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#his character development is so special to me
tsukimefuku · 16 hours
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blunt trauma ♰ nanami kento
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summary: your mission is to execute a curse user. the issue? said curse user is nanami kento, your former high school classmate and the man who you still secretly love.
tags and cw: dark content, no use of y/n, sorcerer!f!reader, villain!nanami, +18, explicit smut (mostly rough with tender moments hate/love sex), unprotected sex (wrap it, ppl), masturbation, oral (f receiving), pv, from enemies to enemies who fucked 👍, drama and angst (i’m a latina who grew up watching telenovelas), mentions of death, canon-typical violence, ptsd, cursing, hurt/no comfort, this man is saltier than the sea and turned it into everybody else's problem. 
wc: 7.5k
notes etc.: somehow it became a character study. this is my rendition of what i think gege would make nanami to be like if they followed their original plan and had nanami be a villain. inspo list is so huge i had to make a playlist, i got carried away.
writing/reading soundtrack: playlist link ; main songs → way down we go (kaleo) and daylight (david kushner).
disclaimer: i do not in any way approve of (or encourage) the relationship depicted here. it is toxic and bad for all parties involved. this is fictional and should stay that way.
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oh, father, tell me ♰ do we get what we deserve?
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It felt like the air had been beaten out of your lungs by the very one and only blunt blade you ever knew when you heard the news from Gojo.
Of course the first thing he did when he finished wrapping things up was calling you. If roles were reversed, and this had been Geto, he wouldn't expect any less from you.
During the School's Exchange Event, Jujutsu High was attacked by multiple high grade curses and curse users.
One of them was your former best friend from high school, Nanami Kento. 
"Are you certain it was him?"
"Absolutely," Gojo replied on the other side of the line, "there were traces of cursed energy from his cursed technique. He was also spotted by one of MeiMei's ravens."
"And how many students did he…"
"Two students from Kyoto."
Your head instantly felt dizzy.
"He also killed around a dozen assistants and people securing cursed objects underground."
"Shit… shit," you muttered, forgetting for a few seconds what words were and how to form a coherent sentence. Following suit, your stomach dropped with a sinking ache the moment you made the obvious realization, uttering the most painful thing you had to say in your life — even worse than he's gone, so many years before.
 "This will earn him a death sentence, won't it?"
Gojo was silent for a few moments.
"Hey…"
"Tell me. I can take it."
After a bated breath — from your end, mostly — he confirmed your worst fears.
"Yes. It will."
Ever since Geto's and Nanami's defection, you and Gojo had a special type of shared sorrow over each other's failures to save the people you both loved the most. Call it trauma bonding or codependency, but you developed an unwavering sense of loyalty towards one another.
For that reason, he already knew what you were about to ask him, and you only would because you knew he wouldn't find it in himself to refuse it.
"When it happens, please, have me be appointed as the executioner."
"Of course."
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Sitting with a glass of whiskey while gazing out of the window in an understated house just by the outskirts of Sendai, Nanami couldn't say he was fulfilled, unable to grasp the concept of feeling in any way elated ever since his teenage years. However, he was definitely satisfied that this plan had worked.
He managed to put a dent into Jujutsu Society, aiding Geto — or, at least, someone that looked like him, not that Nanami truly cared about it by this point — in retrieving multiple cursed objects that would be used for their inevitable fallout.
There had been a few casualties, though.
Two students and many personnel died — or rather, met their fateful end by the edge of his blunt blade —, but some deaths should be expected if Jujutsu Society was to be brought to the ground, down to its last brick.
Ever since that fateful day when he was nothing but a tall child sitting beside the cold corpse of his best friend, Yu Haibara, Nanami had simmered what would become a cauldron of absolute venom-dripping rage against Jujutsu Society.
To hell with saving other people — what about them? What about the teenager that would never grow to be a sorcerer, who became an inanimate nothing before ever getting the chance of making something out of himself? 
That face… Nanami could never forget it. It haunted his dreams, even a decade later. Such a stark contrast between the light-spirited smiles and this cold, gray monolith that laid in the morgue.
They had no right to rob their students from their youth, much less from their lives, but that's exactly what Jujutsu High did when they didn't even bother to check the mission appropriately before dispatching Haibara and Nanami to a certain death.
Nanami escaped, but just barely, by the skin of his teeth. Haibara, however, wasn't blessed with the same luck, and drew the short straw when his hitched final breaths met their end against Nanami's shoulder. Nanami, who carried his best friend on his back, desperately tried to win a losing race against death. 
Help was late to arrive.
They were too late for Haibara.
And, in a sense, they were too late for him, too.
The worst part, though, was when they were finally being transported all the way back to Jujutsu High. As he glanced over Haibara’s cadaver, now covered by a body bag, one particularly insensitive assistant very rudely stated, “at least there is a body to be buried.”
At least
There is a body 
To be buried
Those words echoed in his head for what felt like eternity. Was that the best they all had to hope for? To at least have remains left behind for the mourning?
In any case, that was why, even though he had to kill, Nanami never mangled any of his human victims — something not easy to do, given how his technique worked and how easy it was to split someone in half.
You had noticed this perverted benevolence while looking over the necropsy reports, a realization that just added insult to injury.
Let there be something for the funeral, I suppose, was what he told himself.
In his own twisted way, Nanami figured this was a kindness very few sorcerers received at their tragic ends, and decided he'd definitely be more compassionate than what Jujutsu High put their sorcerers through. 
In his eyes, those from Jujutsu High who died under his will were the ones granted a truly merciful death.
His peace was disturbed by the sound of the entrance door being brutally kicked in, flying its way across the living room. He pulled his blunt blade from the side of his armchair with his free hand, but quickly put it down when realizing it was you that had just barged inside.
He knew you very well — well enough to be certain you wouldn't come swinging at him immediately.
"I can see you still have a temper. Destroying the door wasn’t necessary, I would've opened it for you," he stated, sipping on his drink.
"I don't care," you retorted, "I guess you already know why I'm here, in any case."
"I do. You're here to carry out my death sentence," he stated, completely unbothered, as if talking about the weather.
As if he was just mundanely stuck in his ways. 
You huffed, placing your hand over your sword's handle.
"Precisely."
"We haven't spoken in a long time, why don't you take a seat?" Nanami inquired, pointing at the armchair right in front of him. "I want to finish my drink."
You glared at the curse user, as he, unfazed, kept gulping on his whiskey. Nanami was wearing a black buttoned shirt, black pants and black oxford shoes, and you couldn't help but see him as a grim reaper — this was a somber look, fitting for the equally somber man who carried it.
For a second, you took in his features — you hadn’t seen Nanami for a few years after the last time you crossed paths.
His shoulders had slightly broadened, and he still bore the same chiseled face, framed by his sand-blond hair neatly slicked back.
Nanami’s eyes traveled over you quickly, apparently doing the very same thing.
Time had left its marks. It was evident you both had grown up — and apart.
You knew this was a shit idea, but entertained it enough that you actually walked towards the chair and sat down. There were definitely things to be talked about, and you just about had a million questions for him.
Most of them, however, boiled down to what you immediately asked.
"Why did you do it?"
Nanami put his glass on the coffee table right in front of you.
"It was a necessary means to an end."
His words came with frost-bitten coldness, his voice embodying the monotone you once loved, but eventually, grew to hate.
You scoffed, incredulous at his reply, involuntarily clenching your fingers around your katana's handle as it laid on your lap.
"Necessary means to an end? Nanami, you killed teenage sorcerers!"
"As I said, and I don't like repeating myself," he interjected, "it was a necessary sacrifice for a greater cause."
"You're such a hypocritical, self-righteous ass!"
Nanami sighed, clearly displeased.
"We have always been able to keep some semblance of respect for each other, despite our… differences. Do not use that foul language with me."
You laughed bitterly, no amusement or fun in your voice as you did.
"Do you think I can still have an ounce of respect for you after what you did? You murdered my people! They were all sorcerers. You killed students, Nanami! Jujutsu High's students! Just like Haibara once was!"
He shot his eyes at you, and the aura of his cursed energy grew sinister at your words. 
"Don't say his name."
Yu Haibara, arguably the glue that kept the trio together. You were hot headed, Nanami was intransigent, and Yu was the conciliatory ray of sunshine that kept you two — but you, particularly — from constant quarreling as classmates nearly every day.
But back then, you'd argue with Nanami with love.
This wasn't the case now.
Not entirely, at least.
"He was my best friend too, the three of us were! Do you really think this is what he would've wanted?!" you questioned him, equal parts hurt and enraged.
"I'm not one to ponder on could've or would've been's. Haibara is gone."
"I'm not a would've been!"
You could still remember it. The day you realized why dealing with Nanami and hearing his sharp comebacks riled you up so intensely. 
You finally understood you were in love with him.
