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#desi cartoon
Pov : it's a rainy day and you are watching doraemon, "zindagi sawaar du, ik nayi bahaar du....", living a stress free life.
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coming-of-age-witch · 2 years
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yeah you're swag but are you as swag as motu & patlu
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stormflower8 · 8 months
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take some south asian!ballister headcanons
okay so ballister is, at least partially, based off of his va, Riz Ahmed, who is south asian/pakistani (like me!) and speaks Urdu (like me!), so I think I have some stuff to throw in the Headcanon Pot
when ballister was in the orphanage before he did his whole Jump The Gate Out Of Spite And Desire To Become A Knight, he primarily spoke Urdu and was in the process of learning english
also, when people learn english in countries that don't speak english, they typically learn british english, which ties in nicely to ballister's canon accent
this means that he had to learn a fair amount of english at the institute
he might've also been bullied for his questionable grammar and accent by todd and the other knights
ambrosius did his best to help in teaching ballister english and mostly helped in his grammar and vocabulary. they went through a little phase where ballister would pick up more obscure objects and ambrosius would say the english word for them.
ambrosius has only heard ballister speak urdu a handful of times, but every time it happens, he swears he falls a little more in love with him
after he was regarded as completely fluent in english, he didn't speak much urdu, but he never forgot it
post-canon, he once went on a tangent in urdu and nimona heard him and her jaw just DROPPED
"you're bilingual?? why didn't you tell me??" "you never brought it up...?" (doesn't think it's a big deal)
she thinks it's the coolest thing ever and went through a phase where she tried to piss off ballister JUST to hear him talk in urdu
eventually, he realized what was going on and had to sit her down and explain "you don't have to do all that, all you have to do is ask and I'll talk to you in urdu."
she definitely exploited that eagerly, but she still occasionally does the whole "piss him off just to hear the rambling of Words She Doesn't Understand" for fun
ballister has absolutely no idea that both ambrosius and nimona love how he speaks urdu or he would talk way more in it
honestly I love the concept of ballister speaking urdu, but almost always when I'm speaking urdu it's for a joke, so I've kinda ruined that language for myself LMAO
also, about the south asian thing of eating pretty much everything with one's hands,
first day in the mess hall. ballister grabs the food that looks the most familiar to him- rice
sits down at a table alone and starts to eat with his hands (or is it "eat with his hand"? he's only using one hand to eat but it feels strange to have hand in singular here)
immediately todd, who was going to go pick on him anyways, notices and makes a huge deal about it
the next day, ballister did his best to work with the fork, but it was an adjustment and he stuck out like a sore thumb with his clumsiness with the utensils
when he was befriended by ambrosius, they would sit together in the mess hall
at first, ambrosius tried to help ballister become more comfortable using utensils, and ballister was eager to learn
until one day he just thinks to himself "what am I doing? the same thing as todd but nicer?"
that's when he starts sneaking meals into his room so he and ballister can eat in there together- alone, peacefully, and with whatever damn utensils (or lack thereof) they want
ballister would eat with his hands, ambrosius used chopsticks, they would chill and vibe and, when they got older, slowly fall in love (or quickly, if you're ambrosius simp goldenlion)
ballister also teaches ambrosius how to eat with his hands there, and in turn, ambrosius teaches him how to use chopsticks
they continue to eat together in that room all the way until the knighting ceremony, and it was one of their favorite routines
post-canon, the trio had rice for a meal, and nimona saw ballister eat with his hands (probably his flesh hand- even though, culturally, you're supposed to eat with your right hand, I think a prosthetic is a pretty damn good exception)
she stared in shock for a few moments, then slowly dropped her fork and attempted to mimic his motions
ballister noticed and was flattered beyond measure, and was more than happy to help her out
rice is the ONE AND ONLY thing ballister can (and is allowed to) cook, so he makes it whenever he can
and when he makes it, everyone eats it however the hell they want, society standards be damned
I have more south asian related headcanons, but this is long enough already, so I'll do a part two later! :D
-Storm
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zeherili-ankhein · 18 days
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I think I will start making Chhota Bheem incorrect quotes.
Because nobody else does...
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i officially identify as Dr. Doofenshmirtz. i like to think of myself as an evil mastermind but i'm at most a minor inconvenience
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mimigoey · 1 year
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Cartoons from my country, India. We are this. It greatly differs from how foreign animation depicts us. We have a diverse culture and we're seen through a narrow lens. Some of my favourite Indian Cartoons-
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1. Tenali Raman
2. Akbar and Birbal
3. Krishna
4. Pinaki and Happy the bhoot bandhus
5. Roll no. 21
6. Krish Trish and Baltiboy
7. Pupi
8. Simple samosa
9. Chhota Bheem
There's more but these are my top favourite and I love Indian Cartoons .
