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vonkarma2 · 1 year

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18 + 19 + 28 -> for ocs of your choice if you’re still doing it

these questions would be super easy if provided an oc but I’m incapable of picking one I’m actually dying. ok whatever ⬅️quotes from me that I typed out several weeks ago back then this was first asked. sorry

a memory that still makes your OC angry?

So this was difficult because like. Any specific memory I know a character has, especially one that still emotionally affects them to this day, is probably important to their backstory and as such I’ve definitely talked about it before at length so I don’t want to go over it again yk? So that leaves me with the other option of making shit up specifically for this ask game ok umm

I think the characters most driven by anger are Angel, Gloria, and Silence so I think. I’ll cover all of them very vaguely and not really answer the question because it’s hard aha so basically.

Growing up alongside other children, who typically did not like him for reasons justified and not, Angel has a lot of memories that make him furious to think about, like since the house staff didn’t really like him either they’d sometimes side against him for things that weren’t his fault. He doesn’t think about it often but whenever he does it still makes him mad to this day. He thinks it’s wrong to be like biased against a child but he

Something that makes Gloria kinda a contrast to Rocio and Angel as characters is that she does have a lot of like, experience in life for lack of a better word. She’s been around the world, she’s met and had some various types of relationships with other people, even though they were mostly very shallow, had a lot of different types of life experiences and viewed that as like, how her life was from then on. Except no she didn’t, because the whole time she was tied down to the past like mentally? I was going to say she’s probably had some experiences during her travels that she gets mad to think about but honestly I don’t think she does— these days she’s really good at just letting things go because she doesn’t get too attached to anything in the first place, so even if people have betrayed her or tried to kill her or some shit like that, it wouldn’t make her angry to think about. It’s like she always feels like she’s in search of something or running away from something because she’s still mad abt her childhood and feels like she hasn’t resolved her problems with it or confronted the issue in any meaningful way, so it stays with her yk? Most of what makes her actually genuinely mad is like. Following childhood trauma being raised by someone who didn’t seem to have any compassion for or understanding of you at all.

Silence lived in an environment kind of similar to Angel’s in that it was ran by like strict guardians who emphasized morality but it was like. A wider and pretty isolated community. So she felt like that was what the entire world was like, like she was basically trapped with everyone, and since the society encouraged emotional repression, she never saw anyone else displaying like the same dissatisfaction she felt so as far as she knew everyone was all the same. Started to like hate everyone she knew including herself and view people as fundamentally evil. (That’s part of why when meeting Cirillo she liked him so much like he was genuinely trying to be understanding. She thought he had an ulterior motive at first but since he didn’t have or want any power over anyone she eventually like warmed up to him yk.) She has a lot of bad memories of being punished or like shamed for getting mad and like raising her voice and things like that.

a memory that still makes your OC sad?

You know what’s interesting about sadness is that typically it doesn’t drive you to act so much as like anger or fear do, more so it drives you to like not act. Like to just give up and let things happen to you, yk, like be apathetic and stop caring. So it’s not as much of a motivating force as much as it is a hamper to your motivation. That’s not related to the question but it’s interesting 2 me. Anyway.

I think the character who feels the most regret about their past has to be Cirillo, but Ive already talked about him a lot and Jacinto is similar so I think I’ll talk about them instead. God they’re so hard to write I’m going to lose it I have to change something about their character. Them and Gloria I think could do with more focus/nuance, like more specific plot events to work with. But like anyway, I think a lot of memories, even ones they like thinking of in the moment, end up making them feel sad in the long run because they are pretty stuck in the past— the more they think of good memories with like their brother or their best friend, the more they feel like their life is basically over. That’s pretty dark I feel so bad about it I’m sorry 😞😞😞 they pretty much didn’t do anything wrong. I guess on the bright side, though thinking about older memories makes them feel like their life is empty Now, and they definitely are aware they’ve made mistakes in the past, it does make them feel like they have contributed something to the world in the past? Like their life overall had some meaning and so that helps them feel a bit more at peace I guess. It makes them feel sad, for sure, but in a bittersweet way yk.

is your OC a dog or cat person?

dog: rocio (only like hunting/working dogs), cirillo, gloria (only the cool ones, but the criteria for what makes dogs qualify as such is unclear and constantly changing. it’s pretty much whether she vibes with the specific individual dog immediately or not), tiago (I think he’d be the type to feed stray dogs whenever he sees them), jacinto (appreciates how theyre more straightforward to take care of, and more outwardly energetic and affectionate usually), joanna, joseph (thinks they are fun to play with)

cat: angel (likes both, prefers cats very narrowly. probably the place he grew up had a couple cats living in the building. also probably would have seen some stray dogs in the area though), laura, lucia, victor (actively dislikes dogs, scared of larger ones and annoyed by smaller ones)

^these aren’t all the characters ofc but I’m not doing everyone because the list got too long. can’t be bothered to try to remember every character there’s like 15 of them what am I Einstein 🙄

#I like talking abt ocs I promise #apparently more general prompts just make me explode and die #also this post kinda implies the characters can be sorted into categories of like #being driven by 1 primary emotion which ofc isn’t the case #especially because emotions can come from others yk #like anger coming from fear sadness coming from anger #I like talking abt that kind of thing because I think analyzing character motivations #is one of my favorite things abt making ocs #anyway thanks for asking for real :)#my ocs #I had more to say abt Victor and Jacinto #but didn’t because I wanted 2 finish writing this. sometime this month

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235uranium · 2 months

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on one hand I always feel highly embarassed thinking about anime crossovers with my Adult American TV Shows, on the other I do think of that one extremely well written hannibal/soul eater crossover

#☢️.txt #part of why it worked tbh is bc the world building of soul eater is so distinct that you can separate it from the narrative #i did write a hannibal/beastars crossover bc its a similar case where you have very distinct worldbuilding #and still have a story that is A Crossover. you dont even need to have the soul eater characters there for it to work #that serves to tell stories about characters and how they have responded to their culture + environment #fma is kind of in that category?#its an extremely plot driven piece of media with a lot of exploration of themes #but the setting is distinct and removing it from the equation would change a lot about how you tell the story #anyways. the point here is i enjoy crossovers where its less about two sets of characters meeting each other #and more about putting characters into an entirely different setting and exploring how they would respond #my hannibal/beastars fic is entirely just seeing how the plot and themes would change to fit into the beastars setting #and what can be expanded on using the basis of the beastars setting #which as a worldbuilding and character analysis enjoyer is what i always want to do

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verysium · 5 months

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attractive things bllk characters (unintentionally) do?👀

i received this ask and decided to write this entire thing through a caffeine-powered fever dream. may have gone a little overboard. please pray for both your sanity and mine. thank you anon for your strong sense of imagination (or delusion, whichever you prefer.)

nagi lifts the hem of his shirt to wipe the sweat off his face, and you accidentally (or not so accidentally) get a good look at the droplets running down his abs and v-line. he also does the doorway lean while waiting for you to get ready. since he's so tall, he puts his one arm up on the top of the door frame while scrolling through his phone. when he feels drained of energy, he clings to you like a koala, face buried into the crook of your neck.

rin pushes his hair back when his bangs get in the way, and it shows off his ridiculously sharp side profile. sometimes you have to pause mid-conversation because the direct eye contact gets too intense. he has the brightest turquoise eyes in existence, and they stare right into your soul. pair that with the height difference and him towering over you. hang onto your ovaries because this man is about to snatch them. if isagi or sae are anywhere remotely close within your vicinity, he will personally drag your chair closer over to him. you know, the whole nick jonas chair pull thing? he also unintentionally clenches his jaw when pissed, the vein popping out and everything.

barou is polite to his elders. he holds the door open for others. he tips extra at restaurants. he is kind to service workers. he's just a gentleman overall even though he likes to act tough. he rolls up his sleeves while cleaning or cutting up vegetables, and you can see the veins bulging in his forearms. wears those form-fitting aprons where you can see the outline of his waist and the muscles in his back. he is not immune to raging pit bull moments, but he will calm down immediately when you ask him to.

kaiser requires physical touch to function. all concept of personal boundaries goes poof in his little ego-driven brain. he holds your chin so you look up at him while he's talking. also has that husky growl when he wakes up in the morning. he speaks german. what else is more attractive than that? if you stroke his ego, he will puff his chest out like an emperor penguin and flash that movie star smile. does not slow down his pace for you, and will laugh at your expense when you trip in heels and fall. but then he feels guilty about it and begrudgingly picks you up and carries you home. however, before that he will make you swear on everything holy to never tell isagi about his moment of weakness. (tbh kaiser is a menace and has some serious self-esteem issues. pls avoid dating a man like him in real life until he is fully mature. i still love him tho.)

reo mansplains but not in the condescending way. he does so in the "omg i'm so excited to finally get to share something with you and you're never going to believe it" sort of way. rambles on and on about his interests and gets that little glint in his eye when he's passionate about something. also not sure if this counts but he gets extremely depressed when you don't message him back within five minutes. what do you mean you were busy? he was out here dying from a literal famine. he needs your affection to survive. last but not least, he is good at styling. he knows what colors work best for you, and he will put together three new looks for you in record time.

hiori dreams that you left him for good and wakes up crying with his arms around you. will refuse to let you leave the bed even if it is just to get a glass of water. his rare moments of emotional vulnerability are what gets to you.

shidou does not condone any of your bad decisions. you want to get shit-faced and party until early morning? no complaints from him. you want to wear sexy outfits to the club? say less because he's about to enjoy the view and knock out the front teeth of every guy who dares to ogle you. i don't know if this qualifies as being attractive, but he would never be the controlling type. you can dress and act however you want. unfortunately for you though, this is also a textbook case of the blind leading the blind. if you get horrendously hungover, so does he. if you get pulled over, he's going to be too blackout drunk to even comprehend the officer's words. you can count on him for a good time, but not anything else. do not take any of his advice at face value.

oliver likes to show you off even if he doesn't notice it himself. any talk with his team, and he will find a way to make the entire conversation about you. at this point, the entire u-20 team is done with him. they placed bets that you two wouldn't last more than a month due to his philandering reputation, but the universe seems to think otherwise because you and oliver hit the six-month mark and are still going strong.

ness guards your drink with an unnecessary amount of protection. while you left to go use the restroom, he was looking left and right, and the hairs on the back of his neck were prickling every time someone even came close to your cup. he also shoos away any person who opens their mouth while standing next to your drink because apparently the condensation from their breath could be dangerous. definitely covers your cup with both hands even if it has a lid. no suspicious shit is happening on his watch.

