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kakusu-shipping · 1 year

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Fairy Tail Ships

Some Rando came at me on my main for a ship I hadn’t even said a single word about on a post about a character not involved in said ship so now I’m just gonna write down all my Fairy Tail ships unprompted out of pure spite

Multi and Probably Problematic shipping a-hoy under the read more be wary!

Okay so as every other of this kind of post will plainly spell out I always have One Guy who is just the Ship bicycle. This character could kiss literally anyone and I would be more than happy. Typically they in fact do.

For Fairy Tail, it’s Gajeel Redfox

You would not believe your eyes if my first fucking Gajeel ship was Gajeel/Gajeel. I love Edolas Gajeel and up until that point Earthland Gajeel interacts with pretty much no one positively. I fully believe he hard made out with himself. First kiss. First time? The full shebang. Canon as far as I think.

Following that IMMEDIATELY is Gajeel/Lily. My god. My God let’s just give Gajeel a beefy cat man to homoerotically throw around. “That’s My Cat” I love him he’s so fucking stupid he makes out with Lily on the regular.

Gajeel/Levy is probably the best developed canon ship in Fairy Tail and that’s really not saying much but I think they’re cute. The only caviot is Levi pegs him. I’m sorry, Gajeel cannot be a top.

I think Gajeel/Natsu is funny as hell they’re so violent. Gajeel thinks Natsu’s the dumbest man he’s ever met. They don’t kiss they bite.

Gajeel/Laxus is just as funny but just because they both think they’re the smart one in the relationship.

After that all I might loose a bit of steam but Romance in this show is rarely interesting but here’s some of my takes anyway;

Laxus/Freed is always a free sail Freed pining from the beginning Laxus having no idea what his own feelings are until some time mid season 7. Laxus taking everything casually and Freed over thinking every little piece of affection he gets. They’re an uncommunicative mess and I love them.

I like Juvia/Grey not because I think it’s a well balanced and fleshed out canon romance, but because I love Juvia and want her to be happy and think Annoyingly Horny Stalker and Too Tired For This Shit is the funniest trope. Also Transfem Lesbian Grey, Demiromantic Bi/Pan Juvia

Speaking of Stalker/Obsession ships, Lucy/Flare??? My god I had not-antagonist Flare for 3 episodes and I will never let her go. Red headed Lesbian raised by a Village of Giant Men. Get yourself a blondie GF you deserve it.

Another Stalker/Obsession because I’m just gonna keep on goin; Erza/Sho???? Hello??? That was one baby me was entranced by. Love when the stalker is also the bottom. I love Sho I think he’s so cute, I think his obsession with Erza is so cute, I think his Sister Complex is so cute.

More Erza tops a little sibling!! Erza/Kagura!! What is it about Erza that gives everyone who meets her an Incest Kink?? I love her. I love Kagura she’s SO pathetic after her angst over Jallal is swept under the rug for no reason (no I’m not salty about that)

SPEAKING of Kagura; Kagura/Millianna is very cute I am on board. The Lesbian Kagura content for those without the taste for Sister Complex.

Elfman/Evergreen is so funny to me because this is a Bisexual man with a huge preference for Men who really REALLY wanted to fall in love with a Man and be Married Manly Men who grow into Old Men together but no. He just HAD to catch feelings for The Prettiest Girl in his guild. He’s so mad about it. Whole ass that “But I am in love with a MAN. RIGHT NOW.” meme but gender swapped.

Gildarts/Cana is so freaken good that YuGiOh Episode with Scorpio during the Eclipse Spirit Arc where he says he wants her to call him Daddy and she says she Would if he’s Been Around More you two I am going to scream don’t talk like that we’re trying to d-d-d-d-dddddDUEL

Also Eclipse Scorpio’s crush on Cana is cute as hell I love him he just wanted to play YuGiOh with a Hot Girl and she deserves a little boyfriend like him I’m all for them

Seven steps back tho the BEST Lucy ship, hands down, is Lucy/Taurus and I am SO INCREDIBLY SAD I’m alone on this! T4T Lucy/Taurus is my EVERYTHING!! Give him a SMOOOOOOOOOCH!!

Panther Lily/Samuel is so good to me another little freak with an unwarranted Incest Kink I love Samuel so much he’s so weird I want him to come back so badly please bring the little weirdo back so he can call Lily Big Brother some more for no god damn reason

Panther Lily and Edolas Coco is Very Cute and if it wasn’t for Gajeel being so unabashedly into Panther Lily that whole arc I would have appreciated it more.

Speaking of Exceed X People ships, Sting/Lector are like!!! Super good!!! Exceptionally solid I love them both so much!!

Rouge and Frosch as well but I feel like they’re super out of balance. Rouge is infantalizing Frosch and/or Frosch is not an adult in the world of Exceeds

Five steps back again because none of my thoughts are ever organized Second Best Lucy Ship is Lucy/Loke I just love a lot of Lucy/Celestial Spirit ships but this one This One is so cute I love how extra romantic he gets after going back to being Leo one of few ships I could actually see tying the knot and getting married.

Fuck it I’m just gonna keep talking about Lucy’s celestial spirits; I think Aquarius was Lucy’s first love and also her second mommy I don’t think they ever dated but to Lucy the love she felt for Aquarius was both Familial and Romantic when she was little. She claims Aquarius as her first kiss, despite it being a motherly peck when she was like 6.

Lucy/Virgo is super funny and I am positive it has Doujins out there made by men for men that I Do Not Want To See. I am putting the Asexual label on Virgo and shipping it from there.

Aquarius/Layla Lesbian Lovers in the Historical way. Layla had her Good Friend Aquarius come stay with her while her husband was away on business. They were Very Good Friends.

More spirit stuff Grey/Eclipse Cancer is so fucking funny Cancer literally opened Grey’s heart, they Yuri On Iced around with a Rainbow Gradient following them. Grey is repressing this so hard.

SPEAKING of Grey repressing he is Gay; Grey/Sugarboy??? Am I obsessed with the Catholic Arc of Fairy Tail? Yes. Yes I am. But Edolas Sugar Boy as well. Grey has such a Thing for your average stereotypical Gay Man and he is doing everything in his power to ignore it. I think he wants to be one of them.

Ultear/Meredy is SO FREAKEN CUTE. Mother/Daughter *chefs kiss*. They would both die for the other to live and they attempt it multiple times. Am I made Ultear eventually succeeded? Yes. Extremely. Get back here dammit you’ve already asked and the answer was No.

Lucy/Michelle more Stalker/Obsession more Sister Complex with a little dash of objectophilia post Catholic Arc. I love how the Fairy Tail anime just dropped Every inanimate object has thought, emotion, will, goals, and feelings but is unable to act upon them or even knows they have such feelings without forbidden magics and just Expected me to be Okay with that. I am not. I never will be. Michelle wants to fight Aquarius for taking Lucy’s first kiss right in front of her.

Wendy/Sherria are exceptionally cute. I don’t have much to say I just think they’re cute and wholesome and should be girlfriends.

But ALSO I think Mest/Doranbolt’s crush on Wendy is very cute I bet he beats himself up over liking a little girl. He’s her first kiss, she initiated it.

ALSO ALSO Doranbolt/Lahar is canon and I’m SO MAD THEY KILLED LAHAR LIKE FOREVER MAD. My Buddy Cop to Lovers...

Macao and Wakaba are a “Didn’t realize I was Gay and In love with my best friend until AFTER I was married to a woman” pair and I love them. They keep their relationship a secret. Make out in the guild’s storage room. Mira’s caught them once or twice and promises to keep their secret, so long as she never catches them with their pants down that close to the cheese again.

Levi/Lucy are a cute Best Friends to Girlfriends kind of ship. No one would notice if they started dating because they’d act the exact same as before

But also Cana/Lucy?? Same energy in that no one would really know they’re dating until Cana gets stupid clingy/protective when other people hit on Lucy.

Mavis/Zera is under appreciated I know Zera isn’t real and is just a projection of Mavis’ loneliness and isolation but also she’s Mavis’ gay thoughts a WLW side. Her self love and care in personhood. They kiss.

Canon evil lesbian queens Kyoka/Seilah is a lot more than I expected out of this program and I am so here for it!! Go girls go!!!

Dimaria/Brandish as well, evil lesbians having a bad spat and taking it out on the entirety of Fairy Tail is very funny to me. They are toxic and horrid and I hope Brandish gets away from her.

Kamika/Cosmos, while not evil, are just as canon lesbians and I love that for them. Also Lolicon Cosmos.

There at the start of the War Arc when Toby and Millianna were walking into war together and he’s looking at her with a flush on his face little guy got puppy love and I!!!! Am all about it!!! She’s a lesbian for sure but she’ll make an exception for him. I don’t think he knows what a gender is anyway

I think that fact that Ichiya and Nichiya most certainly Fuck is not discussed enough in this fandom this man fucks his own Fursona I need more people to speak of this.

Okay now my take on the Big Ships and Canon Shit because I actually didn’t talk about them above I focused on what I’d actually like to see.

Natsu/Lucy is. Fine. I saw someone say a headcanon that Natsu thought they were dating the whole time and I love that. ADHD Natsu who decided he liked Lucy and was going to ask her out but Forgot and then Forgot he Forgot and proceeded to think they were an official couple for 9 more season.

Natsu/Lisanna is also pretty okay. I love baby love, I love them as kids playing house playing marriage awkward dancing and kisses on the cheek and holding hands. They were eachother’s first love and that means so much to me there’s very little that could ever make you forget your first love. (Side note I think at this age Elfman had a crush on Natsu but didn’t say anything sense Lisanna also liked him)

Erza/Jellal bothers me. Maybe I just don’t like Jellal as a character enough yet but not only is he Not In The Guild like every other main series ship, he also is on some pretty thin ice on being an Antagonist or not. But, like above, he was Erza’s First Love and that really is kind of a Big Deal, being actually In Love for the first time. I think they could heal, and I’d love to see that actually play out. If anyone has any fics where this is a Real Issue that they talk about and face I would actually love to read them.

Mavis/Zeref is also pretty. Okay. I don’t like it, I think it’s pretty forced, I think the fact that they had a child when Mavis died after their first kiss is a fucked concept everyone’s avoiding despite it being the most interesting part of the ship. He’s her pathetic little meow meow, she’s his last shred of sanity decaying in his arms as he desperately plants kisses over her small prepubescent body. It’s VERY Dead Dove and everyone is avoiding it.

Happy/Carla... is this one people actually ship or just something in the background? Honestly Happy feels so much Younger than Carla most of the time despite them probably being the same age. He just acts like a little fool. I don’t like it. I think Carla deserves better. And is also a Lesbian.

Now for the end of my list a collection of characters I don’t have ships for but would Really Like To because I Love Them as characters and just want them to smooch somebody (would also love X reader fics with them)

Bickslow

Warren Rocko

Reedus Jonah

Tono Rabbits

Goldmine

Boze

Jura Neekis

Yuka Suzuki

Erigor

Lapointe

Dan Straight (The fucking guy of all time)

Toma Fiore

Jacob Lessio

Nadi

Yajima

Capricorn

Horologium

Deneb

#Ship List #Fairy Tail #Proship #No one report me no one report me block and move on this is a personal list #Behold me for I am tired and not interested in 13 year old Jacob VS Edward but Anime Girls discourse #If I'm going to be attacked for a ship I'd like it to be one I actually care/post about #My god this program is 13 years old kfgjdfkjghkdf #I'm like mid Season 7 as of making this post so I haven't met all the characters or witnessed all the ships #but this is pretty good so far as I'm concerned #Makarov is not in the Characters who should have a ship list because he does not need one he has me his husband #Unfortionely being married to him means I cannot kiss Reedus Jonah right on the mouth so someone get him a cute boyfriend stat #This might be the first Ship List post I make with no Polyships #Lily/Gajeel/Levi can be poly I like that idea #They both pound Gajeel's ass okay I like that that's canon #Does anyone even remeber Boze he was a throw away character from Gajeel's OG guild and I thought he was Very Pretty #and hoped he'd eventually come back #but he does not and that's just a waste of a pretty guy with a crush on Gajeel in my opinion #Also everyone from the Catholic Arc needs to come back I miss them so much they are my Favorites #Grey is an enigma he either realizes he Likes Men or realizes He's a Girl and I cannot decide which

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the-nightmare-before-bucky · 3 years

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everything i love about hunchback of notre dame

*the g-slur will be replaced with roma, romani, or something else and will have brackets ([ ]) surrounding it to indicate a word change*

Olim - i love the build up at the end into bells of notre dame

bells of notre dame - ”and some say the soul of the city’s the toll of the bells, the bells of notre dame” the fact that it’s esmeralda singing it. we’re already off to a great start. jehan’s voice is so nice it’s beautiful the foreboding saints after jehan dies and right into the “ahhhhs’ “and the saints regarded frollo from their stone facade and he felt their gaze as if it were the eyes of God” - the difference between the stone saints for frollo and quasi is so interesting. One sees them as terrifying, boring into his soul because of his darkness within, while the other sees them as his friends and aid on his journey. the way frollo says quasimodo “now here is a riddle to guess if you can, sing the bells of notre dame” “what makes a monster and what makes a man?” - song by Quasi. It just makes me tingle, I love it. the way this song sets up so many motifs is just so good

Out There - the beginning is manipulation 101 (it is I alone, your only friend, how can i protect you, etc) michael arden is an icon i swear. he is phenomenal. his e m o t i o n “but part of theeeeeem and Ooooooout there” “out there among the millers and the weavers and their wives” “heedless of the gift it is to be them. if I were in their skin I’d treasure every instant” “i swear i’ll be content with my share. won’t resent won’t despair old and bent I won’t care. I’ll have spent oooone daaay out theeeeeeeeeere” Amazing, showstopping, what a way to open a show and introduce a character, I cry almost every single time

Topsy Turvy pt. 1 - “somehow i can wander through this helter skelter without fear now. no one sees i’m here now out here in the woooorld!” ugh i love him “on the sixth of januervy” too catchy

Rest and Recreation - I used to hate this song but now i’ve matured and learned that it is amazing I just love the tune, idk, it’s so fun and catchy until you get to the bridge and that’s what i love “rest and recreaaaaaa- four years at the front...” that’s on ptsd “the air filled with a stench of bodies in a trench. whoever pays the most i call my liege.” just the bitterness when he says that line. Amazing. “and whatever i do i’ll make sure this is true i will never go back again.” i literally adore this part so much. it gives him so much motivation. and then we go right back into him being flirty because he’s covering up his ptsd with fun “But for a few night fun is my mission” oh me oh my that’s very attractive he sounds so awkward talking to frollo im going to cry “there is no time for rest and recreation,” poor guy

Rhythm of the Tambourine - “flash of an ankle flip of a skirt...come see me dance, hey what can it hurt?” I just love how she sings this part its so well done the dance break music is amazing. it’s just so nice and a great vibe. “this girl who is she” the layers!!!! all three of them doing it in rounds!!! I love it!!! “she dances like the devil//she dances like an angel//an angel” AHHHHH beautiful, great way to show the differences in characters “but with such fire// such fire” I am in love with this line oh my gosh. like frollo is thinking about hellfire and pheobus is just like heart eyes i am also in love with esmeralda thank you

Topsy Turvy pt. 2 - “aren’t you going to join in on the competition?” she’s so cute and pretty and i love her “we asked for the ugliest face in paris and we found him, aye?” love “eeev...ry..bod...y” “Hail to the king....oh what a king...girls give a kiss...we’ve never had a king like this!” just so much fun to sing

Into Notre Dame - “how could you do this to me?” more manipulation “like a begger recieving an alm.” i love a good simile “the light of notre dame” I love the way she sings this, it’s just so good

God Help the Outcasts - “were you once an outcast too?” i love this because the answer is yes. Jesus was treated as other because of His teachings. He was most definitely an outcast, literally cast out of so many different towns. And He does listen to her prayer and it just makes me so emotional. i literally...there is nothing wrong with this song. everything about it is beautiful. “God help the outcasts or nobody will” chills every single time “I ask for love I can possess. I ask for God and hos angels to bless me” right into “I ask for nothing, I can get by” I LOVE IT SO MUCH it’s so beautiful. the chorus of this show deserves a raise “but I know so many less lucky than I” really helps to show Esmeralda’s character a lot I think.

Top of the World - such a beautiful song like I could write the entirety of this song here because I love it so much I love the saints part so much the part when the saints are singing and esmeralda are singing is just beautiful especially the part “here at the top of the world(E)//look at you sitting at the top of the world(S)” “the two of us sitting/the two of us sitting/the two of you sitting” right into “On top of the world!” one of my favorite parts of the entire show oh my goodness. The way Quasi, Esmeralda, and the Saints all blend together so well is just askjhfklafkj

Tavern Song - I can’t not dance to this song oh my it’s so so so fun. just like the melody especially during “in the dark of the night, in the dead of the winter...come keep me warm until morning” I LOVE It gives me very much Jack and Rose vibes from that part in Titanic “with the taste of the wine, hold me close while we’re dancing, but I hear you sighing, winter is dying, you’ll keep me warm until morning” HER VOICE IS SO GOOD the cross between the tavern folk singing and frollo singing in the Hellfire tune is just so good. just so good. i’m going to cry this show is beautiful. the fading “come keep me warm until morning”s is UGH so good

Heaven’s Light - When I tell you how much I adore this song.... his voice is just so soothing. the little flute thing in the background is just so sweet the way he sounds so happy the first time he says “Heaven’s light” i love him so much “but” AHHHHHHHHHHHHHHHHHH i cannot “I swear it must be heaven’s liiiiiiiiiiiiiiight” one of my favorite notes in the entire show i swear it’s so beautiful also the bells of notre dame going right into Hellfire....ICONIC

Hellfire - One of my favorite villain songs ever. Especially in this version, you can really hear his inner turmoil over Esmeralda. and i just love it. from the get go, frollo is trying to put him above everyone (”you know i am a righteous man”, “so much purer than...”) and yet he is still struggling with lust like everyone else...he’s still a sinner “i feel her, i see her, the sun caught in her raven hair, is blazing in me out of all control” SO GOOD “Like fire, hellfire” go look back at what he says in rhythm of the tambourine because it’s the same thing and i just “is turning me to sin” blaming esmeralda for his own sinful thoughts. it is not her that is turning him to sin. he is sinning of his own accord. but also the desperate way he says sin is always so interesting “it’s not my fault, i’m not to blame, it is the [roma] girl, the witch who set this flame! It’s not my fault, if in God’s plan, he made the devil so much stronger than a man!” I really really love this series of lines so much. I can’t really explain it, but especially that last part. it just breathes a supposed “holy man” who can’t accept that his sins are his own and caused by himself so he’ll blame every single other thing other than himself. i’ve known too many people like this. “protect me maria, don’t let this siren cast her spell, don’t let the fire sear my flesh and bone” just so good. I love the voices in the background. “destroy esmeralda and let her face the fire of hell, or else let her be mine and mine alone” he would rather condemn an innocent woman than confront his own sin. again, so many people are like this today. it’s just so thrilling to see that mindset condemned in media. also, patrick page is amazing “hellfire, dark fire” the tone switch from him being scared of the hellfire the first time he said it to now he’s using it as power (how many of us have had hell weaponized against us? raise of hands?) is just so frightening and amazing all at the same time “God have mercy on her, God have mercy on me” I cannot tell you how much I love this line. it is phenomenal, especially the way Page sings it. I think that it is one of the central lines to his character (along with the “wicked shall not go unpunished” which i’ll probably talk about later) just the emotion he has in his voice when he says this line....chef’s kiss. especially with the next line (”but she will be mine or she will burn”), it seems like he knows what he’s doing is wrong (hence why he needs mercy), but he’s going to do it anyway

Esmeralda - easily one of my favorite songs in this entire show. what an amazing end of act song oh my the trumpets!! at the beginning!!! I love it!! “being under suspicion of sorcery, witchcraft, and the arts of hell” that is not actually why he’s arresting her which doubly means he knows that what he’s doing is wrong the tune of this song is SO GOOD I LOVE IT “these are the flames of Esmeralda...” this dude is obsessed with fire feels very much like the mob song from beauty and the beast “with the might of Notre Dame” using God in such a vulgar manner is blasphemous and frollo knows it. he’s using God’s might and strength to hunt down an innocent woman because he can’t control his own desires. I’m losing my mind “but the madam, that whore, denied it and swore by the saints, the saints of notre dame” i have no idea why but I adore this line and i love the way that it was song. I used to think that the madam was actually just esmeralda in disguise which made the next part of the song seem all the funnier the little lute strumming after frollo says “very well, we’ll set fire to it” because pheobus is having a change or heart “and he held the torch that crackled like the [woman’s] voice....and he knew this was the moment he must make a choice” this is why i like the play phoebus and not really the movie phoebus very much. i just love it the chorus singing God help the outcasts in the background...amazing...chills “you’d throw away a promising career” Frollo’s desperate attempt to get him to comply “God help the outcasts, or nobody will!” I LOVE THIS PART WITH MY WHOLE SOUL IT IS SO GOOD sometimes i’ll listen to this song on repeat just to hear him say this “you’re relieved of your patrol” “consider it my highest honor.” Iconic. just...so good. gives me very much “thank you for your consideration” vibes the way frollo says kyrie eleison here is just so good frollo’s little speech is very cool with the chorus in the background I love Quasi’s little frantic verse there. you can hear his desperation in “fire, fire, smoke and flame” and then “is that all that I can do?” he wants to help his friend but he can’t and I know how horrible that feels phoebus part!!!!! I love it!!!! his voice is so nice!!! “with my career and body left for dead” nice, good, amazing. “out there...” AHHHHHHH YES MOTIFS “somewhere she is lost//somewhere she is lost//Esmeralda!” love this bit so much “the flames grow tall and sharp as fluer de lis” what a good metaphor, so good, so nice, I love the chorus they’re all amazing “all paris burns for esmeralda” now we’ve got burning again. are we talking about how paris is literally on fire because frollo is insane or is it the mob mentaility that is “burning” inside of them? good question. “and still it all comes down to her and me” says three people. I love the melodies here. chills. so many of them. I love. “the devil dwells in esmeralda//oh esmeralda//oh esmerlada//oh esmeralda” AHHHH again AHHHHHHH i love this bit (yes I know I say that a lot but its the truth) “wake up the city and sound the alarm!” good yes they’re all singing different bits and it’s growing and your heart is pounding until.... “these are the flames of esmeralda” and then it all falls apart again oh my gosh it’s beautiful until “the bells of notre dam!” and the “ah, ah, ah”s that I adore so much I love this song so much

Entr’acte I can’t imagine how fun this would be to sing. it’s just a vibe Flight Into Egypt - I used to skip this song but I have since learned the error of my ways because i love it “then Quasimodo you can too” love that, just like he says it “and she gave it to you because she knows you’re smart” the fact that these are just part of his imagination so it’s really him telling himself he’s smart and i’m going to cry I love him so much “and this jewel must show where we’re supposed to meet” love his voice so much “it’s a map. it’s a map!” he’s so excited. he deserves the entire world. “I’ll save esmeralda, her angel will be me,” brb crying “for her I will be strong” still crying I love the entire end bit how their voices meld and the music swells all up until Quasi sings the last bit. it’s just so amazing

The Court of Miracles - I’ve always loved this song. it’s so fun, but also sad. “brother you’re there” YES “but the dead don’t talk so you won’t be reveal what you found!” dead man tell no tales vibes “Not terribly different from bees in a hive” I love how erik says this line. claupin would be so fun to play oh my. “where it’s a miracle...if you get out alive” “any last words....i thought not *laughter*” obsessed with this “but we must protect at all cost our secret, it’s our lives or yours!” and that’s the sad reality. that’s what makes this song sad to me. “So you’re going to hang!” a lighter note as an end. very nice.

In a Place of Miracles - a few notes in and i’m already crying this song is so beautiful and i adore it. it makes me sad in a million ways but it also makes me so happy. the play did such a great job of making me love pheobus and esmeralda but also feel so, so bad for Quasi “but somehow you have made me someone new” yup i’m definitely crying “now i’m asking if you’ll let me come with you” you can’t see me but the tears are real “though our lives are tattered and torn, all i’m feeling now is reborn. i must be...” AHHHHHHHHHHHHHHHHHHHHHHHHHHHH Pheobus and esmeralda’s voices just meld together so well im gonna cry it’s so nice and as soon as the first chorus is over, the tears of happiness turn into tears of anguish because Quasi pulls up with his heaven’s light reprise and it tears my heart to shreds my heart breaks for him esmeralda and quasi singing at the same time gives me very much eponine and marius vibes from a heart full of love (we love victor hugo so much /sar) like the parallels in what the both of them are saying is just phenomenal “no more need for a heart of stone//better to have a heart of stone!” AHHHH STOP I LOVE IT AND IT HATE IT AT THE SAME TIME “that holds no hope in heaven’s light” stop i’m so sad and then the chorus come in and it’s just so beautiful “will we reach a friendlier shore, will we find a haven once more, where we’ll be in a place of miracles...” it’s so gorgeous “where’s my place of miracles//in a place of miracles” that sound? yeah that’s me sobbing in the corner and it builds again and i love it so much it’s just so beautiful

Justice in Paris - this is the least played song on spotify (by like hundreds of thousands) and I think that’s so funny but i think the chorus does such a great job here, as usual, because they just have that menacing sound to them

Someday - another of my favorite songs. this one is hauntingly beautiful and I have so many opinions. get ready. esmeralda is just so sad and you can hear it in every single word she says. god my heart is already breaking. “that i’d live to see a day of justice dawn” i haven’t actually seen the stage version so i’m not sure if they have the part where she cries out “justice!” when quasi is getting attacked, but this part just hurts me to the soul because of that specifically. she cried out for justice and now she gets none. “and though I will die long before that morning comes, i’ll die while believing still it will come when I am gone” this line just hits so, so hard. i can’t even talk about it. just imagining her singing this and pheobus listening to her with tears in his eyes...nope i cannot...i will cease to exist and then he joins in and i can just imagine her feeling no longer alone because she’s hoping that it comes “someday” and he’s echoing it, assuring her that it will. I can just picture her trying to stay strong as she says “Godspeed this bright millennium on its way” but she can’t and so her words fall out as she’s saying “let it come” and she can’t finish but pheobus finishes it for her. “someday” and I can just see her breaking down. she’s going to die and she never gets to see it, but he assures her that it’s coming. and he starts it up again. he starts singing again, and I think that it gives her the strength she then needs to finish. “someday, these dreams will all be real. Til then we’ll wish upon the moon!” of all the lines in the entire play, this is my absolute favorite. the way the sing it, the power they hold, their voices blending together so smoothly and perfectly. i cannot handle how amazing it is. “one day...some day...soon” and just like that, i am sobbing. beautiful beautiful beautiful beautiful.

