#i just think eddie is the type of person to say the most interesting facts at the worst possible time

[violetsteve]

If you prefer, this is also posted on AO3

After the almost end of the world, Steve decides he’s going to put the moves on Eddie Munson.

Robin may or may not laugh in his face when he announces it.

The thing is, despite Robin almost laughing him out of the building, the thing is Steve is still figuring out his sexuality. He knows he likes girls, he’s always liked girls, but then Robin pointed out that maybe he couldn’t figure out what he wanted because he wasn’t looking in the right place and Steve realized she was right . Sure, Robin had meant more of a ‘ stop going after girls who are traditionally pretty and from well off families and try going out with girls whose company you actually enjoy’ and not a ‘ hey, dudes are kinda hot, too, right? It was real weird how transfixed you seemed to be on Eddie Munsons lips while we were actively fighting demon monsters,’ but Steve has always been good at reading in between the lines. Or, more like inserting what he wants in the gaps of what people leave unsaid.

So, no, Robin did not tell Steve to open his eyes and realize that straight guys don’t exactly think about how another guys lips will look slick with spit, how they’ll feel under the pressure of his thumb, what the sweet satisfaction of them partying so readily under his will feel like, but she did tell him to broaden his horizons and honestly, they were basically the same thing.

Which is why Steve feels like she should be more supportive of his plans to woo Eddie Munson onto his couch—and maybe, if he’s feeling ambitious, eventually into his bed.

“Robin, come on . I’m serious!” Steve will never admit, even under Russian torture again, that he whines it. He’s coming to Robin as a sounding board, not so she can make fun of him. If he wants someone to make fun of his lack of prowess, he would go talk to Dustin. 

Or, yeah on second thought no. He’s not actually sure his ego could take that much of a hit at the moment.

“Sorry, sorry,” she gasps, gripping the—newly rebuilt and polished—family video counter in front of her. “I just—Steve, that’s-that’s so ambitious . You literally just came out to me less than a week ago and you’re already talking about getting with a boy. And Eddie Munson at that.”

Steve scowls at her, crossing his arms over his chest in a way that he knows looks bitchy, but he can’t help it because—

“Don’t say his name like that. He literally almost died to save us all. He’s not fucking dirty .”

Robin immediately sobers, a guilty, but irritated look on her face. “That’s not how I meant it, Steve, and you know it. Don’t get bitchy at me just because you’re feeling sensitive about your feelings for a boy.”

And that’s the crux of it, isn’t it? Steve isn’t really angry at her for laughing—Robin makes fun of him at least 7 times a day, Steve would be more concerned if she didn’t make at least one joke about this—and he isn’t even mad at her for putting a weird emphasis on Eddie’s name. No, he’s all twisted up about his feelings and he’s never been good at expressing them, let alone talking about them. He’s feeling self conscious and his skin is prickling with embarrassment and the easiest thing to do is lash out about it.

“That’s not—“ Steve cuts himself off, looking away from Robin as his shoulders slump. “You’re right,” he mumbles. “Sorry. I just. I wanna fucking kiss him so bad , Rob, and that freaks me out a little.” Steve untucks one of his arms to scrub a hand over his face, leaving the other one tucked around his waist to protect his vulnerable bits.

“Hey,” Robin murmurs, closing the distance between them so she can settle her hands on his shoulders. “I get it. Do you think I acted like a sane person the first time I realized I wanna kiss girls? I think I cried for a week. Kerry the stuffed Koala had to go to therapy because of all of my crying. It was a serious time in the Buckley house.”

Steve smiles behind his hand. He loves her so much. She’s really his best friend. He’s so thankful for her.

“You still cry about kissing girls,” Steve says, rather than admitting any of that. She already knows she’s smart, Steve doesn’t need to add any more to her ego. It just gives her more brain to bully him with.

He drops the hand covering his face to look at her. “Only now it’s more of a,” Steve puts on a high pitched, whiny voice, “‘why do I have to go to work when I could be spending all day making out with my girlfriend.’” He brings both of his hands up to clasp in front of his chest, batting his eyelashes at her in a fake-coy way.

Robin shoves at him, catches him off guard and he goes stumbling backwards into the counter, laughing the whole way. 

“Shut up , you absolute dickhead, ” she all but screeches, reaching out to give his chest another shove for good measure. “You literally have no room to talk considering you started this shift by announcing your intentions to, quite literally, crawl into Eddie’s lap and kiss him stupid . That’s almost verbatim what you said, Steve.”

Steve’s still chuckling as he rights his position a little, leaning back against the counter more comfortably. “Yeah, I did say that.” He sucks his bottom lip in between his teeth before he continues with, “I really, really wanna sit on his lap and kiss him until he can’t focus, Rob.”

Robin rolls her eyes, but it’s more fond than annoyed. Steve can tell—he’s been on the receiving end of about 90 percent of Robin’s eye rolls, he’s getting good at distinguishing the emotions behind each one.

“I still can’t believe you have a crush on Eddie Munson of all people. He’s so weird ,” She laughs, but Steve can tell that that, too, is fond. Robin and Eddie have a weird friendship. They geek out over obscure instruments and the nuance of tacky movies together. Steve doesn’t get it, but he enjoys watching how expressive both of them can be. He once watched Eddie climb onto a table while arguing with Robin about one of their movies. Robin followed him up shortly after, though, so Steve isn’t sure why she thinks the weird is limited to Eddie.

“Yeah,” Steve sighs, and he’s man enough to admit that it sounds dreamy . God, he’s pathetic over Eddie. It scares the shit out of him. “You know, the other day he gave me a rock. It wasn’t even, like, a cool rock. It was literally just a rock. When I asked him why he just shrugged and was like ‘I dunno, it made me think of you.’”

Robin’s grin grows. “Oh my God. What did you do with the rock?”

Steve shoots her a disgruntled look. “What do you think I did with the rock? I put in my pocket and then brought it home and set it on my nightstand. Eddie gave it to me, I wasn’t just going to throw it on the ground again. That’s rude.”

Robin absolutely cackles at this, there’s no other way to describe it. She’s awash in glee as she claps her hands together a few times. “ Jesus , Steve. You’ve got it so bad for this man.”

“God,” Steve mutters, running a hand over his face again. “That’s not even the worst part, Rob. He like. He grabs his utensils with his whole fist when he eats. It’s so weird, and it’s so messy . It makes fuck all sense. He doesn't even grab a pencil that way. Just his fucking eating utensils . 

“And he walks so chaotic. He just randomly breaks into a sprint. Just starts fucking running out of nowhere. And he bounces. As if the random running wasn’t enough, he just fucking starts jumping. Sometimes he jumps at me, and it’s all I can do to actually catch him before he eats dirt. Or- or he’ll just. Spin. Just twirl in the middle of the sidewalk while still carrying on a conversation.” Steve slumps, his back getting slightly scraped against the counter as he sinks to his butt.

“The man has zero regard for personal space and he always makes way too intense of eye contact. Sometimes he’ll use one of his character voices in the middle of an otherwise totally normal conversation, and he’s always climbing on things. He’s loud and he’s weird and I wanna wrap my fingers around the collar of his shirt, shove him against a wall and then shove my tongue down his throat , jesus christ. ” Steve buries his face in his knees, his mind playing an endless loop of Eddie smiling with those stupid lips that are always cherry red and raw from his constant gnawing. Steve wants to bite them for him.

“Oh, my God, Steve.” Robing sinks down to sit across from him. “This is pathetic . I, like, knew you had a crush on Eddie but this is like. Dangerous territory. Like, the next step might be the L word level territory.”

Steve makes a small squeaking noise, his face still buried in his knees. Robin’s words hint at something that Steve is so not ready to admit to himself yet. She’s hitting way too close to something Steve has been avoiding actively and vehemently since he realized the attraction he feels for boys is decidedly not of the straight variety.

For a moment, neither of them say anything. Then, like the angel she so clearly is, Robin says, “So, wanna tell me about operation ‘crawl into Eddie’s lap and makeout with him?’”

Steve laughs, the tightness in his chest slowly easing. He lifts his head, and then spills his guts.

***

The plan starts simply. First, he needs to get Eddie alone . No annoying tagalongs to potentially interrupt.

It’s easier said than done. For two days straight, Steve asks Eddie to hang out and, somehow, one of the kids manages to weasel into their plans.

It’s driving Steve nuts.  

He casually asks Eddie to watch a movie, give him a proper education like him and Robin are always going on about, and Dustin overhears and invites himself.

He asks Eddie to go for a walk, makes an excuse about it being gorgeous outside while he plots ways for the walk to end right outside his house, isn’t that neat, but Lucas and Max overhear and suddenly it’s a group affair.

He asks Eddie to get milkshakes, plans to lure him back to his house with the promise of complete control of Steve’s record player, but El overhears and asks if she can tag along and Steve just can’t look into her big, earnest eyes and tell her no. He’s not a monster.

So they get milkshakes with El, and it’s fun . Of course it’s fun, but Steve is getting desperate . It’s been a little over a week since he hatched his mad plan with Robin and he’s about to start climbing the walls with anticipation.

It doesn’t help that Eddie has a mother fucking oral fixation. At every opportunity he’s either putting stuff in his mouth or chewing on something. It’s fucking rude, is what it is. It’s like he doesn’t even realize Steve is suffering.

It all finally comes to a head a full week and four days after his conversation with Robin on the floor of Family Video. He’s stopping by Eddie’s house to grab something Dustin left behind because Dustin asked and he’s nice . It’s maybe also because it’s a great excuse to see Eddie, but Dustin sure as shit doesn’t need to know that that’s the sole reason Steve said he will.

Eddie is slightly bent over, riffling through his Dungeons and Dorks stuff, and Steve is trying so hard to pretend like he’s not entirely focusing on his ass and the line of exposed skin above his belt. If Eddie turns around right now, he’s busted for sure.

Eddie’s just mentioned some kind of dragon when he lets out a triumphant noise, his story coming to an abrupt halt as he spins on his heel to face Steve.

“Aha!” He exclaims, thrusting a notebook in Steve's direction. 

Steve automatically reaches out to take it, his fingers brushing over the backs of Eddie’s in the switch over. Eddie bites his bottom lip at the contact, avoiding Steve’s gaze, and suddenly all Steve is thinking about is his mouth.

Steve debates with himself for a moment. This isn’t really how he planned to seduce his way into Eddie Munson’s lap, but he’s adaptable. If the years of almost apocalypses have taught Steve anything, it’s that sometimes you have to make do with what you have.

And what Steve has is an empty trailer save the two of them, and a couch less than ten feet away. He’s got the object of his affections standing in front of him, and Steve decides to adapt.

He wets his own lips, stepping towards Eddie. His hand is still holding Eddie’s hostage over the notebook.

“Thanks, Eddie,” Steve murmurs, ducking his head so he can look up through his lashes.

Steve watches Eddie’s breath catch, watches him stutter over his next sentence.

“Y-yeah,” he breathes out, his eyes flicking between Steve’s eyes and his mouth at a rapid speed. “Of c-course. I mean, it happens. Kids forget things. I’m sure Dustin just wanted to, like, go over the last session's notes for anything he missed.”

“Of course,” Steve agrees, taking another step into Eddie’s space. He’s aware that he’s primarily staring at Eddie’s lips, which is probably rude, but he can’t help it. They’re wet and shiny and Steve has been thinking about them an obsessive amount for the last week and a half.

“We’re, um, I-I mean they’re going against a red dragon,” Eddie continues. Steve’s aware of this. It’s what Eddie had been telling him when he’d found the notebook. “They’re very powerful, almost impossible to defeat.”

“Are they?” Steve’s only half following the conversation, but that’s not saying much. He has a hard time keeping up with the DnD talk on a regular day.

“Oh yeah,” Eddie says, and then he’s off. He starts spitting words so fast Steve wouldn’t be able to keep up even if he were paying complete attention.

“Eddie,” Steve says, but Eddie is still talking, still mumbling along about the red dragon.

“Eddie,” Steve tries again, but it’s like he’s shouting in an empty room. He knows Eddie knows he’s talking to him, can tell by how wide Eddie’s eyes are, how he’s not even trying to not slur his rapidfire words together. If Eddie was talking about dragons for the hell of it, he’d be gesticulating and probably climbing on things. As it were, he’s got his gaze fixed on Steve, eyes comically wide as his words rush together—barely getting one out before the next slew rush into it in a truly amusing word traffic jam.

Eddie’s nervous , and fuck if that doesn’t thrill Steve to his core. Steve takes the final step towards him to completely close the distance and—

Eddie takes a step back, his words stuttering along with Steve’s heart in his chest. He wasn’t expecting that, wasn’t expecting Eddie to back away from him so quickly. Steve has half a second to be hurt, to mentally kick himself because get a fucking clue , Harrington, before he catches Eddie’s eyes darting down to his lips, his tongue unconsciously swiping along his lower lip before his gaze skitters back up to Steve’s.

And, oh, yeah , Steve has him exactly where he wants him. Eddie isn’t stepping back because he doesn’t want Steve. No, he’s stepping back because he’s prey . Steve is stalking towards him with a single minded focus and Eddie is skittering backwards like a scared rabbit—bouncing back step by step as Steve approaches until his back collides with the wall. That, finally, seems to knock all their air out of Eddie. The dragon conversation dies on his lips as Steve finally—fucking finally —closes the remaining distance between them. He reaches out, cupping Eddie's cheek in one hand, his jaw in the other, all while pressing up against Eddie from hip to chest.

“ Eddie, ” Steve murmurs, his eyes hooding. This time, Steve feels Eddie’s breath catch, feels the way a tremor works its way through Eddie’s body. He’s staring up at Steve with wide, wild eyes. He looks like a deer caught in a trap—ready to break his leg trying to get away if he needs to.

Steve isn’t sure why that makes him feel a little wild, but it does.

He stretches his thumb out to swipe across Eddie's bottom lip—already bitten and red from Eddie’s nervous chewing. God , it drives Steve crazy . He has a half-hysterical thought about offering his own up for Eddie to chew on when he’s nervous. Eddie makes him crazy .

Steve licks at his own lips as he watches the way his thumb catches and drags and the swollen skin of Eddie’s bottom lip. Eddie’s trembling in earnest now, and Steve feels his pulse thundering in his ears. He wants to kiss Eddie so bad his fucking toes are curling with the anticipation.

He flicks his gaze up, away from Eddie’s lips up to his eyes and he has to fight back a groan. Eddie looks fucking wrecked and Steve hasn’t even kissed him yet. His eyes are wide and wild, his pupils blown and there’s a scarlet flush in his cheeks. He’s fucking panting against Steve’s face and he can’t take it any more. He really, really can’t. He has to kiss him—screw anticipation, screw driving Eddie past the brink. He needs and he needs now.

“ Eddie, ” Steve practically gasps . “Eddie, please.” Steve squeezes his eyes shut as his body unconsciously rocks forward, seeking even more of Eddie out. “Wanna kiss you so bad, please say I can, please—”

And before Steve can get another plea out, Eddie’s slamming his head forward with enough force to knock their teeth together in an uncomfortable clack ; enough force that their noses knock together in a painful way.

But Steve doesn't care . He doesn’t care because Eddie’s lips are on his and he feels like there’s liquid fire coursing through his veins. He feels lit up from the inside out as Eddie finally, finally touches him back. He fists a hand in the back of Steve’s shirt, the other winding through Steve’s hair and fuck it’s finally happening. After night upon night of imagining what kissing Eddie Munson would be like, Steve’s finally doing it.

