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#i really hate hate hate that line about batman and joker knowing arkham better than jerry???
nyhti · 8 months
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Thinking about these two tonight.
Batman (2011) annual 2
Arkham Manor #3
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Okay so I know I didn't really give evidence as to why I think my boy John Doe is autistic coded but here we go! Now keep in mind I am new to the series. I haven't even played the game. So like bare with me. Also there might be some spoilers so be careful! Also keep in mind I am autistic, I am not very good a nonverbal social cues like facial expressions.
1. Facial Expression
Now as a little kid I used to mimick facial expressions off the person I was talking to. Now since because Bruce (who I also headcanon as autistic) doesn't really make facial expressions I haven't seen John try and copy them. HOWEVER, I have seen John smile at bad times. I mean he is the fucking Joker thats like his whole thing. But I mean like before that. Also his eyes can appear dead at times (Funny I am autistic and I hate looking at real people's eyes but fictional characters I am cool with)
2. Special Intrests
So, John's main special intrests is... none other than Brucie Boy himself. In John's words he spent all his time studying Bruce admiring Bruce wanted to be like Bruce and wanted to be loved by Bruce. He litarley made himself in to a vigilante because of Bruce. Also you could say his special intrests his clowns.
3. Stims
Okay so I have noticed that John smiles when something akward happens. This could be a stim. Hugging Bruce when he gets excited could and could not be a stim. Also laughing at inaproprate times could and could not be a stim. I'd have to
4. Meltdowns
So this goes for any Joker when it comes to the Batman. When anything doesn't go according to plan he has violent outbursts. When he makes a plan it must go right. When anyone does anything better than him he freaks out. Example when the Joker kicked Harley out of a window because she did his job better than him.
5. Routine
So John Doe crashes Lucius Fox's funeral and he talks about how Arkham knew where to draw the line. He talked about having rules and knowing what they are. I will be talking about that same scene in number six!
6. Lack of Social Skills
Me and John are the platonic King and Queen of lacking social skills. So I do understand that John Doe's lack of social skills could be caused by the fact Arkham is the only thing he knows and he was kinda the head bitch in charge there. An example of this is at Lucius Fox's funeral John makes inapropraite jokes like "He went out with a bang" and telling Bruce (who was friends with Lucius) that "I know it's a closed casket but based on genes he must have been a looker" also he takes a selfie with Bruce IN THE MIDDLE OF THE FUNERALLLL!!!!!!!!!!! AAAAAAAHHH!!!!!
7.Posture
So I have noticed that John holds his hands infront of him in a like praying sort of motion sometimes. I can only describe it as like a menecing gremlin man. He is also sort of hunched over. So I do this too only I do the famous raptor arms and I also ball up my fist when I walk sometimes.
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What Makes Them Insecure (Batman's Rogues)
Bane: His intelligence. Many men want him for his body but not you. Many men expect him to be this super macho man and around you he doesn't need to be that man. He is a well read man but, there is so much he doesn't know and he hates it when (Y/M/N) explains something to him that he feels he should already know. He always wants to learn but has a fear that you will leave him if he doesn't know something common. You may reassure him but he will genuinely feel stupid if you have to explain to him what pigeons and squirrels are and who Santa is. You ease the wound by being his teacher to some degree and you find that Bane is really into thinga like cartoons and plushies he eventually gets a whole squishmellow collection that.
Deadshot(Floyd Lawton): His job. Being a trained killer is something that he would never tell you. He doesn't want you to know and look at him differently. If it ever did come out he would freeze and would probably have his weakest moment begging for you to stay with him. "Y/M/N I can explain! Please don't go!" But you wouldn't go away something that he will always be greatful for. If you're not married somewhere down the line very soon the question will be popped.
Deathstroke( Slade Wilson): His age. He's getting older and he thinks that he's too old for you. Each wrinkle makes him think that he's too ugly for you and though you would think he wouldn't be vain like that he really is when it comes to you. If you're younger than him it gets under his skin if people ask if he's your father. If you're around his age it helps calm him slightly but then it turns into he's not good looking enough for you.
Joker(John Doe): He is the most insecure about doing something wrong to upset you. He is constantly asking for reassurance and will almost always call and ask Bruce about what he thinks he should do to make you happy because that's his friend. You tell him you love him everyday and that helps ease that voice in his head telling him he's fucking up so much. Just make sure to cuddle him and he'll be fine.
Killer Croc(Waylon Jones): His looks. This man is the definition of insecure about his body and he hates the fact he looks the way he does. He feels bad he can't go out with you without people thinking he's a monster. This will never really go away but you make it easier by pledging to be by his side and saying that you love him.
Mad Hatter(Jervis Tetch): That he's too weird for you. He knows that he's strange but in his mind he's another one who thinks you're too good for him and he puts immense pressure on himself for you. Whenever he gets captured he'll cry when you visit him in Arkham because he feels like he's holding you back. What confirta him is the fact that you're always there and you have no plans on leaving.
Mr. Freeze: You getting sick and dying. Nora is gone and he can't have you go that same way. You can only help his insecurity if you're immortal and can't die or if you're invulnerable other than that he's always worried.
Penguin (Oswald Cobblepot): You leaving him for someone better than him. He feels insecure about his body and was always bullied for his face and body. It took him a while to realize you loved him for who he was and even now he gets territorial over you. He's a dom in the streets and the subbiest sub in the sheets. He will grab your hip and put his arm around you in public especially if someone goodlooking comes by. If you ever go by Bruce Wayne forget it he will sulk the entire night and when you get home you will have to comfort him. mostly through sex fucking his brains out Infront of a mirror will definitely remind him that not only are you just his he's yours..
Ra's Al Ghul: As much as I'd like to say he'd probably be vain in his millennia worth of life he would probably have an insecurity about his performance in bed. He would always want to please you in every way imagineable I think he would be the most inexperienced in bottoming especially for men so not only would he be intimidated but he would also hate not knowing what to do and you having to explain how to do his role in the bedroom. Helping him is easy have more sex until he masters the art of pleasure.
Riddler( Edward Nygma): His insecurity is that he's getting dull. He likes that you're smart and can solve his riddles but will panic if it feels like he's boring you. Do not look bored with him otherwise he will get flustered and he might potentially cry if he gets that upset.
Scarecrow: His biggest fear would be scaring you off. For a man that dedicates his life to fear if he scared you off it would be a hollow victory. Like the others staying with him is a very good move.
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batmanie · 3 years
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Worth it - Batman TAS
Out of the few books available at the Arkham rec room’s otherwise empty bookshelf Professor Crane had chosen to read “Pride and Prejudice” today. He had read it about ten times already but the small book collection was not getting any bigger and it was still better than reading the Bible.
“Alice’s adventures in Wonderland” had been banned from Arkham’s library quite some time ago for triggering a certain inmate, and “Christmas Carol” had lately been decorated with obscene doodles by the Joker which Jonathan did not wish to see ever again. The nursery rhymes book was always an option but currently, Harley had her fun with that, giggling each time she read a funny one.
Crane was sitting on the couch with his nose in the book, not bothering anyone with his presence. Next to him, Tetch was staring at the TV. The poor man looked so bored, mindlessly channel surfing, probably too high on medication to be able to entertain himself with any Wonderland plots.
With Joker not around, the rec room seemed calm, almost as calm as the sky before a heavy storm. And said storm came unexpectedly in the form of Jervis Tetch.
The bored man on the couch had switched to the Gotham’s evening news channel, listening in to the street interview with one of the new candidates for the city council, and then, out of nowhere, he threw a massive tantrum – his outburst included flipping the coffee-table and accidentally hitting Harley’s head with it. That, of course, resulted in Doctor Quinzel’s aggressive response. Not much remained left from the unfortunate table after Harley had finished with it.
Professor Crane watched in delight how Mad Hatter fought against a guard twice as big as himself, while Harley attempted to smash both of their heads with a table leg before two other guards managed to tranquilize her.
After a few more minutes, the rec room was calm again and Jonathan got back to his book. But as much as he tried to ignore the incident and focus on the plot, a little voice in his head, the voice of the psychologist who he’d never truly ceased to be, kept whispering a very important question. “What exactly has just happened here?” The voice asked, teasing Jon’s professional curiosity. He cast another glance at the tv. The candidate from the evening news smiled at the camera, still explaining how much he was helping the community.
Professor Crane had his suspicions. And who would have guessed? Mad Hatter broke out of Arkham no longer than three days after that event.
David Colton was in his mid-thirties and he was a man in his prime, looking exceptionally professional today in his expensive dark-blue suit, white shirt, and striped blue tie.
“Smoother than Bruce Wayne,” he thought with a pleasant smile, checking himself in the mirror.
Oh, yeah, he still got it! Still looking as youthful and handsome as the prom king he had been back in his high-school days.
“Almost ready Mr. Colton,” the make-up lady told him, and put some more powder onto his already fluid-heavy forehead. “No glossy faces on TV, that’s my rule. Those spotlights know no mercy,” she joked.
David chuckled. “The only thing that is allowed to shine tonight, is my charisma.”
They would have laughed some more, if not for a sudden knocking on the door to his private dressing room.
“Come in,” David called and took a deep, calming breath mentally preparing himself for showtime.
He was ready to present his best self to Gotham again, and at this rate of him constantly being invited to interviews, the seat in the council was practically his already.
His father was right, the ability to make a good impression and a thing for charity was everything that mattered in this town after all.
The door opened and a short man in a trench coat walked in, not a staff member judging simply by the lack of an ID. Yet, the man seemed familiar – Colton just couldn’t quite place him.
“Can I help you, pal?” He asked the newcomer, hiding his irritation behind a polite smile.
The man smiled brightly and took a few steps into the room. “Oh, yes, yes. I think you can,” he spoke with a quiet yet excited voice.
Colton caught his fake British accent right away – and again, it felt like he had heard it before.
“However, I wouldn’t call you my pal.” The man continued grinning. “Would I? Won’t I? Would I? Won’t I?”.
“Listen, pal,” Colton cut him off, not bothering anymore to be that polite. “My interview is starting in a few minutes. Can we get back to this conversation later?”
“I’m afraid that later will be too late,” the strange man shook his head and took out a silver pocket-watch. “It will take only a moment…”
David sighed, the intruder was really hard to get rid of – he hated those nosy people who worked for the press.
“Very well then.” He stood up from his seat and turned to his guest to shake his hand and introduce himself properly. “David Colton,” he offered his hand to the shorter man.
The man didn’t take it, which led to a very awkward moment.
“Oh, but we know each other,” he explained, staring at David with an intense glare.
Colton, confused as he was, took a closer look at the stranger – his blonde, messy hair, big nose, and even bigger front teeth. Suddenly it clicked. “Gotham High! Jervis, was it? Jervis the Jerkface,” he laughed at the old memories of those past, glorious days of his youth. “How have you been, Jerv?”.
“Surely not as good as you.” There was a hint of fake sadness in Jervis’ voice as he put on the black, old-school top hat that he had held in his hand behind his back the entire time.
That single move made Colton recall some very disturbing stories straight from Gotham’s underworld. He cast a worried look at the make-up lady – she looked terrified and about to scream.
Slowly, he gazed back at the small man before him – the man who used to be just a nerdy kid from his high school, a weird boy that everybody had laughed at – Jervis the Jerkface, Beaver-man, Ratter.
“They don’t call me names that often anymore,” Jervis said calmly, as if he had just read his mind, a nasty grin creeping back on his face. He held a card in his gloved hand. “They simply call me the Mad Hatter.”
-#-
Like every other Saturday, the rec room was hosting the four lucky high-profile inmates who had earned their right to be in here, thanks to their good behavior. This time it was Doctor Isley, surprisingly enough, Nygma and, even more surprisingly, Croc who accompanied Professor Crane during his well-deserved book-time.
Everyone was minding their own business, Ivy was occupied taking care of a small flowerpot of violets, Edward played chess with himself and Croc, well, Croc was currently using his claw as a toothpick to get rid of the remains of his dinner.
Jonathan relaxed on the couch that he had the luxury of having only for himself for once. He had tried to bury himself in a book but couldn’t concentrate on reading – something was on his mind ever since Mad Hatter had disappeared half a week ago. It was this tiny, little voice again, telling him to put the book aside and turn on the TV instead.
Slightly irritated by his own decision, he did as his intuition had told him to. The evening news was about to end and an interview with some philanthropist politician was about to start right after commercials.
When the show began, the fat, jovial host greeted his enthusiastic audience, gaining some applause in return, then he introduced the main guest of the evening, David Colton – Jonathan recognized the guy – it was the same politician who had been talking about the importance of charity just a week ago on the news.
Colton looked a bit stiff, smiling unnaturally wide. As the applause died out and the first question was asked, he didn’t move for a good few seconds, as if he didn’t even hear it. Jonathan couldn’t shake off the impression that the man was either on some medications or very, very stressed.
“David?” The host tried again as the uncomfortable silence dragged for too long. “Will you tell us about your foundation? We are all dying to know more.”
“No, Sam,” said Colton with a strangled voice, his face still kind of strange – more like a mask with a very fake smile and a dead look in his eyes. “First, I want to talk about my teenage years.”
“OK, let’s hear your story,” the host agreed, happily, probably determined to get anything at all from his non-cooperative guest. “I’ve heard you were an overachiever. A football player, a class president and even a prom king. Isn’t that right, David?”
“No. I was a selfish bastard who tormented less popular kids. I called them unfair names, put them in a locker, and made other boys beat them up just for a sake of it.”
The audience gasped at this confession. The host’s jaw dropped for a good five seconds.
Jonathan smiled to himself, satisfied that his intuition had not failed him.
“I was a popular kid so I never took the blame for my misbehavior,” Colton continued with a very calm and steady voice, his face showing no emotion. When the camera took a closeup on him, Jonathan noticed a tiny little detail – a 10/6 card sticking out of his boutonnière.
“I never cared for others' wellbeing either, this charity-thing is just for show. I only care for the fame and attention. In fact, you may say I’m not even a human being. I’m an ugly, stinking, lying chimpanzee.”
As soon as Colton finished his last line, an inhuman howl escaped his mouth. The audience screamed in terror. Colton suddenly jumped onto a couch he previously sat on, and he started to act like a real monkey.
Sam – the host – went utterly speechless, he jumped up from his own seat and just stood there, stunned.
Colton, screeching and howling like a mad chimpanzee, grabbed a glass of water from the tabletop and threw it at the host.
“Help, somebody help!” the poor host started screaming.
Meanwhile, Colton was jumping up and down on a couch, making “Ooh, aah!” sounds.
Before the security managed to catch him, Colton already had taken off his pants and his white, hairy ass was revealed for all of Gotham to see.
After that, the show was hurriedly cut off and the weather forecast started.
Professor Crane didn’t even notice that all the other rogues had joined him on the couch, and were now staring at the TV like a bunch of little kids watching their favorite cartoon.
“Well, that was definitely one way to destroy someone’s political career,” Nygma commented with a hint of amusement.
“A few more minutes and he would have started throwing his own poo,” Ivy added with a disgusted frown.
“Poo,” Crock giggled like a five-year-old and everyone else had to roll their eyes. “I like monkeys, monkeys are so stupid.”
“Well, actually, chimpanzees are…”
“Oh, shut up, Nygma!” Both Ivy and Crane growled as one and Edward went quiet.
“Anyway, Tetch should be back with us any minute now,” Pamela concluded with all certainty. “I hope his little revenge was worth a punch in the teeth from the Bat and getting dragged back to Arkham.”
Professor Crane didn’t say a word but he knew from an experience that yes, it was totally worth it.
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the wolf should’ve been afraid of me.
Titans 3.04
just under the wire! ... i hope.
like with the previous review, i’m typing this up as i see the episode. here we go!
spoilers ahead.
1. ... well. that was an interesting cold open.
1.25. i don’t know whether to admire this show’s restraint when it comes to gotham and its excesses, particularly arkham asylum. it’d be easy to go hammer and tongs, like suicide squad (2016) did, or any number of bat media did, at a tropey, colourful~~insanity~~ that can be quite damaging, casting mental illness in strangeness and criminality. it definitely shows gotham as... separate from the rest of the country, its own ecosystem of heroes and villains, a sort of rogue state. 
but that ecosystem is still human, with its heroes needing to clip parts of themselves away just to survive, growing old and needing to be recycled, its villains languishing in the same kinds of systems that fail everybody else who needs to be helped. it’s a quieter, tenser sort of wrongness: not strange enough that you can dissociate, but not close enough that you can completely empathise. gotham is its own creature.
1.5. i know that the reasoning behind this is more doylist than anything, but i’m so glad that joker was killed off with little fanfare right at the start of the season. he is the one man in the batverse that’s transcended its confines as this sort of ethereal boogeyman/eternal edgelord and to justify his presence in the series would mean giving him this tired, overblown importance and too much of a stab at colourful, tropey “madness” in this otherwise-subdued series. i wish all batmedia would follow suit and get rid of this fucker.
1.75. so jason is bucking scarecrow’s control! or reminding him of who exactly holds all the cards right now. circling back to what i talked about in the last review, it’s remarkable just how little time it’s been since jason’s “death” and he’s already got ‘minions’ and elaborately set up plans to track, break and kill the titans. just how long has he been planning this? when did he first look at WE weapons prototypes and think that’s something i can use to blow somebody up? and the most unsettling question: did he plan his own death at the hands of the joker just so that he could break batman?
at this point it’s obvious that the scarecrow at least started jason down this path, but it’s frightening just how far he’s travelled already.
1.8. aaagh, less than one minute in! i’ll shut up. 
2. conner washing his hands at the sink reminds me that he was directly in the line of explosion when hank got blown up and he’s probably got atomised hank-bits all over his skin that he’s desperately trying to wash off.
... you’re welcome.
2.25. conner, don’t you speak to gar fucking logan like that, sir, no!
2.3. if anything it’s the lex part of him that gave him the knowhow to recognise the weapon and build a de-activator for it. 
anyway, for that ‘half-breed’ and ‘talking tiger’ comment?
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(i wish, tho, that we actually see conner more interested in the superman part of his legacy, like maybe listening to stories from gar, or even better, dick, so we get a better idea of the pressure he’s feeling to live up to that part of him and not the part that’s lex.)
((i talked about conner’s stages of moral development in his introductory episode last season, but i wonder if the next stage of his self-actualisation would be to further integrate the parts of himself and realise that they are only parts and he, conner, is an entirely different person unto himself that can make decisions on how to use what he has and what he knows. his superman abilities can be used to destroy. his lex knowledge can be used to save.))
3. oh dawn :((
3.25. is this the last we see of dawn and hank? i mean, we know donna is coming back; would it be a stretch to think they’ll try to have a go at resurrecting hank as well?
3.5. “deathstroke didn’t make us into killers.” good, because deathstroke didn’t make jason a killer either. there’s a missing step there you need to be looking for, dick. 
3.75. dick did try to break the cycle, step away from gotham, run from the possibility that he could turn into batman. it didn’t help; he couldn’t fully withdraw from his vigilante persona the same time he loathed it, and batman literally haunted him both asleep and awake. but maybe gotham doesn’t have to turn anybody into anything. maybe gotham has nothing to do with it at all. it’s about taking responsibility, realising some sacrifices are pure bullshit, and building an actual family instead of merely a team.
anyway: hugs!
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(oh, also? mr “i hate flying”? i mean, there’s perfectly valid reasons to hate flying that’s not related to childhood trauma, but then again, this guy was literally a ‘flying grayson’ once. also also, remember that he also gets sea-sick. must’ve a lot of fun stories to tell.)
4. ooh that gar/kory confrontation was brief but cool!
listen, i have never seen a psychiatrist with that extravagant an office and SIR I WOULD LIKE TO KNOW HOW--
4.5. kory’s so unused to reaching out for help and it’s breaking my heart that HPG likely is some kind of impostor that’s maybe causing her symptoms in the first place. 
kory and dick have mostly been apart this season but it’s remarkable how their journeys have paralleled each other; kory processes her grief, isolation and existential dread into a determination to take care of this new family she has, no matter what it takes; dick does much the same, forging ahead with plans and solutions until he has no fuel left in him and spirals into a massive breakdown.
4.25. listen titans this really is a TERRIBLE continuity error. we aren’t goldfish; we can clearly remember that two minutes ago it was gar’s upper arm that was burned, not his forearm. COME ON.
“sensory deprivation tank” *SNORT*
anyway, gar is the BEST
4.5. i wonder where these visions of experimentation took place. was it on tamaran, or on earth, after she came to hunt down rachel/trigon and before she lost all her memories? is HPG a part of the scientist group that experimented on her? ... god, i hope not. i mean, i think he is, but it would be cool to have some positive therapist representation in media. 
5. you’d think the van transporting a dangerous supervillain that only batman could catch would be more secure but... i’m also not entirely surprised. 
5.15. i love dick gives ZERO shits about hiding himself or even ensuring scarecrow is adequately contained. just turns away after kidnapping him in BROAD DAYLIGHT and says ‘let’s go’. I LOVE THIS DUMBASS
6. lmao gar is having a really really shitty day SOMEONE GIVE THIS MAN A BREAK or just a goddamn story arc of his own
6.5. i’m really confused about the timeline here. so... sometime ago, kory came down to earth to hunt down trigon, yeah? at some further point down the line she and her sister were kidnapped and experimented on. THEN she somehow escapes but... loses her memory? a few months pass and then we see blackfire alive and well and free; she kills faddei, can impersonate other people, and is clearly seeking out kory. but now she’s still in the experiment facility...? what’s going on?
i’m not entirely surprised about the facility being mostly deserted. either the biggest investors in this project gave up on it and it was left to the most fanatic to carry on, or they were deliberately trying to lure kory and get her to free blackfire--expand the environs of the experiment, so to speak.
7. hopefully barbara is going to get something to do other than listen to various men give her Attitude
8. how do you terrorise a terrorist? well:
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i love when dick is a scary-competent motherfucker.
8.25. ooooh, the attack on crane at arkham a ploy to get crane to blackgate? nice one dick, i didn’t even think of that. but why though? to protect crane from the titans? to intercept the van to blackgate and “rescue” him? seems likely--red hood was there, except dick got to crane quicker.