While the City Slumbered - i love this little song. it’s so pretty and fast and it just gives us exactly what we need to know. love.

Made of Stone - Now to the last of my favorite songs. (Finale doesn’t count because although I love it, it hate it). You wanna know which song has the top score of making me cry the most? That’s right. This one right here. Let’s get into it. the talking at the beginning is a yes from me. “I only make things worse!” felt that also, the sound of him sobbing ruins me. “how do you know what I believe, what do you know of me? what do you know of all the things I feel? you’re only made of stone” finally him acknowledging that they’re not actually real and all apart of his imagination. “who is it that you see, instead of seeing what I am for real?” imposter syndrome? I understand that. “this twisted flesh and bone” the EMOTION “you’re a liar” bro i cannot physically handle this. i can’t. I will cry. I am cry “would that I were made of stone like you,” back to that place of miracles song. i just he’s just so desperate. the only thing he could ever trust has fallen. He has nothing left. he can’t even trust himself (because that’s really all the stone saints by) “shut my brain down, if I were senseless, I’d prefer it” i totally understand the feeling of this. so often when thing go wrong in my life, i would like to shut down completely and stop existing and I think that’s what makes this song hit so damn hard “another gargoyle on this turret, spitting rain down to the stones below!” there is so much passion in his voice I love it so much. michael arden deserves the entire world for this performance “i’ve waste my faith believing in saints of plaster,” OUCH “the only one worth believing in was my master,” OUCH AGAIN “he’s the one who never lied. he told me it was cruel outside. he told me that i had to hide. his words were cold as stone, but they were true.” i can’t describe how emotional these lines make me. because he’s right but also it is such a painful, hard truth. ugh, i “not like you” “take all the dreams you’ve stone, take all your lies and leave me alone” “alright Quasimodo, we’ll leave you alone,” that one hurt because as someone who pushes people away when they’re self destructing, the most painful part is seeing them actually leave you. even though you asked them too. “you’re right Quasimodo, we’re only made of stone, we just thought that you were made of something stronger.” now that’s a mic drop That would cut so, so deep. “never again to wonder what’s out there” m o t i f s “let it remain unknown. and my one human eye forever more be dry until the day i die, as if I were made of stone” such a beautiful, heartbreaking, real song that I think so many people can relate to. I know I can. I have cried to this song so many times. I love it. also, he holds that note for so long i’m impressed.

Finale - this song is long so get ready for it. the crimes that Esmeralda is guilty for are not the ones that she was originally hunted for. he switched up his story. “the sentence is death!” immediate kyrie eleison (which i think is for frollo and not esmeralda) she spits in his face like a freaking queen “esmeralda!” Quasi’s cry is just so heart shattering and emotional I am so sad “he could remain stone no longer” I love that “sanctuary! sanctuary!” with the victorious sounds in the background are just so amazing “hear me, people of Paris, how much oppression will you allow?” with the chorus singing Someday in latin in the background?? I am not crying again “someday, your patience will finally break. why not make someday come right now?” that part is just chef’s kiss. I love it so much. also, that’s the last we hear of pheobus. I’ve always wondered if he died so someone whose been in/seen the play, could you tell me? quasi’s prayer to the saints is just so good. i just love it so much. so beautiful. and it being similar in tune to Heart of Stone and having the part “raining fire on the stone below!” is just so good and then the moment between quasi and esmeralda is just... “you are home.” “home.” and then we go to the top of the world reprise. haha. haha. ha. “in my eyes you are beautiful too,” comparing him to the beautiful morning “i don’t think...forever...” “you’re such a good friend quasimodo” “yes your friend” and then she freaking dies and i’m so sad and then the music changes so quickly and it makes my heart drop every time “because of you” cut deep “at last we’re free of esmeralda. now that she’s gone, a poison dies with her.” to the tune of esmeralda. bitch i would have thrown frollo off that roof too “here in our sanctuary...sanctuary” “sanctuary? no sanctuary without her” “even...loved her.” “love? what do you know of love?” I adore this part because Quasimodo finally realizes that Frollo’s treatment of him wasn’t love. It never was. “no. you are the weak one. you the wicked one. And the wicked shall not go unpunished!” I cannot explain the fire that this lights in my bones. it’s amazing. just so good. and then all the voices, like the saints, come in “the wicked shall not go unpunished. the heart of the wicked is of little worth. the wicked shall not go unpunished” and they’re no longer on frollo’s side (they never were) the rising voices as quasi picks up frollo and is going to kill him *chef’s kiss* “You don’t want to hurt me” “yes you do” so, so, so, so, so good. i can’t even explain. it’s just good. in to the abyss below! damnation! “the world is cruel, the world is ugly” yes “but there are times and there are people when the world is not” i’m not 100% positive, but i’m pretty sure that’s jehan again and that’s just so beautiful. “and at it’s cruelest it’s still the only world we’ve got” the bitter truth “out there” yup yup yup crying you can’t stop me The bit with the chorus singnig someday in latin and english...i literally cant handle it. it is so freaking beautiful. and the violin? the woman singing is an icon. the voices blend together so beautifully. I am overcome with emotion. i- Quasi singing the last “someday” and then the blending into the beginning song and ugh “but here is a riddle to guess if you can, what makes a monster and what makes a man?” with the entire ensemble? yeah, that one feels good. and being left off with the “ah”s

yeah, brb, i’m going to go listen to it again.

#hunchback of notre dame #disney #alan menken #hunchback of notre dame musical #disney musical #musicals #theatre kid #everything i love about #quasimodo #esmeralda #phoebus #frollo #judge clause frollo

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saphirered · 3 years

Note

HIIII! It's me again (Eldritch knight reader) sorry I kinda dipped out but I hope you are having a great day! I was wondering if you could do one last request for that mini series of requests, where Essek finally asks reader on a real date and it's going great (Knight could notice some figures following them *cough* M9+verin *cough*??) there's some flirting/teasing but sadly the date comes to an end and reader walks essek home, they say their goodbyes for the night but not before reader finally kisses Essek and whispers a goodnight!

Hi! Welcome back. Now of course this wouldn't be me if halfway through writing I realised this was turning way too long so it'll be a two-parter again to keep it readable. Hope you don't mind. Any way, here's the first part so I hope you enjoy! 😘

A long day of disasters with the Nein returning just in time to be thrust into more relentless hours of study with Essek wasn’t exactly how you envisioned to spend your day and luckily for you Essek is a merciful soul, when it comes to you that is. Seeing how battered and bruised you were, and mentally exhausted he refused to let you touch his precious tomes or even scribble a single note on paper. He had even gone as far as making said smaller items disappear into the nothingness. Damn wrist pocket spell. Essek was determined. You needed rest. He’d make sure you got it.

So instead of hours upon hours spent at Essek’s home he opted for staying with you retreating to the upstairs of the Xhorhaus and finding the both of you a comfy spot to spend your time in a more relaxed environment. Essek sits, back against the tree while you lay sprawled across the floor next to his outstretched legs eyes closed as the wizard reads to you. He may not have allowed you to read for yourself as to not overwork yourself but the compromise you convinced him to was agreeable. More than agreeable if you’re honest.

It’s no secret you like spending time together as you do so a lot. You may be a little more affectionate with each other than say for example with Caleb or Jester. It doesn’t go unnoticed Essek likes you, if anything the man’s made it pretty clear and vice versa. Neither of you have just ever acted on it. With everything going on in your lives, how could you? You’re a ragtag adventurer with no allegiance to kingdom or country. He’s the bloody spymaster of the Dynasty. It’s not exactly a conventional prospect of a future, nor is it likely to succeed with the kind of lives you live. Could you really afford that kind of struggle? Maybe, if you were willing to take the risk but lately things have been hectic and this moment of relaxation beneath the tree at the top of this tower is the first moment of peace either of you have known in a long time.

You swear, you’re paying attention. You might still have to reread the whole book again as you’re just entranced by the sound of Essek’s voice. The man could make anything sound interesting. Give him those pages from that Iva lady back at the Chastity’s Nook in Zadash and Essek could make even that sound like a master piece. Though in hindsight, maybe best not as you think he might not be able to get past the first few sentences himself. The cringe.

“Are you still listening?” Essek’s reading voice breaks in favour of the question as he watches you drift off with a smile on your face. He’s almost afraid to ask the question but is unsure if that’s because you’ve grown tired or the subject bores you too much.

“Hm?” You perk up turning your head to the side and looking at the wizard. The exhaustion is written over your face but doesn’t diminish the content smile you present.

“Perhaps that is enough for the day?” Essek suggests closing the book and sits up a little straighter. He places the book by his side as you sit up and go to reach for it. Essek’s quicker and places his hand firmly on top of it and prevents you from taking it. He’s very sure you’d have no trouble retrieving the book if you really wanted to and maybe he’d like you to try, just a little, but you’re tired and need rest. Not fill your mind with pages of knowledge attempting to cram in the words. You’re a good study but even the best of studies cannot combat the banes of exhaustion.

“It is getting late anyway.” Essek says as you roll back and find yourself, head leaning against his thigh, looking up at the drow with a pout as he insinuates he’ll have to leave soon. You catch him off guard but he’s not opposed to the sense of affection and comfort you radiate. Physical affection is rare between the two of you especially since he’s very new to it in such contexts. He’s still getting used to it and he’d be lying if he said it’s unwelcome.

“If you say so.” You stay like this for a few more minutes before the ruckus downstairs pulls you out of your moment and you’re reminded Essek needs to head back to his own home. He still has business to attend to, business he’s been procrastinating in favour of spending more time with you. You sit back up, swing your legs beneath yourself and rise to your feet offering Essek a hand to help him to his feet.

“Essek, do you have a moment.” Caleb calls over as he enters the living space. The drow looks at you as if to ask if you know what this might be about or more like your permission to allow himself to be whisked away by the wizard interrupting your goodbye. You shrug.

“I should probably try and prevent this kitchen fire waiting to happen. I take it Cad’s still out getting groceries?” Caleb nods and you sigh shudder preparing for the oncoming disaster rushing into the kitchen like a valiant hero, albeit a little more domestic than your usual adventures, valiant no less.

A conversation between two wizards in one room and a homemade fluffernutter dismantled in another you reunite with Essek. There he is floating in all his glory, cloak back around his shoulders you see him off. Essek seems a little… nervous? Is that the right word? So you give Caleb a look but he acts all innocent. You know better than to trust that. Nevermind, you’ll have an easier time getting it out of Essek than Caleb if you need to. Caleb sends the others off to their own business persuading them to clean up before Caduceus returns and finds his precious kitchen in disarray or any other state he didn’t leave it in before he left. The firbolg is quite protective of his pride and joy. You lead Essek over to the hall but interpose yourself between him and the door crossing your arms and tapping your foot expectedly.

“So is this where you tell me what you and Caleb talked about or am I going to have to work for it?” The look you give Essek makes him want to spill all the beans right then right there but he wants to do this the right way and not be a blabbering incoherent mess. He has to do this the right way. You deserve that much; if not for the way he feels then simply for every effort you’d put in your actions to do with him.

“It’s to do with you.” Oh? Now you’re curious. “I asked Caleb for some advise.” What in the worlds would he need to go to Caleb for to get advise on to do with you? Essek’s not one to admit lacking either skill or knowledge when it’s about people and even less so to confide in another in such a way because by all means, his little side bar with with the redhead was anything but an interrogation to get information about character, motives and possible leverage like he would have navigated a political encounter.

“And what, pray tell could Caleb be lecturing you on?” You grin with he gentle stroke at Essek’s ego. If you know one thing, sweet-talking will get you everywhere with this man. Not that you’d minded. Not that you were lying. You’d never lie about such things. But you’re also not against using your opinions to gently persuade the drow in revealing what he’s hiding.

“Matters of heart. It seems I am at a disadvantage when expressing them to the subject of my affections.” Essek admits and you watch the skin of his cheeks to become a darker shade of purple. Damn, this is not going the way he envisioned it. Like a rock being tossed into the elemental plane of water, sinking into that eternal ocean.

“Oh really, now? It seems to me you’re doing perfectly fine.” Essek laughs awkwardly and looks to the floor to gather his bearings but when he feels your hand rise to his cheek and lift his gaze to look you in the eye, when you step in a little closer to him. He knows you’re teasing, or at least partially teasing. He also knows best to rip the bandaid off quickly and hope you’ll be merciful in your answer.

“I was wondering if you’d join me on an outing, tomorrow if it suits you?” Essek feels the words leave his lips. He doesn’t blurt them out like some lovesick fool and is thankful for that at least.

“Of course, will we be going to the library again? Or another shopping trip? Need me to carry more of those heavy papers again? Please can we do this time without any assassins sent to kill you? I think we could both do with a break for once.” You laugh and it becomes quite clear to Essek his phrasing might have been a little off so he’ll have to correct himself. Great. Just what he needs. Make this more awkward and difficult for himself than it already is. Maybe he would have been better off blurting out the words like a lovesick fool.

“What I had in mind would be more like a planned outing, a break from our usual lives and away from the responsibilities we both carry.” Essek clarifies and the copper drops for you.

“Essek, are you asking me to go on a date with you?” Yes. Yes. For the love of the gods, the Luxon and all that is sacred thank you for speaking the words correctly instead of leaving him to go in circles until he can’t anymore and dies from embarrassment. Why does he always turn into a mess when it comes to you? Because he likes you, a lot, maybe even more than just like. Definitely more than just that.

“That is exactly what I have been attempting and failing to convey, yes.” He admits ashamed. Your laugh makes for a good consolation though, no matter your answer. Up until now the possibility of your answer whichever outcome, had never been a bother to him as he never really gave asking you a thought, for his own sake or this may just have gone much worse with his tendency to overthink. In suspense he awaits. Not even the powers of dunamis at his fingertips could make the passage of time before your answer feel like less when in reality you barely missed a beat.

“Of course. I’d love nothing more.” You caress his cheek. Your smile grows from amusement to joy and Essek couldn’t be happier. He felt himself slipping into a smile of his own. Essek let himself go in that joy and relief you accepted rather than the stress of the actual date tomorrow. He’ll worry about that one later.

#critical role x reader #critrole x reader #mighty nein x reader #essek thelyss x reader #essek x reader #critical role #mighty nein

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alia-turin · 3 years

Text

It has been a very very long week and I was writing and writing this chapter and it did not seem to end. Honestly I would have made that the final chapter but then it just became endless so I will probably write jus another one sort of as an epilogue.

I hope you enjoy y’all.

PLEASE NOTE: This chapter is 80% NSFW and there is a warming for blindfolding, some lighe dom/sub undertones and ice play. Fic Title: Somewhere in Time: Chapter 8 Previous Chapters: 1, 2, 3, 4, 5, 6, 7 Rating: Explicit Fandom: The Witcher Relationship: Caranthir Ar-Feiniel/Original Female Character(s)

Aine pulled the furs to her chin. She wasn’t cold, the fire was burning as hot as possible and the bedroom was small, but she couldn’t sleep. She pressed a finger against her lips, still feeling his touch there. The way her heart was beating when she felt him close to her, when he pressed himself against her...that was what kept her awake. That and how much she misunderstood him prior to the events this morning. She had no idea if she had done something or he did it on purpose, showing her things in his mind that shocked her. If it was her, it was not on purpose and probably she even owed him an apology even if she had no idea what to apologize for, if it was him...why?

She thought about what she saw for the rest of the day and now half of the night her mind was still going through the images. Aine didn’t fully understand all of them, those were his memories, that much she knew, but it all looked like paintings and she had to figure out what exactly the painting meant. She saw the terror, the pain he had inflicted. But there was more. She saw the confused boy, the young man who had lost someone he loved and that loss turning into anger. He was violence, but he never hurt her despite her worst fears.

She rolled to her side.

What if she had allowed him to do what he wanted today...she wanted him, why wouldn’t she? He was handsome, he saved her life, even if it was under the strangest circumstances and now she could even understand him. All she had to do today was just to allow him what he started. She didn’t want to be hurt. Not again. She wanted him, but not for one night, that was pointless.

She rolled to her other side.

Two different men. The same way he said that the red haired woman from his memories was different from her, so was…

Accidentally or on purpose she knew some of his most intimate moments, there was no denying that and despite everything she understood. They were very different from each other, but somehow the same. Having a family, but not really. Not having the worst possible life, but never the life they actually wanted...

She got out of the bed, didn’t even bother to get dressed, just wrapped the furs around herself.

Caranthir was reading a book, or more like looking at a book. He had been starting every sentence multiple times because the words just did not reach his brain. All he could think was how stupid he was today. Aine was too inexperienced and that was too powerful magic for her. He didn’t have an explanation of what exactly went wrong, beside the fact he should have known. No, that wasn’t what bothered him, her stopping him. He was glad she did, he wasn’t sure he could treat her gently, the way he wanted to treat her. Was he even capable of that? Did he even know what it meant to be with someone not just mindlessly chasing his pleasure and some physical relief.

“Can we talk?” he lifted his head, Aine standing by the stairs, her body wrapped with a blanket. She stepped closer to him, stopping on the opposite side of his desk. “I...know why you act the way you act. I’m not sure I understand it, but I saw your memories.”

“You were not supposed to see that.” he interrupted her. He didn’t want to talk with her about how he killed and worse. He knew very well none of his memories were pleasant, they were not pleasant to him, they couldn’t possibly be pleasant to someone else.

“I wasn’t, but I did.” She pulled the blanket closer to her as if she was cold. “I...pushed you because I told you that you cannot be nice to me and then shut down. I was scared.” he didn’t say anything, only watched and listened, who wouldn’t be scared honestly? And he understood very well what she meant about him being warm one moment and then cold the next. If he had social skills he would be one or the other. “I like you.”

He tilted his head. It wasn’t the first time someone said that to him, but in his opinion women liked the idea of him more than they liked him. He was a navigator, a red rider, all of these attractive in everyone’s mind. He knew she didn’t care about any of that. He knew she saw him for exactly who he was, physically and otherwise and that was relief and a big problem at the same time.

“I saw your life. I owe you something in return, probably an explanation.” he didn’t answer, still not sure what to say. He did not feel as if she owed him something, but he was not going to stop her. If anything he owed her an explanation, maybe an apology for being rash and irresponsible, pushing her to do something because he found it fun without thinking of the consequences “There was an elf. Years ago, when I still lived in my father's house. He was nice to me.” she stopped, he wanted and didn’t want to know what nice meant in that sentence. “He thought that by being close to me, he would win favour, but he did not understand that my father saw me as a bit more than a servant. He figured it out.”

“I have little use of you.” he finally said immediately realizing how bad that sounded. “What I meant is that I have no interest in using you.”

“I know. I...saw as much.” there it was. She said it. Took that off her shoulders. “This is why I pushed you away today. Not because of what I saw but because I started feeling for you and you being the way you were well...I don’t want to be one night entertainment.” she looked at him, she couldn’t live all her life in fear of what happened before and the same was true for him.

She let the blanket drop around her feet, leaving her naked in front of him.

Caranthir felt his jaw drop. That he did not expect. He watched her naked shape, the candles and the fire from the room dancing over her skin and hair. That was what he wanted, wasn’t it? For weeks now, but why couldn’t he move or say something?

“This is embarrassing, I thought…'' She started talking, her arms trying now to cover her nakedness and also reaching down for the furs, but Caranthir moved faster, getting himself in front of her and grabbing her arms before she could do it.

“You don’t need to do that for my benefit.” he moved her arms out of the way, his eyes tracing the shape of her collarbones, her breasts, her hips. If she were to stop him now, at the very least he wanted to memorize that view.

“I want you.” she answered as she stepped on her tip toes and kissed him. He responded, opening his mouth but taking over the kiss, trying to steal the breath from her but he suddenly pulled out.

“What…” she looked at him puzzled.

“Nothing…” he stepped back his eyes on her body again. He didn’t want to cause himself to her. She was too...pure for him. “You need to know something. I’m not gentle, I’m not sure I know how to be...nice.”

“I saw that.” she responded, her eyes not leaving his. He didn’t think she saw any of it, but maybe he had been too focused on stopping her that she had seen more than he expected. “I have seen…” he placed his finger on her lips.

“And you are not like them to me, but I don’t think I know any other way.” he pressed himself against the desk and pulled her closer, her belly rubbing against his growing erection. He wrapped his arms around her, letting his hands rest on her lower back. “Do you trust me?” he pulled her even closer to himself, frustrated at all the clothes he was wearing. She hesitated for a second but nodded. That was all he needed.

Aine felt his hand slide down to her ass, but he didn’t stop, he leaned forward and grabbed her hips, lifting her up and turning both of them around, letting her sit on the desk. She wanted to kiss him, she needed the closeness. He took a small step back, and then pulled his shirt off, almost as if he was getting changed, there was nothing seductive in his action, just a task he had to do. Aine couldn’t help herself but stare at his body, she knew he was well built, she could see that much even under the clothes, but now seeing the hardness of his chest, the defined lines around his abs...and the tattoos. She had seen the tattoos that started at his neck and those on his fingers and hands, but didn’t think they covered his whole torso, arms and parts of his legs. There were also the scars, less visible on his skin due to the tattoos but they were still there, the same scars as the ones on his face.

She couldn’t control herself and reached for his chest, her finger tracing a few black lines of the unknown pattern on his skin.

“What does it mean?” she asked as her finger continued.

“This one is a spell.” he grabbed her hand and guided her through his skin. “This stops other mages from putting tracking spells on me, like the one I put on you.” he moved her finger just below his chest. “This one protects from certain curses.” he continued pushing her finger down over his abs until he stopped where his belt was. She tried to reach for his belt but he held her hand away.

“Patience.” He didn't say that to her, mostly to himself. He had never taken so much time, if it were someone else he would be half way through now. But he wanted to feel her, every single part of her and wanted her to feel him. He wasn’t worried about her seeing him, she already did and he liked what he saw in her eyes. He might be making that up of course but she accepted him, she didn’t stare at his scars as if he was a freak, when her fingers touched them she didn’t even pull away...she just accepted him and that was a bigger turn on for him than almost anything else.

He pushed her on the desk and turned her so her length was on the length of the desk. He didn’t follow her, just walked around and reached for the drawer on the opposite side.

“What are you…” Aine lifted herself looking at him puzzled.

“Trust me.” he pulled the black fabric from the drawer and walked all the way behind her. “Just relaxed.”

He placed the fabric over her eyes and tired it at the back. He had blindfolded women before, it was his way to deal with them not seeing him, not looking at him. This was different. It wasn’t about her seeing him, they were past that, he just liked seeing her trust him, allowing him…

Aine hoped that was not a mistake and she wouldn’t wake up tomorrow regretting everything, or even worse, alone in the bed with him just gone somewhere, forgetting about her. She couldn’t see anything, but her hearing felt somewhat sharper, probably just an illusion from the senula deprivation. She could hear the wood in the fire burning, even the wind howling outside, but nothing from Caranthir until she felt his hands around her ankles, pulling her so her ass was almost at the edge of the desk and her feet hanging low. Then she felt his hands on her inner thigh spreading her open, redness creeping through her skin realizing he was standing right in front of her with her legs wide spread. What felt even more embarrassing was that she had no idea where his eyes were, for all she knew he could be staring at the bookshelves behind her.

“Caranthir?'' All she needed was a sound from him, just to know exactly where he was, but no response followed. However, she did feel his lips kissing just below her bellybutton, her stomach curling in a ball by the surprised sensation. Second kiss didn’t follow, but that was enough to make the heat between her legs almost intolerable. She tried to push her legs together but he placed his hands on her knees and stopped her. Not a word followed, she couldn’t decide what was more tortuous, not knowing where his eyes were looking, or the absolute silence from him.

Next thing she felt was his hands cupping her breasts, unlike the kiss that was not soft and gentle, that felt more like what she expected from him, rough, but still pleasant. He moved one hand away, just to replace it with his mouth on her nipple, his tongue licking it as her body arched looking for some sort of friction in the empty air. She moaned, enjoying the sensation, but also needing more, the cool air she can feel between her legs just reminding her about the emptiness there.

He moved his other hand away, his mouth replacing it as well, his tongue flicking at teasing, but not giving her any release just building even more need, until he moved away again, Aine moaning this time in frustration, as even his teasing was better than nothing at all. She felt something familiar, a tingling on her skin - magic and that was not coming from here.

“Caranthir, what…” she couldn’t finish. He placed his finger on her lips, again not even a sound from him. He placed a soft kiss just below her jawbone, another one further down, so tender, and gentle, unlike the next one, where he kissed but then sank his teeth in the middle of her neck and the next one over her collarbones where he bit the sensitive skin again. Next thing she felt was something cold against her neck, just where he was kissing, it felt like ice or snow. She could feel the wet trail it left as he moved it down, to where his teeth had sunk a moment ago, leaving her skin cold and burning at the same time. Aine moaned and this time she could hear him smirk, she could almost imagine the satisfaction on his face.

Caranthir watched her body react to the ice in his hand. He placed the cold cube above her breasts, sliding it slowly to her cleavage and further down. He moved the ice away, casting more of the spell to compensate for what had been lost by the warmth of her skin, but used his tongue to lick the wet trail the ice had left. She moaned, her body arching toward him desperately looking for a contact and he was doing his best not to allow her any contact but what he was giving her now.

He pulled away just for a second but then moved back to her right nipple taking it in his mouth and sucking as he slid the ice down her cleavage again, but continued down slowly leaving the ice on top of her belly button to melt.

“Caranthir…” this time it wasn’t a question it was a moan and he could feel it straight between his legs. He wanted to hear that again and again, but when he was in her. He stopped for a second, no, he was determined to take his time, this was different.

He stepped back watching her chest rise and fall, breathing heavily from, the ice on her belly almost melted, cold water glistering over her skin. His gaze stopped between her legs, he could see the wetness, his tongue running over his own lips, not wanting to take any longer. This game was almost as tortuous to him as it probably was to her. He needed to feel her, the same way he had felt her skin against his when he was teaching her, but less innocent, more primal.

Aine’s body was hot and cold at the same time, she could feel the freezing water running down her belly. Suddenly she felt his finger between her legs, the coldness of his skin surprised her and by insitic she tried to pull her legs together but he stopped her with his other hand. He didn’t push his finger in her, which was frustrating, just ran it around her entrance, his touch almost gentle, pleasant, but was not helping her in any way, on purpose stopping just before he could provide any sort of actual release.