We have all skin types and colours too but we're all black and brown in foreign animation. There's more to us than snake charming and scary pujas. I hope that it will change one day.
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misssclumsy · 3 months
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mazhaiyil-kaadhal · 7 months
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They made Chhota Bheem Live Action.
youtube
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awkcattodeactive5040 · 11 months
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Krish Trish and baltiboy has to be the best Indian cartoon
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aisling-writes · 12 days
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Why the real villain of Chhota Bheem was King Indravarma: A meta-analysis of who he really was.
Alternative Title: An episode where I go nuts and have zero backing behind my essay.
(A note to the readers: This essay does not take into account the existence of the Mighty Little Bheem show. The matter at discussion is purely based on the Chhota Bheem show only.)
Most Indian Children born in the late 2000s can easily recognize the musical ensemble of the theme song of Pogo’s crowned jewel: Chhota Bheem. Eyes were glued to the television and clock ticks were memorised for when the show would start because Chhota Bheem to them was not just an animated show; it was an expression, a memory, a piece of childhood, if you will.
And yet, while watching the show through an “adult” lens, Chhota Bheem leaves a bitter taste in the mouth.
Why?
The answer, I personally believe, is of two aspects. One would be the obvious irritation in how King Indravarma ruled the land, and the other is about how Chhota Bheem was a Mary-Sue and how the show perhaps needed to be styled around Kalia, his imperfections and his character arc. (But that’s for another time.)
Let’s focus on the topic at hand: King Indravarma. He was, bluntly put, a stupid King.
Imagine a King as such in the real world. A King who had no strong Military, who constantly relied on a 10-year-old for any trivial matter whether it was an external threat to the kingdom instead of sending out an army, did not invest in new technology for the betterment of his people and used it for personal gain. The list can go on and on.
The argument presented here is that King Indravarma as a villain is not a bad evil person but rather how his aloofness was the one reason his kingdom suffered. Being a “villain” does not always necessitate violence and crude language; all it requires is to bring harm to others. And King Indravarma, indirectly, does that.
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“Stupidity is a more dangerous enemy of the good than malice.  Dietrich Bonhoeffer ----------------
On the other hand, we can theorize that King Indravarma was merely “acting” to be stupid and always had ulterior motives behind his every move. This argument is also proven along the way when I dissect his character in this essay.
In fact, this essay reaches a conclusion that King Indravarma was a strategist who was…. stupid. A perfect balance. (But not for Dholakpur.)
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   I.Outsmarting a kid; getting outsmarted by the world.
When scouring through the deep dark pages of the internet, one question plagued me: How did Chhota Bheem get his powers?
Yes, it’s common knowledge that eating a Laddoo gives him super-human strength but how does he get such a power in the first place? Alas, that’s not an answer that the cartoon canon can answer but it is integral to the next question that follows: How did King Indravarma realize Chhota Bheem had such powers? Maybe he never found out because had he, he definitely would’ve chosen to make all his citizens the perfect citizens. (A strategist, remember?)
It’s natural for any parent to desire the safe protection of their child from the dangers of the world. As seen in Spider-Man, Aunt May chooses to protect the identity of Peter as his alter-ego and would go to any extent for his safe keeping. But why didn��t Bheem’s mother do the same? Why didn’t she hide the powers of Bheem?
Or maybe, she did.
She did try to hide it but somehow it reached the ears of King Indravarma. And King Indravarma strategicallydecided to use it to his advantage.
And I say strategic because, by all rights, Bheem deserved official employment. He worked as a protector of the kingdom more than the soldiers ever did.  He could’ve been a member of the royal guards, or a leader of it too. But instead, the king always played along with the HA-HA Bheem- is- just- a- loyal- citizen- who -helps- sometimes card and gave him no remuneration.
This could’ve had two motives: An economic perspective where he didn’t have to pay Bheem for his services and/or a jealous King perspective where he wanted to avoid a 1789 France Bastille-Storming situation. Empowering Bheem and giving him more administrative power on top of the physical power he already had would make him a dangerous weapon. He was already charismatic and loved by the villagers; it would only be a matter of time until they felt that Bheem would be a better leader than the King himself.
The king further added on to this plan by employing some of the most useless soldiers in his army ever therefore making it seem that the King did try to save his kingdom, but it was to no avail. And at some point, he stopped using the soldiers (probably dismissed them, thus saving even more money for his personal gain) and purely relied on Bheem, a kid who he didn’t even have to pay! (And Bheem, being a “kid” did not have the sense of asking for remuneration as well.)[1]
Smart, isn’t he? (King Indravarma, I mean.)
