mrs. Wilde. I’ll be honest, my perfect version of this idea is from the fan comic It Should Have Been Me, in which which his backstory and character is almost exactly what it was in the original cut: he was a fabric worker who moved to Zootopia with his wife and son in order to make it big on a tailor business, as he strongly believed in the ideals of the city and wanted to show Nick what a fox could become. He was repeatedly denied a loan, and eventually his obsession with making the business made his wife leave with Nick. After some time, he finally realized that being a role model was not the same as being a father and returned to them. I adore this interpretation for how it shows a family that struggled to stay together for reasons mostly within their control, but still managed to, and are now seemingly happier than ever, something I can’t recall seeing at all in any of Disney Animation’s films (if you know any examples, please list them), and also the fact that Mr. Wilde is a great, likable, and kind of complex character here who is a good man who just messed up as opposed to a simple deadbeat dad I've often seen him depicted as. I want to see something like this out of his father in an official follow-up, but even if he is still separated from his wife, I’d like to see him, and if he’s dead, still give us something; I want to know who this guy is and where he is now, and if there’s anyone else in the Wilde family, I’d love to meet them too, and I want to know how they feel about Nick turning his life around and bucking expectations and stereotypes. His mother is probably exceedingly proud of him, and his dad probably is too if my preferred version is used. Either way, give us a lovely father, mother and son scene (or just mother and son scene, because you know, she’s the only one confirmed to still be around).

On to the villain! The villain should be as opposite to Bellwether as possible; big, male, predator, and not trying to fool anyone into believing that he’s not the mastermind behind anything. We’ll know, at least partially, who this guy is from the moment he’s introduced and what his motivations are early on. Unlike Bellwether, we’ll dive into his character more and more as the film goes on and see what makes him tick. So, what could he want? The idea I’ve conjured up was that he could be a segregationist extremist who sees the founding principles of Zootopia as foolish, believes that this all mammal society is unsustainable, and that all species should completely separate from each other. Perhaps he just wants to get back at the city that he believes wronged him and/or his kind, or perhaps he wants to go back to the wild square one where it’s every species for themselves, and perhaps he thinks that will genuinely be better for everyone. Regardless, I think that this idea would be an interesting continuation of the first film’s ideas of prejudice and living in peace with your neighbor, where this villain would want to bring down the city because he hates prejudice, wants to bring down what he sees as a hypocritical city, and wants mammals to be better off by being separate and under harm. Also, unlike Bellwether who was a power hungry sociopath, this guy will be far more genuine in his pursuit and see himself as a liberator. But as I said, he could very well just be using it all as an excuse for petty vengeance and lashing out at the world in a spiteful rage.

Despite what I said before, I do think that there should be an air of mystery around him. Since he’ll see himself as a demagogue for all animal’s “liberation”, he could conceal himself in shadows during his broadcasts, and also cover himself from head to toe in feature hiding clothes such as a helmet/mask, and specially designed gloves and shoes that hide what his hands and feet look like in order to not show off what species he is. Basically, he could be a twist on the twist villain; he’ll be all mysterious and some could think that he may be a character that we’ve met, but in reality he’s the same character we’ve known all along. As for what species he could be, I was thinking that he could be a less looked at member of a well known family of animals. My best bet would be a smaller and less predatory species of bear like an American black bear, sloth bear, or a sun bear since we saw so many brown and polar bears in the film, and while he’d be small by bear standards, he’d still be quite large, and heck, maybe they could make him particularly large and scary for his species of bear. Also, since he would be a kind of bear whose protein historically consisted entirely of insects (especially in the case of the latter two), he could have extra reason to be angry with society since his kind never wronged prey (although again not quite the case with American black bears since they will sometimes eat fawns and even fully grown deer), but yet he was lumped in with the brown and polar bears. Of the three species I listed, I think the sloth bear would work the best since their protein entirely consists of insects, but, despite their small size and goofy appearance, they’re one of the most aggressive species of bear and have been known to charge at elephants and rhinos at the drop of a hat, and this could play into his characterization as bear Kratos. I think there could be some hints to his species throughout the story, despite how well he may try to hide it. For instance, American black bears when scared tend to do things such as pulsing and clapping their jaws together, while the south Asian bears tend to rear up and stretch their chests out to expose their white stripe. Perhaps he could unconsciously do things like that when particularly agitated or under pressure.