And goddamn is he doing it. Eddie’s lips are slick against his, hot and encouraging . They slide together in a way that has Steve’s mind going blissfully blank, his only thoughts being hotwetyesmore.  

He kisses him messy, lips moving together in a too fast pace that neither of them can keep track of; bruising force in the way their lips slide, spit sliping from their parted lips in a slow trickle that has Steve’s fingers curling against Eddie’s jaw.

He uses that hand to tilt Eddie’s head up slightly, angling it enough that Steve can get his bottom lip between his own and suck slightly. The first slid of Eddie’s lip between Steve’s own has him seeing fucking stars . 

A punched out groan breaks free from Eddie’s throat and he rocks forward into Steve, seeking more . The hand in the middle of his back pulls and Steve is helpless to do anything but push Eddie more firmly into the wall. He knows it has to hurt, has to be restricting Eddie’s breathing with how tightly they’re pressed together, but he can’t take enough focus away from Eddie’s mouth to care . Plus, if Eddie minds that much he wouldn’t be pulling Steve closer .

Eddie breathes a wet gasp into Steve’s mouth when he takes his teeth to the lip still tucked between his own, and Steve can’t help but let out a gasp of his own. Eddie tastes fucking phenomenal. He can taste the lingering tobacco on his tongue, the salty tang of the popcorn he must have had earlier, and just the overwhelming taste of Eddie. Hot, sweet, fucking sublime. Steve‘s never been a particularly religious man, but he feels like he’s drinking heaven straight from Eddie’s mouth. With every gasp, every moan, every brush of Eddie’s tongue, he feels one step closer to absolution. It’s addicting .

God , he wants more. He wants Eddie’s hands all over him, on bare skin. He wants those deft musicians fingers to snake into his hair, tug a bit. He wants Eddie over him and under him and—

He stills suddenly, a thought occurring to him. The line that had triggered this whole thing—his announcement to Robin back in Family Video—and suddenly there’s a burning need in Steve’s gut. God, he needs to sit in Eddie’s lap right now. Needs to feel his strong thighs under him, needs Eddie’s hands on his ass and his tongue in his mouth.

“ Fuck, ” Steve bites out when he pulls back. Tearing his mouth away from Eddie’s is so much harder than it has any right to be.

Eddie’s staring at Steve with glassy eyes, his lips shiny and red and oh fuck even his chin is glistening with their spit. Steve wants to devour him.

“Go sit on the couch,” Steve says, and is pleasantly surprised that his voice only sounds a little rough, a little shaky.

“What?” Eddie croaks out, staring at Steve for a beat. Then, miracle of miracles, he does it. He stares at Steve the whole time, the glassy look getting a little clearer, and Steve thinks that simply will not do.

The minute Eddie is seated, Steve’s crawling his way into his lap. He wedges his knees into the crease at the back of the couch, shuffling as far forward as he can so their chests are pressing together, their clothed crotches aligning. Then, without giving Eddie a chance to adjust, he drops down, pressing the full weight of his ass into Eddie’s thighs and, by proximity, his dick.

“ Jesus Christ ,” Eddie swears, his hands shooting out to grab at Steve’s ass on instinct. Steve almost giggles . It’s exactly what he wants.

“You can just call me Steve,” he mutters, and before Eddie can reply, he’s sweeping in and claiming Eddie’s lips again. Eddie huffs against his mouth, but let’s Steve have the last word. Steve’s glad because he has plans .

Plans that start with Steve winding those thick curls around his fingers as he slides his lips against Eddie’s. Eddie pushes his head back into Steve’s hands like a cat, and it makes Steve smile into their kiss, which makes Eddie smile into the kiss. It’s like a domino effect—once Steve feels Eddie’s smile against his, he starts giggling like a schoolgirl. He can’t help it, this feels unreal in the best possible way.

Then Eddie’s off, giggling back into Steve’s mouth. They’re both just sitting there giggling at each other, eyes squinted and happy . God, Steve feels euphoric in this moment, perched in Eddie’s lap like it’s his throne, with Eddie’s hands on his ass.

Eddie pulls back after a moment, when their smiles are too wide to actually kiss. He brings a hand up to gently brush a strand of hair away from Steve’s eyes, tucking the long lock behind his ear before putting his hand back on Steve’s ass. 

“You’re unbelievable, Steve Harrington,” Eddie whispers, eyes so full of affection that Steve feels his insides turn to mush. He squirms in Eddie’s laps, ducking his head to mouth at Eddie’s neck because if he stares into his eyes any longer he’s going to do something stupid . Stupid like admit that he’s pretty fucking sure he’s in love with Eddie, has been since he gave him that dumb rock for no decernable reason other than he wanted to, because he was thinking of Steve.

Steve tongues at the tendon in Eddie’s neck that’s stretched taunt, rubs his nose along his jaw and up to the hollow under his ear. Eddie laughs, tilting his head sideways to give Steve easier access.

“Oh, now you’re gonna be shy? After you practically pounced on me earli—”

Eddie’s words cut off in a choked groan as Steve bites, hard , at the tendon he was just showing attention to.

“ Steve, ” Eddie gasps, but Steve doesn’t let him do any other talking. No, he’s not going to let Eddie derail him again. So, he dives back for Eddie’s mouth, licking into it, not slowing down and not giving Eddie a chance to catch up. He smooths his tongue alongside Eddie’s, lets Eddie push back against it with his own for a millisecond, before he’s switching tactics—licking behind the top row of Eddie’s teeth, sliding his tongue over Eddie’s bottom lip. 

Eddie squeezes his ass at the sudden onslaught, and Steve can’t help the small jerk his body gives at that. He grinds down, a gasp trapped in the humid air between them as sharp waves of pleasure shoot up his spine. He’s trapped in between Eddie’s lips and his hands and he feels like he’s high with it.

He’s enjoying himself so much.

He slides his tongue along Eddie’s again, enjoys the way it's slightly rough and gloriously slick against his own. Enjoys the way it makes his pulse thrum a little faster, his fingers grip a little tighter where they’re fisted in Eddie’s hair—the way it makes Eddie squeeze a little tighter, which makes Steve grind down a little harder.

Steve feels the evidence of Eddie’s interest, has been feeling it, and knows Eddie has to be aware of Steve’s own. And Steve’s fantasized about Eddie’s lips for so long that he’s tried to keep it to just that—tried to focus on the heady drag of lips on lips—but it’s hard to ignore the way Steve’s own hips are twisting down, seeking as much of Eddie as possible. Hard to ignore the way Eddie has his own feet planted on the floor, meeting Steve’s hips with firm thrusts of his own.

They’re sharing humid air and sharp gasps, their lips swollen and honestly sore . Steve’s lips ache in the best way he’s ever felt, and Steve doesn’t want to stop. Wants to sit right here on Eddie’s strong thighs, wants to feel Eddie’s teeth nipping at the too sensitive skin of his mouth, wants to kiss Eddie for the rest of his life .

They kiss and kiss and kiss, and Steve has never just kissed someone like this. He’s never kissed just to feel, kissed just for the pleasure of it with no expectations for what’s to follow. He feels intoxicated. He’s utterly, wholly blissed out on Eddie Munson’s mouth and he never wants it to end.

They kiss for so long that Steve has honestly started to lose feeling in his lips. It’s weird feeling them so sore, so numb. But they are, so he slowly, so slowly pulls back. Leaning down for a few lingering pecks as he puts a little distance between their mouths.

Eddie’s mouth is bright red, spit slick and so tempting. Steve watches with fascination as a single string of spit connects their lips, stretching until he’s put enough distance between them that it breaks.

Steve bites his lip on a moan, thinks that’s one of the hottest things he’s ever seen.

He meets Eddie’s gaze. His eyes are wild, pupils blown out. His hair is an absolute disaster from the way Steve’s been running his fingers through it, and his cheeks are flushed so prettily. Steve can’t resist sneaking one more kiss in, lingering around afterwards to rub their noses together.

“Hi,” Steve finally murmurs and fuck, is that his voice? Jesus, he sounds wrecked.

“Hi,” Eddie says back, his smile verging on loopy. “Did you know that some corvids can understand physics?”

Steve stares at him for a beat, a little stunned and a lot confused by the abrupt topic switch. Eddie stares back, a look on his face that Steve can only take for regret, his already pink face is turning positively crimson. 

It’s dead quiet for a moment, then Steve bursts into laughter. His chest absolutely swells with affection, with, fuck it, love. God damn , he can’t deny it any longer. The love he feels for this boy sitting under him is overwhelming at the best of times, and it feels like it’s just bursting out of him at this moment. He’s coming apart at the seams with his feelings for Eddie, and he’s done trying to pretend that they’re anything but that.

“Oh my God, ” Eddie mutters, bringing his hands up to hide his face. It’s so endearing. Steve is endeared. “Sorry, fuck. I don’t know why I just said that.”

“Jesus Christ, dude.” Steve’s still grinning down at Eddie, moving his hands to clasp around Eddie’s wrists, trying to pry his hands away. He never wants to not be looking at Eddie. He’s so fucking weird and Steve likes him so much. “I like you so fucking much .”

Eddie lets Steve pull his hands away, and he…there’s no other word for it, Eddie just absolutely lights up. It’s like Steve’s staring directly at the sun. Eddie is beaming up at him, his smile so wide that his eyes are basically closed. He has laugh lines, and Steve is already obsessed with them, already thinking of ways to make Eddie smile this wide, this radiant all the time.

“Yeah?” Eddie asks.

“Oh, yeah,” Steve confirms. “Just ask Robin. I’ve been whining about it for weeks .”

Eddie laughs again, his grin not dimming in the slightest, and Steve just has to taste it—has to get his mouth around Eddie’s happiness. So, he swoops back in, feels Eddie’s laughter transfer to him via their connected mouths, feels a piece of himself that’s long been looking for a home finally slot into place.

#LOOK #i just think eddie is the type of person to say the most interesting facts at the worst possible time #and i think steve is kinda into that #idiot 4 idiot yknow? #anyway no idea where this came from #this fic struck me like a fever and would not leave until i purged it #so enjoy! #steddie #steddie fic rec #steve harrington/eddie munson #steve harrington/eddie munson fic #steddie fan fiction #my writing

[m3r1m4r5u333]

I'm getting a bit tired of the fandom's overwhelming consensus that Eddie is surely gay even thought there are plenty reasons why his relationships with women would not have worked out.

Personally bisexuality makes more sense to me, and I feel like that's what the show is trying to show, too. And since the show already had "closeted gay man in a "straight" marriage, I think it would make more sense to go for Bi Eddie.

Because Eddie is different from Buck even if he's also bi. Religion. His family's expectations. Marriage. Parenthood. And I also think - earlier realization of sexuality even though he remains closeted. Fun fact: that's what bisexuals do! Even in supportive environments, we stay in the closet the most and the longest.

I'd really like for Eddie to be bi.

Eddie's the type of bi in disguise that the world is full of and nobody notices because the marriage with a woman would be a true one.

This matters because it seems like there's this odd idea that these bisexuals are doing fine in the closet. Why talk about them?

The reality is actually that according to just about every study, bisexuals are distinctly not fine.

The biphobia and erasure comes from all directions. People expect and understand the concept of heterosexuality and homosexuality well enough. Bisexuals...?

It's called the Double Closet. Expectation to either be straight, or gay, and if you're anything else you're just confused.

Also, bisexuals may not just have shitty parents. They also end up falling in love and marrying people who are biphobic. Fun times.

Anyway, I'm listing my reasons why Eddie being into women and men would make the most sense to me:

He agreed with Shannon that sex was never the issue for them.

His marriage to Shannon failing? He was young, the pregnancy was unplanned, he was pushed to marry a high-school sweetheart at young age and then facing the stress of trying to figure out how to raise a special needs child with her.

He went to a war, and returned traumatized. Trauma tends to make everything even harder.

Their mutual lack of trust and communication.

Meddling parents.

Perhaps... Being a closeted bisexual dating a woman who does not know.

Because that's one way to keep a partner at a distance - by hiding a part of yourself.

Losing a loved one, being afraid to love again.

Being pushed to date too soon after grief and trauma.

Falling for a male friend who he thinks is straight.

Being pushed to date someone else.

Oh and the panic attacks - Learning that his friends have died,

being shot by a sniper and thinking Buck was hurt,

ending up in a rapidly developing relationship with someone who is falling in love with him...

When he just likes her... but feels pressured to keep the relationship going anyway.

Because his son loves that person, and Eddie is programmed to go for marriage in every relationship he ends up in. Catholic guilt... They love marriage.

Family expecting him to be straight. Family pushing him to date despite him saying he isn't ready.

Being totally new in the dating world. No wonder he talks about performance anxiety and feeling like he needs to perform - his heart isn't in it.

Also he's probably never even been on dates. How to act on dates? He's not a teenager anymore, it's embarrassing and awkward to fumble and not know the dating culture.

Also when we first meet Eddie he's only been with one woman. Women aren't carbon copies. Sex can be intimate and awkward with someone new. Of course he'd be nervous.

Then finding out that his girlfriend was almost a nun... and being closeted bisexual!

And so on. Nothing actually says the man MUST be gay, and I feel weirded out by the insistence that he surely is gay.

I feel like... Maybe the show expected this, that people would dismiss his interest towards women, and wanted to make the queer community check their prejudice?

Because that episode which focuses on Eddie's fight club and has that super queer coded ice skating scene??

It's Hansel pushing Gretel away... How gay! Expect then we find out that Hansel was only scared that she would miss out an huge opportunity by staying with her. A role in the big leagues.

And that joke about Bobby being a hockey player and a figure skater??? And saying

"Who says you can't do both?" while a piece composed by Paganini - also famous for mastering both guitar and violin, plays.

The shot shows Buck AND Eddie, and Hen with Chimney looking and pointing at them in amazement.

Saying "We'll google for photos later!"

Maybe the implication of

"Who says you can't do both" being referred to isn't just

"Who says you can't do both women and men?"

.... but ALSO "Who says you can't write both of these characters to be bi?".

#911 on abc #911 buddie #buddie #eddie diaz #evan buckley #buddie 911 #evan buck buckley #911 abc #tv: 911 #eddie díaz #911 speculation #who says you can't do both

[lover-of-mine]

I'm gonna start this off by saying that this has been ping-ponging around my head like that old dvd screensaver, quicking around and getting more unhinged every time it hit a corner since April. And while this is a meta on the cemetery scene in Death and Taxes, I will be going back and forth in the whole show, so I don't know, buckle up, grab your delusional juice, and come with me if you feel like it.

First thing about that scene is that it tries to make you think about the equine therapy conversation in Dumb Luck.

They are in a location we have never seen before and probably will never see again, the outfits are similar, and even the circumstances of the conversation could be read as close to each other, considering Eddie wasn't doing well after almost dying, Buck is definitely not handling his death well. I made a way too detailed meta about the cinematography of buddie during Eddie's breakdown era (you can read it if you want more details) but the main thing about the dumb luck conversation is that Eddie is finally letting Buck in after continuously shutting him down when he tried to offer help and that's reflected on the way they filmed the scene, the way they are talking, moving, positioned in the frame. It's about Buck reminding Eddie that there's hope after all. Considering the moment Buck's in, with them alluding to that conversation, you would've expected for them to do a similar thing with Buck, right? That this scene going to give Buck the same type of peace the equine therapy talk gave Eddie.

