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mochiimadness · 3 months

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hi! i really like your works, so i'd like to request a ( sort of angsty ) scenario where the rottmnt boys react to their s/o losing their memories after getting injured from a bad guy fight, so they completely forget who the boys are

Hello! I want to preface this by saying: this is mostly from their POV, so their thoughts are very much self-blaming, even if what they think is not at all the case!

Slightly angsty, filled with self blame and anxiety.

Rottmnt x S/O who loses their memories after a fight

Neon Leon

Leo feels the weight of this horrible situation crush him like a fallen building.

If only he had just been a little faster- or planned ahead better

Maybe if he had been more serious about his s/o and their safety this never would have happened.

He’s in shock at first when you flinch away from him

Whether or not you were genuinely scared or just shocked at seeing a mutant ninja turtle-

It hurts him all the same because of one thing

The genuine confusion on your face-

No trace of recognition in your gaze

He shuts down for a few moments as his brothers try to figure out what they can do to help

The ringing in his ears grow loud until the high pitch whine is all he can hear

He can’t even see you nor his family in front of him anymore- everything far too blurry

Just vague shapes and blobs of color…

Distorted and unrecognizable

Is that how his s/o saw him??

All he can think is;

He should have gotten to you quicker

He couldn’t even portal to you because he didn’t know where you were.

It’s his fault that you don’t remember him,

The life you two have life together,

All the laughter you shared,

Just gone… like it never existed…

…

He should’ve been better.

Don Tron

Donnie’s already trying to scan his s/o and check for any injuries the second he finds them

What could’ve caused their condition??

Blunt force trauma to the head?

Mystical memory wipe??

What’s ever caused it, he’s going to find it

And he will not rest until he can reverse this.

Absolutely could not handle your reaction to him-

Not knowing who he is,

Not knowing all the wonderful progress you two made together,

Helping him with his experiments and machinery,

Getting comfortable with prolonged touch,

The late night rambles-

Immediately started murmuring the statistics of regaining your memory under his breath

You had to get their memory back- you absolutely had to.

Statistics be damned- he’s making sure it’s a 100% chance.

There’s anxiety gnawing away at him slowly from the inside,

Creeping and burning like static in his bones.

Not even the numerous photos he has of the both of you are helping- maybe it’s just too soon

You did just wake up after all… but why-

Why couldn’t he have prevented this?

All of his fail safes,

The numerous emergency alert devices he gave you,

He weapon he had specifically designed to be easy to conceal and have on you at all times,

Even his GPS tracker-

None of them had worked to keep you safe…

He failed, and this was worse than any experiment exploding in his face.

He failed you and now you have no idea about just how close you two actually are

…

He will fix this- there’s no room for error this time.

Mystic Mike

Mikey’s on the verge of waking up the person who was cruel enough to harm you this badly- just so he could beat them up again.

They hurt you- hurt you so bad you can’t even remember his name

Let alone everything you two have been through together

Mikey feels rage

At the situation,

At the villains who did this,

And at himself-

Why hadn’t he been strong enough to stop this?

He can throw buses, skyscrapers even,

He can maneuver his way around places with ease with his razzmatazz mastery

But what was all that strength and skill for if none of it could help you?

He’s frustrated enough to cry

But he’s also the quickest to compose himself

Several deep breaths in and out before he's able to pull himself together enough to crouch down beside his beloved s/o

Gently reassures you that he means no harm,

That you were in a bad fight and letting you slowly collect yourself.

He also uses photos- but rather than doing this to specifically try to jog his s/o's memories,

It's more to show them that they actually do know him-

Trying to get your memories back can wait for later,

His main focus is making sure his s/o is calm and comfortable around him- at least enough to trust that he won't harm them.

Once you feel that they can trust him- even if only a little bit,

He'll take you home and make sure you're alright physically.

Later on, he sneaks off quietly to the gym area

Demolishes the punching bag they had-

All of his worries and frustrations are taken out with every punch

Would you ever remember him?

If you never regained your memories, is there any chance you two would ever have the relationship you once had again??

They're going to need more punching bags,

All the extra ones are destroyed too.

His family is worried, but Mikey is only focused on two things;

Helping you remember him and getting revenge for you.

He will make sure this won't ever happen again.

Big Red

What do you mean you don't remember him??

You're his s/o!

His partner!

Surely you must be playing a prank or something-

He is in complete denial at first,

Then, as his family explains that no-

You aren't joking,

You genuinely don't remember him,

His denial shatters into gut wrenching dispair.

How did this happen-

Why did this happen?!

...

This was all his fault.

Why wasn't he there for you when you needed him??

He's suppose to be able to protect those who he cares about

Especially his beloved s/o

Yet he failed

He wasn't there,

He wasn't able to help you, to stop you from ever being hurt this badly

And now you can’t remember a single thing about him, your relationship together, nothing.

RAPH is still able to move and check on you-

Though, it’s more like hovering worriedly while Donnie and Leo do their best to patch you up

He is watching like a hawk, making sure that you’re in no additional discomfort or pain

Once you’re clear enough to be able to go home though

Raph is stressing

If you leave now you could get hurt again!

But he doesn’t want to scare you off by being too overbearing

Especially if he wants any chance of you remembering him-

He can’t cause you to feel uncomfortable around him- or worse

Frightened.

He’s able to stop his anxiety fueled spiral before it consumes him

Focusing on making you’re you get home safely

Even if you decline having him walk with you-

He’ll make sure to follow stealthily from a distance

Once he’s certain you’re absolutely safe and sound

He’s pacing around the lair and pulling at his mask

What if you don’t remember him?

Donnie said you likely just had “mild amnesia” but what if it was worse?!

There’s a chance you’ll never be able to remember him-

And it’s all his fault…

He couldn’t protect you

It all boils down to one simple fact ringing in his head:

He wasn’t there

…

He’ll make sure he’s always there

He will be there for you.

Hello, I hope you enjoyed

Also for those who may not have watched ROTTMNT- Mikey is shown to be a little angry ball of revenge at times, while Raph is shown to be full of anxiety and mother-henning™️

So they may seem a little ooc compared to other versions of them!

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lilybug-02 · 4 months

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You’re making a lot of promises there Chara…

Part 24 || First || Previous || Next

—Full Series—

I enjoyed doing this little Flashback scene. We’ll be back to our regularly scheduled freakout session soon. Having monochrome color is very nice.

Here is a gif of Chara spilling their water because YES. And I spent way too long on it :)

Wow technology is so cool.

#Frisk is finally name dropped!! WOOHOOO #Az and Chara are my Little Lily bugs and I love writing their interactions #they still have a lot to learn about each other though. it’s only been a few months!#the tiny nudge made me happy #untitled goose game is just chillin in the corner #if you want lol. I ain’t cannonizing anything there #gif #I’m really happy with all this. I was planning on making almost 7 pages but with some help from friends I decided to cut it down a lot #i’ve also really been wanting to solidify all of their pronouns for a while now but couldn’t find a suitable time #anyways…I still have some vacation time planned so the next update will also be somewhat delayed #thanks to all those who are still loving the story #much love #bread #art #deltarune #deltarune chara timeline #chara #Asriel #Kris #my art

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pink-andwhite · 10 months

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ethan landry mocking you >>>

"oh it's too big baby? that's so cute." then proceeds to fuck you harder, making sure to shove that extra inch in there each thrust.

"too much? oh you poor thing.." wraps his hand around your throat and fucks you faster, definitely rubs your clit too.

"you're all done sweetie? that's too bad, im just getting started." proceeds to fuck you through 4 more orgasms.

#these are thot hours #help im not in the mood to write a fic but like i cant help but let a little blurb out #im thirsting over him so bad rn #its not even funny #ethan laundry 4 life #ethan landry is my new obsession thank you #ethan landry x reader #ethan landry smut #ethan landry #scream vi smut #scream dialogue

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bluerosefox · 1 month

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Our Strengths

"What do we do now? Tucker asked. His voice cracking with stress and worry as he stared at the scene before him not able to look away as his best friend and his family were being dragged out of their home.

Danny cuffed in anti-ghost cuffs and knocked the heck out with a ecto-gun pointed at his skull by one of the GIW agents, they eventually tossed Danny into their van that was parked right outside the Fenton Works. Jazz was pleading, begging them to let her brother go, even though she too was cuffed and not caring that another gun was at her back. Maddie was hissing like angry feral mama cat at the two agents, ignoring the other two that were holding her shoulders to keep her from squirming around and saying "you dare touch a single hair on my babies I will rip-" before she too was lead away to the GIW van. The last to come out was Jack and he looked haunted and stressed, and despite being a huge guy he was trying to make himself look small. He too was sent into the van, and one of the last things Tucker could see before the doors close was Jack kneeling down next to Danny and going to cradle him but being stopped by the GIW agent in the van.

Sam chewed on her lip, her eyes wide and wild as she tried to think of... well anything to save her friend and his family from this.

To think Vlad would be so petty after Danny finally told his parents about being Phantom and them accepting and loving him regardless and even apologizing for trying to hurt him that he would go and tattle to the GIW about Phantom.

