Tumgik
#i didn't know i had such strong feelings on horror films
cakemoney · 2 years
Text
thinking about the whole robpat!batman movie’s thesis being “shit. fuck. turns out this whole time the legacy of my rage and vengeance-fueled vigilante justice has been enabling domestic terrorism by entitled white men. all along what this city needed and what i needed was healing and extending our hands to our neighbors instead of continuing the cycle of trauma and violence” like the movie put their whole chest into that. it looked at their audience and said to their face “you guys never actually understood what batman is about. you saw the dark brooding aesthetic and the toxic masculinity and the individualistic lonewolfism and you see that as something to aspire to, when the point of batman was always Corruption And Evil Exists Within Those With Power And Money Not In Mental Illness, and by missing that and making it all about yourself you became the villain of this story.” in theaters right in front of batman stans. no wonder robpat was cast for this like i’ve never seen someone pull off self-loathing white man so naturally
#laughs awkwardly#sorry i watched black adam recently (long story) and like. i can't help but feel like the subversive parts of it#just weren't as strong as how it felt to watch a batman movie where batman had to beat the crap of his own fans#like [SPOILERS] black adam wanted to be self-aware about superhero films and wanted to point out the american propaganda#inherent to the concept of 'international justice' but because it was primarily pulled off through funny quips it felt like it didn't COMMIT#(felt very marvel in that respect actually)#like yes your main character told off the western superheroes for the hypocrisy of their 'peace' efforts but then... what?#in the end the westerners were still the genuine and helpful people they claimed they were. the main characters had to trust them to survive#in the end the self-actualization of an oppressed people felt hollow because we barely spent any time with them during the story#in the end the people's chosen hero turned out to be not who they thought he was and his character turning point to become a hero was...#he magically knew to break out of an underwater prison? honestly that part was a little confusing to me but extremely horrifying#like this guy basically explicitly said 'you should kill me. that's what i want' AND THEY JUST DID NOT DO THAT#like obviously i know he needed to come back since the movie was about him but like. damn. way to not at all respect his autonomy#he said 'i should die' and they went 'haha but instead we're gonna put you in storage forever so you never reunite with your family in death#HORROR. THE MOST DYSTOPIAN SHIT I'VE EVER SEEN. YOUR BODY IS NOT YOUR OWN IN CASE WE FIND IT USEFUL LATER#WE'RE SO PEACEFUL THAT WE CAN NEVER ACCEPT [GASP] MURDER BUT ANY OTHER VIOLATION OF YOUR CONSENT IS FINE#HOW WAS THIS BRUSHED OVER SO CASUALLY#WHAT WAS I TALKING ABOUT BEFORE#yeah you know what i don't really know where i was going with this either. i just had Thoughts#like did i think the rob!patman the movie took itself so seriously it was accidentally kind of comedic? yeah for sure#but because they took it seriously it felt like the element of metacommentary was sincere. like i can also take it seriously#i keep thinking about that scene where rpatz was interrogating the riddler and the horror that dawns on him#because he's looking at this man who idolizes batman but despises bruce wayne and realizes Oh God That's Me. This Is What I Created#like shit dude i don't think superhero films necessarily should or must be Deep in an Artistic way but i can give them props for trying?
20 notes · View notes
ashwhowrites · 8 months
Note
Fwb to lovers Eddie x Reader, Eddie decides to end things with her friend with benefits (reader ) because lately he had seen reader and Steve very close to each other, but Reader doesn't know that Eddie ended things with her because of Steve, and she was just trying to give advices to Steve about dating other people to forget about Nancy, so Eddie goes to Family Video to rent some movies and he sees Steve, and Eddie asks Steve how are things going with reader and Steve's like I don't like reader and she doesn't like me, so Eddie discovers that he had feelings for Reader and when he goes to her house he finds her crying in her bedroom and he confess to her and comforts her and Reader tells Eddie that she likes him too!
I hope this is what you were looking for :) thank you for requesting
FWB..again?
Tumblr media
Y/N has forced Eddie to watch countless movies about friends with benefits never working out. The guy falls for the girl or the girl falls for the guy. It was a common plot line. And Eddie was pissed that he found himself in the same situation.
Eddie and Y/N started hooking up months ago, on a random night when they were both drunk. The next morning they tried to remain just friends, making sure nothing was awkward. But that didn't last long. They fell into each other beds over and over. Neither had a conversation about feelings or calling things off when their minds changed.
But lately, Eddie sensed something between her and Steve. And it made his blood burn. Eddie couldn't stand Steve as it was, but now he's coming after his girl? Well, not his girl, but pretty damn sure felt like it. When they were alone, she never talked about Steve, not even a tiny sentence. But every time he saw them together, they were always in a heated discussion. It was like Steve waited on every word that left her mouth.
Eddie never knew how to handle his feelings. Why else would he be friends with benefits with the girl he's secretly been in love with for years? He knew sex and he knew he did it well. But a relationship? He wasn't sure if he had what it took. Steve Harrington was a relationship guy, maybe she knew that.
Eddie didn't want to feel second best to the King Steve Harrington. He also didn't want to be her plaything while she made advances towards someone else. So he called it off. He ripped the band-aid off as fast as he could, watching the confusion take over her face. She questioned him, but he didn't give answers. He didn't admit that he was insecure and jealous of Steve. He didn't want to stand in the way of her finding the love of her life.
He just didn't know that he was the love of her life.
Eddie knew calling it off would be hard, but he didn't think of the aftermath. How even more painful it was to sleep with her scent on his pillows. Or how bad it hurt that every night it was less and less strong. He didn't talk to her much anymore. He was too embarrassed to be around her while he was keeping his heart together. She tried to keep the friendship alive, calling him and inviting him out. But he always declined. Being with her was a taste of what he couldn't have.
~~~
Y/N wasn't sure what changed with Eddie. She couldn't remember anything changing that would lead to him breaking them up. But when she asked, he didn't have anything to say. It hurt more than anything, she loved him and loved having parts of him that no one else did. Maybe that's what changed? Maybe he found someone else?
She tried to stay focused on Steve. She's been helping him with his dating life and it was a good distraction for her. Her love life was failing, but maybe she could help him.
~~~
Eddie walked around the video store for a few minutes before he caught Steve. He wanted to run before he noticed, but Steve was already waving him over.
"Hey Steve," Eddie said through his clenched teeth, passing over the horror film. Steve greeted him back and rang up his movie.
Eddie didn't want to ask and he didn't want to know. So why the hell did he ask?
"So...how's things with Y/N?"
Eddie wanted to smack himself. Steve looked at him confused as he grabbed the receipt.
"What do you mean?"
"Oh nothing, just figured you guys were together or something." Eddie shrugged, acting like the thought hadn't kept him up for days.
"Isn't she with you? Like aren't you guys together?" Steve was confused. All she talked about was Eddie, Eddie, and more Eddie.
"We aren't together." Eddie rushed out. "I mean we were! But not together, together. Just having hot sex but like that's it." He rambled
"....yeah I didn't need to know the last part." Steve cringed. He loved Y/N as a sister and hearing that made his stomach turn. "But anyway, why did you think she and I were together?"
"Just figured from seeing you guys together," Eddie explained, but now he had a feeling he sounded like an idiot.
"Oh no. I don't like her and she's into you, bud." Steve said, patting Eddie's shoulder with a tight smile.
~~~
With the confirmation from Steve's mouth that Y/N was into Eddie and Eddie alone, he raced to her house.
He nervously knocked on her door. He wasn't sure how she would react to seeing him again. Considering he ignored every possible interaction with her. To his luck, she opened the door. Her eyes were red and puffy. But she smiled at him.
"Oh hey!" She greeted him, she sounded happy and bubbly. But he could tell she was crying minutes or even seconds before she opened the door.
"Hey, can we talk?" To his surprise, she welcomed him inside and led him to her room. A room he'd been in many times but now felt like a stranger standing in it.
"What's up?" She asked, sitting on her bed as she faced him. He stood near her doorway, ready for a fast exit in case she wanted to scream at him for messing everything up.
"I think you deserve to know why I ended things." He said, playing with his rings as he watched her. Her smile fell, like the reminder of what he did washed over her again.
"Um, yeah. It would be nice to have that closure." She agreed.
"I'm kind of an idiot," he began, smiling as she laughed. "I like you, and I'm pretty sure I'm in love with you. And it scared me. But I also got scared because I thought something was happening between you and Steve. I didn't want to be in the way of a relationship that would be good for you! So I figured running away seemed like the best idea. I'm sorry for hurting you and us."
"I don't like Steve at all " she said quickly.
"Which I know! He told me. He said you were into me." Eddie explained
She blushed and was a little annoyed Steve told him, but at the same time that's what brought Eddie back to her.
"Well it's true, I like you. And I'm pretty sure I love you too. Then you dumped me out of nowhere and I thought maybe you found someone else. I was only with Steve because he wanted help with his sucky dating life." Y/N chuckled.
Eddie finally moved his legs, sitting next to her as he grabbed her hand.
"Never will there be anyone else. It's like those shitty movies you make me watch. Where you scream at the TV because the two characters are in love but don't do anything about it." He explained. He loved the way she smiled and laughed again.
"Maybe we shouldn't be those characters. Maybe we should do something about it." She whispered, leaning in towards him.
"I think so too " he whispered back. His lips melted against hers as he kissed her. He hummed at the familiar taste and feeling.
Eddie Munson could be a relationship guy too
Tags!
@bmunson86 @mxcheese @ladymunson @michaelfuckinglangdon @z0mbie-blah @biittersweet @mirrorsstuff @somethingvicked @micheledawn1975 @ago-godance @magnificantmermaid @tlclick73 @hargrovesswifee @cityofidek @manyfandomsfanvergentreblogs @silky-luxe @lokiofasgard616 @loving-and-dreaming @eddiemunsonsbitch69 @thegemaqua @ashlynnkennedy @strangerthingsstories5255 @harringt8ns @pleasinghellfire @whoscamila @stusdollface93
407 notes · View notes
neoarchipelago · 1 year
Text
And they were roommates part 2
Tumblr media
A/N: well well well... If it isn't the latest manic episode from my brain. Anyways enjoy...
TW: none..? Angst, cuz bwahahah I'm mean.
here's part one
____
You sat hugging tightly your fluffy pillow against your chest. The living room was plunged into darkness, the tv being the only thing shining through the room. It was a little after midnight, and you were completely alone. Ghost had warned you that he'd be home late so you wouldn't make dinner for him. You still did though.
First you had wanted to go sleep or maybe play a bit on your consoles but you were quickly bored. You weren't exactly waiting for him… no. You just… wanted to make sure he had eaten. Yes. That was it. 
So here you were. Sitting on the couch, in front of a horror movie. Not the best idea, but nothing was interesting enough at this hour. 
You had mixed feelings about horror movies. But one thing was for sure. Right now, you hated them. Your morbid curiosity made you unable to change channels though. 
Your eyes were glued to the screen. You watched as the woman was hiding. You felt your skin crawl at the idea. Perhaps was it even exciting? No. You brushed that thought away. The silence from the movie and the house was almost suffocating. Time seemed to stretch, the seconds feeling like minutes. 
Something in the corner of your eyes caught your attention. Just as the movie's music suddenly rang to break the suspense you glance to your left, the tall silhouette standing next to the couch clearly visible.
The scream escaping your lips was expected. The pillow thrown? Maybe not so much. 
The silhouette launched itself on top of you, a strong body keeping you from escaping as a gloved hand draped over your mouth, keeping you from screaming. 
"Sparrow!" 
You stopped squirming at the voice. Your racing heart and quickened breath was the only thing heard. The tv remote had fallen and muted the film when you had started fighting the intruder. But there was no intruder. 
"It's me. Breathe." He said in a soothing voice. 
Tears burned your eyes. As he lifted his hand from your mouth, a whine escaped your lips. 
"Ghost…" you whispered.
"Yes.. I'm sorry. I.. I didn't mean to scare you." He tried, his voice still low. 
The situation was now clearer. His body trapped yours as you both laid on the couch. Your hands were fisted in his hoodie, hanging on for dear life. He was wearing a simple balaclava with a skull print, he sometimes wore it around the house. His eyes had a mixture of concern and determination.
"Sparrow." He called, trying to keep your focus on him. 
"I would never hurt you." His voice sounded calm. Normal. Thinking that you could hear a little fear in it was just your imagination. What could he be scared of? That you wouldn't believe him? That you'd actually be scared of… no. 
"I know" you threw back at him. For some reason, even though it had only been a little over a month since you shared the appartement, you were absolutely sure without a single doubt that he wouldn't hurt you. 
He softly sat back, making you let go of his hoodie. He pulled you up with him, making you sit next to him. 