What exactly could make him want all of this? I was thinking that much like our favorite fox cop, he could have experienced much discrimination throughout his life, only far worse, and been downright spiteful instead of rolling with the punches like Nick did. And again, it could have been more pronounced on him since the discrimination was due to “Sins of the cousins” and his kind had nothing to do with any of what they accused him of. A tipping point could have been the Night Howler Crisis, which could have either personally affected him, or just confirmed his beliefs and made him want to go through with his plans to try and tear Zootopia down, and now, about a year or so after that Crisis, his plans can finally go into motion. As for how he’ll go about things, well, he’d go for the hearts, minds and the infrastructure of the city. Perhaps he could broadcast all over to spread his propaganda and instill doubts in in the population (notably in his fellow preds by reminding them what happened not long ago), and also strike fear in those who oppose him. Other than that, he’ll of course go straight for the city’s infrastructure via sabotage and kidnappings. One victim could be the mayor, who this time could actually be a good person and politician, or, as one official comic showed, Lionheart again… Was this an error, or was he seriously canonically reinstated after the shady crap he got up to!?

Anyway, expanding on the idea of the concealing outfit, I’m thinking that his followers (who I’ll just call The Cell for now) could do the same thing with tail hiders, stilts, and padding which would be especially effective for bigger animals to possibly lean over and look like something shorter and fatter in order to make themselves appear roughly the same as to make themselves not see each other as another species for the duration of this insane operation (it also has the added effect of making them harder to differentiate and track). This will eventually be their downfall for reasons you may have surmised, but I’ll explain that later.

Speaking of more villainous characters, I'd like to see a bit more of the criminal syndicates and mobs throughout the city. I'd like to learn who rules what parts of the city, how far their reach goes, and how they operate. Although, we’ll probably only get a glimpse in the film, but we could see the criminal organizations focused on more in a TV series or official comic book, because I think a film would be about a much larger and complex threat that could change the city and characters as we know them.

What about more heroic characters? Well, perhaps we could see the return of concepts from the original pitch of the film like secret agents. Considering that the villain’s plot could be citywide and insidious, I think it would make sense. It could be cool to see conceptual characters such as Skye developed and implemented, and have them helping our leads with the case (or perhaps they could just be a cameo in a movie theater, I dunno, they had a billion other ideas when conceptualizing). I’d like to see her come back because she seemed like quite an interesting concept of a mechanic and badass secret agent (Also, look at that concept art; she's flipping adorable). Perhaps she could be undercover in The Cell, and Nick and Judy could meet her after being ambushed by them. As they’re driving away, Nick gets shot in the shoulder with a dart, but when they reach safety, he realizes that he’s fine. He pulls the dart out and finds that it’s hollow and clear and has a note inside it. They read the note and it includes an apology and directions to a garage in the meadowlands. Later they go to the address and find a light tan fox working on a car. She introduces herself, apologizes further to Nick for shooting him, and then brings them into a safehouse where she gives them vital info on The Cell, and gives them a number to call her at and a few special signals and monikers to help out.

If I were to describe the character I imagine her having, it would be extremely enthusiastic, friendly, and possibly coming off as a little childish, but also intelligent, savvy, and consummately professional and well trained. Basically, a quintessential bunny ears lawyer.

Some people have wanted her to have some kind of past affiliation with Nick, but I’m not sure. I mean, it would be interesting and a good callback to the cut where she was his sidekick, but in this version him knowing someone who just so happens to also be a secret agent would seem a little odd. Then again, he knows everybody. Maybe she’s that mysterious Lady Friend mentioned by Finnick…? (she is a mechanic after all, and he loves his van).