But it doesn't. One thing that's kind of a pattern with Buck, Eddie, and Eddie reassuring Buck (if you could call 2 scenes a pattern) is that they have Buck looking up at Eddie (I also talked about this in more detail here if you're interested) but that's interesting because of Buck's height, he's the tallest person in the room, so he's not usually looking up at people, but something about Buck as character is that he has the tendency to sit in higher places, so he's always higher, and he even picked a place where he can sleep in a high spot.

But when he's getting reassurance from other people in his life, they are both usually sitting down, at the same eye level.

But when he goes to Eddie for reassurance, Eddie is standing up and Buck is sitting down, so Buck is literally looking up at Eddie when he goes to Eddie for advice. And Eddie is always focused on Buck, in Home and Away, Eddie is reasoning with him, and in Recovery Eddie is trying to give Buck what Buck is asking while not pushing his boundaries.

Why is that relevant here? Well, Buck spends the whole conversation in the cemetery trying to get Eddie to look at him and Eddie spends most of the conversation looking forward so he won't have to.

And that alone is very interesting because Eddie is always looking at Buck. I could legit put 100 screenshots here to prove it. So the fact that Eddie can't look at Buck here, means something. Because Buck wants Eddie to be on his side, he needs Eddie to tell him he's doing the right thing, but the way he's talking is making Eddie shut down.

Buck wants answers, right? He wants the easy way out. He died, he has feelings about it he doesn't want to deal with, so he's looking for whatever answers he can get so he won't have to. But the way he's talking sounds a lot like the way Eddie talks to him in Kids Today when he drops Christopher off with him before the tsunami. Very you're alive, get over it thing Eddie had going that ended with him literally destroying everything he had. So, like, we know that's not the way to go about near-death experiences, it doesn't end well because the pressure has to go somewhere and let's face it, Buck has never dealt with anything that happened to him ever. He can't just keep moving past the shit he's been through, at some point, that's gonna catch up to him.

But the thing about the actual content of the conversation is the way that Eddie tries to do the thing he usually does, reason with Buck, "been down that road, don't recommend it" or "or you don't know her the way he does" or "now am I allowed to ask how you are", because it's how they work, but Buck shuts him down with the "I feel like she sees me, like she really sees me for who I am" because that threw Eddie off balance in their relationship, in their friendship really, considering they way they showed us buddie from in a flash to mixed feelings, Eddie is trying his best to be someone Buck relies on, the way we've seen him rely on Buck through his trauma recovery. And one thing we see Eddie constantly do is back away so he won't get hurt once things get too intense. He puts space between him and whatever is bothering him, he ran to LA to escape his parents' judgment (and to be closer to Shannon but his parents played a part there), he kept Shannon at arm's length through most of the time she was back in his life before she died, he kept pushing Buck away after the lawsuit, he pushes everyone away really before his PTSD took him down. Dude retreats from the fight if he's not sure and Buck throws him off balance. Because up until this moment, Eddie thinks he's helping, but we see him realize he was wrong and shut down in real time.

He's still trying, but his thing now is agreeing with Buck. This gif has 11 seconds, black and white because I wanted the whole thing in one gif, but Buck is trying to get a reaction out of him, but Eddie already moved to a whatever you say buddy mode. AND EDDIE JUST WON'T LOOK AT BUCK.

So Buck wants to know if he's doing the right thing, Eddie is agreeing with him not because he agrees with him but because now he thinks that whatever he's doing is not helping so putting distance between them will be what's best because Buck is getting what he needs somewhere else so he needs to minimize the damage to himself.

And the distance thing is something that stays until the end of the season, because during the first half of 6B, they are together the whole time, mixed feelings being obviously the biggest example, but they made a point of highlighting the fact that they were very close outside the firehouse, just to stop. They were chilling at Buck's loft, they were out and about scheming the fire captain, Buck looked more comfortable at Eddie's than he did in his own place. But then we don't even see them together in the hospital after the bridge. Like, there's s p a c e now.

And I spent a really long time trying to figure out what was going on with this scene that made such an impression on me, and it's that Buck doesn't sound like someone who believes in what they're saying, he sounds like someone who's justifying themselves and hoping they are doing the right thing. And Eddie doesn't really let him get away with this line of thought, not usually, but he does now, so they leave that conversation with different impressions of how it went. Buck thinks he's right and Eddie is just backing the fuck off.

And a while back it downed on me what other scene this made me think of. And that's the fountain scene in merry ex-mas.

They are even shot in a similar way, the off-center wide angle, the close-up from a side angle where you can see the other one slightly blurry, the focus of the conversation angled toward the front of the frame, everything happening in an outside location we will never probably see again, the way they are not looking at each other. And the conversation is similar too, I mean, sure they are not talking about dying but it is a big decision in Eddie's life that sounds like Eddie is justifying himself and needs Buck to agree with him. And Buck is agreeing with him, and not talking about it even though we KNOW he has opinions because he kept trying to talk about it with Chimney because Buck doesn't think it's his place to have an opinion and offer it to Eddie. Both scenes sound like they are talking and understanding each other but what the scene is showing us is that they are not.

And something about the way they are pretty much never looking at each other is that it is a way to show they are not seeing eye to eye in a situation, the most extreme example I can think of it is when Eddie drags Buck out of bed in Kids Today because they are pretty much never looking at each other there.

But to have them face the same direction is a really easy way to make you feel like something is wrong, especially if they are not moving, because if they are standing in the same spot for 3 minutes they could've turned to face each other, but they don't, because the message here is that they are not really seeing each other. And that in a conversation where Buck is talking about being seen by someone else????? Like, come on, that's so on purpose.

I also wanna add a take that's not mine, all credit to @anxieteandbiscuits for putting this particular thought in my head with this post, that's basically about how the "dating someone you rescued? that never ends well" line might also be another justification for why Eddie chooses to stay quiet. Because one thing is true, and that is that buddie do be rescuing each other. And it really sounds like something Eddie would do, to justify to himself not doing something that could make him lose Buck any way he could, because romantic relationships are very unstable, no matter how much you want it to work, how much you love each other, there's a very real level of unpredictability in a romantic relationship that doesn't exist in their friendship. So to imagine him going "the friendship is good, the friendship is what I need, I won't do anything to change that because I don't have to and it probably wouldn't end well with our track record anyway" makes a lot of sense too.

If you made it to here, I love you <3

I have more metas here if you feel like reading more of my brand of insanity.

#this is long #i went off wow sokaoskaoksaoks #anyway #911 #911 meta #thoughts thoughts thoughts #lets pray this makes me stop thinking about the cemetery scene #it wont but a girl can dream lol #at this point i should have a cemetery tag lol #buddie thoughts

[zodiyack]

Your Type

Pairings: Eddie Munson x Cheerleader!Reader

Warnings: Swearing, angst, Eddie being a dick

Words: 711

Request: Ooh can you do an Eddie x cheerleader!reader who are friends and hang out. They start hanging out and even kiss. His friends (the older ones not the kids) notice he's hanging out with the reader and asks if they're dating but then he lies and says something like "never, she's not my type". Then the reader hears him and gets really upset and confronts him? Sorry I'm just a sucker for something angsty!

Masterlist | Stranger Things Masterlist

Part Two

Taglist: @matth1w , @redspaceace-writes , @simonsbluee , @sebby-staan , @sebastianstanslefteyebrow , @darling-i-read-it , @bubsonnobx , @tubble-wubble @livlaughquinn

Eddie looked totally into the conversation, head rested upon his hand, which was supported by the table. The person of his focus was, surprisingly, a cheerleader. She seemed to enthusiastically recall something into a story, making Eddie smile and his cheeks tint a slight pink. He was more focused than when any of his friends talked.

That confused Gareth and the others the most. They were in utter shock, especially since this wasn't the first time they'd seen the two converse.

If only they knew the whole story.

"Eddie!" Y/N exclaimed as she opened the door and flung her arms around the boy. As they began to ascend up the stairs to her room, he caught her mother's eye. She simply smiled and waved at him. He'd been over so many times, it was as though he lived there.

"so, what do you want to do today?" Her face was as bright as ever, a smile resting on her perfect lips. Eddie caught himself staring and decided to take a risk, after all, they'd been friends for some time now.

"I was thinking..." His eyes slowly trailed up to hers, "maybe you?"

She froze, eyes wide and smile shrinking into one of interest with a twinge of shock. "I don't mind that. In fact, why don't you start now, Munson?"

She didn't need to tell him twice; he lunged forward, kissing her roughly and knocking the breath from her lungs into his as she released a small moan. He swallowed every noise she made, hand coming up to cup her cheek. Eddie was already more than happy to advance their current situation, but something still ate at him.

He pulled away, locking eyes with her, "what are we?"

Y/N smiled. "Two weirdos kissing... " He frowned, "Unless you'd like to be more than that?You'll have to ask me though. I'm not anything to you until I hear the words asking me to be so."

"in that case Y/N L/N, would you be my girlfriend?"

"Yes. Now shut up and kiss me, Munson." She smiled and pulled him back into the kiss by the lapels of his jean vest. Though, he didn't argue.

The cheer squad began to gather, Chrissy running over and tapping Y/N's shoulder. She whispered something in her ear, the trio watching with confusion still clouding their minds. The girl quickly gathered her stuff, side hugged Eddie, and ran off with Chrissy, leaving the Dungeon Master by himself.

"Who was that, Munson?" The boys took their seats around their usual table.

"Who- her? Oh that- that was no one."

Gareth snickered, "didn't look like no one."

This struck a nerve, according to the reaction he received. "If I said she's no one, then she's no one. Just a cheerleader."

"What's a cheerleader doing talking to Eddie Munson?" Jeff joked. "Is she your girlfriend or something?"

Eddie had no hesitation with his answer. An unfortunate timed event, really. "No! Absolutely not, she's not my type." He seemed pleased with himself, until the girl in question stomped over and smacked him into a state of completely bewilderment.

The three other guys started with wide eyes, also taken aback by her sudden appearance and action. None of them could even form a single word.

"if I'm not your type, then you can stop showing up to my house. You can take your shit back, and you can stop kissing me and walking me to classes. You're a real dipshit, Munson." She stared him down for a few seconds more, not bothering to hide the tears that began to gloss her eyes, before walking away hurriedly with a now speechless Chrissy.

Rather than laughing it off, feeling bad for their friend, or whatever he thought they would do, his friends shook their heads in disappointment.

The short curly haired one sighed, "way to go man, lost a girl by pretending she wasn't yours."

Gareth seconded that with a comment of his own. "Real douche move, Munson."

"I see where you're wrong. That fire, dude...she's your type. Trust me on that. I'd go fix things with her before you really don't know who she is.." Jeff shrugged, watching her as she paced through the crowd, trying to exit the cafeteria.

#Eddie munson #eddie munson x reader #joseph quinn x reader #joe quinn x reader #joseph quinn #joe quinn #stranger things #stranger things x reader #x reader #reader insert #angst #zodiyack #eddie the freak munson #eddie munson reader insert #eddie munson fanfic #eddie munson imagine #gareth #jeff #corroded coffin

[cacoetheswriting]

pearl: october 1980

pairing: eddie munson x fem!reader word count: 2.2k summary: eddie has a conversation with the girl of his dreams.

content warnings: best friends to lovers, part of a slow burn, a lil mutual pining, adult language, use of pet names, oblivious idiots, self-doubt / insecurities - if i missed anything, pls let me know!

pearl masterlist <- part of this lil series, but can definitely be read as a standalone.

When it came to starting a conversation with people, Eddie sure as hell was not the confident type.

Middle School didn’t allow for a lot of practice, especially since as a person with interests that differed from the norm, he was shunned quite early on into a category he couldn’t, and often still can’t get out of no matter how hard he tries: freak.

People weren’t lining up to spend time with him even in a platonic capacity, and they sure as hell didn’t want to get to know him in a romantic way.

But with time, Eddie learned to be okay with that.

Especially since, as it turns out, most girls in Hawkins had some sort of ‘bad boy’ fantasy they liked to keep a dirty little secret and he was happy to oblige.

Plus it’s not like he badly needed anyone to actually call his own. High School was apparently a time of self-discovery and what he discovered in the last month was that honestly, he really didn’t mind being the almost invisible freak.

That all changed when you came around.

Your entrance into his life was rather unexpected and Eddie quickly realised that he needed to up his game. Yeah, perhaps he still wanted to be left alone, but that thought took a back burner whenever you laughed.

Honey, the sound of your laughter. Every time he heard it, his heart would skip a beat and his palms would start to feel clammy, sweaty, as he gravitated towards the sound instantly. As he gravitated towards you.

Unfortunately for Eddie, so did everyone else in this godforsaken town. 

Who could blame them? Your arrival right at the start of the school year was perhaps the most exciting thing to happen in Hawkins since that maniac Creel murdered his entire family in the late 50s.

You had quickly become the new it girl and in the blink of an eye, you two were running in different circles. Your reality had become so far removed from his own, any hopes or dreams he had of getting to know you on a deeper level had become just that: dreams.

God knows he still thought about you often.

“Care to share with the rest of the group, Mr. Saltzman?” the teacher calls out, causing all heads to turn simultaneously in the general direction of the distraction. 

This includes Eddie's and he's glancing up from the scribbles in his notepad to focus instead on a few rows ahead where you, the girl everyone wanted to be friends with, sat.

The boy sitting next to you shifts uncomfortably in his seat, shaking his head. 

“We were just discussing the history of Halloween,” you chime sweetly. The teacher doesn’t seem to believe you for a second, but with such a likeable personality like yours, there’s not much else to say.

“Blake here doesn't believe Halloween dates back to the Celts, and the ancient festival of Samhain,” you continue with the quite convincing lie and Eddie's surprised you know these obscure facts, “He thinks I’m bluffing when I say the day marked the end of summer for the Celts, who believed on the night of October 31st the boundary between the worlds of the living and the dead became blurred, thus what we now know and celebrate as Halloween.”

Your confidence certainly is admirable, although why you choose to protect the douche you called a ‘friend’ was beyond the young metalhead.

“I guess the conversation probably could have waited till after class so, won’t happen again. We’re sorry,” you add with a soft smile.

When the teacher returns to the blackboard, resuming the lesson no one was really paying attention to anyway, Eddie observes as you mumble something to Blake before turning your head ever so slightly in his direction. 

The air hitches in his throat as he awaits the standard "What are you looking at, freak.", but it never comes.

Instead, you smile at him and Eddie can feel his face turn a gleaming shade of red — pathetic. He quickly ducks his head down, but can still feel your eyes on him. It takes everything he has to stop himself from looking up again, afraid of somehow making a fool of himself.

Luckily, he manages to keep distracted till the bell rings, but he's not completely in the clear 'cause as everyone disperses in a hurry, you approach him.

“What you doodlin’?”

When he doesn't immediately answer, or meet your gaze for that matter, your hand appears in his field of vision. Your moves are hesitant at first, but since Eddie doesn't protest, you twirl the notebook around on the desk.

“Well shit, Eddie. These are really fucking cool.”

He snaps his head up, possibly a little too quickly, a little too eagerly, but he couldn’t help the act of surprise 'cause he didn’t realise…

“You know my name?”