That ended as well, more silence followed, seconds but the anticipation made it feels like minutes. She thought she could hear clothes, maybe leather, but the sound was so faint that she could not decide if at that point her mind was playing tricks on her, maybe it was her wanting to hear that and then feel him on top of her, the warmth of his skin pressed against hers. Again there were the goosebumps on her skin from magic, her brain just going in complete overload, what now? She felt Caranthir hands on her hips, slowly sliding up to her waist, smearing the now warm water under his touch, until his hands reached to her ribs and he slid his grip under her, pulling her into sitting position. Next thing she knew he dragged her even further to the edge of his desk, she was expecting to step on the ground any moment, but that never happened, there was nothing under her feet, just that tingling magic sensation, the feeling of falling and a low surprised scream escaped her mouth.

Suddenly she was sitting on something again, however it felt different. It wasn’t the hard, uncomfortable desk, her knees felt something soft, but what she was different, warm, she lost her balance and leaned forward, by instinct her hands reached forward to soften the fall but all she felt under her palms was hot skin and hard muscle.

Caranthir watched her confusion, as he was lying on the bed, she was sitting on top of him, her legs on either side of his. He removed the fabric from her eyes, unable to hold his own need to look at her. Aine measured the room in surprise, he could see confusion at first but it was quickly replaced with recognition, it was his bedroom, or hers as she had been sleeping there since he rescued her. He was lying on the soft furs covering the bed, the room was dark, but the moonlight reflection on the snow provided more than enough light for him to see her as clear as he did downstairs with all the candles and fires lit. He reached for her face, caressing the perfect skin in the exact same spot where his was damaged. His finger hooked a long strand of hair that was falling over her chest and moved it way, he needed to look at her, enjoy every inch of her.

Her small hands were on his abs, but one slowly moved down, reaching to his hardness and wrapping her thin fingers around him. He didn’t want to make a sound, but a low grunt escaped his throat as he felt her skin around his length. She moved her hand slowly, tortuous, but he did not care, at least not yet. Despite the pleasure her hand was providing, he just couldn’t get enough of her touch, her perfect shape on top of him, her eyes looking in his with the same lust he was feeling. He wanted to do hundreds of things right now and nothing at the same time. Wanted to be in her, on top of her, have her on her knees between his legs, taste her..the list went on and on. At the same time that was perfect as well. He had never experienced that before, all his sex encounters have been about satisfying a need, rather than...that whatever the right word for that was. It had been about chasing his own pleasure, some release and there was that. But now he just wanted to look at her, enjoy the way her eyes were pinned on him, accepting him. Her small hand was still stoking him slowly, but he could feel himself moving him closer to an edge.

Caranthir wrapped his hands under her ass and lifted her up, her knees still touching the soft furs under them. Her hand let go of him and reached back on his abs trying to find balance even if his arms were supporting her. He positioned her slowly on top of his length, his eyes not leaving hers as he let her slide down slowly. He was supporting her, controlling the pace she moved down on him. He could feel the heat between her legs, then the wetness and eventually her tightness around him. She moaned as his tip pushed in, biting her lower lip. He gave her a moment to get used to him, but then continued to help her slide down on him, inch by inch, as slowly as he could until he was all the way in and stopped. She tried to move up, but he dug his fingers in her thighs keeping her in place.

He needed a moment, he pulled himself into a half sitting position, his right hand on the bed to support him, but his left hand still on her hip. He leaned forward and kissed her as he moved his hand under her and urged her to move, slowly, it was tortuous for him, but he knew it was the same for her. They both needed more than that. She started moving on his length, her arms now using his shoulders for support, his hips moving to meet her. He watched her as she found the best angle, the moans from her mouth low but so intoxicating for his mind. He slid his hand away, moving it slowly across her leg until his thumb was positioned on her clit, gently drawing a circle but that was enough to distract her from the pace she had picked.

“Don’t stop or I will as well.” he whispered in her ear, realizing that was the first thing he had said all night.

She started moving again, her eyes pleading with him and he just smiled, his thumb resuming the lazy circles it was drawing.

“Good girl.” he whispered in her ear again and then bit it gently, moving his lips down her neck, placing soft kisses as his finger increased the pressure and speed. Her pace became more rigid and he moved his hand away, back to her hip, but with a smooth move he rolled her over, this time she was lying on the furs and he was on top of her.

Aine quickly wrapped her legs around him urging him to push in her but he didn’t move. Yet again her pleasure and everything associated was at his mercy. It was exciting, but what made the thrill stronger was that just a week ago she would never imagine herself doing that with him. Somehow seeing him for who he truly was did something for her, enough to know he wouldn’t hurt her, and enough to find attraction toward him. A week ago, she wouldn’t have thought about allowing him to cover her eyes, even if it was for a second and they were completely dressed. Right now it seemed like the most natural thing in the world. Caranthir placed his hand on her throat, his thumb and index finger holding her jaw and forcing her to look at him, not that she had any other intention. She wanted to look at his face, even though he had been good about keeping his emotions under control, there were signs of pleasure, his pupils almost completely hiding the blue of his eyes, his jaw clenching when he was suppressing a groan.

Despite his best effort Caranthir could not hold any longer, or go slow. He moved his hips slowly but then his whole body just refused to listen and he found himself in a harsh pace, Aine’s body arching below him in pleasure with every thrust he did. The grip around her throat increased in strength, he could feel against his palm as she swallowed, the bones raising against him, the way her skin vibrated as she moaned. Her eyes fixed on him, barely focused, but she was looking at him. He wanted to know what she was feeling, what she was thinking, seeing him on top of her. He could. Without giving it a second thought he pressed his forehead against her and cast the spell, something that should be forbidden, but he wasn’t thinking. He immediately felt what she was feeling, he could feel the pressure against his throat even nothing was holding him, but the amount of pleasure she was feeling, he was feeling it now too, combined with his own, pushing him so close to the edge that he could not control anything on his body anymore, his speed, the way he was holding her…

Aine smiled as she felt his forehead press against her and then almost screamed from what followed. Everything she was feeling until now, suddenly became more intensified and different. It felt so strange, she knew physically nothing changed, his moves became less controlled, harsher, but her mind was experiencing that on a completely different level. She dug her nails in his back and somehow sensed it on her own skin, even if there was nothing there. One of his hands was still on her throat, the other between her legs, how could she feel nails digging in her own back? Her orgasm came almost immediately, her body arching under him, feeling the warmth of skin, she had no idea if she screamed or made any other sound, her whole mind was trying to process something that she had never felt before.

Moments passed, neither of them moved his chest pressing against hers as both of them were trying to catch their breaths. She was physically tired, but her mind was also exhausted in a way she had not felt before, even with all the work she had been doing as he was teaching her how to use magic.

Eventually Caranthir rolled over, he seemed exhausted as well, his moves slow and forced as he pulled the furs under the two of them and used them as a blanket and then pulled her on his chest, his arms wrapped around her body.

Aine started tracing lazily the black lines over his skin entwined with scars. Her fingers touched gently the complex patterns and runes, gently brushing around the damaged skin.

Neither of them spoke, she had no idea what to say. Whatever happened tonight...first she had never imagined herself going to someone offering herself the way she did with him, but somehow it felt right, he felt close and...in a twisted way that made sense. She also never imagined herself being blindfolded to someone’s desk, that sounded terrifying and against all logic, he was the last person she should entrust with that, but here they were, she was more than fine and in one piece.

“What was that?” she finally asked.

“Mhm?” was the only response he gave, as he started playing with her hair. “You need to be more specific.”

“After you touched my forehead.” she slid her fingers lower to his abs, more runes and markings covering the skin there.

“A spell.” he answered. A forbidden one or at least one that was frowned upon in certain circumstances. Accessing someone’s mind was dangerous and invasive, the way she did it with him, he allowed that. No one allowed him now. “It allowed me to feel what you were feeling and it allowed you to feel what I was feeling.” It usually was hard to cast it on someone who was unwilling or unaware, but she had completely given up to him. It felt so easy as both of them had completely given themselves to each other, but he had also been selfish. He needed the reassurance that she really wanted him, the way he wanted her.

Caranthir continued playing with her hair, his mind going through everything that happened tonight. Not just the physical part, that was great, but there was more. He had never been so intimate with another person. Never had the need to touch someone or be touched, even if it was just that, holding her, feeling her warmth next to him.

“Are you okay?” she pushed herself up a bit, he had to fight the instinct to pin her back down. She wasn’t going anywhere, she just lifted her head and shoulders a bit to look at him, but even that loss of friction was frustrating. He felt like a child who had just discovered how good chocolate tasted. “Caranthir?”

“Yes.” he pushed her hair away from her shoulder gently, running his finger over the skin where he had left marks. He has not done that before. He had been rough in the past, but never felt the need to leave a mark, it usually happened by accident, spur of the moment situation, but that was different. “Does it hurt?” she shook her head, she probably didn’t even know how red her skin was.

“How did you do the thing with the ice?” she relaxed again on his chest.

He reached for her hand and took it in his, made her open her palm.

“Focus and think about ice.” he could see her concentrating, sensing magic slowly building and an ice ball no bigger than his thumb appeared in her hand. “There you go.”

She rolled the piece of ice in her hand and then placed it on his chest, Caranthir groaned, the little ball slid down his chest to the side of abs and fell on the bed.

“How long did it take you to get all these?” she asked after a moment of silence, her small finger tracing again the tattoos on his body.

“Months.” It felt strange talking about himself. He had asked her questions about her and he knew a lot, but she never asked him questions before and then...well he gave her the crash course of who he was. It was still foreign for him to talk about himself. “I did my first one when I wasn’t even an adult yet.”

“You did it?” she pushed herself up again, looking him in the eyes with surprise. “Even on your neck and back?”

“You can use magic to move objects. It is not that complicated to move a needle and some ink.” he traced her spine with his fingers. He should probably get some protective runes on her to make sure no harm would come, but he also loved looking at her undamaged skin, so much unlike his covered in scars. “My teacher taught me the principle and told me that one day he would help me get my first runes. I couldn’t wait, so I did it myself despite his instructions. He wasn’t happy, but I also did it right from the first time.”

Aine listened to him, it felt good. She already knew a lot, not because she asked, but now it felt better. Having him volunteer that information, for the first time talking with full sentences, not half words with hidden meaning.

“Your teacher...he was the one who raised you, right?” she was careful with her questions, she wanted to hear him talk, but she also didn’t want to push too far and make him close himself again.

“He did. He was like a father to me, not a good one, but he was the only family I had growing up. The only parent, the only friend…” a sad smile appeared on his lips. “I used to worship him, now I feel like he is my biggest enemy.”

Aine didn’t know what to say at that, she wasn’t one to speak about fatherly love and even if she did not consider her family as her enemy she did not want to be near them either, or at least what was left of them. A brother who rarely acknowledged her, a father who used her as a trinket when there was a need for it and ignored her the rest of the time.

“I want you to stay with…” Caranthir finally started what was on his mind but stopped suddenly feeling the energy in the room building. He looked at her but her eyes were as puzzled looking at him for an answer. “Seriously?” Caranthir said more to himself, pushing himself up as he saw the portal opening. There was only one person who could open a portal and knew to find him in this place.

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armageddon-generation · 3 years

Text

Articulating Why His Dark Materials is Badly Written

A long essay-thing with lots of specific examples and explanations of why I feel this way. Hopefully I’ve kept fanboy bitching to a minimum.

This isn’t an attack on fans of the show, nor a personal attack on Jack Thorne. I’m not looking to ruin anyone’s enjoyment of the show, I just needed to properly articulate, with examples, why I struggle with it. I read and love the books and that colours my view, but I believe that HDM isn’t just a clumsy, at-best-functional, sometimes incompetent adaptation, it’s a bad TV show separate from its source material. The show is the blandest, least interesting and least engaging version of itself it could be.

His Dark Materials has gorgeous production design and phenomenal visual effects. It's well-acted. The score is great. But my god is it badly written. Jack Thorne writing the entire first season damned the show. There was no-one to balance out his flaws and biases. Thorne is checking off a list of plot-points, so concerned with manoeuvring the audience through the story he forgets to invest us in it. The scripts are mechanical, empty, flat.

Watching HDM feels like an impassioned fan earnestly lecturing you on why the books are so good- (Look! It's got other worlds and religious allegory and this character Lyra is really, really important I swear. Isn't Mrs Coulter crazy? The Gyptians are my favourites.) rather than someone telling the story naturally.

My problems fall into 5 main categories:

Exposition- An unwillingness to meaningfully expand the source material for a visual medium means Thorne tells and doesn't show crucial plot-points. He then repeats the same thing multiple times because he doesn't trust his audience

Pacing- By stretching out the books and not trusting his audience Thorne dedicates entire scenes to one piece of information and repeats himself constantly (see: the Witches' repetition of the prophecy in S2).

Narrative priorities- Thorne prioritises human drama over fantasy. This makes sense budgetarily, but leads to barely-present Daemons, the Gyptians taking up too much screentime, rushed/badly written Witches (superpowers, exposition) and Bears (armourless bear fight), and a Lyra more focused on familial angst than the joy of discovery

Tension and Mystery- because HDM is in such a hurry to set up its endgame it gives you the answers to S1's biggest mysteries immediately- other worlds, Lyra's parents, what happens to the kids etc. This makes the show less engaging and feel like it's playing catch-up to the audience, not the other way around.

Tonal Inconsistency- HDM tries to be a slow-paced, grounded, adult drama, but its blunt, simplistic dialogue and storytelling methods treat the audience like children that need to be lectured.

MYSTERY, SUSPENSE AND INTRIGUE

The show undercuts all the books’ biggest mysteries. Mrs Coulter is set up as a villain before we meet her, other worlds are revealed in 1x2, Lyra's parents by 1x3, what the Magesterium do to kids is spelled out long before Lyra finds Billy (1x2). I understand not wanting to lose new viewers, but neutering every mystery kills momentum and makes the show much less engaging.

This extends to worldbuilding. The text before 1x1 explains both Daemons and Lyra's destiny before we meet her. Instead of encouraging us to engage with the world and ask questions, we're given all the answers up front and told to sit back and let ourselves be spoon-fed. The viewer is never an active participant, never encouraged to theorise or wonder

Intrigue motivated you to engage with Pullman's philosophical themes and concepts. Without it, HDM feels like a lecture, a theme park ride and not a journey.

The only one of S1's mysteries left undiminished is 'what is Dust?', which won't be properly answered until S3, and that answer is super conceptual and therefore hard to make dramatically satisfying

TONAL INCONSISTENCY

HDM billed itself as a HBO-level drama, and was advertised as a GoT inheritor. It takes itself very seriously- the few attempts at humour are stilted and out of place

The production design is deliberately subdued, most notably choosing a mid-twentieth century aesthetic for Lyra’s world over the late-Victorian of the books or steampunk of the movie. The colour grading would be appropriate for a serious adult drama.

Reviewers have said this stops the show feeling as fantastical as it should. It also makes Lyra’s world less distinct from our own.

Most importantly, minimising the wondrous fantasy of S1 neuters its contrast with the escalating thematic darkness of the finale (from 1x5 onwards), and the impact of Roger’s death. Pullman's books are an adult story told through the eyes of a child. Lyra’s innocence and naivety in the first book is the most important journey of the trilogy. Instead, the show starts serious and thematically heavy (we’re told Lyra has world-saving importance before we even meet her) and stays that way.

Contrasting the serious tone, grounded design and poe-faced characters, the dialogue is written to cater to children. It’s horrendously blunt and pulls you out of scenes. Subtext is obliterated at every opportunity. Even in the most recent episode, 2x7, Pan asks Lyra ‘do you think you’re changing because of Will?’

I cannot understate how on the nose this line is, and how much it undercuts the themes of the final book. Instead of even a meaningful shot of Lyra looking at Will, the show treats the audience like complete idiots.

So, HDM looks and advertises itself like an adult drama and is desperate to be taken seriously by wearing its big themes on its sleeve from the start instead of letting them evolve naturally out of subtext like the books, and dedicating lots of scenes to Mrs Coulter's self-abuse

At the same time its dialogue and character writing is comparable to the Star Wars prequels, more childish than media aimed at a similar audience - Harry Potter, Doctor Who, Avatar the Last Airbender etc

DAEMONS

The show gives itself a safety net by explaining Daemons in an opening text-crawl, and so spends less time showing the mechanics of the Daemon-human bond. On the HDM subreddit, I’ve seen multiple people get to 1x5 or 6, and then come to reddit asking basic questions like ‘why do only some people have Daemons?’ or ‘Why are Daemons so important?’.

It’s not that the show didn’t answer these questions; it was in the opening text-crawl. It’s just the show thinks telling you is enough and never shows evidence to back that up. Watching a TV show you remember what you’re shown much easier than what you’re told

The emotional core of Northern Lights is the relationship between Lyra and Pan. The emotional core of HDM S1 is the relationship between Lyra and Mrs Coulter. This wouldn't be bad- it's a fascinating dynamic Ruth plays wonderfully- if it didn't override the Daemons

Daemons are only onscreen when they serve a narrative purpose. Thorne justifies this because the books only describe Daemons when they tell us about their human. On the page your brain fills the Daemons in. This doesn't work on-screen; you cannot suspend your disbelief when their absence is staring you in the face

Thorne clarified the number of Daemons as not just budgetary, but a conscious creative choice to avoid onscreen clutter. This improved in S2 after vocal criticism.

Mrs Coulter/the Golden Monkey and Lee/Hester have well-drawn relationships in S1, but Pan and Lyra hug more in the 2-hour Golden Compass movie than they do in the 8-hour S1 of HDM. There's barely any physical contact with Daemons at all.

They even cut Pan and Lyra's hug after escaping the Cut in Bolvangar. In the book they can't let go of each other. The show skips it completely because Thorne wants to focus on Mrs Coulter and Lyra.

They cut Pan and Lyra testing how far apart they can be. They cut Lyra freeing the Cut Daemons in Bolvangar with the help of Kaisa. We spent extra time with both Roger and Billy Costa, but didn't develop their bonds with their Daemons- the perfect way to make the Cut more impactful

I don't need every single book scene in the show, but notice that all these cut scenes reinforced how important Daemons are. For how plodding the show is. you'd think they could spare time for these moments instead of inventing new conversations that tell us the information they show

Daemons are treated as separate beings and thus come across more like talking pets than part of a character

The show sets the rules of Daemons up poorly. In 1x2, Lyra is terrified by the Monkey being so far from Coulter, but the viewer has nothing to compare it to. We’re retroactively told in that this is unnatural when the show has yet to establish what ‘natural’ is.

The guillotine blueprint in 1x2 (‘Is that a human and his Daemon, Pan? It looks like it.’ / ‘A blade. To cut what?’) is idiotic. It deflates S1’s main mystery and makes the characters look stupid for not figuring out what they aren’t allowed to until they did in the source material, it also interferes with how the audience sees Daemons. In the book, Cutting isn’t revealed until two-thirds of the way in (1x5). By then we’ve spent a lot of time with Daemons, they’ve become a background part of the world, their ‘rules’ have been established, and we’re endeared to them.

By showing the Guillotine and putting Daemons under threat in the second episode, the show never lets us grow attached. This, combined with their selective presence in scenes, draws attention to Daemons as a plot gimmick and not a natural extension of characters. Like Lyra, the show tells us why Daemons are important before we understand them.

Billy Costa's fate falls flat. It's missing the dried fish/ fake Daemon Tony Markos clings to in the book. Thorne said this 'didn't work' on the day, but it worked in the film. Everyone yelling about Billy not having a Daemon is laughable when most of the background extras in the same scene don't have Daemons themselves

WITCHES

The Witches are the most common complaint about the show. Thorne changed Serafina Pekkala in clever, logical ways (her short hair, wrist-knives and cloud pine in the skin)

The problem is how Serafina is written. The Witches are purely exposition machines. We get no impression of their culture, their deep connection to nature, their understanding of the world. We are told it. It is never shown, never incorporated into the dramatic action of the show.

Thorne emphasises Serafina's warrior side, most obviously changing Kaisa from a goose into a gyrfalcon (apparently a goose didn't work on-screen)

Serafina single-handedly slaughtering the Tartars is bad in a few ways. It paints her as bloodthirsty and ruthless. Overpowering the Witches weakens the logic of the world (If they can do that, why do they let the Magesterium bomb them unchallenged in 2x2?). It strips the Witches of their subtlety and ambiguity for the sake of cinematic action.

A side-effect of Serafina not being with her clan at Bolvangar is limiting our exposure to the Witches. Serafina is the only one invested in the main plot, we only hear about them from what she tells us. This poor set-up weakens the Witch subplot in S2

Lyra doesn’t speak to Serafina until 2x6. She laid eyes on her once in S1.

The dialogue in the S2’s Witch subplot is comparable to the Courasant section of The Phantom Menace.

Two named characters, neither with any depth (Serafina and Coram's dead son developed him far more than her). The costumes look ostentatious and hokey- the opposite of what the Witches should be. They do nothing but repeat the same exposition at each other, even in 2x7.

We feel nothing when the Witches are bombed because the show never invests us in what is being destroyed- with the amount of time wasted on long establishing shots, there’s not one when Lee Scoresby is talking to the Council.

BEARS

Like the Witches; Thorne misunderstands and rushes the fantasy elements of the story. The 2007 movie executed both Iofur's character and the Bear Fight much better than the show- bloodless jaw-swipe and all

Iofur's court was not the parody of human court in the books. He didn't have his fake-Daemon (hi, Billy)

An armourless bear fight is like not including Pan in the cutting scene. After equating Iorek's armour to a Daemon (Lee does this- we don’t even learn how important it is from Iorek himself, and the comparison meant less because of how badly the show set up Daemons) the show then cuts the plotpoint that makes the armour plot-relevant. This diminishes all of Bear society. Like Daemons, we're told Iorek's armour is important but it's never shown to be more than a cool accessory

GYPTIANS

Gyptians suffer from Hermoine syndrome. Harry Potter screenwriter Steve Kloves' favourite character was Hermione, and so Film!Hermoine lost most of Book!Hermoine's flaws and gained several of Book!Ron's best moments. The Gyptians are Jack Thorne's favourite group in HDM and so they got the extra screentime and development that the more complicated groups/concepts like Witches, Bears, and Daemons (which, unlike the Gyptians, carry over to other seasons amd are more important to the overall story) needed

At the same time, he changes them from a private people into an Isle of Misfit Toys. TV!Ma Costa promises they'll ‘make a Gyptian woman out of Lyra yet’, but in the book Ma specifically calls Lyra out for pretending to be Gyptian, and reminds her she never can be.

This small moment indicates how, while trying to make the show more grounded and 'adult', Thorne simultaneously made it more saccharine and sentimental. He neuters the tragedy of the Cut kids when Ma Costa says they’ll become Gyptians. Pullman's books feel like an adult story told through the eyes of a child. The TV show feels like a child's story masquerading as a serious drama.

LIN-MANUEL MIRANDA

Let me preface this by saying I genuinely really enjoy the performances in the show. It was shot in the foot by The Golden Compass' perfect casting.

The most contentious/'miscast' actor among readers is LMM. Thorne ditched the books' wise Texan for a budget Han Solo. LMM isn't a great dramatic actor (even in Hamilton he was the weak link performance-wise) but he makes up for it in marketability- lots of people tried the show because of him

Readers dislike that LMM's Lee is a thief and a scoundrel, when book-Lee is so moral he and Hester argue about stealing. Personally, I like the change in concept. Book!Lee's parental love for Lyra just appears. It's sweet, but not tied to a character arc. Done right, Lyra out-hustling Lee at his own game and giving him a noble cause to fight for (thus inspiring the moral compass of the books) is a more compelling arc.

DAFNE KEENE AND LYRA

I thought Dafne would be perfect casting. Her feral energy in Logan seemed a match made in heaven. Then Jack Thorne gave her little to do with it.

Compare how The Golden Compass introduced Lyra, playing Kids and Gobblers with a group of Gyptian kids, including Billy Costa. Lyra and Roger are chased to Jordan by the Gyptians and she makes up a lie about a curse to scare the Gyptians away.

In one scene the movie set up: 1) the Gobblers (the first we hear of them in the show is in retrospect, Roger worrying AFTER Billy is taken) 2) Lyra’s pre-existing relationship with the Gyptians (not in the show), 3) Friendship with Billy Costa (not in the book or show) 4) Lyra’s ability to befriend and lead groups of people, especially kids, and 5) Lyra’s ability to lie impressively

By comparison, it takes until midway through 1x2 for TV!Lyra to tell her first lie, and even then it’s a paper-thin attempt.

The show made Roger Lyra’s only friend. This artificially heightens the impact of Roger's death, but strips Lyra of her leadership qualities and ability to befriend anyone.

Harry Potter fans talk about how Book!Harry is funnier and smarter than Film!Harry. They cut his best lines ('There's no need to call me sir, Professor') and made him blander and more passive. The same happened to Lyra.

Most importantly, Lyra is not allowed to lie for fun. She can't do anything 'naughty' without being scolded. This colours the few times Lyra does lie (e.g. to Mrs Coulter in 1x2) negatively and thus makes Lyra out to be more of a brat than a hero.

This is a problem with telling Northern Lights from an outside, 'adult' perspective- to most adults Lyra is a brat. Because we’re introduced to her from inside her head, we think she's great. It's only when we meet her through Will's eyes in The Subtle Knife and she's filthy, rude and half-starved that we realise Lyra bluffs her way through life and is actually pretty non-functional

Thorne prioritises grounded human drama over fantasy, and so his Lyra has her love of bears and witches swapped for familial angst. (and, in S2. angst over Roger). By exposing Mrs Coulter as her mother early, Thorne distracts TV!Lyra from Book!Lyra’s love of the North. The contrast between wonder and reality made NL's ending a definitive threshold between innocence and knowledge. Thorne showed his hand too early.

Similarly, TV!Lyra doesn’t have anywhere near as strong an admiration for Lord Asriel. She calls him out in 1x8 (‘call yourself a Father’), which Book!Lyra never would because she’s proud to be his child. From her perspective, at this point Asriel is the good parent.

TV!Lyra’s critique of Asriel feels like Thorne using her as a mouthpiece to voice his own, adult perspective on the situation. Because Lyra is already disappointed in Asriel, his betrayal in the finale isn’t as effective. Pullman saves the ‘you’re a terrible Father’ call-out for the 3rd book for a reason; Lyra’s naive hero-worship of Asriel in Northern Lights makes the fall from Innocence into Knowledge that Roger’s death represents more effective.