Other than that, I’d love to see the ZPD itself expanded and characterized a heck of a lot more. Maybe we could actually get to know Nick and Judy’s fellow officers like McHorn, Pennington, and Wolfard, and finally see some actual detectives as opposed to just patrolmen, and also get to see the city’s other precincts. I’d love to see the folks at first precinct all working with and respecting our leads, and for all of their strengths to be shown to the max. As in, I want to see them in full SWAT gear conducting a raid; Bogo and the big boys breaching doors, the wolves and cats on marksman duty, and Nick and Judy doing infiltration.

Returning Characters

Let’s start with everyone’s favorite tiny fox, shall we? Finnick wasn’t in the film all that much and only said a total of 37 words (yes I counted), but despite this, he still left a shockingly large impact on audiences for his in your face attitude and vocal dissonance of being a little fennec fox played by a giant former pro wrestler, Tommy Lister Jr (may he rest in peace). And honestly, I flipping adored him too. The creators also liked him a lot and have featured him extensively in newer material such as Zootopia Crime Files, which had him heavily involved in a case and really managed to flesh out his character and specify what his relationship with Nick was like (which is to say, they are genuinely friends), and he even appears as a playable character in Disney Heroes: Battle Mode, and they have said that they wanted to feature him more in a sequel. So what could he do in a follow up? I’m thinking that he could become a major supporting character. I’d like to see him having some genuine friendly times and conversations with Nick and Judy such as going out to eat with them, and also get them out of some scrapes; perhaps by going nuts on a perp that’s threatening them and/or driving them out of a sticky situation. Perhaps he could also help the investigation by acting like an informant or mole (but as I said, in this cut that could already be taken by someone else). Or perhaps he’s gone or will go relatively straight and operate a totally legitimate ice cream shop instead of running a complex hustle. Perhaps he could also act as a shippe- again something we’ll get to later. I’d also like to learn more about him as a person; did he get into the hustling life because of some kind of discrimination like Nick, or is he just a roughhouser who genuinely likes what he does and wouldn’t have it any other way? Who’s this lady friend he mentions? Does he harbor any resentment for Nick for getting off the street and into the force? Obviously it’s not too strong if he’s still giving him Pawpcicles and interacting with him in a cordial way, but is there any there? I’d really like to see. Also, what's his real name? The directors said that Finnick isn't his real name, so what is it? Maybe tell us, maybe don't. As for who could replace Zeus, I’m thinking Kevin Michael Richardson. Whoever they get, I hope he does him justice.

Leave Bellwether out of this; she's served her purpose.

I wouldn’t be mad at seeing Mr. Big return, but I don’t really have any ideas for him. That said, I think that Fru-Fru could be a nice inclusion as a good friend of Judy. Perhaps Judy could hang out with her and do a few things like a little bit of Godmothering for the little shrew bearing her name.

Flash… If he shows up at all, make it a minor appearance, maybe even a cameo.

Bogo was technically the tritagonist of the last film, and I’d like him to remain in a prominent role. I loved his character and evolution in the last film; he starts off barely giving Judy the time of day and repeatedly gets really pissed off at her antics, and also blows off Nick on the simple basis of him being a fox. But he’s an extremely principled and just fellow, and in my opinion, an example of what a good police chief should be, especially since he gets over his prejudices and comes to respect our leads as much as his other officers (which is to say, a LOT). And it’s that respect that I really want to see in a follow up. I want him to send Nick and Judy out on important missions, I want him to trust them with their conduct and intel, and most of all, I want him to protect them and treat them like valuable members of the force. For instance we could see him chew out another officer for talking badly of them, and also risk his life to keep them alive. Speaking of, I also want to see him in action, not just in his office playing with apps (although I certainly wouldn’t complain if we saw him messing around) or showing up after the fact to arrest a perp; I want to see this big bull kicking tail and taking names. Again that prospective swat raid. Other than that, I’d like to learn a bit more about him as a person outside his job, and maybe get a full name.

