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#i didn't want to post my personal translation because i'm not sure about the first word. trubidis
brotherconstant · 1 year
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INTERVIEW WITH THE VAMPIRE 1.06 || Like Angels Put in Hell by God
Are you still dreaming about our first meeting, Daniel? I keep waking up just before you ask me back to your shitty apartment.
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nariism · 7 months
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ೃ⁀➷ THIEF! ★
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Based off this ask by @raphuna-nekomada !!
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The first time, Neuvillette brushed it off as if nothing had happened.
He spent the entire morning looking for his dedicated Monday bow, black with silver intricacies that you personally picked out for him many years ago.
"Must be a sign from the universe not to go into work," you hummed from the bed, rolling over and inviting him back under the blanket. He hadn't indulged you on Monday, instead opting to use his Tuesday ribbon and huffing about how he would find the missing article later.
The second time it happened, he was suspicious.
Two days in a row his ribbon had gone missing, now his Wednesday ribbon had been used for Tuesday. It irked him, and while he had no other reason to suspect that you were the culprit, the way you beckoned him back to bed again flicked a switch in his mind.
Ultimately, he hadn't indulged you on Tuesday either.
The third time it happens, he saunters up to your side of the bed immediately.
"My love," he calls, and for a moment you think he hasn't caught you because he's lacking any sort of stern tone— the kind he would address Wriothesley with.
"Yes?" You peer up at him with a glimmer of mischief, clutching something to your chest. His eyes narrow and he kneels onto the bed beside you.
"Have you seen my ribbon?"
"I haven't."
"Are you sure? I'm certain I left it on the dresser last night."
"You must be imagining things, dearest."
You give him a sly, lazy smile and that's when he knows you're nothing but a terrible liar. He nearly scoffs in your face, leaning down closer so he can look at you with a hardening expression.
"And what exactly is your ploy here? Would you like me to wrestle it out of your hands?"
Your eyes widen in surprise for a moment before you laugh, clearly finding his suggestion humorous. "Would it keep you at home longer if you did?"
The gears turn in his head at your words, slow realization washing over him as you blink up innocently. (Feigning innocence, actually. Poorly.)
Ah, so that's what this is all about.
"You want me to stay home?"
A beat of silence. "And if I said yes?"
"You know my answer." Yet he hasn't pulled away, gotten off the bed, and left for work like he does every morning. In fact, you're pretty sure he's drawn a couple inches closer to you.
The fabric you stole from him suddenly wraps around the back of the neck and you rein him in until he's hovering just above you, arms and legs caging you in on either side.
"Got you," you sing quietly.
His gaze flickers down to your lips and then back to your eyes. "You got me," he repeats in faux defeat, swooping down to capture you in a kiss.
He starts to think that maybe a day off wouldn't be the worst thing in the world, but he has more than one trial today and there is no one to fill his role in his absence.
Still, Neuvillette decides that he can come to a compromise if only to hold you like this before his busy day. Besides, if he didn't indulge you now this would never end.
"Ten more minutes."
"Ouch. Stingy."
He smothers you under his body so you'll stop talking.
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© ALABOADOA 2023 — please do not translate or post my works to other platforms.
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janmisali · 1 year
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what do you think of tone indicators in general?
unfortunately my thoughts on tone indicators are somewhat nuanced. fortunately, this is tumblr not twitter, so I can just write out my full thoughts in one post and be as verbose about it as feels necessary.
speaking as an autistic person (and I know there are other autistic people who don't hold this same view, this is just my perspective), I think as an accessibility tool, the extended set tone indicators in current popular use is fundamentally misguided.
the oldest ones, /s for sarcasm and /j for jokes, make sense. their notation isn't the most intuitive thing ("does /s mean sarcastic or serious?") but it's not too difficult to explain what they mean. I've had to spend my whole life learning by brute force what different tones of voice mean and what they change about how I'm supposed to interpret something, so I already know what "read this in a sarcastic voice" and "read this as a joke" are supposed to mean. my existing skills can be translated into the new form without too much effort.
the same thing applies to emoji and emoticons. I know what facial expressions mean, because I had to learn what they mean. figuring out if :) is sincere or not from context is a skill I've already needed to develop. it doesn't come naturally for me, but it's something I already at least somewhat know how to do.
most of the tone indicators in current use uh. don't work like this.
tone indicators like /ref or /nbh don't correspond to specific tones of voice. I don't have a "I'm making a reference" voice or a "I'm not talking about a person who's here" voice that I can picture the sentence being read in. these do not indicate tones, they're purely disambiguators. they clarify what something means without necessarily changing how it would be read out loud.
and on paper, that's fine, right? like, it's theoretically a good thing to take an otherwise ambiguous statement and add something to it that clarifies what you meant by it. the problem is that these non-tone tone indicators are not even remotely self-explanatory. it's up to me, the person who is being clarified to, to know what all these acronyms are supposed to mean, and how they change the way I'm supposed to interpret what something means.
it's, quite literally, a newly-invented second set of social cues that I'm expected to learn separately from the set that I've already spent my whole life figuring out, and it works completely differently.
sure, these rules are (in principle) less arbitrary than the rules of facial expressions and tones of voice and how long you're supposed to wait before it's your turn to speak, but they're also fully artificial and recently invented, which means they're currently in a constant state of flux. tone indicators go in and out of fashion all the time, and the "comprehensive lists" are never helpful.
in theory, I appreciate the idea of people going out of their way to clarify what they mean by potentially ambiguous things they post online. if it worked, that would be a really nice thing to do.
however, sometimes I imagine what the internet would be like without them. what if instead of using /s, the expectation was that if you're sarcastic online there's no guarantee that strangers reading your post will know what you meant? what if instead of inventing more and more acronyms to cover every possible potentially confusing situation, we just... expected one another to speak less ambiguously in the first place?
so, I on paper like the idea of tone indicators. I think it's good that some people are trying to be considerate by being extra clear about what they mean by things. but if tone indicators didn't exist, and people who wanted to be considerate in this way instead just made a point of phrasing things more clearly to begin with, I think that would be vastly preferable to even the most well-implemented tone indicator system.
also /pos sucks because there's something deeply and profoundly wrong for an abbreviation that means "I don't mean this as an insult, don't worry" to be spelled the same way as an acronym that's an insult
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munsons-melody · 10 months
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flinch
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summary: you flinch during a fight with eddie
pairing: eddie x female!reader
cw: angst w a fluffy ending, thoughts of abuse
word count: 1.5k words
a/n: wrote this v quickly so it’s not really proofread or anything. i could’ve done it better but i’ve been soo busy :/ might rewrite later
masterlist
i do not consent to having any of my works republished, translated, or posted to any other site except here. if you see my works anywhere but tumblr, it has been republished without my knowledge, consent, or permission.
you were in eddie's trailer, wayne had just left for work 10 minutes ago, and already you were in some silly little fight with eddie which you didn't expect to escalate how it did
"it's just sometimes guitar players think they're better than everyone else" you stated and eddie rolled his eyes, taking it as a personal jab to his skills
"okay but they almost make the band" he responded from the kitchen, hearing the clank of dishes as the water ran from the faucet
"okay but most of the time they are just assholes who just care about the sex, drugs, and rock n roll life style" you shrugged
"so you think i'm an asshole?" he responded back with a sharp tone and you shook your head
"no i'm talking about the people like mick mars who are so doped up and sleep with hundreds of women and just act like a douchebag" you said with a matter of fact tone
"well it kinda sounds like you're implying that i'm going to turn out like them" he snapped, turning off the water and drying his hands
"no! god no, i'm not saying that! i'm saying once in the spotlight, most people turn into assholes like that" you said, trying your best to stay calm
"so once my band makes it big, you're what- just gonna leave since you think it'll happen to me?" he questioned, turning the corner to meet you in the living room
"of course not! why would you say something like that?" you asked with a louder tone
"well it sounds like that's what you're expecting!" he said, starting to shout
"im not expecting it to happen!" you said, your voice growing to match his
"yeah well i'm pretty sure those 'friends' of yours think it will, they already think i'm in a satanic cult about to sacrifice you" he told you with a sarcastic growl, grabbing some extra dishes he found on the small table to put in the sink
"what the fuck is that about" you asked confused, remembering the party in which you two had met up with a couple of your girl friends but failed to recall them talking about that certain subject
"yeah you didn't hear what they said? we were at that party at steve's house the other night, and they started talking about how i'm some trailer trash wannabe rockstar" he angrily said, flipping on the water to keep working on the leftover dishes from the previous night
"okay first off, i never heard them say anything like that! second, why were you even hanging out with my friends if i wasn't there?" you rebutted, questioning him
"because i was trying to be a caring boyfriend and find you since robin said you looked a little too drunk and i didn't want you to hurt yourself" he snapped back
the volume of the argument kept escalating, which brought knots to your stomach. you hadn't really had fights with eddie and now that you're in one, you badly wanted to go back to how it was
"well i'm sorry i was trying to enjoy myself at the party but also i have never heard them say anything like that before in my life" you told him, starting to pace around, not knowing what else to do
"oh great and now you're defending them, what- do you agree with them?" he asked as you started to pick up empty cans and put them in the bin
"i do not agree with anything they said! but i've known those girls for a good few years now and i know they wouldn't say that about anyone" you tried and he laughed, putting his head down
"you are unbelievable!" he screamed and that's when you didn't care if you started yelling, the anger bubbling up inside you