So, on TV Lyra is tamer, angstier, more introverted, less intelligent, less fun and more serious. We're just constantly told she's important, even before we meet her.

MRS COULTER (AND LORD ASRIEL)

Mrs Coulter is the main character of the show. Not Lyra. Mrs Coulter was cast first, and Lyra was cast based on a chemistry test with Ruth Wilson. Coulter’s character is given lots of extra development, where the show actively strips Lyra of her layers.

To be clear, I have no problem with developing Mrs Coulter. She is a great character Ruth Wilson plays phenomenally. I do have a problem with the show fixating on her at the expense of other characters.

Lyra's feral-ness is given to her parents. Wilson and McAvoy are more passionate than in the books. This is fun to watch, but strips them of subtlety- you never get Book!Coulter's hypnotic allure from Wilson, she's openly nasty, even to random strangers (in 2x3 her dismissal of the woman at the hotel desk felt like a Disney villain).

Compare how The Golden Compass (2007) introduced Mrs Coulter through Lyra’s eyes, with light, twinkling music and a sparkling dress. By contrast, before the show introduces Coulter it tells us she’s associated with the evil Magisterium plotting Asriel’s death- “Not a word to any of our mutual friends. Including her.” Then she’s introduced striding down a corridor to imposing ‘Bad Guy’ strings.

Making Mrs Coulter’s villainy so obvious so early makes Lyra look dumber for falling for it. It also wastes an interesting phase of her character arc. Coulter is rushed into being a ’conflicted evil mother’ in 2 episodes, and stays in that phase for the rest of the show so far. Character progression is minimised because she circles the same place.

It makes her one-note. It's a good note (so much of the positive online chatter is saphiccs worshiping Ruth Wilson) but the show also worships her to the point of hindrance- e.g. take a shot every time Coulter walks slow-motion down a corridor in 2x2

The problem isn’t the performances, but how prematurely they give the game away. Just like the mysteries around Bolvangar and Lyra’s parentage. Neither Coulter or Asriel have much chance to use their 'public' faces.

This is part of a bigger pacing problem- instead of rolling plot points out gradually, Thorne will stick the solution in front of you early and then stall for time until it becomes relevant. Instead of building tension this builds frustration and makes the show feel like it's catching up to the audience. This also makes the characters less engaging. You've already shown Mrs Coulter is evil/Boreal is in our world/Asriel wants Roger. Why are you taking so long getting to the point?

PACING AND EDITING

This show takes forever to make its point badly.

Scenes in HDM tend to operate on one level- either 'Character Building,' 'Exposition,' or 'Plot Progression'.

E.g. Mary's introduction in 2x2. Book!Mary only listens to Lyra because she’s sleep and caffeine-deprived and desperate because her funding is being cut. But the show stripped that subtext out and created an extra scene of a colleague talking to Mary about funding. They removed emotional subtext to focus on exposition, and so the scene felt empty and flat.

In later episodes characters Mary’s sister and colleagues do treat her like a sleep-deprived wreck. But, just like Lyra’s lying, the show doesn’t establish these characteristics in her debut episode. It waits until later to retroactively tell us they were there. Mary’s colleague saying ‘What we’re dealing with here is the fact that you haven’t slept in weeks’ is as flimsy as Pan joking not lying to Mary will be hard for Lyra.

Rarely does a scene work on multiple levels, and if it does it's clunky- see the exposition dump about Daemon Separation in the middle of 2x2's Witch Trial.

He also splits plot progression into tiny doses, which destroys pacing. It's more satisfying to focus on one subplot advancing multiple stages than all of them shuffling forward half a step each episode.

Subplots would be more effective if all the scenes played in sequence. As it is, plotlines can’t build momentum and literal minutes are wasted using the same establishing shots every time we switch location.

The best-structured episodes of S1 are 1x4, 1x6, and 1x8. This is because they have the fewest subplots (incidentally these episodes have least Boreal in them) and so the main plot isn’t diluted by constantly cutting away to Mrs Coulter sniffing Lyra’s coat or Will watching a man in a car through his window, before cutting back again.

The best-written episode so far is 2x5. The Scholar. Tellingly, it’s the only episode Thorne doesn’t have even a co-writing credit on. 2x5 is well-paced, its dialogue is more naturalistic, it’s more focused, it even has time for moments of whimsy (Monkey with a seatbelt, Mrs Coulter with jeans, Lyra and Will whispering) that don’t detract from the story.

Structurally, 2x5 works because A) it benches Lee’s plotline. B) The Witches and Magisterium are relegated to a scene each. And C) the Coulter/Boreal and Lyra/Will subplots move towards the same goal. Not only that, but when we check in on Mary’s subplot it’s through Mrs Coulter’s eyes and directly dovetails into the main action of the episode.

2x5 has a lovely sense of narrative cohesion because it has the confidence to sit with one set of characters for longer than two scenes at a time.

HDM also does this thing where it will have a scene with plot A where characters do or talk about something, cut away to plot B for a scene, then cut back to plot A where the characters talk about what happened in their last scene and painstakingly explain how they feel about it and why

Example: Pan talking to Will in 2x7 while Lyra pretends to be asleep. This scene is from the 3rd book, and is left to breathe for many chapters before Lyra brings it up. In the show after the Will/Pan scene they cut away to another scene, then cut back and Lyra instantly talks about it.

There’s the same problem in 2x5: After escaping Mrs Coulter, Lyra spells out how she feels about acting like her

The show never leaves room for implication, never lets us draw our own conclusions before explaining what it meant and how the characters feel about it immediately afterwards. The audience are made passive in their engagement with the characters as well as the world

LORD BOREAL, JOHN PARRY AND DIMINISHING RETURNS

At first, Boreal’s subplot in S1 felt bold and inspired. The twist of his identity in The Subtle Knife would've been hard to pull off onscreen anyway. As a kid I struggled to get past Will's opening chapter of TSK and I have friends who were the same. Introducing Will in S1 and developing him alongside Lyra was a great idea.

I loved developing Elaine Parry and Boreal into present, active characters. But the subplot was introduced too early and moved too slowly, bogging down the season.

In 1x2 Boreal crosses. In 1x3 we learn who he's looking for. In 1x5 we meet Will. In 1x7 the burglary. 1 episode worth of plot is chopped up and fed to us piecemeal across many. Boreal literally stalls for two episodes before the burglary- there are random 30 second shots of him sitting in a car watching John Parry on YouTube (videos we’d already seen) completely isolated from any other scenes in the episode

By the time we get to S2 we've had 2 seasons of extended material building up Boreal, so when he just dies like in the books it's anticlimactic. The show frontloads his subplot with meaning without expanding on its payoff, so the whole thing fizzles out.

Giving Boreal, the secondary villain in literally every episode, the same death as a background character in about 5 scenes in the novels feels cheap. It doesn’t help that, after 2x5 built the tension between Coulter and Boreal so well, as soon as Thorne is passed the baton in 2x6 he does little to maintain that momentum. Again, because the subplot is crosscut with everything else the characters hang in limbo until Coulter decides to kill him.

I’ve been watching non-book readers react to the show, and several were underwhelmed by Boreal’s quick, unceremonious end.

Similarly, the show builds up John Parry from 1x3 instead of just the second book. Book!John’s death is an anticlimax but feels narratively justified. In the show, we’ve spent so much extra time talking about him and then being with him (without developing his character beyond what’s in the novels- Pullman even outlined John’s backstory in The Subtle Knife’s appendix. How hard would it be to add a flashback or two?) that when John does nothing in the show and then dies (he doesn’t even heal Will’s fingers like in the book- only tell him to find Asriel, which the angels Baruch and Balthamos do anyway) it doesn’t feel like a clever, tragic subversion of our expectations, it feels like a waste that actively cheapens the audience’s investment.

TL;DR giving supporting characters way more screentime than they need only, to give their deaths the same weight the books did after far less build up makes huge chunks of the show feel less important than they were presented to be.

FRUSTRATINGLY LIMITED EXPANSION AND NOVELLISTIC STORYTELLING

Thorne is unwilling to meaningfully develop or expand characters and subplots to fit a visual medium. He introduces a plot-point, invents unnecessary padding around it, circles it for an hour, then moves on.

Pullman’s books are driven by internal monologue and big, complex theological concepts like Daemons and Dust. Instead of finding engaging, dynamic ways to dramatise these concepts through the actions of characters or additions to the plot, Thorne turns Pullman’s internal monologue into dialogue and has the characters explain them to the audience

The novels’ perspective on its characters is narrow, first because Northern Lights is told only from Lyra’s POV, and second because Pullman’s writing is plot-driven, not character-driven. Characters are vessels for the plot and themes he wants to explore.

This is a fine way of writing novels. When adapting the books into a longform drama, Thorne decentralised Lyra’s perspective from the start, and HDM S1 uses the same multi-perspective structure that The Subtle Knife and The Amber Spyglass do, following not only Lyra but the Gyptians, Mrs Coulter, Boreal, Will and Elaine etc

However, these other perspectives are limited. We never get any impression of backstory or motivation beyond the present moment. Many times I’ve seen non-book readers confused or frustrated by vague or non-existent character motivations.

For example, S1 spends a lot of time focused on Ma Costa’s grief over Billy’s disappearance, but we never see why she’s sad, because we never saw her interact with Billy.

Compare this to another show about a frantic mother and older brother looking for a missing boy. Stranger Things uses only two flashbacks to show us Will Byers’ relationships with his family: 1) When Joyce Byers looks in his Fort she remembers visiting Will there. 2) The Clash playing on the radio reminds Jonathan Byers of introducing Will to the song.

In His Dark Materials we never see the Costas as a happy family- 1x1’s Gyptian ceremony focuses on Tony and Daemon-exposition. Billy never speaks to his mum or brother in the show

Instead we have Ma Costa’s empty grief. The audience has to do the work (the bad kind) imagining what she’s lost. Instead of seeing Billy, it’s just repeated again and again that they will get the children back.

If we’re being derivative, HDM had the chance to segway into a Billy flashback when John Faa brings one of his belongings back from a Gobbler safehouse in 1x2. This is a perfect The Clash/Fort Byers-type trigger. It doesn’t have to be long- the Clash flashback lasted 1:27, the Fort Byers one 55 seconds. Just do something.

1x3 beats into us that Mrs Coulter is nuts without explaining why. Lots of build-up for a single plot-point. Then we're told Mrs Coulter's origin, not shown. This is a TV show. Swap Boreal's scenes for flashbacks of Coulter and Asriel's affair. Then, when Ma Costa tells Lyra the truth, show the fight between Edward Coulter and Asriel.

To be clear, Thorne's additions aren’t fundamentally bad. For example, Will boxing sets up his struggle with violence. But it's wasted. The burglary/murder in 1x7 fell flat because of bad editing, but the show never uses its visual medium to show Will's 'violent side'- no change in camera angle, focus, or sound design, nothing. It’s just a thing that’s there, unsupported by the visual language of the show

The Magisterium scenes in 2x2 were interesting. We just didn't need 5 of them; their point could be made far more succinctly.

In 2x6 there is a minute-long scene of Mary reading the I Ching. Later, there is another scene of Angelica watching Mary sitting somewhere different, doing the SAME THING, and she sees an Angel. Why split these up? It’s not like either the I Ching or the Angels are being introduced here. Give the scene multiple layers.

Thorne either takes good character moments from the books (Lyra/Will in 2x1) or uses heavy-handed exposition that reiterates the same point multiple times. This hobbles the Witches (their dialogue in 2x1, 2 and 3 literally rephrases the same sentiment about protecting Lyra without doing anything). Even character development- see Lee monologuing his and Mrs Coulter's childhood trauma in specific detail in 2x3

This is another example of Thorne adding something, but instead of integrating it into the dramatic action and showing us, it’s just talked about. What’s the point of adding big plot points if you don’t dramatise them in your dramatic, visual medium? In 2x8, Lee offhandedly mentions playing Alamo Gulch as a kid.

I’m literally screaming, Jack, why the flying fuck wasn’t there a flashback of young Lee and Hester playing Alamo Gulch and being stopped by his abusive dad? It’s not like you care about pacing with the amount of dead air in these episodes, even when S2’s run 10 minutes shorter than S1’s. Lee was even asleep at the beginning of 2x3, Jack! He could’ve woken from a nightmare about his childhood! It’s a little lazy, but better than nothing.

There’s a similar missed opportunity making Dr Lanselius a Witchling. If this idea had been introduced with the character in 1x4, it would’ve opened up so many storytelling possibilities. Linking to Fader Coram’s own dead witchling son. It could’ve given us that much-needed perspective on Witch culture. Imagine Lanselius’ bittersweet meeting with his ageless mother, who gave him up when he reached manhood. Then, when the Magisterium bombs the Witches in 2x2, Lanselius’ mother dies so it means something.

Instead it’s only used to facilitate an awkward exposition dump in the middle of a trial.

The point of this fanfic-y ramble is to illustrate my frustration with the additions; If Thorne had committed and meaningfully expanded and interwoven them with the source material, they could’ve strengthened its weakest aspect (the characters). But instead he stays committed to novelistic storytelling techniques of monologue and two people standing in a room talking at each other

(Seriously, count the number of scenes that are just two people standing in a room or corridor talking to each other. No interesting staging, the characters aren’t doing anything else while talking. They. Just. Stand.)

SEASON 2 IMPROVEMENTS

S2 improved some things- Lyra's characterisation was more book-accurate, her dynamic with Will was wonderful. Citigazze looked incredible. LMM won lots of book fans over as Lee. Mary was brilliantly cast. Now there are less Daemons, they're better characterised- Pan gets way more to do now and Hester had some lovely moments.

I genuinely believe 2x1, 2x3, 2x4 and 2x5 are the best HDM has been.

But new problems arose. The Subtle Knife lost the central, easy to understand drive of Northern Lights (finding the missing kids) for lots of smaller quests. As a result, everyone spends the first two episodes of S2 waiting for the plot to arrive. The big inciting incident of Lyra’s plotline is the theft of the alethiometer, which doesn’t happen until 2x3. Similarly, Lee doesn’t search for John until 2x3. Mrs Coulter doesn’t go looking for Lyra until 2x3.

On top of missing a unifying dramatic drive, the characters now being split across 3 worlds, instead of the 1+a bit of ours in S1, means the pacing/crosscutting problems (long establishing shots, repetition of information, undercutting momentum) are even worse. The narrative feels scattered and incohesive.

These flaws are inherent to the source material and are not the show’s fault, but neither does it do much to counterbalance or address them, and the flaws of the show combine with the difficulties of TSK as source material and make each other worse.

A lot of this has been entitled fanboy bitching, but you can't deny the show is in a bad place ratings-wise. It’s gone from the most watched new British show in 5 years to the S2 premiere having a smaller audience than the lowest-rated episode of Doctor Who Series 12. For comparison, DW's current cast and showrunner are the most unpopular since the 80s, some are actively boycotting it, it took a year-long break between series 11 and 12, had its second-worst average ratings since 2005, and costs a fifth of what HDM does to make. And it's still being watched by more people.

Critical consensus fluctuates wildly. Most laymen call the show slow and boring. The show is simultaneously too niche and self-absorbed to attract a wide audience and gets just enough wrong to aggravate lots of fans.

I’m honestly unsure if S3 will get the same budget. I want it to, if only because of my investment in the books. Considering S2 started filming immediately after S1 aired, I think they've had a lot more time to process and apply critique for S3. On the plus side, there's so much plot in The Amber Spyglass it would be hard to have the same pacing problems. But also so many new concepts that I dread the exposition dumps.

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sendme-2hell · 3 years

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Ranking the books I read in April

aka just ranting about the books I read in april pls ignore me

1. The Space Between Worlds - Micaiah Johnson

I cannot believe this book wasn’t nominated for a Hugo! I like the Hugo list (of the books I’ve read) but cmon. This book is like if you combined the social commentary in The City We Became and the queerness of Harrow the Ninth. Seriously this book had everything I wanted: parallel universes, great character development, social commentary, woc sapphic slow burn, satisfying ending. Also I feel like the title is paying homage to W. E. Dubois which is cool. “Between me and the other world, there is ever an unasked question: How does it feel to be a problem?” Like there is just this very cool idea of talking about other worlds as in literally other universes but also different worlds due to social and racial hierarchies.

2. Plain Bad Heroines - Emily m. Danforth

Horror, Hollywood, boarding school, everyone is gay, the narrator talks directly to the reader and it is hilarious, copious footnotes, have I mentioned how many sapphics there are? It’s hard to keep track. Plus polyamory. I just really loved this book and I felt it all came together in a way that was worth it.

3. Steel Crow Saga - Paul Krueger

This godamn book. I loved this book so much. I was so ready to yell about it on tumblr and tell people to read it. But apparently the author is someone who has harassed a lot of women so...uh...yeah. Nevermind I guess.

I do want to say it is the most accurate depicition of a Sherlock Holmes superfan that I have ever seen in media.

4. The Tiger’s Daughter - K. Arsenault Rivera

What if we went on a long trip on horseback and we were both lesbian warriors...jk unless…

Yeah so I loved this book so much. A lot of it is about navigating familial responsibility, fighting literal and metaphorical demons, fighting the patriarchy, fighting your anger, fighting tigers, etc...and yet I kept thinking to myself “this is the most romantic book I have ever read” and honestly I am gonna stick by that. It also has the “you think me a monster so I will become one” trope which is great. It is set in an Asian-based fantasy world and I did read a goodreads review that said it was as accurate to the countries it draws inspiration from as Leigh Bardugo’s Grishaverse is to the Russian and Scandinavian cultures it takes from. So that’s not great.

5. Six of Crows - Leigh Bardugo

Speaking of! A few months ago I tried to read Shadow and Bone in preparation for the tv show and I could not finish it. The writing was...bad. Anyway I really liked Six of Crows and even though, yeah it’s tropey (I’m looking at you, Helnik backstory), there’s a reason those tropes work. Plus you cannot go wrong with a heist. About halfway through I did realize that there are six mcs and three couples so its kinda just like a giant triple date, which really changed how I read the whole story.

I’m very glad I did read it before seeing the tv show because I was able to be appropriately excited for the Crows and catch the Wylan reference and everything, but I also got to see the Alina stuff without having to read about it.

6. Crooked Kingdom - Leigh Bardugo

I think I somehow liked this even more than Six of Crows, but for narrative simplicity I’ll put it after. I really like it when you put people in an impossible situation and see how they figure it out. Especially if they get out in a clever and reasonably possible way that ties together many different plot threads and has a few good fake-outs. This did all of that, and also developed every character in a way I found satisfying (except [redacted] *cry emoji*).

Kaz pulls a Baru Cormorant with some money stuff and now I wonder if they would be friends.

I read this after watching the show which was good because I knew who Zoya and Genya were but bad because there is a point where Nina is like “here is how shadow and bone ends.” She’s just talking to Mattias and casually spoiling everything for me. So there goes my dreams of living spoiler free until the end of the show.

7. The Miseducation of Cameron Post - Emily m Danforth

My expectations for this book were....very different than it turned out, and I’m glad for it. After reading Plain Bad Heroines I shouldn’t have been surprised at how well written it is. I really appreciated how nuanced it is. It doesn’t spell out its ideas or themes and therefore lets you really sit with them. I would rank it higher but I don’t really enjoy reading about high school.

8. Foundryside - Robert Jackson Bennett

I love a good found family, especially if at the beginning of the book they are on opposing sides. Enemies to friends = best trope! Also it’s sapphic that’s always good. But the best part of this book was the worldbuilding which was so cool.

9. Malice - Heather Walter

Remember what I was saying about “you think me a monster so I will become one”? This book is the definition of that trope. Women becoming unhinged after being treated like shit, we love to see it! Especially if it’s gay. I do have to say, authors who write duologies where the first book ends on a cliffhanger, I see what you’re doing but yes, I will be preordering the next book.

10. Fugitive Telemetry - Martha Wells

I don’t have much to say because Murderbot is so consistently excellent. uh why is it so cathartic when xenophobes disrespect Murderbot and it’s humans step in and shut that shit down. Gets me every single time.

11. Queen of Coins and Whispers - Helen Corcoran

This book was like half romance half politics and unfortunately I did not find the politics that interesting or well written. But the romance was A+. It reminded me of Priory of the Orange Tree a LOT. Though significantly less dragons and I’m taking many points off for that.

12. The First Sister - Linden A. Lewis

I wanted to like this book a little more than I did. There was just maybe too much body horror for me. Interesting characters and world though. There was a location named Cytherea that they mentioned a lot and it was very distracting. I guess I still have tlt brainrot.

13. Shorefall - Robert Jackson Bennett

I think this book was well plotted out but it didn’t quite have my attention like Foundryside did. Also yet another book where a woman’s girlfriend ends up in her head. This time no one had to die so that’s nice. TM and SD take notes!

14. The Deathless Girls - Kiran Milwood Hargrave

Ok I LOVED the Mercies by KMH so I was a little disappointed in this Dracula retelling. It got interesting in the last 50 pages, but unfortunately that is not enough for me.

proud of myself for not reading a single straight book this April

#I just want to rant about the books I'm reading I doubt anyone will read this #I read a lot of good books in april!#six of crows is 2/3 straight #ninej when?!#my rankings

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scottymcgeesterwrites · 3 years

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Final Fantasy VII Review

Year: 1997

Original Platform: PlayStation One

Also available on: PC, PlayStation Store

Version I Played: PlayStation One

Synopsis:

The Shinra Electric Power Company rules over the city of Midgar, and the eco-terrorists AVALANCHE stop at nothing to try and prevent the life essence of the planet from being used as energy. Barrett, leader of AVALANCHE, hires a mercenary named Cloud Strife for their bombing mission on a Shinra Mako Reactor. Cloud doesn’t care much for the greater cause and only wants his pay. But then, after a mission goes awry, he meets Aerith, a flower girl who is the descendant of the Ancients. He quickly finds himself wrapped up in the greater conflict against Shinra.

Gameplay:

Final Fanatasy VII utilizes magic spells via Materia – little orbs that come in a variety of colors pertaining to the natural elements. You can mix and match them on your weapons and equipment, which gives you access to different spells and stats. All your equipment varies with the number of slots for how many Materia orbs you can put in. Leveling up not only upgrades the character but the equipped Materia as well.

Final Fantasy VII also uses an ATB system but is known for introducing Limit Breaks – finishing moves that build up after the character gets hit over time. Final Fantasy VI had a prototype called Desperation Attack – but it was very rare as it only appeared when your character had 1/8 of their total HP, and there was a 1 in 6 chance of performing the Desperation Attack after selecting Attack. I actually had no idea that was a thing until long after I finished the game, and never experienced it when I played Final Fantasy VI.

Graphics:

Out of all the Final Fantasy games, I have to say that this one has not aged well. It has the worst graphics of the entire series. The battle and cinematic graphics are passable.

(Most of the graphics power seemed to be put in Tifa’s, uh, bosom.)

But the characters in towns, the overworld, and in-game cutscenes are incredibly blocky. PC versions are supposedly sharper, but the PlayStation One version makes it nigh impossible to see any facial expressions.

The graphics are definitely a product of its time. I always say that the beginning of 3D gaming was essentially like puberty – awkward and full of zits. It wasn’t yet at that stage where it could be aesthetically pleasing. We marveled about it when it was first released, yes, but then we cringed in retrospect.

The environment backdrops however are probably the strongest points, where they capture the industrial nature of Midgar, the reactors and other such buildings.

Story:

Final Fantasy VII became legendary the minute Square released it. Every aspect was memorable. Part of it could be due to the fact that it was the first Final Fantasy game to enter the 3D realm. Another part was Tetsuya Nomura’s character designs, which hit the cool meter to the point of sub-zero.

The cinematics blew our minds. The opening action scene with Cloud, Barrett, and the rest of AVALANCHE attacking Shinra’s mako reactor is the most memorable opening to a Final Fantasy game. Period. Final Fantasy games really do know how to start at the right spot, no matter how good or bad the overall game is. The opening is always the best part.

Then there was the motorcycle chase. Cid’s airship. The gun fights. Battles with Sephiroth. The extra stuff to find, like summons and extra bosses. So much was jam-packed into the game.

But the story was the primary factor in making VII famous. It’s definitely one of the better ones. Man, the story became so famous that even gamers who haven’t touched a Final Fantasy game knew the major spoilers. It is the equivalent to knowing Darth Vader’s line, “I am your father” without having actually watched Star Wars.

Aerith (Aeris in the English releases) Gainsborough – the innocent flower girl who holds the secrets of the Ancients – develops a romance with Cloud and fucking dies at the end of Disc 1 by the main villain – Sephiroth. The scene shocked everyone and practically made headlines. Everybody has seen the horrible image in one way or another.

It seems to me that since Final Fantasy V, the stories have gotten more and more used to main character deaths, ultimately transforming into a heavy-hitting TV series rather than simply a video game series. In other words – it matured. Looking back, Final Fantasy IV appears to be child’s play and a prototype of later dramatic storylines with fully realized worlds.

Final Fantasy VII was also the first Final Fantasy game to create a world much like ours – one with cars and trains and airplanes and machine guns and even cellphones. The main city of Midgar reflects industrialization at its worst, with miles of slums and claustrophobic cities. Shinra Electric Power Company is a reflection of capitalism at its worst - a single entity in charge of so much that it’s pretty much the government. For the first time in a Final Fantasy game, you play as characters who dance between the morally ambiguous line of terrorism and activism. Funny enough, the theme of neglecting the planet resonates with us now more than ever. This game ended up being rather prophetic about the uncontrollable growth of corporations.

While the story is memorable with many intriguing elements, the plot itself is a tangled web. In my opinion, they really hashed in so many things that it’s easy to forget crucial details. It’s not straightforward, but at the same time everything does connect by the end. While Shinra is the driving force as a whole as the villain, Sephiroth takes over, then you learn about his backstory and then with the evil scientist Hojo and the extra-terrestrial Jenova and then “Weapon” and then the planet’s history and this and that and the other thing.

If I were to put Final Fantasy VI and Final Fantasy VII together and contrast them, as many gamers do, I would find that Final Fantasy VII is the summer blockbuster and Final Fantasy VI is the Oscar winner. Final Fantasy VII started introducing the sappy romance subplot to the series. A love triangle forms among Aerith, Cloud, and Cloud’s childhood friend Tifa. While there’s nothing inherently wrong with having a love triangle, the writing is like watching middle schoolers trying to express their feelings. Final Fantasy VI and Final Fantasy IV treated any romance with dignity and realism.