Benjamin Clawhauser… I don’t have much in the way of new ideas for him other than seeing him interact with Nick. I and many others think that the two of them would be great friends with some awesome banter (and in the Tame Collar cut he was supposed to be one of Nick’s employees at Wilde Times, so they’ve got some of their dynamic figured out already). If I were to imagine Nick's nickname (or I guess we could say Nick Name) for him, it may be Chomps. Other than that, for the third time, flesh him and his backstory out a bit more; he’s a likable guy and I’d like to know more about him. I also absolutely think that he’d be yet another shi- Oh yeah, the main characters!

Nick and Judy

And finally, the part that I’ve wanted to talk about the most; Nick Wilde and Judy Hopps. These two are incredible. I know I’ve already gushed about every last little thing this film has done even remotely right, but these two are genuinely just plain perfection. They’re my favorite cinematic duo ever, and some of my favorite fictional characters ever. Their dynamic, their chemistry, their dedication and adoration of each other, the way they grow because of each other, it’s all just wonderful. If you want more details as to why they’re so wonderful (especially together), check out @beastars-takes​ post on their relationship and why it’s so darn awesome; there is not an off word in there, offers a lot of insight into the hidden depths that you may not have noticed, and helped me understand these two and the film all the better and gave me the intense love I have for it. Buckle up, these two are the longest part of the essay, because they were the best and biggest part of the movie, and thus I’ve got the most to say.

Honestly, my favorite parts with them were in the last 20 minutes of the film where they are just a perfect buddy cop duo (and ironically enough, weren’t even cops at this point) who clearly had an unbelievable amount of love for each other and even faith in each other while kicking serious butt, and seeing Nick give off that extremely genuine smile upon finally being able to live up to the oath he made as a kid at his graduation was absolutely heartwarming. I want to see more of THIS duo in the next film; a duo of true companions absolutely brimming with charm and endearment who you want to be on screen as much as possible. These two had such good chemistry by the end of the film that many people wondered whether there was something more between them than mere friendship. Were they… Romantically involved? If not, should they be in the future? Many people have been against this idea because they either don’t interpret their relationship that way, and/or they feel that a romance would be cliched and/or forced. What’s my opinion on this whole thing? We’ll get to that soon, for now, let's talk about character focus and development!

I think that Nick should be in the protagonist seat this time, and Judy should be switched to deuteragonist, although she’ll be more in focus than Nick was last time. I want to see how Nick feels about his new life as an officer, his past and connections, his home (does he live in a leaky pipe ridden apartment and sleep in a drawer like in this concept art, or does he live in a better place?), him kicking but with his new training, and as said previously, his family. I want to see him being truly happy and fulfilled for the first time in his adult life, and how it affects him. I want to see the full weight of everything that he’s gained and will continue to have at the forefront of his story arc, and likewise with Judy. I want to see him open up to people more, and I want to see him continue to prove to the world that a fox can be more than a shyster, and heck, maybe he and Judy are becoming something of celebrities from their adventures and maybe the two of them are using their status to help their communities in ways other than police work. Maybe the two of them will visit schools, more run down neighborhoods and communities of stereotyped animals to tell their story and show them what they can become if they believe in themselves and in others. I also want a big emotional scene from him, or at least an adult big emotional scene. While we did see plenty of big emotional scenes from him and certainly saw the depths of what he’s been through, it was Judy who really brought out the most emotion. This time around, I want to see Nick carry the most emotional scene, tears and all. My choice would be him realizing the weight of what he has gained and how much he doesn’t want to lose it. For instance, perhaps they could have a party at the station in honor of their promotions (I'd guess detective given their skill sets) with him, his fellow officers, his parents, and even his and her civilian friends such as Finnick. He’ll sit down next to Judy and his folks with a plate and a cup, and they’ll start conversing. Suddenly, officer McHorn comes up and commends him and Judy for their great work in their short time on the force, and how they deserve to be detectives after all the cases big and small that they've solved. Nick will look at him with a smile as he’s talking, and then notice something: all of the most important people in his world are right there in that room, and each and every one loves, respects, and appreciates him. His parents, his friends, and most importantly his brothers in arms, and especially the one who brought him into the fold and changed his life forever. The realization that he’s achieved the camaraderie he wanted and fulfilled the promise he made in his youth, how he's made people see him for who he is and not what he is, and how whole his life has become from this job and how it will get even better from this promotion hit him like a train and he starts shedding tears. His parents, Judy and McHorn notice. He tries to play it off initially, but he realizes that he has nothing to hide anymore and explains everything. McHorn says he really meant what he said and that he’s an integral part of the PD, and Judy and his folks begin comforting him and eventually Judy says “Oh you foxes, you're so emotional”. Nick gets a big smile on his face and gives her a tight hug, and then chooses to get up on a table and say a big speech of thanks and cheers to his family, friends, his fellow officers, and especially to the greatest gal he’s ever known.

