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shinjaeha · 3 years

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ipytm ep 3 (thoughts + spoilers)

this is going to be a tough post for me to do bc honestly...this ep just left me feeling so run down. i know that the cast and crew have always strived for realism and authenticity with this series, but this one was just a lot to take in :/ my thoughts are gonna be even more all over the place than usual but idec at this point. having to rewatch this ep again is really fucking hard (even harder than itsay ep 4 bc even though that makes my heart ache, i still feel some sense of satisfaction from the development we get...this just leaves me feeling defeated in every way).

you know the drill: not an analysis, just me ranting as usual bc free therapy (and boy do i need it after this one)!! i had so many feelings watching this ep (esp towards teh but what’s new), so here goes.

we begin with the drama students rehearsing for jai’s new play, and the introduction of the plum wine which will be the recurring motif in this whole ep. the use of the plum wine in this also kind of reminds me of how teh initially disliked coconuts until he started falling in love with oh-aew and started to like them instead...i’m guessing that’s the parallel they’re trying to draw with the plum wine comparison in this.

teh’s having a hard time getting into character (which we already know from last ep was always going to be one of the toughest challenges for him as an actor). his character in the play is supposed to have a sex scene, but he’s struggling with this bc he can’t put himself in his character (akin’s) shoes, so jai ends rehearsals early.

jai gives them all logbooks which he basically wants them to treat as diaries where they’ll write everything they feel/learn and hand it back to him (he’ll be the only one reading them). ngl this already had me feeling kind of yikes (esp now as i rewatch this knowing how everything went down) since jai already has inside knowledge about teh’s feelings on his relationship with oh-aew which he can take advantage of :/ more on that later though...

it’s sad to me that so much time has passed since teh’s argument with khim and he's STILL avoiding her. khim was someone that he respected immensely (and was such a great mentor for him) so it just sucks to see that their relationship has deteriorated so much since the first two eps. teh might have had his reconciliation moment with oh-aew last ep, but there’s still a lot that he’s not ready or willing to address yet.

i understand that teh’s just encouraging jai about his work when he tells him to stop having others comment on it, but at the same time, i disagree with him bc i think it IS important to get other peoples’ opinion about your work. how else will you ever be able to see things from other perspectives if you don’t?

anyway, teh tells jai he’s seeing a play, and jai asks teh if he’s bringing oh-aew...the look on teh’s face is telling enough that things aren’t going great between them (at least on his end). this brings us to the logbook scene, where teh’s homework for the day is to write about the similarities and differences between himself and his character in the play. this gets teh to reflect on how he feels his relationship with oh-aew is changing, or specifically, how oh-aew seems to be changing so much that teh feels like he’s becoming someone else entirely...and does that mean that he still loves him the same?

i feel like this is a fairly common issue with people that have been in a relationship for a while (and this is their third year together now), so i understand how teh might start having doubts. it’s nothing that oh-aew’s done, it’s just that sometimes all these small changes can keep mounting up to the point that they feel much bigger than they actually are. oh-aew’s really just doing what everyone else does, which is grow and change as they get older, but teh’s still stuck in the past trying to hold onto what they used to have instead of evolving with oh-aew. the way teh picks at all these little changes of oh-aew does make me think that he’s self-sabotaging himself. he’s just so afraid and insecure that oh-aew will change so much he leaves him, that he has to nitpick at reasons why oh-aew’s the one that’s growing away from him (though when we watch the whole ep we know that that’s not the case at all). it’s like a ‘if i push him away first, then he won’t push me away’ sort of self-defence mechanism. either way, teh’s a constant overthinker...and he’s always been his own biggest enemy since the start, so it makes perfect sense to me that he would do this to himself here too.

i know that they’ve been together for years at this point, so things are not quite as exciting as they used to be, but it hurts to see oh-aew be so happy about getting an A for his class, and teh be so unenthused about it. oh-aew has to basically beg teh to give him attention and praise. remember when teh used to get so worried when oh-aew did badly in chinese class...and now it’s like whatever to him just bc he’s not tutoring him/they’re not in the same major anymore :((( i know it’s prob both bc teh’s still hurting that oh-aew transferred majors, and from seeing oh-aew succeed while he feels like he’s failing, but still...

also, not inviting him to see the play with him bc he thought oh-aew wouldn’t be interested/oh-aew kept falling asleep whenever they saw plays together ;;; i get the reasoning from both povs, but it still is nice to be asked :(

so one thing i have to say about the progression of their relationship here is that i just feel this huge disconnect from last ep and this ep?? i know it’s bc of the time skip (since it’s a year later basically), but to go from the end of ep 2, where they’re promising to love each other forever, and then to teh feeling disillusioned/as though he’s falling out of love with oh-aew basically right after that?? it’s so jarring. i feel like we lose so much with these time skips bc the transition from ep 2 to ep 3 is never really shown, so there’s this lack of flow there. like we’ve skipped a step entirely and something’s missing. this is the disadvantage of only focussing on one year per ep since there’s not enough time to explore as much character and relationship development when we’re only seeing an hour long snippet of an entire year. it just makes things feel superficial since so much of what we should be seeing is missing...and we basically have to fill in all the gaps ourselves.

okay, back to oh-aew ranting to his friends about how he feels like his relationship with teh is fading away bc they don’t have the same interests anymore, but also wondering if that’s just normal for long-term relationships. bless that boy that came to ask oh-aew for his ig :’) at least he knows that he’s wanted and has options, even if he obv turns him down bc of teh (for now).

plug and mangpong are dating!!!!!!! and mangpong does a horrible job of trying to hide it 😂 sidenote, but i love the way pp delivers lines sometimes (like the “just shocked”), he’s so cute. plug and mangpong’s legs touching...and the wave of nostalgia that came over me (and oh-aew) during that ;;; oh-aew seeing their blossoming relationship would make him reminisce back to his own experience of falling in love with teh...when everything was still so fluttery and new. so when teh texts him about using his car to help jai move, he looks happy. like he wants to rekindle those feelings again too.

that being said, it’s kind of sad to me how even jai shows more interest in oh-aew’s major than teh (when he asks him for his opinion on how to get people interested in his play). oh-aew’s got some good ideas and is more than willing to help (esp since he wants to connect and find a common interest with teh again). also, just bc oh-aew doesn’t want to be an actor anymore doesn’t mean that he’s completely uninterested in it. god, watching this part again hurts bc oh-aew looks so happy and optimistic. he worked so hard to help teh (and jai) only for them to betray him like that. it made me mad originally, but now it just breaks my heart :(

jai’s running acting classes again for his play, and this time it’s a workshop to help them tap into their feelings. it’s like an intimacy exercise where they give one another consent to touch certain body parts. teh is still struggling a lot with this. i think teh craves intimacy, but as he doesn’t feel that connection in his personal life to oh-aew anymore, so it’s difficult for him to draw on his experiences. he can’t even remember the first time he had sex with oh-aew properly anymore. as usual, teh’s too in his own head to just go with the flow and ~feel things (which isn’t new since teh’s had problems with this since itsay), but it’s def something that he’ll need to learn how to do if he wants to become an actor. he’s trying, but the fact that he can’t get to that place makes him feel even more insecure than ever that he might never be able to get there. imo one of the reasons teh works so hard, and is as driven and ambitious as he is, is that he’s afraid that he’ll never be good enough. he puts so much pressure on himself, and the issue with that is that he’ll never be able to live up to his expectations that way.

teh is also very much alone now. oh-aew has his group of friends to talk to about his relationship with teh, but teh just has jai at this point. he’s pushed khim away...and he and oh-aew aren’t communicating effectively (which is also why they’re on SUCH different wavelengths in terms of where their relationship is at), so there’s literally only jai for him to talk to about all his relationship issues. and to me at least, jai seems to have ulterior motives (particularly when you consider that the subject matter of his play is pretty much the same thing that teh’s going through rn). it’s times like this when i do feel kind of bad for teh, but then again, he brought this upon himself the way that he almost always does...and it leaves me frustrated instead.

jai kissing his professor though...also their conversation?? i have QUESTIONS...

that whole interaction with teh when jai catches him spying on him and the professor was SO awkward. idk what it is about teh but i have never encountered a character that has given me as much secondhand embarrassment as he does. when he starts touching the bars and avoiding eye contact i just- why, teh why?????

moving on, i’m thinking there’s prob more to that scene that we don’t know about bc jai’s shifty like that...but it’s purpose is also to shift teh’s perception of jai. before this, he pretty much just saw jai as his friend and mentor, but seeing him kiss someone else pushes him to think of jai in another less platonic light. like the first spark of attraction.

the both of them go to see the mime show (babymime), and i know that the point of this is so teh can learn to just feel and let go the way that the mimes in this play do, but idk it’s just kind of funny to me the contrast between the last scene and this one.

the leg touching scene again but this time with teh and jai...thanks, i hate it :///

teh’s already feeling like he and oh-aew’s interests are making them drift apart, so by connecting with jai, it’s that initial feeling of attraction that he used to feel with oh-aew all those years ago. jai is that cool senior that he respects...he’s goal-oriented and has so much in common with him (in a way that he feels that oh-aew doesn’t anymore), so it doesn’t altogether surprise me that teh latches onto jai in this way. esp when all their conversations revolve around what teh’s most passionate about, and what dreams they’re striving towards in the future.

it doesn’t surprise me bc teh’s affections shifted in a similar way from tarn to oh-aew when he was first starting to realise his feelings for oh-aew too (though at least he and tarn were never officially dating during that time...)

there’s a genuineness to the way teh praises and encourages jai that isn’t there when he’s doing the same to oh-aew :( and that coupled with teh lying to oh-aew about him having dinner with jai while oh-aew is at home, completely oblivious, painstakingly photoshopping his boyfriend’s face on the poster of the play TO HELP TEH instead of doing his own uni work, makes me so fucking upset for oh-aew.

it’s interesting to see how different their personalities are even when it comes to something as simple as the way they read their texts. oh-aew is so ready to accept whatever teh tells him at face value, but teh overthinks everything to the point where he jumps to a certain conclusion in his head about it instead.

but yeah, it’s just really tough to see oh-aew try so hard for teh, only to see teh do nothing back for oh-aew in return. there’s only so much one side can give. it’s the absolute lack of effort on teh’s part to even try to make things work with oh-aew that is the most frustrating thing of all. oh-aew is carrying their entire relationship rn and it makes me feel all “and for what?? why should he even bother??” about it.

sneaking to sit at the river with jai is like this forbidden, new experience, so it just enhances that feeling of attraction that teh is already feeling towards jai. and esp when he starts telling him about his previous relationship with james, the significance of the plum wine, and how jai ended up breaking up with him. since it’s reflective of teh’s own experiences atm (even in how he kind of self-sabotages himself to push people/oh-aew away first), he clearly takes it to heart. and it makes him want to do an even better job since the play is an autobiographical one for jai. not to mention, teh supposedly being the only one that jai told his story to makes him feel ‘special’......and we all know how teh likes feeling as though he’s special to someone. you can see it in how dejected he is when he thinks jai only told him his story bc he wanted him to get into character better, but perks up the moment jai says he actually told him bc teh’s been doing such a good job (and to encourage him). like i mentioned before, teh’s already feeling vulnerable and isolated from everybody else, so hearing any sort of praise (and esp when it’s from someone that he looks up to as much as jai), is going to pull him in.

when they were hiding from the security guard i was like ughhh i know where this is heading and i. don’t. like. it........

the problem is that i know where teh stands on this. like i know that there’s some attraction on his end. but i don’t know where jai stands. is he intentionally manipulating teh’s feelings for his play? is there any sincerity there? i think it’s obvious that he can tell teh is attracted to him from the glance that they share in this scene, but i can’t get a handle on what he actually wants (which i guess is the point of making his character as mysterious as it is but still). and if he can tell, and he doesn’t actually like teh back in that way, it makes the end scene even more yikes imo.

hmmm teh lying in the pool trying to recreate that feeling right before their first kiss when the both of them just let everything go and sank down into the water. that’s how you KNOW the next scene is supposed to be angsty...bc just like how their first underwater kiss had a sense of sadness to it bc they were hiding, their first (on screen) sex scene has that same sense of sadness, only this time it’s bc teh’s using his attraction to jai/his method actor desire to get into character to fuel the sex instead of bc he genuinely just wants to have sex with oh-aew. and if his reasoning for the sex is bc of that, then his task to recreate their first sexual experience will never live up to the actual first time they had sex (when they BOTH wanted it, and there were no other factors involved).