You took a deep breath. 
"Are you ok?" He asked. 
"Yeah… I hate horror movies." 
"Why are you watching one then?" 
"Because I'm obviously an idiot who loves to wake up the whole base by screaming bloody murder at 1 am." 
He chuckled. 
He chuckled. He rarely did. Had you even heard him chuckle before? 
He eyed you. 
"I didn't know what time you'd be home. You surprised me." You said matter of factly.
"Yes. I think the whole base figured that out." He teased. 
You rolled your eyes at him. You glanced back to notice him staring at you. 
"What..?" 
No answer.
"Ghost? You really do have a staring problem, you know you-"
His gloved hand rose to your face, his thumb softly brushing a tear that had rolled down your cheek. You didn't even feel it fall. You blinked. He didn't let anything show but somehow, just a little bit, you could feel he felt guilty.
"I'm a crybaby… sorry" you joked. Trying to lighten the mood. 
"Next time I'll call the base, I'll know when to expect you" you laughed. 
He still didn't react. He simply glanced down at the coffee table. He grabbed something from it. 
"Unlock it." He ordered. God was he bossy sometimes.
You looked down at your phone in his hand. You frowned but did as he asked. You watched him type something before handing it back to you. You looked at the screen, reading the contact infos on it. 
Lieutenant Ghost Riley. 
Riley… your heart jumped in your chest. Riley. He was giving you his last name. 
"Call me next time. Or text me. If I don't text you." he said. 
You looked up at him, smiling softly. 
"Yes lieutenant." 
He cleared his throat.
"By the way. A pillow is not a good weapon. Next time throw the popcorn bowl at least." 
Your cheeks turned to a light shade of red, remembering your reflex as you were scared. 
"Sorry.." 
__
"Please ! I'm really bored!" You whined following the masked man. He sighed. 
"Sparrow. Stop." He warned. 
You groaned exaggeratedly. It had been a week after he made you scream at the top of your lungs at 1 am. You had received a little visit from two soldiers, no less than 20 minutes later, ready to berate you for waking up the apartment complex. Fortunately for you, they quickly retracted once the lieutenant had shown up behind you, admitting it was his fault. They both apologized, looking shocked, immediately recognizing him by his mask. Funny. Wonder what they were thinking, I mean, he did make you scream. 
"I promise, it'll be great. I'll show you how to do it… we can have some fun!" You tried, batting your lashes at him.
He glanced at you. His eyes showed annoyance yet no anger. 
"If I accept, are you going to stop whining?" He asked. 
You nodded frantically. 
You had noticed his slight behavior change since the movie night. He was a little more gentle. A little more… clingy? He spent a bit more time around you, even if no words were exchanged. Sometimes he'd even do push-ups in the living room while you read a book.
He groaned. You smiled widely. You won! He accepted it! No… you were not using this new change of behavior to befriend him at all. Who would think that?
You jumped on the couch, patting the space next to you. He walked around it and sat next to you. Grabbing the vibrating object on the coffee table he gazed at you darkly. 
"You're gonna owe me for this." 
You bit your lip.  Turning to the tv you started to explain the controls of the game. 
Yes. He accepted. He was playing Mario kart with you. You kept jumping in place. 
After a good 40 minutes, ghost leaned forward. You had lost your gigglyness. You both were fighting for first place. You didn't even notice how serious ghost had gotten about this game. It didn't even hit you that he was actually enjoying himself. 
"Fuckin hell…" he cursed. 
You had your bottom lip into a torturing bite. It had turned a deep reddish color from all the times your adrenaline caused you to bite it.  You were kneeling on the couch next to him, too excited to even sit still. 
Finally reaching the finish line you jumped happily. Ghost groaned, letting himself fall back into the couch. You leaned forward to him on all fours. He stared at your frame, eyes resting on your lips. 
"I win lieutenant! You're gonna have to be better than that…" you teased a smirk on said lips. 
Silence fell for a second. You saw the gaze he had on your lips. Did you hurt yourself? You let your tongue pass on it, not tasting any blood on it. The move made him frown. 
"Ghost..?" You asked, unsure if he was mad. 
He glanced up. His gaze had darkened and it sent a delicious shiver down your spine. But as quickly as you noticed it, it was gone. Perhaps you had imagined it.
"Revenge?" He asked. 
You smiled. Shaking the thought off your mind.
"You bet!"
___
You stared at the screen in front of you. You wanted to finish the stupid report on your latest task. Unfortunately your mind kept running over the latest events. 
Things had remained pretty friendly with Ghost. The teasing, the gaming and sharing food. But for the past week something had changed. 
You clung to the blanket covering your shoulders as you sat on the couch. The file opened on your lap. The cold had settled slowly, December finally rolling in. You wondered if it would snow this year. 
Ghost had been distant. Cold. You tried not to take it personally because he probably had his own problems. But he hadn't eaten dinner with you for the past two days. He had brought breakfast and left for base without even sitting next to you. 
You were worried… deep down, you were hurt. You missed the small bits of attention, his presence… you missed him. You sighed. Trying to focus back on the report. 
A soft knock on the door made you frown, looking up. You sat there for a few seconds before another knock was heard. Dropping the file on the coffee table, you walked up to the door, unlocking it and opening it. 
A man stood there, clearly a soldier from the base. His beard and funny hat made you smile. 
"Oh… hi, I think I got the wrong apartment…" he said with the most adorable smile you saw on a man.
"Hi, who are you looking for? Maybe I can help." You answered. 
"Hmm, I'm looking for Lieutenant Riley." 
You nodded. 
"You are in the right place actually. But he's not home at the moment." 
The man stared at you for a moment. 
"You… you are the roommate?" 
You chuckled. 
"You make it sound like I'm the Boogeyman… yes, I am the roommate." You smiled. 
He chuckled. 
"Well. It's a surprise and a pleasure to meet you. I'm captain John price" He presented his hand to you. 
You extended yours to shake it. 
"I'm… hum… sparrow…" you answered awkwardly with a sorry look. 
He nodded, understanding the situation. 
"Would you like to come in? He should be home soon." You invited. 
"Oh, thank you, unfortunately I have somewhere else to be. He asked me to drop this file." 
You looked down at the file, a big red 'confidential' stamped on it. 
"Could you give it to him when he gets home? " 
"Sure! No problem." You smiled, grabbing the file he was giving you. 
"But… I have to ask. Don't open it. I trust that you'll do what's best. " He eyed you maliciously, without any hint of threat or negativity. 
"Yes sir." You smiled. 
He nodded one last time before bidding his goodbye. 
Stepping back inside, you closed the door behind you. You slightly jumped as your phone rang. You cursed internally, this day was just stretching itself to no end. 
Half an hour later you were dressed and ready to go to the base. There was an immediate need for your presence because of a potential security breach. You had dressed quickly, grabbing laptop, tablets and other electronics that might help you. Running around the living room, desperately trying to hurry up without forgetting anything. Throwing your coat on the counter, the sound of paper falling to the ground made you halt. 
"God I hate this fucking report!" 
Spinning around and dropping to the floor you started grabbing each sheet of paper, desperately trying to make them slip back into the file. 
Suddenly you froze. The big red confidential staring at you. Oh no… no no no… 
It wasn't your file. It wasn't your damn report. 
"Fuck…" 
"What the fuck are you doing?!" 
You jumped, eyes flashing with shock as you noticed ghost standing at the entrance of the hallway. 
"I-its not what you think! I made it fall! I swear I-"
"Shut up!" 
You froze. The sting of the anger in his voice hurt a lot more than you expected. 
He rushed to the ground next to you, grabbing every piece of paper, snatching the ones in your hand before standing up. 
"Wait ! Please I-" you tried. 
"I told you to shut up." He barked. 
"Just let me explain!" You insisted.
"Explain what?!"
"I wouldn't do that to you ghost! We're …" you looked up at him from the ground, pleading eyes. 
"What? Friends? You think we're friends?" 
You bit your lip. 
"We're not. Fucking wake up. And stay away from my shit." He snapped. 
You sat there in shock as he walked past you. The sound of his bedroom slamming marking the start of the waterfalls. The silent tears burnt your cheeks. 
Your phone rang once again, reminding you of your little emergency. You stood up in a hurry, grabbing all your things, slamming the front door on your way out. 
You glanced at your watch. 2 am. You had been programming and coding for the past 6 hours, with very little breaks. You were exhausted. But the security breach had been fully secured and you had found a few clues on what or who was behind it. 
It was time to head back home and let the rest of the team work on it. 
Somehow you were anxious. You hoped he was asleep. That you could get in without facing him. You wanted to apologize again. You were mixed between fury and pain. 
If you were honest you had been getting attached to him… you were enjoying spending time with him… how could you possibly think that he… would feel the same. 
You bit your lip once more, trying to keep the tears at bay. 
Turning the key in the lock you stepped inside the quiet house. Not a sound or a light. You sighed. Walking in the living room, flipping the switch, you looked around the now bright room. Everything was as you left it. Had he dinned? 
You stepped in further into the room, dropping your coat on the couch. You let the silence drown you. Your eyes felt heavy. 
You walked toward the fridge to grab a glass of water, noticing the file on the counter. 
No red letters on top, and no report. It was a different file. This time you purposely opened it. 
"Mission informations… south.. america?" 
You blinked. He was gone. He went on a mission. He had left. Without a word. Or a text. 
The first tears felt bitter. Rage first. And then sadness. He didn't care… he never did… 
Worry settled in now… what if he never came back? No. No! 
You sat on the stool, now fully crying. He was gone. Eyes glancing at the little wrapped gift next to your bag.
"Riley you stupid idiot…" 
___
Tags: 
@lemontails-blog @cabreezer0117 @tomhardy41 @brxghtixghtz @shuttlelauncher81 @pinkdazelight @sirenbunnylol @snortangeldust
2K notes · View notes
benkeibear · 1 year
Text
☰ 𝐒𝐜𝐚𝐫𝐞𝐝 𝐨𝐟 𝐡𝐨𝐫𝐫𝐨𝐫 𝐦𝐨𝐯𝐢𝐞𝐬
Tumblr media Tumblr media Tumblr media
⧫ Characters: Mitsuya, Ran, Rindou, Wakasa
⧫ Reader: genderneutral
⧫ Summary: how they react when you're scared while watching a horror movie
⧫ A/n: don’t want to miss a post? Sign up for my Taglist in my Navi! (This is a repost from my old blog)
Tumblr media Tumblr media
☰ Mitsuya:
ꕤ He knows right away when you're scared and also doesn't believe your little lies
ꕤ He Has 2 little sisters after all, he's really good at telling if someone lies
ꕤ Definitely won't call you out on it, knowing you're probably embarrassed to admit it
ꕤ But He will hold your hand on the way to the bed
ꕤ And He definitely pretends that He needs to work on a project so he can keep a light on for you
ꕤ He will ask in the morning if there was a reason to your fear
ꕤ Maybe something triggered you and He would like to know
ꕤ Will never make fun of you for getting freaked out
☰ Ran:
ꕤ This little shit, I swear
ꕤ He would laugh so hard if you flinch the slightest bit
ꕤ Once the movie is over and you hold onto a pillow for dear life He had the brilliant idea to scare the shit out of you
ꕤ Texts Sanzu to stand outside of your house, just standing in front of your bedroom window and stare at you
ꕤ Ran might tell you He goes to the toilet but puts on a mask and comes screaming through the front door, wielding a knife
ꕤ If you didn't die of a heart attack yet He will laugh at your reaction, having it all filmed
ꕤ He just loves to prank you
ꕤ He will comfort you if you beg him to or if you shed some tears
ꕤ He's a little shit, not an asshole after all
☰ Rindou:
ꕤ Would think it's funny at first
ꕤ Why would you be scared of some blood? Your boyfriend is in a literal gang, coming home, drenched in blood isn't a rare occurrence
ꕤ But once He sees that you're not just acting scared He will try to comfort you
ꕤ He knows you would never say "I'm scared Rindou" so He just reads your body language
ꕤ "Do you remember that one time when..." telling you a bloody and gruesome story which didn't help at all
ꕤ "If a murderer breaks in He would regret that really fast, you know i'm strong, Baby"
ꕤ Holds you close when you go to bed and only sleeps once you're sleeping
ꕤ Sleeps with one eye open just in case
☰ Wakasa:
ꕤ That guy didn't even flinch once, didn't even blink
ꕤ He was so unimpressed by it it's actually scaring you more than the movie itself
ꕤ Doesn't get what’s so creepy about it
ꕤ"It's just a movie, Princess"
ꕤ "Yeah but it's based on a true story. What if we're next?" You mumble, actually terrified since the serial killer is still out there
ꕤ He shrugs, convinced it's not true
ꕤ Does research with you and holy shit, turns out the real story is even worse
ꕤ He gets a bit creeped out himself but would never show or tell it, is way better at hiding it than you
ꕤ "I won't let anyone lay a single finger on you, don't worry" He reassured you, pulling you Into his side so you feel safe
Tumblr media
633 notes · View notes
Note
TW: sensitive topics
Adam slowly becomes more tolerate and less misogynistic over time via osmosis but won't admit it and instead hides it.