yukimiya is well-read, and he wears glasses. he has a copy of every single classic out there in existence and will fangirl along with you over your virginia woolf collection. he was written by a woman with two cats and a wine glass. not much else to say.

loki absolutely clears the entire carnival/arcade game. you want that giant teddy bear that costs over three hundred ticket points? say less because he's about to win the whole damn pot. of all characters, i would say he's one of the only green flags. like celery green.

isagi always looks for you when he enters the room. intentionally or not, he always seeks your presence. if someone says a funny joke, he turns to you to see if you're laughing or not. also does that somewhat creepy stare thing where he just looks at you quietly while you do mundane tasks. internally he is screaming cus what do you mean you actually like him?

chigiri gives you that thankful little smile whenever you stand up for him. i feel like people don't understand how goofy he can get as he's canonically good at doing impressions/impersonations. also has the prettiest laugh. if he ever cuts his hair, i think i'm going to get a nosebleed.

noa unconsciously says yes to every question you ask of him. he'd be giving bastard münchen a hard time (and denying isagi's requests) but then immediately once you come over, he's automatically acquiescing to everything you say. the rest of the team is low-key shocked you can win him over so easily. when they confront him about it, he just shrugs and goes "y/n is always right."

kurona's entire existence is attractive. he's just perfect. nothing is ever wrong with him. will let you check out his shark teeth and lightly pokes your finger to leave an imprint. hopefully you'll always remember him that way. he's also quiet so he will listen to everything you say and give ample weight to your words.

sae is my baby girl so he gets a whole section dedicated to himself:

absentmindedly plays with your hair. when you're sleeping in his lap, he'll gently run his fingers along your scalp. sometimes in the morning when you're sitting up on the edge of your bed to do your makeup, he'll come up from behind you and brush back your hair. might also press a kiss to the back of your neck.

helps you put on your face mask. when he's shopping, he will buy you lotion along with his own skincare products. says that it was just a convenient store run but you know he personally made sure to get you the best quality ones.

this is canon because i said so: when he gets out of the shower, he slings the towel over his neck or his shoulder. he also involuntarily flexes his biceps when he bends down to grab something. has the world's most defined deltoids.

when you're stuck in large crowds at the airport, he puts his hand in your back pocket to keep you two from getting separated. if the TSA pat-down is anywhere too personal for his liking, he will openly glare at the officer once you've passed the security checkpoint.

bonus point: when you two brush your teeth early in the morning, he has that little bed head where his shorn-off bangs stick up in cute little tufts here and there. will have a dead look on his face, but his eyes soften when he catches your gaze through the mirror.

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ahdriking · 1 year

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Get to know your fic writer!

Do you prefer writing one-shots or multi-chaptered fics?

Do you plan each chapter ahead or write as you go?

Describe the creative process of writing a chapter/fic

Where do you find inspiration for new ideas?

Do you like constructive criticism?

Do you have your work beta'd? How important is this to your process?

How do you choose which POV to write from?

Do you prefer the beginning, middle, or end of a story?

Do you comment on stories you read?

Cltr+f "blinks" on your WIP & copy paste the first sentence/paragraph that comes up

Link your three favorite fics right now

how does receiving or not receiving feedback/support impact you?

what’s a common writing tip that you almost always follow?

how do you write emotional scenes? Do you ever feel what the characters feel? Do you draw from personal experiences?

How do you write smut scenes? Do you get very visual or detailed? How important is it to be realistic?

How many fic ideas are you nurturing right now? Share one of them?

What do you do when writing becomes difficult? (maybe a lack of inspiration or writers block)

Do you title your fics before, during, or after the writing process? How do you come up with titles?

What is the most-used tag on your ao3?

Have you noticed any patterns in your fics? Words/expressions that appear a lot, themes, common settings, etc?

Would you ever collaborate with another writer for a story?

Are there certain types of writing you won’t do? (style, pov, genre, tropes, etc)

Best writing advice for other writers?

Worst writing advice anyone ever gave you?

What fic do you wish you got more of a response on?

Which of your fics would you call your wildest ride?

What is your most and least favorite part of writing?

On average, how much writing do you get done in a day?

What’s your revision or editing process like?

Do you share rough drafts or do you wait until it’s all polished?

Do you start with the characters or the plot when writing?

Name three of your favorite fanfic writers.

Do you want to be published some day?

Five years from now, where do you see yourself as a writer?

What is one essential thing to remember when writing a villain?

How do you write kissing scenes?

How do you choose where to end a chapter?

Would you ever write commissions?

Share a snippet from a WIP

If someone were to make fanart of your work, what fic or scene would you hope to see?

Do you tend to reread fics or are you a one-and-done kind of person?

What’s the last fic you read? Do you recommend it?

Do you take a sadistic joy in whumping your characters, or are you more the "If you hurt them I would kill everyone and then myself" kind of person?

What mistakes do you keep making no matter how many times your beta corrects you?

Do you want to break your readers‘ heart or make them laugh?

How would you describe your style? (Character/emotion/action-driven, etc)

How many times do you usually revise your fic/chapter before posting?

What do you look for in a beta?

Do you ever get rude reviews and how do you deal with them?

How long is your longest fic?

What’s your total AO3 word count?

Do you respond to comments, why or why not?

How do you spend your time when it comes to fanfiction? Are you primarily a fic reader, writer, or a perfect 50/50 split of both?

What’s your favorite part about the fanfiction writing process?

Of the characters you write for, which is your favorite? Has that choice been swayed at all by your followers/readers’ reactions to certain ones?

What’s something about your writing that you pride yourself on?

Do you prefer editing as you write, or waiting until it’s finished?

What part of the writing process do you enjoy the most? (Brainstorming, outlining, writing, editing, etc)

Does anyone in your personal life know you write fic? if not, would you tell anyone?

Have you had a writer you admire comment on your fic? What was that like?

Why do you continue writing fics?

Thoughts on cliffhangers?

Something you hate to see in smut.

Something you love to see in smut.

Tell us about what you’re most looking forward to writing – in your current project, or a future project

How do you deal with writing pressure (ie. pressure to update, negative comments, deadlines, etc.)?

Do you prefer prompts and challenges, or completely independent ideas?

What, if anything, do you do for inspiration?

What work of yours, if any, are you the most embarrassed about existing?

When asked, are you embarrassed or enthusiastic to tell people that you write?

When it comes to more complicated narratives, how do you keep track of outlines, characters, development, timeline, ect.?

What order do you write in? front of book to back? chronological? favorite scenes first? something else?

What do you think makes your writing stand out from other works?

You’ve posted a fic anonymously. How would someone be able to guess that you’d written it?

What scene in [Fanfic Name] took the longest to write? What was difficult about it?

Did you have any ideas that didn’t make the final cut of [Fanfic Name]?

Do you have a favorite scene you’ve written from [Fanfic Name] story/chapter?

#ask game #writing ask game #writers ask game #fic writers asks #asks for fic writers

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zoromuse · 1 year

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want you (need you) | headcannons

taking an aphrodisiac with them and seeing who gives in first

characters. eustass kid, monkey d. luffy, roronoa zoro, vinsmoke sanji

general cw. f!reader, aphrodisiacs, just overall desperate men

a/n. based on this ask, thank you for requesting, i had such fun writing this <3

part two

EUSTASS KID

cw. mention of thigh riding, bulge

It definitely takes some convincing for him, but once he sees the competitive aspect of it, he’s kind of driven to the idea.

At first he found it kind of amusing, since he could see it started affecting you first; even though you said you were fine when he asked you, he didn’t miss the way you clenched your thighs for some friction from time to time.

Then it started affecting him, his body growing hot all over, from his cocks to his heat that were bright red from all the nerves, but he’d rather die than give in first.

In the end, you’d have to give up and ask him for what you want, he’s too stubborn to lose and you can’t take it anymore.

You were the first to pounce on him, straddling his lap and quickly grinding on his thigh to get any sort of relief you could find. Your thighs tremble on either side of his waist, and you’re panting wildly because it feels like you’ve been holding your breath ever since you felt the delicious drag of his cock in your walls for the first time of the night, but you’ve never felt better.

You bask in the afterglow of your orgasm for the next few minutes before you realize he’s growing hard inside of you again. You’re terrified to look anywhere, down to the place you connect with him for fear of seeing the bulge he’s surely leaving in your tummy, and absolutely terrified to look up to his face for fear of being met with the unchanging animalistic look of his face.

"Did you think I would be satisfied with just one time? I was just waiting for you to give in, now I'm gonna have my way with you…"

MONKEY D. LUFFY

cw. whiny luffy

He is always willing to try anything you want, so I don't think it would take a lot of convincing.

He understood the competitive aspect of it, but as soon as he started feeling the effects of the aphrodisiac he got extra touchy with you.

When you remind him you were supposed to see who could last the longest away from each other, it's almost like he doesn't hear you.

"Fuck that, I need you right now"

“W-wait!” you exclaim, his hands pushing at the dip of your fack to get you to arch further into him. This isn’t his favorite position, he much prefers so see you bounce on his lap and make a mess of yourself, or just simple missionary where he can see all the pretty faces he causes in you with every drag of his cock, but he’ll take this for now.

“No please, I don’t wanna stop…” he all but whines. His cock keeps abusing that same spot he knows drives you crazy, that’s why you’re having such a hard time voicing your concerns.

“You can’t be so… l-loud, someone might hear!” Your warnings fall to deaf ears, his pace is unrelenting and shows no signs of stopping anytime soon, despite this being the third time tonight. The substance only gave him a boost on his already big stamina, and you’re starting to regret suggesting this to him.

“I love you so much,” he said. “I don’t care if anyone hears, I just want to-... mmm f-fuck-!”

RORONOA ZORO

cw. lots of dirty talk, a little bit of mean dom zoro if u squint, mating press, bulge

Much like Kid, he likes the competitiveness of it all, so it’s easy to convince him about this idea.

I think he would take a more teasing approach on it though.

As soon as he sees you’re feeling the same heat he is, he starts whispering dirty things in your ear to get you to give in first.

“You’re so warm, bet you feel so hot down there too, don’t you?” “How long are you going to keep pretending you don’t want me to bend you over and fuck you right now?"

“Fuck, thank god…” he groans, his hands holding your legs pressed to your chest as you claw at the sheets next to you. “Didn’t know how much longer I could take”

The irony of it all is that you didn’t know how much longer you could take this. His grasp on your legs and the way his cock hits all the right spots you were aching to have filled, it’s so overwhelming, and yet it’s everything you had been craving tonight.

“What’s wrong?” He asks, his thrusts growing deeper and harder, if possible. “Too dumb to talk now?”

