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#i don't understand why it so seldom is
fideidefenswhore · 1 year
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okay i am still working on that henry percy write-up but another angle i wish was explored more:
very few allow for the possibility that chapuys was exaggerating jane’s support of mary as heir to the throne to the extent he was because he’s gone beyond and arguably to some extent, even against charles’ advice/instruction in his support of jane and active role in the boleyn downfall, over any princess charles wanted him to wed when it became clear there would be a new english queen (consort)....
of course he’s lost face regardless, but the solution to minimize that (basically, for promising different outcomes than resulted and overestimating jane’s influence on henry and the power that would be hers once queen) might have been to repeatedly insist that jane was vehemently attempting intercession for mary and even to reinstate her as heir, but that henry was dead-set against this, and of course, nobody could ever have predicted this (it was within the expectations of the ambassador’s role to predict political outcomes, an element where chapuys was more often than not, an abysmal failure, particularly wrt this timeline)
aside from the one report of the bishop of faenza ( she has five times thrown herself publicly at the King's feet, requesting him to send for his daughter and declare her Princess), who was not the most reliable source of the tudor court, this is not corroborated by any other contemporary source beyond a report that mary sat at the king and queen’s table for meals (much later), and the later spanish chronicle. chapuys’ own eventual face-to-face meeting with jane preceding mary’s capitulation contained commitment from her that was soon interrupted by henry, although of course chapuys attempts to spin this as best he can and save face later when events plummet soon after:
 the satisfaction of this people with the marriage was incredible, especially at the restoration of the Princess to the King's favor and to her former condition [...]  begged her to favor her interests; which she said she would do [...]  I begged him the day before, when he spoke about it, to take care that it did not contain anything which could directly or indirectly touch her right, or the honor either of herself or of the late Queen, her mother, nor yet her conscience; otherwise she would not consent thereto for all the gold in the world [...] Meanwhile I went to talk with this Queen's brother, whom I left very well informed of the great good it would be, not only to the Queen his sister and all their kin, but also to the realm and all Christendom likewise, if the Princess were restored to her rights; and I am sure he will use his good offices therein. [...] the King got into a great anger against the obstinacy and disobedience of the said Princess, showing clearly that he bore her very little love or goodwill [...]  In this case it would be important for the Princess to be declared heiress, at least in case of no male heirs. Has some hopes of this from the demonstration lately made by the King, the Queen's goodwill to her, and the words of Cromwell. [...]  it was proposed to deprive the Bastard and make [Mary] heiress [...]  the matter proceeded so far that, in spite of the prayers of this Queen, which he rudely repulsed, the King called the judges to proceed according to law to the inquest and first sentence which is given in the absence of the parties [...]  I even sent to [Cromwell] several times, when matters were so desperate, to advise the Princess to consent to the King's will, and I have since fully assured him that he should know before two months were over that there was no man in the world who had done better service in this matter than I. /  the danger of interrupting our negociations for amity, in which the English proceed so coldly that I know not what to say /  The ambassador writes that she was a maid of the late Queen, and afterwards of Anne Boleyn; that she is virtuous and kindly and welldisposed to the Princess, in whose favor she has spoken to the King, and that there were hopes of her being declared true heir in the parliament. / They have also renewed and aggravated the statutes against those who should use the name of Pope, which is also treason; and it is said they will cause the whole realm to be sworn again, in confirmation of the statutes against the Holy See, against the marriage of the late good Queen and the legitimacy of the Princess, to whom no one should dare give that title on pain of his life. /  [...] doubted whether he should have any child by the Queen; for which reason he intended, in a few days, to declare the Princess heir of the kingdom /  I think the Princess has acted more prudently, whatever Count Cifuentes and Doctor Ortiz may say, who in my opinion have not considered all the circumstances. /  The Princess is well. Since her reconciliation to her father, she has been treated even with more ceremony than in times past. /  As to the Princess, Cromwell tells me she will be declared heiress apparent without fail. /  She is now served as Princess. /  Chapuis writes on Sept. 2 that the Princess is well, and is served as Princess. 
jane either over-promised or chapuys exaggerated the vehemence of her promise (he certainly did cromwell’s... ‘without fail’ indeed); edward it seems made no commitment at all (none chapuys reports, at least...) and yet he is ‘sure’ he will do his utmost to restore her to her rights. 
the question becomes, what corroborating evidence do we have of chapuys’ reports on this dynamic as he reported? really it’s only mary’s letter to jane, which seems to be in response to a letter of support jane only wrote and sent after mary’s submission/capitulation (the copy of which has not, frustratingly, survived, although mary quotes it partially-- “no less full of motherly joy for my towardness of reconciliation than of most prudent counsel for my further proceeding therein"-- although it seems like jane was only able to keep one promise-- “of your goodness you promise to travel to bring to a perfection” was kept, but her request to “have in remembrance her desire to attain the King's presence” after the initial visit was not met for another five months-- “the delay of the coronation will do no harm except that the coming of the Princess to Court is put off till it takes place”). 
#his advice to mary being connected on a promise elizabeth would be demoted and mary would be confirmed heir by parliament... woof#there's also quite a gap between the reconciliation and mary being received at court#this has been attributed to the plague but it's like...it's not as if she went with them to dover...#chapuys attempts to save face by saying mary has not been invited to court because she won't be until jane is crowned#and then she is. before she's crowned.#i get so much secondhand embarassment reading his dispatches fr like...what DO you know#but yeah so much of this has to be read as an exercise in face-saving#i don't understand why it so seldom is#'received with EVEN more ceremony than in times past'...come tf on?#as in more so than when she was princess and had a huge household in service to her?#she did receive more servants than she had in elizabeth's residences before#but it was definitely still a huge reduction from 'past times'#also it's interesting that he never asked this of anne#it would involve recognition of her which i assume was why he wouldn't but#considering he claims she was the primary influence of her ill-treatment...wouldn't the obvious answer be to request him to favor her#in exchange for imperial gratitude?#*and most importantly; the primary influence upon henry#or even to george as he does here (the queen's brother) considering he thought george's influence on anne and the king were pretty great#also smth chapuys never attempts despite speaking with george a handful of times during anne's reign#*to request anne#it seems like he chose cromwell as the conduit to henry with very little effect#at least insofar as promoting/protecting mary's interests went
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leebrontide · 5 months
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I think one thing we need to address in the US if we want to de-stigmatize multi-generational households that include ADULTS from multiple generations, is that parents need to learn how to have adult relationships with their offspring.
Should my daughter deign to live with me when she's an adult she will not be my some vassal that has to obey my household rules. She graduates into being a peer in setting and managing the boundaries, cleanliness and appearance of our home.
Too many parents want to have relationships with grown ass adults in which the parents maintain control and authority, and in which they leverage money and history to get their way from an adult who, very reasonably, wants to be able to make choices and have influence. And then those parents wonder why their kids keep their distance!
But then people act like I've lost it because I let my 5 year old pick the color of paint in her room- a room I seldom spend time in except to take care of her, and a room in which I want her to be comfortable and happy.
I'm not gonna let her choose a paint color for the kitchen right now, because she's capricious and bad at negotiating so we can pick a color we all like. But when she's an adult, if she's still living here? Why shouldn't she get to influence her environment?
People like to have agency. We limit the agency of children because they make choices without the full ability to understand the results (sorry baby, you are gonna get vaccinated for pollio even if you don't like it. You don't understand pollio).
But limiting an adults choices in their own home, just because you don't think that home should be a real home for them because it's just for you, is kind of an asshole move, to me.
No need to argue with me if you disagree. You can have your own opinion.
But I couldn't treat my kid that way, and I have seen enough to know that not every parent treats their adult children like permanently incompetent interlopers.
I didn't just buy this house for ME. I bought it for MY FAMILY. My baby is my family, and she will be no matter how old she gets.
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transmutationisms · 4 months
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from a non-academic, i find parts of comphet to be useful (heterosexuality becomes compulsory when you’re raised in a heterosexual society) but the foundations . suck. what do we do with theories like this, that have touched on a truth but also carry a lot of garbage? can we separate the truth from the founder?
i have to be slightly pedantic and say that i don't think rich's essay is an example of this phenomenon. my central issue with her formulation is its bioessentialist assumptions about human sex and therefore also sexuality. if i say "capitalism includes economic mechanisms that enforce heterosexual behaviour and exclude other possibilities", then what i mean by "heterosexual" is plainly not the same as what rich means—and for this reason i would seldom formulate the statement this way, without clarifying that i am talking about the enforcement of heterosexuality as a part of the creation and defence of sex/gender categories themselves. so rich and i do not actually agree on the very fundamental premises of this paper! rich was not the first or only person to point out that economic mechanisms as well as resultant social norms enforce heterosexual pairings; i actually don't even think the essay does a very clear job of interrogating the relationship between labour, economy, and the creation of sex/gender; she means something different and essentialist to what i mean by sex and sexuality; and i think her proposed responses to the phenomenon she identifies as 'compulsory heterosexuality' are uninteresting because they mainly propose psychological answers to a problem arising from conditions of political economy. so, in regards to this specific paper, i am actually totally comfortable just saying that it's not a useful formulation, and i don't feel a need to rescue elements of it.
in general, i do know what you're talking about, and i think there's a false dichotomy here: as though we must either discard an idea entirely if it has elements we dislike, or we accept it on the condition that we can plausibly claim these elements and their author are irrelevant. these are not comprehensive options. instead, i would posit that every theory, hypothesis, or idea is laden with context, including values held and assumptions made by their progenitors. the point is not to find a mythical 'objective' truth unburdened by human bias or mistakes; this is impossible. instead, i think we need to take seriously the elements of an idea that we object to. why are they there? what sorts of assumptions or arguments motivate them, and are those actually separable from whatever we like in the idea? if so, can we be clear about which aspects of the theory are still useful or applicable, and where it is that the objectionable elements arise? and if we can identify these points, then what might we propose instead? this is all much more useful, imo, than either waiting for a perfect morally unimpeachable theory or trying to 'accept' a theory without grappling with its origins (political, social, intellectual).
a recent example that you might find interesting as a kind of case study is j lorand matory's book the fetish revisited, which argues that the 'fetish' concept in freud's and marx's work drew from their respective understandings of afro-atlantic gods. in other words, when marx said capitalists "fetishise" commodities or freud spoke about sexual "fetishism", they were each claiming that viewing an object as agentive, meaning-laden in itself (ie, devoid of the context of human meaning-making as a social and political activity) was comparable to 'primitive' and delusory religious practices.
matory's point here isn't that we should reject marx's entire contribution to political economy because he was racist, nor is it that we can somehow accept parts of what marx said by just excising any racist bits. rather, matory asks us to grapple seriously with the role that marx's anthropologically inflected racism plays in his ideas, and what limitations it imposes on them. why is it that marx could identify the commodity as being discursively abstracted and 'fetishised', but did not apply this understanding to other ideas and objects in a consistent way? and how is his understanding of this process of 'fetishisation' shaped by his beliefs about afro-atlantic peoples, and their 'intelligence' or civilisational achievements in comparison to northwestern europeans'? by this critique matory is able to nuance the fetish concept, and to argue that marx's formulation of it was both reductive and inconsistently applied (analogously to how freud viewed only some sexuality as 'fetishistic'). it is true in some sense that capital and the commodity are reified and abstracted in a manner comparable to the creation of a metaphysical entity, but what we get from matory is both a better, more nuanced understanding of this process of meaning-making (incl. a challenge to the racist idea of afro-atlantic gods as simply a result of inferior intelligence or cultural development), and the critical point that if this is fetishism, then we must understand a lot more human discourse and activity as hinging on fetishisation.
the answer of what we do with the shitty or poorly formulated parts of a theory won't always be the same, obviously; this is a dialogue we probably need to have (and then have again) every time we evaluate an idea or theory. but i hope this gives you some jumping-off points to consider, and an idea of what it might look like to grapple with ideas as things inherently shaped by people—and our biases and assumptions and failings—without assuming that means we can or should just discard them any time those failings show through. the point is not to waste time trying to find something objective, but to understand the subjective in its context and with its strengths and limitations, and then to decide from there what use we can or should make of it.
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two-red-butterflies · 11 months
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the bravest soldier | m33
Description: Max Verstappen and his girlfriend go inside a taxi (not knowing that it's a prank set up for him) in which, their relationship is made public.
Pairing: max verstappen/model!leclerc!reader
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yournameleclerc1 he loves himself ladies and gentlemen 💙
tagged: max verstappen
239 comments 123,210 likes
user19: UMM??? Y/N??? baramram3: i smell y/n x max 😳 maxverstappen1: 😆
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"It's more of a red and orange day," he explained, moving his arms around and placing the cap on his head. He fancied himself a fashion connoisseur at home, even helping you pick out outfits for work - but when he was out with friends and the media? The same cap was on his head - the same polo, and it was frustrating.
"I actually feel proud 'cuz I forced you to wear white," you chuckled as he opened the taxi door. "Don't be too cocky, liefde." he rolled his eyes - helping you carry the luggage inside the car.
"Maybe I'll get you to wear red soon," you add - and he gently nudges you inside. "The day that pigs fly - maybe." he laughed, settling his hand on your thigh. The taxi driver in front of you looked familiar - but you couldn't remember where you saw him.
"Oi! Are you Max Verstappen?" the man rudely asks and your boyfriend nods his head. His grip on your thigh tightens - praying to the gods that he wouldn't recognize you. "Yes," he answered politely, playing with the straps of your seatbelt. He was a professional driver but seldom wore it in the passenger seat.
"Very nice eh? Must be the dream." the man complimented, moving his car away from a section of the airport. "We'll be going to ******," your boyfriend informs while fastening the seatbelt around your waist. "If you don't mind - I don't use those digital map thingies. I think that if you wanna be a taxi driver, you gotta know the roads." the man rambled, and your boyfriend continued smiling.
"Yeah, I guess that's the best way to get around things." he replied while playing with his phone. He couldn't believe that the both of you were unlucky enough to score a chatty driver. "How about the girl beside you? Is she your sister?" the man asks intrusively, and a nervous chuckle escapes both of your lips.
"No, she's uhh - my girlfriend." Max confirmed proudly, wrapping his free hand around you. "That very nice," the man nodded his head - trying to get out of a conversation that he started.
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leclercuniverse16: ya'll...check channel 4 💀
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arthurleclercsupporter1192: YA'LL CHANNEL 4 IS LIVE??? HOW DID REDBULL APPROVE THIS?? HOW DID MAX VERSTAPPEN'S PR TEAM APPROVE THIS??? HOW DID Y/N LECLERC'S PR TEAM APPROVE THIS?? I HAVE SO MANY QUESTIONS
charles16ismydaddy: what is going on? i don't have ch 4 - arthurleclercsupporter1192: they were doing one of those gags where they prank celebrities and MAX VERSTAPPEN went inside the taxi with Y/N LECLERC AND HE SAID "No she's my gf" LIKE
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LandoNorris
"Y/n what was that?"
Y/N:
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landaurrnorris12: lando wtf is this 😭 - LandoNorris: had to jump on it before charles finds out
bellawherehaveubeenloca: TELL CARLOS TO TELL CHARLES - LandoNorris: I think Checo would appreciate having a teammate that's alive ✌��
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"I'm sorry, I think I took the wrong turn." the taxi driver apologizes, quickly pulling up a paper map from his pocket. "It's totally fine," you smiled at him, playing Helix Jump on your cellphone. He begins driving towards an empty field - to the right place.
"I'm sorry but I got to take a wee," the man apologizes again and your boyfriend agrees; mumbling something along the lines that he understands. Once the taxi driver was out of the car, Max began to panic. "Where are you going?" you ask and he opens the door.
"I think we should get out," he informed you, taking your seatbelt off. "Why?" you inquire - caught in headlights in the sight of danger. "There might be a bomb here," he explained and your eyebrows merged into each other. "Like assassins sent by Ferrari or something," you attempt to lighten the situation but ultimately - the both of you exit the vehicle.
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Wildunchartedwatteers
Charles getting out of his car to find Max and Y/N
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Y/NL/NWORLDGOSSIP
"Assasins sent by ferrari" Nooooo the enemy (Max Emillian Verstappen) has brainwashed you!!
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After a long ride - you finally reached your destination. Max made sure that you were the first person to exit the car. "What's with the cameras?" the man asked while helping your boyfriend take a few of the remaining luggage inside the car. "Umm I don't know - probably something about a documentary," he shrugged, telling the cameras to leave you out of the frame.
"Wait really? Really?" the man repeated the question while taking his disguise off. An amused chuckle exits your lips - he was one of the interviewers for the sports channel. "Fucking hell mate," Max laughed, realizing that it was a setup. "I thought that you were some creep," he grinned while scratching the back of his head.
"He was prepared to run away," you say from behind the camera. "I hope it's fine that I exposed your relationship," the man apologized - quickly telling Max that it wasn't part of the plan. "Nah, you're fine mate - we've been meaning to tell the public anyways." he comforted - freezing once he sees the faint figure of your brother running towards the both of you.
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seraphiism · 21 days
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𓆩 ♡ 𓆪 ┊ 𝐏𝐒𝐘𝐂𝐇𝐎 𝐇𝐎𝐋𝐄
( tomorrow / either i will murder you / or you will rinse the knife in water )
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chara : arlecchino fandom : genshin impact quote cr : garous abdolmalekian ; ashwarya a/n : i haven't played genshin in forever, this is all based off her character trailer + wiki
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act one : BUT THE STAIN OF A CURSED EXISTENCE IS A TREACHEROUS BEING : HIDEOUS , HORRIFYING , HUMANIZING.
the first time you witness the black that adorns her skin is the first time your heart beats in vast terror. a battle gone wrong, tattered clothes and gloves, and then the reveal of the truest & highest self of a harbinger.
you do not know what to do, what to think. you are unsure if it is the adrenaline of survival that makes the life in your chest ache violently so, or if it is the fear and wanting of the unknown.
arlecchino stands before you, yet you do not dare cast your gaze upon her. you swallow hard, eyes following the drips of sanguine that fall from wretched claws. oh, dearest, how they sink into the hollows of the world, forever fragmented into existence in remnant of death. the blood is too much. it's too much-- the way it splatters across her skin, nearly drenching all black until it is an ocean of madness and crimsons and massacres.
your hands tremble. your stomach churns. you look elsewhere, searching for refuge, but the blood follows, and somewhere in its meaning is the death of those it once belonged to, and that makes your heart beat faster and faster until you feel your mind on the verge of break.
"stand."
the blood is too much.
you listen, but still, you do not look. you are afraid, but you are unsure of what.
a sharpness digs into your face, sudden. harsh. her claws press into your skin-- not light, but seldom hard enough to draw blood. you know very well that she could harm you if she desired, yet she doesn't. she jerks your chin up, forces you to meet her gaze.
"it's ill-mannered to not look your savior in the eye."
your mouth runs dry. something unfamiliar gnaws at your humanity.
"i... am thankful that the blood on your hands is not mine."
and in the abyss of black and red, there's just the faintest trace of amusement in the echoes of apathy.