Your pretty eyes latch onto his momentarily and a smile circles your lips. “Of course I do. As the new kid in town, I had to make it my business to know who’s who since y’all ogled me and my family from day one as if we were from outer space.”

He let out a semi-nervous chuckle as you pause, glancing back down at the notebook. 

“Plus, you’re pretty much the only person in this entire school who’s got a good taste in music,” you state casually, as if it’s no big deal. And to you it’s not. Though for Eddie, your admission causes his heart to flutter inside his chest since no one's ever admitted out loud to liking the same shit as him.

“Anyway, are you going to this Halloween party tonight? I’m thinking of dressing up as Janis Joplin and I could really use someone to be Peter Albin…”

“I’d love to!”

You giggle at his excitement and Eddie's thanking some lucky stars that his rather abrupt reaction doesn’t scare you off.

“I-I mean, I love Peter Albin. Janis too. Dressing up as them with you would be cool," he rambles.

“Cool,” you say and flick through some pages of his notebook and bend over slightly to scribble something down. “This is my address. Come by around six if you wanna make it for dinner, my mom’s making lasagna. Also, if you wanna stay over after the party, we have a spare room so bring a change of clothes or somethin’.”

Stay over at your house... Eddie swallows and does his best not to show how his insides are literally shaking at the thought of: a) going to a party with you, and b) this casual invite to what one could only call a sleepover.

The bell rings, signalling it’s time for next period.

A small part of the metalhead is angry since it means the two of you have to part ways, at least for now, but as he stands to gather his things, to his pleasant surprise, you wait. 

A certain envious feeling spreads through Eddie because he was never good at making friends, yet it seemed to come so naturally to you. Then something crosses his mind. What if this is some elaborate joke? After all, you are friends with some of the worst people this school has to offer, however, he does his best to shake the thought away for now and follows you out into the crowded hallway.

“So, are you a big Joplin fan?” Eddie asks, his best attempt to continue the conversation.

“Pearl is my favourite album,” you reply, “I know that could be a little tame to someone who wears a Judas Priest t-shirt, but I promise I also take devil worship super seriously.”

He snorts at your joke and when your eyes meet his once again, his priorities shift and he swear he's willing to do quite possibly anything to become your friend.

To say you checked your appearance at least forty times wouldn’t be a gross over exaggeration.

You had the outfit planned long before you were even invited to this Halloween party, you knew it was perfect and something Janis Joplin herself would likely wear, yet ever since you asked Eddie Munson to not only join you, but also compliment the costume with his own, you were suddenly feeling nervous.

The curly-haired teen was by far the coolest person in this stingy town — although it didn’t seem like he knew that or like anyone else shared your belief.

His metalhead vibe reminded you a lot of the kids you grew up around, which is exactly the initial reason why you were so drawn to him. Though it took you weeks to finally approach him. Partially because you were scared he’d brush you off, but mainly because ever since you moved to Hawkins with your parents at the brink of August and September, the more popular kids latched onto you like leeches.

“Don’t waste your time with Munson,” Blake would say repeatedly, “He’s a freak.”

Unfortunately for your new group of friends, you didn’t care about social status and it also helped to know Eddie was just as fascinated with you as you were with him. His secret glances and soft smiles when no one else was looking only affirmed that belief.

So you bit the bullet and invited him out.

Bold move on your part. One you were almost starting to regret as you nervously flattened the crinkles of your loose shirt, glancing at the clock on the wall in anticipation.

Eddie doesn’t show up for dinner.

You try to hide the disappointment in front of your parents and eat the meal while actively listening to your dad retelling the events from his day at work.

“Kid, I tell ya, moving here was the best idea your mother’s ever had. Aside from marrying me and havin' you, of course. Wanna know the most exciting thing that’s happened? There was a mixup with our lunch order. Can you believe it?”

You help mom clean up after before going to quickly freshen up, brush your teeth, and grab your set of house keys. After saying a quick goodbye, still thinking about the boy that never showed, you walk outside and are about to begin your journey to the party you no longer wanted to go to when a figure emerges from the shadows.

“Shit,” you exhale and place a hand over your heart, “You scared me.”

“Sorry,” Eddie says sheepishly, running a hand through his brown locks. “I-I wasn’t sure if you were still home so…”

Your brows string together as you take a step towards him.

“How long have you been out here, Eddie?”

“Uhm, at least the last half hour,” he answers, “I noticed the light was on upstairs, but I wasn’t sure if that was your room or not. Figured I’d hang around and you’d either show up or I’d head home embarrassed.” He pauses. “Sorry I didn’t come for dinner.”

“It’s okay,” a white-lie. “Still wanna go to the party?”

“If you want to.”

Eddie slides his hands into the back pockets of his jeans and you notice then how good he looks under the dim street lamps. Peter Albin, eat your heart out.

“I like your outfit,” you compliment him with a genuine smile and you swear you can see him blush.

“Thanks,” he says with a little more confidence than he’s displayed thus far, “but you arguably look a hundred percent better than me.”

Heat rushes to your cheeks. “Thank you, Eddie. That’s very sweet.”

“You’re welcome.”

The two of you never make it to the party.

Instead, Eddie offers to show me Skull Rock and that’s how you end up laying down on the cold ground, arm-to-arm, somewhere in the middle of the forest. 

Truth be told, if you were with anyone else, you wouldn’t have agreed to this in the first place. An eerily quiet night and the deep dark woods are like a recipe for disaster in most horror movies.

Things felt different with Eddie.

Despite only having three conversations in the span of one day, the doe-eyed boy made you feel safe.

The few hours hiding from the world under this rock also made you realise how much you actually have in common. The conversation flow was incredibly natural. You drifted from topic to topic as if you had known each other a lifetime and in the space of two hours, you went from sitting across from one another to being in the formerly named position — pinkies gently grazing.

His presence next to yours is soothing. It’s also exciting, thrilling even. You hadn’t experienced this sensation before, with anyone, and you quickly find yourself thinking perhaps this could be more than just a friendship.

Until Eddie says, “Friends are hard to come by in Hawkins. I’m glad we’re here and I hope we can hang out more.”

Darkness hides your disappointment.

Short lived, the idea of dating the boy next to you so it’s easy to extinguish the flame inside and convince yourself that perhaps this was for the best.

Relationships end. Sometimes they do so quite badly.

Friendships however, well, they have a tendency to last forever.

“From now on, Eddie, we’ll never not be hanging out.”

pearl masterlist

thank you for reading <3

& tagging some cool people that expressed interest in this lil series: @cactusangie , @spenciesprincess , @capitanostella , @ashlynnkennedy , @ms1oftheboys

#a prequel of sorts— #eddie munson #eddie munson fanfic #eddie munson fanfiction #eddie munson fic #eddie munson fluff #eddie munson angst #eddie munson x you #eddie munson x reader #eddie munson x y/n #eddie munson x best friend reader #eddie munson x fem!reader #eddie munson x female reader #bestfriend!eddie #pearl (eddies version)

[chronicbeans]

Wally Darling with a Restoration Project Reader (part 7)

We just got a letter! We just got a letter! We just got a letter! Wonder who it's from?

TW: None that I know of.

🗞️As you look through the mail with the other two, you begin to notice something. The lettering on them is more colorful than the one on the VHS tape's box. That wouldn't be such a red flag on its own, but the handwriting is also different. In fact, each letter has one of a few different types of handwriting: neatly printed, messily printed with an extremely shakey look to it, or an elegant looped cursive style. The letters all have a different set of colors based on which handwriting there is. The most interesting to you is the cursive, due to it having only two colors compared to the others that have four to five: a metallic gold and a shimmering baby blue, almost as if written with a professional art marker.

🗞️ You want to tell the others about the odd observation involving the VHS compared to the other mail, but they don't know of its existence. Considering how badly Daniel seems to have reacted to watching it, you are even more sure that they shouldn't know of it. You don't know if maybe Daniel just has a weak stomach or if it really is the tape doing something, but you don't want to find out. If anybody is going to be watching it again, it is going to be you. However, you can still let them know of the other observations...

🗞️ "Hey, guys, what if it is three people sending us stuff. Look, the handwriting is different. The coloring is, too!" They look at you as if you are crazy, before taking a closer look. Amy is the first to respond "Oh, yeah! You are right! I really like the cursive, it is so pretty! Whoever it is truly recognizes that it is an art form!" You roll your eyes "Amy, that isn't the important part. It may be pretty, but do you know what this means if it really is three different people? We could be getting conflicting information, or there could be three different streams of information we could focus on! Like, maybe the cursive guy is sending in the book pages, the neat print guy is sending in concept art, and the shakey print guy is sending in promotional material! So much stuff could be going on just because three people are sending it! If that is true, we need to take note of it!"

🗞️ Finn leans back, staring at an envelope "You could be onto something. Nice catch! Alright, let's switch this up. Amy, since you like the cursive writing so much, you open up mail only from him. I'll open up the shakey handwriting mail, and (Y/N), you can open up the neat print. Look for any patterns you find in what they send. Got it?" "YIPPEE FOR CURSIVE!"

🗞️ You begin going through the mail, finding that a lot of the mail this person sends has to do with the characters of Frank and Eddie. Frank and Eddie talking about mail and butterflies. Frank telling Poppy about things. Eddie concept art. Frank concept art. Anything about these two.

🗞️ After some time, Amy asks "(Y/N), you are focusing mainly on Wally, Barnaby, and Home, right?" "Yep. Why do you ask?" She hands you her mail, saying "This guy sends a lotta stuff about those two. Let's switch."

🗞️ So, the two of you switch it up. Now, you are getting a lot of mail about Wally painting, be it Home's walls or Barnaby's paw pads. Barnaby telling jokes, only to be booed for how bad they are. Wally singing to Home.... Wally singing to Home...

🗞️"Do you think we can figure out who sent this from looking around town? Think about it. We live very close to where The Playfellow Workshop was built. Maybe the people sending this have something to do with the people who worked there? How else could they get concept art? Wouldn't it make sense that most of the workers lived nearby, and as such, their families, too? So their descendants might be here in town."

🗞️ Amy chuckles "Descendants make them seem ancient! Their relatives most likely are grandchildren or something. You always have such an odd way of speaking. That's why we like you, though. We all have our quirks. (Y/N) has that weird way they keep staring at anything Wally related. I think they have a crush on the puppet man." You choke on your own spit, coughing as you say "You are such a child, Amy. He is just an interesting character... Let's just... Let's just set up a date to ask around town. I'll ask about the cursive writing."

🗞️ Amy giggles "I know, I know. Sorry. If it makes you feel any better, I have a small crush on Julie. How about tomorrow? My boss gave me the day off." Finn nods "Yeah. I am always free. I work online. I could just get my work done early in the morning." You shrug "Sure. I am free. No job, remember?" Finn looks at his phone "Okay. I'll ask Daniel tomorrow morning if he feels any better. He just texted me that he still doesn't feel good."

#welcome home #welcome home arg #wally darling #wally darling x reader

[anhed-nia]

So I'm in the middle of this research project centered on Dario Argento's OPERA, for which I have required myself to watch as many screen adaptations of the Gaston Leroux novel The Phantom of the Opera as I can take. What I have determined so far is that the Phantom of the Opera is a story everyone wants to tell, but not very many people are sure of how to tell it. In fact, it's not that easy to say what it is about archetypally. You know, Wolfman stories are typically about "the beast in man" (with femininity positioned as some sort of cure for this personality split), Frankenstein stories are usually about human nature (i.e. an uncanny creature can have more humanity than vain and bigoted humans), Dracula-type vampire stories are most generally about the problems of being an outsider (queer, foreign, etc). But Phantom of the Opera is like...well, everyone likes the love story part of it, which is more or less modeled on Dracula, with a woman torn between seductive darkness and the safety of square society. But then there are all these other parts that seem to flummox people in the retelling.

I haven't read the Leroux novel YET but the first round of movies have been interesting, and also sort of perplexing. The iteration from 1925 holds up, largely due to Chaney's creation of the Phantom which remains a top tier monster. People don't often talk about the mask though! Which looks like a cross between Peter Lorre and the Devo Boogie Boy, it's disturbing and I like it.

This Phantom was born in the dungeons during a revolutionary bloodbath and is disfigured from birth, drawing on the antique idea that a mother's trauma is translated in the deformity of her children; also, compellingly, these dungeons lie fathoms beneath the opera house where the bourgeoisie are witlessly dancing on the graves of martyrs and criminals embodied in the Phantom. The ingenue Christine is an interesting figure who breaks up with her boyfriend at the beginning because she wants to give her whole self to her career; when the Phantom starts murmuring to her through the walls it's as if the spirit of opera itself has chosen her to be its avatar, which she seems to find totally rational. It's sort of cool, what other movie of this era has a likeable heroine choosing her potential for greatness over love? This is the element of the story that is the most interesting, but I'll expand on that in a minute.

The Chaney edition benefits a lot from keeping things simple. The 1943 version with Claude Raines has a little bit too much going on and the story doesn't get a lot of time to congeal between so many long opera sequences; this movie really takes the opera part of the title seriously! Actually they're the best thing about it, mostly because of Nelson Eddy who is extremely beautiful and a real opera singer, and who projects this blazing desire for Susanna Foster that is incredibly convincing. Like I'd normally say they have great chemistry, but I think it's just a lot of power radiating from him specifically.

Ahem.

Uh anyway. This movie picks up the reoccurring (but not universal) idea that the Phantom is a genteel and sophisticated composer who has just fallen on hard times, who goes mad when his latest concerto is stolen. He is disfigured while struggling with the plagiarist and installs himself under the opera house where he can haunt his former protege Christine, who is already torn between dreamy Nelson Eddy and her stuffy cop boyfriend. One of my favorite things here is that even though this film is extremely quaint and old fashioned, everybody hates cops; this Christine is less a self-determined careerist than someone who is under pressure from her artist friends who find it profoundly repulsive that she is dating a policeman. Meanwhile the Phantom is just way too gentle and sappy, which is extra disappointing because Claude Rains's Invisible Man is so fabulously chaotic and sadistic, it made me really aware of the Phantom that could have been. This one doesn't properly represent the high society vs. underworld dichotomy that Christine should be torn between. So what is this movie about? There's so many guys in it and a few different themes flapping in the breeze. Is it about love? Is it about self-actualizing through art? Is it about the cutthroat world of showbusiness? It doesn't have that much to say, ultimately, and it just seems really unmotivated. Also I don't like this mask, sue me.

The Hammer edition is even more disappointing, considering the studio's previous successes with Universal Monster remakes. Here Christine is torn between a suave opera producer, the lecherous composer who has plagiarized the Phantom, and yeah the Phantom. Too many guys, it confuses whatever the dynamic and themes are supposed to be. Michael Gough as the plagiarist is so much more evil and threatening than poor Herbert Lom's Phantom that it's hard to stay focused on the main point here. Curiously the Hammer version is rather unromantic, with the Phantom just slapping Christine around until she sings his tunes right; that is kind of refreshing in a way, although it also means that the film lacks tension, which contributes to its being surprisingly anticlimactic. The best guy in the movie is actually Thorley Walters whose character serves almost no narrative purpose at all, he just hulks around with this WTF? look on his face and it is kind of adorable. I guess I like the gross mask in this one, too.

