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#fuck david zaslav
edscuntyeyeshadow · 4 months
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If someone asks me why I have a shit load of external hard drives that are filled with pirated copies of various movies and TV shows, this is why.
Corporations don’t value art or creativity.
Pirate all your favorite media while you still have the chance.
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summerlinenss · 4 months
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here’s the thing.
if you’re one of the people celebrating our flag means death’s cancellation for whatever reason right now, i need you to realize that this is just a sign that whatever you love is next.
and i’m not saying that out of spite. having your favourite show cancelled is awful, i wouldn’t wish it on anyone. but if our little-gay-pirate-show-that-could can’t get its third and final season, the future of queer media is extremely grim.
ofmd was the definition of a sleeper hit. hbo max had no faith in it when the first season came out. it gained popularity purely through word-of-mouth. but it became one of max’s biggest shows, and it’s since been marketed as their flagship series.
it was the #1 most in-demand series in the world for 8 weeks (7 of those weeks consecutively). it’s currently in the 99.7th percentile of the comedy genre, meaning it’s in higher demand than 99.7% of all comedy series in the u.s. it has a 94% audience and critics score on rotten tomatoes. it’s the most in-demand hbo original series even above euphoria, succession, and the last of us.
it was nominated for 16 awards for the first season alone, including a GLAAD award and a peabody award. the second season was just nominated for an art directors guild award, which it was previously nominated for and won in the same category for season one.
besides awards, ofmd is critically-acclaimed and praised for its representation (including a cast of majority queer, bipoc, and disabled characters) and themes of anti-colonialism, challenging gender norms/toxic masculinity, and self-discovery/acceptance. it also has a diverse team of directors and writers consisting of several bipoc, women, and queer/trans/non-binary people.
on top of all of this, the plan for the show all along was only ever for three seasons. david jenkins only wanted three seasons for the full romcom structure to tell ed and stede’s story. that’s it. nothing more.
this isn’t an attempt to make you care about the show. but ofmd’s cancellation isn’t just a loss for the fanbase and the cast/crew. it’s a sign that it does not matter how successful or profitable shows highlighting lgbtq+ (or otherwise inclusive) narratives are or how many big names are involved. ofmd would not have been cancelled if it were a straight romcom. they would’ve magically found the budget. but corporate greed doesn’t care about us. they have no respect for queer people or queer media. and in the age of streaming, it’s only a matter of time until we lose all of it.
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cormancatacombs · 2 years
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autumngravity · 2 months
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Rooster Teeth is shutting down.
I know they were very badly run behind the scenes especially the last few years but FUCK man.
A whole part of my teen years was influenced by RT. I feel like I'm losing a High School friend. Sure I hadn't checked in in a while but I still cared.
No matter how you feel about Crunchyroll I hope, I beg of them to pick up RWBY. Heck anyone who will appreciate it. RWBY is one of my all time favorite shows. It saved me from giving up art in HS because of a shitty art teacher. RWBY speaks to and connected to me in a way that is core to my being.
Montys dream shouldn't not be finished because of mismanagement or greedy fucking David Zaslav
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bizarrelittlemew · 2 months
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to be honest, if wb had renewed the show i'd live every day in fear of sudden cancellation at any stage with how it's going for them
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omni--unicorn · 3 months
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I’ll be honest: I’ve never seen Our Flag Means Death.
But just seeing the reactions of the fandom, the hope and effort they’re putting into this show, has made me want to contribute. I can see how much OFMD matters to you guys. Your posts about it are both devastating and immensely touching.
This is my little addition to the #renew as a crew tag <3
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What I say: HBO Max and their CEO fucking suck
What I want to say:
HBO MAX AND THEIR SHITTY, CHEAP ASS, CORPORATE BOOMER EXECUTIVES/CEO
✨✨FUCKING SUCK✨✨
AND DESERVE EVERY BIT OF PUBLIC SLANDER THEY ARE GETTING FOR TREATING ACCLAIMED ANIMATED SERIES AND THEIR CREATORS LIKE TRASH. FUCK THEM.