But maybe I’m being a bit harsh. After all, Cloud Strife did go through some suffering as an adolescent. His backstory clearly drives his antisocial behavior, so that becomes a good arc.

The goofiest but memorable part of the story deals with Don Corneo and Wall Market and running around store to store doing tasks in order to free Tifa from Don Corneo. It ends with Cloud needing to cross-dress as a woman to get inside Don’s mansion. Because, you know, it’s not like Cloud can just break in with his sword and Aerith’s magic or anything like that. But whatever. It’s anime.

The recent Final Fantasy VII Remake for the PS4 seems to streamline the story, and actually enhances the emotions they were trying to deliver in the original. I will be talking about the remake in a separate post altogether since I’m almost done with it at the time of this writing. But there’s a lot that I want to say about comparing and contrasting the remake and the original.

The latter half of the plot takes a couple weird turns. At one point, Cloud became catatonic and confined to a wheelchair.

That part of the game became the sluggish part for me. Sephiroth also tries to confuse Cloud, which confused me. Cloud apparently suffers from some alternate subconscious mumbo-jumbo and like. . .ungh. I get an aneurysm thinking about it sometimes.

Complicated plotlines like Final Fantasy VII start showing up from here on out in the Final Fantasy series. The trend of bishonen characters also begin here, bishonen being the Japanese term for “beautiful boy.” Cloud and Sephiroth have that look. The series starts hashing in sappier romances and much more of an anime feel.

Final Fantasy VII ultimately marked the start of a new era for the series – introducing both cool and overused tropes.

Music:

Hands down the best Final Fantasy soundtrack of all.

The entire soundtrack of this game is memorable. The opening tune, with its light twinkle when the stars show up, is enough to make any gamer know exactly what that’s from.

With a story set in a more modern world, we have music that is more modern. After Final Fantasy VI had a more serious and operatic score, Uematsu displayed his love of progressive rock here. The motorcycle chase incorporates a lot of synth, which was fitting for zipping through the streets of Midgar. However, Final Fantasy VII is the first Final Fantasy game without that familiar starting bassline for the battle them. The battle theme is instantly recognizable but also radically different from its predecessors. It’s dramatic and displays danger.

Meanwhile, the boss theme is one of the best boss themes in the series, or any video game really. It’s an electrifying progressive rock piece, and it’s my personal favorite boss theme.

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The more instrumental pieces are somber, given the dreary atmosphere of the planet. The world map music is very different from its predecessors. It’s romantic one moment, soaring the next, and then dips into foreboding terror. I guess that sums up the story of Final Fantasy VII.

And we cannot leave out One-Winged Angel, which I will talk about below.

Notable Theme:

Without a doubt, One-Winged Angel – played during the terrifying final battle against Sephiroth – is the most memorable piece of music in Final Fantasy VII.

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It may very well be the most popular song of the entire series. Nobuo Uematsu was inspired by Stravinsky’s Rite of Spring. It’s a whopping 30 something minute classical piece. If you look it up on YouTube and browse through it, you can definitely note the similarities. However, Uematsu didn’t want some boring classical introduction to the piece. He wanted to add the destructive impact of rock. The theme has a very distinct stamping-your-foot-down quality to it.

I had noticed a certain piece-by-piece feel of the song and that’s exactly how Uematsu composed it. This is the only song that Uematsu has composed where he created several tunes in his head and then rearranged them to make a single comprehensive song.

If you want to get technical, One-Winged Angel is the first Final Fantasy song with lyrics. The chorus sings in Latin about Sephiroth’s burning anger, with some lyrics actually taken from the medieval poem Carmina Burana. It sounds fantastic when fully orchestrated.

In Advent Children, the animated sequel to Final Fantasy VII, the music is accompanied by hardcore metal. This new rendition really illustrates the destructive power of Sephiroth. Uematsu changed the lyrics for Advent Children. They are more original now. I specifically noticed the lyrics “Veni, veni, mi fili”, which translates to “Come, come, my son.” Sephiroth is inviting you so he can kill you.

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Uematsu has stated that the original orchestration didn’t sit well with him. As I suspected, Advent Children’s hardcore metal version is the one he preferred, the one he would have composed had he the technology at the time of Final Fantasy VII.

Verdict:

Another must-play for any RPG fan, even if you think it’s overrated. It’s a must-play because of its popularity, in the same way that people are wide-eyed when you say you haven’t seen Star Wars or such-and-such other popular movie. It’s a whole lot of fun, especially in the scenes that involve other forms of gameplay, such as the motorcycle chase and even a battlefield strategy game in protecting Fort Condor.

Direct Sequel?

Yes – first there was the CGI movie Final Fantasy VII: Advent Children.

I actually watched Advent Children before playing Final Fantasy VII. I had already known most of what happened in the game and Advent Children became a monumental craze when it first came out. Everybody was talking about it. Watching the sequel before playing the game skewers your interpretation of things. My first impression of Cloud was that he was always whiny and angsty, and meanwhile Tifa kept nagging him to move on. I felt really bad for Cloud losing Aerith.

Then when I actually played Final Fantasy VII, I saw that Cloud starts as this badass mercenary. Tifa is spunky and clearly is the better choice (IMO) but Cloud is enamored by Aerith after only meeting her briefly. WHAT? Cloud. Bro. Make a move on Tifa, you nitwit. Tifa is AMAZING.

Square Enix then continued the story with Dirge of Cerberus – Final Fantasy VII. This video game sequel focuses on Vincent Valentine, a fan favorite of the original game.

Let me remind you about something – the original game revealed Shinra’s inner deep secret experiments, namely with Sephiroth and Jenova. Dirge of Cerberus introduces an even deeper research team within Shinra called Deepground. I don’t know about you, but it already sounds like the start of a terribly redundant string of sequels, like how the Jason Bourne movies keep revealing an even deeper level of conspiracy theories. Vincent’s mysterious background is now fully revealed. He is defined by – guess what? – another angsty lost lover story, this time with a woman named Lucrecia. Now, okay, look, maybe I’m just being a dick about these types of love stories. But when it keeps popping up within the same series in the same manner, I start asking if you have anything else to offer on your menu.

Lastly, there is the prequel for the PSP – Crisis Core: Final Fantasy VII. Of all the games in the Compilation of Final Fantasy VII, Crisis Core has received the most positive reception. If anything, play that after playing Final Fantasy VII before bothering with anything else.

Oh, and of course there is the Final Fantasy VII Remake, which we thought wasn’t going to happen for the longest time but they finally released it in April 2020. More on that later after I finish it, and after I post my entire series of Final Fantasy reviews!

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nyxravessnow · 3 years

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Shin Tenimyu - Musical The New Prince of Tennis The First Stage Report

I saw the stream of the first performance of the The New Prince of Tennis musical awhile back and I wanted to write some of my thoughts. But I didn’t really enjoy the show and as I love tenimyu with all my heart, as it is my favourite show, I find it much harder to be super negative about the show when talking specifically about the show scene by scene. But with the casting news for 4th I thought that I would finish this so anyone who hasn’t seen the show can know my thoughts.

I tried to finish it, I really did. But I have no motivation to really talk in length about this show in a deep dive sort of way. I will keep what I did for the 1st half of the show but after that it will only be kinda a summary of my thoughts.

I have only seen the first night and I do not intend to see anymore of this show. I was incredibly disappointed and didn’t not make me want to see the show again or really any of the shin tenimyu shows but I will still watch those as a bad first show doesn’t mean all of them will be bad but I don’t think shin tenimyu will ever really be my thing.

I will say that Tokki, Raima and Maeda-chan are actors I love so I am a little biased towards them

Bare in mind that this was the first performance and while I am not taking that into consideration for my criticisms things could definitely improve before the final show, the one that will be on dvd.

Overall the show was about a 4-6/10 for me. There was only really one scene that brought it to a 6 and without it it would be a 4.

Music: 2/10.

Direction: 1.5/10.

Acting: 6/10

Spoilers under the cut

Actors

Imamaki Hikaru - Echizen Ryouma: All round a solid 6/10. He was cute and delivered his lines very well but still has far to go with his singing and the design on his hair really sticking out from the sides of his hat made him seem much younger which I was not a fan of. This was a problem I had with early Nichika of them making Echizen seem too young and innocent. Like of course he is 13 and is a child but he isn’t this cute adorable boy. He can be cocky and he isn’t all innocent so I hope they don’t keep making the Echizen’s appear super young in this way.

Yamada Kento - Tezuka Kunimitsu: 8/10. I don’t think I really have any issues with his Tezuka at all. He had a very good voice, really good acting.

Houjuyama Shun - Momoshiro Takeshi: 6/10. He has a really good voice for Momo when speaking but his singing leaves a lot to be desired. He didn’t really do very much in the show so I can’t rate him higher than a 6 as I don’t remember very much that he did bar the Oni match.

Gaku - Tachibana Kippei: 7/10. Similarly to Shun I don’t really remember him but his singing was quite good so this is where he landed

Takahashi Ryouya - Atobe Keigo: I’m sorry 1/10. He is an excellent singer and performer but there was nothing about his performance that made me think of Atobe. His voice was quite high, he was not very confident (Blending into the background when it wasn’t his match), saying his lines softly, moving softly. If I couldn’t see the wig I would not have known he was Atobe. I really hope that he can gain some confidence to play Atobe or else I think he was the wrong actor for the role.

Maeda Ryuutarou - Kirihara Akaya/Hiramatsu Raima - Tooyama Kintarou: 10/10. I put these two here together because what I want to say is the same for both. You could absolutely tell they had been in the show before. The two brought confidence not many others had to their roles. They controlled their stage and as soon as they stepped onto it they were their characters. Every movement and every line was exactly like the character. I am so happy that they are continuing in tenimyu and hope that they will help the cast get to their level by the end of this run or maybe in future shows.

Takemoto Yusuke - Shiraishi Kuranosuke: 9/10. By far my favourite of the new cast members. I know a lot of people were apprehensive that he might play Shiraishi as sexy too much but he didn’t at all. He was excellent. The only reason that he isn’t a five is there are still some tiny things he could polish but once those are polished he will be perfect.

Matsushima Hiroki - Chitose Senri: 7/10. Ngl I keep forgetting that he was in this show. His doubles with Tachibana was quite forgetful and he didn’t have any major moments but was also quite good and not many problems in his performance.

Shintani David - Lilident Krauser: 10/10. Like Maeda-chan and Raima you could tell that he had been in the show before, albeit much less than they had. For anyone who doesn’t know, he was an understudy and doubled as the part of Lilident in vs Rikkai Nationals. Very solid performance

(Warning I know much less about the high schoolers so this will be more on their acting in general rather than whether they were good as that character)

Ono Kento - Tokugawa Kazuya: ?/10. He was barely in the show and I have no idea how I could rate his performance. Pretty solid.

Okamoto Yuuki - Oni Juujirou: 8/10. Solid performance. Good enough singing for the role.

Aiba Hiroki - Irie Kanata: He wasn’t in the show so I can’t write a judgement of his performance

Yasue Kazuaki - Irie Kanata: 9/10. He was so excellent. Singing, acting, everything was top notch. Similarly to Yusuke he’s only not 10 because he has some small things to polish.

Chanhe (dunno how to spell his name) - Nakagauchi Sotomichi: 6/10. No real comments, pretty solid.

Matsushima Yuunosuke - Yamato Yudai: 6/10. Pretty good, singing okay.

Suzuki Ryouhei - Miyako Shinobu: 6/10. Didn’t have many lines or do very much, pretty overshadowed by Tokki (Will cover him next). What he did do was good, singing could use some improvement.

Tauchi Tokihiro - Matsudaira Chikahiko: 10/10. Absolutely perfect. He brought so much energy and character to his performance that I don’t think any other new actor brought. He owned the stage, even competing with Maeda-chan for my attention when on stage. He had so much presence and would draw your eyes to him. He made everything seem so natural and not acted. Like the continuing actors he became his character on stage rather than acted them out.

Takahashi Shunichi - Suzuki Shun and Tsurimoto Minami - Washio Issa: 6/10. Didn’t do too much, pretty solid performance.

Murakami Kouhei - Kurobe Yukio/Izumi Shuhei - Saito Itaru: 6/10. Pretty standard for a coach. Singing was good.

Kishi Yuuji - Mifune Nyuudou: 10/10. Absolutely amazing. Everything about his performance was perfect. By FAR the best voice in the cast, incredible singing.

Direction and choreography

I am not a director so I cannot be too specific about details but I can say what I liked and didn’t. (Every comment is specifically about the direction not singing or acting). I have studied theatre though so I do have some insight from that angle Also, please don’t criticise what I classified as the same scene and what as different.

Scene 1: Echizen in America, 1st song

Good beginning, very solid for a first show opening.

Scene 2: High schoolers practicing while middle schoolers arrive, coach song

Felt very reminiscent of the vs Fudomine shows where Echizen first arrives at Seigaku, I really liked this.

Scene 3: Middle schoolers and high schoolers collecting dropped balls, middle schooler song

Was not a fan. I didn’t like how close everyone was but also randomly placed. I know it is inevitable with such a small cast of middle schoolers but I would have liked to see them more with their teammates in little clusters and slowly appear in front of Seigaku. Maybe even projecting images of other middle schoolers getting balls if none are to appear.

I did like how Echizen arrives out of the back at the end though

Scene 4: Oni vs Momoshiro, Oni solo, Momo solo

Done pretty well, will talk in other section about stage design. Both actors were solid in their tennis, no missed moves that I saw. Built up Oni’s power well, showing him as a strong player. Showed Momo’s desperation well in the blocking.

Was not a fan of only having unknown high schoolers watching on. Makes sense in an anime or manga that has time to build up and unlimited cast but this show only has three hours to build up characters that may never return or become more important later. They did not need lines but would have been interesting to see them watching the match

Scene 5: Saito and Kurobe

Pretty simple scene, just the two talking. Pretty gay.

Scene 6: Saito talking to the middle schoolers about elimination matches, Saito solo

I think the middle schoolers could do with being less clumped up around him as it makes the cast of characters seem small and does not give an indication of scale. Liked the stillness of the middle and high schoolers during his song.

Scene 7: Echizen and Kinchan meet Tokugawa and Oni, Echizen vs Tokugawa, Echizen and Tokugawa duet

I really love the way Oni and Tokugawa are tall and imposing and unmoving or slow moving on the outside of the stage where as Echizen and Kinchan are being active in the middle, shows contrast between the characters well.

I really like there not being a net here reinforcing that Kinchan and Echizen just run off and do their own thing with no regard for officiality.

Did not like the two random ensemble cast members appearing to watch and commentate, felt very weird and slightly meta.

Scene 8: Elimination matches

I have EXTREMELY mixed feelings here. On the one hand I think the direction is excellent with the spotlight, the figures who lose falling and the single lines echoing. On the other hand, I hate that they didn’t have many of the matches and skipped over them completely, especially the lack of cast members (which I will touch on later). If they do the elimination matches in another show and this was building up to it then I take back my negative comments and I’ll be very happy about that. But if not I think this was not enough to cover them, especially since so many were missed out

Scene 9: Kinchan vs Oni, Kinchan and Oni duet

I really love this scene. A lot of, again, slow movements from Oni contrasting the never still form of Kinchan. Probably my favourite choreography from the show with Kinchan darting back under Oni’s legs. Doubles to show Oni’s maturity vs Kinchan’s childishness as well as showing Oni not taking Kinchan too seriously and letting him just run around aimlessly before he beats him.

Scene 10: Irie and Chitose talking

No real comments, they just stood and talked.

Scene 11: Saito takes Kinchan and Echizen to the mountain

Liked them lying on the floor together, part of a series of things linking Kinchan and Echizen together. It was a bit weird seeing Tokugawa just watching them lie on the floor and catching their breath before giving them a message and leaving. Liked Saito picking them up by their collars, gives the impression that he doesn’t care that they are children. Which he doesn’t. Scene of climbing suffers from lack of actors as this could be a good place to add in comedy, which the show is lacking, but since they only have Momo, Echizen and Kinchan, none is created.

Scene 12: Mifune solo (ft. Echizen and Kinchan )

Loved how he is sat in the beginning, instantly shows his character. Along with his heavy slow movements and slightly hunched back. Liked it showing the middle schoolers climbing in the background, showing that he is not caring about their effort or wellbeing in getting to him. Liked the breaks to show Echizen and Kinchan and the complete shift in tone, will talk more about later in song, but also in lighting and speed of movement.

Scene 13: Middle schoolers arrive at the camp, hs vs ms outside match

Love the distance between the high schoolers, creating a sense of scale. Despite looking down usually being a sign of strength from the person standing you got a sense of Mifune’s power as they are all looking down on him sipping his sake.

Loved the lighting for the high schoolers vs middle schoolers match. Fluid movements of the hs vs the random movements of the middle schoolers.

Scene 14: Training back at the main camp, ms getting their place on court 5

Really liked the running on a off stage but would have liked to see characters return to stage and run off again like a consistant training menu and would have liked to see the words detailing their training be on the screen for a tad longer.

Liked the short matches between the ms and hs but would have liked to see the hs look a bit more helpless in their movements.

Scene 15: Coaches talking, court 5 and 3 meet, Irie and Tokugawa chat

Coaches talking is pretty standard

Liked the ms entering from different sides vs court 3 entering from the same side. Gives the impression that court 3 is a team whereas 5 is a lot of good individual players thrown together.

Chat again, pretty standard

Scene 16: Oni talking to his court, court 5 song

I like them being spread out. Like them walking around at the beginning of the song with only Oni spotlighted to show he is bringing them together.

Scene 17: Yamato and Tezuka talk

Like the distance between them, showing how far apart they had grown due to time and also in personality, contrasted later during their duet.

Scene 18: Lining up, Nakagauchi vs Liladent

Liked contrast between Oni being just behind court 5 whereas Tokugawa is behind the bench (?). Of course court 3 isn’t Tokugawa’s court but it reminded me of Oni actively helping his court vs Tokugawa sending Echizen away to improve.

Pretty standard tenimyu match with no songs. Liked the show of Nakagauchi’s power by showing him being thrown into a fence, like Taka-san one of the strongest middle schoolers was in Shiten, but being unaffected by this. Of course I know it was done in the original so they also had to do it but I like how the direction is similar in both cases.

Scene 19: Shiraishi and Akaya vs Miyako and Matsudaira

BEST SCENE OF THE SHOW. If every scene was like this one the show would be 10/10. Without this scene the show would be a 4/10 or perhaps lower.

Miyako and Matsudaira’s song was great.

Shiraishi’s solo was so good.

Shiraishi and Akaya’s duet is by far and away the best song in the show. The only song that really felt like ‘tenimyu’ and reminded me of what I loved about tenimyu.

Scene 20: Camp training, Mifune sends Echizen/Kinchan/Momo to get Sake, Mifune solo

Pretty solid, suffering from a lack of actors and it felt a bit flat. Mifune’s singing was amazing again, though I think he did slightly get too many songs bc Mifune isn’t as important to the plot as the musical seems to make out, as far as I’m aware.

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So, that’s the first half.

IF YOU DO NOT WANT TO READ SOMETHING VERY NEGATIVE AND HARSH, PLEASE STOP HERE.

This show might be one of my least favourite 2.5d shows I have ever seen. The dancing was okay, the singing wasn’t great, the show did not feel well thoughtout and it was just so disappointing. So, many of the actors were rather underwhelming and despite so much going on the show felt boring.

I may have not read the shintenipuri manga but I have seen the anime and it is really funny. This show was barely funny, so many jokes were cut out seemingly for no reason other than the characters who made the jokes not being there. But I do not understand why there weren’t there. I get they couldn’t have every shintenipuri character there but there are quite a few I think they could have added that would have brought a lot, not just to fill the numbers as the stage did feel quite empty quite a few times. Sanada, for example, would have been a very good addition to the cast he speaks to a few of the people there, he rallies the middle schoolers going up the mountain and they already use him quite a bit through voice recording so I do not see why they couldn’t actually cast him.

The show was just lacking the heart that normal tenimyu has. Every tenimyu show before this, even the ones I haven’t enjoyed as much like Remarkable Match Fudomine or Seigaku vs Shitenhoji 2nd season, made me want to watch them again. They still drew me in and got me invested in the characters, partly because of excellent chemistry between the actors. Honestly, so few of these actors had good chemistry with one another. Raima and Maeda-chan quite honestly felt good with everyone. Tokki and Ryouhei were good as Miyako and Matsudaira, Kento and Yuunosuke weren’t bad as Yamato and Tezuka and Ryoya and Kazu were pretty okay. I didn’t feel a connection between almost anyone else. I don’t know if this was the actors not feeling comfortable with each other or the fast pace of the show that left no time for actors to develop in character chemistry but I am leaning towards the 2nd as the backstage photos would suggest they got on well.

This show felt like tenimyu’s attempt to make a Toho show. And it did not work. The show took itself way too seriously instead of in normal tenimyu where they seem to have a blast and it’s okay to understand that the show is ridiculous. I don’t know if this is at all what they were attempting but with the new attitude and the actors from Toho, especially Mifune’s actor who they gave a lot of solos to, it certainly felt like that to me.

I am not just being negative about shin tenimyu because I wanted tenimyu to stay the same forever. I was very prepared for new things in shin tenimyu but I don’t think the approach of let’s keep virtually nothing from past tenimyu really appealed to me. I honestly did like some of the new stuff they tried but I think they should have kept more things the same and phased stuff out later down the line when people were more onboard with shintenimyu. I.e. not in their first show.

I will talk more about the issues I had with casting in my next post as I will finally talk about the casting of 11th Seigaku and 4th Fudomine.

RANT OVER

Okay, now I’ve gotten a lot of my negative thoughts out of the way.

Thanks for reading this half review, and I’m sorry it took so long. I personally wouldn’t recommened to anyone who is a massive tenimyu fan to check out this show but please don’t just take my word but see what other people think to.

Please continue to support my reviews and leave a like and maybe send me a message so we can chat about stuff.

#self #rant #shin tenimyu the first stage #the new prince of tennis musical #the first stage #review #negative

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darkpoisonouslove · 3 years

Note

I'm offering you an empty salt shaker - asks 2, 5, 6, 15 (go ahead, I know you have something XD), 16, 20, 25 (about Bloom searching for her parents storyline)

Starting this again because guess who accidentally hit the key combination for undo and lost half an answered ask! This bitch right here.

I answered 2 here.

5. Has fandom ever ruined a pairing for you?*

Not that I can think of. It’s usually the source material that ruins things and fandom is tasked with fixing them later.

6. Has fandom ever made you enjoy a pairing you previously hated?*

I didn’t hate it but Bloom x Icy was incomprehensible to me. Fics helped a lot and so did other posts from here and there and I can see it now. Also, I totally couldn’t see Griffin x Codatorta but that changed, too. Though, that was less fandom and more trashcankitty12 with an ask that made me think about it a little more in-depth so it was pretty much me roping up myself into yet another ship. But ooh, I also don’t think I had considered Palladium x Avalon before fandom but, yes, indeed, it is right there in canon. And I was so puzzled over the Riven x Nabu content I was seeing but after watching seasons 3 and 4, I can totally see where this is coming from. The people are right. That is a bromance right there.

15. Unpopular opinion about the manga/show?

I have no idea what is popular and what isn’t (but you’re right that I have something aka A LOT) so I’ll just list my strong opinionsTM, okay? I will try not to dump on Bloom too much also because it is not a secret that I don’t like her so there is no need for me to go in too much detail.

4kids is the superior dub. That is probably the most controversial opinion I hold. But don’t worry, I’ll try to top it and up the ante. XD

I love Enchantix but it has so many flaws as a concept and even more as an execution and the thing that is really pissing me off is how obviously centered around Bloom’s arc it is. It was clearly created for the advancement of her character and the other girls’ stories came as an afterthought which is why Tecna’s Enchantix was total bullshit. And for having a transformation that is specifically created around Bloom, hers was bullshit as well. I think they should have let her reearn it in order for her to be able to use all of its functions like miniaturizing. Also also, at so many points it totally sounds like Bloom is not upset about the fact that Domino and all of its people were destroyed but about the fact that that means she won’t get her Enchantix. Which btw was a hasty conclusion because at the time Enchantix became a thing, she was still on a mission to find her parents which would have definitely been a way to earn her Enchantix and she had a sign that they were alive. So her angsting over not getting an Enchantix because of what happened on Domino was bad form on the writers’ part.

That spell for good decisions in 1x05 was one of the show’s lowest and most ridiculous moments. It was only included to flaunt in your face how naturally being a leader comes to Bloom because “See? See!!!!!! She can make a good decision without using magic to help her!” So can the majority of the population (note that we are talking about ONE good decision, not an unbreakable sequence of such). She ain’t all that special. Plus, Tecna was written wildly OOC there in order to boost Bloom’s stats so to speak. I’m sorry but Tecna would’ve known that three against four doesn’t give them advantage since they are freshmen and the Trix were seniors at the time. God, that scene was stupid.

Flora is the most boring character in seasons 1-3, fight me about it.

The writers totally had no idea what they were doing with the witches throughout most of season 1 which is why Griffin’s characterization in that season is so inconsistent. Also, wtf was that in 1x06? She straight up tried to kill a bunch of 15-year-old girls. Take a chill pill! I’m glad they figured out a much better balance with her later on.

Not using the fact that Cloud Tower is a living organism more was a fucking wasted opportunity. Especially in season 3 when Valtor took over it. That could have made everything so much better. Also, the witches should have been used more. They were interesting but deserved so much better in terms of development.

Sky should have just fucking died in 2x10. What were these resurrections and Bloom getting healing powers out of nowhere for a total of 5 seconds? You know, that could have been a good setup for a Bloom x Diaspro romance. It would have been so much better if they’d gotten together right after 1x17 and dumped Sky’s sorry ass. Also, Diaspro deserved better.

Riven is the best Specialist but he is especially better than Sky. Remember 1x22 when he was trying to escape CT? He was trapped deep in enemy territory with monsters everywhere and so high above the ground, yet he found his way out. Sky would’ve fucking died out in the open at Magix against one single monster if Bloom hadn’t shown up to rescue him. And the show has the gall to imply that Sky is a better Specialist than Riven is? Please!

The teachers should be fined and sued for emotional and physical damage they haven’t protected their students from. Especially the Alfea teachers who in 1x02 practically admitted that the witches might maim a fairy and they still won’t do shit about it. Nice one!

Griffin and Valtor is canonical subtext and I have nothing more to say about this. It is all there.

Valtor up until 3x18 and Valtor from 3x19 to 3x26 are two different people and the prior is superior in every way. The show ruined him in the last third of the season because there was no other way for Winx to defeat him.