9. still reeeallly unclear about the komand’r situation. was komand’r captured after s2? is this all A TRAP?? if so, why are you stepping into the only thing that can contain you, kory????
9.25. so... definite parallels between dick/jason and kory/kom here. i’m just. i’m still. really confused. i’ll shut up now.
10. this may be my favourite dick look yet:
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woodsman!dick in a beanie.
10.5. i unironically love how titans has made this bizarrely-devoted-to-his-moniker, toxin-spewing supervillain into a tamer version of hannibal, psychoanalysing his victims into submission. it’s of a piece with how inward looking titans is, the way all of its villains are obsessed with how our protagonists’ minds work, to the point where they would actually spend time inside of them. 
there are no big plots to end the world. no apocalypses or endgames here. these villains collect the titans’ insecurities like infinity stones. the way the titans defeat them is by achieving character growth--literally winning by the power of love. literally “the real superpower is the friends we made along the way”!
10.7. anyway, i’m betting dick is used to this bullshit from crane and is humouring him in the service of getting more information. the story about the wolf? an implicit threat, not to mention dick getting to control what crane knows about him and what methods he would use to manipulate him.
am i giving dick too much credit here? i don’t think so. he’s really impressed me so far this season.
10.75. like. there’s a real unreliable narrator vibe coming off with every person that talks about bruce (much like how the various members of the titans talked about jason’s motivations) and to buy into crane’s talk about bruce being a psychopath is to fall for the same manipulation that jason fell for. dick is the only person who hasn’t really psychoanalysed bruce this season, and i think some part of his detective brain is piecing things together into a bigger picture.
11. i’m glad kory rescued kom but did she have to kill the scientist?
(i mean, yeah, probably - the less people know that kom escaped the less likely they’re going to have the fucking govt on their doorstep, but still.)
11.5. dick’s gonna come back to wayne manor, stare straight at komand’r and go, well which room would you like? because the team might as well adopt ANOTHER person, yeah?
12. oh MAN that red hood/nightwing fight was AMAZING! and he did the thing! the boomerang escrima thing! i’m so delighted!
12.5. the anger and disbelief in dick’s voice when he says you told crane EVERYTHING?! tells me that he knew exactly what he was telling crane himself.
12.75. “everything you are is because of him” - oh that reminds me of halluci!bruce from last season. i hope we see halluci!bruce again--he is so vicious but so entertaining... so much more effective at tearing dick down than crane or jason combined. goes to show that dick’s biggest enemy is own fucking head.
12.8. oh no! dick’s shot! crane is in the wind with red hood! blackfire is now with the titans! i love it!
honestly this season’s pacing is such a big step up from the last couple. gold star, show.
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demigoddreamer · 3 years
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Addressing Batman’s Abuse
Damian: I killed someone
Bruce(and the rest of the batfamily but mostly bruce): It’s ok it’s because of your childhood, you were raised to be an assassin as long as you didn’t murder anyone innocent and do better next time
Dick: I killed someone
Bruce: well i saved them didn’t count bye
Tim: I killed someone
Bruce: Seriously Tim? ok I’m kinda disappointed but i’ll be ok in a little bit(actually idk cause I can’t recall if tim ever killed someone)
Jason: I killed someone
Bruce: HOW DARE YOU BREAK THE NO KILL RULE YOU LITTLE PIECE OF **** WE HAVE MORALS YOU’RE JUST ANOTHER CRIMINAL, A MURDERER, A MONSTER YOU LET THEM WIN IF YOU KILL
Alright enough with the jokes let’s get serious, let’s talk about the abuse. I have a lot to unpack and if you’re like me who doesn’t have the patience to read long things if they don’t matter then i’m sorry . I can read school stuff but fanfiction more than like 30 chapters irritates me which is stupid because I love to read but the human brain is A FUCKING ANNOYING HYPOCRITE. I love the batbros with all my heart and we hate to see bad stuff happen to them. but Bruce...he can get away with hurting the people who he should see as sons and who in turn consider him a father figure. He is essentially taking advantage of their love for his cause. Because the most important thing is batman and the mission which he will hold above his own children, the people in his life who care about him and support him in his insane crusade. Batman is someone who is consumed by this darkness that causes him to sacrifice everything for the mission. It is stated multiple times that his Robins are supposed to be better than him, they’re not needed as assistants in the battlefield but rather emotional support as they bring a little light to Bruce's pain and vengeful darkness. The Robins become better people than Bruce. 
There are obvious examples of Bruce’s abuse such as his second Robin now Red Hood Jason Todd. Now I may be biased as he is my favorite but I love all the robins dearly so FREAKING much. Jason is constantly remembered as Batman’s greatest failure. Why is that? we are led to believe it’s because Bruce didn’t save him but really it’s because Jason didn’t fall in line with Batman’s code which is where we see the flaws in Batman’s philosophy. Why doesn’t Batman just kill the Joker? Jason makes some very valid points saying that all Joker does is cause pain and he keeps breaking out of prison and causing more pain and it’s a vicious cycle, a revolving door that Batman refuses to end. Joker and Batman are almost obsessed with each other. But Batman refuses to kill Joker saying if he does he can’t come back and Joker will win. It’s a war between numbers and moral high ground. But in reality who cares if Joker wins? It’s vague what does it even mean? Joker keeps on killing and if he was gone the world would be safer? It doesn’t matter if he wins as long as people live. Jason Todd is someone who is constantly hurt by the people who are supposed to love him. An example of this is Batman choosing to save Joker rather than his own son in the Under the Red Hood storyline. Jason is clearly heartbroken over the fact that Bruce refuses to kill the person who MURDERED HIM saying “I thought I’d be the last person you ever let him hurt” Jason obviously has lots of trauma PTSD depression and he probably just wants to feel safe pleading with Bruce to just kill Joker that’s it saying “doing it because he took me away from you” which Batman refuses just saying I can’t. 
Now there’s other instances that make my blood boil such as Batman and Robin #20. Damian died in Batman Inc. and obviously since Bruce can’t ever deal with pain in a healthy constructive way, he goes full dark and rage and sadness. He becomes desperate to bring Damian back, being abusive to Tim even when Batman tried to experiment on Frankenstein to bring Damian back and Tim blew the lab up. But Jason...oh god...Bruce wants Jason on a mission in Ethiopia to bring the people who tried to kill Damian justice . (Talia put a bounty on his head) and then Jason agreed, excited at the chance of working with someone he considers a father again. Jason has ceased his killing he has calmed down from when he tried to hurt them all, his mind was damaged by the lazarus pit and he went insane with pain and rage. From my pseudo psychologist perspective I think he thought hurting them would make his pain cease if he tried to hurt the things that caused his pain it would fix him. Anyway Jason is on kinder terms with them but it’s still rough. They’re not all that kind with him sure he’s made mistakes but they all have and he’s really sorry about it. Anyway after taking those bad guys down they talk about family and trust and faith. Then...Bruce does it and reveals the real reason why they came to Ethiopia. Bruce wanted to bring Jason to the place he DIED. WHERE THERE IS A BUTT TON OF TRAUMA. Jason is just so shocked at first he stands there looking numb. He isn't even angry yet. He stands there feeling the pain of that horrible day saying”You lied to me. this wasn't about taking down those mercenaries. You wanted to bring me here..to the worst place in the world...and here I was starting to believe all your crap about trust and faith” He sounds broken which he is he’s been broken by so many people and now Bruce who isn’t supposed to break him just did by taking advantage of him and bringing him to somewhere of horrible trauma. Bruce reveals that he brought Jason here so he could figure out how to bring Damian back to life explaining “Those killers were the mission but this was something else something I couldn’t ignore I thought bringing you here could jog your memory-maybe retrieve a buried buried deep in your subconscious that could help piece together how you came to life so I” and Jason finishes this saying “-could apply it to getting Damian back. Yeah I get it. Did it ever occur to you I might like keeping whatever the hell happened to me buried deep?”Obviously, Jason doesn’t want to relieve his trauma, he doesn’t want to deal with what happened to him a second time. He just wants to move on but Bruce won’t let him. Bruce doesn’t seem to acknowledge Jason’s trauma nor does he seem to care for his well being. “If you cared about me, you wouldn’t want me to dredge up the one thing I've been trying to forget. I don’t want to remember the most horrific day of my life, all right? You may like wallowing in your tragedies but I’m done looking back” which is true all Batman does is sit in the pain of his parents death and he can’t heal like and he spreads pain to others at this rate the dead parents excuse gets a little old. BUT THEN BRUCE HAS THE AUDACITY TO SAY “If you cared about me and what I’ve lost, you’d want to dredge this up! Don’t you see-there’s a chance you can help me erase one of the worst days of my life. You can give me the greatest gift of all and help me figure out how to bring my son back!” Here he uses a lot of pronouns referring to himself, CARED ABOUT ME, I’VE LOST, HELP ME, MY LIFE, GIVE ME, HELP ME, MY SON. Yes Bruce, make it all about you, cause we definitely want you too. You’re a grown ass man and Jason is the more mature person here, honestly all the Robins learn to process grief and heal and grow and they’re just generally better people. Bruce is basically saying I care more about Damian than I care about you and my needs are greater than yours so screw your feelings, your feelings don’t matter. He really only seems to care about himself and he wants to erase his own pain. He doesn’t even seem to consider what Damian would want and what being brought back to life would do to him. Jason knows what it’s like, the pain of it, he’s probably the only person who would understand why someone wouldn’t want to come back. After All of this Bruce doesn’t even apologize and makes some half assed promise for unconditional truth but Jason still accepts this and helps Bruce get Damian’s body back from Darkseid even though he didn’t have to. 
Also there’s battle of the cowl which I desperately try to ignore but what I can tell Bruce *cough* died *cough* at this rate whenever Bruce dies or some crap I’m like ARE YOU SURE ABOUT THAT??? But sorry back to the topic. Bruce had a message for Jason for everyone else was just like I hope you’re doing well I love y’all live your life for JASON HOWEVER. He was all like you’re a failure not because I didn’t save you but because I don’t like how you turned out. Also you have problems, you’re mentally ill(I know but don’t have to be so awful about it)and there’s a secret I shouldn’t have kept and bye. And he suggests help but WHY DIDN’T HE GET JASON HELP WHEN HE WAS YOUNGER HMMMMM? It’s so obvious Jason’s childhood is full of abuse of course he has bad mental health and all that jazz. Also he puts Jason in Arkham where the Joker is 5 DOORS DOWN. I don’t think I have to say anything but they could literally put him in ANY OTHER PRISON. Why this one idk?
Bruce beat Jason and was probably about to kill Jason in RHATO #25. All beacuse Jason shot penguin and since Red Hood is a criminal blah blah blah Bruce has to do something. Actually he doesn’t as he just assumes Jason killed him which he didn’t also he didn’t seem to consider mind control or clones or whatever and he thought it was a good idea to beat the crap out of his sons. Jason even points this out”You are a character, I’ve never seen you beat Joker that hard and you hate him”...Bruce is beating him harder than the Joker. BRUCE IS BEATING HIS GODDAMN SON, SO HE HATES HIS SON MORE THAN JOKER??? Here we see how Bruce constantly chooses Joker over Jason.
Let's also talk about Dick his first son (I love my circus boi). After Jason died *sob*(i’m gonna cry) Dick is pretty darn sad and Bruce didn’t tell him shit so he’s obv like hey what’s the deal and BRUCE HAS THE AUDACITY TO BE MAD AT DICK. and he tries to kick Dick out of his life and be like leave your key get outta my face and he punched Dick LIKE BOI YOU DIDN’T TELL HIM ABOUT THE FUNERAL OR THE FACE THAT JASON DIED. We already knew it was bad because Bruce and Dick argued like my parents argue which is pretty bad. Lo and behold Bruce doesn’t apologize.
Also Nightwing #30 after Dick was outed as Nightwing and fake died on telelvision. Bruce used like WAAAAAAY excessive force. They were sparring but it got real violent real fast. And Nightwing wasn’t in the right mindset he was traumatized and Bruce totally took advantage of him by asking him to work for Spyral which Dick obv didn’t want to do but Bruce fucking FORCED that crap onto him after something as awful as that and he probably knew Dick would give in eventually that bastard. No, Bruce doesn’t apologize either.
Most recently Batman #71...now see this is Tim’s turn and I love my big brain boi Tim... and when you love a fictional character you know something bad is gonna happen. Bruce’s abuse, it’s kinda worse cause he’s a fucking KID. now Bruce be like let’s meet and shit so most of them are there and some evil villain is doing their thang and Tim is tryin be nice comforting Bruce, telling him that Tim will always be there and that Tim will help AND BRUCE FUCKING PUNCHED HIM. HE WAS JUST TRYIN BE NICE AND HELP YOU FEEL BETTER YOU POS. Now do we see Bruce apologize? NOOOOO. What did you expect? Honestly it’s not that hard it’s a simple sentences even a dumbass like you can manage it
Now I’m not totally familiar with any abuse on Damian but it’s there. Bruce is allergic to emotions, and it’s hard for him to be emotionally supportive and show any affection whatsoever. Showing any semblance of pride to Damian is like me trying to do pushups it’s FUCKING impossible for Bruce to show any compassion toward his son whatsoever (seriously though push ups are a pain in the ass I’m not athletic whatsoever why do you think I waste my time venting on tumblr the only thing I’m good for is being the smart kid in school and even then some people outshine me in that.)...sad but I’m not here to complain about that. Anyway Dick is a BAMF and openly shows Damian hey i’m proud of you and I love you. IT’S NOT THAT HARD BRUCE.
Bruce can’t ever be happy, he doesn’t let himself be happy because he can’t move on from that tragedy that happened to him. And he doesn’t allow anyone around him to be happy either. Shown as when Dick is like hey I can be in love with someone and we can be long term we can be happy together. BRUCE BE LIKE NUH HUH VIGILANTES CAN’T BE HAPPY WE HAVE TO SACRIFICE FOR THE MISSION. Let your son be FUCKING HAPPY. I know I sound like I hate him and maybe I do a bit but I don’t think he’s like completely Joker evil and irredeemable. I just can’t deal with how DC handles abusers like Bruce and having characters enable this behavior. We need to know that Bruce’s behavior is not ok and his children are completely numb to it, it’s normal to them and it’s disgusting. Bruce needs repercussions and he needs to know that he can’t do that to kids who love and trust him.
LINK TO PART 2:
https://demigoddreamer.tumblr.com/post/639314330465222656/addressing-batmans-abuse-part-2
If a loved one is hurting you reach out and seek help. You deserve the world
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danny-chase · 3 years
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Chapters: 1/1 Fandom: Batman (Comics), Batgirl (Comics) Rating: Teen And Up Audiences Warnings: No Archive Warnings Apply Relationships: Stephanie Brown & Damian Wayne, Stephanie Brown & Dick Grayson Characters: Stephanie Brown, Damian Wayne, Dick Grayson, Barbara Gordon (momentarily), Alfred Pennyworth (mentioned) - Character Additional Tags: Stephanie Brown POV, Batfamily (DCU) Feels, Chocolate Milk, post mission talks, Damian Wayne is a brat with a heart of gold, Stitches, Canon Typical Violence, but not for long, because i like fluff better, Fluff, Stephanie Brown is Batgirl, Dick Grayson is Batman, Damian Wayne is Robin, Sneezing, Coughing, Dick Grayson is Damian Wayne's almost parent, Stephanie Brown is Damian Wayne's almost big sister, And kind of Dick's little sister Summary:
Steph hasn't worked with the new Batman and Robin duo long, but she doesn't hesitate to come when they call for backup. Their family's a little rough around the edges, but she'll do what she can to smooth things out.
“C’mon, faster!” Stephanie hated when Barbara seemed anxious, when she was anxious, generally something was about to go wrong. Really, really, wrong.
 “I’m homing in on the coordinates.” Barbara was driving on autopilot, but she couldn’t resist saying the line. Damian’s tracker blinked closer and closer. The kid had run off earlier that night, Dick, however, was getting better at predicting when it would happen and followed. She’d been on call for backup, Damian needed space, but he was also a magnet for trouble and unfortunately for them-
“Robin retreat! Retreat! Get out of here!” Dick screamed over the comms. The kid shouldn’t be out in the first place, still recovering from a concussion. She rounded the corner. Victor Zsasz was pushing forward aggressively trying to circumvent Batman to get a stab at Robin. Dick was holding his own but kept taking hits for a dazed looking Damian.
“Get Robin and get out! Maneuver 23.” Barbara commanded. She was seconds away, Zsasz was too close, she wasn’t going to make it, not going to make it-
 “CATCH!” She complied, automatically responding to Barbara’s harsh tone, spreading her arms as the bike swerved right.
 “JUMP!” Damian appeared to do the same with Dick, who tackled Zsasz out of range.
 “FUCK!” She yelled, because Damian jumped right into the path of her oncoming bike and-
 They grasped each other’s wrists in a practiced motion, using momentum to swing Damian onto the backseat of the bike.
 “Holy fuck.” She whispered. Hadn’t expected that to work. Sure, they’d done it a billion times practicing, but like… damn. That was freaking awesome. But also-
 “Are you okay?” She turned to look back at a pale Damian, blood staining the right side of his uniform. He nodded curtly, she could see a sheen of sweat glistening under the streetlights. It took him a moment to collect his thoughts.
 “We cannot retreat, Batman needs backup! Turn around at once!” He demanded, swaying in his spot. On a motorcycle. She might die for this, but she turned around, pulled him closer (surprisingly without argument) and started applying pressure to his side. One hand on the wound, the other keeping him propped upright. Maybe she would die, but Damian would fall off over her dead body.
 “Yeah no, I’m just gonna try to keep your blood on the inside till we get to the Bunker.” She felt a raindrop plop on her forehead, all the more reason to keep on course. Damian was already injured and tired, she would not be the one responsible for making his situation worse. “Then you can bleed out in peace.”
   Stephanie sighed as she swirled milk and cocoa together on the stove, rain pattering steadily outside. Where would she be if she’d had a normal father, or a normal life? She had a standing invite to some party; she could be out with friends. But some little gremlin child would have been murdered by Zsasz blocks away and no. She wouldn’t trade Damian’s life for normality. She was Stephanie Brown after all, abnormal was her middle name, and she accepted it with pride.
 Sure, she wasn’t mixing alcoholic drinks right now, but she was mixing chocolate milk and that was close enough. Damian clomped up the stairs, and angrily settled at the table. Think of the gremlin, and he shall appear.
 “You shouldn’t have retreated.” He muttered, slumping in the seat. His cheeks were already flush from the exertion of walking up the steps.
 “And you should go to bed.” He glared at her, looking utterly nonthreatening in his pajamas. He was wearing one of Dick’s old t-shirts, oversized, draping down past his elbows. He must have his own clothes, but she’d never seen him sleep in anything else.
 “Then why are you preparing two mugs of hot chocolate?” He asked smugly. Well, as smugly as he could with twelve stitches in his side.
 “Because I know you won’t listen to me.” The grin was replaced with a frown. “But I don’t mind, that’s why I made enough for two.” She quickly continued. Damian stared ahead at a place on the table. She weighed her next words. They both knew fully well that he wouldn’t sleep until Dick made it home in one piece, and for that matter that she would either. Leaving Damian alone with his thoughts seemed cruel under the circumstances.
“You didn’t listen to me earlier.” He accused agitatedly, breaking the silence.
 “I don’t make a habit of listening to Robins.” She said with a smirk, attempting to lighten the mood. She carefully poured the steaming cocoa into the mugs, keenly aware of Damian’s eyes following her every move.
 “You listen to Gordon.” He pouted. She placed a mug in front of him and sat down across from him.
 “Most of the time, and she’s not a Robin. I don’t listen to you, Tim, or Dick, and certainly not Jason.”
 “Why not?” He challenged, not making a move to touch his mug, still glaring at her with a dark expression on his face. “You were a Robin, were you not? You think you’re above us-”
 “No, Dames, you gotta read the situation you know?” She took a long sip of cocoa. Damian crossed his arms. She sighed. “Look, if we always listened to Dick, he’d be dead already.” He nodded carefully. “Same thing with you and Tim.” His nose scrunched at the mention of Tim.
 “Don’t compare me to-”
 “Whatever it is, I’m not, I’m just saying, I’d be a lot happier if you weren’t shish kabobbed by Zsasz.” His brow furrowed. “Okay fine, I messed up, you probably would have been fine. We shouldn’t have retreated. But you were down, and we made a judgement call – not just me, Dick would rather die than-” Damian’s eyes went wide. “Poor choice of words, I take it back. He’s not going to die, he just…” God, what was she doing? What was she even trying to say?
 “I know you’re not worried, because you’re you, but if I was you, I would be worried, but I shouldn’t be worried, because Dick’s a badass, so he’ll be fine, and knowing that you’re safe will help him stay focused on the fight. So you’re helping by staying right here, yeah?” She leaned back against the seat. Smooth, real smooth.
 Damian’s lips were pursed by the end of her rambling. “I’m not worried.” She heard him mumble under his breath. He took a sip of cocoa. “Grayson is a competent fighter; he would not be so easily defeated.” She pretended not to hear his voice wobble slightly at the end. The poor kid.
 “He’ll be home any minute now.” She assured.
 “And he’ll yell at you for not making enough for him.” He added sagely.
 “Then he’ll yell at you for not being in bed.” Damian rolled his eyes.
 “I shall already be in bed by the time he makes it up the stairs.” So confident in his abilities. Dick probably let him think he got away with it.
 “Well, then he’ll anxiously pace outside of your room, and peak in to fuss over your stiches.” She predicted. Damian snorted, and took another sip of cocoa.
 “Damian, you could have been seriously hurt, you’ve got to be more careful!” He perfectly imitated Dick’s voice. Steph had to fight back laughter and swallow her cocoa. “Why did you give him sugar, it’s his bedtime?” He directed at her.
 “Robin, cease with the hot chocolate immediately.” She croaked out in a gravelly Batman impression.
 “Holy hot chocolate Batman!” Stephanie lost it as he did a perfect impression of Dick’s normal voice. Damian allowed himself a small smile.
 “Oh my God, you have to teach me how to do that.”