But the Hammer version has one interesting strength, which is that Christine is singing the lead in a new opera about Joan of Arc. Just like Joan, Christine hears a disembodied voice prophesizing her ascent to power. The best thing about the Phantom lore is the idea that the woman has this latent power that can either be activated by the Phantom, or suppressed by her square boyfriend (the relationship being mutually exclusive with opera stardom in many iterations). She isn't just a love object to be possessed, she herself possesses of some kind of devastating energy that needs to be awakened and channeled--or contained and forgotten, if she decides to get married and stay home or something. This is pretty cool, and it is interestingly realized in Dario Argento's OPERA, in which (spoiler alert I guess) a killer stalks an opera singer with the aim of catalyzing her own latent psychopathy. This idea is at the center of my thesis and I'm looking forward to fleshing it out, although I'm kind of dreading all the other PHANTOMs that I have committed myself to watching. I really don't want to deal with Andrew LLoyd Webber at all, but after I get through at least the Joel Schumacher one of the those I'm going to reward myself with a rewatch of PHANTOM OF THE PARADISE which I'm going to guess right now is the best retelling of this story after the Chaney one. I'm counting on Paul Williams' music to be catchier than Webber's.

I'm whining about my own decisions, I know, but really the main hardship of this project is that now I keep getting the Vandals' punk theme song from PHANTOM OF THE MALL: ERIC'S REVENGE stuck in my head, and let me tell you that is very unwelcome. Here it is, if you've decided you're done being happy and sane:

#is this when i finally watch KISS MEETS THE PHANTOM OF THE PARK? #is this project going to destroy me #phantom of the opera #claude rains #lon chaney #herbert lom #dario argento #opera #Youtube

[sprout-writes-stuff]

Inspired by @henderdads fic. A little thing that entered my brain fully formed and had to come out. (if I did anything wrong here let me know and I'll take it down)

It's not exactly what Steve thought he'd be doing on a friday night, he and Robin have their laptops open doing a personality quiz that the school heavily encouraged them to take.

He highly doubts a few questions (okay so there's at least 50, whatever) will tell him anything about himself that he didn't already know but Robin insisted they do it together. The part that actually interests Steve is they'll get a list of the ten people they're most compatible with, it'll even say whether that's in a romantic way or not. The last question asks about their preference (Men/Women/Any/None).

Early sunday morning Steve is lying in bed scrolling his emails and it's there! The results. He skims over all the stuff about him (he'll make a great parent someday, blah blah blah, maybe he'll read it properly later) until he finds the list. Unsurprisingly, Robin is at the top with 98.2% but the second... What? No way?

He video calls Robin immediately, it actually takes three tries to wake her up.

"Steve? It's," she looks up to the time on her phone, "7:18. Why? It's sunday."

"The email, Robin, it's here." He watches her face as she tries to understand what's happening, barely containing his amusement at that, and then waits as she checks hers.

"Aww we're compatible Stevie," she says with a silly, overly sweet smile, "like we didn't know that already. Who'd you get first with a heart?"

Steve now has his open on his laptop, staring at the little pink heart next the name second on his list.

"Steve?"

"It's... I mean, it can't be right."

"Why not? It got us didn't it?"

"It's Eddie Munson. 97.6%." The rest are all mid 80s or lower and might as well be zero for all Steve cares about them right now. Robin's jaw drops.

"He doesn't exactly seem the type to even take the quiz," she says, "you have to talk to him tomorrow."

"I don't know anything about him."

"Well you've got all the time in the world to find out."

He doesn't stop thinking about it for the rest of the day.

He sees Eddie's van pull into the parking lot and Robin pushes him towards it before the engine is even off.

"Can I talk to you?" he asks as soon as the door is open. "Privately?"

"Alright," Eddie says, confusion on his face as he follows Steve away from everyone else. "What's this about Harrington?"

"The quiz? The other night?" Did Eddie think Steve was just going to leave it?

"Oh, that's in already?" He digs his phone out of his pocket. He doesn't know.

Steve watches him read, getting more and more nervous as he gets closer to the end. Eddie looks up at him in shock. All Steve can do is nod.

"And the... heart? That's not a mistake?" He's kind of breathless.

"Huh?"

"Like, you could have accidentally checked men instead of women and that's what you came to tell me."

"Oh," Steve says with a giggle, "no, I'm bi."

The nervous energy from a few minutes ago is turning into bubbling excitement as they stare at each other, both with tentative, hopeful smiles.

"I don't know about you but I really wanna kiss you." Steve says, stepping closer. Eddie bridges the gap and their lips meet. Before they can get too into it, the school bell rings and they have to start heading to class.

"Can't believe we got each other at the top of our lists," Eddie says knocking his shoulder into Steve's.

"Hate to break it to you but you're number two on mine," Steve replies with a grin. Eddie stops walking for a few seconds and has to jog to catch up.

"Oh, of course, Buckley right?"

Steve nods, still grinning. "See you after class?" he asks when they get to his room.

"Definitely." Eddie kisses him again, a peck this time. Steve watches him leave and marvels at the fact a stupid piece of homework may have just changed his life forever.

#steddie #steddie ficlet #modern au #my writing

[evillillad]

Can we maybe get some character sheets for your ocs and id like to write about them!!

👉👈

AAAHH i really wanna do updated character sheets WITH personality and lore i just aint got time rn!! BUT thank you for being interested!! 😭😭

to make up for the lake of sheets, heres some facts and lore typed out lol

Molly: (based on persona) secret demon being attached to Nina

Mollys kind of a strange case. Not quite puppet not quite...other creatures. She popped into existence around the time nina was born, hence the shared birthday. Shes a bit scatter brained, very easily distracted but once she has her mind set on something, nothing can get in her war. She's quite inquisitive and is constantly asking questions. Her first day in the neighborhood was basically asking every neighbor she met the most wild and intrusive questions she had. Little to no filter, says exactly whats on her mind. Doesnt understand why that makes some people so uncomfortable. Isnt it good to be curious? To tell the truth? To be honest? Man these creatures are strange. Also doesnt have any boundaries, is an absolute open book and for some reason is suprised when not everyone else is too. Think of her almost like a more unhinged wally, very naive to the ways of the waking world, but well verse in the night time activities. frequently takes long walks alone in the middle of the night. she sees them. she knows them. she keeps them away. some have gotten a bit too close to the neighborhood for comfort, is it because of her? do they know shes one of them, if not atleast similar? shes suspicious wally knows whats going on, its not normal for these beings to be here, but what draws them in?

^ongoing plot line of Molly spying on Wally constantly. A bit obsessive with him-she cant tell WHAT he is but she knows he isnt like the other neighbors but hes also not like her. Constantly pushing and manipulating him to break, but he seems either annoyed or oblivious to her attempts. otherwise, general nuisance to Wally, Frank (eats his bugs), Eddie (stares at him thru the post office window), Poppy (constantly getting herself into trouble) and Nina (personal demon).

Also maybe kills the nighttime creatures?? it seems like shes protecting the neighborhood from an outsiders perspective but those that REALLY know her know its territorial...somehow isnt intimidated by home tho. maybe shes trying to work with home? two demon things band together?? idk lmao

clumsy but also graceful? very bendy. no bones...crawls around like a creep sometimes.

Nina: (self insert oc) regular spider gal with a knack for art

Ninas quite normal actually. She was raised by a normal family within normal circumstances, but found herself with the strangest imaginary friend. She was never quite sure why one day everyone was suddenly able to see Molly but shes glad she finally isnt crazy. Now she cant get rid of the annoying asshole. Stuck with this annoying ass demon puppet thing, Nina moves to the neighborhood to get a new start on independence. With her new home, Nina spends most of her days painting, sewing, crocheting, and sculpting. Of course she always has her music going on, its never quiet in the house. Wally spends lots of time with her, they will frequently setup figure drawing sessions where their fellow neighbors will pose for them. Howdy seemed more than happy to constantly volunteer, maybe a tad bit overzealous to show off his muscles. Nina was more than excited to have such an interesting subject to create art of, although with Wally by her side, he always seemed to end up drawing an apple. There wasn't even an apple in the set. Nina doesnt care, shes just happy to have her little darling with her!

Despite being easily excitable and down to earth, shes actually quite timid and easily flustered. Howdys first few advancements had Nina trying to come up with some sort of lie so she could hurriedly get out of the bugdega and hide her beet red face. After this its just the rom com do they like me pinning i love so much lol

Unlike the other neighbors, she is somewhat aware of what goes bump in the night. Shes not sure what exactly it is, but she knows its dangerous...and she knows Molly has too much fun dealing with it. Despite Mollys homicidal tendecies, Nina is NOT scared of her. Shes aware of the fact that without her, Molly wouldnt have a host to stay alive. She cant do anything to harm her and even if she did, Ninas not afraid to grab her by the tail and launch her into the sun (Molly is actually somewhat intimidated by Nina, so she shows some level of obedience).

and thats it for those two!! I also would like to add that I wanna work on an oc of my dog and make goofy content of him and barnaby being like dude tf are u doing. also i know i have other ocs but either they arent quite fleshed out (lilith, betty, batsy), they arent technically mine (tilly and mitzy), or im just really tired and its late rn.

but if u got this far wow ermgee thanks for reading my late night rambles im dying

TLDR: Mollys homicidal, stupid, cant read a room, and is a demon. Ninas just a timid, excitable, down to earth, artsy spider with a weird demon imaginary friend that came to life.

#nina noon #molly moss #welcome home oc #:o) #im so tired that was so much typing ahfdashd #i had to write a review today and its the most typing ive done since college #i never type cuz i cant read #oh and for bffs> Molly hangs around a lot with Julie and Wally #Nina hangs a lot with Barnaby and Howdy (and also Frank since they both collect bugs)

[softsnzstuff]

Corroded Coffin prompt from @ohgodnonotthis - We know eddie would be the type to look up his band and all that fun shit- imagine if he found kink content of himself and/or the band and, instead of being weirded out, he critiques and fact checks it.

A.K.A the one where Steve tells Eddie about the kink

This was so fun to work on - Part two coming SOON • As always, thanks to @dontfeeltoohot for helping me brainstorm. -KB

*****

The guys are all sitting in Tim’s living room talking about the upcoming gigs that they are playing. Eddie’s staring intently at his phone, face scrunched up in thought.

“Ummmm Eds, you wanna share with the class?”

Eddie looked up and blushed slightly.

“Oh my god are you googling us again? You gotta stop doing that man.” Jeff rolled his eyes in a playful way.

“Okay but this is so interesting??” Eddie commented, “I was looking at some random shit online and I stumbled upon this post that said my nose was cute…”

“And??” Gareth prodded.

“And I sort of went down the rabbit hole a bit. Did you know… some people are into sneezing?”

“What do you mean they’re into sneezing?” Jeff asked.

“Like they’re into it, dumbass, what do you think I meant? Like here this post here - I bet Eddie is a messy sneezer - like if anyone’s a messy sneezer it’s Fuckin Gareth!”

Tim and Jeff laughed, Gareth playfully punching his best friend in the arm. The younger man points down at Eddie’s screen.

“Oh yeah? Well they fucking nailed this one: I bet Eddie is clingy when he’s sick.”

Eddie scoffed. “You must be joking. No I’m not?!”

“Yes you are!” The other three said in unison before laughing.

Now it was Eddie’s turn to roll his eyes and he kept scrolling.

“Stop!” Tim pointed as he skimmed over his friends shoulder. “That says they think I sneeze super loud?? Is it just because I’m bigger? That’s Gareth again!”

“Yeah and Jeff actually sneezes the most… not me.” Eddie mumbles.

They all chuckle before Gareth speaks. “We should critique them. Spill the beans about how Jeff is an angry sick person because he misses his mommy. Or how Tim’s kitten sneeze is a secret.”

He was joking, of course, but they all considered for a moment before laughing and switching subjects.

***

At the end of the night, Eddie had a call from Steve. He picked up the phone and they chatted about their day as Eddie walked to his car and started it up.

“So Steve you’ll never guess what we saw online today. There’s a corner of the Internet where fans are like. Into our sneezes??”

Steves heart stopped as pure adrenaline rushed through his body. Eddie knew about the kink. What the fuck.

“Hmm that’s weird.” Steve lied through his teeth trying to cover for himself.

“No it’s not.”

There was a pause. “What?”

Eddie laughed, “I said no it’s not. It’s not weird. It’s kinda cute. Plus we don’t kink shame in this household Steven.” He teased.

“I uh…. Ummm.” Steve was debating what to do before he just ripped the band aid off, “Im part of that corner, Eddie. I have a sneeze kink…”

Eddie laughed again, “That’s so cute Steve, are you serious???”

“Yeah don’t laugh.”

“Sorry it’s just. That’s so you. So you like it when I sneeze? Like it turns you on or something?”

“Yes. That doesn’t weird you out?”

“No Steve. I always think it’s gross when I sneeze. Im more than happy to know it’s a turn on for you, I mean what?!”

There’s silence.

“So you really are part of that community?” Eddie asks gently, not wanting Steve to feel uncomfortable.

“Yeah I am.” The younger man says barely above a whisper.

“And you let these people THINK that I’m clingy when I’m sick???? You didn’t correct them?”

Steve laughed audibly, “What is there to correct Eddie? You are clingy when you’re sick!!”

Eddie knew Steve couldn’t see him, but he pouted anyways before he got a wicked grin.

“I don’t think I’m clingy when I’m sick. But now that I know you’re into it? I’m about to be.”

TBC 😈😈

#s/tranger t/hings #e/ddie m/unson #co/rroded co/ffin #rockstar au #kink!steve #kb writes #snz kink #kb au’s #snzblr #steddiesnz #s/teve h/arrington

[lunatheseus]

actors who were born to act and what I think about them

Cillian Murphy : GOD he's such a phenomenal actor. From Watching the Detectives (with Lucy Liu) to the Dark Knight Trilogy to Peaky Blinders (and Oppenheimer ofc), Cillian is able to embody every character that he plays. His Oppenheimer performance blew me away, and his ability to play morally grey and complex characters is unparalleled. On top of that, he's also just a very humble and down-to-earth human being and its incredibly admirable. I also love his almost naïve point of view when it comes to modern day slang...(what's a meme?) its adorable.

Eddie Redmayne: As a Fantastic Beasts fanatic, I absolutely adore Eddie Redmayne. He IS Newt Scamander in a different font and no one can convince me otherwise. He doesn't seem to be as well-known as other actors but his performances still leave me wanting more. Eddie also plays Stephen Hawking in The Theory of Everything and James in The Aeronauts (and his co-stat being Felicity Jones in both movies! But that's for another day). These two movies stole my heart honestly and they make me feel whole but also empty every time I watch them again. Now that I think about it, Eddie is probably most well known buy his part in Les Mis, but I personally don't know much about that. The fact that he was an art history major makes it so much better! Anyway, Eddie is also a very down-to-earth and humble person, and I love his attitude when he interacts with fans.

Sam Claflin: Once I dipped my toe into The Hunger Games fanbase/arena, there was no turning back. Sam Claflin, playing Finnick Odair, the complex pretty boy, really peaked my interest when it came to his acting range. And oh boy was the rabbit hole endless. Sam's performances in the movie adaptations Love, Rosie and You Before Me were devastatingly beautiful in the most gut-wrenching way. His role in playing Mycroft in Enola Holmes was amusing but also incredible when alongside Henry Cavill and Millie Bobby Brown (That trio will forever be legendary in my opinion but that's for another day as well). Anyway, I also watched a trailer (can't seem to remember the name of the movie), but in it, Sam was playing a psycho murderer, and to me it really showcases his range of acting abilities.. I won't say Sam Claflin is one of those actors who can play all types of characters, but there is an element in his performances that are really compelling, and draw the audience in. Just, in the way he breathes and talks (and the way that he is almost always cast to play an American and has to hide his accent) makes him a very eye-catching actor. He's also very funny irl.

