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#i could even make cartoon icons if i wanted
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...winking at Shaggy’s pothead reputation. Here, the iconic slacker is presented as Norville (Sam Richardson), a clear-eyed band geek who tells Velma, “Man, if I even think about getting into 420, 420 culture or especially 420-related humor, kill me.” (The pair then clarify that 420 is “code for adults who still watch cartoons.”)
For every solid crack (“Ranking hot girls is exactly how the Trojan War and Facebook started!”), there’s an observation that feels like a repurposed Twitter draft from some harried screenwriter’s folder. “I speak truth without a filter, like every comedian before #MeToo,” declares Velma, never mind that the line doesn’t make a ton of sense coming from a proud feminist teenager in 2023. Amid the semi-topical snipes at teen rom-coms, yass-queen feminism, hairy Brooklynites and, for some reason, the movie Serpico, the future Scooby-Doo gang and their peers can come off less like individuals than joke-delivery machines.
I'm begging people. No hate-watching. No "how bad could it be, I'm curious"-watching. HBO canceled tons of wonderful unique original content in favor of a mean-spirited overly-meta reboot of an old property, resulting in a show that even the most eager-to-praise-everything publications struggled to give more than a 6/10.
If you want to encourage the megacorporations to make good original new content, just let this one flop like a fish in a railway ditch.
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yourhighness6 · 2 months
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NATLA Episode 1 Debrief (by yours truly)
Hello my lovlies! There are so many opinions swirling around right now in the fandom and I wanted to give my own opinions a quick (this is not going to be quick but whatever) post of their own. I'm probably going to do this with all of the episodes, just an fyi
First of all, Sozin can fuck all the way off. I don't think I really have to explain that one but goddammit they really made me hate him (and I love to hate the villain)
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I LOVE the detail of seeing the flames reflected in his eyes whenever he kills someone, as a symbol of fire's natural brutality consuming him from within. Kudos to whoever added that detail because it is absolutely perfect. I look forward to seeing more of this monster in future flashbacks.
The firebending itself was absolutely brutal. Watching the cartoon, you don't really think about how painful and horrific being burned alive is, and the live action explored that element in a way the previous show could not.
I know this is controversial, but actually really like how they devoted a good ten minutes to establishing some background with the Air Nomads before we dove in. In my opinion, it gave more depth to the Air Nomads besides just what we see through Aang's eyes, which I think helps the viewer connect with him more and sympathize in ways the cartoon didn't. One detail from this part that was absolutely heartbreaking was the Comet Festival.
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Something about the way a time of joy was turned into a time of pain and misery was absolutely awful (this was the first time I cried [I cried three times]). The fact that all of the Air Nomads were in one place kind of filled in why there was no evidence of the FN ever having been to the Western Air Temple in s3 of the cartoon. It also adds another layer of awfulness to the whole thing. I can't really put into words why I feel that way, it's just a sort of vibe.
I also liked the way they established Aang's character flaws right off the bat:
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The episode was named after him, so it only makes sense to show all aspects of his character almost immediately. This also gives me hope that they might address these flaws later a little more than the cartoon did.
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Super glad they included a female Airbender on the counsel (or whatever that was). She was also fighting later and she looked super badass.
Now, onto the Water Tribe.
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I can't express how glad I am that they included both boys and girls in Sokka's little warrior pack. People have talked about this before, but the gender roles in the SWT didn't make a lot of sense. Perfect little detail to fill a plot hole.
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I am also over the moon that they decided to expand on the differences between the Water Tribe sibling's outlooks on the world. Katara was raised as both a beacon of hope and a liability, whereas Sokka was raised as a warrior and a protector. It gives insight into their characters and also symbolizes the way the war shaped them. The pressure within a society to adapt to the times even as traditional values are abandoned and culture is devastated is something that the original show laid the groundwork for, so I really hope we see the live action build on it further. There's also this:
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Gives the perfect insight into the ways their parents leaving affected them both differently and expands on their different mindsets. 10/10 for the sibling dynamic.
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I'm not sure if I liked the changes to this scene. Katara was characterized pretty well, in my opinion, and it does make sense with the "toning down" of Sokka's sexism that she didn't explode on him, but it's still an iconic moment I would have liked to see translated to the live action. I also found the fact that Appa wasn't included at all just plain weird. He should have been there, and even if he was established differently later, again, I'm not sure I liked the way Aang was introduced to the siblings. (At least they didn't include any romantic Kat@ang moments. Platonic besties for the win)
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Zuko's introduction was just kind of... there, in my opinion, but I did love the detail of the icons on the shelf glowing. There were several homages made to Zuko's search for the avatar that I really appreciated, from the early establishment of his antagonism towards Lieutenant Jee to his pages of research, which I really appreciated. There were also several moments that implied that Zuko had a more spiritual journey throughout his banishment to find the avatar, which was partially a little bit of worldbuilding and partially a play into the idea that he will legitimately try everything possible to find the avatar that was another nice detail. Sadly, Dallas didn't really make a huge impression on me. This might be because of lack of screentime or the fact that this is THE Zuko, but I was kind of expecting more. Still, I don't think it was an irredeemable portrayal by any means, and I look forward to seeing more.
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This is sort of random, but I just need to say that I'm glad they included more evidence of Katara's PTSD. It was already pretty established in the cartoon that she did have PTSD, but the live action allows exploration of that in a more mature way, which I appreciate. It made the kat@ang conversation hit that much harder, and gives more depth to Katara's character.
The fight at the gates was also just perfect. Zuko acting on impulse out of a need to prove himself:
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Katara's speech and Sokka's change of heart:
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And this line:
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Sokka kind of fell flat to me a bit in this episode, and I feel like Katara was the MVP in all of their interactions, but I loved this line. I just have a feeling he really needed to hear this.
There's also this moment that I thought was really significant where it looked like Zuko was actually going to kill Sokka:
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My heart legit stopped at this part. Like, I knew it made no logical sense for it to happen, but I still got scared for a moment. I know it was just another one of those moments to show how Zuko's anger gets the best of him, ect, ect. but this was overkill. I don't think they took it too far by any means, but it was still just so unexpected.
I also noticed they removed the zukka parallel of the two of them getting ready for battle at the same time, which I really disliked. It plays more into the warrior mindset for the both of them, and even though we had that established in other ways, I would have still liked to see it.
Aang's sacrifice is the same, but I appreciated his little conversation with Iroh. When Iroh showed up, I half expected him to just let Aang go, but I guess that wouldn't really be in character for season 1 Iroh. Either way, that was some good stuff.
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The framing also sort of reminds me of the season 3 conversation between Zuko and Iroh when Iroh is in prison back in the FN. Both shots give the impression that it is not actually the one behind bars who is in prison. This makes me think that they might give Iroh more of an arc in season 1, which I would kind of like to see, but at the same time, I'm not sure about. I think it was important in the cartoon that Iroh had already completed his journey and was doing his best to guide Zuko through a similar one.
I am disappointed that they removed the fight scene between Zuko and Aang inside the ship, but there was another huge moment this allowed for that I REALLY LOVED:
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I LOVE that they let Katara have her hero moment I LOVE that they let her discover her bending a bit more in this episode I LOVE that Aang helped her I LOVE IT ALL. Katara gaining more confidence in her abilities is the season 1 Katara arc I want to see and they legit made me fangirl over this moment so much I squealed. There's also something about her blocking a fire blast from Zuko after being powerless to stop him from killing/seriously hurting her brother in the earlier fight that's just... chefs kiss. (also maybe establishing that ZK yin and yang concept early... I'm reading way too much into this but the way Katara's arms are positioned kind of looks like the yin symbol a little bit...)
And finally, we have the air temple scene. The whole thing was so incredibly sad, and I actually didn't mind that it was part of the first episode. It makes everything go full circle, in my opinion.
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I also thought that Gyatso's voice instead of Katara's being the one to calm Aang down was a really good choice. Aang coming to terms with his death should be about his memories with his past mentor, not about Katara comforting him. I loved the hug though. Perfectly devastating:
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Also, the last parallel at the end was just SO perfect:
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Something about how tradgedies in their lives forced them both to become dedicated and adapt to a new world beyond their control. Aang and Zuko parallels always wonderful.
Overall, I really enjoyed it! I would give this episode an 8.5/10. Not perfect, but definitely not bad. It surpassed my expectations and I'm so excited to see more!
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endlessdaydream · 2 months
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I get it, live actions aren’t for everybody and that’s totally fine. Not everyone’s gonna like it. But to shit on the stupidest things, or draw the dumbest conclusions??? Blocked. Y’all look dense as fuck. Views will be mixed as they always are, quit clogging up the tags with your negativity and find some chill 😂 The originals are still there to watch or read and enjoy…so go do that…it’s literally on the same app 👏🏻 I’m trying to be understanding I am, but some of y’all are so damn hung up you’re letting it completely destroy something you’d otherwise enjoy
Anyways!! Here’s some of the stuff I loved from the atla live action!
•cinematography, soundtrack, costumes - all on point
•getting to see the airbenders flourishing!!! Also the dude who played Gyatso?! Didn’t think I could love him more!! Even though it was painful as FUCKKKK getting to see the first invasion of the fire benders was an epic masterpiece
•speaking of, the first scene?? With the earthbender soldiers in the fire nation?? Iconic
•Omashu: unpop opinion I’m sure (bc y’all hate change but simultaneously hate when it’s carbon copy????????🤦🏼‍♀️) I loved how they incorporated like 3 or 4 episodes into one, and they flowed really well together. Jet is FOINEEE. Mechanist was perfect & his son is a freaking badass, amazing casting! Even though it was change, the secret tunnel scenes were still really freaking cool and the badgermoles were SICK AS FUCK. Also I love that Bumi was still cooky but not just randomly cooky? Like mans was run down from being king basically the entire war…which FAIR. And it made sense that he was peeved with Aang BECAUSE they were such good friends. Like the other avatars being mad at him? Yea that’s whatever. But for Bumi it was kinda personal. Also CABBAGE MAN WE MISSED YOU 👏🏻👏🏻👏🏻 Oh! And the way they mentioned other episodes like they were lore when Zuko was trying to find Aang? That was an amazing way to tie back to the OG series
•I love how they incorporated the blue spirit, Koh, the fog of lost souls & parts of the ep where sokka and Katara got sick & Aang had to get them frogs - just reimagined it. Oh also Hei Bai! Yea, I loved that whole episode. Koh & Hei Bai were SCARY as fuck, it was awesome!!
•HAHN MY BELOVED…I ADORE YOU! Favorite character that they added/changed. Katara getting the other women involved in the battle?! Tui & La? The oasis?! 😭😭 stunning!!!! I also LOVEDDDDD Aangs avatar spirit that he turned into, literally perfect! And I loved the change that he gave himself over to the spirits wrath..fucking SICK. Also right before aang turned into the spirit/whatever that’s called, I was praying they’d do the line and thEY DIDDDD!!!
•Fire lord Ozai?? 😳😚 nothing needed to be said - perfection
•Kyoshi?! The Kyoshi warriors?! SUKI?! - speechless
•I like that they’re making more of a point to show how smart Sokka is! Mechanist calling him an engineer…I hope they play more into that! Ik they did a bit in the show with the subs (cartoon), but still
•”~hE rAn~” seriously my favorite line, I was DYINGGGG!!! The scenes with Zuko and Iroh, Zuko before the war meeting, the leaves from the vine being in the background at the funeral….ARE YOU FUCKING WITH ME?! Zuko’s crew being the crew he SAVED?! And when they find out they all do the fire nation bows to their prINCE?! 😭😭😭😭
I’m being fair y’all - things I don’t love/hope they change:
•this one I’m 50/50 on - I don’t love that they tried to give Kuruk a reason for disappearing. They tried to pull shit from Korra to make him look meaningful & not useless as an avatar and it didn’t hit for me
•some of the wigs: obviously we won’t see Yue again, but I wanted her hair to be white. I didn’t love the wig but it wouldn’t have been as bad for me if it wasn’t so grey. Also do NOT love Azula, Tylee or Mai’s hair. Ik they look just like the show but whether that’s wigs or their actual hair (I’m clueless) it needs some serious improvement. Azula’s looks great down, I just don’t like how big the side pieces are that frame her face when it’s up.