Adam thinks women bitch too much about the pink tax until he's sent out to get period products for Reader and Lute, only to realise that his cost of his shopping just doubled in price from just one pack.
Adam thinks women bitch too much about not being welcomed to normally male occupied spaces until he's playing late night online and hears a woman join only to leave after five minutes because everyone kept harassing them.
Adam hounds a girl for her number, thinking that he's so smooth for getting it in the end, but then decided to lose it after watching a film with Reader and Lute where it showed a girl terrified of what would happen if she didn't give a guy her number and hears Reader and Lute, two very capable women, talk about how they've been in similar positions.
Adam has done a lot of thinking lately.
Personally, I'd like to think that Heaven, while flawed, is above some of the nonsense like the pink tax. I do still think catcalling and being harassed happens, probably mainly in result to a lot of men modeling Adam's behavior.
But once he gets with you and you start calling him on his shit, and therefore Lute gets more comfortable calling him out, and especially after the period simulator, he's more aware of certain things.
I feel like eventually he'd ask you if this is how bad it is now, what did you do when you were alive? When you had to work constantly, sometimes 2 jobs at a time, just to afford basics. That's when you tell him you didn't really have a choice but to suck it up. That you weren't allowed to get a hysterectomy, you couldn't take sick days just for a period, and that most doctors wouldn't believe you anyway.
Especially if you're a trans person this is a big foot in the door to explaining how poorly women and queer people are treated. Hit em with the fact that religious nuts use Adam and God as examples for their behavior and he's going to feel physically sick. I think he'd have to take a few days to just be by himself and really think about how he acts and how people interpret that.
From there it's a slow build up to correcting his behavior. And it's not always gonna be easy. He's going to be defensive, he'll tell you that you're overreacting and that him persistently following a girl around to ask her for her number repeatedly isn't bad, it shows he's interested. He's a nice guy.
Tell him that's what other men thought too until "insert any woman you can think of who was assualted".
Lute's more direct, she sits his ass down and has him watch as many true crime stories of women getting kidnapped, SA, tortured, and murdered as she can find. Usually she picks ones based off the names you drop. He really only has to hear 4 or 5 before it sinks in. (Tiktok reminded me of the girl who was tortured to death for 45 days and assualted with lit fireworks so, have that fresh horror in your minds).
Tell him about any personal experiences you had and how terrifying it is to be a woman or queer. Show him the responses to the man or the bear question. Let him fully realize how many people, people he knows as strong and capable, would rather face the bear because "the worst the bear can do is kill me". Or "Nobody accuses me of liking being attacked by a bear"
"No one asked me what I was wearing when the bear attacked"
"People would actually believe me if I said I was attacked by a bear."
"The bear sees me as a person."
"The bear lives in the woods, the man probably followed me."
Each answer is gonna send a new shiver down his spine.
Reforming Adam isn't an easy or fast process but it's fully possible because I don't think he's bad or a fullblown narcissist. I think he's been told his entire existence that he's a good guy, a pinnacle of creation, someone to be admired and obeyed without question.
You could argue he may be a bit controlling and narcissistic because of how he treated Lillith and requested a submissive wife with Eve. And I don't think he's ever not going to be full of himself and expect his ideal partner to be a bit more traditional in the sense that they're a housewife/domestic type. But he also likes people who go out and have fun, can get wild, and he definitely thinks it's hot if you can defend yourself even if it strokes his ego if you let him do it.
But overall, I think with enough time, patience, and exposure Adam could become a better person. Probably the type who would throw hands with himself if he could. Definitely becomes the type to start borderline hating other men.
95 notes · View notes
iheartnatasha · 1 year
Text
SLEEPOVER SWEETHEARTS
Tumblr media
summary— when wanda agrees to do your makeup during a sleepover, she’s thrilled at the chance to spend time with her crush. little does she know, you have a confession of your own to make.
pairing: wanda maximoff x reader
warnings: none that i know of! just fluff! <3
a/n: hiii this is my first fic ever! something short, hope you enjoy!
word count: 0.9k
Wanda had always been a bit shy around her crush, Y/N L/N.
Like her, you were a more recent addition to the team, but you joined the Avengers a little earlier. The two of you became closer and quickly developed a good friendship as a result of being able to relate to one another and share this new world of fighting crime.
You were the definition of cool: smart, confident, and kind. Wanda couldn't help but admire you.
She had absolutely no idea that you admired her just as much as she did you, leading to an unknowingly mutual pining between the two of you.
So when you invited Wanda over for a sleepover in your room, Wanda was thrilled. She couldn't wait to spend the evening hanging out with you, even if it meant enduring a few hours of horror movies (which Wanda secretly found terrifying).
As the two of you settled in for the evening, you commented, admiring Wanda's flawlessly drawn eyeliner and glossed lips, "You always look so lovely.”
Wanda felt her face blushing red at the compliment. She had spent hours earlier perfecting her makeup in hopes of impressing you that evening. She muttered, "Thanks," as her heart raced.
A few minutes later, you turned to Wanda with a grin. "Hey, do you think you could do my makeup like yours? I love the way it looks."
Wanda's heartbeat quickened. She had never done anyone else's makeup before, but she was giddy with excitement at the thought of being so close to you. "Yeah," she replied, trying to keep her voice as casual as possible.
Wanda pulled out her makeup bag as you leaned back on your pillow. She started meticulously applying foundation to your flawless complexion. She applied eyeliner, mascara, and blush while remaining silent, her hands working softly and precisely.
Wanda couldn't help but steal a glimpse, or maybe multiple glimpses, at your face while she was working. Wanda had a strong desire to touch you, run her fingers through your hair, and gush about how lovely you are,
but she didn't.
She simply concentrated on the task at hand, being extra cautious to make sure your makeup was as perfect as hers.
Finally, she leaned back, admiring her handiwork. You looked stunning—your eyes were smoky and dark, and your lips were perfectly glossy.
You sat up, gazing at yourself in the handheld mirror with a smile. "Wow, Wanda," you said, turning to look at her. "You're amazing. Thank you so much."
Wanda felt a sudden, overwhelming surge of joy wash over her body. She gave a hesitant but delighted "No problem; I'm glad you like it" in response.
As you guys settled in for the evening, Wanda couldn't help but feel a sense of contentment. She had gotten to spend time with you, whom she had been in love with for a while now, and had even gotten to do your makeup. It was a small victory, but it made her heart sing.
Wanda felt her fingers brush against yours as you huddled close to one another to watch the horror movie. You didn't move away, and Wanda's fingers briefly intertwined with yours. Wanda's heart leaped for joy despite the small gesture.
There was a chance you could possibly feel the same way she did, she reasoned. Wanda had a sense of hope as you and her watched the movie together, thinking that perhaps more could come from this special night.
Wanda couldn't concentrate on the movie anymore. Her mind was racing with thoughts of you and what the small gesture might mean.
She wanted to ask you to confirm that you both were on the same page, but she didn't want to ruin the moment.
You smiled, turning to Wanda after the film’s credits began rolling. You shivered, whispering, "That was terrifying." 
Wanda laughed, feeling relieved that the film was over. "Yeah, I'm not a big fan of horror movies either."
You shifted closer to Wanda, and she felt her heart race. You tell her softly, "Thanks for doing my makeup tonight, I really, really appreciate it. I feel so pretty."
Wanda's heart swelled with happiness. "You are beautiful," she said, quietly enough that you could just barely hear her.
You're relieved you did hear Wanda, because those words were enough to push you to have the courage to say the words you were about to tell her.
Your eyes search Wanda's as you face her. "I've been meaning to tell you something."
Wanda's heartbeat quickened. Were you about to admit your feelings?
You continued, fumbling with your hands, "I love you, Wanda. I’ve loved you for the longest time.”
Wanda's mouth fell open in shock. "You... you do?"
You nodded, your eyes shining. "I know we've been friends for a while now, but I can't help the way I feel. And just being with you tonight made me realize that I had to tell you."
Wanda's heart soared. "Y/N, I feel the same way," she said, feeling tears prick at the corners of her eyes.
Your face lit up with a smile. "Really?"
Wanda nodded, feeling a sense of relief and joy wash over her. "Yes, really. I've felt this way for so long, but I was too scared to say anything."
Wanda felt how delicate your lips were as you leaned in and kissed her. The two of you beamed at eachother as you both pulled away.
For a moment, it felt as though you were the only two people in the world; surrounded by a bubble of your new-found happiness.
“I’m so glad I told you,”
“Me too.”
188 notes · View notes
Text
A Plebian's Review of the Last Voyage of the Demeter
I don't do reviews normally but I have many thoughts I wanted to share after recently watching this movie. In general, I did enjoy this movie and I thought it was a fun watch. As someone who read Dracula and enjoys most modern Dracula stories I would watch it again if it came on. (6/10)
Non-spoilers:
It took some liberties with the source material. Combine the recent Poirot movies with modern vampire lore and that's what you should expect, not something strictly adhering to the novel. Not necessarily a bad thing, but if you're enjoying dracula daily just know this isn't really that.
On that note, Dracula bibliophiles aside, it's a pretty good movie on its own. It's suited for modern audiences and won't confuse them with Stoker's vampire lore (ex. what can and can't kill a vampire, what powers Dracula has).
It had pretty gory moments that you may not be prepared for if slasher movies aren't something you watch. Also, check out doesthedogdie bc there are a lot of potential triggers.
The lighting for this movie was really good imo. There was a strong contrast between day and night which awesome, but you could also still actually see what was going on in the dark. There were a couple times when Dracula was in a shadow and you couldn't really see him but it was for effect as opposed to trying to be "realistic" (looking at you, GOT).
The design for Dracula was cool and they do play into him getting stronger and scarier as he continuously feeds.
The Captain is not the main character (in contrast to the source material's Captain's log). Here, it's Dr Clemens we follow and we get an occasional Caltain's narration from the log.
If you like Until Dawn and other titles from Supermassive Games, you'd probably enjoy it. Dracula's design, the kills, and character choices feel like you're watching a playthrough. Not to mention there are a lot of close-up shots of characters in the same way Supermassive Games does.
Spoilers under the cut:
The Good:
The cinematography was pretty good. I particularly liked shots that followed through the ship to the cargo hold where count bat boi was sleeping.
They also filmed the gory scenes really well, and one scene that stood out was when one person who's become a thrall bashes his head through a door and then slides his nose along the splintered panels as he looks up. Impactful to say the least. They didn't pan away and leave it up to our imaginations but went all in and I applaud it.
Things were recognizable from the novel (names, events, some vampire mythos). I was genuinely surprised that they marked Dracula's coffins with dragons and kept that he slept in dirt, since modern audiences probably wouldn't have known about these things. When we (modern audiences) hear "Dracula" we think it means "vampire" as opposed to "dragon", and we would likely expect Dracula's cargo to be velvet-lined coffins.
The opening scene (finding the ship at Whitby & the wagon train of the coffins) had me immediately invested and excited, and I was already looking forward to this movie (I chose it over Barbie lol).
The Captain's actor was phenomenal. He went all out when he was grieving Toby's death and he really didn't have to but I'm so glad he did. While the character itself wasn't consistent, the actor made it believable. He was strict and kind when he was sane, he was frantic and distraught when he was insane, and his moments of grief and hope were all palpable. Good choice.
"Oh my God it has wings" When I say I LAUGHED SO HARD
Honestly there were a lot of funny moments. Some were genuine to cut the tension and help build characters but being ND and desensitized to horror I don't know if I was supposed to laugh at some of them, like when the cook's dingy knocked against the side of the hull. And when vampire Toby jumped up.
The use of knocking was a cool addition. I enjoyed when they used it like when Toby was in trouble and when Dracula was messing with the two dudes on deck.
One of the key things of Dracula's personality is that yes - he can kill you in 10s - but he won't because he's a sadistic bastard that enjoys drawing it out and playing the wager to see if you'll die of fear before he can bite you. They absolutely captured it. Homie is purposeful in how he terrifies his victims before giving them a gruesome death.
I think the model ship they showed at the end was the original model ship for the Demeter in the 90's Dracula movie (or at least a nod to it), which is how this movie was started apparently. Nice touch.