Danny hadn't even told them about Vlad being a halfa either. Not even a bit. All Danny told them was that Vlad made him super uncomfortable. About how the guy seemed obsessed with his mom but seemed to be shifting his obsession to him.

And for once Jack listened, especially after Maddie finally told him the times the man flirted with her and had even tried getting her to leave Jack. With only Danny. No mention of Jazz, only Danny.

After that Jack turned papa bear mode.

Say what you will about Jack Fenton but his love for his family outweighs any kind of friendship.

So yeah Vlad finding himself being 'cut out' of the Fenton's lives, realizing the only times he could even get close to Maddie and Danny was because Jack was always welcoming to him, and finding out Jack point blank said he no longer wanted him around his family, he raged and decided to get back at Danny was to go tell the GIW about him being Phantom.

No doubt the creep was going to show up later, 'save' them and start making demands or indebt them to him.

And now here they were. The Fenton's, after being told about Phantom, were being unjustified hauled away by the GIW while all of Amity watches from the streets and despite the protest from, mostly teens, Amity Parkers no one could do anything with both weapons pointed at them or the 'law' decree.

Closing her eyes, Sam took a breath. When she opened them back up she finally looked away as the van and the rest of the GIW began to leave, her hands clutched so tight that her knuckles were turning a deadly white. When she finally released her grip she felt something in her hand.

Confused, Sam opened her hand and gasped as she recognized a familiarish green sticky note and words written in purple ink. She's never read any of the sticky notes CW would send Danny but she has seen them appear out of no where.

She read the note, ignoring Tuckers questioning, and once done she snapped her head to look at him. It was so fast that Tucker jumped for a second. Her eyes were alight with a new found kindle of hope, determination, and a plan.

"Sam? What is it?" Tucker finally asked once more, he had a feeling whatever she had in mind was going to be insane but if it sent by CW and meant to save his best friend he'd do it.

"We play into our strengths and get some help." She said as she brought the sticky note up for him to see.

"Help? From who?" Tucker asked as he took the note and instantly noticed the drawn symbols on the bottom. When he snapped his head back up to look at Sam his mouth fell open and he said in shock, awe, and disbelief "No. No way. Them? But I thought-"

"Gonna stop you right there Tucker. Remember what Dani told us last month? About that new under the radar teen hero group?" Sam cut in.

"OOoooh. Them.... Yeah I can totally get behind asking them over asking the adults." Tucker responded, his mind coming up with a plan as the sticky note words played into his head 'Use your strengths'

"Good we have no time to loose. I'll contact Dani to find out where we can find their base, you get ready to hack and find what you can so I can use it to help... persuade them into helping us."

-x-x-

Young Justice was having a normal, well as normal as a bunch of super-powered and very well trained teens could have day.

Or at least it was until their comms and entire system were hacked by an unknown hacker, a goth girl appearing on their main sceen and her saying this

"Hey, Young Justice right? Look I'll be blunt about this. We need help, our best friend and his family got taken by some shady government jerks that wanna experiment on him and we need to save them. It's a long story. However, we do not like the JL too much and don't trust them, we have our reasons, so to make sure you don't go crying to them, we're taking your systems hostage and blackmailing you with things our hacker found out." Her eyes narrowed at them, her face in a scowl and it left no room for negotiations at all, she was determined to get things her way "So that's the deal. Help us save our best friend and his family while not letting the JL know, and we let go of your systems and forget about what we found out."

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eyrieofsynapses · 4 months

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why Aurora's art is genius

It's break for me, and I've been meaning to sit down and read the Aurora webcomic (https://comicaurora.com/, @comicaurora on Tumblr) for quite a bit. So I did that over the last few days.

And… y'know. I can't actually say "I should've read this earlier," because otherwise I would've been up at 2:30-3am when I had responsibilities in the morning and I couldn't have properly enjoyed it, but. Holy shit guys THIS COMIC.

I intended to just do a generalized "hello this is all the things I love about this story," and I wrote a paragraph or two about art style. …and then another. And another. And I realized I needed to actually reference things so I would stop being too vague. I was reading the comic on my tablet or phone, because I wanted to stay curled up in my chair, but I type at a big monitor and so I saw more details… aaaaaand it turned into its own giant-ass post.

SO. Enjoy a few thousand words of me nerding out about this insanely cool art style and how fucking gorgeous this comic is? (There are screenshots, I promise it isn't just a wall of text.) In my defense, I just spent two semesters in graphic design classes focusing on the Adobe Suite, so… I get to be a nerd about pretty things…???

All positive feedback btw! No downers here. <3

---

I cannot emphasize enough how much I love the beautiful, simple stylistic method of drawing characters and figures. It is absolutely stunning and effortless and utterly graceful—it is so hard to capture the sheer beauty and fluidity of the human form in such a fashion. Even a simple outline of a character feels dynamic! It's gorgeous!

Though I do have a love-hate relationship with this, because my artistic side looks at that lovely simplicity, goes "I CAN DO THAT!" and then I sit down and go to the paper and realize that no, in fact, I cannot do that yet, because that simplicity is born of a hell of a lot of practice and understanding of bodies and actually is really hard to do. It's a very developed style that only looks simple because the artist knows what they're doing. The human body is hard to pull off, and this comic does so beautifully and makes it look effortless.

Also: line weight line weight line weight. It's especially important in simplified shapes and figures like this, and hoo boy is it used excellently. It's especially apparent the newer the pages get—I love watching that improvement over time—but with simpler figures and lines, you get nice light lines to emphasize both smaller details, like in the draping of clothing and the curls of hair—which, hello, yes—and thicker lines to emphasize bigger and more important details and silhouettes. It's the sort of thing that's essential to most illustrations, but I wanted to make a note of it because it's so vital to this art style.

THE USE OF LAYER BLENDING MODES OH MY GODS. (...uhhh, apologies to the people who don't know what that means, it's a digital art program thing? This article explains it for beginners.)

Bear with me, I just finished my second Photoshop course, I spent months and months working on projects with this shit so I see the genius use of Screen and/or its siblings (of which there are many—if I say "Screen" here, assume I mean the entire umbrella of Screen blending modes and possibly Overlay) and go nuts, but seriously it's so clever and also fucking gorgeous:

Firstly: the use of screened-on sound effect words over an action? A "CRACK" written over a branch and then put on Screen in glowy green so that it's subtle enough that it doesn't disrupt the visual flow, but still sticks out enough to make itself heard? Little "scritches" that are transparent where they're laid on without outlines to emphasize the sound without disrupting the underlying image? FUCK YES. I haven't seen this done literally anywhere else—granted, I haven't read a massive amount of comics, but I've read enough—and it is so clever and I adore it. Examples:

Secondly: The beautiful lighting effects. The curling leaves, all the magic, the various glowing eyes, the fog, the way it's all so vividly colored but doesn't burn your eyeballs out—a balance that's way harder to achieve than you'd think—and the soft glows around them, eeeee it's so pretty so pretty SO PRETTY. Not sure if some of these are Outer/Inner Glow/Shadow layer effects or if it's entirely hand-drawn, but major kudos either way; I can see the beautiful use of blending modes and I SALUTE YOUR GENIUS.

I keep looking at some of this stuff and go "is that a layer effect or is it done by hand?" Because you can make some similar things with the Satin layer effect in Photoshop (I don't know if other programs have this? I'm gonna have to find out since I won't have access to PS for much longer ;-;) that resembles some of the swirly inner bits on some of the lit effects, but I'm not sure if it is that or not. Or you could mask over textures? There's... many ways to do it.

If done by hand: oh my gods the patience, how. If done with layer effects: really clever work that knows how to stop said effects from looking wonky, because ugh those things get temperamental. If done with a layer of texture that's been masked over: very, very good masking work. No matter the method, pretty shimmers and swirly bits inside the bigger pretty swirls!

Next: The way color contrast is used! I will never be over the glowy green-on-black Primordial Life vibes when Alinua gets dropped into that… unconscious space?? with Life, for example, and the sharp contrast of vines and crack and branches and leaves against pitch black is just visually stunning. The way the roots sink into the ground and the three-dimensional sensation of it is particularly badass here:

Friggin. How does this imply depth like that. HOW. IT'S SO FREAKING COOL.

A huge point here is also color language and use! Everybody has their own particular shade, generally matching their eyes, magic, and personality, and I adore how this is used to make it clear who's talking or who's doing an action. That was especially apparent to me with Dainix and Falst in the caves—their colors are both fairly warm, but quite distinct, and I love how this clarifies who's doing what in panels with a lot of action from both of them. There is a particular bit that stuck out to me, so I dug up the panels (see this page and the following one https://comicaurora.com/aurora/1-20-30/):

(Gods it looks even prettier now that I put it against a plain background. Also, appreciation to Falst for managing a bridal-carry midair, damn.)