But also, stupid.
By following this method, he made sure that the one key asset that Dholakpur had was revealed to the entire world. He placed the country in danger from threats all the time! (And I truly mean one asset because by its looks Dholakpur had nothing else to offer. The crops often struggled due to pests, the landscape was unappealing to the eyes, it had no tourist’s income etc.) It’s truly surprising how Dholakpur was not already overtaken by some other colonizer or king because all they had to worry about was defeating one kid. Just one kid. (Yes, he’s strong and what not, but Bheem’s got to have some limit?)
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      II. Economic drain for… what exactly?
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“Th’ abuse of greatness is when it disjoins remorse from power.” Brutus in Julius Caesar (2.1.19-20) ----------------
In one episode of Chhota Bheem, King Indravarma had no qualms or shame in announcing that the kingdom had no new bicycles for a bicycle race when the neighbouring kingdom had brand new, shiny bicycles and therefore, Bheem and his friends had to manage with the old bicycles. Either the kingdom was not financially stable to accommodate the purchase of such bicycles, or the king lied that the kingdom had no money.
Let’s explore both the views, shall we?
The kingdom being too “broke” to purchase bicycles implies how financially unsecure it is! Perhaps the kingdom was knee-deep in debts or just refused to spend whatever reserves it had on importing foreign goods. Maybe the kingdom had an import substitution policy (similar to what the post-British India followed) but was not able to implement it seeing how the kingdom had an agrarian economy.
Which brings us to the question: How is an economy expected to grow without any investment in additional technology?
The only source of revenue that was noticed were from the fairs conducted, the crops reaped and Tun-Tun Mossi’s Laddoo sale. And as anyone with two eyes can note: It is not enough. The policies followed by King Indravarma were dangerous to Dholakpur in the short-run and long-run. Inflation was just a door’s knock away for the citizens of Dholakpur! People would’ve been forced to lead even more horrendous lives and forced to spend a bucketful of cash but a pocketful of things! (Again, how the kingdom survived is such a mystery.)
On the other hand, maybe the King just wanted to hold all the gold reserves to himself and did not wish to splurge on any investment in technology for the kingdom. Which again proves how he is a stupid strategist because if he wanted more money, the country needs development. More jobs, more employment brings about higher level of income, GDP and better lifestyle. How are the people supposed to pay taxes to the King if he doesn’t provide them enough opportunity to make money for paying the taxes? It would’ve been more understandable if he invested in their advancement first and then participated in red-tapism and what not.
(Idiot.)
The King, in my opinion, is begging for a Marie Antoinette situation by running around in gold chains and necklaces while his people slog and suffer.
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     III.   Diplomacy at its finest. Not.
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To say nothing, especially when speaking, is half the art of diplomacy. -Will Durant
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The third, and final facet of why King Indravarma was the real villain is perhaps the shortest and the simplest. [2]
There’s no doubt why Dholakpur was often plagued with terrorists and external threats and challenges from other kingdoms than the neighbouring countries: King Indravarma’s tongue.
Instead of rallying allies and forming alliances with other countries, the king often chose to goad other rulers into competitions of which-kingdom-is-better game which is humorous to think because Dholakpur had no additional advantage except …Bheem. The entire fragile ego of Indravarma’s was built on nothing but a nine-year old boy!
The demise of the King’s pride would be swift and sweet the day Bheem decides to move out of the godforsaken kingdom.
Conclusion
“It is unwise to let a man who isn't king sit on a throne for too long.” ― Costanza Casati, Clytemnestra
Thus, I bring this essay to its end. A hyper-fixation of my childhood has now become a piece of media that will forever make me think of this 1600+ word essay that brings no added meaning to this world.
To you, Bheem, I wish that you escape from the clutches of Indravarma’s stupid reign. Perhaps if the King was just evil I could’ve respected him more. Alas, stupidity is a turn-off.
To you, Dholakpur, I wish that you understand that it’s better to have no king than have Indravarma as a king. Rise and revolt, fellow comrades. History would look kindly upon you.
And to you, King Indravarma, thank you for spoiling my favourite cartoon.
Aisling Elle 16.04.2024
[1] A further note to be added is that the king was a frequent enabler of Child Manipulation because he always made it seem that Bheem voluntarily decided to choose to fight for the kingdom and was not requested by the King. [2] This argument is in reference to the cycle competition that the King engages in with Pehelwanpur.