"a simple thank you would have sufficed."
act two : BUT THE STAIN OF A CURSED EXISTENCE IS A TREACHEROUS BEING : FRIGHTENING , FOREIGN , FATED.
you do not know what draws you to her, this harbinger. it has been a long while since your first encounter, and still, you have remained by her side. you do not know why. you do not know why she agrees to your companionship. you question it more often than you'd like.
she is a complexity of things you have yet to unravel, and truth be told, you doubt you will ever understand her, her past, or who she truly is, and maybe it's better that way. that's what you'll tell yourself, anyway, even if it might hurt.
because she is both safety and danger to you, and you wish that frightened you, but it doesn't. you wish that it would drive you away, but it doesn't. she is no sanctuary, no haven, and though she is lined with cruelty, there is not always a coldness in her heart. you know this.
"i did not save you with the intention of keeping your presence." she tells you one day, and you cannot help but smile.
she washes the crimson off her hands. an all too common sight you have grown to adore. you watch in fascination every time, searching the bright red that fades into an everlasting black.
"yet you do not push me away, arlecchino."
she does not respond. she stares at the bloodied waters, the hazy red a familiarity. in her muddled reflection, there is nothing but vacancy.
"no, i don't."
( she doesn't. she should. you both know this. )
act three : BUT THE STAIN OF A CURSED EXISTENCE IS A TREACHEROUS BEING : ADORED , ADMIRED , ANTAGONIZED.
the world is not meant to be viewed in good and evil, but how it is deeply desired so. it would make things simpler, wouldn't it? the truth would be so easy, the war between logic and emotion dissipated into black and white and seldom gray.
that's what you'd like to imagine, anyway. because even in a world full of good and evil, you do not know where you stand, nor do you know where arlecchino stands. your heart beats dearly for her, but you do not know whether it is with love or infatuation or with warning of the end to come.
perhaps it will be a happy ending. perhaps you will not be in it, whether in death or other means.
you are unsure.
you sit before her, staring at the translucent water in the basin. it has yet to be disturbed by another, pure. your reflection is curious, though you are unable to study it for long. your gaze shifts elsewhere as she grabs your jaw; it is a familiar feeling, the way she forces you to look at her.
it's a dark nostalgia, you think. the blood on her claws, the digging sensation in your face, though much gentler than before. you aren't afraid this time. she stares at you, visage empty. she waits.
your lips curve, subtle. there is a strange exhilaration in the mourning of it all, and one day, you will understand it.
"i wonder," you begin, hand wrapping around her wrist, "when it will be my blood on your hands one day."
something in her expression changes. you barely catch it, but even then, you cannot read it. she leans forward, closes the distance between you, her lips just inches away from yours.
"will you be thankful, even then?"
her grip on your jaw tightens, but still, the claws do not draw blood. you wish it did. you grin.
"of course." you answer, and slowly, you press your lips against hers. "i will always be thankful."
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idyllcy · 10 days
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every time i look at you, i keep turning red
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word count: 7.0k || inspo: The Dismemberment of Zagreus
warnings: nsfw, smut
summary: shade or not shade? minor goddess or goddess?
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Past the gates of Hades and the river Styx, Elysium sits. An endless paradise of homes and greenery in a seemingly desolate land. It was always Zagreus' third stop. He hadn't paid much attention there, Asphodel previously wearing him out. Zagreus wonders not much about the land itself. The prince needed to get past it, avoiding traps he's lived through too many times to count and fighting past foes. He stops occasionally at safe spaces of people he's talked to and always leaves nectar behind as he knows he's going to return. He never makes it that far into the temple. It takes trials through hell and back to escape. It takes time, he finds. So sometimes, he rests in the fields, in a place he knows is far away from whatever traps of death within the realm of Hades himself may await him. A place where no dirt can cut into his skin and damage it.
It was a strange place. The shades wound him, though they didn't pierce the skin of the shades. Skin? The body. The souls, perhaps. The realm of Elysium was never meant to reside in as a godling for long. Though, he had seen multiple souls retain their human form here. It was amusing to him. It had been the closest he had ever been to talking to living people. He wonders if there are any new ones. It was weary, meeting the same people over and over again in the realm. He seldom sees people end up here anymore.
A sigh slips past his lips as he lays down in the green.
He resides in a paradise built for only the best of the best; people whom the gods favored heavily. Since the first three times he had visited his mother, he hadn't stopped to breathe in order to get back up. He fought, raced, and hurled in order to get to where he needed to be. He had to see his mother once more. She hadn't returned with him, and he had unanswered questions he needed answers to. Yet, as he finished with Asphodel, he supposes a quick rest in the grass could not kill him. Well, he wasn't exactly alive either. And, if failed, he would simply return to where he started. It was a cycle he had grown used to, though he fought tooth and nail to make it upward each time.
Zagreus is not expecting to meet someone new on the fourth.
He spots you in the distance, white chiton draping over your shoulders, wrapping snugly around your figure.
A young maiden. You looked no older than him.
He wonders by whom you were favored, but he pauses at the sight of the familiar color. It seemed you had received a blessing in the form of your hair. The streaks of color remind him of his own mother, and he wonders just what you've done to please the Queen of the Underworld so much. You don't notice his stare, but you notice the sword stuck to the dirt, reaching to pull one out of the ground. He wonders if you'll get cut by one. His eyes trail over your hands, and he takes note of how rough your hands seemed to be. They resemble those of his mother's. Perhaps you had been a farmer who worshipped his mother especially much.
The blade doesn't cut you, but you fail to pull it out. He watches newfound determination paint over your features, and his lips part at the sight. You pull the weapon out in two tugs, falling onto the ground as you do. The red on the surface of the blade cracks into green as you pry the sword out with your bare hands. Zagreus can only observe in a mixture of fear and awe. You, a dainty maiden, had pried a weapon out of the sod as though it were a pomegranate. You sat there, staring at the craftsmanship, enthralled by its beauty as he were enthralled with yours. You hear him shuffle, and he leans back into the grass.
Zagreus doesn't understand why you don't approach him nor run away, but he takes it as a greeting. He might see you more often. Perhaps he'll see you on his next quest upward. When he hears you shuffle out of range, he stands up, the wounds on his body healed to some extent. His exhaustion is rested, and he sets off to meet his mother again. Perhaps he'd ask her about you. It was strange to see hair that reminded him so much of his own mother. He wondered if the color had the same texture as his mother's. Ah, but it wouldn't be so kind to compare you to his mother, now would it? Perhaps he missed his mother. That's why he had stayed a little longer to pay attention to you. It would leave him with his next death. There was no other reason.
When Zagreus reaches the surface, his mother shakes her head at his questions. She had no favored child. There must've been something wrong. Perhaps he had seen things while hurt from battle. As Zagreus falls back into the Styx, he wonders if you really had been a desperate hallucination. It had been years since his father had ruled anyone into Elysium. If not blessed, then what was it? Perhaps you had done something during the time that you were alive.
You were a mortal goddess. One of healing, he supposes. He closes his eyes and hears someone shuffle toward him, pressing cold hands onto his skin, and a cooling sensation flowing through his body. When he opens his eyes again, the figure is gone, the wounds on his body mended. There's no ache in his body, and he notices the ambrosia left next to him. It was strange. Had you really been a goddess, you wouldn't be able to die. Perhaps you had fallen out of worship and grown forgotten by the people who once served you.
Zagreus keeps the ambrosia in his pockets. Maybe he'll give you one once he returns.
The fifth time he lies in the field, he doesn't have as many wounds, but he closes his eyes anyways. Perhaps he could catch you. When he feels as though he's waiting an eternity, he hears the grass rustle. Once the footsteps stop next to him, he grabs the hand that's pressed to his back. "Got you," He smiles. You struggle in his grip, and he can feel you grow warmer. "I won't hurt you," He sits up, keeping your wrist in his hand, taking note of how dainty you were compared to him. Your wrist seems small in comparison to his hand.
You blink at him owlishly, fear visible in your eyes. "Prince. M-my apologies. I didn't want to wake you, though I was worried the wounds would cause problems if left alone. Please don't send me to Tartarus..."
Zagreus sputters. "I assure you, fair maiden, that is not the case. I simply wanted to meet my savior. Perhaps you are a godling as I?"
You shake your head. "I am not. The blessing of Apollo's healing was simply placed on me. I am but a minor deity compared to the Olympians."
"So you fell out of worship?" Zagreus loosens his grip on your wrist. You don't seem like you'll leave if he does.
"No," You shake your head. "My mortal body was destroyed in a fit of rage from my father... My prince, how is it that you're able to touch me? I thought shades could not be touched."
"Elysium is a little different from such rules," He mumbles. "Thank you, for the ambrosia, fair maiden."
"It was but something expected," You mumble, standing back up. "My apologies for holding you back, my prince. I heard you are on your way to Olympus."
"That's not entirely correct," He stands up with you, towering over you almost. "But thank you for your healing, fair goddess."
"The Olympians wouldn't be happy with that title you call me," You mumble shyly as he presses a kiss to your hand. "Go on, my prince. May you continue on your journey with the blessing of a minor deity such as I."
Zagreus smiles gently. "I thank you for the blessing, little goddess."
Zagreus climbs back to the overworld for the fifth time.
On the sixth, he has no injury. He's growing better at climbing, yet he still stops by the meadow where you reside. He wants to see you again. Of the few shades that could touch him, he seemed to like you the best. Your fingers were cool against his skin, and he liked the way you warmed when he complimented you. He likes the way you turn dark from his touch. You were tiny compared to him. He was already short compared to both his parents, but you were even smaller. It seemed you were an even lesser goddess compared to him. He liked the feeling of your hand in his. Ah. He'd have to ask mother what that feeling was. His chest was warmer than the gates of the underworld.
"Lovely maiden," Zagreus presses your hand to his cheek, relishing in the cold of your fingers. You feel divine on his skin. As though Nyx herself had blessed you, your skin was cold as his foster mother's. He liked the feeling of your skin on his.
"My prince," you mumble. "What time is this? I feel as though you've climbed for centuries by now."
"Maiden," He whispers. "That is simply because there is no morning here."
"Ah," you mumble. "The days feel long, even in a paradise such as Elysium."
"I can see that," Zagreus smiles. "Well, I shall be on my way now."
"Yes, my prince," You bow. "Please stay safe. May the blessings of a minor deity as I assist you along the way."
"Thank you, little goddess," He presses your fingers to his lips. "I shall see you in my next run."
Zagreus finds himself heavily wounded on his seventh run. His mother had told him to consider talking to his father properly, and he had fallen dead to the overworld again. Ah, he had forgotten to inquire about the warmth from you. He recalls the words of his mentor, though, wondering if that was how his father felt around his mother. Would he have to move you forcibly to his room? No. That would make him the same as his father. He wouldn't like it.
Neither of you speak while he's injured, and you press your palm to his skin. The cold that spreads through his abdomen stings, though it brings him comfort as well. He has grown used to the cold from your hands, and he wonders if you could press it to his hands to heal them as well. Calluses and rough patches of skin from handling weapons have long plagued his fingers and palms. It was a strange feeling, though it has grown to be welcomed. There is something about your touch specifically. His hand reaches for your face as you start pulling away.
"Goddess," He mumbles, pressing his fingers to your cheek.
"Tis your seventh run, yes?" You mumble, leaning into his touch.
"Yes," He breathes, his breath catching in his throat.
"How many more, my prince?"
"I don't know," he presses his thumb on your bottom lip, swiping across it. Your lip seems small compared to his thumb, he can only imagine how small you would be compared to his hands once he lifts you. Ah. No. He couldn't afford such thoughts. He had barely known you, yet he held such affection for you. Perhaps you had treated him just as you treated everyone else. He didn't know a dead heart could race so fast. "Until my mother returns." He purses his lips. "Though it will only be temporary rest. I don't feel as though I belong here, you see."
"Mm," you hum gently, lashes fluttering to get a better look at the prince. "I'm sure you'd have fun, my prince."
"I do," He smiles. "And I get to see you, my fair goddess, each time."
"How flirtatious of you, prince," You mumble, skin warm again.
"Only with you, my fair goddess," He smiles. "This is for you to take," He places a bottle of ambrosia in your hands. "Until I meet you next time, goddess."
Your skin warms from his ministrations. "May the blessings of a minor goddess as myself keep you safe on your journey."
"A kiss, perhaps?" He smiles, cocking his head to the side gently. "If you don't desire it, then it is fine."
"If the prince desires it," you mumble, using his shoulder as leverage to pull yourself to his cheek. You press your lips to his neck for a moment, and Zagreus finds his skin growing red. He turns to stare at you, the blush visible on his skin. You stare up at him, doe-eyed and smiling. "Then I shall fulfill it."
Zagreus wants to defile you.
The thought comes up suddenly as he stares down at you, and his heart shakes erratically in his chest. Maybe it wasn't a heart. Perhaps it was the blood rushing to his head. Yet, as he watches you fulfill whatever he desired, he couldn't help but wonder if you'd give yourself to him. His hand reaches for your lip again, brushing the bottom lip. You stare at him, staring quietly. Ah. He's been staring for too long. Hopefully, you don't mind it.
"My apologies, little goddess," Zagreus lets go of your face gently. "I shall be on my way."
"May the blessings of a minor goddess as I protect you along the way," You bow, and Zagreus heads out to his mother again.
Zagreus pauses while in the colosseum, a recurring thought plaguing his mind. It would be nice to find you after the fights, though he would have to return again. He wonders how far your healing properties can go. Perhaps he could find you once he climbs the next time. He still needed to convince his mother to return to the underworld with him. Once he does such, he'd be able to leave much easier. His father being distracted would also permit him to spend more time with you while he climbed to the surface. Perhaps he could somehow convince his mother to let you roam around the underworld with him while he traveled upward. A companion along his way would be nice. You could heal him when he needed it as well. He'll talk with mother on the matter.
While on the surface, his mother follows him with more questions. Zagreus wonders if it would be possible to remain on the surface for longer. Perhaps he'd build up an immunity to the sun, and he'd be able to stay out for longer. He should bring you up sometime. Though, it seems you didn't exactly die, so you'd undoubtedly be capable of escaping from the underworld. His father would be greatly angered at such a thought. Letting a goddess that fell out of worship escape the underworld? How foolish of a thought.
"My prince," You stare at him as he steps toward you.
"Goddess," He smiles. "I've come to seek advice, since you seem to have seen more than I."
"A lie," You hum. "But let us see if I shall be of assistance to you."
"My father's chambers," Zagreus swallows, and he pauses. Should he be telling you of such a vulnerable room? No. Even if he were to keep it a secret, he wouldn't know the answer until his mother responded to him. "Do you know of the former queen? My mother?"
"The goddess Persephone?" You tilt your head. "It had been a legend, as many of the people believed you were the son of Nyx, but I suppose you wouldn't be escaping to leave if your mother were here."
"So you do know," He mumbles. "My father has a portrait of my mother hung up in his room, still. After so many years."
You tilt your head to hear more.
"I do not understand why."
"It is love," You smile. "For one does not go so far or so to keep a fragment of someone unless they are in love."
"Is that so," Zagreus mumbles. "Would you like to meet mother?"
"My body is supposedly bound to Elysian," You smile. "Unless the prince was considering abducting me?"
"I do not see why not," He shrugs. "Tis tradition in this house." He smiles cheekily. "As my father had abducted my mother."
"But you do not love me," You watch him as he presses the back of your hand to your lips. "As your father loves your mother."
"I would move you to the office of Hades myself if I could," Zagreus nods, and you press two fingers to his head.
"May the blessings of a minor goddess as I keep you safe on your journey once more," You bow as he steps off.
"Ah," He turns around. "Before I forget." He steps over to you, handing you a bottle of ambrosia. "Would you be willing to move to my chambers if I could move you?"
"We shall talk about that once the chance of such an event occurs," You smile, and Zagreus watches the faux wind brush your hair.
"Of course. Thank you, little goddess," He returns to the arena once more.
In such a way, he supposes Asterius and Theseus have grown tired of his attempts at escaping, though they go no easier on him than they always have. The metal of his weapons clashes against theirs, and he does wonder if his proposal to you could ever go beyond a fleeting thought. Though, as he defeats the heroes once more, he stands and stares at the drops. Perhaps he could bring that up once his mother returns. His father's mood might soften if that were to occur. But alas, pointless thoughts are worth nothing until they follow through.
Zagreus talks to his mother, questioning as to why his father would even begin to keep a portrait of his mother with him. His mother's response is the same as yours, and he pauses at the realization. His mother seems to catch on, and he curses himself as he falls to the river Styx again. He's wasting his time thinking about you while on the surface. His mother is considering it, sure, but gods, he's about ready to steal you for himself. He's sure you'd look much prettier under the sun. He's nearly jealous of your worshippers. Though, he wonders how a foolish thought as such could even plague his mind.
"I have been told," You start, fiddling with your fingers. "That this is not your ninth run, but perhaps your hundredth, my prince."
"That is an overstatement," He hums. "I have lost count as death is not new to me."
"It would seem so," You mumble. "For death is foreign to me."
"You had not passed?"
"The sleep reincarnate had quite the time trying to find my name," You smile. "Hades himself had to welcome me into Elysium since he could not send me back to the overworld."
"Would you like to join me?" He traces circles on your hand. "Since you are not bound there."
"I will be of no help in the arena with Asterius and Theseus. I shall simply wait for your next climb." You shake your head.
"No warrior experience?" He finds it almost baffling. "None?"
"I have fought," You swallow. "But I do not enjoy it, my prince."
"I see," He mumbles, staring at your robes. "Then I shall come find you in my next run."
"I see," You smile. "Please convey my words to your mother. I feel as though the underworld misses their queen, my prince."
"I see," He nods.
"May the blessing of a minor goddess as I," You grab his hand, pressing your lips to his knuckles. "keep you safe on your journey once more, my prince."
Persephone entertains the idea of possibly returning to the underworld. The last words she leaves Zagreus with make his heart flutter at the possibility of his mother returning home with him. He's elated. Once he does, he's sure he'll be able to have her meet you and possibly move you around with him. The idea brings a smile to his face as he talks to Hypnos. The sleep incarnate grimaces and sends him on his way, napping once more as a result. Zagreus doesn't understand why his heart races as he opens his arms for you.
You crash into his chest gently, sighing gently at the feeling of his arms around you. Zagreus thinks you're a little cold, but it's a welcome contrast to his warm skin. His fingers press against your back, and you smile softly. It doesn't reach your eyes, but your body relaxes in his touch, and Zagreus can't help but wonder if something had occurred for you to touch him so willingly. He lets you rest on his chest, and he presses his fingers to the back of your neck. You squirm at the sensation, and he smiles. "Did you miss me, little goddess?"
"Yes," You mumble. "You took time this run, you see, my prince."
"My apologies," He presses a kiss to your hair, and you giggle.
"How was seeing your mother?" You peel yourself from him, lashes fluttering up at him.
"It was nice," He hums, letting go of you. "Are you still willing to reside with me in the main castle?"
"Perhaps once you accomplish your goal on the surface of the earth," You tap his chest mindlessly. "Will the queen return?"