Speaking of the sly bunny, I want to see how the events of the last film have affected her and have shaped her into a wiser person and more effective officer. Much like with Nick, I want to see her continue to buck other’s expectations of her and prove that rabbits can be far more than just meek farmers. I want to see her grow even more street smart, wise, and a better problem solver from seeing all that Zootopia has to offer and from her proximity with Nick. I want her to see more of the world’s complicated problems and for her to start to understand the bad parts of it even more, but at the same time continuing to see plenty of good as well (sometimes, a bit of both). Also, there’s a lot of Zootopia as a city that she still hasn’t seen; species, districts, holidays, you name it. I want a big part of her story to also be her experiencing everything the city has to offer, preferably with Nick at her side, and the wonder on her face. That said, I want the wonder to be shared. I want to see Nick enjoying this city like never before since he can look at it in a whole new light, and do so with the one who made it all possible. And likewise, Judy would feel the same in regards to being able to explore it with the one who changed her for the better, helped her keep her career, learn more about herself, and has continued to be there for her. And again like Nick, I want her to really feel what she’s gained: a great career, comrades who respect her, the ability to help others, and fulfillment of the dream she’s wanted since childhood, and an amazing partner who helped her achieve it all and got all the same things because of her.

And all that of course brings us to the big question. How should their relationship evolve? Well, uh…  I think… You see, I… I uh… Well...

This is on the bookshelf in my room

And this is one of my most viewed images on furaffinity (credit to RelaxableFur)

Of important note; I’m not someone who casually ships characters. I may consider the idea of them being a couple when they’re together on screen and have good chemistry, but I’m never like “Oh my god, they need to get together!” (in fact, I was neutral about the idea of WildeHopps until last year when I dived back into the movie), and I’m especially not one of those people who ships characters who obviously have no chance in hell of being romantically involved. I only really get on a ship if I think there’s a strong precedent for it in terms of character plausibility and storytelling potential (and it also helps if they’re absolutely adorable on screen). And in the case of these two, I absolutely think that they hit all three categories.

Now, let’s get into details. Do I think they’re just friends at the end of the film? Not necessarily. Do I think they’re romantically involved? Again, not necessarily. I think their relationship is complicated. As I said, they trust, respect, and care for each other to such an incredible degree that they were willing to do THIS all for the sake of milking the scene and keeping up appearances to keep the bad guy talking (and as you may or may not have noticed, Judy’s nose didn’t move even a bit during the entire act until Nick was right on top of her, whereas before at even the slightest sign of distress it would twitch like crazy), and then just casually laugh about the whole thing while holding each other. Speaking of which, they are clearly very comfortable with physical contact; Judy comforts Nick with some arm caresses

Nick let Judy cry into him and wrapped his tail around her when making up (how else would she step on it)

The two of them share the aforementioned very nice embrace when gloating to Bellwether (yes, Judy had a wounded leg, but the way they’re holding each other and how comfortable they are indicates way more than just physical support)

And there was also this part in the concert… 

Y’all thought that was just a hip check, didn’t you!? 