Ever since the first day you met Nanami, you envied the way he'd be able to keep his feelings in check when you constantly felt like falling apart. You felt jealous at how he was considered a greatly competent individual, regarded by all as the best of your class, while you were basically viewed as a ticking bomb nearing explosion. And finally, it made you livid the way how everyone treated him like the informal leader of the trio when the three of you were out on a mission together.
However, those were the same things that got you to admire your friend and, eventually, fall in love for him.
That day, you asked Nanami to meet you outside after class by himself — much to Haibara's dismay —, because you had something to tell him. It was a Tuesday afternoon, and the unforgiving sun of summer was already setting, casting an orange glow through the leaves of the tree you were both under.
After confessing your feelings for him and bracing yourself for being shot down, because why the hell would Nanami Kento, the brilliant, competent, and mature second-year, have any interest in the chaotic, hot headed mess you were, you realized he actually looked surprised. After taking a few moments to collect himself, Nanami told you how he had thought you actually hated him.
At last, somewhat nervous — but definitely intent on not letting it show —, he confided he had affectionate feelings towards you as well.
Your first kiss was awkward, as it would be expected out of two inexperienced people such as you and Nanami were at that age, but it carried the sweet taste of a blue spring marked by teenage years' innocence.
It felt like a promise.
Unfortunately, such promise was unmercifully cut short the very next day, when Nanami and Haibara were dispatched to their life-changing mission.
What an irony it was that, in the end, you were the one to actually mature over Haibara's death, growing up to be an upstanding sorcerer, loved and admired by peers and students alike, and Nanami was the bomb to blow up in everybody's faces.
What a cruel irony.
"I was there too, and I'm still here, having to pick up the pieces of what you deliberately destroyed!" you rasped, angrily.
"You weren't a 'would've been'? Where were you when we needed you? When I needed you?" his voice didn't conceal the tinge of hurt that those questions carried.
What a fucking low blow.
"Nanami, that's not fair. There wasn't anything I could've done in that situation, and you know that!"
You blamed yourself for a while for not going on that mission with them, until you realized that you too would probably have died if you were there. From the three, Nanami was the only one strong and fast enough to pull off an escape like he did.
He diverted his gaze back to the window.
"You were the one to bring up hypothetical scenarios. Let's indulge in them for a minute, shall we?" 
Nanami glanced back at you, and his next words brimmed with bitter resentment, even if his voice sounded more calm and collected than ever.
"You see someone you supposedly love slowly sinking into darkness. What do you do?"
"Don't you dare, you condescending prick! I asked you so many fucking times what was going on. You were the one who shut me out!"
Your voice carried a decade-old pain that resonated from the depths of your soul.
It came from all the times you entered his dorm room with his favorite sandwich after he had cooped up in there for days on end, and he didn't even bother to eat it. Every time you asked him to talk to you, said you were there for him, and was met by a vacant stare.
And, at last, the time when he cruelly blamed you for not being there when Haibara died.
The way he coldly told you about Haibara's last words.
According to Nanami, Haibara said he wanted to speak to you one last time, at least to bid you farewell.
And you weren't there.
Oh, the viciousness with which he blamed you, and decided you owed him something for this perceived failure. 
The next time Nanami talked to you, he asked you to leave Jujutsu High with him, just like Geto did, and swore to destroy them. You tried, pleaded, implored for him to reconsider and stay, but the very following day, you were met by an empty room where the person you once loved used to be. 
That emptiness had, paradoxically, filled you wholly with grief.
Gojo once told you that nobody could save someone who didn't want to be saved.
You still thought you should've tried harder, in a childish attempt at giving yourself an illusory semblance of control over that clusterfuck of a situation.
This is the gap inside our psyche that feeling guilty tries to fill, isn't it?
We can only feel guilty about the things we could've changed, right?
Your voice sounded decades older than yourself, burdening the weight of multiple lifetimes of hurt and grief. Your soul was too old for your own good.
"How can you find it in yourself to blame me for this?! No… This is a prison of your own making. You built the house of cards that is tumbling down on your head as we speak entirely by yourself."
He huffed intensely through his nostrils — Nanami’s version of a snort —, looking the other way before proceeding, each syllable hitting you with the deadly precision of his cursed technique.
"You abandoned us, leaving me and Haibara to fend for ourselves, just like Jujutsu Society did."
By that point, you began yelling, and your voice reverberated all across the room.
"The hell I did!"
You had to take a deep breath before proceeding.
"I just couldn't get behind this dumb idea that we should become curse users and bring down Jujutsu Society."
"Why didn't you come with me?" he finally asked, in an amalgam of pain, sadness, longing, anger, and stinging resentment. "I would have followed you to the deepest recesses of hell if you asked me to."
You huffed, laughing angrily in between your teeth, before thrusting your words like thorns against him.
"Funny you should say that. You'd go anywhere for me? How about staying? Why couldn't you have stayed for me, then?!" 
Perhaps that request was egotistical, but you didn't care. If only for a moment, you wanted to give yourself this small privilege — to want in a world of duty.
"I was the one actually left to fend for myself, right inside the belly of the beast, and you couldn't have cared less."
He stared at you, nothing in his eyes other than the void left behind after his spirit got killed with his best friend so many years ago.
"I didn't stay because… Because," Nanami stated, with a grave finality, "and you're the one who chose to stay. You're still actively choosing to, just like you did back then."
"That's not a good enough answer," you replied with a bad taste in your mouth.
"It's what you've earned," he coldly replied, "but in case you change your mind-"
"Enough," you interrupted him, incredulous that even after everything, this man had the nerve of suggesting you'd ever be interested in running away with him. "It appalls me you would even consider I could… After what you've done? No, never."
Nanami sighed, and for a brief moment, seemed to be actually disappointed under his resigned, polished visage.
"Well, then. Let's get this over with, at once."
In a split second, you pushed your chair on the ground, falling on your shoulders and rolling on your back, dodging his lightning-fast attack. It left a crater behind, right where you were seconds before. Nanami jumped over the fallen armchair, and you dodged him once again, spinning on your heels, unsheathing your sword as you did so, to deal a beheading blow on the back of his neck.
However, right before impact, you faltered, slowing down your movement.
Your own body held you back from taking his life.
He didn't seem to notice.
Nanami bent down just in time to avoid the blow, and swung his blunt blade towards your kneecap. You were quick on your feet, and jumped back, putting a good distance between the both of you.
"I can see you're actually fighting to kill," he noted, getting up on his feet.
"Of course. That's what I came here to do," you spat in his direction.
"You were never the practical one."
You scoffed.
"Guess I learned something from you."
He smiled at the irony of that, but his eyes didn't follow his expression. 
Nanami lunged at you, but while you thought he'd deal his next blow in your direction, he hit your footing, having you fall on the ground. Abruptly, his blunt blade descended in your direction, but you were able to catch it and have it slip to your side using your katana supported by your hand behind it, sending a sharp, loud sound around the vicinity, trembling against the bones and flesh of the house.
You rolled on your side when he struck a new hit in your direction, leaving another gaping hole on the floor, and you jumped yourself up. 
Before you could attack him, however, he took you by surprise, and you lifted your sword to defend yourself. Nanami hit your katana with his blunt blade, breaking it near where the handle and the steel met, launching your body back on the wall.
The impact knocked the air out of your lungs, and you fell to your knees, unable to recover yourself as you got up. Instantly, you heard his quick, steady steps sprinting their way in your direction.
You were cornered.
This is it.
You braced yourself for the impact, closing your eyes. You remembered his technique perfectly.
Precise, just as he was.
Deadly, just as he was, too.
You were to die at the hands of the man you loved, who had become a murderer and only a distorted, broken version of whom you used to truly love.
This seemed like an oddly cruel way to go.
However, the impact never came.
His blunt blade stopped as it was about to hit your stomach, and you opened your eyes, just to see his face mere inches apart from yours. His mountainous form blocked your view from anything else behind him, and Nanami, at that moment, actually looked like the menace he truly was. 
“Why were you appointed as my executioner?” Nanami asked, much to your surprise.
“I asked to be,” you answered, holding his gaze as something went through his eyes. A hint of anger, most likely, and some sense of betrayal, certainly. 
“So, you want to kill someone you once loved? You were always prone to self-penitence, so it stands to reason you’d do something idiotic like that.”
You scoffed, grimacing at him, feeling your entire body incandescent with rage.
“I fucking hate you, Nanami.” 
He inched his face even closer, brushing your noses against one another, eyes stone-cold and hauntingly vacant.
“I hate you as well.”
For a moment, you wondered if he had really stopped his blade before impact. You didn't expect it, but hearing those words felt like you just had been hit, victim of a blunt trauma, at how much they tore you apart. 