Florence Pugh: I'm adding Florence Pugh because how can I not. She's in so many phenomenally directed movies, and she's incredible at micro-expressions that I can't help myself. Her performance in Don't Worry Darling, Black Widow, Little Women, Hawkeye, and Oppenheimer completely blew me away. Her little pout also changes so much about the scene once she pulls it out. Outside of her acting career, I also admire her attitude towards the industry. From refusing to go on diets to being willing to be intimate onscreen, Florence Pugh has balanced her personal opinions and her work so well. Her accent work is also phenomenal.

#oppenheimer #oppenbarbie #cillian murphy #tommy shelby #peaky blinders #thomas shelby #newt scamander #fantastic beasts #eddie redmayne #les mis #harry potter #the hunger games #sam claflin #finnick odair #actor #hollywood #dark knight #florence pugh #marvel #little women #dont worry darling #ranting #tw ed rant #rants #rant post #rambles #ramblings

[sweetmariihs2]

What's Eddie Munson's canon sexuality and why it makes so much noise inside the fandom?

[This post opens a very serious discussion about a subject that is so debated in the fandom, so I need everyone to understand that this is just a conversation about the subject and not a fight to see which side is right or not.]

I don't want to be disrespectful or homophobic in any way, because I'm also part of the lgbt community, but apparently you can also be homophobic if you're from the community (believe it or not) and really those people exist, but it's not my case. My opinion is based only on the facts of the show, and I also have written about gay and lesbian couples (not here on tumblr yet) so it's not related to any kind of disrespect to anyone in the community. I hope no one feels offended by the post.

I also don't want to disrespect anyone's headcanons or shipps, because everyone believes in what they want and has their own interests, and that won't change your view about the character or not. Anyone who believes he is something specific will believe it whether they read this or not, but I just want to open a dialogue on the subject, as I have already saw a lot of people bringing this type of conversation about his personality, his attitude, etc.

—

I've seen in several places for months (since season 4 actually came out) the amount of debate about Eddie's sexuality, and after hearing a lot of people talking about it, I decided to say what I think and why I think that, you know?

He is a very popular character and has caught the attention of many people, mainly the alternative community (because he is part of the alternative community, that is, who do not dress or like the same interests as most people), and unlike the alternative community of that time, ours currently has much greater freedom of expression, and with that we are also able to express our sexuality, something that was not possible in the past, at the time when Eddie is portrayed.

Most "standard" people are heterosexual, while lgbt people are very much against this standard of something that is more accepted by the society, which leads to alternative people, who are also different and are marginalized by their lifestyle as well as the lgbt community.

So it's very common for us to link the subject of an lternative person with an lgbt person, and there are also many alternative people who are lgbt (like me for example), and in the 80's there was a lot of prejudice with those two social groups.

But these days the alternative community and the lgbt community can finally expose their sexualities, and as alternatives are often part of fandoms and internet communities in general, they found Eddie Munson and welcomed him for being part of this alternative group. When you like a character a lot and understand them, it is normal to attribute characteristics of yourself to them, for example your beliefs (if you belong to a party or not, a religion or not, are you a feminist or not and etc.), or their sexuality. So many people who are part of the alternative and lgbt community like to believe that he is like them too, for example him being a gay person who couldn't talk freely about his sexuality during the 80's.

Changing the subject for a better understanding of the conclusion of the blog,

Eddie is, canonically, part of one of those groups. The other is still a debate. So he is very marginalized, excluded, cursed, and people always hate him wherever he goes. Because in addition to being a metalhead, his father is apparently a criminal, he has no parents and lives with his uncle, in the trailer park in a small town, that is, he is very poor too. And he's "dumb" (to people) because he flunked out twice. And he sells drugs too, that is, his life is already a disgrace

In addition to the satanic panic of the 80's, then the metalheads were already being persecuted and being accused of murder and doing satanic rituals, they arrested a lot of people for nothing, so Eddie was the biggest terror in the school apparently.

Everyone hates this man, but he doesn't let it get him down. He's very playful, immature, idiotic, and that's partf of his personality. Eddie got used to the bullying and it made him more skittish, he replies back, at this point his reputation is so destroyed that he doesn't even care about destroying it anymore, for example we have that wonderful scene that became a mark for him inside the show:

So he doesn't care if he looks weirder, besides the fact that in metal culture in the 80's people were a little crazy, they made faces on stage, made fun of each other, flicked their hair, "sex, drugs and rock n roll", and that's what Eddie believes in and it's what he's used to do. Being more "crazy" and carefree, Eddie doesn't care about a lot of things related to posture and a lot of masculinity, despite being clear that he is a cis man and has masculine mannerisms made very clear, he doesn't care about, for example, """looking gay """ (using a more blunt term). In other words he doesn't have fragile masculinity, but he does have his own masculinity.

That doesn't change the fact that he can be interested in other men, after all, gay men are still men. However, many people connect his carefree behavior and his rebellion against society with the fact that in addition to being a metalhead, he is also a gay character.

We often see Eddie jumping up and down, talking close to other male characters' faces, and generally embracing with everything he can the fact that he's a different person and he loves being that way, and it's very obvious. But that still doesn't make clear the answer to the question: is he gay or not?

And now we come to my personal belief, based on what Stranger Things showed us: I don't think so.

Many people are already tired of this discussion, and answer that Eddie is bi or pan, simply to end this doubt once and for all. But it doesn't make sense, since within the series he has never shown even the slightest interest in any male, not even in Steve. (please don't kill me)

Is Eddie interested in men?

I know this divides many opinions, and everyone believes what they want as I said, but it is very clear that inside the canon he had no interest in Steve.

All interactions between him and Steve were marked by the simple fact that the two belong to very different social groups. Steve is the bully, and Eddie is bullied. He's been the "King Steve" for years and Eddie was a student at Hawkins High when he was named that, and maybe he and his friends from the time of season one called Eddie a weirdo, they judged him, because as everyone remembers they were idiots.

Eddie says this, literally in the forest scene, which is so often used to defend the fact that he had an interest in Steve. I don't remember exactly what it was, but it was something like, "I didn't want to admit that 'King Steve' was actually a nice guy. Rich parents, popular, ain't that douchebag? No way, that goes against all laws of the universe". The looks they're exchanging are awkward looks, Eddie more like "Seriously you're not going to bully me? I don't trust you. But yeah I can try to be your friend" And Steve is more like "he's such a weird guy (but I don't treat him badly, he just wouldn't be part of my conversation group)" because he does have that social construction that Eddie is weird because he's alternative, and Eddie don't help much either, he's staggering around, stumbling around, generally a little flustered and saying some unrelated things, so Steve thinks it's weird even if he doesn't hate him for it. Do you remember how uncomfortable the silence was when Eddie said "Ozzy? Ozzy Osborne? He took the head off the bat on stage" and Steve thought it was weird as hell, but he didn't say anything.

Steve and Eddie are the perfect embodiment of that meme "mom: son, go play with the neighbor's son // the neighbor's son: *insert something weird as hell here*

People say that Eddie was freaking out about Steve with his shirt off but really he was giving him a dirty look, he was looking at him and judging like "look at how he likes to show off 🙄". And then when Steve and Nancy were having a moment he throws the jacket at Steve and tells him to get dressed, but not because he was jealous of the two of them, but because they were almost climbing on top of each other and Steve was all bragging walking up and down shirtless, no one deserves to be watching live flirting, and he said enough for the two to be quiet for a bit.

The famous "don't ya, big boy?" was because he was teasing Steve, and the scene where he was pointing a broken bottle at Steve, for god's sake, I've seen people freaking out saying they were crazy to kiss each other in that scene.

There's a lot of talk about the black hanky code on his back pocket, that wearing it in the 80's meant he was gay and had bdsm preferences, but the black bandana is also part of metal culture, countless band members have already used this bandana in their back pocket, like James Hetfield (vocalist of Metallica) and Slash from Guns n' Roses. In addition, gays did not use this code in open places because it was very dangerous to be victims of some kind of violence if people found out about their sexuality, so they only used this code in establishments and safe places where there were only gay people and they were not at risk. Eddie uses it everywhere, and I didn't notice, but from what I've heard around, he doesn't keep that bandana in a specific pocket, he changes it at some point in the series, I just don't know which one. And let's face it, the designers only put it there for him to use in his hair during volume 2.

Is Eddie interested in women?

Eddie doesn't have the slightest indication of having any interest in men, but for women he has many. Not an insane amount because his personality doesn't revolve around it (like Billy), but it's still made very clear.

The first one is when he's giving his speech in the cafeteria in the first scene, and he makes way for the cheerleaders to pass with the biggest smile in the world and proceeds to look at them head to the feet when they walk past, even though he's pissed inside and lecturing the kids just now, but yeah, poor boy needs to grab every chance

The second clue is how into Chrissy he was in the forest scene, he is always respectful and at first he was really interested in selling and leaving, but after they started talking he showed interest and started doing things to try to make her laugh, invited her to watch him play, was very charming, even said he had tattoos and even though he had several showing on his arm, he made sure of pulling down the collar of his shirt to show the one he had on his chest. Joseph himself said that he was trying to make it look like Eddie was flirting with her, and he believes he was interested in Chrissy. The Duffers said they had a chemistry that could have been developed but couldn't because Chrissy's death scene was already filmed, also implying that Eddie was interested in her, so it's somewhat clear that he has an interest in her. women.

Maybe, just a thought that i had without any confirmation from anyone, maybe he was hoping that something might develop at his house when he went to get Chrissy the drugs, and who knows, maybe they even used it there and ended up doing something, I don't know. Of course he was always respectful to her and never harassed Chrissy or anything like that, and he wasn't trying to take advantage of her either, but things develop, and he was bringing a girl who was flirting into his house at night where they were completely alone, Eddie you don't even try to be discrete

I wasn't the only one who thought this, because I saw a meme that went like this: "Jason if Chrissy hadn't been attacked by Vecna ​​when she was at Eddie's house: *insert here several pictures of oxen and men with horns*" (this doesn't prove anything, I just thought it was funny to comment)

Other than that, which is what we see in the series, there are other things on the set that imply his sexuality and I decided to comment because they are veryyyy interesting information.

This part here is a little explicit so I would mark it as more +18 information, because it talks about something more personal about him

In a video inside the recording set where Eddie's room is shown in detail, and shows things that were outside the camera in the show, it is possible to see a Heavy Metal magazine (that's the name of the magazine) with a 1986 edition of Druuna.

Druuna is basically a series of erotic comics set in a post-apocalyptic future/sci-fi universe, whose protagonist has sex with men in exchange for a cure for a illness. All, literally all the takes of the comics in which she appears are in compromising positions, wearing very short and tight clothes, and in the comics all the time there are nude scenes and explicit sex scenes, with private parts exposed (basically is a hentai comic). It is even heavily criticized for having a constant objectification of women and some romanticized rape scenes, but let's not talk about this right now...

If that isn't proof enough, this magazine is at the foot of his bed, in front of the bedside table, and on top of that table there are a bunch of little things scattered all over the place. One of these things is a pack of condoms, and this, in addition to indicating that he is a sexually active person or at least cautious and thinks about it, there is also another observation: the two are at his bedside, and within his reach. If it's there he put it on recently, and I'm sure that if it's at the foot of the bed it doesn't belong there and he was reading when he left it lying there. You know what that means.

And yes, we both know that he uses these things. But have you ever thought that maybe he uses them... ate the same time? 💀

Okay I think that's enough for this post. Thank you for reading 😭

Edit:

This kind of blog makes me think "girl, where?? 😭😭😭

wtf that's literally sexual assault

do you REALLY think that Eddie Munson could sexually assault someone?

then with Steve he's probably a monster since you said that he do those things and that they are dating

do you support a ship that one of the guys can sexually assault someone? 😀 (in their logic of course)

"and chrissy is a minor" (she's not, but that's their argument)

ok then you support a ship that one of the guys can be a pedo* and you're okay with that??

it literally makes no sense, they're trying to prove their point but at the end they say that Eddie is a bad person 😭 then why are you trying to put him in a shipp IF YOU SAY THAT HE'S A PED

the REAL representation doesn't really matter for y'all right (and I say this as an LGBTQI+ person).

#eddie munson analysis #eddie munson #eddie munson sexuality #eddie munson headcanons #stranger things #stranger things 4 #eddie munson smut

[lover-of-mine]

"I do think the show kinda wrote themselves into a corner with them and I can go on a whole separate rant about that" can you elaborate on that?

tldr: the stakes are too high now so it's easier to keep playing with the tension than resolving it.

Okay, so, I do joke they had a plan when they casted Ryan, but I actually do think they were just playing with the chemistry between Oliver and Ryan up until the moment they decided to retcon the well to make the will a thing. I do think both Ryan and Oliver like to play with their chemistry too, I don't act but I'm guessing it is fun to play with what you can do with another actor you have the type of chemistry they have, but when you look at season 2 and most of season 3 as a whole, ignoring a few moments we like to hang on to, they are two friends who really trust each other. Season 3 does up the stakes, but it was early enough they could swing it either way even more with the way they are not as close as they could be during most of season 4, a lot of things about the 2 of them are left implied, and it makes sense considering both of them had explicit love interests that season.

But the shooting and consequences are a real turning point for the way they are being portrayed, its less unintentional, less reliant on the chemistry between the two of them, it's more on purpose, the way the shooting scene was filmed and framed, the choice of words, the slow-mo of them standing there, the impression they give you that they have their eyes locked across the pavement, Buck saving Eddie alone, having Eddie ask Buck is he's hurt, Buck saying "I need you to hang on", the way Buck steps up with Chris without knowing about the will, the way we find out about the will, the choice to have that be something Eddie has been hiding for over a year, creates something on purpose with the two of them that actually allows them to play with putting buddie in season 2 and 3 in a different light, it implies a level of planning when you look at the whole show. Season 5 we have them talking more on screen, we have Eddie basically asking for permission to break up with Ana, the wording in that scene also feels really on purpose to make you look for hidden meanings if it ever came to it. And there are things like Mitchell clocking that hurting Eddie is more effective in controlling Buck that's also something you can come back to and repurpose later. There's the choice to have Buck being the person who actually gets through to Eddie with making him feel comfortable in his own life again, and having Buck being the person Eddie opens up about his trauma to begin with. And then we have literally everything about season 6. Season 6 actually allows me to change the perception of the whole show and write a 4k words rant about how Eddie has been in love with Buck since season 3, because they make a very conscious effort to paint Buck, Eddie, and Christopher as a family unity, the dinner on the premier, Buck baking cookies for Chris to take to school, the 3 of them hanging out on the loft while Chris does his homework. And everything about Buck's death and the episodes following, Eddie mirroring Buck during the shooting after the lightning, Eddie acting like a grieving partner, Chris being the person who makes Eddie go and see Buck, Buck knowing he can run to Eddie's when he's overwhelmed, whatever the fuck was mixed feelings.

