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dykealloy · 2 days

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Rec list please ✍️🏻

(with tropes and just a smidge of reason why the media is recommended <- both very optional of course)

oh boy. okay. Confession time, I've watched a ridiculous number of shows out of east Asia so this is a good opportunity to share some faves from recent memory. If there's going to be one running through-line with these recs it's that I love character-driven narratives which explore interesting interpersonal relationships (socio-cultural commentary is a plus).

In no ranked order, here's my top ten:

Hamster running the emotional gamut wheel (well-written stories about grief, closure and family)

Move to Heaven (2021) Korea, 10 episodes, Netflix Summary: Han Geu-ru is an autistic 20-year-old who works for his father’s business “Move To Heaven”, a company that specializes in crime scene cleanup, where they collect and arrange items left by the deceased and deliver them to the bereaved family. When Geu-ru's father dies, his guardianship passes to his uncle, ex-convict and underground MMA fighter Cho Sang-gu. Per the father's will, Sang-gu must care for and work with Geu-ru for three months to gain full guardianship and claim the inheritance. Eying money, Sang-gu agrees to the conditions and moves in.

This show knows exactly what it is and executes with excellent writing and characterisation. While it does have an overarching narrative, Move to Heaven is structured so that you're exploring a different person's story each episode, so it has a lot of flexibility to explore themes of grief and closure through different lives and relationships, and when I tell you this show can hit emotional beats... (<- may or may not have cried through most episodes on my first watch-through. Emotional terrorism). These stories are really beautifully portrayed and though there are effective comedic beats, there's this clear authenticity in not needing to undercut or distance oneself from the vulnerability of the subject matter.

Geu-ru and his uncle (Sang-gu) add a lot of needed levity, with Geu-ru's need for consistent, structured, methodical routines constantly clashing with Sang-gu's chaotic and combative approach to life. Sang-gu's character arc (though predictable) is just so satisfying. It's kinda hilarious seeing Geu-ru (and his father by extension) inadvertently poke more and more holes in Sang-gu's initial plan of "take the money and run" the deeper he incorporates himself into the space and purpose that his brother once took up, and it's very heartwarming to see these polar opposites slowly develop a respect and appreciation for one another.

Tropes: reluctant to responsible parental figure, tear-jerker

Oh No! Here Comes Trouble (2023) Taiwan, 12 episodes, GTV and iQIYI Summary: Pu Yi-yong was a typical 17-year-old student with a passion for drawing and a hereditary talent for calligraphy. After he wakes up from a bus accident that claimed his father's life and left him in a coma for two years, a 19-year-old Yi-yong must now find his place in the world again. This becomes more complicated when spirits begin approaching him and asking for his help.

This show actually has a lot of similarities to Move to Heaven e.g. exploring different side-stories each episode, focus on victims forgotten by society (the lonely, the homeless, the outcasts and the minorities), themes of grief and closure, polar opposite characters learning to work together, breaking me emotionally at some point. But Oh No! Here Comes Trouble differs in tone (distinct directing style), quirky humour (Taiwanese comedic style is just different and I love it in this show) and presentation (urban fantasy/mystery).

Yi-yong might be one of my all time favourite characters in media. From the outset he presents as this classic, one-dimensional, grumpy delinquent teen (e.g. resting-bitch-face syndrome, scrappy mullet, academically behind, no social grace and a tendency to accidentally hit people in the face with softballs). As fun as that is, the more you watch, the more this show challenges these assumptions. Yi-yong's mum (also an A+ character, god I love her) is a hairdresser, and often uses Yi-yong as her stylistic guinea pig. Yi-yong's not super intelligent, but he's compassionate (albeit at times reluctantly so). He really listens when people talk to him, whether they're trying to comfort him, give him advice, or asking him for assistance (though he often questions and expresses frustrations about his own ability to help other people). There's a humble gentleness to him.

Yi-yong was already struggling to juggle his dreams of becoming a comic artist with the practicalities of his life before he fell into a coma, then he woke up two years later, having completely missed the perceived "pivotal juncture" associated with the transition from youth to adulthood. Time moved on, and so have his peers, leaving an almost 20-year-old Yi-yong lost at sea with no paddle, no map and grieving the loss of his father. And now he has supernatural beings approaching him and insisting that he is the key to settling their unfinished business. To Yi-yong (and to popular east-asian social standards), Yi-yong is a loser. He's academically unintelligent, has no clear aspirations or discipline or future prospects, his family is far from wealthy, he's got zero social status, smarts or rank. Yi-yong is just as much of a forgotten outcast to society as these spirits are.

He does eventually get assistance in the form of Chen Chuying - a junior police officer (helping substantially with the mystery investigation side of things) and Cao Guangyan - former one-sided rival schoolmate and current med student who coincidentally moves next door (initially maintains the outsider perspective of Yi-yong as a hooligan until they get to know each other a little better, by which point Guangyan is already helping Yi-yong get back on his feet) who form a very well-rounded, loveable cast.

I wish I could talk more about this show, I am very fond of it. Please do watch it and if anyone wants to discuss it my dms are open.