•Katara, my love, I am PRAYING part of your development is also going to be her becoming more outspoken and badass, bc this season we saw the tiniest of glimpses of it, not a fan (unless it’s a part of her development…she did grow up in a tiny ass tribe so I’m giving them the benefit of the doubt)
• IK they’re going with a much more serious Aang, but pleaseeeee give us some actual moments of him being a kid. We saw that like twice 😭
•Dante is the PERFECT ZUKO, I will hear NO slander. However, I need him to be more of a dick. I’m hoping we’ll get that when he gets super desolate when they’re on the run & then we have Zuko alone & he has his inner battle. I need snarky dickhead Zuko, so you can truly see the big differences between what he’s fighting (himself vs. who his dad wants him to be)
Have fun kids!
In case I haven’t made it clear, idgaf if you disagree. I go so hard for these live actions because it’s fun! It’s just supposed to be fun and different and new. If you get so serious about it you’re ALWAYS going to be disappointed, there’s no way around it bc nothing is ever going to be as good as the original book, the original show, the original tale. OG atla is ALWAYS gonna be the winner, nothing will compare! So sit back ~relax~ and find some joy in the little things
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howlingdemon13 · 1 month
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You could use a buddy~!
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Guys, you have no idea how happy I am that this is complete! You know I'm gonna be supper obnoxious now that I can turn into a demonic ghost with mommy issues. 🤪 Anyway, some notes and thoughts on this cosplay that no one asked for and no one wants~!
First and foremost, this cosplay is sort of a clonesona. I feel like (if given the chance), Beetlejuice would play around with how his clones look. Obviously on stage it’s impossible to find actors who look identical to the lead, but I like that the fandom has embraced BJ being unable/unwilling to create clones that are a 100% physical match. If that’s the case, I’m sure he throws in a more fem-presenting clone once in a while.
This doubles as a feminine-presenting form for Beetlejuice himself, too (Toonjuice has no issue changing his gender presentation at will in a bunch of scenarios, and I like to think that Musicaljuice would be the same/similar). I guess a version of Beetlejuice that’s female would be fun, but I prefer the idea of BJ shapeshifting to look and present the way he wants to (or to have fun with unsuspecting victims).
Even from the early development of this cosplay all the way back in October, choosing between a dress and a suit was like pulling teeth. I love the suit an unhealthy amount, but I wanted something distinct from other interpretations. That, and I was hesitant to lean into the hyper-sexualized looks I’ve seen from officially licensed offshoots of the character. Beetlejuice, while a self-proclaimed sexual being, doesn’t read as the kind of entity to go from generally masc-presenting all the way to hyper-sexual fem-presenting. Also, where the hell is the grime on all these fem designs???? Why does she look clean? Cowards!
I think BJ would settle on a fem-presenting form in a suit, but I also think he’s just as comfortable in a dress regardless of the pronouns/physical characteristics he’s using at any given moment. He likes his dresses and we love him for it.
Anyway-
I wanted a dress that felt “old” but not dated,so I settled on a shirt dress. They came about in the 1920’s, but didn’t become super popular until the 50’s. The cut of Beetlejuice’s suit is somewhere between modern and a style that would have been popular in the 50’s, too.
I also think shirt dresses are pretty “neutral” in that they aren’t form-fitting and they read more like a shirt from the waist up. I didn’t want anything dainty, but I wanted some movement to the fabric, and a dress does that a bit better than a suit imo. It’s why I love Beetlejuice’s first 15 minutes on stage in the trench coat. I know it’s a callback to when we first see him in the movie, but it adds a ton of secondary movement and looks cartoony when coupled with very exaggerated movements typical of a stage show. It’s why I love watching Collette especially bounce around on stage because istg he knows this (or that him growing up with the cartoon make him really lean into over the top body language and the trench coat just adds to it).
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Like, look at that! Are you seeing what I’m saying? If I could animate, that would be a dream shot!
Oops, can’t go 15 minutes without thinking of the silly.
All that is to say that movement and form in an outfit, especially one for a character as chaotic as Beetlejuice, was super important to me. It’s also why I settled on long, curly hair, kept the tie, and added a bow. All of that breaks up patterns, adds movement, and is something I can put moss on. Anyway, this cosplay has a lot of little nods to the musical, cartoon, and film (but is mostly based off of the musical).
Cartoon: bugs!! Toonjuice is sometimes seen with small beetles chilling on his suit (which he inevitably snacks on). I love the idea of Beej being covered in bugs, so I felt compelled to include them on the dress and hat. It's a subtle reference, but one that I really wanted. They’re made out of scrap polymer clay and painted. Here are a few:
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Film: The guide hat! It's iconic. I know that the hat made it into very early versions of the musical and promotional materials, but how it got thrown by the wayside is beyond me.
Musical: the grime and disrepair! I was heavily inspired by an early suit that is absolutely covered in moss!
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I also added a lot of grime to the shoulders and hem as a callback to later versions of the suit and especially the tour version of it. I also added some x stitches since I really like the way they look on the current tour suit!
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Oh, and the banjolele! Can't forget my favorite prop!
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Miscellaneous: I love giving supernatural characters pointy ears and fangs, so you best believe I’m going to do the same for BJ. Slightly related, but I love the tour makeup so much. The makeup artists really lean into Beetlejuice being corpsey and I’m here for it (I essentially combine the tour and film makeup to get the look I’m after).
Oh! And snap bracelets! I remember hardcore stimming with these as a kid to the point of destroying them (then it was goodbye snap bracelets), and you cannot tell me Beetlejuice, neurodivergent-coded demon ghost, wouldn’t be the same way. Full disclosure, I had to wrap them around metal bands because these snaps are rubber and the texture is a nightmare for me, but I was determined to include them. They’re also a substitute for Beetlejuice’s watches in the film.
God/Satan, that was a lot of rambling. If you survived all that, thanks for reading!
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suzukiblu · 3 months
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I just wanted to say, yesterday I sat down and binge-read all your Timkon fics, as well as most of the WIPS, and I BADLY want to write some now. I've never really written Tim, tho, since I'm more used to writing Jason. Do you have any tips, or bits of Tim and Kon characterization you consider especially important? (The WIP I've made on my head, if it helps, is (Daemon AU) comics!Tim ends up on Young Justice!Cartoon universe, and he's very, very weirded out by how different Kon is to Conner, and very pissed off that this Conner gets a Daemon while his Kon doesn't have one.)
tbh it kinda depends on where you're trying to go with the fic idea, I'd say? Also why Conner DOES have a daemon and Kon doesn't, probably. Also-also, does Conner even actually have a daemon or is Tim just confused about Wolf or something.
Generally speaking, though, the thesis of Tim is that he is a ride-or-die guy who really fucking COMMITS when he makes a decision. Sure, he'll stalk Batman. Sure, he'll introduce himself to Nightwing and tell him he knows his secret identity. Sure, he'll put on the suit Jason died in to go save Batman and Nightwing from their own stupid selves. Sure, he'll be Batman's emotional support sidekick and lead Young Justice and the Teen Titans and try to clone his dead best friend and run around the planet solo to save Bruce from the timestream. Why not! SOMEBODY'S gotta do it!!
"Somebody's gotta do it" is a lot of Tim's motivation, from what I can tell, haha. He also comparmentalizes really well, is a very talented and skilled detective as his defining Robin skill, uses a bo staff as his signature weapon after convincing Lady Shiva to train him and was the dude who was smart enough to add pants to the Robin suit, and one of his more iconic lines is I think Cassie going, "you lied to Starfire?" and him answering, "I lie to Batman". Which he does. Frequently. Frequently and a LOT-ly. To be fair, Bruce is also a fucking liar, so he deserves it. Tim, however, actually has friends he will ADMIT are his friends without having to be waterboarded into it during an active apocalypse-level crisis.
The boy has no chill. He DISGUISES his lack of chill, but it is fucking nonexistent and the ONLY reason he looks "reasonable" is because his besties are the teen idol superclone with limited life experience and Stephanie "welp my dad's gone supervillain so I'm gonna go kick him in the dick with my intermediate gymnastics" Brown. And then there's Cassie "I'm just gonna ask Zeus for superpowers, natch" Sandsmark.
Also Bart. Also Bart is a thing. Bart is SO MUCH a thing.
So yeah, Tim is a full-stop no-holds-barred insane person, he's just also a better liar than any of his friends. Like so, so much better. AT LEAST THEY HAVE SUPERPOWERS, TIM. AT LEAST THEY'VE GOT THAT. He figured out Bruce's secret identity at NINE 'cuz he went to the circus as a toddler and Dick Grayson's flips were just that sick, and then just didn't tell anybody for FOUR FUCKING YEARS. Four fucking YEARS!! ACTUAL FUCKING YEARS. He just didn't think it was relevant, I guess?!!? So instead he just stalked them with his camera and took cool pics. So many pics. So, so many pics. And he skateboards.
Also he and Kon fucking could NOT stand each other at first because Kon was used to being a solo act and didn't want to answer to anyone else and Tim lacked the ability to convince him to listen to him and they just had VERY different personalities and priorities, and also for a little while in there Match was fucking shit up by pretending to BE Kon, and frankly it's a fucking miracle Tim and Kon didn't kill each other before they ever got to be Titans together, the way they totally failed to get along for the first YJ run.
Seriously, I think they actually had a literal fucking fistfight on Apokolips once, I think that ACTUALLY happened. In the middle of a literal WAR that happened. Tim. Tim, you KNOW better, buddy.
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ordinaryschmuck · 3 months
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David Zaslav is on the phone as he enters his office.
David: It's nothing personal, it's just business. But don't worry, once another buyer offers eighty million, you'll have your property back. Okay? Okay. Goodbye, Mom. Love you.
He hangs up and notices a package left on his desk.
David: Huh. That's peculiar.
He walks over and sees that it's addressed to him. With a shrug, he opens it up.
*WHACK*!
And gets hits in the face with a springy boxing glove.
***
A burlap sack is ripped off David's head. He looks around and sees he's in a form of a warehouse, with the only light being the shining above him. In the shadows, he hears a crunch of somekind.
???: Eh, *tsk-tsk* What's up, Doc?
Out from the shadows comes Bugs Bunny, Daffy Duck, Porky Pig, Yosemite Sam, and even Foghorn Leghorn. They do NOT look happy.
David: Who...Who ARE you? WHAT are you?
Sam: OOOOOOOOOOOH!
He pulls out his guns.
Sam: Now I KNOW y'all didn't just say that you--
Bugs waves a hand in front of Sam.
Bugs: It's okay, Sammy Boy. Can't blame da poor, dumb, foolish suckah. (To David) Do ya know who Mickey Mouse is, Doc?
David: Is...that who you are?
Daffy: Doeth he look like a MOUTHE, you buffoon?!
Bugs: Daf. (To David) Mickey's the mascot of Disney, YOUR competitor. Fer bettah or woise, he represents da company. And to dis day is the backbone dat made Disney what it is. As for me and my compatriots, dat's who WE are for Warner Brudders.
David: I-I'm the CEO of Warner Brothers DISCOVERY.
Foghorn: Which is, I say, which is the result of merging with WARNER BROTHERS, ya dumb pig! No offense, Pork.
Porky: N-N-No-No-No offense taken.
Bugs: (To David) Ya see, Doc, we're da Looney Tunes. Bugs Bunny, Daffy Duck, Porky Pig, Foghorn Leghorn, and Yosemite Sam. Ya see, while Walter was makin' the mouse dat would rule the world wid a goofy cartoon mouse that entertained the kiddies, we's was making some CLASS. Cartoons dat dee adults AND kids could appreciate, wid witty dialogue and cartoonish slapstick. Me and Daf, here? We made bank off a short where we discussed who got shot by Elmer Fudd, where da joke was ALWAYS Daffy getting hit.
Daffy: Took a lot of shotth to make that comedy gold. LIterally.
Bugs: And it worked. Wid a poifect simple premise dat people always remember, wid people going "Wabbit Season, Duck Season" to dis day. Dat's who we are, Doc...And ya messed it all up.
Sam: Ya messed with the WRONG pardners, Davie!
David: H-How? How did I mess with you?!
