DVD Bonus Features: Fanfic Edition!
I have like 6k of cut scenes from my last fic (the fourth dimension) and many of them were not cut because they were bad, but because they weren't working with the overall story. Seems a shame to let them languish on Google docs. So, for anyone who might be interested - here's two scenes that didn't make the final cut!
<<<>>>
The hourglass is broken.
The glass is intact, of course, as is the intricate brass housing Dream had spent so many hours bending and curving into symmetrical spirals. It is the spring plate that forms one of the bases—designed to depress slowly as the weight of sand gathers, thereby stretching a miniature steel coil beneath such that it begins to draw back a tiny gilt hammer. When the full weight of sand is upon it, the catch releases, and the hammer strikes the chime.
Dream had left the mechanism skeletonized, proud of both the ingenuity and the beauty of the gears he had crafted. This is what allows him to see, today, that even though the sand piles upon the spring plate, the hammer remains stationary. The plate is not depressing.
He has migrated to the window for better light and turned the hourglass every which way. The symmetry of the hourglass means that an identical mechanism exists on the other side, for convenient comparison, and it is from this that Dream is hypothesizing that the issue is perhaps with the pinion gear.
He will not know for certain until he attempts correction.
And herein lies the problem, for in a masterful stroke of arrogance on his own part:
The glass is intact.
His only options now to access the mechanism are to melt the glass, or strategically break it apart, and in either case hope for both minimal damage to the contents and an aesthetically pleasing repair following the—
“What’s wrong, dove?”
Or rather, what Hob actually says is hǒu is th' problem, culver?, because Dream is standing in the kitchen next to an abandoned bowl of muesli, because it is breakfast, because during breakfast they speak Middle English. Hob is before him, coffee in one hand, breakfast sandwich in the other.
“It’s broken,” Dream replies. Is brokæ.
“It’s nearly eight,” Hob replies, eyebrows up.
Dream abruptly sets the hourglass down.
“So you noticed the Astrid Alarm was broken,” Hob says, as Dream swings the freezer door open and starts shifting ice packs and frozen pizzas about. “And then you didn’t set a different alarm. You didn’t eat your breakfast. You didn’t pack your bag.”
“This is unhelpful.”
Hob goes quiet as Dream frantically stuffs notebooks into his backpack, then a water bottle (too light, probably empty), the peas, headphones, and a sweater from the back of a chair that is likely not his own. Three binder clips go into his pocket. All he needs is—
He turns to find Hob waiting, Dream’s wallet in one hand, sandwich in the other, meat now removed.
Dream accepts both, and heads for the windowsill.
“No kiss?” Hob complains.
The broken hourglass, too, goes into his bag.
Dream doubles back, cups the side of Hob’s face more for the sake of injury prevention than tenderness, and presses a quick kiss of gratitude where it belongs.
The hand on his wrist stays him.
Hob’s fingers fall comfortably between the three watch bands that lie there, his thumb over Dream’s pulse point.
“Tonight, five o’clock,” Hob reminds him.
Dream holds up his other arm in reply, where a fourth watch glints golden.
“Ah, perfect,” Hob says, beaming. “Hob Fob to the rescue.”
It is one of the many great failures of Dream’s life, that this nickname has persisted.
“Five,” Dream agrees, and pulls his hand free. “You will be wonderful.”
“Best in my age group,” Hob agrees proudly, and raises his coffee mug just as Dream turns around to make for the door. The mug is a custom job from the internet a few years ago, chipped in both paint and porcelain, but the original black with white lettering can still be read:
It does not belong to Hob.
WORLD’S
LEAST
PUNCTUAL
WATCHMAKER
<<<>>>
(Originally there was an OC named Astrid that Dream would birdwatch with every morning, and Hob had a piano recital in the evening. Obviously these plot points went, and so the breakfast scene had to be rewritten.)
<<<>>>
A watch does not know the time it tells.
It cannot feel the sun moving across the sky. It does not know the axis of the Earth, nor the ellipsis of its orbit. It does not reach into the fabric of the universe and pluck divine truth from the red-shift coefficient of the galaxies that hurtle through space as afterthought projectiles of the origin of existence.
A watch begins with a mainspring—or perhaps a quartz crystal, or microscopic solar panels—but traditionally, a mainspring. This is where the potential energy is stored, to be released as the kinetic energy that will drive the gears to turn the escapement, which is what moves the hands of the watch forward, and would do so without rhythm or reason were it not for the staying hands of the balance wheel.
The balance wheel is the best part of a watch. The most precise. The most expensive, for the precious gems encrusted upon it that almost entirely eliminate the enemy of constancy: friction. It is what decides the length of a second, for it is what checks the urgency of the marching army of gears that say go go go go go and instead says no. It says, stop. For one thousand milliseconds or one million microseconds or one trillion picoseconds, it holds the entire watch in perfect stillness.
Then the second hand ticks over. The next interval begins.
On, and on, and on, and on, it goes.
<<<>>>
A watch does not know the time it tells. It is a mindless contraption, a work of metal and stone and glass, and it grinds inexorably forward with a steady tick, tick, tick, tick, tick that may at first listen sound like the drumbeats of progress. But listen closer. Listen carefully.
It is not a ticking that you hear. It is one small gear, striking back against the machine, protesting, crying out again and again: wait, wait, wait, wait, wait.
(I liked this little meditation on the nature of watches, but it's a few shades off from my central thesis, and in the end was not needed.)
And that's it! Alas, sometimes good pieces must be sacrificed in the name of a greater project.
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