that’s not to say i don’t think teh doesn’t love oh-aew anymore. i think that there HAS to be some level of love still there amidst all of the confusion, but it feels a lot more like he’s testing his love/attraction to oh-aew during this scene (sort of like how he did with tarn in itsay) than a proper ‘love scene’. like he’s trying to reconfirm his feelings, whilst using oh-aew as inspiration for his role at the same time. it makes my heart ache that this is the first love scene we get from them this series, and it’s marred by the context of what we know is going on in teh’s head. like i said, it’s this permeating sadness throughout...and just knowing that oh-aew has absolutely NO IDEA what’s going on with teh and why he suddenly wants to have sex makes it worse. oh-aew’s been trying to make things work, and in his mind, teh spontaneously coming over like this prob makes him think that things are getting better between them since this is also the closest thing to teh showing any sort of initiative to work on their relationship in this ep so far...

and that’s not also taking away how beautifully this whole scene is shot. i’ve always loved the way that teh and oh-aew play and flirt with each other (bkpp’s chemistry is honestly unparalleled!!) so it was nice to see them be kind of playful before they started kissing again (if you ignore how sad this scene really is). i LOVE the inter-splicing between their first time on the beach and the present. the way the score swells, and little moments where you can see their feet and fingers interlocked on the beach. it gives you such a visceral visual (and totally takes me back to itsay days when that sort of imagery was used a lot more). i just hate that since we know the truth, this scene is more uncomfortable than satisfying despite how nicely shot it is.

i wish we got more domestic moments from them. i know their relationship has sort of grown past those initial moments of flirtation, but it truly makes me sad that we don’t get to see more of them as a couple in general in ipytm. moments like this where they’re lying in bed cuddling each other are so few and far between that i always feel like i have to cherish every little fleeting piece of fluff that i can get. even if idek if this can really be called fluff since the context sort of ruins it.

oh-aew’s still got his heart attack bag :’)))

he was soooooo happy when he met up with his friends 😭 but also, how the hell is it possible for teachers to move deadlines up like that. i FEEL that panic... poor oh-aew...

teh’s in rehearsals again and this time he’s wearing his moon shirt which...i do NOT need those ep 3 itsay vibes rn when i was already dreading this last ten minutes with everything i have in me :((( but anyway, jai’s brought plum wine to class and we know that teh doesn’t usually drink, but he does this time. he tells teh that the taste will change over time (it symbolises the ageing of the relationship process), and teh says it’s a pity he won’t get to taste it next time since jai wants to go abroad to study. then teh tells him he’s worked on the acting exercise and wants to try it out with jai, and i feel like we all knew where it was going to go from here.........

they really had to hammer it in with him missing oh-aew’s call too huh :/

as soon as they started the touching/intimacy exercise again i was just waiting for the catch. even on this rewatch i’m still sitting here chanting “don’t do it teh don’t do it” knowing full well that he kisses jai and there’s no changing that. but then when they cut to oh-aew walking up the stairs with the posters and you hear just how much time he’s sacrificed to help teh/jai on this...sacrificing time EVEN NOW just to go over to their uni to give them the posters when he has a presentation due tomorrow that he and his friends still haven’t finished working on...it’s just heartbreaking knowing what he’s going to end up walking in on.

whether it’s itsay or ipytm, teh’s default state is confusion. so while i think that there’s a certain amount of attraction towards jai there of course, i kind of get the feeling that he’s confusing his feelings of connection with jai (bc of their shared interests and passion) with him falling in love with jai. i feel like his attraction to jai reminds him of what it was like when he was first attracted to oh-aew, and since things have changed so much between him and oh-aew, it’s like he wants to recreate and capture that feeling again with jai (which is also why he wears the moon shirt...he wore that during itsay ep 3 beach scene, which was the moment when the attraction really started to burn between him and oh-aew). he can’t feel that same spark with oh-aew anymore, so he transfers his feelings to jai since, at this point in time, he feels closer to jai than anyone else. instead of growing alongside oh-aew, it’s like he’s choosing to revert back to a time when he was happier.

we know that teh has always been the type of person that will act on his impulses when he feels them. that’s WHY it was so hard to watch...bc i knew while watching that last scene, he was never going to restrain himself or put a stop to those feelings bleeding over into action. and esp not when it could benefit him in some way with his acting too.

in the end, it just makes me so devastated for oh-aew. and i really hope that he doesn’t let this go bc he thinks it’s just teh method acting or getting into character or whatever...i know that teh’s feeling a lot of conflicting things rn, but that’s not an excuse. he really fucked this one up.

the thing is, it’s not that i don’t think teh is capable of acting this way (i’ve seen a few people say that this is ooc for him, but it really isn’t? this confusion and impulsiveness has always been a part of his character from the very start...he was always the one that had the most trouble dealing with his feelings out of the two of them), but the time skips don’t do him any favours bc we lose all those moments that take him to what he’s currently feeling. when we don’t have those moments, then it’s a lot harder to sympathise with him. in itsay, bc we always knew how teh got from point a to point b, even if he did frustrating/silly things, i always understood where he was coming from. i always felt for him. i GOT his struggles, which was why i was always able to empathise with what he was going through. in ipytm, he just comes off as unlikeable bc of how superficial his feelings seem (from what we’re being shown on screen at least).

falling out of love with your significant other/starting to feel things for someone else is obv a fairly common experience, so i don’t blame teh for FEELING like this, but it’s how he treats oh-aew throughout this that doesn’t sit right with me. even if you feel like you’re falling out of love with someone, or that they’ve changed since the first time you fell in love with them, you’d think there’d be some motivation to at least TRY to make things work with them before giving up. we never see that from teh at all. instead, he just see him becoming infatuated with jai (so we barely see teh/oh-aew together in the first place). and while i can see now that a lot of this is due to his own insecurities and inadequacies, it’s also just so disrespectful to oh-aew who's the one that we see putting in all this time and effort (it calls back to their whole “don’t give my time to others” scene in itsay bc we see oh-aew giving so much of his time to teh through helping him out with his play, while teh’s giving that time that should be for oh-aew to jai now). no matter his reasoning, watching teh act that way towards oh-aew does make it increasingly hard to root for him. there’s just too big a disparity in how the two of them choose to act and devote their time to their relationship.

what’s frustrating is that in itsay, teh would fuck up but he would always try to make amends with oh-aew in some way. he would always come forward to try to sort things out after...but there’s nothing here. even after their dinner fight in ep 2, it’s OH-AEW that reaches out to him first (even though it’s teh’s fault that they fought in the first place). where’s that boy that dressed up in his old school uniform in order to talk to oh-aew at his school? or made a whole chinese idioms scrapbook for oh-aew? or gave up his uni admission for oh-aew? i understand that characters and motivations change (and he was obv hopped up on his first love with oh-aew at the time), but it’s just really, really sad to see teh keep messing up and not even try to meet oh-aew halfway with this. yes, you can fuck up, but there are only so many times you can keep fucking up before it starts to look more like a pattern of shitty behaviour than a few forgivable missteps.

another issue is that there’s been so much focus on teh and his flaws that a lot of the time oh-aew comes off as a side character to teh’s story. previously, i understood that since teh was grappling with his sexuality. it made sense that his journey was the primary focus of the plot and character development. but i always felt that there was more room to explore oh-aew’s story (and i thought that we would get a lot more of that in ipytm...esp after ep 1), but it just feels like we kind of skimmed past all of oh-aew’s growth and struggles adjusting to bangkok/uni life so we could turn the attention back to teh again. i just hate that we never get to see more of how oh-aew’s changed in teh’s eyes (other than the surface level things like his hair, new car and major), and that we never get to see more of oh-aew’s life when it’s not related to teh in general. i hope that we’ll get more of oh-aew in the last two eps, but i really don’t know what they’ll give us anymore.

at this point, i don’t even want them as endgame anymore given everything that’s happened in the recent ep. and it pains me so much to say that bc teh/oh-aew are so immensely important to me, but they’re just in such different places in life. and teh esp has so much more growing to do (i think i said this last week too? teh...). oh-aew deserves to be with someone that can see his worth as he is (that won’t cheat on him for one!!). i just want him to be with someone that can make him happy. what i wanted most for them out of this was for the two of them to grow to a better place (together and as individuals), and while i still want that for them as individuals, it’s hard for me to want them to be happy together anymore. at least for the time being.

i’m kind of at a loss for how they’re gonna work through this (and i genuinely want oh-aew to be able to explore his options too...particularly with someone that will actually treat him better than teh’s treating him atm). so at this point it’s kind of looking to me like a break up is inevitable? but i do think it’s necessary for both of them rn. i feel so heartbroken about it though...like ipytm is actually making ME go through the breakup...breaking up with all my beloved itsay teh/oh-aew memories :((( anyway, i think a break up is also conveniently the best time to put a time skip tbh...so we’ll see if that does end up happening now in future eps.

this one took such a long time to write up bc i wrote like a quarter of this RIGHT after i finished watching the ep (so you can clearly tell which parts were me right after the ep, and which parts were me after i had some time to sit on what happened 😂), but i thought it was best to take a bit of a break. i didn’t rewatch it again until i calmed down a little and sorted out my thoughts some more (though i know this is still pretty messy). but yeah, i’m still very much interested in watching how they things are going to progress from here...but i can’t deny how sad i’ve been feeling after this.

#i promised you the moon #ipytm #text #i feel like i always need to rewatch ipytm eps bc i'm so HEATED during the first watch #but then by the second one i've usually calmed down so much more #like i obv still have a lot of things that i'm not super happy with (and rewatching this again didn't really bring me joy) but still #i get so invested in itsay/ipytm that sometimes i just gotta take myself out of the situation and go live my life for a bit #i was meant to post this yesterday bc it's been sitting in my drafts for too long but i just woke up (it's 2am) so what better time hah

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dragonwarriorgal · 2 years

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Heartstopper ep 5-8: Something, something, clever title

yeah I got tired, but I am ignoring other responsibilities what more do you want from me?!

I might just film my over arching feelings about the whole series when I rewatch it again sometime in the near future. But until then here are my thoughts on the final half of the first season of Heartstopper:

we interrupt this program with a cringy tiktok dance… Oh, My, God. This is so bad and so hilarious!! XD This is waaay to much comedic, it's almost cringe! Every party needs a pooper that's why they invited Tao! Party poooopeeer! Party Poopeeeer! I am gonna cry! THIS IS TOO CUTE!! THIS IS EVEN CUTER THAN IN THE GRAPHIC NOVEL!!!

Ok, I'm a bit sad that they skipped the whole "hiding behind the menu to kiss" moment from the graphic novel… Poor Nick Well you're a bit thick sometimes about Human Decency Harry!

ep 6. -ok, I know that pirates of the caribbean was a bi-awakening to a lot of other bi people but, the way it was shot was just too funny XD -it's a bit weird to me Charlie's shot on the blanket, like we can see C's face on Nick's shot, but on C's we only see N's chin…. -that flashback was cute, but incredibly pointless… -Ok, I am LOVING the smack talk to Harry from Tao XD -Well… guess Imogen is done with her uses…

ep 7

-Ah Converse shoes… nothing remarkable, just have a nostalgia for them -whyyy Ben flashback, whyyyy

-this might be my favourite episode, just because I get to see Harry's punchable face punched… -oh, OF COURSE Ben is behind them. Ugh! -though kudos to Ben's actor constantly glancing down in the movie theater, even though he didn't get a close up! -DECK HIM IN THE NUTS CHARLIE!! -I want that punch as a gif, just so I can watch it again and again -I am just gonna note that Tao's hair looks like hair tusks. -ELLE!!! IT WAS NOT YOUR SECRET TO TELL!! I mean, I know that Charlie should have told Tao sooner, but STILL!!! I know Tao deserves the truth, but it has to come from Charlie himself! NOT YOU! -Tao! Not! Helping!

ep 8 -Charlie :'C -and now Charlie is being picked on by you Tao! I know how it feels like when your friends ignore you because of something stupid thing I did! IT! SUCKS! and it is TRAUMATIZING!!! Fuck you Tao! -AND YOU THINK IGNORING CHARLIE IS OK?!!?!?! WTF TAO! MAKE UP YOUR MIND!!! -what, is, up, with sports in this teen gay drama?! -who is doing the kids make up for the sports day?!? I am talking about in world. Not the make up artist. -YES Charlie! -Imogen REALLY has disappeared off the face of the planet really…. -well, consider me proved wrong… -Ok, this is WAAAY too much Hollywood Teen Drama (tm) for my taste… -wholesome moment, but where is Nick's face paint??? -Hold on a second! (goes on google) ALICE OSEMAN!!! -My face hurts from smiling so much!!

#heartstopper #heartstopper netflix #heartstopper spoilers

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unimooshi · 3 years

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🤖🎶🍳(for the tf ask game)

🤖 - What got you into TF?

It’s actually quite a long story for which I don’t remember the beginning tbh...but I can say that it’s basically been a part of me for as long as I could remember into my childhood until now. G1 was definitely the first cartoon I ever watched though it was just bits and pieces in my memory. I don’t remember where but I just remember seeing giant robots and thinking it was something similar to Power Rangers and watching it while waiting for my dad to do something. That kinda stuck with me especially after my brother got into it as well and had several toys that we both shared. My dad also had the whole Bayverse series so that also helped solidify the series in my life. EVEN THO THE BAYVERSE MOVIES SUCK AND ARE INCOMPREHENSIBLE BEYOND BELIEF. like seriously it’s easier watching mirrors reflecting sun than it would be to tell what’s going at any time in any of the movies.