There’s also the fact that, while it’s obviously a rather playful exchange,  they just casually threw the big, big L out there in their last conversation, and not only that, but the whole thing is delivered in a kind of longing fashion, and depending on the translation the wording gets either more or less explicitly romantic.

As myself and Beastars Takes have stated, they are perfect kindred spirits who have irrevocably changed each other’s lives for the better, and they believed in each other when no one else would. For those reasons they have grown closer to each other than anyone else and can’t get enough of each other. They made each other’s dreams come true, they’re the greatest things that have happened to each other, and they will continue to be so, especially now that they’re together nearly every day of the year since they’re now on the job together. To me, that’s not a will they get together, that’s a when will they get together, and I’d find it more forced if they didn’t become an item (unless their sexualities don’t match, but I doubt that, because again all of their dialogue and physical closeness) 

And this officially licensed merch…

And these park character interactions.

And honestly, I think that many mammals will probably think the same way. As I almost said throughout, I think plenty of folks like Clawhauser and Finnick will see the spark between them and be Shippers on Deck. I could imagine Finnick teasing their obvious affection for each other, and Clawhauser could just be his usual self and just make little squees and mental notes whenever he sees them interacting, and there could be a few rumors about them floating around the PD.

So how should their romance develop, and how should their couple dynamic be? Subtly, and not too much of a change from how they already are, respectively. As I said, these two already think the world of and can’t get enough of each other, and I really think that there’s already a romantic spark between them that they just need to think through and expose. I give them half a year on the force before they’re all over each other, a year at most. I don’t think that they’ll even have to make any real confession of love to each other, I think they’ll just have to have the right moment to properly figure out that their relationship already is romantic and/or that it really would be able to work out between them, and actually cement it right there and then. That said, don’t drag the hookup out. Don’t have their entire arc be about them getting together. Don’t have them magically be together at the start of the story, but certainly don’t drag for the whole time. Give us time for them to be the slightly better than best friends we saw at the end of the last film while building up some extra tension, and then have them properly hook up in the second act. But as I said, their dynamic shouldn’t change too much. Again, it’d be more of a realization than a decision since they already have an unbelievably high opinion of and affection towards each other (and they seemingly already know that there’s something between them), and it’d be an enhancement of what they already have as opposed to a change; they’ll continue to be the best friends that they’ve been, just with an extra openly romantic component. Have them be even more willing to show affection both physical (hand holding, cuddling, and kissing) and verbal (more flirtation, and some I love yous). I want this romance to be sweet and unique with a lot more friendly banter, discussion and enjoying more platonic fun stuff (like playing games and joking together), and way less lubby dubby crap. I want their trust and love and respect for each other to be extremely apparent; continue to have it be clear that they think the world of each other and show the reasons for it, and don’t have them be too doting, or at least not that often. That said, absolutely feature some powerful romantic moments like a little dance, or the hookup stated before.

As I said before, I also really get on to a ship if I believe that it can add to the story, and in this case, I really do think it can. I think that their relationship could bring up and/or amplify a lot of strong themes that would complement the first film’s message perfectly. For instance, friendship, love and family not knowing the boundaries of species.

Now, it’s clear that interspecies relationships and marriages are a thing in this city: the directors talked a bit about how society could see their relationship and how Zootopia is probably open to the idea; the first couple that Judy meets in Zootopia are her neighbors Bucky and Pronk Oryx-Antlerson, who are a greater kudu and a gemsbok (they’re also same sex, so that indicates even more societal openness)

There was also an official comic about Flash trying to ask Priscilla out on a date to a movie, but he was too slow and lost out to a Hyena, so that indicates that even predator-prey relationships aren’t widely looked down upon. 