Bugs: Hey, don't feel too bad. Warner Brudders' have been messing wid us for years, but we always took it on the chin. Dey want us to do TWO basketball movies? Dey want us to get rid of Pepe Le Pew? Why not. He stunk anyway and we wanted him out for years. Dey want our iconic image for an animated sitcom? We did it. 'Cause we're da Looney Tunes. We can sell ANYTHING.
Porky: I-I-I actually l-l-li-lo-li-lo--Really enjoyed the sitcom.
Bugs: Okay, it can be argued dat da sitcom is criminally underrated, but dat's besides the point. What I'm getting at is dat we're willing ta sell anything just as long as we get some of dat green ourselves. But ya made a mistake, Doc. Ya see, you went after one of our own.
He makes a "come here" gesture, and both Wile E. Coyote and the Road Runner come out from the shadows as well, with Road Runner comforting the Coyote.
Bugs: Pepe Le Pew is one thing. We understand that his sense of humor doesn't fit well wid dis day and age. But Wile? Oh brudder, why did ya have to mess wid him?
David: What did I do to him?!
Bugs: Coyote Vs. ACME. Ringin' any bells?
David: That...movie no one wants to buy?
Bugs: A movie ya overselled for a quick buck. A movie dat people worked night and day on. A movie written by James Gunn, yer golden boy who you have fixin' yer DC franchise.
Foghorn: Which is, I say, which is a whole DIFFERENT can a worms.
Bugs, ignoring him: A movie dat stars our very own Wile E. Coyote. A character who's toons and silly antics are timeless and, I'll admit, makes bank better than me. Wit no dialogue, just expressions and goofy signs, him and da Road Runner are characters where the possibility is limited by da power of imagination. And a movie where he sues ACME over their failed gadgets? Well, I'd watch that. Wouldn't you, boys?
The others all murmur in agreement.
David: Well, it might not make a profit--
Bug: Space Jam 2 made TWICE of what yer trying ta sell Wile's movie for. Ya would think that a man desperate to make money would release a film featuring their most iconic brand to get him MORE money. But, no, that's what a GOOD business man would do.
David: Please! I-It wasn't anything personal! I didn't even WATCH the movie!
The Tunes all stare at him.
Bugs: ...Ya didn't WATCH it?
David: N-No?
Bugs: You were willing to sell, shelve, and even DELETE a movie from existence because ya don't think it won't make a profit. Except ya nevah THOUGHT ta watch it yerself and make yer judgment?
David: ...Running a business is REALLY hard--
Bugs: You MAROON. You marooniest maroon that's ever marooned. I can't even comprehend how not only did you get yer job but how ya STILL have a job despite all da STOOPID decisions you've made in--How long has he been in charge?
Porky: A-A-A--Nearly t-two years, boss.
Bugs: TWO YEARS. Ya've been in charge for TWO YEARS and managed to cost da studio so much money that ya could compare it to da GREAT DEPRESSION! If Disney loses dat money, dey can make it back wid anothah Marvel movie or a live action remake of Moana! WE ain't Disney, Doc! We need every dime we get and we're losin' it because a YOU!
David: ...
Bugs: Honestly, we was initially thinkin' a beatin' the snot out a yous and leaking da movie to da public. But now? Woof. NOW I know yer as dumb as an animal. And an animal needs to be treated as an animal.
He pulls out a dog whistle and gives it a blow. Within seconds, a small, brown tornado bursts through a wall in the warehouse and zooms over to the group, stopping its spin to reveal The Tasmanian Devil.
Bugs: Have ya heard of the Tasmanian Devil, David? Who am I kidding, of COURSE ya haven't. Well, let's just say that he'd be happy to meet you.
Taz looks at David, licks his lips, and starts jumping for joy as he heads over to him.
David: No. No! NOOOOOOOOOOOO--
***
David stands before a press conference, clothes torn up and his body bandaged.
David: I am now announcing that I'm stepping down as CEO of Warner Brothers Discovery...And as my last act, I will release Coyote Vs. ACME to the public.
Reporter: And are you going to release Batgirl too?
David: Well, no, that movie's unreleasable--
A batarang lands in front of him.
David: ...Batgirl and Coyote Vs. ACME. Both coming soon...to a theater or streaming service near you.
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aishnico · 8 months
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#𝘿𝘼𝙑𝙀 𝙂𝙍𝙊𝙃𝙇: 𝘺𝘰𝘶 𝘵𝘸𝘰 𝘢𝘳𝘦 𝘮𝘺 𝘩𝘰𝘮𝘦
» summary: after an exhausting day, you felt like all heavy lifts were leaving your body when you saw your husband and daughter together playing
» word count: 1.3k
» warnings: none, just pure fluff, a little bit of nsfw content, lord of the rings content, grammar issues
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there's nothing like coming home to your beloved ones after an exhausting day. and your heart melted when you saw your husband and your daughter playing one of the most iconic scenes of 'return of the king', where eowyn kills the lord of the nazgul.
when dave came back from the tour, your daughter clung to him like there was no tomorrow, and she refused to let him move at the moment. she was kind of offended by him because according to her, he was gone for too long. he promised to spend a lot of time both with her and you. so here we are, watching their little play. and you decided to watch them silently.
dave was approaching a toy horse with a large dragon plush between his legs. you couldn't help but chuckle at the sight. he was wearing a silver colored helmet which was made from cardboard with thorns. at the area where his eyes and mouth were colored in black. meanwhile, your daughter was wearing a simple silver helmet, only her eyes could be seen. which is also made from cardboard. your daughter then stood in front of her horse with her sword. "i will kill you if you touch him!" she hissed at him.
"do not come between a nazgul and his prey..." he spoke with a deep raspy voice. he then shoved his dragon quickly towards her. but she was fast enough to hit its head with her sword. he then fell to the ground, and she grabbed her cardboard shield. after he shot a glance at her he got up. swinging his morning star it was a plastic black ball with little thorns on it, and was tied with a rope while walking towards her. he quickly started to swing it towards her carefully, he didn't want to harm her, even slightly and make squeak noises. he hit her shield and it fell on the floor.
she was on the ground now, looking frightened. "you fool, no man could kill me." he said before holding her throat, not squeezing it. suddenly, you found a little sword on floor and after grabbing it you slightly hit your husband's back.
Your daughter (completely unbothered when you joined them) got up and took out her helmet, revealing her long, brown hair. "i am no man." she said before hitting his head slightly. he let out a squeak again and fell to the floor. she then approached you. "mommy, you saved me!" she ran up to you and hugged you tightly. you couldn't help but smile and kiss her cheek. "and you, saved thousands of soldiers by killing him!"
"i want a kiss too!" you heard your husband's whine when he took off his helmet. looking at him sweetly while he gets behind you and hugs you two, squeezing tightly. "daddy, can't breathe!" she whined.
"i'll let you go if you'll draw the little play of ours." "fine!" she replied and rushed to upstairs.
"careful there!" you shouted at her. you were now trapped between your husband's arms. tucking your hair strands behind your ear, kissing your forehead. "welcome home, sweetheart." you felt him smile on your head.
"even if i saw you just this morning, i already missed you all." you murmured while burying your head in his chest.
"i prepared a bath for you, go and relax there. after that, we can eat the meal together. she got hungry so she couldn't wait for you. i cooked your favourite, she helped me too!"
"oh dave..." you swore your eyes teared up. "i... love you so much. thank you."
"shh, no need to thank. go and relax now." he gently pushed you before giving you a peck.
you went upstairs and before you entered the bathroom, you peeked in your daughter's room. she was lying on her stomach and drawing what dave had asked her while swinging her legs. you were sure you were all going to watch a cartoon in the living room all night.
you entered the bathroom. after stripping, you entered in hot water. a relaxed sound leaving your mouth. soon you felt like your eyes were going to shut and you couldn't resist anymore.
you heard a knock on the door. you sat properly and waiting for a voice.
"babe? are you alright there?" you heard your husband's worried voice.
"uh, yeah." you responded, but you knew it didn't convince him. "if you don't mind, can you open the door?" he asked. you got up and unlocked the door, not minding to cover your body. not like he hasn't ever seen it.
"let me wash your hair and back." you smiled at him. "thank you babe, but you've already done such things. i'll be at the kitchen after like 10 minutes."
"babe, if you think you're acting like a child or a burden to me, just know you absolutely aren't. i'm willing to help you even in the simplest things." he stated. smiling to you genuinely.
"well then, i wouldn't mind if someone washed my hair." you answered to him while entering the tub again. he sat behind you. grabbing your shampoo and pouring a little on his palm. then rubbing and massaging slowly around your head. You swore a heavy lift was leaving your body. You just enjoyed the moment by relaxing under his touch.
"feeling good honey?" he asked you. you hummed at his question. "you're so good with your hands, baby." "oh yeah? what else i'm good at with my hands?" he chuckled. "hm, playing guitar, cooking?" you answered. "hm, what else ?" you suddenly understood what he meant. "david!" you raised your voice to him and he just laughed. "i'm joking babe!"
soon after you got clean and after drying yourself you were eating the food that was made by your husband and daughter. (you were sure your daughter insisted on adding more salt because she thought it was better) he wanted to talk about your day. but you said it was tough and not even worth talking about. so he was talking about funny memories that he hasn't told you yet from tour. you held yourself from not laughing while the food was inside your mouth. but your eyes got filled because of it.
after finishing the food, he helped you to wash the dishes. he sang you a new song he wrote a couple of days ago. you shared your opinions about it, telling him it would be better if he changed couple of words. but you didn't forget to praise his voice.
you three were lying on the couch now, watching some cartoon you'd find on TV. you were lying your head in your husband's chest while he laid his on yours. whispering sweet nothings to him quietly while he rubs his hand on your waist. his other hand was around your daughter's waist. she already fell asleep. also forgot to show you the drawing she made.
you carefully sat on his lap, wrapping your arms between his neck. and smooching his face with kisses. he couldn't stop giggling. he looked at his peacefully sleeping daughter. he gently pushed her away a little. wrapping both of his hands on your waist.
"you know, i'm so lucky to have both of you." you started. finally resting your head on his shoulder. "i don't, no... i can't even imagine my life without you. you both are my strength, you both are the reason i want to wake up every day. i love you, you can't even imagine it. thank you dave, for everything."
he looked at you confused. "why are you talking like you're leaving or dying? we are not going anywhere." he paused. "well, i may go often but i still come back home to you. you two are my home, and i don't want it to change even if a little bit. i'm willing to do everything to make you both happy. i love you sweetheart." he paused again to pat his daughter's head gently. "i love you too, my little heroine."
soon after, you two fell asleep in each other's embrace.
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cleolinda · 18 days
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Weekend links, April 7, 2024
My posts
This week feels like it has been a hundred years long (not in a bad way). 
Somehow we joined together to balance the seesaw just right so Ava Gardner and Jean Seberg could both go through in the Hot Vintage Lady polls (percentages rounded). Like, I’m wearing the Ava jersey and even I encouraged people to vote Jean when necessary. Honestly, I just wanted to see if it could be done. And it COULD. 
Round three has begun. It is already horrific. This is the first round that’s really going to hurt because we spent the last one really getting down in the dirt and championing our ladies, or learning about actresses we’d never heard of before and getting attached to them. And now? We are reminded: memento mori. Everyone loses but one. 
(I personally pitched in for Sara Montiel. “BUT JUST LOOK AT--” Yeah, I did, thanks.)
Reblogs of interest
April Fool’s Day: You were here for the Boopening, yes? The whole thing was that you only got badges for giving boops, not receiving them, which is a great way to not reward popularity contests, but also means that every last one of us was out here trying to figure out who to bap with a cat’s paw 1000 times. I said, listen, my notifications are already trash garbage today. I’ll take the bullet. Boop at will.
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The Activity graph isn’t too clear on this point, but it looks like I had something like 65,000--hits? engagements? boops?--that day. Listen, I got the black paw badge too. We all did what we had to do in the Boopening. 
A Shakespearean boop of goodly length: “And, Meowntague, come you this afternoon, to know our further pleasure in this case, to old Food-bowl, our common judgment-place.” 
I had to go lie down awhile after a pun like “The Purrge.”
--
I had just gotten up from that pun and then I had to go lie down again.