You nod, knowing if you tried speaking a mixture of slurred and unintelligible words would be the only thing falling past your lips. He doesn’t mind though, he likes watching you go dumb on his cock, still mindful enough to look down at the way his cock keeps bulging at your tummy.

VINSMOKE SANJI

cw. dacryphilia if u squint

He’s willing to try anything for you, so it literally only takes suggesting it for him to agree.

He tries to act like it’s fine, part of him wants to impress you, and part of him wants to see you beg for him.

Then again, he’s not very patient when it comes to you, so he’ll start with sloppy kisses to your neck, acting like he’s trying to make you give in first.

Eventually it turns into him cursing under his breath, and before he realizes the words are coming out, he’s begging for you to give him something, anything.

“Fuck-!” He groans, throwing his head back. You’re riding him, your tits are bouncing to the rhythm of your hips and your hands are grasping at his chest for balance. He keeps bucking his hips into you, and it’s throwing you off, but he’s reaching the deepest spots of your walls and you’re not sure how much longer you’ll last.

Still, it’s not enough for him.

He turns you both over, your back landing on the bed with a cry because he took you by surprise, and his hands now on either side of your body, holding himself up as your legs wrap around his waist and he fucks into you just the way he knows you like it.

Sanji hates to see you cry, but somehow he finds the sight of your tears prickling at the corners of your closed eyes so appealing, it almost drives him to the edge. Almost. He wouldn’t even think about leaving his baby unsatisfied.

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infamous-if · 9 months

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✮ CH. 2 PART I ✮ 92k (+86k) -> 178k ✮

PLAY CHAPTER 2: PART I

It's here! First, sorry for the long wait. Chapter 2 has proven to be a behemoth, and I'd gotten sick this past week, my computer broke, my documents went kaput and I had to do some Frankensteining for the last few pages of this part. I'm not too worried, as Part II update can help smooth out all the kinks. I will definitely be looking for beta testers once chapter 2 is complete ha

Anywho! Enough about my problems. This demo update adds 86k words (86, 818 to be exact) and is the first part of a two part chapter. Which means the narrative in this chapter is not complete, but I kind of closed it off at a pretty satisfying place. As with every Infamous chapter, this is very character driven. So have fun!

What to expect in Chapter Two PART I:

get on the bus & deal with the consequences of your actions lol

arrive to your first tour stop and do your first gig...which might get messy (both literally and figuratively)

hang with a familiar father and daughter duo

have some heart to hearts/ some cheeky little POV passages

meet more BOTB crew and learn exactly what's in store for you this season

get roped in some ValenReign mess !

Maintenance:

this chapter has a lot of flavor text, or at least, more than the demo did, so if there are any errors or if there are lines that don't correspond with your choices, please let me know so i can fix that!

you will no longer be forced to write your own lyrics and the update will offer you pre-written lyrics by yours truly. im not t swift so i would advise you not to expect professional level songwriting, but they work well enough lolol

lyrics page is up as well as stats, but i don't really like the system i used to balance it, mostly because new...stat things will be added as the story goes on, so that's still getting reworked. still, good enough for now, as there are some personality stat checks!

Prologue and Chapter 1 errors/typos/grammatical bits fixed. (Wouldn't be surprised if I missed some though...) + variables updated.

Scenes not showing up fixed. hopefully, that huge error in which it throws you back to the fight after returning to the house is fixed (It was a bit wonky for me, hopefully it works for everyone else)

Stat and relationship pages updated ( + lyric page to look back at all your lyrics).

Can choose to be asexual and any sexual scenes will be skipped or replaced with romantic scenes. Flavor text in which MC displays any sort of sexual desire will be skipped. (This option comes up during Dakota's party scene. If not, it will show up when it presents itself again.) (Nothing sexual has come up yet, but if there are any scenes or even lines/ internal thoughts that should be skipped or changed for Asexual MCs, please let me know!)

If there are errors or anything, im always open. I've play tested but you girl is always prone to errors. As always, thank you for your love and enthusiasm! It makes me really happy and motivates me to keep writing ! <3

(Also, if you're thinking "omg amy how did you go from 65k to 86k?!" i don't want to talk about it /j)

See you on tour!

#DEMO UPDATE #interactive fiction #interactive story #interactive game #infamous #chapter 2 #ive been so sick #enjoyyy <3 #dashing don #choice of games #cog #demo #update #wip update #ahhh

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writingwithcolor · 4 months

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What Makes an Ethnic Villain "Ethnic" or "Villainous?" How Do You Offset it?

anonymous asked:

Hello WWC! I have a question about the antagonist of my story. She is (currently) Japanese, and I want to make sure I’m writing her in a way that doesn’t associates [sic] her being Asian with being villainous. The story is set in modern day USA, this character is effectively immortal. She was a samurai who lost loved ones due to failure in combat, and this becomes her character[sic] motivation (portrayed sympathetically to the audience). This story explores many different time periods and how women have shown valor throughout history. The age of the samurai (and the real and legendary female warriors from it) have interested me the most, which is why I want her to be from this period. The outfit she wears while fighting is based on samurai armor, and she wears modern and traditional Japanese fashion depending on the occasion. She acts pretty similar to modern day people, though more cynical and obsessed with her loss. She’s been able to adapt with the times but still highly values and cherishes her past. She is the only Asian main character, but I plan to make a supportive Japanese side character. She’s a history teacher who knows about the villain and gives the protagonists information to help them, but isn’t involved in the main plot otherwise. Are the way I’m writing this villain and the inclusion of a non-antagonist Japanese character enough to prevent a harmful reading of the story, or is there more I should do?

Why Does Your Villain Exist?

This makes me feel old because David Anders plays a villain with this kind of backstory in the series Heroes starring Masi Oka.

I think you want to think about what you mean when you say:

Villainous (In what way? To whom? To what end?)

Harmful (What tropes, narratives and implications are present?)

I’m relatively infamous in the mod circle for not caring too much about dimensions of “harm”. The concept is relative and varies widely between people and cultures. I don’t see much value in framing motivations around “What is less harmful?” I think for me, what matters more is:

“What is more true?”

“Are characteristics viewed as intrinsic to background, or the product of experiences and personal autonomy?”

“Will your portrayal resonate with a large audience?”

“What will resonate with the members of the audience who share the backgrounds your characters have?”

This post offers additional questions you could ask yourself instead of “is this okay/not okay/harmful.”

You could write a story where your antagonist is sly, sadistic, violent and cold-blooded. It may not be an interpretation that will make many Japanese from combat backgrounds feel seen or heard, but it’s not without precedent. These tropes have been weaponized against people of Japanese descent (Like Nikkei Japanese interned during World War II), but Japan also brutalized a good chunk of Asia during World War II. See Herge’s Tintin and The Blue Lotus for an example of a comic that accurately showcases the brutality of Japan’s colonization of Manchuria, but also is racist in terms of how Japanese characters are portrayed (CW: genocide, war, imperialism, racism).

You could also write a story where your character’s grief gives way to despair, and fuels their combat such that they are seen as calculating, frigid and deeply driven by revenge/ violence. This might make sense. It’s also been done to death for Japanese female warriors, though (See “Lady Snowblood” by Kazuo Koike and Kazuo Kamimura here, CW: sexual assault, violence, murder and a host of other dark things you’d expect in a revenge story).

You could further write a story where your antagonist is not necessarily villainous, but the perceived harm comes from fetishizing/ exoticizing elements in how her appearance is presented or how she is sexualized, which is a common problem for Japanese female characters.

My vote always goes to the most interesting story or character. I don’t see any benefit to writing from a defensive position. This is where I'll point out that, culturally, I can't picture a Japanese character viewing immortality as anything other than a curse. Many cultures in Japan are largely defined by transience and the understanding that many things naturally decay, die, and change form.

There are a lot of ways you could conceivably cause harm, but I’d rather hear about what the point of this character is given the dilemma of their position.

What is her purpose for the plot?

How is she designed to make the reader feel?

What literary devices are relevant to her portrayal?

(Arbitrarily, you can always add more than 1 extra Japanese character. I think you might put less pressure on yourself with this character’s portrayal if you have more Japanese characters to practice with in general.)

- Marika.

When Off-Setting: Aim for Average

Seconding the above with regards to this villainess’s story and your motivations for this character, but regardless of her story I think it’s also important to look specifically at how the Japanese teacher character provides contrast.

I agree with the choice to make her a regular person and not a superhero. Otherwise, your one Asian character is aggressively Asian-themed in a stereotypical Cool Japan way (particularly if her villain suit is samurai-themed & she wears wafu clothing every so often). Adding a chill person who happens to be Japanese and doesn’t have some kind of ninja or kitsune motif will be a breath of fresh air (well, more like a sigh of relief) for Japanese readers.

A note on characterization—while our standard advice for “offset” characters is to give your offset character the opposite of the personality trait you’re trying to balance, in this case you might want to avoid opposites. You have a villainess who is a cold, tough “don’t need no man” type. Making the teacher mild-mannered, helpful, and accomodating would balance out the villainess’s traits, but you’ll end up swinging to the other side of the pendulum towards the Submissive Asian stereotype depending on execution. If avoiding stereotypes is a concern, I suggest picking something outside of that spectrum of gentleness to violence and making her really boring or really weird or really nerdy or a jock gym teacher or…something. You’re the author.

Similarly, while the villainess is very traditionally Japanese in her motifs and backstory, don’t make the teacher go aggressively in either direction—give her a nice balance of modern vs. traditional, Japanese vs. Western sensibilities as far as her looks, dress, interests, values, etc. Because at the end of the day, that’s most modern Japanese people.

Sometimes, the most difficult representation of a character of color is making a character who is really average, typical, modern, and boring.

- Rina

#writeblr #Japanese #Japanese women #Villain #antagonist #tokenism #characterization #representation #stereotypes #immortality #superheroes #supervillains #asks

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slytherinslut0 · 4 months

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hey can you please do tom x hufflepuff reader hcs??

Tom Riddle x Hufflepuff!Reader headcanons.