"oh really so you want to talk about what friends have said about us? okay, well remember that time we were at the hideout and your friend hank said that he liked your other girlfriend before me better and was annoyed that you're whipped for some girl who was less pretty than she was!" you screamed, tears pricking in your eyes
you remembered that moment all too well when hank mentioned how much prettier eddie's ex girlfriend was, and your heart sank but you laughed it off, coming up with some smart comeback to brush off the pieces of your shattered confidence
"that was a joke! you even laughed!" eddie rebutted, slamming a cabinet door shut. you flinched at the loudness of it but he didn't see with his back turned to you
"i only laughed because i was uncomfortable! i didn't know what else to do!" you said, wiping away a tear that fell down your cheek
eddie angrily stomped out of the kitchen to his room and you followed, blinking away tears
"and i also don't exactly remember you defending me and telling him off!" you screamed and he turned to look at you
"because i didn't know you were uncomfortable!" he screamed back, looking around his desk for something
"well you should know from common sense that anyone hearing that would not find it amusing!" your anger was consuming you as you watched eddie throw a shirt from his desk to his bed
"well i guess i'm just not a very good boyfriend then!" he said throwing his arms up in the air
you stepped back, bringing your arms up in a defensive stance as your head turned, somehow expecting there to be an impact from his hand
eddie realized what happened as he stared at you with wide eyed and you slowly moved your head to look at him with your arms still up
you moved your arms down as eddie just stood there in shock, and you moved to wipe a couple more tears of frustration from your face
"y/n... did you think i was going to hit you?" he asked softly, a huge change in tone from what you previously were hearing, his stance deflating
you gulped put a small "no" not wanting him to think that you'd think he'd do such a thing. you knew he would never, but it was a natural reaction that you instantly regretted
"baby i..." he trailed off, taking a small step forward towards you. you didn't move back which he took as a good sign
"you know i would never ever do that to you, right?" he asked, taking another small step forward and putting a hand on your arm which was intertwined with your other arm, folded across your chest
"i know..." you muttered out, moving your head to look away from him, keeping your arms crossed
"can i please hold you?" he asked gently and you nodded, slowly moving your body into his open arms as he wrapped them around you, engulfing you into a giant bear hug
a few more tears fell down as he held you close to his body, and you leaned your head into his chest
"i'm so so sorry for yelling and getting mad, and i'm sorry i didn't defend you when hank said that bullshit, i love you so so so much" he spoke softly, his hand coming up and gently placing it on the back of your head
“and i want you to know that i promise you i would never hit you or do anything of the sort, i’m so sorry you thought that” he said with a shaky voice
"i'm sorry too," you started to apologize, feeling guilt run through your veins from not defending him earlier, and for reacting the way you did
"i didn't realize they said those things, and i know for a fact you aren't going to end up like mick mars or nikki sixx or any of those drug abusing rockstars, well maybe only with the level of rock n roll fame part, not the drugs" you joked with a sniffle
"and what about the sex?" he said with a chuckle, and you moved your body to face him, wrapping his arms around his waist and you moved your eyebrows up in a surprising way, pushing your head back in slight confusion
"you know, sex, drugs, rock n roll- they're a package deal... and obviously there's gonna be no drugs- well okay maybe weed, then a huge amount of rock n roll fame... what about the sex?" he joked making you smile with a small giggle
"well maybe, only if you'll still love and want me when you're big and famous" you told him with a small laugh, a smile growing on his face
"oh baby i will always love you and want you for the rest of my days" he said sweetly before leaning in and giving you a small kiss
when he pulled away he looked into your eyes, a hand moving to the back of your neck
"then show me how much you mean it," you said with a small smirk as he pulled you in for another kiss
he leaned in, kissing you passionately, his tongue fighting with yours as you moved you hands to slightly scratch down his back
"i- love- you" he said between breaths as he continued to kiss you, and you knew he really meant it
fin.
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emeraldkniight · 10 days
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Older bat! Damian with super or wonder reader who's like sheltered and oblivious to the real world and they go on a mission or smith together and the whole times she's just doing whatever he says because that's what she's used to and he's just like damnn and finds that really attractive
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— 𝐆𝐨𝐨𝐝 𝐠𝐢𝐫𝐥 ! ☆
older!damian wayne x fem!reader
𝘄𝗮𝗿𝗻𝗶𝗻𝗴𝘀… drabble smut. porn with a plot. dirty talk. fingering. Damian uses Arabic nicknames.
𝗰𝗼𝗽𝘆𝗿𝗶𝗴𝗵𝘁. . . no copying of my work is allowed. Free translation is allowed as long as I am credited.
𝗹𝗮𝗻𝗴𝘂𝗮𝗴𝗲. . . as I said in my other posts, English is not my first language. I have tried to make corrections with the translator, but as you all know, it is prone to making mistakes, so I apologize in advance for any mistakes or if anything sounds weird.
𝗻𝗼𝘁𝗲… I don't know how I feel about myself today, but I decided to write this for you anyway. I hope you like it. <3
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It was one of the first times you, a young girl exiled from the real world and born on an island paradise inhabited only by women, had contact with what was considered 'the real world.' You were not yet accustomed to many things, especially the existence of men, or perhaps men like Damian Wayne.
On Themyscira, you were used to following orders. When the Queen or your trainer told you to "do this," you knew exactly what to do. But when you joined the Justice League and met Batman, you initially believed you were supposed to act the same way. You soon realized that maybe you should have listened when Jon told you to ignore him completely.
At that moment, Damian Wayne, now known as Batman, was the last person you wanted to be trapped with in a situation like this. The two of you were locked in a reinforced room with no way out, where neither your strength nor your wits could help you get out. So you found yourself trapped with the one man who liked to bark orders like he was the king of Gotham.
— You really don't know what to do? — He asked, annoying you again. — Before, Wonder Women were effective.
However, you tried to heed Jon's advice; thus, you responded to him without intending to participate in his game.
— Yes, and in my land, men didn't even exist. So I'm just getting used to working with the inefficiency of one.
Damian slowly approached the box you were sitting in with an annoying grin on his face.
— In fact, I am a detective. Of course I know how to get out of here.
Your confused expression made him smile even harder at your confusion. You weren't sure if it was fair to feel like a complete idiot, but that was exactly how you felt at that moment. Besides, you didn't like him at all.
— And you never thought to open the door, or are you just trying to annoy me by making me live with you?
— Actually... — He replied, moving even closer to you. — I'm testing you. Go and open the door as best you can — He finally ordered.
And as if it were a sacred word, you stood up, determined to open the door to the room at any cost. At first, you tried to break it down with blows, but your strength wasn't enough. It was probably made of some incredibly strong material, possibly of alien origin.
— Try pulling the doorknob with your lasso — he suggested, and once again, you listened.
Damian couldn't help but find the way you obeyed like a trained dog incredibly attractive. Deep down, he felt that he had you at his mercy and that no matter what he asked you to do, you would listen.
Totally exhausted from the effort, you knelt on the ground, but you didn't give up. Feeling sorry for you, he reached over to stroke your hair, trying to calm you down.
— Pretty obedient little thing. — He flattered, lifting your chin so you could look him in the eye. — You don't know how to say no, do you?
A wave of intense heat enveloped you. Perhaps it was the first time you had ever found yourself in an intimate situation with someone, as you had always believed that your body was trained solely for an impending war. Yet, when Damian was around, that was the one purpose of your training you occasionally forgot.
— If I asked you to take off your underwear, would you be so obedient, habibati?
Your cheeks reddened immediately. You knew you should avoid this kind of situation, but having been trained on the island, you understood that you had to follow the orders of a superior. Batman was more experienced than you, making him your superior, and you felt obligated to obey him.
Immediately your panties fell down under the metal skirt of your suit, exposing your pussy to the man in the room.
From what you knew about men, you noticed they often looked for specific qualities in women. However, Damian had never shown any boldness towards you. As time passed, the 'sexual tension' that Jon had mentioned began to feel more like an annoyance.
When he saw that you were listening to him, he smiled as usual. But his smile was not one of despair; it was one of desire.
He knelt down to be at the same height as you. Gently, he slid a finger down your soaked pussy while keeping his eyes on yours, watching for any reaction on your face.
You understood what he was doing and how he was touching every part of the anatomy between your legs with precision. What you didn't understand was how he was so skilled at it.
You couldn't hold back your moans as you felt him gently pinch your now throbbing clit. His touch drove you crazy as you felt waves of pleasure crash against you.
— Damn, what a good girl. Sorry to tell you, Habibati... I have a weakness for obedient women.
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dropthedemiurge · 3 months
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Love for Love's Sake | Messages you didn't notice #6 | Sunbae Theory
I wanted to add this to my previous post about other messages and their translation and theories (here) but it was becoming too long, so I'm posting it separetely.
Guys, I kept thinking about the fact that we never got to learn more about the meaning of these "random" messages. And then I realized I was overthinking it too much.
ALL THESE MESSAGES WERE ACTUALLY FROM MYUNGHA'S SUNBAE WHO MISSED HIM IN REAL LIFE!!!
In the final episode there's a moment when the last message shows up, and the author is finally written.
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"I hope that place sparks your hope. From sunbae."
After we learn Myungha's full backstory, we now know "that place" means "afterlife". And if you look back on all the messages it MAKES SENSE, if you think that these are messages that are still coming on Myungha's phone from a friend – or, if we consider that everything is happening in Myungha's head, these are the thoughts about him by someone else.
Sunbae missed Myungha who was suddenly gone from life.
[In May, there is Children's Day, Parents' Day, there is even Teacher's Day but there is no Day when I can meet you] [I was passing by and saw a bracelet that you used to wear long time ago. It reminded me of you. I wonder if you still wear that bracelet.] [I broke a vase that was a gift from you. Can it be repaired?] [I thought only you dressed like that but others do too. I knew it wasn't you but I still followed. But why would you be dressed like that] (last sent messages) [I miss you. If only I could go there…] [Everything depends on what you'll do. Get yourself together.] [I hope that place sparks your hope. From sunbae.]