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hopeymchope · 1 year
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Oh GOD the fiendish David Zaslav is rebooting Harry Potter with a new "extremely faithful" adaption of the seven books. J.K. TERFling is heavily involved, she's executive producing, and they've made a TEN-YEAR COMMITMENT already.
Five Rapid-Fire Thoughts I Had in Reaction to This News:
Fuck Zaslav. (Btw, did I mention that — after deleting half of HBO Max's original content — Zaslav has now announced a price hike to the newly christened "MAX" service? As if giving a shitload of money to the planet's most notable TERF wasn't enough fuckery. FUCK that fucking shitheel.)
See below.
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3. All y'all who were like "Boycott Hogwart's Legacy or You're Automatically a Terrible Person" or whatever because Rowling was going to make like a 1% royalty off of that game had GODDAMN BETTER boycott HBO MAX (....uh, sorry, it's just "MAX" now, I keep forgetting bc that name sucks — "HBO MAX" wasn't all that good a name to begin with IMO, but now it's worse) from here on out. YES, I know it's harder to boycott an entire streaming service that may contain OTHER content you want, but c'mon now, just bootleg anything you want off MAX in the future. (I'll help! I will send you a link or whatever if you need assistance. Message me. It's cool.) Because this is going to make her SO MUCH MORE MONEY due to involving her FAR MORE DIRECTLY. FUCK. WHY. Why did they fucking do this.
4. There are so many things in the books that are either A) poorly explained workarounds for continuity/logic issues or B) extremely problematic that the movies were actually BETTER for ignoring them. Can't wait to see the scene where every single known Time-Turner gets accidentally broken shortly after Prisoner of Azkaban in order to ensure the characters can never use time travel to fix their problems again! SUPER excited for the plotline where Hermione has to learn that she's silly and wrong for trying to free slaves because the slaves are fucking happier being enslaved! OH BOY!
5. God, a ten-year production commitment UP FRONT. I hope they lose so much money on this stupid-ass project that they wind up dragging their feet to produce future seasons for so long that the contract runs out before they've gotten farther than like, the third novel, and then it just dies on the vine. Would be HILARIOUS.
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crimsonxe · 2 months
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RT isn't going away cause:
they went "broke"
they rightfully kicked perverts/creeps/incels/and disgusting ass people to the curb
they dared to evolve in having various new talent
because people there failed at any damn thing
They're going away because David Zaslav's, a corpo piece of shit stuck in old media ignorant af of new media, bullshit view; where he gets to erase media via a pen stroke. Just like Batgirl, just like Coyote vs. Acme, Infinity Train, etc. May that piece of shit fall into a deep pit of a metaphorical hell and if WBD has any chance in hell of ever being taken seriously again may he be kicked to the goddamn curb where he belongs.
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ordinaryschmuck · 3 months
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THEN HOW THE FUCK CAN HE DECIDE WHETHER THE MOVIE IS WORTH SHARING TO THE PUBLIC OR NOT?!
This is why I don't think it's worth pitching ideas to studios anymore. Because assclowns like THIS fucker is going to just randomly decide any idea, regardless of quality, deserves to be deleted forever despite all the hard work people put into it!
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edscuntyeyeshadow · 4 months
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summerlinenss · 3 months
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out of curiosity, if Max doesn’t release its metrics, then what metrics are you actually using to make these statements about the show’s popularity? what does “it’s currently in the 99.7th percentile of the comedy genre, meaning it’s in higher demand than 99.7% of all comedy series in the u.s.” even mean? How are you measuring what’s “in demand” - by who? Where? It’s bold to claim that this show was wildly popular (despite the fact that I never hear about it outside of tumblr, tho that’s a personal anecdote) but cancelled just for being queer, so I would be really interested to know where you’re getting all these numbers from. Thanks!
hey anon! first of all i am so sorry for the delayed response. i started typing something up and then i got distracted with something else and totally forgot about this in my drafts.
sure, i have no problem citing sources. i probably should’ve linked some in my original post, that’s absolutely fair.
this ended up way longer than i planned so bear with me, but a quick overview of what i’ll be going over:
1) what are the stats/where did they come from?
