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#it's all I'll talk about for now
asavt · 1 year
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I DO GENUINLY WANNA ASK ABOUT YOUR KIRBY HEADCANNONS!!! the idea that the mirror reflects what the looker wants to be is something ive never thought of before, o please please please just rant about your headcannons I beg of you/nf /lh
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MUAHAHAHAHHA YOU HAVE FALLEN INTO MY TRAP. I WILL NOT SHUT UP NOW!!!!
Ever since the inclusion of Dark Meta Knight in KSA I've been... microwaving him in my head, marinating him in the juices of teories and ideas and headcanons, gripping him in my little corner even when I haven't been doing any art of Kirby...
He is a very simple character, he is often presented as an edgy(-er) version of Meta Knight, his freaking mask is made to look as if he is always frowning (it's funny). He is characterized as a bit petty in some manga (as far as I've seen), kind of a trouble maker.
I hyperfixtated on him for a long time, which eventually led me to search about all the info I could get on the Mirror World, the Amazing Mirror and, of course, the characters affected by this artifact.
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Sectonia's case was the one that made me come up with the headcanon. It evolved from the fact that it was the mirror's influence that made her want to become what she ended up turning into. (It also led me to another headcanon about how our Taranza's Sectonia might not actually be dead but that one is long gone lmao).
I don't believe the mirror had the power to create dark ""evil"" versions of whoever looked into it originally. Perhaps it was an artifact made to show how far an individual could go, an artifact that was also a direct, faster gateway to the Mirror World, one that got corrupted by Dark Mind.
I like to believe that Dark Mind corrupted the Mirror itself and that that corruption was never truly "cleaned". It made sense to me then, you know? Having a kind of stronger version of Meta Knight (someone that, as far as I am aware, is constantly looking into improving and getting stronger), the Queen being corrupted (the apparent desire to look 'beautifull', the fact that, if the Amazing Mirror was never cleaned from the corruption, it could lead to the results given in Triple Deluxe).
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With Kirby I can excuse it with Kirby's supposed "pure soul", apparently being the reflection of a little being that can fight gods and win even if he is just using a goddam truck to isekai them back nullifies the effects of the corruption. I also could say that Shadow Kirby's intentions could reflect what Kirby wanted during The Amazing Mirror (wanting to protect his home).
As for Dedede... it's a bit more tricky. What I could get is that the king, like Meta Knight, wishes to become stronger than he is, so there's that, maybe, I'm unsure. I need to do more research for this.
(I am not considering Dark Taranza in this because I think of him as exclusive to Kirby Clash Deluxe and it's universe).
Now. To get into more detail about our beloved dark knight.
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Yobanashi Deceive starts to play in the background
Where's that music coming from--?
As I said before, he is a very simple character. Not a lot is really going on there so that pretty much just encouraged me to just make something for the guy (It might be just that I like the black/white/red tho).
The way I came up with the current humanizated design was by taking in count this headcanon about the Mirror. He is not only supposed to be a corrupted version of Meta Knight's views of how he wishes to become stronger, but also a desire to look into his past. Kind of like the longing for simple times but also refusing to go back there, there's no way to go back, there are only memories but unfortunely for him a very annoying Dark Knight is there to constantly remind him.
I wanted to specially get this across by giving Dark Meta the loose hair, opossed to Meta Knight's tied up hair. I have it in my mind that, if I were to draw the younger Meta and talk about his past headcanons, I would draw him with long, loose hair.
With all of this and Dark Mind's corruption and control over the mirror in mind, and the possibility of this eyeball being dark matter as well, the idea that Dark Meta didn't have much control over his own thoughts came. He was pretty much being mind controled into doing Dark Mind's will and didn't know but much about not being rude, or angry, or attacking on sight after Dark Mind was gone (even if sometimes he'd get those flashes of memories that are not his, where he sees through his eyes what kindness is like). He plays the role of a edgy guy to keep an image up, after all he, unfortunaly, has some of Meta's own traits and concerns about public image.
This thing about the mind control too.. it's what lead me into my own vision of how the fight against Meta went in KSA:
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Dark Mind's corruption never truly went away, but he manages better nowadays.
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poorly-drawn-mdzs · 6 days
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Hey now, Let her cook!