Tell me if these messages don't look like they were written by someone mourning the loss of a dear person. Someone who might be still sending messages to the number that will never reply anymore (and Myungha never did!). A chat that has become a diary of memories and longing, filled with a ghost of someone whose specific details you keep noticing in your everyday life. There is no Day when they can meet anymore. If only he could see him again...
I'm not sure about the vase but Myungha wore a bracelet in the beginning of the story (that was the first detail we notice about him tbh when he looks through the novel draft in the very first scene).
Someone else on Tumblr has expressed a theory that sunbae is a friend (or someone who loved Myungha) who decided to commemorate his friend in a written novel because they wanted to give him a happy life instead of a miserable one Myungha lived in real life.
I am so on board with this theory, (even though I like the grim reaper/deity theory or Myungha creating the world for himself), I think sunbae did exist in real life. And he obviously cared about Myungha, whether his love was to teach him a harsh lesson or to commemorate him in a meaningful story. After all, isn't this what all authors do to their characters? They make them go through conflicts and breaking points in order to overcome it all and finally find a happy ending.
Maybe sunbae has regretted that Myungha was never able to accept the love that others wanted to give him so he wrote the story to change that. Maybe sunbae is actually Yeowoon who wanted to put Myungha in his shoes and teach him how to love and be loved – actually, remember young Yeowoon, who lost Myungha due to his decision to erase himself from the game, who cried and picked up a pen to bring him back, starting a mission to make Myungha happy.
Maybe this novel is a desperate attempt to make peace and hope that someone you lost could be still loved at last.
No matter what, Sunbae was surely grieving Myungha.
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septembercfawkes · 10 months
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7 (More) Things I Wish I'd Known as a Beginning Writer
Last time I shared seven things I wish I'd known as a beginning writer. Unsurprisingly, that wasn't an exhaustive list, and I've been thinking about it some more. So, I present to you, seven more things I wish I'd known as a beginning writer. . . .
1. The Central Relationship Needs an Arc and an Actual Plot
Many of us have been told we need a relationship plotline in our stories, but few of us have received any guidance on how to actually do that (unless, of course, you are writing romance).
And in my first novel attempt, back in the day, the central relationship was not romantic. I had an idea for what the relationship was like, but partway through the story, it wasn't working. And it was becoming super annoying.
What I didn't realize was that it was annoying because it was mostly static. Nothing was changing. The characters weren't growing closer together or further apart. Instead of the relationship plotline having "peaks" and "valleys," it was mostly just a straight line.
Of course, I knew it was going to change at the end.
But what I didn't understand was that it still needed a plot through the middle. 🤦‍♀️ Which means it still needed the basics of plot: goal, antagonist, conflict, consequences.
Not just interesting interactions and conversations. Not just banter and pastimes.
In my last post, I mentioned the three basic types of goals: obtain, avoid, maintain.
Well, in relationship plots, this translates into these three basic goals: grow closer to the person (obtain), push further away from the person (avoid), maintain the relationship as is (maintain).
The antagonistic force is whatever gets in the way of that. If your protagonist wants to draw closer to this person, then an antagonistic force should be pushing him away. If he wants to be apart from this person, then the antagonistic force should be pushing him closer. If he wants to maintain the relationship as is, then the antagonistic force is what disrupts that. This creates conflicts and should lead to consequences. 
If you have a relationship plotline, it needs an actual plot.
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2. Choose a Tentative Theme Early, to Better Shape and Evaluate Your Story
If you've been following me for a while, you probably know I consider these three things to be the triarchy (formerly known as "trinity") of storytelling: character, plot, and theme. 
Each of these elements comes out of and influences the others.
This also means you can use each of these to help shape and evaluate the quality of the others.
It's much easier to write a solid story when you understand all three.
If you have only one or two pieces, it's harder to discern which ideas are just okay and which ideas are great. It's harder to discern what does or does not belong in your story.
The best ideas for your story are going to come from and touch each of those three things.
Most beginners are familiar with concepts of characters and plot.
Few know anything about theme.
And fewer still have the desire to learn anything about theme. It's often seen as unimportant or something that "just happens." Okay, sure, it could just happen. Maybe. 
But writing your story will (in the long run) be much easier if you at least understand some basics about theme.
I have so much to say on theme, it could probably fill up a book (and maybe someday it will), but for now, if you want more information on it . . . I'd recommend starting with this article: The Secret Ingredients for Writing Theme. It breaks down the key elements of theme, which can give you a good foundation.
Even if your theme ends up changing a bit, starting with an idea in mind will help keep your story on track.
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3. Your Story Needs a Counterargument
Remember when I was talking about theme, and implied I wasn't going to go into it that much more? Well . . . I guess I'm going to go into it a little more.
The thematic statement is the argument the story is making about life.
But it's not really an argument if no one is disagreeing.
This means your story needs a counterargument (I call this the "anti-theme").
This counterargument will often manifest within the protagonist (as a "flaw" or misbelief or something the character needs to cast off or overcome) and/or within the main antagonistic force. 
It can technically show up in other places and in other ways, but let's keep this basic.
So if your story ultimately shows the audience that it's best to be merciful, then a counterargument for that could be that it's best to enforce justice (Les Mis).
If your story ultimately shows the audience that it's best to ask for, give, and receive help, then a counterargument for that could be that it's best to avoid, withhold, and refuse help and do everything yourself (A Man Called Otto).
If your story ultimately shows the audience that it's best to rely on faith, then a counterargument for that could be that it's best to rely on technology (Star Wars IV: A New Hope).
The two arguments are locked in a "battle" of sorts, similar to how the protagonist and antagonist are, because they are in opposition to one another (see #5 in previous article).
The arguments need to be "shown" more than "told." And the counterargument should be given fair weight, because doing so will actually make the whole theme (and plot and characters) stronger.
Here are some examples to think about:
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4. Writing More isn't Enough to Take Your Work to a Professional Level
We are often told that if we want to be great writers, we need to write more. And this is true. To an extent. 
I've worked with writers who had been writing for decades, but were still at a beginner level.
I have known writers who bent over backward to meet word count goals, only to end up with a pile of slush they couldn't see their way out of.
I myself have spent enormous amounts of time and words trying to write something brilliant.
But for the vast majority of people, putting in the time and word count isn't enough.
What is the point of clocking in more and more hours and typing more and more words if you don't know how professional-level stories actually work?
Don't get me wrong--you absolutely need to put in time and words, and they absolutely will help you improve! And yes, quantity can improve quality.
But also remember this: You don't know what you don't know.
And if you are practicing imperfectly, that doesn't guarantee that one day it's going to be perfect.
If I have lousy technique every time I go bowling (and frankly, I do), that doesn't guarantee I'm going to get any better if I don't know what I'm doing wrong or how to improve or what good technique looks like--no matter how much time I put in.
This is sadly usually true for writing.
I'm not saying that no one gets to the professional level by only clocking in writing hours, but just that . . . I don't think most of us do. And I think some of us could spend decades clocking in the hours, and really, just be spinning our hamster wheels because we don't know what we don't know--we don't know why professional stories are professional level, so we don't know how to improve.
Hands-on practice is vital.
But so is education.
Sometimes it's actually more beneficial to learn about the craft from someone than to complete your Xth writing sprint to meet your word count goal.
If I could speak to my past self, I would tell beginner me to spend more time studying the craft. In the long run, it would have actually helped me get better easier and much faster than clocking in another hour of writing (that would have ended up in the garbage bin anyway). I've put in a lot of hours that didn't get me very far because I didn't fully understand where I was trying to get, or how.
There is always more you can learn. And especially in the writing world, there is always another perspective to learn what you think you already know. Many writers talk about the same subjects, but come at them from different angles, and learning even those different angles can help you refine your understanding of that subject.
I'm not going to say that tomorrow you have to sign up to take a bunch of courses (though you can if you want), but make time to learn about the craft regularly. You may want to ask yourself: Is it better for me right now to write for an hour or to learn for an hour?
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5. Conflict for the Sake of Conflict is Actually Filler--You Need Consequences!
There is an adage in the writing community, which is that story = conflict.
And once again, it's true. To an extent.
But adding a bunch of conflict isn't enough to make a story good.
If the conflict doesn't change anything--if it doesn't have at least the power to change any outcomes, then what is the point? It's just stuff happening.
Who cares if a bomb is going to go off, if no one or nothing significant is in danger of being blown up?
Conflicts need consequences to be meaningful.
It's really the consequences that hook and draw readers into the story. Or at least, the potential consequences. It's potential consequences that make up the stakes in the story.
And they draw the audience in because the audience wants to see if what could happen actually does happen. 
Once the audience understands the potential consequences (the stakes), they care about the conflict, because how the conflict is resolved will affect what happens next. The conflict now has significance because it changes the direction of the story, it changes the future.
Consequences also improve the story by strengthening a sense of cause and effect.
As I touched on in my previous post (see #4), random bad things happening is actually less effective (and makes characters less sympathetic). And random good things happening is also less effective (and makes characters less admirable). Instead, it's better if the bad and good things that happen come as a consequence to how a conflict was resolved.
This often happens even at a scene level. Just as nearly every scene should have a goal and antagonist, nearly every scene should have conflict. How that conflict is resolved in that scene should also carry consequences and affect what's going to be happening in the near future of the story (generally speaking).
Consequences also allow the audience to experience tension, which, as counterintuitive as it sounds, can be more effective than outright conflict. Tension is the potential for problems to happen. Conflict is actual problems happening. Tension makes the audience feel suspense. But suspense often only exists because the audience understands the potential consequences (the stakes) in play.
If there are no known consequences, then the conflict often doesn't really matter to the audience, because they can't see how it will change anything significantly.
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6. Starting in Medias Res is Actually Harder, not Easier
A lot of beginning writers struggle with beginnings--which makes sense, because they can be very difficult to write.
And so a lot of beginning writers are told to open their stories in medias res, which translates to "in the midst of things." This basically means you open the story up with some form of rising action (conflict)--usually it's that scene's rising action (see #2 in my previous post).
