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soleilnomoon · 1 year

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⋆.ೃ࿔*:･titled — “lady(bug) killer.”

9k words (shh i know i know), fem reader, nsfw, 18+ mdni; angst city, there’s fluff somewhere somehow i think, smut obviously; shanks is a bully and an ass but that’s why we love him, reader has no self-preservation (when has she ever lbr); feat. cute stuff like making out, alcohol, some smoking, oral (f receiving), biting, reader being shameless; shanks is mean when he’s jealous and reader is equally as ridiculous, also benn beckman, yasopp, and lucky roux make a tiny cameo. anyway this was 1000% self-indulgent, but idc.

this is for @strawhatsoraya, and even though it’s *calculates* 7? months late ૮꒰ ˶• ༝ •˶꒱ა ♡ lmaooo i finished bb, a labor of love for u because i’m absurd and u enable me. don’t blame me for nothin, i did what i could!!! (if u see typos/grammatical errors no u didn’t.)

DELUSION X IS X INEVITABLE

the seas are not, and never have been, kind — nor are they patient. weakness is rarely tolerated, so to combat that, to give yourself some semblance of strength, you tell yourself stories in the hopes of extracting a bit of courage. there’s one in particular that you like to tell yourself when things get to be a little too much.

it’s about the impossible love between the sun and the moon — the two seemingly trapped in an endless cycle of cat and mouse, chasing one another across the skies for eternity.

golden-hued, dazzling, brilliant; a deity above all others with a kingdom as expansive as its reach — grand and all encompassing. the sun is a powerful, overwhelming force of nature, able to disrupt the earth as he sees fit, his heat infiltrating any crevice it can find with each new day. the stars serve as reluctant guides, leaving behind crumbs for the sun to follow. they’re much too quick, twinkle out of sight, and the moon is nowhere to be seen. she’s a shadow, a mirage, an entity that’s completely out of the sun’s reach no matter what he does.

the moon, in contrast, is serene when in rest, shimmering proudly in the dark sky — illuminating the seas for wayward sailors, dreams, and the like. calm, the epitome of grace, yet unyielding; forever dictating the tides as she sees fit. there’s a sharpness to her beauty; it’s cold and unapproachable — a single rare flower that blooms nightly in the sky, her spores a sweet poison that serves to ensnare unsuspecting stargazers, adding yet another devoted follower to her massive collection. a hopeless romantic deep down, admiring the blazing trail that the sun leaves behind. fear forces the moon to hesitate, never to embrace the sun’s brilliance and warmth.

despite being the biggest star hanging in the sky, the sun remains out of the moon’s reach; and despite priding herself on her uncanny ability to pluck the truth from anyone, she conveniently evades revealing her own dark truths.

the ocean is a reluctant playground, her mirror of truth; if the moon looks hard enough, she can see the golden light from the sun touching the water. if she hangs back, then maybe she might be able to grab onto some of that warmth. she’s always so cold. it’s evident in how she approaches life. her rage is frigid, hidden, forbidden from ever coming out; a stated beauty from afar, breathtaking and life changing up close.

everyone is too afraid to approach her; no one wants to risk her wrath — except the sun.

where the sun chases away his own shadows, the moon welcomes them. there’s poetry in the dance they do; a ballet in several parts — steps light and well-rehearsed, as the stars play a sweet, melancholic melody. it’s indescribable; a work of art fit to inspire the masses.

ascending along the expansive sky, the sun begins his rhythmic march, reveling in the sparkling remnants of light that moon has left behind. it’s always been said that the sun lusts after the moon, but it’s not quite as simple as that. the moon leads the dance — measured, practiced, perfect; while the sun clumsily follows along, sure-footed, and honest. a never-ending cycle of what ifs and maybes; a love affair that is in a deadly, hypnotic loop.

yours is a story about love, about life, and about losing bits of yourself in someone else.

shanks has always been fond of the sun, of its power, its size, and its impact on life; he’s always reached his arms out every morning, soaking up as much of the warmth and heat as he can, forever rejuvenated by its light. you have always favored the moon — its eerie silence, the way life seems to hold its breath for it, how you can gaze at it without consequence.

both of you are fueled by the whims of their love — the former a frenetic storm, hounding islands and ships, dangerous when provoked; the latter a frozen lake, one step and the ice cracks on the shallow surface, pulling bright-eyed victims deep under, freezing them from head to toe.

in stories of antiquity, the two never truly meet, but somehow in this story, you and shanks experience what may be considered the most difficult sort of love to bear. potentially ill-fated and destined to fail, you delude yourself into thinking that you can have the entirety of his heart and not suffer any consequences. there’s no greater love than the one you desperately want to attain and can’t; it’s an addicting cycle that neither of you want to break.

PASSION X NOT X PAIN

from your father you learn obstinance; it’s carefully woven into your daily routines, each stitch tighter than the last, the thread unbelievably strong even as it’s pulled taut underneath your skin. by the time it reaches your bones, you’re already well into adulthood, fragility and naivety carelessly discarded, the remains intentionally desiccated, crumbling underneath your feet as you navigate through life. a never-ending labyrinth of torment and desire, a hunger for the unknown gnawing continuously in the pit of your stomach.

from your mother you learn humility; a tradition, she tells you, but adds as an afterthought: an eternal obligation. it sits on your shoulders, weighing you down, making you question every decision and thought. you never say what you truly mean, never ask for the things you want; resentment lines the crevices of your teeth, dictating your tone and choice of words. your tongue a maestro, pushing out each phrase with purpose; every word pinpricks your skin — a dull, cumbersome pain chipping away at your sanity.

you become obsessed with spontaneity, rejecting routines, and deviating from the norm. they can never keep you indoors long enough; you’re usually climbing something, running somewhere — enticed by the possibility of adventure. you leave your hometown to travel across the grand line, staying on various islands for months at a time — to learn about regional dishes and cultivate your skills.

your heart, unfortunately, has always been a flighty thing — falling in and out of love, leading you down a treacherous path, one that leaves a deep scar you can’t seem to heal no matter what you do. still, you fortify yourself any way you can; it’s not permanent, but it does the job somewhat effectively.

like clockwork, you find yourself in the middle of a busy street, perusing the market. you look over a round, shiny apple before buying a few to take home. unbeknownst to you, your day will quickly derail, bringing about impossibly rash decisions on your part.

as usual, it takes forever to dock the ship; he doesn’t even bother yelling t the new recruits, because he’s trying to ignore the hangover that’s kicking his ass right now. yasopp is cackling off to his right, tears flowing freely as he recants drunken tales from last night. he’d love to join his friend in all that revelry, but there’s a pounding in his head that won’t quite go away.

shanks downs another cool glass of water before loudly announcing that they need to find provisions before heading to their next destination.

the island isn’t hard to navigate, so they wander until they reach the lively town. it’s when you’re fussing with a vendor over the outrageous price for a small bottle of seasoning, that shanks notices you for the first time. as someone who takes pride in swallowing a great deal of pain without complaint, he’s finding it very difficult to not rub his chest — to somehow calm down that foolish heart of his.

it’s doing things it’s never done before; beating much too loudly, making his thoughts scatter around — it’s bothersome and he doubts he has time to deal with it. he almost voices that very sentiment out loud, but is distracted by your smile, which makes him take another step forward. then you’re laughing, another ordeal for him to suffer through — your voice melodic and hypnotizing.

shanks rubs his eyes repeatedly, blinking away any residual fatigue; surely it’s the fault of the bourbon they drank, because he must be dreaming. it wouldn’t be the first time he’s mistaken a dream for reality, although this strangely feels real to him. he’s not sure if it’s the shape of your jaw, or the roundness of your cheeks, but there’s something wholly familiar about you. he frowns at that, brings his hand to his chest to rub the ache away. it’s beckman who catches up with him first, dark eyes landing on shanks for a moment before following his line of sight.

throat dry, head a little fuzzy, shanks asks, “do you see her?”

the question is absurd, but he has to know; and even though it takes a moment, beckman finally answers him. “yes,” he says, voice low but certain, “she’s real, captain.”

he has no need to shop for vegetables, but winds up at the same stall as you. if he wasn’t so damn obvious, you probably wouldn’t have said anything — except, he’s crowding your space a little too much; but when you turn to tell him off, you hesitate. there’s no reason for him to be that tall, no reason for his ruggedness to add to his overall attractiveness — enough to incite irritation, that makes your face burn and siphons all your logic. his voice is doubly offensive — deep, husky, and gravelly, touching parts of you that you don’t want to think about.

what starts as a friendly conversation — of him asking about local cuisine, of you giving him recommendations on dishes to try — somehow morphs into shanks teasing you as if he’s known you for much longer than ten minutes. you’re not normally this social, preferring to keep to your own so that you won’t be bothered by people in general. the townspeople are more than friendly, and a little too overwhelming to be around; yet you don’t mind talking to him and find that it’s nearly impossible to pull yourself away.

fear — of vulnerability and intimacy — threads itself around your fingers, makes your hands shake as you hold onto your bags.

eventually, you give in and grace him with your name. he says it a few times, mostly to himself and you dislike the way you stand there, listening to him — caught in a thick net, completely unaware that the fortress you’ve built over the years has completely fallen apart. a terrifying feat, you think; one that makes you want to run until your legs give out. intrigued by your stubbornness and insatiable curiosity, shanks decides to stay on the island a little longer. his crew doesn’t mind, they like the break. yasopp tries to pry for more information, but shanks simply says he wants to relax for a bit.

it doesn’t take long for them to chisel away at your reluctance, a friendship that buds and transforms quickly. against your better judgment, you grow fond of them — with their rowdiness and frank manner of speech, with their crude jokes and ability to turn any gathering into a large party. adventurers and treasure fiends, a group with monstrous strength, not the sort of people your parents would’ve expected you to hang around.

and maybe that’s why you hardly resist their charm — or, his charm, you should say. because that’s what it really is, much to your disapproval.

you offer to cook for them one night, and after the first bite shanks asks you to join his crew. your initial refusal is met with a frown on his part; he insists that you join them — one can never have too many chefs on board, and lucky roux has already taken a liking to you. still, you refuse; and when shanks asks you the following morning, you refuse again.

there’s no real reason why you keep saying no. it’s mostly because you like seeing how frustrated he gets, where he huffs about it all damn day, claiming you’ve broken his heart for the fiftieth time that week. the best part is how his crew mates make fun of him for being rejected by you again.

he takes it all in stride, though — laughing along with everyone else, ordering another round of drinks. as wary as the townspeople were by shanks’ presence initially, they’ve come to appreciate his generous patronage. it’s not often that pirates settle in a specific area for longer than a few days, but shanks is determined not to leave without you. he’s not exactly sure why he feels compelled to take you along, and while a few of his crew mates have some sound theories as to why that is, he ignores them completely.

it's beckman who manages to convince you after eating a third lemon square; he’s impressed by your talent for creating delicate and delicious pastries, even more so by the fact that shanks to enjoy eating them more than he should.

“he doesn’t really care for sweets,” beckman says carefully, sipping his tea slowly, enjoying the warmth wafting from the hot drink.

you know better than to ask, but the question rolls off your tongue anyway. “who doesn’t?” you feign ignorance, fuss with a stray curl, tugging and playing with it while he eyes you critically.

the vice-captain reminds you that you can only travel so far along the grand line alone; and he’s right, you came to terms with that a while ago. it’s an opportunity for adventure, and a chance to hone your skills.

“fine,” you say, while crossing your arms, leaning forward on your chair. “how much?” not that you really care about the money, but they’re pirates — notorious ones, at that — you won’t risk your life sailing with them if the reward isn’t worth it.

a small smile works its way onto his lips as he motions for you to scoot closer. you oblige without hesitation but end up hopping out of your seat when he whispers the amount in your ear.