The way that their colors MERGE here! And the immense attention to detail in doing so—Dainix is higher up than Falst is in the first panel, so Dainix's orange fades into Falst's orange at the base. The next panel has gold up top and orange on bottom; we can't really tell in that panel where each of them are, but that's carried over to the next panel—

—where we now see that Falst's position is raised above Dainix's due to the way he's carrying him. (Points for continuity!) And, of course, we see the little "huffs" flowing from orange to yellow over their heads (where Dainix's head is higher than Falst's) to merge the sound of their breathing, which is absurdly clever because it emphasizes to the viewer how we hear two sets of huffing overlaying each other, not one. Absolutely brilliant.

(A few other notes of appreciation to that panel: beautiful glows around them, the sparks, the jagged silhouette of the spider legs, the lovely colors that have no right to make the area around a spider corpse that pretty, the excellent texturing on the cave walls plus perspective, the way Falst's movements imply Dainix's hefty weight, the natural posing of the characters, their on-point expressions that convey exactly how fuckin terrifying everything is right now, the slight glows to their eyes, and also they're just handsome boys <3)

Next up: Rain!!!! So well done! It's subtle enough that it never ever disrupts the impact of the focal point, but evident enough you can tell! And more importantly: THE MIST OFF THE CHARACTERS. Rain does this irl, it has that little vapor that comes off you and makes that little misty effect that plays with lighting, it's so cool-looking and here it's used to such pretty effect!

One of the panel captions says something about it blurring out all the injuries on the characters but like THAT AIN'T TOO BIG OF A PROBLEM when it gets across the environmental vibes, and also that'd be how it would look in real life too so like… outside viewer's angle is the same as the characters', mostly? my point is: that's the environment!!! that's the vibes, that's the feel! It gets it across and it does so in the most pretty way possible!

And another thing re: rain, the use of it to establish perspective, particularly in panels like this—

—where we can tell we're looking down at Tynan due to the perspective on the rain and where it's pointing. Excellent. (Also, kudos for looking down and emphasizing how Tynan's losing his advantage—lovely use of visual storytelling.)

Additionally, the misting here:

We see it most heavily in the leftmost panel, where it's quite foggy as you would expect in a rainstorm, especially in an environment with a lot of heat, but it's also lightly powdered on in the following two panels and tends to follow light sources, which makes complete sense given how light bounces off particles in the air.

A major point of strength in these too is a thorough understanding of lighting, like rim lighting, the various hues and shades, and an intricate understanding of how light bounces off surfaces even when they're in shadow (we'll see a faint glow in spots where characters are half in shadow, but that's how it would work in real life, because of how light bounces around).

Bringing some of these points together: the fluidity of the lines in magic, and the way simple glowing lines are used to emphasize motion and the magic itself, is deeply clever. I'm basically pulling at random from panels and there's definitely even better examples, but here's one (see this page https://comicaurora.com/aurora/1-16-33/):

First panel, listed in numbers because these build on each other:

The tension of the lines in Tess's magic here. This works on a couple levels: first, the way she's holding her fists, as if she's pulling a rope taut.

The way there's one primary line, emphasizing the rope feeling, accompanied by smaller ones.

The additional lines starbursting around her hands, to indicate the energy crackling in her hands and how she's doing a good bit more than just holding it. (That combined with the fists suggests some tension to the magic, too.) Also the variations in brightness, a feature you'll find in actual lightning. :D Additional kudos for how the lightning sparks and breaks off the metal of the sword.

A handful of miscellaneous notes on the second panel:

The reflection of the flames in Erin's typically dark blue eyes (which bears a remarkable resemblance to Dainix, incidentally—almost a thematic sort of parallel given Erin's using the same magic Dainix specializes in?)

The flowing of fabric in the wind and associated variation in the lineart

The way Erin's tattoos interact with the fire he's pulling to his hand

The way the rain overlays some of the fainter areas of fire (attention! to! detail! hell yeah!)

I could go on. I won't because this is a lot of writing already.

Third panel gets paragraphs, not bullets:

Erin's giant-ass "FWOOM" of fire there, and the way the outline of the word is puffy-edged and gradated to feel almost three-dimensional, plus once again using Screen or a variation on it so that the stars show up in the background. All this against that stunning plume of fire, which ripples and sparks so gorgeously, and the ending "om" of the onomatopoeia is emphasized incredibly brightly against that, adding to the punch of it and making the plume feel even brighter.

Also, once again, rain helping establish perspective, especially in how it's very angular in the left side of the panel and then slowly becomes more like a point to the right to indicate it's falling directly down on the viewer. Add in the bright, beautiful glow effects, fainter but no less important black lines beneath them to emphasize the sky and smoke and the like, and the stunningly beautiful lighting and gradated glows surrounding Erin plus the lightning jagging up at him from below, and you get one hell of an impactful panel right there. (And there is definitely more in there I could break down, this is just a lot already.)

And in general: The colors in this? Incredible. The blues and purples and oranges and golds compliment so well, and it's all so rich.

Like, seriously, just throughout the whole comic, the use of gradients, blending modes, color balance and hues, all the things, all the things, it makes for the most beautiful effects and glows and such a rich environment. There's a very distinct style to this comic in its simplified backgrounds (which I recognize are done partly because it's way easier and also backgrounds are so time-consuming dear gods but lemme say this) and vivid, smoothly drawn characters; the simplicity lets them come to the front and gives room for those beautiful, richly saturated focal points, letting the stylized designs of the magic and characters shine. The use of distinct silhouettes is insanely good. Honestly, complex backgrounds might run the risk of making everything too visually busy in this case. It's just, augh, so GORGEOUS.

Another bit, take a look at this page (https://comicaurora.com/aurora/1-15-28/):

It's not quite as evident here as it is in the next page, but this one does some other fun things so I'm grabbing it. Points:

Once again, using different colors to represent different character actions. The "WHAM" of Kendal hitting the ground is caused by Dainix's force, so it's orange (and kudos for doubling the word over to add a shake effect). But we see blue layered underneath, which could be an environmental choice, but might also be because it's Kendal, whose color is blue.

And speaking off, take a look at the right-most panel on top, where Kendal grabs the spear: his motion is, again, illustrated in bright blue, versus the atmospheric screened-on orange lines that point toward him around the whole panel (I'm sure these have a name, I think they might be more of a manga thing though and the only experience I have in manga is reading a bit of Fullmetal Alchemist). Those lines emphasize the weight of the spear being shoved at him, and their color tells us Dainix is responsible for it.

One of my all-time favorite effects in this comic is the way cracks manifest across Dainix's body to represent when he starts to lose control; it is utterly gorgeous and wonderfully thematic. These are more evident in the page before and after this one, but you get a decent idea here. I love the way they glow softly, the way the fire juuuust flickers through at the start and then becomes more evident over time, and the cracks feel so realistic, like his skin is made of pottery. Additional points for how fire begins to creep into his hair.

A small detail that's generally consistent across the comic, but which I want to make note of here because you can see it pretty well: Kendal's eyes glow about the same as the jewel in his sword, mirroring his connection to said sword and calling back to how the jewel became Vash's eye temporarily and thus was once Kendal's eye. You can always see this connection (though there might be some spots where this also changes in a symbolic manner; I went through it quickly on the first time around, so I'll pay more attention when I inevitably reread this), where Kendal's always got that little shine of blue in his eyes the same as the jewel. It's a beautiful visual parallel that encourages the reader to subconsciously link them together, especially since the lines used to illustrate character movements typically mirror their eye color. It's an extension of Kendal.

Did I mention how ABSOLUTELY BEAUTIFUL the colors in this are?

Also, the mythological/legend-type scenes are illustrated in familiar style often used for that type of story, a simple and heavily symbolic two-dimensional cave-painting-like look. They are absolutely beautiful on many levels, employing simple, lovely gradients, slightly rougher and thicker lineart that is nonetheless smoothly beautiful, and working with clear silhouettes (a major strength of this art style, but also a strength in the comic overall). But in particular, I wanted to call attention to a particular thing (see this page https://comicaurora.com/aurora/1-12-4/):

The flowing symbolic lineart surrounding each character. This is actually quite consistent across characters—see also Life's typical lines and how they curl:

What's particularly interesting here is how these symbols are often similar, but not the same. Vash's lines are always smooth, clean curls, often playing off each other and echoing one another like ripples in a pond. You'd think they'd look too similar to Life's—but they don't. Life's curl like vines, and they remain connected; where one curve might echo another but exist entirely detached from each other in Vash's, Life's lines still remain wound together, because vines are continuous and don't float around. :P

Tahraim's are less continuous, often breaking up with significantly smaller bits and pieces floating around like—of course—sparks, and come to sharper points. These are also constants: we see the vines repeated over and over in Alinua's dreams of Life, and the echoing ripples of Vash are consistent wherever we encounter him. Kendal's dream of the ghost citizens of the city of Vash in the last few chapters is filled with these rippling, echoing patterns, to beautiful effect (https://comicaurora.com/aurora/1-20-14/):

They ripple and spiral, often in long, sinuous curves, with smooth elegance. It reminds me a great deal of images of space and sine waves and the like. This establishes a definite feel to these different characters and their magic. And the thing is, that's not something that had to be done—the colors are good at emphasizing who's who. But it was done, and it adds a whole other dimension to the story. Whenever you're in a deity's domain, you know whose it is no matter the color.