#dungeon meshi#chilchuck tims#senshi#laios touden#marcille donato#izutsumi#oyasumi punpun#<- In case you are wondering what the source for the little bird guy is.#Yeah that's right. I'm back to my extremely obscure crossover BS.#Punpun is one of those series that falls under the category of 'Good! but I cannot responsibly recommend this to anyone."#If Dungeon Meshi is like a friend asking you to go on a quick errand and you accidently go on a life changing roadtrip -#Punpun is your friend asking to go on a quick errand and they pull up to the vet and tell you your dog is being put down.#Then they explode into sludge. Melting your car. You hitchhike back but the person who picked you up is an axe murderer.#I could not finish it. My friends who did say it was good. But agree it was for the best I did not finish it.#Hey speaking of tone twists...We are one episode away from one of my favourite chapters being animated!#WHO'S READY FOR THE SENSHI BACKSTORY! WHO IS READY TO CRY!#ME! I AM! I spooked my flatmate with how energetic I was this morning. I'm vibrating with energy I was not designed to contain.#I should talk about today's episode here: It was very good. I love how they animated the familiars.#And!!! Anime only people now are in the loop on the Chilchuck lore. Part 1 of many. He still contains multitudes.#They all do to be honest! If this episode told us anything it was that we still don't know these characters as well as we think!#See you guys next week. I'll be inconsolable.
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holdoncallfailed · 3 months
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i'll never get over the way brooklyn 99 woobified the literal NYPD what the hell was that. and everybody ate it up with a spoon too
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tamelee · 3 months
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Happy 3/7day 🥰~! 'One day we'll look back on all these memories and smile about it'
Process + detail:
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natelia-aldelliz · 1 year
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Ghost after meeting Soap.
Price : Have you slept?
Ghost : Depends what day it is
Price : Go to bed.
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whenever Andrew or Neil are talking about Kevin to the other they refer to him as "your boytoy"
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Tolkien: "...You are familiar with Thorin's style on important occasions, so I will not give you any more of it, thought he went on a good deal longer than this"
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you’re so dark, collumbiahalle 02/05/18 💙
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mortispoxi · 4 months
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Seeing Twitter users recommending the People Make Games documentary as a good way to get insight on the issue is so….
I know, I’m always extremely disappointed whenever I come across someone who thinks it’s the end all be all explanations regarding the Studio ZA/UM situation.
Recommending that video always comes with a heavy caveat from me that the person needs to stop around the 40 minute mark since the interviewer shows a very clear bias that’s unbecoming of a journalist.
Regardless, now that more people are finding out about these layoffs, which might take out members of the studio that have been there since the beginning, it could finally help smack some sense into those Twitter users that actually thought, FOR SOME REASON, Rostov, Kurvitz, and Hindpere were lying for shits and giggles rather than seeing what's ACTUALLY going on which is that the investors have a very obvious agenda against the real wronged party. Hopefully this'll also open their eyes to how the People Make Games video fed into this twisted narrative that Kurvitz was somehow at fault/responsible for the theft of his own IP, but that might be asking too much from their concrete brains. Here's hoping though!
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dervampireprince · 10 months
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hey guys psst hey guys psst hey guys psst hey guys psst
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and yes it's a public one, not a patreon exclusive. it'll be posted either tomorrow if i get the art done in time or if not then it'll be the wednesday after. but i'm going to try my best to get the art done so it's up tomorrow.
(also the gender tags don't reflect the genitalia of the listener, it just changes the pet names to 'good boy' or 'good girl' or neither. no specific genitals mentioned on any of them. we t4trans-inclusive content over here.)
EDIT: it's done! check the most recent posts on my blog or do a lil search on my blog for astarion or look my youtube! there's also a direct link in the reblogs and replies to this post!
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microtyalm13 · 2 months
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everything about Gavriil feels suffocating.
how his presence alone can be almost overwhelming, how his massive body cages you everytime without a chance to escape. you wouldn't dare to try anyway, knowing that you don't even have a say against a creature of his caliber. he will find you. in your dreams, in your nightmares. in your room.
how he will be intense and vague about everything just for the sake of it; to confuse you further, to see the conflict of emotions in your eyes merge with arousal. eventually your hesitance turns into acceptance, a desperate need to feel his hands all over you. and he will be oh so grateful to fulfill that desire.
how his thick tongue pushes past your lips and into your mouth, reaching almost the back of your throat, relishing in the muffled little sounds you make. your drool mixed with his saliva drips down your chin, and your hazy eyes look up at him when he finally pulls away, giving you a second to breathe.
how his hips are slamming into you relentlessly, your wetness and lack of resistance allowing him to move almost effortlessly. forced to hold onto him for dear life instead of pushing away. all of your morals and principles are being tossed out of the window every single time he comes to you. he has you where he wants you, and will not stop until he feels like you can't take it anymore.
and how in the morning he vanishes away, leaving you guessing: was it just another wet dream? but the cold stickiness between your legs tells you more than you need to know.