 “Are you sure you have the talent for it?” He asked smugly. She brushed off the comment. Smug Damian was better than sad and worried Damian.
 “Sure, also can you do Scooby-Doo?” Damian’s brow furrowed.
 “Who?”
 “What do you mean who!?” She half yelled. Damian flinched. “Okay, since we’re already up, you’re getting an education tonight, we’re moving to the couch, let’s go, move it people.”
   Two episodes later, Damian’s wide eyes still looked through the screen rather than at it. Not all things, she supposed, could be fixed with dumb cartoons and hot chocolate.
 “Brown?” He softly spoke, as the credits played.
 “Mm?” Silence resounded through the room. Whatever question Damian had died in his throat. “I’m sure he’ll be back any minute, he’s probably overseeing the trip to Arkham.” She guessed.
 “Yes.” Another pause. “He’ll be upset when he arrives home.”
 “He won’t be too upset.” Damian tucked his knees to his chest. “Everyone made it home safe.”
 “Father would have been angry.” She couldn’t deny that. Bruce was, well, Bruce.
 “But Dick isn’t Bruce.” She let the words hang in the air for a moment. “He was Robin too once, you know?” Dick got mad, heck, he killed the Joker like three days after she first met him. He’d been upset with her, for being Batgirl, but his anger wasn’t like Bruce’s, and it hadn’t lasted for long.
 “I know.” He turned to face her on the couch. “He’ll say he’s disappointed.”
 “Ah.” Her heart melted. “That’s always worse.” Damian rolled his eyes.
 “I’ve had worse punishments.” He paused. Damn the League. “But it’s… different.” Steph could sympathize.
 “My dad used to lock me in closets when he was mad.” Damian nodded.
 “I would too.” She groaned. Sometimes she was trying to have meaningful heartfelt conversations with a ten-year-old.
 “Brat. I’m trying to have a moment.” She complained. He fell silent, shrugging his shoulders, possibly as an attempt at an apology. “The point being my mom was always disappointed. And just because one sucked more than the other, didn’t mean both didn’t suck.”
 “Hmm.” Damian leaned back against the pillows. “But I had to do something, he was,” he paled slightly, his eyes widening, “Zsasz was going to kill children again.” He looked at her earnestly. “I couldn’t let him-”
 “Look, no one’s mad at you for trying to do something good. It’s just like… we worry about you, okay?” Damian rolled his eyes again.
 “No need I’m-”
 “You’re staying up until Dick gets back, want to remind me why that is?” He turned to face the rain smeared window. “It’s the same for him, and the same for me. We worry about you too, okay?”
 “You shouldn’t.” Damian muttered. “I’m perfectly capable on my own, I’m trained in twenty-”
 “Doesn’t matter how trained you are if you’re concussed.” She pointed out.
 “It didn’t matter if I was concussed in the League.” Assholes.
 “Well, this isn’t the League, and we care if you’re concussed.”
 “Whatever.” He fell silent after, gluing his eyes back to the screen in an attempt to block her out.
 “Just, let me know next time, and I’ll come with you.” Maybe she was imagining it, but she caught a minute nod.
 Carefully, she reached out, projecting her moves, and ruffled his hair. He didn’t seem much happier, some of the tension bled out of his shoulders. Maybe she didn’t know what she was doing, but whatever mediocre amount of comfort she could supply would have to be enough. She leaned back into her end of the couch, content to sit in silent companionship and let her mind wander off, no longer focused on the cartoon, but on a family forged in chaos.
   “M’ere bud, time for bed.” Someone whispered to her right. Cracking open her eyes slowly, the time on the television box read 3:28. Damian groggily groaned in protest next to her. As her eyes adjusted, she could make out the vague outline of Dick sweeping a tired Damian (who was clearly feigning sleep) into his arms. “You should get some sleep too.” He hissed at her, as his footsteps padded away.
 She stretched out on the couch, four hours of sleep, that wasn’t too bad, but her neck was definitely stiff after that. She groaned, turning on the lamp next to her, shutting her eyes again and slowly allowing them to adjust to the light. Dick popped his head back into the doorway.
 “You need anything? The guest room has some spare clothes in your size, we have extra toothbrushes, you can use my shampoo if you want.” He rambled off. It was strange, she could never tell if he was being nice to make up for his initial rejection, or if that was just how he was.
 “Don’t be too hard on Damian.” She curled into her spot on the couch. Dick stepped forward into view, leaning against the doorframe. A pink bathrobe was draped over his shoulder, his wet hair dripping. He tiredly sunk against the wall.
 “I won’t be.” He slid into a squat, then all the way down to the floor. “Was he mad I followed him?”
 “Probably. I think he was more worried you wouldn’t come home.” Damian’s last experience with Zsasz had been… unpleasant. And the villain had carried a grudge ever since.
 “Oh. Sorry it took so long, Alfred kick you guys to bed or something?” She nodded. They’d been whisked out of the command room before she’d hardly tugged off her cape. No doubt Damian would have tried to leave again if they’d been listening on the comms.
 “You’re okay?” It was so weird. She was sitting on a couch, talking down to a cowl-less Batman in a pink bathrobe, sitting on the floor.
 “Fit as a fiddle.” He sneezed, as if on cue.
 “It’s raining pretty hard.” Her eyes flicked towards the window.
 “You don’t say.” He deadpanned, following her gaze. “It let up about an hour ago. Zsasz is back and Arkham, we found the kids he grabbed, I was trying to track down any relatives.” She nodded, Gotham’s foster care system was abysmal, and the social workers overbooked. Finding relatives could save a kid from ending up in a supervillain’s lair.
 “All’s well that ends well.” Dick sneezed again. “I could have helped.”
 “Babs and I had it under control.” She rolled her eyes, typical of the ‘big kids’ to leave her in the kiddies room. “Thank you for watching him.” He nodded at the empty mugs. “It was sweet of you to stick around.” Warmth swelled in her chest at the remark, she didn’t need his approval of course, but it was nice to have it.
 “Yeah well, cut him some slack for me yeah?” He opened his mouth to reply, then paused to cough for a bit.
 “I won’t be hard on him, but no patrol until his stiches heal.” He assured, regaining his composure.
 “I’m sure you won’t patrol until your cold’s passed.” She commented sarcastically. It would do the boys good to spend some time together anyways.
 “Did Babs put you up to this? I-”, sneeze, “told her I was fine. You guys are worse than Alfred.”
 “Nope.” She popped the p. “But I think your kid might feel a little bit guilty about tonight, and it wouldn’t hurt to stay in with him.”
 “He’s not my…” Dick stared up at the ceiling. Tucking his knees up to his chin, just the same as Damian, he went silent.
 “He’s your kid.” She said after a moment. Dick smiled ruefully.
 “He’s your kid too.” She snorted. He was like the little brother she’d never had, not that she’d admit it.
 “Not a chance, he’s all yours and Alfred’s. Babs and I don’t work with minors.” Aside from the times she had.
 “Mmmhmm. So that’s why you were drinking hot chocolate and watching cartoons with him, because he’s not your kid. I guess you don’t think of him as family” He sighed. “And to think, I was going to bring you to the aquarium with us tomorrow, but if we aren’t your family then why even-”
 “Woah, woah, woah. Let’s not go that far, I want to see him next to penguins-er I mean, I want to see the uhh... You know what nope, not ashamed, I want to see the look on his face at the touch tank.” She paused. “Aren’t you rewarding bad behavior with that though?”
 “Well, don’t worry about it, he’s my kid after all.” He chided smugly. “In all seriousness, I just want to distract him long enough he doesn’t go out again.” Another sneeze. “Jeez, stupid rain. Also, Babs is coming, it’s a party.”
 “You’re sure he won’t see it as a reward?” She wasn’t taking children’s psychology for nothing after all.
 “Nah, knowing him, he might take it as a punishment.” He closed his eyes, leaning back into the frame. “But, I try to keep capes and normal life separate, he’ll be grounded from patrol, but I won’t ground him during the day for stuff he pulls at night.” That seemed reasonable. “He’s been doing really well with homeschool.” He opened his eyes again, looking fondly at the opposite doorframe. “I think he’ll really like the aquarium, he’s been studying aquatic life recently and-”
 Dick mumbled on for a while, listing all Damian’s accomplishments, how he was multiple grade levels ahead, and scoring well in all the classes they made for him. How he could go on to do anything he wanted, was on track to take college courses by the time he was in high school, and how bright his future was. Again, she was glad her life wasn’t normal, as he rambled on and on, pride shining on his face.
 “He’s so your kid.” She interrupted after a coughing fit, having lost track of the conversation. Dick blinked at her. “Bedtime.” He nodded, sneezing halfway through.
 “Bedtime.”
  They didn’t make it to the aquarium, as predictably, Dick was running a fever by the morning. But that didn’t stop the party. Barbara brought soup, Alfred made cookies, and Steph settled on the couch next to Damian, picking up where they left off, marathoning Scooby Doo.
 Dick picked apart the episodes from his isolated recliner (they quarantined him three feet away), Damian chiming in to predict the villain’s identity. Barbara grumbled about normal people being easier to watch TV with, and Alfred settled in a chair by the door. If Cass were here, she’d bounce off the walls, and Tim would lie on the floor. Pieces were broken and missing, but as the remaining members of her pseudo-family chattered away, she had hope that things, eventually, would work out.
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forevercloudnine · 3 years
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arkhamverse riddlebat ship meme
(Continuing with the questions that @heroes-etc​ picked out for me, this set being from this ship meme.)
3. who is more afraid about the other leaving them?
Edward, hands down. Arkhamverse Riddler is maybe the neediest take on the character I’ve ever seen. Which is saying something, because the panel from “Questions Multiply the Mystery” where he writhes around on the floor begging for attention is permanently burned into my mind. He also clearly doesn’t take rejection well, as evidenced by the graffiti in his cell shown in a promotional image for Arkham Asylum (2009). J'ai aimé, j'ai souffert, maintenant... je hais. “I loved, I suffered, now I hate.”
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It didn’t make it into the game proper (too subtexty, maybe, given a general lack of non-Batman people this could be referring to), but from my perspective it might as well have, since I experienced all the games second hand by sitting on the couch next to my brother while he swore at the Riddler challenges. Anyway, if perceived rejection has you writing French poetry on your cell wall in what looks concerningly like bodily fluids, then you probably won’t deal well with the concept of actually being dumped.  
5. who is more likely to drunkenly confess?
Also Edward, given that he’s calling Bruce every five minutes. And if he’s not calling Bruce directly, he’s talking ABOUT Bruce in a public broadcast to all of Gotham. Eddie is the king of freudian slips sober, so one can only imagine what he would say in vino veritas. If he does get drunk, let’s hope for his sake that he opts to communicate through his private line to Batman rather than over every screen in Gotham.
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6. who is more likely to push the other away (for any reason)?
Bruce, also hands down. Arkham Knight really goes out of its way to hammer in that Batman’s callous treatment of Riddler has wreaked havoc on Edward’s psyche, even if arguably Eddie had it coming. Riddler’s mole in the GCPD talks about this:
JT Walker: It used to be funny, you know [...] And then one day, it just wasn't funny anymore. It was pathetic. He stopped taking care of himself, got that crazy look in his eyes. I swear man, he's broken. You broke him.
Bruce’s subconscious gets a dig in on this topic via Joker hallucination. 
“Joker”: Good for you, Bats! Eddie doesn’t need help. No, no, no. Beat ‘em up. Lock ‘em up. That’s the best medicine. 
Even my brother, who would attempt to stab Arkhamverse Edward in the face War-of-Jokes-and-Riddles style if the games let him, felt guilty on Bruce’s behalf when Eddie started ranting about his photographic memory. 
Riddler: I can summon your sneering features at will. That is, when they don't burst unbidden into my brain [...] I can remember every time you've hurt me. Sometimes I wake up, Dark Knight, to the feel of your hands around my neck, your carbon fiber created fists smashing my solar plexus. 
I think because of this trait, one of the only ways this ship would work in Arkhamverse is if they came to an agreement during Arkham Origins (since Edward is... more or less... a vigilante in that game, albeit one that Bruce considers distasteful), well before their relationship gets to where it is in Arkham Asylum. The other way is if Bruce actually took the lesson Arkham Knight hammered over his head and tried to fix the damage done after faking his death. (In my mind there exists a many chaptered fanfic where after Batman “disappears” he moves to the second Batcave the games put under Arkham Asylum and takes on Joker’s “Eric Border” persona from the comics to become an orderly there. Whether it’s scarebat or riddlebat varies depending on my mood, but what’s consistent no matter what is that I have five WIPs on ao3 and I can’t write it until I finish at least one of them).  
7. who picks fights more often?
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Obviously Arkhamverse Edward is the most irritating person who has ever lived, so he kind of wins by default. But Bruce definitely holds his own in instigating unnecessary conflict with loved ones in this continuity. I’ll cut him some slack during Arkham Knight because one could argue that he spends most of the game half-possessed by an evil clown ghost, but it’s not like he’s much better in ANY of the other games. The bit in Arkham City where he lies to Talia’s face about being willing to spend the rest of his life with her so that she’ll give him access to the Lazarus Pit — even though if he was just honest and asked for it she probably would have helped him anyway, given that she DIES protecting him in the climax — is probably the best example of how he will infuriate people who love him for no logical reason. It’s a symptom of the post traumatic hyper vigilance, probably.
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So if Edward did get the closeness to Bruce that his subconsciousness seems to be gunning for, he could look forward to the physical violence and public humiliation being replaced with the same well-intentioned gaslighting and emotional manipulation Bruce gives everyone but Alfred in these games. Actually, is Alfred the only one who’s even aware that he’s alive after Arkham Knight? Bruce, please tell your kids that you aren’t a pile of ash in the crater that used to be Wayne Manor.
9. who is more likely to withhold their feelings for the other?
The obvious answer is Bruce, because he keeps his emotions locked in a lead box buried like twenty feet beneath the floor of the Batcave (probably along with a bunch of kryptonite, since Superman is flying around the Arkhamverse somewhere). But honestly Bruce doesn’t seem to have a problem getting it on with supervillains in this continuity. He and Talia chat pretty casually about a recent romantic rendezvous in Metropolis when they meet in Arkham City. His emotional distance from Selina in Arkham Knight seems less like him withholding his feelings from her, and more like him not being over Talia’s death (or Joker’s, which... the narrative certainly focuses on more than Talia’s...). 
So I think Edward would actually be more likely to withhold his feelings for Bruce. Even if Bruce approached him first, he’s too obsessed with the possibility of Bruce humiliating him to take any positive interaction (especially a romantic overture) at face value. 
Riddler: You left me battered and demeaned in Arkham City. I am the Riddler, Batman. I don't suffer humiliation. I pay it back.
He’s not really wrong, either. Batman does humiliate him in Arkham City (by misleading Edward into thinking he’d let him die, no less); it’s the same embarrassment Edward inflicts on his own victims, so it’s not like he doesn’t deserve it per se, but it’s definitely not Bruce taking the higher ground.
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Sticking him in his own trap is pretty vindictive, and Riddler’s weird commentary about not letting Batman have bathroom breaks during his revenge trials in Arkham Knight hints that Cash and the other guards might have made his (clearly unlawful!) punishment even more humiliating than we see on screen.
Riddler: Rule the seventh. Bathroom breaks will be administered on a discretionary basis. Should we find ourselves at a pivotal moment in your arduous journey to self-realization and defeat, I expect you to hold it in. Rule the eighth. Any accidents resulting from my strict enforcement of the seventh rule are to be considered your fault entirely. 
So would Edward withhold his feelings for Batman? Yeah, probably. And it would probably take a lot of time and effort for Bruce to convince Edward that any feelings on his part weren’t just an attempt to humiliate Riddler further.     
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jinmukangwrites · 4 years
Text
Whumptober Day 15
Science Gone Wrong
Ao3
-o-o-o-o-
It really wasn't everyday that Jason found himself teaming up with a bat. Let alone that bat being none other than Robin. But here he was, punching the noses of various villainous evil-dooers in the nose with Damian—the shortest stack to ever exist—fighting right beside him. 
Jason wouldn't be one to really complain about it though. He may not have the most lovey-dovey big-bro relationship with the squirt, but recently Damian could be known to be at least civil with him. They kinda got the sibling bit down, and Jason was alright with that, he didn't want to go anymore into that. 
And really, it wasn't like this team up was planned or anything. Jason simply ended up patrolling Crime Alley and happened across a group of gangsters cornering some poor hooker. He was in the middle of taking them down when Robin jumped in out of nowhere, saying it looked like Jason could use the help in his better-than-thou-but-joking-about-it tone of voice. 
Which whatever. Jason could handle the brat any day. As long as him being here didn't mean the big man was around, Jason was alright with letting the kid stick around. Damian wasn't all bad. He had his quirks, yeah, but can't look a gift horse in the mouth, especially when that gift horse had two swords and knew how to use them. 
Jason ducked under the swinging arm of one of the gangsters, then propelled himself forward to punch them in the gut. 
The gangster went down like a crashing tree, but Jason didn't stick around long enough to listen. He turned around, looking for another opponent—which there was still plenty of—but he stopped in his tracks when he saw Robin involved in a furious fight with a rather large contender, focused on the task of hand and not noticing the thug coming up from behind with a tire iron raised in his hands like a baseball bat.
"Robin!" Jason called, but it was too late. With a loud thump, the metal bar was swung into the middle of Damian's back, causing the kid to call out and fall to the ground. Jason yelled angrily and ran forward, punching the man who hit Damian hard enough to where he probably saw stars dotting the cloudy atmosphere. 
Jason made quick work with the others, no longer somewhat enjoying the fight and now just wanting it to end. Soon enough, Jason returned to where Damian laid on the ground, curled up and not making any moves to get up. 
Confusion settled in Jason's gut at the sight of it. He knew the kid got hit pretty hard, but not that hard… right?
"Robin?" Jason asked, kneeling down and bringing his hand out to shake his shoulders. However, the moment Jason touched Damian, the kid whimpered. 
"Don't-" Damian gasped, his voice laced with so much pain that Jason pulled his hand back like he’d just burned the kid. Damian didn't move after that, just took staccato breaths.
Okay, now Jason was concerned. He left Damian alone for the moment and moved to turn on the comms. Spinal injuries were never something to disregard or ignore, no matter how badly Jason didn't want to deal with Bruce at the moment. 
"Hood to Cave," he said, "we’ve got a downed Robin."
Nothing replied for a moment, but when the noise did start, it was chaos. Jason realized just as it was too late that he should have worded that a bit better. 
"What happened?!" Came the first voice. Dick's, shockingly enough. Didn't know he was in Gotham. Huh.
However, before he could answer, the grumbling voice of Bruce interrupted. "I'm on my way to your location, stay where you are."
“-is he okay? Is he bleeding?" Dick sounded close to hysterical. "Should we get the medbay ready- can I talk to him-?"
"Wing," Jason snapped, a headache beginning to form behind his eyes. "Someone got a lucky swing on his back. I think something's wrong with his spine, so yeah, medbay would probably be good."
"His spine?" Dick squeaked.
"Robin's armor is heavily padded and nearly bulletproof," Batman growled, and that headache Jason was talking about earlier was spreading toward his temples now. "A hit with the swinging force of a human shouldn't have done that kind of damage."
"Yeah, well, you tell that to the kid who hasn't moved from the ground since he went down," Jason snarled. Damian hadn't moved an inch since Jason started this practically redundant conversation. 
Silence fills the line; Jason, because there wasn't much more to say. Bruce, because he was single-mindedly making his way towards their location, probably with the Batmobile in tow. Dick, because… why was Dick so quiet? 
"Big bird?" 
A moment of silence. Then an exhale. "Jay, you remember Eduardo Flamingo? Back when I was Batman?" 
Something cold slithered into Jason's chest cavity. Not because the Flamingo was any kind of particularly horrible villain, but because the whole entire fiasco that took place that short few years ago was something he wasn't proud of. At the time, Jason honestly thought he was simply doing what needed to be done. Flamingo came to Gotham looking for a fight. He shattered Jason's helmet, almost got Scarlet killed, and…
And shot Damian five times, as close to point blank as you can get, right into his back. 
Jason's thoughts roared as Dick explained to Bruce what happened. At the time, he hardly even noticed Damian laying in a pool of his own blood. He was too busy getting arrested and worrying about where Scarlet ran off to. He remembered feeling a little bit of confusion seeing the kid a few months after, flipping around and fighting the same as always, but he didn't really care at the time. 
"After that… Talia took Damian and surgically inserted a new, artificial spine-"
How far gone was Jason all those years ago to have noticed? 
"Turned out Talia had engendered some sort of remote into his spine. She had Deathstroke control him and use him to try to kill me-"
Protecting children and innocent people. Hadn't that always been his thing? Why didn't Damian ever count as a child? He saw him in that bloody pool, yet all he did was brag to Dick about how he dumped a tractor load of rubble onto the Flamingo, like it was something to be proud of. 
"But we got it fixed. Decoded. I broke the machine they were using to control him too."
"Why is it hurting him like this now?" Jason asked, his voice oddly level. "If Talia made him a new spine, it should be in mint condition."
"Spinal injuries never go away, Hood," Batman said, and as much as Jason wanted to argue he also knew he really didn't have any high ground here. Not when the man who said that had his back broken by Bane. "What I'm wondering is why Nightwing never told us."
Jason could practically feel Dick bristle. And as much as Jason would love to listen to Dick yell at Bruce about how he's never noticed, Damian was beginning to try and shift. Little whimpers escaped his mouth, which was such an un-Damian sound that he almost couldn't believe he heard them. 
"Kid?" He asked, ignoring Dick snap back at Bruce in favor of checking on the young boy below him. 
"I'm fine," Damian hissed through clenched teeth. There were tears escaping the bottom parts of his mask. Jason wondered if he noticed. "Sometimes… sometimes it's like this."
Jason frowned. "Hey, try not to move too much, okay? Your old man is on his way-"
"I said I'm fine," Damian snapped. His eyes flickered up to Jason in a very pain laced glare. "My mother constructed my spine and inserted it inside me with technology beyond our time. It's strong and- hnn- durable. B-but sometimes it just..."