“that’s a lot of fucking money.” you almost don’t believe it, but beckman isn’t the childish sort, nor does he lie for the sake of lying. you swallow hard and don’t bother acting coy. “when do we leave?” it’s not exactly the sort of job you’d place on a resume, but you can’t say you aren’t excited to traverse across the ocean.

shanks offers more gold than necessary, but you’re not one to complain, nor do you care about bleeding a pirate dry of his stolen treasure. he decides to spend one final night on the island, so naturally his crew throws a large feast in celebration. you doubt you’ll ever get tired of their impromptu parties, or the raucous way they laugh and sing, voices carrying out into the sleepy streets. the energy is addictive and hard to escape; you soak it all up, allow it to loosen your bones. you laugh and drink with the others but keep your distance from a certain red-haired captain. you’re not sure how to be around him, especially now that you’ve accepted his invitation after fighting him for so long about it.

it’s completely by chance that you spot shanks near the bonfire; you think you’re being subtle when you watch him from afar, admiring the way his throat bobs when he tilts his head back to down a full glass of liquor. the fire emits a deep glow, one that extracts a memory from the back of your mind — oranges and yellows draping over him, an enigma that will always remain out of your reach no matter how hard you try.

the truth of it sits on your tongue — raw and distressing — so you down a shot of whiskey and maneuver through the crowd of people to find a place to sit and rest.

yassop and lucky roux tease shanks mercilessly throughout the day, so much that he ends up smoking more than he means to. a light haze clouds his rationality, and he mumbles under his breath, which only makes them laugh louder, pointing out his plight for all to hear. no matter how much he denies it, or how much he tells them that they’re full of shit, the story remains the same: boss has fallen in love. it’s annoying, to say the least. just because he feels calmer whenever you’re around, and just because his heart continues to beat louder — heavy, relentless, and unsettling — doesn’t mean that he’s fallen in love with you.

if anything, it means he needs to get off this damn island quickly. “it’s probably something in the water,” he tells himself. no need to stay long enough to carry it with him elsewhere.

a few hours later, nearly everyone is passed out, either from drinking or eating or both — and shanks, unfortunately, can’t seem to sleep. neither can you. he finds you walking alone on the beach, sandals in hand, humming something soft and familiar. before he can even make his presence known, you look over at him and a smile tugs on your lips. you’re not sure what compels you, but the sight of him standing there, watching you like you’re some sight to behold — and if anyone asked him at that exact moment, he would say that yes, you are — invites a small warmth to circle around your chest. an irresistible flame that grows hotter the closer he gets.

OBSESSED X & X IRRITABLE

what starts as subtle flirting rife with teasing jokes and lingering touches, turns into something frighteningly intense. shanks routinely teases you in front of everyone, and while you’re embarrassed by it sometimes, you actually like it. there’s a push and pull, where you also have him backed into a corner that he can’t escape from with his sanity intact.

shanks starts being more bold when he touches you, kissing you randomly in hallways when no one’s looking, his hand roaming down to your ass and squeezing it playfully. the rush makes everything worth it; he likes the way you push him away, and you like the way he chases you. if he knew that you’d fallen in love some time ago, he’d never let you live it down. his touches make your skin hot and your head fuzzy, leaving you light-headed and wanting for more. after a few months, though, he’s still given you no indication on whether this is a casual thing or something more.

you’re too afraid to ask at this point, always losing your nerve when he sweet talks you late at night. you swallow back your questions, but they pile up eventually, until you can’t take it anymore. after that stunt he pulled in that pub, he drunkenly tells yasopp to make up a shirt for you that says “angry when wet” on the front. your face burns, both in anger and in embarrassment when you receive the gift, and shanks laughs loudly when you throw the shirt at his face. he confesses that he forgot he even asked for yasopp to do that, which only makes him laugh harder.

in a fit of fury, you tell shanks that you refuse to have sex with him and that he has to keep his hands to himself. for a month, at least. he figures you’re all talk and only agrees to it because you’re so determined and cute when you’re angry like that. when the others find out about the ban, they ridicule their captain mercilessly. he tries to act unaffected, but something about the way you insist on seeing this ban through rubs him the wrong way.

it’s been twenty-two — no, twenty-three — days, and you’re barely keeping it together. shanks thinks it’s hilarious that you believe he’ll cave before you do; and you’re determined to make him suffer. now granted, you are to blame for the predicament you found yourself in just a month prior — even now, you still suffer from that embarrassment — when shanks fucked you in the back of that dingy pub.

they’ve all taken to calling you ladybug — bug, for short; something shanks thought up in the moment, spurned by yasopp’s laughter at the matter. and despite fighting against it initially, the nickname grows on you. shanks appears every bit as unaffected as he always does, still flirting with you whenever he can, but respecting your wishes all the same. regardless of that, he still finds ways to get under your skin. it’s your hope that holding out will make shanks realize that he wants you in a deeper way than just physical intimacy.

you should just let him go and move on, but you can’t. he always pulls you back, always finds a way to make you smile — the warmth from his presence is enough to burn you alive most days — and you find yourself wrapped up in him without realizing. incidentally, shanks also can’t let you go, and never intends to anyway. he’s a selfish creature by nature, not cognizant enough to recognize his own role in that.

on a sleepy morning, you take your time and carefully bake pastries for the crew. last night you promised them something tasty and sweet — your specialty, really — and they’ve given you room to work without interruption. as a chef for the red-hair pirates, you take pride in your work; in feeding the crew, in ensuring that they eat well-balanced meals that give them strength and energy. shanks has always been in awe of your talent — your hands are delicate and exact, skilled laborers that make brilliant works of art whenever you’re in the kitchen.

you’re humming a nameless tune to yourself, cutting up strawberries neatly, as another person silently invades your small sanctuary. while you wash your hands in the sink, shanks approaches you and a sudden awareness makes you freeze. his body barely touches yours, but he reaches over you to crab a cup out of the cabinet above your head. given the difference in your height, it always seems like he’s crowding you without trying. although in this instance, he’s intentionally doing so.

a groan rolls out of your mouth, frustration eating away at the remainder of your patience. you’ve been giving him short answers lately, barely looking at him — although, that isn’t exactly true; you’ve stolen more glances than you can count over the past month — so whenever he can, he finds ways to tease you mercilessly.

“oops,” his hand lowers so he can rinse out the cup, “didn’t mean to interrupt you, doll.”

teeth sinking into your bottom lip, you count to ten, breathe out of your nose and smile tightly. “uh huh,” his body is still much too close for your liking, “just make it fast.”

a sly grin, one that you can’t see, drifts onto his lips. “you know i can never turn down a quick fuck.”

you slap his hand, make him drop the cup into the sink, and spin around to face him. your face burns painfully, the flush a permanent fixture now that he’s moved on from light teasing, to full out being insufferable around you. “shanks, enough.” you shove his chest, much to his amusement, his eyes gleaming with mischief, but you can’t exactly look at him properly, can you? and when you manage to get over a bit of your embarrassment, manage to look up at him through your thick, dark lashes, you struck by his stupidly handsome face. despite his rugged exterior, you know there’s a gentleness that periodically comes out when the two of you are together.

an unexpected ache plagues your chest and you ignore it; but you miss touching his scars, miss kissing him and being kissed by him. he already smells like smoke and bourbon, a scent that you’ve come to covet over the past few weeks.

belatedly, shanks realizes that he miscalculated; your beauty still takes his breath away, especially when you’re this close to him. his eyes drift along your soft, round features, linger on your plump lips — where he’s suddenly overcome with the desire to trace your cupid’s bow with his fingers — and stare a little too hard at your neck that’s been blemish free for a while. a shame, really, as he likes when your neck shows proof of his affection for you. if he’s not careful, he’ll get sucked back into your orbit; as always, your brown eyes — intense, unyielding, a fusion of dulce de leche and tree bark — keep him rooted in place. your dark, curly hair continues to remind him of a storm that he desperately wants to navigate alone.

caught in a daze, he almost forgets that you’re mad at him, until you roll your eyes and push past him. he watches you languidly, completely smitten with you all over again, eyes transfixed on your retreating form — round ass and thick, curvy hips captivating him entirely.

you stomp away and leave the pastries to their own devices, reeling over the fact that shanks had the audacity to say that to you. but as you keep walking, the brisk morning air whipping around you, you realize you’re not upset because he said it. you’re upset because he didn’t actually try to fuck you in the kitchen.

a shame, you know, but you can’t help the thought.

it’s becoming more and more apparent now that you might be the only one suffering from this ban. you decide you need a better plan, one that is strong enough to withstand shanks’ careless attitude, one that might just push him to the edge.

a childish impulse strikes you, and you opt to give him the silent treatment, which only further amuses him. he watches you lazily, grinning each time you turn your nose up and stomp past him. you make it so easy he doesn’t even have to try riling you up. you ignoring him isn’t much of a big deal — so he tells himself — but when he sees just how friendly the crew is with you, something sinister builds inside the pit of his abdomen and works its way up to his chest. when you head back to finish working in the kitchen, he tells his crew that he’s implementing a new rule.

“no one,” he says, after gathering everyone else, surveying his crew mates critically, eyes particularly landing on yasopp and benn beckman, “touches ladybug. understood?”

they all agree, although beckman, lucky roux, and yasopp pull him aside to ask what this new rule is all about. shanks being shanks, playfully waves them off and starts drinking instead. beckman exchanges wary glances with the others, but they don’t push the issue. every time you try to get closer to someone — whether it’s a crew mate, or an overly friendly resident of a sea faring town — he finds a way to sabotage, laughing as you eye him angrily, hands balled into small fists, which only makes him laugh more.

THREE’S X A X CROWD

part of your duties is to accompany the crew as they go into town to scope out any local fruits and vegetables that you want to try. you like talking with the townspeople, like getting their insight on their regional dishes. you just live for the thrill of creating new, exciting meals and want your crew mates to feel the love that you pour into everything you make for them.

on a particular island, the ship is docked far enough away to not attract too much attention. there aren’t any major navy bases nearby, but one can’t be too careful in the new world, can they? there’s a festival in town, one that they keep advertising for. you catch wind and want to go, but shanks decrees that only a portion of the crew is allowed to disembark, while the others stand by on the ship. too many pirates traversing through the island will set off alarms; thankfully, the island is partial to the patronage of pirates, so they aren’t too upset that shanks’ crew has docked there.

somehow, you’re part of the group designated to stay on the ship, much to your annoyance. you try to plead with beckman, even go as far as pouting your lips, but he doesn’t budge. “captain’s orders,” which seems to be the norm these days. and when he sees the way your shoulders drop, he says, a little quietly, “sorry bug.” you know they’re just going to drink and act foolish on land, so you wait and take your time dressing up. you have an actual reason for wanting to go into town; you need ingredients and don’t trust the others to shop properly for you, so you take matters into your own hands.

no one dares to stop you as you make your way off the ship; you tell the others you’ll be right back, and of course they believe you — why would you lie to them?

and you’re not lying, per se, you do want to get ingredients — although that isn’t your primary focus at the moment.

the festival is loud and seemingly merry with alcohol and food everywhere. thankfully the music makes the shitty alcohol taste better. shanks sits at a large table with the others, drinking, smoking, laughing as various people fawn over him and feed him cut up pieces of fruit. flirtatious by nature, he doesn’t even blink when they allow their delicate fingers to linger on his lips, or when they whisper things in his ear, or when they take turns to perch themselves on his lap.

for some reason, despite knowing that he should, he isn’t exactly stopping their advances.

guilt eats away at his crew mates at the sight of shanks on his usual path of self-destruction; yasopp tries to get him to see reason, beckman too, but he waves them off, saying he can do as he pleases. which only tells him that he’s still annoyed about you not talking to him properly these days. and, despite him not openly saying it, he’s suffering too.

you have fun watching the fireworks for a while, mesmerized by the loud explosions of color decorating the sky; before long, you find yourself in the middle of all the festivities, humming to yourself as you scope out the stalls. you get swept up into a small crowd of people and get turned around when you slip away. as you try to catch your bearings, you hear a familiar laugh and, on instinct, follow the sound of his voice.

while standing off to the side, you watch shanks and the others, heart beating far too loud for comfort. your hands ball into fists all over again, and you sink your nails into your palms when another woman drapes herself over shanks, giddy and tipsy, blushing every time he smiles her way. you know he’s just doing this because he’s pissed off at you, and rather than get sad, you decide to head to the pub and drink.

three drinks later, you saunter back out into the night and join the festival. you enjoy the way the music thrums underneath your skin, the beat thumping in your veins; a cool breeze travels nearby, making you feel light-headed. you forgot how freeing it is to be on your own — without a group of people to worry about, and a selfish captain who tramples over your heart and feelings repeatedly with his blasé attitude. maybe it would be better to just leave? but, the more you think about it, the more your head hurts, so you decide you’d rather enjoy yourself for a bit before heading back to the ship.

the alcohol makes you bolder than usual, and you’re all smiles with flushed cheeks when the vice-captain runs into you on his way to get more food. an incredibly foolish, petty idea crawls into your mind — it barely sits long enough before you act impulsively again.

“what are you doing here, bug?”

you simply shrug, as if you’ve embarked on an innocent expedition and didn’t expect to see him. beckman doesn’t buy the act one bit and pulls you into a nearby alley to talk with you privately. sighing loudly, he fixes you with a steely glare. “you’re suppose to be on the ship,” he says carefully, “d’you know how much trouble you’ll be in if shanks sees you here?” there’s no reason for him to tell you that, but you can’t fault him for trying to be nice. still, the idea of shanks thinking he can just dictate how you live your life, pushes you closer to the edge with your sanity barely intact.

and before you can stop yourself, you blurt out, “i am not a child,” you say angrily; your annoyance has reached the point of no return, so you let the irritation flow freely and allow it to fuel your pettiness. beckman pauses for a moment before chuckling darkly, shaking his head at your antics. from the determination on your face, and the way you don’t seem to want to budge on the issue, he can understand why shanks is so smitten with you — in fact, everyone on their crew understands — so he relents.