Tropes: ragtag trio of idiots, urban fantasy, mystery, tear-jerker, reluctant hero

Get your pussy up get your money up (life is giving lemons and survival is the name of the game)

Honourable mentions here: Yeon Sang-ho popped off with Train to Busan in 2016 and South Korea has been throwing bangers into one of my favourite genre pools ever since. If you're interested in more zombie series I would strongly recommend checking out All of Us are Dead (2022), Happiness (2021), Sweet Home (2020) and Kingdom (2019).

A Shop for Killers (2024) Korea, 8 episodes, Netflix Summary: Jeong Ji-An tragically loses her parents as a young girl. Her reserved and mysterious estranged uncle, Jeong Jinman, acts as her sole guardian and care-taker, raising her with tough love and a survivalist mindset until she leaves for university. One day, Jung Ji-An hears that her uncle has suddenly passed away, and returns home, where she learns the truth behind her uncle's business and by extension, her past.

Ji-An is locked inside a building with no communication with the outside world, nowhere to go, and with assassins after her head (not ideal). Unbeknownst to Ji-An though, her late uncle Jinman prepared a thorough defense system for this very event, setting her up with home-terf advantage and a very dangerous fortress against this army.

Ji-An and Jinman's story is told mainly through flashbacks as Ji-An attempts to survive the raid on their home. Their dynamic is definitely a repeat of the stoic, initially cold father-figure type "I am neither your mum or your dad, and I can never be" to the orphan child that we've been seeing more recently of late. I'm not mad about it. It's a good formula. I won't go into the type of person Jinman is, or the nature of his work/business. Going in blind and slowly figuring this out with Ji-An was a big plus in terms of the viewing experience for me.

Tropes: reluctant parental figure, home alone antics

D.P. (2021) Korea, 12 episodes, Netflix Summary: Ahn Junho is enlisted to serve in the South Korean Army as part of his national service obligations. He eventually goes to the Army's Military Police. While getting used to life in the MP, Junho's street smarts lands him in the D.P. (Deserter Pursuit) unit. Junho is assigned with Corporeal Han Hoyeol to capture deserters, revealing the painful reality endured by each enlistee during their compulsory duty.

imo D.P.'s is at its most enjoyable when Junho and Hoyeol are working as detectives with limited time and resources. Hoyeol's presence especially adds needed levity. He's like the show's own eccentric little court jester (at least until season 2, where he becomes the show's own tortured little court jester). You don't know how much you're missing Hanyeol until he shows up and you're finally given some space to breathe.

This show's gotten a lot of praise for its realistic social commentary around the vicious cycle of bullying, hazing practices, corruption and abuse within the South Korean military. It's well written and fast-paced, and it definitely doesn't pull its punches. I probably wouldn't recommend this show were it not for the quality of its writing, its ability to balance the depressing subject matter with pockets of dark comedy and everyone's favourite dynamic duo Junho and Han Hoyeol. All the content warnings for this one.

Tropes: ptsd, abuse, brotherhood, idk man straight up not having a good time

Weak Hero Class (2022) Korea, 8 episodes, Viki Summary: Straight-A student and loner Yoon Sieun utilizes his wits and tools to defend himself from a boys school full of shit-heads. He slowly warms up to Ahn Sooho, the school's strongest fighter, and Oh Beomseuk, the new transfer Student.

Sieun is here to answer the age-old philosophical question: "Aren't you tired of being nice? Don't you just want to go apeshit?" Even though Sieun is physically lacking, he's very capable of baring his teeth and using his smarts to fight like hell. It's so cathartic to finally see a short, weak, bullied protagonist willing to go violently feral upon provocation.

This show's tone can get pretty dark and surprisingly violent. The true core behind why a lot of people love this show is Sieun and Sooho's friendship. Sieun starts off as a grumpy, glaring, withdrawn hermit with no interest in anything that isn't studying (honestly idk how Sieun keeps finding himself in these situations like. All the kid ever wanted was to hit the books). I won't spoil too much, but watching as Sooho slowly peels away that protective shell Sieun encases around himself is a thing of beauty. I strongly recommend you give the first episode a go (free on youtube).

Tropes: angst, bromance, badass bookworm, adults are useless, abusive parents

Detectives smashing you over the head repeatedly with gay subtext (not explicitly gay but if you have a brain and any semblance of a gaydar that thing is going to be going off like a geiger counter next to the elephant foot)

The Devil judge (2021) Korea, 16 episodes, Netflix and Viki Summary: Set in a dystopian version of present-day South Korea, the world is bereft of law and order and the court justice process has become like a reality tv show. Head Trial Judge Kang Yohan mercilessly punishes the guilty and corrupt, earning him the "Devil Judge" monicker. As bitter rivalry takes shape between Yohan and the highly ambitious Jung Sun-ah, who has risen from poverty to become a corporate social responsibility foundation director. Into this turbulent world enter two childhood friends on a mission for true justice and determined to discover the secret Yohan is hiding: rookie judge Kim Gaon and detective Yoon Su-hyun.