"Perhaps," He closes his eyes, pulling your palm to his cheek. "Will you meet her with me this time?"
"Perhaps," You mumble. "Though, I can not return to the surface with you. It will be of no help."
"I do not mind bringing luggage with me," He lifts you from the ground, grinning as you yelp. You sit on his right shoulder as he rushes to the arena. "If you do not wish to fight, then there is no need for you to."
"I can fight," You swallow, the blade on your thigh.
"But you do not like it," He hums, pulling you to the side. "Just watch me and heal from the sidelines. Please, little goddess." He brushes your hair to the side, and your breath catches in your throat.
"If that is what you will, my prince." You mumble as he carries you off to the arena. A part of you were terrified of Hades's booming voice as the first time, yet Zagreus' arms keep you secure. He couldn't pass with you around. You hadn't passed away, and the healing you provided raised his defenses. You prayed that he would survive with you as luggage. The mere thought of having to battle on your own terrified you. The sight of blood was already a tightrope to walk on.
Your prince fights valiantly, the battle long engrained into his muscles, and he finishes his job with precision. The blood on his skin does not belong to him, but rather his opponents, and the good shade cheers. Your fingers drum against your skin nervously as the gate to the Temple of the Styx opens. The prince offers you his hand, and you follow him. You fear for your life. There were rumors that the gate to the surface was guarded by Lord Hades himself, and you did not wish to meet the god again.
Zagreus passes with you on his shoulder, and he finds that you are much lighter than he thinks. It was as though your bones could break at any moment. He didn't like it, though he was glad you hadn't complained about how quickly he was rushing through. He wanted to meet his mother. Perhaps he'd get his father's blessing along the way, though, he would most likely attempt to send you back to Elysium. He wouldn't let him. It wasn't any more of an act of defiance compared to escaping to meet his mother.
Zagreus reaches the gates to the surface with you still on his shoulder, and his father pauses at the sight. His son has a shade on his shoulder, and he contemplates letting his son out even at all. Though, he recognized the shade. It wasn't a shade, it had been a goddess who had just floated down the River Styx. He supposes letting him go would not hurt, though it would definitely cause a hit to the reputation of the underworld.
"Zagreus," Hades' voice bellows. "What is with the shade?"
"She is not a shade," Zagreus swallows, and he presses his hand to your trembling thigh. "She is a goddess."
"Goddess or not," The king of the underworld roars. "I can not let her escape."
"I am taking her to meet mother," Zagreus grumbles. "If you do not let me pass, we will fight as we always have."
You avert your eyes from the King, and Zagreus' grip on you assures you of your safety. You had not thought he would be so honest with his words. The heat creeps up your cheeks, and you attempt to tune out the King and Prince's conversation. You can feel the heat from frustration radiating off of his body, and you press your palm to the back of the prince's neck. You hope that'll calm him down to some extent. It works, and the prince starts negotiating. The heat at the gate lowers, and you whimper as Zagreus finally rushes out with you.
The overworld is much colder than the underworld. You had forgotten it was near winter, and you tap the prince for him to let you down.
"I promised father to bring you back," He mumbles, holding onto your hand instead. "So you must stay attached to me."
"Of course, my prince," You mumble, stepping onto the grass. "How long do you have?"
"Until I pass," He smiles. "You must return from the styx with me, though."
"I can return through the gates," You follow him as he rushes through the hill to his mother's abode. The snow crunches under your feet, and you glance at the burnt grass from Zagreus' feet. You hadn't paid much attention to the prince, yet it came as a surprise that his feet left ashes in the green. Perhaps his mother had cast a spell in her garden? You try not to think much as the prince leads you to his mother's home. You were undeniably a little worried for meeting the queen of the underworld.
"Mother," Zagreus lets go of your hand, and you stand there, glancing around the garden.
You space out for much of the conversation, rocking on your heels, staring around at the overworld. It has not changed much. You wonder how your people are doing, though they are far from the gates of the underworld. Your eyes linger at the edge of the cliff, and Zagreus' voice cuts you out of your trance. "Mother, this is a minor goddess that ended up in the river Styx," Zagreus pulls you to his mother, warm hands on your shoulder as you smile awkwardly.
"It's... a pleasure to meet you, goddess," You bow.
"Well, there are no need for formalities as such," The goddess smiles. "I remember you. I had visited your temple once."
"I am honored, your highness," You bow in embarrassment. "That you had received the help of a minor goddess as I."
"There is no minor nor major," The queen helps you up, and she smiles. "For we all take care of people."
You flush with embarrassment. "Thank you, my queen."
Your skin warms as the two of them help you onto Charon's boat, and you listen curiously to the sounds of Orpheus and Euridice. The boat rocks rhythmically as you stare at the passing scenery. The green of Elysium is familiar to you, though the lands of Asphodel and Tartarus are foreign to your eyes. You note the screams, and you stare almost longingly at the ever-fading sunlight. Zagreus takes note of it, though he wonders if there were ever a chance you could remain in the overworld. Both of you know that is just foolish wishing.
As the boat stops at the gates of Hell itself, you pause to stare at the gates. They're a terrifying height to you, and as the queen of the underworld herself bellows for the opening of the gates. Zagreus squeezes your shoulder assuringly as he presses his palm to your back. You trail through the gates, next to the prince, swallowing unconsciously as Hades greets his wife and son. You reach for Zagreus' hand instinctually, shaking slightly as his hand clasps you. He rubs gentle circles on the back of your hand as you space out, thinking about your home in Elysium. Though, it seems as though Zagreus does not wish for you to return. Even as you return to the main hall with him, Zagreus does not let go of your hand.
"Goddess," He mumbles. "We shall be throwing a banquet for the olympians. Would you like to join?"
"There is no need," You mumble. "When shall I be returning to Elysium?"
"Do you wish to return to early?" The prince whispers sadly, and you whimper.
"I am worried that Lord Hades will grow angry," You try and explain yourself.
"If he does not, will you stay with me?"
"If it is my prince's will," You avert your eyes, and the prince smiles.
"Then by royal order, you are to stay next to me at all times."
"Even while my prince escapes?" You fiddle with your fingers, letting go of his hand.
"Even while I escape," He presses his hand to your hair and runs it down your back. "You are to stay with me."
"Yes, my prince," You don't know how to feel about it. Though, it seems to be an issue that only you worry about. The preparations for the party are done by Lady Persephone and you, adjusting the tablecloth and food. You help pick the wines, the queen herself growing the grapes, and the underworld quickly hurries to vitalize. It feels very alive, a place that seemed to be no more than death itself. You had never seen Hades work so much on things other than dealing with shades. You're almost impressed.
Zagreus helps his mother adjust the tables in the dining room, and the amount of preparation that goes into the welcoming of the Olympians is baffling. You help around when you can, organizing plates and tasting the food. Zagreus stops you from having a sip of ambrosia while preparing. You bat your lashes at him, and he shakes his head. "There is alcohol mixed into it, fair goddess." You listen, setting it onto the table as he rushes off to help his mother. You smile at the two; after all, he was a mother's boy. You wonder if you had parents of your own, but you brush the thought off. It did not matter.
Once the party ends, you don't complain as you clean up with the other servants, and you don't complain as you wash dishes in River Styx. You find it amusing that you were washing dishes in the river of the dead. The boon of Lady Persephone herself keeps you from decaying, and Zagreus helps you out, drying tableware as you finish the last of the mess. The rest of the castle is restored, and you collapse onto Zagreus' recliner, exhaustion worming through your body. You curl in the cushions, the exhaustion knocking you out. You could worry about other things later once you wake up.
The prince of the underworld steps back into his room, frowning when he couldn't find you after you rushed off to the kitchen. He wonders if you had been sent back to Elysium or attempted to flee. After all, you had looked sad when you boarded the boat to return. He's glad that isn't the case when he finds you on his bed. Your chest rises and falls, the fabric of your chiton barely doing anything to cover your body. It slides down your shoulder, and Zagreus bites his tongue as he shifts it back up your shoulder, covering you. He lifts you from the recliner, placing you in bed gently, as if scared you would break from his touch. Your skin is cool against his as he wraps his arms around you hesitantly, and he closes his eyes. It had been a while since he had fallen asleep.
You wake to warmth pressed against your back and a sweaty body. You don't recall Zagreus' room being so hot. Was Tartarus burning all of a sudden? Perhaps Asphodel had overflowed once more. Yet, as your eyes open and you stretch your arms, you find that you're in the arms of the prince, his head pressed into your shoulder. You pause mid-stretch, and you lower your arms, shuffling to face him. The sheets rustle as you press your ear to his chest, eyes closing again at the sound of his heart. Huh. You didn't know dead people had heartbeats in the underworld.
Zagreus wakes again, sighing at the coolness of your skin. He glances at your new position, and he lies there, staring up at the ceiling. His mind wanders as you lie on him, and he brushes your hair to the side. You look pretty in his arms, and you were all his. You stir in your rest, and you blink drowsily at the male. "Zag?"
"Good morning, goddess," He smiles. "Did you rest well?"
"Very much so," You mumble, tapping his chest gently. His eyes meet yours, and his lips pull into a grin. You look dazzling. He moves his hand to your cheek, tracing the bags of your eyes. Your lips part, leaning into his touch. You contemplate your words for a moment, the prince hanging on the apprehension. Your next words cause his smile to broaden."May... I have a kiss?"
"Yes, goddess," He whispers, lowering himself to press one to your lips lovingly. You wrap your arms around his neck, whimpering at the heat from his hands. His eyes stay half-lidded, and his tongue swipes your bottom lip. You part your lips, letting him press his tongue to yours, sticking closer to him. Zagreus leans further into you, heart ringing in his ears. He whimpers as you move your hands to press to his chest, and he pulls away, the coolness of your skin burning his. He pants, staring at you through his lashes. "What's wrong?"
"I want more," You whimper, squirming as he presses his hands to your waist. Zagreus' face lights up. You seldom asked for more. You must be tired, his pretty goddess. He'll take care of you properly. Anything for you, after all. He pulls the blanket from your shoulders and lifts you into his lap.
"On top or on the bottom, darling," He mumbles, and you reach for his wrist.
"Bottom, please, Zag."
The prince spreads you on the bed, pulling your thighs apart as you ease into the pillows. You chew your bottom lip nervously as he presses his fingers into your legs. You grow embarrassed from his actions, skin flushing.
"Don't do that," You whisper.
"What's wrong?"
"It's embarrassing," You hide your face, and the prince smiles.
"There is no embarrassment," He pulls you to his face by the thigh, and he presses a kiss to the inside of your leg. "You are the lover of the prince of the underworld. There is no shame in a place as this." He lifts the cloth from your legs, scrunching it up. "I'll make sure that you are aware of this, goddess." His fingers trace the outer lip of your labia, thumb meeting your clit to get you wet. You grip the sheets, desperate to cum not squirm. Zagreus is making it increasingly hard for you, your breath quickening as he slides a finger into you. Your thighs squirm to close, and he uses his arms to keep you open. Your struggling falls on deaf ears. He stares in curiosity at the way you coat his fingers. "You're gorgeous, darling." He mumbles, kissing your clit gently. You flush with embarrassment.
"That's embarrassing," You whine again.
"I told you, darling," Zagreus presses his lips to your pussy, pulling his fingers out to keep your legs apart forcibly. "There is no embarrassment to being my lover." He can't see you, but he drinks in the sounds you make as he goes down on you. The room fills up with your gasps, and he moans lightly as your fingers thread through his hair. He presses his tongue flat again, and you whimper as he bites on your clit. You're not sure what happens next, but as the prince goes back down on you in a blur, your legs are tightening around his head, your orgasm crashing down on you. Your lips part, a silent sob slipping past your lips as Zagreus pulls from you. He swipes his fingers across his chin, collecting the slick from your cunt.
"Still embarrassed?," His face drops, and he leans into your face.
You whimper. "N-no."
"Do you want to go all the way?" He stares at the mess on the sheets, and you whimper.
"Yes," You whisper. "I... feel as though I've made you wait long enough."
"Do not think that you are required to satisfy me," He whispers, staring into your eyes. "Never. This is about your comfort."
"I am sure, my prince," You mumble, fingers pressing onto his chest again.
Zagreus pulls his robes to the side, and he gives you one last stare, only pulling you to him as you nod. You're nervous, understandably so, and the prince eases into you, lashes fluttering to stare at you while you stare at where he was sliding into you. He's glad you're wet enough, and he pauses once he's inside of you, rubbing comforting circles onto your waist as you reach for his hand. He entwines his fingers with yours, letting you play with his fingers as you adjust to his size.
You're full. You feel yourself filled to the brim, stretched beyond how you've ever felt with your fingers alone. You fiddle with the prince's hand, the heat from his body warming yours. You wrap your arms around his neck to feel closer to him, and he leans onto you, hands caging you to keep his body weight off of you. You take the moment to stare at his arms and pecs, biting your bottom lip as he shifts himself in you. You exhale, curling upward to his collar, biting quietly. The prince cocks his neck to the side to give you more access, and you bite down, the male moaning. You suck quietly. You wonder if you could ask him to play with his chest another day. He might think it's too much for the first time.
Your lips let go of his neck, and you lower yourself back onto the mattress. "You can move now, my prince."
Zagreus moves slowly, worried that he would break you if he were to move roughly. You can feel him with every drag, sweating. "You're, hah, so dazzling, goddess," The male moans, hissing at the feeling of your nails rake down his skin. You whimper as he drags himself inside of you again, and your eyes are glazed over with tears. Zagreus finds that you look divine like this. The mixture of sweat and spit on the two of you causes your skin to glisten, and his half-lidded eyes flick over your body. You look ethereal. Ah, not even the skies of the overworld could rival your beauty. He can't believe he gets to have you like this.
You gasp and writhe under him, broken sobs cracking out of your throat as he thrusts into your repeatedly. You feel his sweat build up under your nails, yet you don't mind. Every inch of your body is on fire, and you whimper at how full you feel. You feel every inch of him drag through you at each thrust, and your toes curl behind him. It's drunkening. Your body is a mess from him, the cum staining his sheets, yet Zagreus doesn't stop. Your arms fall above your head, Zagreus entwining his hand with one of yours. You feel embarrassed, trying to muffle your voice in his pillows. "Zag... Zag... Ah, Zahg" You gasp as he presses his chest to yours, forcing your eyes to meet his. "I'm going to... hah... cum... please..."
Zagreus presses a kiss to your collar, his thumb moving down to meet your clit. You were calling his name so sweetly, how could he not comply? Your back hits the bedding again, nails digging into his shoulders. You moan and babble incoherently as he speeds up, and you cry as your orgasm hits. It jolts down your spine, your pussy clenching on him, causing the prince to curse on your skin, fucking you through your orgasm. You cry from the overstimulation, and the prince strings apologies into your ears as he chases his own orgasm. "Zahg... nn," You cry. "It feels weird... a-ah," Zagreus presses his lips to yours, finally feeling himself cum as your nails dig back into his skin. He doesn't think much as he forces himself into you deeper so that his cum stays, and you finally relax onto the pillows, tear stains visible on your cheeks.
"Sorry, darling," He mumbles, pressing a kiss to your cheek, licking the salt curiously. "Are you alright?"
"Yes," You whimper as he pulls out. "I'm fine. Thank you, my prince."
"Rest again, my goddess." He mumbles, kissing your forehead. "I shall take care of you."
"I'm sorry," Your eyes shut. "My prince."
"There is nothing for you to apologize for," He pulls the covers over you once more, and you drift off.
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seyaryminamoto · 2 months
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Azula's most overlooked characterization element
Why, hello there.
It is I.
And I'm back on my bullshit.
I didn't WANT to be. But a bunch of factors pulled me back in.
For the record: I'm not here to start any fights or light the fuse of arguments that I most likely won't have time or interest in responding to. What I AM here for... is to prove that there's something out there a bunch of people are delighted to sleep on because acknowledging it would render maaaany simplistic interpretations entirely invalid...
That group of people includes the fandom, of course. And the original show's staff. And the liveaction's staff, to a fault. Surely the TTRPG ones too. And absolutely, the comic book writers.
Hell, I'll even include MYSELF in that group, even though I'm making this post right now.
I found it really curious that I very recently saw this element mentioned in a pretty neat blog I follow, @atla-lore-archive, I absolutely advise anyone who hasn't checked out said archive to do it if you wish to understand a lot of the "extra lore" the fandom had access to, back in the old days when the turbonick ATLA site still existed and used to be the only source of deeper knowledge about the fandom besides the occasional interview that most people didn't even know where to track down.
But the funny thing is that the post I'm talking about proved that even Turbonick forgot about the people this post is about :')
And that would beeeeeeee...
*cue drumroll*
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Lo and Li!
What makes Lo and Li an important subject to discuss?
Why, a lot of things. Among them, the fact that almost nobody brings them into the core focus of any analysis made about Azula's character. I've personally mentioned them once or twice I believe, mostly as negatives, there's but ONE positive aspect I've ever found of them: them being non-benders MIGHT be a reason why Azula isn't shown as being quite so obsessive with firebending supremacy as Zuko was supposed to be.
But that's very much the sole good thing I can think to say about them and it's completely subjective, as good as a headcanon, because we don't even KNOW if they influenced Azula in that sense!
Why do they seem to get overlooked quite as much? Why... let's start thinking about it, shall we?
Lo and Li are Azula's firebending teachers. As far as anyone can tell, they're also her advisors. These two people should be an essential part of Azula's life... but ironically, we seldom see them with her. Most times, Azula isn't around these two. Whenever she is? It doesn't usually look like she's having a good time.
And that's no surprise, considering her first scene with those two very much puts forward a dynamic of cold distance between Azula and her mentors: Azula is bending LIGHTNING. We have not heard of other lightningbenders until that point, and once the full show wraps up, there's only THREE (Azula, Ozai, Iroh). Out of those three? Only one is a fourteen-year-old girl. It's very easy to assume Azula's lightning is actually a skill she mastered unusually early in life, perhaps relatively recently, hence the practicing... but she's pulling it off. She's succeeding. She's doing something that genuinely catches a first-time viewer off-guard!
And Lo and Li's entire opinion of what she did is: "Almost perfect. One hair out of place."
This tells you the Fire Nation's idea of "imperfection" is... insane. Strict. Imposing. Unyielding. Unforgiving. Azula's reaction isn't to get angry at Lo and Li for saying what they did: it's to get angry at herself and try again.
But... that's not the only instance where we see Azula getting angry around Lo and Li.
The next few times Azula is around them, she doesn't seem to have much of an emotional reaction (one is when they tell her to find other allies, the other when they herald her as a great hero who returned home from Ba Sing Se). In the second of these scenes, Lo and Li are praising Azula as incredible, beautiful, all sorts of grand things...! And Azula smiles. She smiles at the crowd. She's not smiling at the old ladies who are praising her... she's mostly just happy to know her people are welcoming her as a hero indeed! Most the fandom would go "true! what an ungrateful bitch! She should've been happy that Lo and Li complimented her that way!!" Me? I wouldn't say that at all. Not just because I love Azula to pieces? But because the only information we have of Azula's dynamics with these two... doesn't seem compatible with the idea that what Lo and Li are saying here is for AZULA'S benefit.
