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#i think im rambling
drac-kool-aid · 8 months
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Seward's bone deep desire to run away from the asylum is not exactly surprising. There have been a lot of really good meta posts about how the return of Van Helsing into his life is the turning point where we see the caring and good side of him and how we can interpret his life as a student in Amersterdam as one of freedom and happiness. How he is part of the tragedy of manners, how strict social expectations allow Dracula to persist, and how they only exacerbate the unhappiness of the characters.
And I think the tragedy of Seward is that, really, he should not be the head of an asylum. It's a job that brings him no joy, and he's BAD at it. We can all recognize that if your first reaction to going back to work is "What if I just leave it all." That isn't a healthy work environment.
Now, in the modern day, the ability to pick and choose a work environment, even to leave one that is damaging your mental health, is a privilege. (IT SHOULDNT BE, but it is). And, although it is definitely reaching crisis levels in modern times, major changes in your career have almost always been difficult (unless you are really rich, or a particular brand of academic in the 17th-18th century, or both).
Seward can't just leave and become a surgeon. To give up the lofty position of "Head of an Asylum" would be unthinkable in the 1890s, especially for a reason like "Being here is basically turning me into the Joker." Like, how would Seward explain that in polite society? Would they accept that reasoning? Would they create salacious gossip if they didn't? Can Seward leave his position without losing a great amount of social capital?
Probably not.
His rise to head of an asylum, as many have pointed out, was meteoric, to say the least. It has afforded him status and respect and also left him deeply, deeply fucked up. And he can't leave!
I think his desperate attempts to quantify Renfield's behaviors into a new mental illness are telling in this regard. Maybe he is too used to having to meet some sort of expectation, and now he thinks this is the logical next step (It's NOT, but I digress). The feeling of having to keep performing above expectations, grasping at straws to do so, and subsequently burning oneself out (as well as others around you) and engaging in unethical practices? Idk. It sounds like something that would happen today. (tbh there are probably a ton of Sewards out there today, as there are still systemic problems within the mental health system that allow for the dehumanizing and abuse of patients).
It doesn't excuse his behavior. Nothing he does to Renfield is excusable, but I think it does explain some of the *why*. He isn't just cruel for cruelty's sake.
So, tldr I guess: I think reading Seward as someone who got stuck on a career path that he realized was unfufilling and that he ends up hating. Social conventions restrict him from just quitting without and a (socially acceptable) good reason to do so, and a lifetime of being regarded as one of the smartest people in the room means he can not allow himself to fail. Unfortunately, this also means he can not admit when his actions or his ideas are wrong when it comes to his job.
(But he can show that uncertainty FOR Lucy, and TO Arthur and Van Helsing, which speaks his trust and love for them)
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bowser14456 · 5 months
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Half the time I'm spiraling about gomens season 3 and the half of the time I'm spiraling about miraculous season 6. It's the unknown that scares me. So much. I just hope the outcomes of everything are good. Maybe a little more angsty first, but mostly good.
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eddiebabygirldiaz · 7 months
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there's something so intimate about mutuals being on here at the same time. like oh you reblogged that from me just seconds after i posted/reblogged that, so in essence we have touched the same thing. did you feel me.
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hattiestgal · 5 months
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If you don't mind my asking, how do you go about drawing fat? :3
JUST THE EXCUSE I WAS LOOKING FOR
So, for me personally, a lot of the time when I draw fat characters, I'm not looking to specifically capture the specifics of fat as much as the feel of fat. Bulkier, rounder shapes in the right places that has a feeling of weight to em! A lot of that is intuition and simplification at this point, but it all works on the same frame as just any ol' person. Like take this-
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For example. This is the basis for any body shape, not just the more average one that it may imply. Sure- it can be that average body shape:
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But also a fat one too!
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And a big part of that is knowing where fat usually tends to bunch up on the body, so lets take a look piece by piece! (Please keep in mind this is very simplified, and not completely precise in some parts)
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THE FACE: Cheeks (in purple) and especially the chin (in light blue) are the places where a lot of the fat is gonna wanna gather and round out on your face! Additionally, theres a small pocket of fat beneath the cranium on the backside of your head. It's small, but it is there. I believe fat can build up elsewhere like the bridge of your nose and forehead, but generally speaking, you're gonna have a whole lot more buildup in other places first.
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THE TORSO: A lot of the fat built up on the torso is gonna be sent to your tummy. More cushioning for vital organs, mostly out of the way, it just makes sense. Additionally, the lower backs fat builds up and joins with a patch of fat on your sides that forms what is typically referred to as the love handles to make that double belly look. Along with this, the immediate next target for the torso is the breasts, followed by the upper back!