2) how is the show so popular?
3) was it really cancelled for being queer?
(also just a disclaimer that this will contain spoilers for the show)
1) first, the numbers
you’re right that hbo doesn’t release metrics to the public. in fact, ceo casey bloys tried to justify the cancellation to the hollywood reporter by saying “the numbers weren’t there,” despite refusing to say what exactly those numbers were or where they came from.
however, there are websites dedicated to researching/analyzing the data of different media. one of those is parrot analytics, who focus on industry insights like audience demand, competitive analysis, and content valuations. they’re trusted as a reliable source by forbes, the new york times, reuters, the wall street journal, and more.
this is what we can learn from them about our flag means death from a basic google search (note that all of this data is relevant to the last 30 days as of january 26 2024):
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audience demand for our flag means death is now 33.6x greater than the average tv series in the united states. as explained in the “about demand distribution” section, this means it’s one of only 0.2% of all u.s. shows to fall in the “exceptional” performance range compared to the “average” demand benchmark of 64.1%.
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the change in demand for ofmd in the u.s. has increased by 7.5% compared to the average tv series.
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ofmd now actually ranks at the 99.8th percentile in the comedy genre in the u.s. i’m not a math person, but in basic terms, this is like a scale of measuring and comparing performances to create an average score. essentially, ofmd is performing at the very top of all comedy series in the u.s.
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ofmd has 100% home market travelability. as it says above, the market of origin is always 100%, so in fairness i included the graph of international markets for comparison. some of these aren't super high, however (as explained by parrot analytics themselves) one of the key issues with the international market is accessibility to content, which has been an ongoing struggle for international fans. many people (i guess fittingly) have resorted to pirating ofmd because they don’t have access to max or affiliate streaming services in their country.
there are more stats i could have and wanted to go more in-depth into but it would make this even longer than it already is, so i’ll just leave some links you can check out if you’re interested and move on:
• comparison of ofmd's success to shows like ted lasso, euphoria, and peacemaker
• ofmd's placement as #1 most in-demand breakout series in the u.s. for 8 weeks
• ofmd's impressive 94% critics score and 95% audience score on rotten tomatoes
• how ofmd evolved from sleeper hit to a flagship series at max
• a list of ofmd's past and present award nominations/wins
• praise and recognition from news/entertainment sites: the atlantic (2022); the new york times (2023); tv guide (2023); vulture (2023); forbes (2023); the los angeles times (2022); vanity fair (2023)
2) so why haven’t you (or others) really heard of the show outside of tumblr despite all this success? likely because max did a terrible job marketing it.
ofmd first aired on hbo max (pre-merger before it was “max”) in march 2022. the entire season aired over one month, every thursday at 12am pst. season 2 followed a similar release schedule in october 2023.
season 1’s marketing was almost non-existent, pretty much relying on taika waititi’s name being attached. there was one teaser and one full-length trailer, as well as a few clips on youtube of taika and rhys darby answering pirate-themed trivia, all painting the show as a “silly pirate workplace/buddy comedy.” but hbo max didn’t put any real effort in because they didn’t care. david zaslav and the other higher-ups had no faith in the show and expected it to fail.
most people weren’t aware it was actually a romance due to the poor marketing, and although there were many romantically charged scenes between them, many were still wary to believe it wasn’t queerbaiting until ed & stede confessed their feelings and kissed.