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dragonskulls · 6 months
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Based on the variety among sea animals I decided to make some regional variations of the coast strikers (note that these are variations only, not entirely new quivers or clades). The dragons shown here would be the most “defined” archetype of each variety, showcasing most or all traits characteristic of said kind. They all share certain base features, like rudder shaped tails, gills, harpoon tongues, echolocation, double rows of teeth, and flat tail spines that can be detached and thrown. However, some traits change or are more common in each variety:
Deep water
Make up about 5% of the population, and inhabit the smaller communities in deeper ocean. The main activities here are algae and mollusk farming, as well as resource collection from the sea floor, both of which require a more long term stay –despite the dangers of sea serpents and other such beasts–. Slightly smaller than their cousins, they’re better equipped for the depths rather than for flying: shorter wings, webbed talons, very broad tails, and gills being more oxygen efficient, although their dart spines are usually less in quantity and shorter compared to inland dragons. Extra flippers and more fin tissue between spines is common, as well as larger eyes to take in more light. Their most notable trait, is that of translucence. Most commonly, it’s usually just wings and torsos that are see through, but different dragons showcase different levels of said trait, some being completely translucent in rare cases (of course, trading better camouflage for less armor). Coloration typically goes from dark colors similar to coastal strikers, black, red, or sometimes pale colors (the latter present usually in the populations living in the deepest available settlements). Rarely, some slight bioluminescence is present in transparent sections of the body.
Coastal
The representatives of the Roaring Coast quiver, being around 80% of their numbers. Sleek, tall but well muscled, they inhabit the sea side cliffs on the coast and some settlements in shallower waters. Extremely long and narrow wings are perfect for soaring for hours out at sea, with webbed back talons and a flattened tail making them adept swimmers. Their blade shaped spines are plenty and deadly when thrown, and offer some protection to their necks and backs. Fin tissue in between the spines is few or non existent. An odd ability most present in this variety, is the one of spitting ink. Manifesting itself as dark splotches in the throat, this ink is dense and quickly expanding underwater, and very sticky and thick on land, making it useful at deterring predators or confusing prey. Countershading is the standard regarding coloration, with light colors underneath and darker ones on top, the latter usually ranging from black, gray to washed out shades of blueish or purple hues which shine with more vivid highlights under the sun. Most common patterns are stripes or flecks. A perfect balance between the sea and land.
Inland
The remainder of the coast striker population, they live in the rivers and lakes on the edges of the Roaring Coast territory, further inland but still relatively close to the ocean. Shorter but more stout than coastal strikers, with medium length wings, broad whiskered snouts and narrower tails. Their spines are closer to the average AshWing, being more needle shaped rather than a flat blade. Their colors are similar to those of pebbles and gravel (more earthy tones) and messy patterns of spots, blotches, stripes and rosettes. Fin tissue is more similar to that of fish, making itself present more than in the coast variety but less than those of deep waters, as well as having some slight webbing in all talons. Some notable features are some splashes of brighter colors, and semi retractable barbs in limbs and backs –like those of catfish– which can sometimes inject painful venom. These last two traits are similar to the ones present in swamp lurkers; this could be the result of convergent evolution or cross breeding between clades, given the relative proximity of their territories
On a final note, characteristics mentioned here aren’t exclusive to each variety: there could be a coastal striker with slight translucence and barbs, a deep water striker with whiskers and ink, or an inland striker with full talon webbing and jet black scales. These are increasingly likely if one parent has said traits. Additionally, many times these varieties and traits are not so starkly differentiated as are the ones show here, usually being a mild mix between some
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sealsdaily · 3 months
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I can't believe one of my biggest claims to fame out of deciding to post seal pictures online is making hundreds of americans realise that some people consider otariidae seals too
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aquickstart · 5 months
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ok sure i'll talk about farleigh start. i'll talk about his tragedy of never being enough as it were and then having to deal with fucking oliver. sure. disclaimer: it's about class (and race) and the horrible reality of the rich. the horrible reality of living as farleigh.
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another disclaimer: i'm white! and poc definitely pick up on everything i'm talking about here as it is, and better. i was and am specifically interested in farleigh vs. oliver but it's impossible to examine without considering race. definitely let me know if anything abt this sucks!
farleigh and oliver are similar. it's annoying because every intruder that is not himself is annoying, partly because felix's attention swaying from farleigh is dangerous; there is always a threat of being discarded, even if no precedent existed. the potential is terrifying.
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but you'd think he's seen this before, every summer (if venetia is telling the truth) or at least often enough to learn to recognize it fast, so he should know this will pass. part of it is i think still the deep anxiety, and i think he hated every boy that was there before, and it is sort of routine.
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but definitely a huge factor in farleigh's annoyance is the fact that he's a biracial (black for cattons, that's all they see) man in a white rich household. he's alert and exhausted all the time. of course he's angry at oliver, regardless of whether he's the first to crash at saltburn for the summer or the fifty-first.
but the important thing is this.