But since now they can very easily add context to previous seasons to make them seem planned even if they weren't, there's a whole new level of expectations about them together. Because it makes it look like the people who have been shipping them since season 2 are right, so right now the showrunners have the chance to make what could objectively be one of the best slowburns in television history and add the fact that it's a queer relationship and they have the chance to do something that will make the show go down in romance history in a way. But realistically speaking, it's hard for them to make that relationship a reality. We have 7 main characters, we see 4 of them get together, so we are invested in them, we have Karen being introduced to us when Hen screws up, which makes us sympathize with Karen so we are invested in henren even if Karen mostly exists to be Hen's wife, and we have the other two being heavily shipped together since the beginning. But the thing with Bobby and Athena and Chim and Maddie is that they don't work together, so they don't have to acknowledge bathena and madney every episode, because if we are not seeing them together there's no real expectation for the episode to do something to remind us they are together. That won't work with buddie. Considering the way they are partnered in the field most of the time and they are on the same shift and how high the expectations around them are because of the way their friendship was constructed, they would have to find a way to make the relationship known every episode. And let's face it, most television shows really struggle with keeping slowburns together after the buildup, and the buildup with buddie is high, because they get used to working the tension and once the tension is resolved they drop the ball so we end up with unnecessary conflicts and breakups that make no sense just to add tension back in so the relationship will be interesting for them to write. And we joke that Eddie baby trapped Buck and that they act like an old married couple, but they literally already have a canon legal document tying them together, they very explicitly co-parent Chris, they are very clearly comfortable in each other's spaces, so that makes the usual tricks to keep slowburns interesting won't work, because honestly, I think that even a friends to married thing with them isn't that farfetched. Raise the tension enough in the lead-up to getting them together and they could have them flying to vegas to get married and most people just accepting it. But that's not good for their storytelling because 911 is not the buddie show and there is all this expectation that could end up with them deciding that writing them as an established couple is more complicated to deal with than just leaving them simmering forever.

Because the thing is, one good push and you get them together, they can trip them into a relationship at any time, really, just sit them down and let them talk about their feelings and accidentally confess to something, or turn up the flirty banter they have while they're alone and let them trip into each other, put any of them in danger and have the other snapping, like literally any of the hundred contexts we have of getting together fics about them would work at this point, but the issue is not getting them together is keeping them together in a satisfying way.

#i hope this makes sense oaksoaksaoksaok #i really need a tag for asks #anon 😌 #911 #does this count as #911 meta #? #aospalspalsplas #buddie thoughts

[hamarhemmo]

A way too long analysis/rant/review of The Rocky Horror Picture Show

I watched Rocky Horror Picture Show a few days ago and then proceeded to watch it twice more in the following days. And I have very strong feelings about it. Those feelings are almost exclusively positive, so don't worry.

This is gonna be mostly just me rambling, so maybe not the most interesting thing to read, but I had a lot of fun writing it.

Kind of a content warning before I actually start talking about it, this post will be talking about things like homophobia, transphobia and dubious sexual consent, and include swear words and (reclaimed) slurs. So if any of that bothers you, proceed with caution.

Also I'm gonna spoil the whole movie but honestly the plot isn't as important as some other things in this movie so you should watch it anyways.

I will only be talking about the 1975 movie in this post since I haven't seen the play.

For those who either don't remember or know the plot, the film centers around four people. We're first introduced to a young couple Brad Majors and Janet Weiss who get engaged in the very beginning.

To celebrate their engagement they decide to go visit their former teacher, Dr. Scott, who taught the class they met in. However on the way there, they get lost and a tire in their car breaks. The only building nearby is a creepy-looking castle. In the castle Brad and Janet meet the owner of the castle, Dr. Frank-N-Furter, who is a self-described "Sweet transvestite from Transsexual, Transylvania". Frank tells the couple that he's been trying to make a man (like Frankenstein) and thinks that he has finally succeeded. Frank brings a man named Rocky, who is very hot but very stupid, to life, and seemingly marries him.

In the castle there are four more important characters: Riff Raff the butler, Magenta the domestic, Columbia who just kind of hangs around, and Columbia's boyfriend/Frank's implied ex-boyfriend Eddie. Soon after Eddie's entrance Frank kills him, "out of mercy". This will be relevant in a bit.

Janet and Brad are brought to their seperate bedrooms and soon after that Frank sneaks into Janet's room and tries to have sex with her. After some resistance she agrees to it. Soon after Frank does the exact same thing to Brad. Janet finds out about this and has sex with Rocky while Magenta and Columbia watch and have sex with each other. Aforementioned Dr. Scott comes to the castle to ask about Eddie, and it turns out that Eddie was his nephew. At this point it turns out that Frank, Riff Raff and Magenta are aliens from the galaxy of Transylvania from the planet Transsexual. A fight breaks out and Frank turns Brad, Janet, Rocky, Columbia and Dr. Scott into statues. He then moves the statues to a theater stage in his castle and dresses them up in corsets and heels. The statues are turned back into humans and perform a song and a dance.

Also they imply that Dr. Scott is a nazi who moved to America after WWII so that's interesting.

After the performance Riff Raff and Magenta enter the room, kill Frank, Rocky and Columbia and leave back to Transsexual. Brad, Janet and Dr. Scott leave the castle and I'm assuming, head home.

Yes, that is the actual plot. Wasn't that fun?

Now we can get to actually talking about this weird-ass movie.

To me the most important thing about this movie was its unapologetic queerness. Recetly there has been a decenty chunk of movies and TV shows with queer characters and themes, but none of them have really worked for me perfectly for a few reasons. These shows and movies usually either:

a) Center around the fact that the characters are queer and are almost exclusively coming out stories

b) Have queer (usually side) characters who don't really "look or act queer"

I'm not saying that either of those are bad things, but I personally find them boring and can't relate to them. I just kind of always knew I was queer and didn't have that closeted gay teenager phase that the first types of movies are usually about. These movies often also center around relationships and I didn't date at that age. The second type of movies and TV shows don't really work for me either because I do look and act queer and it's a big part of my life. So seeing a character to whom being gay doesn't really matter that much or affect them as a person, isn't very relatable to me either.

Also most of the time gay characters in shows and movies are just boring. They're either evil faggots or cute flower boys who could do nothing wrong. But because Rocky Horror Picture Show isn't really a movie about queer people, all the characters just are very queer, they have the same amount (or even more) depth as straight characters would have in a similar "regular" movie. But a straight movie with the plot of Rocky Horror simply wouldn't work. Sure, the plot would make about as much sense (which is not a lot) but the movie would lose it's meaning. If you removed all the crossdressing, gay sex and queer symbolism from Rocky Horror, it would just be a weird musical Frankenstein adaptation with aliens, cheating women and occasional incest. Doesn't really sound like a movie I would personally love.

Without it's queerness, the movie would not have the cult following it has today. Fans don't watch the movie for the plot, they watch it for representation, hot men in corsets and heels and women finding confidence in embracing their sexuality. The movie is watched because it has been giving people something they don't really get anywhere else, especially around the time the movie came out.

At this point I would love to talk about the songs. Everything from their lyrics to symbolism to just how I personally like them. The movie has around 15 songs but it's hard to say what the exact number is, since some of the songs are so short they barely count as songs, at least one song was deleted from the final product, and at some points it's unclear if it's several songs right after each other or one very long song. But I will talk about these songs in this order in this post:

Science Fiction / Double Feature

Dammit Janet

Over at the Frankenstein Place

The Time Warp

Sweet Transvestite

The Sword of Damocles

I Can Make You a Man

Hot Patootie / Bless My Soul

Touch-A, Touch-A, Touch Me

Once in a While (a cut song)

Eddie

Planet Schmanet Janet

Planet Hot Dog

Rose Tint My World

Don't Dream It

Wild and Untamed Thing

I'm Going Home

Science Fiction

So this is the first song of movie. It is technically unrelated to all of the plot and kind of just sets the vibe for the movie while also referencing many Sci-Fi movies as a kind of tribute to them. Rocky Horror is after some kind of parody of Sci-Fi and horror movies. The video during this song is just red lips sin ging. Funny enough, the lips shown belong to Patricia Quinn (actress of Magenta) but the voice belongs to Richard O'Brien (the creator of the movie and actor of Riff Raff). Kind of a fun detail if you ask me.

During the song the credits are shown and that is really what this song is for. I personally don't care for it that much, especially since I'm not just a huge Sci-Fi fan but it's a nice song that actually makes me want to not skip the credits.

Dammit Janet

Dammit Janet is the first song sung by actual characters. The song is in the very first scene and during it Brad proposes to Janet. It's a pretty cute love song, the lyrics themselves aren't too special in my opinion. But there are a few fun details in this song.

First there's kind of foreshadowing of the fact that Brad's and Janet's relationship is going to fail. Before Brad sings "The road was long but I ran it", Janet tries to kiss him but he leans away. If that was me and my girlfriend, soon to be fiancée, tried to kiss me when I was singing, I would absolutely stop for a few seconds to kiss her. Especially since he leaned away at the last second. Kissing her wouldn't have taken any time from his song. Later when Brad gives her the ring, Janet seems to care about how pretty the ring is way more than the fact that she's going to marry her boyfriend. This is a fairly common trope but still. She also says "Now we're engaged and I'm so glad that you've met Mom and you know Dad". She isn't glad that they're engaged, she is glad that Brad has met her parents.

Also the whole songs takes in place at a graveyard adn in a church preparing for a funeral service, yet they seem unaware of that. Something something ignoring the bad signs about this relationship.

ALSO in this scene you can see people from the castle. Literally what are Riff Raff, Magenta, Columbia (?) and Frank doing there?? (Also it took me too long to realize that one of them was Frank 'cause he's not wearing any make up.) But like did they plan all of this? And if they did, why?? Is there something special about Brad and Janet? Were they just trying to find random people to trick to coming into their castle?

Over at the Frankenstein Place

I sadly don't have much to say about this song. It's honestly just a bit boring to me. It doesn't really move the plot forward or anything. Though they sing about how there's a light in everyone's life and they can seen a light in the castle. Maybe they will find the light (hope) in their life from the castle. Arriving there does change their lives drastically for the better or for worse depending on how you look at it.

The Time Warp

Honestly when I heard this song, is when I was sure I was gonna like the movie. This kind of fast tempo rock is very much up my alley, especially when the lyrics are abou ignoring time and enjoying life in the present. I have always been deeply afraid of the passage of time and forgetting about it, even for a while, is always great. Also during this song we get to see Frank's Transylvanian guests. I honestly love how they look.

We also learn a little bit of Columbia's backstory. It seems that unlike Frank, Riff Raff and Columbia, she is a human. Columbia's line also implies that Frank owns a pick-up truck which is very funny to me.

The song doesn't contribute much to the plot but it's a fun jam and also taught me a cool dance (Which based on Mgenta's line later in the movie is like a common dance on Transsexual.)

Sweet Transvestite

Frank's introduction song! I love him.

Sure transvestite is technically a slur for crossdressers (is that a slur? I honestly don't know dude) but sometimes things just are like that. Also he can call himself whatever the fuck he wants. Like damn, maybe I'm a sweet transvestite too, who knows.

I'm sure many people know this already but it's pretty funny that when when you hear him say "From Transsexual, Transylvania" you would assume that he's just calling Transylvania (on Earth) transsexual for some reason. But he's just saying that he's from the planet Transsexual from the galaxy Transylvania.

Also yes, transsexual is also a slur but it fucks so I'm using it.

The Sword of Damocles

Sadly this song isn't on the official soundtrack. It's honesly great. Rocky is a silly little guy and I like hearing him sing. Funnily enough all of his songs are dubbed and that is not the actor's voice.

Rocky literally just gets born and immediately starts singing about how his life's gonna suck.

It seems like he's afraid of Frank for some reason. Maybe it's just 'cause he's a weirdo, but it could also be because Rocky has half of Eddie's brain. Maybe he like subconsciously remembers Frank literally cutting his head open.

I Can Make You a Man

When I see the title written out like that I just hear the line from Lola in my head. It's not even the exact same line, I am suffering.

This is kind of funny to listen to 'cause Frank says that Rocky weighs 98 pounds and I have literally no idea how much that is. I'm assuming it's not a lot.

Also Frank starts straight up riding the pommel horse. I sadly don't know how to make a GIF but please go watch the video, I'm begging you.

Look at him go. Oh, how I wish that pommel horse right now. Saying pommel horse so many times in a row sounds very weird but I don't know what native speakers actually call it.

Hot Patootie / Bless My Soul

Eddie simply didn't have enough screentime. He's honestly so cool. Sure, one of the news articles says that he like killed a woman or something but shit happens. I am stupid and gay and Eddie is hot so I'm willing to forgive him.

The song, again, doesn't really contribute much to the plot but it slaps. Even the Transylvanians jam out to it.

Touch-A, Touch-A, Touch Me

This is in my opinion pretty much the perfect song for Janet. Her whole arc in the movie is her breaking free from 70s purity culture. She has sex for the first time and realizes she really enjoys it and now she wants more. Especially the line "Touch-a, touch-a, touch-a, touch me, I want to be dirty". Earlier in the movie she was this very classic cute pure female character from a movie in the 70s and now she finally gets to do what she has probably been told not to do for her entire life.

In this song she also gets her obligatory bisexual moment, fantasizing about everyone in castle, including Magenta and Columbia.

Also someone is finally nice to Rocky :)

Once In a While

So this song was cut from the movie, at least on Disney+, but is still on YouTube and the complete soundtrack on Spotify. I don't know if the video on YouTube is the original scene but that doesn't really matter. The song is also in theatrical releases but again, I have only seen the 1975 movie.

Anyways this is Brad's only solo and it happens after he slept with Frank. It seems like he's reflecting on his and Janet's relationship and feeling quilty and/or sad about sleeping with Frank. (Apparently in theatrical versions he had also found out that Janet cheated on her.)

I don't really want to comment on this song that much because I don't know everything about it, but it does make Brad look more bisexual. In the version that I saw, there wasn't really a lot indicating that Brad was attracted to women. Of course there's Dammit Janet and the fact that they are engaged but I don't know, he just didn't really seem to be that into her. Especially with his verse in Rose Tint My World, which I'll get to in a moment. But yeah, this feels like a more genuine love song to Janet even if he never mentions her name.

Also I find it funny that Frank is just sleeping on the bed right behind him. I like to think he's actually singing this out loud in the quiet dark bedroom.

Eddie

I've also seen this song being called Eddie's Teddy but it's just called Eddie on Spotify so I'm going with that.

This song really just sums up Eddie's short life. This comes a bit out of nowhere but Eddie's cool so it was actually pretty interesting to hear about his life. A very catchy song.

Also Frank implies that he's serving Eddie as their dinner so that's lovely.

Planet Schmanet Janet

Honestly I have no idea what's going on in this song but the line "A mental mind fuck can be nice" kinda slaps. So true bestie.

Planet Hot Dog

This is technically a part of Planet Schmanet Janet but it's listed as it's own song on Spotify.

Characters basically just finally acknowledge the fact that his name is literally Frank-N-Furter. Very funny if you ask me.

Rose Tint My World

My absolute favourite song from this movie. There's just so much going on. This is actually the reason I wanted to make this post.

First of all, all the characters look very hot in the corsets and heels so I definitely enjoyed that. Also they zoom in on Rocky's dick and show Columbia's titties so that is also very lovely.