However, as the first film showed, Zootopia’s not a perfect society, so they absolutely could receive some nasty stares and insults in the city, and Bunnyburrow Seems to be less open on the whole. Yes, I’m bringing up the ever so popular “Nick meets Judy’s parents after their hookup” idea that hundreds of people have written stories about, but I genuinely think it’s a fun idea, and I’d like to see their reaction to Nick if he’s romantically involved with their daughter, and Nick trying to get used to country life and bonding with a new family. We saw in the last film that Bonnie and Stu are opening up to foxes, and I would imagine that they met Nick around the time of the concert in the credits, but how could they feel about their daughter being with a non-bunny? That could be a fantastic storyline to cover, and it could be a fantastic way to explore that theme of interspecies bonds, and also of families being built on love. That being said, them visiting Bunnyburrow (AKA my hometown in upstate NY: we seem to have an infestation of rabbits here), would be best for a TV series arc or a comic as opposed to a theatrical release, but they could still have the Hopps family visit Zootopia in the film and have many similar things go down. Another scenario could be from Nick’s family. Remember what Rich said about his mother waiting for a grandkit? Does this mean that she actually wants him to continue the family line, or does it mean that she just wants another little tyke to help raise? Either way, she could be an interesting addition to this idea since the creators have specified that they normally fall back on what is scientifically plausible for the film, meaning that Nick and Judy probably wouldn't be able to conceive a child, so they could introduce some hesitance or vice versa into the story through her.

With my previous villain idea, the theme of bonds beyond species could come up quite often. Nick and Judy could become targets of The Cell from the beginning for their friendship, but they could perhaps become more of targets once it becomes clearer to The Cell that they may be more (and because they’re likely foiling their plans). If the villain actually saw proof up close that they were together, he could absolutely lose it and just try to tear them limb from limb. But of course, their bond could also be used to their advantage alongside the villains’ hypocrisy and foolishness. For instance, in a final confrontation. Here’s my prospective scene: Nick, Judy and possibly other characters are surrounded by Cell members who are armed to the teeth and pointing all they have right at them. Everyone in the room is weary from all that’s happened over the course of the film, and are hesitant to start fighting again. Then, Nick speaks up and asks The Cell why they’re still fighting. He brings up the fact that they’re all fighting for the downfall of Zootopia and the separation of all species since they believe that animals only see each other for what they are and are cruel because of it, and that they’re going as far as to hide their species from their comrades to not see each other as separate, but only until the job is done, and then they'll go their separate ways. Of course, why should they see each other as one only for now? They’ve all bonded and seen each other as comrades all this time while not knowing each other’s species; why should knowing what they are be any different? This would result in some taking the plunge and removing their helmets, which would then result in the others seeing what they are. Our leads would tell them that they have not known each other's species this long and yet they’ve bonded together as brothers in arms; why would they want to break that because of stupid differences, and why would they want to use those differences to separate themselves? Some folks can tear and digest meat, some can clip and digest grass; what difference should that make? If they want things to be better, then they must be better, and show those who hate them that things can be better (and for extra effect, Nick and Judy could show off the bond that they’ve gained despite being not just two different species, but predator and prey). One member throws his mask out, then another, and another. More and more continue to throw away their masks and even suits, either because they were convinced or because they see the cause as hopeless, and within a minute the floor is littered with masks and discarded body suits, and the members of the once mighty Cell walk out of the room, many with their arms around one another, and some holding hands, and soon it’s just the leader and the officers alone.