Speaking about Valtor, his whole thing with the Trix is despicable and I hate it so much. It is extremely cringy on their part and extremely underhanded on his and I can’t stand it. Not to mention that it is wildly OOC for the Trix because they are obviously better than that.

I cannot understand saying that Bloom x Valtor is love-hate. I see only hate.

It is ridiculous how easily the Trix beat Griffin in season 6 and how they nearly take control over CT in season 2. And it is also ridiculous that she had to wait for Winx to unspell CT in season 3. She is a teacher, the headmistress of the most prestigious school for witches, a veteran and has been Valtor’s partner (and he himself admitted that together they were unstoppable which means that she has to be pretty powerful and even somewhere close to his level of power). Can the show stop acting like she is defenseless?

The teachers should have been used more. It would’ve been so much better if they were there to at least help Winx if not lead their battles. And it would have made much more sense. Also, how come Ediltrude and Zarathustra literally disappear when it’s convenient and then reappear again (like they did in season 1 when the witches went to Alfea)? That’s just bad writing.

Sky is adopted. He doesn’t resemble Erendor or Samara neither in appearance, nor in character and I hate them enough to headcanon that he was adopted but nobody knows because they don’t want to have claims that he is not an “official” heir of the throne because he isn’t part of the bloodline.

Mike and Vanessa are much more parents to Bloom than Marion and Oritel are, especially when the latter were first released from Obsidian, and the fact that Bloom starts calling them Mike and Vanessa instead of mom and dad after she learns she has other parents is abysmal. Also, they are literally the best parents ever and I love them to death. (I also like Marion and Oritel but Mike and Vanessa are definitely the superior pair of parents if we’re ranking them. I like the idea that the two couples are actually super close and love each other like relatives, in fact.)

What the fuck is up with the magic in this show? There is literally, like, NO FUCKING CONSISTENCY WHATSOEVER! You can’t blink without the rules of it changing in some way. But what am I saying? That would imply that there are any rules which is just not true. Also, there is no clear distinction of how powerful anyone is after season 1. The balance of powers especially between Winx and the Trix is pretty much whatever works for the episode. Same for Winx vs Valtor. The fuckery on that account is unreal. Plus, some of Bloom’s major power explosions happen due to her getting angry. According to the official Wiki - “While practicing or harnessing positive magic, one must keep a compassionate heart, primarily by keeping their thoughts and feelings clear of all negativity, making them capable of attracting positive energy more easily. Thus, if one is plagued with negative thoughts or feelings such as sadness, anger or fear, then their magic will grow weaker until they may even be left incapable of casting magic until said feelings pass.“ Read that and then read it again, let it sink in. According to the rules of the Winx universe, during some of Bloom’s most powerful moments she was actually using dark magic, not light such because it was fueled by rage. Way to keep it fucking consistent. And that is not just Bloom! FLORA out of all people attacks the Trix in rage in 3x12 when they hurt her sister aka she was also using dark magic at that situation (and then you have Wizgiz scolding Mirta for it in SotLK like it is a sin to use dark magic, smh). In some instances I would argue that it was more of determination to protect rather than anger which I would say would still result in light magic. But The Flora thing, Bloom vs Stormy in 1x09 (Bloom even says she got so angry so that was not a case of protectiveness), Bloom vs Icy in 1x26 and Bloom vs Valtor in 3x14 were definitely rage aka dark magic. And then Bloom is all “fairies don’t have any demons”. Guess again, bitch! Also, writers, you need a dictionary to start comprehending the words you are actually writing?

Now that I think of it, the whole arc in the Resort Realm was bullshit. If it is a magic-free realm, nobody should have any magic in it, period! What is this bullshit that you can use Charmix and Gloomix there because they have higher magical energy? That absolutely doesn’t matter! If there isn’t any magic in the entire realm, having a higher amount of magic in you will not matter because you still can’t use it... because there isn’t any in the realm!!!!!! What the hell! Honestly, the writers can’t comprehend what words mean and that is not the only instance in which it shows.

Someone told me that SotLK is better than Magical Adventure and I don’t mean to offend but that is simply not true. Magical Adventure is leagues above SotLK even if it has some structural problems. Like, literally everything is better. Bloom and Sky are even likable and communicate!!!!!!!! Literally when have you ever seen a better moment for their relationship than in Magical Adventure? If it had been all like that, I would have liked them as a couple.

I think I got everything that comes to mind rn out. Might think of more at some point. I was done and then came back to rage some more because I remembered I had more material.

16. If you could change anything in the show, what would you change?

I would have them make smart decisions because 99% of the shit they pull is so stupid it is unreal. I literally cannot tell how they are still alive. Oh, no wait! Plot armor. Yep, that’s it.

But if I had to pick something specific? Bring Nabu back. I sure as hell wouldn’t have killed him. That was an asshole move and I have no idea what the hell the writers were thinking when they wrote that.

And my second choice is - implement a magical system into the series because there isn’t one. Magic always works the way the writers need it to work to pull off their bullshit plot even if it contradicts everything that we’ve seen before. Please, for the love of god! Consistency is already dead; stop stabbing its corpse!!!!

20. What is the purest ship in the fandom?

Purest ship? Lmao, asking me this question is underhanded. XD If you mean no drama, then Flora and Helia Mike and Vanessa. But I think my actual answer would be Griffin x Faragonda because they have been through so much that we know of or we can deduce and they still stuck together. Sure, they had their ups and downs but it is obviously a love for life that has lasted through so many obstacles and keeps lasting. The reason why I can’t say the same for Mike and Vanessa is because we don’t really know that much about their relationship with each other. But anyway I love both these ships so much.

If you’re talking about a canon ship, though, then Brandon and Stella (I do not recognize the stupid relationship drama in season 4 as canon). He did lie to her about his identity in season 1 but it was for his friendship with Sky (alternatively, for his job and duty as Sky’s squire). I just love how obviously in love Brandon is with Stella and how much Stella doesn’t care about anything but him. She didn’t care that he was a “commoner” and - one of my fave moments - in 1x08 she only cared about his well-being rather than the competition. It was adorable and they are adorable and I love them so much. Pure serotonin, right there!

25. How would you end the Bloom searching for her parents storyline/Would you change the ending?

I would certainly change the logistics of the whole thing because, boy, did it make no sense at all. As for the actual ending, I’d argue that physically finding them is not the end of that storyline and she needs to “find” them emotionally as well which would definitely take more time than SotLK cared to address. Like, she got them out of Obsidian and boom, everything’s fine! She literally doesn’t know them! Those are her parents and she doesn’t know anything about them! Their touch and their voices are unfamiliar to her even and they have missed on so much that they will never be able to get back and you’re saying that everything is fine? Yeah, right.

I would have had her spend a year on Domino with them before season 4. The school year that started in SotLK? She spends that with them. Possibly even the one that starts in Magical Adventure as well. She learns everything she can about them and the family history. She also learns how to be a proper royal because she is the Crown Princess now and she has no idea what the fuck she is doing. I would have made seasons 4 and possibly 5 about that and added more politics in it. Layla and Stella are also princesses who will run their kingdoms one day so we could have had adventures in political relations with Winx Club. They are pretty famous so I am sure there would be rulers of other lands that see them as threats and don’t like them. There could have been tension about that and the whole thing with Domino being the planet of the Dragon Fire could have been addressed. Who would dare oppose them when they are the most powerful force? Are they the most powerful force after the 17 years the planet spent as an ice block? Are there old alliances to be reforged? What is the political climate in the Magic Dimension? All absolutely fascinating questions that would have helped the worldbuilding and made place for Marion and Oritel in Bloom’s life and in the show. We could’ve gone back to the feel of season 1 when they also had other things going on besides the big baddie of the season and it could have been a little more episodical with a loose theme to connect the season and the overarching story of Bloom finding her parents and her place in the world she was born in. That could have been positively epic... And a great way to retain the cast because the Company of Light were allegedly friends so we could have seen Marion and Oritel reconnecting with Griffin, Faragonda, Saladin and Hagen. There could have been resurfacing debates left over from the war. Kingdoms angry at Domino for something that happened back then in order to include flashbacks with the events. AND that would work out with the fact that the Ancestral Witches were still around and could have led to another epic battle that wouldn’t end with the destruction of a whole planet. Like I said, there were amazing possibilities... and they were all wasted.

Well, this was long... and just what I needed. I hope some (civilized) discussion will spark out of that because I am tired of screaming in a void and I want people to talk to me.

#winx club #anti bloom #anti sky #too many opinions to tag #meta #winx club meta #ask #her-majesty-wears-jeans #winx griffin

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hjbender · 4 years

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Hi it's that Donald Blake au anon, and I agree I don't like Donald in general it's weird and sometimes in the comics he has a stick that he's always holding onto then he bangs it and somehow becomes Thor, idk. But the au is something that really interested me cuz it has so much potential, like is Thor an Avenger in this au, does he have to wait til Loki is not looking to go and save the world? Or is he not worthy yet and somehow choosing to reveal himself to Loki the real way to be worthy?

OH HAI AGAIN, ANON. THANK YOU FOR RETURNING

Yeah, I’m kind of glad the writers and directors decided to leave out the whole “mild-mannered human alias” from the Thor franchise. Really, so many superheroes already have alter egos—Peter Parker is Spider-Man, Ryan Reynolds is Deadpool, literally every single one of the OG Avengers except Thor has another name—that for once it’s nice to just have Thor be Thor.

But as far as that brilliant idea you pitched, in the first couple drafts of my answer, I actually started to rewrite Thor (2011) to make your idea fit with canon. However, after getting stuck a couple times, I started thinking it might work better away from canon (specifically Earth 616), more like a true alternate universe, no Avengers or Thanos or anything. Or, to make things simpler, it could just be a Porn With Feelings deal where the story is driven by characters and drama (and, of course, porn).

For the PWP approach, Thor masquerades as an MD on Earth because he genuinely likes to help people and having a human form helps him escape detection, or possibly keep his powerful electromagnetic radiation field from harming humans. In any case, Loki is unaware of his brothers super-secret human identity.

Somehow Loki bites off more than he can chew or pisses off the wrong supervillain—it’s practically his hobby, isn’t it?—and ends up getting his ass beaten and thrown to Earth. Miraculously, Thor (as Don Blake) is there to help him, and Thor can’t risk getting his cover blown, so he just plays along while Loki regains use of his limbs and/or powers (a perfect opportunity for some hurt/comfort whump sickfic type tags). Thor brings Loki to his apartment until he can fully recover, and in that time, Loki finds himself bonding with this disabled and good-natured human man who reminds him so much of his brother… and thus begins the forbidden romance and angst-ridden relationship drama.

...okay, so the PWP setup actually has a lot more plot than your average smutfic. (But just think of all the opportunities for medical kink in this one. Like Loki pretending he feels hot and achy and insisting that Blake give him a thorough, private exam… on the kitchen table… with stethoscopes and tongue depressors and lots of poking and prodding and pelvic exams. Anyone? No? Just me?)

The actual canon setup is the one I tried (unsuccessfully) to write out, but here’s a bullet list of the basic plot (get comfortable, this gets kind of long):

After defeating the frost giants in Norway in 900-something, Odin secretly makes a deal with Laufey to raise Loki as his own son, then marry him off to Thor so they can establish everlasting peace with Jötunheim (just like Odin and Frigga did to stop the Æsir-Vanir war). Thor and Loki’s children will be heirs to both royal houses. Upon Thor’s ascension to the throne, Odin will then return the Casket of Ancient Winters to its rightful place, and Jötunheim will flourish again with Asgard as its protector/ally

Loki is a lot more autonomous and independent than his original cinematic depiction, traveling the realms to learn seiðr and be an ambassador (and cause mischief, naturally, but nothing that can’t be fixed or used to his advantage). He’s always held a secret torch for his brother but knows there’s little/no hope of it ever being reciprocated, thus he stays away from Asgard as much as possible

Thor loves and misses his brother (perhaps too much). Their parents would surely disapprove of their relationship, gods or not, and besides, Loki is too much of a free spirit, a wanderer, content with his own company. Asking anything more of him (like a grounded, committed relationship) is something Thor could never do

Loki returns to Asgard on the eve of Thor’s coronation with gifts and smiles, and Thor embraces him with deep affection. They almost confess their feelings to one another, but shy away at the last moment (damn!)

Meanwhile, Malekith the Accursed (comics version Malekith, who is a lot sexier and generally more interesting/diabolical than his MCU counterpart) doesn’t like that Laufey is planning to make peace with Asgard and sever his alliance with Svartalfheim, and somehow breaks into the Vault on Thor’s coronation day just so he can frame Laufey and sour the arrangement with Odin

Odin decides not to act, sure that something else must be going on. Loki decides to take the intellectual route and do some investigating while Thor and his warrior companions sneak into Jötunheim to kick some ass

Thor accuses Laufey of wrongdoing, just as Malekith wanted, and almost incites a war with the frost giants. Odin banishes him to earth to live as a disabled human man until he can learn some humility

After much screaming at the sky and manly weeping, Thor finally accepts his fate and his new human identity

Enough time passes (months? A year?) that Thor eventually learns to be humble and considerate, helping other humans physically and emotionally in the medical field (I imagine him becoming an orderly at a local hospital since being a doctor requires years of education and money. Also, being thrown to Earth without a penny to his name will help Thor work through some of his entitlement and privilege issues. I headcanon he was aided by some good-hearted humans who were able to find employment for him and a place to stay, help him get on his feet, basically)

With Thor out of the way and the royal family torn apart, Malekith begins preparing for his attack on Asgard

Loki doesn’t know that Thor is trapped in a human form, only that he was banished and all contact forbidden. Loki is suspicious of the frost giants and goes to Jötunheim alone, where Laufey reveals everything to him—including Loki’s betrothal to Thor

Loki is stunned at first, unable to believe that the thing he’s wanted most was always meant to be his, and he hurriedly leaves Jötunheim

He tries to sneak to Midgard without using the Bifrost, but Malekith catches him en route and they fight. He throws a binding spell on Loki to render him powerless and then beats the living daylights out of him

Loki crash lands on Earth not far from where his brother was banished (he had been following the last known path from Asgard to Midgard), and is rendered temporarily powerless and amnesiac, not remembering anything about his fight with Malekith, Thor’s banishment, or why he was on his way to Midgard

Loki wakes up in a hospital bed with a kind human man looking after him. After an unsuccessful escape attempt, he settles in and finds himself comforted by Donald Blake’s presence. It’s… soothing, somehow familiar…(maybe it’s the drugs talking)

Thor instantly recognizes his brother but he cannot reveal himself, either because he’ll look insane/lose his job or maybe Odin made it so he’s unable to even speak the name “Thor” until he’s worthy again. In any case, Thor decides it won’t hurt to beat Loki at his own game just this once (Loki has played this prank on him more times than Thor can count). He ends up taking Loki back home with him once he’s discharged from the hospital

As his memories and powers slowly return, Loki is surprised that Blake listens to and believes everything he claims to be, and soon grows to trust and even like the man. He’s never really had a true friend before… except for his brother, Thor, of course. Blake reminds him so much of Thor…

While things gradually heat up between Loki and Blake-Thor, Malekith disguises himself as Loki (just as he did in the War of the Realms comic arc) and returns to Asgard. Odin and Frigga learn that Loki had indeed traveled to Jötunheim and confront their “son” about what he might have learned there

Not knowing it’s actually Malekith they are speaking to, they reveal the truth about Loki’s parentage and upbringing, and the reasons for his betrothal. Malekith is shocked, then amused at his good fortune. He decides to use this information to his own advantage

Malekith plots to bring Thor back to Asgard and insist that they be married at once. Thor will be crowned king, and when Thor finishes swearing his oaths, Malekith will steal Gungnir and kill Thor with it (and the entire royal family of Asgard). He will then steal the Casket of Ancient Winters, return to Jötunheim, kill Laufey and all the rest of his clan, and then head to Midgard to finish off the last of that bloodline: Loki. Then, with the power of Gungnir, Mjölnir, and the Casket of Ancient Winters, nothing will be able to stop him from bringing war and chaos to the Nine Realms

My brain is smoking and on its last cylinder right now, and I know this post is already decades long, so I’m gonna cheat and skip the whole part where Thor and Loki somehow learn about Malekith’s plot (maybe the Warriors Four come to Earth to warn them), and Thor becomes worthy again, revealing himself to a stunned Loki, and they all go flying back to Asgard, beat Malekith in an epic battle, and save the day

Once the dust has cleared, Thor is crowned king to an audience of Æsir and Jötnar, followed immediately by his and Loki’s wedding. Everyone cheers, Volstagg weeps and uses Fandral as a handkerchief, and Malekith gets a tiny slice of the wedding cake down in the dungeons

The end 🍰

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caramujotan · 4 years

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disco elysium text-form #thots:

i finished my first run last friday because i went stupid and played the game for nearly 24h straight. i could literally not drop it. i called it a 10/10 when i was about 2h away from finishing it, finished it and kept that score. it’s a real good game and you can stop here with my endorsement but if you want some more in-depth spoiler-free thoughts on it you can read the rest of this post. it’s big.

due to the content of the game, i talk about mental health topics, suicide, drug use and - obviously - cops 🐷

in a way calling this by numbers feels reductive (scalding hot review take, i know). a 10/10 score doesn’t reflect the awe i felt when gilding through the end-game. it doesn’t say a thing about how viscerally my body reacted to a few pixels and lines of text. it can’t tell you that i spent 2h in bed trying to sleep but couldn’t keep my brain off of it and got up at 8AM to finish it; or how much i’ve been replaying the game in my head, curious about how certain quests or events would have gone if i’d tried a different approach or character build.

i have this funky little medical condition that goes with my autism that makes it difficult for me to identify and process most emotions that i feel. but i can tell you how my body reacted. this game went into my gut. it felt like a leaded fist burrowed through my throat into the pit of my stomach and shredded my insides. it got me fucked up, is what i’m saying.

obviously i can’t go into what caused me to react like that without spoiling the shit out of this game, and since i wish i could gently lobotomize myself in order to experience it again for the first time, i heavily recommend you go through it knowing as little as possible. what i can do, however, is talk about the technical elements of it.

the art is beautiful. the art direction is top-notch and it was definitely of the things that drew me to this game first. the oil painting aesthetic is sublime - gritty and ethereal in equal parts whenever each purpose is called for. finding out that the art team was spearheaded by painting majors from russian fine-art schools made perfect sense - it shows, and the game made peak use of it. the philosophy behind their visual approach is woven into the fabric of the game itself - it’s a perfect compliment to the writing and storytelling, and i’d struggle to imagine this game without it. it permeates and elevates every environment, every interaction, every character build choice - from the character portraits, to the UI, to certain skills and game events. real art cop hours all my homies kin the art cop.

the music by british sea power is subsided and haunting and gives the game that british/european post-industrial melancholic flavor. i’m no music critic sadly. it fits the mood and it stands out beautifully in a few key scenes, but that’s as much as i can say.

the biggest turn off for me was in the voice acting. if you’re interested in playing this game i’m going to assume with 75% certainty you’re in your early 20s to 30s and are politically located to the left side of liberal at a minimum - so i’ll just come out and say it plainly: every second NPC (especially in the late game) is voiced by a leftist podcaster. i’m sure this is a plus for some, and it’s not the kind of thing you’d immediately notice anyway unless you’re a quote unquote dirtbag leftist with terminal irony poisoning twitter brainrot. most of them do competent work, but the sound mixing and general performance is weaker in comparison to the NPCs voiced by actual voice actors.

it’s not that bad, but it’s there - and the fact that this is probably my biggest complaint about the game should say enough of my opinion on it. either way i was cringing with recognition every time it happened and it took me out on more than one occasion because i kept hearing felix chapotraphouse in one of the game’s big tense climatic scenes.

‘but caramujo!’ you say ‘this doesn’t tell me what this game is about’. hold on, i’m about to blow the ‘i can’t do literary analysis unless things are explained to me in clear cut absolute terms’ gang out of a career and spell the themes of this game out for you in detail:

it’s about loss, and renewal - both personal and interpersonal. it’s about rising from the ruins of something that’s been in motion long before you were even thought of, having little power over it, and soldiering on. it’s about heartbreak and the end of a relationship and how that can warp your mind and infect everything around you. and you won’t get better right away - the end game doesn’t wrap everything up with a little bow and lets you cause systematic upheaval. you can’t revolutionize your way out of this one. shit will, for the time being, continue to suck.

it’s about waking up in a body that’s fucked up with a heart that aches in a world that’s been torn apart - and still making the decision to try to make it better - because you’re alive, and your heart beats, and there’s other beings in the world that are tethered to you and we all owe it to ourselves to make it better. communism hasn’t worked, baby - but so hasn’t love - and we’re not gonna give up on that. that’s what it’s all about.

it should be pretty clear right now that i did my first run as a bisexual/questioning communist feminist hobo who kinned karl marx. but i can assure you there’s other ways to play this game, and there’s more to it than that because of it.

the quests (both side quests and a main story) are varied and had me laughing and dropping into existential despair on different occasions. other than trying to be the biggest communism builder, this game is also about:

- having a heart attack because a chair is too uncomfortable, but it’s OK because your buddy cop holds you in his arms like in the buddy cop movies.

- doing copious amounts of drugs and turning on, tuning in and dropping out, maaaaan.

- going on an x-files monster of the week episode to track down a curse that’s dooming the local businesses.

- shilling for the free market to come fix it all with its beatific invisible hand while standing in a town so fucked over by economic embargoes and poverty that the local union leader is a corrupt toad with a plan to revitalize the region by gathering the work force into a nationalized worker owned drug enterprise of the legal and illegal varieties - and it still comes off as one of the more levelheaded economic decisions one could make in that situation.

- trying not to fucking kill yourself even though you have to live with that thought every single day.

- winning the trust of a 12 year old crackhead with a deadbeat dad by becoming a positive masculine role model.

- turning into a fascist you so can get buffs from drinking alcohol, and therefore becoming a raging alcoholic and having to walk up to important story events carrying half a liquor store in your inventory so you don’t have a mental breakdown or kill yourself from lack of morale whenever someone calls you out on your ethnonationalist bullshit.

it’s also - and i cannot stress this enough - about making sure you can find a tape to sing karaoke and make kim kitsuragi smile. it slaps. it’s real good writing.

i don’t know what else can say. pretty sure the game is on sale on steam now. anyway please play this absolute masterpiece and stan studio za/um for clear skin. ACAB.

#disco elysium #.txt #not sure if this is done yet i might add more thots later specifically about the world building

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daylightsun · 3 years

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What I Learn from Years of Reading and Collecting Books and Letting Some of Them Go

These past few days, I "KonMari" my room and decided to rearrange my bookshelves. While sorting out all of my belongings, I discovered a box filled with books I manically collected during my college years sitting underneath my bed. After opening it, the books seem to be staring at me while I stare back at them like we are having a confrontation of sorts. For a moment, it made me reflect on my life as a reader and book collector, and this sense of nostalgia hit me.

After snapping out of this nostalgic state, the fact remains that my shelf space and room space are precious and limited, and I only want to fill my life with things that “spark joy” within me. I need to decide which books would stay and which would eventually go to the bin. So in honor of literature month and the books I am about to throw away, I would like to write some piece to honor my journey as a reader and book collector.

Starting Years as a Reader and Book Collector

My fascination with books started early in my childhood. I remember holding my small hardbound fairytale books, a book set with stories like Snow White and the Seven Dwarfs and Three Little Pigs. But it was the illustrations at first that engrossed me. It's like my eyes can't get enough of the colors and drawings. I look at them again and again, committing them in my memory. Then there was my childhood best friend Grimm's book of fairytales. The book was enormous and heavy. It contained more words and the occasional one to two pages of illustrations, like the naked butt of the king in The Emperor's New Clothes, the candy house of the witch in Hansel, and Gretel other beautiful illustrations inside that book.

However, it is in my teenage years that I started to enjoy reading literature, and book reports ignite my interest in book collecting. Books like Ella Enchanted, The Little Prince, and Thieves of Ostia were carried inside our classroom boxes after boxes. A sheer excitement overcame me, forgetting the fear I felt days before asking for extra money to buy something outside the average family expenses, even if it is for school requirements.

I did not grow up in an environment that encourages me to read books outside the typical academic obligations. It is usual for Southeast Asian households to be thrifty, so buying books for leisure is a luxury. Moreover, since it does not involve cleaning and moving around the house, reading for my parents is a lazy activity. Not to mention what damage it can do to your eyesight, they would add. However, I continued to read in secret and went against the general expectations.

I have read Harry Potter and the Half-Blood Prince while holding a flashlight while everyone in the house is sleeping at night so no one could scold me. I read with my friends at school. We exchanged novels, particularly stories about young adults. I bought my first novel, L. Montgomery's Anne of Green Gables, in a book fair inside my school using my savings. And even after my childhood best friend, who was four years older than me, went away to college, I marched to their house and borrowed books from her mother like Louisa Alcott's Little Women.

Reading helped me to cope with my deep-seated feeling of isolation and loneliness because of being an adopted child. I found out pieces of the truth through indirect hints and silent whispers between adults and childish banter between cousins. So I was left alone on my own devices to understand and stitch the truth. But in reading, I started to find solace and identity with the people I meet in stories. Books became for me houses I visit to explore and get to know the people living inside. And sometimes, I leave too early out of boredom or just out of an inability to comprehend the house. But sometimes, even after the visit, a piece of my heart stayed inside those pages. When I read, I have companions, and when I buy a book, I have something of my own.

Moreover, in books, I found girls like me, like Anne in Anne of Green Gables or Mary in The Secret Garden. Orphaned and neglected at a very young age and adopted, they were able to find acceptance and love. In those stories, they eventually mattered and belonged to the people around them. And in my heart, I wanted the same assurance these characters have that I am going to be OK despite my "oddness."

Not encouraged to read, buy books for my leisure, and being an adopted child in her young adolescent years made me want to form a personal path of rebellion. I decided to be a bookworm and persist in reading and building my book collection even if I am discouraged! Talk about being brave and revolutionary. Though I developed a deep affection for reading and books by this time, this "rebellious" way serves another personal purpose, and that is instead of being single out because ofbeing an adopted child, I can be single out because of my "bookish-ness." This identity gave me a powerful feeling of being significantly different from the crowd. I am somehow special but without the burden and constantly feeling the need to fight the pity of the people around me.

College Years

When I went to college, I develop an unhealthy impulse of excessively buying booksbut not reading them. There is a Japanese term for this impulsive behavior called "tsundoku." My obsession with buying books can be attributed to two main culprits. First, I started to attend and participate actively in church, and second, the store Book Sale.