Anyway, my mom had TFA on dvd (and she still does even though they’re scratched up) and that only deepened my love for this franchise. A lot of nostalgia essentially. Then I stopped bc it was a “boys thing” then I said fuck it and here I am in robot hell and forever simping :)))))

🎶 - Best Theme song?

G1, SEASON 2. EASILY. I LOVE THAT OPENING AND IT’S SO NOSTALGIC FOR ME. That opening is the earliest memory I can think of when I started watching it. And that intro was such a bop it stuck with me for so long but I never knew where it was from. I just remembered it. The tune anyway. I would always hum it but I could never remember the lyrics. UNTIL. I rewatched G1 cause I wanted to undo the years I went not letting myself indulge in one of the thing I loved the most and see if I could reconnect any lost memories. As soon as I heard the season 2 intro I literally started crying bc I literally have never felt that much nostalgic joy in my life and god it just hits different. It’s such a bop. Absolutely recommend. Also Tracks is in the intro so I mean shakakakakakalka WHAT CAN I REALLY SAY? The TFA intro is a close second place tho. I know the TFP intro is a pretty cool theme as well but I personally like fun and upbeat intros the best :))).

🍳 - Character that you would go to brunch with

Fort Max or Rung bc I love them :))))). Not the answer you were really expecting huh? They're just really chill and I feel like we could have a good time just sipping tea or coffee or having some tequila shots depending on the mood ofc. I would love to talk about life with them and what's been going on. Tracks would be fun too tho don't get me wrong! I would love to be a gossiping bitch and sipping champagne while listening to all the rumors going around, and I feel he would give some great life advice if we were ever best friends (which please I'm begging) and I'm in desperate need of it. (And he would slap me every time I felt like texting my ex and he would literally slap me into reality) But I also just want a calm chat in the morning sometimes ya know? Does that make sense? Idk, but also if I go to brunch with Rung then free therapy and I get to meet Jesus so really I meannnn budisabudbsad

#you didn't ask for a nutshell version of my experience with TF but I gave it anyway so pog champ #i think i made a post abt it before but i dont remember #and it was a long time ago so it doesn't hurt to have a refresher #I adore Fort Max he deserved so much better than what he got : (((#shame that I think Overlord is sexy tho but like dsahiodasoidjoandoisjdoias #it's not my fault hes huge and has big lips that I could kiss #anyways Rung is just. Rung. It's Rung man how can you not love him #Tracks will always be in my thoughts tho and if I ever wanted an aggressive voice of reason who will tell me shit that's going on 24/7 #it's him #Tracks please be my friend I'm begging hdiosahodhsadaebda #asks #mooshiblurbs #unimooshi #tracks #tf tracks #rung #fort max #this was supposed to be posted yesterday but I ended up taking a nap and I just forgot hdsouahdouashda #sorry #ask game

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popwasabi · 4 years

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Why I don’t give a fuck about canon

Recently, after randomly coming across some dope pictures of Transformer toys on Instagram that gave me a strong case of nostalgia, I was inspired to revisit an old childhood favorite in “Beast Wars.”

“Beast Wars,” in case you never watched or heard of it as a kid, is the continuation of the Transformer’s story set in the future as descendants of the Auotobots and Decepticons, the Maximals and Predacons, respectively, accidentally travel to prehistoric Earth to continue a centuries long battle between the two opposing factions.

There’s a lot of to digest there, so I’m not going to go into extreme detail over the plot, but the cast features colorful characters such as Optimus Primal, Cheetor, Rattrap, Dinobot and Megatron to name a few. They all have interesting and distinct personalities and generally play well off each other. It was a big part of my childhood and I collected an ungodly amount of their toys back in the day.

(This was my first ever Beast Wars toy and I think it’s beautiful.)

My rewatch though was…a mixed bag to say the least. The graphics have not aged well. The adventure of the week setup of the plot was repetitive and lacked real character development at times. There were characters that were added in last minute to the show clearly to promote a new action figure over the story on numerous occasions. Though I found the humor to still be pretty good, the action was stale and just lacked high stakes most of the time, save for a few episodes.

I was not shocked it didn’t land terribly well on my rewatch but you know what did? “Beast Machines!”

“Beast Machines” was the follow-up to Beast Wars that had the Maximals fighting on Cybertron where Megatron has taken control of the whole planet using a virus that changes Transformers into mindless drones to do his bidding. The remaining Maximals manage to survive however after Optimus discovers The Oracle which reformats them into animal robot hybrids that are both mechanical and biological. This sets them on a quest to stop Megatron and bring biological and mechanical balance to Cybertron once and for all.

The series is much more narrative based than the previous as it follows a steady trajectory to its epic conclusion. The animation is much sharper, and the soundtrack is fun as hell to listen to still. The pacing is much faster as the stakes couldn’t be higher for the Maximals and all the old characters from the previous grow in interesting ways and develop into more organic people (literally in some ways). Optimus is a more hardcore and emotionally damaged leader and Megatron goes from being something of a punchline in the previous series to a far more menacing and calculating nemesis. The story touches on themes of balance, authoritarianism, PTSD, love and reunion to name a few and for a kids’ show it is, dare I say…more than meets the eye.

I absolutely loved it as a kid and I might actually love it even more as an adult, so it was shocking for me, to say the least, when I read further into the history of the show, that a lot of fans straight up rejected it back in the day.

Common complaints I came across were they didn’t like how characters, such as Ratrap especially, “changed.” They didn’t like the new bio/mechanical Maximals and couldn’t believe that Cybertron was once an organic world.

Their big reason (in just about every forum and video I saw about it)? It didn’t adhere to “canon.”

Now, I’ll start this by saying there is no objective way to critique or even not critique a story. People can like or hate something for a variety of reasons that don’t follow a strict logical pattern. Gods know I have a few questionable/divisive favorites in my catalogue that I have written about here that are based on abstract ideas and personal experiences.

(The Matrix Reloaded is still great btw)

But I will say, if you judge a mega franchise’s latest entry on how well it is supported by established canon it is, in my opinion, a flawed way to critique a work of fiction.

Canon, sometimes referred to as “lore” by fans, is most often applied and used to describe the long running back stories of franchises that stretch beyond just the main books, movies or series, or even the original narrative of the plot. Star Wars, Star Trek, Lord of the Rings, and to a certain extent Harry Potter, all fall into this camp of series with so many interconnected parts, with more than one main character featured in each, that fans follow along this canon like ancient monks studying scripture and history books.

And they can be just as fanatical and over zealous about it.

(I wish they were more fanatical about proper hygiene or at least deodorant...)

My problem with the ways fans often view canon is that their conceptions of what a new story should be is based entirely on the past rather than what is happening right now with the story and what themes the writer is trying express with it this time.

They base their impressions of the story on external continuity more than the internal continuity.

Yea, the changes in a series like “Beast Machines” are jarring to say the least. Cybertron was formally an organic world like Earth? Rattrap doesn’t have confidence in himself and actually at one point sells out his comrades? Transformers can be biological now? It’s a lot to take in but when watching the story play out it’s not like these elements aren’t explained through the text of the new story.

Cybertron lost balance between its robot inhabitants and its biological life forms and its why it’s out of balance now, and Megatron is the logical progression of that inbalance. Rattrap is struggling to understand his new form, half his friends on the Maximals have been turned into drones, and the remaining team out loud say they don’t have confidence in him. He has PTSD from both the events of this story and the Beast Wars and feels insecure because of how others view him and that’s perfectly logical to not just the story but also the canon. If a fan is willing to give a story a chance they will see that the canon hasn’t actually been destroyed in much of any way and the logical progression is actually there if they simply listen to what’s going on.

(Seriously, it’s not that deep.)

Fans need to stop confusing a character achieving a franchise long arc with being “suddenly different.” In this way, criticisms of canon in new entries in long running series reveal that fans really just lack imagination to connect the dots. It would be like complaining that Luke Skywalker can’t become paranoid and make a grave mistake in judgment because people never change, nevermind the character already has changed a lot from his origins in “A New Hope” to where he was in “Return of the Jedi.”

(Oh wait, people did do that…)

But that’s not to say you have to like the new direction either. You can understand these changes and still be like “well, it’s not for me. I don’t care for a PSTD angle or a new origin for Cybertron,” but that’s whole lot different than saying the new series “rapes your childhood” or “Bastardizes the canon.” All the old canon you hold nostalgia for still exists. My love for “Beast Machines” is not harmed by the existence of newer Transformers properties that don’t meet what I look for in the series.

Too often, fans take changes to established “lore” very personally because it doesn’t fit their expectations or have the same nostalgic feelings they had before. When new entries in mega franchises occur fans often try to judge it by how much it is like what they watched before, rather what makes it different and what it is saying now. Again, you don’t have to like new directions in tone or character but consistency to established work DOES NOT equal good storytelling.

I have not been immune to this myself in the past, of course. Back in the day I wrote a 2500-plus word diatribe on “The Amazing Spider-man 2” that mostly went after how it changed the character I grew up with in a bad way and butchered the established back story I knew him by.

You know what other story doesn’t follow canon very well though? “Spider-man: Homecoming.”

(Now, hear me out...)

Spider-man in the MCU is generally agreed upon to be a good thing by fans. Both movies were big hits both critically and financially and fans often go as far as to say Tom Holland is the “definitive” Peter Parker.

But Holland’s Spider-man differs quite a bit from the comic-book webslinger. This Spider-man does not have a spidey sense. His best friend is not Harry Osbourne but in fact a retcon of a Mile Morales character. His father figure is Tony Stark, something that never happened in the comics, instead of Uncle Ben, which no matter what way you spin it is arguably his most important relationship in the series.

His character is a reverse of traditional Peter Parker too. Where comics Peter is a reluctant hero, who if anything hates being Spider-man and the burden of his responsibility, “Homecoming” Spider-man actively seeks out responsibility and in many ways enjoys his role as the famous webslinger. In fact, his whole arc is about him earning a spot as an Avenger. He wants to be THE hero and be worthy of it. It’s completely different from what we know of Spider-man.

(He just wants Tony sempai to notice him uWu)

Now I know some fans actually do complain about this Spidey from a “canon” standpoint, but most don’t. So why did this Spider-man get a pass for many but not “The Amazing” one? Quite simply it’s because stories, as cheesy as it sounds, are about feelings and stories like “Homecoming” tell a good story that effectively make those feelings connect with the audience.

We root for this Peter Parker and his journey to becoming an Avenger and successor to Iron Man because the story is told well, the emotions feel earned, and frankly both films are fun and enjoyable.

It’s easy to complain about canon for many nerds because it’s something tangible that they can point to and make a big stink about when they don’t understand why a movie isn’t reaching them. I don’t doubt that many neckbeards genuinely hate a film like “The Last Jedi” (Hell, I’m not a big fan myself) but when those same nerds enjoy something like “The Mandalorian,” a series that has its own loose relationship with canon and establishing new rules in the series, it tells me it’s not about the “lore” to them.

(Easy, fanboys...)

I have come to understand, in my growth as a nerd, that my problems with a lot of movies and TV shows in my favorite series rarely, if ever, have anything to do with the story not meeting some arbitrary guidelines regarding canon. It has more to with the story simply not connecting with me emotionally. The story isn’t drawing me in and keeping me on its narrative path. I’m not feeling the same magic that someone else might feel enjoying it because either a) it doesn’t feel earned to me or b) it just stylistically isn’t for me.

To paraphrase a line from another mega franchise, also owned by Disney, the canon is more like guidelines than actual rules.

(Didn’t expect to see ol’ Barbosa in this write up, did ye?)

It can show you where a story comes from but it isn’t law that you strictly adhere to it. Of course, when writing a new work in a popular series you should consider what came before it but I would like writer’s the freedom to try something new and most importantly fans to be open to it. You don’t have to like it but the idea that new entries in a story MUST remain strict to the canon is bull shit. Not even the original Star Wars trilogy adhered to its own canon perfectly, as clearly the writers were in fact making it up to a certain extent as they were going along.

(hmmmm...)

And that’s ok, because some of those changes were great! Made the story better and made the conclusion stronger.

Again, you don’t have to like every new entry that tries something bold or confrontational in your favorite franchise but if writers strictly followed canon to the T we wouldn’t have things like “Homecoming,” we wouldn’t have “The Mandalorian,” and we certainly wouldn’t have my favorite Transformers series “Beast Machines.”

Canon shouldn’t be a trap for writers and it shouldn’t be a litmus test for fans digesting it. There are so many better ways to judge a story than whether or not it fits neatly into established lore. A good story is a good story, regardless of whether or not it’s supported by something as static as canon.