The Grievances:
Dr Clemens was a mary sue. I'm sorry, there's no way around this. Man has bad main character syndrome. I can accept a black man fighting tooth and nail to graduate Cambridge top of his class and struggle in a world that won't see his abilities because they won't look past his skin color, but on top of that he's an astronomer, a sailer, a strategist, a detective, and everyone immediately falls in love with him? Hell, he cured Toby's [1] grief over losing his lifelong friend (Huck, the dog, who was MUTILATED) and [2] guilt for all the animals dying because it was his responsibility to take care of him, and [3] fear for whatever unknown thing did this, with a headpat and "sometimes shit happens and you can't do anything about it".
He took one look at Anna, Dracula's beef jerky ration, and immediately went "she has an infection, she needs a blood transfusion", then proceeded to give her repeated transfusions over several days and he was totally fine. Up running around and fighting vampires meanwhile in reality he would have been bedridden from lack of blood and possible complications from the procedures.
Also, why is he the only clean person? Everyone's covered in grime and blood and dude looks like he just walked out of a proactive commercial. Even when he's floating in the middle of the ocean for days with an open neck wound he looks like he was just in the shower. Compare it with the Captain's burns and the first thrall's face after banging the through a door and the dissonance just pulls me out of the movie.
Keeping him alive just to sequel bait. Just. Why. Hollywood, it's okay to kill your protagonist. 1912 did it really well. Plus, I personally wasn't invested enough in this character to want to see a sequel following his vendetta with Dracula. We already know about Jonathan and Van Helsing. You can make movies that stand alone. It's okay.
If you want to sequel bait why don't you have him delirious from being lost at sea for several days and end up at the asylum with Dr Seward and Renfield? That would actually be cool and you could still have Dracula show up to taunt him.
Also, in regards to Anna, while I think it was a cool idea to use her for lore dumping and as a surprise for the audience, I was disappointed with her. She had the potential to provide a lot of info and help fight Dracula but instead she had to be the "strong independent woman". I don't hate this trope (think about Ripley in Alien, or any of the women in the original novel) but it wasn't done well here. While it's cool to see her gain confidence and wield a gun against count bat boi I was really hoping she would provide more info like his weaknesses. She says "he ran out of food in my country" but we know this isn't *literally* true because we see people at the beginning. It's the fact her people knew how to keep Dracula away that he ran out of food and he decided to try greener pastures. You could bring up HOW they did that (religious tokens, garlic, silver, etc.).
Also when she does try to give info about Dracula it's still vague and meant to be mysterious. Bruh, you are locked on a boat with this monster and you know your only hope for survival is to flee or work together to get rid of him. Why are you not giving as much info and details as possible? Because that's what the script said bc the writers wanted to make dracula look cool by relying on the characters to say it? Okay.
This movie relies on a lot of telling instead of showing. It's like they don't trust their audience to pay attention or understand what's going on. The only time I legit felt they showed and not told (lol) was when the Captain asked if what happened to the animals could be transmitted to humans and Dr Clemens lied and said no. You could see in the actor's face the inner monologue of telling the truth vs preventing chaos. It was nice and gave more info about the character than him actually yelling his life history at the first mate.
It also suffers from the writers trying to make every scene be memorable. There are too many times characters say things because it sounds cool or would be good in the trailer rather than because it makes sense for the character to say that.
Honestly all the characters fall flat for me (besides the captain who's character is treated like a pinball). They're all archetypes rather than people. The protagonist. The independent woman. The racist drunkard. The child. The religious guy. The guy that makes obscene jokes. The only names I know are Toby, Dr Clemens, and Anna. Bc they get said a lot as opposed to me actually caring about them.
On that note, I am definitely biased because I loved the Captain's log from the novel, but I wish that this was from the Captain's pov, culminating in him tying himself to the wheel and dying from shock or exposure like in the book. Then Whitby.
On that note, I am still upset that they used modern vampire mythos yet again for Dracula. In the book the Captain dies after being taunted for days by Dracula after tying himself to the wheel, only possible because the rosary in his hand protects him. It's a noble but horrific sacrifice made of fear and a duty to not let the evil on the ship reach land. In this movie, however, he reaches the wheel and dies because the rosary has no power over Dracula (it's also how Toby dies).
Oh, also the sun kills vampires. How do we know? Because occasionally some people turn into vampires, but only when it's convenient for the plot (looking at you, Anna). Why don't they use this against Dracula and dump the dirt box they know he's sleeping in during the day? Who knows. But they wasted a lot of potential to play on the audience's expectations (rather than giving into them) by using Dracula during the day. Y'know what's scarier than a vampire picking off your crew at night? A vampire picking off your crew at ANY time when you only expect it at night because SURPRISE sunlight just doesn't let him crawl in lizard fashion.
Are you seriously telling me Dracula sustained himself off of Anna for several weeks, and then decided to slaughter the crew mere days before the boat docked? Yes, he was weak bc of it but I don't think the director knows how blood works (see Dr Clemens's transfusion issue). Also, if that's the case, how did Anna not suffocate in her dirt box for hours on end for weeks? Just fill the other 48 crates with dead people and say Anna was the last caprisun in the box and it would make more sense.
Also, why have their last hurrah be the day before they reach Whitby? It made the movie seem too fast; it felt like it only took a week to get from Transylvania to England. Why not find Anna early on, then disperse the crew member deaths across a couple weeks like in the novel? It would help with the suspense and you could have the Captain tie himself to the wheel then let us experience the time passing after he dies so the audience has a moment to sit with the deaths and feel hopeless. Bc that's what the role of the Demeter is, story-wise. It's supposed to make us afraid of Dracula and feel hopeless in his presence. Not give us hope and make him into our rival we have the possibility to get revenge on. That's what our dear friend Jonathan is for.
Dracula never takes human form. Why do all adaptations refuse to give him his bushy mustache? COWARDS.
Okay, he *sort of* takes human form. But they really just put him in a waistcoat and top hat then expected us to believe that showed he was cunning. You literally said he's both man and beast then only show the beast. One of Dracula's main appeal is that he's clever and his sadistically human traits are the only thing preventing him from immediately ripping you to shreds. And he can pass as human, so he could be anyone. Yet we only see the beast part.
While this movie was fun to watch, it comes off more as a gruesome drama or action movie than a horror. I never really feel any suspense or dread. Compare it to Alien which had the same situation. Alien did such a good job of making you feel scared and claustrophobic when you're surrounded by the vastness of space (in this case, the ocean) and being hunted down by an intelligent monster. I was watching this to see how Dracula killed people rather than seeing how they struggled to survive.
I can believe this movie was in production hell not just because of the writing but some errors. In one scene, the Captain's burn is on the right side of his face but there's a close-up cut and suddenly it's on the left side like someone flipped the screen. And this is just one error out of a couple. No Starbucks cups tho.
It sounds like I don't like this movie because of all of my nit-picking grievances, but I really did like it. I think my issues are just because my expectations were too high going in. I was expecting a loyal expansion of an underappreciated segment of a classic novel, which is really rare these days. And a *suspenseful* horror.
I see why Guillermo del Toro and Stephen King suggested it. It's pretty similar to their stuff, just more fast-paced. So if you like that stuff and Until Dawn I think you'll really enjoy it.
50 notes · View notes
veliseraptor · 7 months
Text
October Reading Recap
The Husky and His White Cat Shizun: vol. 3 by Rou Bao Bu Chi Rou. Still in the territory of a part of this book I remember fairly well, and while the whole underworld arc is good it's not my favorite part of the book and mostly I come away from it going "Rong Jiu has rights." which is true! and I do think Meatbun knows it actually but it still hurts how his arc goes here. Me: continually getting too wound up in the fates of side characters and distracted from what's going on with the mains.
Anyway, I'm looking forward to moving into the next parts of the book, which I don't remember as well. Though I know it's a while before it gets really painful, aka what I'm most excited to reread.
Dark Carnivals: Modern Horrors and the Origins of American Empire by W. Scott Poole. I was so frustrated by this book. I wanted it to be an analysis of horror films and their relationship to American imperialism; what I got was a lot of overwrought prose and repetition of the titular metaphor that was very light on the analysis of the actual texts and heavy on the scathing opinions about what is "good" (politically) horror and what is "bad" (politically) horror. Which, fine, my politics are technically the same as his politics, but it was annoying to read in a book that I thought was going to be more analytical. I had high hopes for this book and it failed them; makes me more hesitant to read his other book about horror and World War I, which I have had on my list for a while. But I liked his book on Lovecraft, funnily enough, so not totally sure what went wrong here.
Paradise-1 by David Wellington. I did not realize that this book was first in a series and I'm a little bit annoyed about it. It was decent horror but it doesn't need to be a series and the lack of resolution bugs me, because now if I want resolution I have to read the next book and I don't think I really want to read the next book. Space horror seems like it would be such a rich land full of possibility and yet I keep being disappointed by space horror. (If, in this case, less disappointed than I was by Dead Silence.)
Remnants of Filth: vol. 1 by Rou Bao Bu Chi Rou. She's done it again! It's a differently fucked up relationship, to be sure, but boy am I already here for it, despite feeling like I know very little about what's going on. Gu Mang is my jam as far as character type, and I really like the dynamic as its laid out as having been previously between him and Mo Xi, and also how it is now. Dedicated friends/lovers turned to bitter enemies turned to one of them fractured to a shadow of himself leaving the other bereft of resolution...mm, good stuff. Can't wait to find out more about what's going on under Gu Mang's surface. Looking forward to reading more of this one and glad that I already have the second volume to go to. (And the rest, technically, but I do like reading cnovels in print when I can more than reading on a computer.)
I, Robot by Isaac Asimov. Look at me! Reading classic sci-fi knowing only the bare minimum about it. I liked it more than I expected to, and was less bothered by the way the women were written than I expected to. I didn't realize that it was more a string of short stories tied together by a frame narrative than a novel, but it was really fine that I didn't know that going in - didn't affect my enjoyment, I don't think. And I did enjoy it! I might not have read it on my own, but I read it for a sci-fi book club and ended up liking both it and the book club. Not sure I'd give it, like, a strong recommendation, but I'm glad I finally read it. It'll be interesting seeing what echoes/traces of it I can now pick up in other robot/AI-related writing.
Monstress: vol. 5-7 by Marjorie Liu and Sana Takeda. This comic is so good you guys. So. Good. I don't really know what else to say here, except that she continues to step up her game even more with every volume, and I don't know how she's keeping all the balls in the air that she is with this story as deftly as she is. I have no idea where this story is going, either, and I can't wait to find out. I don't know. Themes of monstrosity and agency and lack of agency and how to be a good person (or try) in a terrible world. With a whole lot more than that. Also there's gay betrayal, if you're into that.
Ariadne by Jennifer Saint. Why do I continue to read Greek Mythology retellings when at best they end up making me go "eh, it was okay I guess"? Not sure. But this was okay, I guess. I liked the same author's Electra better.
Pathogenesis: A History of the World in Eight Plagues by Jonathan Kennedy. More of a "history of the western world categorized by periods of time in which there were various diseases" which...was not quite what I was hoping for, but it was still a good, solid book about epidemiology and the impact of disease on history. A lot of it was familiar to me (how disease enabled the Spanish conquest of the Aztecs and Incas, for instance, but also British colonization in North America), but I did learn some new things, particularly in the sections about Paleolithic/Neolithic diseases. All in all a book I read because I'm particularly interested in the subject but not probably one I'd recommend as the one book that they'd have to read about it.
The Hollow Kind by Andy Davidson. I made it a goal in October to read some spooky books and ended up only reading three, but this was easily my favorite of those - and my favorite non-Darcy Coates horror I've read in a while, too. I wasn't totally sure what to expect from this one, and the slow reveal in the first two thirds particularly was very well done. I found myself slightly more compelled by the portions set in the past than by the present storyline, but not so much as to ding the whole book for it. And I liked that the monster was left pretty vague and undefined, too; that's always my preference. Some very gross descriptions and body horror, as a caveat for those who might be interested but are sensitive about such things.
Die: vol. 1-3 by Kieron Gillen and Stephanie Hans. I'm finally rereading (and finishing) this series and...I forgot how much I like it. Not only because the art is gorgeous (and the art is gorgeous) but Kieron Gillen's writing remains as sharp as ever, and the way he is playing with fantasy as a genre is very fun for me as a fantasy nerd. My favorite issue remains the one about The Lord of the Rings, though. I don't know that this one is quite as good as The Wicked and the Divine as a whole, but I'll have to reread that one taken as a whole, too, before making that determination.
And the art really is gorgeous. Stephanie Hans remains a fave.
