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real life cartoon character
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Deeply aggravating that constant practice is the only way to improve at anything. I don't want the work I put in to diminish and be as good as nothing after enough time away.
I guess it's like a relationship with a human? You build a sort of relationship with whatever the skill is, better yet if it's with an object like an instrument or set of colored pencils? After lots of time away, our lives have changed and we haven't evolved the skill alongside ourselves as people, separating it from ourselves?
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Crazy how quickly playing the lyre made me better at fingering
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if my surname was moog or theremin i'd invent a fuckass instrument too
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Reblog if you are okay with people giving you lots of boops!
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the real forbidden snack
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clair de lune will always go down smooth, claude really did put his whole debussy into this one
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i've said this before and i'll say it again. soundtracks that use the organ are always superior. Elevated.
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instruments ranked by wetness. based on my observations and experiences
french horn. they always spend sooo long on those spit valves
oboe and bassoon because of the reed soaking
clarinet. sooo much water in the keys
sax
every other brass instrument idk
flute. driest wind instrument for sure
all strings and percussion I suppose
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Hi folks! If I have any teacher/tutor friends I could use some advice. All of my students (all between ages 10-12) have independently said they have had problems/get confused when like the stems/bars flip (after middle line “B” on the treble staff). For example
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I’ve never encountered this problem and I never had this problem when I was learning and I don’t like telling kids to “just practice, you’ll get used to it” I’d like to find something more helpful to say to them. I’ve been saying stuff like ‘what if we try to ignore the bars and just read the dots’ but yeah. If anyone has had a similar experience I’d love to hear it
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RB for big orchestra
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