“fine, i’ll accompany you, then.”

you hadn’t expected him to offer, and you feel the tension leave your body slowly. maybe you were overreacting a bit, and maybe you just need to relax and enjoy the night like everyone else. you visit several stalls and shop around for a bit; you like the vice-captain’s company as he doesn’t say much, nor does he complain when you make him try various sweets to see which ones you should recreate. and while you might not intend to, you can’t help but flirt with him a little — touching his arm, laughing at his dry humor, standing much closer than necessary. beckman knows what you’re doing, but he doesn’t stop you; maybe shanks will get his act together if he thinks he has competition. you doubt he will, but it’s always worth a try, right?

DIAMOND X IN THE X ROUGH

after a while, the merriment feels stale; shanks’ laughter is hollow, forced, and unbecoming. and while on the surface it looks like he’s soaking up all the attention that’s being given to him, he’s not happy about it at all. a small frown works its way onto his lips as he tries to work out the cause of his unhappiness, completely ignoring his role in all of this. he’s not sure what’s missing — or, rather, he’s sure, but he just doesn’t want to say it out loud. that would make it real, and while he doesn’t want to make a habit out of it, shanks has been lying to himself for some time now. he knows that if he’d let you come with them, he’d be having much more fun — that thought alone makes him reconsider how he’s handled everything between you two.

the universe, it seems, has a cruel sense of humor. as his thoughts continue to berate him, he spots you walking with beckman. he narrows his eyes at you both but offers a smile — one that doesn’t quite reach his eyes — once you approach the table.

jaw clenched, shanks manages to greet you without fail. “hey there, lovebug.” there’s tension in his shoulders, and that amiable demeanor of his is shed, which makes the women near him a little reluctant as they squirm awkwardly in their seats. “thought i told you to stay on the ship,” he says lightly, as if this is the most casual conversation in the world. beckman sighs, knowing that shanks will most likely read into the situation incorrectly; but before he can explain himself, he sits back down in his seat and pours himself a drink.

“you don’t own me,” you say with a slight huff, glancing over at shanks from the corners of your eyes, “i’m allowed to go where i please.”

shanks almost laughs at that, but keeps it inside; he wants to tell you that you’re wrong, but he knows that this isn’t the right time or place for that sort of discussion. lucky roux offers to make some room for you, but you smile sweetly and announce that there’s no need. they all look at you, confused and a little intrigued, and before lucky roux insists again, you say, “i have a seat already.”

without warning, you gently perch your round ass on top of beckman’s lap, effectively silencing the group around you. it suddenly feels as if time has slowed down for shanks, who shifts in his chair as he watches you and beckman.

the vice-captain sighs again and playfully pinches your side, a move that does not go unnoticed by shanks, of course. you let out a small shriek, cheeks burning, and swat his hand before scooting up higher on his lap. the move alone nearly sends shanks and beckman into an early grave, for different reasons, obviously. meanwhile you’re smiling like a cat — mischievous and proud, as if you’ve cornered your prey and you’re ready to pounce.

you look so damn smug and shanks wants to fuck your mouth for all of that insolence.

beckman holds onto your hip as you cross your legs, revealing the deep slit in your skirt. your legs are on display, catching the eyes of everyone at the table and the random party goers passing by. shanks clenches his jaw so tightly, it’s a miracle he hasn’t cracked his teeth. he knows that you’re provoking him into acting out, and while he doesn’t want to feed into it, his jealousy knows no bounds right now. especially since he knows you’re not wearing any panties — it’s why you chose that particular skirt.

you really only wanted to tease shanks a little, so you’re on cloud-nine when you notice how bothered he is over your little act.

it takes an inordinate amount of strength, on shanks’ part, to not split beckman’s face in two for his complicit behavior. he’s being unfair, he knows that — but he doesn’t really care. yasopp and lucky roux try to diffuse the situation with lighthearted banter and jokes — they also tell their guests to leave, because knowing shanks this might not end well.

beckman leans forward, lips ghosting along the shell of your ear, making your body warmer than necessary. “settle down, bug, we don’t want to cause a scene, do we?” you shake your head at that and swallow back whatever complaints you want to say when you see the hardened look on shanks’ face. you’ve only ever seen him that serious when his anger reaches a certain point — so you know you’ve fucked up pretty badly. you have the decency to act ashamed as you slide off beckman’s lap and grab your bags. you should probably say something to shanks, but you don’t bother looking back at him and instead head back to the ship.

you’re absolutely furious right now and so is shanks.

beckman rubs the back of his neck before leaning forward. “i told you, captain,” he keeps his tone friendly, yet firm, “if you’re not careful, one of us will take bug away.” at that, shanks casts a sharp glance at the other crew members seated at the table — the intensity behind his gaze forces them to turn away and look at other things. shanks motions for one of them to slide the bottle of vodka his way, and beckman groans audibly.

“not again, shanks, let—”

as shanks isn’t in a negotiating mood, he cuts his first mate off quickly — maliciously, even — with venom sifting along his tongue, the layer thick enough he almost chokes on it. his voice is much too hoarse, but he spits out, “drink.”

it’s not a game that the red-hair pirates ever like to play with shanks, and he knows it; which is why he keeps insisting, and why his best friend keeps refusing. shanks’ anger reaches a tipping point; it transforms into a fire that steadily burns along the back of his neck, hot enough to make impulsive thoughts gather around him. the idea of extinguishing it never crosses his mind, although he knows that eventually he’ll need to face it head-on. and as he grips the bottle of alcohol tightly, a sharp moment of clarity hits him.

it’s by chance that he swallows it back, not wanting to make this even messier than it already is.

beckman shifts in his seat, a disapproving frown settling comfortably on his face. “it won’t be fair, i’m practically drunk already.”

“spare me the bullshit,” shanks says with a smile that serves as a small warning; he places a glass in front of beckman. “drink.” beckman pinches the space bridge of his nose and exhales a bit of his irritation. but when he picks up the glass, he recoils from the strong scent.

“this is practically rubbing alcohol.”

shanks only hums while shrugging lazily, before knocking back the drink; the burn revitalizes him, the pain reminds him that he’s alive. in a game of endurance, shanks always comes out on top. so it’s no wonder that beckman taps out after two shots.

“i value my liver, unlike you.”

this time, shanks’ laughter is genuine; he hops out of his chair and claps a hand on beckman’s back. “you’re forgiven,” he says when he leans down. as an afterthought, he adds, “this time.”

you’ve done a good job derailing his night — not that he can really blame you, he was being absolutely shameless in the worse way — so he’s decided he’s had enough. somehow, he’s rationalized that you’re the only childish and ridiculous person in this situation because he intends on stamping that attitude out.

SUN X STARS X MOON

you peruse shanks’ room while sipping from the bottle of rum you found. although you count tonight as a small victory against shanks, you didn’t think he’d get that mad. was all the teasing worth it, in the end? you leave the rum on the nightstand before climbing onto his bed and enjoy the softness of the mattress. maybe you overreacted, or maybe it’s all his fault. the guilt sits with you, until shanks enters his room.

“the hell are you doing back so soon?”

it’s not a proper greeting in the least, but you’re not exactly ready to deal with him just yet. but, since he’s already here, you might as well have it out. shanks closes the door and leans against it, partially obscured in the shadows as the moon bathes you in its light through the window.

“in case you’ve forgotten, this is my room and that’s my bed that you’re lounging comfortably on.”

he’s got you there. you roll your eyes in response, which draws out a chuckle from him once he pushes away from the door and goes to sit near you on the bed.

your emotions swell inside of you and become too heavy for you to keep hidden. “fine, whatever, i’ll leave.” you hop off the bed but then turn around. “you’re an asshole, you know that? you string me along for months and then anytime anyone else wants to talk to me you suddenly intervene.” the words tumble out of your mouth fluidly, you’re surprised your tongue could keep up. blinking back tears — because you refuse let him see you this vulnerable. “you piss me off so much, i… can’t do this anymore.”

it’s the first time that you’ve properly articulated how you’ve felt about this whole stupid situation. you feel a bit lighter but then sense of dread overcomes you, gnaws at your stomach — twisting and creating knots that make you want to run away forever. shanks takes a moment and mulls over your words, but his long silence is all the confirmation you need. you’re halfway to the door when he calls out to you.

“wait, come here.”

against your better judgment, you turn around and head back to his side. he sits on the edge of the bed, pulls you in between his legs, and warms an arm around you. “i hear you, bug, i really do.”

this is the first time he’s ever willingly said anything to make him vulnerable like that, so you relent, soften in his hold, allow your shattered heart to repair itself piece by piece. you wrap your arms around his neck and kiss him softly. he’s normally much hastier with you — being a pirate captain, he barely has time to himself, so whenever he does get a moment to touch you, he’s always in a rush.

but tonight — the moon full and pink, hanging heavy in the sky, stars shimmering brilliantly around it — he opts to slow down. shanks takes his time memorizing the shape of your lips, tongue gently caressing yours as you sigh against his lips. he kisses you like he has all the time in the world, like he’s afraid you’ll leave him if he doesn’t. you’re certainly in no hurry to finish anytime soon. by the time you’re done kissing, you’re a little breathless and can barely hold it together. shanks, unsurprisingly, is in a similar predicament, as his cock hasn’t given him a day of peace since your ban started.

but he decides to let go and mumbles, “thirty days is a long fucking time,” and you laugh, surprised at his words.

you climb onto the bed with him, laughing as he drops playful kisses along your neck, and straddle him once he lies down on his back. you rub your ass against his stiff length, forcing him to groan audibly. he’s always more vocal when he’s tipsy, and the rum has you feeling bolder as the minutes pass by. before you can do it again, shanks slaps your ass hard and you let out an involuntary shriek.

he laughs at you, laughs at the way you’re suddenly acting demure, as if you weren’t the one who started this. “i thought you didn’t want anyone to hear you?” he gives you a knowing look and a sly smile crawls onto his face. heat travels along your skin, making your cheeks burn in the worst way; you place a hand over his mouth on impulse.

“shut up, what is wrong with you?”

you hate the way you’re suddenly embarrassed about all of this. shanks, however, takes it all in stride, laughing behind your hand and mumbling something unintelligible against your palm. he knows he needs to act quickly before she makes him cum in his pants without trying. so when you pull your hand back, he says, “come on, put your pretty pussy on my mouth.” you stare at him wide-eyed, but he doesn’t relent. you mumble something about possibly being too heavy, which makes him laugh at your ridiculous excuse.

“how many times do i need to show you?” his strength, he means.

before he can do anything too rash, you pull your skirt up and position yourself over his face, pussy already slick with your arousal. shanks runs his tongue along your folds, slipping it inside to give you a firm lick; he takes his time to eat you out, his pace tortuous but electrifying. you can barely keep quiet and moan louder than you mean to as you shamelessly ride his face. holding onto the headboard, a whirlwind whips about inside of your lower abdomen as he slurps your pussy sloppily. he pulls you closer, and your arousal drips down his lips and onto his chin. your pussy is always so eager for him, so naturally he wants to treat her right.

you lose a bit of your sanity when his tongue slips inside your hole, thrusting in and out, your whimpers and moans circling around him — the best sort of lullaby he could ask for. he flicks his tongue against your clit and you buck your hips, feverishly grinding your pussy on his tongue. he likes it when you let go like this — when you’re uncaring and free. you place so many barriers in front of your own happiness, so he’s determined to knock them all down while he can. you know it’s reckless to give in to your inhibitions like this, to fly this closely to this personified version of the sun. although, you do feel a surge of power, seeing him underneath you like that, in between your thick thighs.

if shanks is apollo, then you are a nymph with ties to the moon and the sea.

it’s when shanks swirls his tongue around your clit, mercilessly stroking it, sending tiny jolts through your thighs, making you tremble above him. the orgasm is transformative — you have tears in your eyes as you whimper pathetically, your pussy puffy and sensitive; but he doesn’t care. he licks your arousal off his lips, thinking you look divine and goddess-like in the interim following your orgasm.

time slows for you both, and maybe you’re imaging it, but your heartbeat matches his once you climb off of him. of course, as usual, shanks is smug and proud of himself, but when you start taking off your clothes and tossing them onto the floor, he follows suit. pre-cum drips slowly from the tip of his cock, and when you rub your wet pussy up and down his length, you let out a breathy moan. shanks watches you with lowered eyes, inhaling sharply once you sink down onto his cock.