Regarding that shape language, I wanted to make another note, too—Vash is sometimes described as chaotic and doing what he likes, which is interesting to me, because smooth, elegant curves and the color blue aren't generally associated with chaos. So while Vash might behave like that on the surface, I'm guessing he's got a lot more going on underneath; he's probably much more intentional in his actions than you'd think at a glance, and he is certainly quite caring with his city. The other thing is that this suits Kendal perfectly. He's a paragon character; he is kind, virtuous, and self-sacrificing, and often we see him aiming to calm others and keep them safe. Blue is such a good color for him. There is… probably more to this, but I'm not deep enough in yet to say.

And here's the thing: I'm only scratching the surface. There is so much more here I'm not covering (color palettes! outfits! character design! environment! the deities! so much more!) and a lot more I can't cover, because I don't have the experience; this is me as a hobbyist artist who happened to take a couple design classes because I wanted to. The art style to this comic is so clever and creative and beautiful, though, I just had to go off about it. <3

...brownie points for getting all the way down here? Have a cookie.

#aurora comic #aurora webcomic #comicaurora #art analysis #...I hope those are the right tags???#new fandom new tagging practices to learn ig #much thanks for something to read while I try to rest my wrists. carpal tunnel BAD. (ignore that I wrote this I've got braces ok it's fine)#anyway! I HAVE. MANY MORE THOUGHTS. ON THE STORY ITSELF. THIS LOVELY STORY #also a collection of reactions to a chunk of the comic before I hit the point where I was too busy reading to write anything down #idk how to format those tho #...yeet them into one post...???#eh I usually don't go off this much these days but this seems like a smaller tight-knit fandom so... might as well help build it?#and I have a little more time thanks to break so #oh yes also shoutout to my insanely awesome professor for teaching me all the technical stuff from this he is LOVELY #made an incredibly complex program into something comprehensible <3 #synapse talks

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cuethediscoandthedrinks · 1 year

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jake sully + breeding/pregnancy kink hcs~

a bit of fluffy smut, enjoy lovelies <3

song rec while reading: i see who you are - instrumental (björk)

• lying in each other's arms, sat not too far from the communal bonfire; you could see friends and family all around you from the secluded spot you were in

• most of the children were asleep at this late hour, but some gently sleeping babies and their mothers sat around the hearth, sharing stories with their sisters and brothers, mothers and fathers

• the dark of night contrasted with the warmth and yellowish hues from the burning embers, smiles and sleeping faces, alongside quiet laughs and chatter echoed off of the inner cave walls

• you'd felt especially restless all day, the only thought tiding you through the chores and work being this moment; sat with your head to jake's chest, nuzzled up into his neck; your face was turned ever so slightly to the side, taking in the sight before you

• usually the urge to fly, jump and run was enough to keep you distracted from this, but today the still of the little hours of the night with the steady beat of jake's heart was enough to remind you: this was home, and so was he

• the seed of hope in making it permanent had been developing as you immersed and integrated yourself more and more into the na'vi culture; your shared bond with jake only strengthening, and the yearning to share your love in new and more meaningful ways grew in your mind and heart

• looking out to the circle of na'vi huddled close together, sharing songs and stories, your eyes naturally inclined to those expecting; some mothers were yet to have their children of course, younger in stature and skin tone, their bellies swollen and full, usually their mates by their side; the sight made your heart flutter, and a small smile grace your features

• jake noticed this, of course; you'd been much quieter than usual, although the way your body relaxed into him intimated that this quiet was of no alarm - he'a merely been glancing down every so often to your form, curled up in his arms as he traced patterns on your hips and upper thighs

• your expression of an almost warm-hearted wistfulness caught him off-guard, though; usually you were asleep by now, breaths deeper and body heavier in his arms. this time your eyes were cast to the group sat about the fire nearby, your lips briefly pursing in thought only to grow back into a small smile

• using his index and middle fingers, jake ever so gently lifted your face up to his by your chin, taking in your softened sleepy features, whispering a quiet "...what's on your mind, babygirl?"

• sitting up a little further, you wrapped your arms around either side of his neck, lightly stroking the soft braid, brushing any stray hairs away from his face, behind his ears; jake's arms snaked their way around your waist, his eyes flicking up and down your form in curiosity

• you'd then proceeded to express what filled your thoughts; being human and working at the base in pandora, the probability of having any children was low. but your life was so different now; even your body was made of completely different components - all that was you was your mind, and whatever you wanted it to be was now up to you; unconstrained by human rules and physical limits

• at your words, jake made sure to listen closely; his earnest little tail flicks and swivelled ears making sure to pay attention, as you continued to express how you felt the increasing urge to have a family; and how the prospect of being pregnant was especially appealing to you

• the idea of being so claimed by someone, in such an intimate way; enough to change your whole body once more, not only for your baby, but for your mate. giving him a family, and the mutual respect and love that such a shared act represents, it made your heart swell

• jake's gently widened eyes and small open-mouthed smile only affirmed your words, giving you the confidence to continue, almost whispering your confession, "..i just...i want to have that with you, if you wanted it too...i don't have it in me to fight something so instinctual...i'd have your babies, i want them...with you."

• as you subtly began to gyrate your hips into his now slowly hardening length, jake's expression only deepened as he nodded along to you; your words almost washing over him and sending him into a trance. you wanted children, and to mother, and best of all..with him. you wanted his children

• paired with your now growing arousal, and lightly rocking your form against his, he could tell that this captivated you in more ways than one. his mind shifting from a place of pride and sentimentality, to that of lust and an intimate kind of eroticism at your proposed prospect

• he'd have no quarrel with fucking you deep, watching as you swell full with his child; jake sighed out at the thought, "ah, i see..must mean you want a daddy too, huh. a daddy and his babygirl, mmhm?", your now more desperate grinds only increased the heat between you, the proximity beginning to rile the both of you up

• "..yes..but really..w'na be a mama.." you'd let out, eyes flickering back and forth between his emerald orbs and the ground; your flustered form couldn't be masked even by the enthusiasm you showed at the idea of starting a family

• letting out a feigned-innocent hum of approval, jake nuzzled his face closer to yours, understanding what you really meant - maybe the family was in the future, but your current state: pussy wet, pupils dilated, hips circling hard into his cock, was more interested in the prospect of making the babies, rather than rearing them

• "..ahh, ok..so my babygirl wants to be a mommy, and wants mommy and daddy to make babies, am i right?..protect their family..take care of each other?..well shit, sweetheart", he'd keen, already knowing the answer through your eager nods, the little high-pitched whine that escaped your lips, and your eyebrows contorting in weakly hidden arousal

• jake was fully on board with this idea of course, but took great satisfaction in watching your squirms of pleasure at the fantasy; sliding a hand down to your cloth-covered entrance, he moved the material to the side, sliding in his swollen cock; there'd usually be more foreplay, but feeling how much of your juices were already dripping from you, he took little more time in riling you up

• making sure to be out of direct sight from those at the fire, he gently scooted both of you deeper into the shadowed corner of the cave; once fully-sheathed inside your clenching, wet pussy, jake began to gently pump in and out of you;

• hips bucking rhythmically into you, your hips matching his speed as you rode him in equal fervor; in between desperate chesty groans, jake continued to gasp out, "..ffuck..you w-want a baby, sweetheart? i'll give it to you, i'll give it...ah-ah, fffuck..",

• "so t-tight for me..must've really wanted this, hm?..mommy wants daddy's seed, deep inside, right? m'gonna fuck it nice and deep for you babygirl, don't worry..sh-shit..", as his hips pushed deeper into you, his head leaned back on the cold stone wall, eyes clasped shut from the way your pussy constricted around his pulsing length

• all the while your hushed moans echoed in his ears, as you wantonly nodded to his lustful words; knowing just how much you wanted his babies, he was going to make damn sure you got them.

:,)

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vulpixhoney · 4 months

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the stuff with the cops was making me nervous y'all. I like they they, are kind of changing the show to fit the fact that Annabeth and Grover are poc instead of just pretending it would be the exact same as the book. like in the book they were never given any trouble, Annabeth even makes a comment that mortal cops can't touch them and is not concerned at all about Percy being a wanted "criminal". but that's in 2005 from a white man writing about white children. but now Annabeth is a black girl, she's going to have completely different interactions with the police. the "are we under arrest" is like, textbook How to Respond When Being Hassled By the Police. it's very subtle bc it's Disney, but Leah's response felt very real

eta: also, the echidna being a southern white lady, but like the type of southern that calls the cops on her neighbors for being in their own yard or some shit. like, she got the cops to turn on them so easily. even though there's no way they could destroy a room like that, the cop just automatically assumed it was their fault, because some white lady said they did it. and the group is a black girl, a brown boy, and their token white boy, who isn't a great buffer bc at the very least is a ~delinquent~, and at this point in the book has an active warrant

#credit ofc going to leah and whoever the actual director is #i guess a little to rick but he is untrustworthy to me in regards to how he writes poc #but maybe this is him learning and growing #maybe working with poc is helping him widen his perspectives and writing #percy jackson #percy jackon and the olympians

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too-fond-to-be-fearful · 4 months

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Been thinking recently about the goings-on with Duolingo & AI, and I do want to throw my two cents in, actually.