The same blunt trauma that severed the Nanami you once knew — the teenager with bangs, who'd always be carrying around a few spare changes to get soda cans from the vending machine for you and Haibara, in his own understated kindness — and this empty monster looking back at you.
"Good. Finish me off, then, and get your revenge for a crime I never committed. Being unfair and an all-around self-centered asshole certainly suits you, fucker."
His hand made its way up your neck, and you were pressed against the wall. The grip was firm, but not enough to choke you — it came more as a warning than anything else.
"I already told you to stop using that foul language with me," he ordered, low voice simmering with genuine irritation.
"Then make me," you challenged him, hoping for this torture to be over as fast as possible.
Just fucking kill me already.
His blunt blade fell with a thud on the floor, and you were confused for a moment, wondering if he really wouldn't give you the kindness of a quick demise. Did he plan on choking you to death?
Did he hate you that much?
His other hand came up, but before you could do anything to try to resist — which would be nothing but a futile attempt at survival, given that Nanami was physically much stronger than you —, his fingers snaked their way through the back of your hair, tugging it at the roots. 
His mouth clashed against yours, all teeth, tongue, anger, and hunger, and instantly every nerve in your body flared up with a raging fiery ember you hadn't felt in years. All the pent-up resentment, hurt, and desire you had for Nanami swirled together in your gut, guiding your hands up his hair, as you also pulled on it intently, robbing him of a gasp.
You intertwined your tongue against his, and he unceremoniously bullied his own inside your mouth, leaving no crevice unexplored, as his hand on your neck descended towards your waist, where he clenched his fingers with a vicious grip. You whimpered against his lips, and he grunted in return, pushing his body on yours. His throbbing growing cock could be felt, even through both of your clothes, as he pressed it right against the edge of your pants.
When you finally parted after what seemed like a not-long-enough eternity, you huffed and panted, and albeit less than you, he was panting too.
"I fucking… hate you…" you gnarled, glaring into his eyes. The hazel-brown gaze you once adored was now clouded and dark, like the muddy waters of a deep lake.
"Shut the fuck up," Nanami groaned back, strongly cupping your cunt with his large hand. You whimpered in surprise, and he pulled you in harshly for another kiss, letting go of your hair and sex to sink his fingers on the backside of your thighs, pulling them. You immediately jumped up and threw your arms around his shoulders, as he manhandled your legs to have them hooked around him.
He quickly took you both inside the room, and tossed you on the bed, having you gasping in surprise. Before you could catch your breath, he climbed his way on top of you, pressing your body down, and clashed his mouth against yours again, making you actually lightheaded from a lack of air.
You pushed against his chest, grunting uneasy, and surprisingly, he parted his lips from yours.
"What?"
You panted heavily, nearly hyperventilating, and mindlessly rested your hand on his cheek.
"C-can't breathe…" was all you mustered up to say, trying to replenish oxygen back into your system.
His eyes softened so discreetly you nearly missed it, and his cold-ivory enclosure slightly cracked under the affectionate touch he didn't expect.
Nanami had no idea how much he had craved it ever since you parted ways, and hated himself, just a little, for how much such an innocuous gesture stirred his old feelings up, throwing his heart against his chest in a fluttering rush.
I should be over her by now, dammit.
Nanami also brought his hand up your face, and ghosted over your cheek for a second before sliding his fingers delicately down over it.
You also weren't prepared for that, and your chest tightened all over your heavy heart as you remembered your first kiss.
The way he'd cup your face in his hands.
 So delicate, so lovely.
This touch, at this very moment, felt like a painful reminder of everything you had lost.
"Kento…" you cooed, voice strained in your throat, with all the things you were sure you'd never say.
He hummed your name in return, and kissed you while sinking your body against the mattress. This kiss was different, as his lips brushed gently over yours, and his tongue tenderly teased over the seam of your mouth. You welcomed him in, and you both explored these deep waters tentatively, as he upped the intensity after each stroke of your tongues against each other.
He tasted like whiskey, and bread, and the tainted love left behind as nothing but a reminiscence of less grueling days. You couldn't help but feel robbed by him.
You both had been missing out on this for all these fucking years.
"Why did you have to go?" you asked, pulling back from him, a tinge of anger to your cadence, and another of pain in your face.
"Why did you have to stay?" he spat back at you, equal parts saddened and resentful.
His mouth made its way to your neck, and you gasped with the sensation of his warm breath mingled with saliva against your skin, as he licked and bit his way around.
You couldn’t find it in yourself to push him away, and your eyes burned with the prickling sensation of tears that wouldn’t come. You were starved for his touch, his smell, his body, even if this was the murderer of your students, of your friends.
In your head, you felt like digging a hole and throwing yourself in it, to wallow in the misery of realizing that you were about to fuck the murderer of people you loved, and that it felt good.
A pool of heat and fire shot down your insides as your heartbeats throbbed in between your legs.
You hated yourself, and on top of it all, hated Nanami. 
Hated that you couldn't help but still love him, even after all he had done.
This was the setting tension in between the both of you, the two extremes of hate and love pulling against each other, all while the tug of war rope refused to snap to either side.
He pulled your shirt over your head, tossing it aside, and you undid his shirt, unzipping his pants. He unzipped you too, and quickly enough, took off your pants along with your panties with a single sharp tug.
Back to rough, but not entirely, it seemed.
His hand glided against your thigh and his fingertips slipped over your entrance, getting completely glazed by your already dripping arousal. He grunted, a guttural and intense sound deep in his chest, giving you another bite on the soft skin of your neck.
"Hate me?" Nanami asked, teasing his digits over your cunt, "doesn't seem like it."
You managed to scoff at him, which would prove to be a mistake.
"Go fuck yours-"
Before you could finish your sentence, he dove two of his fingers inside knuckle-deep, without any hint of a warning, forcefully stretching your walls around them. You immediately let out a whimper so pitiful you wondered if that was really your voice.
He seemed satisfied at that. Perhaps, even elated.
"Good girl," Nanami whispered right beside your ear, nibbling against your earlobe with his teeth, sending shivers down your spine. He began sliding his fingers in and out, and you bucked down against his hand while moaning and mewling, walls sheathing his digits as he finger-fucked your cunt, neglecting your clit as punishment for calling him a condescending prick earlier.
His palm rucked against your dripping folds, echoing wet slaps all throughout the room, as your arousal kept pooling on his palm.
He mumbled softly against your skin, bringing his mouth up to brush against yours, "hate… you still love me."
You instantly drew one of your hands to slap him in the face for this hurtful teasing, but he had quick reflexes — quicker than yours. He dodged himself back as your hand hit the empty sheets, and edged his fingers to hit against your soft spot, pressing it so violently, you let out a strained cry from the shooting overstimulation pain.
"Ah- Shit!" you shouted, face all scrunched up.
"Can't you behave for once?" he chided, "why is it so hard for you to j-just-“ 
Nanami’s breath hitched in his throat as he grunted, unable to finish his sentence.
You shut him up the only way you could think — grabbing his cock harshly over his boxers. It was extremely effective, and he immediately humped his length against your hand, while lowly groaning.
With trembling hands and a violent snap, you haphazardly pulled his boxers down to his mid-thighs, as his fingers kept mercilessly bullying their way inside you, sending vibrating waves all throughout your body with every thrust.
“Stop… telling me… ah-aaah-“ you rolled your eyes back with a loud moan, struggling to keep a train of coherent thought, gnarling your next words,  “what to… ah- do!”
His cock sprang out, slapping against his belly. The tip was already flustered red, leaking with pre-cum, and had a long, prominent vein on the underside.
To punish him back for the roughness, you grabbed his length with one hand, and with the other, pressed the middle of your palm against his flushed tip, glistening his arousal around it with enough force to jump across the divide between intense pleasure and painful overstimulation.
Nanami cursed with a feral voice through his teeth, immediately biting the side muscles of your neck with no semblance of restraint, making sure to leave a purple remnant of pain etched on your skin.
“Ah- ouch! Fuck!” you spat out, tightening your grip around his cock, but weakened enough to release the tight pressure against his tip, letting him fuck into your hand. His hips bucked erratically, and his lips pressed a quick kiss right where he had previously bitten.
He couldn't help it.
Suddenly, Nanami stopped his rutting fingers to press his thumb against your already throbbing clit. That instantly had you seeing stars as you cursed loudly in between moans and grunts, drawing your free hand to his head, ferociously tugging at his hair, as heat pooled in your lower abdomen like fiery embers of coal.
He grabbed your arm, pulling it away from his shaft, and removed his fingers from your walls, having them clenching around nothing at such a sudden emptiness. You began complaining, only to have your voice cut short by his tongue slipping its way inside your mouth, in a sloppy, wet kiss. 
Parting from you, Nanami’s eyes were glassy, and you were absolutely sure your gaze must’ve looked just as hazy as his.