Anyone who's had a hypocritical parent/caretaker/teacher must have endured awkward, horrible, unpleasant moments where this adult figure treats you like shit in private but in public holds you as this grand example, and a perfect child, and they never seem to stop saying they're soooo proud of you even though you NEVER felt that what they're saying is true. Maybe the first few times, you're naive enough to believe it. By the tenth time of incongruent messages? You start to realize they're talking you up as a way to make themselves look better. They're trying to show they're doing their job at raising you/training you, be it whatever it may. The praises are not FOR you... they're for a third person to hear and think "Oh, this adult's so cool, saying nice things about this kid they're responsible for! Nice!"
... You're starting to get the picture now, I'm sure.
Lo and Li reappear in the Beach. Azula is notably chill, enjoying the ride, talking casually with Ty Lee, telling Zuko to lighten up and to stop taking Ozai's choices personally, right? She seems... content. Relaxed.
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Then, everything changed when Lo and Li attacked.
We don't even see why Azula is making this face at first. But she does it AT ONCE when their ship reaches the dock.
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Who is there indeed...?
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The stars of our post! :') if it isn't our elderly twin ladies... who brought Azula to a very disappoting beach house. And when Azula sees the house in question, she makes THIS face.
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Judge however you may... even Ty Lee is weirded out by the beach house, going by that expression. Zuko and Mai aren't impressed either. But Azula? The look on her face isn't merely disappointment if you ask me... part of it looks a bit like embarrassment too? This isn't at all what she was expecting when she arrived (she has her old beach house for standards, which makes this extra underwhelming, I'm sure). She counts on Lo and Li to provide them with a place to stay, it goes implicit... and then this is what they do. It most likely isn't what she promised the other three in terms of where they'd stay, hence, I'd dare say there's a component of embarrassment here.
Shortly afterwards, we have our well known scene with Azula being utterly unconcerned with Lo and Li's apparent wisdom to the point of yawning over it. This, too, tells you she's just not interested in whatever those two have to say or bring to the table. Then, they show up again at mealtime and I think Azula just ignores them the whole scene.
After this? Lo and Li vanish until the finale. And what do they do in the finale? Why... it's the first time anyone expresses a verbal concern over Azula's wellbeing! Ah! A sign that Lo and Li have SOME affection for Azula! This time, you pesky Azula fans, you CAN'T twist this into a bad thing! For sure!
... Can't we, tho? :')
What IS Azula's reaction to: "We are concerned for your wellbeing"?
"My father asked you to come here and talk to me, didn't he‌? He thinks I can't handle the responsibility of being Fire Lord. But I will be the greatest leader in Fire Nation history."
And here, my friends, is when we have finally hit the jackpot.
Lo and Li could have been Azula's Irohs. She could've had TWO of him! Then you'd say: "hey! Ozai is such a dick he let Azula have two elderly wise ladies guiding her but only gave one old wise dude to Zuko! Rude!" and it would be further proof of Ozai's favoritism of Azula, right?
... But actually?
Lo and Li are no such thing. Lo and Li aren't moral compasses for Azula in the least. Lo and Li are not beacons of wisdom that genuinely help her sort her way through life. Worth noting: THEY COULD HAVE BEEN WRITTEN THAT WAY. They're not. They're not part of mysterious secret societies, they don't help Azula in any objective, significant, tangible way... there's very much nothing to say they EVER fulfilled the role Iroh did for Zuko. What role, then, were they fulfilling instead?
Why... I think we ought to listen to Azula, shouldn't we?
My take: Lo and Li are OZAI'S STAND-INS.
Someone's going to say "hey why would you assume that when Azula said this in the middle of a breakdown?? Surely she was just DELUSIONAL and PARANOID and ashdgkadhsgkjgh...!"
... Let me counter that one with a fun little analysis excercise:
WHY are Lo and Li Azula's firebending teachers and advisors?
The finale very directly tells us these two are not benders. We could've assumed they were! They're not: Azula's teachers are non-benders.
Has a single person out there ever asked themselves WHY this is the case?
How the hell is Azula, prodigy of the blue fire, epic lightning, cruel and powerful and precise and deadly bending... training under two elderly nonbenders?
Bringing this to a real-life example: do you remember what it was like when you were in P.E. classes and your teacher told you to spend 20 minutes jogging, and if you ever stopped you had to do 20 crunches and then get back to the jogging, and every time you stopped he'd tell you the same thing and you'd want that guy to vanish from the face of the planet? I don't know if that was only my experience, but I rather doubt it.
What did kids typically think/say when that happened?
"I wanna see that old fart doing the same shit he's making us do..."
It's a headcanon indeed to say that this is how Azula must have felt over Lo and Li, but it's VERY likely to be the case. But I'd dare say, in Azula's case, it's even worse because, to put it in another way? It's like taking programming lessons from someone who's never learned a programming language. They'll tell you you're getting things wrong without knowing how to help you get them right because they just DON'T KNOW what you're doing, and are outright INCAPABLE of what you're trying to achieve. They can't offer good guidance based on experience because they have ZERO experience on that subject! And yet they want PERFECTION from you! They expect it!
Lo and Li are these teachers for Azula. We only see them in one scene? And yet everything in the rest of the show suggests that they bring nothing important to the table for Azula, be it professionally, be it personally, be it emotionally... not in any aspect of life.
And this, if you ask me, is why the OG show barely ever brings them into scenes. Why the comics flat-out forgot they existed and even featured people like Sozin and Azulon in Azula's beach hallucinations but NOT the two ladies who looked after her and trained her. Why the live-action didn't even FEATURE them.
And us? The fandom? The fic writers?
I HAVE NO IDEA WHEN WAS THE LAST TIME I READ A FIC THAT HAD LO AND LI INVOLVED IN IT.
I'm not even saying as main characters, I don't even know if that exists, frankly: I mean as minor, or background characters. I have NOT seen those two be used in basically ANY fics I've read. I've scarcely used them in mine! In fact, I PURPOSEFULLY got rid of them early on in Gladiator because I didn't want them to sabotage and get in the way of Azula's progress as a character and I believed they'd do exactly that. They were an obstacle rather than anything useful, so I did away with them and then realized they could still occasionally serve some purpose in certain situations: I even had Azula visit them once and they were actually helpful! Fancy that! But... that's it. That's as far as I could go with them. I can't do MORE with those two because they're not characters one particularly feels compelled to work with.
And from what I've seen? That's the case for everyone.
So, I ask again:
WHY ARE THEY THERE?
WHAT IS THEIR ROLE?
WHAT IS THE POINT OF AZULA HAVING NON-BENDING TEACHERS?
Let's go further and further into logical thinking here, shall we?
Azula is a child. Fourteen years of age at the time she's introduced in the OG show.
Azula has no power over many things around her, particularly, her upbringing. That's in the hands of the adults around her. Her mother, up until she vanished, had some hand in it, then, it all falls to Ozai.
Ozai has been Azula's sole parental figure since Ursa left.
Ozai is the one who would reasonably call the shots regarding Azula's education, as all parents are wont to do... ESPECIALLY when he's a king with absolute power over his children.
... so, Lo and Li? Ozai either gave them the position as Azula's teachers personally, or someone else (Ursa) did, and Ozai either didn't WANT to remove them from the role (cue "Ozai being sentimental over Ursa" theories), or Ozai didn't give a flying fuck about who was training his daughter (cue "Ozai is an abusive dick without a heart or a brain" theories).
Anyone, of course, would likely interject here to say surely Ozai ALSO trained Azula himself because that's what he'd do with his favorite kid, right? See. I don't even disagree with that notion.
BUT IT'S A HEADCANON.
We have zero evidence that Ozai trained her! None! I totally will write that into Azula's backstory in many of my stories, but there's NOTHING in canon to suggest this actually happened and that Ozai was genuinely, actively, frequently involved in her progress as a firebender. Assuming he HAD to be is, still, a headcanon. You can't say that with any more certainty than mine when I say I believe Azula loves spicy foods. Does it seem to be something that would fit with her character? I think so! But if eventually canon goes "AZULA CAN'T STAND SPICY FOODS LOL JOKE'S ON YOU!" I... can't even say a thing about it. People's food tastes aren't reflective of their personalities. They really could do whatever they want in that respect. And that's the case for ANYTHING that isn't part of the show's storytelling or the character backgrounds or any texts we consider canon!
POINT BEING: Ozai, regardless of what you want to headcanon, had Lo and Li as Azula's teachers. HIS FAVORITE CHILD... and her only official instructors are two non-benders. Yang added Kunyo as an old instructor of Azula's when she was young, sure! But Kunyo was sooooo qualified that baby Azula was already kicking his ass. So, for that matter? He doesn't really seem to have been a cornerstone of her firebending development and the only other known teachers for Azula are Lo and Li.
For the last time: Azula's teachers are NON-BENDERS. AS CHOSEN, SANCTIONED, APPROVED AND ACCEPTED BY OZAI.
And with those two remarking on absolutely STUPID stuff like "one hair out of place"? Azula still became the incredible firebender she was.
Cue, now, the irony where Zuko was stuck in the basics 3 years after setting out of the Fire Nation... WITH IROH ACTIVELY SERVING AS HIS MENTOR.
You're not gonna tell me that Lo and Li would EVER be better instructors than Iroh, or are you? Because that makes no sense. Full-stop. Iroh is supposed to be the most profound and complete firebender thorughout the show because he's spiritually enlightened even though I admit I think that's bullshit and he doesn't just teach Zuko how to set things on fire, he actually makes him learn theory and spirituality and his teachings are more profound than just "ONE HAIR OUT OF PLACE".
So.
Banished as he is, disgraced and seen as trash by Ozai, Zuko STILL has a better teacher than Azula does.
... Is this LOGICAL? Is this NORMAL? Does this make SENSE?
If you think Ozai's favoritism of Azula takes the shape of "I'll give you every little thing you ask for, sweetheart, I love you very much, here, have ten million doll houses so you can set them on fire, and all the ponies you ask for and on your next birthday I'll buy you a baby dragon and you'll get your own region of the Fire Nation to govern and a fancy title..."?
Then Lo and Li, unfortunately, are right here to be a HUGE contradiction with your interpretation of Ozai and Azula's relationship.
Azula should have THE BEST teachers. Azula does not. Azula doesn't even LIKE them. Azula is openly shown to dislike them! To be annoyed around them, ANGRY when they're teaching her, she feels they're here to keep tabs on her for her father! In a sense, they're Ozai's SPIES on her! :')
Hence? Ozai's favoritism of Azula MIGHT not be what everyone keeps pretending it is. Maybe Ozai didn't do everything to make Azula get things EASILY... and to be fair? That's not what Zuko said anyway. People interpreted it that way... but that's not REALLY what he says:
"Everything always came easy to her. She's a firebending prodigy, and everyone adores her. My father says she was born lucky. "
Every line in this statement is absolutely questionable and all of it sounds like buuuuullshit to me. This is ZUKO'S perspective. And sorry not sorry, but it's tell-don't-show. People swear by his opinion of Azula and pretend he's absolutely objective about it. He's not.
But "Everything always came easy to her," does not mean "EVERYTHING WAS ALWAYS HANDED OVER TO HER ON A SILVER PLATTER." And yet this is what the fandom has constantly interpreted it as.
Azula might just be a prodigy. Maybe she started out ten steps ahead of her brother: this does not mean she needs no guidance, no training, no help. She's seen training herself over perfectionism in her very second scene of Book 2. And the guidance she gets in order to achieve perfection is actually, objectively, stupid.
This is what Ozai chose for her. This is an OBSTACLE for her growth, just as much as Lo and Li were obstacles for me when I was starting with Gladiator! Azula doesn't have it EASY: she just works herself so damn hard that even shit that should HINDER her does NOT do that. And even when her brother objectively has spent THREE YEARS with an advantage in the shape of being trained by one of the VERY BEST firebenders out there? Azula is still beating Zuko at it. With two non-benders as her teachers.
Where am I going with all this?
To the fact that Lo and Li are overlooked in just about every instance of the fandom.
To the fact that nobody includes them, and their influence on Azula, in their analyses of who Azula is.
I've seen a shitstorm rising over the Netflix characterization of Azula: SHE'S TOO ANGRY, they say. Non-stop. She's sooooo hysterical, all the time! She's just pissed perpetually!
Well. I haven't finished the show yet. But the scenes I've seen Azula in so far? They don't fit the fandom's view of Azula because...
... they're not taking Lo and Li into account.
As usual.
:')
Azula's reactions around Lo and Li being frustration, anger, irritation EVEN in scenes like The Beach, where Azula was FINE until she sees them? That shit is storytelling that went over sooooooo many heads, EVEN MINE! When I saw people going on about how canon Azula is... not insecure? Not angry? Has no frustrations and was only ever smirking 24/7? I... didn't feel that was right. I knew it wasn't right. And when I thought about it hard enough? I realized that one reason why this interpretation of Azula is IMMEDIATELY dismissable is because of Lo and Li: those two constantly made Azula angry. Even if that wasn't their intent, it's nonetheless the effect they'd have on her. And Azula didn't like having them around. She CLEARLY didn't appreciate them the way Zuko does Iroh, for instance! And this could be taken as a flaw on Azula's part... if we EVER saw evidence that these two ladies actually love Azula as a grandchild, or so. If we had any evidence that they actually have cared for her in ways nobody else ever did. If maybe the ones Zuko talks about, upon saying "EVERYONE LOVES AZULA" were these two! And maybe he was jealous of them! Maybe he wanted two old ladies to watch his every move and tell him his every flaw!
... Clearly I'm joking about that last thing, but anyway...
There's nothing to tell us Lo and Li were anything but Ozai's assigned watchdogs to keep control and tabs over Azula. That Azula's immediate reaction upon hearing that someone cares about her is "Oh fuck off, my dad sent you here because he doesn't trust me!" is... telling. It's not just paranoia speaking, even if it sure can be read that way! It's actually Azula's perception of those two, which is 100% supported by what we saw of the twins throughout the show, WHENEVER we did see them: their roles in Azula's life are indeed to keep tabs on her, to keep her under control, to pressure her into perfection, AS OZAI'S AGENTS! Seen this way, it MAKES SENSE for Azula to disregard their concern and immediately assume it's FAKE. She isn't even shown to doubt it, never questions that MAYBE they did care about her! She assumes they don't...
... And considering that, as far as I know, the official concept is that they BOTH LEFT when Azula banished one of them only? That they didn't contest her command, staying to look after her even if she only wanted one? I mean, clearly Azula can't tell them apart, so they could've taken turns: one watches over Azula for 12 hours and the other for the next 12 hours, I don't goddamn know! But they didn't do that. They LEFT. And if they left? It means they don't care remotely as much as they say they do. Not to the point where they'd challenge Azula's orders and help her when they KNOW she's not okay.
And all of this further supports my point.
When we see Azula in the liveaction being angry, bitter, irritable at Ozai's choices?
I see a reflection of the same dynamics that the OG too subtly weaved into Azula's relationship with Lo and Li. I see Azula reacting against Ozai's control over her because she feels it's DISTRUST. She feels it means her father STILL needs to be convinced that she's competent, powerful, ready to do his bidding. It isn't a case where Azula's irritation comes from wanting to rebel against her father... it's Azula wanting her father to UNDERSTAND that she's 100% his supporter and will put everything on the line to serve him and the Fire Nation.
And it's very damn easy to read that exact same thing into Azula's dynamics with Lo and Li as it is to see it EXPLICITLY STATED in the liveaction.
My point?
What the liveaction did is not nearly as much of a distant characterization choice as people think it is.
Ozai is Azula's Achilles' Heel. Everything she became, everything she grew up to be, was for his sake. He molded her to become those things and simply didn't give a shit about raising a daughter, he treated her as a weapon, and absolutely pitted his children against each other, just as much as OTHER adults in their lives did. But the impact of Ozai on Azula in the OG is easy to ignore. Why? Because we SELDOM see them interacting. Because we don't get that side of Azula's character fully explored. Because they didn't want to explore Ozai's character either! They were as cheap as they could be with all these aspects and so, only the people who really got into analyzing things on a deeper level would be able to say, without a doubt, that Ozai abused Azula emotionally with all the expectations and demands he put on his own child. Through the golden child-scapegoat dynamic that people have been bringing up non-stop in the past years.
So, proving herself to her father is what Azula wants to do, more than anything. Proving worthy of his favor, of his approval, is the closest thing she can get to feeling loved. Which is depressing as fuck. Azula gets zero affection: it's not even conditional affection, there's NOTHING for her besides approving words if she gets anything right. And this show's work with Azula's character? It was meant to make these things less invisible to all the fans who like to pretend none of it exists. And yes, I've seen them, crawling all over Twitter shitting themselves in fits of rage because how dare that show pretend Azula EVER had a bad time in her perfect flawless life!!
Well, the irony is that the OG gives you a smidge of evidence -- and yet that's enough -- to show that Ozai was doing very similar things to Azula in ATLA, and her reactions to it?
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Huh. No smirks for Lo and Li.
No smirks for the symbols of Ozai's control over her life.
It's almost like the confidence, the smirks, the apparent ease with which she handles everything? Is a front that crumbles easily whenever it concerns the ONE PERSON with power over her life.
I don't believe, worth noting, that Azula's power comes from rage. I've seen people say that in fandom in the past and I find it a completely absurd take when Iroh himself spells out that her bending is about control, about precision, and it's Azula's FURY that makes her a sloppy mess in the finale. It's even INTENTIONAL that when she shoots lightning a second time, in her second establishing scene, THAT SAME HAIR FALLS OUT OF PLACE. She's still angry. She didn't get it "right" this time either. She's imperfect and she's trying NOT to be, but she cannot succeed. And upon bending lightning with emotions (rage/frustration)? That hair falls YET AGAIN out of place. Proof that she's not going to achieve the perfection she's being FORCED (indeed, by her father and the people who are here to represent him, Lo and Li) to strive for.
The liveaction had Ozai pushing Azula for a perfection she couldn't attain either. She's perfectly content in her cruelty at Ozai's side, right until she hears the Avatar was found and that Zuko has a shot at taking away the privileges she's been basking in so far. That she WASN'T nervous about this in canon is pretty damn obvious: OZAI SENT HER TO HUNT ZUKO DOWN FOR BEING A FAILURE. We never saw her reaction to learning that the Avatar was out and about. We have noooo idea what was canonically going on with her back then. The first time we see her besides the flashback is Azula receiving a mission that tells her she's STILL #1 and Zuko is no threat to her because Ozai thinks he's a failure. Thus? She had nothing to fear. Here? Ozai is actively using Zuko as bait to pressure Azula further. And if you're so confident in Ozai's good parenting skills as to believe he somehow WOULDN'T do that? Sounds like you don't understand the very basic and simplistic Fire Lod Ozai from ATLA, and that's not something to be proud of. So probably stop screaming your bad takes at the top of your lungs, because being incapable of understanding Ozai in canon is not a badge of pride, just saying...