There are ways in which computers can help us with languages, certainly. They absolutely should not be the be-all and end-all, and particularly for any sort of professional work I am wholly in favour of actually employing qualified translators & interpreters, because there's a lot of important nuances to language and translation (e.g. context, ambiguity, implied meaning, authorial intent, target audience, etc.) that a computer generally does not handle well. But translation software has made casual communication across language barriers accessible to the average person, and that's something that is incredibly valuable to have, I think.

Duolingo, however, is not translation software. Duolingo's purpose is to teach languages. And I do not think you can be effectively taught a language by something that does not understand it itself; or rather, that does not go about comprehending and producing language in the way that a person would.

Whilst a language model might be able to use probability & statistics to put together an output that is grammatically correct and contextually appropriate, it lacks an understanding of why, beyond "statistically speaking, this element is likely to come next". There is no communicative intent behind the output it produces; its only goal is mimicking the input it has been trained on. And whilst that can produce some very natural-seeming output, it does not capture the reality of language use in the real world.

Because language is not just a set of probabilities - there are an infinite array of other factors at play. And we do not set out only to mimic what we have seen or heard; we intend to communicate with the wider world, using the tools we have available, and that might require deviating from the realm of the expected.

Often, the most probable output is not actually what you're likely to encounter in practice. Ungrammatical or contextually inappropriate utterances can be used for dramatic or humorous effect, for example; or nonstandard linguistic styles may be used to indicate one's relationship to the community those styles are associated with. Social and cultural context might be needed to understand a reference, or a linguistic feature might seem extraneous or confusing when removed from its original environment.

To put it briefly, even without knowing exactly how the human brain processes and produces language (which we certainly don't), it's readily apparent that boiling it down to a statistical model is entirely misrepresentative of the reality of language.

And thus a statistical model is unlikely to be able to comprehend and assist with many of the difficulties of learning a language.

A statistical model might identify that a learner misuses some vocabulary more often than others; what it may not notice is that the vocabulary in question are similar in form, or in their meaning in translation. It might register that you consistently struggle with a particular grammar form; but not identify that the root cause of the struggle is that a comparable grammatical structure in your native language is either radically different or nonexistent. It might note that you have trouble recalling a common saying, but not that you lack the cultural background needed to understand why it has that meaning. And so it can identify points of weakness; but it is incapable of addressing them effectively, because it does not understand how people think.

This is all without considering the consequences of only having a singular source of very formal, very rigid input to learn from, unable to account for linguistic variation due to social factors. Without considering the errors still apparent in the output of most language models, and the biases they are prone to reproducing. Without considering the source of their data, and the ethical considerations regarding where and how such a substantial sample was collected.

I understand that Duolingo wants to introduce more interactivity and adaptability to their courses (and, I suspect, to improve their bottom line). But I genuinely think that going about it in this way is more likely to hinder than to help, and wrongfully prioritises the convenience of AI over the quality and expertise that their existing translators and course designers bring.

#alright getting off my soapbox now #apologies if this is not particularly coherent - i was very much working through my thoughts as I was writing #but yeah tl;dr i am not huge on LLMs especially for language education and am deeply disappointed by the way things are trending #anyways if anyone knows any learning tools that are similarly structured i'd appreciate the recommendation #being able to easily do a little bit of study on a regular basis helped me a lot and i've yet to find anything similar #duolingo #language #language learning

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gardenofnoah · 4 months

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cw: implied sexual trauma, panic attack, intimacy struggles

You don’t notice it happening until it’s buzzing under your skin. Loud and unavoidable, the only thing you can pay attention to is the irregular flutter of your heart and the way it seems that all the air has been vacuumed from the room—

“Hey.”

You blink, and Katsuki is no longer above you. He’s not touching you at all—you turn your head to find him next to you, propped up on an elbow and only worried.

“Too much?”

The panic flares at the question, because what if this is the last time? What if he’s tired of this?

Your exhale is shaky—your laugh is forced and sounds out of place. “No, it was fine, I just—“

“Oi—“ he says, gently, “tell me the truth.”

The truth burns your eyes and keeps them on the ceiling, away from his. You nod, helpless and resigned to whatever comes next.

“What’s goin’ on in your head?”

You feel the tears spill over before you can catch them. You swipe them away with the back of your wrist. It’s still numb. “I’m just sorry. I didn’t mean to ruin it.”

He grunts a little in acknowledgment—a displeased, ugly sound—and then there’s movement that finally draws your eyes to him. You watch him cover himself with your duvet—all the way up to his chin.

“S’it okay if I hold you?”

He reaches for you and you let him pull you in. His hands stay above your shoulders and pointedly avoid your neck—cradling your head, letting you hide in the curve of his throat. His pulse is steady and constant against your forehead—or you imagine it would be, if it wasn’t muted by the fabric.

“Nothin’ is ruined,” he murmurs against your hairline, “s’my job to keep you safe.”

Your chest shudders against the cushion of the blanket and you feel a little guilty about crying all over it but Katsuki keeps you there, tethered to him. The ringing in your ears subsides, just a little. Just enough to hear the panic in your own voice.

“I promise I want it. I don’t know what’s wrong with me, I’m sorry—“

“Hey, hey,” he shushes you, careful not to tighten his arms around your shoulders. “Nothin’ to be sorry for. S’too much today—that’s all.”

It’s quiet, then, save for your sniffling. He keeps his mouth pressed to your hair, and his arms wrapped around you. There is a noticeable absence of his fingertips tracing along your skin—you don’t feel them there at all, and it’s on purpose. He’s considerate and it makes you anxious.

“Can hear you thinkin’.”

“I just—“ you inhale, trying to be brave, “I don’t want you to leave. I know I can’t—give you this—“

“Oi,” he gruffs, a little sharply, “I don’t give a shit about that. M’not a barbarian.”

You feel the expansion of his lungs as he draws in a slow exhale, and lets it out against the crown of your head. “Don’t think so little of me,” he murmurs, tone laced with hurt.

“You’re right,” you whisper, because he is, “I love you.”

“Love you.” He kisses it into your skin, soft and barely there. “Always will.”

#i have beat this horse to hell but I really do love writing about struggles with intimacy #because ~i~ struggle with intimacy and I write for me ya know #but idk i think it would be hard for him!! he just wants to care for me and keep me safe and i have a tendency to self sabatoge.#if you can believe that.#he just wants to help and he knows that what happened before him is not his fault of course. but it upsets him when I project onto him #which is like. a very human thing?#i have been thinking about that post from the other day a lot about believing the people that love you #bakugou katsuki x reader #bakugou hurt comfort #bakugou comfort #bakugou fic #mha fic #bkg it’s the little things

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blindmagdalena · 4 months

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Guilty Pleasures ( chapter two )

18+ 3.8k homelander x plus size f!reader. workplace harassment, stalking, voyeurism, masturbation, lite humiliation kink, lite somnophilia, breaking & entering, petty theft, sublander flavored. nebulously takes place post s1. part 2/4. AO3 link. CH I. CH 3

Homelander is the most powerful man in the world, and all he wants is to be yours.

After spending the majority of your evening and the following morning anticipating being fired, walking into work the next day feels like traversing a thinly frozen lake, each step webbing out in precarious cracks.

Clearly you’re not the only one who thinks so: you clock a handful of surprised looks from coworkers who’d attended the meeting and took note of the tension between you and Vought’s golden boy.

Maybe they’d taken bets on whether or not you’d be coming in this morning.

There’s no sign of Homelander on your way in. Not that you were expecting him–yesterday was the first time you actually saw him in person–but you still find yourself on the lookout. It’s hard to say whether you’re anticipating or dreading him. Part of you is still expecting to open your door and find a letter on your desk politely informing you that they’ve determined you aren’t a good “culture fit” for the company, and that your probation has been terminated.

After all, who in their right mind would take your side over Homelander’s?

You push open your office door, and sure enough, there is a letter waiting for you, but not in the way you expected. You stand in the doorway, staring in quiet incomprehension. The envelope, crisp and bright white, is propped up in a bed of rich red roses sitting in a pretty vase upon your desk. You glance behind you before you step inside, closing the door behind you, and approach the desk cautiously. You pluck the paper out of the bouquet, taking a moment to smell the flowers–they smell as good as they look–before you carefully rip open the envelope, tearing the small american flag sticker that sealed it.

Inside, there’s only one word on the folded piece of paper, scrawled in surprisingly elegant handwriting.

Truce?

You can’t help the incredulous little bark of laughter you give at that. It’s not even an apology. It’s a demand that he expects a gratuitous bundle of flowers will help you swallow, like taking medicine with a spoonful of sugar.