(A/N: idk how this ended up being so long. i got carried away. i love tom. i love his complexity. i could write about him forever. anyways, enjoy:))

tom riddle and a hufflepuff reader would be damn near polar opposites, and there are a few reasons why i say this->

tom is a very reserved man, yet undoubtedly driven by an ambitious and power-hungry nature, always seeking dominance and control in every aspect of his life.

hufflepuffs, on the other hand, are known for their kindness, their loyalty, prioritizing the well-being of others over personal ambition.

tom riddle is the type of man who is not afraid to deceive others for personal gain, while hufflepuffs value fairness and honesty in each of their interactions.

not to mention how tom is emotionally restrained, rarely displaying vulnerability or empathy, while hufflepuffs are known for being emotionally open and expressing genuine care/understanding for others.

i believe tom would be rather annoyed by hufflepuffs, perhaps even put off by their loud, outgoing nature, but i also feel as though he would respect them more than other houses because they are known for being more by-the-book.

i believe this pairing would be WONDERFUL for him, and i’d imagine it’d go a little like this->

perhaps you and tom would be involuntarily paired up for an assignment, an unlikely collaboration that tom figured would be an easy mark for him.

originally, he’d find himself irritated by your constant cheerful and optimistic nature; finding it rather absurd that you weren’t at all fazed by his cold, cunning attitude.

there’d definitely be initial clashes between the two of you, disagreements of methods, but tom would find himself stunned as you met every one of his suggestions with a positive, passionate attitude, not daring to get discouraged or frustrated with him.

your unwavering optimism would be shocking to him. especially in the face of his calculated cynicism. it’d be then, that tom would be astonished by your dedication and genuine passion for learning, a rare quality to obtain.

his initial cold, guarded demeanour would slowly begin to fade.

tom would find himself beginning to pay more attention to you, his curiosity extending to outside the confines of the classroom.

he’d begin to wonder if your genuine kindness is truly authentic or merely a manipulation tactic, leading him to question the sincerity of your character.

which he’d only question because that’s the way his mind works.

he’d never known someone so open and genuine like you. he’d convince himself you had ulterior motives.

however, tom would quickly observe that your authenticity extended universally, and was not just directed at him.

your small acts of kindness and interactions with strangers became evident, and he’d witness your unwavering positivity even in the most challenging situations.

he’d notice how thoughtful you are, how you’d spend your free time maintaining the Owlery, ensuring it’s well-kept and sanitary.

he’d watch you from a distance as you continually brought the owls food and water, giving them attention and love which was something you did upon your own accord, without expecting any compensation.

it became clear to him that you did these things because you genuinely loved to do them, not because you wanted praise for it. and at this, tom was completely taken aback.

your radiant smile, capable of lighting up any room, would become a revelation to him, leaving him puzzled about how he initially overlooked this aspect of your character for all those years.

it’d be here that inner turmoil would begin to brew within tom as he’d have no choice but to acknowledge your ability to see the good within everything and everyone, and especially within him. something not many people are capable of.

as time passed, you couldn't help but notice a gradual softening in him.

during your collaborative sessions on the assignment, he became more receptive to your ideas, actively seeking your thoughts.

surprisingly, he started engaging in conversations beyond the project, asking about your day and exhibiting small changes in his demeanour that were entirely new to you.

tom was breaking, his walls slowly being chipped away by your infectious smile and enthusiasm.

the unexplainable shift in his perspective both intrigued and unsettled him, as you became the catalyst for awakening emotions he never believed he could feel.

he’d try to fight back, he’d try to get himself together, but it was useless. you were in his head, and there was no getting you out.

however, given the fact that tom struggles with showing even the smallest amounts of vulnerability, he’d try to be as subtle as possible with his interest in you. hoping that you’d eventually catch on.

perhaps he’d begin with small gestures, like gifting you a book on rare and beautiful magical creatures, saying that he noticed it in the library and thought of you, believing you might like it.

it would not go unnoticed by you just how considerate this was, and just how much he’d begun to take awareness of your interests.

you found yourself engrossed in the book, a sight that never failed to bring a subtle smile to tom’s face whenever he spotted you across the hall.

observing you immersed in the pages made him quietly content, often requiring a conscious effort on his part to break himself free from the captivation.

his brain would be screaming, “what the hell am i doing?” but he wouldn’t be able to deny just how much he loved seeing you enthralled by the gift.

the feeling was intoxicating, and wholly unfamiliar; he needed more. he needed to do more.

perhaps the next move he’d make would be to gift you a rare enchanted plant, after having noted your love for herbology.

he’d present the plant to you in a subtle way, saying that he’d found it while taking a stroll through the forest and thought you’d like it.

he’d go into details about its properties, its rarity and how to effectively take care of it, even though he knew you already knew all of this.

he knew you absolutely loved the fact that he cared for these plants just as much as you did. this was all part of his plan.

and of course, at this point, you’d have the hunch that he was into you; but being as perceptive and intuitive as you are, you’d know that pestering tom or trying to force him to admit feelings would be useless.

the man moves at his own pace.

so instead, you’d invite him to join you as you cleaned the Owlery, wanting to spend more time with him. the two of you would gradually become closer and closer, tom’s harsh demeanour fading away with the wind with each passing day.

and even still, tom hardly made any advances. tom hardly wanted to put himself in a vulnerable position. he wanted to be sure you wanted him before he ever revealed his intentions.

if he was touchy with you, he’d never insinuate it was because he’s into you. he’d kiss you on the cheek after walking you back to your dorm for the night, and then act like nothing ever happened in the morning.

and this might have annoyed some, but not you.

you understood that this is how tom was, and you admired him for it. you were entirely understanding. you wanted him to open up on his own terms, and you were willing to wait for him.

eventually, tom knew he couldn’t hold back his feelings anymore. he knew he needed to make you his. he knew he’d do fucking anything.

and this feeling would only multiply as he spotted you across the courtyard, speaking to a boy from your house.

your smile was glowing, your laugh was radiating, and the feeling this sight inspired inside tom’s heart could have been enough to ignite the entire castle into pure fucking flame.

whatever he was doing at this moment didn’t matter anymore, he only had one objective in mind.

making you his.

without waiting for you to finish your conversation, he’d interrupt, stating he needed to speak to you.

you’d smile, sensing his urgency, and follow him over to the far side of the courtyard, looking out at the breathtaking view of the faraway valleys and mountains.

as soon as tom was content with your seclusion, he’d cup the back of your head and crash his lips to yours, kissing you with enough fervour to make up for all the days and weeks and months he’d wished he’d have made a proper move.

pulling back, he’d meet your eyes. “i need you to be mine,” he’d whisper, as though the words scared him. “you’ve made me feel things i’ve never known possible, you’ve broken me down without effort. you are the most beautiful, genuine woman i’ve ever met, and i have been falling in love with you for months…i can’t hide it anymore, i need you…”

the words would be music to your ears, the joy unfathomable.

of course, you’d be his.

#harry potter #tom riddle #tomriddle x reader #tomriddle #tom riddle x reader #tom riddle smut #tomriddle smut #tomriddlesmut #slytherin boys #slytherinboys #slytherin #hufflepuff reader #hufflepuff #mattheoriddle #mattheo riddle #tom riddle ai #mattheo #mattheosmut #mattheo riddle smut

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dragonlands · 6 months

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There's so much negativity around Izzy's death so I wanted to address some of the points I keep seeing thrown around.

"Izzy's death was pointless"

No, he just had his big speech about how basically they can kill him but they cannot kill the movement. That is a clear paraller to a lot of real life protestors of unjustice. He died protecting the community, he died so the community could go on.

"Izzy's death made his healing pointless"

No it didn't. Healing is always good, feeling happiness and belonging are ALWAYS worth it. We never know how long we've got, doesn't mean we gotta stop trying to be better or happier. His healing was still real. It still mattered.

"Izzy's character arc was left unfinished, it's bad writing"

Oh my god. If you open any writing guide about how to write impactful deaths, and the first thing that comes up is to leave some part of their arc unfinished. And his arc did go through quite a beautiful line, sure there could've been more but his story didn't end like, mid arc. As a writer, of course you want to make the audience sad when a character dies. It's good storytelling. Good stories are supposed to make us feel.

"Izzy died on the arms of his abuser"

Where the hell did this idea come from? Ed and Izzy have been in a toxic codependent relationship way before this show started. You could argue that Izzy was Ed's abuser, but that is not the argument I want to make here. Yes, we saw Ed driven to madness shoot Izzy on screen, but we know Izzy's the one that forced him to be Blackbeart when he didn't want it anymore. There's turmoil all around them. But the final moment is them finally meeting as people, not as components of Blackbeard.

"Izzy's death was unnecessarily awful"

His death was sad, yes, but it was quite beautiful as far as deaths go. He was surrounded by family who cared for him. He was loved, and accepted as he is. He knew his legacy will be carried on.

"They killed off the only character that showed us healing is never too late"

Did we watch the same show? That begins with then unhappy 40+ year old Stede deciding it's finally time to reach for his dreams? Where we see Blackbeard slowly gaining back his humanity? Where Black Pete starts off as toxically masculine dude but ends up in a soft gay marriage? Where most of the crew wanted to mutiny but then they realized being soft is good, actually. Jim's whole purpose in life being revenge but them learning to let that go and instead concentrate on love and fun and family. And so on. Izzy's arc is beautiful, but he's not the only person healing who thought it was too late already.

"Izzy's death was bury your gays trope"

No, what, no. In a pirate show where everyobody is queer some queer people will die. Bury your gays is about only having one or few queer characters and killing them off while the straights get their happily ever afters. This is so far from that.

Also, I want people to be aware of the phenomenon, where creators of diverse shows are subjected to more critism than those of non diverse shows. If this intrests you, Sarah Z on Youtube made a great video on it called Double standards and diverse media. Our flag means death has given us so much, queer love story with a happily ever after, finding community, nonbinary character. And the creators have always been so kind to fans, so let's show them tht kindness back. Because critizicing this one aspect can easily turn to seeming like the whole story is just unwanted. That stories like Ed and Stede's aren't worth telling. And I'm so aftraid that will happen, when just now for the first time in years we are finally getting queer stories.

Also, I understand people are sad. I am sad too - Izzy was an amazing character and his death was sad but that's just. Good writing. You can grieve, but trying to turn it into a moral or dramaturgy issue is just not a good look. And attacking the creators of this wonderful show is just horrible.

Remember - this fandom is a safe space ship 🏴‍☠️🏳️‍🌈

#ofmd s2 #ofmd season 2 #ofmd #ofmd spoilers #izzy hands #our flag means death #ofmd meta #ofmd izzy #blackbonnet #gentlebeard

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controld3vil · 8 days

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chaotic duo

pairing(s): dune cast x actor!reader (platonic), oscar isaac x actor!reader

synopsis: requested by this ask!