Jason's never heard Damian cry before. And while Damian wasn't necessarily crying now, he still sounded close to it. That must be testament to how agonizing a spinal wound could be. It's probably one of the most important parts of your body… so of course once it got damaged it would never be the same again. Even if the spine was completely replaced with something new and stronger. 
"What…" Jason tried, guilt gnawing at the back of his mind. He might not have shot Damian, but this might as well be his fault. Flamingo was his problem. Damian shouldn't have been involved. He swallowed. "What do you need me to do?"
Damian bit his lip, his face scrunching up into immediate uncertainty. Like he knew exactly what would make this all a little more bearable but he was too afraid to ask.
Well… ask Jason. Because everyone knew Jason wasn't the world's best older brother. Points for trying though, right?
Then, shocking Jason, Damian opened his mouth. "Could you… play with my hair?"
Of course. Dick was rubbing off on the little tyke. Jason should have expected that they'd find similar preferred ways to be comforted. Well, maybe it wasn't the whole hair thing, but the need to be touched gently. Softly. And with Damian's spine aching the way it was, Jason doubted there was any place in his body besides his scalp that didn't pulse with agony. 
"Sure," Jason replied, almost shocking himself. It was awkward, initially, placing his fingers into Damian's hair and running his digits though the stands. Though, when he saw Damian close his eyes and release a shaky, almost relaxed breath, he decided he wouldn't stop no matter what. 
Jason had been an awful big brother for so long. He could do this much right? Like… this was all technically his fault after all. 
Okay, now he felt really guilty. He gave Dick and Damian so much shit back then. Yeah, he wasn't in his right mind back then, and honestly now he could see why Dick worked so hard to get him in Arkham. He killed a lot of people and constantly fought with Dick. He was problematic to the highest extent. Dick saw that and made sure Jason would go somewhere he'd be safe from others and himself. At the time, he hated it. He hated being in the same place they would lock the Joker up at, or Two-Face, or Killer Croc. Even though Joker wasn't even there he could still hear his laughter while laying in his private cell. 
But Dick did make sure Arkham was up to standards. He was anal about it. Jason was safe, comfortable, fed, treated well by the guards. The horrors of the prison were all in his head. 
And how did Jason repay him? 
By letting his kid get shot in the back five times. 
Jason never said sorry about that, hadn't he? 
There was the sound of shrieking tires from behind, and soon enough the Batmobile came to a screeching stop. The drivers door practically shot open as Bruce ran out, dragging a backboard similar to the ones lifeguards and paramedics used with him. 
"Are you alright?" Bruce asked, and Damian opened his eyes for a moment, before shaking his head ever so slightly and squeezing his eyes shut again. 
Jason could feel Bruce turn his gaze toward him, but he kept his eyes on Damian. He had never seen Damian admit to pain and weakness like that before. 
This was his fault. 
"Let's get him back to the manor," Jason said, clearing his throat. 
Bruce nodded and leaned down to explain to Damian what they were about to do, and how much it was probably going to hurt. Getting Damian into a neck brace and onto the backboard was a struggle and a half, ending up with Damian openly crying while on the road back. 
And Jason hated it. Damian wasn't supposed to cry. 
By the time they made it to the Batcave and Alfred rushed on to assist Bruce with x-rays, Jason's regret was practically eating him alive. He stood back near the bat computer trying to convince himself that he didn't care as much as it felt like he did. He should go, right? Go back to his home-base and pretend he didn't see and learn what he did tonight?
He was in the middle of planning his escape when Dick came up to Jason. He was on crutches, his left foot covered in a heavy cast. So that was why he was not only on Gotham, but working the computers. Jason… didn't know.
"Hey," Dick greeted, smiling. "Thanks for calling Damian's injury in."
Jason nodded sharply, but said nothing. Dick sighed and hobbled closer and placed a hand on Jason's shoulder. His face melted into sympathy and Jason remembered that Dick was the biggest empath in the entire world, second most to Raven, an actual empath. 
"Neither of us blame you for what Flamingo or Talia did, Jason," he said, "I know I said some harsh stuff to you back then… but neither of us were in the right place, ya know? I'm sorry for that. I should have-"
"You did the best you could do," Jason replied, surprising himself. Jason cleared his throat and looked to the ground. "I deserved you yelling at me."
A moment of companionable silence passed, and soon Dick had Jason's shoulder a friendly squeeze then let go. "Good thing we're better now, huh? Learn from our mistakes."
Jason nodded, this ooey-gooey emotion talk becoming a little too much. Thankfully, Dick didn't push him any further or heaven forbid hug Jason. 
"C'mon," Dick said, his face going back to a bright smile, "you and I are going to go to the nearest Walgreens and get some heat pads for Damian. There's also a Redbox near where we're heading, so we can grab a couple movies." Dick jerked his head over at the exit of the cave, "I'll let you drive."
"Fine," Jason grumbled, stuffing his hands into his jacket and glaring. He'd have to get dressed quick, but his old bedroom should have something stuffed in there. Jason hardly spent the night here, but Bruce did have a knack for being prepared for the impossible. "And it's not like I'll let ya drive anyway. Your whole foot is broken. How'd you do that anyway?"
Dick immediately began to launch into an exciting story about half human half ostrich hybrids that tried to take over downtown Blüdhaven and honestly? Jason didn't listen past that because of course Dick broke his foot doing something that sounded completely fake. He looked towards the medbay before he left and saw Damian laying in a cot, still curled up but looking a little more relaxed now that he's on something soft and being worried over by both Bruce and Alfred. Jason was about to walk away, but stopped in his tracks when Damian caught his eye. Green eyes stared at Jason with an intensity that had Jason keep the gaze.
Then something even more rare than Damian crying happened. Damian's lips twitched into a slight, thankful smile. A smile… directed at him. A smile that said thank you and I forgive you and don't blame yourself. Jason had never really seen fully what Dick was talking about when he said at his core, Damian was a kid like any other. He’d only catched glimpses of it. 
Damian could smile huh? 
Huh.
Dick called his name and he was knocked out of his thoughts. Jason cleared his throat, nodded, then broke eye contact with the kid. He walked away before he could do something crazy, like hug him goodbye. That would be too out of character for the both of them… but… maybe someday.
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watchtower-feed · 4 years
Text
Death Do We Part (Part 15)
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SSA Spin-off ✧ Jason Todd ✧ Physical Link ✧ 1 ✧ 2 ✧ 3 ✧ 4 ✧ 5 ✧ 6 ✧ 7 ✧ 8 ✧ 9 ✧ 10 ✧ 11 ✧ 12 ✧ 13 ✧ 14 ✧ 15 ✧ Words: 2,700+
     You rest your head on your knees as you look at Tim. Your lips tremble as you watch him struggle with his thoughts.
     He stares at his hands with narrowed eyes before you hear his broken voice.
     “... I don’t know if I want to be Robin anymore.”
     The morning dragged on agonizingly slow with Tim hiding in your room, Bruce nursing a drink in the kitchen, and Alfred sitting beside him. But when Bruce’s phone rang and the hospital told him that his son, Richard Grayson, was just admitted into Gotham General, everything sped past like a blur.
     The city traffic buzzing through the car’s window. The loud reporters hounding you at the entrance. The doctor’s mouth moving in silence as he reads from a chart, explaining Dick’s condition. You were only picking up words like critical and surgery.
     The first thing you became conscious of was Alfred’s hand on your shoulder. “Y/N. He’s going to be okay.” You didn’t even notice your tears until he was wiping them away.
     It’s past midnight in the hospital room. Tim is sleeping on the couch. Alfred is  in an extra bed. Bruce had just stepped out for coffee. And you’re still awake, curling up in the armchair closest to Dick. You’re holding his hand and looking at the fringes of his hair lying on his forehead. Slowly you loosen your grip to brush them back, but Dick’s fingers curl around yours.
     You’re too busy staring at his hand when he opens his eyes.
     “Hi…”
     You cover your mouth to trap the sob that’s lodged in your throat. “Dick--”
     He smiles. “H-hey hey. I’m okay.” He sounds exhausted but he still tries to laugh. “It’s just-- what? Like broken ribs again?”
     You frown at him, “One punctured your spleen, Dick. They had to stitch it up during surgery.”
     Dick chuckles, “Another one? Man. I swear I get one every other month. I probably passed out on Jason.”
     “You were with Jason?” your voice hitched a little but you lower it right away and check on Alfred and Tim.
     “Oh yeah… we had a nice little chat…” Dick’s looking at you now while frowning. “So… you’re leaving.”
     You pause and then look down when you answer, “I don’t know. I haven’t heard from Jason since yesterday morning.”
     Dick raises one eyebrow and teases you, “The morning after?”
     “Shut up,” you snap at him in a whisper, making him snicker quietly. You blush but you can’t help give a small laugh as well.
     Dick smiles at you.
     “He told me you were leaving and I was hoping to charm the two of you into staying.” He gives you a look, one that’s both sad and disappointed. “But I don’t really think that’s an option, huh.”
     Dick squeezes your hand and your voice is a lot softer when you answer, “He killed the Joker, Dick. In front of Bruce.”
     “Yeah. He told me.”
     “And you almost died, too.”
     Dick laughs, “Ye of little faith in me, Y/N. I had those guys--”
     “But the bomb. That one was real--”
     Dick shushes you. “Jason’s friends got me off the bridge before it went off. Guess you guys were too busy watching Jay and Bruce’s fight.”
     Dick slumps back against the pillows and stares at the point where the ceiling and the wall meet. “I hate to say it but Jason thought of everything.”
     Tim grumbles in his sleep and you both turn to him. Once the rise and fall of his chest becomes even, Dick speaks again.
     “This must be hard on Tim, huh?”
     Tim has been tossing and turning in his sleep. When he was in your room, he checked on his wound and was surprised to find that Jason had changed his bandages when he was unconscious.
     You watched Tim’s surprised look slowly morph into one of anguish. He didn’t know how to believe that Jason and the Red Hood were one and the same. Or is he just a persona Jason created to do what he can’t do. To protect the hard truths he wanted Bruce to realize.
     You close your eyes and slowly climb into the bed next to Dick. He makes room for you and you carefully curl up next to him.
     “He told me he didn’t want to be Robin anymore,” you whisper.
     Dick pats your head and hums to himself.
     “If I was Jason and Tim-- I was them. I was Robin and I always thought… I always saw Bruce as more than just Batman. He was my dad and my friend. He was my protector.”
     When Dick’s hand stops moving, you wrap your arms across his chest and hug him tightly. You can feel the even breaths he’s trying to maintain but failing.
     “But after what Jason did--” you can hear him clenching his teeth as he speaks, “After realizing that Bruce will always be Batman--to everyone-- more than anything else in the world… it shatters something in you, like you’re not special...”
     Before your life turned into this living tragedy, you always thought Batman was just a myth. You’ve seen him sure, leaping and gliding over rooftops from your window and from the streets, but you always knew he was just a man playing pretend. Maybe a police officer finally fed up with the red tapes and the joke that is the Gotham justice system.
     You always thought Batman was just another Gothamite who just got sick of being battered and bruised.
     “It doesn’t mean I agree with Jason, though.” Dick’s voice is a little lower. He’s giving you a long look with the same sad and disappointed expression. “His heart’s in the right place but Y/N, he’s the one who doesn’t understand.
     “When Bruce first brought me in, my parents were murdered by this guy-- Tony Zucco-- just a typical low life mobster in Gotham you know-- no one like the Joker. But when I became Robin, Bruce’s greatest concern was whether I would seek vengeance against that guy.”
     Dick’s gaze strays away from you. He’s looking somewhere past his feet, seeing something that’s not there.
     “I had him, Y/N. I tied him up and suspended him over a ten-story building, half hoping he would die, or break every bone in his body from that height and live out the rest of his days as a vegetable.
     “Then Batman came out of the shadows. He didn’t stop me. He didn’t talk to me-- he just put his hand on my shoulder the whole time, while I stood there and held this man’s lifeline in my hands.”
     Dick closes his eyes and takes a deep breath but he doesn’t open them again. The skin at the corner of his eyes crease and there are folds in his brows. When he speaks again, it’s rushed and he sounds exhausted.
     “In the end, I couldn’t do it. I dropped him from the third floor. He broke a few bones and that was it. It didn’t make me feel better. Killing him wouldn’t have brought my parents back-- it also wouldn’t prevent another family from ever being murdered…
     “Jason thinks he can get rid of evil in the world by killing criminals but he can’t. Because everyone is nursing evil inside of them-- I have something evil inside me.”
     Dick’s lips are quivering when he opens his eyes again.
     “Batman is the only one that doesn’t because all he wants to do is protect... everyone.”
     Bruce has heard enough. He’s been standing outside the hospital room with his hand on the handle when Dick started talking about avenging his parents. Desperately, he wants to go in there and join you and Dick. But the writing on your arm pushes him to visit the rooftop instead.
     He steps out to meet Gotham’s foggy air and reaches the end of the ledge when he calls out, “Worried about Dick?” He doesn’t turn around. He doesn’t hear Jason’s footsteps approaching him from the shadows, but he knows he’s there. “You should be. He’s here because of you.”
     Jason stops abruptly and clenches his fist. “Wrong. He’s hurt because of your self-righteous courtesy toward the psychotic filth of Gotham.”
     Bruce turns around. Jason doesn’t have his helmet or his mask. He’s wearing a black trench coat but Bruce can still see the Red Hood symbol peeking from his chest. Bruce lifts one corner of his lips. “How does it feel?”
     To Jason it looks like a smirk on its ways to becoming a snarl. Any semblance of a smile on Bruce is unsettling.
     Bruce faces him fully with his hands in his pants pockets. “Now that you’ve killed half of the inmates in Arkham, how does it make you feel?” He watches Jason and lowers his brows and his mouth turns into a straight line. “Like it’s not enough. Right? Like there’s still a few more loose ends-- and you just have to be sure.
     “I know you went after Penguin and Dent after the club last night. I also know you’re still after Harley.” Bruce eyes his clothes.
     Jason tips his head to the side and replies to Bruce with a small smile.
     Bruce tries to control the urge to arrest Jason then and there. He tries to stop being Batman for just one second before he loses his son for good. He takes in a breath and releases it like a sigh. He takes out his hands to gesture to Jason.
     “If I could give you one last piece of advice. As a father. As a friend. Ask yourself if this is the type of person you want Y/N’s soulmate to be. Do you want her to be with a murderer?”
     Jason didn’t expect that. He was ready to have another go at Bruce, maybe their last showdown before he leaves town, but now he just feels insulted.
     “Fuck you, Bruce. I just want her safe-- To do a better job than you did for me. Be better than you.”
     Bruce shakes his head. “You can do that without taking another person’s life, Jason. Killing people will only put your lives in more danger.” He points to Jason’s chest. “And you-- the Red Hood-- are a testament to that.”
     Jason looks down, the crimson symbol on his chest peeking at him from his loose coat. The Red Hood is supposed to be just a means to an end. A myth strong enough to withstand the Bat’s. A new player to hook in the Arkham villains. Not someone who’ll join their ranks.
     Jason looks back to glare at Bruce.
     “I didn’t come here for a lecture.”
     The pause Jason gave didn’t go unnoticed to Bruce.
     “I assume you’re here to see Y/N,” Bruce replies. “She’s talking to Dick. She hasn’t noticed your message yet.”
     Bruce walks up to Jason and sizes him up. Jason watches as his demeanor changes. Bruce stands taller, his shoulders seem to go wider. Jason doesn’t need to see the cape to know who’s standing in front of him now.
     “Leave Gotham before sunrise.” 
     Jason can see himself reflected in Batman’s eyes. He suddenly looks like a child. The kid sleeping on the streets of Gotham. Scavenging in the garbage just to get by. Stealing to survive. 
     Bruce sees his own reflection in Jason’s and it terrifies him. He relaxes his shoulders and leaves his eyes half-lidded. Slowly, he lifts his hand and places it on Jason’s shoulder.
     “Take care of each other, son.”
     Bruce takes back his hand and starts walking to the door but Jason slaps something against his chest. Bruce looks down and sees that it’s an envelope. He looks back at Jason but he’s looking away from him.
     “Give it to Alfred… please.”
     Bruce smiles. He gives Jason a small nod before he takes the letter and leaves the hospital rooftop.
     When Jason hears the doors close shut behind him, he lets the panic settle in. He first feels its claws scratching at his throat on its way up to his mouth, prying it open, making him gasp for air. Jason jumps when the door slams open.
     You see your soulmate standing on the rooftop.
     “Jason?” 
     You run to him and wrap your arms around his shoulder, as far as you can reach. He bends down and you hold him tighter. “You’re okay!” you exclaim against his coat. “I passed Bruce on the way here and I thought--”
     “Y/N.”
     Jason’s voice is shaky. You pull away to take a look at him but he holds you tight against him. You feel it now, the way his lungs are expanding rapidly and his heart is beating hard against his chest. He’s gripping your clothes as he pulls your body closer to him, afraid to let go. Afraid you’ll let go.
     “I want to stay…”
     The Joker had killed him and it killed you. The League had planned on using you against Jason. Scarecrow poisoned you. But now they’re gone. Dead. The Joker. Scarecrow. Black Mask. Bane. Croc. Clayface. Penguin and Dent.
     Jason killed them all.
     “You told me to find a better life. Away from all of this, remember? And I wanted that.” Jason hides his face on your shoulder and you can feel his tears seeping through your shirt. “I wanted that for both of us. But how could I do that if we have so many enemies? How could I do that if they can come after us at any second?”
     Battered and bruised.
     Dick’s wrong. Jason doesn’t have evil inside of him. None of them do. Everyone is just broken. Cracked under the pressure of the city’s heavy fog and manipulated into playing a never ending game of survival.
     You glare at the horizon of the drab cityscape. Yellow lights left on all night. Sirens blaring at every corner. Sewer stench wafting toward the roofs. If Gotham hasn’t broken you yet, it will tomorrow.
     You hold on to Jason tightly.
     “It’s okay, Jason. Everything’s going to be okay.”
     “It’s not, Y/N. We can’t stay-- I can’t stay.”
     “I know…”
     You rub Jason’s back to soothe him. 
     “It’s not just the Joker,” you whisper. “Gotham did this to us. It’s taken something beautiful from us-- our link-- and used it to abuse us. It tore us apart and made us forget who we are.
     “We can’t stay here. We need to leave Gotham not because we’re not welcome. But because we need to heal, Jason.”
     Slowly, you pull away from Jason to take off his coat. He watches as you unzip his kevlar vest and lets you take it off of him.
     You stare at the symbol in your hands and silently thank it. Then you drop it on the floor. Jason is too stunned to stop you when you reach for one of his guns inside his coat. You fire two shots into the vest.
     This is something you feel you need to do. Jason got to kill the Joker, the phantom menace that has haunted your dreams and waking moments. You only get this. The barrel is still smoking when you return it to him.
     You pick up the vest and walk to the ledge of the roof. You pull back to gather as much momentum as you can and throw the vest out and down into the busy streets. You watch the Red Hood fall to its death until you can’t see it anymore.
     Jason holds your hand and you turn to face him. He watches the look on your face, determined and unmoving. As if you hold all the cards and you know exactly where to go. He’s never seen such an expression on you.
     He squeezes your hand
     “I’ll go anywhere with you, Y/N.”
     Just before the sun rises over, you’re already on a bus heading West, far enough away that even Wayne tower’s shadow can’t reach you. You pat the bag on your lap that has some clothes and your new identities.
     As the bus crosses the bridge, Jason is watching the subtle pink and orange light peeking over the ocean that meets Gotham harbor. It’s a rare sight and one you’ll both miss. He turns to you.
     “Hey,” Jason calls. “Look at your arm.” He takes out a pen. You watch as Jason writes on his arm and finally finishes his last words to you.
     I love you.
END.
✧ Watchtower Masterlist ✧
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The Joker Tropes
Taken from Here
0% Approval Rating: Apart from Harley (and even then, only when their on-off relationship is "on"), Gaggy and Punchline, no one likes or supports the Joker. In any way, whatsoever. Damn near every other member of Batman's Rogues Gallery hates his guts, mostly because not only is he completely sociopathic and unpredictable, but also they are all scared shitless by him. The only reason why he's even allowed in teams such as the Legion of Doom is because of that fear: if they exclude him from the lineup, then chances are that dead bodies will be lining the streets in their name. Trickster spells it out in "Underworld Unleashed." Trickster: Great going, Neron, bring in the one guy no one wants to be in the same room with. When super-villains want to scare each other, they tell Joker stories.
Abusive Parents: One common tactic for the Joker to garner sympathy is claiming he was ill-treated by his parents. Given his propensity to spew out different and sometimes contradictory backstories, nobody knows if they're true.Harley Quinn: Joker told me things, secret things he never told anyone... Batman: What did he tell you, Harley? Was it the line about the abusive father, or the one about the alcoholic mom? Of course, the runaway orphan story is particularly moving, too. He's gained a lot of sympathy with that one. What was it he told that one parole officer? Oh, yes... 'There was only one time I ever saw dad really happy. He took me to the ice show when I was seven...' Harley: (crying) Circus... He told me it was the circus. Batman: He's got a million of them, Harley.
Acquired Poison Immunity: In many continuities, he's immune to his trademark Joker Venom/Smilex. In a crossover comic with Captain America, he also proves to be immune to Red Skull's "Dust of Death", as their trademark poisons are too similar to each other.
Ambiguous Disorder: He's undeniably insane and Ax-Crazy, but has no official diagnosis. If anything, he can just be diagnosed with "Being the Joker". However, it’s possible he’s perfectly sane and just The Sociopath, and is using his manipulation abilities to continue his reign of terror.
Ambiguous Start of Darkness: Related to his Multiple-Choice Past; the only thing consistent is that he was a low-level crook who got dunked in chemicals to become the Joker. C While some origins (most notably The Killing Joke) have him being forced into crime, others have him as already a sinister criminal beforehand. Batman (1989) and Batman: The Animated Series choose the Evil All Along interpretation.
Appropriated Appellation:
Arch-Enemy: A classic example to the Batman, and not just in the comics - they are pretty much the iconic gold standard when it comes to this trope. The two of them are the page image for a reason.