Account security gothic
The Canada griffin
Dinotopia nostalgia
Two pairs of spectacles, one made from slices of emerald, and the other from slices of diamond
An old favorite: Cerberus as a puppy, guarding the gates to heck
I feel like these two posts have the same energy: Time cops will not let you travel back to the Titanic and bloodthirsty gazebos are currently in a dormancy period.
The birds are still troubled
PSA: The best sunscreens for your face
Video
A collection of various American Indian/indigenous American languages, including Navajo, Tlingit, Lakota, Colville Okanagan Salish, Cherokee, Yucatec Maya, Greenlandic, Mohawk, Yup'ik, and Mi'kmawi'simk. 
A trans health-and-wellness fundraiser (Mercury Stardust, Point of Pride, and friends) kept getting banned off Tiktok due to assholes. Here’s how to donate; I saw a few “here’s how they helped me” notes, so it seems like these programs are both legit and effective. 
You think you’re going to sit staring at this video because Chocolate Guy is weaving chocolate. Then you get into it, and it just keeps going.
“Too Sweet” is doing hilariously well on the charts for a song that didn’t even make the album proper. Hozier’s bees would like to thank you for your support.
I know I said that Stevie Nicks would make you sing backup on your own haunting, but late in this 1997 live performance of “Silver Springs,” she makes Lindsey Buckingham, the man she wrote this song about, look her in the eye while she belts it at him. This specific performance was released as a single (I was there, Gandalf) and nominated for a Grammy. Watch the video and you will see why.
The Women Those ‘Evolution Of Beauty’ Videos Leave Out
I don’t really know how to describe this rubberhose-style cartoon of Cab Calloway as a singing nightmare clown. Betty Boop is also there. “You just described it!” No, I really didn’t. 
How movable type worked 1000 years ago, from scratch.
Unrestrained seasonal yak fun
A snowy raven photoshoot
The sacred texts
I don’t know how to explain this double Sacred Text about ominous dreams that comes with its own comic, except to say that they’re so iconic that I first saw both posts in lo-res Pinterest screencaps.
April Fool’s: The ultimate sacred text.
Personal tag of the week
Wet beast Wednesday, which had both a headshake stickflip and bears on a swan boat.
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grendelsmilf · 1 year
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How would you give a brief summary of how Amphibia, intentionally or not, exhibits Marxist themes?
could you expand on the marxist allegory in amphibia?? from what I could tell it was your bog standard (no pun intended) "fight the power" cartoon plot. the most marxist adjacent thing I remember is that one hop pop gag, I'm interested to see what I missed
no offense guys, but im kind of amazed that anyone could miss such an unsubtle, crucial theme of the show??? and i really don’t think it’s unintentional. this is the same guy who wrote the episode of gravity falls (“the golf war”) about the exploitation of labor, that included one of the best lines in the show: “but isn’t that cheating?” “pacifica’s rich, mabel, she’s cheating at life.”
the world of amphibia presents us with three distinct classes: the rural workers who are the backbone of society (frogs), the police/military (toads) whose job it is to exploit the workers for the elites (newts) and crack down on any unionization efforts / solidarity movements among them, and the walled-off urban bourgeoisie in newtopia who benefit from the exploitation of the working class and their colonial enterprises. again, this really isn’t subtle!
as the daughter of thai immigrants who own a small business and rely on the support of their local community, anne is able to bridge the diasporic gap between herself and her parents through her experience as a total outsider in wartwood who ultimately builds a strong connection with her community and learns to take pride in her work of making and providing food. conversely, marcy’s role in newtopia parallels her experience as the daughter of upper middle class multiple generation taiwanese americans, thinking that she has fully established herself in this welcoming metropolis due to her hard work and intelligence, only realizing that she is simply another exploited pawn of the ruling class’s imperialist mission once it is too late.
back home, sasha used her whiteness to protect her best friend(s) from racism, as well as knowing exactly how to weaponize her pretty blonde girl privilege to get away with petty crimes such as vandalism and shoplifting, and (misguidedly, imo) assumes that her presence will automatically protect anne from getting in trouble as well. as a toad, sasha learns through her friendships across classes (anne and marcy are frogs and newts, respectively) that solidarity movements beyond the arbitrary class divisions designed to keep them in line while the monarchy profits are the only way to truly resist imperial conquest, that shutting down working class revolutions for the benefit of those imperialists is merely the illusion of having power. her first attempt at overthrowing the monarchy fails because she simply wants to replace the monarch instead of dismantling the system, but it is her resistance movement in which she allies herself with frogs, toads, and newts that she is finally successful in her mission.
yes, hop pop yells “eat the rich!” while dropping a guillotine, but it is his role as a farmer and the pride he takes in his work, his unfailing honesty and humility as a local businessman, the work ethic he instills in his grandchildren, the way he isn’t afraid to stand up against their greedy and exploitative toad mayor, and the way his resistance makes him the face of a revolution so existentially threatening to the toad order that they feel the need to execute him that makes him a marxist icon.
hop pop serves as a contrast to grime, a positive role model who demonstrates the value of honest work (even if anne never particularly takes to farming, she does clearly find value in making food for people, especially as a way for her to share her culture with others). grime on the other hand is a terrible role model for sasha, as he relishes in the privilege he does have through his exploitation of others instead of questioning his role in society and the ways in which he is exploited for the benefit of the empire. sasha is the one who teaches him about the importance of solidarity movements, while he encourages the kind of selfishness, greed, and violence that toads are taught to value.
when marcy meets hop pop, she already has an understanding that farmers are the backbone of society, the relational importance of the natural world, and the significance of community-building and worker solidarity in running a functional society, but she is also duped into overemphasizing her role as a single individual, which becomes her downfall. while she genuinely wants to do good for a world that has helped her, welcomed her, and shown her kindness, she has been taught to place too much faith in her own intellectual capabilities, and it is her mind that becomes exploited– and is used to exploit– for the purposes of the empire. marcy would never want to exploit the working class, colonize and destroy other worlds for their resources, destroy the environment, or use violence to keep people in line, but darcy, who uses her mind and body like a puppet, makes sure she has no say in the matter.
while andrias is the current ruler of amphibia (and mind you, his reign has lasted 1000 years), the core is the final boss to defeat because andrias is merely the figurehead of the empire, while the core represents Empire itself. (again, it’s literally called The Core! it’s not subtle!!!) while many people took issue with the seemingly simplistic way the final fight between the core and the trio went down, you have to remember that it’s ultimately a metaphor about the power of class solidarity against an imperialist legacy that would rather preserve its hollow illusion of greatness than actually serve the people who live there. the core can’t believe that anne would sacrifice the stones, the tool/weapon that allowed them to colonize other worlds in the first place, which they call “amphibia’s greatest treasure,” but anne reminds them (and us) that amphibia’s greatest treasure is not its capacity for power, but the people, the communities that have come together to support her and one another.
amphibia is a show that is fundamentally about change. ultimately, its intersecting discussions of class, race, imperialism, and resistance come to a head in the finale when the importance of embracing change is underscored not only in the personal growth and development of each character, but also in the way its characters (specifically anne) are unafraid to give up everything they know and love for the sake of revolution. make of that what you will.
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failed-inspection · 4 months
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🔥EPIC CLUMP LORE MASTER POST YEEEAAH🔥
Hii Hiii I'm very much in the mood to ramble about my Rain World ocs, so what better way to start off with that than going over the little guy in my icon, behold, Clump!
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Before I explain their deal I should preference by saying that:
1: they have no connections to the Notosverse (THE RW OCverse with Pioneer, Poet, Luminal, and generally the rest of my 100% serious Rain World ocs)
and 2: they started as a jolly co-op joke oc that was NOT meant to be taken seriously at all, but evidently I suck at making 100% joke ocs so whoops, they're now semi serious semi joke and all around all very goofy so please keep that in mind, and 3: uhh yeah
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- Clump is most certainly a purposed organism (obviously), most likely being created some time after the original Spearmaster was sent out during their first mission, but before the pearl was delivered/shortly before the rot happened, however, who created them and *why* is anyone's guess. No one knows, not even Clump. They'd just shrug if asked. But the most common theory is that another iterator saw Spearmaster, thought they looked weird as hell, and attempted to recreate them for themselves
- At one point they probably encountered the original Spearmaster and went along with them to Suns on their way back from the first mission... Suns was rightfully a bit spooked because Where The Hell did they come from and how, Clump ended up going their own way after the start of the second mission however so it wasn't like they ended up living with SM and Suns 😔
- Clump got their name from 'looking like a clump of [The Original Spearmaster's] skin', according to Suns
- they discovered what rot is after encountering The Memory Conflux Garbage Wastes Room, after being chased by a salamander, the both of them ended up falling into the rot pool, while Clump was able to make it out, the salamander was not so lucky, having been dragged down and eaten by the proto rot
- the reasons they give to wanting to cure the rot, according to them, are as follows:
1: They feel that slowly rotting away and being eaten alive is a horrific fate no one deserves, even for a god machine (though they claim to have little attachment to the iterators as individuals despite that, whether or not that truly is the case is a major point of contention, lol. lmao. they're clueless about it but deep down subconsciously they really do care for the iterators due to the lingering sense of familiarity.)
2: the fact that rot is being introduced to the surrounding areas is a major problem, as it puts everything and everyone else in the vicinity in active danger due to how the rot can become mobile and thus able to actively seek out and eat creatures, alongside being hard to kill, plus, who knows what else, what if it turns out to be infectious towards the wildlife as well!?, it's not worth finding out, so better get rid of it all than regret it... Maybe that could save the area or something
3: They want to have a name for themself, recognized as the one to took action when no one else did anything and cured The Rot, maybe even get on the cover of Time Magazine Slugcat Of The Year for doing so
- while their desire to cure the rot does seem to be genuine, if not just a little shallow in some aspects, their ways of trying to do so... Really lack surgical professionalism, it essentially borders on slapstick cartoon logic, they have tried the following in treating the rot: throwing ibuprofen at it, shooting it with a rifle they found, spearing it several times
- if their name followed in game scug titles (The Monk, The Hunter, stuff like that), they'd have 'The Medic' as a title
- They're!!! Stubborn!! They're determined to find a cure and won't take the idea of giving up as a possibility!
- they started wearing their bandana after discovering the rot as a means of defense against it, fun fact, their bandana is made out of the same stuff as the fabric that coats explosive spears, meaning they can wrap it around a spear as like, a one time use way to craft an explosive spear when in a tight spot since rot cysts are weak to explosives
Extremely goofy for a scug? yes but also I am having so much fun and ended up getting attached so oops
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🕸️My thoughts and feelings on Beetlejuice 🪲 (at least for a while)
I know a lot of people probably won't care but I really want to share my thoughts and talk about this character and that's what I'm going to do, There are a lot of thoughts and feelings accumulated inside my head and I need to get them out, it's a little mess but I think it will be fun to read.
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I've had this on my mind for a while, which has finally become one of my biggest, if not the biggest, hyperfocuses for now and I'm going to share a little bit of it now >:)
I really didn't think I would have the courage to post this because I'm not that confident in sharing my things but I CAN'T TAKE THIS GREEN DEMON GHOST MAN OFF MY MIND😫‼️
The beginning of this happened when I was already in another hyperfocus on the character Adam from the series Hazbin hotel on Amazon(I was already a fan since the pilot on YouTube), and then a slight curiosity hit me..."Who is his voice actor?"
So I went looking for who he was and I ended up being so interested in the actor, who is Alex Brightman (I love him a lot by the way and I can't wait to go see the musical and see him in person) and also in the characters he played and voiced, and in particular one of them won my heart.😔🩷
That's exactly what you're thinking, it was Beetlejuice.
For some reason he caught my attention and over time I ended up becoming quite fond of the character, even more so when I remembered that my parents watched the character's film when I was a child, which made me even more eager to research and look for any possible bit of information on the internet that I could find.
AND YES !
I actually achieved a lot and I'm going to share it <3
Firstly, the 1988 film, which was one of the first pieces of information I found about it, after all, it was in it that the character made his debut (apart from the story of its creator Tim Burton). And I know Beetlejuice is a pervert in this movie, but I try to ignore that and try to just look at the good side of him being a good character.
Secondly, and I think this is what caught my attention the most, is the cartoon of 1989 with the same name as the character called Beetlejuice where the character acted as the protagonist alongside Lidya (In this one there's nothing about him wanting to force her to marry him like in the movie, it's just a cartoon of them having a good friendship and being best friends).