“Beast Machines” has its flaws here and there, but canon isn’t one of them, at least not for me. Again, if you feel that the lore is important, that’s fine, you don’t have to ignore it but I would ask you to look beyond what came before when critiquing a new story.

Otherwise, you might miss something special that comes next…

Now then...

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lecliss · 4 years

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Yeah so just finished Omniverse for a second time. Forgot everything half way through season 6 so that was all pretty much new to me. I feel, I dunno. Maybe cuz my brain does recall that I've gone through this before so I wasn't all that emotional about it. I'm usually such a crybaby when I finish shows. But I do rarely rewatch them so I guess I don't know what my usual reaction is to that.

I dunno. I think it's more that I didn't really... care? The Maltruant plot is, meh. Probably because he's an entirely new villain so for him being the 'final boss', it didn't mean much. It being surrounded by a season of content that I was about halfway disappointed by too? Made it much more meh. So it wasn't all that emotional.

However, I got super teary eyed when Ben was rapidly transforming through all his aliens and I recognized it was in the order he first transformed into them throughout the entire series. That was powerful and I was trying not to breakdown, lol. Also the universe creation scene was pretty so I felt emotional from that too, but otherwise not much else came from me aside from laughs about the funnies.

Sorry this is gonna be long and kinda ranty, but I just feel like I need to get it out. Season 8 did not feel powerful. It was the final season and they obviously knew that since they were wrapping up loose ends with Vilgax and Charmcaster. That was nice and all, but I feel like, to me at least, because I could recognize that and the episodes didn't feel so dramatic and meaningful about it, it didn't matter much. Like, 'okay time to wrap everything up and get it all in its place to end this show' and it didn't feel like anything more than that.

I also have problems with the way Rook was handled and Skurd kinda ties into that. Rook got great development and once I recgonized that I feel like he became an even better character than before. But because his relationship with Ben was now so close, it became harder to use the 'we don't get along but we have to work together anyway' type antics. Skurd was introduced to create more alien toys to sell, that I've read before and am pretty certain that's confirmed(and I also don't mind that since I understand selling toys is a big part of the franchise anyway). Ben and Skurd now have that 'we don't get along but we have to work together anyway' type relationship. And I noticed Rook seemed to talk a lot less in season 8, barring his final focus episode with Kundo and Fistina.

Therefore, Skurd became, in my eyes, a replacement for Rook, and Ben started to, sort of, bully Rook. Like, obviously in a way friends do, but also in a way that friends do when one friend is being harsh and doesn't recognize that what they're saying is actually bothering their friend. And that really bothered me. Rook became a target for Ben to bully for fun and I'm not gonna blame Ben, because I think that was just a shitty writing decision.

I also have a problem with "The Secret of Dos Santos", not only because of Ben's bullying of Rook in that episode, but because of the severe romance problem the entire show has and is shown off very noticeably in that episode. I just can't understand bickering with a guy and then you think he's gonna apologize but he doesn't but he does show you a cool helpful thing and then... you kiss him??? Even tho he didn't apologize?? I'm not cishet and I do know how to write women so, okay then. Go ahead and make no logical sense I guess.

And I'm sure all of us are bothered by the romance writing in OV(in varying ways of course), so no need to make people see the hundredth rant about it or whatever, but Imma just say a bit anyway about generalness of it.

I've never liked romance in Ben 10. I don't remember my opinion on the Benwolf episode from the original series, but I know I liked 10yo Kai at least a bit. I also liked Julie. I just, didn't think she was a great romance choice for Ben. And there's the thing. Little crushes are fine by me, but full on dating and romance getting involved in an action series bothers me. I never felt like Ben needed a girlfriend, and I'm in camp 'if he has a girlfriend, a completely normal human one isn't a good choice for a superhero'. The trope only causes unnecessary problems in my eyes. Getting kidnapped and making plans that have to be ruined when hero duty calls, those are things that happened in UAF. We didn't need that kind of stuff imo.

And I'm fine with Gwevin since they both were always involved in the hero work, but the drama annoyed me, especially that particular Charmcaster incident in UAF. Actually, thank you OV for not doing that with them this time. But, Ben 10 never needed romance. I have ships I like anyway tho, but the unnecessary-ness of it in UAF and the poor writing in OV was not needed. Also, I'm the kind of person that hates harems. Ben Tennyson, a 16yo, did not need a harem.

Otherwise, I love the show. Removing nostalgia from the original series, OV is definitely my favorite series(cue me getting shot). I love Kenny too, so it's not like I despise that Ben ended up Kai, just how it was written that they did not get along at all and even seemed to have that same bickering as adults. It just was not enjoyable.

I keep going back to that, but anyway, still, I treasure the show and everything good it did. It gave us Rook, Ester, and my favorite alien, Ball Weevil, returned many character designs to their roots of the original series, brought back Lucy, the two part season finale with the other Bens made me cry, and so did the season finale with Malware. I will forever stand by the statement of Ben talking with younger Ben and getting Feeback back being the greatest scene in the entire show.

Oh, right, and about the Rooters. Fuck Servantis. I will slaughter the man with my own bare hands and I will make it slow and painful. Anyway! The show put in effort to make these retcons related to them make sense. I'll give them that credit. But the problem lies with UAF and its decision to make Kevin an alien and all the Devin backstory stuff. The original intention in the original series was for him to be a special kind of human(basically a mutant iirc) and UAF made him an alien instead. OV wanted to go back to the orginal intention, but needed a way for that to make sense.

It was a mess, but I understand what the point of it was. Something had to be done to make it make sense and there was no way it would be a situation that didn't bother at least some people. I find 'your memories were a lie the whole time' as a form of retcon to be such a bad trope, but what else was there to do? For the decisions they made to handle it, it was perfectly fine. I just wanna torture Servantis is all because the Rooters got off way too scott free. They essentially had no punishment and I want to see the blood of child abusers spilled on the floor. Immediately.

Anyway, again. I love the show. Will always love it. I thank OV very much for all the joy it gives me and at the end of the day, it's a fucking cartoon. I love it, I hate some things in it, but I can put it down and go care about something else if I wanted to. I'm not gonna let the parts that bother me actually ruin my day or anything. Cuz again, it's a cartoon and I may not feel like it, but I do have a life. And I'm gonna spend the limited time I have in this shitty life by enjoying the things I like, which is the parts of OV that make me happy. 💚 Mainly Rook. And Ester. And the Evil Bens. And many more things, actually. Okay, I think the emotions are finally setting in. Oh god, I want it all back already!!! 😭😭😭😭

#ben 10 #ben 10 omniverse #long post #child abuse mention

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ja-khajay · 3 years

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2020-2021 Animation Watch(ed)list

I haven’t posted about animation in a while that I remember, and I know a lot of my followers are into it as much as me so I decided to make a list of the animated movies and series I watched on the past year or so, coupled with my short, spoilerless take on them. Enjoy!

Organized by

Things I saw for the first time

Things I rewatched

Under a cut for the sake of your dashboards! PS: I have not added any images yet. If you are interested in knowing more about the visuals of these movies, I might make an old fashion ask-prompted imageset list.

Part One: Things I saw for the first time

The Bear’s Famous Invasion of Sicily

Movie, 2019, Italian/French

9/10, a delightful little movie with amazing visuals. It feels like an animated picture book.

One of those “plot is in the title” media! I had never heard of this before but was heavily recommended it by my family members, who all loved it! It’s a sweet story, nothing groundbreaking but the unique colorful visual style alone makes it worth it.

The Castle of Cagliostro

Movie, 1979, Japanese

10/10. Reminded me of all the books i loved reading as a child

I assume its because it’s so old and the art style and themes are so different that it gets little to no love compared to other Ghibli movies, which is a shame! It’s fun with an endearing cast and as always, great animation and music

Mushishi

Series, 2006, Japanese

10/10 three episodes in I knew it was going to be my favorite series ever

One of the few things I’ve seen I’ll describe as life-changing. It’s absolutely lovely but never toots its own horn about it. Humble, calming, emotional and surprisingly mature. It’s pretty impossible to binge due to how intense the experience is. I just want to walk in the forest now...

FMA: Brotherhood

Series, 2009, Japanese

6/10 Dissapointing adaptation of a classic story

I read the manga for this when I was in middle school and remembered loving it. The animated version does an ok job of presenting the characters and worldbuilding and has some nice action scenes but overall looks really damn cheap and just. Not very good. Seeing I already knew most of the plot I did not have the element of discovery that made me marvel so much reading the original. It’s still a nice series but I really recommend reading it instead.

Code Lyoko (s1+2)

Series, 2003, french

3/10. 1.5 being for the opening song alone

This show sucks ass if I hadn’t been watching this with my bestie I would have dropped it two episodes in. The art style is ugly the stories are always the same and the first season has a (later removed thank fucking god) LITERAL “erase any consequences” button as a plot device in every episode. If you watch it for one thing let it be the nostalgia factor of early 00s Vidya Game Plot

The Legend of Hei

Movie, 2019, Chinese

7/10. Impressive visuals and a poor story

I finally watched this, peer pressured by the load of gifsets on my dashboard! It’s a sweet movie with really impressive animation, sometimes a bit too flashy for my taste (the action sequences go so ham they become not very readable...) but the story was just ok? The setting is barely explained and you are instead bombarded with vague epicspeech about powers and stuff that made me fondly remember Kingdom Hearts lol but that asides it’s a really good time! I need to watch more Chinese movies the few I know are just delightfully off the shits in how they approach action and I love that

Hunter x Hunter

Series, 1999, Japanese

9/10. Superior to the recent one!

I first got introduced to the series via the 2011 one. Comparatively, the 99 series focuses way less on action and way more on the characters, which I love because that fits my personal preferences! Despite mediocre filler episodes and some weird slight pointless plot changes, what it changes from the original manga doesn’t have much of an impact on the characters. The animation quality isn’t always consistent including a huge art style change for an arc (???) but it’s overall pretty nice. The series really shines in the last arc it adapts.

Oban Star-racers

Series, 2006, Japanese/french

9/10 a lovely surprise

This series is completly obscure despite having been created by people famous for their other series (Cowboy Bebop, Code Lyoko that i can name) and it’s a crime! It’s a kids show but without being stupid about it who tells the story of an inter-planetary race. If you liked that one scene in the star wars prequels you know what I mean. It’s got surprisingly nice animation for a TV series, and some truly great character design. The art style is a bit unique in a not for everyone sense, but I didn’t mind it much. It’s also THE most offensively 2000s series i’ve seen in terms of visuals. y2k kids assemble

The Little Prince and the Eight-Headed Dragon

Movie, 1963, japanese

8/10. Classic fairytale format with incredible visuals

Watched this for the art style because I know it inspired Samurai Jack, and it delievered! I dont’ have much to say about this one, it’s a very simply film but it’s sweet. For my pirates out there if you want to find it in good quality with english subtitles it’s VERY hard to find. If you just want to see the looks of it, it’s on Youtube with portugese subs.

We now enter the Gobelins Shorts Zone....!

My Friend Who Glows In The Dark

10/10 makes me cry each time

Pure delight...great animation writing everything. A little short about death and friendship but not in the way you imagine!

Colza

9/10

Visual treat...homely and nice :) not far from a 10 but a 9 because nothing about it is that groundbreaking

Sundown

9/10

If you’ve ever been ten minutes from failing a group project because of a single dude you will REALLY enjoy this. Loved the colors and personality

T’as vendu mes rollers?

10/10

It’s SUCH a sweet little short I loved that one so much

Dix-huit kilomètres trois

10/10

Surprisingly well written dialog. Visuals are great but the humanity of the characters carries this to another level

Un diable dans la poche

9/10

Amazing visuals and the most tense/creepy of Gobelin shorts i’ve ever seen. Chilling

La bestia

8/10

I had some issues with the pacing. Interesting story and visuals choices but I was not fond of the art style

Goodbye Robin

5/10

Confusing but predictable. Both at once??? Yes!

Le retour des vagues

6/10

Cool animation stuff but felt pretty pointless

***

Part Two: Things I rewatched

Ruben Brandt: Collector

Movie, 2018, Hungarian

10/10. Underrated as hell

Watched this fully blind for the first time in an animated festival and rewatched it with friends. It’s a crime I never see anyone talking about it given the amount of whining I see about the lack of both adult animation and 2D movies? This film is a unique love letter to art in the form of a weird mix of charming crime story and psychological horror with amazing visuals. I recommend watching it blind and also buying it to show appreciation for how nice it is!!! WATCH THIS MOVIE...

Mononoke

Series, 2007, Japanese

10/10 Visual/storytelling masterpiece in the weird shit departement

If you can stomach intense stuff watch this. The visuals are incredibly unique and beautiful and under the jewel tones and art direction high takes it’s a really cool horror series. My only obstacle to enjoying it the first time I saw it was how dense it is - simply put, it’s so...culturally Japanese it’s not very accessible to me who doesn’t know anything about the culture? Watching it for the second time helped understanding the stories more!