The Devil Judge tackles the concept of the anti-hero (battling evil with evil) and questions why these figures are idolized by the public. It also challenges the naive faith in the rule of law and whether or not the established systems should be upheld or not. The screenwriter has however made it very clear that he focused way more on the relationship between the characters than conveying his own message and boy oh boy is that reflected in whatever Yohan and Gaon have got going on (serious come-hither eyes, gratuitous physical touch, themes of power, justice and corruption, Yohan pressing Gaon up against the nearest hard surface on at least four separate occasions, etc.).

Kang Yohan, the titular anti-hero/main protagonist operates within a failed state and a corrupted judiciary. To a certain extent he knows the self-destructive path he walks is doomed to fail, but to right the system and take revenge, he's on the lookout for a someone that can out him as the Devil and become the messiah that Yohan himself cannot be. It does come off as very "anime" at times (theatrical presentation, tragic backstories, bad writing when it comes to women, naive characters and overly dramatic tone) but hey, if you have very few qualms with that, chances are you're going to have a blast.

Also the OST for this show absolutely fucks. It has no right being this good. Jung Se Rin really popped off. I have Enemy of Truth as a staple in a lot of my playlists.

Tropes: idealist vs jerkass pragmatist, anti-hero/vigilante, whump

The Worst of Evil (2023) Korea, 12 episodes Summary: Set in the 1990s, a former DJ starts selling a new powerful drug. Since the police know little about its origin, rural police officer Park Junmo is assigned to go undercover and infiltrate the criminal empire responsible for the drug trade between Korea, Japan, and China. Junmo later discovers that his wife, Yoo Euijung, also a detective, has volunteered to participate in this dangerous mission and seems to have a past with the underground drug king (and Junmo's boss), Jung Gicheul. The deeper Junmo entrenches himself as Gicheul's subordinate, the more unrecognisable he becomes to those closest to him.

Junmo could have let Gicheul die or slip away like several times in a row, indicates he has zero idea why he does this, then says the line verbatim "I look up to him and I like him and my body follows my heart". What am I supposed to take away from this. This show has everything. Early 90s homoerotic cigarette lighting, sodomy, incredible cinematography, betrayal, close-ups of Junmo's bloody face squished up against Gicheul's thigh. There's some scenes where Junmo is looking at both his wife and Gicheul framed in the same shot like the goddamn camera is daring you to question who he is more jealous of. My biggest complaint is that there was quite literally no need for a wife-stealing plot - the most compelling, messiest gay situationship was right there for the taking.

In episode 9 post-gang war hallway-slaughter, a blood-soaked Junmo hops up onto a table on all fours with a knife between his teeth, locks eyes with Gicheul then proceeds to slash a man's achilles tendon and if you listen closely enough you'll hear me in the background screaming YOU HAVE BECOME HIS DOG. 10/10 watch this show.

Tropes: mafia, undercover, bodyguard, make him worse, devotion and loyalty gone bad gone nuclear, maybe if they fucked nasty about it we wouldnt be in this mess

Beyond evil (2021) would also go here and has similar vibes to the above two, but I personally don't have much to say about it. Unhinged slutty old man, gay stuff going on over there, etc, etc. Citrinekay sums it up nicely here. Guardian (2018) would probably also go here. Definitely check these out if you enjoy/like the sound of these shows.

Lighthearted fun romance (I am not escaping the lesbian fujoshi accusations)

Cherry Magic (2020) Japan, 12 episodes Summary: Adachi is a salaryman with low confidence and a tendency for self-deprecation, resulting in him often acting awkward around others, not being sure how to assert himself in the workplace, and constantly comparing himself to the company's golden boy - Kurosawa. Things become further complicated when Adachi finds out after his thirtieth birthday that he has suddenly gained the magical power to hear people's thoughts if he touches them. Adachi struggles with his newfound touch telepathy when he accidentally discovers Kurosawa is in love with him.

Cherry Magic! Thirty Years of Virginity Can Make You a Wizard!? (Yes that is the full title, Japan you are killing me) is very sweet and wholesome and the humour hits and I believe in Kurosawa Yuichi supremacy. I know self-deprecating characters can be a downer for some people but Adachi comes off as very relatable and seeing him slowly gain more confidence in himself and his abilities is heartwarming. Great serotonin-booster. If you find this show's premise interesting there's a high likelihood you will enjoy it.

I didn't care so much for the second couple but if you're like me it's easy to skip through these scenes (you won't be missing anything).

Tropes: office romance, telepathy, pining

Semantic Error (2022) Korea, 8 episodes, Viki and Netflix (region-dependent) Summary: Cho Sangwoo is the epitome of an inflexible and strict rule-abiding person. When talented graphic design major Jaeyoung discovers Sangwoo is the cause for his delayed university graduation, he sets out to take revenge (by becoming Sangwoo's biggest, brightest daily annoyance). Jaeyoung finds himself in hot water when he inadvertently develops a crush, and junior computer science major Sangwoo is about to encounter some serious errors in his usual programming.