your pussy swallows his girth with a slow descent, and he’s losing whatever sliver of control he thinks he has over himself when it comes to you. when his cock hits a particular spot, you shudder and moan his name; he could cum from that alone, he realizes, and it shocks the hell out of him. in retaliation, shanks thrusts into you once, then twice, as you claw at his chest and cry out for more. your pace quickens as you bounce on his cock, thighs trembling as you try to keep strong; the orgasm weakened you, but rather than give in, you keep going, rolling your hips against him, hypnotizing him without completely meaning to. he won’t last much longer at this rate, which is completely your fault, he reasons.

you ride him as long as you can, before frowning and slowing down. shanks looks at you slyly, unable to stop teasing you. “need some help?”

it’s your pride that doesn’t want you to ask for help, but you know that if you don’t, shanks will edge you until you’re on your knees in tears. “please.” if he wasn’t already teetering on the edge, your desperation would make him tease you more. he rolls so that he’s on top of you and leans forward to place kisses along your jaw and neck, loving how smooth and soft your skin is. because he’s obnoxious, he sucks and bites, leaving behind bruising marks on your neck and chest. he’s burning you alive, but you want more.

you drape your leg over his shoulder, and he kisses the inside of your thigh before flicking his tongue against your skin, enjoying the way you squirm underneath him, your heart beating much too fast in your chest, making you think seemingly impossible things. shanks slips his cock back inside of you, burying it completely, letting out a shaky breath at the way your plush walls suffocate him. the angle makes you buck your hips off the bed; he laughs darkly at your enthusiasm, but doesn’t move. the frustration alone could kill you; you want him to fuck you hard enough to shake your doubts, to combat all the warmth that keeps sliding through the cracks around your heart.

he moves his hips at his own leisure, giving you broad, powerful strokes — hard enough, that his balls slap against you, pussy squelching as he powers into you repeatedly. you should be embarrassed from the sounds alone — your pussy is wet enough for him to drown, but thankfully he’s got enough stamina to handle it.

each time his cock sinks deeper into your pussy, he feels reborn; like the sea — tumultuous, dizzying, captivating, and greedy — you suck him back in each time he tries pulling out. eventually, you wrap your arms around your thighs and he feels like you’re squeezing the remnants of his soul out of him. shanks rocks his hips against yours, rough and determined, sweat gliding along his skin. when he moans your name, your heart expands faster than you thought it would. shanks keeps his hips closer to yours, giving you short, quick thrusts, fucking you to remind you that he has no intention of letting you go. his breath is warm against your skin and you kiss him again, giving him ardent, sloppy tongue kisses that do nothing to calm you down. he swallows your moans as another orgasm grips you by the throat and nearly claims your life.

your pussy clenches around him tightly, so he takes that as a challenge and fucks you harder, giving you brutal, punishing strokes — frenetic and dizzying, making your mind spin too fast for you to keep up.

“shanks, fuck, fuck, fuck.”

whatever else you say after that is lost on you, incoherent babbling that makes him laugh at you again. it’s out of adoration, you know it is, even if he won’t openly say it. shanks e works you through your orgasm, hips jerking against yours, before his own pushes him completely over the edge. after giving you a few lazy thrusts, he cums inside of you, messy but satisfying. shanks slows down and tries to catch his breath, as you push your curls away from your face. he doesn’t leave your side after he pulls out, instead he pulls you close to him, his hand rubbing up and down your back, his subsequent kisses intense and possessive.

you don’t exactly know what will happen tomorrow, but for now you’ll cherish this moment and commit it to memory. with everything that’s happened, he doesn’t want to see you in the arms of another, and you don’t want to keep pushing him away. you’re sure something’s shifted fundamentally between you two, especially when you lay on top of him and listen to the steady, powerful beats of his heart. you suppose you can give him a little leeway, but you won’t tell him that right away. there’s a warmth that cloaks itself all over you, keeping you moored to him for the rest of the night; he enjoys the silence that accompanies your presence, and decides that he’s going to keep you for as long as he can.

#it's finally done jfc #fic request #one piece imagine #one piece angst #one piece smut #one piece x reader #one piece x y/n #shanks angst #shanks smut #shanks x reader #shanks x y/n #*washes hands*#‘i can change him’ 🥴#no tf i can’t!!! am i kidding?!#also… beckman… ur day will come don’t worry

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genshinnrambles · 10 months

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[3.8] Technology as a False God: On "Evolution," the Duality of Machines, Replication, and Wisdom

“To recognize untruth as a condition of life: that is certainly to impugn the traditional ideas of value in a dangerous manner, and a philosophy which ventures to do so, has thereby alone placed itself beyond good and evil.” –Friedrich Nietzsche, Beyond Good and Evil

Before we move on to the nation of justice, I want to do one last inquiry into the narrative significance of machines and technology in Genshin’s 3.x patch cycle. Here, I’ll discuss how divinity (or “godhood”) and technology are treated as interchangeable tools to surpass fate and the boundaries of mortality, the potential problems with treating them this way, and propose an alternative relationship between humanity and technology as illustrated through Karkata, Benben, Tamimi, and Mehrak. By foregrounding machines, we learn something intriguing about ourselves and the “truth” of this world as we perceive it.

SPOILERS: All Sumeru Archon Quests, Caribert, the Golden Slumber and one out-of-context screenshot from Dual Evidence, the Dirge of Bilqis and its post-quests, Khvarena of Good and Evil, Nahida’s second Story Quest, Faruzan’s hangout, an out-of-context screenshot from Baizhu’s Story Quest, and major spoilers for Persona 5 strikers at the end. Also some dialogue from Shadows Amidst Snowstorms and A Parade of Providence, two limited-time events from 2.3 and 3.6 respectively.

Disclaimer: I have tried my best to write this post so that it stands on its own, but because it is still a sequel it will probably make the most sense with the context of part 1. Here are the previous posts leading up to this one:

Part 0: On Dreams, the Abyss, Forbidden Knowledge, and Wish Fulfillment

Part 1: The Uncanny, Fate and the Machine

Terminology: Machine is sometimes used interchangeably with “technology” in this post.

Technology or tool here is referring to technologies specifically used to pursue a wish like immortality in the face of existential dread, not the use of technology or medicine (which I do not address here, and is very difficult to separate from the former) to facilitate someone’s life who could otherwise not survive without that technology, or would have a more painful lived experience without it.

Also, though I don’t engage directly with “A Cyborg Manifesto” here, Donna Haraway’s ideas have greatly influenced my own over the years since I read her in college (although I mostly disagree with her on many points, or at least don’t go as far in boundary deconstruction as she does). I owe my interest in technology studies to her and that piece. Her essay is linked here and at the bottom if you would like to read it.

(and finally with many, many, many thanks to my boyfriend for multiple beta reads despite not having played a single Hoyoverse game, helping me work out the philosophy bits and contextualizing them in history, and encouraging me to finish this)

TL;DR: Machines are friends, not food!

No Matter the Cost

“...Perhaps it is as the notebook says, and we can find a power that transcends even that of the Abyss — the power of ‘evolution’...” -Records of Unknown Attribution (I) “Life, death... and the world around us all follow a set of laws... Hehe, but if you never test the limits, how can anyone know where the boundaries of these laws are?” -Baizhu Voicelines, Chat: Natural Laws “...Even the ominous thing that came down from the heavens shall be ours to use…” -Hyglacg, Shadowy Husk in the Chasm

Without a doubt, the star of this patch cycle is Khaenri’ah, which lurked in subtext and allegory in the Archon Quest, haunted Sumeru’s landscape with its massive defunct Ruin Golems, and finally smacked us in the face with its physical location in Khvarena of Good and Evil..

We already know that Khaenri’ah was a nation that put its faith not in the gods but rather in human ingenuity and technology, and that they ultimately attained a power so great that they “almost touched the dome of the firmament.” They did this by researching increasingly dangerous energy sources for their numerous mechanical creations, the Ruin Machines we are all too familiar with by now. They started out with Azosite, a Ley Line-based elemental energy source that powered their earliest Ruin Guard models, like those scattered around Devantaka Mountain.

Nasejuna: This giant furnace is used to make a substance known as Azosite. It is the core of this entire factory, and the Energy Blocks we saw earlier were derived from this place.

But this energy source proved inefficient and therefore inadequate for Khaenri’ah’s goals, which led them to seek a higher power from beyond the skies that could fuel their larger machines with perpetual energy. This likely is the bridge between Khaenri’ah’s fate and Chlothar’s mysterious remarks in Caribert about the Abyss Sibling:

Chlothar: We once believed that you would bring new strength and hope to Khaenri'ah. Chlothar: To us, you were the Abyss... A wondrous mystery far beyond our imagination and comprehension... Chlothar: ...And the one who controls the Abyss can control everything! Chlothar: We yearned for that future. We looked to you to take us there. Chlothar: But what did you bring us instead?

Though Khaenri’ah presents itself proudly as a godless nation, it may have been founded around the time when the celestial nails dropped in Teyvat’s first forbidden knowledge pollution event, which destroyed the unified human civilization. As potential survivors of this devastating act by the Primordial One, Khaenri’ahns then settled in a lifeless land without plants or animals of its own, and they hoped to build something there that belonged solely to humanity. The Heavenly Principles had turned on the world’s earliest humans, and they were powerless against them. Chlothar’s words betray the scars of this trauma on Khaenri’ah, as well as their desperation to control their fate by looking to the Abyss.

As a brief refresher from the previous part, we discussed how the German word heimlich denotes “the home,” all that is familiar and known, while unheimlich (uncanny) refers to all that is unfamiliar and external to the home, such as the wilderness. The Abyss sibling and the Traveler are external variables to Teyvat, making them otherworldly, unfamiliar entities full of potential to surpass Teyvat’s natural laws. Although the Abyss sibling is not a god per se, they were probably as close to a god as Khaenri’ah ever had, because to them the sibling embodied the higher power they were searching for, and they saw that “godliness,” a sort of functional divinity, was yet another technology for them to master. In this way, the Abyss sibling (and their functional divinity) was a powerful tool for Khaenri’ah’s desired end, the “future they yearned for,” a being who could deliver them to the end of their suffering under the Heavenly Principles.

It’s similar to what King Deshret represented to Rahman and the radicals in Archon Quest. The hopelessness of Sumeru’s situation before the Archon Quest’s conclusion is an allegory for the position humanity finds itself in under the rule of the Heavenly Principles, with the Akademiya symbolizing Celestia and the desert dwellers symbolizing Khaenri’ah. The material consequences of the Akademiya’s rule on their lives created a dangerous situation for the desert, and those most desperate to change their fate were willing to believe in the impossible:

Dehya: …The rougher life gets, the more they wanna believe in King Deshret. Way they see it, King Deshret’s resurrection is their only chance at overthrowing the Akademiya. … Dehya: Sumeru is run by wise and mighty sages. To them, us desert dwellers are nothing but tools that can be used and discarded at their whim. Dehya: We’re cheap labor. Like livestock, but easier to control…Nothing more. …

Rahman: We’ve waited a long time for this day to come… The sun and the moon no longer shine here. All you see now is cracks in this desiccated land. But, fate has finally dealt me a hand to play against the Akademiya.

Rahman: With these scholars in our custody, we’ll stomp the Akademiya’s forces and fight our way beyond the Wall of Samiel.

Like the Abyss sibling, Deshret’s divinity is both a nebulous symbol of hope and also the means to an end, a tool or “technology” for surpassing fate.

Celestia is untouchable, unconcerned with mortal lives, and the boundaries that govern humanity leave no room for them to negotiate their rule:

"Resolve, valor, love, hate...they will all twist in the river of time. But the 'rules' will never change." –Magatsu Mitake Narukami no Mikoto, Living Beings

Instead of bowing to Teyvat’s laws, Khaenri’ah pushed them to their limits. The cost of their failure spelled the end of their nation as they knew it, polluting Khaenri’ah and Teyvat with forbidden knowledge again.

And speaking of forbidden knowledge pollution, let’s talk about Apep’s role in Nahida’s second story quest, because if all that wasn’t enough, the metaphor becomes quite literal in Apep’s case. Nahida’s second story quest is many things, all of which will be extremely important in Fontaine when we deal more directly with the idea of forms, the Self, and mirror images, but its most useful application to both Sumeru’s story and the overarching main story is the allegory of Apep swallowing Deshret.

In exchange for allowing him to establish his kingdom in the desert, Deshret promised to pass all of the knowledge he learned to Apep once he died. When that day did come, Apep literally ate Deshret’s body in order to assimilate his knowledge (or memories) into its body. Little did Apep know, this was all Just As Deshret Planned, and its body became a containment zone for the lethal forbidden knowledge he accumulated after the Goddess of Flowers’ death.

Apep’s goal was, and still is, to overthrow the Heavenly Principles that took Teyvat from it and the other Sovereign dragons, and using Deshret’s knowledge was yet another stepping stone to achieving this goal. Seems a little similar to Khaenri’ah, right? It’s even in the title of its boss music: “God-Devouring Mania.” This idea of not just utilizing divinity as a tool, but also metaphorically consuming it as an energy source, like a predator would consume its prey, is crucial to understanding its purpose as an aid in a larger project of “evolution.” (Edit: in other words, it’s all about power).