FINAL POINT...
This post is not written expressly in the defense of the liveaction and its characterization of Azula. To this point, what I've seen of it doesn't feel WRONG or OFF unless you're the kind of person who thinks Azula is only capable of smirking and if she stops doing that she stops existing or something. Only people who cannot understand the depth, nuance, subtleties in Azula's story would ever be claiming that Azula's relationship with Ozai COUDLN'T be like this, or that Azula couldn't possibly be frustrated with her father or his choices when it's soooo clear what Ozai is going for, and why it's working. But in order to read Azula as a character capable of this range of emotion, frustration and ambition, all at once? You have to be able to treat this character, be it in the liveaction or the OG show, as a human being.
And that's what most the people criticizing this specific change are determined not to do. It's what makes them uncomfy. It's what rustles their jimmies.
Yes. I'm saying it in this very demeaning way because I actually find it quite ridiculous to be this insecure over the portrayal of a fictional 14yo in two TV shows. Whether the liveaction sticks the landing or fails catastrophically, I do not know... but I do know that if it's forcing a bunch of people to rethink Azula's character, and making them panic at the idea that she could EVER have human emotions, even if they're AWFUL human emotions?
Then I'm afraid you're only convincing me that, as bad as that show could ever get? It's getting SOMETHING right. I do love to see misinterpretations of Azula getting slammed in the face by the reality that all those beliefs, headcanons and takes in bad faith are actively, categorically untrue: none of which makes Azula a fundamentally good person, worth noting! But it makes it very clear that reading her as a one-dimensional basic villain, which is what the anti-Azula-redemption crowd actively does, is literally only possible if you overlook, ignore and fail to understand her character and her complexities, be it in the liveaction or in the original show.
There. I said my piece.
Another post, regarding the rest of the liveaction, is bound to come later. I'd say stay tuned but it might take me a while to write it at all. So... wait around and maybe you'll see it someday!
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yanderenightmare · 5 months
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I have an honest question and I don't want to sound rude or anything at all but what's so interesting about CNC. Like I see people hype it up but to me it just feels like romanticizing r4pe..I'm not really into CNC so I can't talk bad or downplay whatever they do but I'm just asking because I want to understand it better.
A question I, by no means, can answer perfectly. However, in the spirit of philosophy and amateur psychology, I will lay unto you, ye who have keen ears, my theories.
Now, I am in no way a psychiatrist. However, as I am a woman who does a great deal of fantasizing and further thinking of what I fantasize about, I thought I might assume the role of a sexologist as it is no protected title.
I’ve long wondered why we (women) fantasize about things that would appall us if manifested in reality. It makes little sense that an act so ruining in practice should make us feel fulfilled when the mere thought of it is humored.
In the vast complexities of psychology, no matter how much I drink of its depths, I can’t seem to get my fill enough to understand it. Trying to figure out female arousal is like pulling hair from a clogged gutter and trying to undo all the knots. It’s a web of contradictions.
However…
First theory – there are cultural reasons. If we accept the inbuilt instincts of old and the instincts we adopt through media while growing up – all in all, the great history of aggressive men dominating passive women – we are conditioned to accept that this is what romance looks like.
Second theory – there are the emotional reasons. The "Beauty and the Beast" motif – featuring classic co-dependency. Women submit to abuse because we have an inbuilt need to nurture others – so when we love men who require to abuse and own us in order to love us, we somehow forget to protect ourselves in favor of loving them, which in this case means allowing them to abuse and own us. It's warped.
Third theory – there are psychological reasons. In fantasies and writing or viewing, we get to reframe traumatic experiences in a positive light or rework traumatic experiences in a safe environment – a form of psychological self-defense, much like Stockholm Syndrome or a type of self-inflicted Post Traumatic Stress Disorder.
Fourth theory – research has also been conducted regarding physiological reasons. Here, we have another inbuilt self-defense mechanism – a seldom talked-about phenomenon – which shows that women tend to become physically aroused when they sense any possibility of sexual aggression in their environment – in order to lower their chance of injury if they are raped.
Through all this, I believe one can narrow fantasies of rough or non-consensual sex into something as paradoxical and polar as having a wish for control and a wish to relent oneself of it. And coming to this conclusion, I realized that such is the pursuit of many, even in endeavors not of the erotic kind.
Humans wish to have control just as much as humans disdain having control. This is why BDSM (bondage, domination, sadism, masochism) kinks and fetishes are found in some shape or form in nearly every romantic or sexual relationship in existence. You’ll have the dominant partner wishing to achieve control over a submissive partner wishing to relinquish control through such means of domination, humiliation, pain, and pleasure.
But it’s more complex than that, isn’t it? 
Yes. Because, contradictory – a submissive partner may wish for control, and a dominant partner may wish to lose it. Human beings are an unyielding paradox where we flex across contrasting aims with no means to an end.
Yes, we wish for control, yet disdain having it. Perhaps we find the answer to this paradox in maintaining control by losing it?
Moreover… how does this relate to nonconsensual sex fantasies?
Here, we get a fifth theory containing the ego – a spin-off of a kind from the third theory. Here we find the wish for control, where, in the lustful fantasy realm, non-consensual sex bolsters a woman's feelings of seductiveness and desirability in the way it has the power to make a man lose his decency and self-control, driving him to commit crimes of passion despite ill consequences of losing his pride and honor as a man – also, ultimately, risking getting sent to prison. 
Put simply, some women enjoy the idea of being irresistible enough to drive even a good man crazy. The thought of being attractive enough to make a man love-sick and the power and control that follows it is, in this case, a turn-on.
A sixth theory – another spin-off from the third theory – is that fantasies of rape allow women to reduce the distress associated with sex, as they are not, in this scenario, responsible for what occurs. Moreover, the logic here states that when one is forced into something, they’ll have a lesser need to feel guilt or shame about acting out their own sexual desires.
Put simply, some women wish to maintain their innocence despite having carnal desires only satiated by means of sinful acts. 
This begs another question.
Is this a lingering feeling of guilt and shame around female sexuality?
Of course! Women are constantly met with disdain when open about their sluttiness.
So, are fantasies of nonconsensual sex a type of projection they do because of this?
In some cases, yes!
Transferring our own sexual desires unto another gives us permission to act them out without feeling guilty or dirty – because, inside this fantasy, it isn’t us committing the indecencies.
... Okay then...
Summing up theories five and six:
Control. To feel wanted, lusted for, obsessed over, and coveted by others. The power of driving someone to lovesick desire, a frenzied state, where they would do anything, even illegal, to have you. Additionally, despite such harsh cases of ego, wanting none of the responsibility for it, wanting to be free of sin, to maintain innocence and purity in light of such dark desires.
Or is there a seventh theory? One found in our idyllic construct of freedom – this aimless goal of ours to make ourselves appreciate breathing – done by balancing the electric powerline between having and losing control.
Is it this act of switching places, the attraction and pull, the stimuli and response, the attack and retaliation? In the chaos of contradictions and uncertainty, we find a thrill that occupies our otherwise hibernating minds – bored to the degree that we become machines in our daily programs. 
Is it simply that we need a little extremity as a remedy for our dull lives?
Do we fall in love with illegal things simply because we are denied them? Simply because they’re illegal? Self-harm, drug use, gambling, murder, rape…
Are these things a part of us? And are we, without them, left feeling unfulfilled? Is The Purge perhaps onto something vitally important? A cure for boredom, this mediocrity that leaves us feeling so blue?
I think, if I were to find a comparison, it’s quite similar to the blind bounds of excitement others ascend to in the midst of playing violent video games. The rush of falling in and out of enemy territory, of danger and safety, from being a predator to becoming the prey, of victory and defeat, of chasing death only to be comforted by one’s remaining life – because in reality, you're safe and sound in front of a screen.
Also, in other cases - rollercoasters, horror movies, extreme sports, etc...
Yes, the wish to trip in and out of control isn’t limited to the realm of lust but is present in most aspects of life. We find it in extreme cases such as drugs, gambling, gaming, relationships, and in other subtle cases of professions and work.
If you don’t like it, that’s your business, and I wish you the best of luck in lust elsewhere.
On another note – and such another warning and disclaimer – I want you not to accept my tales of lust as love stories. Personally, I think hints of toxic displays such as jealousy, obsession, and possession in a partner are natural – but – a difference is made when such feelings become restricting to a degree you no longer feel free. I implore you to make such distinctions for yourself when regarding yourself – and, in extreme cases, when regarding others.
In said regard, I do not condone the events nor the actions of the characters in my stories – neither offender nor victim. Don’t allow yourself to fall prey to toxic partners! The signs are always there – keep a weathered eye out for them.
And no, I’m not blaming those who’ve allowed themselves to stay in toxic relationships. I, myself, am guilty of that. But I won’t excuse my poor judgment either. You know when something doesn’t feel right. We shouldn’t blur the lines of right and wrong in the name of love – or whatever else we may lend our self-control to – such as religion, culture, family, societal pressure, etc...
You are in control. Don’t forget it. And don’t allow anything else to become the case.
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short-honey-badger · 5 months
Text
Peppermint Tea 8
Holy crap the amount of likes and comments and reblogs you all have left is amazing! Thank you so so much for enjoying!
Anyway! On to the next part.
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The sound of the native birds of your island is what wakes Mihawk. He cracks his eyes open, wincing when his back protests him moving as soon as he wakes up. He stands and moises his way to the kitchen, filling the kettle and setting it on the stove. Mugs and tea bags are next, and Dracule makes sure to dump some sugar into your own cup. He then moves on, collecting fresh fruits and vegetables from your garden and investigating the smoke room. He finds very little inside and decides that his haul now is enough for breakfast. 
Fixing it up doesn't take all that long, and soon, he has a platter of foodstuffs that looks similar to the one last night. Dracule makes a mental note to try and bring you some type of livestock, though he dreads the thought of anything bigger than a house cat on his ship. 
The tea is placed on the tray, and Dracule makes his way to your bedroom. He eases the door open, and a soft smile crosses his lips at the sight of you curled up with an arm around Hank. The big pooch whines and drags himself off the bed and out the door, going to do his business. Mihawk takes his spot and sets the tray away from you but still on the bed. 
“Sweet thing,” Dracule rumbles and slides his hand up into your hair, scratching your scalp just the way you like it, “It's time to get up. I've made breakfast.” 
Those seem to be the magic words for you rise like the dead and look at Mihawk through squinted eyes. He thinks she looks adorable when you rub your eyes, pout on your lips from being woken up. 
“Hawk?” You mumble out and wince when your head throbs like a bastard. You whine and lay back down, not wanting to deal with the pain, “Don't feel good.” 
Dracule can't help but laugh at your pitiful state, “Oh, Darling. I'm not surprised you don't feel very well,” he coos and gently pulls you back into a sitting position. He shifts to sit behind you, back against the wall, as he drags the tray of goodies closer to both of you. 
“One must be careful when indulging in alcohol. Is this your first hangover?” Mihawk asks quietly, and you shrug, not really understanding what he's going on about. You frown when he laughs at you again and cross your arms over your chest, only to wince when you brush across your breasts. 
“Owee,” you murmur quietly and wonder why your chest aches so badly, only to drop your head in shame when you happened to remember most of last night. 
Mihawk gently lays you back and lifts your shirt, shushing you gently when you squirm and try to fight him, “Hush, let me look. There is nothing to be embarrassed by,” he chides and sends you a look that has you ducking your head and looking away from him. Mihawk examines the seldom hickies and love bites with a smug twist of his lips, hands reaching up to gently trace the bite mark that still lingers from last night. 
You look beautiful all marked up, and a dark feeling blooms in his chest at the sight of what he did. Mihawk wants to see more of them on you, proof that you want him. That you are his. 
“Just sore, sweet thing,” Dracule comments lowly and kisses your cheek, lingering to leave a trail of hot kisses all the way down your neck and to your shoulder, “We will have breakfast and then you will have a hot bath while I do my morning routine.” 
You nod, completely at the warlord's mercy as you glance down to see that he hasn't stopped his gentle ministrations, thumbs rubbing over your nipples over and over again until you can think of nothing but the man who holds you. Even your hangover doesn't seem as bad with Dracule here. 
Mihawk glances over the tray and picks up a cubed melon slice, lifting it up to your lips and grinning when you obediently open your mouth for him. He feeds you one piece after another until you are pleasantly full and ready to go back to sleep, “Tea first, sweet girl,” he orders when he feels you shift again. 
You nod slowly, wincing when your head aches at even the slightest movements. The tea has cooled, but it still tastes wonderful to your cottonmouth. You sip until it is empty, and Dracule takes the mug away from you when he notices you finished. He taps your thigh gently, “Up you go, Darling.” He encourages softly. 
He leaves you to find some clean clothes and a towel while he goes to the bathroom and begins to run you a bath. He is surprised by the amount of modern utilities he finds in your cottage and wonders who you really are. While simple, your home was filled with older but no less luxurious items. The hot water and plumbing were just one of the many things that he's noticed. 
Mihawk's thoughts are interrupted when you appear in the doorway with a thin robe and towel. You smile at the sight of your friend starting you a bath, “Thank you for taking care of me, Dracule,” you say, and step close to press your lips to his cheek when he rises from his slouch over the tub. 
Hawkeye feels hot satisfaction curl in his chest at your thanks. He turns and pulls you in for a kiss, hand coming up to tangle in your hair and pull you close to him. Mihawk likes the way you say his name. All breathy and full of gratitude, and all for him.
 You whine at the less than soft treatment, but you can't bring yourself to care or complain about it. Not when you love it when Dracule touches you like this. He kisses you breathless, leaving you a gasping mess as he turns away to fiddle with the knobs of the faucet. You pout a little, annoyed that Dracule is never as affected as you are after a kiss like that. 
Your annoyance disappears the second that Dracule steps behind you, hands placed on your shoulders as if to slide your robe down. Nerves surge through your entire body, and you clutch the thick fabric to your chest, “I um. I can take It from here, Mihawk.” 
You shiver at the feeling of his warm breath on the back of your neck. Your hair is up in a messy bun, allowing the warlord to press chaste kisses to the flushed skin there, and thankfully, no more than that.
 “Take your time, dear one. I'll be outside if you need me.” Dracule assures you, and then he is shutting the door behind himself and leaving you alone in the bathroom.
You shrug off your bathrobe, and a relaxing sigh escapes you as you settle in the hot water, eyes closing as you do what Mihawk bid and take your time. 
It's an hour later by the time you step outside. It's nice and sunny like usual, and you grin when Hank bounds up. The big lug presents you with a stick, and you toss it into the woods for your dog to go running after. You glance around, humming wordlessly as you look for Dracule. 
You find him at the back of the cottage where the sun shines brightest. Your home is situated up a small embankment, leaving your backyard to drop off into a cliff face. Dracule stands at the edge of the cliff, looking regal and dramatic as the wind blows his dark hair this way and that. 
You wonder why he keeps coming back here. He's told you before that your island is like a safe haven from the rest of the world, but sometimes you aren't sure that you believe him. You don't know what the rest of the world is like, and when you first came to this island, you yearned to leave and explore the world. How much of the world has Mihawk experienced to say that your island in the middle of nowhere was a safe place for him. 
What did your friend go through for him to run and hide away from it all? 
“I can hear you thinking from up here, dear,” Mihawk says, and you nearly jump out of your skin. He turns and gives you a smug smirk, “What's on your mind?” 
You huff at him and step by his side, eyes flickering to the crashing waves of the ocean. Your devil fruit reacts to the sight, sending flurries scattering about the two of you. You debate asking the real question you've wanted answered since Dracule stepped foot on your island. Just who exactly was Dracule Hawkeye Mihawk? 
“Nothing, just admiring,” you say instead. You didn't want to give him any reason to leave early. 
Dracule huffs at you with a roll of his eyes, “Is that so?” He presses and eyes you, “You can ask me things, Dear One. I won't lie to you.” 
“Even if it's about who you really are?” The words are out of your mouth before you can stop them. You tense, flurries sticking to your skin as your nerves get the better of you. The silence is thick between the two of you, and you are terrified to even look in his direction. 
“I introduced myself when I saved you from those pirates, did I not?” Dracule's tone is one of forced calm, and more snow begins to fall when you hear it. You can't help but feel like you've messed up. A warm hand catches your chin, and you are forced to look into the golden, ringed eyes of your friend. His gaze is as cold as your devil fruit, and you find yourself shivering under it. 
“You did,” you agreed carefully, “But, you just… don't speak about yourself often, and I'm curious.” You swallow harshly and catch the bird following the movement of your throat. His eyes catch your own in the next moment, and you force yourself to hold his gaze. 
It feels like it takes an eternity, but Dracule relents, eyes softening just a fraction and grip becoming more tender, “I have a good reason for not doing so, Snow Angel,” he murmurs. 
You suck in a sharp breath at the new name, wetting your lips as you latch on to the pretty words that he spills. You want to say more, but your lips won't move. Your jaw won't work to form the words that you want to say to him. Dracule has you, hook, line, and sinker, just where he wants you. He traces the curve of your jaw with his thumb, then leans forward to press his lips to your brow. 
“Promise to not ask me again, and I'll tell you in my own time,” Dracule suggests softly and you lose yourself even more to him, “I do not take the sharing of personal information lightly,_.” 
And there it was. The nail in the coffin. Mihawk rarely calls you by your name, so hearing it in his sinfully melodic voice sends shivers of pleasure racing up your spine. The flurries melt, and you find yourself nodding eagerly.
“I promise not to ask again,” you say, and feel like you are about to explode when Dracule gives you a proud quirk of his lips. 
“Good girl,” Mihawk praises softly and brings you in for a quick kiss, pleased that you see his way of things. The tension in the air is all but gone, and the warlord leads his snow angel away from the cliff edge.
“Come, I didn't get those books for you for nothing, Dear One. How about you read one of them to me?” 
You let Dracule pull you back to the cottage, Hank meeting you with a happy bark at the door. His anger still lingers in the back of your mind, but you can let it go for now. 
@writingmysanity @foggyturtleknightangel @kenkenmaaa @browneyedhufflepuff @goth-mami-writer @djbumblebee
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izels-writing · 6 days
Text
s. black — august
Tagged; @urbansaint
Pairing: sirius black x fem!slytherin!french!reader
Summary: you and sirius spent most of august together.