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THE ARMS: For this limb, a VERY notable amount of the fat present builds up on the tricep and bicep areas, lessening once you get towards the flexor and extensor areas. You can almost think of the arm as a sort of triangular shape, wide side starting from the shoulder and tapering towards the hand, which itself mostly builds up fat around the back of the hand and the fingers. The shoulders themselves don't build up too much fat unless you got a lot
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THE LEGS: And finally, you can think of the legs having pretty similar curves to what you're probably already used to thinking. The front of the thighs getting a big buildup, along with the back of the calves, the other parts being flatter in turn. As far as the feet go- similarly to the hands, the top of the feet, along with the heels get most of the buildup, as fat on your soles would impede mobility. The glute, hip and crotch area will also especially build up fat, lending to the same triangular shape that you can see in the arm!
A big thing to note with fat is that it tends to taper off towards joints. Your knees, elbows, shoulders, hips, and all the other places are gonna have significantly less fat so that you remain mobile and flexible, as that's important!
Now that we have an idea of where fat builds up on the body, you might have something that looks kinda like this
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Which yes, does demonstrate a solid understanding of the places fat builds up, lacks the weight you're probably trying to convey, which brings us to out next point! Fat is well... heavy! Gravity is what gives fat much of it's shape, especially as you tread towards larger and larger bodies.
This is demonstrated really well on the arms especially-
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Those big ol' bits of fat'll really start to sag when left hanging, and they will squish like hell if they run into something. I like to think of these bits of fat as big ol' ovals that squash and stretch depending on if there's an obstacle in their way or not
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These are the important shapes to remember when it comes to the weightiness of fat! If you take all of this into mind, you should be getting something a lot closer to that shape you've been after!
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Oh, and always remember that fat bodies come in all variety of shapes and sizes! Play around with a whole lot, and seek out all the resources you can! it'll really lend to your knowledge when it comes to this kinda stuff!
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And as I always recommend when it comes to learning art- look at what your favorite artists do with fat bodies. See what you really like about the fat bodies they draw and try to replicate it in your own work, I promise you it's one of the most helpful things ever.
This is like the most basic of basics when it comes to drawing fat bodies though. If there's any additional thing about fat bodies, or maybe you want clarification on something, don't be afraid to ask! If there's enough to cover, I'll make an addition to this post!
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imaybeabear · 1 year
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Anna Williams did not run through miles of forest nor face off with an infected with literally only a switchblade and sheer desperation all while fucking IN LABOR, then cut her daughter's umbilical cord with her own hands, clean her up, name her, love her, and hold her for hours even as she knew and felt that she was dying, prepared to stab herself with that same switchblade to save her baby, then beg her lifelong friend to take her girl somewhere safe where she could grow up happy and protected only for Marlene to fuckin sacrifice that girl, that baby she swore to her dying friend to take care of, for a shoddy at best chance to save an already irrevocably shattered world. Both the Williams ladies deserved better than that.
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becauseplot · 8 months
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qPhilza perching on people because bird
qFit: Mans is built like a brick shithouse—he can totally balance Phil’s additional weight. The first attempt is a bit shaky, sure, but nowadays Phil swoops down or hops up onto Fit’s shoulder and all Fit really has to do is jut out his elbow to give his friend a little more space for his talons to work with. Bam, he’s perched. Works out about 9.9 times out of 10, though Phil delights in trying to catch him off guard.
qEtoiles: He doesn’t have Fit’s bulk on his side, so he’s not as sturdy, but he is strong. The landing is usually a little rough since Etoiles has to work a bit harder to counterbalance the additional weight, but he always finds that center of gravity in no time flat. Phil usually perches with one talon on each of Etoiles’ shoulders since he’s not as w i d e, just so Phil can have a little extra grip. At some point, Etoiles tries fighting a mob while Phil is perched on him, and that goes exactly as well as you would expect.
qForever: Honestly, with all of the hard labor Forever does for his big builds, Phil was expecting him to do better, but the first (several) attempts end up with Forever stumbling over and knocking Phil off of him from his wild arm-pinwheeling. They eventually figure out it’s more doable if Forever himself has something to lean on (a wall, a chair, the butt of his pickaxe) and Phil puts one talon evenly spaced on each shoulder. Phil learns some new swears in Portuguese in the process.
qMissa: Flattened. Full-on face in the floor, mouth full of grass, wind knocked out of his lungs at Mach 5 the first time Phil tries. Phil apologizes profusely, but Missa—once he can breathe again—just rolls over onto his back and asks Phil if they can give it another try. It takes a long, LONG time, but they figure out that if Phil plants his talons on Missa’s shoulder pads and leans forward while Missa leans back, they have a small little window of time where they achieve balance. The best part? Phil gets a perfect view of Missa’s goofy little grin every single time.
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h0nkshroom · 2 months
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gently places these in your hands and cartwheels away into the night
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wasyago · 11 months
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the brainrot won
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cryptar · 1 year
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au where ALL the batkids inherit bruces adopting problem, but it's for kids that remind them of themselves
When a hyper-intelligent juvenile figures out his identity and starts following him around on patrol the only thing Tim can think is that this is karma
Steph sees any spunky kid with a villain parent and a hunger for justice and goes 'mine.'