Homegrown: Timothy McVeigh and the Rise of Right-Wing Extremism by Jeffrey Toobin. A decent narrative about the Oklahoma City bombing, certainly competently written, but he interrupted himself a little too often drawing parallels to January 6th, in my opinion, and I don't feel like I took anything particularly new or fresh away from this. Which is maybe an artifact of the fact that I've read a number of better books about the rise of right-wing extremism in the 90s, and this one wasn't one of them, but I'm going to go ahead and damn with faint praise when I say "it was fine."
currently I'm rereading Banewreaker by Jacqueline Carey which is a fascinating text in ways that I'm going to need to chew on for a bit, so that I can finally read the sequel. but then a bunch of stuff came in for me at the library, so I'm next probably going to be reading Silver Nitrate by Sylvia Moreno-Garcia, and then Godslayer by Jacqueline Carey, and then The Art of Prophecy by Wesley Chu, and then Children of Memory by Adrian Tchaikovsky, and then Our Share of Night by Mariana Enriquez. or that's the plan, anyway. we'll see how fast it gets derailed.
also somewhere in there planning on reading more Female General and Eldest Princess and most likely the second volume of Remnants of Filth. I'm trying to spend less time on the internet in general (you absolutely could not tell I am sure) so let's make it a busy reading month instead.
20 notes · View notes
Text
Late Night With the Devil
Tumblr media
I was lucky enough to go see Late Night with the Devil in the theater last night...I didn't realize until the day I bought the ticket that this is a very limited release. I also didn't realize that it was made by Shudder...it will be streaming there next month, for anyone who missed the screenings.
Here are some scattered thoughts:
I would definitely recommend it to horror fans.
Do I think it's the greatest horror movie ever made?
No.
But I think my hype for this was so strong that it was impossible for the movie to live up to it. This movie is a much slower burn than I expected. Given the trailer, I thought this was going to be a white-knuckle thriller, where shit starts happening within the first couple minutes, and doesn't let go until the end. And while there are some intense moments (we'll get to that), it just takes a while to get to them. But the film does fill you with dread from the first few moments...you know something awful is going to happen, but you need to wait an hour until it does.
Basic Premise:
We open with a documentary-style montage telling us about the background of Jack Delroy (played by a fantastic David Dasmalchian), and his rise to fame as a late-night TV host. And then we are told that we are about to see the footage (both in front of and behind the camera) of his final, shocking episode.
I don't think I realized that this was actually going to be a found footage movie. But I really like the way it was used to tell the story. We watch the entire episode and see all the things that happen when the studio cameras are off in real-time, which makes for very effective story telling.
I also didn't realize that this was a low-budget film...not that that's a bad thing...some of the best horror movies were made on shoestring budgets. But because I didn't realize that (again, because the marketing made it look incredible, kudos), there were a couple moments that...surprised me, let's say...tough to go into it without spoiling....Let me put it this way...some of the makeup is fantastic...and some looks like they could have used a liiiitle bit more money. Don't get me wrong, this isn't a ding on the movie...some of the cheaper makeup effects still look good, but there's a part of me that wonders what it would have looked like with a higher budget. But at least they were real practical effects! I'll take a cheaper makeup effect than an overdone CG effect any day of the week. Speaking of CG, there were a couple of moments that used CGI that kind of took me out of the movie...especially given all the other makeup effects...I remember thinking that they could have done that practically.
*and everything else about this movie looks great, I just happened to notice the makeup more last night, I don't know why...but I really liked the overall aesthetic of the movie...they really nailed that late-70's feel*
Now, I know that this is all sounding like a negative review, and I promise it's not! These are just the little things that I noticed during the movie.
One makeup effect I loved?
Lily's makeup during the "contact" scene (the one shown in the trailer so it's not spoilers!). When she looked up at the doctor as the demon, hair covering half her face, I genuinely thought they had switched actors and that she was now being played by a man. The subtle change in eye color, a cheek prosthetic and the actress's wonderful physical acting really had me fooled. It wasn't until her hair was off her face that I realized it was all one person.
And going off of that...the scene where the doctor asks to speak to the demon (again, it's not a spoiler, this was heavily featured in the trailer) is hands-down the best scene in the movie. That was the moment I got tense, with my hands balled into fists. And the scene does something really smart, with the doctor telling the audience to stay quiet...it almost forces us to bottle in our reaction, which only increases our tension and dread.
I would really like to see this one again. I just read the NY Times review (glowing, BTW) that said it may actually be scarier at home than a theater....I mean, it is about a TV show...so to see the "Night Owls" episode on your TV with all the insanity unfolding may make it more terrifying.
All in all, I thought this was a damn good movie. Again, I think my expectations were a bit too high and so it took me a while to adjust and process.
All of the acting was fantastic. I'm so glad that David Dasmalchian is leading a movie...he's such a great actor. I thought the young actress who plays Lily (Ingrid Torelli) did a fantastic job...she made Lily so off-putting and strange, and it was clear that she was struggling with what (or who) ever is inside her.
In the trailer, Kevin Smith was quoted as calling this Rosemary's Baby meets Network...and I half agree with that statement. I'd consider it more Network meets Don't Look Now. You have the examination of the price of fame and the hunger for ratings, while all the while there is this creeping sense of dread and something happening just off camera that leads you to a shocking ending you don't expect. There's also a bit of Scanners thrown in there too (I've seen a lot of people comparing the poster to Scanners)...so if you're squeamish about really over-the-top gore, this is your warning, there are a couple of moments that took me by total surprise.
If I had to give it a letter grade, I'd probably give it an A-. Brought down only because I'm not the biggest fan of over-the-top gore, so that hypnosis scene wasn't too pleasant for me (If you've seen it, you know what I mean) and I wish that they hadn't needed to use CG for a couple effects. But all-in-all, a really solid horror film that I deserves to be seen!
Tumblr media
Also, just as the studio logos started, our theater lights just...turned on...fortunately they were off by the time the movie started, but it was a weird little hiccup. I think a staff member was actually in the audience and was able to get it fixed asap.
12 notes · View notes
diableasura · 5 months
Text
Now that i've watched every one piece movie that isn't a retelling of an anime arc or straw hat chase i'm gonna go ahead and indulge in the very human tendency of ranking them in order from best to worst (SPOILERS!!!!):
One Piece: Strong World. Maybe it's because this was the first movie i watched and my first experience with one piece in animation but strong world has remained my favorite since day one (though the second place is very very close i must say). The straw hats are all great and have their little moment to shine the plot is solid and they do a great job with nami, out of the four straw hats with a movie more focused on them she's by far the one that gets the best treatment. Strong world is in the perfect position of being a pre time skip movie, so it's not dragged down by the expanding cast of post time skip, but also since it was the tenth anniversary movie they put in more effort than with the previous movies and it shows. Also sanjis cowboy outfit instantly makes it top tier.
One Piece: Film Gold. I'm... kind of obsessed with this movie?? Seeing the straw hats in a heist really scratched an itch i didn't know i had but my god does it feel good. The designs really excelled here the crew looks gorgeous throughout the entire movie and tesoro's island is so interesting and fits very well in the one piece world. Tesoro is also my favorite villain of any movie, i've seen people say he's the perfect blend between crocodile and doffy and that's so true lmao. Loved having zoro as the damsell in distress, inject that shit straight into my veins i love it when the strong character is the one in need of rescue. Everyone was very cool during the heist but i remember really enjoying franky and luffy's dynamic cause lbr we're kinda starved of it in the manga so it was nice to see them interact so much here. Overall amazing movie and the only one i've rewatched out of all of them.
Baron Omatsuri and the Secret Island. This movie has become a cult classic amongst the fandom and with good reason. It breaks away from the loud spectacle of the other movies and is quieter and more unsettling and so far the only example of actual psychological horror in the lore. I've talked about this before but that final scene with the straw hats cheering luffy on even while they're being consumed by the baron and luffy struggling to the brink of death to save them changed me... I love seeing this family love each other so much!!
Clockwork Island Adventure. I know, I know what's the second movie doing so high up... but it was just so good!! It's very short but that's just a benefit to the plot and i love the gimmick of each straw hat being captured one by one till it's just luffy remaining and the one who has to free them (can you tell i love the movies where the straw hats are kidnapped and the others have to rescue them?? that's my drug). Sanji's fight in this movie kicks ass too, the animation is gorgeous.
One Piece: Film Red. This might seem like a sin, to have this movie so far down the list cause i've seen its pretty unanimously tied up with baron omatsuri as the best movie but to be honest i feel like that's just recency bias. The movie is still a spectacle and the songs slap and yes one of them was in the top 5 of my spotify wrapped this year lol. Uta is a good antagonist but i was never that hooked by her shared past with shanks and luffy, mainly because it's so aggressively impossible for it to be canon, it almost broke my suspension of disbelief. Zosan sleeping side by side was pleasing to my monkey brain and it almost made up for including st charlos in the movie seriously what the fuck was he doing there-
One piece: Stampede. The start of this movie is amazing cause they come up with the perfect competition to have all of these pirate crews on the same place but it quickly devolves into a "how many characters can we fit in" contest and the plot quickly turns into "lets all beat up the villain", which is fine! I did like seeing so many characters, at one point half way through the movie crocodile just appears out of nowhere lmao but hey i'm not complaining i love crocodile. Usopp is the straw hat who's focused on the most in the movie and i feel conflicted with what they did with him cause it just felt like they were making him go through his water 7 arc all over again by having his inferiority complex flaring up. And usopps arc was amazing in water 7 but reviving it for this movie felt a bit weird and repetitive. Despite this though i was very happy seeing him getting the focus, usopp is a painfully underrated character so having him on the spotlight is always welcome.
Dead End Adventure. This movie is a lot of fun. There's a bar fight, a secret pirate race and sanji being his sneaky self and helping out luffy during the final fight. Whats not to love?
One Piece: Film Z. Much like Stampede, i really enjoyed the start of this movie cause the monster trio get to briefly fight the big baddie together, but the plot kinda loses some steam for me after that. Also they tried to make the admirals sympathetic cause the villain is a retired admiral who was once their mentor but i really really really dont care about the marines at all so that was a bit awkward. The straw hats look stunning in this movie, i love that in the movies they give them a million different outfits and the ones from this one absolutely slayed.
Choppers Kingdom on the Island of Strange Animals. Another fun movie where all the straw hats get a moment be cool. There's a kid on this island who i found completely insufferable but i can forgive this movie cause this is also where zosan have that famous scene where they praise the other to their defeated oponent, which made my monkey brain happy.
One Piece: The Movie. This movie's biggest misstep is that sanji isn't in it, but even with this critical flaw it was still quite enjoyable. Zoro is very funny on his own but add luffy into the mix and their dynamic was hilarious. Usopp as always was great. The villain is small potatoes tbh but not really the important part of the movie, which focuses more on the relationship between the kid they meet and his gramps. The final message was surprisingly very sweet. Also sanji appears briefly in the end credits to appease me.
Giant Mechanical Soldier of Karakuri Castle. This movie is a-okay. The villains are a complete joke and it takes the crew less than five minutes to deal with them. The crew dynamics carry all of my enjoyment with this one.
The Cursed Holy Sword. Yeah... this movie commited the unforgivable sin of having zoro as the main focus and yet managing to do absolutely nothing interesting with him. Even if they did shamelessly create kuina 2.0 with saga, they could've delved into how zoro would react when two different duties (his promise to saga and his position as the crew swordsman) clash against each other... but instead we see no conflict with zoro, even though we all know this situation would be conflicting for him. They just make him scowl throughout the whole runtime and thats just not who Zoro is... Luffy and usopp are a lot of fun though.
TL; DR my ranking is:
Strong World
Gold
Baron Omatsuri
Clockword Island
Red
Stampede
Dead End
Z
Choppers Kingdom
One Piece: The Movie
Karakuri Castle
Cursed Holy Sword
Conclusion: the one piece brainrot is no joke.
Tumblr media
19 notes · View notes
mlmxreader · 2 years
Text
Homemade Meals and Films | Detective Loki x m!reader
@areyouwaiting asked: well here I am
Det. Loki x male reader
“You’re not eating that shit, I’ll make you something decent” as a prompt because that bitch doesn’t eat right
Thanks <33
summary: Loki has shit eating habits, but you've finally got an excuse to change that.
tws: swearing, mentions of smoking
Admittedly, when he was working, Loki ate like shit. He also slept like it. Black coffee and occasional snacks throughout the day weren't exactly any good for him, neither were cigarettes and cans of Red Bull. Sure, he could have easily gotten something a little better, or at least filling, at any of the fast food and takeaway places that were around, as they were open for a good chunk of the day and they were nice and cheap, but Loki rarely ever went there; usually, he found himself sat in the same cafe drinking the same shit as always. He never ate properly, never drank properly, he never slept properly; every day, he would come home to you in the exact same state. Hungry. Tired. Looking like a bag of shit that had been dragged through a bush backwards. In all the years you had known him, and in all the years since that you had been dating, you had always wanted to change that; you wanted to make sure that he was properly fed, that he wasn't just drinking black coffee and that he was actually getting some fucking sleep, but you had never gotten the chance.