Attention Whore: A big part of his motivation in various continuities. He even admits as such at one point, while denying he's not behind one particular crime.Joker: Do you really think I would stir up so much trouble and not make sure you knew it was me?
Ax-Crazy: One of his main characteristics is his willingness to psycho on anyone, including his own henchmen.
Bad Boss: Willing to casually kill his own henchmen for any reason, be it part of a plan, for amusement, or simply on a whim.
Bad People Abuse Animals: Defied by The Joker in at least one story (Emperor Joker). Evil Jimmy Olson kills Superman, who has been turned into a dog, by crushing him underneath a fire hydrant. The Joker is simply annoyed, because he doesn't know how to make something as pointless as beating a dumb animal funny. Jimmy Olson is then beaten to death by two giant robots who appear out of nowhere.
Believing Their Own Lies: He sometimes believes his Multiple-Choice Past, Depending on the Writer of course. One issue of the Robin Series had the Joker actually in tears as he told the psychiatrist of his abusive childhood, only for the psychiatrist to coldly point out that it's the seventh story he's told now.
Berserk Button:
Black Comedy: This is one of Joker’s specialties. To normal people, killing would be a terrible thing, but to Joker, it’s hilarious, especially if he does it in a way that amuses him.
Bond Villain Stupidity: In a "Detective Comics" story written by Paul Dini, the Joker (while impersonating a stage magician he had previously murdered) shot Zatanna in the throat so she couldn't recite a spell to save herself, then locked her in a tank of water while strapping Batman in an electric chair. He didn't shoot her in the head because he wanted Batman to watch helplessly as she died. This didn't go so well because first, he's BATMAN! and second, Zatanna was able to write a healing incantation on the lid of the tank using her own blood, which made the spell even more powerful.
Boring Insult: While the Joker has used it a few times on others, he mostly does it to hear the sound of his own voice as the people he usually slings this insult at don't really care whether or not they're boring. On the other hand, this is Joker's Berserk Button when others use it against him. Most notably, he reacts poorly when Terry deliberately exploits this flaw with glee and even rubs it in his face in Batman Beyond: Return of the Joker. After all, the natural enemy of a comedian is The Heckler.
Breakout Villain: The Trope Codifier for comics. DC's initial intention was to kill him off in his second appearance. Fortunately, editor Whitney Ellsworth convinced DC to spare him, a panel was hastily added to show that he'd survived, and the Joker rapidly became not only Batman's Arch-Enemy, but arguably the most iconic example of an Arch-Enemy in all of fiction.
Break the Comedian: A sure way to determined if things have gotten real, even for the Joker, is if he isn't laughing or joking. A famous example involved the Joker being frightened during the events of Alan Moore's Swamp Thing run, when he was horrified by Arcane's actions.
Clear My Name: The Brave and the Bold has him framed for several murders and he must use Batman's help.
Collective Identity: As revealed in Darkseid War and DC Rebirth, the Joker has been used by three people, though Batman: Three Jokers clarified it as this: The Criminal (the original "Golden Age" Joker from the character's debut in Batman #1), The Clown (the "Silver Age" Joker, strongly implied to be the one who killed Jason Todd), and The Comedian (the current "Modern Age" Joker, who kidnapped and tormented Jim Gordon).
Combat Pragmatist : While his fighting prowess varies from remarkably proficient to extremely weak Depending on the Writer, the Joker is a consistently dirty fighter, striking enemies when and where they are most vulnerable. Besides his myriad of gag gadgets, he often carries concealed weapons, gases and acids on his person, and won't hesitate to brandish a wrench or smash a chair over your head in a pinch. He is usually adept with knives and, unlike Batman, rarely has any reservations about firearms. He has no qualms kicking an opponent when they're down, and will employ deception, feigning surrender or defeat to get Batman to lower his guard.
Comic-Book Fantasy Casting:
Confusion Fu: This is often his last line of defense when Batman corners him, especially in the animated television shows. Effectiveness varies.
Cop Killer: Sometimes police officers are among the Joker's victims:
Create Your Own Villain: Most stories posit he was chased by Batman through a factory with No OSHA Compliance, which caused him to be exposed to acid, discoloring his skin and hair and driving him insane when he sees his reflection. Often he claims Batman is responsible for turning him into The Joker.
Creepy High-Pitched Voice: In voiced roles, he usually has a high-pitched voice to contrast Batman's Badass Baritone.
Crossover Villain-in-Chief: In DC's Crisis Crossover events that involve a lot of villains, like Salvation Run and Forever Evil, The Joker usually fills this role along with Lex Luthor.
Crouching Moron, Hidden Badass: Insanity aside, sometimes the Joker's plans and methods are so out there they just seem stupid. Despite appearances, he's usually very cunning, and always very dangerous. In fact, part and parcel of what makes the Joker's plans devastating is that he knows how to hide the punchline for lack of a better word. The plans are so innocuous, so disheveled and so utterly random that they usually have no sane MO, which makes it hard to see the bigger picture of the plan unless Batman pieces it together quickly.
Critical Psychoanalysis Failure: Happens frequently, though this may be an indication of the competence of the staff at Arkham. One such time was with Dr. Harleen Quinzel, who bought his story hook, line and sinker and declared him sane, then broke him out of Arkham and started dating him (of course, her exact analysis was that he was utilizing Obfuscating Insanity and it's implied that she was actually right, so perhaps she was the only good doctor at Arkham after all...)
Deadly Prank: He generally considers murdering someone for a joke to be morally no different than putting a whoopie cushion on their chair.
Depending on the Artist: His depiction varies a lot between eras and between different artists in the same period. Major differences are whether he can form facial expressions other than a grin, and whether he is average-sized or freakishly tall and thin.
Depending on the Writer: There are many huge variations, the most common and glaring being:
Depraved Homosexual: Not above invoking this deliberately to get under Batman's skin. Whether he means all his flirting and feel-copping varies slightly Depending on the Writer and heavily depending on one's own interpretation.
Diplomatic Impunity: In A Death in the Family, Ayatollah Khomeini appoints him the UN ambassador to Iran, giving him diplomatic immunity. This was later retconned to the fictional Syraq due to reasons of taste.
Dirty Coward: There is a common misconception that Joker has no regard for his own life and doesn't care if he dies or not. In actuality he does care, and the reason he keeps taunting morally good characters into killing him is because he's confident that they don't have the guts to off him. When he comes across someone who is willing to kill him, he shows his true colors as a sniveling little coward where he starts pleading for his life.The Punisher: I got all the therapy you need right here, comedian.The Joker: You're really going to do it.
Disproportionate Retribution: Has been known to try to kill people for minor slights, such as welshing on a bet on a sporting event for trivial stakes.
Domestic Abuse: This characterizes his relationship with his "henchwench" Harley Quinn to a T. Joker frequently yells at her, puts her down, humiliates her, and exposes her to all manner of violence ranging from "merely" slapping or punching her to outright trying to murder her. Such is her Mad Love that she ignored his abuse for most of her existence in comic history, with the two only separating in the late 2010s.
The Dreaded: Easily one of the most feared villains in the entire DC universe. Other villains are afraid of him; it's been said that when criminals want to scare each other, they tell Joker stories.
Driven to Madness: Doing this to others has become part of his MO. What triggered his own insanity and belief in nihilism remains unknown.
Early Installment Weirdness: Just take a gander at his earliest appearances:
Electric Joybuzzer: One of his signature weapons, a lethal variation, most memorably used in Batman (1989). He ended up Hoist by His Own Petard when trying to use it on Static.Static: That was fun. Let me try! (BZZZZT!) (Batman approves.)
Enemy Mine:
Even Evil Has Standards: Oddly enough, this trope does occasionally apply to him.
Even Evil Has Loved Ones: Completely averted with Harley. He physically and emotionally abuses her and tried to kill her on numerous occasions. They eventually break up in the New 52 continuity.
Evil All Along: Some versions, such as the DC Animated Universe and Batman (1989), go with the interpretation that the Joker was evil, if not outright Ax-Crazy, even before his fateful transformation, with the chemicals just making him worse.
Evil Cannot Comprehend Good: The Joker is Nihilism Incarnate: he believes that life is pointless and insane, and the only thing anyone can do is give into the madness. Life is a joke, and once he got the joke he never stopped laughing at it. One of the reasons he's obsessed with Batman is because Batman is The Anti-Nihilist: Batman also thinks, to some degree at least, that life is meaningless. But rather than embrace the madness, Batman fights against it, trying to bring order to chaos through his heroic actions. So Batman got the joke too, but he's not laughing, and the Joker doesn't understand why.
Evil Genius: Though rarely the focus of his character, Joker is usually an extremely gifted chemist, constantly creating new and better versions of his signature laughing gas. He's also (unsurprisingly) a skilled planner on par with Batman himself, in addition to being extremely charismatic and manipulative when he wants to be.
Evil Is Petty: Joker truly sees no difference between throwing cream pies, robbing a museum, and brutal, torturous mass-murder. To him, it's all just part of the joke.
Evil Sounds Deep: Jack Nicholson in Batman (1989) and Kevin Michael Richardson in The Batman both give the Joker a deep, sinister voice, contrasting his usual higher-pitched depictions in other works.
Facial Horror: His iconic "perma-clown" appearance (the green hair, chalk-white skin, and most of the time, red lips) is the result of being submerged in a tank of chemicals. However, there was times this has gotten worse.
Fame Through Infamy: He's practically built a career on crimes designed more to spread his infamy than anything else. Perhaps his true illness is that he is an Attention Whore through and through...
Faux Affably Evil: Often addresses others in a polite and friendly way before he unleashes merry hell on them.
Flanderization: Over the years, his actions have become almost exclusively focused on causing as much carnage and chaos as possible or harassing Batman and his allies rather than performing any non-lethal mischief or practical crime.
Foe Romance Subtext: Sometimes will mess with Batman's mind by calling him by pet names or using innuendo. Or outright groping him. According to later writers, Joker regards their hero/villain dynamic as a very special relationship, and resents anyone or thing that gets in the way of it (like all those family members Bruce enjoys hanging out with), which is disturbingly like a jealous lover.
Foil: To Batman in several ways. If the origin offered in Killing Joke is to be believed, both Batman and Joker had one bad day that put them on very different paths.
For the Evulz: The usual motives of the Joker. Many of his crimes always involve sowing chaos and the schadenfreude of other people's misery.
Freudian Excuse: Even he isn't sure of his own history and will crop up multiple reasons for his insanity. The most accepted version is that he was a thug named the Red Hood who gets disfigured falling into a vat while trying to escape Batman. His backstory still remains a mystery.
Freudian Excuse Is No Excuse: Best displayed in The Killing Joke: Joker's "one bad day" is just an excuse, as he neither knows nor cares if it actually happened that way, and Batman confronts him on how his attempt to similarly break Commissioner Gordon failed.Batman: Despite all your sick, vicious little games, he's as sane as he ever was! So maybe ordinary people don't always crack. Maybe there isn't any need to crawl under a rock with all the other slimey things when trouble hits. Maybe it was just you, all the time!
The Friend Nobody Likes: Often plays this role among villain team-ups. It's implied that the only reason the other DC villains ever invite him to things is because they're terrified of what he'll do to them if he's not. Alexander Luthor Jr.'s death at the end of Infinite Crisis is brought about because, as Lex Luthor puts it:Luthor: You made one big mistake. You didn't let the Joker play.
From Nobody to Nightmare: The key thing about his Multiple-Choice Past is that nobody really knows who he was before he put on the Red Hood and fell into a vat of acid. As such, Joker was literally a nobody... who turned into the DC Universe's scariest villain, and who at times has upstaged even Brainiac or Darkseid.
Frozen Face: Most depictions have his face as such, with his massive rictus grin being something he can't really stop doing.
Gadgeteer Genius: While he seems to be a chemist first and foremost, the Joker has no trouble coming up with a range of tools and weapons of his own design and is easily as smart as Batman in this area. Other stories show that he has a solid enough understanding of such varied fields as engineering, computers and even robotics that he can at least hijack the sophisticated inventions of others and use them for his own ends with no difficulty whatsoever, and he is generally implied (though rarely outright stated) to have had a scientific background prior to becoming the Clown Prince of Crime.
Glasgow Grin: Heath Ledger's portrayal features very noticeable scarring from such wounds and tells two conflicting stories of how he got them. Sometimes, Depending on the Artist, the Joker has one in the comics, usually in out-of-continuity stories.
Gonk: Depending on the Artist, he varies from "disfigured, but still fairly handsome" to "barely passes for human", the latter cases usually feature him with a really long and narrow nose and a huge, exaggerated mouth with a permanent Slasher Smile.
Guest Fighter: After making appearances in the previous crossover and being a major player in NetherRealm's other big series, Joker shows up in Mortal Kombat 11 all on his own, freed from the restrictions of a Teen rating and able to showcase the true depths of his depraved bloodlust.
Handshake of Doom: Often kills unsuspecting victims by offering a handshake. When the other person grabs his hand, their palm is pricked by a device that resembles a joy buzzer, which injects deadly venom into their blood stream.
Hate Sink: Posthumously, his Injustice-verse incarnation is the primary target for audience scorn and gets saddled with this role by everyone in the game, its sequel, and the tie-in comics — the version from the Injustice-verse itself, at least. This is because he tricked Superman into killing his own wife Lois Lane and nuking Metropolis, then pulling a Strike Me Down with All of Your Hatred on the poor guy who that set him on the path to becoming a tyrant, all for the sake of doing it, and because he was tired of losing to Batman, so he decided to go after an easier target. His role as The Corrupter to Harley is explained to make her redemption feel more plausible, as even she has come to despise him for his actions. In particular, while Superman does terrible things, he is portrayed as a Tragic Villain due to the losses he suffered before becoming a bad guy, and as such, his killing of the Joker is always played for maximum pathos. Even villains as despicable as Brainiac, Darkseid and Gorilla Grodd openly despise him. This even continues into his Guest Fighter appearance in Mortal Kombat 11note , where even the likes of Kano, Shang Tsung and Shao Kahn can't stand him.
Human Head on the Wall: There's a rather famous piece of comic book artwork◊ drawn by Brian Bolland featuring The Joker lounging in a chair in front of a trophy wall mounted with the decapitated heads of various DC heroes and villains, all of them painted white and their faces distorted into a smile like the Joker himself. It's even been parodied a bunch of times with other comic supervillains sitting in Joker's place.
Iconic Outfit:
I'm a Humanitarian: There have been a few times when the Joker engaged in cannibalism, such as an issue of Grant Morrison's JLAnote after Day Of Judgment, where upon the reveal that the Martian Manhunter took the League and the now Hal Jordan hosted-Spectre into the Joker's head, the Joker lamented eating a man's tongue raw. Additionally, an infamous bit in Emperor Joker has the Joker eat all of China while he had Mr. Mxyzptlk's powers.
Insane No More: Is cured by Batman forcing unknown pills down his throat in the non-canon Batman: White Knight, causing him go back to his real name, Jack Napier, make a Heel–Face Turn and accuse Batman of being part of the problem (he's also considerably better than the usual Joker, being closer to the earlier trickster personality).
I've Come Too Far: At the end of The Killing Joke, Batman tries to reason with the Joker, insisting that they've got to stop before one of them kills the other and offering to help rehabilitate him. Joker briefly considers the offer before solemnly turning it down.Joker: No. I'm sorry, but... no. It's too late for that. Far too late.
It Amused Me: His raison d'etre. Why kill people in horrific ways, ruin their lives, and generally make the entire universe a worse place than he left it? Because it's funny.
Jekyll & Hyde: Inverted in the case of Batman: White Knight, where taking pills cures Joker of his insanity and brings back his original Jack Napier persona. However, if he fails to take the pills, the Joker resurfaces, which is exactly what happens in Batman: Curse of the White Knight, and he's much worse than before.
Jerkass: Though that is a total understatement, Joker still more or less counts as one. When he isn't killing or torturing people for his own amusement, he's taunting them and trying get under other people's skin.
Joker Immunity: The trope namer. He was originally conceived as a one-off villain but proved too interesting a character to be killed off so quickly, and a last-minute edit had him survive instead. He's so famous for this that most works that kill him off, the audience doesn't buy it, and it serves as an effective twist the rare times when he is Killed Off for Real. But even those rare occasions may continue to feature him in flashbacks or hallucinations as a Posthumous Character.
Knife Nut: In many appearances, knives are his Weapon of Choice, either to disfigure his victims or kill his foes. Often both.The Joker: Do you want to know why I use a knife? Guns are too... quick. You can't savor all the little emotions. You see, in their last moments, people show you who you really are.
Large Ham: Holy shit, yes. He has an enormous sense of showmanship and is seen cracking Black Comedy jokes every minute, and it's a nigh-guarantee that whoever is portraying him will be munching the scenery to the very structure. Most especially the case if it happens to be Mark Hamill.
Laser-Guided Broadcast: In comic books as well in most of the media, when The Joker takes the control of TV and makes one of his menaces to threat and/or destroy Gotham City, good part of his message goes directly to Batman by tempting him to stop his plans, where usually destroy the city is just a secondary plan, getting/trapping/killing Batman as his real main plan.
Legacy Character: The idea of multiple Jokers is used in Gotham. There are two Jokers - Jerome Valeska, and his twin brother Jeremiah Valeska. The former is a deranged mass murderer who spread madness through Gotham. The latter is the actual Joker who becomes Batman's Arch-Enemy, and is even more dangerous than his predecessor.
Lethal Joke Character: In-Universe. Those unfamiliar with him tend to write him off as just some fool dressed as a clown, only to realize very quickly why they should keep their guard up around him. He's still one of the most dangerous characters in the DC Universe, despite existing in a world filled with super-humans and gods.
Master of Disguise: A talent he possesses even in his earliest stories. Joker is an expert with make-up, costumes and impersonations and has posed as everything from police officers to doctors to even Batman himself. He can go to extremely elaborate lengths to pull off his deceptions too, fabricating entire backstories and staying in-character for months at a time to see his plans through.
Mirthless Laughter: The Joker's constantly laughing, either at the pain and misery of others, the pain and misery he inflicts on others, or even his own pain. However, as describe by many and offered by the reader based on his scenes and what he does, there is NEVER any joy in his laughter. Never any real happiness. Just cruelty and mockery of pain and sorrow. If he does indeed have a tragic backstory that caused his madness, then this makes sense as he has chosen to laugh instead of cry. His statement about how the universe should end "so there won't be anymore people like me" during the Emperor Joker storyline lends weight to him being a Sad Clown.
Misanthrope Supreme: While it's not evident given Joker's Laughing Mad demeanor and his penchant for macabre jokes usually at the life and limb expense of someone else, Joker is actually absolutely full of hatred and spite towards basically everyone and the entire world. Several stories have gone into this and it's implied that the Joker finds it so easy to kill everyone around him, not because he feels nothing for them, but in fact because he loathes everyone aside from his twisted relationship with Batman.
Moment of Lucidity: There've been a few times when outside forces have sent him into a fit of temporary sanity over the years.
Monster Clown: One of the classic examples.
Multiple-Choice Past: Practically the poster child and possible trope namer. Even he isn't sure of his own history. The most accepted version introduced in Detective Comic #168 (1951) has him as a thug named the Red Hood who jumps into a vat of chemicals to escape Batman, disfiguring him and inspiring him to adopt the name Joker. Why he went by the name the Red Hood has changed over the years: The Killing Joke claims he was a failed comedian pressured into becoming a criminal to support his pregnant wife. The trauma of his disfigurement from jumping in the acid and his wife's earlier accidental death drove him insane. However, even this backstory is questionable, as the Joker himself calls it "multiple choice".
My God, What Have I Done?: Whenever he is made temporarily sane, most notably by a Lazarus pit after Ra's Al Ghul killed him after a Villain Team-Up and in JLA #15 during the Rock of Ages storyline, Joker usually expresses deep remorse for his crimes. Unfortunately it never lasts.
The Nicknamer: He's prone to giving nicknames to allies and enemies alike. Sometimes affectionate, sometimes snarky, but always undesired. Calling Batman "Batsy" or "Bats" and Robin "boy blunder" are probably his most iconic.
No Celebrities Were Harmed: Some of the Joker's victims fall into this.
No Name Given: The Joker is the only Batman villain who doesn't have an official real identity. However, there are three occasions where names have been used. The Jack Nicholson version used the name "Jack Napier", which was briefly mentioned in the Animated Series episode "Dreams In Darkness" since the series was partially based on the movie, albeit the doctors list it as one of his aliases. The Gotham version played by Cameron Monaghan gives him the name Jeremiah Valeska. The Joaquin Phoenix version used the name "Arthur Fleck", though the movie raises the question that he doesn't know who his father is, so 'Fleck' might not even be his surname. The Telltale series plays with this by 'naming' him 'John Doe' - which is just a stand-in name police/hospitals use when they don't know someone's identity. While he still has no official name to this day, it's general fan consensus that it's either Jack Napier or just Jack.
Not a Mask: Sometimes he pretends to wear makeup, but it ain't makeup. Jack Nicholson's version wore flesh-tone makeup over his pale skin several times after his transformation. Though, this is Depending on the Writer, as Heath Ledger's depiction does wear makeup. It's unclear if this is the case for Caesar Romero's depiction, as Romero's mustache is visible at times (he refused to shave for the part).
Not Me This Time: Though he certainly wouldn't mind committing them, he's been framed for murders he didn't commit several times, such as by James Gordon Jr.
Obfuscating Insanity: Zig Zagged Trope / Depending on the Writer. Some stories claims The Joker is actually sane, but pretends to be otherwise to avoid the death penalty. Others says he is genuinely crazy. It must be noted that Joker, like other Batman villains, was only identified as insane from the 70s onwards by various writers.note
Offscreen Villain Dark Matter: Despite the Joker's infamous reputation and violent instability he never has any issues finding new henchmen for his schemes nor does he ever has any issues finding the resources needed to pull off his often convoluted plans and he's often able to do it all without attracting the attention of Batman or the authorities until he's ready for them.
OOC Is Serious Business: A general rule of thumb: If the Joker isn't smiling, something very bad is about to happen.