This is a classic polar opposites attract story, with Jaeyoung the loud, extroverted, brash foil to Sangwoo's reserved, withdrawn, morally black-and-white, logic-first persona. As much fun as it is to see Sangwoo's ordered world thrown into chaos, it's equally enjoyable to witness Jaeyoung jump from being obsessively committed to annoying Sangwoo, to being whipped for him (and the subsequent difficulties this causes for Jaeyoung - a popular, attractive, talented, bi artist used to getting his way - in trying to pursue a highly irritated and emotionally closed-off Sangwoo, who is being challenged with a side of himself he hasn't had to grapple with up until now). Also Jaeyoung has an incredibly hot lesbian best friend which was great. for me specifically.

An entertaining, cohesive story with great actors who have fantastic chemistry. What more can you ask for?

Tropes: enemies to lovers, opposites attract, university, pulling pigtails

Old Fashion Cupcake (2022) Japan, 5 episodes Summary: At the critical juncture of a mid-life crisis, Nozue, a 39-year-old office worker, is stuck in the dull, mundane grind of wake, work, sleep. But due to his age, he's convinced he's well past the point he can take risks by trying something new. As such, he continues to decline promotions at his job and romantic advances from potential partners. He confides one day in his 29-year-old subordinate, Togawa, making an off-hand comment about a desire to be like a young girl - capable of feeling excitement and joy in life again. In an attempt to inspire him to move forward, Togawa suggests an "anti-aging experiment" and the two of them go on a journey together to help Nozue feel young again.

First things first - a large portion of Togawa's proposed "ant-aging technique" involves frequenting dessert cafes and restaurants that are catered towards a younger female demographic and fuck me the food in this show always looks so goddamn good.

The boss/employee thing might turn people away from giving this a shot but what I really love about this show is that despite being Nozue's subordinate (and younger than him - which is a bigger deal in Japan), Togawa is extremely blunt and unafraid to tell Nozue exactly what he thinks (so long as Togawa believes it will ultimately benefit Nozue in the long run), and it's very clear that he does this because he has a strong sense of respect for Nozue (and because spoilers - Togawa is so down bad for his boss like okay boy DAMN. Go get your esoteric old man). This show is also great at conveying emotion and inner conflict without dialogue (I've enjoyed coming back for a re-watch and picking up on little nuisances in Togawa and Nozue's behaviour that I missed the first time around).

Overall this is a very cute, very wholesome coming of age/queerness story that reminds you that it's never too late to pursue what interests you, try something new, and enjoy life while you're at it.

Tropes: fingers in his mouth friday, pining, age gap, office romance, food as a love language

That's it! If you want more recs from a genre hit up my inbox, I had a fun time pulling this together and have many more in the chamber where that came from.

#long post #yes I didn't add the untamed because if you haven't already seen or heard of that show you are. living under a rock #i didn't realise how difficult it is to communicate specifically why you like a show until now #move to heaven #oh no! here comes trouble #a shop for killers #d.p.#weak hero class 1 #the devil judge #the worst of evil #cherry magic! thirty years of virginity can make you a wizard?!#semantic error #old fashion cupcake #drama recommendation #kdrama #asian drama #show recommendations #drama recs #ask

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i-am-just-a-girli · 2 months

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Some period pieces that I've come to enjoy 📜

Any more recommendations?

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kdramachingoo · 16 days

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His visuals and their chemistry 🎇🎇🌸🌸

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penguinsnoot · 10 months

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East Asian Dramas You Should Watch

1) Put Your Head on My Shoulder {China} (1 season, 24 episodes) [Romance, Comedy, Coming-of-age]

Close to graduating and unsure of her future, Situ Mo ends up living with a genius physics student and finds love along the way.

2) A Love So Beautiful {China} (1 season, 23 episodes) [Romance, Comedy, Coming-of-age]

Five friends endure high school life together and become closer at time goes on, with friends and neighbors Xiao Xi and Jiang Chen figuring out their relationship as they grow older.

3) My ID is Gangnam Beauty {South Korea} (1 season, 16 episodes) [Romance, Comedy, Coming-of-age, Drama]

Bullied for her looks growing up, Mi-rae decides to get plastic surgery before starting college in the hopes of avoiding ridicule, but instead faces new challenges that wear at her self-esteem.

4) My Secret Romance {South Korea} (1 season, 14 episodes) [Romance, Comedy]

Jin-wook and Yoo-mi, two people with drastically different personalities, fall in love amidst a series of misunderstandings and accidents.

5) Find Yourself {China} (1 season, 41 episodes) [Romance, Comedy]

Fanzing is caught in a love triangle between a young employee and an older executive, leading to tough decisions about love and life.

6) Wait, My Youth {China} (1 season, 24 episodes) [Romance, Coming-of-age]

A group of friends experience the ups-and-downs of life together as they face hardships in love and life.

7) Moonshine and Valentine {China} (1 season, 25 episodes) [Romance, Comedy, Fantasy, Drama]

An ancient deity helps his soulmate with an ancient curse believe in love.