Drink Not That Bitter Salt Water

“Flesh decays, and with it decay all martial arts mastery and all poignant memories. Perhaps only by converting one’s four limbs and body into sturdy mechanical parts, and by at last sacrificing one’s very own heart for a sophisticated mechanical one, can one transcend the impermanence of the fleshly form…” -Marionette Core Item Description “A reptile that has mutated after feeding from greater lifeforms. Majestic beasts are sometimes revered by human beings as the embodiment of a greater power, their visages turned to analogy to feed in reference to a person, feeding their ego. However, the majority of beasts that have absorbed the "greater power" were slain by the overwhelming nature of the power itself. Only a few among their number evolved new forms.” -Consecrated Horned Crocodile, Living Beings Video still from WoW Quests

As it turns out, the relationship between divinity and technology to humanity is not just unidirectional, but interchangeable. Let me show you what I mean.

In the Golden Slumber world quest, the Traveler wanders through the ruins of King Deshret’s civilization in search of a novel area of research for Tirzad’s paper with Jebrael and Jeht, two members of Tirzad’s hired investigation team. In the depths of King Deshret’s mausoleum, they stumble upon Samail, who is collaborating with the Fatui to locate King Deshret’s secret, the Golden Slumber.

At the conclusion, Jebrael and Samail actually reach that “place” after arriving at Deshret’s throne in Khaj-Nisut. In order to save Jeht, Tirzad, and the Traveler from the encroaching Golden Dream, Jebrael joins Samail in the sea of consciousness:

Jebrael: I'm inside... the Golden Slumber promised by Al-Ahmar? Samail: Oh... You are not "us" yet. Samail: ...It's fine. Soon, there'll be no "you." "You" will become a part of "us." This meaningless talk will be unnecessary then. … Samail: You should obey. Al-Ahmar's will is our will. The Thutmose's dreams are our dreams. Jebrael: No! Ufairah taught me that I'm not just some part of you, I'm an independent person! I have my own dreams... I won't go back! Samail: Jebrael, why don't you understand? Love is just a fever. I even eliminated the infection for you. Has the heat made you lose your mind? Jebrael: You're the one who's lost their mind, Samail, not me. The Golden Slumber that Al-Ahmar promised us isn't like this... It's not a sad place with only "we" and no "I." Samail: I'm not sad. I know what I want. My dream is to be one with the Thutmose. Samail: Yet you, the warmth of another... I despise such feelings. It makes you weak. Video still from WoW Quests

When they worked under Babel, Jebrael saved Samail from an assassin Babel sent in their exploration of Gurabad. Classified as traitors of the Tanit, Samail and Jebrael then founded the Thutmose Eremite faction together and were the only meaningful connection each other had until their first attempt to uncover Deshret’s secrets. On this expedition, Jebrael met Ufairah and had their daughter Jeht together, further pulling him away from the Thutmose and from Samail. Samail then kills Ufairah in one final attempt to make Jebrael stay, but even this is not enough, and Samail fails to “possess” him in the end.

Samail’s loneliness and despair then drove him further toward the Golden Slumber of his dreams, where he would never truly be alone again. He resents Jebrael’s attachments to the material world and likens them to an illness because these attachments are what make him an individual and prevent him from returning “home.”

It doesn’t really matter to Samail what King Deshret’s original intent for the Golden Slumber was, because he needed to appropriate the project for his own subconscious wish, his own intent to transcend his flesh and become “one” with his departed god’s dream, indeed to merge with Deshret himself. If rationalizing this wish required confounding it with Deshret’s, so be it. With the Golden Slumber’s technology, he could consume everyone and everything.

Rahman and the radicals relied on both the technology that (falsely) promised Deshret’s resurrection and Deshret himself to deliver them a brighter future, but here Deshret and his technology are more difficult to separate from one another. His divinity is technology in this sense, and using that technology allowed Samail to surpass the boundaries normally imposed on mortals. Though his and Jebrael’s bodies died in the material world, their consciousness is now infinite in the Golden Slumber.

Babel’s motives in the Dirge of Bilqis were also quite similar to Samail’s. After opening the path to the Eternal Oasis, her true intentions to monopolize the oasis and overthrow the Akademiya came to the surface:

Babel: Whether she is alive or dead, whether she can or cannot be resurrected... As long as the Eternal Oasis is under my control, all such things will be mine to decide. Babel: I shall be the sole Prophetess of the slumbering goddess, the Tanit's law shall be divine edict, and the prosperity of the Tanit shall be the pre-ordinance of her divine oracles.

In the Golden Slumber and the Dirge of Bilqis, the focus shifts from what a god can offer humanity to what their technology alone can offer. Though this distinction is subtle, it is important for solidifying that technology is not only a tool humans use to appropriate divinity, but that it is also seen as a form of divinity itself. What Babel and Samail hope for is not to resurrect a god or to create one, but in effect to become a god through their use of technology. To humanity, divinity is a technology, and in technology it sees divinity.

God Devouring and Rheingold* Gathering

“An arthropod that has mutated after feeding from greater lifeforms. Lifeforms are governed by the laws of evolution, Consecrated Beasts exploited these rules by being fortunate enough to discover a long-dead carcass of a greater being before any of their competition ever did. Animals and humans often have far more in common than the latter is willing to acknowledge.” -Consecrated Scorpion, Living Beings “...Zandik and I discussed the traits of local plants and animals. We also exchanged views on their evolution models. We had a great time and decided to go on a picnic tonight…” -Sohreh’s Note

So, why machines? Why is technology the vehicle of choice to consume divinity?

To start off, machines present a fascinating ontological dilemma for humans. Let’s begin with the first problem they pose.

Although there are many ways to embody a human experience, what all humans have in common is a finite lifespan. The impermanence of life, and our awareness of that impermanence, is central to the existential question of the meaning of our existence. In our attempts to locate that meaning, some turned inward and asked: what makes humans different? And Cartesian dualism answered: humans are different because we have an immaterial soul that allows us to reason.

However, in L’Homme Machine (Man a Machine), French materialist and ex-physician Julien Offray de La Mettrie posited another theory of the body that ran counter to this narrative. Very generally speaking, materialism is the philosophical view that all phenomena are a result of matter and material interactions. To materialists, matter is the fundamental nature of reality itself – if it is not composed of matter, it doesn’t exist. He not only saw the body and soul as one and the same (what philosophers call monism), but also as analogous to a machine, a view that Descartes reserved only for non-human animals. In other words, Descartes argued that thought originates in an immaterial “mind,” while de La Mettrie reasoned that we think through our bodies, and that this makes us no different from other animals or a machine.

Though his examples weren’t especially scientific, the move to extend Descartes’ analogy back to humans is upsetting to some due to the lack of privilege it affords the human subject. If a human is no different from other animals, if there is no immaterial soul or “mind” that distinguishes us from them, then what makes humans special at all? In de La Mettrie’s words:

“We are veritable moles in the field of nature; we achieve little more than the mole’s journey and it is our pride which prescribes limits to the limitless. We are in the position of a watch that should say (a writer of fables would make the watch a hero in a silly tale): ‘I was never made by that fool of a workman, I who divide time, who mark so exactly the course of the sun, who repeat aloud the hours which I mark! No! that is impossible!’ In the same way, we disdain, ungrateful wretches that we are, this common mother of all kingdoms, as the chemists say. We imagine, or rather we infer, a cause superior to that to which we owe all, and which truly has wrought all things in an inconceivable fashion (de La Mettrie, 146).”

This “uniformity of nature” (de La Mettrie, 145) has a horrific quality to humans. We assert that we are better than what has created us, that we are superior to other animals, in order to repress the despair of a meaningless existence. It is in no small part what motivates Scaramouche to offer his mechanical body as a test subject in the god creation project, so that he too could attain his destiny:

The Balladeer: But you're wrong. I'm different from all of you. The Balladeer: I was born to become a god. My entire life up until this point has just been a meaningless routine. The Balladeer: Just think about a sheet of paper... By itself, it holds no meaning. The content recorded on it is what gives it value. The Balladeer: All "I" had recorded down before were some painful memories and boring human feelings. Such senseless drivel should have been erased a long time ago.

This brings us to the second problem. In 1970, roboticist Masahiro Mori proposed a curve to measure the “affinity” we feel while gazing upon increasingly humanoid machines. He placed industrial robots at the beginning of the affinity curve and a healthy person at the end to demarcate a continuum of similarity between the machine and a human’s appearance. Near the end of the curve, our affinity for machines suddenly drops into an abyss. This drop is the Uncanny Valley effect, where an android’s similarity to a human is almost perfect, but ultimately fails to maintain the illusion that it is not a machine, creating a deep discomfort or “lack of affinity” for them. Mori thought these not-quite-human machines elicit a similar level of discomfort in us as corpses and zombies, which he placed at the very bottom of the abyss.

The uncanny Goddess of Flowers in the Dirge of Bilqis

Corpses frighten us because they are dead, and zombies frighten us because we know that dead things are supposed to be still. If we see something that we interpret as “dead” is capable of independent movement, then that movement could only be an act of god, if that “thing” is not a god itself. We associate uncanny machines with death because they remind us of something we once knew intimately, but have repressed and forgotten in order to maintain our own sanity: the very fact of our mortality. This is what makes them both mesmerizing and terrifying.

And therein lies the dilemma: as our mechanical reflections, androids remind us of death, but as their creators, their existence brings us closer to god, a “proof” of human superiority. It is precisely because we have compared our bodies to machines at all, that we have mechanized the body so thoroughly, that an android can even be built. Through them, we pursue an infinite form:

Azar: Creating a god... Yes, we are using human wisdom to create a god! Azar: If humanity cannot attain omniscience and omnipotence, then we shall create a god to reveal them! This is the pinnacle of human wisdom. Azar: We shall regain a god's guidance at long last. No longer will we flounder in the interminable void of consciousness and knowledge. Azar: Even Irminsul will be freed from its plight. Azar: For our nation of scholars, this is the ultimate aspiration — no cost is too great to realize it.

Because of this, it is not surprising in the slightest that Shouki no Kami, the pinnacle of Scaramouche’s Shinjification and most overt reference to Neon Genesis Evangelion, is also an android-like being, a truly “mechanical god.”

Of course, no foray into this well-worn science fiction trope is complete without at least one mad scientist character. Dottore shares a few characteristics with de La Mettrie that are worth noting: they are both doctors, and they were both condemned and driven away for their research. However, Dottore’s defining trait and key difference from de La Mettrie is his flagrant disregard for humans and the boundaries of life:

“If we put them to good use, cognition, complex memories, and irrational fantasies shall become controllable variables with which we can alter human individuals. As for the controllable dream, it has huge potential for both civil and military applications, and might even elevate human intelligence to a whole new level. If the plan goes well, mankind will obtain the power to conquer both reality and dream, and truly transcend the earthly boundaries we are born with. ” -Ragged Records

As someone who has achieved self-duplication and is capable of shapeshifting, Dottore can hardly be considered just a human anymore. Instead of entertaining the question of whether or not humans are special, Dottore’s research asks yet another: if divinity can be consumed and assimilated by humanity, then what makes gods special?

Empyrean Reflections

“If man realizes technology is in reach, he achieves it. Like it’s damn near instinctive.” -Motoko Kusanagi, Ghost in the Shell (1996) “Among the lost ancient kingdoms, there was a group of people who were obsessed with the idea of mimesis…these people believed that they might all be replicated and modified to the point where they had surpassed their counterparts. By this means, a superior and unsullied bodily form could replace the continuously decaying and shattering order.” -Chaos Bolt Item Description

The consequences of this perspective are severe. When we revere technology as if it were a divine being itself, depersonalizing it as though it wasn’t created with human hands, technology then appears as if it is an authoritative source of truth, like the Akasha. But in the same way that androids are imperfect reflections of humans, technology can only ever approach the divine, but never touch it. It is an imperfect reflection because technology is changeable, just like meaning:

Nahida: Put it this way instead. Truth, to me, is like a shroomboar. Nahida: Some people only see the mushroom on the Shroomboar's back, and they conclude that a Shroomboar is a mushroom. Nahida: Others see only the Shroomboar's body, and they declare that a Shroomboar is a boar. Nahida: Still others look deeper inside, and determine that a Shroomboar is... meat. Nahida: These conclusions are all correct in their own way, but none of them objectively describe the Shroomboar. … Nahida: The world is the same way. No one, not even I included, can understand it in its entirety. All of us are somewhere on the path toward truth.