showrunner david jenkins has said in interviews that he had no idea how deeply queerbaiting had hurt audiences and impacted their ability to trust what’s on screen without feeling like they’re being ridiculed, despite the fact that he was calling it a love story the whole time. it wasn’t until people realized they weren’t being queerbaited and that it was a funny, sincere show with a compelling plot that word-of-mouth began to spread. by the time the season 1 finale aired, there was a decent-sized fandom that continued to grow as it received more praise.
it was a fight to even get the show renewed for season 2, and david jenkins and the cast have majorly credited that renewal to the unexpected and massive fan response to the show, which basically forced hbo’s hand.
max didn’t bother trying to properly promote the series until season 2, when they begrudgingly accepted that it was one of their most profitable and successful shows. ofmd had huge billboards in times square, downtown los angeles, and on the side of hbo headquarters. they started accurately marketing the show as not just a workplace comedy at sea, but a heartfelt romcom. max began selling long-demanded merch (which became best sellers) and spent money on an FYC campaign.
i will emphasize, whether they liked it or not, they knew ofmd was their new moneymaker (especially with the recent end of succession, which was obviously a cash cow for hbo).
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photo credit: @/bookishtheo
3) now if it was that successful, was it really cancelled just for being queer?
i mean, i can’t say that definitively. no one can. there are several potential factors at play that we may never know, and there have been a lot of rumours and speculation (many of which i don’t feel comfortable discussing in case they aren’t true) since the cancellation.
but do i believe the fact that it’s a queer romcom was one of those factors, especially since max has a history of cancelling and scrapping its most diverse projects? absolutely.
first and foremost, i can’t stress enough that this isn’t just a show with a few characters thrown in for token representation. ofmd is built on a diverse, intersectional cast and narratives, including:
• lgbtq+ representation: 5 main couples are explicitly queer (including mlm, wlw, nblm, and nblw relationships). multiple characters are implied to be poly, and there’s a polycule forming in season 2 that was hinted to be developed more in season 3. beyond relationships, it’s confirmed that (similarly to the way wwdits depicts all vampires as being pansexual) all of the pirates are somewhere on the queer spectrum.
• bipoc representation: the majority of the main cast are people of colour. this includes david fane, joel fry, leslie jones, samson kayo, vico ortiz, anapela polataivao, madeleine sami, samba schutte, ruibo qian, and taika waititi, as well as many guest actors (like rachel house, simone kessell, and maaka pohatu) and extras.
• disability representation: multiple characters have physical disabilities, most notably amputated/prosthetic limbs and visual impairment. a lot (actually most) of the characters also deal with mental health issues, particularly coping with severe trauma and suicidal ideation/behaviour.
• the show has been praised for addressing difficult and serious themes like toxic masculinity, colonialism, and self-discovery, all while still managing to be a witty comedy and not come across as “preachy.”
• the diversity also extends off-screen, with a team of directors, writers, and additional crew comprised of numerous bipoc, women, queer people, and trans/non-binary people.
my point isn’t just the quantity of representation, but the quality. they take great care and respect into every marginalized group depicted on-screen. the actors would often be consulted about their characters’ costumes, hair, tattoos, and the kind of language they use. it’s not a world where discrimination magically doesn’t exist, they just have zero tolerance for it. if a character does something homophobic or racist, you can guarantee they’ll quickly (and often violently) be punished.
so okay, sure, it’s got great representation. what does that have to do max cancelling it?
because they’ve been interfering with production from the start.
i already mentioned the marketing issues so i won’t get into that. it was also revealed in interviews with david jenkins after season 2 that hbo cut their budget by 40%, which is why they had to do everything they could to save money. this included letting go of some of the original cast (and even still having episodes where some of them don’t appear at all) and moving the entire production to AoNZ. the budget cuts also meant two less episodes, so they had to rush to fit an entire season’s worth of plot into eight half-hour long episodes.