In a brief moment, before you realized it, he slid himself down, and unceremoniously lapped at your already sensitive clit with his warm tongue, hot breath tickling against your sensitive skin.
Both of your hands descended towards his hair, brushing over his golden and now messy locks more tenderly than you expected. Nanami suddenly shivered and moaned into your cunt, edging his tongue down your folds and back, eyes fluttering shut the moment he tasted you entirely.
He felt a tinge of pain clench at his chest, realizing this was the taste he had missed out on for all that time — your taste, which would surely ruin him forever.
Nanami’s pain, however, was quick to turn into outrage, as he began sucking on your clit relentlessly, eliciting the most animalistic sounds you had ever uttered.
You instinctively tried backing away, and he pulled on your thighs, holding them with such a violent force that his hand was sure to leave an engraving of his digits over your plush skin.
Nanami was intent on dragging this orgasm out of you by any means necessary.
You had never given him anything he wanted from you — be it the company to fight against Jujutsu High or the same unwavering loyalty he had for you. So this was something he’d take.
If you wouldn’t be by his side, then the least you could do was to cum for him so fervently, he’d be sure to ruin you just as much as he felt like you had ruined him. You owed him that, or so Nanami thought.
“Aaah-- Kento! S-slow d-… fuck!”
You came with a thunderous shout, jolting your hip forward as your thighs tightened with inhuman strength to the sides of his head. Nanami made sure to deliciously lick your way down from your high, applying such a precise and perfect pressure on your clit that you could’ve wept from sheer satisfaction.
After your legs went limp, he slowly climbed his way back to you, pressing kisses all over your body, leaving a ghost of heat wherever his mouth traveled. When Nanami finally reached your face, he put his forearms against your sides, hands over your shoulders, caging you in, as he pressed his mouth against yours in a slow kiss.
You were floating in a calm sea, salty waves caressing your body every time they passed through, and it felt cozy. Inviting, even. As he parted his lips from yours, Nanami gazed into your eyes in the way he used to.
For a second, you got catapulted into the past, and the orange sun that warmed your cheeks through the leaves as you kissed for the first time seemed to shine its rays over again.
With his arms around you, the nonsensical feeling of being protected washed over your heart.
“Come with me,” he whispered with a sultry, husky voice. 
“Kento…” you cooed, sighing, wanting nothing more than for this moment to extend for infinity.
But it couldn’t.
You didn’t go with him, so many years ago.
And wouldn’t go now, either.
That wasn’t how it worked for the both of you.
Nanami understood it, and what seemed like another crack against his unwavering walls had formed the moment his brows furrowed above his eyes.
“Fine, then,” he said, with a tinge of genuine hurt to his voice.
You parted your thighs to accommodate his hips, and he obliged, guiding his hand down to align his cock against your entrance. You bent and hooked your legs around him, pulling him in, and as the tip of his length got pressed against your dripping cunt, he gasped slightly over your lips.
Nanami sunk in slowly, going through your already relaxed ring. However, it apparently wasn’t relaxed enough, or perhaps he was just too big, because you could feel every inch of stretching his cock made against your walls as he slowly bottomed out inside your cunt.
His mouth fell open and you exhaled a moan into it, breaths mingling together. You two drank each other in. Nanami pressed his forehead against yours, and you both held each other’s gaze, as he pulled your left wrist above your head, holding it there, pushing you down the mattress by your waist with his other hand.
After a moment for you to take him in, Nanami began rolling his hips into you, while his hand kept bruisingly pressing your wrist against the mattress. You could feel his balancing act of trying to love you and wanting to hurt you at the same time.
You weren’t so different from him in that sense, though. Your nails got dragged down his back with abrasive force, and for a second, you considered drawing blood from him. He grunted, and you saw the spark of cold-hearted anger flash through his now dimmed eyes.
You both wanted to love each other just as much as you wanted to hurt each other.
In a more forgiving universe, perhaps, he’d hold your hand tenderly, intertwining his fingers in yours. Maybe you two would be in the kitchen as he showed you one of his favorite bread recipes, and share quiet moments of understanding companionship when remembering those who had left this world too soon.
But this wasn’t that universe, unfortunately.
He was to die, and you were to carry out his execution. 
Except you couldn’t, because even if you still tried to cling on to any sliver of morals, even if his life was something yours alone to take, the mere thought of a world without Nanami was far worse than the reality of a world in which he was a murderer.
You insisted on fighting a losing game, and much to no one’s surprise, you lost. 
Good riddance to me, I suppose.
His grunts came hitched and stuttered against your mouth as he was now rutting himself into you, biting your lower lip hard enough to almost pierce the skin with his teeth. You moaned loudly, dragged around with pain and pleasure, the combo that seemed to summarize the gist of your relationship.
He let go of your wrist and descended his hand without a warning towards your already overworked clit, glazing his thumb against the ring of arousal you were leaving around him before starting to make circles around your nub. Your moans came out cracked and faltering, as you tried to resist the instinctive urge of fleeing that the overstimulation was eliciting.
“Give me… one more,” Nanami groaned lowly against your cheek, planting multiple kisses down the side of your face and your chin. His hair — which had already fallen from its usual slick arrangement — brushed against your fluttering eyelids, momentarily weaving golden sand colors over your your vision, and you drove both your hands to the back of his head, pulling him in for another kiss. 
You could kiss him like this forever. 
You actually wanted to, at that moment.
To his request, you nodded, and this was probably the first time you acquiesced to any request Nanami had ever made to you. 
Fulfilled, his thrusts and his finger over your clit became increasingly erratic, as he was now moaning your name against your mouth. You pushed your tongue over his, sliding your hands up his head to tug at his roots, and that was all it took to tip him over the edge.
Nanami came with a muffled groan, having your tongue still pushed inside his mouth, and kept pumping himself inside you trying to keep the comedown at bay. His thick, white cum got glazed all over inside you, and the slaps of flesh and skin began sounding ever more wet than they already were.
You weren’t so far off, with your walls fluttering around him, and he noticed it, keeping his now trembling thumb pressed and circling intently over your clit. With one perfectly applied nudge on your sensitive bud, Nanami finally pulled you over the edge along with him.
Some tears began pooling on the edges of your lashes, and all your emotions — anger, sadness, grief, longing, and a particular brand of despair you cultivated during the last decade — came crashing down as he wrenched your second orgasm from you.
Your body convulsed under him, fluttering walls expelling his softening cock out, as you shouted and grunted into his mouth. You didn’t know if you were more furious at yourself for still loving him, at him for loving you, or at Jujutsu Society for jumbling you both like pawns to be tossed around until you two were broken beyond repair.
Angry at them for sending the young out to have their spirits crushed too soon. For all the deaths no one got to mourn because there was too much work, too little time, and the wounded were always left behind to fend for themselves.
Just like you were.
And just like Nanami was.
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You sat at the edge of the bed while putting your shirt back on, and looked back at Nanami, who had his buttoned shirt open over his chest.
“Are you still resolute on your decision of not coming with me?” Nanami asked, with a tinge of eagerness. Or maybe it was just your imagination.
You pondered for a moment, and knew exactly what the answer to that question was.
“Yes. I’m not coming with you.”
For a second, you caught the faintest glimpse of the person he used to be. Something aching to genuine disappointment.
The longing that flashed through him, unfortunately, was quick to go, as he began buttoning his shirt down, averting his gaze elsewhere.
“Why?”
“Because I’d hate myself for the rest of my life if I did,” you stated, sighing before continuing, “and it’s not because I can’t kill you or because I love you that I don’t despise you. You crossed an uncrossable line.”
He pursed his lips, and almost felt regretful for the path he chose.
Almost, since regret now would come ten years too late.
“You can’t go back. They will know you let me go,” Nanami remarked. Be it from him or from looking around this house, Jujutsu High would surely hold you accountable for this — for willingly letting the curse user and murderer, Nanami Kento, escape their wrath.
“I know that,” you replied, a tad bit more defeated than you expected, “that’s why I’m fleeing to Hokkaido.”
He sighed and looked at you. You held his gaze, feeling a little hint of anxiety at what he seemed to be simmering under the surface.
With a warmer expression — or as warm as he could muster it up to be  —, Nanami spoke again. 
“I truly want you to come with me. You’d be safer. We’d… be by each other’s side.”
For a moment, you faltered, open lips with no sound coming out of them. Blinking yourself back to Earth, you asked, “you mean together?”
Nanami kept silent, but nodded, waiting for your response.
He wasn’t just asking for you to come with him, but to be with him.
You wanted to. You did. Something Nanami never knew was just how much you wanted to follow him when he asked you the same thing, so many years ago.
But even though you wholeheartedly loved him with every minute part of your being, your loyalty lied elsewhere.
Not with him, but with the people he had killed.
Well, at least that was the comfortable lie you were capable of living with.
It would destroy you to realize the loyalty you had for the murderer of the people you loved. 