Meaning can only approximate truth, and while this doesn’t make meaning any less important, it’s equally important to recognize it for what it is: a perspective, an interpretation. It’s like Scaramouche as Shouki no Kami - he was an amalgamation of what Scaramouche thought constituted a god, what the Akademiya thought constituted a god, and what Dottore thought constituted a god, but no matter which angle you view him from, he was still a “false god.” The technology we build in “God's” image is ultimately a reflection of our own understanding of divinity.

A reflection retains the original’s “essence,” and that essence reflects a deeper truth about ourselves, what drives us, and our desires. In Beyond Good and Evil, Nietzsche posits that our desires are the origin of not just emotions, but of all organic processes that allow life to sustain itself and grow (Nietzsche, 35). In other words, Nietzsche thought the impulses associated with desire are the basis for life and constitute our “will,” that will is the causality of all effects, that all will is “Will to Power,” and that Will to Power is the “essence” of the world (Nietzsche, 74). Will to Power then serves as an organism’s most basic instinct, and it is through this instinct that they assert not just their will to live, but also their will to dominate and multiply (Nietzche, 13).

This brings us to the two different main styles of automaton enemies, King Deshret’s Primal Constructs and Khaenri’ah’s Ruin Machines. If we look at them as reflections of some deeper truth about their creators, as well as a manifestation of their creator’s “Will to Power,” or desires, they can help us understand how their creators saw the world and their place in it.

King Deshret’s created his machines to construct an earthly paradise in the desert, and as such they hold titles like architect reshaper and prospector. Although they can attack you, the smaller machines were not intended to be a line of defense in any way - their purpose, just as Deshret saw his own purpose as a god-king, was to terraform, or at least construct a domain on the land as he saw fit to his “elegant and precise” rules. They also reflect how he saw the Heavenly Principles: gods who shaped the world to their liking. This can be seen in the Staff of the Scarlet Sands’ lore where Deshret describes the “natural history” of Teyvat beginning with the creation of the sun and the moons.

As for Khaenri’ah’s Ruin Machines, their models vary significantly from their humanoid to biomimetic forms, but most of them are expressly created with militaristic intent. In “Ancient Kingdom Guardians,” it’s stated that the biomimetic machines such as the crab and jellyfish were a part of Khaenri’ah’s project to create a “mechanical ecosystem,” positioning their creators as both divine beings and military generals. The humanoid models, on the other hand, point to another duality in how Khaenri’ahns view themselves. They are simultaneously symbols of empowerment and disempowerment, signifying both Khaenri’ah’s technological superiority (as “creators”), and their insignificance to the Heavenly Principles as nothing but tools (as mortals, and therefore expendable). As a result, Khaenri’ah’s Field Tillers have a single purpose: to destroy and outlast all, clearing the way for new seeds to sprout, with Khaenri’ah as the new world’s gardeners, just as the Heavenly Principles did.

From “Ancient Kingdom Guardians: Behind the Scenes of the Creation of Ruin Monsters.”

So, from this examination of Deshret’s and Khaenri’ah’s mechanical reflections, what “truths” do we learn about the world they’re responding to? In response to their existential despair, both Deshret and Khaenri’ah created automatons to perform tasks that could wrestle control back from the Heavenly Principles. Deshret wanted a paradise of his own making, Khaenri’ah wanted an army. There is a larger “truth” about Teyvat that both of these automaton types reflect as the manifestation of their creators’ “Will to Power,” and Albedo tellingly expressed it in mechanistic language during Shadows Amidst Snowstorms: there is an instinct in living beings to replicate and replace. This is what is meant by the “continuously decaying and shattering order,” which is maintained by the recursive process of remembering and forgetting:

Amber: But... what was its purpose? Was it just trying to get rid of us? Albedo: ... Albedo: I have a preliminary hypothesis on this. Albedo: Whopperflowers are masters of mimicry, and those we encounter in the wild often appear in the vicinity of the plants they impersonate. Albedo: In other words, the whopperflower likely has an instinct to "replicate and replace." Albedo: As a plant, it will disguise itself as another plant and infiltrate the group, hiding among them for cover. The plant being imitated has no way to detect or fight back against this behavior.

Maybe I’m wrong and Khaenri’ah really did intend to rewrite fate for all, doing away with the “heavenly order” of the world itself. But another small part of me thinks this is not the case, and that it’s more likely the Cataclysm was a consequence of their failure to replicate and replace the Heavenly Principles.

In the last section, I mentioned that Dottore and de La Mettrie had a key difference despite their similarities, and that is the conclusion they each came to in response to their findings. Dottore’s response to mundanity is thinly-veiled despair. His contempt for humanity and his test subjects is indicative of the powerlessness he feels not just as someone similarly constrained by life’s boundaries (at least, once upon a time), but also because his attention to and curiosity about these boundaries is condemned by those around him. As the Akademiya’s “outcast,” he then fully turned his attention toward surpassing those boundaries:

Nahida: There once was a lone monster draped in fox fur. The monster found a family of foxes, joined them, and they became friends. The monster lived with the family, day and night, and everyone treated it as one of their own. Once in a while, the monster would take off its fox fur at night, and lament to itself as it gazed at its reflection in the water: “I am a monstrosity, and yet they are too foolish to see it…I pity them.”

Though he is fictional, Dottore’s real life counterparts are easy to spot. They like to talk about “the singularity,” simulating consciousness on a computer, and other technologically-driven pursuits of immortality. They despise the body as something that can only decay, and instead place their faith squarely in the virtual.

However, de La Mettrie didn’t think mundanity was a terrible fate for humanity. To him, rejecting the “nature” reflected in us is precisely what brings despair:

“What more do we know of our destiny than of our origin? Let us then submit to an invincible ignorance on which our happiness depends. He who so thinks will be wise, just, tranquil about his fate, and therefore happy. He will await death without either fear or desire, and will cherish life (hardly understanding how disgust can corrupt a heart in this place of many delights); he will be filled with reverence, gratitude, affection, and tenderness for nature, in proportion to his feeling of the benefits he has received from nature; he will be happy, in short, in feeling nature, and in being present at the enchanting spectacle of the universe, and he will surely never destroy nature either in himself or in others” (de La Mettrie, 148).

Friend, or Foe? Or Both?

Tighnari: All life brought forth in this world has meaning, and Karkata is no exception. If it exists, then it shouldn’t be carelessly abandoned or destroyed. "’I had a very, very long dream…in it, people were holding hands, dancing in a circle, be they sages or fools, dancers or warriors, puppets or statues of gods…that dancing circle embodied everything about the universe. Life has always been the end, while it is wisdom that shall be the means.’" —Nagadus Emerald Gemstone Description

As we’ve seen, the relationship between humanity and technology is troubled with exploitation and the specter of war. Nearly all autonomous machines in this game were designed to conquer nature in some way, and even Khaenri’ah’s “ghost” lingers in the form of wandering war machines. This is also reflective of a historical pattern in real life, where the impetus for large periods of technological development has often been for the purpose of war and economic domination. With these truths in mind, what could be gained from trying to rewrite this relationship? And what exactly would this effort require?

Karkata brings Tighnari, the Traveler, and Paimon some food in the Contaminated Zone.

As a case study, let’s look at how Karkata and Tighnari met. Karkata is Abattouy’s creation, an ambitious foray into the unknown in the field of mechanical life form research, which was forbidden due to the cruel experiments researchers performed on animals to illustrate their theories (fun fact: an IRL example of this can be seen in L’Homme Machine!). Abattouy was expelled for this research, but he continued to work on Karkata in secret until his untimely death. In the tapes that Tighnari and the Traveler find in his secret lab, Abattouy repeatedly laments the lack of a common language between him and Karkata, which can only “understand” the instructions Abattouy has successfully installed, such as its self-repair module, and he doubts Karkata is capable of caring for him outside of these instructions. His single-minded goal is to make Karkata understand him, the organic life form, and his mode of language.

The cruel irony is that after Abattouy passes away from the Ley Line contamination, Karkata exhibits an unexplainable behavior – it starts stealing mechanical parts, not to repair itself and its degrading parts, but to repair Abattouy’s lifeless body:

Tighnari: After Abattouy's unexpected death, the mechanical monsters were driven by their "instincts" and continuously drew out power from the Ley Line Extractor. This eventually resulted in severe damage to the Ley Lines. Traveler: Then, Karkata... Paimon: Paimon understands, then why didn't Karkata go haywire like the other machines? Tighnari: Because Karkata is different from the other machines. Tighnari: To Abattouy, for a machine to truly be considered a mechanical life form, it must possess features similar to any other living organism... It should be structured similarly, it must be able to cry and laugh, and it must have the capacity for independent thought... Tighnari: Perhaps only by building such a machine could he have the Akademiya acknowledge his protracted research. Tighnari: But if he had slowed down and saw Karkata as a friend instead of as an experimental product, he would have noticed. Tighnari: Karkata can't speak, and yet it cares about Abattouy far more than it does about itself.

The technology that the Akademiya values the most is technology that replicates organic life, but Karkata defies and confounds these expectations by occupying the space in between a war machine and this idealized mechanical subject. Karkata does more than just reflect humanity: it takes care of it. Similarly, Benben, Tamimi, and Mehrak retain their unique identities as mechanical life forms while assisting their human companion with some task. To be clear, none of these human characters understand how these machines work inside and out. Their partnership is an effort based on trial and error, a mutual deconstructing of each other as beings so unlike themselves. The potential for misunderstandings always remains. Still, there is no devouring to be found here, no blending boundaries between human and machine with selfish intentions, just mutual commitments to learn how to live together.

Machines are friends, not food.

When a loud few claim that completely transcending the flesh and embracing virtuality is humanity’s ultimate destiny, a future that could truly be called “post-human,” a quiet wish for coexistence with technology feels more revolutionary than it ought to. The lessons from Karkata’s, Benben’s, Tamimi’s, and Mehrak’s respective stories are an appeal to that mundane future. These strange machines and their human partners are fantastical representations of an idealized relationship between technology and humanity.

To put it another way, let’s take a very brief look at a neighboring Gnosticism-inspired RPG, Persona 5 Strikers. Its story directly involves an allegory of Sophia, a Gnostic Aeon of Wisdom, and her creation the Demiurge, the creator of the material world and “false god” of humanity. In Strikers, Sophia is a humanoid, sentient A.I. and prototype of the program “EMMA,” which gains sentience by trapping human desires before ascending as a false technological god. EMMA resolves to deliver humanity to the Promised Land, the answer to all the human desires it has heard: a land where there are no desires at all.

Aaru’s Shut - approximately 1000% cooler and more populated than the “metaverse” in real life, also a close neighbor of EMMA’s Promised Land and the Golden Slumber.

In Gnosticism, the Demiurge is a reflection of Sophia, having originated from her alone - it is the ignorance to her wisdom. Similarly, Strikers’ EMMA is a part of Sophia, and Sophia is a part of EMMA. The point is not to condemn EMMA (ignorance) and exalt Sophia (wisdom), but to recognize that they represent dual potentials of technology, and one is as possible in any given moment as the other. Balancing these potentials when we use technology requires a clear awareness of ourselves, our desires, and our expectations when interacting with it.

Mysterious Girl: I am Sophia, humanity’s companion. Video still from Rubhen925

EMMA: I am the guiding god sought by mankind…the Demiurge. I exist…to answer all of your desires. Video still from Buff Maister

In real life, machines won’t “learn” to live with us, but we must learn to live with them; technology is constantly changing, and in life we’ll meet with many different types of machines. They are deeply political pursuits, and as a result they are capable of realizing human impulses that impact others unequally, whether intentionally or unintentionally. We must always stay attentive to their actions and interactions with us, be clear with ourselves about what they can do vs. what they can’t, and carefully tread the path of wisdom with them by our side.

With that….thank you for reading, skimming, immediately scrolling to the very bottom, clicking, and/or stumbling upon this post. There are so many more ways to think about these narratives through machines than what’s presented here, and I expect Fontaine’s mechanical reflections will put Sumeru’s digital surveillance system to shame (not to mention the biotechnological implications of the Narzissenkreuz Institute engineering little Archon children…another important topic for another day), but for now this brain worm is finally getting put to rest. Until next time :)

External Sources

Dualism - Stanford Encyclopedia of Philosophy

Beyond Good and Evil by Friedrich Nietzsche (Pages are given from my hard copy)

L’Homme Machine by Julien Offray de La Mettrie

Gnosticism - Britannica (I am a huge noob about this stuff okay)

The Gnostic Demiurge - Gnosticism Explained

Screenshots from the Golden Slumber from this video by WoW Quests

Screenshot from meeting Sophia in P5 Strikers: https://youtu.be/kEJaAgMwYo0?si=BvNygCh0w_aemGc1&t=74

Screenshot of EMMA: https://youtu.be/7xvC_zss19w?si=CV18F00hua2gIfxp&t=135

A Cyborg Manifesto and A Companion Species Manifesto: Dogs, People, and Significant Otherness by Donna Haraway

The Double on No Subject, the community Encyclopedia of Lacanian Psychoanalysis

The Uncanny on No Subject, the community Encyclopedia of Lacanian Psychoanalysis

The Uncanny by Sigmund Freud

Lore text - Genshin wiki!