“You’re ridiculous,” you say quietly to the letter, setting it down on your desk. You give the roses one last sniff, testing one of the soft petals between your fingers. You wonder if what you said actually got through to him.

Homelander has no real reason to smooth things over with you: you’re no one. He’s posed no risk to himself by coming after you. He could no doubt have you fired by complaining that your marketing tactics don’t align with his brand. It’s hard to imagine Vought denies him much.

Yet he is apparently negotiating peace. It’s not nearly enough, but it is a start.

Or maybe it’s just more than you expected.

You sit, idly tapping the letter against your desk. You’d be lying to yourself if you said you didn’t still think him handsome. Homelander wasn’t the first man to ogle your tits while you gave a presentation, but he was certainly the first to fluster you like that when he did. His sly smile had made you want to slap him, but there was a questionable little part of you that thought about kissing it better afterwards.

Taking in a steadying breath, you slip the letter into your desk drawer and adjust the flowers to the side, admiring them a moment before you pull out your laptop.

If Homelander can behave himself enough to let you do your job without public humiliation, you can afford a truce. You don’t need to forgive or condone him to be civil, or even to continue having your own private fantasies. A little guilty pleasure now and again never hurt anyone.

You can’t know that Homelander is observing you throughout this internal conversation, watching through several layers of steel and concrete, his parted lips curving into a slow smile as you accept his offering. You can’t know that you haven’t just acknowledged a truce, but an invitation.

No, you can’t possibly know what’s to come.

Two days later, you diligently change the water that the roses in your office sit in. They’re doing well, the crimson buds having unfurled into a splay of velvety petals. You pinch one between your thumb and forefinger and stroke it absently. Homelander has continued to be a scarcity, but that doesn’t mean you haven’t seen him. Quite the opposite: you spend most of your working hours either looking at or thinking about his face to the point where it’s starting to follow you home each day.

That’s what you tell yourself when you think of him outside of work hours, anyways.

It’s been long enough now that you wonder if the flowers were the end of it. He was simply covering his ass with a half hearted gesture that slightly resembled an apology so that you could both comfortably drop the subject. That was entirely fine by you so long as he actually did improve his behavior.

A familiarly brisk knock at your door catapults your heart up against the cage of your ribs like a spooked hare. It’s the exact same beat, you’re sure of it. You stay quiet, half expecting to be barged in upon, but when nothing happens, you move from your desk and open the door yourself, intentionally blocking it with your body.

Sure enough, Homelander stands tall on the other side. He flashes his signature smile while your eyes narrow suspiciously. “Can I help you?”

“I think I’m the one who can help you,” he says brightly, that spread of teeth downright wolfish. He lifts a handful of papers that have been stapled at the corner, gesturing for you to take it.

Still wary, you take them from him and shift, wedging your foot to keep the door firmly in place while you flip through the pages. Your brows furrow as you recognize chunks of your own presentation. Understanding dawns when you realize that he’s annotated them.

“You read my presentation,” you say, unable to mask your surprise.

“Obviously. It’s my image on the line, right? Got some notes for you, but I have to say: y’mostly nailed it,” he says, reaching out to rest a gloved hand on the doorway.

“Mostly?” You echo, quirking an eyebrow at him as you look up from the pages.

“Yeah, mostly. Again, I have some minor notes,” he says, wiggling his other hand in a vague gesture. “But I figure I owe you praise on a job mostly well done.”

You’ve got to be kidding me.

Crossing your arms, you abandon your stern foothold on the door in order to shift your weight, your incredulity showing in every inch of your body language. “What you owe me is an apology.”

Homelander’s grin softens into a smile that’s no less challenging. “Looks to me like you’ve already been enjoying my apology,” he says, leaning slightly to gaze past you, to the bundle of roses sitting prettily on your desk.

You briefly glance over your shoulder, but your expression remains impassive. Unimpressed. “That? That isn’t an apology. An apology would include the words I’m sorry.”

He scoffs a dismissive laugh, swaying back to look away, but you persist.

“I’m serious,” you say, luring his ocean blue gaze back to yours. “I want you to say to me ‘I’m sorry for the way I behaved during your presentation. It won’t happen again.’ “

The two of you hold each other’s gaze with all the magnitude of two gunmen in a duel, hands steady over your proverbial pistols.

To your surprise, Homelander does not fire back. He raises a dainty white flag.

“I’m sorry for the way I behaved during your presentation,” he says, words slow and measured. You watch his tongue flash over his bottom lip, wetting it attractively. You fight to not let your eyes linger on it. “It won’t happen again.”

You swallow, suddenly finding thought and speech an impossible task. You weren’t prepared for such raw, ready obedience from him, nor the intensity in his gaze that follows it. He reminds you of a charmed snake–docile so long as he is transfixed.

“Good,” you say, the word half a sigh. Homelander’s lips part and he breathes in like he’s caught wind of something particularly delicious smelling. “I accept your apology, and I appreciate that you took the time to do this,” you say, gesturing with the documents in your hand. “I’ll go over them and get back to you.”

He reaches out, bracing his hand on your office door. You half expect him to push it open, but he merely holds it there. “We could go over them together,” he suggests slyly.

“No,” you say, clearly disarming him. He looks as though he’s forgotten the meaning of the word. “I’m in the middle of another project at the moment.”

The leather of his gloves creaks faintly in your ear as he flexes his grip on the edge of the door. While what you’ve said is true, it’s also serving as a test. Words and flowers are pretty things, but only actions always speak the truth.

“At the moment,” he repeats, gears visibly turning in his eyes. “So… Later?” He extrapolates, displaying an uncharacteristic tentativeness alongside his obvious displeasure at the taste of rejection. You even see a glimmer of hope in the mess of his expression..

He did pass the test. You suppose you can reward him for that.

“Another time,” you say, giving your door an exploratory push. He relents, his hands sliding down the length of it before falling away as he takes a half-step back. “How about tomorrow on my lunch break? 1:00 o'clock sharp.”

He splits into a smile that looks more genuine than any of his you’ve seen before. “Aaalrighty-roo. Sounds gooood to meeeee,” he says, drawing out his vowels more the closer he gets to actually having to leave. At your silent, amused stare, he claps his gloved hands together with a muffled thump! and takes a few more steps backwards. “Yooooou’ll see me… tomorrow.”

Your smile pinches along with your brows. What a strange way to phrase it. “See you then,” you say, watching as his face is eclipsed by your closing door. You wait a beat and then let out a thin thread of breath from your pursed lips, resting your weight on the door.

Looking down at the papers in your hand, you push off from the door and head to your desk, flipping through them.

Such a strange man, you think, carrying the notes to your desk. You set them down next to the vase of roses and try not to think too much about the unconscious smile your lips keep settling into for the rest of the day.

Homelander’s got you hook, line and sinker. He’s certain of it. He lingers on the other side of your door just long enough to watch you through it while you settle, a charmed smile set on your lips. He can already imagine how those lips would feel against his own, how they’d taste. He swallows thickly and looks around before he departs, already plotting his next move.

The two of you have a date tomorrow, and in order to be at the top of his game, he’s going to have to do a little additional research. Knowing your work was a good first step. The next one will be learning about you.

Following you home is the easy part. It ultimately feels chivalrous to do so once he realizes you walk home even at this time of year, when the sun sets long before the work day ends. He drifts above you, cocking his head curiously. No wonder you walk. The streets are packed as tightly as sardine cans, and your apartment garage isn’t much better. The claustrophobia of it all serves as a stark contrast to the openness of Vought tower.

The interior of your apartment provides an even sharper juxtaposition to his penthouse. It’s tidy, but the comparatively low ceilings and minimal floor space still make it look cramped. Somehow, you simultaneously have too much and yet not much at all, the confinement of a downtown apartment making what minimal affects you do own seem crowded together.

That only becomes more apparent once he’s inside, slipped in through your balcony after sleep has taken you. Why would you bother to lock your balcony when you live on the 8th floor? It works out perfectly for him.

In all fairness, your living room feels cozier once he’s standing in the center of it. Your walls are lined with an assortment of art pieces and photographs, and the shelves are well stocked with books and knick-knacks. You have a decent film collection displayed on your media console, and he can’t help but snoop through it, bending at the waist, examining through the rows. He cocks his head.

Odd. You’d think an employee of Vought would have at least a few VCU films. He runs his index finger along the spines, slightly adjusting them flush as he goes. Pursing his lips, he straightens up and looks at the closed cabinets on either side. The left one yields an untidy assortment of electronic odds and ends, cords and the like. Nothing of much interest other than an indication that while you like to keep up appearances, you aren’t quite as together as you’d like people to think.

It’s on the right side, however, he finds what he’s really looking for.

“Bingo,” he whispers, smiling to himself as he scopes out your little hidden collection of Vought hero flicks. Specifically, his films. He’s less interested in the handful of others you own (Queen Maeve: Her Majesty, Black Noir: Insurrection, Lamplighter: The Bright World, etc) and more so in the fact that you have nearly his entire catalog tucked away.

Nearly. You’re missing his eighteen part miniseries, Homelander: Brightest Night.