In our church, we have a statement I wrote in the tablet of my heart with great faithfulness and love. It goes this way "Great leaders read books," which is a remarkable statement unless someone went overboard with trying to read books by purchasing them. This someone is, of course, is me. Ooops.

On multiple days within a week, I would visit and sit on the SM Baguio's Book Salefloor, hunting and obsessing over books. I would gladly move stacks upon stacks of books desperately looking for a purchase treasure. And most of us know, books are sold at Book Sale at a meager price. It became a standard for me to go home to my boarding house with three to five books. And oh boy, the stacks of books in my room just grew and grew. By the end of my seven years in college, the heaviest of my baggage is the one enormous box where I managed to fit all the books I have acquired.

Even though my college years were a time of my compulsive and unhealthy behaviors in reading and book buying, these were also the years I familiarized myself with what types of storytelling I would enjoy and who are my favorite authors. Neil Gaiman and Haruki Murakami cast their spell on me, and I would read again and again stories like The Little Prince, Memoirs of A Geisha, and The Last Time I Saw Mother.

But what I am most thankful for reading around this time is the opportunity it gave me to connect to other people through knowledge sharing. When I read an excellent book that gave me a lot of insight, there is an internal urge to pass it to someone else or talk about it with a friend. So I either talk about it or give the book. Giving that well-written book will sting a bit. Still, the disappointment of not having someone to undergo the experience of reading it is more painful than letting it go because I've discovered that there are types of books that cannot stay only in one pair of hands but have to travel to the next pair to be held and read. Some stories and books are personal to me, and they will stay on my shelves as long as they can, but there is another type of book that the knowledge they contain needs to be passed on and shared.

Working Years

Buying books using the allowance from your parents are far easier than using your own hard-earned money. Being a young professional and just started to manage my finances made the reality of my unhealthy addiction hit hard. I can not longer afford to go to book shops without thoroughly thinking if the book I am picking is something I should buy. "Adulting" has forced maturity in me.

Putting some healthy breaks on my general attitude towards reading and book collecting is just one part of the exciting times ahead of me as a bibliophile. Going back to my hometown and having more personal freedom have opened the doors to uncharted territories. As a reader and book collector, I've been officially and finally introduced to book fairs and Philippine Literature.

When I talk about book fairs that I participate in this time, these are the mega fairs that involve many publishing houses. Book fairs with book launching, book signing, live-reading, and writers' meet and greet events. The Manila International Book Fair (MIBF) and Big Bad Wolf are an example of these fairs. The experience was exhilarating and magical, and I would like to think that every reader and book collector would agree that book fairs are sort of heaven or nirvana on earth.

But so far, the greatest book fair I get to experience must also be the most challenging endeavor I undertook professionally, the Frankfurt Book Fair 2019. Imanaged to be a part of the team that organized the delegation that represented the Philippines in the largest international book fair. FBF is annually held during October in Frankfurt, Germany, with participants worldwide and boost to be the most extensive platform for digital and printed content. So even though I did not personally go to Frankfurt, being part of this massive event as a production assistant and being part of the early planning stages to post-prod was a dream come true. Seeing over 500 books published by the leading publishing houses in the country and written by Filipino authors showcased in the entire world in a beautifully designed stand made me very happy and proud.

Working in a government agency that primarily serves the Philippine publishing industry also gave me a closer look into the local literature. Unfortunately, I did not grow up reading books written by Filipino writers. Aside from the usual piece of local literature my Filipino textbooks in high school and college courses offered, Philippine literature did not become part of my early reading and book collection. But my ignorance of Filipino authors and literature ended when I worked at NBDB and when a friend lent me Philippine literature books. As I started to read the literary works of Eliza Victoria, Nick Joaquin, Luis Joaquin M. Katigbak, and other amazing Filipino authors, I felt both shame and relief. I finally got to experience my national consciousness and Filipino identity through literature by Filipino authors for Filipinos.

But my bad habits in college still are present and had managed to erode my psyche. Surrounded by so many book-related things, I got back to the same dangerous pattern. I acquired more books but have no diligence and genuine interest in reading. In the process, I become a hoarder like the Businessman from The Little Prince, who cannot stop owning and counting every star he sees in the sky but never understood its value. After all, what is a book without its reader?

And as a result, something bad happened. The words in the pages started to leave me, I slowly lost the ability to build worlds in my head, and my insatiable thirst for knowledge had dwindled. Then one day, I lost all of my interest in books. For one and a half years, I would not touch any books on my bookshelves and stop actively reading and looking for books to buy. I had enough.

*** Going back to the present time and Marie Kondo, she mentioned in her best-selling book, The Life-Changing Magic of Tidying Up (and yes, I have the book), that the KonMari method encourages only to keep around thirty books. Thirty books seem to be awfully few, and how can a person who loves reading and collecting books find the courage to let go.

But as the book explained, you need to ask oneself the fundamental question of the KonMari method, "does this spark joy?". Does this book spark joy? Have I read this, and if I happened to have, does it aroused my intellect? And I have asked these hard questions to every book in my belongings.

It is almost four years after my time at the university. I am currently in a work-from-home setup which is a very fortunate situation while in the middle of a global pandemic. And yes, I am about to throw books, a lot of them, which you might think is a waste, but deep down, I know I will never reread these, nor will I ever start to read them again.

Honestly, I cannot remember the exact day I pick up a book on my shelf and read again, nor the reason behind it. But having the courage to declutter and purge my book collection, I realized a few months ago that I started again to read and purchase books, but this time there is an effort to be mindful with every reading and purchase made. This subtle change in behavior gave my reading and collecting a better sense of purpose and direction.

My life is composed of limited time, meaning I can only read books that much. But I've been in a relationship with books for many years now. Collecting books became a form of personal art, and reading stories helped me become a better person. It healed me, became a catalyst to learn a couple of life lessons, and taught me to give. And I do not see myself stopping at any point in my life. So might as well keep and read books that only truly capture my spirit, challenges me, and, if I was lucky, changes me. Because that is the thing about it, books are powerful.

#books #reading #literature #philippines #filipinowriters #southeastasian #literaturemonth #collecting #konmari #bookcollecting #bookcollector #bookcollection

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pro-bee · 4 years

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Clean

I have been in a major writing rut for months, so I decided to write something completely different to get me out of my funk! This is for @coffeedepablo and @indestinatus and @delicatefalice and anyone else who’s ever nagged me to just write again. Also, this was inspired by the scene in “Hiatus” where, in the middle of the chaos of Gibbs being blown up, Ziva is transfixed by the rain outside, and today was a rainy day which was finally a perfect excuse to just wrote.

Also, I wrote this today, and haven’t done as much proofreading as I would like, but I decided I had to just post it and forget it!

Rating: G Characters: Ziva David, Tony DiNozzo Pairing: Established Tiva, duh. Type: One-shot fluff. (That’s all I’m good for these days.) Word Count: 1,100 Summary: A rainy day makes way from some quiet contemplation.

Also available on AO3.

The air is heavy, weighed down by the humidity of the passing storm. The rain falls gently in the small yard, creating a sheen over the sidewalk this evening that threatens to become a reflecting pond if it doesn’t let it up soon.

She is curled up in the weathered Adirondack chair on the small deck, her body still, and her gaze set afar, like a lioness surveying her domain. She cradles a mug of tea in both hands, the steam rising to join the mist that surrounds her.

“I was wondering where you’d gone to.”

She is awoken from her reverie by the humor in Tony’s voice behind her, and she turns around to acknowledge his presence. At some point after dinner, he’d scurried off to catch up on some neglected work, and it wasn’t until an hour later that he’d noticed that Ziva had disappeared from her usual reading perch in her favorite armchair in the living room.

“It’s raining cats and dogs out here.”

“Ah, that would make our daughter extremely happy, would it not?”

“Can’t argue with that. Guess we’ll have to settle for the tadpoles for now.”

She offers him the hint of a smile in return, but her her attention is fixed upon the horizon. (The horizon, here, is the hedge separating their yard from the neighbor’s. Not quite the Saharan vista of his imagination.)

Curious, he grabs a chair and joins her under the awning, without saying a word. He follows her lead, basking in the hypnotic melody of drops hitting the roof, the drizzle pulling a curtain around them. Here they are, protected in their cocoon, the rest of the world melting away from them. Truth be told, he’s a little on edge, unused to this lack of conversation in their new home, but he also senses the importance of this moment of solitude. He’s become an expert at biding his time over the years, so he lies in wait for her to make the first move.

(Or not. If she wants to sit here for the rest of their days, immovable like a sphinx surveying the desert, he’ll plant roots right along with her.)

She pulls her legging-clad knees in even closer, taking in a deep breath and sighing, letting go of a lifetime of worries in a single exhalation. He’d give a penny for her thoughts, but he’ll make do with whatever she’s willing to part with tonight. Unsurprisingly, she seems to read his mind.

“I used to love watching the rain when I was a kid.”

She pauses for a second, like she were waiting for a prompt, as would have so often been the case in the old days, but none comes forward. He’s still wary of pushing too hard, too soon, so he’s learned to let her take the lead when it comes to deciphering the code to Ziva David’s meditations.

“It hardly ever rained at home. Not like this, anyway. In the winter, we would have these thunderstorms that seemed to come out of nowhere, and end just as quickly. My sister used to complain about them, because they got in the way of her imaginary stage design outside,” she recalls with a chuckle, “but my mother used to tell her that we needed the water for things to grow. The stormy skies would give way to the shining sun.”

He waits to see if any storm clouds brew behind her eyes.

“How’d she handle that?”

“Usually by tearing up the house and inevitably ending up in what we would now call a ‘time out.’”

It’s his turn to laugh, trying to picture the siblings squabbling a lifetime ago, before they had to confront the demons in their home head-on. (The apple doesn’t fall too far from the tree, it seems.)

“But not you?”

She shakes her head. “The storms always fascinated me. How you could feel the air change, all of a sudden, and then the sky would just open up. And there was nothing you could do to stop it. Life was always so busy, so regimented, so volatile, but one thing that no one could control was Mother Nature. You could predict and plan all you wanted, but when the storms came, all you could do was take cover and wait it out.”

He has a feeling she isn’t just talking about the weather.

“I would sit by our living room window if we were at home in Tel Aviv, or on our porch if we were in Haifa with my grandparents, and watch it pour down. It drowned out all the other noise, for a little while at least.” The wistfulness in her voice belies the darker memories bubbling beneath the surface.

He watches her in turn, understanding how rare these moments of utter tranquility must have been in her young life. Hell, still were, until recently. Some days, it seems like she’s still struggling to grasp them, even now.

“It’s funny. There is so much fear tied to storms. About their unpredictability, and the floods and destruction left in their wake. They are the only thing that cannot be bent to one’s will. But I never felt that fear. To me, they were… soothing. Like the rain would fall and wipe the slate clean. No matter what was happening, you could start over fresh when it was over. It was like finally being able to breathe.”

Once upon a time, this kind of talk would make him nervous, wonder if she weren’t about to decide her own slate needed to be wiped, all by herself. Yet here they are, together, and he realizes that maybe, that isn’t what this is about at all. That maybe after every storm is a chance for a sunny start, too.

“Sounds like maybe your mom was right.”

“I guess so.”

They sit in silence for a spell, mesmerized by the clatter of the downpour and the motionlessness of the moment. Where once they would have both felt awkward at the silence between them, now they sit in reverence of it, the beauty of what doesn’t need to be said anymore

After a while, though, he comes to realize that this is her quiet confessional, between herself and whatever power is driving her forward, and he feels as though she needs this time alone to commune with her higher power. He gets up, a little less limber than he’d care to admit, and places a gentle kiss on the top of her head, before heading back into the house. Once inside, he watches from the kitchen window as bit by bit the tension seeps from her body, washed away by the deluge and the promise of tomorrow.

Time stands still, and for what feels like hours, all she hears is the patter of the rain, gently surrounding her, the rushing sound eclipsing all of her worries as she welcomes its release. She takes a sip of her tea, and smiles to herself as her old friend envelops her in its comforting embrace.

She thinks that, maybe this time, she is finally clean.

---

My apologies to Taylor Swift for paraphrasing her song “Clean” in that last line.

#tiva fanfiction #my fanfiction #ziva david #tony dinozzo #fluff!#this just got stuck in my head #i've wanted to write something like this for months #and initially had it planned for part of my long fic #but that's not gonna happen anytime soon #and it was raining today #so i figured i better write something today #or i might not ever write again #to be a dramatic bitch :-P

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imaginaryelle · 4 years

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Wei Wuxian, Mutism and Non-Verbal Communication

I am making a fresh post because I’ve been having issues with asks and especially read mores in asks, and this post is definitely going to require that. So. (edit: this is now also available to read on AO3!)

@tamyourue asked:

For the prompt request thingy - I'm a Sign nerd, and I've read quite a few mute!lwj, which is not that surprising. But what about a mute!wwx? I think it would be interesting to explore that with the way his family and lwj would handle it, if he was either born this way or acquired a disability later in life. How would HE handle it, being such a lively and talkative person? I planned on writing a fic of the sort but you do awesome meta, and another person's pov would be really fascinating to me.

Thank very much for asking! This immediately grabbed my brain and yanked me face-first into headcanons and possibility permutations. I’m going to try to focus on something more meta-style since you mention that (and aw <3 thank you! I have lots of fun writing my meta so I’m glad you like it!), but if you write fic on this topic I would love to see it. I am 100% certain you know more about sign language than me (I know very little but this whole thing has rekindled my interest in learning, if you have suggestions for resources!) so please do correct me if I make some erroneous statements or assumptions here. Also, I feel like I should note here that I got a little carried away (this is ~7k folks) and some of the things here are probably ideas you’ve already thought about as general concepts of non-verbal communication. I’ve included them anyway because they helped me process all my other thoughts. As always, I welcome additional input on my meta.

Okay so first off, I did some research, because I love research. (Possibly this should go without saying, and I’m sure you yourself already know this, but just in case, for general context and because this is a public post: I do think it’s important to treat things like this—any form of disability or illness or othering—with respect for the real life people who deal with it every day. Let’s not romanticize these things, right? Or just use it to woobify or infantilize characters or write disability tragedy porn? And let’s do make sure we’re doing our research and consuming media (essays, blog posts, videos, etc) created by those people about their experience? Good? Good.) Some non-comprehensive sources I consulted:

This masterlist of resources (includes deaf, mute and blind character writing resources compiled from real life experiences—trigger warning on the “21 People Reveal” link: trauma, depression, rape mention)

This I Am Mute AMA on reddit

This British Psychological Society Research Digest on adults who experience selective mutism (in their own words)

Wikipedia’s Mutism page (I promise the link is there), which lists various conditions that can lead to someone not being able to speak

I also attempted to research a bit about the history of sign language in China, but most of what I found was either comparison to ASL (here’s a video on family terms) or the fact that there are two different sign languages: a literary sign language that reflects written Chinese, and a natural sign language. Also most of what I found was focused more on the Deaf community. The history of mute people in China turned up even fewer results, unfortunately, so if anyone knows good sources for that, let me know!

Jumping off all of that, things that matter for writing a Wei Wuxian who is mute: is Wei Wuxian the only mute person he knows? Are there other mute or deaf people around who use any kind of sign language? When did he become mute? How? Is it physical or psychological? Full-on cannot speak at all or selective based on environment? And is this more novel-verse, or more drama-based? (This meta is going to reference the drama more than the novel, primarily because we get to see body language and some relationships are more fleshed out, but I believe most points should work for both canons.) Questions to be answered on an individual fic basis, of course, but let’s consider some possibilities.

Character-wise, one of the biggest things here for me is that Wei Wuxian hates being ignored. It’s not exactly that he needs to be the center of attention at every single moment, but he’s a showman. Even if the protagonist of the story was someone else, he’d still be there, attracting attention and calling people out on unfairness and generally being that combination of nuisance and talented genius that we love. And he already lives in a world where he can be silenced and isolated—people drown him out, talk over him and dismiss him on a regular basis in canon, and of course there’s the Lan Clan silencing spell.

Multiple people (especially various Jin family members, but also Madam Yu and a few others) use social class and rumor and perceptions of power to shut him down throughout the story, even though he is entirely capable of speaking and often doesn’t keep quiet when it might be beneficial for him to do so. Being mute is only going to exaggerate that ability for others to disregard him, but he’s still going to be that dramatic, fiercely opinionated guy, even if he can’t communicate verbally. He tries to talk through the silencing spell practically every time it’s put on him as it is (and really, what is the Lan Clan going to do to him if he already can’t speak? That spell now becomes a totally useless punishment for him). He’s still going to disrupt Lan Qiren’s class and volunteer to show off and make noise and draw attention to himself. He might be ignored more easily, and consequently get frustrated more often, but he’s still going to do it, because being dutifully silent or nonreactive for more than a single conversation pretty much means just not being Wei Wuxian. So how does he communicate?

I do think it matters here, when he becomes mute and whether it’s selective or not. If he’s born unable to speak, or develops muteness in early childhood (say, after his parents die but before Jiang Fengmian takes him in), I think he’d develop his methods of communication in different ways than if it were to happen later. In the case of childhood mutism I think he’s more likely to use (or develop) actual sign language, and to depend on other people (such as his siblings) to speak aloud for him in some situations. I mostly base that on 1) the trust-building between him, Jiang Cheng and Jiang Yanli in those early-life flashbacks 2) how much more often he talks to merchants than anyone else (more on that later) and 3) how much nonverbal communication he uses already (it’s a lot. He’s very expressive). If he becomes mute as a teen or adult, I think he’ll deal with a lot more like he deals with the loss of his golden core: deflection of worry, insistence on independence as much as possible, and lots of inventive solutions (but still lots of body language, of course).

Okay, with those trends in mind, here are some general possibilities (in no particular order) that mix real world tactics and mdzs setting specifics and can be applied to a variety of situations:

1. As mentioned above, he might use expressions, body language, generally understood gestures or actions. Wei Wuxian tends to be pretty physically expressive in canon already, so this is likely to be his first instinct when he reaches for communication tools. Let’s look at another silencing spell gif.

Wei Wuxian is extremely expressive every time this is used on him. He makes faces. He waves his arms. He stomps and grabs at people. Where other people hit with this technique frown and look confused and touch their lips or neck, Wei Wuxian complains. He pouts. He makes a production out of how much he hates it. His moods, in general, tend to involve his entire body. So I take that as pretty strong evidence that gestures, facial expressions and miming are going to play a pretty big role in his communication style. Here is a fun youtube video for CSL of the Tortoise and the Hare story, which I think has bearing on how much he could get away with just using his face and miming. Making faces and grabbing Lan Wangji’s wrist or sleeve isn’t going to change here, and he might in fact get even handsier, if that’s possible. As a cultivator, Wei Wuxian would have access to a level of physical adroitness that most people don’t, which could also tie in to how he uses his body to communicate. In general, these are things that are going to make it difficult for him to hide his identity after his resurrection if he’s mute beforehand, but they help a lot with conveying basic ideas so they’re definitely going to be involved somehow, no matter what else he does. Something of a contrast to stories about Lan Wangji and muteness, perhaps.

2. He might communicate through his siblings/other people. Jin Zixuan gets by with saying extremely little because he almost always has other people around who are more than willing to speak for him. Jiang Cheng, pre-Sunshot Campaign, does some of the same (he’s so surprised to be called on and have to speak for himself during that first victory banquet), and of course we sometimes see this play out between Lan Wangji and Wei Wuxian in canon already: Wei Wuxian will voice things that Lan Wangji is feeling or agrees with, but is unwilling to actually say. So it’s conceivable that Wei Wuxian could get a lot of communication done by having his siblings or close friends (depending on where in the timeline the story takes place) speak for him, as he communicated with them via some other method (at its most basic just an understanding of his pov and what he would want to say, extending into body language, personal signs or sign language, notes, etc.). The best candidate for this is going to be Jiang Yanli, as we do see her stand up and speak for him in drama canon, when people start questioning whether their being alone together is appropriate. I think Jiang Cheng would do his best, but he’d also be inconsistent about it sometimes in situations where he didn’t think it was important or didn’t agree with Wei Wuxian, because he can be a moody dick when he wants to be and he’s not that great at talking himself. I forsee lots of brotherly shoulder punches and slaps upside the head. So many. More than usual. Jiang Fengmian might do a little, as might other Jiang Clan disciples (they certainly seem to like Wei Wuxian well enough to try).

As you might be able to tell, I think this method of communication is much more likely to be used if he’s mute while growing up. If he’s injured as an adult, or loses the ability to speak after he’s resurrected, he’s going to have to build all this context from scratch and it’s going to be much more difficult for this method to work smoothly. It could still work to a certain extent, but it probably won’t be as fluid. On the other hand, if Wei Wuxian was mute as a child, he’d likely be almost immediately recognizable to anyone who regularly interacted with him before his death, especially in the drama, where he has the same body. Jiang Cheng won’t have a moment of doubt when Zidian fails to banish Wei Wuxian’s invading spirit from Mo Xuanyu’s body, because he’ll have had that particular flick of two fingers or turn of a hand with accompanying scowl, etc., acted out in front of him every day for over a decade, and Wei Wuxian will have a much more difficult time hiding that, because it’s muscle memory as well as a form of communication. Which could be a very interesting plot development!

Another possible plot divergence is that if Jiang Yanli starts speaking for her brother at a younger age that might influence her to speak up more just in general, which could hugely affect the story. If she gets used to speaking for Wei Wuxian and herself (and even Jiang Cheng!) rather than letting Wei Wuxian step in as we often see him do, she might involve herself more actively in Sect politics. Which means that she’d likely be attending cultivation conferences more often. Which means that she could be in an incredibly powerful position when stuff starts going down with Wei Wuxian and the Wens. Jiang Cheng is young and stressed and insecure about his place. He doesn’t know how to say “yes, these people helped us, and they don’t deserve what you’re doing to them.” His instinct is to curl around what’s his and protect it, which is exactly what he was raised to do as the future Sect Leader of Lotus Pier. But Jiang Yanli cares about people because they’re people, in much the same way Wei Wuxian does (see: her treatment of Wen Ning during the wedding dress visit, as one example). If she’s at that conference and used to speaking out? She’s going to make a difference, because she has an excellent relationship with Jin Guangshan’s wife and his heir. Jin Zixuan is actively pursuing her at that point. She’s gentry, from a good family (unlike MianMian). She is right on the cusp of marrying into the Jin clan. If nothing else, she has enough influence that if she speaks out, Jiang Cheng will support her, and possibly others (such as Lan Xichen, sitting there looking uncomfortable but not saying anything as long as Wei Wuxian stands on his own). That could be a fun ripple effect to see played out.

3. He might communicate through music. This would be a fantastic place to use the Chinese literature technique of poetry allusions. Different songs or melodies might be associated with different lyrics, or plays, or poems, and so just a short musical phrase could convey a fairly complex (if sometimes more allegorical or symbolic) meaning. This particular method of communication might be most effective in conjunction with the Lans and Nie Huaisang just because they’d be more likely to make quick connections and respond to them without further explanation necessary, but in the right circumstances it could work for most cultivators, since they seem to pride themselves on their literacy. I’m still just barely dipping my toes into this stuff so I don’t have any concrete examples here, but I think it could be a lot of fun to incorporate more music into Wei Wuxian’s life before Chenqing, since he certainly learned to play the dizi somewhere before that whole coreless-in-a-death-trap adventure, and also I think travels with Lan Wangji and the juniors might be fun with some musical references peppered in. Which I might keep in mind even for fics where Wei Wuxian is not mute.

This next song compares Jin Zixun to all the fools of history and legend and finds him lacking.

4. Talismans! Wei Wuxian, being Wei Wuxian, seems to like to use talismans both to get attention and to convey meaning even when he doesn’t have any particular difficulty speaking in canon (I adore the butterfly talisman, okay, I will never be over it). And using talismans doesn’t necessarily mean conveying ideas in words, even though magical glowy writing can very cool.

[insert image of Wei Wuxian writing on his palm, clapping his hands together and then separating them reveal a glowy orange insult to Jin Zixuan’s ego held between them because he’s blunt like that sometimes]

Again, symbols and poetic allusions could be used. Whole landscapes, steaming bowls of soup, he could run wild with his artistic talents. Also he’d probably be able to figure out a sort of magical white-board situation with writing and erasing and re-writing script easily, though it would consume spiritual power of one type or another so it might be more difficult for him to pull off for a longer conversation, or after he’s lost his golden core (there’s another fun plot hook to play with: figuring out new ways to communicate as well as necromancy during the Sunshot Campaign). We do see him erase a talisman in the drama during the Yi City stuff, so that’s very nearly canon already. Basic writing would also be an option here (as we see Song Lan use) but I think the frustrations of needing ink and a brush or writing on the ground and everything would get to him pretty fast—Wei Wuxian is not a very patient person most of the time, so unless it’s actual letter-writing or a book of pre-set phrases he carries with him (probably a good idea for emergencies anyway) I don’t think that’s going to be his go-to.

Another talisman option is: let’s not forget that Wei Wuxian is a genius inventor! He could do so many things with cultivation. To pull from a real world technology example: Maybe he makes a talisman he can wrap around his throat that will convey the vibrations of his vocal chords (provided he has fully developed ones of course). Maybe he combines talismans and fireworks to get attention and write sparkly messages at the same time. To pull from things already in the canon: Maybe he uses Empathy for really important situations. Maybe he can literally steal other people’s voices momentarily, as he does control of bodies, or, post-Burial Mounds, maybe he can speak through the voices of spirits and fierce corpses. How freaking creepy would those be? One is like the reverse of the Lan Clan silencing spell: you can’t speak, but I can use your voice, potentially out of your own mouth. The other is just going to make traditional cultivators break out in hives: Wei Wuxian showing up to the war and every time he wants to speak he summons a fierce corpse or a ghost to scream his thoughts into annoying people’s faces.

Those last two aren’t going to win him any friends but oh wow do they look fun.

Imagine Wei Wuxian roasting Su She and exposing his whole plan in Su She’s own voice.

One last thing here that just occurred to me: Wei Wuxian has on at least one occasion in the drama used the paperman to talk to someone. He does it with Wen Qing, to ask if there’s any way she can arrange a break for Lan Wangji when he’s walking on a broken leg. Is that a telepathy thing? Or a voice thing? And would his ability to do it be affected by his relationship with spoken words? Food for thought.