And man, the way I was happy when found out that the cartoon had 4 seasons and about 68 episodes, I was almost like that kitten TikTok meme ✨ HAPPY HAPPY HAPPY ✨
Like, wow, a source of potential Gifs, icons, dividers, photos, edits, there was so much I could do that I didn't even know where to start because of all the hustle and bustle and animation I had (And of course I spent the next few weeks pestering my friends about it during class with every little bit of information I found🤓👆).
At the moment I'm trying to look for a website that has all the episodes together or just some, but so far I've only been able to find them on old DVDs. When I can find a website I will gather all the links and post them, so that more people can watch.
And one of the best parts...I FOUND A WHOLE COLLECTION OF 🩷VALENTINES' DAY CARDS🩷 and I'll probably make another post later to post all of them or at least their links, they're all official. This made me even more excited because I love all that romantic and cute aesthetic of the Valentine's Day season, hearts, red and pink decorations, heart-shaped candy boxes, love letters, Decorated store windows, stuffed animals, I just love everything (even though I don't have a valentine, and I don't want to🙃).
To give you an idea of how focused I was on this little green-haired corpse demon ghost man, everywhere I have the opportunity I make doodles or drawings of him all over the places, walls, notebooks, tests, napkins, classroom board, and in my sketchbook, in which I'm making an entire page dedicated just to him and Lidya, which maybe later I'll post too. Even more so after I managed to find several official reference sheets from the studio that designed and animated the cartoon, so now the drawings will be much better.💋
There is so much information that I managed to find that I am having to organize my thoughts because unfortunately I am very agitated and anything takes my focus easily, but as soon as I can really focus on that, it feels like I'm somewhere else.
But now talking about the Broadway musical, (which as said before has my beloved Alex Brightman as the main actor), I've always liked the idea of musicals, and even more so when his story is about my favorite character, and speaking of musicals, I REALLY WAS OBSESSED WITH THE SONG "SAY MY NAME" 😫🩷
And oh boy, I spend almost all day singing it or with it resonating in my mind, whenever I read, write, draw or do anything to do with Beetlejuice, I put on my headphones and listen this song as if it were the greatest masterpiece made in history.
AND I'M SORRY BUT I NEED TO SHARE THIS SONG WITH YOU GUYS
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Leaving the character a little, and going to the actor...he is simply the SWEETEST AND CUTEST MAN I'VE EVER SEEN!!
After I discovered that he voiced the characters that I like most in the Hazbin Hotel fandom and played the character that I like so much, I developed a huge affection for him, not just for his work, but because he is so sweet, fun and funny that I can't help but love everything and everything I find about this man online.
Alex Brightman bringing the character Beetlejuice to life and voicing Adam, Fizzarolli and Sir Pentious
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That's it for now ,folks, that's all I have stuck in my mind for now or at least what I can remember
I apologize if this isn't so good, I'm writing this while I'm at school at 7am after waking up at 5am while my body is sore after a presentation.
So, thank you for reading 💞
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reyggtv · 9 days
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I LOVE JOHANNA
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Guys. I have to admit. I love Johanna. Johanna is THE perfect mother of all mothers in all of cartoon history. Why? First of all, most of her time was spent on raising one kid and one kid only because dumb ANDERS thinks that he can just get away with all of his problems including child support, and despite all of that, the fact is Johanna loves and supports Hilda more than anything. She is and WAS willing to give up EVERYTHING just so her own daughter could live a better and longer life. Two, she is an excellent graphic and art designer!! Her designs are truly iconic in the Trolberg architecture, even if that meant nearly having her soul taken away in the Tide Mice episode. She is a talented woman who absolutely deserves more recognition for her work. Three, SHE MAKES THE BEST CUCUMEBR SANDWICHES!!! How can you go wrong with Johanna's cucumber sandwiches?!?! I mean seriously, what other cucumber sandwiches have you tried before that could even remotely compare to the level of quality and perfection that is Johanna's delicious cucumber sandwiches. If you don't know how to make them, the recipe is in the Hilda's Sparrow Scout Badge Guide book, though honestly I would highly recommend reaching to Johanna and asking her to make you a cucumber sandwich herself, it’s is the definitive way to eat her cucumber sandwiches. And finally number four, SHE IS SO PRETTY LIKE OHMAYGAWD 😍😍❤️❤️ JOHANNA IS LITERALLY THEEEE MOST PRETTIEST WOMAN ON THE PLANET‼️‼️ I have a feeling that when they were choosing a voice actress for her, they wanted to have someone in mind who had the richest, soothing, and relaxing mother voice in the world and I think that Daisy Haggard voicing her was the best decision the Hilda team could have ever made. Not to mention her beautiful hair style and smile, Anders was fucking stupid for trying to leave her in the first place, but now I wish he wasn’t with us at all because I really really would like to date her now so can someone at Netflix please remove Anders out of the new season so I can be in it instead please? Thank you.
Anyways in conclusion, Johanna is the not only the best mother in the world, she's the best art designer, cucumber sandwich maker, store clerk, and everything in between as well as being the best looking woman in all of cartoon history don't debate me on that I don't care nothing is better than her unless maybe Bandit Heeler from Bluey thank you for coming to my TED talk.
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octavianstar · 1 year
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MC Concepts?
ok, so even before the Au I had in mind, I had a couple of ideas upon what would MC would be like or based upon the character and even had some weird plot idea a few years back.
So let's begin upon the first idea concept, the first idea upon how I would imagine Mc in the AU (or even in the main thing) would be of a familiar someone that would kinda makes sense in context, a Disney character rather so underrated that he's rarely seen in Disney.
That is being, this guy...
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Basically from what I know at least I haven't seen anyone making a MC or a Oc version of him since there were rather easy clues in Twisted Wonderland that had some deja vu in Epic Mickey (blots, Mickey from the other side of the mirror, rarely has much interractions, and some more evidence that I'll add later) and I would want to have Oswald to have some light and popularity again, even if it's just a minor thing since I had found out he was cancelled out of the content for a kingdom hearts game.
And I would also think it would particularly work since of this rather particularly scenes in Epic Mickey comparison to Twisted Wonderland.
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Notice how in Twisted Wonderland, Mickey looks like from the old cartoon of his and not his iconic one.
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The image you seen in Twisted Wonderland is not only a reference to a Mickey Short "Thru the Mirror", but also the beginning scene to the Epic Mickey game. And with some evidence I had mentioned, it would mainly make sense there would be referencing to the actual game, but few things particularly had me questioned. What about Oswald? What ever happened to him?
So upon theory that MC can secretly Is a Twst Oswald (even if it's not canon sadly, at least in a headcannon) who needed to fix something that Mickey could not (or is trying to do but failing). Of Why Crowley would particularly needed MC to begin with despite with the possible pretending he's making of him trying to send them home and meeting them for the first time, believing it was another student. Or Rather in Chapter Seven..
Before we continue, I suggest that you may want to move past down or don't read this part cause it has some contain spoilers of part 2. Just know, SPOILERS AHEAD!
. . .
Are we good..? ..good!
Anyways, or like in Chapter Seven of where Malleus had said "You will all become the protagonist of this fairytale" after he overblotted and cast everyone, even Yuu/MC to sleep/kidnap them in thorns? Likely how Maleficint comes to Philip's prison cell to taunt him of how he's the valiant hero of a fairytale come true. And I would think upon the theory MC's dreams would be either similar to Oswald's or what would had it been like if Oswald was still with Disney/Mickey never exist, of what shorts and movies that Mickey made would become Oswald's instead.
And perhaps then, maybe, Mickey might have been the one to take Oswald's place. Of where everyone knows and loves Oswald and Mickey became a forgotten toon just like many others.
To have the dream that Oswald never had achieved because of what happened between Universal and Disney years ago that he cannot easily control. That he was once happy before he was then ripped away from Disney's arms. Just like in this video.
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(Thinking about it, it's almost a similar backstory to Lotso's from Toy Story 3 but didn't turn evil)
Actually speaking of which, from what I also remember Oswald was supposed to be in the antagonist in the original Epic Mickey game thanks to some concept art of it. Which they had a plan but decided to scrap most of the main idea of him being the villain but would still act a bit mean and jealous over Mickey since he was replaced by him and both Mickey and Oswald technically didn't know each other at the beginning until both warmed up for each other. Despite his flaws, he's still a good person that is helping around the forgotten toons to have a place they feel belonged and is rather devastated after loosing Ortensia to The Blot after sending it away.
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Which there is a potential chance that this would be a Overblot version of MC/Yuu if pushed comes to shove.
But thinking throughout upon Twisted Wonderland, Yuu/MC becomes cleared and clever throughout the other chapters of how to attempt to stop the "villian" and save the day though luck and planning. Not to mention in part 1 of chapter seven, Yuu/MC immediately recognized who Maleficint was and headed to the plaza where her statue was where Yuu/MC would be both conflicted upon their dream but also finding clues how to try and prevent another overblot. of course Yuu/MC would have some antagonistics upon them of where they had been stressed and almost died mutiple times (or more likely wanting to kill their/her/his friends after many stupid shenanigans they dragged them in or Crowley gaslights them so he wouldn't be the one in trouble. This is why we prefer Mr. Crewel as a father figure, Crowley.)
Ok..hopefully with Concept idea #1 out of the way, here's Concept idea #2.
So for the other concept of mine is Mc/Yuu being another Disney Character but this time in a obviously well known movie you all probably would know or already watched Encanto. That MC/Yuu being a Twst Mirabel.
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Hopefully this will be a lot shorter but I'll try my best to clear some things out. To not be confused, the concept idea is Yuu/MC being twst Mirabel, not Yuu/MC being a part of the Madrigals or Mirabel in Twisted Wonderland thought I like the concept upon those ideas since they were creative.
So upon context that I would believe that Mirabel wanted to belong in the Family Madrigal despite her having no gift and how some of her family members (Mainly Alma and Isabela) sees her as a sort of outcast of the family like her uncle, Bruno, who's painted as the villain but is actually a nice guy. When she suddenly sees the cracks from the house, she's trying to find answers of what is happening and how to save the Miracle. Going onto a adventure and talking to the other family members in hope of any information, luckily thanks to Luisa, she finds out that there was a vision that Bruno left behind that of her having two possible outcomes, either her destroying or saving Casita. That the reason why Bruno left because he wanted to protect her from making Mirabel having more of a worse outcome than it already is with her. Soon Mirabel and Bruno found a way to help the candle by hugging her sister, Isabela which at first doesn't want to and thinks it's pointless to try but needed to given a chance. Also promising that she will help Bruno come back home. Of course Isabela and Mirabel talk it out, shared a moment, hugged and shown how Isabela was forced to become perfect in the daily based until she realized she didn't needed to be perfect, she needed to be herself.
Every seemed fine until Alma came and blames on Mirabel for Bruno leaving, Isabela out of control, the cracks from the house, Luisa losing magic, having no gift when she was litterally five years old person and basically saying that Mirabel is the one who is hurting this family, concidering that she wasn't apart of this family to begin with. Mirabel rightfully lashes out of how neither of the family wouldn't be good enough to Alma's standards and how Alma is the reason why the magic was dying to begin with because of her fear and standards pushed to far upon the family that without their gifts, they are nothing because she expected perfection of everyone and leaving Mirabel out of it as if she's never considered as family. Soon the Cracks got worse, house got destroyed and Mirabel runs off where the others are looking for her. And Alma confronts Mirabel who's apologizing but Alma sits by her, admitting her faults and her actual story, knowing now that it is her fault and Mirabel becomes to understand and forgives her, they hug out and returned home with Bruno to fix the house and having the family repairing, the magic returns with everyone in the family included. (Minor Critique that I would think Mirabel wouldn't completely forgive Alma, but would need a bit of time to forgive her but still does understand like in the deleted scene without the mom dying but I would think in time she and Bruno would eventually forgive Alma. But i think the reason they forgive her immediately or didn't question about it because it's Disney and wanted everyone to have a happy ending and it was almost over.)