8) Alice in Borderland {Japan} (2 seasons, 16 episodes) [Thriller, Drama, Sci-fi]

Arisu finds himself in a desolate Tokyo where he must compete in dangerous games to survive.

9) Sweet Home {South Korea} (1 season, 10 episodes) [Drama, Horror]

As humans are turning into dangerous monsters, an apartment complex’s tenants fight to survive together.

10) Mr. Heart {South Korea} (1 season, 8 episodes) [Romance]

A pacemaker and marathon runner find themselves falling in love despite a rocky start.

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silviakundera · 3 months

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DRAMA REC: So I feel like any real review of Thai drama Moonlight Chicken is hard without heavy spoilers because honestly I don't know how to talk about what makes me passionate about it without discussing all the character relevations that occur over the course of its 8 episodes. I'll try to be generic as much as I can.

The thing about why it's hard to discuss without spoilers is that the characters and their full baggage are revealed slowly episode by episode, because like in real life you often learn about new friends & love interests slowly as intimacy deepens...

But from what I can see online, it's very subjective for viewers - depends on the person if they find these themes and personal challenges compelling or not. This doesn't fit with the typical "BL asian drama" format.

My personal viewing stake: There's an otp that has TAKEN OVER MY BRAIN. I have been searching for this energy ever since finishing Lighter & Princess. Gotta confess that I couldn't care less about the second couple who are teenagers. Apparently MDL and a lot of tumblr only liked the teen couple (valid!), but I just skipped over them mostly because when my brain locks in on Real Adults with Adult Problems I often cease to connect to high school student storylines. But the age gap couple with a 39 year old character who is FEELING his age... Jim & Wen. I've watched all 8 episodes now and they are like cocaine to me.

Ep 1 setup: We're not in Bangkok! (gasp) Jim is almost-40 and runs a late night diner in the less upscale part of town. Wen, about 10 years younger, is drunk at his diner as he's trying to close for the night. They pick up on the unspoken signals, instant electric connection, and end up wandering back to Jim's place and having what looks like fantastic sex together (without exchanging names).

But then after that first night, in the remaining 7 ep of the show you get a slowburn build up from zero as Jim doesn't want a relationship - with anyone. This is truly, sincerely a 'it's not you, it's me" situation. He is mired in baggage and the angst is SO DELICIOUS to me. Angst and soft hand touches and late night conversation. There's YEARNING. SO MUCH YEARNING.

And then my darling Wen! Who brings almost the same energy as the Lighter and Princess FL. @dangermousie I never thought I'd see this irrepressible determination and tender, good humored patience again! He is deeply sure that there is something special here with Jim and is unrelenting about trying to scale Jim's walls. I know that sounds like psychotic SML material lmao but it's all about the tone and context. It's very clear that Jim is allowing Wen in his life and doesn't, deep down, want Wen to give up on him. He's damaged and scared but I always felt he wants Wen to be right - that they are falling in love and can build something real together. He just can't make himself take that step. I mean, in their 2nd meeting he is EQUALLY INSANE to agree that it's v normal and hinged behavior to let his 1 night stand start randomly showing up to work shifts at his diner as 'temp staff' he can't afford to pay because... um. Basically to stalk him? idk I don't think it's stalking when u have a mutual agreement?? 🤔

Wen falling deeper into Jim and KNOWING the feeling is mutual no matter how many times he's (so gently!) pushed back... can be sooooo personal. 😭😭😭 The vibes of this "we're Not Together™" but it's inevitable, I'm just waiting for the timing to be right... reminiscent of the last 10 episodes of Lighter & Princess. This building intimacy and tenderness that stretches on until as a viewer you feel like... They ARE in love, they're together but just without the sex. They just have to stabilize their lives first before committing whole-heartedly. THE BITTERSWEET PINGING. (screams)

One thing I've observed is many people seem to struggle to connect with Jim's character. The closest thing we have to a protagonist (?) Maybe. Anyway, I suspect it might be a generational thing. I found the drama incredibly compelling, but I grew up queer in the 80s and 90s. I'm well into my 40s, a bit older than Jim, but I think the generational queer experience overlaps pretty well considering the sociopolitical differences btw us/thailand.

The screenwriter is an older out gay man, so I presume that's also a factor in how he did a pitch-perfect depiction of Jim's struggles to find home.

Wen has his own baggage that feels very real and raw. I loved his storyline because I could personally relate to it also from my queer relationship experience.

I've blabbered on here before about how I feel like there's something different about queer stories being told to other queers, not targeted to straight viewers primarily - I'm not saying it's better than the big brands and popular international media including lgbt rep. It's just different imo and I do think it's valuable. I want to see stories about the complexities of the experience & about the gay community that can't just be mapped to straight people. Where the story would not feel the same if you flipped the sexualities. That's what Midnight Chicken was to me: the characters of Jim and Wen and their personal development & slow love story together felt very queer and the age gap was a relevant part of this. And that called to me. I could recognize parts of myself in them and my personal experiences as a gay woman.