In the end, even if you weren’t a teenager anymore, you were just as much a hostage to your feelings as you had always been.
The ticking took a long time, but the bomb eventually went off.
With a decade’s old delay.
“I… just can’t. I can’t.”
Nanami reclined himself against the wall over which the bed rested, closing his eyes as he supported the back of his head on it. 
He never told you, but this moment broke his heart all over again.
He felt pathetically small.
Guess we get what we deserve, after all.
“You really do have a taste for penitence,” Nanami noted, his voice barely concealing the bitterness that tainted those words.
You scoffed, getting up on your feet, ready to leave as the first rays of sunshine began bleeding through the thick curtains that covered the bedroom’s window.
“Go to hell.”
He chuckled, a sound you hadn’t heard in a very long time. However, it sounded off-key. Wrong.
Sad.
“We’re already here.” 
At the end of it all, he wasn’t wrong.
You were doomed to always keep leaving each other.
If only the world had been a little kinder.
But kindness, it seemed, wasn’t in the cards for you.
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End notes: I’m silently screaming. Oh my, this one took way longer than expected, but I enjoyed the writing process during every step of the way (I mean, if that wasn’t evident already from the fact that I made a playlist for this 😂). I forgot how much I was a sucker for gut wrenching angst. Hope you enjoyed it too! 🦉
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dykealloy · 2 days
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Rec list please ✍️🏻
(with tropes and just a smidge of reason why the media is recommended <- both very optional of course)
oh boy. okay. Confession time, I've watched a ridiculous number of shows out of east Asia so this is a good opportunity to share some faves from recent memory. If there's going to be one running through-line with these recs it's that I love character-driven narratives which explore interesting interpersonal relationships (socio-cultural commentary is a plus).
In no ranked order, here's my top ten:
Hamster running the emotional gamut wheel (well-written stories about grief, closure and family)
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Move to Heaven (2021) Korea, 10 episodes, Netflix Summary: Han Geu-ru is an autistic 20-year-old who works for his father’s business “Move To Heaven”, a company that specializes in crime scene cleanup, where they collect and arrange items left by the deceased and deliver them to the bereaved family. When Geu-ru's father dies, his guardianship passes to his uncle, ex-convict and underground MMA fighter Cho Sang-gu. Per the father's will, Sang-gu must care for and work with Geu-ru for three months to gain full guardianship and claim the inheritance. Eying money, Sang-gu agrees to the conditions and moves in.
This show knows exactly what it is and executes with excellent writing and characterisation. While it does have an overarching narrative, Move to Heaven is structured so that you're exploring a different person's story each episode, so it has a lot of flexibility to explore themes of grief and closure through different lives and relationships, and when I tell you this show can hit emotional beats... (<- may or may not have cried through most episodes on my first watch-through. Emotional terrorism). These stories are really beautifully portrayed and though there are effective comedic beats, there's this clear authenticity in not needing to undercut or distance oneself from the vulnerability of the subject matter.
Geu-ru and his uncle (Sang-gu) add a lot of needed levity, with Geu-ru's need for consistent, structured, methodical routines constantly clashing with Sang-gu's chaotic and combative approach to life. Sang-gu's character arc (though predictable) is just so satisfying. It's kinda hilarious seeing Geu-ru (and his father by extension) inadvertently poke more and more holes in Sang-gu's initial plan of "take the money and run" the deeper he incorporates himself into the space and purpose that his brother once took up, and it's very heartwarming to see these polar opposites slowly develop a respect and appreciation for one another.
Tropes: reluctant to responsible parental figure, tear-jerker
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Oh No! Here Comes Trouble (2023) Taiwan, 12 episodes, GTV and iQIYI Summary: Pu Yi-yong was a typical 17-year-old student with a passion for drawing and a hereditary talent for calligraphy. After he wakes up from a bus accident that claimed his father's life and left him in a coma for two years, a 19-year-old Yi-yong must now find his place in the world again. This becomes more complicated when spirits begin approaching him and asking for his help.
This show actually has a lot of similarities to Move to Heaven e.g. exploring different side-stories each episode, focus on victims forgotten by society (the lonely, the homeless, the outcasts and the minorities), themes of grief and closure, polar opposite characters learning to work together, breaking me emotionally at some point. But Oh No! Here Comes Trouble differs in tone (distinct directing style), quirky humour (Taiwanese comedic style is just different and I love it in this show) and presentation (urban fantasy/mystery).
Yi-yong might be one of my all time favourite characters in media. From the outset he presents as this classic, one-dimensional, grumpy delinquent teen (e.g. resting-bitch-face syndrome, scrappy mullet, academically behind, no social grace and a tendency to accidentally hit people in the face with softballs). As fun as that is, the more you watch, the more this show challenges these assumptions. Yi-yong's mum (also an A+ character, god I love her) is a hairdresser, and often uses Yi-yong as her stylistic guinea pig. Yi-yong's not super intelligent, but he's compassionate (albeit at times reluctantly so). He really listens when people talk to him, whether they're trying to comfort him, give him advice, or asking him for assistance (though he often questions and expresses frustrations about his own ability to help other people). There's a humble gentleness to him.
Yi-yong was already struggling to juggle his dreams of becoming a comic artist with the practicalities of his life before he fell into a coma, then he woke up two years later, having completely missed the perceived "pivotal juncture" associated with the transition from youth to adulthood. Time moved on, and so have his peers, leaving an almost 20-year-old Yi-yong lost at sea with no paddle, no map and grieving the loss of his father. And now he has supernatural beings approaching him and insisting that he is the key to settling their unfinished business. To Yi-yong (and to popular east-asian social standards), Yi-yong is a loser. He's academically unintelligent, has no clear aspirations or discipline or future prospects, his family is far from wealthy, he's got zero social status, smarts or rank. Yi-yong is just as much of a forgotten outcast to society as these spirits are.
He does eventually get assistance in the form of Chen Chuying - a junior police officer (helping substantially with the mystery investigation side of things) and Cao Guangyan - former one-sided rival schoolmate and current med student who coincidentally moves next door (initially maintains the outsider perspective of Yi-yong as a hooligan until they get to know each other a little better, by which point Guangyan is already helping Yi-yong get back on his feet) who form a very well-rounded, loveable cast.
I wish I could talk more about this show, I am very fond of it. Please do watch it and if anyone wants to discuss it my dms are open.
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Tropes: ragtag trio of idiots, urban fantasy, mystery, tear-jerker, reluctant hero
Get your pussy up get your money up (life is giving lemons and survival is the name of the game)
Honourable mentions here: Yeon Sang-ho popped off with Train to Busan in 2016 and South Korea has been throwing bangers into one of my favourite genre pools ever since. If you're interested in more zombie series I would strongly recommend checking out All of Us are Dead (2022), Happiness (2021), Sweet Home (2020) and Kingdom (2019).
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A Shop for Killers (2024) Korea, 8 episodes, Netflix Summary: Jeong Ji-An tragically loses her parents as a young girl. Her reserved and mysterious estranged uncle, Jeong Jinman, acts as her sole guardian and care-taker, raising her with tough love and a survivalist mindset until she leaves for university. One day, Jung Ji-An hears that her uncle has suddenly passed away, and returns home, where she learns the truth behind her uncle's business and by extension, her past.
Ji-An is locked inside a building with no communication with the outside world, nowhere to go, and with assassins after her head (not ideal). Unbeknownst to Ji-An though, her late uncle Jinman prepared a thorough defense system for this very event, setting her up with home-terf advantage and a very dangerous fortress against this army.
Ji-An and Jinman's story is told mainly through flashbacks as Ji-An attempts to survive the raid on their home. Their dynamic is definitely a repeat of the stoic, initially cold father-figure type "I am neither your mum or your dad, and I can never be" to the orphan child that we've been seeing more recently of late. I'm not mad about it. It's a good formula. I won't go into the type of person Jinman is, or the nature of his work/business. Going in blind and slowly figuring this out with Ji-An was a big plus in terms of the viewing experience for me.
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Tropes: reluctant parental figure, home alone antics
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D.P. (2021) Korea, 12 episodes, Netflix Summary: Ahn Junho is enlisted to serve in the South Korean Army as part of his national service obligations. He eventually goes to the Army's Military Police. While getting used to life in the MP, Junho's street smarts lands him in the D.P. (Deserter Pursuit) unit. Junho is assigned with Corporeal Han Hoyeol to capture deserters, revealing the painful reality endured by each enlistee during their compulsory duty.
imo D.P.'s is at its most enjoyable when Junho and Hoyeol are working as detectives with limited time and resources. Hoyeol's presence especially adds needed levity. He's like the show's own eccentric little court jester (at least until season 2, where he becomes the show's own tortured little court jester). You don't know how much you're missing Hanyeol until he shows up and you're finally given some space to breathe.