In other words, you are essentially cutting off the scene's setup.
While this can be effective, and while I may be unpopular in my opinion, I don't feel that it makes things easier. In fact, more often than not, I think it's actually harder to start in medias res.
This relates to what we just talked about above in #5.
When we start a scene in medias res, we are starting with conflict, but if the audience doesn't know why the conflict matters, then it won't hold them for very long.
When you cut off the setup of a scene, you now have to find a way to convey who is there, where is "there," what is there, when, and why we care (the why is the stakes).
--all without slowing the pacing.
This is why I think it's often (though not always) more difficult.
Now don't misunderstand me. I'm not saying you can't start in medias res, or that you shouldn't start in medias res.
I'm just saying it's tricky.
Instead, I would personally recommend starting just before the scene's conflict. Start early enough to give the audience context to understand what is about to go down: where and when the scene takes place, who is there, what the goal is, and what the potential consequences are. Make the setup long enough to convey the important stuff, but short enough to stay interesting.
Then get to the scene's conflict, the rising action.
You can read more than you probably want to know about in medias res here.
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7. Yes, You Really Need to Do That If You Want to Write at a Professional Level
This last thing is pretty nonspecific, as it's not about one particular piece of writing advice. When I started taking writing seriously and going to conferences and listening to podcasts and what have you, I often felt skeptical of what I heard. Now, sometimes that skepticism served me well (and has led to many of my blog posts), but other times that skepticism held me back. What's the difference?
Being skeptical of "writing rules" has, in the long (long) run, served me well, because it has actually led me to better understand the rules, why they are rules, how they work, and how and when to break them.
But sometimes it wasn't that I was skeptical of the rule itself. It was that I was skeptical that I needed to do X at all. I was skeptical that professionals actually did X.
For example, I would hear about Swain's scene structureand think, Yeah, there is no way most people actually do all this and put all this thought into their scenes. 
Or I would run into a breakdown of character arcs and think, Yeah, there is no way most people actually do all these things to write a great character arc.
And in the community, I have brushed up against this same mentality from others. Viewpoint is a popular subject. "Do I really need to be in one character's viewpoint at a time?" or "Is it really that big of a deal that I described the viewpoint character's face?"
And I'm like . . . on the one hand, no, and on the other hand, well yes--if you want to write at a professional level and be competing professionally.
Not that no professional ever varies from that, but just that those are exceptions that prove the point.
And it's not even that every professional is consciously doing X thing. They may be doing it subconsciously. But X thing usually still needs to be there, for the story to sound professional.
So yes, you really do need to do X thing if you want to be writing at a professional level.
If you don't care about writing at a professional level, then obviously you don't have to. It's totally valid to write for a hobby or just for fun.
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Now I will echo what I said last time. If I had waited until I understood all these things to start writing, I would have been waiting forever. And some things I would have never properly understood without the actual writing process. Yes, we need to be educated on how stories work, but it's also important to sit down and write.
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darklinaforever · 2 months
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So ! I need to say that !
Hades & Persephone's relationship is canonically a loving and quite healthy relationship in the context of Greek mythology which represents a form of balance for the world through the cycle of the seasons. Persephone is not a victim of Hades either... Anyone who has studied Greek mythology can actually explain it to you.
That's a bad vision of the original myth due to a too modern interpretation. It's not the modern era that romanticizes this basic relationship. This was already the case in Greek times...
It even seems to me that Hades and Persephone were often represented on the vases given to newlyweds (pretty crazy, since Hera was literally the goddess of marriage) because they were always described as having a loving, supportive and harmonious marriage.
And if you're looking for a real culprit in the union of Hades & Persephone, there's literally Zeus, who authorized the marriage between the two after Hades came to ask him. Hades didn't kidnap Persephone as soon as he saw her. He first asked to his father, Zeus, for her hand in marriage, as in the Greek traditions of the time.
In some versions of the myth, it even seems to me that Aphrodite is the one who provoked Hades' love for Persephone by sending Eros to plant an arrow in her after being upset by a refusal. But for now, I'm not sure of Aphrodite's real involvement.
But regardless, in the original myth, the one blamed is actually very clearly Zeus. He is the one, once again, having authorized the kidnapping of Persephone, which in Greek traditions translates into an engagement, and who has caused the whole messy situation with poor Demeter.
As for the grenade episode, it doesn't seem to me that we can know the original version. So the whole "Hades forced Persephone to eat the pomegranate" thing is also bullshit.
There doesn't even seem to me to be any indication of Persephone having been mistreated in any way by Hades in the myth. It's again bullshit.
I'm making this post because I've had yet another person explain to me that Persephone is a victim of Hades and that our modern age romanticizes the relationship between the two.
"Yes. Like Persephone gets bastardised. Persephone was Hades's assault victim. People try to "modernize" her by making her want Hades (all while making Demeter to be in the wrong). Mina was Dracula's assault victim. People try to "modernize" her by making her cheat on Jonathan for Dracula."
Except no. Persephone is not a victim of Hades in the context of Greek myth. That's a stinking modern vision. Kind of ironic, when you argue that it's the modern view that stands in for the real version of Persephone being a victim of Hades when... well no. It's the modern era that makes Persephone a victim of abuse at the hands of Hades, (this all reminds me of how people make Rhaenyra a victim of grooming in her relationship with Daemon) while that is not the case in the context of the original myth. As I explained above, this interpretation is modern bullshit. And it is very important to transcribe the myths in their ancient context to understand their various messages, otherwise you will miss the point.
But I won't elaborate further because @cthonisprincess has already explained it very well. I invite you to go and see these reblogs below which detail the whole affair of Hades and Persephone in much more detail :
I even recommend this video :
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My god, I can't believe that in 2024, people are still at the stage of demonizing Hades, even though he is one of the rare decents gods, and still claiming that Persephone is an assault victim of Hades... This is a shameful distortion of the original myth and a real bastardization of the goddess Persephone.
Also... we're literally talking about a myth. The goal of a myth is to be reinvented according to the times. So what does it matter that there are adaptations of the myth that differ from the said myth, or rather from the biased vision that some have of making Persephone a poor victim of the evil Hades ?!
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@aleksanderscult
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yumeka-sxf · 9 months
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Spy x Family Exhibition Pamphlet
I got my copy of the Spy x Family exhibition pamphlet! I wanted to make HD scans of some of the notable pages and try to translate if I can.
First off is this great "Main Character Correlation Chart" (sorry for my amateur editing, all I have is MS Paint!)
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I love how Bond has a different "bofu" (woof) for Loid and Yor!
Several of the pages show the creation process of the manga, starting with rough sketches to final drafts, using chapter 1 as an example. There were a lot of pages for this, so I just scanned the ones that showed the end of the chapter.
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Probably the most interesting pages of the pamphlet are the early character designs/concept sketches. Most of these have already been shared by @sy-on-boy on her post here, but I thought it'd be cool to have them in HD! Unfortunately, even with higher quality images it's very difficult to decipher Endo's handwriting. I could make out just a few words here and there, and Google Lens is very unreliable when the writing isn't clear.
The first page has early concepts for the Forger family, Loid, Anya, the WISE logo, and the Eden uniform.
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Things to note are that "Oscar" was a working name for Loid, as was "Yolanda" for Yor. What's also interesting is that a beta version of Franky is shown along with the Forgers. Unfortunately I can't make out the notes about him, but I think this has significance because of a sketch on the next page...
Most of the next page shows concept designs for Yor, with a section for Bond and Yor's coworkers on the bottom.
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However, what's really intriguing is the sketch in the upper right of the whole family, titled 疑似家族 (pseudo family).
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Once again, a Franky-looking character is with them, and he has the title "Uncle" (叔父) Was an uncle originally going to be part of the main Forgers? Was he actually related to Loid or Yor, or if that character did eventually become Franky, maybe he would just pretend to be Loid's brother? I can also make out the word "otaku" (オタク) in the notes for this character as well as "enjoying life" (人生を楽しんでる) Also in the notes for beta Yor it looks like 最強 (the best/strongest) and バカ (idiot/dummy) All I can make out for Loid's notes are 孤独 (loneliness) I think? And what's up with the older and more sinister looking Anya? She really looks like Ashe there. But these are all just early concept designs/notes so I wouldn't take them too seriously.
The next page titled "East and West During the Cold War" has concept designs for Franky, Yuri, Fiona (referred to as a female WISE spy), a male WISE spy, Melinda, and various assassins from the cruise arc.
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The first interesting thing to point out is the notes next to the very crudely drawn woman at the bottom of Yuri's concept designs. It says "Yuri's girlfriend?"(ユーリの 彼女?) though I can't make out clearly what the rest of it says. For the Franky designs, I could make out "tsukkomi or boke". So it looks like at some point Endo was deciding whether to make him more of a tsukkomi (straight man) or boke (wise guy) personality. There's also mention of giving him a high IQ (IQ高い). Also, the fact that the sketches include Melinda and the cruise arc assassins gives the impression that Endo had ideas for these story elements very early on.
But the character relationship chart in the lower left is really intriguing.
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I'm not sure how accurate these translations are so take them with a grain of salt, but they do make sense to me. But I have to wonder why Anya and Becky are connected to Desmond. For Becky, it could be because her family has ties to the Desmonds, but why Anya? Could the "mysterious institute/lab" she comes from have ties to Desmond too? Again, these could just be early concepts from ideas that Endo is no longer using, so best not to take them literally. Also, the lack of Shopkeeper/Garden in the character relationship charts, the concept art, and the exhibition overall, really does portray them as a "mysterious organization" that Endo perhaps didn't plan out until later in the series' development and is still trying to figure out. But as far as this sketch, I have to say that despite how terribly crudely drawn all their little heads are, it's easy to identify every character...proof of Endo's top notch character design skills!