Corto Maltese in Siberia

Movie, 2002, french

9/10 but really close to ten. A great adaptation!

I’m a huge fan of the original comic so I entered this a biiiittttt suspicious it would suck but it was a really pleasant surprise! It has all the wonder and charm of the original and the animation was surprisingly good for the little budget. If you’re not familiar with the series, it’s a sort of geopolitical action/adventure movie but with it’s own really poetic vibe to it. It’s almost impossible to find online but happens to be fully on YouTube so go ham I guess?

Redline

Movie, 2009, Japanese

10/10 cinema was invented for this, actually

Every review of this movie i’ve seen gives it five stars and starts by talking about how immensly stupid it is. I’m no different. It’s a masterpiece of escalating energy with the depth of a puddle and it fucking rules. It’s free on YouTube too so there really is no excuse to not watch it. Watched it for the first time on a huge cinema screen and despite this my second rewatch on my small laptop was as/even more enjoyable. If you watch this stoned with friends you might travel to another dimension

Spirited Away

Movie, 2001, Japan

10/10 deserves the love it gets

I watched this a single time as a kid and had little memory of it! I mean it’s Ghibli you know it’s going to be good as hell but this one rly shines in how colorful and detailed it is and in it’s world! It made me remember I had a huge crush on the dragonboy as a kid. I’m gay now

Kung-fu Panda (1&2)

Movie, Usa

10/10. KFP fucking rules

Honestly my favorite franchise of the whole disney/dreamworks/pixar hydra. It’s fun as hell, doesn’t skip a single beat and has amazing animation and character designs. If something is a good time I will not care if it’s deep or not and boy I fucking love these movies

Sinbad, Legend of the Seven Seas

Movie, 2003, Usa

5/10 Some great some really bad and overall generic

I tend to hate american cinema and this includes that era of animation I have no nostalgia for. Sinbad is in a weird place because I love adventure stories and the visuals of the movie absolutely deliver but it’s very predictable and TANKED by the addition of the female character, pushed in your face as “look we have woman!!!” despite her writing being misogynistic as hell lol. The evil goddess rules tho. This movie would have been a solid 9 if instead of the girl the two dudes had kissed

#j #animation #if you want links to these ill provide but not for the indie ones that arent free #i have no remorse p*rating disney or a movie thats over 50 but if its recent and underrated just legally get it!!!

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red-i-mean-blue · 4 years

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A:TLA romantic ships part 1

yes, no one asked for my opinions, yes I will give them anyway, yes because I have decided making a bunch of meaningless decisions and arguing for them will improve my mental state, yes I watched the show all in one very sleep deprived go and i’m not interested in rewatching it so yes I have absolutely no sources, yes this is a really long grammatical nightmare because I don’ t know how to be succinct and i use way more words than necessary at any opportunity because if my point doesn’ t come across exactly like i intend it will greatly upset me, no I have not yet watched Korra or read the comics because i’m tired now let’s do this.

includes Kataang, Zutara, Jetkara, Jinko, Maiko, Sukka, Taang, Tokka, Toko Ty Lokka, Tyzula, Yukka bc these were on the Avatar wiki ship list, part two will go into gay ships more

from 0 I despise people who ship this immediately to 10 I will read absolutely anything with this, I love it and could draw it for hours on how much I think the relationship would be good and how happy it makes me

Kataang (looks like a comic book sound effect so plus points)

very clearly built up over the series

cute kid crushes also ngl did not know katara was 14 and not older 12 or 13 so didn’t care about age when watching

now I know she’s 14 and he’s 12 it’s a little weird but still

haters say katara was just the avatar’s trophy girl, as if aang didnt kiss the ground she walked on and wouldnt stop telling anyone how amazing she is. Katara was the first face he saw from the new world and they immediately became friends. she was so excited to meet another bender, he clearly is trying to impress her and it is working, he listens to her about bending and offers to take her to the other side of the world to master water, TELL ME at this moment she is not ride or die and she doesn’t even know he’s the avatar, he lets her feel like a kid again, which is a feeling she’s forgotten after years of being a mother to sokka and the children. he literally sweeps her off her feet to save her from the fire nations ship i-. rewatched boy in the iceberg and hoo boy had canon not messed it up, this ship could have been legendary

hard to imagine older them working out what with the whole last airbender, preserve air nomad culture, let’s travel the world bc nomadic lifestyle, what’s marriage i’m a monk without biological family values vs last southern waterbender, preserve southern water tribe culture, I believe in the power of family and am ridiculously dedicated to my tribe, let me go home to my father and tribe shtick, but I don’t care for after the show finishes much except for following the gang fix the world so I don’t really care about the marriage issue

canon was good until that Mess in season 3, WHY did he kiss her after that speech, wish they talked that out properly, wish he learned letting go of her to open the 7th chakra was the only right decision, wish the ending was a little more vague in ships and just left things open but yk whatever

that finale kiss was sweet, they hugged foremost as friends, no blushing, and then got the fuzzies, that moment standing alone? a+ but without any talking about what happened on ember island, a little unsatisfying

overall, fine ship, not my favourite nor do I actively ship it, but I see a kataang moment, i’m like, sweet so I give it a 6

Zutara (apparently fans are zutarians which looks like an alien race, plus points)

latter half of the show had quite a lot of Zutara potential, but idk about Zutara actual

katara was so ready to drop his ass, no way at the start

there is only one dynamic between them in which I can see Zutara working and that is as in the Stalking Zuko by emletish series where katara is so distrusting over zuko she takes to stalking him to make sure he isn’t doing anything to hurt Aang or about to betray them (her) again but he is just such a sweet dork who keeps trying to apologise to her even while she’s apologising to him for being a bitch that she can’t help but start to trust him, i’m a third into the third book in the series not stalking firelord zuko and I am thriving and tbh this is the only situation where I accept zutara, read the series I love it

age gap is weird, I know it’s the same difference between kataang but they made a point of zuko being older in the show also he’s so much taller and I don’t like 16 year old boys with 14 year old girlfriends in real life and so would katara because jet

katara has a bad experience with bad boy sword weilders (jet) but I guess you could see it as the start of her type idk

they are both the moms of the Gaang. sokka is the fun dad.

there is a parallel between their families, with the leader of their people dad, mom who left the picture when they were young, an older brother who is not a prodigy at/can’ t bend their respective element so they become proficient at swords instead, prodigy at bending younger sister with a violent streak. this is why I see zutara as potentially a really close friendship, almost siblings, but not a romance because to me katara is a little too like azula for comfort...

tbh I think a lot of folk shipped it because ooh fire boy and water girl (not the game) that’ s perfect, and bam army of zutarians

overall, kind of weird but ok and good grounds for humour so I give it a 4

Jetkara (bad ship name, why would you like this, minus points)

Jet is bad. yes Katara really liked him, yes he was definitely her first kiss and she would definitely consider him her first boyfriend but they would not define it because it’s easier to manipulate someone when it’s unclear what your relationship is and Jet is bad, with his weird fricking eyebrows and not even real swords those hook swords

Not wasting my time, 2

Jinko (cool name, reminds me of Hong Jinkyung, plus points)

short but so sweet. not the first thing people remember from watching the tales of ba sing se (brb going to rewatch and cry) but really cute, so here’s a running commentary

his first thought was she knew they were fire nation rather than a pretty girl sat in a teashop giving him looks because she had a crush omg

that honest surprise when his uncle suggested she liked her and then she walked up and asked him on a date, adorable

anyone who looked at that god-awful hairstyle and still thought he looked cute has it bad also aww that hair ruffle and the little grab onto his arm

he’s pushing his food around and she’s trying out ice breaker questions and recieving one word responses he has no idea what he’s doing

“she is not my GIRLFRIEND” he’s not over Mai, clearly but he still is trying his best to be a good date even if he’s terrible at making conversation

anyone who sat through that date and the bad lying and the stilted conversation and still thought he was cute has it bad

he is So Bad At Lying he just told the truth very vaguely and then bam travelling circus

jin so knows the two are fire nation, the whole date she just politely ignores the clear lies and doesn’t react to the obvious firebending, what an icon we love jin

honestly I was really expecting the show to reveal that jin knew he was a firebender if not from the start then from the lights but eh I guess she can keep a secret, good for her

HE KISSED HER BACK BEFORE REALISING A RELATIONSHIP COULD NEVER GO WELL AND HE MAY HAVE ANGSTILY STORMED OFF BUT HE ADMITTED IT WAS A NICE TIME TO HIS UNCLE

that being said I can’t see anything more happening but this date but omg imagine fire lord zuko coming back to visit and they become friends I-

overwhelming support for pre-date jin flirting to an oblivious zuko and the date Jinko, 8

Maiko (name would be a good name for a cat idk why)

childhood sweethearts before the banishment i think

she crushed because he saved her hair from getting burnt by tackling her into a fountain? adorable

I love mai she’s so funny but I think not the best match for zuko? he has a lot of trauma to get over and she doesn’t seem like the let all your feelings out and let’s talk about it until you feel better kind of person. it was deeply ingrained in her to keep all of her feelings and emotions strongly hidden because she got what she wanted from her politician parents so long as she was quiet, well-mannered, and perfectly behaved according to avatar wiki so I get why she’s that way, until I was 11 I was that way too all the time, I understand freezing your face so you don’t look afraid or upset or angry and risk annoying adults, but I don’t think that that would fit zuko with his social ineptness

they literally broke up twice but are just assumed back together? she just surprised him and said they were back together and I think he forgot she existed

the deadpan firelady and the fire lord would be hilarious together tho she got the ruthlessness he lacks

post coronation I can see it happening, 6 but under Kataang

Sukka (terrible name lmao)

the cutest, sokka very excitedly says “Suki!! :DDD” every time he sees her

she didn’t give him the time of day until HE changed, incredible

just the best canon ship, the two nonbenders in the Gaang but very clearly shown to be important key members.

suki is sneaky and badass, rivalling zuko for position on the team as the sneaky badass one (they tie and bond over being sneaky and badass)

sokka is a great dad, he is the dad of the Gaang and he clearly loves suki and suki loves him back

sokka ships are ELITE, 9

Taang (a delicious orange drink mix that reminds me of home, nostalgia)

foreshadowing from the swamp where someone aang loved in the future really made me think taang was endgame yk

opposite elements ideology that I guess is what zutarians like also leaves everyone in the gang dating a Gaang member if zutara happens

actually the same age but not much else going for it

best friends, 4 but under Zutara

Tokka (great name of a small pet fight me)

sokka ships are elite, childhood crush turned adult strong friendship

I really like seeing the rough, tough, greatest earthbender in the world have a crush, adorable

sokka is a great friend and his and toph’s canon relationship is so sweet, I wouldn’t change it

toph was fully going to give sokka a kiss on the cheek for saving her life i’m melting

age difference is too weird for a romance he’s like 16 or 17 by the end I think and she’s 12

best friends, 10 as a relationship in the show, 2, but in their 20s after the show... 4 but under Taang

Toko (very forgettable name but both characters have 4 letters so I guess it’s hard to come up with something memorable but every time I read it as Toph because same shape ish so minus points for being annoying)

even weirder age gap than Tokka

not many moments that could be considered romantic?

toph first accepted zuko despite him burning her feet, how she sees, which was big and they resolved problems between them quickly

toph clinging to his arm and asking for a life changing field trip caused him to blush, but I see that as him being like oh someone wants to spend time with me?? she’s hugging me??? what is this

convenient ship for kataangers because the Gaang could be paired off as Kataang, Sukka, Toko

her crush on sokka seemed to go away or calm down when he showed up and she punched him and teased him a lot, her way of bonding

similar strict teaching styles and bonding over secret identities as Blue Spirit and Blind Bandit and parental issues and being the children of important families who made them run away to enjoy not having anything to do with politics and being nobility with impaired vision who have never stepped into a kitchen in their lives and being used to servants and then being on the run

I really see them as siblings with her helping him relax from his duties as fire lord because you already know this boy’s sense of honour is going to make him work tirelessly to fix the world and him helping her relax from the whole i’m not a fragile, weak little blind girl, i’m the greatest earthbender in the world shtick and reminding her she can be both a blind 12 year old girl and the most powerful earthbender in the world, she can accept help without being weak or lesser than anyone, people want to help because they care not that they pity you

best friends 10, relationship in show 1, after show 3

Ty Lokka (I don’t like this name looks like a place but can think of nothing better)

yeah I guess ty lee’s obvious flirting is grounds for a ship but in every interaction he’s involved with someone else and doesn’t seem to like her as a person

do they even interact while on the same side?

friendly aquaintances at best, don’ t understand, 2 but above Jetkara

Tyzula (don’t like this name, like a mineral water?)

canon I don’t care it is canonically a possessive relationship

azula’s only genuine apology goes to ty lee after hurting her feelings

Azula clearly loves ty lee, her betrayal sends her mad

after a lot of therapy for azula and apologies, maybe a healthy relationship could form after the show, 8 above Jinko

Yukka (looks like a childish insult, surely someone could have thought of a better name)

Sokka’s love for Yue stays with him for the rest of his life, she was the first person to die in front of him and he sees the moon as her facing the earth

love this forbidden lovers content, sokka ships stay elite

Sokka and Yue spend as much time together as possible with secret midnight dates flirting (“you wanna do an...activity together?”) Sokka’s reaction to Yue’s engagement shows that he wants to have a serious relationship with her, and also he thinks Hahn is a bad person for Yue, which he is.