This show's gotten a lot of praise for its realistic social commentary around the vicious cycle of bullying, hazing practices, corruption and abuse within the South Korean military. It's well written and fast-paced, and it definitely doesn't pull its punches. I probably wouldn't recommend this show were it not for the quality of its writing, its ability to balance the depressing subject matter with pockets of dark comedy and everyone's favourite dynamic duo Junho and Han Hoyeol. All the content warnings for this one.
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Tropes: ptsd, abuse, brotherhood, idk man straight up not having a good time
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Weak Hero Class (2022) Korea, 8 episodes, Viki Summary: Straight-A student and loner Yoon Sieun utilizes his wits and tools to defend himself from a boys school full of shit-heads. He slowly warms up to Ahn Sooho, the school's strongest fighter, and Oh Beomseuk, the new transfer Student.
Sieun is here to answer the age-old philosophical question: "Aren't you tired of being nice? Don't you just want to go apeshit?" Even though Sieun is physically lacking, he's very capable of baring his teeth and using his smarts to fight like hell. It's so cathartic to finally see a short, weak, bullied protagonist willing to go violently feral upon provocation.
This show's tone can get pretty dark and surprisingly violent. The true core behind why a lot of people love this show is Sieun and Sooho's friendship. Sieun starts off as a grumpy, glaring, withdrawn hermit with no interest in anything that isn't studying (honestly idk how Sieun keeps finding himself in these situations like. All the kid ever wanted was to hit the books). I won't spoil too much, but watching as Sooho slowly peels away that protective shell Sieun encases around himself is a thing of beauty. I strongly recommend you give the first episode a go (free on youtube).
Tropes: angst, bromance, badass bookworm, adults are useless, abusive parents
Detectives smashing you over the head repeatedly with gay subtext (not explicitly gay but if you have a brain and any semblance of a gaydar that thing is going to be going off like a geiger counter next to the elephant foot)
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The Devil judge (2021) Korea, 16 episodes, Netflix and Viki Summary: Set in a dystopian version of present-day South Korea, the world is bereft of law and order and the court justice process has become like a reality tv show. Head Trial Judge Kang Yohan mercilessly punishes the guilty and corrupt, earning him the "Devil Judge" monicker. As bitter rivalry takes shape between Yohan and the highly ambitious Jung Sun-ah, who has risen from poverty to become a corporate social responsibility foundation director. Into this turbulent world enter two childhood friends on a mission for true justice and determined to discover the secret Yohan is hiding: rookie judge Kim Gaon and detective Yoon Su-hyun.
The Devil Judge tackles the concept of the anti-hero (battling evil with evil) and questions why these figures are idolized by the public. It also challenges the naive faith in the rule of law and whether or not the established systems should be upheld or not. The screenwriter has however made it very clear that he focused way more on the relationship between the characters than conveying his own message and boy oh boy is that reflected in whatever Yohan and Gaon have got going on (serious come-hither eyes, gratuitous physical touch, themes of power, justice and corruption, Yohan pressing Gaon up against the nearest hard surface on at least four separate occasions, etc.).
Kang Yohan, the titular anti-hero/main protagonist operates within a failed state and a corrupted judiciary. To a certain extent he knows the self-destructive path he walks is doomed to fail, but to right the system and take revenge, he's on the lookout for a someone that can out him as the Devil and become the messiah that Yohan himself cannot be. It does come off as very "anime" at times (theatrical presentation, tragic backstories, bad writing when it comes to women, naive characters and overly dramatic tone) but hey, if you have very few qualms with that, chances are you're going to have a blast.
Also the OST for this show absolutely fucks. It has no right being this good. Jung Se Rin really popped off. I have Enemy of Truth as a staple in a lot of my playlists.
Tropes: idealist vs jerkass pragmatist, anti-hero/vigilante, whump
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The Worst of Evil (2023) Korea, 12 episodes Summary: Set in the 1990s, a former DJ starts selling a new powerful drug. Since the police know little about its origin, rural police officer Park Junmo is assigned to go undercover and infiltrate the criminal empire responsible for the drug trade between Korea, Japan, and China. Junmo later discovers that his wife, Yoo Euijung, also a detective, has volunteered to participate in this dangerous mission and seems to have a past with the underground drug king (and Junmo's boss), Jung Gicheul. The deeper Junmo entrenches himself as Gicheul's subordinate, the more unrecognisable he becomes to those closest to him.
Junmo could have let Gicheul die or slip away like several times in a row, indicates he has zero idea why he does this, then says the line verbatim "I look up to him and I like him and my body follows my heart". What am I supposed to take away from this. This show has everything. Early 90s homoerotic cigarette lighting, sodomy, incredible cinematography, betrayal, close-ups of Junmo's bloody face squished up against Gicheul's thigh. There's some scenes where Junmo is looking at both his wife and Gicheul framed in the same shot like the goddamn camera is daring you to question who he is more jealous of. My biggest complaint is that there was quite literally no need for a wife-stealing plot - the most compelling, messiest gay situationship was right there for the taking.
In episode 9 post-gang war hallway-slaughter, a blood-soaked Junmo hops up onto a table on all fours with a knife between his teeth, locks eyes with Gicheul then proceeds to slash a man's achilles tendon and if you listen closely enough you'll hear me in the background screaming YOU HAVE BECOME HIS DOG. 10/10 watch this show.
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Tropes: mafia, undercover, bodyguard, make him worse, devotion and loyalty gone bad gone nuclear, maybe if they fucked nasty about it we wouldnt be in this mess
Beyond evil (2021) would also go here and has similar vibes to the above two, but I personally don't have much to say about it. Unhinged slutty old man, gay stuff going on over there, etc, etc. Citrinekay sums it up nicely here. Guardian (2018) would probably also go here. Definitely check these out if you enjoy/like the sound of these shows.
Lighthearted fun romance (I am not escaping the lesbian fujoshi accusations)
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Cherry Magic (2020) Japan, 12 episodes Summary: Adachi is a salaryman with low confidence and a tendency for self-deprecation, resulting in him often acting awkward around others, not being sure how to assert himself in the workplace, and constantly comparing himself to the company's golden boy - Kurosawa. Things become further complicated when Adachi finds out after his thirtieth birthday that he has suddenly gained the magical power to hear people's thoughts if he touches them. Adachi struggles with his newfound touch telepathy when he accidentally discovers Kurosawa is in love with him.
Cherry Magic! Thirty Years of Virginity Can Make You a Wizard!? (Yes that is the full title, Japan you are killing me) is very sweet and wholesome and the humour hits and I believe in Kurosawa Yuichi supremacy. I know self-deprecating characters can be a downer for some people but Adachi comes off as very relatable and seeing him slowly gain more confidence in himself and his abilities is heartwarming. Great serotonin-booster. If you find this show's premise interesting there's a high likelihood you will enjoy it.
I didn't care so much for the second couple but if you're like me it's easy to skip through these scenes (you won't be missing anything).
Tropes: office romance, telepathy, pining
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Semantic Error (2022) Korea, 8 episodes, Viki and Netflix (region-dependent) Summary: Cho Sangwoo is the epitome of an inflexible and strict rule-abiding person. When talented graphic design major Jaeyoung discovers Sangwoo is the cause for his delayed university graduation, he sets out to take revenge (by becoming Sangwoo's biggest, brightest daily annoyance). Jaeyoung finds himself in hot water when he inadvertently develops a crush, and junior computer science major Sangwoo is about to encounter some serious errors in his usual programming.
This is a classic polar opposites attract story, with Jaeyoung the loud, extroverted, brash foil to Sangwoo's reserved, withdrawn, morally black-and-white, logic-first persona. As much fun as it is to see Sangwoo's ordered world thrown into chaos, it's equally enjoyable to witness Jaeyoung jump from being obsessively committed to annoying Sangwoo, to being whipped for him (and the subsequent difficulties this causes for Jaeyoung - a popular, attractive, talented, bi artist used to getting his way - in trying to pursue a highly irritated and emotionally closed-off Sangwoo, who is being challenged with a side of himself he hasn't had to grapple with up until now). Also Jaeyoung has an incredibly hot lesbian best friend which was great. for me specifically.
An entertaining, cohesive story with great actors who have fantastic chemistry. What more can you ask for?
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Tropes: enemies to lovers, opposites attract, university, pulling pigtails
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Old Fashion Cupcake (2022) Japan, 5 episodes Summary: At the critical juncture of a mid-life crisis, Nozue, a 39-year-old office worker, is stuck in the dull, mundane grind of wake, work, sleep. But due to his age, he's convinced he's well past the point he can take risks by trying something new. As such, he continues to decline promotions at his job and romantic advances from potential partners. He confides one day in his 29-year-old subordinate, Togawa, making an off-hand comment about a desire to be like a young girl - capable of feeling excitement and joy in life again. In an attempt to inspire him to move forward, Togawa suggests an "anti-aging experiment" and the two of them go on a journey together to help Nozue feel young again.