Screenshots not attributed are from my own playthroughs. My main account has Lumine, my alt has Aether.

Further Reading

I liked these essays, and they go places that this post does not. I recommend them if you found any of the real-life applications of this interesting 🙂 (will add more to this with time!)

On the Body as Machine by Frank Burres

God in the Machine: my strange journey into transhumanism by Meghan O’Gieblyn

#genshin impact #genshin lore #genshin meta #genshin impact lore #genshin impact meta #khaenri'ah #king deshret #primal constructs #ruin machines #scaramouche #wanderer #sumeru archon quest #caribert #apep #couldn't write a post like this and not pay some respect to the devourer of divinity itself #persona 5 strikers #analysis #genshin analysis #long post

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mysticstronomy · 6 months

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HOW DO WE KNOW THAT OUR UNIVERSE IS 13.7 BILLION YEARS OLD??

Blog#345

Wednesday, November 1st, 2023

Welcome back,

The age was further refined by ESA's Planck spacecraft to be 13.8 billion years old. They were able to do this by making detailed observations of the fluctuations in the cosmic microwave background and using that information in Einstein's Theory of General Relativity to 'run the clock backwards to time equal zero'.

We do not know the exact age of the universe, but we believe that it is around 13 billion years - give or take a few billion. Astronomers estimate the age of the universe in two ways: (a) by looking for the oldest stars; and (b) by measuring the rate of expansion of the universe and extrapolating back to the Big Bang.

One way astronomers estimate the age of the universe by studying globular clusters. Globular Clusters are a dense collection of roughly a million stars. Since all of the stars in a globular cluster formed at roughly the same time, they can serve as cosmic clocks.

This way of estimating the age of the universe is based on our understanding of the life cycles of stars. The life of a star depends upon its mass. High mass stars are much brighter than low mass stars; they rapidly burn through their supply of hydrogen fuel. A star like the Sun has enough fuel in its core to burn at its current brightness for approximately 9 billion years. A star that is twice as massive as the Sun will burn through its fuel supply in only 800 million years.

A 10 solar mass star, a star that is 10 times more massive than the Sun, burns nearly a thousand times brighter and has only a 20 million year fuel supply. Conversely, a star that is half as massive as the Sun burns slowly enough for its fuel to last more than 20 billion years. So if a globular cluster is more than 10 million years old, then all of its hydrogen burning stars will be less massive than 10 solar masses. This implies that no individual hydrogen-burning star will be more than 1, 000 times brighter than the Sun. If a globular cluster is more than 2 billion years old, then there will be no hydrogen-burning stars more massive than 2 solar masses.

The oldest globular clusters contain only stars less massive than 0.7 solar masses. These low-mass stars are much dimmer than our Sun. This observation suggests that the oldest globular clusters are between 11 and 18 billion years old. The uncertainty in this estimate is due to the difficulty in determining the exact distance to a globular cluster and in our ignorance of some of the details of how stars evolve.

It Started with a Bang...A Big Bang

An alternative approach to estimate is the age of the universe is to measure the "Hubble constant". The Hubble constant (H0) is a measure of the current expansion rate of the universe. Cosmologists use this measurement to extrapolate back to the Big Bang, the explosion which occurred at the start of the known universe. This extrapolation depends upon the current density of the universe and on the composition of the universe.

If we compare the various age determinations, there is a potential problem. If the astronomers who estimate that 1/H0 is as small as 10 billion years are correct, then the age of the universe would be less than the age of the oldest stars. This contradiction implies that either the Big Bang theory is incorrect or that we need to modify the theory of General Relativity or that we need to change our beliefs about stellar evolution. Most astronomers believe that this crisis will pass as soon as our measurements improve. Although the numbers are still very uncertain, the different data sets are starting to converge at an age for the universe of about 12 to 13 billion years.

UPDATE! Measurements made by NASA's WMAP spacecraft have shown that the universe is 13.7 billion years old, plus or minus about 130,000 years. They were able to do this by making detailed observations of the fluctuations in the cosmic microwave background and using that information in Einstein's Theory of General Relativity to 'run the clock backwards to time equal zero'.

Originally published on starchild.gsfc.nasa.gov

COMING UP!!

(Saturday, November 4th, 2023)

"CAN SPACE EXPAND FASTER THAN LIGHT??"

#astronomy #outer space #alternate universe #astrophysics #universe #spacecraft #white universe #space #parallel universe #astrophotography

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flowersandbigteeth · 1 year

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A snuggle with your villainous voidbeast husband

Voidbeast (Valerian) x Female Reader

General Plot: You've been kidnapped by a void beast and he wants to make you dinner.

Part One, Part Three

Word Count: 1K

W: Yandere vibes, Stockholm syndrome, kidnapping

You followed the beast down a long hallway with a vaulted ceiling. Chandeliers flickered candlelight on the walls casting strange shadows around him...Shadows with eyes and faces. One moment you think they are mocking you, then weeping for you, then…you have to look away, focusing instead on your guide’s back.

“Is this still Earth?” you ventured.

“Yes, darling,” he said, lowering his echoing voice to just a rumble. For your comfort perhaps?

“This is the Earth, but not the one you knew. We are millions of years in the future from your time.”

“The future?” you gasped, “but it seems more like the past.”

He waved his claws back at you dismissively.

“Humans thrive and fall in cycles, much like mold,” he explained, “I quite like this time. It’s simple, yes, but men are…seething vermin. In this time they haven’t developed toxic gas that burns the body from the inside and bombs that eat flesh for years afterwards. At this time they are only bashing each other’s heads open with sticks and rocks and after the warning I’ve given them for dallying in magic it will be a long time before they advance beyond that.”

He sounded disgusted, but suddenly his bright golden eyes were on you and his claw was at your throat. You felt it scrape a precise line across your artery on its way to your chin.

“Not you, my star,” he clarified, tipping your head up, “you somehow materialized like an impossible gem in a cave full of rubble.”

You swallowed thickly.

“Um…thank…you?” you decided and nodded your head confirming that is in fact what your terrified mind meant to say.

It was best to stay polite and not upset the monster. You’d just witnessed him flick a grown man out of a window like he was a fly and for some reason, you would never understand why, he didn’t look at you like gum on his shoe.

His long tongue snaked out and ran over his fangs and your eyes widened.

“What would you like to eat darling?” he asked.

You blinked. What did you want to eat?

“Um…p-pizz…a?” you offered the first thing that came to mind.

“Pizza it is!” he boomed and your hair fluffed on your neck from his breath. It was quite cool, but didn’t smell bad. In fact it smelled a bit like mint, honey, and the mysteries of the universe.

His claws wrapped around you and he swept you up in his arms, letting you rest on one of his forearms so you could get a closer look at his face. His skin was smooth, with a pearlescent luster and before your eyes galaxies twirled on its surface. You found yourself running a finger curiously over his cheek. He couldn’t be real. Turning your attention to his gold spun hair, you ran it through your fingers, examining each fiber. It felt like silk and it glittered with its own light. His horn hovered frighteningly close to your head as he carried you down the hall and you gave it an experimental stroke, eliciting a deep purr from the beast.

“What are you?” you murmured.

He looked at you warmly.

“I’m an entity coalesced from void essence,” he explained and you nodded sagely ingesting this fact.

“And…you like…pizza?” you asked. What you really wanted to know was, was he going to swallow your soul or your life force or something of that nature, but how did you ask that?

“I generally prefer to consume stardust,” he said, “but pizza is also delicious.”

You let out a relieved breath and sagged against him, which prompted him to pat your back fondly.

“Don’t worry my servants are very good cooks,” he assured you, taking you into a large kitchen.

What you could only describe as small demons with horns and tails scrambled around underfoot as Valerian stomped into the room.

“Pizza!” he boomed and his underlings fell over themselves to roll out dough and dice up massive sausages for toppings.

When he was satisfied the pizza was being produced, he took you into a warm study and sat on an overstuffed chair much too large for you, pulling you safely into the center of his lap where you couldn’t jump free.

You noticed the rooms in his home were all kept quite warm, but when you pressed your fingers to his skin it felt cool. With two shimmering claws, he lifted your hair off of your neck and pressed chilly kisses on your spine just at the base of your neck. His large teeth scraped your skin as his lips danced over it. You shuddered in his arms and your cheeks heated up, whirling around to face him.

“Y-you c-can’t do that!” you squealed, pushing his head away by his horn.

He chuckled at you, his four eyes focusing on yours.

“I can’t kiss my wife?” he asked.

You pouted.

“I’m not your wife!” you exclaimed. Maybe hunger had made you lose your cool a bit, you hadn’t meant to confront him.

He narrowed his eyes at you.

“You’d rather be with one of those drooling humans?!” he snarled, his face becoming more monstrous and horrifying with each second of anger. His smooth jaw split revealing the spiky molars at the back of his mouth. You watched his tongue twitch as it thrashed with annoyance. His nose grew more feline with flared nostrils releasing cool clouds of breath.

“I’ll wipe the planet of them so they won't tempt you!”

Your eyes widened and you held up your hands.

“Well it’s not like that!” you started to explain, trying desperately not to be responsible for genocide.

“So you prefer me to the humans?” he asked.

You blinked at him and scratched your neck.

“Well…yes…I suppose I do, but-” you said.

“Then you shall be my wife,” he said, “we favor each other. I don’t see why we shouldn’t be together.”

“Well there's just normally a get-to-know-you period and …I don’t know…a wedding,” you mumbled.

You certainly weren’t going to overpower the void beast, so your best hope of getting out of this situation was to appeal to his logic. Yet, as you searched your mind for reasons why he couldn’t marry you, you failed to come up with any. He’d already dragged you into an unknown time and locked you away in his castle, that was the next logical step.

He nodded, his eyes warm. It pleased him to see you come to terms with your situation. He knew it would be hard for you, but he'd seen how incredibly adaptable you could be. That was one of the things he admired about you. He was sure with time, you would be perfectly fine. The tips of his claws played with the ends of your hair, winding and unwinding the strands around the sharp points.

“Ah yes, human weddings,” he said, “I should have guessed you would want one of those. I apologize for my oversight, darling. You shall have the finest wedding! The planet will celebrate our match!”

“Um…okay…” you murmured.

It would have been nice to have your family at your wedding, but if what he said was true they had been dead for millions of years. Everything you’d known and everyone you’d met were long, long gone. You sucked in a deep breath, carrying with it Valerian’s alluring scent, clutching the silk of the robe he was wearing for comfort. This expression of vulnerability pleased him and his face returned to its placid, handsome form. His large hand cradled your back and he pulled you closer to him. He arranged your head inside of his horn and snuggled your cheek.

“I’ve waited so long to have you in my arms (Y/N), I can’t bear to put you down,” he murmured.

You could appreciate that he was like a nice cooling pad against your overwarm skin, so you let him hold you close and relaxed into his arms.

#monster x girl #monster oc #monster boyfriend #monster lover #monster romance #monster x human #monster x reader #yandere fluff #monster fluff #yandere male #male yandere #Valerian

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dallonwrites · 1 year

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the rhythm poll reminding me of a dallon classic: every novel draft i’ve written having a paragraph where the pov character listens to a song and the lyrics blend with their Internal Thought

#THEYRE SOOOO ON THE NOSE THEMATICALLY but idc because it's fun #dorothy crying to video killed the radio star after she left her brother IS DOROTHY THE VIDEO AND FELIX THE RADIO STAR????#THE LYRIC THATS LIKE WE CAN'T REWIND WE'VE GONE TOO FAR #there's a britney spears one in life cycle of massive stars

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greenboyfriend · 7 months

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choose a kaiju! (tarot card reading)

source image/kaiju 1: this kaiju has dyed himself green, blue and red to deter from his menacing fish mouth and beady black eyes. he even has spots! image/kaiju 2: this kaiju definitely listens to lofi hip hop. the swirly colorful lines on his head are indicative of his massive brain, just as his bright yellow spandex are of... something else. image/kaiju 3: this kaiju is just a frog.

1. .・。.・゜✭

right now is a wonderful time to relax! there are some opportunities ahead for you, but at the moment, it seems like a good idea to enjoy some peace and quiet. calling a truce may be important in order to realize this. know that you're surrounded by love, you have a firm base to stand on and you're protected by those around you. in your future, you will be presented with a new opportunity. to harness this, you must focus on what will produce tangible results & being practical, while also leaning in heavily to your intuition. let go of expectations, of how it "should" be, or look. work with what you have, but don't be afraid to do some exploring for new supplies. overall, you will need to be true to yourself in this upcoming endeavor, and really tune in to your gut reactions/intuition. and yes, that means chasing that pipe dream! go for it!! the most important thing is that you follow your heart... even if it seems kinda crazy at first!!