Another sketch that stands out is on the same page...
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It's a very rough drawing of what appears to be either Loid holding Yor or Yor holding Loid with Anya next to them. But honestly it's such a rough drawing it could be any other parents+child. All I can make out of the text directly above is "My wife is stressed!? At this rate..." And the drawing next to it also appears to be two parents and maybe two children? I also have no clue what the "WJ4C 9/20, etc" at the top means. Very mysterious sketch, lol.
The next page has Eden related concepts, including Becky, Damian, George, and various teachers. The drawings in the bottom section appear to be an alternate/abbreviated version of how the Forgers met.
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Pretty funny that an image of Franky is covering what's supposed to be a sketch of Demetrius. The text from Franky says "I can't show you this information yet" which is pretty solid proof that Demetrius will make an appearance in the series eventually. There's also nicknames for Damian and Demetrius in the notes - "Dami" and "Demi."
Some notes on the Eden page says there's 2,000 students in the school, with 13 grades divided into 8 classes/houses. The chart on the left is a list of teacher names and their classes, all of which are given names of colors. None of the teacher names have been used so far in the series.
And all that's on the last page of sketches is a continuation of the previous page with the early concept of how the Forgers started (it honestly looks pretty cute, wish it wasn't just rough sketches). And the following section looks like drafts Endo did for promotional material.
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The final pages of the pamphlet are the new extra mission chapter which I already fully translated here.
And that's all I'm going to share for now from the pamphlet! I could spend more time trying to decipher the concept art notes but it was giving me a headache after a while, lol. But if anyone wants to try translating them, go ahead (I have higher quality png files of all the scans if needed...they were too big for Tumblr). And again, these sketches are just trial and error pre-serialization ideas that don't necessarily reflect Endo's final vision for the series, so I wouldn't dwell on them much other than for fun theorizing.
The pamphlet does have other interesting information, including an interview with Endo, a timeline of his work on Spy x Family and other manga, and his notes about random things from the series. So I might return to translating the pamphlet at a later date when I have time/motivation.
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imhidingonceagain · 5 months
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Slimeriana and QSMP fans, we need to talk (really, I'm going to talk about a few things).
CW: nsfw
Warning: long post.
At this point I think majority of you guys know what happened with Mariana yesterday (especially because the fliporiana community is small compared to other ones).
I'm gonna write some stuff Mariana said and I'm gonna be explicit about it because I want you guys to understand the severity of the situation (this is your warning):
Context: He was curious to see if people actually posted nsfw stuff about him (and poor boy, he really thought he wouldn't find any).
And I quote what he said after seeing some posts: "No, no, no! Why's Slime penetrating me?!" (He was probably looking at a fanart)
"I'm not doing role like that with Slime anymore. I thought you guys found it funny (he was talking about the sex role in the QSMP) but it only fills your minds with shit"
"I'm gonna say it in English because I know there's QSMP fans who do it as well: Don't draw hentai about me, don't draw us fucking, that's being a pervert, that's wrong"
Some months ago I wrote a post when we got the first warning in regards of this topic.
Mariana and Slime have talked about fanart before and at the time they didn't seem uncomfortable about it (though it seems like Charlie's girlfriend was).
So I wrote: it's not necessary to stop doing fanart about them. Just be careful with what you draw and where you post it.
To me even "suggestive" fanarts are "okay" (but with suggestive I mean the characters looking at each other like they want to kiss each other so bad, that's it). But when and how did that translate to some of you thinking that drawing real people having sex and not only having sex (because there's always ways to show intercourse without being explicit or disgusting) but also showing private parts is okay?
Because it's obvious Mariana saw something super explicit by the way he reacted (because he doesn't get bothered too easily). My poor man was distressed!
And let me tell you something. This is not only about Mariana and Slimecicle. This is a REAL PROBLEM within the fandom. Let me give you some examples:
I love reading fanfiction and months ago I was scrolling through the QSMP section on AO3 and let me tell you something: the amount of fanfiction written about the eggs and their parents in a non platonic way is CONCERNING.
Especially Wilbur Soot's fandom seems to have a lot of rotten apples who think that writing abusive stories about q! Wilbur and Tallulah is fine.
I understand some people write stories like that not because they're crime apologists, but because that's their way to deal with trauma (and dealing with trauma through art is okay). But PLEASE remember that while the eggs are fictional, their "parents" are REAL people.
Use fictional characters, please. Stop writing real people into pedophilic or highly abusive situations. THAT'S HORRENDOUS.
Another example is the following: Some weeks ago people were reporting a Twitter account and I clicked on the account (I personally don't like reporting people without making sure they deserved) and it took me like three seconds of scrolling to see more than 5 Ccs being disrespected (including Slimecicle, Quackity, Cellbit, Roier and Badboyhalo). Explicit Pictures, videos and fanarts were being posted about these creators.
You know what I think? I think Cellbit made his character asexual not only for the representation (it's clear by now that q! Cellbit is a sex positive asexual which is still representation yay!) But because he has been on the internet since around 2011 and he knows how disrespectful people can be. I think he knew that his and Roier's ship was getting too popular and that makes them both unprotected to shit like this.
Sadly, it's clear that it didn't matter that Cellbit made his character asexual, people can't seem to respect that detail about his character and about himself as a real person.
To some people it doesn't matter if the Cc is ambiguous or completely clear about their boundaries, they still don't give a fuck.
Please remember that behind each character is a real person. I understand sometimes you guys want to see your favorite characters fuck -me too, honestly- but for people like streamers that's out of the questions because not only they're real people, but because their work is related to social media and the possibilities of them finding EVERYTHING we write and post about them are super high.
I don't know how to feel. It's obvious that Mariana has not been feeling the same about the server since Juanaflippa died. Maybe this will make him feel even worse about the QSMP but I hope I'm wrong.
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vegasandhishedgehog · 9 months
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Omg this scene, if it can't be picked apart enough. Kim is not fooling around, and he is trying to make sure that the reason Chay approached him is due to his little celeb crush and not related to everything surrounding Porsche. He has to ask, has to measure the reaction, if Porchay is into anyone (knowing he's just seen the shrine in his room).
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I love how amused Chay looks here. He's like, "I didn't think this would come up so soon, but I'll play. I'm good at this game." (the game being emotions)
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It may be the translation, but it's hilarious that he asks "who is it?" as opposed to "what are they like?" Way to give yourself away Kim. You don't know a single person in Chay's life outside of Porsche and yourself. Porsche is Chay's brother, that's out of the question. The math isn't hard.
But I love, I LOVE this subtle little expression Chay does here. This quick eyebrow raise:
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"It's you, you dumbass." My beloved exasperated gay boy.
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That's what he'd like to say, but we gotta be chill, we can't rush the Wattpad formula. Chay has read those and they didn't satisfy him.
I mostly made this post over this tiny moment but it reveals so much about Porchay in a blink. Naïve he is not (not as much as many assume, especially on a first watch). Coming from someone whose younger brother is surprisingly well-adjusted and smart, compared to me (a bisexual mess), I love how Barcode portrayed this aspect of his character. We give Porsche a lot of credit for being a fantastic brother while raising him, but I have to give it to the kid, he deserves a lot of his own credit.
He proceeds to essentially flirt, skirting the border of admission so closely he can't really be mistaken. Just because he can't say it outright doesn't mean he has to be subtle. It's juicy shit and he knows it. He wants to leave juuuust enough plausible deniability in case it weirds Kim out.
I'm pretty sure it was this moment that made Kim decide to take Chay out of the investigation, but damn if he wasn't interested in this kid. He's already set himself up as a tutor anyway, he might as well enjoy it. When was the last time he'd enjoyed someone's company?
I'll start rambling if I keep following that train of thought, so I'll end things here, but. Porchay Kittisawasd, everybody. Tired gay hiding behind a cute shy smile and adorable voice, aware of exactly what he's doing at nearly any given moment.
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nervocat · 7 months
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Oh, hi! So, I've been stalking your profile lately, simply feeding off your posts. I loved them for sure! I don't know if your requests are open, but here's a request: reader is not exactly an intelligent person, and can easily get hurt in his work, or be deceived by people. I ask for a fluff story like this with our dear Neuvillete! Sorry if it seems strange, English is not my first language
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★ 📝 — notes: I'm glad you like my works anon, and yes my requests are open, I should probably put that somewhere on my blog. And this doesn't seem strange at all, I like the idea of this :D
Also I don't know if you wanted this to be romantic or platonic, so I made it able to be read as both, and I'm assuming you wanted a m!reader since you used the pronoun 'his' in your request, and sorry this took so long to get out and that it didn't turn out so great like I personally hoped it would, didn't quite execute the idea correctly
       — word count: 311 , fandom: genshin impact , cw: none — ✦
                     " Not a Very Intelligent Human "
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     You were a guy who was surprisingly naive for your age. Albeit you fell for scams which you thought were good, so you have good intentions, it's just that a handful of the people in Fontaine are opportunistic when it comes to money grabs, and you were that opportunity.
     Though Neuvillette, he doesn't like how those said Fontainians take advantage of you, so sometimes if it's a hefty amount of money, he himself would put them on trial for scamming. It's a little entertaining to Furina that he would do that for you, but she doesn't like scammers either, so she let's it happen (of course). How you and Neuvillette actually met was because of this reason. You were also deceived by people in a more sensitive way, most using you to get close to Neuvillette, and that did make you less untrusting of people wanting to be friends.
     You were also pretty clumsy, getting hurt in your field of work. You always had at least one or two bruises on your skin and some scratches here and there. You never actually really get severely hurt though, much to Neuvillettes delight.