⤷ alt: even your on-screen son can't deny how delightful his on-screen parents were.

notes: absolutely no shade to jessica ferguson i adore her too much. reader is considered to have fem pronouns. ALSO ive been feeling iffy about trying to write for dune characters?? personally, although i love writing these actor!reader stories, writing for the actual characters i feel would be more challenging. dune's still pretty new to me but i kinda wanna give it a shot if i can make a good storyline T-T

It all started with the Dune Cast Q&A brought together by Nerdist. Timothee Chalamet and Denis Villeneuve had just finished chatting with the host, Stephen Colbert about their perspectives on Paul's character. Much emphasis had gone on the young actor's performance. And Denis's decision to cast such a well-experienced one.

After finishing up their last question together, Stephen decides to introduce two additional members. "Timothee let's bring out the man and the woman who play your parents, Duke Leto Atreides and Lady Jessica." A transition between screens to display your camera view and Oscar's. He introduces both your names.

"Hi!" You grin at the camera, comfortably leaning against one of the arms of your chair. Similar to everyone else's backdrop, yours was pitch gray, covering all but your silhouette and chair.

"Hey Stephen," Oscar greets at ease, as you proceed to wave to each of the people seen onscreen.

It cuts immediately to the host gesturing in continuation for a question. "Tell me and the audience about Duke Leto Atreides. What do we need to know?"

"He's the father and human. I think that's the biggest thing and uh under incredible pressure to save his family. Save his house but to adapt to this new existential threat situation which is moving to this strange planet," Your fellow costar puts into short. Short and concise was what was expected.

Content with his answer, Stephen moves the attention to you. He calls out your name, eagerly. "Rereading the books uh- right now, I am struck by how much of the story- uh the backstory and the action story is driven by the decisions Lady Jessica makes." A smile grows on your face, knowing how much fun was a character to play for you.

Along his last few words, you find yourself nodding in agreement. "I'm impressed with that you, Stephen actually read the books again!" An instant grin comes from the said man. "But it's all applause to Denny- he highlighted this from the book. In the film, her decisions basically create, fractures and disrupts everything."

"Best parents ever," In a low whisper, Timothee murmurs and the five of you burst into short chuckles and snickers.

"The best you could ever have!" You clapped your hands together, shaking them above your head in victory. And when the screen expands to show everyone's reactions, the audience can noticeably pinpoint Oscar's playful eye-rolling.

Another fun interview you had the pleasure of sharing was with Grazia UK. It was in a more comfortable setting. With you and Oscar in a lounge room, with the Zoom camera on. While the female interviewer complimenting a kind smile.

"Can I ask you something," Not within a second of the conversation, you rose up with a peculiar question. "Do you remember his beard?" Your costar beside you, looks away in disappointment. Even raising his hand to emphasize his discouraged state.

"A bit yes..."

"Yeah,"

"Yes!"

"Why? It was an impressive beard," Sort of clueless really, the interviewer says, of why you wanted to the topic up.

"Yeah, it was impressive!" Oscar looks back and forth between you and the camera, directing towards the woman on the other side. While you shriveled in embarrassment, leaning your head behind his shoulder, with a few snorts of laughter. "She doesn't even remember if I had a beard or not in the movie! She just saw it."

"Quite a prominent beard!"

"Yes yes, well I can remember so much," You chaste, leaning closer, locking eyes with your costar. Threatening really in a playful way.

"We shot together for a few months! How could you not remember?!" He exclaims, raising both his hands in the air in exasperation. You puff, adorning a pouty-like look.

"I work with what's in front of me," you turn to address the interviewer, pointing at Oscar accusingly. Because much contrast to what he looked months ago, he no longer had that impressive beard. He was clean-shaven, much to your display.

Next to you, Oscar scoffs. "Apparently not!" Bumping shoulders with you as you fought back, poking him many times obnoxiously.

You both later discussed a provoking quote referenced multiple times from Dune posters. Fear is the mind killer. Truly a simple yet intriguing phrase that fitted well with the film. And in generally, you and Oscar compared each others quotes from personal experience.

"I guess you could combine them together," Taking a sip out of your glass, you eyed at Oscar. He hums back and smooths his hands comfortably down his hips.

"It will pass and love prevails!" He cheerfully expresses. Even from afar, the interviewer can notice how much fun you two were having with the question.

"Right and, it plays perfectly with the film," You add onto your little spiel, nodding as you go, "Besides the fact that- you know, fear is the mind killer."

The male actor lets out a long sigh. "Makes you forget how violent the movie is."

On the other side of the screen, the blonde interviewer shrugs her shoulders. "Well- it's only included in small parts in the movie."

It was your turn to hum, dragging out the M sound. "I think maybe the film focusses too much on romance."

A caught off cough comes from Oscar as he tries to his best to dismiss his your sarcastic comment. "I feel like there should've been more of it."

"Really?!" The shot pans to your exaggerated shocked gaze. You then turn to look at the interviewer. "He has no idea how to write a movie." Instantaneously the male actor bursts out laughing, shaking his head back and forth in little denial. Even you couldn't hold it together and giggled a little.

"You play Timothee's parents so spent a lot of time with him. What is the most interesting thing we do not about Timothee Chalamet?" The interviewer prompts, having their arms supported on top the their desk with pure keenness.

Pursing your lips together in concentration, your attention turns towards your partner. "Well coming from me- I mean I don't know if people know this about him or not- but he's very open hearted." Oscar continues, "And me, having to play his father- hence the beard!"

"Ah!" Giving more emphasis, you raised your brow in recollection.

He goes on comparing the analogy of having to play Duke Leto as a powerful leader of a House. Without his people and court, he wouldn't resemble much of an prestige leader. However Oscar later mentions that Timothee's performance was the catalyst to their relationship look authentic. He is young yet incredibly sympathetic towards what's to be done for the film. His time with both of you really sold your relationship as a family, you'd think.

"So that's a very generous thing to do for a young actor. And I was impressed and admired that," In the background, you can be heard mumbling in agreement. Your partner shifts his posture, facing and expecting you to go next.

Licking your lips, you took one last glance at him before focusing strictly at the Zoom camera. "I think for me, to have a young actor like him- he's very driven about it all. When he's on and off screen, Timothee's just focused- he's very serious and concentrates heavily on what Denny says- and I can say I respect that." You punctuate your point, tapping lightly on your knee. "And I play his mother you know, and I try to accommodate with that. I play along and we work until we find a good rhythm with each other." The older woman on the screen seemed enamored by your compliments regarding your costar. Yet her eyes quickly makes it's way to Oscar, sitting quietly and listening to you ramble.

His laidback posture showed how greatly he took your words in. You grab your glass and take a quick sip before hearing him say, "We raised him well." Taking your hand in both of his as a sign of pride.

A delightful chuckle comes from both you and the interviewer while your partner gives a satisfied grin. "We really did!"

The media did not need proof to know of your enjoyed time during the production of Dune. In fact, multiple vlogs and documentaries about the film had fans and viewers alike become fond of your positive and laid back attitude about it all. Despite playing a calculating character such as Lady Jessica, you were nothing of serious when on screen with your costars.

"Welcome to Arrakis!" You popped into frame, wearing an exquisite dress, costumed by one of the designers. It was golden yellow with chains running down from the bottom half of your face to your chest. A faint veil covered your head but for right now, you had it placed on your hair. You spread your arms with anticipation for the cameraman to pan around your surroundings. "It's sunny today so I think we'd be out here for some time." You moved extremely close to the camera, before moving out of the frame to the side.

Abu Dhabi was bliss. The production and crew worked diligently day and night working in the deserts. And on this particular day, most of the cast had been present as well for the introduction of House Atriedes on Arrakis.

A few shots slowly pans from the crew's tents and Denny far into the sandy mountains as he speaks with Timothee. Another shot slyly captures you showing Josh Brolin an unknown video, sideways. Which somehow made him cackle very enthusiastically, holding his stomach to air as you quickly pat his back multiple of times. In all, everyone of the cast members were having a blast in the dry outskirts of the unknown.

"Hello," Brolin pops in another clip where he stands, wearing the Atreides armor. Under a massive shade area, a few people can be spotted in the background, moving equipment and conversing with others. From afar, the people filming the documentary can be heard presenting a few questions for him to touch upon. "Ah what do I think about Lady Jessica being played by," He says your name sincerely.

The video cuts to you having a conversation with your on and screen husband. A hand covering above your face to shield yourself from the sun, while Oscar tries to move where the light is hitting you as the best he could.

"I mean a phenomenal actor like her playing in that kind of role is guaranteed to have an amazing performance. She's- We've known each for a long time since Sicario and with Denny," The male actor softly grins, staring at where you were. "But Oscar on the other hand, eh- not so much." His tone becoming monotonous, as if the shift in topic was distasteful to the touch.

"Whatcha say, Gurney?!" A scream echoes and it's Oscar, cupping both his hands into an O.

The older actor couldn't keep it together before breaking into frivolous giggles. "Nothing, my lord!" He takes one last glance back before seeing you give him two big thumbs up with a silly smirk. "No in all seriousness, those two are just the best! You can never have a bad day with them."

Another prominent section in the video fans adored was with the actors that played Duncan Idaho and Dr. Liet Kynes. This time they are situated in what looked like the structure of Arrakeen. Where all ornithopters were supposedly stationed and the introduction of Dr. Kynes.

"They're so mom and dad," Jason Momoa shaking his head playfully with his hands clamped together. Both him and Sharon Duncan-Brewster wore still suits unlike many other extras who wore Atreides armor. "I mean- they're playing Paul's parents- but in real life it's just so different."

"Definitely more chaotic," Brewster jumps in, earning a hum from her costar. "They act nothing like them."

A cool shot from different location displays you in a dark with Timothee. It was the scene after Paul is put to test to by the Reverent Mother. It was a chilling scene yes, but in post production, many realize how unprofessional you sometimes were even in the most serious times.

The cameras were not live however the film crew were about to pan to you gesturing back and forth with your on-screen son. It was a interactive and intriguing conversation you both were having. You looking in purely engaged with what the French actor was saying. After a few sentences being spoken, it looked as though you chided a teasing joke which gave the reaction of Timothee slightly snickering, backing away slowly.

"I mean do they look like my parents? No," The young actor states shortly. It looked as though the clip was shot right after capturing your cute moment togehter. "But I'd say- yeah Oscar Isaac's a great actor and- to be able to play my dad is pretty cool. Even though we look nothing alike." Nervous laughter spouts as he clears his throat.

"I feel like I get the resemblances from my mom though," Affectionately stating your name, "You can tell where I got my powers, good looks from." Momentarily readjusting his collar as he takes a quick look from behind, knowing your footsteps.

"See? I'm the favorite parent!" In hushed squeal, you wrapped your hands around Timothee's shoulders, earning a lovable grin back.