While Yuu/MC is isekaied into another world filled with magic, who is magicless and must solve and stop the incidents and overblots that are happening to NRC. Having to involve/dragged themself/herself/himself into this scenarios of life and death from the overblots, some bullying that had been into or had gotten into with either the dormleaders or dorm students, Crowley gaslighting, neglect and blackmail, and which would eventually lead them into PTSD after the shit they had been through and eventually needed a therapist of their own, but does and can relate through the people that Yuu/MC are close to and to learn upon their mistakes to make up what they have done while trying to find a way back home.
of course some of it's similarities between Yuu/MC and Mirabel that both are magicless, needing some therapy and is helping people getting through their problems and their mistakes to become a better person. And I would especially think we would need to get Yuu/MC's Backstory since the Manga's MCs/Yuus are different each time (most likely) and I would think Yuu/MC having a very similar scenerio with Mirabel would probably be a compelling way of a backstory since both with Mirabel and Oswald are overlooked and wanted to be belonged, showing them that they got what it takes to be a somebody to them.
Though of course both of them are vastly different but I would think either of them might work for at least my version (Either Aus or headcannon) of Yuu/MC, regardless of what gender or race they are.
And now, hopefully for the most rather weird plot/backstory idea of what I would think could be interesting but not exactly sure due to how unsure how it's going to work since it would work for another Au where Twisted Wonderland is in a more Fantasy Era.
So to Kinda keep it short as possible, Yuu/MC is cursed by a unfamiliar source that endangers both their/her/his home and Twisted Wonderland where they are "the outcast" upon their family and noticed something was going on due to a black marking on their hand, like a cut that's dripping down a drop of black ink mixed with blood, having the cracks seen as a sign of danger. They talked to their/her/his family to see what's going on, realizing some of them knew about something that they won't tell Yuu/MC.
Eventually some disaster insurance after finding a mysterious spell book, glowing green-glass shards and paintbrush and eventually Yuu/MC in a angered state decided if their/her/his family won't tell them/her/him about the mysterious curse, they'll have to find out themself.
As they were just about to leave their home, they spotted something from the distance that calls to them to follow. They do, leading upto where they see the very thing falling into a rabbit hole that looks like a very deep well. They fell into the well's water before a few spects of magic began surrounding them as they became a shooting star before suddenly falling down to Twisted Wonderland, or at least the gateway towards it.
They are tested to pass through the gate and succeeded, Confronting either some of the RSA or NRC students in the Fantasy AU where they believe Yuu/ MC is the powerful magician that was gifted upon one of the most powerful artifacts that along with it's guardian was lost centuries ago along with the one whom had possessed the very two rare artifacts.
The mysterious spellbook is not only a book full of almost every spell but actually a storybook of all Disney Characters posing a sort of prophecies coming to life into an alternate retelling that can change fate, ending, and how they became to be, that being called The Book of Legacies, and with the Paintbrush of Imaginations, it can create living beings, pathways to worlds, even items that seemed to be lost.
The second being a candle that granted a miracle that can provide or in case help the adventurer upon what they would need to set things right and save the day. And to prove whom is worthy and whom is not, or more likely who can be redeemed and who cannot.
There will be more Lore with the Book and the Candle upon the Pomfiore Arc, which it would possibility merged with the Glorious Mascarade event.
However when the students and Yuu/MC opens the Book to Ambrose the Wizard, (Since he's possibly Merlin from the Sword and the Stone). Where they shown of a story of how their/his/her ancestor who was a student of the eldest sorceror (Yen-Sid) who lives upon the farthest star, the second star to the right, whom locks away a powerful god that was cursed away, never dared to be freed for he's the eternal ruler of evil that brings death and destruction to all, (That being Chernobog from Fantasia)
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However Yuu/MC told them that they're/She's/He's not their ancestor and ended up there by accident because they follow something glowing from the distance and showed the marking that they had on their hand. Of course most of them were surprised, afraid and shocked of the very marking.
For it was a marking of a dark prophecy, a curse that would come to Twisted Wonderland and release Chernobog with the Seven Crystals of Darkness alongside "the Great Seven" returning back from the dead and would receive their "gracious gift" to whomever is the one who's with/brings the Cursed Chosen to it's destination and release him from his eternal cage upon the highest mountain. And in order for them find out how to break the cursed is to find their family member that too was in Twisted Wonderland years ago but had been captured into a far kingdom where no one could have or dare to find them because they were the only one who knows how to break it.
And it is up to Yuu/MC to find clues of where their/his/her family member is and rescue them and hopefully save everyone.
As for the Non-Disney School Au, I would think Yuu is particularly a mix of being Non/Disney that is stuck in a world of magic. They would be tricked into staying their for a while because they thought the headmistress would understand and be the one to promise their way back home. Or at least that's the jift of things.
But like I said these are just some concepts of my version of MC/Yuu and probably can eventually figure out the full version of it. But I did not expected to be this long than I wanted to be. So I'm very sorry if it's already too confusing as much but hopefully, hopefully we might have a more clear viewing upon the Au. Of course I'm still looking up a few Non Disney movies to intell and I know I'll add DreamWorks in it, but if you want to tell me any other non disney villians that I can see added in (besides DreamWorks since it's more likely going to be added in). Let me know, but remember it has to be a animated film that isn't Disney so sadly no live-action ones. Until then, hope you guys have a very lucky day! (And hopefully some images/videos pop up normally and not randomly missing, but if somethings up in this post, let me know.)
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fruitwaterz · 8 months
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What's Up With Jack? - A JFK Clone High Character Analysis Written By a Mentally Unwell Highschool Student
I'm gonna start this essay off with 5 words: JFK is an iconic character. He's not as iconic as…Spongebob, sure, but he is the glue that holds together Clone High as a whole because of his character. I've written an essay on him once, and since then I've always loved him and he was so interesting to analyze. Though, I felt as if I had gotten a few things wrong in that one analysis. So, I'm remaking it. In addition, I'm adding some more stuff and correcting what I've gotten wrong.
We know who JFK is. Not the former US president, the cartoon character. The brute, dumb womanizing jock. The one that's used for comedic relief from time to time. The silly himbo that people have grown to love since 2020.
While Clone High is a very satire show that makes fun of various teen tropes, we get ourselves some very interesting characters like Joan, the shadowy board, etc. So in a way, making this analysis is very silly of me but I'm a Clone High obsessed nerd who relates to some of the characters. Most of all, JFK. I want to highlight some elements that most of the fandom doesn't really dig into that much. Good news for JoanFK and Jfabe fans, I can't infodump without mentioning both of these ships.
This is a JFK Clone High essay, and why I care so fucking much. Contains season 2 spoilers.
LGBTQ: THE SEXUAL MINORITY
To state the obvious, JFK has gay foster dads. Something that you don't see in many other 2000s cartoons. Most people would expect the last thing is for a jock to have same sex foster parents. Jack seeks advice from them. He loves them. However, we do get moments where JFK gets confused about his own sexual orientation at times. For instance, he messes up his words and gets flustered around "John Dark", who is actually Joan. In the end, however, he becomes relieved at the thought of not being attracted to the same sex.
This could either mean that he was "intimidated" by his own sexual orientation, or the fact that he's bisexual in a country that many sexual minorities struggle through– even today. Even if this might be a stretch, this is the 2000s, I must remind you. It was a VERY different time for people who identified with their orientations. Since JFK is so popular in the school, he could've become afraid of ruining his own reputation because he was simply bisexual. So what does he do? He goes to his foster parents for advice.
A lot of people in the world aren't very accepting of people who are queer (hell, people shunned Abe for kissing his friend Gandhi. And while Abe isn't attracted to Gandhi in any way, I feel like this could be a good example).
Let's put ourselves in JFK's shoes for a moment. You'd happen to be a kid growing up in the 80s-90s. You have gay foster parents. You'd get made fun of for having gay parents. I think that at some point during Jack's childhood, he was probably ridiculed for having parents of the same sex. It's possible.
His Personality, His Reputation, And His Feelings
JFK loves receiving praise. He pulls constantly, he's the captain of the football team, and he likes making himself look nice. But it's very obvious that he hides his feelings, he wants to make himself look tough SO much that he's almost forgotten the one thing: It's okay to feel human emotions. JFK has mentioned before that the only girl who ever gave him feelings (before Joan came in) was Cleo– and even if she did, the two were in a toxic relationship. They argued with each other constantly, they put each other down.
This could suggest that he's only ever felt way too empty when he was around with other girls, so Cleo coming into his life brought a little color into his world. Just…not for long. He has a deep fear of breaking up with Joan and losing her, because he has abandonment issues. Yes, JFK, the asshole jock, has abandonment issues, and it's been right in front of our eyes. He himself demonstrates a genuine fear of losing someone close to us.
Now to talk about one of my favorite episodes where JFK gets some character development. Litter Kills: Litterally. If you don't know the premise of this episode, JFK loses his best friend, Ponce, due to him being killed by litter. And. That's pretty much it, everyone go home
Seriously though, while the episode itself is pretty stupid and hilarious, it also remains one of the emotional Clone High episodes. When Ponce dies, JFK is devastated, clearly. He lost one of his only best friends, and as the funeral for Ponce went on, JFK didn't care about his reputation, he didn't care how insane he looked to everyone, he only wanted to be with his friend. But even in the current situation he was in, JFK first refused to be comforted by Abe. This is also the moment of one of the first ever times he ever felt a warm embrace. And by his enemy, of all people.
Towards the end of the episode, we can see that JFK is at least starting to move on.
Now, on to season 2 JFK, I do believe that he had some sort of character growth ever since Joan came into his life, which brings me to number 3:
Loneliness And Insecurities
JFK is noticeably happier when he's with Joan, correct. She's the only person he's ever felt comfortable being with compared to Cleo, whereas the two were in a completely toxic relationship back in season 1.
I want to remind you all that Joan is genuinely the only woman JFK has ever loved, so the thought of breaking up with her makes him…anxious. He has an irrational fear of losing her, same as he lost Cleo (though, the two remained friends). In Anxious Times At Clone High, JFK avoids Joan so she wouldn't break up with him. He runs away from his problems in this episode, to be exact. When he's not with Joan, he is prone to overthinking.
Joan and JFK do share something in common, they both struggle in actually making friends. But in season 2 episode 2, Joan makes friends faster than JFK does. He's spent most of his highschool years being a womanizing stud, that he came to the realization that he actually doesn't have any friends. His only friend was his girlfriend.
So, he resorts to crying in the boys restroom. Which is where we see him become friends with Confucius, as he invites him over to his mansion for a boys night. A very convenient thing that caught my eye was: Confucius also struggles in making friends. So he and JFK also share a thing in common. This is one of the first friends he ever made, mind you.
JFK admits to the fact that he's a "loser with zero friends", after getting absolutely demolished in an internet argument against Topher Bus.
So, JFK is a very insecure person, got it. He insults himself over having no friends. He's afraid of losing someone close to him because he fears he's not good enough for her. He's so scared about the thought of her breaking up with him that it pushes him out of his comfort zone. Though, as the episodes progressed, we do see JFK gaining many other friendships, even becoming friends with his former rival, Abe.
JoanFK (And Why It Didn't Work Out)
I will start off with this section by saying that I do not dislike JoanFK, I personally think they are very cute. They have a great ship dynamic. Goth girl x dumb jock. But, and this is a very lukewarm take: I feel like their break up was fair.
Saved By The Knoll was the breaking point, where in one of the scenes, JFK…cheats on Joan by making out with Harriet. And while they both apologized and admitted it to her, it's still treated as cheating by Joan (however forgives them both in the end).
I believe that JFK letting Joan break up with him in Spring Broken was a very responsible thing to do of him, and he goes on about how Joan needs someone with her that's not just sexually. And JFK…makes a lot of sex jokes. He's not a perfect person. He has flaws in relationships, this includes Joan. Even though it was a pretty emotional scene, and Joan was saddened by JFK's suggestion, they are able to work things out in episode 8, Sexy Ed.
You get where I'm going with this. I personally think that JFK and Joan are better off as friends, they have an excellent platonic duo dynamic that could work out so well. The whole entire relationship thing was doomed to fail, and couldn't last long as a result. And while they both look out for each other and care for each other, I don't think I'm the only one who thought that the relationship was quickly gonna sink like the titanic.