     More on the topic of your relationship with Neuvillette, whenever he can walk with you, he will so he can personally make sure you're OK and don't get scammed of your money. If he can't because he's busy, a Melusine would follow you around to continue what Neuvillette does without him telling them to. The Melusines enjoy being around you and talking to you about your field of work, and even if Neuvillette doesn't ask, the Melusine(s) would tell him about you. He smiles everytime.
       He likes to be around a man like you and the skies are always brighter, he just has to make sure that you don't get hurt or scammed when he or the Melusines are around. ☆
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🌊 ★ — © nervocat || I appreciate any reblogs made, and pls don't repost or translate my works anywhere, ty — ✦ 📖
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kyouka-supremacy · 7 months
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Could you elaborate more on akutagawa bringing out atsushi's cruel side and atsushi bringing out akutagawa's kinder side? Despite everything i do think there were moments where atsushi held akutagawa's strength in high regard and felt inferior to him but denies this by constantly mocking akutagawa and reminding him that he lost in their first fight. Ngl i really love how atsushi can be himself around akutagwa, he doesn't need to be the atsushi that everyone loves, he can be the atsushi that only he can love 😭
Okay I've talked about this plenty so you might want to check out these posts (1) (2) (3) (4); on Akutagawa's good nature (1) (2); on Atsushi's mean nature (1) (2) (3)
My final take is: it's true, Atsushi brings out Akutagawa's kind side and Akutagawa brings out Atsushi's cruel side. But it shouldn't be left at that, risking of running into the error of reducing their relationship to an oversimplifying formula. It's true, Atsushi is mean around Akutagawa and Akutagawa is kind around Atsushi; but what we should really focus on is the fact that they manage to bring out a side of each other that other characters don't. Which is a good thing! It means that they can be their true selves, letting go of the fear of judgement and abandonment, because they know they're okay with each other. And I'm positive that yes, although it initially manifested with Atsushi being straight up a jerk to Akutagawa, it's not going to stop at that; because if it's true that Akutagawa brings to light facets of Atsushi's nature that don't usually emerge, it's also true that Atsushi's true nature isn't all evil and nothing else. First off, Atsushi is also manifestly more confident around Akutagawa, he's more brave and cool. He's sassy and sharp, he's blunt and stops overthinking things. Who knows if, once he's grown more affectionate of Akutagawa, once he's changed his mind about him, that will also translate in him being more open about how much he admires Akutagawa? Personally, I like to believe it will (Atsushi's love language being words of affirmation which is exactly what Akutagawa needs, eheh). After all, the “If you asked me, I'd say Dazai-san has already recognized you long ago” (which I've said, probably made Akutagawa fall right then and there) likely didn't come from a place of high esteem as much as it was just Atsushi honestly expressing his thoughts, unfiltered in front of Akutagawa. Then, just think of what he could tell him once his feelings for Akutagawa have morphed from simple animosity to something positive!
To me sskk really is:
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It's unpealing each layer till they're completely naked in front of each other, but God knows if having someone they can be utterly vulnerable with isn't exactly what they need. And yes, that started off as Atsushi being extremely rude to Akutagawa, but I'm sure it's not going to stop at that. It's going to develop in Atsushi being comforted by Akutagawa saying “do we need any more?” because having each other is truly all they need, and it's going to develop in Atsushi softly smiling at Akutagawa because no one else could make him feel safe and serene as he does.
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mermaidfanficlibrary · 7 months
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Hi I saw your recent post and I was wondering if i could req a teccho x male reader who just sleeps everywhere, not even on purpose but they just fall asleep easily (and in very weird places like tables, upside down, standing up ykyk)
Maybe js something fluffy !!!
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Sleepy Babes | Teccho Suehiro x Male reader
Characters: Teccho Suehiro
Summary: You could sleep just about anywhere, and Teccho finds it quite strange
Warnings: Just pure fluff
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🍀⁀➷ When Teccho first met you, you were sleeping on top of the desk with your back on the table and your feet and head hanging off the edges
🍀⁀➷ He walked up to you and poked your cheek making sure you were okay. You immediately woke up and stood up on the desk
🍀⁀➷ He stepped back and held out his hands slightly just to make sure he caught you if you happened to fall
🍀⁀➷ From that point on Teccho would follow you around just in case you happened to fall asleep somewhere that wasn't safe
🍀⁀➷ You would often refer to yourself as a sleepy boy and Teccho just adopted that as a pet name for you
🍀⁀➷ The first time he saw you sleeping standing up it concerned him, heavily
🍀⁀➷ He just picked you up bridal style and carried you to your home and put you to bed. He stayed to make sure you were safe and made you a snack for when you woke up
🍀⁀➷ You once fell asleep in front of him in a cabinet, and it took him and other person to pull you out
“Huh, you sure like to sleep anywhere, sleepy boy?”
“It's not my fault! I'm just…exhausted all the time.”
🍀⁀➷ Will make sure you have a good sleeping schedule, so you're not as tired all the time
🍀⁀➷ Has tripped over your sleeping body before when you fell asleep on the floor, and surprisingly you didn't wake up when he did
🍀⁀➷ Does panic a lot when he finds you sleeping in odd places, but only because he doesn't want you to get hurt by the others around you
🍀⁀➷ If you both are working, and you end up falling asleep, Teccho picks you up and lays you on his lap, so you can nap
🍀⁀➷ Will glare at others if they're loud and disturbing your napping session
🍀⁀➷ Teccho also pats your head to soothe you if you appear to be having a nightmare
🍀⁀➷ Kisses your head or cheek when you sleep because of how cute you look
🍀⁀➷ Sort of looks forward to you falling asleep because it means that you lay on his lap, and he gets a moment of peace with you
🍀⁀➷ It's rare this happens, but Teccho will nap with you on the couch that has become yours at work
🍀⁀➷ Doesn't mind napping with you or cuddling you while you sleep, as long as you're sleeping and you're safe
🍀⁀➷ You end up not feeling sleepy as much, but when you do, you will sleep on the table sometimes when Teccho isn't around
🍀⁀➷ He does get worried about you when he isn't around or when he's busy doing other things because he doesn't want people to trip over you or hurt you when you're asleep
🍀⁀➷ Teccho just wants you to get a restful sleep safely and he is with you to make sure your slumber isn't interupted
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Do not repost or translate without my explicit permission! Reblogs are welcome!
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hard--headed--woman · 3 months
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I briefly talked about it with someone here and it made me think so much that I had to make a post about it - why don't misandrist men get as much hate as misandrist women ?
They are men who think men are horrible and say it. Yet they do not receive the same amount of hate as a feminist saying "I hate men".
There's an example that I find interesting and that I thought I'd share : some decades ago, a very famous leftist french singer, Renaud, made a song that quickly became very popular and loved. It's called "Miss Maggie" and it basically says that men are trash and that women are superior. The thing is, absolutely everyone praises him for it and loves that song. I guess there are some conservatives and incels who hate it, but the vast majority of the country, men and women, loves it ; people say Renaud is amazing and a genius for writing it and that the song is wonderful. Here is a link if you want to listen to it :
(He also criticizes Margaret Tatcher in that song but I won't talk about it in this post because it's not the point).
Here are some lyrics (with the english translation) just so you understand what I'm talking about :
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(Bourgeois women or whores
Who are often the very same
Normal women, stars or uglies
Females of all kinds, I love you
Even to the worst moron
I dedicate these few verses
Born of my disgust for men
And their warrior morality
Because no woman on the planet
Will ever be more stupid than her brother
Nor prouder nor more dishonest)
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(Woman I love you because
When sport becomes war
There are no chicks, or very few
In the hordes of fans
Crazy fanatics
Drunk on hate and beer
Defying the morons in blue
Insulting the bastards in green)
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(The atomic bomb
Didn't come from a female brain
And no woman has on her hands
The blood of Native Americans.
Palestinians and Armenians
Testify from their graves
That genocides are a male thing
Like SS, bullfighters
In this fucking humanity
Murderers are all brothers
Not a woman to compete)
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(Woman I love you, above all, at last
For your weakness and for your eyes
When a man's only strength
Is his gun or his cock
And when the last hour comes
Hell will be full of morons
Playing soccer or war
Playing who pisses the farthest)
Everyone loves that song and Renaud didn't receive any hate for writing it. Now imagine if a woman had written it? Just imagine the amount of hate a female singer would receive if she wrote a song like this. That could ruin her carreer and I am not exaggerating.
Renaud is also known for saying other misandrist things. I remember watching an interview with him, in which he's said that "Women are always there to heal wounds, repair damage, get things done... Unfortunately, there are still too few of them in important positions where they can participate in decision-making", "The oldest form of discrimination is discrimination against women. They are the first group we decided to hate and oppress", "Politicians and religions don't want to let women be more than virgins or whores. They don't want to let them be human beings, women, fulfilled people, with a personality, who work...", "It's not long since women have had the right to vote in France. And what's more, when I see women voting for a man, it gives me the same feeling as if I saw a crocodile going to a leather shop of its own free will...".
And in the comments, absolutely everyone was praising him, calling him a king, an angel and what not. No one to call him names or to tell him horrible things. No one to act as if he's said the craziest thing ever, no one to act as if he committed a crime. Sure some people disagree and insult women, but there is not a lot of hatred against him. Again, a woman would have received a lot of hate if she had said things like that. Just read what men have to say about Delphine Seyrig criticizing the patriarchy and the "indifference of men".
The point of that post isn’t to say that Renaud is The Feminist Ally, that he's perfect and one of the good guys or whatever. I just want to point out that a man criticizing men, saying he hates them, calling out their behaviour (and even saying women are superior!) will never receive the same amount of hate as a woman barely saying "I hate men" or ever way "nicer" things. Sounds like everyone knows why we hate men and even agrees with us deep inside, and just hate when women speak up about it. Sounds like they don't have a problem with misandry but with women 🤷🏽‍♀️
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sylvia-forest · 3 months
Text
[CN] Shaw's Small Paradise Date
⚡Warning: This post contains detailed spoilers for a Date which hasn't been released in EN yet!⚡
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[Released Date: 1 FEB 2024]
[This date was translated with the help of Google translate ~]
[Section 1]
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Some stuffy and warm air flow disrupted my sleep. I stretched and yawned, fumbling to turn off the air conditioner before slowly opening my eyes.