Warnings: slightly ooc sirius, a little drama but they’re teens so😝, harassment (brief), slight enemies to lovers if u squint real hard, a bit rushed i apologize, brief mention of france so i apologize i forgot that was part of the request, also i didn’t put regulus and sirius making up in this bc it was already long asf my bad
you hated sirius black. with a passion. not for any unknown reason—no, you had every right to hate him. even his friends knew it. and you were nothing if not stubborn. you'd never admit someone could get under you skin, but he absolutely could.
to understand why you hated sirius, first you had to understand what lead to this in the first place—starting at the beginning.
after a two-week vacation in your parents home town, bordeaux, france, you were very happy to be home. it wasn't that you hated your extended family, but you certainly enjoyed the comfort of your own bed as opposed to the old mattress that your older cousin no longer used.
living beside the potters was fun, if you could believe. you and your parents got along amazingly with the potters, despite you and james' teasing rivalry. you both never meant anything by it, but it was a fun inside joke—even if you hardly acknowledged each other at school.
placing your book down, you glanced up through your bedroom window, peering inside james' bedroom curiously. adding to the rivalry, your bedrooms faced each other—which was funnier than you both cared to admit.
you spotted a tall, though shorter than james, lean boy with handsome features and beautiful black hair. immediately, when he turned around, you recognized it to be sirius black—james' best friend. you knew seldom of sirius' home situation, but knew enough to know that the potters were his safe haven.
unfortunately, a week into the summer, before you left for france—sirius showed up to you and james' movie night, bleeding and crying hysterically from whatever had happened at his home. james helped him get changed while you made them tea and you quickly left, knowing it was not your place to stay. since then, sirius had spoken to you and apologized for the intrusion—but you knew he had nothing to be sorry for. it wasn't his fault.
since you had gotten home, you had gotten yourselves into a bit of a tedious situation.
one night, before the beginning of august, he had trouble sleeping and he had signaled to you through your bedroom window (given he knew what a night owl you were) that he was bored. though you felt you shouldn't have, given your parents no boys rule, you invited him over through your window. he had stayed up with you for a few hours, you two talking about anything and everything that came to mind.
and then, it became a nightly occurrence. you both thought james had no idea, given his habit of sleeping at 9:30 pm sharp, and if he did, he never made it obvious. every night, at 11 pm, he'd climb out of james' window and into yours.
and eventually, given the intimacy of those shared late nights, you grew an attraction to one another. one that did not go left unsaid.
you pulled away from your kiss, pushing sirius' hair out of his face. he was under you, with you straddling his torso as he lied on your bed. his lips were a red shade, from the bruising kissing you two had been engaged in. he tried to pull you in again with a smirk, but you chuckled and pulled away again. you stared into his eyes.
"we're going back to school soon, you know that right?" you asked. he groaned.
"don't remind me," he whined. he pulled you in for another kiss, pulling your hips down onto his. you hummed happily into the kiss but pulled back again.
"so, i know it may be too early to decide this, but we've got to figure out how to explain it you know?" you replied. his side wasn't so much a problem, but you were already a pariah in the slytherin house—given your indifference to pureblood status—you didn't exactly want to seem like the weird girl who sneaks around with a gryffindor.
sirius furrowed his eyebrows. "what're you talking about?"
he sat up as you situated yourself on his lap. he gave you a confused look and you shyly explained, "well, people are gonna ask questions—i feel like we should be on the same page about this, whatever this is,"
"yeah, well it's simple, no one will know," sirius shrugged. he tried to lean into to kiss you again, but you pulled away, sliding off of his lap.
"what do you mean no one will know?" you questioned, your blood running cold as he looked at you.
"i mean we'll keep it a secret, no one should know and frankly i don't want to tell anyone," he said casually.
you blinked at him. "and why not?"
he chuckled, trying to ease the growing tension. "y/n, you and i can't be seen together, you and i both know that..."
"what're you on about?" you asked, narrowing your eyes slightly at the boy.
"well, you know you're a...slytherin, you know? i can't be seen with you, your house is what i've been trying to escape my whole life..." he said dumbfounded.
you felt your heart drop as you chuckled humorlessly, you stood up and paced the room, "i don't believe this..."
frankly, hearing this made you wish you had never met him into your room in the first place.
"what? y/n, come on, you can't be that way... you know what my families like, and they're all slytherins, what'll people say when they see me with you? after running away? it's laughable!"
your blood boiled. "how can you sit there and say that? so what, i'm shameful to be with? not all slytherins are the same, just because your family is from that house and they're dickwads—it doesn't mean the same for the rest of us!" you said angrily.
"i can't believe you're overreacting about this! it's just not the right time! i ran away from my family, to be with a real loving family, to what? be associated with another slytherin? i've worked so hard to be separated from that house, from that family, i'm sorry but i won't go back—not for anyone. you can't sit here and tell me that everyone from that house isn't exactly like my family!" sirius replied angrily. he stood from your bed as he yelled and you felt your heart twist, staring up at him with fury.
"you know, you sit here and talk about how terrible your family is and how much you hate them and never want to be like them," you spat. "but you are exactly like them!"
"you judge people, you act like you're better than everyone because of who you are or what house your from, and you are a coward and cruel!" you spat angrily, lip quivering. "get out!"
sirius' expression changed. he was angry. he was hurt. more importantly, he felt like you had just plunged a deep knife into his heart and twisted. but most of all, he looked numb.
"you know what? i will leave, i may be a coward, but i would've never said to you what you just said to me," he spat. he climbed out of the window, leaving quickly and quickly going into his own home.
you watched angrily as he did, unfortunately still caring that he made it inside safely, and closed your window and curtain.
you couldn't believe he had made you feel so stupid...
———
months had passed since you and sirius' huge fight. since then, you'd hardly spoken to each other—and if you did, it wasn't very kind exchanges. your interactions were filled with glares and sarcasm and irritability with each other—and james was left more than confused how something so gentle could change into something so angry overnight.
nonetheless, you did your best to avoid each other at school. did you miss your late night talks with him? your late night eating sessions? most of all, your late night arts and crafts? of course, but he had shown you who he really was. you didn't need to miss someone like that. ( and honestly, it had become really clear how boring you two were together—but those nights were the funnest nights of your life. )
"hey, y/n," pandora burke sighed, throwing herself in the seat in front of you in the great hall. you looked up at your friend and smiled slightly, "hey, dora," you replied.
soon enough, evan rosier joined you both—quickly accompanied by regulus black. you were close with pandora for a long time, but not so much regulus and evan until this year. pandora, who was the only one to know about your fling, attributed the newfound friendship with the younger black brother as a subtle way to get back at sirius—whether it was or not, you certainly enjoyed regulus' company since he matured as a person—and you had to admit, the angry and infuriated look on sirius' face when you laughed with his brother was priceless.
you glanced up from your cereal as evan talked happily about the new spell he had learned to mess with gryffindors, finding grey eyes looming over you as you ate. you flared at sirius, finding he more than returned the favor.
"hello? y/n? why aren't you listening to me? can you stop eye-fucking regulus' brother for one second and listen to me?" evan said loudly, turning a few heads. thankfully, plenty were afraid of regulus that when he glared at them to mind their business, they did just that.
"i am not," you seethed.
"you kind of are," pandora added sheepishly.
"leave her alone," regulus sighed. "he was staring at her,"
"that fucking asswipe, i don't understand what's so interesting about me eating my cereal?" you scoffed, turning to regulus dumbfounded.
regulus shrugged. "maybe he thinks you're pretty,"
"probably," pandora smirked, eyeing you subtly.
"i know i'm pretty, i don't need his validation," you spat—glaring at the boy who had promptly turned to join in with lupin and pettigrews conversation.
you turned to regulus and smiled nonetheless, "but thanks, reg," you grinned, hitting his side playfully.
"whatever, we should go...we have divination soon," regulus muttered.
"you don't even like that class," evan said.
"yeah, but i do, and reggie is my mini me, let's get on with it, reg," you grinned, pulling regulus up with you. bidding a goodbye to your friends, you and regulus left the great hall arm-in-arm—unbeknownst to both of you, a pair of grey eyes watched you both angrily as you left.
——
potions was a hard enough class as it was, given your head of house taught it and expected perfection from his students. it was even harder when slughorn had no sense of social cues and decided to pair you and sirius up today to complete a potion.
frankly, you couldn't put all the blame on slughorn. if sirius and james weren't acting like such idiots, then you and pandora wouldn't have gotten separated to be paired with them.
"can you at least pretend like you're interested?" you hissed at the boy who had put his hair up in a makeshift bun and kicked his feet up on the table. you swatted his feet to the ground, glaring angrily at him.
"why should i? you're just gonna do what you when you want to anyway," sirius spat back.
you rolled your eyes. you nodded at the wooden spoon, "hand me that, you twat," you sneered. with ab annoyed huff, sirius grabbed the spoon and placed it softly in your hand. his fingertips brushed against your palm and for a second, it felt like that comforting feeling of you two back in your room—hands intertwined under covers and lips locked passionately.
he pulled his hand away promptly as you stared at the cauldron, trying to snap your common sense back into place. you acted unbothered by the hand touch and resumed your potion making, a subtle scowl printed on your lips.
you turned to sirius, glancing down at your textbook before looking at him. "bring me the rat's heart," you said sternly. with an exaggerated, annoyed sigh—sirius stood quickly and made his way over, picking up a small jar of the rats heart and ambling over, placing it gingerly in your hand.
"anything else, your highness?" he asked sarcastically.
you glared at him. "no, that'll be all, thank you," you spat back.
——
after class, you went to the library to try and get homework done. as much as you loved pandora, you were easily distracted by her and you would really like to turn your stuff in on time.
unfortunately for you, goyle had other plans. he was some persistent 5th year who had a thing for you, which would be fine, if he wasn't a downright creep about it. you didn't even know the boys first name, that's how irritating he was to you.
"come on, i'll bet I'll give you the best night of your life," goyle whispered to you, trying his hardest to seduce you it seemed. you rolled your eyes.
"leave me alone, i don't want any nights with you," you sneered, shoving a book into its shelf and attempting to walk off.
nonetheless, the boy persisted. "you're playing hard to get," he chuckled.
"or maybe you're not worth my time," you scoffed.
his face twisted angrily as he tripped to grip your hip. "don't talk to me like that," he said angrily.
"get your hands off of me!" you spat, throwing his hand off.
"i ought to—" goyle began.
"get the bloody hell off of her," sirius spat, shoving goyle away from you. "when a girl tells you no, she means no,"
"whatever, you're a slag anyway," goyle spat at you before walking off. sirius almost went after him, but you grabbed his arm as you watch goyle leave.
"don't worry about it, thanks," you said nonchalantly.
he nodded at you, "any time, n/n,"
both of your eyes widened, as you both remembered the exact times he'd call you that nickname. you cleared your throat and walked off, leaving him standing there blankly before he eventually walked off.
you turned the corner, bringing your back to the shelf, and took a deep breath. why did he have to keep reminding you?
——
parties were debatable to you. a part of you liked the music and the dancing, and most certainly the drinking. another part of you hated to be around that many people at one time. however, you'd do it for james.
gryffindor had just won their game against ravenclaw, and james begged you to come to the party. it was rare you two actually spoke to you at school, but when you did talk—it was usually to ask for each others support.
you entered the gryffindor common room, your little black dress wrapped around your body in all the right places and your heels heightened you just enough that it made your legs look longer. you pulled off your cardigan, draping it over the couch that sat near the fireplace.
you quickly joined your friends marlene and dorcas on the dance floor—you, james, and marlene had grown up together as neighbors. so though you weren't as close anymore, you still considered each other friends.
"hey babe," marlene grinned, running over to hug you. dorcas smiled and did the same, greeting you quietly.
"hey marls, where's james?" you asked, looking around for your tall, messy-haired friend.
"uh...oh! doing shots over there with sirius, remus, and peter!" she replied, pointing over to the four boys. you smiled and the three of you made your way over.
"congrats james!" you and marlene exclaimed, running up to hug him. he smiled and kissed both of your heads.
"guys, these are my sisters! i love them so much!" he slurred, pulling you and marlene close. the other boys and dorcas laughed, while you and marlene chuckled. thankfully, james had showered before the party.
the rest of them quickly ran off to the dance floor, leaving you and sirius standing there watching them. you poured yourself a cup of beer, taking a small sip.
"you look great, n/n," sirius smiled. his cheeks were a bit flushed, but above all else, he looked sober.
"how drunk are you right now?" you asked, surveying him closely.
"never mind," he said promptly before attempting to walk off. you grabbed his forearm swiftly and smiled slightly.
"thanks," you said simply. he grinned at you, before walking off into the dance floor. he was most definitely drunk.
as the party progressed, you managed to be the only one to stay sober. every one of your friends was hammered, leaving you to babysit the group. thankfully, they weren't blackout.
"alright, here you both go," you grunted as you set peter down in his bed and remus on the one beside it. truthfully, you didn't know which was who's bed, but you knew if you didn't get them to sleep now—it wouldn't end well.
they muttered a thanks to you before the snores quickly began. you laughed it off, before walking over to james where he lied on what you presumed was his bed. he was sound asleep thankfully, so you swiftly removed his glasses and placed it on his dresser.
marlene and dorcas had already been put to bed, with the help of lily, who had bid you a quick good night as she went to babysit the two of them.
with a sigh, you went back downstairs to your last caretakee of the night. sirius, though you disliked him, couldn't be the only one you didn't put to bed. you sighed and crouched in front of him, being sure to cover your knees with your dress.
"sirius, it's time to go to bed," you said.
"no, i want to party!" he exclaimed through his closed eyes, pumping his fist in the air.
"yeah, there's a party in your bed, come on," you tried. then you scrunched your nose, "that sounded so wrong,"
he giggled. "you're funny,"
"it's one of my many talents," you replied. then, you stood and offered him a hand. he sighed and took it, standing up and stumbling slightly.
you allowed him to support his weight on you, despite the height difference, and you both stumbled over to the stairs. you took a few steps before he groaned.
"stop, stop, i'm going to throw up," he groaned. you quickly let him sit down, sitting beside him promptly. you waited patiently as he took a few deep breaths.
you both sat there in silence. you used to talk all the time, but now this is what your interactions consisted of. pure silence. it was a miracle he was drunk now, at least that would explain it this time.
he looked at you. "you know, you do look pretty today, beautiful even,"
"you're drunk," you rolled your eyes. "you wouldn't be saying it otherwise," you said—turning to look at him as well.
"i think it all the time, did you know that, miss know-it-all?," he chuckled. "you're captivating,"
you rolled your eyes. "alright, charmer, are you actually nauseous or did you just want to talk my ear off all night?"
"i dunno, i used to do it all the time, remember? i miss it..." he mumbled.
"yeah, well, that's not exactly on me," you muttered, loud enough so he could hear it.
sirius took a deep breath, looking at you with sorrow-filled eyes. "it was the biggest mistake i've ever made, y/n,"
you looked at him softly.
"i mean, you understood me. you didn't care what baggage i had. sleeping beside you that summer was the first time i'd gotten real sleep in a long time," he admitted. "you made me feel safe... the way you'd laugh, the way you'd touch me, all of it,"
he's drunk. he's drunk. he's drunk. he's drunk. you repeated to yourself over and over. despite the feeling of your chest being ripped apart, you knew he couldn't actually mean it. yes, you loved him—more than you ever wanted to admit. but he didn't feel the same, he had showed you that much.
"let's get you to bed," you whispered. comfortingly, you grabbed his forearm and helped him up.
he followed you up the stairs, before quickly entering his dorm with him. you laid him gently on his bed, sliding his shoes off. he looked relieved that you were there, despite everything in your body telling you to just leave. he had hurt you before, he was cruel—so why were you still helping him?
you noticed him close his eyes and you turned to leave, but he sat up and grabbed your hand. you turned to him.
"i still get nightmares, especially after we broke up," he admitted. you knew about these. they were scary and heart wrenching to watch him experience. you couldn't imagine actually having them.
"will you stay until i fall asleep?" he whispered softly.
every logical part of you was screaming no. telling you to leave and not look back. but the part of you that cared—that loved him, was begging you to stay.
and unfortunately, that part that was begging won.
"yeah, sure," you whispered. you sat beside him on his bed. you folded your legs to the side and held his hand tightly as he closed his eyes.
within minutes he was asleep.
you admired him quietly as he slept. his chest rising and falling, his perfect features relaxed in a perfect way. a part of you could stay like this, watching him, forever.
but then another part of you remembered what he said—and you knew he'd never feel for you what you felt for him.
with a frown, you slowly let go of his hand and stood up—making your way quickly out of his dorm. silently, you made your way back to the slytherin dungeons, trying to ignore your heartbreak.
——
a week had passed since your incident with sirius. you had hardly spoken to him and he agreed with you it seemed—because he hasn't talked to you much either. sure, there was a snarky comment here and there, but other than that, you two managed to stay your separate ways.
you chuckled quietly, shaking your head as evan and regulus argued playfully. pandora sat beside you, rolling her eyes at the two.
lunch was soon ending, leaving you and evan to have to separate from pandora and regulus soon. you two shared a herbology class, despite him being a year younger than you. he was rather smart, doubling up in certain classes to finish them easier.
"bye, you guys," you chuckled, as you and evan walked side-by-side toward the greenhouses. you quickly pulled your emerald green tie out of your bag, tying it around you neck swiftly.
you and evan linked arms after, continuing your way to class. if it was one thing you two had, it was the ability to talk about anything and everything that had little to no importance.
"yeah, and then i told my dad—" evan began.
"y/n!" a familiar, now sober voice called out. sirius quickly walked over, as you and evan stopped and turned around. evan gave you an alarmed look but you looked at sirius.
"sirius?" you questioned as he finally caught up to the two of you.
"can i talk to you?" he mumbled.
"about?" you asked, crossing your arms.
"it's important," he assured. "please,"
you rolled your eyes. "fine, what is it?"
he looked over at evan sternly. "leave?"
you stepped in front of evan protectively. he and regulus really did feel like younger brothers to you, now that you thought about it. "don't talk to him that way," you interjected—narrowing your eyes at sirius.
"i'm fine, evan, i'll catch up to you," you said, glancing at evan before looking at sirius pointedly. evan grinned.
"i listen to her because i want to, not because of you," he told sirius pointedly. sirius rolled his eyes as evan laughed and walked off.
you looked at sirius with your arms crossed. "well?"
sirius stood in front of you awkwardly, finding it seemingly difficult to look you in the eyes. "uh, i remembered today what i did,"
you stared at him, urging him to continue. you had no idea what the fuck he was talking about.
"that night at the gryffindor victory party," he added, finally mustering the courage to look you in the eye.
you shifted uncomfortably. "look, we don't have to talk about it—"
he nodded, "yes we do,"
"no, we really don't—"
"well i want to," he said sternly.
"i wasn't lying that day, yes i was drunk, but i meant it, every word of it. the way you make me feel, how safe you feel, everything..." sirius said. "pushing you away was the biggest mistake of my life, i should've never been such a coward,"
"except you didn't just push me away, you said cruel things," you replied. "sirius, you don't get to just drop that bomb on my life after destroying my feelings and expect immediate forgiveness! what you said hurt, it stung even!"
"you made me feel ashamed!" you added, hurt lacing your tone. "do you think i dealt with that easily? i fancied you, and you made me feel like i wasn't worthy of being near you. do you know how that feels?"
sirius pushed your strands of hair behind your ears, cupping your face. "and believe me, i will spend my entire life earning your forgiveness. you were never the embarrassment, i was. i'm so sorry, y/n,"
suddenly, like something had possessed you, you kissed him swiftly. you didn't know you could miss someone's touch so much.
he quickly kissed back. you pulled away.
"you still have to earn that forgiveness," you breathed out, "but this...is a good start,"
he grinned. "believe me, i will work my entire life if i have to," he chuckled, pulling you in for a tight, bone-crushing hug. one that you had missed for months now.