Until tonight. Until he came home at quarter past two in the morning, when the air was cold and the wind was howling and the rain was on tap, when the streets were quiet and the biggest worry you had was making sure that the television would pause before 'Train to Busan' started on the film channel. You made sure that you had everything set up just right; the bedding changed and still warm from the tumble dryer, the scent of leather coating the air in the room, the lights turned off except for the little lamp that sat in the corner, the duvet chucked on the sofa as the television froze when you pressed the pause button. The film would start in half an hour. Pots and pans on the stove as you decided that you would make the thing that would be best for him: a good strong curry. Thankfully you had enough spices and herbs that it would actually taste of something and that it would actually have a kick to it instead of that mild bullshit people often had. A good strong curry; filling, good for the body, and good for the mind.
Loki came home just as you were pulling the vegetables out, laying them in order beside the wooden chopping board; he didn't think much of it, draping himself across your back and kissing your neck sweetly as he grumbled so softly. "What are you doing?"
"I know you went to the café," you started, grabbing a peeled onion and starting to chop it up. "And you're not eating that shit, I'll make you something decent - I'm gonna make you a curry."
He smiled, nuzzling into the back of your neck as he closed his eyes and grumbled again, ever so faint and ever so soft; he could smell the spices already, making his stomach growl as he did his best not to complain about it. The top buttons of his shirt were undone, and he could feel the slight shiver from the winter air begin to creep its way up, making him clench his jaw. "What kinda curry?"
"It's a veggie Phaal," you told him. "It'll be good for you, trust me."
"How?"
"It's filling," you started, "so it'll fill your stomach more than black coffee and fucking snacks. It's balanced and nutritious... and it's good for the mind."
Loki grumbled again. "How?"
"It tastes good," you chuckled softly. "And stuff that tastes good is always good for the mind... but don't worry - there's a horror film on tonight, so I figured, y'know, we could snuggle down after eating. Watch it together. I brought the duvet down, too."
He couldn't stop the smile that came to him as he turned around and looked at the sofa; the thick duvet smothering it, the frozen television screen, he recognised the lumps of pillows beneath the duvet, too. "Thank you."
"It's not a big deal," you scoffed. "I mean, I'm your boyfriend - isn't it part of the territory that I gotta look after you?"
"Well, yeah, but-"
"Then go sit down," you told him gently. "Get yourself comfortable, and we'll eat, watch a film, and then go to bed."
All Loki could do was nod as he dared to pull away from you, thinking to himself how lucky he was that he had such a caring boyfriend as he got himself comfortable amongst the duvet and the pillows; maybe one day, there would be a canopy in your future. Maybe one day, there would be a glass to step on. Maybe. If you put up with him long enough.
if you liked this fic, REBLOG IT - you SHOULD reblog it; spam likers WILL be blocked. as will blogs that refuse to reblog or to give feedback. if you don't wanna reblog, then you'll get blocked; reblogging is the BARE MINIMUM. don't just "like", REBLOG
89 notes · View notes
alostlovergirl · 1 year
Text
Tumblr media
Never gonna be safe.~Bucky Barnes x reader.
Summary- You didn't feel safe anymore. Now, you know why.
Warnings: stalking, murder, violence, slight abuse, and implied kidnapping
Disclaimer: I know that Bucky doesn't speak German in the film, but German is easier to write than Russian.
You never felt safe, but now you really didn't feel safe. You always had been an abused little girl. Your father and mother always ignored your problems, your brother tortured you mentally every day of your childhood, and you had a string of abusive partners. You felt like you were constantly being used and abused almost every day of your life. No one never saw you and your problems. At least that's what you thought.
You started to receive threatening texts messages. Not for you. For your family and every partner that has every wronged you. This mysterious person just seemed like a scam or a prank. Until your brother was found dead with his wife in their home in California. You heart dropped to your stomach when you got the call from your distraught mother. His death was made to look like a suicide to avoid rent that was coming up on their thousand dollar apartment. That's how in way charged, as a suicide by overdose.
Then it was your ex-boyfriend, Jason, who raped you and almost forced you to have kids with him before you ran away. He was found with a bullet hole under his chin and through his head. It also looked like a suicide. Every death looked like suicide and it terrified you. Every single death except your parents.
You were just shopping for clothes, when you got a call from the police. They tell you that your parents were shot execution style and god it was a bloody scene. There was brain and skull matter all over the place. They told you that they wanted you back in town as soon as possible. They wanted to question you about your parents murder.
So, you go back to town and get questioned by the police. They kinda try to pressure an confession out of you, saying that a piece of your DNA was found at the crime scene. How could they think you would murder your own parents, when you were in a different town over 5 hours away. They made sure to question you on everything before leaving you be when the forensic evidence didn't match up.
You go back to your motel and curl up into a ball, crying. Your entire family was dead. You had no one left that cared about you or relatively cared about you. You stomach twisted in horror when your phone dinged.
You dian't want to pick it up because what if it was something bad. You couldn't think you could handle anything bad again. It was too upsetting.
You pick it up and you feel tears fill your eyes.
"doll, I saved you. No more brother. No more exes. No more bad parents. " The tears spill down your face and your stomach was twisting and turning. Were they coming for you next?
You sit up and throw your phone. You pull your knees to your chest, whimpering. You rock back and forth, heart pounding outta your chest.
Fear was ripping through your body in a mass fury. You prayed and hoped you weren't in an immediate danger. You prayed that you weren't in immediate danger until someone pounded on your door.
Who could that be?
You slowly and shakily get up, walking over to the door. " who is it?", your voice quivered and no one answered, just the pounding continued. " who is it?!" you asked with a stronger voice, balling your fists. You were trying to be strong, but you were becoming terrified of the excessive knocking.
No one answered. But, someone was counting, in German?
"einer... "
You try to think about someone that you maybe knew, that could speak German fluently.
"zwei..."
Your body goes stiff when you realized that the man that murdered your exes and family talked German in a creepy voice message he sent you.it was disgusting and you had no idea what he said, but it made you shiver.
" Drei... "
You never get a chance to think more when the door was bashed open with a butt of the gun. You meet your stalker for the first time in forever as you are frozen in place.
A black mask, icy blue eyes with dark circles under them, soft looking Ana kinda greasy looking long brown hair, and a scruffy beard. He had all black gear and a metal arm with a red star. He looked a bit angry, but relieved as he closes the broken door. He takes off his mask and smiles at you.
" I found you and now you are mines, my rose." he gently purred and walked towards your frozen stature. You looked at him, a frown upon your face and tears running down your face. " Don’t cry, doll. We have to leave. Police are coming. "
As soon as he picked you up, you realized that you will never be safe again.
59 notes · View notes
sunny-rose · 5 months
Text
Watched the first episode of the PJO TV show and I have Thoughts.
Warning: this is long, entirely too nitpicky, and written like an English essay (sorry). It also isn't wholly positive so there's that...
I've come to accept that we'll probably never get a perfect adaptation of PJO but that doesn't mean I'm not slightly disappointed by the amount of small details that were omitted or outright changed for the television show.
It's very minor, little touches that at first appear insignificant or trivial but ultimately lead to a watered-down story and an experience that lacks the depth the books have.
The first thing that comes to mind is when Percy pushes Nancy Bobofit into the fountain. Not only could we have avoided the Disney Effect Budget rearing its ugly head, having the ambiguity from the book would have added a great layer of mystery to who Percy is and what his powers are.
In the books, Percy doesn't see Nancy go into the fountain at all. He states, "I don't remember touching her, but the next thing I knew, Nancy was sitting on her butt in the fountain" (9). I'm no film director, but a good way to interpret this scene might have been to have a quick cut - like implying that Percy blinked and she was in the fountain - instead of showing her being Force pushed into the fountain. It keeps Percy's powers ambiguous and continues to build up intrigue. It's about the suspense of that moment, rather than showcasing Percy as a demigod early.
Another detail I wish they'd left alone was the timing of Percy learning that he's a half-blood. I understand that they wanted the explanation to occur early in order to keep viewers watching and have them understand the premise but I think it was a mistake to have Sally bring it up on their trip to to the cabin because it ruins the tension. It's implied in the books that Sally knows something happened to Percy at Yancy, but she doesn't want to push him on it. And Percy doesn't want to mention it because he doesn't want to cut their vacation short: "But I couldn't make myself tell her. I had a strange feeling the news would end our trip to Montauk, and I didn't want that" (40). This is EXCELLENT characterization. We can tell that Sally is stressed, that this cabin is her escape. Percy mentions, "As we got closer to Montauk, she seemed to grow younger, years of worry and work disappearing from her face" (37). Percy, sweet, kind, Percy doesn't want to ruin his mother. He knows this trip means a lot to her, that it's a brief moment away from Gabe and the complications of her life and he doesn't want to take that away from her. It's STRONG characterization and allows us as viewers to see Percy as something more than a trouble kid; he really loves his mom. Having Percy learn about being a half-blood at the cabin helps expedite the plot but it takes away from a genuinely sweet and good moment for him, takes something away from his character.
I'm not even going to talk about omitting the Fates I'm going to admit full stop that seems weird to me. It's such a small detail, could've been like a ten second scene that adds to the weirdness and mystery but they just didn't?? Go for it?? That's fine. (Honestly they probably should've cut out Grover telling the principal that Percy pushed Nancy into the fountain and replaced it with the Fates but hey. I'm just a uni student).
My final gripe about subtext erasure from the television show is, of course, Gabe. I can absolutely 100% get behind the idea of why they turned down the implications about Gabe. This TVLINE article by Keisha Hatchett contains interviews with the crew of the PJO TV show and in one of them, Rebecca Riordan explains that, "When you see it visually, it is triggering and difficult to watch. That is why we came at Gabe in a different way, because this isn’t supposed to be a horror show." I can absolutely agree that toning Gabe down was the right choice, especially considering the age range for the television show. I just wish it had kept a bit more of the subtext. Having Gabe shake Percy down to cash might've been a little much but there were smaller details in his conversation with Sally that could've been kept that would've flown over kids' heads but had allowed more mature audiences to realize that Gabe wasn't just your average douche.
In the books when Sally asks to go to Montauk, Gabe asks, "So this money for your trip... it comes out of your clothes budget, right?" (35). As a child, the implication of this completely and totally flew over my head. Even as a high school student this line didn't seem weird to me at all. It was only now, in my last year of university, as I was rereading the series, that I thought to myself, "That's so controlling wtf." To imply that Sally, a woman with a job, is being financially controlled by douchebag Gabe is pretty chilling and although it is undoubtedly still abuse, it's also something that I think wouldn't go too far. As it stands, Gabe feels a little bit toothless and if they stick to his canon fate, it'll feel a little bit unwarranted. In that same TVLine article, John Steinberg mentions that, "When you’re reading a story, you can read past the parts that could be upsetting if you’ve stopped to give them more thought. You don’t really get to do that with the show. It’s all in your face and it’s all presented in a much louder way.” I think that even keeping just this one line isn't too "in your face" but still gets across how much of an absolute jackass Gabe is.
I also think that although it was a strong choice to have Sally stand up to Gabe immediately, I do have a bit of an issue with her characterization. One of the first paragraphs you get when you meet Sally is Percy specifically stating, "I've never heard her raise her voice or say an unkind word to anyone, not even more or Gabe" (33). The books make it a point to show that despite Sally being on the quieter side, it doesn't mean she isn't an absolute badass. She's calm, rational, and cool during the Minotaur scene and then of course kicks ass during The Battle of Manhattan. The books have proven over and over again that Sally's kind, sweet nature is a strength and not a weakness. I can absolutely get behind seeing this side of her earlier in the TV show, I'm just concerned that they're forsaking her softer nature for something more "cool mom." Part of what I like so much about Sally is her kindness, the way she seems to be the embodiment of a warm hug on a hard day. It's not the vibe I got from her TV show counterpart.
Okay that's it, that's all my grievances. I've only seen the first episode and despite this mega page of my negativity I still think that the show is pretty good! It's infinitely better than what we got before and I can tell that there's so much passion and love put into the show. The young actors who are portraying the starring roles are absolutely brilliant, they're killing it, and I hope they have a bright future. I think the show looks great considering it's a Disney+ show (I've seen your special effects, Mouse) and I genuinely hope that the show is enjoyed by old fans and new ones. My brother said, "Hey, the first half was pretty cool" before the pacing kinda nosed dive off a cliff - high praise indeed.