but one of the biggest frustrations is hbo’s (alleged) censorship of the show. samba schutte revealed that the entire plot of episode 2x06 was completely different in the original script. before it was rewritten as “calypso’s birthday,” the episode took place during lucius & pete’s wedding and focused on the crew getting sick of the sexual tension between ed & stede and trying to get them to hook up (this aligned with lucius & pete getting engaged and ed & stede deciding to take things slow in the previous episode).
vico ortiz and writer jes tom have also commented that many scenes between jim, oluwande, and archie establishing them as a polycule were cut, including one of the three of them emerging from a bedroom in their underwear. jes has mentioned other elements of season 2 that had to be cut out or rewritten, like the implication of other poly dynamics between the crew and more sexually explicit scenarios and jokes.
considering that ofmd is an extremely sex-positive show that isn’t afraid to be raunchy or taboo, it’s clear that either higher-ups at hbo forced them to cut these things out or they had no choice but to cut them out due to tight budget/time restraints.
in addition to this, a recent article citing an “anonymous insider” has alleged that hbo was uncomfortable with and was unsure how to market the “shock violence” in the show (the same network that aired game of thrones), which david jenkins outright called out as being bullshit. ofmd is rated TV-MA and the posters and trailers all show the audience that it contains violent content. there is literally nothing more graphic in ofmd than any other pirate show — it’s probably a lot tamer than most of them, actually.
violence on the show is most frequently used in a comedic context, in the sense that it’s not meant to be seen as scary or taken seriously. the few instances of serious graphic imagery on the show are meant to invoke a mood shift, like ed’s transformation into the kraken or ned low’s murder. it should also be noted that some of the most graphic deaths are reserved for bigots, like ed snapping the neck of a colonizer who was ridiculing stede’s love letter.
it’s also most often used in a sexual context — not sexual violence, but violence as a sexual metaphor. more specifically the act of stabbing as a metaphor for penetration, as seen with both ed & stede and anne & mary. bearing all this in mind, it seems like the real issue here isn’t executives struggling to market explicit violence to a mainstream audience, but rather explicit gay content.
as much as we joke and affectionately call it the “gay pirate show,” ofmd has always been nothing more than an opportunity for rainbow capitalism for hbo (e.g. the fact that they waited three months to announce season 2 just so they could do it on the first day of pride month). like other cancelled queer media, ofmd was a way for hbo executives to show how “inclusive” and “accepting” they are when it was convenient (aka profitable) for them, but they never actually respected the show or us as a community.
it’s impossible to be certain of what the exact reasoning for cancellation was, especially when they won’t give us a clear answer themselves. and maybe it had nothing to do with ofmd being a queer romcom at all. maybe that’s all a horrible coincidence. but for hbo/max to axe a critically acclaimed and beautifully inclusive show that’s successful by every metric, with an extremely devoted fanbase, especially after casey bloys just had the nerve to ask “gay twitter” to hype up the gilded age? it doesn’t exactly put them in the best light regardless.
in summary, i’ll leave you with this editorial, which details how the campaign to save ofmd isn’t just about one show, but a fight to save the future of all queer art.
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gentlebeardsbarngrill · 3 months
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02/09/2024 Daily OFMD Recap
TLDR; Day 30 in the Gravy Basket; Cast & Crew Lovely Letters; Resources; Starfury Convention; Astrodglide Fic/Pic Week 18+; New Watchparties; People of Earth; Wrecked; SchadenFreude; Coyote Vs Acme; Articles; Morale; Love Notes; Daily Darby/Tonight's Taika
Day 30 in the Gravy Basket. (FYI Long Post is LOOONG today was a very busy and long day) Well we made it folks, we made it to one month since Max cancelled OFMD and we're still going strong. Some CRAZY stuff has happened since then and some of our crew put together some fun lists of what's happened.
Thank you to @gheyandwoke on twitter for these memes:
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And that's not even everything that happened! So just remember, when it feels like it's been way too damn long, A LOT has happened
== Cast & Crew Lovely Letters ==
For Valentine's Day we've set up a Kudos board for our cast & crew of OFMD! (it's on an unlimited version so make as many posts as you'd like!) You can send pictures, gifs, videos, or just text, and we'll be sharing it to them on valentine's day across as many platforms as we can.