I was impressed by the writing. Strong acting. The directing of individual scenes is excellent BUT the 1 big flaw is the editing. Very amateur, super abrupt scene changes! Just jarring. But whatever, I've seen some terrible editing in cdramas too. Also note the storytelling tactic is to show a series of meaningful moments & interactions over like 6-8 months of time. Events progress in ways we don't always see and it's not always spelled out to the audience, everything that happened since we last saw them. That may or may not work for the viewer.

[Plus there's a very sweet & wholesome teen love story that also gets a happy ending, if you're into that. One of the teens is deaf and there's no "cure the disability" nonsense, don't worry. I was adult-focused but I did appreciate the complicated family relationship subplot with Jim trying to caretake his nephew and their relationship to the mostly-absent sister.]

ok so now into spoiler territory. Letting the relevations come out organically would be a much better viewing experience BUT...

SPOILERS ON JIM & WEN BACKSTORY

Jim's whole deal is he had a big love in his late 20s-early 30s that fucked him up good. He grew up being told gay love isn't real, leaves his rural farming town with his sister in their teens, disconnected from his family... But even his sister, who loves him, had the perspective that it's Just A Phase. Jim expects to Prove Them Wrong. Then his boyfriend cheats on him.... With a woman. Activate that generation's internalized homophobia and self-doubt. And then before he gets to truly confront his partner, his partner dies in an accident. So he never gets resolution.

And he's stuck under a mountain of debt, on the edge of poverty because he didn't get any of the guy's assets when he died of course. No rights under Thai law. Partner's family takes it all but the old car & the cat. All he has is the small chicken rice shop they had bought and ran together and it's killing him, he both hates and loves it. He's this amazing member of the local community but doesn't see himself and his own worth clearly.

Wen is working through the guilt of falling out of love from his 1st gay relationship that lasted 5 years of his 20s. Broken up but still living together. Trying to stay in each other's lives (I've seen this a lot, because in small gay communities you don't just cut ties with good people you care about). But living together is toxic for both of them, despite the real care that's there.

He also feels disconnected from a community at the start. He has work collegues, all straight friends, and his now-ex boyfriend. But you get the subtle sense that his local ties are all with the boyfriend Alan's family and mutual friends with Alan who don't all know about the breakup yet and he doesn't know how to interface with them anymore now that he and Alan aren't the same. He's the one who fell out of love, so he's "the bad guy" here and the straight friend he tries to talk to about trying to co-habititate with his ex and stay close friends doesn't really get it, because that's just way more typical behavior for older generation queers - it's notable that when the situation is fully explained to Jim, he doesn't seem to find it bizarre at all (as said, I've gone through that myself, and known friends in that situation; found that subplot to be very well done.) (I read that many viewers were disappointed this wasn't a standard infidelity situation where Wen is just regular cheating on Alan, but I have to say that I feel the opposite. The subplot and how it played out felt very relatable to me. I didn't need a cheating angst plotline in this drama that could be transplanted into a straight drama. I wanted more stories that represented my lived experience as an adult lesbian, and Wen's narrative gave me that.)

Wen keeps searching for a home even while living with Alan and having loved him in the past. Which to me was a sign that he'd moved to this smaller city, living in Alan's condo and in Alan's life with Alan's extended family... He started eating beef because Alan did and following along. He doesn't know where HE feels at home, what Wen needs to be comfortable and happy. When he more & more starts to believe he can make this home with Jim, he's determined to make it happen.

#really long post #agonizingly long meta #sorry to my mutuals #ily 😘😘😘#drama review #drama recommendation #midnight series: moonlight chicken #jimwen #moonlight chicken

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smittenskitten · 1 year

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2K22 : wrapped ↳ favorite things

Well that's a wrap for all things 2022...mostly. Watched so many things this year. I usually do multiple posts for all things favorite, but this year wanted to do it in one. Thought it would take less time but ended up taking more 😅 I had only one new anime this year, hopefully next year will get to add a few more.

Thank you everyone for sticking around even if I wasn't blogging about the things you came here for 🫶 here is to thriving another year on this hellsite 🖖

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suzannahnatters · 6 months

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yesterday I bingewatched 3/4s of the short cdrama NIGHT OF LOVE WITH YOU and so far there have been no nights of love but there HAS been a hilarious ROSENCRANTZ AND GUILDENSTERN level sporking of kdrama and cdrama tropes and two dear little villains falling for each other, 10/10 recommend you can watch the whole thing here! it's hilarious! it's poignant! it's under 4 hours! the production values are low and the sound occasionally cuts out for a couple of minutes but the writing is some of the best I've seen from Asian drama, seriously!

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#cdrama #chinese drama #night of love with you #asian drama #villain romance #drama recommendation #Youtube

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ye-xiu · 14 hours

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AL'S DRAMA RECS VOL.1: these recs will solely focus on the writing of the shows, which to me comes down to two things: how well does the plot accomplish what it set out to do in the beginning? and how compelling are the characters written, no matter if their character arc means they become better or worse through the story or even remain who they are? my favourite dramas usually succeed in giving us a satisfying answer to both questions and these are the ones you will see on this list!