First things first - a large portion of Togawa's proposed "ant-aging technique" involves frequenting dessert cafes and restaurants that are catered towards a younger female demographic and fuck me the food in this show always looks so goddamn good.
The boss/employee thing might turn people away from giving this a shot but what I really love about this show is that despite being Nozue's subordinate (and younger than him - which is a bigger deal in Japan), Togawa is extremely blunt and unafraid to tell Nozue exactly what he thinks (so long as Togawa believes it will ultimately benefit Nozue in the long run), and it's very clear that he does this because he has a strong sense of respect for Nozue (and because spoilers - Togawa is so down bad for his boss like okay boy DAMN. Go get your esoteric old man). This show is also great at conveying emotion and inner conflict without dialogue (I've enjoyed coming back for a re-watch and picking up on little nuisances in Togawa and Nozue's behaviour that I missed the first time around).
Overall this is a very cute, very wholesome coming of age/queerness story that reminds you that it's never too late to pursue what interests you, try something new, and enjoy life while you're at it.
Tropes: fingers in his mouth friday, pining, age gap, office romance, food as a love language
That's it! If you want more recs from a genre hit up my inbox, I had a fun time pulling this together and have many more in the chamber where that came from.
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ceruleancattail · 11 hours
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Not a request but I have yandere jade brainrot where he falls for an actor/actress who is one of the top stars at a local theater. They are known to be extremely good at playing different roles and personalities and something about that really speaks to jade. He wonders what role they’d “play” when he decides to make his presence known to him 👀
Tw: yandere, stalking, Jade’s a jerkass but what’s new
Stalker Jade came directly to mind ok hear me out:
Jade noticing that his classmates seem to be talking about a new psychological drama. It appears to be the recent craze… and Azul made him watch it. Having an extensive knowledge of the current trends that could be useful for the Mostro Lounge, especially for special promotions to appeal to the students so they’ll come in and drop more cash.
So Jade grudgingly watches it. Yet to his surprise, he actually gets invested into it. The characters develop throughout the hellish landscape, changing who they fundamentally were just to survive… it was ever so fascinating.
One actor caught his eye, in particular. You. The way you seemed able to contort your face into such aguish, and the passion you poured into the role you played? Jade was hooked the moment you walked onto the set. There was something fluid about you, the way you seemed to shift into various states of emotion ever so easily.
He became a fan, after your very first scene. Now, Jade’s a rather curious person. It’s hard to make him like something, but once he does, he’ll tear up an entire library researching about that one thing. It’s both a skill and a passion, at this point.
He knows everything about his beloved mushrooms, and he knows almost everything about you, his precious sea-star. He’s dipped into articles, interviews, videos, anything he can get his hands on just to find out more about you. What do you like to eat, how you started acting, where you were spotted most often… Jade knows it all.
Jade collects merchandise sparingly. Maybe one or two postere he finds adorable, that’s all. Now, what he’s really obsessed with is the things you’ve used.
You held one water bottle during an interview? Jade’s scouring the internet for an identical one. You’re wearing a new jacket from a sponsor? He’s preordering it right now. He even has a blank account where he follows all the people you follow on Magicam just to see how your feed looks like, from your perspective.
He just wants to understand how you think, how you act… isn’t that the basis of a healthy, stable relationship? Putting yourself in the other person’s shoes? (he has the same shoes as you too.)
See, all Jade wants is to get to know you on a more personal level. A more inmate level. Now what’s wrong with that?
So when you announce a new movie in the works with Night Raven College as the backdrop, Jade’s sliding his way into the greeting committee, pulling a few strings here and there to ensure you had the best accommodations in Octavinelle dorm. Don’t worry, everything has been prepared for you, by Jade’s own two hands.
The room was… uncannily similar to the one you had at home. The brand of soap in the toilet, the fabric they used to line the bed… even a replica of the pillow you left lying at your home. It’s just a coincidence… right? A lucky chance. That’s got to be it, right?
Even after Jade shut the door, you still felt… uneasy. Glancing around like a timid little critter, trying to quell the anxiety building up within your heart. As if you were being monitored, somehow. Watched from all corners, in fact.
You try to tell yourself it’s all nerves, you’re just stressed being in a new environment. It’ll all work out somehow, it’ll be fine. Reassuring yourself over and over again, chanting those words like a desperate prayer. Words unheard by the whole world… except for you, and the eel watching on his screen.
My, it was a good idea to keep that Ignihyde student in his debt. Now, he had a front row seat to you. What truly touched him from the very first drama he saw you in was your splendid portrayal of fear. Jade sincerely hopes you’ll give him a greater, genuine performance now.
Oh, if you ever find out? Your outrage has its charm as well. Go ahead, try to report Jade. There was a reason why he made the Ignihyde student set up every single hidden camera in the room with his bare hands. There are multiple Octavinelle students who would be willing to testify to the court, saying that the Ignihyde student snuck in all on his own… acting ever so suspiciously as well!
So go on, make the report. Sentence an innocent student to a lifetime of disgrace and shame. Jade doesn’t particularly care about what happens to that poor student… but you would, wouldn’t you? Because deep down, you have a conscience. You have a soft, bleeding heart.
It’s why you excel in your act. Because you know how emotions feel. How they tear at your throat, burn in the depths of your gut. You feel, so much more than a regular person does. Fine by Jade.
He’ll let you struggle and fight for as long as you want. However, you’ll never escape him, for as long as he draws breath on this world.
You know, Jade used to see you as another unassuming, boring human… but he doesn’t, anot more. He’s fascinated by you, now.
Unfortunately for you.
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scottfreed · 2 days
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Comparing the Text of the "TANGLED: Before the Ever After SERIES BIBLE" and the "Tangled The Series: Series BIBLE"
I wanted to compare the text from the two Tangled bibles from the Disney leaks since there seemed to be a lot of overlap in the language and I was interested to see what had changed between the initial BEA bible(2015) and the TTS series bible(2018).
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I'm in the asoiaf fandom and we do this with old George RR Martian drafts and manuscripts all the time, a sort of literary archeology. I took the plain text of both documents and ran a comparison to see what had changed between the two bibles. ((My dumbass put the 2018 TTS document as the original and the 2015 BEA doc as the "modified" one. So the Struck through text is actually the older/original/BEA.))
So obviously, the TTS bible was far longer since it was created and modified far later into development and even after wrap. It encompasses waaay more material. So naturally, all the S2 material outside if a brief synopsis was not in the BEA.
S1 Characters that do not appear in the 2015 BEA bible, but do in the 2018 TTS bible include: Angry, Red, Sugarby, Monty(even though his episode was), WRECK MARAUDER (Same as Monty), Fidella, and surprisingly: Stan and Pete.
And most surprising of all: the Captain didn't have a character profile in that initial document even though I could swear he has more episodes than characters like Lance, Varian, Quirin, and Xavier who all do have profiles in the 2015 BEA one.
I wonder if this indicates the order in which the characters were developed, or if they had different initial plans to use certain characters with more frequency and that didn't work out.
And as I sort of mentioned, in the BEA document, there were only summaries of six episodes after the special; "Challenge of the Brave," "Rapunzel's Enemy," "Cassandra Vs. Eugene," "In Like Flynn," "Under Wraps," and ""Fitzherbert PI."
It's fascinating to me how most of these are Cass and Eugene focused eps, with only one truly Raps focused one.
Anyway...
First big difference in the text:
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By far the most common and consistent change between versions was Cassandra's job.
In 2015 in the Before Ever After pitch, she was consistently referred to as a "handmaiden" and then as of the 2018 TTS series bible this was changed everywhere to "lady in waiting".
I always wondered about this shift. At first I wondered if the change was to distance the show from the wildly successful, but thematically dark/adult "Handmaid's Tale" which came out within like a month of TTS, but now I'm wondering if it was more to align her thematically with her later characterization of "the Lady in waiting who is sick of waiting." It's probably that latter option. But I did kind of prefer the handmaiden angle since a lady in waiting is still comparatively powerful nobility. And imo a "maid" taking on a Kingdom is way more sympathetic than a lady doing so. It could have just added that extra layer of class conflict, but oh well.
No matter the reason, "Handmaiden" is out, "Lady in waiting" is in!
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Attila got a little fleshing out between versions! Though this never seemed to materialize. I almost wonder if someone needed to hit a word-limit or something. I would have liked to see an ep showing Attila more and more integrated into Coronan society. See his progress from S1 to S3.
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It seems the decision to have the full entourage outside of the main three on the mission might have been a later addition. (Alternatively the 2015 bible might have just had need to be more short and concise with the S2 details.)