Yue dying devastated him and he never falls out of love with Yue. her last words “[she] will always be with him” are true. swamp visions show Yue as one of the most important people in his life like a season or so after he last saw her. he wouldn’t kiss suki in front of the moon, and cries when Yue appears on stage, ignoring Suki. he talks about the moon as if it is directly Princess Yue in that cactus juice scene.

she died in his arms oh my god don’t look i crying, he feels personally responsible and guilty

yue was great even though she was the indigenous or black girl with light hair and eyes character and I wish she could have helped aang in the spirit world

despite her arranged engagement she clearly really likes sokka even though she knows nothing can happen, 9

Kataang, Zutara, Jetkara, Jinko, Maiko, Sukka, Taang, Tokka, Toko, Ty Lokka, Tyzula, Yukka

#kataang #zutara #jinko #maiko #sukka #taang #toko #tokka #tyzula #yukka #my ramblings

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tbhwhocaresanymore · 3 years

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Nancy Drew 2x1

ONE OF YOU apparently ran to @kat--writes, or as my friend and I call her Tumblr Kat, and snitched that I had not yet posted my Nancy Drew premiere review. I promised to get it up by today and yes it is technically after midnight but the sun has not yet risen, so please find my thoughts under the cut.

Before I do anything else let me just say I will never stop appreciating the continuous book Easter eggs the show writers drop. Nancy mentioning how she learned that trick with the mirror in “a bungalow mystery” when she did in fact pull that exact same trick in The Bungalow Mystery? Iconic.

Now that’s out of the way, I’m going to do something I’ve never really done before and start off with the negatives. Guys, I was underwhelmed.

Not by the episode itself, the episode was great. It picked up right where we left off and continued into the mystery of the Aglaeca, the cast was engaging, the horror was chilling, the story kept unfolding. The problem is, it was great as any other regular episode, it was less great as a season premiere. I waited TEN MONTHS for this episode. And granted I understand that ND didn’t get to finish off its first season how they wanted, but they have had, I repeat, ten months to plan this. The season 1 premiere, for all its issues, did exactly what a season premiere is supposed to do. It established relationships, a season-long arc, character trajectories, and even a couple of smaller plots. We saw Nancy and her dad were on the rocks, she and George didn’t get along in high school, Bess is rich but living in a van, Tiffany Hudson was murdered and the crew are suspects, George is sleeping with Ryan, Ace is working for the police, and we found the bloody Lucy Sable dress in Nancy’s attic, to name but a few.

You guys, that is a lot of plot lines. And the writers explored and solved every single one of them over the course of the season.

Now we have the season 2 premiere. The crew tries to find a mirror to fight the Aglaeca, meets a mouthy dude, and takes a break from the Aglaeca to hide from the Gorham wraith. (Gorham is 100% a play on Gotham fight me.) Like yes there is more if you squint, but aside from that nothing all that major really happened. Mr. Hudson is setting up a defense, but we knew that already. Ryan wants a relationship with Nancy and is pissed at Carson for keeping her a secret, but we knew that already. The new head cop doesn’t trust Nancy or the crew at all, but, again, we knew that already.

But since this was still a good episode even if a lackluster premiere, I will still give you some positives.

The Gorham wraith you guys, oh my god the horror was fantastic. Nancy Drew is really looking every other magic show’s super special effects in the eye as it hits them over the the head with a folding chair made by their costuming and makeup department. The scarecrow coming to life, banging on the back of the bus, crawling in after Nancy? On point. I was on the edge of my seat.

Ryan I know you are an asshole and your character arc is a work in progress but kidnapping? Are you serious right now? “Your suicidal girlfriend begged us to hide and take care of her child right before jumping off a cliff. Also I didn’t even know you were the father.” “Omg how dare you. Time for BLACKMAIL.” It’ll be interesting to see how this whole Ryan v Carson thing plays out. I suspect maybe Carson will become like an example father figure to Ryan, teach him how to be good to Nancy. Something like “if you’re serious about being a father lesson number one is it’s not about you anymore, it’s about her. And you sending me to prison won’t just hurt me it’ll hurt Nancy.” I think that would be a nice parallel, Kate was Lucy’s guidance counselor, and now Carson will be Ryan’s parental counselor/therapist/whatever.

I’m going to be completely honest here, I totally forgot Nick and George had not actually told Nancy they are together. No idea how long this is going to go on for, I suspect not that long, but maybe up until like episode 5 or 6. I do think it would be fun if Nancy found out in like the absolute worst way possible. Like here is my worst/best case scenario. I know Nancy is supposed to have some kind of thing with Gil so let’s say they hook up a couple times and he burns her, as he probably will, and Nancy goes to Nick cause she’s upset and needs to talk, and when he opens the door thinking it’s the pizza guy he is shirtless and George is in the bed behind him. Unlikely, but fun to imagine. But however they do it, all the Nick and George fans will undoubtedly get some fun footage of them sneaking around, so enjoy guys.

All the Nancy and Ace shippers are also getting good material, even if I want to grab Ace by the shoulders and physically shake him.

Nancy: I can’t let you guys help me summon the Aglaeca, there could be really bad consequences.

Crew: Psh, consequences? What consequences? We have the power of FRIENDSHIP.

*Aglaeca sends them all death visions*

Ace: How dare you drag me into this Nancy I can’t believe we’re all going to die because of you.

LIKE BRUH. ACE. MY GUY. If you could maybe use your considerable brain power to pull your head out of your ass for TWO SECONDS I would greatly appreciate it. Thanks. But aside from that, their scene at the end? Poetic cinema. The slow burn is strong with this one. Even if I do have faith she will eventually find her way back to Nick aaaaaaaaah

Not sure how I feel about the twins yet. I know they were in some other ND-verse book series, but tbh I only ever read the Nancy Drew books. I never delved into the Hardy Boys or anything else, I was a Drew girl all the way. I do think the writers could maybe have done a better job introducing us to Gil and making us like him. Like they were definitely going for the Han Solo type I feel, and George being all “wow the Bobsey twins are hardcore” as he ups the price while literally dying. Um, George, no, the Bobsey twins are fucking morons, or at least Mr. Diabetic over here is. It says a lot that Amanda had only two lines of dialogue and I liked her considerably more than Gil. But who knows, maybe they’ll grow on me. And they did mention their family used to work for the Hudsons, I would bet good money they know about more than one skeleton that’s been stuffed in the closet.

This paragraph right here is for me and the like two other Drewson shippers in the fandom. Hhhhhhhhhhhhhhh the first meeting flashback oh my god. I was dying. I rewatched it ten times. I am in love. The way they both just sort of stared at each other, the way Nancy clearly feels a certain amount of nostalgia for him and what they had. I am deceased. Honest to god I don’t care how many Nick x George and Nancy x Ace moments the writers throw at us, just as long as I continue to get crumbs like that I am good. Have faith guys.

And finally, oh my dear, talented writers. I would like to know when exactly you are planning on pulling my three most favorite women out of whatever floorboard you have stuffed them under. I WOULD LIKE DEAD LUCY, VICTORIA, AND HANNAH GRUEN TO PLEASE STAND UP. Yes I know Hannah Gruen is in the next episode but the wait is excruciating. And if the last time we saw Dead Lucy was going to be in the courtroom scene, her standing in the doorway as Nancy read her suicide note? I am going to mcfreaking lose it.

Well that’s all for today. Sorry this took so long, I guess I just wasn’t all that inspired by this premiere episode. But hopefully I will get the next one finished much quicker. And with that, I leave you until Wednesday the 27th when Nancy Drew 2x2, The Reunion of Lost Souls airs. See ya

#Nancy Drew cw #Nancy Drew #the search for the midnight wraith #Bess Marvin #George Fan #Ned Nickerson #Ace #Nancy x Ace #George x Nick #Nancy x Nick #Drewson #Ryan Hudson #Dead Lucy #writers where is dead lucy

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andreycoded · 3 years

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I’m gonna write a messy, short essay here about the spn finale. I know we’re all enjoying analysing and ripping it apart because, oh god, if you just look at all the pieces, all of us could’ve written so much better, and they all deserved so much better, and it hurts. but all in all i haven’t had that hard of a time forgetting about the finale, and the reason is that the minute that episode started I went. fuck. they really made a nostalgia episode for the last one.

i’ve got a really complicated relationship with nostalgia. i get high on nostalgia, like everyone else, that’s why all of us distanced spn fans went off the rails on november 5th. generally, i keep getting stuck on things that were good in the past and i love reliving those things by remembering. but not thinking about personal experience, i hate nostalgia. hate itttt. it ties so much into bad things these days and there’s two aspects in which it is relevant to the finale: firstly, how nostalgia is monetized, second, how white (cis? straight? i don’t know who specifically had a hand in writing the finale and i’m not gonna look it up for this, feel free to argue) males especially think of nostalgia. for example, disney owns our brains in the most crucial developmental phase, so the way they’re capitalizing on that childhood nostalgia is a good example of the bigger picture going on with it. right now, it’s really easy for all companies that have to do with entertainment to go the route of just evoking those sweet sweet memories. nostalgia has to do with emotion, emotion is a really easy way to persuade people to buy things, because invoking those familiar feelings is a way to instantly make you care. so if you think about ending your series (or beginning a sequel, looking at you the force awakens, actually probably the whole trilogy, whatever) what do you think is the surefire way to get that emotional punch out of people? now, we know that that surefire way is to do the work required, do a little original thinking and pick up the pieces of the narrative that still need completing. but if you were someone not privy to this understanding, if you were feeling lazy or if you possibly were someone thinking about things from a commercial point of view, you would most likely think oh! all the classic supernatural things, that’s what’ll make the people happy. and that probably did make a section of the fans happy! some people are happy with the endless churning out of remakes, as long as the industry is willing to do it (looking at you winx remake). i find it hard to blame them, especially when the future is sometimes looking really grim. but it’s also making me feel desperate, because we need to get out of the past to get original things, we need new stories, and the industry isn’t funding them because original ideas monetarily are a risk, a gamble. (now i’m rambling) so all of the things about the finale rang to me like remember this thing? remember this thing? remember this thing? the sympathies and narrative positions of the writers would factor into this and figuring out what they were thinking with all of this, like whether the last hunt or dean filling out a job form was supposed to feel (soul-crushingly) sad so that the death felt sad - idk, as i said i haven’t really looked into it and i don’t know the writers that well. now obviously, it’s hurting so much to think that in the end dean was that daddy’s blunt instrument, what with going on a hunt taken from john’s diary. but if you didn’t have a brain and were writing that, wouldn’t you maybe think that this is where it all started, it’s so emotional to remind everybody of that. bring back the hunt, the diary, the brother dynamic, that one vampire lady nobody remembers but it’s still a callback? i can’t remember what else there was but the ”plot” in the start of that ep was trying so hard to be season 1. and the pie. that’s nostalgic, that’s emotional. right? riiight. all of these cheap emotional cues left no room for actually dealing with anything that had been going on. (i don’t need to say that but i said it anyway: 101 of writing, there’s action and then there’s reaction, rinse and repeat.) not paying attention to the possible versions of the finale that there may have been before covid, even the decision to start everything as it started makes sense from this point of view, thinking about all the things from the earlier seasons that you could reference. oh my god, remember how sam wanted this in the beginning, always wanted to get out? and how dean said this is how he would go? how fitting! god this is way too long. ok so idk, i faintly remember that some of the writers have stated that they wrote the story for themselves. it might be a different writer than those who wrote the finale (i don’t know, sue me) but there’s definitely a pattern of white male writers lapsing into this nostalgia narrative. and supernatural was meant to be relatable to young white men, right? this time it’s not that kind of ”remember when everything was better” narrative that it usually is in politics, but definitely related to the question of ownership and entitlement. i think that personally a white man writing this (or star wars, or other things) might think of it like this is what was important to me. this is how it started, so many years ago and it’s so meaningful to me and reminds me of those years and feelings. this is my story and i want to end it on that emotional nostalgia that i feel. so to wrap this up somehow, i find it really hard to take the finale seriously when i think of the bigger picture. this is not to say that i don’t acutely feel everything about how dirty the characters were done, and i cherish and relate to every single post analysing that episode. I love to talk about it and debate it, but when it comes to being a finale denialist, it’s easy. after the primary reactions of laughing and then feeling angry when i thought about it, it just makes me feel flat. that was somebody elses personal version of a finale. that was a symptomatic, sad consequence of the larger theme going on, of men claming ownership to stories and/by taking into account only their own subjective experiences of it. and the fact that largely the entertainment industry is counting on everyone else doing the same right now. it was just a sad shortcoming that is entirely removed from the overarching story and plot (both pretty damn original and emotional) some of them were committed to doing. btw there’s a good article about how “originality is always traded for nostalgia” by writer khadejah jones. even though i’m high on that s1 rewatch nostalgia right now, let’s also remember to look for new things. i know a lot of you are going to be the ones creating those things and i’m looking forward to them, so let’s try to nudge the industry that way while we wait.