Let's go over everyone's verse seperately.

First there's Columbia. She sings about how things were great when she first started hanging out with Frank but as soon as he started working on Rocky, things started to go downhill. He started giving all his attention to creating Rocky and stole hald of Columbia's boyfriend's brain. Now Frank has even killed him and Columbia doesn't have much to live for. She ends the verse with "Rose tints my world, keeps me safe from my trouble and pain". I'm assuming she's talking about the expression of wearing rose-tinted glasses aka pretending that everything is better than it actually is. At this point it's all she can do.

Second verse is Rocky's. Rocky sings about how he was born only hours ago and how the only thing he has really been taught is sex. Throughout the movie everyone just takes turns either fucking him or abusing him. And of those two things only one is widely considered to be nice. Because of this the only thing he knows to keep him safe is having sex. He ends his verse with the same line as Columbia. To him it means ignoring everything negative in his life and only paying attention to the thing that has brought him pleasure.

Brad's verse seems to be many people's favourite (that includes me). Out of the four, he seems to be the most afraid at this moment. He has found out things about himself that he did not want to know and could've lived a decent life by ignoring, but now he's forced to face the reality that he's queer. In his verse he shows disbelief that this could be happening to him. He begs for his mom to help him and wake him up from this dream, missing his days of innocence and naïvety. After falling to the floor he still says that he feels sexy, possibly for the first time in his life. To this point he has always been just an average American young man with nothing that "special" about him. Now he's dressed up in corset, fishnets, heels and make up and actually feels beautiful and wanted. He doesn't know what's come over him, since as he has probably been told, queer people are perverts, rapists and murderers and suddenly he is one of them. And he didn't get to have the slow realization and time to reflect that many others have. All of this has happened to him in one night. He doesn't sing the line "Rose tint my world" like Columbia and Rocky but it is implied. He just wants to pretend that none of this happened and everything's fine in his life. Also unlike Columbia and Rocky who just kind of stay in random poses after their verses, Brad covers himself up as seen during Janet's verse. I feel like this comment on YouTube puts it well:

Janet's verse is pretty much the opposite of Brad's. She seems to be the only one to be genuinely thankful to Frank for opening up her world. Frank let her break free from the oppressive society and she feels more confident than ever. She also says that "[Frank's] lust is so sincere" unlike any attraction Brad has shown towards her. She also very much shows off her body in this scene, clearly enjoying the revealing clothes she's finally allowed to wear. I'm also going to mention now that in the next songs she says "God bless Lili St. Cyr". Lili St. Cyr was a famous stripper around the time. She again is happy that people like sex workers have made it more normalized to wear revealing clothes.

Don't Dream It, Be It

This is technically Frank's verse of Rose Tint My World, but again Spotify lists them as seperate songs on the ceomplete soundtrack. He starts by telling us about how when he was younger he saw Fay Wray (who was btw earlier referenced in Science Fiction / Double Feature) on TV and started to cry because he wanted to dress just like her. I'm sure this is a familiar feeling to many members of the LGBTQ community, getting gender envy as a kid from seeing an attractive person on TV.

After this he sings about how you should give yourself over to absolute pleasure, including dressing and acting however you want. He also encourages you to enjoy "the sins of the flesh". For any fellow non-Christian's out there, sins of the flesh according to Google include "sexual immorality", sensuality, orgies and "things like these". Many of these things are considered pleasurable by the vast majority of people.

After this he jumps to a pool that just is there. He tells you to be it instead of dreaming it. By it he could mean pretty much anything but I'm assuming it's just general "If you want to do something (like crossdress or have gay sex), you should do it instead of just dreaming about it and dying unhappy."

Also the floor of the pool is painted to look like Michelangelo's painting The Creation of Adam. This is slightly unrelevant but there's a fair amount of proof that Michelangelo was not straight.

After this Columbia, Rocky, Brad and Janet join him in the pool and they all start making out with each other. During this Dr. Scott manages to turn back from stone and says that they must get out of there before he also 'goes crazy' so to say. However it's too late and he reveals his leg so that the audience can see that he's also wearing fishnets and heels, becoming like Frank and the rest.

Wild And Untamed Thing

This song is still in a way part of Rose Tint My World.

Frank gets up from the pool and starts singing about how he's "a wild and untamed thing" and "a bee with a deadly sting". This part feels like it's just about Frank's personality. He is a very short-tempered nonconforming murderer. Then the rest join in on the song and now they're singing "we're a wild and untamed thing". Maybe I'm just imagining it but 5 (6 if counting Dr. Scott) bisexuals in drag on stage singing how they don't fit into society, makes it really seem like "we" means queer people.

Also a fun thing about this song is that by the end of it Rocky's actor can't keep up with the rest an he's unable to lift his legs as high as others or even jump. I just think that's a funny detail.

After this song Riff Raff and Magenta enter the room declaring that they're returning to Transsexual. They're also wearing fishnets which kind of makes it seem like this is a normal attire on Transsexual, but that's not really important right now.

I'm Going Home

This is genuinely the saddest song to me, partially because I know how it's going to end.

Frank sings about how when he left the galaxy of Transylvania, he didn't feel like he missed it. But now on Earth he has seen beautiful things including the blue sky, which possibly doesn't appear on Transsexual as it is described as the land of night. But he realizes that it's time for him to go home. At this point he imagines an audience on the empty seats in front of the stage, showing his desire to perform to large groups of people, even if they never say it out loud.

Sadly he is not going, home and he is killed immediately after the song, ending his life too early but completed.

Conclusion or something

I'm not crying, you're crying.

I feel like I've really said all I wanted about this movie. It's been really fun writing about this movie and why I love it. Though I'm surprised if anyone has actually read this far. This post is 4176 words long by the way. That's longer than my Finnish essay for school.

Thank you, if you read this and I sincerely hope that you'll watch this movie if you haven't already. ♥

#this took me literal hours to write #im begging at least someone to read it #rhps #the rocky horror picture show #the rocky horror show #rocky horror picture show #media analysis by Pihla #queer media #dr frank n furter #frank n furter #brad majors #janet weiss #riff raff #magenta rocky horror #columbia rocky horror #rocky horror #eddie rocky horror #lgbtq #gay #bisexual #transgender #queer #tw noncon mention #tw rape mention #tw swearing

[glitch-pep]

Sooo... you might be wondering... who are these characters, and where are their heads?

Well, the answer to those and many other questions is under the cut.

[Background taken from Ed Edd n Eddy.]

When it comes to Ed Edd n Eddy we have never seen any of the parents entirerly, the most we've seen was Ed's mom from the neck down. So, I've only designed Mina's parents from the neck down.

It's quite silly but I think it also adds a sense of mystery to it. Not even I know what their faces look like, because I've never thought of it.

I'm not gonna give them any names either, I'm just gonna call them "Mina's mom" and "Mina's dad".

I like to stay true to the show for stuff like this, in the same way Mina doesn't have a last name because the kids in the show don't have them either. They mostly never mentioned this stuff because the kids are the main focus, but I still find it interesting.

I'll give ya some info about her parents, and you can fill in the blanks yourself if you want.

Mina's mom is basically the most known parent in the entire show because Mina keeps mentioning her just as much as Eddy mention's his brother. Although, while Eddy keeps talking about his brother in a good light which we eventually find out isn't true, Mina keeps talking about her mom in a more bad light, but as the show goes on we'd slowly catch onto the fact that Mina's mom is an incredibly nice person.

I like to imagine that it's the little details that give it away, like Mina's lunch having her name written on it with hearts around it, which her mom made.

Mina's mom genuinely loves Mina, but she's very concerned about her as well. I mean a child spending the entire day in front of the TV really isn't a healthy hobby.

Which is why she keeps tyring to get her interested in different stuff to get her out of the house more often, which is difficult considering how difficult Mina is.

And this leads to the famous "Mina's mom getting mad at Mina" which Mina tries to avoid at all costs.

It isn't the yelling and messy type of mad, but more of the quiet type. Mina's mom can be genuienly terrifying when she's just looking at her in silence.

And Mina loves her mom as well. But currently she's far too grumpy to admit it.

As for her mom's personality besides being a nice person... I'll just say that she's the kind of person that walks through an IKEA for the entire day carrying 5 bags and she's still enthusiastic and full of energy after it.

Also, I've said it before but she works at a cosmetics shop.

Also, another important thing is that Mina's mom and Jonny's mom are bff's, so that's why Mina and Jonny have to spend a lot of time together (besides because they're cousins). I imagine that the two families often have lunch together or that they celebrate Christmas together, that kinda stuff.

And, finally, onto Mina's dad.

A very mysterious figure as he'd maybe be mentioned once or twice in the show by Mina.

Him and Mina basically always have silent solidarity going on. Whenever he gets home Mina moves over on the couch so that he can watch TV with her, without saying a word to one another which they prefer.

He's known as the electrical wizard of the culdesac, the other neighboors always call him to fix stuff for them. (mostly because they know he'd do it for free)

He works at an electrical shop, where they sell parts for things but also stuff like toasters, washing mashines etc.

As for their marriage It's basically those tall and short person relationship dynamics. :'D

I also keep imagining him buying flowers for her and cute little gestures like that.

I can also imagine that the other adults in the culdesac are secretly jealous of them...

Like how can someone have a such nicely put together life without a million problems?

Behind their backs they probably gossip about how they're faking it and that there's something bad going on behind the curtains, which makes Jonny's family the only one that's truly loyal to them.

And that's about it! I really like the designs I came up with. If anyone can pinpoint what I did with them you'll get a gold star. >:]

#my art #my ocs #my oc's #my oc #mina #mina's mom #mina's dad #ed edd n eddy oc #ed edd and eddy #eene oc #Btw the wedding rings are real gold but the badge and the thing on the belt aren't #They do have enough money for a nice living but they're not rich bgvbv #I just needed to balance the colors-

[maya-matlin]

Hi Ashton, I love your blog and wanted to ask whether there are any ships that you WANTED to like and objectively know are good couples but which you just can't muster any actual feelings for? For me it's Brulian. Like objectively they're great at least starting in s8 when they suddenly rewrote Julian's whole personality and I love that Brooke found happiness. BUT they just don't spark anything for me when I see them on screen, their chemistry is meh, their connection feels forced, and what is with Julian's ongoing obsession with Brooke's high school life and the fact that she was "popular" even when they're in their mid to upper 20s lol! Another one is Steroline. Friends to lovers, personalities that should perfectly complement each other and so on, but in reality they were so flat, and the acting and writing never sold me on them being anywhere close to in love. And the biggest one: Joey/Pacey. Everyone I know adores them and I wanted to ship them, but they just go overboard with the nonstop bickering to the point where they almost never seem truly compatible to me, Joey keeps choosing other guys over Pacey for the final two seasons - even that Eddie guy and then some rando from NY - and I just always feel like there's this imbalance where about 90% of the time Pacey is a lot more into Joey than she's into him? Anyway those are my confessions re solid ships I wanted to love but just don't give me any real feels. I would love to hear yours!

Hi! 💜 Thank you so much!

So to begin with, I definitely agree about Brulian. Their relationship is fine and relatively healthy, but I find it impossible to care about their romantic relationship. It's almost unfair that I compare them to Brucas because objectively, Brooke's relationship with Julian had a much stronger foundation and he treated her better than Lucas ever did. I mean, Julian was in a much better place by the time they became a couple and didn't have Lucas's baggage. But at the same time, so much time was dedicated to Brooke's reaction to her first love betraying her with her best friend to the point she spent years avoiding love. Even when she seemed to think she'd found it such as when she dated Chase, eventually Brooke was forced to realize that it wasn't the real thing and likely just a rebound. I guess I wanted more from their relationship? The chemistry was fine, but nothing special. They lacked the rawness of Brooke and Lucas. Sometimes, chemistry isn't everything. But when the story is nothing special and it's so late into the series AND the chemistry isn't grabbing you, this leads to a situation where it's difficult to root for the pairing even when you want to. But yeah, Julian clearly had some insecurities regarding the fact he was the high school geek and romanticized the idea of Brooke and co's high school experience. Because obviously, nothing could ever be better than growing up in a small, southern, most definitely conservative town where its mayor murdered his own brother.

I can't speak for Stefan/Caroline yet because I've still only seen the first season of the show, but I understand why you feel that way. I've seen that sentiment expressed before. On paper, they're my type of ship, so I'm curious how I'll respond to their romantic relationship. Because so far, I'm really enjoying Stefan's relationship with Elena and hating the inevitable Elena/Damon thing.

Yeah.. I can't agree with your Pacey/Joey opinion at all. But I will say that Joey really suffered writing wise because she needed to be a possible love interest to both Dawson and Pacey. So Joey needed to appear as though she loved Pacey and was committed to him. But at the same time, there needed to be enough doubt and ambiguity that whenever the writers were ready, they could pull the plug and act like it was always Dawson for Joey. Which is basically what happened for like a season. As a result, Pacey appears more into Joey because he had no reason to be conflicted in universe. IDK. I promise I'm not trying to change your opinion. Just trying to discuss what I think went wrong LOL. Anyways, I'm sorry you weren't able to invest in their relationship!

I think my actual answers are likely to be a disappointment, but I'll try.

Fiona/Imogen (Degrassi): Maybe it's because I wasn't super into Fiona's story lines during this time. Maybe I just struggled to care about any relationship that wasn't Zig and Maya's in season 12. But for some reason, I never cared about these two. I acknowledge they were sweet and overall healthy. If I was watching for the first time now, I'd probably be on board. But because I already know how their story line plays out, there's no excitement for me? So I don't see my opinion on their relationship ever changing.

Dallas/Alli (Degrassi): I blame my disinterest on the fact Alli went from boyfriend to boyfriend for multiple seasons. The writers' favorite pastime was luring Alli into a false sense of security before her latest relationship blew up in some brutal fashion. Dallas was boyfriend #5, right after Alli's abusive (brief) husband. It's obvious to me Dallas was truly in love with Alli and treated her the best out of all of her boyfriends, but I never bought it on Alli's end. I feel like Alli settled for Dallas after her marriage came to a shocking, traumatizing end and entered a relationship with him while she was still healing from that. Besides, I think this story line was done even better with Dave, someone I actually believed Alli loved, following her first two terrible relationships. The writers not so subtly traded one, black main character for another and pushed Dave out of the show the minute Dallas gained prominence.

Clay/Quinn (OTH): Overall, the later seasons weren't as well written as the early ones. I feel like there was a certain pressure to immediately establish Clay and Quinn as the couple to root for. Before we were familiar with their individual characters, they were being shoved into scenes together, confiding in each other over Clay's dead wife and Quinn's failed marriage. It didn't work for me? I mean, I felt more watching the flashbacks to Clay and Sara's romance than I ever felt with Clay and Quinn in three seasons. They were fine. It's nice they made each other happy, and they were a cute family with Logan. But I was indifferent to the relationship itself.

Tim/Lyla (Friday Night Lights): To be fair, I've only seen this show once. Everything indicates they'd be a couple I'd like. The chemistry was there. It's hard not to invest in the "guy falls for his best friend's girlfriend/ex" story line unless it's Archie and Betty. The actors were gorgeous together. Tim brought out a more fun, lighter side to Lyla. But I couldn't bring myself to care about them, and I'm not sure why. Something didn't feel right.

#Anonymous #Long post #I honestly couldn't think of any more so I apologize