At least that gives him something to gift you.

Closing the cabinet, he meanders about the rest of your apartment. You have some plants in varying states of decay, with only a few cacti looking to be in decent shape. Either your work keeps you too busy to properly mind them, or you just like the idea of them more than the reality. It tells him that you’re looking–and failing–to fill a void in your life. You want to feel less alone in your home, you want to nurture something. You just haven’t found the right something yet.

Striding into your kitchen, arms folded behind his back, he peers through the cheap wood veneer of your fiberboard cupboards, unveiling an unusually broad assortment of mugs. There doesn’t seem to be any particular theme: holidays, locales, characters, and a menagerie of patterns.

He hums softly, pivoting out of the kitchen and down the hall, his steps preternaturally light. He listens for the beat of your heart as he draws near, tunes it in alongside the shallow cadence of your breath. Deep asleep. Good.

The walls are lined with pictures of you and others. Friends or family, he can’t say, but you look to have an abundance of both. He rarely sees himself in photos that aren’t promotional material. He pauses to straighten a picture frame, and finds himself so viciously jealous of the man sharing the frame with you–his lips pressed to your cheek, your laughing smile so genuine he can nearly hear it–that he almost knocks it to the ground.

Running his tongue along his teeth, he continues on.

Your bedroom door is open. He slips in silently, pausing just through the doorway. Your bed's a queen, too big for just you. You’re sprawled comfortably amidst pillows, limbs splayed in just such a way that he can easily imagine fitting himself in the empty spaces between them. He can smell the lingering burn of the candle you’d lit when you got home. He picks it up off your dresser, reading the label: Cup ‘o Joe.

Eugh. He never cared for coffee, and the artificial sweetness surrounding the note is cloying. Your perfume, on the other hand, he doesn’t mind. He notices the bottle alongside a few other of your things and puts the candle down in favor of that, popping the cap off. The smell hits him before he sprays it: vanilla first, then amber and something more woodsy. It’s less impressive by itself than it had been on you.

Still, it’s yours. You chose it for yourself.

Slipping off one of his gloves, he lightly sprays into the inside of it before he sets the bottle back down, recapping it. It won’t be the same, but he’s driven by the compulsion to spirit away any little pieces of you that he can. Just enough to satiate himself until he can have you properly.

That’s when he sees your blouse from today in a careless heap at the top of your laundry basket next to your dresser. Licking his lips, he tests the feel of the garment between his bare fingers. He’s always been sensitive to fabrics, and while the blend of this one is fairly cheap, it’s been worn and washed enough that it’s soft against his skin. He grabs a handful of it and lifts it to his mouth, brushing it along his lips, under his nose, and he deeply inhales your lingering scent mixing with the fresh pump of perfume.

He bites back a moan, screwing his eyes shut. His cock gives a dull little throb. Fuck, the spell you’ve cast on him makes him ache just for the smell of you, makes him salivate. He swallows it back, letting out a rough little breath as he reluctantly puts the shirt back down. Under it, he spies a little flash of something black and lacy. His stomach clenches, and he’s reaching for it before he can stop himself, fishing the black panties out of the heap and twisting the fabric between his fingers.

Fuck, fuck, fuck.

He can’t afford to overindulge. He won’t be able to control himself if he does, but he also can’t bring himself to put the little slip of fabric back down. He imagines he can almost taste where your sweet cunt had been pressed to it. Christ, he’s practically drooling. Out of sheer impulse, he yanks down the zipper of his pants with a quiet hiss of metal against metal and hastily pushes your underwear into his cup, biting down hard on his lip. He grinds once against his hand, savoring the feel of the fabric against his cock.

He’ll enjoy them far more than you’ll miss them.

Zipping himself back up, he carefully pulls open your top dresser drawer. He curiously pushes the contents around, mindful not to overly disturb, and his knuckles bump something solid. He shifts one of your bras–another near painful pang of arousal at the reminder of your breasts–aside and finds, to his delight, what any good marketing department would describe as “a large purple massage wand.”

A vibrator. He chews his bottom lip briefly, turning it over in his grip. An exciting find on all fronts. It’s smooth and decently hefty, good quality. You deserve even better. You might be capable of indulging yourself with this, but he could make you scream. You’ll never need a silly little toy again. Not when you have him.

Homelander moves to put it back in the drawer, but–

“Fuck!” He hisses when the button catches on his finger, and suddenly the damn thing is buzzing.

Shut up, shut up, shut up, he chants mentally, jabbing at the buttons in an attempt to silence it, but pressing the same ones only makes the accursed device louder. In a frantic move, he grips the neck and squeezes. There’s a soft crunch beneath the silicone, and as abruptly as it had begun, the buzzing ends. His heart is thudding heavily in his chest. He listens to the silence, to you.

He looks over his shoulder. No movement. Your breaths remain shallow.

Christ.

So much for leaving no trace. He slips the busted toy back amidst your underthings and snatches his glove off of your dresser, tucking it under his arm. He hones his attention on you as he approaches your bed, assuring himself that you really are still asleep. He stands there for a while, admiring the part of your lips and the haphazard splay of your pajamas and where they cling to your body.

No bra.

His bare hand flexes. Being so close is too much of a temptation. He wets his lips with a quick slide of his tongue and bends down. He ghosts his fingers just over your cheek, not quite daring to touch. He can smell the faint remnants of your toothpaste on your breath, your shampoo, and beneath it all, you. It's intoxicating, it's…

Your brows furrow slightly in your sleep and you make a soft noise, interrupting his thoughts. He wonders if you’re dreaming–dreaming of him, perhaps. He’d like to think so. He’d like to think that you’re just as affected by him wanting you as he is, and that’s the real reason you invited him to lunch. He saw it in your eyes when he echoed your words, the thrill that went through you. He could have gone to his knees for you in that moment and had you in giving himself to you.

Desperate for just a taste, he kisses ever so gently between your brows, his own breaths matching the cadence of yours. Divine. You're divine. So effortlessly perfect and so aware of your own power. How could he not want every part of you?

He means to leave it there, to walk away with nothing but the slight salt of your brow on his lips, but the pull is too great. He's greedy, drunk on the smell and the taste of you, on the feel of your panties pressed up against his cock, and he can't stop himself from sampling your lips against his.

It’s the barest hint of touch, and yet the contact lances electricity through him like he’s been struck by a bolt of lightning. Your lips are soft, soft, soft. He knew they would be. Everything about you is so fucking soft. It takes everything in him to pull away, standing back to his full height.

He's aching, yearning so intensely he could rip the covers away and take you just like this, shake you awake, declare himself and have you. Would you scream, or would you have that same look of affronted understanding of him? You see him in a way few are ever brave–or stupid–enough to dare.

Not yet.

He won’t spoil the game. He agreed to play by your terms. As far as you’re concerned, he’ll do precisely that. You’ll be none the wiser in regards to his little reconnaissance mission–anything could have happened to your vibrator–and the two of you can play your little game as if you stand on equal footing.

Sucking in a silent breath, Homelander leaves alone, but not empty handed.

He’ll make very good use of his little trophy tonight.

( chapter three )

#i have no self control ENJOYYYYY #praise me it's shocking i finished this so quickly #although it's not really finished bc i'm stretching it into 3 parts but #couldn't help myself i needed him to be a little weirdo #next chapter is already started tho and shouldn't take long!#ALSO I MADE THIS GIF #i'm so happy lol #my writing #homelander x reader #homelander x you #homelander fanfiction #homelander #plus size reader

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sergle · 6 months

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I'm thinking abt that pretty fall leaves embroidery pattern post and about how like... it is categorically a repost, it's a reupload. right? a thing that is generally disliked. but because it's credited, it's genuinely boosting the artist in question. and it could ALWAYS be like this. reposting content could ALWAYS be a symbiotic relationship, but because sourcing back to the original creator of something is so uncommon, it's just easier to ask people not to repost it at all. and people still don't understand the difference. or they'll go to the effort of cropping out usernames/signatures to repost something, which is More Effort than literally crediting the creator of something you liked enough to want to repost. Like. I literally don't actually care if my own shit gets reposted, you have to understand. I just don't want it STOLEN. But "do not repost" is easier to write on my art than "you can repost this, but don't alter the image/remove my signature, don't you dare write 'credit goes to the artist' because that is not credit, please link back to my original post or someplace that you can actually find me. please use an actual link/url instead of writing a non-clickable link of my username, because making it text instead of a clickable link cuts the number of people who will go to the effort of visiting my own page in Half." All those aggregate themed accounts, those fuckin annoying as hell instagrams and facebook groups that are like "body positive art we love wamen 💕 hashtag feminism" and then MASS-STEAL plus sized art created by women, if pages like these that always go and steal my older self-portraits and other works... If they just put a link to my prints of those pieces in the text of those posts, or, fuck, my commission info page? I would literally be living on the moon right now. I would have a house on the moon