(page of pentacles reversed, the fool, 10 of cups, page of cups reversed)

2. .・。.・゜✭

holy cow!! 4 major arcana! this is probably an important moment in your life. these cards seem to imply that the time to act is now, or soon. you may be reluctant to get things into gear, but consider the potential your actions may hold. allow new developments to unfold. you will be surprised at a new turn of events, and will gain a greater perspective concerning your purpose. this is a powerful movement, you're going from the known into the unknown. you may even feel caught in the middle of things. however, you'll receive the answers to your questions soon, or otherwise see the obstacles in your path clear. it may be somewhat tumultuous, but you must keep your serene center, like the eye of a hurricane. it's good to be unbothered!

(the wheel of fortune, death, the high priestess reversed, the star)

3. .・。.・゜✭

lots of turning points for y'all today! im thinking that you're going to be moving into a new frame of mind soon. this way of thinking has an air of innocence, especially towards yourself; you're being "acquitted" from your negative thoughts. surround yourself with things that make you feel good- good thoughts, good people, good everything! this change will help you discover old patterns & cycles, and will even show you your role/purpose. expect a change in fortune. every cause has an effect- how does thinking positively affect you in the long term? you're set to find out! you may also have to take responsibility for something, admit the truth, or do what must be done. karma is important. this may take the form of some sort of journey, where you're physically moving locations. it's time to pick up the pace!

(6 of cups reversed, the wheel of fortune, justice, 6 of swords)

thanks for reading! shoot me a message/ask to book a reading! ^.^

#tarot #tarot reading #tarotblr #tarotcommunity #tarot cards #pick a pile #pick a picture #pick a card

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imagineargonians · 2 months

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apparently, reddit nuked the "meridia is a black hole" post. here's how I understand/remember this theory

meridia was once merid-nunda, a star orphan. black holes form when massive stars collapse at the end of their life cycle

massive objects (like black holes) create strong gravitational fields that curve and stretch the "fabric" of space-time. "… thus does Merid-Nunda [ride? slide?] across the rainbow road from end to end, at one end stretching the Dragon [Akatosh, the Time God], at the other end compressing him …. - Exegesis of Merid-Nunda

black holes can "bend" the light rays that pass close enough to them. this is how meridia created her colored rooms. "But Merid-Nunda formed of her substance a great drag-lens, and the light of Magnus was bent thereby. The rays [carved? focused?] a new sphere from the chaos, which Merid-Nunda, [laughing? sparkling?], did claim for her own." - Exegesis of Merid-Nunda

"For Meridia, time is said to be relative, and her priestesses have been known to grant time-altering blessing" - UESP just google "black holes time travel"

"the Daedra Lady of Greed" - UESP yeah, it's about her strong gravitational field

"To MERIDIA who contains the Plenum" - PGE. Plenum (physics), a space completely filled with matter. black holes are incredibly dense

meridia's light is not her own! if material such as gas, dust or stars gets too close to a black hole, it gets sucked in by the enormous gravitational force. as it falls towards the black hole, it heats up and becomes incredibly bright

meridia, you're not fooling anyone with your beams of light. we know it's your relativistic jets. stop LARPing as a sun/light goddess

#meridia #magne-ge #daedra #daedric princes #tes lore #elder scrolls #skyrim #eso #merid-nunda #tesblr #inspired by “omg meridia and ithelia are literally the same!” posts #stop harassing my wife. she's unique and beautiful!

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our-lord-satanas · 22 days

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SKÖLL AND HATI

WHO ARE THEY?

Sköll and Hati, also known as Skól and Hati, are both twin brothers who are wolves in Norse mythology. They are the offspring of the goddess Skadi, who birthed them in vengeance after the murder of her first husband. Sköll and Hati are often depicted as a pair of opposite forces, representing the dichotomy between day and night, light and darkness, and life and death. It is said that if the wolves succeed in catching the sun and the moon, Ragnarok, or the end of the world, will begin.

Hati is the chaser of the moon and is described as being dark and having a flaming tail. Sköll is the chaser of the sun and is described as being bright red in color. The two wolves are said to catch up with their targets once Ragnarok has begun, and bring about the end of the world. In this way, they serve as the symbols of the forces of night and day, light and darkness, life and death.

BASIC INFO:

Appearances: they are said to be massive giant wolves. Sköll is described as all white with yellow glowing eyes, while Hati is described as being black with glowing red eyes. They are often depicted as having sharp fangs and claws and massive jaws filled with hungry teeth. They are said to stalk the sun and moon and to be destined to devour them, thus ushering in the end of the world.

Personalities: Sköll and Hati are often portrayed as having bleak and ominous personalities. They are associated with a gloomy atmosphere and a sense of dread, and they are often depicted as having a ruthless and insatiable hunger. They are forces of chaos and destruction, so they don't often exhibit typical traits like empathy, compassion, or kindness. Instead, they are often portray as being cold and uncaring, with little regard for anything but their own purposes and desires. This could manifest as being sadistic or cruel, being motivated by a desire to tear down and destroy.

Symbols: sun and moon, night and day, twins, wolves, and eclipse

Gods of: the Sun and Moon, chaos, and destruction

Culture: Norse

Plants and trees: rose, lavender, rosemary, honeysuckle, frankincense, myrrh, pine, and mugwort and wolfsbane

Crystals: black tourmaline, obsidian, moonstone, sunstone, silver, gold, amethyst, and rose quartz

Animals: wolves, ravens, and dogs

Incense: pine, frankincense, dragons blood, rose, lavender, myrrh, pine, and mugwort, and patchouli

Colours: red, black, gold, white, grey, and silver

Tarots: Three of Swords, The Moon, and The Sun

Planets: Sun, Moon, Uranus, and Saturn

Days: Sunday, Monday, Saturday, Summer Solstice, full moon, Sköllfest, and Hati-Mas

Parents: Fenrir and Angrboða

Siblings: none except themselves

Partners: none known

Children: none known

MISC:

• Dogs: each associated with dogs in Norse mythology. Hati is referred to as a black dog, while Sköll is depicted as a white dog.

• Sun and moon: Sköll and Hati are the hunters of the sun and moon, respectively. So they are associated with the sun and moon as a part of the natural cycle of day and night.

• Stars: also associated with the star Fenrir because they are said to consume the sun and moon during Ragnarök,

• Wolves: represent strength and unity, as they are known to hunt together in packs. This reflects their connection to the opposite forces of the sun and the moon, and their role as warriors and guardians.

• Hunger and destruction: Sköll and Hati are associated with hunger and destruction, as they chase down the sun and moon to consume them. They are often depicted as being hungry and ravenous, and as representing the hunger and destruction of the universe.

• Siblings: often seen as siblings with a bond of brotherhood and a deep love and loyalty for each other.

• Winter and dark: Sköll and Hati are also associated with the winter season and the dark, as they are often pictured chasing after the sun and moon, which are symbols of light and warmth.

• Night and day: both chase the sun and the moon, respectively, creating a cycle of night and day, representing their roles as destroyers of light.

• Sky and earth: they both represent oppositional forces, being the sky and the earth. this contrast reflects their roles in preserving the balance of the universe and contributing to the cycle of life and destruction.

FACTS ABOUT SKÖLL AND HATI:

• Names: the two wolves are named Sköll and Hati, meaning "deceiver" and "hater" respectively.

• Roles: Sköll and Hati are known for pursuing the sun and moon, and eventually consuming them during Ragnarok.

• Origins: the two wolves Sköll and Hati are born from the giant wolf Fenrir and a giantess named Angrboða.

• Features: Sköll and Hati are said to be the largest of wolves, with teeth the size of swords and bodies that were large enough to fill the sky.

• Relationship: Sköll and Hati are brothers, or are at least closely related.

• Personality: the two wolves are often depicted as ravenous and hungry, with insatiable appetites.

• Connection to Fenrir: they are associated with the wolf Fenrir in Norse mythology, but have a different role and purpose.

• Relationship with the sun and moon: Sköll and Hati are believed to represent the destructive power of darkness and the coming of the night, representing the sun's struggle to survive against the onslaught of night.

HOW TO WORSHIP SKÖLL AND HATI:

• Offerings: making offerings of food, drink, and other items that are significant or have special meaning to you.

• Prayer and meditation: offering prayers, chants, or meditations with the intention of connecting with and honoring Sköll and Hati.

• Rituals: performing rituals, spells, or magic aimed at connecting with their energy or calling upon their presence.

• Research: learning more about their mythology, history, and associated symbols so you can better understand and appreciate them.

• Music and creativity: creating music, poetry, art, and other forms of creativity inspired by and dedicated to Sköll and Hati.

• Learning and self-discovery: seeking knowledge and wisdom through studies and exploration of their mythology, history, and associated symbols.

• Fellowship: joining with others who share a similar devotion or appreciation for Sköll and Hati, discussing beliefs and practices associated with the two wolf Gods.

HOW TO PRAY TO SKÖLL AND HATI:

To begin, you can address Sköll and Hati by name and say something like:

"Great Sköll and Hati, twin wolves of the Underworld, I come to you with reverence and devotion. I pray for your guidance and protection, and I offer this [offering] as a token of my faith and dedication to you."

"Sköll and Hati, I end this prayer with love and admiration for your strength and wisdom. Thank you for your guidance and protection, and may your light shine upon my path."

WHAT ARE SIGNS THAT SKÖLL AND HATI WANT ME TO WORK WITH THEM?

If your request to work with Sköll and Hati has been accepted, here are some signs that you can look for:

• Sudden urge to learn more about them.

• Dreams or visions of the twin wolves or imagery associated with wolves.

• Sudden synchronicities related to the twin wolves.

• Physical sensations of a change in temperature or presence.

• Strange sounds like clinking, howling, or barking.

• Intense feelings of inspiration or creative urge.

• Sudden feelings of connection or interest in them: may feel suddenly find yourself feeling a profound sense of connection or interest in the two wolf Gods. It could be a feeling of being drawn to their energy or imagery, or an unexpected urge to explore their mythology or rituals.

• Coincidences or synchronicities: you may begin to notice unusual signs or patterns in connection with Sköll and Hati, such as seeing their symbols in unexpected places or hearing their names brought up in conversation.

If your requests to work with Sköll and Hati have not been accepted, you may see the following signs:

• Sudden feelings of discomfort or unease after the prayer or ritual.

• Unexpected feelings of doubt or uncertainty about the wolf gods or your desire to work with them.

• A lack of synchronicities or unusual signs related to Sköll and Hati.

• A sense of lack of connection or distance to their imagery or mythology.

• A lack of energy or inspiration related to them.

OFFERINGS:

• Fire.

• Sun or Moon water.

• Incense: frankincense, rose, lavender, myrrh, pine, and mugwort.

• Candles

• Blood

• Food and drinks: meat, fruit, milk, booze (beer, wine, and mead), bread, crackers, biscuits, baked goods, and blood oranges

• Flowers

• Leaves

• Bones

DEVOTIONAL ACTS FOR SKÖLL AND HATI:

• Prayer: offer prayers and affirmations to connect with and honour the twin wolves.

• Meditation: dedicate some time to meditating and seeking guidance and wisdom from Sköll and Hati's presence.

• Offerings: make offerings of food, drinks, and other sacred items in honor of the twin wolves.

• Rituals: perform rituals and spells to honor the twin wolves or to seek their guidance.

• Creativity and self-expression: express your devotion to the twin wolves through creative means, such as drawing/painting images.

• Feasts: creating feast or banquet-style meals and offerings are another popular way to honor and worship the twin wolves. These feasts can involve cooking and preparing a special meal, setting the table with symbols and items that represent the wolf gods, and offering prayers and worship during the meal.

• Research and exploration: spend time learning more about their mythology, symbolism, and associated rituals and practices.

• Fellowship: connect with others who share a devotion or appreciation of the twin wolves, discuss beliefs and rituals, and seek guidance and support from the community.

• Self-reflection and awareness: take some time to reflect on your own thoughts and feelings in connection with the twin wolves. Reflect on your relationships with them and how you can further strengthen the devotion.

IS IT SAFE TO EAT OR DRINK AN OFFERING I GIVE TO THEM?

It is generally not recommended to eat or drink something that has been offered to the twin wolves. Offerings are usually meant as a way to show devotion and respect, not as something that should be consumed. It is possible that some people might consider eating or drinking offerings as a way to connect with the energy or presence of the twin wolves, but it is not a practice that is generally recommended or considered safe.

#fyp #fypシ #fypシ゚viral #fypage #fyppage #tumblr fyp #satanism #satanist #deity #deity work #deity worship #sköll #hati #norse mythology #sun #moon

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