#spn #supernatural #spn finale #15x20 #supernatural finale #finale #idk just spamming tags #jensen ackles #dean winchester #finale denialists rise #i KNOW i didn't say anything new ok but whatever!!!! just putting this out there anyway #and i KNOW we're on slutty mountain man and questionably spread misha scandal high rn but #my post

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nonbinaryhatboxghost · 3 years

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Okay, today has been a quiet Saturday morning so far, I have some time, and I like lists. So here is my random (personal) ranking of Star Trek series and movies, out of what I’ve seen, which is everything but seasons 5-7 of Voyager, all of Enterprise, and all of Picard. I’m only counting shows with three or more seasons because it’s easier. But let the record show that I love Lower Decks so far and The Animated Series is actually a blast.

SPOILERS THROUGHOUT

Series Ranking

The Original Series - As influential of a show as it is, I constantly forget how much damn fun the original Trek is. There is an almost Community-like variance in tone and genre throughout the show. And I’m a sucker for a future that embraces primary colors. It is the Trek show I revisit the most so far, and it remains my favorite.

Deep Space Nine - This one comes close, though. It starts out as a solid spinoff with very well-defined characters, and then becomes a big, sprawling epic that had my eyes welling up by the end. It feels more like a sequel to The Original Series than The Next Generation did to me. It dealt with subject matter both different and darker than was expected for the time. It had characters at odds with each other. Religion was explored in a way that balanced brutal honesty with genuine respect. War and the various traumas it induces were acknowledged. And it had “Take Me Out to the Holosuite”. I only finished this one recently but I look forward to watching it again.

Discovery - I was rooting for this show to be good even as it went through so much behind-the-scenes drama during its first two seasons. Even with all of that going on, the show became a fascinating watch as you saw it change from its arguably-too-dark beginnings as a prequel, to the almost Doctor Who-like second season with its joyful embracing of classic Trek, and finally to its current iteration that at long last gives us a Trek show that’s not bound by prequel limitations. Michael Burnham is such a great character and getting to see her arc alone makes this one of my favorite Trek stories. The queer/nonbinary representation also warms my heart.

Voyager - I’m just starting the fifth season, but the show has settled into an interesting groove with its characters. And Voyager’s characters are so damn good that they counterbalance a lot of the show’s early problems. It takes a while for Voyager to realize that the Kazon do not work very well as villains. But once the show realizes that, it begins an upward trajectory in quality that reminds me of Deep Space Nine after it began doing Dominion plots. And Seven of Nine’s effect on the crew dynamic lives up to the hype. Any scene between her and Janeway demonstrates such a unique relationship between captain and crewmate that an episode plot can be meh and still worth it for a scene with those two. Also, Janeway is the best captain character. No other Trek show (that I’ve seen so far) comes close to showing us the weight of leadership like Voyager, and Mulgrew constantly brings it.

The Next Generation - This is my first Trek show. It’s the one that my dad watched. There are several standout episodes to me, but I find myself less drawn to revisiting TNG than the other Trek shows because ultimately it took me too long to understand and care about its cast of characters. If you were to ask me to describe any character from any other Trek show, I would be able to. Ask me to describe a TNG character and I would likely fail to give any good adjectives for any character besides Data and Worf. As iconic as the show is, and as great as it became, it doesn’t have the same pull on me as other Trek shows. But it was the template for the spinoffs that followed, and the portrayal of Picard’s trauma post-Borg assimilation earns its reputation as an all-timer for me.

Movie Ranking

VI: The Undiscovered Country - I’m surprised this one isn’t talked about as much as other Trek movies. It’s a very frank depiction of prejudices and learning to deal with them. It has one of the best Kirk/Spock scenes ever. Christopher Plummer as a Klingon. The ORIGINAL cast credits sign-off (yes, Avengers: Endgame borrowed from this). A score that carefully balances menace with eventual hope. A fun whodunit structure. I could go on and on. It’s just so damn great, and so far the only successful send-off to a Trek crew in any of the movies.

II: The Wrath of Khan - It’s a classic for a reason. I’ve probably rewatched this more than any other Trek movie. You got your great villain, your classic crew beginning to deal with their mortality, an all-timer death scene, a kickass early James Horner score. What more could you want?

The Motion Picture - This is an interesting one. When I first watched it as a teen, I hated it. I agreed with every critique of it being thinly plotted and having an excessive runtime. When I revisited it in my 20s, it became a favorite. It’s Star Trek’s exploration of existential dread, and the struggle to find agency and identity within that dread. It has possibly Jerry Goldsmith’s greatest score. It is the best that the Enterprise has ever looked. This movie envelopes you with eerie and epic imagery, culminating in a finale with interesting philosophical ramifications and a well-earned return to optimism from its crew. This one is criminally underrated.

First Contact - This one is just rock solid all around. The best-ever TNG villains, further exploration of Picard’s trauma from Borg assimilation, Alfre Woodard, Alice Krige, fun action, the genesis of the Federation. It has the best balance of darkness and fun out of all of the Trek movies. It also has a character actually say the words “star trek” in a way that never ceases to make me smile. I don’t know if it’s a good line, but it’s funny regardless.

Beyond - Like The Motion Picture, I initially disliked this upon first viewing. I was still in the middle of watching The Original Series and was in the wrong mindset for this mashup of TOS and Fast & Furious. But it’s one of the most underrated Treks because it’s a perfect balance of the more kinetic action found in the 2010s with a very well-done breakdown of the inherent point and value of Star Trek: learning to be better and move beyond fighting the same battles among ourselves.

IV: The Voyage Home - This one is such a satisfying culmination of the crew’s arc starting in The Wrath of Khan that the joy of the 1980s material is almost just a bonus to me. Nimoy does a good job of keeping things light without disregarding stakes. He gets the best portrayal of the crew’s camaraderie in this and The Search for Spock. And Spock’s reaction to the concept of “exact change” always makes me laugh.

III: The Search for Spock - I revisited this one recently and it held up better than I expected. Seeing the weight of Spock’s death on Kirk in the beginning hits hard. Christopher Lloyd as the Klingon villain is casually one of the best Trek movie villains. And seeing the crew uniting over trying to bring back Spock gives us some of the best on-screen moments of this cast.

Star Trek - One of the reasons I love Beyond so much is that it retroactively makes this one better. I was crazy for this movie when it came out. I was in high school, Star Trek in general was something I was only really aware of because of my dad. But this is the thing that got me into Trek. And as mixed of a bag as it now plays to me, ‘09 Star Trek being a gateway for me to general Trek, combined with the perfect casting of the crew, the excellent Giacchino score, and the emotion of the opening sequence, thankfully makes this one still a blast to revisit.

Nemesis - I have only seen this twice, and both of those times without having seen TNG in its entirety. This was also the very first Trek movie I ever saw. Nostalgia is a factor for why this is higher than the others on the list. Curiosity is another, as I was unaware of Tom Hardy when I watched this, and have no idea what my opinion will be on rewatch. But what I always remembered of this movie was its ending, which even to a novice like myself when I first saw it had an impact.

Generations - There are quite a few great scenes that Stewart gets in this movie. Malcolm McDowell is also great in it. But the whole plot feels too forced for me to get actually swept up in it. And as fun as it is to see Shatner and Stewart share the screen... it ultimately has no impact and leads to a strangely lame death for Kirk.

Insurrection - The idea of Enterprise going rogue against the Federation for forcibly relocating a population for a natural resource is such a good concept... which makes the goofiness and half-baked writing of this entry all the more confusing. All the elements are there, but it feels like the tone was forced to be lighter than the material warranted. It’s frustrating because Frakes’ directing chops that he showed off on First Contact are still visible here. But for whatever reason, this one just falls apart.

Into Darkness - This one is low on the list mainly because it represents almost all the negative traits of the modern blockbuster to me. Darkness without depth, franchise callbacks without substance, and no character development/change by the end. Another reason why Beyond works better as a sequel to ‘09 Star Trek than this one is that Into Darkness feels more like it’s trying to make Star Trek a bigger movie franchise rather than develop this iteration of the Enterprise crew. Nothing and no one is changed by the end of this story.

V: The Final Frontier - It is the most difficult Trek movie to sit through, and yet I can’t call it a disaster. For all of its misfirings on the comedy front (dancing Uhura, for instance), the camping material with Kirk, Spock and McCoy is genuinely great. The premise of its villain being on a quest to find God is ultimately a misfire, but it leads to a very engagingly ridiculous climax centered around the question “What does God need with a starship?” There are far too many undeveloped ideas in this one, but that scene is worth seeing this movie for. At least, now that we know it didn’t kill the franchise, as so many apparently feared when this came out.

#star trek #kyle rants

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skyhopedango · 4 years

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anime I’ve been watching recently

Oh hey, I’m alive. Sorta? Between work being overwhelming and my schedule being kind of out of whack my energy to do anything in my off time, other than staring at the screen, has been at an all-time low... so low I can’t even throw words on the screen to make some posts.

But hey, I’ve still been staring at the screen, and I do have some opinions that I really need to get out of my system. So, this is the stuff I’ve been watching in the past months:

Listeners: No screenshot for this one because I don’t have any lying around anymore, but anyway, yeah, this was fun? Sure, the ending was stupid and didn’t make any sense, but then again, I wasn’t watching this show for the story, or with any expectations of it being “great” or “worthy” or whatever. It was a fun way of turning off my brain for half an hour every week, and I really enjoyed the music references which were much better-informed/researched and executed than in most anime or manga (where they usually just throw the reference in your face and be like “get it? huh? getit??? aren’t we smart?? you should feel smart, too!”). So what if it ended with “Uh, we actually never planned this far, let’s just do every mech anime ending ever”, the journey was worth it.

Nami yo kiitekure: No screenshot for this one either. Nami yo kiitekure was... meh? It started out well, with Minare being a fun and relatable lead, but then it kind of... stalled. And to be honest I got really annoyed with all the shouting. I don’t mind shouty comedy at all (some of my favorite anime comedies are like that) but here the pacing didn’t really work. And I never got the appeal of the live radio segments either (even though I do actually listen to a lot of radio!), perhaps because the seiyuu was just hamming it up instead of delivering a convincing performance, which I kind of expected to be the point. Anyway, I dropped this halfway through. Nothing technically wrong with it, but it’s not my cup of tea.

The Great Pretender: I actually wrote about this previously, and I haven’t seen any new episodes since then. Are they already out? :O What’s going on with this show’s release schedule?

Appare-Ranman: Oh, this is back! And I... don’t really like it as much as I did the first 3 episodes? I dunno, in the recent episodes it kind of lost its swagger and instead settled comfortably into that “Show That Could Have Been On Adult Swim In When American Anime Fans In Their 30s Were Watching That” routine that has been so prevalent in the recent Netflix-backed shows that I seriously believe it’s on purpose, to emulate popular shows in the US and appeal to viewer nostalgia. And this means that to me the show has become kind of... boring, really. Like, again, there’s nothing actually wrong with it, it’s by far the best of PA Works’ attempts at trying new things, and I am still watching it and derive enjoyment from it. But I don’t find it particularly interesting, it’s just going through the motions without adding anything exciting, visually, story-wise or character-wise. Like come on, it’s The Year of Our Lord 2020, do something new or interesting! Like for example...

Deca-Dence: Oh yes. See, when the first episode came out and people were raving and doing the “anime is saved!” thing, I was like “...huh? but this was like every damn fantasy adventure anime ever.” I mean it looked nice, sounded nice, but it was soooo derivative and boring. And then the second episode rolled around and I was like “OK, now you’ve got my attention! :D” and my attention has stayed with the show ever since. See, here’s the difference between this and say, Appare-Ranman: it’s not that Deca-Dence is doing anything revolutionary either, but it’s at least doing something instead of just following a template. Its ambitions don’t stop with having cool visuals and cute character designs.

And another plus for Deca-Dence vs Appare-Ranman: the female characters in Deca-Dence don’t have that stupid PAW “cute anime girl” permablush. God that’s so annoying.