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secondhandsorrows · 4 months

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Ways to Create More Active / Less Passive Protagonists

Recently I made a two-part post on passive protagonists, so what better day than today to get into some tips to help make protagonists less passive? This post will be relatively short — uni is a big ol' pain right now. Enjoy ~

Tip #1: Remember to give them a goal that matters to them.

What does your main character want? A goal is something that your character wants to achieve. It may not be the only goal throughout, and it usually gets resolved at the end of the story, whether the protagonist achieves it or not. It can be tangible like solving a crime, paying off a debt, reconnecting with a family member, or saving the kingdom. It’s completely unique and personal to that character. Ask yourself (or rather, your character) just how much they want/desire this and would do anything to acquire it. What does achieving this goal mean on a personal level to them?

Tip #2: Identify the driving force that’s motivating your protagonist.

Underneath this want/desire, is the character’s motivation for it. As your protagonists goal(s) is the destination, motivation is the number one fuel that drives them to achieve it. It can be anything from survival tendencies, a psychological need, or made out from something internal such as backstory.

What you can do to make their motivation more felt is by connecting their present ambitions and desires to significant moments in their past. As an example: if your protagonist is driven by a desire for wealth, uncover the childhood experiences that helped shaped his hunger for comfort and achievement— thus allowing readers to sympathize with his coming from a state of lack and revelational need to be content with the wealth he already has.

Tip #3: Think about all the threats and dangers that could arise… and throw them straight into your protagonist’s face.

Hey, life ain’t ever easy. It’s especially not much easier in a novel, whether you’re writing an action-packed thriller, a fantasy saga, a cozy romance, or a light-hearted coming-of-age. Every kind of story has some kind of conflict. You should introduce challenges for the protagonist that not only threaten the protagonist's external goal, but also their internal struggles. Push them out of their comfort zone! Also consider what will happen if they fail and what will change if they succeed. Let those stakes gradually elevate, and force them to confront their fears and darkest truths.

Tip #4: Bring on the domino effect: allow the protagonist to influence the story.

We’d want to ensure that the protagonist is not a passive observer, but an active participant in shaping the narrative. In both the short-run and long-run, your protagonist’s actions will influence and affect the world around them. Their decisions, actions, and reactions should ultimately have consequences that ripple and escalate through the story. By having this sort of chain of events, you not only drive the plot dynamic, but also emphasize the protagonist's agency in shaping the course of events.

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staarri · 25 days

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𝐭𝐨 𝐚𝐧𝐝 𝐟𝐫𝐨 — 𝐛𝐚𝐜𝐤 𝐚𝐧𝐝 𝐟𝐨𝐫𝐭𝐡.

c. scaramouche

character(s) are friends with reader, gn!reader, angsty-ish, scaramouche is still in the fatui, this is a work of fiction

fluff , love letter . word count : roughly 0.9k

t. @aventurne @tragedy-of-commons @yvnaology @nyoomiin

Scaramouche is not an easy man to love. He’s busy, constantly busy, awake even during the most ungodly hours of the night and constantly rubbing at his eyes from his exhaustion. It’s no surprise the Fatui are overworking him again. What’s funny is that he’s sitting at his desk, a pile of papers on the right side–all reports from his underlings–were unnoticed; all of it, even the chirping of the birds as the sun rose and showed the start of a new day, Scaramouche was stuck on a piece of paper in front of him with the words that reads, To my dearest.

There's no way he can capture your beauty on a cheap piece of parchment . He should’ve bought something expensive instead, like a new set of clothes he thinks you’ll like. But lately you’ve just seemed so distant. He needs to reach you somehow. You’ve been driven away by the lies his mouth spills and now, he’s suffering with the consequences, and not once will he ever say it to you, but he needs you to stick with him while he tries to better himself.

So here he is: a fountain pen in hand, wasting his time with something so.. childish. Who writes letters anyway, isn't it something you did as a child towards someone you liked?

Call him a child then. Call him old-fashioned, traditional, and in love. Call him whatever you like, because in the end he’s yours, and he’s always been.

He’s let his thoughts linger for too long and suddenly it's 7 am. His eyebags have never been worse and his mind is tired, not from his job, but from this stupid letter he’s made no progress on. To my dearest should be good enough, right? I mean, you were easy to please. He was sure that it would be more than enough for you.

How tiring. He says, mindlessly scribbling on the paper, jet-black ink scattered all throughout and splattering around the words. Was he angry? Not at all. Frustrated, yes, but for a good reason–to think he did this just because you two were friends was infuriating. Shouldn’t you two be something more?

You were pretty, far too pretty for him to describe. Scaramouche thought his vocabulary was wide enough, but this letter alone has him searching for the words he once knew. Your eyes, leaving him feeling small in a never ending forest and your smile–god, your smile was intoxicating. It would give light to the things he’s been hiding from you this entire time. Your laugh–your voice, sweet and soft, loud and oh-so clear. How you’d bring it down to a whisper when you feel embarrassed about admitting something, how your nose scrunches up when you laugh or when your smile lines just seem so fitting for someone like you.

What was so special about you?

You were like the sunset on the beaches, glowing. Absolutely stunning, ethereal, lighting everything in a bright orange, his eyes becoming a mix of brown and a dark blue. He’s different around you, he's a completely different person. From the color of his eyes to the racing of his heart, to the feeling that he wasn’t getting enough air whenever you hold his hand–but you’d do it in a friendly way. You don't squeeze his hand too tight, you let go when necessary and don’t leave any kind of touch lingering for far too long.

Scaramouche is not an easy man to love. He’s bad with words and he can’t tell you the things you want to hear;he can’t provide you with the touch you crave, he can’t make up his mind. One moment he’s thinking about just giving you a whole bag of mora for you to use for your next trip, the other he’s thinking about finishing this damn letter that has plagued his mind ever since you first whispered the fact you appreciate him.

There’s no way he can treat you right. There’s absolutely no way he will be perfect, that he’ll be the partner that’ll leave such a mark on you. But god, ask for the world and he will give it to you. Name one thing and when you wake up it's right at your nightstand. Choose the ring and its design, he’ll get a matching one that you yourself decided on as well. Just say the word because he is a child in love.

So here he is, an envelope in hand. Going to the nearest flower shop to buy something that will still wilt under the sun after a few days. He will not love, and can’t love the same way as you, but he will learn how to.

Call him stupid;call him an idiot for falling for someone he knows is way too out of his league. But that’s all he is, and it's far too late to change that. He might lose you at some point, and that's really what scares him the most.

Suddenly he’s standing at your doorstep, ringing the doorbell and you’d be confused who in the world decided to bring you a sunflower and a piece of envelope in the middle of the day–you don't recall ordering anything.

He didn’t even get to sign it. Maybe next time he can get it right… for his dearest.

characters belong to their respective companies. everything is written by staarri - do not steal, reupload, translate, modify or feed my work to ai.

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venussaidso · 3 months

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𝗞𝗲𝘁𝘂 𝗗𝗼𝗺𝗶𝗻𝗮𝗻𝘁 𝗧𝗵𝗲𝗺𝗲𝘀 — 𝐍𝐚𝐤𝐬𝐡𝐚𝐭𝐫𝐚 𝐎𝐛𝐬𝐞𝐫𝐯𝐚𝐭𝐢𝐨𝐧 𝐒𝐞𝐫𝐢𝐞𝐬 (part 1) 𝐨𝐟 𝐩𝐚𝐫𝐭 𝟏𝟎

disclaimer: spoilers for all movies or shows mentioned.

the warnings: mentions of drug abuse, sexual violence, self-harm, genocide, mental disorders/illnesses, cannibalism and self amputation.

The most interesting theme within all the Ketu nakshatras was one that was unexpected, as it is common to mainly associate Ketu with concepts of disconnection or isolation from society as a whole -- since Ketu is often linked with the 12H. But it is more about the interactions with the unseen forces within society more than anything. Because the 12H also represents the collective's consciousness and all the interconnected energies that come with that which Ketu becomes possessed by. And it is Ashwini that is the most sensitive Ketu nakshatra, as it easily becomes consumed & absorbed by these 12H energies which often leads to chaos and loneliness.

Ashwini nakshatra embodies Nothingness which is the oldest energy in the universe. It's between a space before actualized creation, and after the rise of awareness that's emerged from Nothingness (or the Cosmic Void). It is very fitting that this is the first nakshatra; but it should also be considered the last as it essentially represents the non-duality of Life & Death. This theme is further extended in Bharani and beautifully explored in that nakshatra, but in Ashwini we focus on the spirit's evolution. The energy found in this nakshatra is as undeveloped as it is chaotic, which is why evolution needs to take place -- and this usually involves extreme harsh forces to tame it. It is in Ashwini where there's confusion or lack of self-awareness of one's own identity as energies here become repressed, unconsciously accumulating. I'm going to use some films as examples to explore this point.

First, I'm going to use the most typical Ketu-coded character. Ashwini Moon Christian Bale's Patrick Bateman in "American Psycho". This film follows an investment banker who relishes in the wealthy excesses of his superficial lifestyle in which everybody else around him also revels in. His life is empty, mostly revolving around getting into exclusive restaurants, wallowing in designer suits, having a meticulous morning routine etc. There's a pressure in general for conformity and Ashwini is sensitive to these energies which they take up, driving them to compete and also go too far with this -- because it's no longer about conforming anymore. It's become an obsession, and these pressures drive Patrick Bateman into homicidal tendencies as an outlet. This film perfectly encapsulates modern-day consumerisms, and it is of course an Ashwini native who is driven into a descent of madness from this empty, superficial culture he's subjected to.

Nothing can fill up the emptiness inside of him and he knows that. This crippling, painful understanding is what continuously manifests his violent self-hatred and hatred towards others. And this is why he is forever trapped in a cycle of loneliness, as he is surrounded by the same narcissistic, self-absorbed suits who will continue to maintain this soulless, superficial culture.

The movie was adapted from the book with the same name, written by Mula Moon Bret Easton Ellis whose own experiences inspired the book "American Psycho".

Quote from an interview; OregonLive (2010);

"[Patrick Bateman] did not come out of me sitting down and wanting to write a grand sweeping indictment of yuppie culture. It initiated because my own isolation and alienation at a point in my life. I was living like Patrick Bateman. I was slipping into a consumerist kind of void that was supposed to give me confidence and make me feel good about myself but just made me feel worse and worse and worse about myself. That is where the tension of 'American Psycho' came from... It came from a much more personal place."