5. Context or partner-based signs. These would be signs he makes up or develops in conjunction with friends and family, but which are based on shared experience and reference points rather than a full sign language. Could be pretty much anything as long as they mean something to his audience, but are going to be useful mostly for those cases where he’s having a one-on-one conversation or trying to get someone else to verbalize for him in a larger group. Counting on fingers, waving, summoning, the three-finger swear Wei Wuxian uses on that rooftop during the Sunshot Campaign etc. would be examples of generally socially known gestures so this is mostly just an extension of that. I would like to think that he would have personalized sign nick-names for people, probably related to puns or in-jokes. This is a fun place to play with context and relationship complexity, because different people are going to have different levels of fluency in “Wei Wuxian.” Perhaps that’s part of the wedge that drives itself between him and Jiang Cheng even: after months on end with the Wens, Wei Wuxian has mannerisms and signs Jiang Cheng doesn’t know, which just make him feel even more distant from his brother.

6. He might use an actual established sign language of some kind, probably one usually used in trade contexts (because there are many dialects and languages in Ancient China so trade sign could very easily be a thing) unless you build more of a social network (and more general social acceptance) for mute and deaf people into the world. Which could totally happen! But if you don’t tweak the world-building then sign language as a language beyond trade sign is going to be minimally useful to most individuals who would need it, because they’re mostly going to be communicating with people who don’t use it (as can often happen in the real world, of course). I think a general-use sign language or trade sign + personal signs could be a lot of fun, especially between close family and friends (how much would especially drama!Wen Ning love that added level of connection and communication?)

Look at them. Look at this ridiculousness.

But outside of that it’s probably not going to be something anyone but especially kind souls will actually use with him beyond actual monetary transactions. This is not a canon that’s generally kind to people who are marked as different. Most of the big cultivators probably wouldn’t even learn much trade sign, especially not the Jins and Wens, because they have servants to negotiate prices for them if necessary, but the Jiangs might learn both because they’re closer to their trade-port commoners and for Wei Wuxian’s sake. Anyone who travels alone would want to know some, at least. Lan Wangji might know a little and learn more specifically to communicate with Wei Wuxian? Could go a lot of directions.

7. Clapping, tapping things together, stomping, whistling, and maybe laughter, vocal crying or screaming, humming and whispers. These methods of communication will depend a lot on why a character is mute and whether it’s physically or psychologically-based. Clapping, tapping, stomping and whistling should be generally possible; the rest depend on vocal chord development and certain nerves being functional. Interestingly, this means that Wei Wuxian still has total control over simple fierce corpses and spirits even if his vocal chords don’t work or are damaged. Which is cool. Clapping/tapping/stomping would allow him to engage in morse/chinese telegraph/tapping code styles of communication too, if such a thing exists in Ancient Fantasy China (Why not? They already have chilies and potatoes and fly on swords). A whistle code for night hunting would just be a useful thing in general, for everyone. Limited speech might also be a thing. In some cases of selective mutism people can speak with certain people (a feeling of safety seems to be a big factor, though sometimes I saw reports of people saying they could speak just fine if it was on stage/part of a theatre production but not for day-to-day stuff too), or at low volumes. This might be more taxing than other forms of communication, or not, depending on the specific situation. It might lead to things like Wei Wuxian being able to talk to his family and possibly close friends like Lan Wangji, but not in large groups or to “outsiders,” which might in turn lead to more resentment on some people’s parts and more accusations that he’s just being rude or arrogant, etc.

8. Fan code. Because it should exist, why is Nie Huaisang the only person in this canon with a fan. Should be remedied, obviously.

Think of the things he could be saying if he had anyone to talk to this way!

9. The telepathy spell from fighting the Tortoise of Slaughter. This is a drama-exclusive thing, and I love it! So much! But. Telepathy is a very common workaround for characters who are unable to use verbal language and personally I think it’s often used to just totally erase that non-verbal communication or any of the difficulties actual mute people experience. So. It might be more interesting, and more respectful for real people’s lived experience, to introduce some further obstacles. What are the spell’s limits? Distance? Duration? Can it involve more than two people? Does it consume energy from all parties or only the person who initiates it? Who knows it? Is it a Lan Clan specialty? Is it only for highly ranked disciples? Did Lan Wangji invent it? Do the Lan juniors know this spell? If they do, would they use it? If yes to both those last two questions, that eliminates a lot of barriers for resurrected Wei Wuxian. Both Lan Sizhui and Lan Jingyi seem like they would willingly (with varying levels of sass of course) take on the task of relaying Wei Wuxian’s thoughts, at least sometimes. But again, it matters when Wei Wuxian becomes mute, because language and how you communicate shapes how you think. What if one of them or Lan Wangji uses the spell, and Wei Wuxian’s thoughts don’t come across as direct words? How does that impact their ability to communicate in this way?

Also, I invite you to picture: Wei Wuxian is back from the dead. He has been reunited with Lan Wangji. He can’t talk, verbally, but he can speak with Lan Wangji telepathically. This is a new development related to his resurrection. Lan Wangji is now faced with a dilemma, because he kind of depends on Wei Wuxian to do all the talking in a number of situations as the plot moves forward. How do they maneuver those situations now? The confrontation of the second Burial Mounds siege? The reveal of Jin Guangyao’s crimes? Also, depending on how the spell works and their communication style before Wei Wuxian died, it’s totally possible that he now just has Wei Wuxian chattering at him inside his head rather constantly, to make up for the fact that he suddenly can’t speak aloud. How does that affect their changing relationship as they go on adventures?

A possible example of this scenario.

Okay, time for some character implications. You know that thing Wei Wuxian does where he has to prove that he is at least as good and usually better than everyone else at whatever he can manage even though he’s an orphaned child of non-gentry parents? Yeah. That’s probably going to get cranked up all the way past 11 to like, 17 or something. A lot. Because if Wei Wuxian can’t verbally speak in a culture where oratory is such an ingrained part of daily life and cultivator culture, a lot of people are going to use that to assume he’s also stupid or unskilled. We see repeated examples of Wen Ning and Jiang Cheng being disregarded or manipulated through their inability to give speeches the way other people do, and the ability to speak well is mentioned as a distinct and admirable ability in reference to both Jin Guangyao and Ouyang Zizhen. It’s something cultivator politics pretty much requires, after a certain point: the ability to speak, clearly and with authority. Not being able to is going to tick Wei Wuxian off to no end. Frequently. And also (I believe) add even more fuel to his “I’m better than you” antics.

He’s still going to be this dramatic asshole, and he’s still going to be better than Jin Zixuan.

Speech doesn’t affect any of those gentlemanly skills he’s learned (provided we assume he still ahs the opportunity to learn them). It doesn’t affect his archery, or his swordsmanship, or his cultivational power. I don’t think it would affect horsemanship, but it might depend on how the horse was trained and what sounds Wei Wuxian is able to make. But either way, with the skills he does have I think it’s possible he would flaunt them even more, especially in front of people he thinks look down on him. He might also get into more physical fights, since he already has a tendency to do that as is when he’s offended enough (most obviously illustrated by his Cloud Recesses confrontation of Jin Zixuan). He might just walk out of more conversations, as we saw him do during the Sunshot Campaign, even before he loses his gold core. He might get even more unconventional in his ideas even more quickly, because he doesn’t fit in as well from the start and never will. The appeal of becoming a rogue cultivator or trying to seek out Baoshan Sanren on his own might be pretty strong. Lots of canon divergence and AU possibilities there.

As far as inter-character relationships go, if he’s mute from childhood I don’t think his relationships with his adopted family would change a whole lot. Madam Yu is going to throw his muteness in his and everyone else’s faces on a regular basis because it’s another handle she can grab onto. Jiang Cheng and Jiang Yanli might be more protective of him, but I think their personal dynamic with him would remain largely the same. Same with Jiang Fengmian. Jiang Yanli might speak up more often and Jiang Cheng might be forced to develop more patience and eloquence at a younger age, which could certainly ripple out into bigger things over time if you wanted to go that direction. Similarly, Lan Sizhui might have vague memories/ an increased ability to pick up the meaning behind “Mo Xuanyu’s” gestures and signs, which in turn could lead to his own identity being revealed sooner as well. It really depends on how deep you want to go, and how far you want to spin things.

Wei Wuxian’s relationships with the rest of the cultivation world, on the other hand, might be drastically different from a younger age because there’s always going to be that hint there that he’s lacking something, even more than he already gets with his birth status. I could absolutely see it being used in a very similar way to how mentions of Jin Guangyao’s parentage are used. In addition, Wei Wuxian’s going to have a harder time charming his way through situations, because the pacing of his conversations is going to be different. A lot of people are going to avoid him even before he turns to demonic cultivation because they don’t want to deal with learning new ways to communicate, which might contribute to his desire to show off more often and more drastically. (Some people of course are going to hate him even more because of this, and say things that involve phrases like “despite his shortcomings” but they hate him anyway. So how much that increase in irritation affects plot would depend on how far you wanted to take it.) Many relationships (especially more superficial ones) might have to be built a little bit slower, or a little more indirectly. A single first meeting will make less of an immediate positive impact unless he develops some specific strategies. Is he going to be remembered? Absolutely. But he’ll have to work harder to be remembered as “that charming, skilled Wei kid” instead of “that mute guy from Yunmeng Jiang.” It’s definitely a challenge.

This pun-and-flirting-based conversation, for example, would be very difficult to pull off.

With Lan Wangji specifically… I think it could go a lot of directions. I do like to think that one of the things that he finds attractive about Wei Wuxian is that Wei Wuxian makes it obvious he wants to be around, and be friends, but he accommodates Lan Wangji’s moods and actions without the need for very many verbal cues. He pays attention. All the time. He reacts to everything Lan Wangji does, whether Lan Wangji is talking or not, and he wants Lan Wangji’s attention in return. They actually have a lot of non-verbal communication going on already. They click, on a certain level, especially in combat situations, and can convey a lot of communication without very many words. So I don’t think that part would change much. Maybe more whistles and gestures and music, but it already involves a lot of touching. Nor would that aspect of Lan Wangji trying to figure Wei Wuxian out change a lot—the puzzle part might even be intensified, which could be fun to play with and lead them to be closer from an earlier time, especially in the novel setting. What might change is that Lan Wangi might start picking up more of Wei Wuxian’s ways of expressing himself, because another part of what I personally see in their relationship is that Wei Wuxian is often a catalyst for Lan Wangji realizing he can approach a problem from a totally different angle. If Wei Wuxian uses music to communicate as well as in cultivation, Lan Wangji might pick that up, or he might pick up certain gestures (signs can sometimes be more efficient than spoken words, especially if someone is used to them, and I think that would appeal to Lan Wangji’s economy of expression), or ways to use talismans (as we see him use one of Wei Wuxian’s talismans as a distraction in the drama). So yeah, if Wei Wuxian is mute when they first meet I think they would develop some slightly different lines of communication, but overall the shape of their relationship would remain largely the same. (Exploring those slightly different lines could be a lot of fun, even so :D)

A lot of the things I’ve written here are primarily based in the idea that Wei Wuxian is mute in childhood. If Wei Wuxian lost the ability to speak as a teen or adult, that would be pretty different. His frustration levels would be even higher than if he was dealing with it most of his life, especially since, as I noted above, I don’t think he would have as much of a chance to build a working knowledge of signs with very many people, if anyone at all. If his reaction to being trapped at Burial Mounds and becoming first a war hero and then a social pariah are any indication, he’d be dramatic and angry about it, and probably actively use it as a blind to disguise his lack of a golden core as much as possible. I think in any case where he became mute after growing up speaking, his chosen methods of communication would be a lot more direct and voice- or writing-based, whether through use of resentment-fueled voice-borrowing or talismans and glowy writing, or inventions like the vocal chord vibration thing. He’s going to be much more resistant to relying on other people if he can at all avoid it, and much more impatient about round-about methods of communication like music. He’d probably also employ a lot of exaggerated facial expressions and emphatic (and probably often rude) gestures. His adulthood is pretty stressful to begin with, and this is only going to make it moreso.

For character reactions in that situation—I think there would be a lot of concern from his siblings and Lan Wangji, and depending on when it happened there might be a lot of connections drawn between his inability to speak and his adoption of demonic cultivation. (I see four major points where he might become mute as a teen/adult before his death, and they’re all pretty close together: 1) during the Wen indoctrination camp, 2) when he wakes up from his coma after fighting the Tortoise of Slaughter 3) when Lotus Pier is invaded and destroyed, 4) When Wen Chao captures him and throws him into the Burial Mounds. Potential option #5: in a battle during the Sunshot Campaign.) On the one hand, in these situations Wei Wuxian already has established relationships based mostly in respect with a lot of people, so he might meet with more patience (but also more pity) for a while. On the other, people like Jin Guangshan are absolutely not above using something like this to shut him out of politics entirely.

But okay, among people he actually likes: I think Jiang Yanli and Lan Wangji would put in the most effort for actually communicating with him and helping him find ways to cope, as we see them do in the drama with the golden core situation. They and Jiang Cheng might possibly also narrow in focus pretty hard on finding a cure, if possible, since that falls in line with their reactions to his giving up the sword (something to be careful about in writing, as the difference between “magical cure” and “recovery through speech therapy” can be pretty important on a sensitivity level).

In a case of selective mutism—I think only Jiang Yanli would react well at first.

I cry over their relationship so much.

At this point Jiang Cheng is well and truly into his “why are you making my life harder” phase so Wei Wuxian being able to speak with him in private but not in public might start as a relief and then quickly become annoying as fuck. It might take Lan Wangji a while to figure out it’s even happening, especially if he’s one of the people Wei Wuxian still speaks aloud with. He might just think for a while that Wei Wuxian is trying to be better about controlling his mouth in public settings. But once he did figure it out, he’d probably adjust pretty quickly because he can relate to it a bit—we see him speak in small groups or one on one way more often than in more public stage situations, even though he is generally fully capable of speaking. I do think there would still be an undercurrent of worry there though, especially since at that point in his life Wei Wuxian is pretty close to spiraling out of control at the drop of a hat.

This sort of thing might be a lot more common.

Post-resurrection, Wei Wuxian himself would probably be really, really confused to suddenly be alive again but unable to speak. I think he’d spend some time going “wtf??” and then shoving his way into situations with wild hand gestures and body language and facial expressions. Think about that first confrontation in Mo Village, where he’s acting “mad”? That sort of exaggeration, and deliberately provocative physical contact maybe. He might play really annoying noises on grass or his poorly-made flute to get people’s attention. Whistling is highly probable. There’d probably also be some related depression, too. All of these things are obviously possibilities for if he developed mutism earlier of course, but I think if it came with the resurrection he’d have a lot more questions about it, and focus a lot more on being able to make noise at first.

I will make everyone else aware of my personal annoyance in any way possible.

He might end up doing more instead of trying to lead the Lan juniors to the correct conclusions, because he’s going to have way fewer communication tools than he would under other circumstances. He’d be less able to immediately insult Jin Ling at their first meeting, and less recognizable to Jiang Cheng. And once he met up with Lan Wangji, I think Lan Wangji would worry a lot about his silence in this case, because it’s so unlike him and they don’t know why it’s happened (unless Mo Xuanyu was already known to be mute). Finding a cure or a way to practice and build up speech again would be pretty high in both their priorities, I think, and Lan Wangji would watch Wei Wuxian a bit more closely, to make sure he stayed safe (because if this has changed, what else has changed?).

That oversight could influence the plot a fair amount. It might mean that they don’t catch Nie Huaisang at the Tomb of Blades. It might mean that Wei Wuxian tries to run away more often, or more determinedly, because he feels like he’s being smothered. It might significantly impact their ability to communicate during the Yi City fights in the fog, unless they’ve developed or adopted a whistle or clapping code by then. Wei Wuxian picks up on A-Qing’s tapping quickly enough that he’d probably come up with something a little more sophisticated, given time. They might spend a lot more time in the evenings and while traveling working on ways to communicate. Writing. Music. Empathy-the-technique. Establishing gestures and tapping codes, designing new talismans, etc. but for a while there Wei Wuxian is going to be extremely dependent on Lan Wangji (and possibly sometimes Lan Sizhui) to interpret and speak for him, which is a major change in their relationship that could be really interesting to explore. Does Lan Wangji start speaking out more often? Or does he employ intimidation or position or the silencing spell to make others wait for Wei Wuxian to communicate in other ways? How does that effect Wei Wuxian’s hidden identity? Does this experience resolve their friendship-to-lovers plot faster, or does it provide just provide even more opportunities for miscommunication?

The possibilities for fic are very nearly endless, I think, but my personal favorite options would be either something with the voice stealing and fierce-corpse-yelling (the consequences would be huge but individual moments could be very satisfying) or a fic focused on Lan Wangji and Wei Wuxian working together, building new communication tools and deepening their relationship through shared context, because I am a Wangxian sap at heart <3.

#wei wuxian #the untamed meta #mdzs meta #the untamed #mo dao zu shi #chen qing ling #lan wangji #jiang yanli #jiang cheng #alex writes #alex writes meta

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splendidshinobi · 3 years

Text

FULLMETAL ALCHEMIST 2003 LIVE REACT: EPISODES 6-10

back at it again with the white vans

episode 6: the alchemy exam

alrighty then

um mustang calling edward “ed” is EXTREMELY offputting

ohhhhhhh noooooo not shou tucker

FUCK

im wholly unprepared

them all being in central instead of east is low key jarring like my brain isnt computing it

alexander’s intro is basically the same

nina bbyyyyy girl u deserved so much better

ed is such a fucking nerd...chemistry club modern au confirmed

god the more tucker talks the more i wanna beat his face in

al pretending to eat by tossing a potato in his armor i-

aww theyre playing in the snow theyre so pure

wonder how long thatll last

“bigger brother” and “little big brother” and ed doesnt even get mad

ed’s birthday party????????

A MELON? ED YOURE SO RUDE

so 03 had ed’s bday instead of elicia’s...CAUSE THEY GOT ELICIA IN THE WOMB

“it’s here!” “the tea?” “the baby!” hughes is a fuck head

ok so now they’re having elicia replace rush valley baby arc

this was winry’s time to shine in fmab i miss her

if winry isnt here who is gonna birth this baby

oh my god they just realized ed can use alchemy without a circle

no wonder he’s been using circles this whole time

SO ELICIA JUST POPPED OUT????? WHAT

STUFF ALEXANDER IN THE ARMOR AND PRETEND YOURE A TALKING DOG???

“i dont think thats very funny” NO ALPHONSE IT IS NOT

THEY KNEW EXACTLY WHAT THEY WERE DOING WITH THAT ONE I SWEAR TO GOD IN THIS ESSAY I WILL

damn bradley what up homie

im so thrown off by the way theyre doing the exam omg

seriously what the hell is fuhrer bradley’s purpose right now is he even the fuhrer in this i feel like they wouldve mentioned it

oh lord ed is about to impress everyone with his clappy hands

ok so next episode is nina FUCK

episode 7: night of the chimera’s cry

havoc babeeee

im gonna marry him my himbo king

also can RIZA DO SOMETHING PLZ

“huhhhhhhhh nina” ew tucker that was weirdly gross

wonder why

cant do it cant do it

do we think jean kirstein was modeled after jean havoc slightly looks wise

was that purposeful

ill have to google

serial killer who only targets women? it cant be scar...scar drinks respect women juice

barry or slicer bros maybe? um ok

why did we start with liore if they were just gonna hop right back into the past for a huge chunk of episodes idk

assessment day??? oh noodles

AL WHY DID YOU TELL TUCKER TO MAKE ANOTHER TALKING CHIMERA ALPHONSE NO

THE NOISE I EMITTED IM GONNA TAKE A LAP

im gonna FUCKING SCREAM

ed r u writing to winry??? that’s a bit out of character for u good sir

no tucker put that baby down

im gonna fucking SCREAM

aww he burned nina’s picture thats not sus at all

SHESKA!!!!!

wait does the ironblood alchemist know what tucker did to his wife? thats kinda the vibe im getting

SCARRRRRRRR

looking like a pirate too damn

his voice sounds different is that j michael tatum

apparently not it was dameon clarke in 03 ya learn something new everyday

ew elicia has a lot of hair for a FUCKING NEWBORN

ed really is such a cynic very suspicious of everyone as he should be really

basque grand knowS SOMETHING

oh jesus oh fuck oh god please do not TOUCH THAT BABY

ed and al snuck back in to the house well u know what its for the best

OHHHHHHHHHHHHHHHHHHHHHHH NOOOOOOOOOOOOOO

im gonna cry again please god no

FUCKING DIE SHIT HOLE

she’s hurting? oh my god

my sweet angel

ew his eyes!!!!!!!

tucker is such a fucking failure...like look at the chimera squad and greed’s theatre troupe being the way they are. ugh it really hits how fucking unfair it is

ed was really about to split them? boy you know better

where is nina going...im hurting

ed really tried to save her in this one

SCAR KILLS NINA IN THE STREETS???????? SIR

thats different

oh snap

oh FUCK

SCAR WHY DID YOU LEAVE HER BODY LIKE THAT

THE WAY SHE WAS ARRANGED ON THE WALL THAT WAS FUCKED UP

AND THEY FOUND HER LIKE THAT???? AT LEAST IN BROTHERHOOD THEY DIDNT HVE TO SEE HER CORPSE ARE YOU SHITTING ME?

that was fucked.

episode 8: the philosopher’s stone

can yall get ed and al away from nina’s fucking MURAL

get out of the car mustang

finally jesus christ

roy mustang talking about healthy coping mechanisms dont make me laugh but alright baby boy go off i guess?

im curious about who this goddamn serial killer is though lets turn to that plot thread

r u kidding me

mustang is making ed and al take over tucker’s research?? thats actually wildly messed up

oh tucker was straight executed that’s a choice i guess

tucker and the philosopher’s stone sounds inaccurate but ok

ed please stop being mean to your brother

03 mustang has got me reaching for a fucking baseball bat on GOD

scar and edward having this conversation right now i literally cannot

WINRY yes bitch

BRADLEY WHAT IN TARNATION

JESUS LORRRRRRDDDDDDDDDDDD

alphonse shut your mouthhhhhhhhhhh

im so confused what is bradley up to

“alchemists are not cold blooded murderers?”

i mean

kimblee would beg to differ for one

whos this creepy lady

her voice sounds familiar

barry’s food shop?

the killer is barry ok got it

IS BARRY DISGUISED AS A WOMAN

I KNEW THAT WAS JERRY JEWELL’S VOICE

WELL I KNEW IT SOUNDED FAMILIAR AT LEAST

WINRY GET OUT OF THE FUCKING TRUCk

has PINAKO TAUGHT YOU NOTHING

ok so i VASTLY prefer suit of armor original manga canon barry

this is such an odd plot what in fuck

um OW the meat cleaver

im so confused this fucking plotline

oh hey alphonse nice of you to show up!

is barry still gonna become a suit of armor later on

it makes NO SENSE to introduce him otherwise

everytime i see 03 mustang i wanna beat his ass HONESTLY

literally i will shove my foot up his ass

fullmetal here we go

ed thinks he’s so punk rock

oh great scar’s seen the watch

episode 9: be thou for the people

ed you simp buying winry all this stuff my edwin heart is ascending

SIMP SIMP SIMP

“mr. elric”?? you mean MAJOR ELRIC

to be fair though fuck the military

YOUSWELL??? oh LORD

im gonna need to read a full chronology of this show

alphonse continues to be a precious angel

where’s my boy yoki!!!!!

edward you idiot don’t go flaunting your money

woof woof ed

al looks so offended by ed saying they just met

whereas in brotherhood didnt he totally throw ed under the bus???

a choice to be sure

ah there he is hello yoki

who’s the chick

shes a lesbian

yoki makes me miss my baby girl mei chang

mei where r u

WAS THIS MILITARY DUDE REALLY ABOUT TO CUT DOWN A CHILD??? oh my god

hawkeye getting a promotion yes bby girl

jesus theyre transferring them to east now OKKKKKAY thats not how it happened it the book but ill take it....just doing it the opposite way i guess

who is lyra who is she

cute some military bribery

umm lyra what the fuck did you do

lyra is a homunculus im callin it now

they definitely invented/changed up some homunculi in fact im certain they did and shes one of em. gotta be

i feel like 03 wrote ed as much more insensitive towards others than he really is...just a vibe im getting

i know he was faking for the townspeople’s sake but i still get this vibe from other instances

i mean i cant say its not “canon” because its 03 canon

anyways what a show off

i cant believe theyre going to east...fuery and breda better be there

ok finally some answers on their ages....ed got his license at 12 like normal and nina and youswell were when he was 12...liore was 15,

if they didnt flash the ages on the screen id be lost honestly

at least we’re back up to “present day”

episode 10: the phantom thief

ed saying he doesnt wanna see mustang

same

03 mustang is activating my fight or flight and im choosing fight

ed cheating at cards totally checks out

um who the fuck is this woman

what is she wearing

SERIOUSLY WHAT IS THAT CUTOUT MAAM HOW DO YOUR C**CHY LIPS NOT POKE OUT

idk but this is fem!hisoka

“hey shouldnt we talk first” after getting handcuffed??? christ almighty these innuendos

siren??????? siren is probably also a “fake” homunculus

ugh

ok so the nurse is siren

ya aint slick girly

alphonse control your crush

I REFUSE!!!! ALMEI RIGHTS

why is al’s hair so brown in this flashback anywayssss

oh its spelled psiren ope

like she’s literally a batman villain...

oh my god...............the tiddy grab. my son would never

my son is respectful

is this her homunculus tat or just a random alchemy tat

the added plotlines and original content continue to confuse and astound me every single time....

ok but if psiren really was doing this for the hospital she wouldnt be so flashy about it. like thats how you get caught sweet cheeks

girly stop flirting with this child on god im gonna fucking kick you

now shes a nun????????????????

Shes a fucking troll i hate her

im going to kick alphonse into the sun

oh great now shes a teacher

wow shes a savior. the savior of amestrian venice. greatttttt

ed looking exactly like this emoji on this gondola rn 🧍‍♀️

STOP FLIRTING WITH THE CHILD

GOD THIS IS SO BATMAN VILLAIN ESQUE

alphonse plzzzzzzzzzz she aint your girl

ok so probably not the last we see of this ding dong con artist

ok so its starting to get muddy. im scared the 03 stans are gonna come after me like i do like it and im having fun watching it but some of the plot and characterization choices are just....odd??? idk i gotta keep going though!! im sorry i just stan arakawa and her work in all her glory!!!

#carol watches fma03 #fullmetal alchemist #carol's remaining brain cells #this is fun for me and no one else #whatever i dont care about anyone else on this website anyway #this is my stupid hole

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