"believe me, i won't make it easy," you smirked.
bonus;
"do you have one in green?" you asked your husbands coworker. you were at a work party and they was handing out party bags, which everyone decided to match to their house while attending hogwarts.
your husbands coworker snorted. "what're you? a slytherin?"
you blinked at him, crossing your arms. "as a matter of fact, i am, problem?"
sirius slid his arm around your waist, kissing your head. "no problem, right alexander? my wife's a proud slytherin, no big deal," he shrugged.
alexander cleared his throat and his cheeks tinted pink. "no, of course not. here's a green one," he mumbled. you took it and he walked off, clearly embarrassed.
you turned to sirius with a smile, leaning in close. "thank you for defending my honor," you chuckled.
"well, anything for my wife," he laughed, kissing you softly.
79 notes · View notes
ambermotta · 5 months
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Working with Dragons — My POV
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When you look up "draconic magick" or "dragon magick" there is not really a lot to read. In fact, a lot of the info you'll find looks like a copy-paste from one another.
So I thought I would bring my own insight into what working with dragons feels like to me. Not exactly an informative post, just a "personal experience" one.
I believe it is important for newcomers to read about variety of experiences because otherwise, they might start feeling their practice is "wrong" if things are different for them.
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If it wasn't clear already...
UPG WARNING!!!
This is my experience only, other practitioners WILL have different takes on working with dragons.
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Regarding Identity
For the majority of my journey with dragons, I have only worked with one dragon. They reached out to me, but took me years to finally feel ready to work with them, and since I was still a bit insecure, I didn't really seek out other dragons.
By the way, I use they/them pronouns because I don't feel a particular gender signature coming from them.
They are strongly tied to energies of the ocean and I have only seen them as very serpent-like.
The other main dragon I have worked with, who showed up a lot later, is a dragon strongly associated with fire and protection, and his energy is mostly masculine from what I can tell.
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As of now, this is what I can share about them. One of the things you'll see being talked about dragons is that you should not talk about the ones you work with unless they give you permission to, and for the most part, this has also been my experience.
They can be quite secretive — I had the ocean dragon very often remind me to stay quiet about the work I'm doing, and be very careful about what I share. Not just about them, but about myself.
Some things need not be secret forever, but when they ARE supposed to be done quietly, I will get the nagging, almost intrusive feeling, of keeping my mouth shut whenever I am itching to say something I shouldn't.
They have also shown to be secretive when we work together, as in I'm instructed to do something a certain way but not told why until the work is done.
And I understand why afterwards.
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Demanding?
From all dragons I have worked with, they have always been quite insistent. Be it regarding how something should be done, how to behave, or on what to get.
Please do not misinterpret this as being pushy or forcing boundaries.
What I mean is that some spiritual beings can be very subtle with their messages when they want to tell you something... But for me, dragons aren't subtle. They keep sending signs and messages until I get it.
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by Kou Takano
As for being demanding, it depends on your relationship with them.
They were not demanding at first because I was still unsure of what I wanted, but once I decided to commit, they definitely started communicating more and giving instructions on work we should do together.
So there's a greater degree of commitment that we both respect.
As for being "demanding" with offerings, to me they seldom ask for those. If I do it it's because I want to, not because they have asked or shown they needed it. In terms of spiritual beings I have met, they seem to be the least interested in offerings or praise. But again, this is just my experience.
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Personality
It can vary drastically from one dragon to another.
For me, the Ocean Dragon is serene, regal, mysterious, but standing in their presence can also feel scary and can make you feel small. They also have a more turbulent side.
The fire dragon feels much more assertive, fierce, loyal, but at the same time less "massive" in size and less intimidating somehow. They remind me of a knight or paladin archetype to be fair.
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by Carolina-eade on Deviantart
So I assume that personality and energy signature, as well as your relationship with them, will change drastically from one dragon to another.
I have not experienced finicky, prideful, or petty behaviour from them. Dragons are often considered in media and mythology to have big egos, but to me, they feel the exact opposite... wise and humble, but their presence is so massive I feel one must be very careful not to mistake their good disposition for weakness.
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Conduct when working with dragons
I find that while they are wondrous and inspiring, their energy can feel intimidating, and maybe because of that I feel like I must be more serious when working with them. I am not necessarily being formal around them, but I do have a great deal of respect for them and other creatures in their presence.
It feels more like respecting the elders than an authority figure though.
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As for magical conduct, I have never had to work with them on anything that did harm to others. In fact, they have heavily aided me in works that focused on helping others.
They have also helped me through my fair share of shadow work. So, both right and left hand path.
You may see some folks claiming that dragons have no qualms with helping mages with "dark magic" and that you actually must work on keeping balance, "working on both sides of the coin" if you will.
They have never demanded that of me, though I recognize it could just be in respect for my decision of not wanting to do most baneful work.
I can't say I fully understand their nature and moral compass yet.
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Types of Dragons
So far, they seem to come in all sorts of shapes. The traditional western-type dragon is far from being the only one or the most common one. Some may look much more like snakes or birds than to winged lizards.
I can see some elemental associations, but I don't think they are restricted to working with just one element.
Unfortunately, since I don't know many dragons, I am not sure if they are always tied to an element or how many types there are.
However, the ones I met did seem to "dwell" in certain environments. The ocean dragon I only see in water, and the fire dragon I have seen on top of a rocky hill, looking down a vast, dry, sunny field.
As for dragon guardians of the elements, directions, etc – I haven't met them, haven't worked with them, so I don't know if there is such a thing.
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by Kou Takano
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Mythological Dragons
I have not met a lot of people who worked with widely known dragons, such as Tiamat, Fáfnir from norse mythology, or Yamata-no-Orochi from japanese tales.
But I feel working with them would be a singular experience, just as it is with any other dragon (or spiritual being for that matter). It could be easier considering you would have at least an idea of who they are and what they may like, either from "lore", ancient worship, or SPG (Shared Personal Gnosis).
This is still something I'm thinking about exploring in the future.
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Fáfnir, found on Harreira.com
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Conclusion
This was just an overview of what working with them feels like to me. I'm definitely not as experienced as some other folks I've talked to, and my practice is constantly constantly evolving.
So far, it's been great! I'd love to hear from other people on draconic magick.
If you have any questions, feel free to ask! Or share your experiences as well!
Thank you for reading!
161 notes · View notes
marciabrady · 1 year
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here are some sleeping beauty plot points/general details that i love and i would love to see more discussion around
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the story team did such an incredible job with fleshing out aurora while still making her feel true to the mythos from which she was derived. in every novelization i've ever read that predates the disney film, she's only ever given one line of dialogue (something like: "what is that thing that spins so merrily?") before falling asleep. disney took that same princess and successfully expanded her into a living, breathing dynamic human who is filled with everything- ethos, pathos, everything, but is also authentic to her origins. they also did a genius job at creating a basis for why love is so revered in this tale. true love conquers all, we're told, and it's indeed what keeps aurora safe from maleficent for all these years, as it's the one thing the evil fairy can't understand. yet, the fact that the princess grew up surrounded by the love from the three fairies, which instills that care in her heart, along with the fact that she grows up in isolation, so connected to the universe around her and allowing her to be introspective enough to observe the animals about her and draw a connection to the human condition and that of the consistencies of nature is so...deep and profound and develops her and makes her an evergreen character that will always represent people, for as long as we're around, because aurora's struggle is one that speaks to everyone. she isn't just some "lovesick princess" but a character that's growing up and longs to be able to find her soul's mate and to express the love in her heart in a universe where she was socially excluded and deprived of others outside of her three guardians. as humans are tribal creatures, social inclusion is one of the main pillars of wellbeing. so to take aurora, who is already an innately romantic person, and to deprive her of that just gives all the more reason why the kiss of true love really would revive her. she isn't just some princess who grows to be fifteen or sixteen, pricks her finger, and then is awakened by a prince she never meets. she is someone who was raised in love, grows up and wants to become a woman and share that love and express it with someone else. when she finds it, it's suddenly stripped from her and she's induced into a magic slumber that's meant to symbolize her transformation from girl to woman. then, she's awakened by the same love she'd thought she lost and it's just...the structure of it is genius and incredible and they retain all of the qualities about her in the fairytale and storytelling devices but they develop it so much further and round her out so well but still maintain a reverence to her source material instead of condemning it or outright changing it and i just LOVE
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i don't think enough people realized that, it wasn't until maleficent visited prince phillip in the dungeon and showed him the vision of aurora in slumber repose that he knew that aurora and briar rose were one in the same!!! like this is the moment it all clicked for him and it gave him the drive and determination to slay the dragon in her honor. he realized the woman he loved and the princess he had been betrothed to were both one and that's so important and it's just such a plot twist that, again, was so genius of the writers. it proves to us that he loves her enough to leave the kingdom for her and risk damning the princess he had been betrothed to to the curse she was under and he'd take her as she is, even if it were a peasant, but also that his love is so steadfast and true that he'd defeat a dragon for her. 10/10 and it sooo runs along the vein of the lyric "visions are seldom all they seem." this is a plot twist done RIGHT but with so much sophistication that it tends to fly under most everyone's radar because it isn't like loud
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something i love about the original princess movies is how the female characters are forever in the forefront, and the fact that this film opens with the celebration of the birth of a female child is something that's so special! instead of having to think about how female children weren't celebrated in that time, or it was a disappointment she hadn't been a son, or something of the like, the fact that the spotlight is on their daughter and the opening of the film continues this matriarchy, where all in the land praise this female birth, before the fairies are introduced as their most "honored and exalted excellencies." we need to see more worlds like this instead of pixar films where there's like not a single main female character lol
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THE FACT THAT PHILLIP WAS WILLING TO GIVE UP THE THRONE AND THE KINGDOM "for some nobody" and told his dad flat out to his face without hesitating makes me love him soooo much?? he loves aurora for who she is, not just because she was a princess to whom he had been betrothed to his entire life, and this proves how genuine his love is. it also paints how progressive and open-minded phillip was, seeming to be the first that would ever break the tradition of princes marrying princesses and opening up his country for a new type of culture and reign. love me a freak like that
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one of the biggest facets to aurora's character, and something that further develops her relationship to phillip, is how differently she reacts to her guardians when told of the betrothal. where phillip already knows, and is aware of the king and queen and how his duty is to marry their princess daughter, aurora is just finding out that she has living parents for the first time and the future of a nation rests on her shoulders. she discovers she's to be married to a prince and must give up her true love forever. again, before i hear anything about "she just met this man for two minutes in the woods, why is she crying," this is a fairytale with magic that's meant to be archetypical. in the narrative of the film, and in the universe of this world, phillip is her true love- and this is confirmed when it is his kiss that awakens her from the curse. so to leave the one true love who was meant for you, when that's all you ever wanted in the isolation you were raised in, to accept your duty and responsibility over parents you didn't even know you had and to assume the obligations of a nation you aren't even prepared for...it's astounding. aurora does everything right, she even leaves love behind for the good of her people and puts everyone above her own personal desires, and yet people still criticize her and say she's dependent on a man and all she cares about is love. meanwhile, phillip never receives any hate, and he's literally willing to give up the throne and the kingdom and start a war between two countries for the girl "he just met in the woods for two minutes" but he's one of the most beloved princes...it really just makes me think about how misogynistic our society still is, without even realizing it. aurora literally couldn't have done anything better, by our modern standards, but people still condemn her just because? this is definitely a discussion piece i want to hear more about and, in general, i think it would behoof us all to understand why aurora has been so demeaned culturally as a character when her actions, in and of themselves, are exactly what we say we want and would appeal to modern sensibilities
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this is a slight sidenote but i always was tickled by merryweather proclaiming, if she had it her way, maleficent would be turned into a "fat old hop-toad." i always felt like this was a nod to the original tale from which this movie was based on, where a magical frog tells the queen that her wish to be with child shall soon be granted and that it, just generally, was a very clever easter egg/allusion
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in this film, they have enough action and movement to appease the more restless demographic/traditionally "masculine" crowd, but i love how the basis of maleficent's defeat lies still in the femininity of the three good fairies. it's these elderly women that save phillip from the dungeon and arm him, not just with weapons that will kill another being and are predicated upon violence, but with symbolic weapons that are laced with truth and virtue. i think it really reminds us all how transformative these values are and how, in arming ourselves with them, we'll alone be able to navigate the road to true love (whether that be familial, platonic, or romantic love) which will be "barred by many more dangers" and how it enables us to have a sense of autonomy where we'll be able to overcome anything that's thrown our way while still retaining the core of who we are
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i wrote about this moment previously, but to piggyback off of what i wrote about phillip just above...i love how aurora is the most competent human in this world? much has been said about how the plot of sleeping beauty is essentially the fairy worlds dueling with one another and, in that, many of the mortals are somewhat...inept, to put it for lack of a better term. king stefan is unable to protect his daughter with the burning of the spinning wheels, even with all the power he harnesses within his kingdom, and the fairies are quick to see his folly. prince phillip would still be rotting in the prison had the fairies not interjected, and he would be burned to a crisp had they not sprung a final chant of magic upon his, already, enchanted sword. yet, maleficent has to hypnotize aurora for the princess to even succumb to her plan and, even then, aurora is temporarily able to snap out of the magic hypnosis she's put under. i don't think people realize how powerful that is? yes, i understand it's a minor moment, but the hesitation and the ability to counter magic while remaining totally unarmed is something that reminds me why aurora is our main character, despite what anyone else might say.
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going along with what i said above, while many are quick to point out aurora's lack of screentime, the film begins with her birth, the plot is sprung forth with every character wondering what they could do to protect her, then when she pricks her finger upon the spinning wheel, she and the entire kingdom are put to sleep. it isn't until she wakes up, that the entire kingdom does, too. she holds the key to this entire universe in a persephone like way and i just love how important it is in the narrative of the film to wake her up. she isn't just this beautiful creature who's valuable because she's pretty, because if that was the case, her being a lovely figure posed to perfection in her slumbering mode would be enough...but the people of her universe value her so much more when she's alive and active and being her own person, that it ensues a fairy war, practically. she's also involved in every single plot, even if she isn't physically present. this is her movie and no one can take that away from her. but, just to restate, the fact that there's so much emphasis in aurora being alive and well is something that's so important
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so, it's kind of a given at this point that every princess can sing, but i think the role that music plays in sleeping beauty is the most meaningful and well done? sleeping beauty makes much to do about its classical score and it skillfully combines realistic characters and storylines (like the fairies not knowing how to cook and clean, phillip being captured with no way out, the kings toasting to the impending nuptials of their offspring before getting into a quarrel centered around a misunderstanding) with the fantastical world of fantasy and opera. by giving aurora the gift of song, the narrative is creating a framework that explains her relationship to her singing voice in a way that's even more profound than that of ariel's connection with her singing. it explains why aurora sings more than she speaks and ties in perfectly with the thematic style of the operatic presence in sleeping beauty, which is that in the opera, instead of speaking about it, you sing.
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OK but this scene of hubert's/his general plotline and character motivation that results from this is genuinely perhaps the best comedy disney's ever done? hubert is coming off of declaring war upon his best friend stefan, because he misunderstood stefan's caring for his own daughter as a snub against hubert's son. after challenging aurora's father to a duel, they quickly make up, before hubert hears phillip has arrived and rushes off to greet his son. there, the news is broken that phillip is actually in love with a peasant and that he plans to renounce the throne- which will actually cause a war- so that he can be with his beloved. hubert is convinced phillip is joking, especially as he happens to meet this mystery maiden on the date that aurora is set to come home- the most anticipated date for these past sixteen years in the kingdom- and his son is set to be a central figure in the celebration for the princess's homecoming! before he can reason with phillip, his son escapes, leaving hubert to be the one to break the news to stefan. heavy-hearted, as hubert tries to tell stefan, he keeps being interrupted by trumpets and the musical notes that are meant to accompany the princess in her debut to her country. then the fairies literally put hubert to sleep when he finally gets a chance to explain it to stefan and, when they're awoken from this fog like slumber, the first vision that greets hubert is that of his son and the princess??? the same son who said he had no interest in aurora, but was set to marry the peasant maiden. the whole thing concludes in a very charming "all's well that ends well" but i still think the whole "how am i ever going to tell stefan" dilemma, while continually being interrupted, and this king who declared war in 2 seconds flat and minced no words in being so short-tempered was suddenly at a loss for words and so hesitant and fumbling and nervous about this news his son sprung on him lol
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one of the most haunting sequences in film is the one above. the three good fairies have endeared themselves to their mortal charge, even giving up their magic for her for sixteen years. their bond is so much deeper and meaningful than it would've been otherwise, as they probably would've blessed her at the christening and then only appeared in her life intermittently, at a distance. they clearly aren't close enough to humans to know too much about their customs, and their magic always gives them away as outsiders, which indicates they were always content to live in their own fairy-world. but then they give it all up for this baby, this child, and they change their entire world for her. she is their world, to the point where their sole purpose is protecting her, until that's all they can think about for close to two decades. they would do anything they could to make her happy, to give her a fighting chance at life. they're so protective over her- and the fact that they got this close to the finish line...only to leave her alone because they want to be respectful of giving her privacy as she's still reeling and processing from all the news they sprung about her at once. they were even discussing going to king stefan and attempting to convince him to let aurora out of the arranged marriage so that she could be with the boy in the woods. and this all leads to maleficent enchanting aurora to her demise. as the fairies place her in a bed for the last time, looking upon her in her princess form, all of the time they've spent with her runs through their mind. how this isn't their little briar rose anymore, but a princess who inhabits, not the woodcutter's cottage, but king stefan's castle. someone who will never be with them the way she once was ever again and who, presently, is dead for all they know. as they look upon their lost daughter, the faint chimes and musical notes of the celebration of her homecoming is heard in the distance. i could talk about this forever but it's just such a heartbreaking and sad but also eerie mood
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in 2023, it's time king stefan gets his flowers. while, in the time period in which this film is set, it'd be totally realistic for a father to set his daughter up in an arranged marriage to further the prospects of his land, stefan displays an understanding that seems more contemporary than his counterpart, hubert. hubert doesn't think about prince phillip's feelings for a beat and concedes that the "children" are bound to fall in love with one another. meanwhile, stefan seems to display a much more well-rounded paternal instinct, even exemplifying a degree of care and concern for both aurora's emotional wellbeing and her consent. he urges hubert to calm down and remember that this might come as "quite a shock" to aurora and to not push all of these political arrangements upon his daughter before she's had a chance to react to them and digest them.