== Resources ==
One of our crew members, Lady Penni, aka @Pellington21 on twitter was kind enough to send in a HUGE list of Positive Critic Quotes to the Repo today and they got added in. Speaking of Resources, do you have images/gifs/infographics/text you want to share with the crew? Please feel free to send them to our contact form over at the repo. @quirkysubject as well as some other crew members are being kind enough to help me get it filled in and up to date (as well as updating the accessibility) and we want to make sure if you want to share your resources you can! Let us know what name you'd like to be credited by and we'll get things uploaded! Repo Contact Form
= Starfury OFMD Fandom Convention =
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So as a heads up, the first Our Flag Means Death specific event has been anounced by Starfury for Heathrow, UK 8 Nov - 10 Nov 2024. Details at www.starfury.co.uk I would like to point out as it's been brought up QUITE A BIT that it would be good to hold off buying tickets for now. Apparently Starfury is NOTORIOUS for saying certain guests will be there, when they haven't been confirmed yet (and they did that today with Rhys Darby) so it may be good to wait a bit before purchasing. This did cause some "Come to my convention" clowning for various people on twitter, which produced some fun stuff.
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= Watch Parties/Events! =
= Astroglide Fic/Art Week 18+ =
You heard that right. 02/09/2024 - 02/25/2024 is Fic/Art Week
Please feel free to @Astroglide on twitter, or even here on tumblr @astroglideofficial and use the tags: #LubeAsACrew #SaveOFMD
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= New Watch Parties! =
Thank you @iamadequate1 for getting these all in one place! Twitter Thread
Feb 12 - Feb 16: People of Earth S1
People of Earth is no longer on any streaming platform, but it is available for digital purchase (ex, on Amazon). If access is an issue, DM @gentlebeardsbarngrill
Season 1 watch next week from February 12th to February 16th.
Skipping the week after in case people want to participate in the n next Palestine strike.
Season 2 watch from February 26th to March 1st
Times will be 10pm GMT / 5pm EST / 4pm CST / 2pm PST.
Watch two episodes per day. Episodes are 21-22 minutes each.
Use the following Saturday for the tags/watch if interested but not able to make this time.
Hashtags:
#PiratesOfEarth
#SaveOFMD
#AdoptOurCrew
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Mar 4 - Mar 8: Wrecked Season 1
Wrecked is no longer on any streaming platform, and it is not available digitally on US sites. (Apparently, it is available on German Amazon?) There are sources being passed around. If access is an issue, DM @gentlebeardsbarngrill
Season 1 watch from March 4th to March 8th.
Season 2 watch from March 11th to March 15th.
Season 3 watch from March 18th to March 22nd.
Times will be 10pm GMT / 5pm EST / 4pm CST / 2pm PST.
Watch two episodes per day. Episodes are 21-22 minutes each.
Use the following Saturday for the tags/watch if interested but not able to make this time.
Hashtags:
#WreckedPirates
#SaveOFMD
#ForOurCaptain
== SchadenFreude / Coyote Vs. Acme ==
So some crazy stuff happened today. Apparently Zaslav made a decision to not only remove Coyote Vs. Acme from Max but to shelve it so no one else could purchase it.
Wanna learn more? The Final Days of ‘Coyote vs. Acme’: Offers, Rejections and a Roadrunner Race Against Time | Exclusive
Coyote vs. Acme's Fate Might Have Been Sealed by Real Judge Doom David Zaslav
Now what does that have to do with Our Flag Means Death? Well, just like we've been seeing for weeks now the WBD stock has PLUMMETED like crazy since The Wrap article came out this morning.
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It sent the following trends all over twitter: (Thank you Mich for capturing these!)