Conclusion

So those were my ideas for a Zootopia sequel. To recap, I want to see even more of the city’s districts and more of its socio-economic angles. I want to see new characters both brand new and from old drafts, and I want an interesting and fresh villain who we can gain a bit of sympathy for. I want to see all of our favorite supporting characters from the first film continue to be great and have expanded roles. And above all, I want our leads to continue to grow themselves and their bond into something even more wonderful. I want to see Nick grow as a person and officer, and I want to see Judy grow alongside him. I want to see Nick’s family and connections, I want how his new life is affecting him, and I want to see him open up emotionally with himself and with those he loves, and I want Judy to continue to grow wiser about the world and everything ugly and beautiful about it, and how being on the force, and with the one she cares about most no less, shapes her into an even more effective problem solver.

So when could we see a sequel? Well, we may have to wait a while longer. While it’s very clear that the franchise isn’t dead, we’ve heard absolutely nothing official on a sequel, and current events at Disney Animation Studios are making it seem like we may have to wait more for one to come. The director and mastermind behind the film, Byron Howard, and the co-director and screenwriter, Jared Bush, are currently working on a musical film currently called Encanto which is set to release in November. Why did they do this instead of going straight for Zootopia 2? Rich Moore, the other head director, had to scramble back to work on Ralph Breaks The Internet after leaving it for a year and a half, and that pretty much left the team in pieces. Considering how much he seemed to want to be a part of the development of a sequel and how they said that they didn’t want to rush it, the other guys seem to have started Encanto to do something new while Rich was busy, and of course shake up their creative juices. However, Rich left the studio in 2019 to join Sony Animation, although he said he left the studio in good hands, and I certainly hope that’s true. Considering that Disney tends to announce films around two years before release, and also tends to have directors work on films released two years apart, 2023 seems like a likely release year, but 2024 would work better for getting a bit more development time into it, get some test screening done and to iron out any possible issues. 

That said, the extra year may not be totally necessary. Considering how well developed the first film’s world and characters were, and how much they conceptualized during its production, I don’t think they’ll have to conceptualize quite as hard, and most of what they’ll have to create from scratch will be storylines, themes, character development, and brand new characters, as well as possibly a few districts and species designs. But again, there was so much that they have already made that they just need to show us, as well as so many concepts to fall back on with developing brand new content that even in the conceptual stage that it may have be in they’ll have a relatively easy time coming up with incredible new content; unlike Frozen II & Ralph Breaks the Internet where they had to make up totally new locations, concepts, and everything in between. I’m of the opinion that with all the time that it’s likely been in partial production that the relatively little new stuff that they've had to come up with has probably already been quite refined, and by the time Encanto is done, they may well have something extremely robust and just need to refine it, and then make models and animate it, and give us Disney Animation's best sequel ever. But then again, that extra year may be good for it. But then again, I'm not a filmmaker, so I don't know crap.

And after that, we could end up getting a TV series with further adventures of Nick and Judy, and also flesh out the world even more by showing us districts, criminal groups, precincts, and all manner of other things. Perhaps it could be a police procedural with our leads taking on whatever the city has to offer as well as de  showing off more about them and other characters than the films could, and also potentially be a bit of a Segway into the next film (why yes, I think a Zootopia trilogy could be amazing). Thankfully the majority of the cast is made up of accomplished TV actors, so they’ll probably be able to get almost everyone back (but I am hoping for Jason Bateman the most since he IS Nick Wilde and no one can replace him (the same applies to Ginnifer Goodwin with Judy to a very slightly lesser extent)). My hope is that it'll be a D+ original, and thus have an extra good budget that'll hopefully bring in a great cast, and excellent animation and writing.

But anyway, thanks for reading! I hope you all enjoyed my ideas. Was there anything you'd like to add, or anything you didn't quite agree with (or any mistakes I didn't notice while proofreading)? Well then please do discuss them. Until next time, may your battles be won and your day be blessed, and may you be excellent to all those you meet! 

#zootopia #zootopia 2 #nick wilde #judy hopps #clawhauser #benjamin clawhauser #finnick #chief bogo #film speculation #film theorizing #disney #disney animation #walt disney animation #wdas #movie essay #wildehopps