★★★★★ dramas (aka the greatest hits):

SECRET FOREST / STRANGER (2017-2021): the pinnacle of all dramas. follows the duo of no-nonsense prosecutor hwang si-mok (the acting star turn of he century by cho seung-woo) and police detective han yeo-jin (the ever-exceptional bae doo-na) investigating a murder case that blows open several scandals in the prosecution. season 2 follows several cases leading to an internal investigation on police bribery. it just does not get better than this and i fear it won't ever will. this drama has the understated styling of nordic noir, the classic shenanigans of an unlikely leading kdrama duo, and one of the tightest scripts ever seen in any tv show ever. | genre: thriller, melodrama, crime procedural

MY LIBERATION NOTES (2022): following the yeom family's three siblings living in the small town of sanpo on the outskirts of seoul, and the stranger moving into the house next door to theirs, this story navigates questions of sibling-hood and family, the purpose of life, as well as the sacrifices we make for the relationships in our life as well as our own happiness. this show earned its hype from the central love story between mr. gu and yeom mi-jeong (son seok-ku and kim ji-won acting the house down) but every one of the three main storylines is well-paced, gives the main actors moments to shine and grow, and ties neatly into the overarching plot to render you either moved or comforted, or even both. | genre: slice of life, melodrama

VINCENZO (2020): at this point are there still followers on this blog who haven't at least seen me talk about vincenzo? the writing of this show is maybe the peak of genre-blending done in kdrama, a culmination of years refining this skill to sharp perfection in a biting black comedy. vincenzo cassano (song joong-ki), consiglieri of a mafia clan he got adopted into, goes back to south korea to recover a frankly unholy amount of gold and fights a gigantic conglomerate (babel) to get there. if you watch past episode four, you will finish this drama, because everything ensuing from then on is just one iconic story beat after another. | genre: black comedy / satire, crime, romance

HOSPITAL PLAYLIST (2020-2022): a medical drama beyond reproach. this show is on this list for the way it wrote its characters and achieved the most satisfying character arcs in any kdrama, maybe, ever. a group of five friends in their fourties all working at the same hospital and navigating their professional and private lives, this drama doesn't shy away from eclectic backstories (and the leads all playing music together in a band) as well as truly heart-tearing moments of friendship and romance. never have i seen character growth done as well as i have seen it in the characters of yang seok-hyeong and kim-jun-wan. | genre: medical, slice of life, rom-com

D.P. / DESERTER PURSUIT (2021-2023): d.p. to me is a no-notes kind of show. it depicts the work of the military police pursuing army deserters through freshly enlisted ahn jun-ho (jung hae-in playing years below his age and leagues above many his actual age) who ends up empathizing and working to help and save the deserters he and his team partner han ho-yeol (an exceptional koo kyo-hwan) are meant to bring back to the army instead of incriminating them further. d.p. is much better for its tone, its writing and the risks it takes in its no-nonsense approach than some of the drivel revered solely for being more flashy and showy in this genre. | genre: military drama, action

★★★★☆ dramas (aka near-perfection):

PRISON PLAYBOOK (2017): the perfect prototype of the bromance as romance formula and one of the best found family dramas that really focuses on that. star baseball player kim je-hyuk (park hae-soo in his career-defining role) loses his career and lands in prison after he assaults the ex-boyfriend of his younger sister to protect her. the show centers on je-hyuk's time in prison, where he reunites with his childhood best-friend-now-prison-guard lee jun-ho (a supreme jung kyung-ho) and assimilates himself with the people he meets in his cell. this show hits all the beats so well from a stellar supporting cast to a great comeback kid narrative for je-hyuk from his time in prison to being released. glaring flaw: the age-gap / childhood friends romance, the conclusion of hanyang's story arc, who gets the short end of the stick while being the one out gay character in the show. | genre: black comedy, found family, slice of life

GOBLIN: THE LONELY AND GREAT GOD (2017): the defining kdrama for many. it may be the one drama that really delivers in answering its plot's defining question twice over and then some. goblin kim shin (gong yoo), cursed to immortality, gets his life upended once a grim reaper (lee dong-wook as wang yeo, a performance never to be seen or repeated again since) and the young woman (kim go-eun as ji eun-tak) who turns out to be his fated bride enter his life. an immortal man resigned on life finds purpose while knowing he will fatally die once the woman he falls in love with cures him of his curse. glaring flaw: the age gap romance between eun-tak and kim shin. could she have not been in college at least? | genre: melodrama, romance, fantasy

CRASH LANDING ON YOU (2019): the romance drama that could, and did. based on a real life incident, ceo yoon se-ri (son ye-jin, an acting veteran near beyond reproach imo) accidentally crash lands in north korea after a paragliding flight gone wrong. there she meets active duty soldier captain ri jeong-hyeok (hyun bin, thank you for your service) and has to stay with him and his military company. the fated love story starts there, but neither of them know they have met before, and already changed the courses of each other's lives before doing so again. minor flaw: is this drama romanticising the military? or is depicting of that on screen just that and nothing more? that is up to you to decide. | genre: melodrama, romance