Part 1 of Random Essays
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blueiight · 1 year
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re: choose violence meme Utena answer, I don't want to drag you into the wretched discourse lol, so no pressure to answer, but... okay so I haven't watched IWTV but from what little I see. you seem SO TAPPED IN to what's going on w interplay of the book VS the tv show's handling of race, gender, etc. so I am wondering... penny for your thoughts on Ikuhara's handling / not handling of race (and / or sexuality)... and / or the fandom's takes... orz
oh yeah im down& i appreciate the compliment!<3 im hesitant to over-speak, but i know ikuni & saito have explicitly said anthy is based off lalah sune from mobile suit gundam.. lalah is from bombay (mumbai) & was trafficked into the flannigan institute (2d space military experimentation) as a means to experiment n find the answer on newtypes, which r basically an esoteric arbitrarily defined concept from gundam to gundam thats exploited in the space age military apparatus. lalah sune in the uc gundam series is used as a plot device: its one of char’s greatest mistake/s in his culpability in lalah’s situation, therefore once again violating his father zeon’s revolutionary precepts on what the newtypes were for, and one of amuro’s greatest mistake/s in that he made a brief but rather profound bond w/ such a ~kindred spirit~ n ended up being the one who killed her. she ends up haunting both of them in char’s counterratack & while i thought that was enjoyable to watch.. its laughably easy to read lalah as a pretext for amuro + char’s later fixation on eachother (& tomino even encourages it). ultimately, lalah’s own characterization, much less any story arc on how she was the means to introduce newtypes in the gundam series is tertiary to what she represented to amuro and char. now why am i talking about lalah here? bc ikuni+ saito r explicitly inspired by her in making anthy n ima try to say my piece in how ikuni, and the rgu narrative in both animanga treat anthy (& akio, as a result of being her brother)’s racialization. a lot of shoujo animanga period always has the trope of the character or two at the most who r noticeably darker than the pale-skinned cast, yet theyre never really clearly defined as who or what they are much less is this used to supplement their characterization. with rgu, as u have discussed before, ikuni nem use eternity as a motif. like what does it mean to be eternal? n all. u have anthy and akio, these two darker skinned (indian) characters like lalah, being seen as the vanguard , the introduction to and the disseminator of this esoteric concept that ever eludes the rest of the cast. u have these indian characters who play into these new-age stereotypes , namely how the new age has coopted a lot of the indian faiths & refuse to see yalls cultures as something that actually evolves, but is stagnant + ‘eternal’. the modern world is outside, ohtori headed by akio is the cycle of life repeating over& over n over again. when it comes to the vitriolic protracted abuse + projection anthy faces thru the series, its implicit that this is bc shes a darker skinned girl in a sea of lighter skinned people & abused by her older brother. i cant say if it was ikuni nems intention in doing this but the canon is ample for this argument n how i read this idea of being the rose bride , the ultimate target for humanity’s hate to be a commentary in part on what it means to be a girl/woman of color. dios having the burden to save all of humanity is the archetypical prince, and the expectation on boys of color to prematurely ‘rise up’ n ‘be the man’ so & anthy pulling her brother away from this burden made her a target to all of Humanity, metaphorically for refusing to play the martyr. n ive faced shit in the past for articulating such& bc im a bw, ppl have seemed to misinterpret me saying this as saying ‘anthy is black’ LOL. the fandom is woefully reluctant to tackle this, bc there is no immediate white (european) involved. they want to say utena tenjou n em are ‘white’ bc theyre so eurocentric that this is the only way they can think. when these are japanese creators , creating characters n r relying on stereotypes of indian spirituality + people to define them in relation to the japanese characters. like its a reason they made anthy , the rose bride, the witch, based off lalah sune & not like. utena or shiori yk? the question of sexuality tied to this is rly weighted too, esp bc anthy (+ akio?) sport the marriage colored bindi, but i feel like that was the most intentional they went there
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Y'all remember Raani Indumati from chhota bheem?
She smhow always managed to provoke my anger issues.
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intellectual6666 · 7 days
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Someone ate my garden made "Laal, rasile, pake hue tamatar" 🥹🥹🥹
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shyama-pyaari · 10 months
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This is pure nostalgia. The BEST CARTOON EVER!!!!
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daydreams-n-daaru · 2 years
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i might look like i crave money, deep inside i crave to watch THIS.
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mimigoey · 1 year
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I love the new Oggy too. Oggy and the cockroaches: next generation. A little elephant from India called Piya is a main character in it 🥺❤️ keep in mind that this is a French cartoon.
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Piya is a seven year old elephant. I love the selection of the name. We have a lot of songs with "O piya" ❤️
I love them. Oggy and Piya are best friends living under a roof.
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