Gibiate: And on topic of shows trying for a retro appeal... yeah. There’s this one. You know those snobbish anime fans who always bemoan the decline of anime, and talk about how back in their time anime as such was better? Yeah, you can tell those people have had a very curated experience of anime “back in the days”, because back in the days, in our case in the ‘80s and early ‘90s, “anime as such” was actually more like this one. Really, Gibiate feels like it’s a zombie of some early ‘90s action show resurrected for some weird experiment, and now it just kind of shambles along aimlessly, not knowing what it’s doing in the present or how it should handle the changes of time. It’s kind of embarrassing, really... well, it was for the three episodes I watched. I dropped it out of secondhand embarrassment, more than anything.

GITS:SAC 2045: Oh yes, there’s this one as well. As I predicted, it was crap. It kind of feels like the creators were contracted to do a new series, but they had no actual ideas for a GITS:SAC sequel, nor any inspiration, and also nothing particular they wanted to say with the new show. Hell, apparently they didn’t rewatch GITS:SAC to refresh their memories of the show they were ostensibly trying to create a sequel for. OK, Imma rant about this a bit (copy-pasting something I wrote elsewhere).

1. The visuals are shit. Look, I'm not biased against CG, a lot of shows I enjoy have CG, a lot of them have bad CG. I tend not to care a lot about animation quality be it amazing or crap, as long as I enjoy the rest of the show. But this show looks like shit. The characters are rubber dolls floating in virtual space, physical character interaction is distracting, and all the action is hilaribad. Character animation is fucked up so often, like, they tried to give the Major a sexy hip sway but the result has her walking like she has a stick shoved up her butt. Hell, often they couldn’t even animate lip flaps properly, which doesn’t make the soulless masks the characters have for faces any more expressive. Also, character design-wise, the Major sticks out like a sore thumb, looking like a Sexy Dollfie among all the semi-realistic character designs. It’s kinda offensive, really. 2. Again, I could have lived with the visuals, if the rest of the show was any good. But it's not. With the exception of that one episode with the bank robbery, that was good and felt like real GITS:SAC, this is like someone's subpar fanfic, which is sad considering the writers behind the show. Characterization is weird and fucked up and doesn’t follow SAC. The worldbuilding went from the rather well thought out backdrop of SAC to a mess of ~edgy~ concepts mixed without any particular depth given to them. "Sustainable war!!! Thinkpol!!! 1984!!!!!" 3. The concept of post-humans is such a huge missed opportunity. Paired with the whole "ThinkPol" thing (as eyeroll-inducing as that is) there was a pretty good chance there to explore the dehumanizing aspect of the internet, and tie it into the "anon vigilante crowds" thing the story seems to be trying to get going. But nope, they just went with the stupidest routes. Also, the whole idea of "post-humans" doesn't flow organically from the worldbuilding of SAC, it just feels like something they came up with because they had to do something new. It also kinda feels like someone watched Darker Than Black one too many times.

So yeah, so, so disappointing. I’ll be watching S2 when it comes along because eh, more GITS, but I’m not gonna pretend this is anything but a subpar attempt to cash in on the franchise.

#appare ranman #deca-dence #listeners #gibiate #gits 2045 #the great pretender #appare-ranman #Ghost in the Shell: Stand Alone Complex #nami yo kiitekure

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millennialzadr · 5 years

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WHY I LOVE ZADR!!!

HEY GUYS WHASSUP? LMAO

So this is a whole ass giant long post of me absolutely spewing my feelings of love for ZADR, it was the very first thing I wrote when I made this blog and I think it’s a nice, positive thing for my fellow shippers to inhale and enjoy 👌👌

it was originally a reply to mitarashiart’s post about why HE loves ZADR (link in replies) but I decided to delete that and make my own post since MY WHOLE ENTIRE TEXT WALL WAS SHOWN IN THE REPLIES and drowned out anyone else who was trying to talk (thanks tumblr mobile u fuckin idiot)

I had also posted a summary of an AU that I’m working on in the original post, but decided to remove it since it just about doubled the length (I’m thinking about posting it separately along with the wips I’ve been putting together, we’ll see 👀)

But ANYWAY, here is about a million reasons why I think ZADR is the fucking best, so if you like reading gushy gay ship feelings, please enjoy ❤️❤️❤️

[Posted June 2019][WARNING, LONG ASS THOUGHT BARF]

SOOO, holy hell y’all my journey back into this fandom has been a wild and unique experience for me, i went from adding invader zim to my bookmarks on kisscartoon, rewatching the series, finding out theres a movie coming out, finding out there was a shitload of content i’d never seen before (commentaries, lost episode scripts and audios, panels, the COMIC, episodes i’d never seen because the dvd i used to watch was scratched!! and a FUCKLOAD of quality modern fan art like oh my GOD) and finally curiously googling ‘zadr’ (which i was way into when i was maybeee 13/14) to see if there was any interesting new art, and holy hell, mita (the artist above) singlehandedly THREW me down the hole into modern zadr hell, first with his absolutely stunning IZ art (all his art is dope tho check him out yo), then reading the above explanation put the final nail in the coffin like, 100%

so i wanted to add onto his post here on why this ship got me so fucked up, both for anyone who might be wondering why on earth i’m shipping two characters from a kid’s show (i’m very aware how weird that is at first glance trust me) and also so i can get some ideas down for possible future reference (will i ever draw them? maybe)

(first of all, a disclaimer, and this is not pleasant to write but it’s important to address for clarity’s sake: I have no interest in romantic or sexual relationships between minors, and do not ship zim and dib as they are presented canonically in the show (as children). what i’m interested in is the conceptualized relationship they may have as modern adults, and i view zadr more as taking the concepts of existing characters and experimenting with them with different interpretations, which i personally think is a constructive and fun creative outlet, especially if these characters hold personal significance for you (childhood faves of course). growing up together is an important facet of their relationship, and certainly they were important to each other even as children (see: mopiness of doom) but as an adult i’m personally curious about what kind of adults they might’ve become, and that’s the focus of my interest. i’ll still be reblogging regular IZ art because it’s dope but if you see shippy looking art of them as tiny lil beans its either friendship or chibis (and i personally headcanon zim as getting taller with dib but some people stick with his canonical height when drawing them as adults, which is super short. it still doesn’t mean he’s a kid). aaand i wish i didnt have to write this and it would just be obvious but we live in a sick sad world and it is sourced from a children’s cartoon so i feel its necessary. end of disclaimer)

NOW THAT THAT’S OUT OF THE WAY

- ok, first reason’s a bit obvious - the nostalgia. holy hell, the feeling of rediscovering a ship that was popular when i was a preteen during the mid 2000s and discovering a totally new perspective on it as an adult comes with an almost totally overwhelming sense of nostalgia and comfort, as well as inspiration!! the kind of art that seems so common for zadr, these sketch pages of scenes and expressions and visual gags where artists would just scribble every idea they had and LOVE doing it, this was exactly the kind of art that made me so passionate about drawing as a kid, and it still sparks such a powerful feeling of love and admiration for me to this day. fan content of iz and zadr is simultaneously achingly familiar and totally new and fascinating, and it just makes me SO damn happy to consume, it is most definitely my new comfort content. and just, GOD. THE ART!! SO GOOD. FUCK

- now for the characters themselves: for some reason i just really love the thought of a mid twenties, modern Dib?? lanky goth dork, disaster bi, depressed as shit, uses bad sweaters and memes to cope?? when i was a kid i didn’t even LIKE Dib, but now i totally sympathize with him! he’s just a hyper obsessive nerd wishing there was more to life than the situation he got stuck with, how wildly relatable. he was a pretty big asshole as a kid (even to people besides zim) but he was also totally isolated and constantly bullied, so there’s a lot of room for growth. i feel there’s a lot of juicy character development potential for that boy, and there’s always been a special place in my heart for characters who are totally sad and screwed and hopeless, but there’s one thing, or person, that means the world to them and could possibly save them…

- aliens. Zim. i love nonhuman characters, i love monsters, i love aliens, i love characters that don’t understand human shit (and thus have much less room for shame or fear bc theyre just totally oblivious the negatives of modern society) and need guidance (bonding!!) from their human. i also love morally grey characters and characters with skewed logic, they’re always really interesting, and Zim himself just has such a unique personality and set of mannerisms, he contradicts himself a lot and you can never quite expect how he’ll behave, and i love that in a character, it makes them super versatile and fun, especially since there’s so many different possibilities for their development. Also, Zim is a gremlin, a little shit, and a disaster. I also love those traits in a character. And don’t even get me started on his character design?? big sparkly eyes? expressive antennae? monster teeth? complimenting colors? he’s adorable.

- mutual obsession. for someone like Dib, who seems almost repulsed by how boring and slow the people around him are, Zim quite literally personifies Dib’s escapist fantasies, both as an inhuman entity from beyond the stars, and as a person who’s knowledge, charisma and mystery far exceeds that of anyone Dib has met in his entire life. (so basically what i’m saying is that for a shunned, jaded misanthropist, an actual alien is terribly alluring, even if said alien is dangerous, stupid, and possibly insane). not to mention Zim vindicates Dib’s entire life passion, the supernatural! Even when their relationship is totally negative, there is not a single inch of room for Dib to get tired of Zim. as mita explained, they validate each other. for Zim, WHO AGAIN, IS TOTALLY SHUNNED, ISOLATED, AND HATED BY EVERYONE HE KNOWS, Dib is the only person in the universe who gives a single shit about him!! he gives Zim credit as a threat, a capable invader, which if you ask me is the sole thing Zim is after (he’s hellbent on his mission because it would win him the approval of the tallest, all he’s ever wanted is recognition from the people he thinks so highly of). He literally gets depressed when Dib isn’t around to pay attention to him, not even the tallest were enough to motivate him before Dib came back. these two have no one and nothing without each other, and while lifelong nemeses is fine and dandy, i personally prefer friendship, affection and love, cause i’m a softie like that. how could they possibly get there after years of actively trying to kill each other?? well, i think under just the right circumstances it could become a possibility after a long, long time.

- growth. i. love. me. some. good. character growth. especially for characters with trauma/mental illness, bc again, relatable. these boys have issues, and as mita mentioned, their canon stories are actually INCREDIBLY sad! but the happy thought is, they could recover! they could help each other recover, for little reason other than the two are the only source of happiness for each other. now of course this also opens the gate for angst lovers, but at the same time offers potential for comforting, uplifting content of the boys supporting and inspiring each other, maybe even to the point of becoming happy and healthy enough to create the lives they want for themselves (as in appreciating life and doing things that make them actually happy instead of the delusions of grandeur they both sought when they were younger). gimme that positive shit and let the poor beans be happy щ(ಠ益ಠщ)

- LITTLE THINGS. LITTLE THINGS THAT ONLY COME WITH CHILDHOOD FRIENDS. WITH HUMAN/NONHUMAN. WITH THE SHOW’S WEIRD LOGIC. Zim being the person Dib knows best and vice versa. Zim having an involuntary respect/admiration for Dib because he’s tall. Learning each other’s needs, limits, and communication methods, both emotionally and biologically. Sensitive antennae. Affectionate bickering. Being less insecure bc your partner literally has no idea why you see your flaws as flaws. Laughing at the flaws they do notice because they make no sense. Zim only wanting to eat waffles and chow mein. Dib being forced to overcome his depression lethargy and stay hygienic/keep the apartment clean because Zim has a sharper sense of smell and is afraid of germs. Endless conversation about anything and everything because they’re from literally different worlds, and endless intrigue. TOUCHING. TALKING. DOING EVERYTHING LIKE ITS THE VERY FIRST TIME AND ALWAYS NEEDING THE OTHER TO GUIDE THEM. HOLY HELL THERE IS SO MUCH POSSIBILITY FOR TINY LITTLE MOMENTS THAT MEAN THE WORLD. FUCK. GOT ME FUCKED UP.

so that wraps up the why. fuck man. its just such a good ship. if you read this big ass text post, thank you for indulging me, i hope you enjoyed it! because i enjoy it very much 👀 so stick around if you’d like to for a shit load of IZ and zadr content on this blog, possibly (MAYBE) even from me!! come roll around in alien hell with me why dontcha ᕕ( ᐛ )ᕗ its a fun time! thanks for reading!!!

SO THAT’S MY MANIFESTO Y’ALL, FEEL FREE TO REPLY WITH YOUR OWN REASONS!! I WOULD LOVE FOR THIS POST TO JUST BECOME A BIG GIANT PILE OF LOVE AND YELLING!! GO NUTS! SCREAM ABOUT IT! INFODUMP! DO WHATEVER YOU WANT! I’LL READ EVERY LAST REPLY! Y’ALL DESERVE TO ENJOY YOUR SHIP BC IT’S LITERALLY THE FUCKING BEST!!! LOVE Y’ALL!!!!!!

#in this trying time of shippers being stressed over discourse #i offer a gift<3 because i love you guys #and we should spread the love #i want yall to go OFF #tell me every little fuckin thing about zadr that makes ur heart doki OK #LETS GO 👏👏👏#invader zim #zadr #text post #my post #long post

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