The sky was already clear, and the faint light leaking through the curtains was blocked by the broad figure in front of me, outlining undulating contours.
MC: Shaw…..
I couldn't help but reach out and poke his shoulder.
MC: Are you awake?
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Shaw [sleepy voice]: …..Mm.
Shaw didn't turn around; instead, a nasal-toned response drifted over gently.
MC: When did you wake up? Shaw: Twenty minutes ago. MC: How come you woke up first and didn't even call me? Shaw [in a cold indifferent tone]: Wouldn't it be better to wake up naturally? MC: ……?
Seeing him continuously speaking with his back turned to me, I poked him in confusion.
MC: Shaw, are you on your phone? Why are you maintaining that posture for so long? Shaw: Nope.
...If I can't hear the indifference in his tone now, then I must be a fool.
But this early in the morning, I haven't even had the chance to annoy him, right? I couldn't help but pout.
MC: Can you turn around? It's awkward to talk like this.
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Shaw [sulking×1]: Isn't this the distance you wanted? MC: ...When did I ever want this kind of distance? Don't casually slander people…..ugh!
Before I could finish speaking, the next moment, a shadow had already descended heavily upon me, rendering me immobile.
MC: Wha-what are you doing...? Shaw: What do you mean, of course, it is to judge you.
His breath tickled my forehead, making me instinctively wrinkle my nose. This action seemed to be misunderstood by Shaw as resistance, so he chuckled coldly.
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Shaw [continuation×2 + sounds a little bit hurt]: I'm asking you, last night I pulled you into my arms twice, and you struggled free twice. What's the meaning of that? Shaw [×3]: Do you despise me? MC: Of course not!
I suddenly felt incredibly unjust. Just as I was about to argue with him, a vague memory flashed through my mind, causing my words to get stuck in my throat.
Last night, I did feel his hands assertively wrap around me.
And then, in a half-asleep state, it seems like... I subconsciously struggled to free myself a couple of times.
Thinking about this, I awkwardly tugged at the corner of my mouth.
MC [testing the water]: Uh, yesterday doesn't count, right? Shaw [in a cold threatening voice]: Why doesn't it count?
My mind raced as I quickly searched for reasons to justify my actions from yesterday.
MC: Because the air conditioning was set high yesterday, it was a bit hot when we were cuddled together... MC: And, um, your arm was a bit too firm and uncomfortable to rest on, so I... um, made a technical adjustment!
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Shaw [sulking×4 + feeling hurt]: You mean, you feel uncomfortable when I hold you to sleep?
[T/N]: Call me insane but I'm in love with his sulky and pouty voice *bangs my head on the wall*
MC: I didn't say I felt uncomfortable, it was...well, my body didn't listen to me in my sleep… Shaw [×5]: Oh, so it was just your body instinctively moving away from me.
MC: No! Shaw, why are you like this…
Seeing the situation escalating, I didn't know how else to explain myself. Shaw had already cut me off.
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Shaw [smirks]: Okay.
Shaw squinted his eyes halfway and interrupted me.
Shaw [someone is holding a grudge]: It's really my problem that I didn't take your feelings into consideration.
Shaw [finally made up his mind]: I'll pay attention next time.
As the restraints on me loosened, Shaw turned to get off the bed. I quickly sat up and grabbed his arm, blinking at him with a hint of guilt.
MC: Wait, wait, are you sure you're not just saying the opposite out of anger? Shaw: Am I that kind of person?
Shaw raised his eyebrows as he spoke, leaned over, and placed a gentle kiss on the tip of my nose.
MC: …..?!
I stared at him in astonishment, and he responded with an innocent yet subtle smile.
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Shaw [reluctantly accepts the current situation + plays the part of a wounded person]: It's just one night without cuddling. There will be plenty of opportunities in the future.
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Shaw [lovingly]: Besides, today is Valentine's Day. Why would I quarrel with my dear and beloved?
[Section 2]
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Something was off. Very off.
After getting up, Shaw went about his morning routine as if nothing had happened. He even "thoughtfully" brought me breakfast from downstairs.
However, my keen intuition told me — this guy was definitely still sulking.
MC: The worst I can do is stay still tonight… Shaw: What did you say? MC: I said, Tonight, you can pull me however you want, I'll definitely stay put!
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Shaw: …… Shaw [sighs]: Why are you still worrying about what happened in the morning? I forgot about it. MC: Is that so?
Shaw didn't answer my question, he just raised his hand and pushed the soy milk on the table towards me.
Shaw: Only a three-year-old child loves to pry like this. Hurry up and drink your soy milk, we should go to the antique shop after you're done. MC: Huh, are we spending Valentine's Day at the antique shop today? Shaw: I was just planning to clean up there, but if you want to spend time there, that's fine too. MC: Why clean up today?
Shaw saw that I was still confused, and a familiar teasing smile appeared on his face.
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Shaw [laughs + starts teasing her]: Tsk tsk, isn't there someone who dreams of getting rich overnight every day? How could you forget that today is also the fifth day of the Lunar New Year when we welcome the God of Wealth?
MC: !!Welcoming the God of Wealth! We need to hurry and set off, or else we'll be late, what if there's traffic on the God of Wealth's route?
I instantly got excited and quickly finished the soy milk, pulling Shaw towards the door.
With one hand being pulled by me, Shaw used his other hand to grab a couple's beret from the hanger and put it on my head.
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Shaw [clicks his tongue + in a low, sulking, jealous voice]: ...Who knew in the eyes of a fool, the God of Wealth is more important than 'lover'.
[T/N]: MC WHAT HAVE YOU DONE?!!
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The antique shop has been closed for less than half a month, and there was already a thin layer of dust in the room.
We quickly divided the tasks and started cleaning with our respective tools.
Before long, the various items in the store were shining with their appropriate luster and colors.
Shaw lit a stick of incense and respectfully placed it in front of the God of Wealth's altar. Then, he found a yellow paper from somewhere and spread it out on the table, picking up a brush to start writing.
Curiously, I leaned in to see what he was writing and followed along with his vigorous strokes, reading each word aloud.
MC: Inviting the Five God of Wealth to descend, humbly requesting... What is this?
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Shaw: It's the invocation script for the Five God of Wealth. Shaw: Since we're welcoming the God of Wealth, we should do it properly. We need to specify our wishes, our address, the auspicious date... everything has to be written meticulously. Shaw [as a matter of fact]: Otherwise, how would the God's know who is asking for wealth? MC: Oh, I see. It's like how some people nowadays report their ID numbers when they go to burn incense! Shaw [chuckles]: That's what it means. MC: Then you quickly help me write it, may the God of Wealth bless us to win big prizes every day this year, and even pick up money while walking! Shaw: Why, the jackpot won last year wasn’t big enough?
Thinking of my experience of becoming an island owner and winning an RV last year, I raised my chin proudly.
Reference from his “Four season” event and “6th Anniversary” event!
MC: Hum hum, I am so greedy! MC: Besides, if I won a lottery, it will benefit both of us~
Shaw [in sync with her energy]: Alright, I'll help you write it. Let me keep benefiting from your good luck next year.
As I watched Shaw earnestly write down the whimsical wishes, a hint of sweetness brewed in my heart.
It felt as though some kind of power was truly born from his brush strokes, capable of conveying our intentions to the ethereal Gods.
We spread the invocation script in front of the God of Wealth statue, just after lighting the incense and making our wishes, when suddenly there were two knocks on the door of the shop.
We both turned around and faced Mr. Yan's smiling face. The other person held a pig doll in one hand and made a bow to us.
Lao Yan: Shaw, MC, Happy New Year!
[T/N]: Here Lao Yan calls them little Ling and little MC in Chinese but it doesn't look great in the EN version so gonna go along with just their names only.
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Shaw [in a cheerful voice]: Happy New Year to you, old man. What's the matter? Lao Yan: There you go, just this matter in my hands.
Lao Yan had a look of helplessness on his face, and he patted the pig doll in his hand.
Lao Yan: I accidentally washed the doll my granddaughter sleeps with, and just bought her a new one as an apology, but the little girl doesn't want it. Lao Yan: She said this is not what she wants, she doesn't like it. Lao Yan: You young people understand these things better. How about you, MC and you, help me buy one? It's the big New Year, I don't want the little girl to be unhappy because of this.
Shaw and I exchanged a glance, clearly asking for my opinion. I pondered for a moment.
MC: If it's a doll to sleep with, then I know what kind to buy.
[Section 3]
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Miniature floppy-eared rabbits, chubby ducks, and even anthropomorphic vegetables, insects...
As soon as I entered the doll store, I was dazzled by the dazzling array of dolls.
MC: Wow, this eggplant is so cute!! MC: This long-haired rabbit is so adorable!
I let go of the little rabbit plushie, then hugged a half-sized elephant plush toy, reluctant to let go, I rubbed against it contentedly.
MC: Shaw, this one is so soft to hold!
Shaw stood a few steps away, arms crossed, and raised an eyebrow inquisitively.
Shaw [elongates his tone]: So you like soft ones so much. MC: Huh? What does that mean?
I was a bit slow to react, and Shaw's jaw raised even higher.
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Shaw [a hint of displeasure hidden in his voice]: I said, if you think it is comfortable to hold, buy it. MC [burst out laughing]: ….Pff.
— —Sure enough, you still care!
Unexpectedly, without me probing, this guy exposed his tangled thoughts that he had been holding in for half the day.