An angry, bitter kid shows up at the police station and Dick immediately starts teaching them how to juggle
Jason reiterates to himself that he's not anything like bruce while collecting crime alley kids like pokemon cards
The little redheaded techie from Barbaras workplace accidently calls her mom and she nearly cries
When a mute youth with a truly horrible father needs a place to call home, Cass doesn't hesitate when inviting them into hers.
it only makes sense for Duke to take the new meta-vigilante under his wing, right? right??
Damian doesn't realise he's mentally adopted the small, scruffy assassin sent after him until he's reading them a bedtime story.
none of them tell eachother until there's a family reunion and then it's just
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anna-scribbles · 22 days
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if the agrestes weren't rich i think that gabriel would be the normal one. like gabe's problem is that he stopped running into natural limits due to absurd wealth and his obsessive nature led him to develop some kind of god complex where he won't accept that anything is out of his control. I think that if gabe was broke again and just simply couldn't afford to go on an international goose chase for ancient magic artifacts of untold power, if he had to work a 9-5 to live and couldn't just disappear into his basement lair to commit domestic terrorism and say evil monologues to himself, then he would be way more normal. he'd just be some guy. he might even let himself have a mowhawk again. but I think that emilie would be way LESS normal if they weren't rich. like emilie needs so many people to be obsessed with her so much all the time in order for her to function. and gabe would still have his toxic codependent obsession with her, sure, but that wouldn't be nearly enough. emilie has to be at the center of the world's spotlight at all times because she doesn't know how to exist if she's not performing. anyway all this to say I am so certain that if the agrestes were not disgustingly wealthy, emilie agreste would one million percent be running a massive family vlogger youtube channel
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gorgynei · 1 year
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i think a reason why werewolves appeal to trans people but are terrifying for cis people is because trans people are not inherently afraid of transformation and change. changing your body into something more empowering and heavily removed from your old self is a dream for a lot of trans ppl but for cis people its evil, wrong, scary, violent, etc. hence the differences in how the little gay people on here talk about werewolves vs pop culture depictions of them
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nebuladreamz · 1 year
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So are we not gonna talk about how for even the first few seconds we see of DCA/Eclipse, they're aggressive, ripping open the doors and moving swiftly
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But the second the light shines on them (or at least appears on their face)-
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They soften. They immediately become friendly and seem to beckon you/Cassie in. A new friend.
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mblue-art · 4 months
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BAD SANSUARY // [14] tears for owl-bones's event !
"...Killer, it just looks like I have running mascara."
"it's such a look though."
messy kisses and post-nuzzles
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raepliica · 15 days
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priest guy sending mixed signals, what is he up to?🤨🕶🤏
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[Image Description: A warm-toned comic featuring Trigun98 characters. It opens with Vash shouting "YOWCH!!" as a half-eaten donut flies through the air, a bruise on Vash's tongue. Meryl, editing papers, is annoyed as he complains: "Ow! Ow! I bi'e my 'ongue..." "What's the rush?" Meryl asks, "They're all yours." Vash, still hurt, tries to explain: "They're jus' sooo good!" Meryl argues back, "Well, savour it then!" Wolfwood has been watching the scene unfold as Meryl continues, "Satisfying your sweet tooth doesn't come cheap, unfortunately." Wolfwood clicks his lighter open and closed, again and again. Without a word, he leans closer, his thumb on Vash's lips. "Wolfwood...?" Vash trails off. Then, Wolfwood opens Vash's mouth and knicks his thumb on one of Vash's canines in one fell swoop. "Wah? Huh??" Vash says as Wolfwood pulls his bleeding thumb away. He licks the blood off the wound then snickers at Vash. Meryl looks disgusted, Vash has lit up in an embarrassed explosion, and Milly remarks, curious: "Those are surprisingly sharp, Mr. Vash!" Question marks float around Vash, and his donuts lay discarded on the table. Each panel is signed by raepliica. End ID]
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scoupsahoy · 1 month
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thinking about how tres horny boys, at the beginning of the crystal kingdom when asked to pick colors for their null suits, all picked shades of red. burgundy, burnt umber, cinnamon
merle (well, clint) asked for burnt umber to be funny without even realizing what color it was
it's hardly a joke, it's hardly touched on, though i'm sure it's more obvious in the graphic novel. but to me it was more shocking than their jokes about living for hundreds of years, of always having their memories, of never forgetting barry bluejeans
they were red because they were always going to be red. because they were red for a hundred years.
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„hormone replacement therapy should be available to any adult who wants it“ okay then lets also make ritalin and antidepressants and antipsychotics and cancer treatments and so on and so on prescription free because people always know whats best for them, lets cut out the doctor completely, everyone just google your symptoms and get what you think you need at the pharmacy! awesome.
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