I'm probably still going to watch the show, just to sate my own curiosity (though I'm probably NOT going to write another English essay on why I wish we'd kept some subtext) and I hope that everyone who's sticking with the show enjoys it. I don't think it's bad by any means, I'm just a pretentious literature nerd and this is how I digest media.
So yeah, here's to another decade of Percy Jackson!
7 notes · View notes
hamarhemmo · 2 years
Text
A way too long analysis/rant/review of The Rocky Horror Picture Show
I watched Rocky Horror Picture Show a few days ago and then proceeded to watch it twice more in the following days. And I have very strong feelings about it. Those feelings are almost exclusively positive, so don't worry.
This is gonna be mostly just me rambling, so maybe not the most interesting thing to read, but I had a lot of fun writing it.
Kind of a content warning before I actually start talking about it, this post will be talking about things like homophobia, transphobia and dubious sexual consent, and include swear words and (reclaimed) slurs. So if any of that bothers you, proceed with caution.
Also I'm gonna spoil the whole movie but honestly the plot isn't as important as some other things in this movie so you should watch it anyways.
I will only be talking about the 1975 movie in this post since I haven't seen the play.
For those who either don't remember or know the plot, the film centers around four people. We're first introduced to a young couple Brad Majors and Janet Weiss who get engaged in the very beginning.
Tumblr media Tumblr media
To celebrate their engagement they decide to go visit their former teacher, Dr. Scott, who taught the class they met in. However on the way there, they get lost and a tire in their car breaks. The only building nearby is a creepy-looking castle. In the castle Brad and Janet meet the owner of the castle, Dr. Frank-N-Furter, who is a self-described "Sweet transvestite from Transsexual, Transylvania". Frank tells the couple that he's been trying to make a man (like Frankenstein) and thinks that he has finally succeeded. Frank brings a man named Rocky, who is very hot but very stupid, to life, and seemingly marries him.
Tumblr media Tumblr media
In the castle there are four more important characters: Riff Raff the butler, Magenta the domestic, Columbia who just kind of hangs around, and Columbia's boyfriend/Frank's implied ex-boyfriend Eddie. Soon after Eddie's entrance Frank kills him, "out of mercy". This will be relevant in a bit.
Tumblr media Tumblr media Tumblr media Tumblr media
Janet and Brad are brought to their seperate bedrooms and soon after that Frank sneaks into Janet's room and tries to have sex with her. After some resistance she agrees to it. Soon after Frank does the exact same thing to Brad. Janet finds out about this and has sex with Rocky while Magenta and Columbia watch and have sex with each other. Aforementioned Dr. Scott comes to the castle to ask about Eddie, and it turns out that Eddie was his nephew. At this point it turns out that Frank, Riff Raff and Magenta are aliens from the galaxy of Transylvania from the planet Transsexual. A fight breaks out and Frank turns Brad, Janet, Rocky, Columbia and Dr. Scott into statues. He then moves the statues to a theater stage in his castle and dresses them up in corsets and heels. The statues are turned back into humans and perform a song and a dance.
Also they imply that Dr. Scott is a nazi who moved to America after WWII so that's interesting.
After the performance Riff Raff and Magenta enter the room, kill Frank, Rocky and Columbia and leave back to Transsexual. Brad, Janet and Dr. Scott leave the castle and I'm assuming, head home.
Yes, that is the actual plot. Wasn't that fun?
Now we can get to actually talking about this weird-ass movie.
To me the most important thing about this movie was its unapologetic queerness. Recetly there has been a decenty chunk of movies and TV shows with queer characters and themes, but none of them have really worked for me perfectly for a few reasons. These shows and movies usually either:
a) Center around the fact that the characters are queer and are almost exclusively coming out stories
b) Have queer (usually side) characters who don't really "look or act queer"
I'm not saying that either of those are bad things, but I personally find them boring and can't relate to them. I just kind of always knew I was queer and didn't have that closeted gay teenager phase that the first types of movies are usually about. These movies often also center around relationships and I didn't date at that age. The second type of movies and TV shows don't really work for me either because I do look and act queer and it's a big part of my life. So seeing a character to whom being gay doesn't really matter that much or affect them as a person, isn't very relatable to me either.
Also most of the time gay characters in shows and movies are just boring. They're either evil faggots or cute flower boys who could do nothing wrong. But because Rocky Horror Picture Show isn't really a movie about queer people, all the characters just are very queer, they have the same amount (or even more) depth as straight characters would have in a similar "regular" movie. But a straight movie with the plot of Rocky Horror simply wouldn't work. Sure, the plot would make about as much sense (which is not a lot) but the movie would lose it's meaning. If you removed all the crossdressing, gay sex and queer symbolism from Rocky Horror, it would just be a weird musical Frankenstein adaptation with aliens, cheating women and occasional incest. Doesn't really sound like a movie I would personally love.
Without it's queerness, the movie would not have the cult following it has today. Fans don't watch the movie for the plot, they watch it for representation, hot men in corsets and heels and women finding confidence in embracing their sexuality. The movie is watched because it has been giving people something they don't really get anywhere else, especially around the time the movie came out.
At this point I would love to talk about the songs. Everything from their lyrics to symbolism to just how I personally like them. The movie has around 15 songs but it's hard to say what the exact number is, since some of the songs are so short they barely count as songs, at least one song was deleted from the final product, and at some points it's unclear if it's several songs right after each other or one very long song. But I will talk about these songs in this order in this post:
Science Fiction / Double Feature
Dammit Janet
Over at the Frankenstein Place
The Time Warp
Sweet Transvestite
The Sword of Damocles
I Can Make You a Man
Hot Patootie / Bless My Soul
Touch-A, Touch-A, Touch Me
Once in a While (a cut song)
Eddie
Planet Schmanet Janet
Planet Hot Dog
Rose Tint My World
Don't Dream It
Wild and Untamed Thing
I'm Going Home
Science Fiction
So this is the first song of movie. It is technically unrelated to all of the plot and kind of just sets the vibe for the movie while also referencing many Sci-Fi movies as a kind of tribute to them. Rocky Horror is after some kind of parody of Sci-Fi and horror movies. The video during this song is just red lips sin ging. Funny enough, the lips shown belong to Patricia Quinn (actress of Magenta) but the voice belongs to Richard O'Brien (the creator of the movie and actor of Riff Raff). Kind of a fun detail if you ask me.
During the song the credits are shown and that is really what this song is for. I personally don't care for it that much, especially since I'm not just a huge Sci-Fi fan but it's a nice song that actually makes me want to not skip the credits.
Dammit Janet
Dammit Janet is the first song sung by actual characters. The song is in the very first scene and during it Brad proposes to Janet. It's a pretty cute love song, the lyrics themselves aren't too special in my opinion. But there are a few fun details in this song.
First there's kind of foreshadowing of the fact that Brad's and Janet's relationship is going to fail. Before Brad sings "The road was long but I ran it", Janet tries to kiss him but he leans away. If that was me and my girlfriend, soon to be fiancée, tried to kiss me when I was singing, I would absolutely stop for a few seconds to kiss her. Especially since he leaned away at the last second. Kissing her wouldn't have taken any time from his song. Later when Brad gives her the ring, Janet seems to care about how pretty the ring is way more than the fact that she's going to marry her boyfriend. This is a fairly common trope but still. She also says "Now we're engaged and I'm so glad that you've met Mom and you know Dad". She isn't glad that they're engaged, she is glad that Brad has met her parents.
Also the whole songs takes in place at a graveyard adn in a church preparing for a funeral service, yet they seem unaware of that. Something something ignoring the bad signs about this relationship.
ALSO in this scene you can see people from the castle. Literally what are Riff Raff, Magenta, Columbia (?) and Frank doing there?? (Also it took me too long to realize that one of them was Frank 'cause he's not wearing any make up.) But like did they plan all of this? And if they did, why?? Is there something special about Brad and Janet? Were they just trying to find random people to trick to coming into their castle?
Over at the Frankenstein Place
I sadly don't have much to say about this song. It's honestly just a bit boring to me. It doesn't really move the plot forward or anything. Though they sing about how there's a light in everyone's life and they can seen a light in the castle. Maybe they will find the light (hope) in their life from the castle. Arriving there does change their lives drastically for the better or for worse depending on how you look at it.
The Time Warp
Honestly when I heard this song, is when I was sure I was gonna like the movie. This kind of fast tempo rock is very much up my alley, especially when the lyrics are abou ignoring time and enjoying life in the present. I have always been deeply afraid of the passage of time and forgetting about it, even for a while, is always great. Also during this song we get to see Frank's Transylvanian guests. I honestly love how they look.
We also learn a little bit of Columbia's backstory. It seems that unlike Frank, Riff Raff and Columbia, she is a human. Columbia's line also implies that Frank owns a pick-up truck which is very funny to me.
The song doesn't contribute much to the plot but it's a fun jam and also taught me a cool dance (Which based on Mgenta's line later in the movie is like a common dance on Transsexual.)
Sweet Transvestite
Frank's introduction song! I love him.
Sure transvestite is technically a slur for crossdressers (is that a slur? I honestly don't know dude) but sometimes things just are like that. Also he can call himself whatever the fuck he wants. Like damn, maybe I'm a sweet transvestite too, who knows.
I'm sure many people know this already but it's pretty funny that when when you hear him say "From Transsexual, Transylvania" you would assume that he's just calling Transylvania (on Earth) transsexual for some reason. But he's just saying that he's from the planet Transsexual from the galaxy Transylvania.
Also yes, transsexual is also a slur but it fucks so I'm using it.
The Sword of Damocles
Sadly this song isn't on the official soundtrack. It's honesly great. Rocky is a silly little guy and I like hearing him sing. Funnily enough all of his songs are dubbed and that is not the actor's voice.
Rocky literally just gets born and immediately starts singing about how his life's gonna suck.
It seems like he's afraid of Frank for some reason. Maybe it's just 'cause he's a weirdo, but it could also be because Rocky has half of Eddie's brain. Maybe he like subconsciously remembers Frank literally cutting his head open.
I Can Make You a Man
When I see the title written out like that I just hear the line from Lola in my head. It's not even the exact same line, I am suffering.
This is kind of funny to listen to 'cause Frank says that Rocky weighs 98 pounds and I have literally no idea how much that is. I'm assuming it's not a lot.
Also Frank starts straight up riding the pommel horse. I sadly don't know how to make a GIF but please go watch the video, I'm begging you.
Tumblr media
Look at him go. Oh, how I wish that pommel horse right now. Saying pommel horse so many times in a row sounds very weird but I don't know what native speakers actually call it.
Hot Patootie / Bless My Soul
Eddie simply didn't have enough screentime. He's honestly so cool. Sure, one of the news articles says that he like killed a woman or something but shit happens. I am stupid and gay and Eddie is hot so I'm willing to forgive him.
The song, again, doesn't really contribute much to the plot but it slaps. Even the Transylvanians jam out to it.
Touch-A, Touch-A, Touch Me
This is in my opinion pretty much the perfect song for Janet. Her whole arc in the movie is her breaking free from 70s purity culture. She has sex for the first time and realizes she really enjoys it and now she wants more. Especially the line "Touch-a, touch-a, touch-a, touch me, I want to be dirty". Earlier in the movie she was this very classic cute pure female character from a movie in the 70s and now she finally gets to do what she has probably been told not to do for her entire life.
In this song she also gets her obligatory bisexual moment, fantasizing about everyone in castle, including Magenta and Columbia.
Also someone is finally nice to Rocky :)
Once In a While
So this song was cut from the movie, at least on Disney+, but is still on YouTube and the complete soundtrack on Spotify. I don't know if the video on YouTube is the original scene but that doesn't really matter. The song is also in theatrical releases but again, I have only seen the 1975 movie.
Anyways this is Brad's only solo and it happens after he slept with Frank. It seems like he's reflecting on his and Janet's relationship and feeling quilty and/or sad about sleeping with Frank. (Apparently in theatrical versions he had also found out that Janet cheated on her.)
I don't really want to comment on this song that much because I don't know everything about it, but it does make Brad look more bisexual. In the version that I saw, there wasn't really a lot indicating that Brad was attracted to women. Of course there's Dammit Janet and the fact that they are engaged but I don't know, he just didn't really seem to be that into her. Especially with his verse in Rose Tint My World, which I'll get to in a moment. But yeah, this feels like a more genuine love song to Janet even if he never mentions her name.
Also I find it funny that Frank is just sleeping on the bed right behind him. I like to think he's actually singing this out loud in the quiet dark bedroom.
Eddie
I've also seen this song being called Eddie's Teddy but it's just called Eddie on Spotify so I'm going with that.
This song really just sums up Eddie's short life. This comes a bit out of nowhere but Eddie's cool so it was actually pretty interesting to hear about his life. A very catchy song.
Also Frank implies that he's serving Eddie as their dinner so that's lovely.