I found it somewhat amusing, unable to resist teasing him, I winked at him.
MC [starts acting]: Well, it's too soft for me. I prefer something with just the right amount of firmness when I hug it~
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Shaw [shocked]: …..
Shaw seemed momentarily stunned by my comment, his lips parted and closed again, before finally tilting his head to the side in silence.
Shaw [clears his throat + pretends not to hear it and starts teasing her]: Okay, aren't you here to choose a doll for Lao Yan's granddaughter? Why are you discussing your own preferences?
Changing the subject again, how boring. I rolled my eyes and showed him the photo on my phone.
MC: I've found the one I want to buy for the kid. MC: I just had Lao Yan took a photo of the damaged doll. We'll buy the same model.
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Shaw [having a hard time to believe]: Are you sure? There are so many new models here.
MC: Of course I'm sure. Didn’t Lao Yan say that this doll was for children to hold while sleeping? MC: It indicates that, in her heart, this is the softest and most familiar comfort toy.
I picked up the doll that was exactly the same as in the photo and gestured towards Shaw.
MC: No matter how good the new models are, they can't compare to the comfort of that one that holds a special place in her heart.
Shaw looked at the doll in my hand and nodded.
Shaw: You know a lot about this. MC: This is my experience. Didn’t you sleep with a stuffed animal when you were a child? Shaw: No  MC [happily]: If you have a chance, you can try it. Sleeping with a doll in your arms will make you feel at ease~
Shaw's expression once again turned peculiar, and he chuckled, then walked over to the shelf.
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Shaw: I'm too lazy to try, but you seem to really want to relive the feeling of your childhood. Shaw: Why don't you choose a sleeping doll that you feel comfortable with and has moderate hardness and softness? Shaw [starts playing the role of a wounded person×1]: From now on, you will sleep with it in your arms, and you will feel at ease. Shaw [×2]: Well, I think this red panda one is pretty good… MC: Shaw!
Seeing Shaw earnestly selecting a plush toy, I quickly interrupted his soliloquy.
MC: I don't want this red panda.
Shaw turned his head, returning my gaze defiantly.
Shaw [continues with the act×3]: So, which one do you want? The rabbit, the shark, the giraffe, or maybe the eggplant, the bread? MC: Don't want any!
I reached for the nearby keychain, grabbed his hand, and slipped it into his fingers.
MC: I just want this "red panda", is that okay?
In an instant, a faint blush flashed across Shaw's face, yet he deliberately pouted his lips downward.
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Shaw [carefully testing her by acting all innocent]: Weren't some people picky before? Why are they suddenly attracted to it now? MC: It's not like I suddenly took a liking to it now. I've been chasing after him for a very, very long time, planning to stay by his side for the rest of my life!
Shaw's throat bobbed heavily, and he looked down at his ring finger, then raised his gaze, staring longer into my eyes.
Shaw: Even if he's very rigid, very stubborn, and his actions are unreasonable, would you still want this uncomfortable little panda? MC: Yes. MC: Because he gives me the most comfort when he hugs, is that not okay? Shaw: Okay.
Finally, Shaw revealed his brightest smile of the day, and with a flick of his wrist, he firmly clasped my fingertips.
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Shaw [in a really really good mood]: But I have to remind you, once you're bound to this little panda, there's no return or exchange.
[Section 4]
Even though I was bound to this "little panda," I still couldn't resist the adorable onslaught of the shop's merchandise and ended up buying several plushies.
After delivering the doll to Lao Yan's granddaughter, Shaw and I took the other plushies home.
After I got home, I happily placed the dolls on the sofa one by one, then sat among them and turned on the TV.
MC: This is the perfect sofa!
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Shaw [feeling jealous]: ?How come it's perfect? They filled the sofa. Where's my place?
Shaw placed the cola on the coffee table, then discontentedly picked up a small dinosaur by its tail and placed it on the floor. He then squeezed in and pulled me into his arms.
Shaw [feeling satisfied with his action]: .....This is perfect.
The TV kept replaying the New Year's gala from a few days ago. I flipped through a few channels but couldn't find anything interesting, so I simply handed the remote control to Shaw.
MC: Is there anything you want to see? Shaw: No, TV programs are boring to begin with, and the Spring Festival ones are even more boring. MC: Shaw, you're holding a renowned TV show producer in your arms!
Shaw [acts like he just realized this fact]: Oh, how about watching a TV show produced by this well-known program producer?
Shaw, while saying so, actually picked up the remote control and switched to Loveland TV, where a variety show produced by [MC Company name] happened to be airing.
MC: Ah, don’t look—— ——
I let out a cry of dismay, trying to grab the remote control from Shaw, but he deliberately extended his arm to prevent me from taking it away.
Shaw: Why not let me see it? MC: It’s not that you are not allowed to read it, but will you read your final thesis in front of relatives and friends during the Lunar Year? MC: And when I saw the faces of these guests, I was reminded of those troubling things during the shooting again...
When Shaw heard what I said, his interest became even higher.
Shaw: I'm not interested in the show, but I'm very interested in the story that tortures you. Tell me?
What kind of person are you!
I hummed twice, slid down a bit, and rested my head on his shoulder.
MC: Just look at this middle-aged man wearing a pink tie. He was fine during rehearsals, but after the official shoot, he always likes to improvise... MC: And here, do you feel that the editing was stiff? It’s because the original challenge content was not what is being broadcast now… MC: One time, the host and the lighting technician got into an argument, and it ended with everyone's supper being spilled...
Shaw chuckled as he listened to me rambling on about my grievances, occasionally adding a comment or two to commiserate. Meanwhile, the program on the screen gradually came to an end.
This day was obviously no different from any other day, but I felt a fresh sense of comfort cuddling up with him like this.
Was it because he was listening to my worries while shooting? Or was it because the little misunderstanding in the morning was resolved?
Is it because we made a shared wish for this year together in the antique shop? 
Or is it simply because today is Valentine's Day, and our moods are just good?
I can't figure it out, and I'm too lazy to think about it. I just hope that this comfortable feeling can continue indefinitely.
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Shaw: MC. MC: ….Hm? Shaw [carefully]: Do you feel comfortable like this now? MC: Hey, why are you thinking about the same thing as me?
I nodded contentedly.
MC: It’s so comfortable now. Your chest is so wide. I can lie down wherever I want~
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Shaw [in a good mood + his lazy voice×1]: But didn't you notice that your hair keeps rubbing on my face?
MC: Ah? But I just moved down. Shaw [×2]: A bit further down. MC: Okay... like this?
Shaw clicked his tongue and wrapped one arm around my shoulders while using his other hand to pinch my face, moving my head to rest against his collarbone.
Shaw [satisfied]: This is more comfortable. MC: No no, I feel uncomfortable like this.
I adjusted myself with seriousness and then placed Shaw's hand on my waist before lifting my face to look at him.
MC: What do you think of this posture now? MC: You see, my legs fit perfectly on yours, and there's room for your arms too. MC: My arms can move too, and they won't block your line of sight either...
Shaw [chuckles sexily]: How come you sound like you're giving a product report?
MC: Of course, I have to explain clearly why this position is good! MC: Otherwise, what if we adjust into another awkward position that makes both of us uncomfortable? Shaw: Really.
Shaw lowered his eyes and stared at me. After a moment, he raised the corner of his mouth.
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Shaw [HIS HUSKY VOICE FILLED WITH MISCHIEF]: But you seem to have forgotten to mention the biggest advantage of this posture. MC: Hmm? What advantages?
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Shaw [IN A LOW SEXY WHISPER]: Kissing you is easy.
He lowered his head and easily captured my slightly parted lips.
The kiss was irresistible. The sweet breath blends into a thin mist, which quickly escapes between the lips and teeth.
I widened my eyes, and the next moment, a long leg firmly pinned down my attempt to move.
Meanwhile, that unreasonable hand firmly held my jaw, and each touch of his fingers along the side of my neck sent shivers down my spine.
Under his assault, the original position gradually collapsed. The plushies on the sofa also fell to the ground one after another in the melee, rolling around with the little dinosaur.
When our lips finally parted, I couldn't help but use my free hand to lightly pinch his arm.
MC: Why did you sneak attack again…
Shaw grinned triumphantly, his eyes filled with the satisfaction of a successful ambush.
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Shaw [HIS SULTRY VOICE SKSKSK]: Calling it an ambush doesn't sound too good. Shaw [×2]: This is a lightning strike, specifically targeting the unprepared.
The protest I just uttered was swallowed back by him.
This time, it wasn't clear whose body pressed against the remote control. In the corner of my eye, the noisy scene on the screen flickered twice, then turned into a blank screen.
Suddenly, the room became exceptionally quiet, making each other's breaths and every friction of our clothes unusually clear.
The narrow sofa contained two violently beating hearts, and also contained the romance that only belonged to me and him in this peaceful evening.
My hand inadvertently brushed against his ring finger—where I had left a "trapped" mark during the day.
Now it was empty, but I knew there was no need for any ring to lock it down; this person belonged to me.
MC: By the way, Shaw…
I was immersed in the aftertaste of happiness, and suddenly remembered something.
MC: You said, now that we have adjusted the perfect sitting position, can we also find a sleeping position that is comfortable for both of us? Shaw [×3]: You're addicted to adjusting?
Shaw smiled and lowered his head, lightly nibbling on the tip of my nose.
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Shaw [×4]: There's no need to adjust your sleeping position. I've already figured out how to deal with you. Shaw [DAMN HIS VOICE HERE WAS SO SEXY]: Tonight, set the air conditioning to 16 degrees. I don't believe you won't snuggle into my arms.
[T/N]: BYE BYE WORLD, IT WAS NICE KNOWING YOUUUU. Man PG do know how to quench our thirst🤭 damn I wasn't expecting the last part to be soooo hot🔥🔥
💍Call
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