The Only One Allowed to Defeat You: Pretty much sums up his feelings towards Batman. He often flies into a rage whenever someone else attempts to kill Batman when in his company, and whenever Batman (seemingly) dies he has a tendency to completely snap and turn sane. This actually goes the other direction as well: the Joker feels that Batman is the only one allowed to defeat him, and it's shown he's terrified of someone else doing him in in some continuities.
Outside-Context Problem: A recurring theme of Joker's "first appearance" stories in various adaptations is that nobody in Gotham is prepared for a guy who's only in it For the Evulz. Also, the Joker himself likes to find these, and exploit them.
Phrase Catcher: Back in his prankster phase during the Silver Age, whenever one of Joker's capers got foiled, someone would inevitably trot out the line "The joke's on you, Joker!" For obvious reasons, his current Monster Clown incarnation doesn't get this nearly as often.
Pimp Duds: He sometimes accessorizes his purple suit with a very wide-brimmed hat, which makes the ensemble look like a stereotypical pimp costume. Jared Leto's turn in Suicide Squad (2016) runs with this in his dynamic with Harley Quinn.
Pre-Insanity Reveal: The Joker, depending on the version, may have been an ordinary comedian before he went crazy and became a super-villain.
Purple Is Powerful: Purple is one of Joker's three colors (along with white and green) and he is powerful.
Psychopathic Manchild: For starters, when Batman is telling Joker to stay away from the Gordons after he apparently hurt Gordon's wife (it was actually his son, Gordon Jr. who did the deed), Joker commented that he didn't do anything to "the old bitch", and starts commenting to Batman that he misses the old Batman, and commented that he "doesn't want to go to bed yet" and that he "wants to play."
Redemption Rejection: In The Killing Joke, Batman defeats the Joker once again and then desparately pleads with him to accept help recovering from his madness before they eventually kill each other. In one of his rare, completely serious moments, the Joker sincerely apologizes and tells Batman that it's far too late for that.
The Resenter: Joker has often shown resentment towards people in many ways in different stories. The best example is him being resentful of anyone who garners more attention from Batman than him and anyone he sees as "stealing his act", i.e. being a laughing mad, jokey maniac cramping his style (The Creeper in Batman TAS). Regardless, many of his crimes and attitudes often carry an undercurrent or resentment be it towards to Bat-family because he resents sharing Batman with anyone or normal people for living their mundane lives free of care. Given how much spite seems to fuel his rampages, Joker's probably got a mountain of resentment inside of him.
Restoration of Sanity: On occasion, Joker's sanity will suddenly return to him, usually in stories where Batman retires or is believed to have died. His reactions tend to vary - sometimes we don't see how he reacts to what he did, but other times he actually shows genuine regret for his actions. Of course, these never tend to stick.
The Reveal: When Batman sat in Metron's chair in Darkseid War, one of the questions he asked was who the Joker was and the answer freaked him out. In DC Rebirth, it's revealed why:  The Joker is a Legacy Character: the Joker responsible for Death of the Family and Batman: Endgame is not the same man who crippled Barbara Gordon—and neither of them are the original Joker.
Riddle for the Ages: Being the Trope Namer for Multiple-Choice Past, it's unknown who he was before falling into an acid tank and whether he was nuts even before being dunked. He even believes his origins, Depending on the Writer of course.Joker: They throw me out, and I had a wife and an unborn child… or it was two cows and a goat? Sometimes it's so confusing…
Rule of Funny: One of his primary themes (alongside insanity), as explained in Whatever Happened to the Caped Crusader?: "Kid. I'm the Joker. I don't just randomly kill people. I kill people when it's funny. What would conceivably be funny about killing you?"
Secret Identity Apathy: In most continuities, he simply doesn't care about Batman's Secret Identity, understanding that Batman is the true face and not the man behind the mask. It's shown sometimes that the Joker will actually be upset if someone outs Batman's identity to him, usually because it spoils their dynamic in some way. When Scarecrow pulls off Bruce's mask in Harley Quinn, it practically triggers a Villainous Breakdown.Joker: Half the fun of our relationship was the mystery! Now I know Batman is just some boring, rich asshole with parental issues!
Self-Made Orphan: In The Brave and the Bold #31, Atom reads his mind and sees The Joker burning his parents alive after they catch him killing animals.
Slasher Smile: He wears one almost by default. Reportedly, it was inspired by this photo◊ of Conrad Veidt in character as Gwynplaine (a man with a disfigured face, causing him to have a perpetual grin) in The Man Who Laughs by Victor Hugo.
The Sociopath: A skilled and gleeful manipulator, a vicious butcher who brutally tortures and murders others simply because he thinks it’s funny, extraordinarily impulsive given that he’s prone to turning his murderous urges on his own men on a whim or because one upset him in some way, shape or form, and has not even the vaguest notion of empathy, neither for his men or his victims.
The Spook: His backstory is an eternal Riddle for the Ages. DC Comics refuses to take an official stance on this.
Start of Darkness: Detective Comics #168 posits he was a laboratory worker who becomes the Red Hood in order to steal a million dollars from his employers and retire. In The Killing Joke he quits his job to become a comedian, but fails and is coerced by mobsters to commit a robbery, becoming the Red Hood. His disfigurement and (in The Killing Joke) his wife's death earlier in the story destroy what little was left of his sanity and he becomes The Joker. Maybe.
Stealing the Handicapped Spot: He doesn't do this. Rather, he hates it when other people do it and finds it hilarious to horrifically cripple them so they can legitimately park in handicapped spots.
Straw Nihilist: Provides the trope image and is the poster child for this. He claims that everything in life is just "one big joke" and death is the ultimate punchline. Joker also believes that "a bad day" is more than enough for anyone to turn out like him. This is shown notably in Injustice: Gods Among Us, The Killing Joke, and The Dark Knight. The Red Lantern Atrocitus even wonders what drove Joker to nihilism during an intro banter with the clown in Injustice 2.
Strong as They Need to Be: His fighting skills fluctuate wildly. Sometimes, Joker is an excellent fighter who can actually defeat Batman in a straight-up fight, whereas most writers prefer to present him as so weak that he can be knocked out cold with one punch.
Stupid Evil: Depending on the writer, The Joker can sometimes fall under this, where his cruelty and sadism tend to lead to his own death at the hands of all the people he's wronged.
To Create a Playground for Evil: His motivation in stories like Emperor Joker.
Too Kinky to Torture: The Joker has shown a proclivity for this over the years. At one point, the Joker berated a man who'd captured him for only hitting him in the face and The Dark Knight similarly sees the Joker berate Batman during the the latter's beating of him. He also enjoyed his and Bruce's final fight in The Dark Knight Returns. Salvation Run had established the Joker's been in constant pain since he took his fateful dive into the vat of chemicals that altered his appearance and not only had gotten used to it, but grew to enjoy it. This quote from The Dark Knight sums it up perfectly: Stephens: I can tell the difference between punks who need a little lesson in manners, and the freaks like you who would just enjoy it.
Tombstone Teeth: He is often drawn with too many too-long teeth as part of his trademark rictus grin, highlighting his nature as a psychotic and sadistic killer.
Troll: Most incarnations of the Joker dress themselves as being a lethal one of these. The best example is his DC Animated Universe version, who tailored each of his schemes as a joke or a prank, and sometimes even lectured his underlings on the importance of proper buildup and delivery when telling a joke. Batman in particular is the Joker's preferred victim, and many a Joker has refused to kill or unmask a Batman dead to rights, simply because it would spoil the fun of trolling him. But when others upstage or taunt him, he really goes nuts, as it's one of his Berserk Buttons.
Unreliable Narrator: Even he isn't sure of his own history, so anything he claims is suspect at best.
Villain Has a Point: Given his devotion to Rule of Funny, he's quite knowledgeable on what makes successful comedy, as seen with the featured image on Don't Explain the Joke.
Villain Song: There's no other villain who has belted out as many memorable music moments, not even the Music Meister. Three of them incidentally were sung by Mark Hamill behind the mic:
Villainous Aromantic Asexual: He is shown to be more interested in his schemes and mayhem rather than sex. He has had sex with Harley, but it is implied that it's more for her rather than his own enjoyment. He has actively ignored her when he simply wants to work on his schemes, even when she's in the translucent red night dress.
Villainous Friendship: No matter how bad things turned out last time, Lex Luthor and Joker will always work together again. Played With, as it isn’t just because of friendship. As Luthor himself notes in the ending of Infinite Crisis, you always "let the Joker play," lest he come after you for revenge later on for leaving him out.
Villainous Harlequin: He was this during the Silver Age. He is also this in Batman (1966) and Batman: The Brave and the Bold.
Villainous Rescue: In Dark Nights: Metal, The Joker pulls this off by teaming up with Batman to defeat the Batman Who Laughs, Batman knowing that a jokerized Batman would have the upper hand teams up with the Joker. It is so unexpected that the Batman Who Laughs, who is still prepared for anything Batman would conceivably think of, is unable to counter it let alone even consider it a possibility.
Villain Protagonist: He was the star of his own nine issue self-titled series from 1975 to 1976. In order to adhere to the Comics Code Authority, The Bad Guy Wins was never in effect - while he usually managed to get one over on other villains, each issue would end the Joker being apprehended for his crimes. He also got his own movie in which Batman didn't even exist yet, delving deep into what someone would have to go through to become the Joker.
Weapon of Choice: The acid-spitting flower, Smilex/Joker Venom... and simple crowbars, established by how he killed Jason Todd.
You Gotta Have Blue Hair: He has neon green hair caused by the chemicals he fell into.
6 notes · View notes
dumbkiri · 5 years
Text
Fate Changes Two
Parts: [ 1, Here, 3, 4, 5 ]
Summary: [Name] is stuffed in the same car as Barbara. Both Batgirls reunited after a long night of fighting and struggling in their own way. The Arkham Knight finds himself fighting [Name] again and it leads him being kicked and possibly with a concussion. Barbara witnesses [Name] do an unspeakable act and distracting each other leads to them a deadly accident. 
Pairing: Jason Todd x Female! Reader
Genre: Action
Word Count: 3k// 7 pages
Warning: Blood, guns, etc
Tagged Fated Changers: @anotherfan07​ @greyxdaze​ @laggyphone​
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“How many times do I have to tell you?” Bruce walked over to [Name] with a smile on his face. The teen shrugged her shoulders. She was eating a chocolate bar that she stole from Jason’s secret stash of snacks. “Jason is going to catch you in the act one day.” Bruce finished and began getting ready for a meeting at Wayne Enterprises. It was his first meeting out of twenty he has already had and missed. 
“Once he gets his head out of the books, I don’t think he’ll notice,” [Name] took another bite from the delicious chocolate bar. She was savoring the taste. Oh how it melted in her mouth. Bruce walked toward her and held two ties up in front of him. He gave [Name] a knowing look and she set her chocolate bar down in her lap. She tilted her head, “Good question. Hold the blue closer to your neck,” She instructed and watched as Bruce did. “Okay, now, hold up the red tie above your head. Oh, wait! Hold the blue tie up with the red tie. Then wiggle them side to side.”
Bruce, with a very confused look in his eyes, wiggled the ties above his head. He said, “I don’t see how this helps me pick out a tie.” [Name] laughed and shook her head with her hands wrapped around her stomach. “She’s playing with you, old man.” Jason had popped into the common room with a very distinct look on his face. His arms crossed over his chest. [Name] laid her hand on the chocolate bar trying to hide it before Jason’s blue eyes caught onto it. “Playing or not, blue looks better,” [Name] admitted with a cheeky smile and slipped the chocolate bar behind her. "I disagree," Jason took a seat next to [Name]. He draped his left arm around her shoulder loosely. She knew what he was playing at, so why not keep going?
 "The blue brings out your eyes."
"Red catches the ladies attention."
"Batman's color scheme is blue and black."
 "Nothing is wrong with adding red to your day."
 Bruce sighed and set the ties on the coffee table. Then he turned his back on them, "I'm going rogue." 
Barbara watched [Name] with careful eyes. The [h.color] haired girl was actually sleeping. Usually she would start sweating as she entered REM sleep, but there was no sign of heavy breathing. Barbara brought her green eyes to the Arkham Knight. His attention was on the seat in front of him. It was like he was in deep thought. 
"Chocolate…" [Name] mumbled in her sleep and moved her head off of Barbara's shoulder. [Name] instead leaned to her left where her head met with the rough exterior of the Knight's suit. Barbara and the Knight didn't move too shock in their own way. "I'm sorry," The [h.color] haired girl said with her eyes still closed. Barbara furrowed her eyebrows. She remembered that Tim mentioned [Name] sleep talking a couple of times. The red haired never knew it was true. Usually, [Name] was a quiet sleeper. No snoring. No mumbling. No moving.
 "So you want to tell me what's behind your back?" Jason asked looking down at [Name] with blue eyes staring deeply into her [e.color] ones. She shrugged her shoulders and leaned away from him. Then she scooted at least two inches from him. Their legs no longer touching each other. "I don't know what you're talking about, Jaybird." 
He chuckled and closed the space between them again. Their knees knocked and their hips locked. "Come on, babe," Jason called out to her with a smirk on his face, "you aren't that slick especially when there's chocolate right there." His index finger pointed at the corner of her lips. Quickly, [Name] wiped at her lips and looked down at her hand. She saw no residue of the chocolate bar and declared shamefully, "You made me look like a fool! There isn't any chocolate on my face."
 Jason leaned close to her. Before he closed his eyes, he whispered, "Wrong corner." Then he leaned in for a kiss. [Name] would have allowed for it until Bruce's footsteps were heard again. She stood up from the couch and threw the chocolate bar at Jason's chest, "Alright! I took it!" Then she ran out of the common room to the kitchen where the smell of cookies wafted from. 
"You couldn't wait for at least two more minutes?" Jason asked picking up the chocolate bar from the couch where it had landed. Bruce chuckled and placed his hand on Jason's head gently, "It's called 'getting a room'." 
 [Name] groaned and felt her head leaning on something hard; something uncomfortable. It definitely wasn’t her pillow. She opened her eyes and blinked several times before seeing what was in front of her. It was a car radio and-
"[Name], oh thank god," Barbara popped into her view and grabbed her face gently into her hands. Green eyes met [e.color] and [Name] never felt so relieved to see her best friend. "B-barbara? Where- What's going on?" She questioned and tried to hold Barbara's hands but the cuffs on her stopped her hands from separating more than three inches. Barbara looked behind her and [Name] followed her line of sight. Suddenly, her heart started racing, she felt so enraged by looking at his mask. His suit. His symbol.
"You bastard!" [Name] yelled and Barbara didn't know why her friend was yelling at the Arkham Knight so loudly. With so much hate. Then she thought about it more. The Knight stopped [Name] from taking her own life. [Name] lifted her hands and grabbed the Knight’s mask and slammed it onto the car window. The window cracked and she went to slam his head again, but he roughly grabbed her cuffed hands. The driver began to slow down, but the Knight ordered him otherwise, “Keep driving!”
 Then he directed his attention on Batgirl and headbutted her. [Name] cowered in pain wanting to hold her aching nose, but her hands were still in the Knight’s. Held captive, she resorted to her legs and pushed the bottom of her shoes on his chest. She pushed her legs against him while she pulled her hands away from him. He groaned out from the pressure of her shoes and released her hands. Barbara nearly missed [Name]’s swinging hands and ducked just in time. Her green eyes watched as [Name] fought against the Knight in a small car.
 “Sir, do you need-”
“I said keep driving!” The Knight repeated the order with more of an angry tone used. This didn’t phase [Name] as she was just as mad as he was. He reached for his gun on his thigh and [Name] wouldn’t let him pull the trigger on her. Oh no. That was her job. She reached for his gun as well, but that was only to distract him. Instead she opened the car door and elbowed him in the face. He wasn’t all that much affected by the hit, but it still caught him off guard. The door swung back and forth never fully opening or closing.
[Name] with one last cry forced the Knight out of the car. She saw his body hit the floor and roll before coming to a stop. The driver immediately notice that his boss was thrown out of the car and stepped on his breaks. [Name], without a second thought, went behind the driver and snapped his neck. Barbara gasped and watched on as she closed the back door then kicked the dead driver out of the car.
A bullet whizzed passed Barbara’s head and into the passenger seat. [Name] cursed under her breath and got into the driver's seat. She gripped the steering wheel and slammed her foot onto the gas pedal. Barbara shrieked in surprise and held the car door with her right hand and the seat next to her in her left. “[Name],” She called out still surprised by her actions. She didn’t know how she should feel. She just saw [Name] kill someone then kick them out of the car.
 [Name] took a sharp turn near Chinatown dodging the rogue civilians. “What is it, Barbara?” She questioned, her eyes still on the road. Her nose was bleeding and Barbara knew that her previous bullets wounds were aching. The redhead shifted in her seat, “You just killed someone. Why would you do that?” [Name] wiped her nose with her left hand then wiped the blood on her uniform. “What was I supposed to do? It was either him or us. I won’t die in the hands of a psychopath. I won’t go out like Jason did.” 
Barbara’s breath hitched. “Is that why you tried to kill yourself?” 
[Name] nodded her head, not denying the fact, “I won’t be used as bait. I won’t be a psychotic motivation to get Batman’s attention. I won’t suffer pain I don’t deserve because I’m a sidekick.”
 Barbara didn’t like her behavior. Not one bit. [Name] was happy, strong. She had spirit no one could diminish. Although the tattered uniform, bloody nose, bullet wounds and cuffed hands proved otherwise. [Name] was a broken girl now. Before she was a girl with potential. She knows how to fight. She knows how to care and love. She knows how to cheer people up. But when Joker took the one person that made her world turn, everything stopped. [Name] no longer lived in the manor and she rarely talked to the Batfamily unless Bruce really needed her help. Tonight, he needed her help. Which is why she killed that guy.
 [Name] knew that Barbara was kidnapped by the Arkham Knight. She received a call from Bruce in the bathroom. She couldn’t tell Tim because Bruce needed him to focus on the cure. “I only saw one way out of this mess. I only saw one way to save you, Barbara. I got lucky that the Arkham Knight put us in the same car.” She began explaining herself. Her cruel actions. Even still, it was wrong to justify a murder. [Name] knew that, but she had to get the guilt out. That man was the first person she killed. And it just happened. 
“You’re still wrong,” Barbara told her.
[Name] snapped back, “You don’t think I know that? Batman goes on and on about how we shouldn’t kill. That our morals are supposed to keep us in line. Well guess what? I had no choice.” 
“There was an alternative,” Barbara kept her eyes on [Name], “You could have knocked him out.”
 [Name] scoffed and held her hands up for a few seconds before setting them back on the wheel, “Yeah let me slam his head against the steering wheel 20 times or more until he passes out. Let me give the Arkham Knight a chance to reach us.”
“Batman won’t accept your choice, [Name],” Barbara whispered.
 “When has he ever accepted my choices? I’ve been a trouble since I was born, Bruce has always wanted to fix me. Yet the only person who could have fixed me is dead. He was tortured and killed by the Joker.” [Name]’s breathing started getting heavy and her eyesight was beginning to blur. Every time. This happened every time she thought of Jason. 
She was pulled out of her sadness when Barbara yelled out her name and a car slammed itself into them. [Name] swerved to the right, but straightened out the wheel in time to avoid a street light. She looked to her left and saw the Knight in a car with a new person driving. “Why can’t he ever give up?” She pressed on the breaks and put the car in reverse. Then she turned the wheel swiftly going back in the direction she came from. 
Looking down at the passenger seat, she found a pistol on the seat. She tossed it in the back onto Barbara’s lap. “I’m not saying you have to kill them with that. Although it would help,” [Name] sarcastically said.
 Barbara shook her head and grabbed the gun. The feeling of the weapon was familiar. Her dad taught her how to shoot a gun just in case. She rolled down her window and peeked her head out just a tiny bit. While [Name] was focused on losing the car, Barbara was focused on blowing the tires out. She shot a few rounds and was unsuccessful. 
“Can you drive any less...I don’t know...bumpier?” Barbara asked bringing her head and arms back into the car. She was looking for more magazines and [Name] came into clutch tossing her two more. “I’m sorry these roads are torn up by the Batmobile. Batman drives like a blind lady,” [Name] joked in light of the situation. 
Barbara reloaded the gun, but the weapon flew out of her hand. Then she felt her body lift off her seat, her glasses slipping off and her arms hitting the roof of the car. On the other hand, [Name]’s chest collided with the steering wheel and her hands had hit the windshield. They both heard a terrible crunch of metal against metal. Immediately, the car was in mid air and everything felt like things were going in slow motion. [Name] saw the tank that she had hit with full speed and the Knight’s car not too far behind it. 
Her cuffed hands then hit the roof of the car and like Barbara floated off her seat before slamming back into the cushion when the car came crashing back to the floor. Then as time came back to normal speed, the car rolled onto its side with the girls’ body swinging side to side. [Name]’s head connected with the window and she quickly went into a daze.  Barbara had her shoulder roughly hit the car door. 
The car came to a stop when it landed upside down and slid across the street with a screech hitting a building. Barbara was uncomfortably laying against the roof of the car and she slowly unbuckled herself. Her body collide heavily onto the roof and she coughed out. Her whole body ached and she looked over to [Name], but her vision was blurry. She didn’t notice that her glasses came off. She still hasn't processed that she was in a car accident. The shock was proof of that. 
“B-barbara…” She heard [Name] weakly call out and she pulled her arms so she could crawl over to her friend. “My s-seat belt...it’s s-stuck.”
 “I’ll help you out,” Barbara said and she reached out to her friend, but someone pulled her backwards. She was pulled out from the window and her body was dragged over pieces of glass. Her legs didn’t feel the pain, but her upper body did. “We got one out, sir! She is conscious and alive. I repeat Barbara Gordon is alive.”
 A man carried Barbara over his shoulders and she banged her fists against his back, “Wait! [Name] is still in the car!” 
The man shifted her body on his shoulder and scoffed, “Scarecrow is just going to have to deal with having one of you.” 
Barbara shook her head and looked over at the car. Her blurry vision allowed her to see an orange flicker then it became a large flame. The car was going to explode and if [Name] doesn’t get out...she’ll die. “No!” Barbara screamed, “You can’t leave her like that!”