Jfabe (And Why It Does Work Out)
I'm not saying JFK and Abe have to be a romantic couple, like JoanFK, they could also form a cool duo dynamic that we pretty much have little to see so far. I can only hope that in season 3, we could have more moments between them where they're just a powerful brotp.
I'd like to point out that these two are complete opposites; Abe is tall and lanky while JFK is short and buff. I like the thought of the tall loser boyfriend x short jock boyfriend ship dynamic. They both influenced each other's goals, Abe was determined to get Cleo to be with him because JFK was competing against him to also get the girl, and JFK wanted to win the presidential election because Abe was getting himself into danger (as said by Joan). In season 2 episode 10 however, they both agreed to the fact that, "Hey, we actually do great as a team!"
I believe that JFK and Abe could work out things if they were to be in a relationship together, such as JFK learning from his previous break up that he needs to improve. I figured that Abe could be his emotional support. The one who's always there for him, willing to help JFK out whenever he needs it. Just wanted to share my thoughts.
Conclusion
For a satirical highschool comedy, JFK is an interesting antagonist to supporting character despite being the stereotypical highschool bully, and that's probably part of why people like him so much. While they have watered him down a bit in season 2 I couldn't be more grateful that we at least got some more JFK content to work with. He has been rotting my brain asides from the show itself i think i need help . Thanks for sticking around
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destinygoldenstar · 10 months
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Is Screen Time An Issue For A Character?
That’s a tough one.
I see quite a few arguments about some shows I’ve watched that ‘oh, this character is bad because they have too much screen time’. Or ‘I wish this character had more screen time to be interesting.’
Basically, too much screen time is now a valid critique to describe why a character is bad or doesn’t work for you. And to that I say…
Uh… no?
I’ll give some examples where I see this critique, but for now I want to state a case of examples where I expected to see this critique online, but didn’t, and I wondered why.
SPOILERS BELOW FOR THE SPIDERVERSE SEQUEL:
The main character of the Spiderverse movies is Miles Morales. Clear as day if you see ANY promotional concept art. The movies nail that home and give you a solid POV character among the Multiverse chaos.
The sequel begins with an over twenty minute backstory sequence involving Gwen Stacy, a side character in the first movie.
(Fun fact: When me and my dad went to see it in theaters together, he said that backstory was over twenty minutes long and that he thought they could've trimmed it down. Animated-phobia gives you weird opinions. He didn't watch Arcane with me and thought nothing of it because 'it was an animated show'. Not kidding.) (Both of my parents are like this, sadly.)
Now, in the context of the movie, it makes sense to include this to understand the full POV of her character going forward. As she is pretty vital to the story.
I tried imagining a version of the movie where we DIDN'T get this intro, went straight to Miles, and we just had to put the pieces together involving Gwen and her actions. And I don't think the movie would've worked nearly as well.
This brings me to another point involving Gwen Stacy in this movie: She's kind of become a protagonist as well, next to Miles.
Is this screen time theft? Under the screen time critique, it probably would seem that way.
And yet nobody I've seen complains. If anything, this solidified her as one of the best movie adaptations of Gwen Stacy out there. In my opinion.
Unlike the first movie, this one is not driven by the narrative of the main character, but rather multiple.
This is not uncommon. And it's an even bigger case with Arcane.
Yeah, this show is phenomenal everyone who says so is right Jinx is an icon Vi is my cartoon crush next to Petra I was crying so hard at the ending and for that alone this show deserves every ounce of praise it gets and I'm kind of an Arcane stan-
*Inhales*
I think I just have a thing for dystopian stories where characters walk through hell.
(Yes I consider TD a dystopian setting, that'd be a nice hot take to tackle one day.)
The Hunger Games is my favorite dystopian setting that I've seen, just because it's very memorable and inspiring. But Arcane is objectively the best dystopian story out there. If I fade out of my Total Drama obsession, this show might be my next target.
Cupcakes. El fin.
I could stop there, but lets talk about why we're here.
Arcane does not focus on the two main characters only as the driving force of its narrative.
Advertisement tell you that our main characters are the two growing war machines who go around calling each other sisters, Vi and Powder (Jinx. Idk how mad people get for which name I use for her. Sorry if I offend you). In fact, there's evidence to back that up. Other than they're the people with dyed hair, that's instant main character. They're the first characters we meet in the entire show. They're the characters with the final scene that closes off the season. EVERY ending to an act is with them. They're the main characters. Boom.
But wait. Nearly TWO THIRDS of this show doesn't even focus on them!
We have all the Piltover characters we keep switching back to. Jayce, Viktor, Mel, Caitlyn for Act 2 pretty much, Silco kind of becomes his own protagonist in Act 3. Really, the only people who remain consistent side characters are Ekko, and the two boys that get blown to pieces by Powder. And... some other people I'm forgetting the names of. (Sorry, I only had two watch throughs of this show so far and I know nothing about League other than the sisters become enemies.)
Now, why?
Why is this the case? I'm not saying characters other than our mains don't get fleshed out at all, but to the point where they're basically major enough to carry their own show? That SOUNDS like a detriment to the story if anything, especially how unfocused it kind of all gets until the end where everyone's in the same room.
Had Vi or Jinx interact with these characters, their fleshing out makes sense, and you definitely see that with characters like Caitlyn and Silco, who kind of need them to function.
But the Piltover gang? Jinx doesn't meet them at all, neither of the sisters meet Viktor, and Vi does meet Jayce, but in Episode 8 of 9.
Why does nobody complain about this? If anything, these guys are stealing screen time.
Well, it turns out, this is all done in Arcane's benefit, rather than fault. We are all the protagonist of our own story, and there are multiple POVs regarding the world.
It's basically if Hunger Games was third person instead of first, and we actually got a chance to flesh out the other rebels/children.
Me personally, and I know I'm not the only one out there, but the sisters were the most interesting thing about the show, and other characters that talk to them were how they caught my attention. That in no way means I don't care for anyone though, and it's COMPLETELY a PERSONAL thing.
So whenever we DO focus on the sisters and their story, not only do we get these other POVS on the scene that could clash with our view of them, but it makes it so that EVERY. SCENE. MATTERS.
No scene is wasted in fleshing out the sister's story. Everything has a purpose and drives it all to one heartbreaking simulation. There's no wasted space, there's no lack of attention to a certain detail, darn it, it's just right.
(I mean, I guess I would've liked to see what they went through in that time skip, like how Jinx was raised by Silco and processed her new identity, or better yet how tf Vi survived prison when it's heavily implied she beat people to a pulp and got solitary multiple times. But I think Season 2 is gonna cover it.)
Seriously, imagine a version of this show real quick.
Imagine a version of the show that took the Hunger Games approach, and used first person POV on one of the two sisters, doesn't matter which one, they'd both work. Cut out scenes not involving that sister. The other characters that appear revolve around scenes they're in with that sister.
Would that work nearly as well?
I don't think so.
Now First Person POV isn't necessarily a bad thing. Danganronpa is first person. Minecraft Story Mode is first person. Those are probably not great examples, but it can work. (TDDRI, a fic of mine, is first person, and I had to work around that to flesh out everyone else. It can work.)
This show is very hot topic and weirdly paced than what I'm used to. So take everything with a grain of salt as I am nowhere near an expert with this show. The show's story doesn't even get started until Episode 4, as the first three episodes are all flashback to explain where our characters are and why they're motivated to do what they do.
Again, I tried imagining a version of this show where we DIDN'T get those first three episodes, we started with Episode 4, and we just had to ASSUME all the backstory involving the sisters and the titular arcane and put the pieces together through Vi's words and Jinx's hallucinations. I don't think we would have been nearly as invested.
So with these two examples, WHY does nobody complain about screen time involving a character?
Is it because they're just really good pieces of media? Or is there a reason for this?
After all, Spiderverse and Arcane fall under the category of an 'ensemble cast'. A cast of characters in a story where there is no titular main character to drive the narrative, and everyone does instead. It's like if Harry Potter was 'Hogwarts' instead, or some title like that.
But lets take a look at some examples of ensemble casts where there's been a complaint of some sort with screen time:
Total Drama and RWBY.
Now I only like one of these two shows, so I'm gonna put that aside for now.
Total Drama. It has an ensemble cast. The show is about teenagers suffering-I mean competing for a prize, eliminating each other bit by bit as it goes along. Naturally with that setup, early boots are left to dry. But that doesn't stop people from complaining.
Ezekiel gets the most flack for too little screen time, and major fanboys say he should've had more focus. Personally I don't get that based on what role he's deigned to play. Caleb is a more recent example. I thought he was gonna have a bigger role and character than he ended up having, and him being a first boot gag makes even less sense than Zeke. Dawn is a fan favorite who isn't even in that many episodes. Axel is a ripoff of Shawn because of her lack of screen time. Scary Girl is... Scary Girl, who I don't see the fuss about her little screen time as she's comic relief, but the complaint is there. There is SO MUCH bashing about Noah's lack of screen time it is not even funny. So much so that he's sharing screen time with another person.
And who is to blame for this: Well, the characters who make it really far into the game, or course! How dare they steal screen time away from these guys!
I feel like Ripper is the most recent example of this. His character arc was about him breaking a world record. He broke it. It's Episode 5. Now he can leave the show, right-
Nope. He's around till Episode 8. Out of 13. And even then, in Episode 13, he's Millie's partner, which means screen time.
It sounds unjustified because it is. I'm not the biggest Ripper hater, but I definitely see the complaints. (Ripper and Damien swapping places are the only part of the elimination order I would change. Everything else is pretty spot on.)
We already have MK as a pre-merge antagonist and Julia as a post merge antagonist, we don't need this rando bully character as well as it adds nothing. Maybe Ripper would've been better liked if he wasn't a bully and just some morally average comic relief guy, but also... probably not.
But he's not the only fart based character in this show that gets complaints about screen time. Here's where I talk about the first gen.
For what I have seen, the ones with the biggest screen time complaints are Owen, Duncan, and Beth. I don't count Heather cause it's on purpose. I count Sierra because it's a personal gripe I have.
Owen was the original winner of TDI, came back on the show in the second season for a mole subplot nobody likes, and merged season three. He and Noah also got a spinoff.
Beth was the finalist of TDA.
And everyone hates it, including myself.
Then there's Duncan. Easily the character the show focuses on the most. Season 1? 4th place. Season 2? Winner. Season 3? Gone half the season so he's only in 8 episodes not counting what he didn't compete in, but he scored 5th overall. Season 5? Weakest performance, but he still merged. That's 8th place by the way.
By far, THIS is the character in this show that gets the MOST horrendous flack for his screen time. And from what I've learned, if you think this, you probably hate Duncan as a character.
Like, I haven't watched Winx, but I saw videos on YouTube that made fun of Bloom for getting too much screen time.
Somebody do those but with Duncan! I'm not a Duncan hater, but I would like to get a laugh!
So it'd just be easy to say the writers played favorites, it was an issue, and be done with it, right?
Except no.
My GF watched World Tour just recently. (And she was mixed on it.) Her comments regarding Duncan and Gwen were that she wished they had more interactions to sell them (she was routing AGAINST Duncney, basically) and it didn't help that Duncan was gone half the season. She said that it would've helped all the characters involved if he stayed to flesh that out.
To that I went: "Huh. That's interesting how you take no issue with this character's screen time."
But why though? She's not a stan of him, she's a casual viewer, so that can't be it.
And that's when it hit me.
Beth and Sierra. These two make it through an entire season each. And we both collectively hate them as characters. And we hate seeing them on screen.
That's because it's what the characters DO with their screen time.
See what I'm talking about:
Season 1: Duncan is an established character that develops relationships and friendships and learns to open up to people outside of his comfort bad boy zone.
Trent spends 16 episodes sitting still and looking pretty with a guitar. (Okay that's probably not a great example, and I don't hate Trent, but you kinda get it)
Season 2: Duncan is dealing with revenge on Harold for his spoiled relationship with Courtney where he gets abused by her, fights to hold his own, and dumps her.
Beth spends the entire season talking about a fake boyfriend and cheating on it.
Season 3: Duncan, again, is only competing in 8 episodes out of 26, but what does he do? He establishes a new relationship with Gwen, gets her cancelled, forms a friendship with Alejandro, and gets played.