-- Mula Moon Bret Easton Ellis

Now, onto the movie "Fight Club", which was directed by Magha Sun David Fincher, and stars Magha Sun Edward Norton and Mula Sun Brad Pitt.

The most highlighted character from this film, played by Brad Pitt, is Tyler Durden, who plans on making a revolution to destroy the hyper-capitalistic, materialistic superficial culture that we saw destroy Patrick Bateman from the inside in "American Psycho".

(video - 🎧)

Of course, just like Ashwini Moon Patrick Bateman took his obsessive consumerism too far; Mula Sun Tyler Durden lays on the opposite spectrum -- aiming to destroy modern society by blowing up all credit card companies and ruining the world's economy. Mula is related to destruction as it is ruled by Nirriti, the goddess of destruction. The oppressive forces that weigh on this Mula character, Tyler Durden, causes him into a spiral for freedom (9H), using extremities and acts of terrorism to be rid of ego/society. Whereas Ashwini, having no solid identity and just being undeveloped in nature, is more likely to conform; but so long as Ketu is there, there will always be an emptiness in the ambitious pursuit of things. Ashwini can grant excess wealth and fame, but with no inner fulfillment or balance, you see characters like Patrick Bateman. Or Daniel Plainview from "There Will Be Blood".

A movie directed by Paul Thomas Anderson who has Ketu in Magha, and stars Ashwini Moon, Mula Ascendant Daniel Day Lewis who portrays Daniel Plainview. Plainview is more Ashwini, as he is an extremely ambitious, capitalistic and competitive oilman.

His pursuit for wealth and power leads him to personal loneliness, isolation and emptiness -- we see how Ketuvians become so drained and eaten alive by the energies they absorb in the pursuit of things. Similarly to Patrick Bateman, he not only hates others but himself and wishes for no one to succeed in life.

(click on the gif(s) if they're buffering lmao, i swear they're cheap)

His primal competitiveness and self-loathing even drives away his only family -- his only child. His adult son means to do his own oilrig business and cuts his partnership with him. But Plainview's unchecked ambition shows that even after attaining success and power, he literally goes ahead to disown his own son as he considers him competition now. And now he extends the same hatred he has for others to him. Further isolating himself; this validating his deep sense of loneliness that was always there with his self-loathing.

The film ends in an Ashwini fashion; in which Plainview goes into a psychotic meltdown and murders someone who he has had a long stewing hatred for.

(YouTube clip by me - 🎧)

youtube

I wanted to provide a brilliant video from the YouTuber "The Vile Eye", who explored the dark nature of this character; because it perfectly illustrates Ashwini nakshatra in a twisted way -- especially in how Aries in this segment is influenced by Ketu forces. Everything about this character is every Aries stereotype you can think of from the top of your head, but Ketu exaggerates it to the point of extremity and tragedy.

youtube

Amazing video for anyone who wants to understand Ashwini at its extreme which can manifest in real life of course.

Now in the series "Peaky Blinders", which I quickly wanted to mention, stars Ashwini Moon Cillian Murphy whose character faces moral dilemmas, as his relentless pursuit of power contributes to his moral ambiguity.

His ruthless ambition to become the most powerful in the criminal underworld is something I couldn't help but relate it back to Ashwini's drive & competitiveness.

The movie "Scarface" stars Ashwini Sun Al Pacino who plays Tony Montana. And fun fact, Tony Montana is loosely based and inspired by the real-life figure, Al Capone, who was literally a goddamn Ashwini Moon. So, I say Scarface is a fucking Ashwini movie.

Both Tony Montana and Al Capone had unchecked ambitions and an unrelenting desire for power. In Ashwini, extreme power can be attained, and we saw how Tony Montana quickly rose to it (as Ashwini is the Star of Transport and it is associated with Shidhra Vyapani Shakti which translates to 'The Power to Quickly Reach Things'). Similarly, Al Capone was also driven by the desire for power and he attained it.

Like Daniel Plainview in "There Will Be Blood", Tony Montana starts to experience isolation after all of his achievements. His chaotic behaviour contributes to his alienation, and he starts to feel intensifying loneliness, which seems to be a theme with this nakshatra. And this film also ends in Ashwini fashion; with absolute chaos, the psychotic unraveling of Tony and of course death.

I wanted to also add in the movie "Nightcrawler" which stars Mula Sun Jake Gyllenhaal who plays a character willing to go to the extreme lengths for success and personal achievement, to the point of exploiting others and not giving two fucks about ethical boundaries.

He has a distorted view of success and has an unchecked, ruthless ambition which is common in Ketu nakshatras. He is also a socially isolated character, behaving inappropriately as he is disconnected from social norms. He lacks zero empathy. In his obsessive & relentless pursuit of success, he is devoid of humanity. Had to mention this film because these themes are not exclusive to Ashwini.

But as I did mention, Mula is more likely to be aware of societal pressures and these natives often feel deeply disturbed by them -- while Ashwini is more focused on the Self, as it's ruled by the 1H. In the film "Falling Down", Mula Moon Michael Douglas plays a character who has become disillusioned and is now aware of the pressures and oppression caused by the modern-day life. This movie is literally directed by Magha Sun Joel Schumacher.

He confronts many issues such as homelessness and crime, which are heavily rooted in the greedy, capitalistic system of modern society. But he becomes violent and chaotic himself, going into a descent to madness (from absorbing the energies felt by the collective who also feel the weight of these oppressive forces within society). This movie deals with the consequences of unchecked rage, a theme shared in all Ketu nakshatras.

The film "Taxi Driver", which stars Magha Sun Robert De Niro and is directed by Magha Ascendant Martin Scorsese, depicts a man who suffers from extreme loneliness, alienation from society, and struggles with existential crisis. The film explores social decay; such as social disparities, the disillusionment of our main character to society's ills, crime, poverty etc. He goes into a descent into vigilantism, using violence as a catharsis which is a common thing for these Ketu nakshatras (mainly Magha and Mula as it looks at societal frustrations and the emptiness in life/modern culture).

The character also suffers from a possible case of untreated mental illness, and insomnia -- and this seems to be a theme with all Ketu nakshatras in general.

Another film where the main character suffers from extreme insomnia is "The Machinist", starring Ashwini Moon Christian Bale whose character's insomnia and untreated mental illness literally contribute to his isolation and alienation.

will be coming back to this film in my part 2 post

And the film "Fight Club", in which Magha Sun Edward Norton plays an insomniac character who has dissociative identity disorder. And his split personality is interestingly played by Mula Sun Brad Pitt.

Then we have the film "Insomnia", directed by Ketu in Magha Christopher Nolan, starring Ashwini Sun Al Pacino who plays an insomniac detective who faces some mental challenges.

There is a spiritual belief about insomnia, which suggests that there may be a disturbance in one's spirit; unresolved issues that have been long suppressed can be linked to an imbalance of energy within the body. This causes restlessness and more mental problems. This could make sense as Ketu and the 12H deal with what is unconscious -- and how that tends to be our deep, rooted traumas and the way in which they affect us & those around us. And not just traumas, could just be repression of one's own internal suffering from either loneliness or external pressures. We see this with Patrick Bateman, whose only outlet is literal murder, or Tyler Durden's 'revolutionary' fight club causing more destruction around him as planned. Both characters violently act out from these unaddressed decaying energies within themselves and from within society.

The series "Sharp Objects", directed by Magha Moon Jean-Marc Vallé, mostly deals with family traumas, but also shows how those traumas and unresolved energies literally cause death and chaos around them.

Camille Preaker, who is played by Magha Sun Amy Adams, is deeply traumatized and troubled. She has a history of self-harm and has many scars on her body; her self-destructive behaviour is a coping mechanism for what happened when she was young (sexual violence by a group of boys and witnessing the slow, painful and preventative death of her sister). Then we have her younger half-sister Amma, played by Magha Moon Eliza Scanlen, who has a hidden dark side that has been shaped by the family's troubled history and generational trauma. By the end of the series, we find out that Amma is the killer of the violent murders that have shocked the townspeople of Wind Gap. It is Amma who is responsible for all of the gruesome deaths of the girls whose teeth were removed. As Camille's coping mechanism is cutting herself as self-punishment for all the guilt she harbours from the death of her sister, Amma literally commits homicidal acts. All of this connecting to just how messed up, and complex, their trauma and the community they grew up in is. And then we have their mother, played by Mula Moon Patricia Clarkson, who has Munchausen syndrome and is responsible for the death of her oldest daughter. Camille was a witness to her sister's suffering and death, and she sees her mother as a monster and now her little sister is an extension of her. This series is such a good example of how our own personal unchecked traumas affect others, especially those who aren't involved. And how much destruction can be caused, as we see with Amma killing other girls as an 'outlet'. This is why I now realize how wrong I was about Ketu, as Ketu is not necessarily about isolating from society. Regarding society, Ketu will be the complex yet intricate unaddressed/rotting energies within society, and it always relates back to individuals' personal generational traumas. It makes sense that Magha relates to ancestry roots and origins of oneself, even the origins of one's trauma.

Now onto the film "Nocturnal Animals", which is directed by Magha Sun Tom Ford, stars Magha Sun Amy Adams and Mula Sun Jake Gyllenhaal.

Amy Adams plays Susan who is a successful art gallery owner. She receives a manuscript for a novel called Nocturnal Animals sent to her by her ex-husband Edward who's played by Jake Gyllenhaal. The book is extremely violent & tragic; but it actually turns out to be a symbolic reflection of their relationship and marriage. Bringing in the Ketu themes of unresolved trauma and getting to the roots of it (Mula theme). This book serves to make Susan confront how much of her actions fucked him up. The movie focuses on the confronting of one's past, telling of how trauma will still continue to shape the lives of those involved. And the movie shows that even Susan still has unresolved issues just by her repulsed reactions to extreme parts of the novel.

The movies "Split" and "Glass", stars two Ashwini Suns, Anya Taylor Joy and James McAvoy. McAvoy's character, Kevin, has dissociative personality disorder and these different personalities exist to keep him safe. His trauma is so extreme and deeply painful that it manifested into the creation of The Beast, the most dangerous and superhuman personality. Three kidnapped girls are prey to The Beast as they end up being devoured by it but there is only one doesn't fall victim to him -- and that's Anya Taylor Joy's character Casey.

The reason why she doesn't fall victim is because she, too, has suffered extreme trauma and her resilience through it is what creates an immediate connection with Kevin. It is when The Beast sees her scars that he calls her pure, implying that those who have been damaged are the ones who are truly evolved.