 Unexpectedly, Barbara saw a blur of red and blue from her right side run toward the car with haste. It was the Arkham Knight. She couldn’t believe what she was seeing. “Sir, it’s too dangerous!” She heard another man yell. Those words proved her right. The Knight was going to save [Name]. But why? Even the man who was carrying her said that Scarecrow could deal with at least one of them being alive. Why was he sacrificing himself to save one of Batman’s sidekicks. Did Scarecrow have a bigger plan for [Name]? 
Meanwhile, [Name] wondered what was taking Barbara so long to help her, Then she heard her friend shout out her name. Barbara was far away from her meaning that she was no longer in the car. How could [Name] not notice that Barbara was no longer in the car. [Name] closed her eyes and wished for the pain she felt to go away. Her limbs ached so much, but when her eyes caught sight of orange flames on her windshield, she panicked. In a frenzy, [Name] looked around for something sharp to cut the seat belt.
 “No! You can’t leave her like that!” Barbara’s voice reached her ears. Tears escaped her eyes as she thought about dying in a burning car. It started to get hot when she heard someone crawling into the back seat of the car. “No, no, no,” She heard the familiar masked voice of the Arkham Knight. 
She turned her head to look at him and she coughed out. The smoke was finally in the car. She saw him crawling to her and he flipped onto his back when he got closer to her. Next move he made, he pulled a knife out and began to cut through the seat belt. His hands moved fast and [Name] spoke with a croak, “What do you think you’re doing?”
The Arkham Knight didn’t stop moving, “I’m saving your life.”
 “But why?” She asked feeling the blood leak from her head. The red substance dripping onto his Arkham symbol. The seat belt was successfully cut and he backed away from her fallen body. Knowing that she was far too weak, the Knight placed his knees under her arms and began using his arms to pull them backwards out of the car. She held onto his legs tightly and when they were out of the car, he carried her bridal style.
 Both fell back onto the ground a few feet from the car when it exploded. His body hovered over hers and with his fingers he moved a stray strand from her face. Her body was littered with bruises and cuts. Her nose had dried blood, dirt and tear tracks were evident.  
 “Because like you Juliet, Romeo never died.” 
318 notes · View notes
coolgirl · 4 years
Note
Jason expert rate Jason’s designs
sorry for being late i was busy with school but now i’m free so to celebrate. jason indulgence.
pre-crisis not robin
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very cute. i like that it has a lil more of flair to it? the collar and the lines on the gloves and the shorter cape.. also love it has pants. king rlly king. wonder if they already knew he was gonna be robin anyways or if they were still considering nightbird. anyways, 8/10 bc its cute
pre & post-crisis robin (bc its basically the same)
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i mean its a classic.. however it reminds me jason was the only robin who was simply given dick’s clothes rather than like. have an unique look? which sucks. 7/10 middle child syndrome is REAL
post-crisis robin (winter edition)
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OKAY NOW THIS. i absolutely love. is it tacky? oh yes without a doubt. i still love the pants and the sleeves. finally winter clothes for this child, especially considering his new titans scene where he was bitching about the costume not being snow proof. he got what he wanted! 9/10
new 52/rebirth costume by
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EPIC. IDC I LOVE IT.the circles on his arms and his boots.. the lines on his legs.. i just love it. i love the red mask too… it feels.. not more unique, but feels more jason-y than the other costume. 10/10
NOW. onto older stuff
hush
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as u can see im VERY confusion about the pouches and the straps?? why??? whats the purpose.. generally its fine. the white strand moved a nation and i think the chest piece is cool, but everything else.. uglee. like the long as hell jacket and him looking 40 years old like why r u 19 looking like fifty? ugly white man. 5/10
winicks/utrh version
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LITERALLY A CLASSIC. i love this costume sooo much. like jason obviously grew out of it, as in it wouldnt make sense for him anymore to go with something like this as his main costume because i feel like this fit the utrh mood (him not veing a vigilante/hero/villain whatver but trying to be a mob boss n shit) and it just. fucks. i love the helmet just being plain with no stupid mouth or nose shape. i simply love it. 10/10
nigthwing
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its just. its just the nightwing costume. didnt even try he just stole that from dick. he still rocks it and looks better than dick, and u gotta give him points for accessorizing with his dagger. 7/10
red robin 
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im not. a big fan of this costume.. i think the cowl is ugly, it just does not work for someone as big as jason… however i do like why he took this mantle and what it meant.. 6/10 no words head empty. 
oh brother. furryman
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ITS SUCH AN UGLY COSTUME. muzzle batman walked so muzzle red hood could run. its just. ugly like ugly. i dont like the ears or again the muzzle or whatever the hell is going on in the arms.. its just so edgy. 5/10
WANNA KNOW WHAT A SEXY EVIL BATMAN COSTUME LOOK LIKE?
Injustice 2 batman
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I2 HAD IT IN THE BAG BABY. i like that its like classic batman costume but again! with some jason touches! the red eyes, the electric tiddies making a comeback.. epic genuinely epic. 10/10
and if ur not into evil jason
100% dad ‘i have my life figured out’ batman jason 
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just like the nightwing costume this is just. batman costume. nothing special or different from it so its like did u even try? BUT in this scenario it actually means smth that he stuck to bruces costume.. sweet.. but boring. 7/10
speaking of. evil ugly designs. ugh i hate this.
this motherfucker
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ive never. ever. felt as humiliated by a costume than thetime jason wore this. like MORTIFYING RLLY. its DISGUSTINGGG. the helmet shape. the fucking WHITE. the SKULL PLEASE WHO DESIGNED THIS WHO HATES ME IN PARTICULAR SO MUCH??? THIS MAN DOES NOT FUCK! HES UGLY! HE STINKS!!!! the red guns are epic that much i can say. LOOK AT THOSE PANS GOD ITS SO HUMILLIATING. 0/10 WORST COSTUME EVER.
HOWEVER. winick and the artist spun GOLD from it, because next time jason wore possibly my favorite costume to date
this motherfucker…2!
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like look how much better it looks with a little of swag.. the helmet without eyes.. the belts.. the fucking leather jacket.. keeping the red guns/gloves.. like seriously i dont know a better man. the skull is still awful and i wouldve replaced the white for black and MWAH best costume. like the black part at the top make it all red and the white make it black.. god this jason fucks massively i love him. 11/10 my favorite by a landslide perhaps
new 52/rebirth red hood
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OKAY I KNOW theyre slightly different (rebirth has shorter sleeves and a more padded look) but to me its like. same thing. okay i think its.. fine. its not phenomenal but its not ugly.. i like the brown jacket more than the black jacket i have to admit, its more distinctive and i simply like the color more, however i do not.. like jason having the bat symbol.. but thats also a me thing about how badly written this is. anyways. the helmet with the mouth disgusts me and everytime its drawn like that its humilliating. like. 7/10. maybe 7+. when it has the mouth or like nose ANY FACIAL EXPRESSION RLLY its a 5. 
wingman
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oh i absolutely despise that helmet. he looks like fucking. terminator. its the ugliest shape ive ever seen and the visor is.. huge. i dont like the shoulder pads either idk what the fuck its going on with the thing around his neck either.. like hes. knockout batman and i HATEEE IT. damians costume slaps tho. i just… its… ugly. like.. 3/10. 
get damian back arc red hood costume
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oh im a HUGE fan of this design.i love how his costume is designed in a way thats like. if jason was a dnd character he absolutely would be a tank. the padding, the red undertones everywhere, i just.. love it. i like how all the costumes were done to reflect their personalities you know.. i like this robin red hood hybrid. 9/10 would even say 10/10 bc i just enjoy how gleason draws jason.
red hood/arsenal costume
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its like. i dont hate it completely (i love the way the hood+helmet looks) and thats.. yeah thats pretty much all i like about it. i HATEEEE the vest i hate it fr.i hate how huge the sumbol is and idk this costume just does not spark joy. 5/10
outlaw costume
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okay this one. this one drives me insane. because like. okay i dig parts of it. i like the lack of sleeves. i like the gloves thingies. i like the hood. i could get aboard him ditching the helmet - it breaks all the damn time anyways. i like the stripes on his pants in the boots. ALL SEPARATE? NEAT. now i hate. hate. the muzzle. like WHY IT LOOKS SO UGLYYY LIKE SO UGLY like unless the artist GETS IT and is SEXY it looks awful. look at this
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AWFUL. also like it made sense for when he was on the run and he had to make do and assemble a costume from what he had but like now hes sponsored by lex, get that man a goddamn new suit already please. anyways. 6/10.. like i said i like many elements from it but its still.. kinda ugly all together and depends A LOT on the artist.
three jokers
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im torn on this one.. i think its a bit boring.. i dont rlly like the top part, it reminds me SOO much of that one tt issue where he beat the fuck out of tim while wearing a robin costume like i understad the implications of him wearing a costume thats similar to the robin blouse but im not a big fan.. also i prefer the brown leather jacket. its like not his worst costume by far but not the best.. like pretty basic?  i would say 6/10
NOW SOME AUS.
tiny titans & lil gotham
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okay these two are like. pretty much the canon versions of robin and red hood HOWEVER they both have details that are different from the original version and DESERVE a mention. the curls on robin jason and jasons red gloves/belt are ICONIC. whoever designed them knew what they were about, so 10/10 best bapy jason.
arkham knight
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does the person who designed this know how much theyve done for the lgbt community? i hope they do. i love.. a lot about this costume. i love the ears, i love how techno it is, i love the layers to it.. im.. not a big fan of the whole military thingy but i have to admit that applying it to the design itself is kind of neat.. i love the colors too and how.. practical it is while being. well. kinda dramatic? the whole bat aesthetic.. yeah. i love it. 9/10
arkham red hood
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this one.. when u think about it the outlaw version is VEEERY similar to this one: the pants, the hood, the jacket eve. however i like this helmet so much more, i have a weakness for eyeless (??) helmets.. i like the little details of it as well, i remember that pic going around of it being held together with like. fuckign stitches and bandaids. legendary. i love this look, i would say 9+/10
injustice 2 jason
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okay gonna go ahead and say it: not a big fan of the helmet. it looks like.. a bug? the lenses do not spark joy. this bitch has many styles and like toners etc and i will no rate them all. i think its a pretty basic design, not the best but not the worst either. like if it was an exam i would make them pass but make faces at what im reading like eeehhhgh. 7/10.
hag jason
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middle one is like literally, on the outside and superficial level, just. his usual costume. the jacket and the grey kevlar and the bat. now the gloves are sexy as hell.. and in the whit ebackground one u can appreciate the under costume better and i really like it?? i just.. like the design. I HATE HOWEVER the bat helmet. WHY IS IT HOLLOW?? BITCH HELLO?? AND THE BATMAN SYMBOL DOES NOT MAKE SENSE! and i like things making sense!!!. we will not talk about jason in this book. like.. 8/10. maybe 9 if im feeling it.
hag jason 2: the hagger and the furious
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hes just.. a little old man.. he cannot change this.. i like this design. i like seeing jason grow old. wish it wasnt in this context. my father rlly. 8/10
—-
am i forgetting any jays.. i wont do all animated robins because they all look the same and the one that doesnt i do not like. SO HERES my thoughts..
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Text
we are our family, even if we don’t want to be.
Titans 3.07
a bit over halfway through the season, and we still don’t have all of our main characters on the board! i love this show.
as always, typing this up as i watch. live reaction, baby! *shadowboxes*
SPOILERS AHEAD
1. i don’t think i’ve mentioned this before, but i kinda miss the old ‘dc universe’ intro. it was cool! the whole idea of it was wild and waaaaay over-ambitious, but also very very on-brand because of it.
2. this is... the third time we’ve seen dick sleeping this season? that’s a record! checking another thing off my s3 wishlist...
2.5. i guess i rag on titans all the time for its wafer-thin plotting and bad pacing, but i have to admit that this season has been a step-up from the last one in this regard. titans has very reactive rather than proactive protagonists, and a lot of the last season seemed to be: x happened, the team reacted badly, then y happened, they reacted badly, etc. this time around, it’s not a huge leap up by any means, but at least they’re doing something about it. 
i do appreciate the focus on character arcs over everything else. and when i say everything else, i mean it: arcs that started two seasons ago with no big cathartic moments, intermittent payoff and multiple relapses. big bads have ranged from interdimensional demons to superpowered assassins to whatever in the world scarecrow is, but trigon’s big weapon against the titans was to... use their worst fears against them. slade’s was to... use their fears to break them up. crane’s is to... use red hood to use their fears to break them up. even the threat of gotham’s citizens being in danger doesn’t feel real: gotham is mythologised into an entity of its own, infecting our heroes like a parasite. like. this is not to say that most other superhero media aren’t big character arcs intertwined with the main plot, but titans doesn’t even make pretend that it’s anything but.
anyway. that’s my entry #2345 to ‘give a grand unifying theory for titans’. thanks. i’ll be back with more.
3. “anger is just fear in a little black dress.” god I HATE HIM
(what’s he doing with barbara’s likeness? oh... oh god. a terrible thought just occurred to me. what if they introduce hush at the very last minute for plastic surgery shenanigans? would you put it past this show?)
3.5. jason, nooooooooo
3.75. i mean, they’re making it very clear here that scarecrow is the one in control--the one who’s always been in control--and is manipulating jason and literally poisoning him, but i hope it doesn’t end up erasing nuance or jason’s autonomy. if jason’s to reckon with the issues that brought him here, then the lines of responsibility will need to be set somewhere. 
(this applies to dick as well but more on that later, i guess.)
4. just--the phrase “40% loss of income” is so funny to me. like, gotham is full of these larger-than-life characters who are idiosyncratic beyond belief, colourful and dramatic and creating chaos just for the sake of chaos, and then there’s the regular criminals and their henchmen who just want to make a quick buck sitting down with pie charts and graphs, griping about the joker reducing their returns or debating high risk investments in, i don’t know, two-face’s next scheme.
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“yyyyeeeeeaaah, my financial advisor is telling me that going all-in with a guy who literally makes decisions on the flip of a coin is probably not the greatest idea.”
4.5. god i hate smug!smarmy!scarecrow so much
4.85. as big plans to “control” gotham go, it’s pretty bog-standard. clearly scarecrow has some bigger plan in mind but it really feels like we’ve got no clear insight into him and he’s this generic creepy mystery-man who knows more than he lets on and springs a twist/cliffhanger every now and then. i liked the scenes with him and dick in 3.04 where it seemed like he was genuinely on the backfoot and things weren’t going as he predicted. for all of his faults, dick is at least familiar with scarecrow’s bullshit and knows not to give what he wants.
5. i mean... i see where dick is coming from with the “he’s not jason anymore; he’s red hood” because his immediate glaring concern is scarecrow’s drug and the damage it could potentially cause gotham? i do not doubt that it’s something batman drilled into him, too, but when you’re expected to take point on a situation where the lives of an entire city weigh down on your shoulders, it’s better to simplify things and prioritise. i’m not saying it’s great or healthy! gar is absolutely right to consider this facet of the situation. it’s just dick can’t.
6. hmmmmmmm. HMMMMMMMMMMM. 
i don’t know that i’m super fond of this iteration of oracle???? it looks like a cross between cerebro from x-men and jarvis from iron man. it’s giving me second-hand embarrassment. somebody help me.
(at least they remembered dick’s middle name is actually “john”. i like to think bruce printed D in that contract because for a while he genuinely thought richard “dick” grayson was his full name. duck duck goose, dick dick grayson, i don’t know alfred, the kid was in a circus, maybe they thought it was funny. or maybe it was a test in anger control, who knows.)
6.5 “maybe you two would like some time alone?” even AI can’t help hitting on dick grayson in this universe.
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“oh mr grayson, if i only had another eye to see you better...”
6.8. on one hand, it’s a bit disconcerting that the title of ‘oracle’ has gone from barbara herself to this gigantic machine; from my impression of the comics-verse, barbara had an extensive computing and surveillance system, true, but she was very clearly the brains behind the operation. on the other hand, i’m kind of glad that the ethical boundaries that this kind of surveillance violates is a sticking point for barbara. (tho let’s be real, the nsa would kill to have this in their arsenal).
6.9. also it’s now obvious that scarecrow’s big plan is to take control of oracle itself. it’s why he had lady vic take that picture of her eyes, or why he’s meddling around with it on his computer.
6.95. if only i could ‘command sleep’ anybody overstepping their boundaries re: personal information...
7. “you can just sit back and watch as the titans destroy themselves.” i mean... he’s not wrong
8. “dick’s parents were killed by a criminal mob; he won’t work with them.” it’s wonderful that you have this insight into dick, kory, i just wish we could’ve watched some of these conversations actually happen on-screen.
8.5. i’m glad that kom’s being treated with such nuance and understanding, though it’s obvious that she definitely has a Plan of her own. (and did i entirely imagine her ability to mimic other people flawlessly at the end of s2? or is that going to come into play at some point?) i think her story has the potential to be genuinely poignant, and in a universe where being Different, either because of mental health or physical differences or whatever else, leads a straight line to Evil, it’s important to acknowledge and then emphasise that the mere fact of your existence as a Different Person doesn’t predispose you to evil. maybe your act of destroying a system that has destroyed you and not scrambling to “fit in” is only evil as defined by that system. 
8.8. “you’re trespassing, i should call the authorities, i feel unsafe.” now this is a villain lady who’s definitely aware of her privilege.
8.85. kom smirking knowingly at her sister is everything.
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“oooh that’s the kory i remember”
9. conner and dick working together woo!
9.25. god i hate a villain who’s always just a step ahead, no matter what. so crane anticipated dick using oracle to track his personal communications and set him up? how did he know when exactly dick would get to do this? how long did he have that poor man tied up in that van?
(the “save me, grayson” is a nice touch, tho. send dick spiralling even further! because if there’s one thing dick will do, it’s take responsibility for every goddamn thing that goes wrong.)
9.5. ahem. i’m going to need a million gifs of conner yeeting dick across that yard, fandom, thankyouverymuch.
(i understand conner is invulnerable to explosions, but how do his clothes survive??)
9.8. oooh crane is already in oracle! i’m just sitting here laughing helplessly because they’re overpowering this goddamned guy so much. he can build a lab in arkham’s basement! he has access to lazarus puddles! he has minions working across gotham, including a fully functional chemical laboratory staffed by chemists who only answer to him! he has the crime families of gotham quailing in his very presence! he has assassins at his beck and call! he’s enough of a manipulative bastard to have red hood under his thumb! and now he has enough of a tech know-how to not only be aware of oracle, but know how to hack into it! i’m sick of exclamation marks! i’ll shut up now!
9.95. dick leaving behind that smouldering grave for a person he failed to save without taking a second to process how he feels about it and running towards his next plan to corner scarecrow: a microcosm of where his head’s at right now.
10. really hammering in the themes of this season, aren’t we. 
10.25. the interesting thing is the titans repeatedly call themselves a family this season (none more so than dick) and while that found family has helped encapsulate and put away their traumatic experiences with their ‘original’ families, it’s meant that they’ve not really dealt with those issues. and dick and gar and jason come from ‘found families’ of their own: they are twice removed, traumatised two times over. they still cling to this identity however, and because of it they’re losing each other. a family isn’t static. it’s an ever-evolving dynamic and you have to put in work constantly to keep it healthy.
10.5. anyway, that’s entry #2346. i’m here aaaalll night.
11. lookit gar the detective! half-transforming and using his powers to deduce things! what a hero! i’ve said this for a long time, but gar is the bedrock of this team, and an unsung one at that.
11.25. i’m confused about him calling this room jason’s though. it seems to me that this is dick’s room that jason later used, and one that dick’s using now. so the unmade bed isn’t really jason’s fault; dick was woken by barbara that morning, and in his hurry, he left without making his bed.
(it still confounds me that bruce didn’t find jason another bedroom in that gigantic mansion of his. you really didn’t give this kid a chance, did you?)
12. oh well. so much for the oracle.
13. ... sorry, wait. you didn’t think i wasn’t going to address the bit with dick right now, did you?
12.5. i honestly don’t think it’s very complicated: dick’s been reeling from one traumatic thing to the next, and just when it seemed like at the beginning of the season, he felt happy and secure with his team and his place in the world, bruce ups and leaves gotham to him, specifically naming him a successor and calling him a ‘better batman’. he’s lost garth and jericho and donna and jason and now hank and dawn. he’s not even sure where rachel is or what she’s doing. after being told that batman was a psychopath for moulding him into a weapon, he’s also been told that his failure to be a ‘better batman’ lead to further disaster. of course he’s going to get batman-goggles. of course he’s going to be a prick. 
12.8. i don’t know what to say. i feel his frustration acutely. i don’t think he should’ve said what he said to barbara (can people stop pushing her around this season????) but that pressure to step in where your parent fails? to clean up their messes and try to think like them? to fall into habits drilled into you when you developed them as coping mechanisms growing up? I FEEL THAT. 
every step he’s taking he’s putting 110% of himself in it and scarecrow’s still playing mindgames with all of them: i absolutely feel his desperation to take control of that game and turn it on scarecrow, no matter what it takes.
and he did apologise almost immediately, and finally--finally--actually works with barbara. 
12.9. again, not excusing him! but i get it. and i think that’s a sign of great character writing.
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“did you know i just reminded emmram of all of her daddy issues? what the fuck????”
12.95. i love that dick&barbara, kory&kom, and gar are all approaching solving this mystery from different angles, each as valid as the other. also, conner is there as... emergency bomb defuser man?
13. it’s like all fancy rich people in fancy rich houses do is pour fancy rich alcohol into fancy rich glasses on pristine, untouched tabletops. i wonder what it’s like to live like that.
13.25. I KNEW IT! poor michael. it was nice knowing you.
13.5. man, kory is contending with a lot of issues that she’s successfully bottled up and compartmentalised until now. the cold reality that a child can seek out their parents as refuge and they can view the child as a piece to be moved in a greater game (never out of cruelty, though, never, and somehow that makes it worse), that truth of blackfire’s treatment on tamaran because she’s different, and her own culpability in what happened. she exchanged one family for another, after all, and left that family to die and her sister to suffer. like dick, like gar, kory’s being forced to reckon with what the titans are meant to be, the larger implications of creating their found family in their own space.