#there is actually nothing morally wrong with running an account that just reuploads ppl's artwork or their jokes or their cosplays #if you just put a VISIBLE LINK in the description of your post with proper credit then it would be beneficial for everyone #because you can get your little clout or whatever it is you want by putting a bunch of same-category content on a page #but nobody's getting fucked over because if your post blows up then people just get FUNNELED to the source #because it's placed so plainly where everyone can see it #and yeah it's better to retweet or reblog but #on the rare occasion that I see my shit reuploaded on tumblr WHICH IS WEIRD BC I MAKE MY OWN POSTS HERE but anyway #someone making their own post where they upload my stuff. and it's always the floral self portraits so let's say it's a post with all those #if I scroll to the bottom and it says like. Artwork by Serglesinner on Twitter <-- clickable link [Sergle's Prints] <-- clickable link #to my etsy #I'm like oh okay and all the anger leaves my body and I'm like ah I see. and I toss the rock aside #like oh okay so you actually care that a person made these pieces. Instead of posting the caption ''women <3'' or smth #like you've GOTTA die if you do that. but if you just link back #or if you go to the effort of writing like a description with a BLURB? like it's a damn museum. like a light paragraph of info #about what the art is and who made it and their links #I am literally sucking you in a strange and peculiar manner. that is extremely helpful #and maybe other artists don't want this AT ALL and they'd rather people not reupload even if it is credited #but I feeeeeeeeel. like 99% of the time this would solve the issue #reposters could genuinely be helping ppl. sometimes the repost gets more traction than the real thing #as long as it credits the creator then that's an okay thing to happen!#that can land somebody a sale! a commission order! a new fan! A JOB #A JOB!!!!!!!!!!#sergle.txt #I didn't write this eloquently AT ALL what the fuck ever barkbarkbarkbark

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chaoswarfare · 1 year

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dp x dc prompt #21

The superheroes of the world first encounter Danny as a giant eldritch god, while fighting another giant eldritch god. green lantern uses his ring to translate what they’re saying, but it’s staticky and rough and barely gets the message across, which shouldn’t be possible. It’s mostly battle banter, but at the end of the fight, the ring spits out a message that’s loosely translated into ‘the earth belongs to me, stay out of my territory’(he was really just warning the other to stay out of his haunt and that earth’s people were under his protection)

The JL is in crisis mode planning for another world domination attempt, this time by an extremely powerful god of unknown origin. Danny joins the league as a supernatural hero just to help them with the mysterious threat, completely oblivious to the fact that he’s the supposed threat.

#danny phantom #danny fenton #dc x dp #crossover #dc universe #writing prompt #dp x dc #dp x dc crossover #writing #funny #justice league #overpowered danny phantom #the justice league slowly putting the pieces together #tis a child #danny just trying to be helpful #nobody understands how this friendly little guy can be a cosmic horror

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minty364 · 5 months

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DPXDC Prompt #108

When you meet your soulmate you both feel it, you know down to your bones that this person was meant to be with you for life, if you’re unable to find them before you pass on, your ghosts will be unable to locate each other in the afterlife. The Fentons tried to make a way to locate your soulmate using ectoplasm, unfortunately for Danny he’s the only one in the family yet to find his. Jazz actually found hers when she started school in Gotham, some guy named Jason, if Danny remembered correctly. They try some experiments with Danny and something works just not as intended as with every piece of Fenton tech. Danny wakes up in an unfamiliar room and in an unfamiliar body. Looking around, it appears his soulmate is rich, he’s got to call his soulmate and explain the situation. He’s not looking forward to explaining his powers to them but if they’re going to be in his body best to let them know what to expect from Danny’s weird biology.

Damian woke up to an unfamiliar ringtone in an unfamiliar room. Assessing the situation he noticed the number from the phone was actually his own. Might as well answer it to see if he could get some answers.

#dp x dc prompt #dp x dc #dc x dp #danny fenton #danny phantom #poor danny #damian wayne #Danny and Damian body swap #Body swap #ive always loved body swaps or gender swaps probably helped me find my identity as nonbinary but that’s neither here nor there #Little bit of anger management too #anger management #dead serious #LMAO what if Danny’s powers screw up right as Damian reaches out for the phone and he can’t grip it because it keeps going through his hand #Damian probably struggles a lot #shenanigans #Damian recognizes Jazz and wonders why he’s in his brothers soulmates brother #soulmate au #writing prompt

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xxxairheadedangelxxx · 5 months

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I think Nicole steals Jecka her first scene queen style belt. Jecka is very obviously wrapped up in just wearing and doing whatever the fuck her mom requires of her but after admitting she likes MSI Nicole kept bugging her for information and found a whole wanna be scene queen hidden behind those just a little too small hollister tshirts and unripped jeans.

slowly but surely Nicole starts swiping and then leaving more and more clothing in the scemo vibe at Jecka's house. She doesn't catch on for a while but when she does her initioal reaction is to yell at Nicole for clogging up her closet but she stops herself realizing maybe it's ok to indulge some things about herself that werent defined by her mother.

She says nothing about it but Nicole swears she saw Jecka wear the rainbow studded belt under her little Abercrombie sweater one day.

#jeckole #class of 09 #nicole #jecka #scemo #im sorry i just am so soft for these girls #nasty little bitches #they deserve a little bit of normal happiness #im sure ill write angst headcanonbs at some point but for now they are just two lesbians helping each others character development #if any of you saw this post where i swapped their names the entire time like a fucking idiot no you didnt

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ghouljams · 8 months

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PLEAAAASEEEEE just a lil knight smooch on the hand, even just a light kiss to her lock of her hair

EVEN JUST LOVE FILLED GLANCES PLEAAAAASEEEEEEE

or maybe medivel konig romance i am so lovesick i wamt to hear fluff aND UR DENYING US WITH GHOST KNIGHT YEARNING

OK but only because I'm really beating this poor princess down in two other asks.

You spend most of your day with Ghost, he's your escort for every outing, your companion for every event. You'd think you'd get tired of seeing him all the time but you never do. You love seeing him, and you think he likes seeing you too.

"Good morning," you smile up at Ghost as he comes near, your favorite part of your mornings.

"Morning," he pulls out the chair next to you, grabbing a thick slice of bread as he sits. You don't even need to ask your maids to set a place for him anymore, don't need to coax Ghost into joining you for breakfast. He leans his elbows against the table and breaks the bread apart between his hands, as he watches you.

"How'd you sleep?" You ask, too casual, he nudges you with his knee. "Did you sleep well?" You try again. He's worse than your old etiquette tutor sometimes.

"Same as usual, were you alright after the-" he pauses, clicks his tongue, like he's annoyed he doesn't have a polite word for it. He doesn't want to say "tantrum" but you know he's thinking it.

"I- yes. Thank you." You stare down at your hands, embarrassed. You're too old to be acting like that. Ghost stares at you a long moment before setting his bread on his plate. He reaches across the table to grab meat and fruit, filling your plate before you can stop him.

"Eat, you'll feel better." He plucks another slice of bread free of its warm basket and butters it. You watch him slide the little silver knife against the crumb and he stops, pointing the utensil at your plate. "Eat," he's not asking you.

You pick up your fork and knife to do as he says. You really don't know why you bother listening to him, you're in charge, not him. It's just that, you sort of like doing what he says, he always looks so pleased when you do. He doesn't even look at you when you take your first bite, but his eyes still smile and you know it's for you. His smiles are only ever for you.

"Good girl," He mumbles, sliding his bread onto your plate, neatly jam and buttered just the way you like it.

"You're free to leave," you tell your maids, glancing at them over your shoulder. You know they're hovering, waiting to refill your tea or bring another plate of food. You also know they're waiting for more information on last night's... fit. Gossips the lot of them. "You've left the pot, if I need more tea Ghost will serve me. Go."

The maids exchange a glance and drop to curtsy before scurrying out. You go back to eating. Ghost waits a beat before removing his mask and serving himself breakfast. You don't bother with glances or peaking at his face, you look. It's your right to look, he's yours after all.

"You're staring," he grumbles. Astute observation, you think with a smile. You know what he means, you spear a strawberry with your fork and pop it in your mouth.

"I'm eating."

"Don't talk with your mouth full," he hums, ignoring you in favor of his own meal. Does he know that you only breach etiquette to hear him correct you? Does he see you behave as a perfect princess for others and think he did that? No, you think he must know you're teasing him.

You set your fork down and reach to wipe away the crumbs that stick to his lip. Ghost catches your hand before you can touch him, his tongue darting out to do what your finger would have. His eyes hold yours, each of you waiting for the other to pull back. You don’t want to.

His lips are so much warmer than in your dream, softer, more substantial as Ghost bows his head to press them against your knuckles. You tilt your head, watching him turn your hand to kiss your palm and the delicate skin of your wrist. He looks at you with every promise in his eyes, and you love him for it.

"Good morning, my lady," he murmurs, holding your hand to his cheek. Your heart clenches, fingers curling against the stubble on his jaw.

"Good morning, my knight." You whisper back. The breath he lets out is almost pained, far too heavy for breakfast. He kisses your palm again, and you almost understand why before he drops it. I love you, you both seem to think at each other, I love you.

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