(YouTube clip by me - 🎧)

youtube

Also, "Split" is another example of how deeply repressed energies and traumas of one can ruin everything around them and victimize those close to the Ketuvians (usually uninvolved people's lives being violently taken; "Split", "Sharp Objects", "American Psycho", "Falling Down" etc.).

Ashwini Moon Zendaya in the series "Euphoria" plays a character, Rue, who has been through a significant amount of trauma, including the passing of her father. She uses self-destructive ways to cope with her deep emotional pain and grief, very similarly to Magha Sun Amy Adams's character in "Sharp Objects". Rue uses drugs to numb herself from her harsh realities. There is a moment in the series in which she has a chaotic meltdown.

(YouTube clip by me - 🎧)

youtube

Something I now understand with Ashwini is how explosive, volatile and scary its ungrounded energy can be -- exactly why I'd commonly associate it with hysterical meltdowns which can lead to accidental or unplanned homicidal acts or other forms of harm/self-harm. This scene of Rue is vaguely taking me back to Ashwini Moon Christian Bale's spiraling and meltdowns in "American Psycho".

(YouTube clip by me - 🎧)

youtube

Ketu, especially with Magha, seems to cause erratic behaviours when its natives aren't purified of their long-accumulated baggage in their unconsciousness -- exactly why the 8H is also ruled by Ketu as Scorpio shares this particular theme. As long as there is deep disturbance and imbalance in the body, there is no rest for the soul -- even for future incarnations to come.

But now, I want to touch on the senseless harshness of Ketu. Remember, this energy embodies the eternal sucking void. Mula nakshatra relates to the center of the cosmic void and goes straight into the roots of it. Ashwini has already risen from it, while Mula is centering itself back into it. Mula is where we seek an awakening to the truth of what is behind reality. What is on the other side of the cosmic void? Truth is searched in Mula, but it seems that it is Ashwini that understands that chaos is the absolute truth of reality. There is no meaning to anything, which sounds nihilistic, but it is what makes life beautiful.

In the film "The Pianist", written & directed by Magha Sun Roman Polanski, starring Ashwini Sun Adrien Brody, starts out quite warm with a well-put together family and a handsome talented Ashwini man who dreams of being a pianist. But things take a drastic turn. We see a once bright-eyed boy turn into the shell of the person he once was after going through such harrowing events, and things just keep getting tragically worse and worse until there is not even a sliver of hope anymore. The majority of the film is literally just despair, senseless cruelty, and the protagonist's soul slowly becoming annihilated.

I've never watched a film more Ketuvian than this; surrounded by genocide, death and being completely isolated while being eaten by one's own lonely misery.

One moment you think one character is going to make it out alive somehow because they have the conviction and drive to survive, but the film immediately takes that idea away as they helplessly die. You think the protagonist is going to see some light, and the film even makes you slightly comfortable in some moments given the harsh realities, but you witness just how everything remains tragic. There are no answers to any prayers, as suffering is just ongoing. This tonality creates another layer of feeling trapped, and you watch as the character just lets life do whatever it wants to him as he is trapped in a world where he is helpless anyway. With Ketu, you realize that there was never any security or answers to this senseless chaos in this world to begin with.

But his survival at the end makes you question why he even went through all of that. There was no lesson to be taken from such a tragic, horrifying experience. Why did his other friends and family die but not him? In the end, he became a successful pianist as he dreamt of from the beginning. He was exceptionally talented from the start; these events took everything away from him except his passion for the piano. What he went through was senseless, as Ketu has no prime motivation. Saturn will push you through the worst so that you can reach a level where you can now attain all of your reaped rewards, Ketu doesn't care for what you get in the end -- that's Rahu's objective, as Rahu deals with ego; Ketu deals with the evolution of one's soul and that usually involves its annihilation.

The kdrama "Save Me", stars three Ketu natives; Magha Moon Seo Yea-ji, Mula Moon Woo Do-hwan and Mula Sun Ok Taec-yeon. It follows Seo Yeah-ji's character, Sang-mi, and her family after moving into a new town. They become influenced and entangled by a religious cult. Sang-mi becomes aware of just how oppressive and dangerous the cult is when she & her family literally lose all control to them. Sang-mi's attempts to escape become futile, as she remains trapped under the oppressive abuse of the cult, turning her more into a shell of the person she once was.

(The Mula male characters are the ones who find out about the Magha girl's whereabouts, and they plan to save her and her family from the clutches of the cult.)

She witnesses extremely harrowing events, and the drama makes you feel the sense of hopelessness that she's feeling -- trapped and completely helpless no matter how much she tries to save herself and family. There is a similar sense of hopelessness and lose of one's own identity found in "The Pianist", but in this drama it's more about extreme involuntary isolation from society (which I will be expanding on in part 2 of this exploration).

The film "Society of the Snow" is literally directed by Ashwini Moon J.A. Bayona, based on real life events. There's a documentary based on these events as well, "Stranded: I've Come From A Plane That Crashed On The Mountains", directed by Magha Moon Gonzalo Arijon.

Now, in the "Society of the Snow", there is a tone of hopelessness set in the film because of the gruesome reality that these characters (based on real life people) experience. And never in their lifetime did they think that everything was going to change so drastically from just living the average life of normal teenage boys. These characters, who were in a rugby team, get on a plane that would soon crash onto glacier surrounded by endless cold harsh mountains -- with just a piece of the wrecked plane remaining in which they take shelter in. The protagonists are surrounded by the dead bodies of friends who did not survive the crash, and now they must spend the first night in harsh coldness while many are severely injured. They couldn't even sleep, the first night being spent with many of them crying and wailing out loud, nearly freezing to death. One day after, a rescue helicopter searches for them, and they all scream out for help. But the helicopter misses them as they're barely noticeable under all the glacier that surrounds them. This is when the sense of hopelessness and despair kicks in and intensifies as the story progresses. Now that chances of being rescued have completely fallen to zero, they realize that they can't ignore their growing hunger anymore. They all have no choice but to eat the flesh of the dead bodies after running out of chocolates. We see how these decisions mentally challenge some of the characters. It is truly tragic as they were stranded, isolated from the world and completely in despair in every waking day, for a span of 72 days.

After being rescued, we see just how malnourished they were from the looks of their bodies. They come back home bone-skinny and weak. And the monologue in the ending scene tells us how the survivors wondered; "Why didn't we all get to come back [home]?" "What is the meaning of it all?" These are the questions asked when we observe these raw Ketu events.

Ashwini Moon J.A. Bayona also made the film "The Impossible", which is about survival and resilience -- based on real life events. Much like "Society of the Snow", it also has a sense of complete despair and there is an involuntary separation of a family (which reminds me of "The Pianist" in which Ashwini Sun Adrien Brody's character is also separated from his family in the story).

"Nothing is more powerful than the human spirit" it writes on the poster.

"Nowhere", is directed by Ashwini Moon Albert Pintó, a survival thriller about a pregnant woman who finds herself isolated from society as she's drifting in the sea trapped inside a container. Because of her newborn baby, she is forced to survive and protect her child even when there is no hope. The reason why she's even in the container is because she was fleeing a society of a dystopian future in which women & children are caged and murdered (Ketu's oppressive forces and her attempt to run away from them leads her to total isolation which is another manifestation of Ketu).

And we also have the film "127 Hours", directed by Ashwini Moon Danny Boyle, starring Ashwini Sun James Franco who plays Aron Ralston whose right arm becomes trapped against the canyon wall when he was on a solo canyoneering trip. When he is unable to release himself, we realize the severity of his situation. He is completely isolated and alone. His own supplies running out and he's losing his mind. The struggle for survival and one's own helplessness is a theme of Ashwini nakshatra as this eventually drives one into taking extreme measures for freedom -- as the audience sees him resorting to cutting his own arm off.

These themes seem to speak of the power and resilience of the human spirit, as emphasized in "The Impossible" and "Society of the Snow". Our ability to survive even just our own personal traumas must be a testament to our spirit being an extension of the Higher Power which is behind the happenings of all of these senseless yet significant experiences and events we go through.

It is in Ashwini that one's experience through harsh forces contributes to the spirit's evolution after total annihilation, which leads us on the path towards moksha. This is particularly why I state that Ashwini must be the last nakshatra, in my opinion of course.

Ketu is very pure by nature, and it wants to destroy impurities. The repression of one's accumulated dirt can manifest in destructive tendencies, this being a misdirected flow of Ketu energies wanting to express the very raw forces we're wired to run away from. By facing one's true inner self and embracing your entirety is how you embrace Ketu in general. But one must go deep and inward. All three Ketu nakshatras deal with getting to the roots for this reason.

Ashwini is ruled by the Ashwini Kumaras, gods of medicine and healing. Also known as divine physicians. In order to heal, one must get to the root of all disturbances in order to create the perfect medicine to heal. As Ashwini is ruled by the 1H, this does involve getting into the roots of oneself for self-liberation. Magha, on the other hand, is about tracing your own existence back to the consciousness of others -- usually family members and ancestors. Magha relates to generational trauma and shining light on that in order to be freer. Mula is symbolized by the roots of a tree, and 'mula' translates to 'roots'. It signifies ancestry roots as well, but mostly the truth. Mula is where disillusionment takes place as one gets directly into the roots of everything; going right into the galactic center -- which can also signify going right into the roots of our demons and letting all of that rotting energy burn from your body. And after this purification process, one's consciousness raises by default.

Ashwini has strong, undeveloped energies which can be tamed and grounded to be properly channeled -- in order for this to be achieved, one must let go of poisonous impurities so that they're no longer controlled/possessed by unseen forces. It is in Ashwini that we expand on the interconnection of the collective consciousness being tight, as this was secretly discovered in Uttara Bhadrapada and remembered in Revati. Ashwini nakshatra is extremely sensitive to outward energies, as are the rest of the Ketu nakshatras. Every individual's consciousness is affecting the whole world somehow. This being a Ketu theme in general describes the whole energetic field of the world and how we each play a part in it and affect each other's lives. As all Ketu nakshatras deal with getting into the roots of things, we must get dirty by digging into our own roots which are connected to the reasons for our layers of repressed emotions such as rage, numbness, resentment, hatred and grief which are commonly harboured in Ketu natives. These unconscious emotions, which form our Shadow Self, contribute to how we interact with the world and other people -- and there's always that capacity to harm or further traumatize others because of our own unchecked, hidden troubles. Mula also perfectly shows how all of the complex, interconnected traumas of everyone else are intertwining and creating more chaos and confusion in society; and the disillusionment to how the oppressive systems of society are just breeding more of these pains & troubles -- which in turn, in Ketu fashion, demonstrates just how trapped everyone is.

Continued in Part 2 of this exploration

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