It did seem(unfortunately) like the spare 5 didn't contribute much to the overarching plot, so I wouldn't be surprised if that were true. (And I'm including the Hookfoot filler episodes with that.) It would have looked pretty different, but might have been more character focused if they had gone in that direction.
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Seems the Lorb episode was originally REALLY different...
The idea of them being mythical leaf people was a later addition, as well as the island aspect of the setting.
And it looked like the human "distinct tribe of people" were originally going to be worshiping Rapunzel and not Pascal. I can certainly see why they changed this so much.
It would be hard for Raps to beat the Demigoddess allegations and maintain the everyman vibe, plus the God Guise/Cargo Cult tropes are awkward as hell in that context.
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"The Brotherhood of the Stone" ?
"The Brotherhood of the Stone" ?
"The Brotherhood of the Stone" ?????
..... Brotherhood fans btfo, its so over, we will literally never recover from this. *passes away*
No but really, no distinct mention of Adira or someone in her role. I wonder if the idea of discord/disagreement among the Brotherhood members didn't come about until later.
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This is pretty cool! I didn't know that "Plus Est En Vous" seemed to be the initial name for the special! Then it got changed and used for the finale.
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It also looks like "Cassandra vs. Eugene" was a pretty different episode initially as well.
It looks like originally, the scavenger hunt was not intended to lock them in the dungeons, and the Stabbingtons weren't involved.
I'm kind of of two minds on this one since on the one hand I like when decisions are deliberate and not just a matter of coincidence gives the characters agency. Plus I like the Stabbington's as villains and was glad to see them. But on the other hand, Rapunzel locking people in a cell when being locked away against her will is so central to her character and no one ever calling her out for it was so off-putting to me. Plus it made the Stabbingtons much less threatening.
I almost want to see that original version of that ep. I wonder if it would have been more character-focused.
And the last little changes I noticed were to "In Like Flynn" where they changed the word "crime" to "scheme" in the description and dropped the "King" for just "Frederic" probably just to convey the lighter tone of the episode better.
Oh, and one more!
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The "Moonstone" didn't seem to be named as of BEA and there was some intentional(?) ambiguity about Edmond and his title and origin.
Overall not a lot of big differences. But it was a bit surprising what elements and characters where emphasized compared to what ended up manifesting in the show.
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ab-rinart · 2 days
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Hi! I love your new OC Yemmi jai Quleissh.
I was wondering if she lives in the same time period of Grievous and if so please give us a backstory!
Much love, Moo 🩷
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Hello! Happy to hear you enjoy Yemmi!
And maybe, I don’t really know. Yemmi could easily be put in just about any area without too much issue with how I decided to write her character. She doesn’t really have much of a connection to Grievous beyond hearing stories mostly told by B1-2419, a previously inactive Battle Droid she’d somehow gotten a hold of from an old battle field and decided to have reprogrammed to follow her and act as her pilot and guard when she’s away.
Yemmi is a bounty hunter mostly making money to either bring back to Kaleesh directly or use it to purchase food, water and supplies to bring back home for her people and whatever is left of Kalee. If she doesn’t have anything to bring back, she’ll resort to theft with B1-2419 (B for short) as her get-away pilot. There isn’t anything particularly special about Yemmi aside from her skill with the lig swords. She has no connection to the force and dislikes Jedi due to them siding with the enemy that put them in their current position now, but does not go out of her way to hunt them down. She’s more focused on making sure her people survive than she is getting vengeance.
I didn’t really want to build any characters with any deep rooted connections to any of the canon characters nor set an era in concrete mostly because I do enjoy roleplaying them sometimes just for the fun of it. The vagueness also just gives me the freedom to explore her own stories without rewriting existing stories or characters in them just to put Yemmi in there. Maybe some time an era will become a bit more clear the more I develop her, but for now I don’t really know yet. I don’t have too terribly much in concrete at the moment since she and B are both pretty brand new OCs of mine.
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fruity-phrog · 1 year
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Jamack babysitting and disciplining de-muted Yumyan is something that can be so personal, actually
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anglerflsh · 1 year
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robots
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botanautical · 1 year
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Thank you, Mob Psycho 100!
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almostsweetangel · 2 years
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the reason why dhmis tv feels 'less scary' to most people than the webseries is because the stoplight trio are now aware of the pattern and are more or less resigned to it (minus the occasinal breakdown) and the teachers are way less powerful than the OG teachers.
in the original series, the trio only begin to expect a teacher showing up by episode four (in fact, harry deliberately seeks one out - turning to gilbert when they need to know what the biggest thing in the world is, only to be hijacked by colin), and in that same episode, his self-awareness is rewarded by the narrative with forcible removal from the house.
the original series is a theatre of helplessness, control, and punishment. the trio remember everything that's happened to them but are unable to stop it, and get put through agonizing lessons by teachers that warp reality around them and antagonize them when they toe out of line. when they become self-aware, they're immediately punished by the show (harry getting kicked out into the real world, robin getting canned and cannibalized), and the surviving members have to keep going despite it.
in the new series, their memories are spotty but they're resigned to the teachers showing up. they expect them to the point where it's routine. AND their teachers aren't as untouchable as the old ones, and the trio can toe out of line. the briefcase leaves halfway through the lesson, the coffin gets absolutely blasted to pieces by a shovel, the family gets eaten by roy, warren gets the living shit roasted out of him before getting speared, the train dies midway through before his corpse gets used as a car, and the meter gets her batteries stolen. the trio still are helpless regarding their situation with the house and the loop, but they're nowhere near as under the mercy of the teachers as they used to be.
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butchjess · 2 years
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thinking about jess being the town pariah and rory being the town princess….. in which jess and rory are a duality that share the same core, both being held to expectations that they can’t really escape. and when they do escape it, it is painful and difficult (rory by dropping out of yale and stealing a yacht, jess by leaving). that jess is told by his own mother that he could never amount to anything and that rory is told by her own mother that she must amount to something. rory’s going to go to harvard rory’s the perfect kid rory’s the calmest person she knows etc. rory needing to prove that her existence wasn’t a mistake. and jess is a bad kid, jess is angry at the world and takes it out on those around him, jess doesn’t want or need anyone’s help so they should just leave him alone. how this is shaped by a desire to prove that he is not worth helping.
that jess and rory are very similar… both growing up with single young moms and being such smart and more introverted kids but that the differences in their environment is what leads them to being different when they meet. lorelai was caring and nurturing and liz was a neglectful addict.
the purpose of jess’ character is to create conflict between lorelai and luke but also to mirror rory. jess’ independence/being neglected by his mother highlighting how codependent rory is with her mom. luke being the father figures that jess and rory never had growing up (though jimmy leaving only a couple before s2 gets retconned to never having raised jess at all, just like chris with rory). them being the opposite extremes to the same spectrum. hm… there’s something there.
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icewitcher · 7 months
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Just realized it's been a week I didn't play FFXIV and that after I reach that Heavensward part.
The " A smile... better suits a hero." part in english.
And in french "But you... You have such a beautiful smile... Try to not forget mine...."
Definitively in my top 5/top 10 lines that hurt my soul deeply.
And Alphi and the others doesn't make things easier when they say "I didn't know you were so close/had such a relationship.". Like bitch... Are you trying to make me cry ? Like I don't need to know. I know that Haurchefant was flirty with the WoL but not sure I would be able to handle it if they were in a romantic relationship or a queerplatonic relation so deep that it hurts bc WoL reaction was already hurting me by dropping to the knees and holding so gently his hand with their own so adding this and make it canon ?
It's the killing blow.
Well done Yoshi-P, well fucking done. But also you goddamn bastard. How dare you hurt my feelings like this. Do you want to take away what's left of my tears that Honkai Impact 3rd chapter 25 of main story, "Everlasting Flames" animation, the end of the Kolosten arc, "Thus Spoke Apocalypse" animation and the whole Elysian realm arc hasn't take from me ?
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atomicradiogirl · 2 months
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i have completed the foreman rewatch™️ here are my episode ratings and the list if anyone wants to do this as well this was so fun and angsty 100% recommend
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oifaaa · 1 year
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I saw your post about you hating Jason in general and I have to say that I disagree.
Ah yes my large multiple part rant post about how much I hate Jason I know exactly what post you mean I stand by it evil little boy and I can't pretend I love my son why would I ever do something so mean anon why
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2nagi · 10 months
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i could write an entire 3-paragraph essay (with sources) on why yugi muto has adhd and how it affects him throughout his story but when it comes to sora it’s just. i dunno he just has it. he has adhd
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autisticlinkk · 5 months
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I feel like Nintendo keeps trying to force a passive story into newer Zelda games to keep the “open-world” aspect! When it’s actually hurting the impact of the story!!
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auditoretrash · 6 months
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just realised that i started playing assassins creed 8 years ago almost exactly to the day........ literally a third of my life
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