HOMETOWN CHA CHA CHA (2021): the series remake of a korean rom-com film of the early aughts, this remains my favourite romance drama over all. dentist yoon hye-jin (shin min-a blessing our screens) moves to rural gongjin, a seaside village where nothing happens at all, after her professional life in seoul goes up in flames. it's not all sunshine in gongjin either as ye-jin meets hong du-sik (kim seon-ho),a handyman who is called chief hong by everyone and fixes all the big and small fires in the village. the two start as enemies that eventually fall in love. the romance is well-handled and paced and the second lead (lee sang-yi) is the best i have ever seen in a show, especially because of the arc written for him. minor flaw: the plot is not as tight as the respective character arcs, so sometimes sacrifices are made for the sake of a more emotional scenes. | genre: rom-com, slice of life

THE GLORY (2022): when you put the revenge in revenge drama, this is what you can get. song hye-ko returns to small screen brilliance in an incomparable performance as moon dong-eun, a woman who decides to infiltrate the lives of her school bullies and take them down one by one. this show delivers on plot even more than on characters, following through on every step of moon dong-eun's revenge without shying away from how gruesome or painful that path of vengeance can be. dong-eun gets help from plastic surgeon joo yeo-jeong (a delightful lee do-hyun), and the main cast is rounded out by lim ji-yeon and jung sung-il as dong-eun's grown up tormentor and her reluctant husband respectively. minor flaw: the show does spend a big chunk of its time on the group of school bullies and their interpersonal relations, which sometimes takes time away from the main plot. | genre: psychological thriller, revenge drama

♡ more specific genre watches (beware: usually crime):

LIFE (2018): written by the writers of secret forest, life is another thriller with understated direction and a more sombre tone. i would have put it in the greatest hits category, but watching it with other people made me realise how niche it actually is in genre. a corporate hospital thriller, the show revolves around the newly-minted ceo of sangkook university hospital, gu seung-hyo (a once again flawless cho seung-woo) and a dedicated ER doctor (lee dong-wook, stellar as ever) who depict the two sides of the patient care vs. profit conflict in the hospital. i can't even say more about the show because every other plot point is basically a spoiler. sharply directed and written, this is one of the best genre pieces i have ever watched, and is mildly reminiscent of hbo prestige television of the decade before. | genre: medical drama, corporate thriller

THE WORST OF EVIL (2023): are you even surprised? this was the drama of 2023 for me, one of the most stellar scripts i have seen. the worst of evil is very firmly a noir show and you have to treat what you are watching as such. it is heavily entrenched into its genre tropes and arcs, even more than most crime shows i have seen, and that can be off-putting for people unfamiliar with the genre, but if you are up for it, you will not be disappointed. opportune violent crime detective park jun-mo (ji chang wook, korea's finest new gen action actor) infiltrates a drug ring lead by jung gi-cheol ( fantastic and emotional tour de force by wi ha joon) and the lines begin to blur when neither of them knows if what they bargained for is actually what they want. the show lets its main plot dictate the pace, focusing on park jun-mo's descent into crime, and it is all the more better for it. | genre: noir, crime thriller, action

BEYOND EVIL (2020): the story about dejected and grieving small-town detective lee dong-sik (baeksang-awarded veteran actor shin ha-kyun) being partnered with elite detective and spinster seoulite han joo-won (child actor prodigy turned actor to watch du jour) has made its waves online for its very apparent gay subtext, but to reduce beyond evil to this would be a crime in itself. following lee dong-sik and han joo-won as they are tasked to solve a reoccurring serial killer case, the framing plot then fans open the age-old wound of dong-sik losing his twin sister and being blamed for her disappearance with joo-won having taken an obsessive fascination with the case. the two crime cases are exceptionally interwoven and the stories of the people in the small town of manyang, and how they all somehow tie back to dong-sik, is the perfect example of turning the small centrepiece of a plot into the binding force of every thread. | genre: procedural, psychological thriller

OUR BELOVED SUMMER (2021): i put this into the genre-piece category because obl is majorly focused on its main trope. romantic dramas can easily be trite to me, as this obvious list of crime shows doesn't tell you, but our beloved summer is one of the few that did everything right. it plays out the best trope ever done - exes to lovers - and does not back down from embracing the whole shebang to the nth degree. high school / college sweethearts choi woong (known beloved actor on ye-xiu tumblr dot com, choi woo-shik) and kook yeun-soo (the ever great kim da-mi) have to unite to replicate, or rather continue, the viral high school documentary they filmed years ago. the show shimmies its way from one moment of reconnection to another, culminating in the best kdrama kiss to ever be put to screen, and concludes in one of the most satisfying and, yes, romantic endings ever. the things a show can do when it just sticks to its main narrative, huh. | genre: rom-com, coming of age

#AHHHHHH HERE WE GO #i don't really know what to tag this ...#al's drama recs #drama recommendation #beware: i mainly watch crime / action and this is what is majorly featured on this list #i do want to make one for best acted shows too bc the list would ..... differ a lot juzghujiko #so if anybody is up for it just lmk (or i will subject my followers to it for the hell of it anyway)

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