Sierra is there the entire season sexually harassing Cody and passing it off as quirky. We hate to see it. (Seriously, you guys think the love triangle is worse than this? My GF and I agreed we would rather watch the love triangle ten times again, over Sierra being on screen at all.)
What's the difference here? STORY.
Certain characters have story to follow, that NEEDS that screen time to work. Ironically, the plotline of Duncan's that comes across the least genuine, is the season where he's on screen the least. (Not counting All Stars, but they're kind of equal in episodes Duncan's in.)
Again, imagine if we never had that backstory sequence of Gwen Stacy. Yes it eats up screen time, but without it? She would come across as an ingenuine traitor who supposedly ditched her dad for some cool spider society. We NEEDED that sequence.
Duncan is always doing something when the screen is focused on him.
The reason Beth and Sierra don't work despite having all the screen time in the world is that they do NOTHING with the screen time they get. Nothing of value at least. We could've learned a lot about their origins, Beth's underdog status, or Sierra's fanclub, flesh them out as dynamic characters to route for, with different sides of them that slip through time to time that gets the audience thinking.
Nope. Sexual harassment makes up for all of that. (I question why I put up with this show sometimes.)
That would be the case and that's the answer, just do something with your screen time and you're free to have as much as you want.
Except there's ANOTHER key to the puzzle here.
Duncan is in the top 4 of the TD cast for a reason.
He's a main character.
Something Jaune Arc is not.
Hello nemesis my old friend.
Look, I respect people who like RWBY. People can feel any way they want to about a show. Opinions are valid.
If you think Arcane is the worst show ever made, that's valid.
If you think Velma is the best show ever made, that's valid.
It's all VALID.
With that said I think this show is an absolute trainwreck when it comes to writing characters.
Now hold on before you say I hate everything about it, I don't. This show does have SOME merits to it. The music is stellar and I actually listen to the soundtrack from time to time. For a limited budget animation, it's impressive. The choreo is neat. I want these weapons. I actually like quite a few of the side characters. Keep in mind I said side.
But what I look for in a good show is a compelling story and interesting characters to follow.
Something this show just does not have in my opinion.
I keep saying I'll do an analysis post on why Team RWBY are awful protagonists, but I've been busy and my plate has not emptied. But one of my main points regarding them is screen time.
Keep in mind, I've only seen fully up to Season 8. I've only seen clips of Season 9, so whatever I say about 9 may not be accurate.
Team RWBY are the main characters of the show, and yet they have not done a single main character thing throughout EIGHT SEASONS. It's kind of incredible.
If I didn't know the name of the show but saw a clip, I'd assume the main character was Jaune, or Oscar, more on them later.
What have these girls contributed in the battle of Salem's forces?
Season 1: Blake helped stop a robbery. Not even all four of them, just Blake. (So did Sun and Penny.)
Season 2: They broke into the White Fang's secret operation and busted a train into the city to fight off some Grim, in time for Team CFVY to wipe them out. (Those characters appear TWICE in the ENTIRE show, this is the first time. Just to speak my point.)
Season 3: Yang got framed for assault which helped the bad guys. Ruby watched Pyyra die and she blasted an eyeball off Cinder.
Season 4: UH...
Season 5: They housed Oscar, they met Raven, and they took place in the battle of Haven where Yang got the relic. (So did Oscar, JNR, Qrow)
Season 6: They took the relic to Atlas. (So did Oscar, JNR, Qrow)
Season 7: They lied to the general about vital information that could've helped them get one on Salem, and doomed all of Atlas.
Season 8: They caused the death of a kingdom and fell through a hole.
Season 9: UH... (That's not me not knowing what happened in 9, they just climbed out of the hole, basically, as the season has nothing to do with Salem's forces.)
Now, because the main characters are not involved with the main plot very much, does that make them bad?
No. There ARE ways to utilize them outside of driving the external plot.
Some stories are Character vs Self, Internal Conflict. The basis of this show's story is that these kids who grew up to be military soldiers are learning that their lives and the world is not a fairy tale, and they're not the good guys. That SOUNDS like the show is all about internal conflict, right?
Well it's not.
I mean, they DO realize this and make a morally questionable choice with consequences they regret.
In Season SEVEN.
And even THEN, they're treated by gods themselves like they've done nothing wrong!
If you ask me, it should have happened a LONG time ago.
What internal conflicts do these girls have?
Ruby is a naive prodigy who wants to be a huntress and live out a fairy tale reality. And she lives out that dream. Then Pyyra dies and she loses that home. And then she's back to fairy tale land, just doing more crimes and hating authority. And I GUESS she learned a lesson in 9...? I just saw her as depressed.
Weiss is an heiress of a rich company trying to overthrow rule of her father, who hates her. She hates Faunus. She learns not to hate Faunus. And she gains a lot of powers.
Blake is part of a civil rights movement with Faunus and she likes assaulting her own kind and burning their homes. She also has an abusive boyfriend and kills him with a girlfriend by her side.
Yang lost her mommy and wants to find her. She loses her arm. She finds her mommy but doesn't give a s**t because plot. She also gets a girlfriend.
That's like Vi and Jinx's reunion, only they didn't care about seeing each other again after years, they just pointed fists and guns at each other and said, "Where's the arcane?! Where's Silco?! I'm not here for you, I have a police GF now!" "I'm not here for you, I just wanted an easy route to blast Piltover to pieces! Mwahaha!"
See where I'm going with that?
Internal conflict is a key to making characters screen time worth while.
But lets face it, Team RWBY not having very well established internal/relevance to the external conflict is not the full reason why this is a problem with their screen time.
It's their lack thereof.
Three quarters of every season, they're just sitting at some random place that's not even pretty to look at, and the SIDE CHARACTERS do all the plot relevant stuff.
See why I like the side characters better?
Lets look at that chart again:
Season 1: Sun and Penny stopped that robbery.
Season 2: Team CFVY stopped the Grim invasion.
Season 3: Pyyra's story and downward spiral to her death.
Season 4: Nora and Ren the season.
Season 5: Oscar. The tribe.
Season 6: Oscar again as he's responsible for the exposition involved in that season.
Season 7: Ironwood's descent into insanity AND Penny's descent into accidental heroism.
Season 8: Both those characters die. Everyone dies.
Season 9: ...okay, good point, there was no one else.
Okay so maybe Season 9 gets a pass, but the others? Can you really put Team RWBY in a plot summary?
And that's just external conflict talking, let's talk the MAIN CHARACTER with the INTERNAL conflicts throughout the ENTIRE show.
Jaune Arc.
A SIDE character, voiced by one of the writers, has some of the most plotlines to follow due to his internal struggle and conflict in this new war throughout the entire show.
He has something to do in MOST of the seasons of this show. Not unlike Duncan. The only time I think he didn't have anything going on was Season 7.
In the very first season, Jaune has an entire character arc surrounding him trying to find his inner strength with a one off bully character as an antagonist. That sounds fine, so what's the issue?
This character arc takes up FOUR episodes out of 16. A WHOLE QUARTER OF THE SEASON.
"Well, maybe those episodes cut away to other people at some points-"
No. They don't. It's all Jaune in all these episodes.
Season two is less so Jaune focused, but he has a little subplot surrounding letting go of his feelings for Weiss and finding another girl who would gladly take him. I guess it's priority respect because Neptune was into Weiss at the time? But those two wound up never being a thing, so...
The whole time I thought Weiss was just asexual, but then 9 came in to screw that idea.
Season three focuses on Pyyra, Jaune's love interest, and therefore he's vital to her story and her thought process, so much so that the big angst moment in the season is with him and their death kiss.
Season four and five are focused on Jaune's thirst for revenge on Cinder, a member of Salem's forces, for killing Pyyra. He learns about Salem's forces along the way, makes his own opinion about all this lore, and decides to help out due to his personal necessity.
Wow. He has an internal conflict going on, AND he's active with the external conflict. HMM...
Season six is him letting go of his grief after his moral failure from the Battle of Haven nearly getting Weiss killed. And also he pins Oscar to the wall because why not. It's brief but it's also a full on character arc.
Season eight, he kills Penny, a girl he has never interacted with before this point, and he's a grieving mess. So much so that season nine also includes Jaune dealing with MULTIPLE grieving instances and personal failures.
Everyone else got a seasonal break from the story, and yet Jaune could not.
Now, is this a screen time issue?
Yes.
But NOT for the reasons you might think.
Let's go off of Duncan again, a character with a major status in the show's story and conflict from day one. He was designed that way.
Jaune was not designed that way. BUT I don't actually hate his story for the screen time he gets. In fact, he's probably one of the most interesting characters in the show because there's so much time dedicated to his struggle and his story.
The elephant in the room isn't because Jaune has a story.
It's because the main characters don't have a story.
Again, Arcane, that show focuses on a LOT of characters that aren't Vi and Jinx. You could argue Jayce is the Jaune in their universe. But why does it work? Because there is NOT a neglect of characterization of the leads.
In RWBY, there's a serious neglect issue.
And it's not just Jaune. There are other side characters who've been stealing time away from the leads.
Oscar, ever since he debuted Season 4, has been devoted to screen time stealing, and stealing the main character status with a Chosen One narrative and a pretty offensive way of portraying Multiple Personality Disorder. He's the one with the chosen one story, he's the one who interacts with the bad guys, he's toe to toe with Ironwood, he's the one related to Salem, and he does all of it with the personality of a hollow pine tree.
I mean I guess he also has a crush on Ruby, but... I don't want to get into that.
Hell, CINDER, an ANTAGONIST of the show, has more conflict and screen time than the leads. And she's one of my least favorite characters in the entire show, isn't that sweet?!
On top of that, she's a VILLAIN. We shouldn't be routing for her!
Then there's the rest of JNPR. Nora and Ren have a season focused on them, that being season 4. Pyyra is the same case with season 3. Pyyra dies in that season, so she's obviously not getting screen time any further. But Ren and Nora are alive, AND they have a subplot in the Atlas arc. Having a subplot isn't a problem, it just becomes jarring when the main characters don't have an arc and they do.
Penny gets revived and dies in the Atlas arc. That's also a thing.
The fix here should be really simple! Swap roles! Have the side characters sit in the houses with their little arcs, and have Team RWBY on the fields reacting to everything. It wouldn't excuse their lack of inner struggle, but at least they'd be involved with the plot.
There are many ways you could fix this. Like Oscar's role of being related to Salem. Ruby's mom is dead, but like, what if her mom was Salem and was taken out in war and revived/corrupted into this monster figure? That'd be an interesting narrative.
And RWBY is not the only show, the previous season of Pretty Cure, Delicious Party, ALSO has this issue. And arguably they did it worse because I don't even care for the side characters there either. I'd be repeating myself with criticism there:
Yui, the supposed main character, has no character trait other than be a glutton and a stand in for her grandmother, the other Cures are also irrelevant to the plot and just spend their time eating. The boys of this magical girl show are the focus and have all the wishy washy plotlines, and none of them are even that interesting.
I will give RWBY this over Delicious Party to prove I can see its merits:
At least they only have ONE forth wall narration and do know boundaries to that stuff, as opposed to Delicious Party that thinks their viewers are IDIOTS, and needs a narrator to explain EVERYTHING. CONSTANTLY.
(What a new low for that franchise, am I right? At least we have Hirogaru Sky.)
So what have we learned here?
To answer the question: Is Screen Time An Issue For A Character?
No. It's not that simple.
It's what the character DOES with that screen time that matters. And their role in the story that warrants this screen time.
They need to have all the details of their story laid out for you to care about them.
They need every scene involving their story to matter.
They need to have a plotline that justifies the screen time, small role or big role.
They need to be involved with the main story if they are a major character.
They need an internal conflict to keep the time on them engaging.
They need to be doing something.
If they are a minor character, additional screen time is not a bad thing.
A minor character with a lot of screen time could be there to advance the world building, they could be heavily connected to major character, relationship or otherwise.
But the minor characters don't become favorites and neglect focus on the people the story is revolving around.
First Person POV is a difficult storytelling technique when it comes to screen time, but it's not a bad tool. It can be used as a certain perspective for every character involved if done properly.
And just... screen time alone isn't a valid criticism in my opinion. It's WAY more complicated than that.
What's your opinion? Reblog your thoughts, I'm very curious, especially with media with this issue I did not cover.
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grunklejam · 8 months
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