Planet Schmanet Janet
Honestly I have no idea what's going on in this song but the line "A mental mind fuck can be nice" kinda slaps. So true bestie.
Planet Hot Dog
This is technically a part of Planet Schmanet Janet but it's listed as it's own song on Spotify.
Characters basically just finally acknowledge the fact that his name is literally Frank-N-Furter. Very funny if you ask me.
Rose Tint My World
My absolute favourite song from this movie. There's just so much going on. This is actually the reason I wanted to make this post.
First of all, all the characters look very hot in the corsets and heels so I definitely enjoyed that. Also they zoom in on Rocky's dick and show Columbia's titties so that is also very lovely.
Let's go over everyone's verse seperately.
First there's Columbia. She sings about how things were great when she first started hanging out with Frank but as soon as he started working on Rocky, things started to go downhill. He started giving all his attention to creating Rocky and stole hald of Columbia's boyfriend's brain. Now Frank has even killed him and Columbia doesn't have much to live for. She ends the verse with "Rose tints my world, keeps me safe from my trouble and pain". I'm assuming she's talking about the expression of wearing rose-tinted glasses aka pretending that everything is better than it actually is. At this point it's all she can do.
Second verse is Rocky's. Rocky sings about how he was born only hours ago and how the only thing he has really been taught is sex. Throughout the movie everyone just takes turns either fucking him or abusing him. And of those two things only one is widely considered to be nice. Because of this the only thing he knows to keep him safe is having sex. He ends his verse with the same line as Columbia. To him it means ignoring everything negative in his life and only paying attention to the thing that has brought him pleasure.
Brad's verse seems to be many people's favourite (that includes me). Out of the four, he seems to be the most afraid at this moment. He has found out things about himself that he did not want to know and could've lived a decent life by ignoring, but now he's forced to face the reality that he's queer. In his verse he shows disbelief that this could be happening to him. He begs for his mom to help him and wake him up from this dream, missing his days of innocence and naïvety. After falling to the floor he still says that he feels sexy, possibly for the first time in his life. To this point he has always been just an average American young man with nothing that "special" about him. Now he's dressed up in corset, fishnets, heels and make up and actually feels beautiful and wanted. He doesn't know what's come over him, since as he has probably been told, queer people are perverts, rapists and murderers and suddenly he is one of them. And he didn't get to have the slow realization and time to reflect that many others have. All of this has happened to him in one night. He doesn't sing the line "Rose tint my world" like Columbia and Rocky but it is implied. He just wants to pretend that none of this happened and everything's fine in his life. Also unlike Columbia and Rocky who just kind of stay in random poses after their verses, Brad covers himself up as seen during Janet's verse. I feel like this comment on YouTube puts it well:
Tumblr media
Janet's verse is pretty much the opposite of Brad's. She seems to be the only one to be genuinely thankful to Frank for opening up her world. Frank let her break free from the oppressive society and she feels more confident than ever. She also says that "[Frank's] lust is so sincere" unlike any attraction Brad has shown towards her. She also very much shows off her body in this scene, clearly enjoying the revealing clothes she's finally allowed to wear. I'm also going to mention now that in the next songs she says "God bless Lili St. Cyr". Lili St. Cyr was a famous stripper around the time. She again is happy that people like sex workers have made it more normalized to wear revealing clothes.
Don't Dream It, Be It
This is technically Frank's verse of Rose Tint My World, but again Spotify lists them as seperate songs on the ceomplete soundtrack. He starts by telling us about how when he was younger he saw Fay Wray (who was btw earlier referenced in Science Fiction / Double Feature) on TV and started to cry because he wanted to dress just like her. I'm sure this is a familiar feeling to many members of the LGBTQ community, getting gender envy as a kid from seeing an attractive person on TV.
After this he sings about how you should give yourself over to absolute pleasure, including dressing and acting however you want. He also encourages you to enjoy "the sins of the flesh". For any fellow non-Christian's out there, sins of the flesh according to Google include "sexual immorality", sensuality, orgies and "things like these". Many of these things are considered pleasurable by the vast majority of people.
After this he jumps to a pool that just is there. He tells you to be it instead of dreaming it. By it he could mean pretty much anything but I'm assuming it's just general "If you want to do something (like crossdress or have gay sex), you should do it instead of just dreaming about it and dying unhappy."
Also the floor of the pool is painted to look like Michelangelo's painting The Creation of Adam. This is slightly unrelevant but there's a fair amount of proof that Michelangelo was not straight.
After this Columbia, Rocky, Brad and Janet join him in the pool and they all start making out with each other. During this Dr. Scott manages to turn back from stone and says that they must get out of there before he also 'goes crazy' so to say. However it's too late and he reveals his leg so that the audience can see that he's also wearing fishnets and heels, becoming like Frank and the rest.
Wild And Untamed Thing
This song is still in a way part of Rose Tint My World.
Frank gets up from the pool and starts singing about how he's "a wild and untamed thing" and "a bee with a deadly sting". This part feels like it's just about Frank's personality. He is a very short-tempered nonconforming murderer. Then the rest join in on the song and now they're singing "we're a wild and untamed thing". Maybe I'm just imagining it but 5 (6 if counting Dr. Scott) bisexuals in drag on stage singing how they don't fit into society, makes it really seem like "we" means queer people.
Also a fun thing about this song is that by the end of it Rocky's actor can't keep up with the rest an he's unable to lift his legs as high as others or even jump. I just think that's a funny detail.
After this song Riff Raff and Magenta enter the room declaring that they're returning to Transsexual. They're also wearing fishnets which kind of makes it seem like this is a normal attire on Transsexual, but that's not really important right now.
I'm Going Home
This is genuinely the saddest song to me, partially because I know how it's going to end.
Frank sings about how when he left the galaxy of Transylvania, he didn't feel like he missed it. But now on Earth he has seen beautiful things including the blue sky, which possibly doesn't appear on Transsexual as it is described as the land of night. But he realizes that it's time for him to go home. At this point he imagines an audience on the empty seats in front of the stage, showing his desire to perform to large groups of people, even if they never say it out loud.
Sadly he is not going, home and he is killed immediately after the song, ending his life too early but completed.
Conclusion or something
I'm not crying, you're crying.
I feel like I've really said all I wanted about this movie. It's been really fun writing about this movie and why I love it. Though I'm surprised if anyone has actually read this far. This post is 4176 words long by the way. That's longer than my Finnish essay for school.
Thank you, if you read this and I sincerely hope that you'll watch this movie if you haven't already. ♥
66 notes · View notes
I think I just broke my spouse by rewatching Star Trek Generations. Oops.
Tumblr media
My spouse is now losing their sh*t in the funniest way possible because I've said I am rewatching Star Trek VII: Generations "for science". (I'm working on a fic and need to clear up a few things bc I haven't rewatched this in . . . Well . . . I haven't rewatched this.👀 There are strong opinions in this family about Generations.)
Tumblr media
But my partner's visceral reaction to Generations has me:
Tumblr media
Some quotes when they came down and found Generations playing on the TV (and bear in mind that we speak with a thick Irish sounding accent because it just adds to the whole experience for me):
*SO sees Generations credits starting*
SO: *Flatly* No. *Goes back upstairs, yells from up there* I am not watching that shite movie. Not even for science. I refuse. You'll be watching it alone.
Me: That's OK, it's why I'm watching it while you're at work. :) *Trying not to die withholding laughter*
***Silence for a while, then***
Tumblr media
SO: Are you serious, man? *Comes back downstairs as if unable to believe their eyes, aghast at the credits, giving Bill Shatner a run for his money for dramatic flourish* Jesus Christ today . . .
Me:*Starts cackling*
SO: Yer f**king with me. Right? *Grinning* You ARE f**king with me aren't you?
Me: I'm watching it, be quiet!
SO: Well I'm not watching Generations. I won't be supporting this.
Me: Obviously, you're working. Go back to work!
SO: I can hear it and I don't know how I feel about that.
*Moments later, comes back down the stairs with betrayed glance, goes to fill coffee cup, comes back to sip and glare at the TV screen before looking at me in horror*
SO: Who are you?
*They kept finding excuses to keep popping in and out, offering salty commentary*
"OH SURE just leave the body there ya bald c*nt why not? You're beaming everything else on board . . ."
"OH SURE the CAT lives, meanwhile KIRK is under a ROCK PILE like a STREET DOG."
"Well go ahead then ya soulless t'ing. Just leave it there I guess, a dead body is worthless. Unless it's JIM KIRK!!! Do you know how far Spock had to travel to get that body?!"
"Love . . . I didn't fix your computer so you could put me through this G*d d*mn torture today." (My spouse just did over $400 worth of reformatting and data retrieval on my laptop on the same day I rewatched Generations.)
SO: *Coming back down AGAIN during work to see the ending credits* "I can't believe you did that alone. I won't congratulate you for that. . ."
"I'm insulted to watch these credits and know people willingly took part in this. Who took money for this? Who got paid to do this to me? I need to take my pants off, I'm too overheated . . ." *storming from the room while taking off pants*
Tumblr media
- - My partner going on an actual tailspin when I tried to get them to rewatch Generations with me for the express purpose of plot points re: The Nexus for a fanfic. Then I put it on while they were at work and I think I broke them.🤣 Shiver-me-triggers, Cap'n.
This film destroys families and never should have been made confirmed.
P.S.: They are still going but the credits ended long ago:
"WHAT KIND OF MONSTER LEAVES BODIES THERE? YOU GONNA LEAVE JAMES T KIRK UNDER A PILE OF ROCKS? THE ROADKILL SPECIAL? WHO GOES TO WAR WITH COMRADES AND JUST -- YOU DIDN'T EVEN HAVE TO LEAVE HIS BODY YOU HAVE BEAM TECHNOLOGY-"
Tumblr media
P.P.S.: my family's favourite GIF to use when talking about Generations:
Tumblr media
99 notes · View notes
drbased · 28 days
Note
Have you watched or read I'm Thinking of Ending Things? I'd love to hear your thoughts on it tbh.
Hi anon! I'd never heard of this film before, so I decided to watch it and then respond to you.
Well, that was a fucking ride. Let's list the themes throughout:
women's lives being consumed by men
time
aging
quantum physics
perception of reality/schizophrenia
Honestly? I'm completely stumped by it. I think I'm going to have to re-watch to understand exactly what the film was getting at. It had a very good atmosphere throughout; there was such a sense of unease from the start, and it didn't just feel like a horror film but I got a strong sense it was deliberately mimicking one. When the dog was brought up, something about the cinematography really had me thinking the dog wasn't real, and then that was immediately dashed by the dog showing up. The interactions with the parents really had me thinking about the relationship between humour and horror, of comedy and tragedy - there were so many lines that felt like comedy bits, but I felt too tense to laugh. (Also, I too always thought it was Trivial Pursuit: Genius Edition). And there were all these callbacks that once again sat somewhere in that uncomfortable place between comedy and tragedy.
Without looking up the plot, I think this is what the story was: Jake is the janitor, reflecting on his past life - the main female character is an amalgamation of all the women he'd dated and brought back to his parents, who we see at various points in their life. We see this from her perspective to represent how men consume women, and as such how women become interchangeable to them. There's an implication that he steals her poetry to sell, he steals her art to sell. There are hints at him being controlling, and the third woman working at Tulsey Town is hinted at being his ex girlfriend, who he injured in some way (both his arm and her shared what looked like burn scars) - and she expresses fear for the main character. The main female character never ends up being able to ask to leave, and stays with him and watches from the sidelines as he finally becomes successful. I don't really understand what the dance sequence is - was that a younger version of one of them, who had been killed? Or was that janitor a younger jake, who has killed someone? I also have no idea what the whole diner film was about, although it also reflects the theme of male interference in women's lives, portrayed romantically in films.
This was directed by Charlie Kaufman, who is responsible for one of my favourite films of all time - Being John Malkovich, and one of my most hated films of all time - Eternal Sunshine of the Spotless Mind. I can see here he's really upped the surreality. Overall I'm not sure if I liked it or not - the atmosphere was tense and gave me the creeps, and the themes were very interesting. I don't need a film to be entirely literal - my other favourite film of all time, Annihilation, is almost entirely metaphor. But what I struggled with here is that the heavy-handed nature of the themes and the surreal, mixed-up timeline had me kind of thinking, well that's interesting and all but what is actually being said here about the nature of all these things? How do they all connect? The strongest theme by far is that of women being consumed by men, and the imagery of her name and backstory constantly changing really cemented that, so that the theme was as much 'show' as it was 'tell'. I don't know - I'm definitely going to have to rewatch it just in case I've missed some important connective tissue. Overall I found it interesting, but I have a small inkling it was a tad bit style over substance.
6 notes · View notes