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farleigh is very jealous of and angry and pissed at oliver because farleigh sees all the similarities between them. outsider, in financial trouble, whatever it is, in need of cattons; and yet oliver is preferred. and farleigh seems to be the only one to really consider it. felix does not pick up on the hint when farleigh brings up the birthday party vs. his mother. felix's clumsy "different or... anything like that" is as much about race as it is about class, of course. the "we've done all that we can" bit is felix absolving himself of guilt because surely they had, surely the mysterious collective cattons that he's not really part of had tried all they could do. to him, farleigh is different from oliver, because farleigh has been helped. felix is rich and white and twofold uncomfortable with farleigh, even if he's nice about it, even if he genuinely enjoys his company; he doesn't look too close at farleigh because he feels too guilty to come too close. and farleigh can't do anything about it. he can't nice himself into it. the fucking tragedy of him is that he's never enough in the world of the ultra-rich white, even if (especially because!) he's born into it.
farleigh is very pissed at oliver because farleigh also sees all the differences between them. you know who can be nice poor white enough to fit in? fucking oliver. felix says "just be yourself, they'll love you" when oliver first moves in. farleigh was also probably told the same thing, and felix also probably believed that farleigh could just be himself, but even if the cattons were magically not racist at all (impossible), it wouldn't make a difference to farleigh. he would still self-censor, keep in check, be in dangerous waters (because racism is not just about the individual, but about the system). we see that he'd won himself leeway by years of trial and error by the way he speaks to the family, but it's still within the boundaries of acceptable, built by the cattons. he's part of them because they allow it, and farleigh is very, very aware.
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the annoying thing is oliver can be himself. like, truly, genuinely, he can just be. and farleigh can't help but envy that.
as a side note, oliver is obviously jealous of farleigh in the beginning as well, because regardless of the reality of farleigh's situation, he was born into it, and hence, at least in oliver's mind, has his position solidified. oliver's whole thing is unquenchable thirst and hunger for whatever and everything the cattons have (including themselves!). he wishes to have been a catton from birth. to oliver, at first, there's nothing farleigh can really do to lose it. and until he figures out the cattons completely, he can't help but envy that.
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but i think farleigh senses something different about oliver early on. at least on the level of the text, we have "you're almost passing [for] a real, human boy", which is so important because farleigh is the first to point out oliver's weirdness. the next to do so is venetia in the bath scene calling him a freak, but it's too late. farleigh is too early.
and i like to think he clocks oliver too early because he sees the jagged edges that he recognizes in himself. i think that one other thing that farleigh envies is oliver's freedom to let go. freedom to let go is very similar to freedom to be, but not quite the same.
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to be is about perception: farleigh knows he cannot fall out of line, but would like to, and oliver does not have to worry about it at all (i mean, he does, because oliver also performs for felix, but farleigh doesn't know that).
to let go is about the self: farleigh is too scared to even want what oliver eventually does, to even consider the possibility. oliver can let himself want. oliver can let himself act. oliver just can do things and want things. i'm not sure farleigh can.
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and so in this scene, when oliver's wants and actions have landed him nowhere with farleigh, felix, venetia, the cattons, of course farleigh gloats. he can let himself do that, because if the cattons are slowly discarding him, farleigh can allow himself this one small victory. he's relieved because despite the dangerous similarities, oliver is, thankfully, not really the same as farleigh, right?
but like. this movie is a love letter to all things gothic. oliver is a white man. he prevails. the brief performance that oliver put on did eventually end up more effective than farleigh's lifetime of constraint. my heart fucking breaks for him to be honest.
the issue that remains is the fact of farleigh's survival. i like to think that oliver came to respect him. oliver is smart, but farleigh is clever. he picks up on everything oliver does (to refer back to the karaoke scene, farleigh immediately retaliates in the cleverest way, in the moment), and he's the only one to do so consistently (venetia, again, for example, comes close, but too late; oliver doesn't like that, there's nothing to work with). hence, stay with me for a little longer, the paradox: farleigh survives because he was never enough for the cattons, but he is very worthy of oliver's attention. in his own freaky way, oliver wants him. look at that.
so. farleigh. farleigh might come back. he always comes back. and i think oliver wants to try harder next time.
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guardian-angle22 · 7 months
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Colson Baker (aka Machine Gun Kelly) | December 2021
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katabay · 7 months
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ANDREY STAMATIN
Keep a close eye on Peter. You'd become desperate and turn into a villain without him.
I spend a lot of time thinking about daniil and peter, but something just clicked into place for me with andrey. so!
I am. currently untangling this thread of thoughts about the stamatin twins and daniil and this kind of. triangle that's happening. a three fold bullet for sure, the kind of recognition-awareness-understanding where three people become one, but to step back from that. when daniil and andrey talk, there's a specific shape of peter that stands in his conversational absence. so: triangle formation. it's opposite-adjacent-complementary to daniil and peter's conversations. it all goes back to that first conversation you have with andrey. it's giving knife. love it!
bsky ⭐ pixiv ⭐ pillowfort ⭐ cohost
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