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Wanna help out Coyote Vs. Acme? Please sign their petition to get it saved: Petition
Seeing this much negative press for WBD is great and shows it's not just OFMD they're cancelling, they're making crappy decisions left and right. The term "Zaslovian Blunder" was also coined today on the @saveofmdcrewmates tumblr:
*Zaslovian (adjective): to make a decision that is unanimously deemed absurd, that almost seems to purposefully damage one's reputation, company, self, and others.
== Articles ==
5 TV weddings to celebrate the 20th anniversary of same-sex marriage in San Francisco
Peak TV Is Officially Over: FX Tallies 14 Percent Drop in Scripted Series for 2023
== Morale ==
In honor of 85k signatures, our friend @lucyrosebutler on twitter shared the rest of her Cameo with Rhys. (We'll see if it explodes this post, please don't I will cry)
Full video clips on twitter.
== Morale Cont'd ==
Hey Lovelies. 30 days is a LONG time. I get that. I'm feeling it in my bones too. I want you to know it's totally normal if you are feeling frustrated, and exhausted, and just over all of this effort to get our show back.
It's okay to feel that way.
You don't need to be positive all the time, you're allowed to feel grief. I know we've grieved several times since the original announcement, but just like progress, grief isn't linear either.
It's going to come up again in waves, and hopefully those waves get smaller each time, but they will keep coming until we get our show back.
I say UNTIL WE GET OUR SHOW BACK, because despite my own frustrations, I don't really have any doubt that it will happen at this point, it's just a matter of when.
What makes me feel that way?
Chaos Dad's silence
The fact he hasn't told us to just stop cause there's no way it's gonna happen
The whole "everybody is ready to go" in Aotearoa we heard from Wee John Wondays
Rhys' continuous pile of support
The Cast and Crew being more active on social media again
The continuous positive press
and so many other little things that continue to happen that keep making it feel like we're inching forward.
I'm not an expert, I just have a feeling, based on staring at every happening that's happened over the past 30 days.
So if you need to, go grieve lovelies! Get mad, get frustrated, scream, cry, it's normal and it's healthy. You deserve to let feelings those out.
You are human, and you are wonderful, and you can't be a ray of sunshine all the time (nor should you have to be).
And for those of you who aren't grieving, and instead feeling renewed excitement, that's absolutely wonderful too. Don't feel like you have to grieve if that's not where you're at! Every one of us has a personal journey through all of this, and not one of us will share the exact same experience, so remember not to judge your progress based on everyone else.
Anyway, I'm rambling now, so on to the love notes:
== Love Notes ==
YOU are beautiful.
YOU are doing so damn well.
You are trying your best at whatever you're dealing with in your life, and you're kicking ass, no matter how much it doesn't feel like it some of the days.
You are a glorious piece of stardust, and whether you're shining bright or dim today, you are radiant.
Remember to breathe, and drink some water, and get some rest so you can keep shining.
Love you crew, hope wherever/whenever you are on this big blue marble you're doing well.
=Daily Darby / Tonight's Taika =
In honor of the Love Birds Watch Party I'm including it in tonight's theme. Idk about the Taika one, they seemed to match, or I'm just tired.
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cephaloheath · 1 month
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Seeing as how a #SaveRWBY campaign was recently launched, I'm making a contribution post of my own here.
Now, I'm VERY aware that the odds are against us. But I absolutely REFUSE to go down without a fight. Because if RWBY has taught me ANYTHING, it's to never stop fighting for what you believe in. Even when all hope seems lost, you keep going. Because if you don't fight back, who else will?
So please, if you're reading this, spread the word. This astounding series needs your help to continue. Share this series with your friends and get them on board the train. The more, the merrier. Give the team behind the series your unending support. They absolutely deserve it.
RWBY is an absolutely INCREDIBLE work of art. For it to get cut off here would be an absolute travesty. So don't let that happen. It's time for us, the fans, to stick up for ourselves. It's time to…
SAVE RWBY. ❤️🤍🖤💛
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