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the duality of briar rose and princess aurora is so fascinating, but also the moments in which they overlap is more enchanting still. this is a fairytale that is meant to be archetypical, and aurora's enchanted slumber is meant to be symbolic for her transition from girlhood to womanhood. briar rose, the girl, is anxious about her future, the prospect of meeting her love and settling down and getting to the next stage of her life. she loves her guardians, but is frustrated at their inability to see and treat her as anything other than a child. she goes to sleep a scared, shy, unsure teenager and wakes up as a self-assured, mature, gracious woman- the princess aurora. she's a vision, descending the staircase on the arm of her beloved, and she paints quite the picture as she gracefully curtsies to her parents, the king and queen. yet, true to the girl from the cottage, briar rose takes over. unable to contain the love she feels, she bolts forward and rushes to embraced her lost parents. i love this because, for as calm as a character as aurora is, i've always been so mesmerized by the breathless excitement with which she speaks when she returns to the cottage. this is a girl that has more love inside her than she can contain and it renders her a beacon of light. her running into the arms of her parents, instead of resenting them for giving her up, putting her in an arranged marriage, or even pausing to question whether or not she should be so warm with these figureheads of state, is such a tender moment that i don't think i've ever heard anyone speak of.
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i will never get tired of singing the praises of the three good fairies. this film placed three older, conventionally unattractive women at the forefront- without pushing forced hetero ships on any of them- and allowed them to be bad ass (ie saving phillip from the dungeon, providing him with the tools and guidance with which to defeat maleficent, coming up with all the plots and actions that propelled the plot forward), while reminding us that love and kindness is truly the most powerful force on earth and placing an emphasis on the strength and power of femininity. the entire transition, from them being business women in the kingdom essentially (this is more in modern jargon; them being the fairies who are invited to political organizations for their contributions and not knowing anything about things like cooking or cleaning or rearing a child) to learning how to raise a baby and the film ending with them beaming over the shining achievement of their assigned charge finally being safe and happy is...it's everything. how beautifully the film focuses on them and the relationship with their adopted daughter and how that's the driving goal in all of this is something that's been unable to ever be surpassed
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kopivie · 7 months
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share some hades!wrio headcanons? I'm actually SO invested i'm going to die
oh! i think i can come up with a few! it'll probably be some facts about him, and maybe some writing? (note: i'm coming back after finishing this and.. i got so carried away.)
(also as a side note, if i were to write a fic about this, i might use a lot of greek/ancient greek terms and words, so if you see something like that, please don't be alarmed.)
first and foremost, i'm definitely clinging to That One Part of wriothesley's canon lore of him abandoning the name given to him before his murder trial. canonically, he just picked up the name "wriothesley" from an obituary because he didn't want to use the one his foster parents gave him. what that name was, we will probably never know (unless it's said in his story quest, which i haven't done yet.) that said, allow me to jump into my hades!wriothesley hcs :D
"wriothesley" is a name that very few actually use. much like canon, people often refer to him as "your grace". however, he has many, many monikers; "the duke of meropide" and "king of the underworld" are just two of many.
underworld residents (or to overworlders, meropide prisoners) coined a bunch of new terms to refer to the elusive duke: aides or aidoneus (meaning "the unseen" or "the invisible one"), orcus (meaning "killer" or "the one who kills"), ditis pater/dis pater/dis (all meaning something along the lines of "rich one"), or clymenus (meaning "the illustrious" or "the revered one")
note: these are all actual names used to refer to hades in greek mythology.
no one calls him those names to his face or in his presence. those names are spoken in whisper -- saying any of those names seems to evoke a physical reaction to anyone who may have been in the fortress long enough to understand the weight behind those names.
hades!wriothesley is not a benevolent being. he is extremely objective. he seldom makes emotional decisions, which leads people to believe that at times, he has no emotions to speak of. (which isn't true, obviously.) his impartial decisions have cost many a life.
i think that because he doesn't rely on his emotions when making many decisions, that is the reason why he goes overboard when it comes to you. it's a little like shaking an unopened soda bottle for an hour and then suddenly opening the top.
wriothesley's love overflows, it gushes, it stains everything it touches. it seeps into every pore and changes you from the inside out. the problem with this, however, is that you resist this change initially.
you are receptive to his... i don't wanna call it advances, since that often has a negative connotation. wriothesley is anything but pushy and inappropriate. he's gentlemanly and chivalrous, so much so that you almost want to scream sometimes. let's call it courting — you allow him to court you, although you keep him at a distance.
why do you keep him at a distance? i... don't really know. perhaps someone can send in a suggestion. but the point is that you don't fully indulge yourself -- sometimes you do, but you become slightly distant and apologetic afterwards. wriothesley understands and is happy to be patient with you, but...
i think my suggestion for your hesitancy would be that you can feel the love that he exudes, and it scares you. you're afraid of what might happen if you allow yourself to sink too deep.
and that... that is probably why you resent him when he takes you to the fortress. that's part of the reason, anyhow. you were afraid of drowning and he literally took you to the bottom of the sea. in a metaphorical sense, he basically tied a brick to your ankles and dragged you down to his own depths against your will. you can't fight, you can't resist -- you can only endure. that is why you're angry with him.
"why do you resent me so?"
hades has the audacity to ask you such a question as you study a flower that he'd brought back from his latest visit to the overworld. you hadn't known of his departure, but when he gifted you this fresh plant, you felt something ugly and bitter stir within you. you became fixated on it, deciding to hole yourself up in your room to spend time with the only thing that gave you peace. you don't react to his question.
he stays quiet for a while, but he doesn't leave. after about five minutes, he inquires again. "please, blossom. i must know. i just wish to make you happy."
you all but slam your hand down on your desk. "happy? you want to make me happy?" you haven't raised your voice, but your tone is as icy as the vision that dangles from his clothing. "set me free. let me go home."
wriothesley is quiet again. "...will you at least look at me?"
the wetness in your eyes forces you to shake your head. "you haven't earned my gaze."
"and what must i do to earn it?"
"i've already told you."
"what else must i do?"
that gets you to turn around. "why are you so stubborn? what is preventing you from letting me go? you yourself can wander between the realms freely, but i can't?" your eyes sting with unshed tears, though the sensation doesn't last long. your frame trembles as you cry, and wriothesley cups your face to wipe the tears away. "do not touch me." you hiss at him.
wriothesley gives you a humorless smile. "you're not pushing me away."
...he's right. why aren't you pushing him away? "you haven't earned the right to touch me."
"haven't i?" hades is leaning in closer. you can smell peppermint on his breath. did he drink tea before coming? his thumb caresses your cheek. your eyes list to the side. "blossom," he calls you. "please."
you have a hard time resisting when he begs you like this. you hate how you let him get away with murder. he's trapped you here against your will, denied you of your freedom, and yet you still allow him to treat you like a deity. you allow him to do as he pleases. you don't feel threatened by him, no -- what you feel is his sincerity. his longing. his love.
you lock eyes with wriothesley. he's sharing a breath with you now. "wh-what do you want?" you ask. "you've already taken everything from me. how greedy can one man be?"
wriothesley's eyes glimmer in the lamplight. you can feel his gaze drop to your lips. his voice is noticeably deeper when he asks, "do you want to find out?"
you're not sure what you feel when he kisses you. the kiss is soft, sweet, and tastes of peppermint. his lips are warm, as is the rest of him. he licks into your mouth slowly and patiently, and you don't fight him.
because really, you've never wanted to push him away. you want to accept wriothesley for who he is, bloodied hands and all. you want him almost as bad as he wants you. and yet you just can't accept him in his entirety-- not as he is now. not when he's secretive and evasive. but his affection gives you some reprieve; his love gives you peace overwhelming, so much so that you let your own feelings shine through in moments like these.
you end the kiss first. you pull away, breathless, though you notice that he doesn't move an inch. after a brief silence, you finally speak. "you're too much for me." you murmur. "you'll be death of me."
wriothesley takes your hands in his. "for as long as i rule the underworld," he replies, "death will never find you. and that's a promise."
(also obligatory catte tag bc i need a fellow wrio lover to see this 🫡🩷 @catcze)
(p.s.: lemme know if i shouldn't tag you in this stuff, okay?)
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enbyobeyme · 1 year
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Mc with kalim from twst's personality. Just curious on your view on this one
MC Is A Rich Ray of Sunshine with the Seven Brothers
I decided to headcanons for each of them rather than mini fics for each of them but lemme know if u want it redone!
Gn Mc, some TWST references.
Lucifer
Oh no…
From the start, Lucifer wonders how the hell you are even going to survive in the Devildom— your soul's the embodiment of purity, and you're also incredibly naive and gullible.
Not to mention you constantly end up lending his brothers your wealth, much to his headache— where did you even find a place to exchange Madol for Grim?!
He has to make it very clear to all the lower demons that you were chosen by Diavolo and not someone to be messed with at all.
Still as time goes on you grow on him.
You never seem to get angry or upset, and it is so refreshing to have such a sweet person by his side.
It's like the sunshine baby x grumpy protector dynamic. He's kinda like your Jamil.
Furthermore, you're always there to support and encourage him and his brothers. It almost annoys him with how soft he is for you.
However he does lecture you when you do something especially dumb.
Mammon
You're telling him the human he's watching is rich AND dumb??? Count him in.
No seriously when he finds out how generous you are he is MOOCHING off of you. You don't even get upset with him for losing the thousand you lent him! You don't have a greedy bone in your body
Lucifer has to smack him a few times and give him one hell of a lecture for him to stop since Lucifer knows that lecturing you wouldn't work.
After that he does feel guilty for using you, but you're not mad at him??? And you're so nice??? Honestly after being degraded by his siblings so long it feels nice to have someone that's so kind to him.
He still teases you for being so clueless all the time though, however, whenever someone else does it he immediately gets defensive! Only he can bully you.
You are both dumb together <3
Leviathan
Scared and envious.
Not only are you so ridiculously rich and kind, but you're also a huge extrovert, ew no thanks!
He honestly dreads interacting with you at first because you don't notice his shyness at all and keep talking to him and oh no you're dragging him outside of his room to show him something!
As he gets to know you he gets more envious. How can other people not bother you??? Why are you so nice??? Practically everyone here loves you! You never get jealous or mad or anything and ugh he wishes he could be like that.
You actually listen to his interests even if you don't understand him and he falls in love then and there. You won't find him cringe or weird??? Strange…
He seldom holds your dumbness over your head and becomes super protective of you. It's easy to forget that Leviathan was originally planned to be a canonical Yandere/psychopath like Belphie.
May mooch off you for anime merch but he always pays you back unlike SOMEBODY!!
Satan
You piss him off so much. Where's your rage??? Your anger??? 
Lucifer practically insults you to your face all the time and you just agree and laugh it off? What the fuck? You're so patient and he doesn't understand it at all. To make it worse you are so endearingly stupid too that he feels like an asshole for being mean to you.
You're the exact opposite of him. And yet you both work together so well once he actually starts to get to know you. He definitely wasn't the kindest to you when you first came down. He probably had you hand cursed stuff to Lucifer or prank you.
He apologizes for all of that though, and becomes your tutor for devildom subjects and you both become an iconic dynamic.
You're always there to calm him down and he's always there to fight a bitch in your honor. You're there to be cute and dumb and he'll be your brain.
Swears that he would never use your money but he's just saying it would be nice to get that million dollar tome…
Asmodeus
Awww you're so gullible and cute! It's gonna be so fun to corrupt you…. Or so he thought…
Honestly everything he says goes over your head. Not a single innuendo sticks in your brain because it it so smooth, so it just slides off.
He actually doesn't really tease or bully you and would even let you know when someone's being mean to you, but you're just okay with it? 
He finds you so adorable and makes it known much to everyone's chagrin. You always compliment him for him and not his looks and you seem to really want to know him? It really touches his heart and he's absolutely smitten with this dumbass.
He may occasionally beg you to take him shopping but he swears to make it up to you! Congrats on your sugar baby!
Beelzebub 
Yall are both dumb together, but thankfully Beel is less dumb.
The absolute nicest on this list. He never makes fun of you or finds you weird at all, in fact, he finds you quite admirable! Seriously his brothers could learn a thing or two from you!
You're always so nice to him and everybody around him! And then you offer to pay for his meals?! Oh he's in love.
You now have your own puppydog/bodyguard hybrid.
Belphegor
He hates you so much.
Seriously, how can someone be so positive all the time?! It really gets on his nerves.
You're too kind for your own good, don't you know people will take advantage of you down here? Seriously, how dumb do you have to be.
Belphie just gets annoyed with you. Sometimes he just wants to be a hater but you're here making him see the good in everything.
He definitely uses you're naivety to his advantage though and has you carry pranks to Lucifer without you realizing.
Lightly teases you but only he can do it pt 2.
As you grow on him be becomes fond of you and you sorta remind him of Beel and Lilith. It often makes him nostalgic. 
He would kill for you.
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seraphiism · 29 days
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𓆩 ♡ 𓆪 ┊ 𝐒𝐈𝐋𝐕𝐄𝐑 𝐋𝐈𝐆𝐇𝐓
( do you love me enough that i may be weak for you? )
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chara : xavier fandom : love & deepspace quote cr : alain de botton a/n : sorry but if i ever made contact with xavier looking at me like That i would burst into tears and then we might even make out or smth
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& IN THE DELICATE RIFTS OF HUNTER VERSUS HUNTED, YOU HEAR SOMETHING RINGING IN YOUR EARS, FEEL IT POUNDING SO VICIOUSLY AGAINST THE HOLLOW OF YOUR RIBS. SOMETHING STRANGE BURROWS INTO THE ACHING OF YOUR CHEST, LINES ITS EXISTENCE INTO THE CREVICES OF BRUTALITY AND GENTLENESS. THEY'LL CALL THIS YOUR SURVIVAL, BUT YOU WILL CALL IT YOUR HEART.
the beating of the heart is a very primal thing, you realize. you place your hand against his chest. you listen. you count.
42. 48. 46.
you do not know why you always have to track the beats. maybe it's the touch that brings you comfort. maybe it's reassurance that here and now, he continues to exist by your side. maybe it's the need to know that despite all the injuries, he's okay, he's safe.
it's always the same, isn't it? this slow and steady means of living.
you close your eyes. count again. 49. 44. 45.
you open them, and for once, you dare meet his gaze. your mouth runs dry. you're always afraid to look at him; you seldom know why-- or so you think, but the truth is, you've always known.
"xavier," you murmur, and the space between your bodies is so far and few, "why do you look at me like that?"
you do not move your hand. something beneath it thrives in the presence of your warmth.
49. 49. 51.
xavier tilts his head slightly, that familiar trace of curiosity and kindness in blue eyes. a quiet smile falls upon his lips, and there is something so excruciatingly close to reverence and worship in it that it almost makes you want to cry, and you do not know why.
"like what?"
you stare. you stare and you stare, searching for something you yearn for but are so deeply frightened to discover. your lips part, but the words lodge themselves in your throat, unspoken, in dire need of release. you pause, swallow hard. he can tell you're struggling. his smile does not change, hand cupping your cheek ever so gently in silent means of it's okay, i'm here with you. and somewhere in that little gesture, there's the knowing that he'd wait until the end of time for you to speak if that's what you needed.
"i... don't know." you murmur, and the courage in your voice falters, decayed into absence. "like you could love me or something, i just--"
a moment, a beat, a spark.
your fingers grasp his shirt, tight. scared.
70. 78. 74. 88.
the beats grow faster. you do not break away from his gaze. you search and you search, looking for answers. you are not sure if you'll find what you're looking for, but in the way his smile grows just the slightest bit, and in the way his thumb grazes over your cheekbone, you are almost certain you understand what his heart calls for.
he leans in, just a little closer, lips just inches from yours.
you hear something beating, feel something beating, and you cannot tell whether it is your heart or his. your breath hitches, waiting.
a closed distance. a kiss to your forehead, your nose. you close your eyes at the sensation, letting out a shaky exhale.
"look at me."
his words are as soft as ever, and when you open your eyes, you sense a different kind of warmth in his. his thumb continues to trace over your skin-- a ghost of a touch, but more than enough.
"i do love you." xavier murmurs, and he presses his lips against yours, gentle, devout. "i love you, forever and always."
another kiss, endless. you are not sure who loses themselves in the other first.
you pull away, just barely, fingers clutching onto his shirt like a lifeline. you feel your cheeks burn, and you almost wish to tear your gaze away from his. but you don't. you smile, letting out a soft laugh before you kiss him once more.
"i love you too," you answer, "forever and always."
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666writingcafe · 2 months
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The Final Boss
Solomon
MC is too smart for their own good. And it's making them fail my test.
Have they demonstrated an understanding of Beel's powers? Yes. Have they used those powers to defeat their foes? Yes, and in an impressive fashion, I might add.
But the fire they normally have is missing.
"You've noticed it too, haven't you?" Asmo scooches closer to me and looks into the viewing ball I set up. "The passion's not there." I sigh.
"I suppose it's my fault for allowing your brothers to pick out the location of this test," I tell him. "I would have simply reserved an arena in the Devildom and have the battle there, but Satan insisted that this game of Levi's would be perfect."
"As if MC doesn't know the tropes of a RPG game."
"Exactly."
"I mean, even if they had no knowledge whatsoever before the exchange program, Levi would have at least taught them the basics." Asmo runs a hand through his hair to get some of it off his face. "Do you remember the first time you made full and complete use of my powers?"
"All too well." It was during a threesome with a girl we both liked. To put it simply, we fed off each other's lust and inadvertently overstimulating her to the point of death.
Asmo likes to joke about it sometimes. I don't.
"So, how do we get MC to do what you're asking?" Right. The task at hand.
"To be honest, I don't know," I answer. "I suspect they'll put more energy into their battle with me, but I don't know if it'll be enough to bring out all of Beelzebub's power."
"Why now?"
"What do you mean?"
"You've never been this invested in your apprentices becoming sorcerers." Asmo pauses. "Does MC mean that much to you?"
"You already know the answer to that." He sighs.
"Yes, but I want to hear you say it! Do you know how tiring it is to constantly use my powers to get dirt on people? It's so exhausting!"
"Yes."
"Yes, what?" The patronizing look in his eyes makes me want to barf.
"I care about MC. A lot. They're the first human in a long time that I see myself having a future with." I pause. "Is that good enough for you, Asmodeus?" He playfully snarls like a cat, bending his fingers to look like claws.
"What an attitude!" he exclaims, smiling at me.
"You annoy me."
"Only because I care." Asmo glances back into the ball, appearing to think. "What if we upset MC?"
"No." Asmo huffs.
"I'm not saying we make them destroy the game or anything that extreme! I just think that if we tease them a little bit, we'd get them to feel something other than sheer boredom."
"Teasing might work. Just not on MC. They'll get too flustered to focus properly." I pause as an idea pops into my head. "Your brother, on the other hand..." Asmo's eyes widen before gleefully laughing.
"That's it! Oh, Solomon, you're such a genius!"
"How, exactly?" I'm asking because I want to know where his mind went, because he seldom complements me in a professional setting.
"You see, MC hates when we're reduced to our sins. That was why it took them so long to warm up to me; I wasn't being my true self, but merely a caricature. If I act like gluttony is Beel's only personality trait, then MC will feel the need to jump to his defense, thus triggering that connection you told me about." Interesting...
"You do realize that MC will be controlling your brother, right? The more angry they get, the stronger Beel will become, and I'm pretty sure you don't want him pummeling you." Asmo makes a dismissive noise.
"I'll be fine! Don't worry about me. Any injuries I sustain will be temporary." He smiles, nudging me with his elbow. "I want MC to become an official sorcerer as much as you do, you know."
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