14. it’s probably because it’s one in the morning and i’ve had two glasses of wine but i did not follow that bit of exposition at all and victor freeze??? what? 
anyway. look at them solving things! together! go team!
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“you made a deal with the mob?” oh the sense of betrayal on his face! fuck off, dick, your issues aren’t kory’s. 
15. conner is really sweet and a bit of an awestruck crush on kom is to be expected. especially after that power rangers-esque transformation (i say this as a former huge power rangers fangirl. i’ve seen every series until 2007 including the original japanese versions and written fanfic for all of them. so i love a cool costume transformation, is what i’m saying.)
also?
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FUCK YEAH
16. i love the gotham crime families just chillin’ around eating ice cream. I LOVE THEM
16.5. that was a fun fight sequence, if marred slightly by that bit of awkward flirting between conner and kom. i wonder if she’s really planning to use him in a larger scheme to get kory back to tamaran, or maybe something else. 
16.75. so i’m assuming that scarecrow has jason either so paralysed by fear that he can barely move, or jason’s withdrawing from the drug that he’s been sucking in every few minutes. 
17. it’s nice to see them chill after a successful mission! and it can be awkward, but conner’s crush on kom and him striving to impress her is also, well, uh... cute.
17.5. i guess the dick/barbara scene was inevitable, especially given the... unresolved nature of their relationship in the flashbacks? and they’ve been through a rollercoaster together this episode, discovering and then destroying an incredible tool within a matter of hours, re-discovering just how well they work together as a team. dick’s swimming in the nostalgia. i don’t expect it to last as a long-term relationship, but i totally get why this is happening now. and hey, they’re cute!
i have a weeeirrrrd feeling that kory is going to leave to tamaran at the end of the season and that dick and kory will rekindle--or rather realise--their relationship just before that. it’s going to be devastating and beautiful and painful and i will be writing essays about it which would be me just wailing into the screen.
18. gar found molly!!!!!!! MOLLY’S BACK! \o/ gar is the BEST
19. that was a fun episode! i love this silly show, even if it does destroy me sometimes <3
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dalekofchaos · 4 years
Text
How I would change the Telltale Batman Games
My other DC changes
Burtonverse Changes
Nolanverse Changes
DCTV Changes
DCEU
Arkhamverse
Just replayed the Telltale Batman games and while I love them, there are lot of ways I would change the games.
Season 1. Note. Catwoman and Two-Face remain unchanged as  I like what was done to them
Thomas is not evil. I really did not like that they had to completely make Thomas Wayne a monster to tell a different take on the story. They made him out to be so over the top evil it was just ridiculous. Instead take inspiration from The Long Halloween. Thomas saves a young Carmine Falcone and Thomas is indebted to The Falcones ever since. Just have it being a favor Thomas could never repay, he was an unwitting pawn and when he finally had enough and he got out of it and used his wealth for the good of Gotham. Falcone has Thomas and Martha killed and Hill makes it look like a mugging. Then it’s about Bruce clearing his family’s name. That’s it, you don’t need to demonize the father that helped Bruce become the person he is today.
Bruce only thinks Carmine had his parents killed. Then it turns out that it really was just a random mugging and that's what motivates Bruce to widen his range as Batman from just "bust Falcone and the other organized crime families".
Vicki Vale is Vicki Vale. I really liked Vicki in the game up until the twist. She came off as someone who wanted to do the right thing and get to the truth no matter what. And that twist. Vicki should've been just Vicki Vale reporter for the Gazette, ally to Bruce and Batman, potential love interest and Vicki helps Bruce clear the Wayne name.
The Penguin is The Penguin. Not Hush 2.0. The Penguin is not a revolutionary nor does he have any association with the children of Arkham. Oswald is Falcone’s biggest rival and a rival to Bruce and Wayne Enterprises. Not in it for revenge but in it for crime. When Falcone dies, Penguin takes over the Gotham underworld and instead of forcing Bruce down, it’s a hostile take over of Wayne Enterprises and Oswald still hacks Bruce’s technology and keeps the hacking monocle but uses his trick umbrellas. The Penguin would be the gentleman of crime and mockery of high society with an affinity of birds.  Duplicitous mob boss. A guy who EVERYBODY knows is dirty, but he’s smart enough to make sure that there’s just enough deniability for him to get away with it. And JUST enough too, ‘cause he likes rubbing it in Batman’s face that nothing sticks to him. Oswald’s connection to the COA is that he sells weapons to them. Penguin would look like Penguin, The Penguin isn’t attractive or skinny. He isn’t meant to be. There’s a reason for short stature, obesity, and bird-like nose. These traits would make him an outcast to his family and high society.
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Bullock introduced in Season 1.  Bullock is the one who fires on Batman instead of Montoya. It’s not until Batman saves Bullock and Montoya in episode 3 that Bullock starts to trust Batman
The Leader of the Children of Arkham should have been Jeremiah Arkham, which he is known as Doctor Arkham. Falcone and Hill ruined the lives of the Arkham family, while Thomas Wayne was trying to help the Arkhams but it eventually failed.  He doesn’t care about the circumstances surrounding Thomas’ involvement with Falcone and Hill, Bruce is the last who will be punished. Thomas had nothing to do with ruining the lives of the Arkham family, he got out long before the decline of the Asylum and the crimes against the Arkhams.  Jeremiah doesn’t even have it out for the Waynes, he was just out to get revenge against Bruce for attempting to replace his family’s legacy. We see Jeremiah in Dent’s fundraiser clashing with Bruce for attempting to replace Arkham Asylum and again after Oswald replaces Bruce and injects him. Kidnaps Alfred all the same. Making Jeremiah the villain and defeating him would inspire Bruce to better Arkham Asylum.
The Enemy Within
Riddler is not a murderer. I don’t think Riddler should kill. One of the things I liked about Riddler is he's one of a very few of Batman's rogues that DIDN'T kill, so making him kill kind of takes that away. However in my version, The Riddler would be a notorious Cyberterrorist. He is able to hack banks, security systems, steal valuable information and everywhere he goes he leaves a riddle as a clue to his next crime. The Agency is after Riddler because he found out what they were doing with Sanctus and he was going to sell this information to the top bidder. It’s a lot like Assault On Arkham, where Riddler has dirt on Waller, so The Agency is after Riddler just like that. I will also say that I believe Riddler should be younger, like in his 30′s, not his 60′s.
Riddler lives. While I understand why he died, I really feel like it was wasted opportunity just to kill him off so quick. He was so amazing in this incarnation but sad he only got one episode. If anything just have  Riddler caught and you make the choice to send Riddler with Gordon who he takes to Arkham Asylum or with Waller who she has him in lock up. Regardless when you join the pact, your mission at the end of episode 2 involves breaking Riddler out of the prison transport. Makes things more interesting when Riddler is freed and Bruce comes face to face with Riddler again. Riddler does not make things easy for The Pact, which pisses off Harley and John. He gives Bruce a hint that he knows he is undercover and that he is Batman and will blow his cover unless he follows his specific instructions. Directs them to his old hideout. When Bruce is discovered, Riddler gives a sly grin believing that his team just killed two birds with one stone. When Batman arrives to the Sanctus lab, Batman is able to subdue Riddler along with Bane and Freeze.  
Bane. Only thing I would change is that his face would be entirely covered by his classic mask.  I will never understand why Bane is always given lips in every animated appearance and Batman game. I get it’s to show facial expressions, but seriously, he looks cooler with his masks from the comics, and he is a character that let’s his actions speak for him.
As Bruce we are given the opportunity to explain ourselves to Gordon that we were undercover for the Agency, thus saving Gordon’s job. 
If you romanced Vicki  or not in the first season, she is able to return and help Bruce against The Agency.
In the villain playthrough we get confirmation that Bane, Riddler and Freeze are sent to Arkham.
In the vigilante playthrough, Riddler is apart of the Suicide Squad...until he is able to hack off his collar and leaves his comrades to a fate worse than death, servitude to Waller.
Villain Joker turns the virus into Joker toxin. I feel like this was a missed opportunity, sure the virus is effective on it’s own but Joker toxin could have worked and it would be so horrifying yet so awesome to see
We are given the opportunity to convince Alfred to stay. I hate the idea of Alfred abandoning Bruce, I hated it in TDKR and I hate it here. Given that in my version, Thomas is not a monster, I don’t think Alfred would leave Bruce but if he feels he has to for his own health, Bruce would convince him that  Batman is needed and that he can take care of Alfred. “You were always there for me Alfred, now it’s my time to take care of you” Something along the lines. The thought of forcing us to choose between Batman and Alfred was really the only real flaw I had with The Enemy Within
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jupitermelichios · 4 years
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So I decided to rewatch Suicide Squad and I have some thoughts...
This isn’t really a review so much as it’s just a series of thoughts and impressions. I will say that while it’s still one of the worst made films I’ve ever seen, it’s never boring, which is by far the biggest sin a film can commit. It’s bullshit but it’s consistently interesting bullshit which makes it better than something like Fant4stic, which is as bad and incoherant but also just incredibly dull. I don’t think this could ever have been a good film, there was too much massively wrong with it before shooting even started to have been salvagable, but I do think it could have been a lot more coherant if it hadn’t been for the reshoots, re-edits, re-edits of re-edits and all the the other stuff that happened to it post production. Unlike something like BvS, I get why some people liked this one.
On that note, while I am going to end on a few possitives this basically a roast so if you don’t want to read about a film getting picked apart, this probably won’t be your jam. But if like me you find critiques of bad movies cathartic, read on. I’m not the first person to do this, but I’ve spotted some stuff I haven’t seen anyone else talk about so hopefully there’ll be something new for you.
All the dialogue is just slightly off in a way that’s hard to pin down, in the way that a lot of comprehensible stuff written by computers and neural networks is just slightly off. It’s got that phishing email or pornbot quality to it. Literally the fourth or fifth line in the film is Griggs saying about the prison rations, “...Everything a growing young man needs like you”, which isn’t nonsense, but is clearly wrong, and a lot of the lines have that quality to them.
In a similar vein, Deadshot’s daughter is written like she’s five or six, but the actress looks about twelve. I actually went and checked how old she was when this released, because I know white people are often wildly bad at judging the ages of black kids and I’m bad at judging ages in general, but no, she was 12 or 13 when this was shot, so why’s she written like a toddler? She doesn’t give a good performance (which is not the actresses fault, Will Smith barely gives a good performance in this and he can do this shit in his sleep, there’s no way a kid could have risen above the terrible script and direction) which makes it even worse, because you’ve got this pre-teen delivering dialogue written for a kindergardener in a way that feel like it’s maybe the first time she’s ever seen the script, and it makes what is otherwise one of the most competant scenes in the movie feel just as off as everything else.
The Joker. A lot of people have written a lot about Leto’s Joker but I want to add two things to the discussion I haven’t seen talked about much before. Firstly, before the electro-shock torture and acid bath, he and Harley have no romance. Like, explicitly, there is no romance, or even cammeraderie there. He’s her patient. She’s his jailer. He didn’t seduce her, he just tortured her until she gave in. That’s literally shown in the film. Even after the torture when she’s now on side he still really doesn’t like her, and not in a Paul Dini BTAS he doesn’t like her but he also wants her around kind of way. He doesn’t want her in his life. He orders her to leave him alone and she fucking stalks him. That’s not even subtext, she is specifically his stalker, because apparently the solution to the relationship being abusive was to retconn Harley into also being a creep as though that somehow solves something.
Secondly, Joker isn’t smart. Not only is he no longer emotionally intelligent (and comics Joker is many terrible things but he’s probably the most emotionally intelligent character in DC, that’s a lot of what makes him so dangerous because it’s how he manipulates people) he’s not intelligent full stop. His great plan for breaking out of Arkham? Some of his goons from the outside literally just shoot their way in to get to him. Even leaving aside the fact that Arkham apparently isn’t set up to deal with that kind of violence in this world despite Batman having been opperating for a decade, that’s not a clever plan, and it’s not Joker’s plan. 'Hope some of my dudes are loyal enough to come get me’ isn’t any kind of escape plan, and nothing we see after that point suggests that this was a moment of weakness. Joker just straight up isn’t very bright in this, which is weird because that’s one of the few genuinely consistent character traits he has. He’s no Riddler, sure, but he’s really smart and that makes him hard to contain.
Ayer made Harley functionally a sex worker in this, and it doesn’t actually matter that there’s absolutely nothing wrong with sex work or that sex work is real work, because David Ayer definitely thinks there is, and also really really hates women. David Ayer hates women so goddamn much. The only thing Slipknot does in the entire film apart from die is hit a woman just for being a woman.
When Waller arrives at Belle Reve, Croc is doing push ups. And that’s fine, it’s a classic movie shorthand for ‘bored prisoner is also fit and strong’, but the actor isn’t actually doing pushups. He’s got one knee tucked under his body to support his weight, and is clearly actually just sort of bobbing his head. What I suspect happened is that the prosthetics on his arms and chest were too heavy to allow that kind of movement, which would tie up with the stiff way he holds his arms throughout the film, but he’s not even bothering to pretend very hard and it adds to this pervading sense of off-kilter wrongness the film has.
Rick Flagg is supposed to be ‘the best special forces opperative this country has’, but he’s... really bad? He’s no use in any of the fights, he’s incapable of working with a team and has zero interpersonal skills, and when he’s assigned to be a bodyguard, he immediately starts fucking his client which is like, bodyguarding rule 1. He’s really bad at his job. (Which would be fine if the explanation was that he’s a fucking psychopath who’s 100% willing to just murder a civilian in the line of duty, but he’s meant to be Hannibal Smith more than Dirty Harry, and also if he is here because he’s a psychopath, why did Amanda Waller assume June Moon would be into that?!) He even has to be blackmailed into joining the opperation, so he’s incompetent, unprofessional, causes unecessary conflict, and isn’t even loyal to the project, so why him and not, I don’t know, literally any other character?
On the subject of June Moon, she goes (alone) on an archeological dig in a rainforest somewhere, finds a cave full of human remains and ancient artefacts, and literally her first action is to deliberately smash one of the artefacts, presumably just to see what would happen? IDK! We never get any explanation for that, but it’s definitely meant to be deliberate and not accidental when she smashes it! Why are archeologists in movies all so terrible?!
People have joked a lot about the fact that the movie changes the purpose of the squad from ‘plausibly deniable black ops, especially on American soil’, to ‘punching Superman’ but kept Captain Boomerang on the team, but there is actually an explanation given. A really really stupid explanation. Amanda Waller says that he’s there because ‘he faced down a metahuman and survived’, referring to him surviving being arrested. By the Flash. Who is famously non violent, and in fact in the next film in the series specifically says he’s never fought someone. So Boomer is on the team because he didn’t die when Flash picked him up and carried him to a police station, and Amanda Waller thinks that’s some kind of achievement. Like that isn’t the case for literally everyone the Flash has ever caught. And Flash is a street level hero, so that’s a whole lot of muggers and purse snatchers who are apparently capable of fist fighting Superman by Waller’s logic.
(On the same note as the Joker, Waller is also now incredibly stupid, but she’s mostly stupid for plot related reasons, so it sort of gets a pass? It gets more of a pass than the Joker at least, because making him comics-smart wouldn’t have necessatitated changing anything else about the film)
Re: Waller’s stupidity, her whole plan for recruiting El Diablo to the squad is... show him a video of him setting fire to some dudes. That’s it. She doesn’t even speak to him, she literally just holds up the video to the little window in his tank and seems surprised when that by itself isn’t enough.
And then when Flagg is like ‘hey let me try persuading him with actual arguments instead of just a weird video’, Diablo’s response is “You think you’re the first person to ask? I won’t do it. I’m a man not a weapon”, which gives us the amazing insight that in Ayer’s version of the DCU, there are apparently just... other Taskforce Xs running around. Other government agencies recruiting metahuman soldiers. So what exactly was the point of the half an hour or so of footage of her persuading the brass to go along with it? Because apparently they’re fine with this if every agency is doing it!
Tone? What even is tone. Griggs both has an antagonist but banter-y relationship with and brings cookies to the prisoners, but also he tortures them and is implied to be sexually abusing Harley, and like... you can’t have it both ways, Ayer. This is a one or the other situation. They can’t have a fun and jokey relationship with a man who is explicitly torturing and abusing them. Tone. You need to pick a fucking tone!
The decision to add a subplot about Deadshot being involved in a custody battle with his ex-wife was a fascinatingly terrible choice, and honestly tells you a lot about Ayer’s relationship to MRA talking points. Like, we know nothing about Deadshot’s wife except that she raised a cute well adjusted kid, so probably a pretty good parent, and that she doesn’t want her daughter to be spending time with a MASS MURDERER! So definitely a good parent! The comics just kind of handwave away Zoe’s mom most of the time, which was the right choice, because Ayer wants us to be on Deadshot’s side here, but it’s literally a choice between "a serial killer but you take credit cards” and a normal loving parent and somehow he thinks serial killer is the right answer? WTF happened in Ayer’s life that he thinks this is a choice where we side with Deadshot?! And it’s not even visitation rights or anything, Deadshot wants full custody. And the film thinks he’s in the right!
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Not once, at any job I have ever had, one of which was a tourist attraction that required all visitors to wear a pass, have I ever seen someone wear a visitors pass on their sleeve. Not once. And it’s honestly such a good summary of the pervading wrongness of this film. This doesn’t feel like it was made by people. It feels like it was made by middlingly intelligent algorithms trying to pass as human.
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Someone please tell me what the fuck any of this set is supposed to mean. The pose feels deliberate, but it’s not invoking anything I can see except the hanged man from the Ryder-Waite tarot deck, the halo of knives almost looks like it’s pseudo-religious imagery except that it’s not a full halo, the circle is incomplete on one side because of a broken piano, does the piano mean something? What about the babygrows, do they mean something? Does the Joker... want kids? Kill kids? Think Harley’s pregant? What the hell is any of this supposed to mean, and if, as I suspect, it was never supposed to mean anything why the fuck did they go to the trouble of making it?! What exactly does the hours this took to put together add to the movie?
David Ayer has a really weird relationship with both gang culture and latino gang culture specifically. He always feels the need to shoehorn them in somehow, and it’s this weird love-hate relationship where he apparently thinks latino gangs are so cool they have to be in everything, but is also so fucking racist he’s incapable of having a latino character who isn’t in a gang. Also in order to shoehorn them in here, he basically removed all of Joker’s henchmen (except for one scene which serves no narrative purpose) and replaced when with generic racist-stereotype LA gangs.
The fact that Griggs just hands Harley the phone in front of all the other guards and soliders was A Choice. Made even more so by the fact that Griggs never actually pay off. He gives Harley the phone, she tells him he’s “so screwed now”, and then... nothing. He’s just gone for the rest of the movie. He’s not even in the epilogue back in prison scenes.
I fucking love that the first thing Waller does is tell the world’s best assassin her real name. That is just... *chefs kiss* Everyone in this film is so fucking stupid.
I knew it was coming. I knew it was coming and I remembered the line perfectly, and I still had to stop the film because I was laughing too hard for “Ah would advise naht gettin’ killed by her, her sword traps the souls of its victims”. It’s the ‘that wizard came from the moon’ of film dialogue, and no one could have made it work, but the southern accent is really what makes that line delivery. I don’t know why, there’s just something about it in that drawl that it just endlessly hilarious.
It really is impressive how every character in this manages to be an offensive stereotype, sometimes multiple offensive stereotypes at once.
I love how Flagg’s right-hand woman is a samurai with a magical possessed sword that traps the souls of the damned who also isn’t military and refuses to speak English most of the time, but the squad are too weird for him. “You won’t believe it, this guy Boomerage, he’s got these bent stick things, and when he throws them they come back! I am freaking out, I can’t deal with this. Oh hi Katana, trap any damned souls lately?”
Harley is explicitly malicious in this in a way no other version of Harley has ever been, which is a Freudian nightmare when you combine it with her also being more sexualised than ever, and more infantalised than any version outside the Arkham games. Someone get Ayer a goddamn therapist. (Also in the vein of everyone being dumb in this, Harley is now an absolutely terrible psychiatrist and all her diagnoses are explicitly wrong, so that’s fun.)
The fucking pink unicorn-bundle of money switcheroo. There’s nothing to say on it that hasn’t already been said but holy shit. How do you fuck something up that bad? How? It’s like looking into Chekov’s nightmares and finding a pink stuffed unicorn staring back.
I love the way the soliders just come and go in this. Are they dead, are they alive, have they abandonned the cause? Why the fuck knows? Certainly not the editors!
I love how we’re supposed to be really sad about El Diablo being dead, but not care that Croc is seemingly directly underneath the explosion and definitely about to die, that’s fun.
I need to know if it was Ayer or Cara Delavigne’s choice to make Enchantress be just.. doing a little dance. Duing all the ‘tense’ moments. Because there are probably things which undercut tension more than the bad guy having a bit of boogy, but not many.
Enchantress gets so many costume changes, and I want to believe that they’re all from different versions of the film but I honestly think it was deliberate and I need someone on in the design department for this movie to tell me why because it add nothing.
I think the best thing about the stupidly on the nose liscenced soundtrack is that it just disappears once they arrive in Midway city. After spirit in the sky it’s original music all the way until the final scene. The great soundtrack DC stans insist this film has is literally only in the first 50 minutes and the last 2 of a 2hr+ movie.
The glorification of abuse in this is... seriously fucking something else. Twilight doesn’t have a patch on this. 50 Shades of Grey doesn’t have a patch on this. This shit is disgusting, and the fact that they pushed so hard to get it a child friendly rating is just morally bankrupt.
Possitive note to end on:
The dialogue is way too on the nose and exposition dump-y but the scene in the bar works pretty well. It fulfils its role in the story, and gives us a decent dose of team bonding.
Deadshot and Harley have great chemistry, and Boomer is perfectly cast, in a way that makes me really hopeful for James Gunn’s take on the team. A writer who knows how to write friendships could do a lot with the three of them, and they’ve been the core squad since 2011 so they’re the ones who matter. It probably helps that whatever Will Smith’s faults as an actor, you could cast him opposite a housebrick and they’d somehow have great chemistry.
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