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#author's never have i ever
daintyduck99 · 5 months
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For the Never Have I Ever game:
WING FIC?
I have never written wingfic! But if I did: 
Julie is a guardian angel. Her latest assignment is a milestone, her first that will require her physical presence on earth—but she doesn’t feel much like celebrating when she meets Reggie. She “accidentally” bumps into him, of course—angels sense auras through touch—and despite his kind, crooked smile and bright eyes, his aura is—a troubling mixture of many colors. 
It leaves the whole thing muddy. It leaves Julie in distress. 
“That’s empathy,” her mother tells her, whispering on the wind, “use it well.”
His aura also sings in a way that haunts her. Most people’s auras don’t sing. It’s beautiful, and heartbreaking, and she technically doesn’t even have a heart to break. She shouldn’t, anyway. 
But Julie isn’t used to this—the gradual shift of becoming more human. She knows she’s on a time limit. She’ll become too human if she stays for too long. But her idea for how to help Reggie might require more time—and a little cooperation from a few other humans and angels. 
You see—there are a few other lonely, troubled boys in LA whose auras sing, and maybe she’s not supposed to know about them (but they shouldn’t have given her and Flynn and Willie their assignments so close together and in such proximity, then—she can’t help but wonder if her mother might’ve pulled a few strings, if she’s rooting for her to do something unorthodox). 
Something tells Julie that they’d be better off together. Only to find that—she’s better with them, too. As she starts becoming more human, certain things (like molting wings) are hard to hide.
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ashenstars · 7 months
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comfort ship fr
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lenievi · 9 months
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(DC Comics February 1995, issue 68)
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erytherion · 3 months
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Reading the webtoon and…
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Does this imply that Kim Dokja also tried to write a questionnaire for her to fill in since she wouldn’t speak to him, that either he 1) never gave her in the end (especially if he couldn’t find her after she was released) or 2) gave it to her and she STILL refused to answer?
Because that is so so so so awful. It was already bad but if he tried so many ways to get her to speak and she still gave him no response, regardless of her reasoning… isn’t that still directly choosing to cut herself fully out of his life? Why in the hell did she lie for his sake and allow him to visit her if she wanted to never speak to him again?
I know everyone claims Kim Dokja is just like her in sacrificing himself for loved ones, but at least he tries his best to stay with them and to keep them in his life. He still chooses sacrifice, but it’s not because he intends to never return. He always returns (even if much later than planned).
The only time this differs is with 51%, when he STILL tried his best to stay with them - at least as much as he could.
I sometimes like Lee Sookyung, but I am mostly still SO mad at her for completely ignoring her child since he was 8 years old. Especially when he must have looked like shit any number of times from being mistreated and bullied by family, friends, army, employers.
But maybe that’s just the fragment in me being eternally pissed with her. She DOES love him, but like he says in the webtoon in this chapter - maybe such truths are painful enough to be false anyways, because they’re just SUCH bullshit. That’s not how affection should work, if you actually care about someone and want them to be happy.
#RAWWRGHHH I WANT TO SHAKE HER SO MUCH#LOOK AFTER YOUR KID#and if you can’t do that because of circumstances at least ACKNOWLEDGE HIM#yes I do know she cared and it’s just that she mistakenly believes he’s better off this way without her but like#then WHY does she still insert herself back into his life when he’s finally stopped trying to get her to speak?#yes yes others have great analyses on her and their relationship and I usually agree with their logic but it’s still. So. Hard. to like her#but then I remember that this story was the little Dream’s wishful thinking to cope back then on his own#and so maybe in his world Lee Sookyung never ever would speak to him again#he just wished she would so he wrote it down as happening for This older version of him#and that’s somehow worse because like#even in the story where he got her to speak to him again she still won’t speak so he has to force the words out some way (via outer god)#and if that’s true then it’s still just his interpretation of her actions and choices#and not her own since she never told him#so like ARGGHHH#but I like to believe that characters have autonomy despite their respective author’s efforts in documenting them#so she still chose to speak all of this too and he would have accurately interpreted her this way because she controls what she says#even if he (little Dream Kim Dokja) is the one writing it down as wish fulfilment fix-it fic#a fix-it for himself and not just for the other people he loves#😭😭😭#orv#orv spoilers#omniscient reader’s viewpoint#lee sookyung#kim dokja
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chanshoesunite · 1 year
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"Say please"
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The club is dark, filled with pulsing lights and red shades. YN is standing on the sidelines with her date, sipping gin. She looks Chan over once more. He knows exactly how to show off his toned physique best and has combined his tight jeans with a black satin shirt. Due to the heat of the club, two of his buttons are undone, and she cannot wait to explore the muscles on display soon.
When she tears her eyes away from Chan for a moment, she notices an ex-fling of hers making his way over. She groans – she does not have time for that guy’s antics tonight. Quickly, YN makes a decision. She sets down her drink and pulls on Chan’s strong shoulder so he stands in front of her.
„Can you pin me up against the wall?“
„What?“, Chan is confused for a second, but in an instant his demeanour becomes predatory as he grins at YN with a wolfish smile, „say please.“
He punctuates his command with a squeeze of her waist.
YN stares into his face, lifting an eyebrow. She grabs a good handful of Chan’s hair to pull him towards her even more. Their faces are so close, she can feel his surprised breath against her mouth.
“Make me”, she whispers against his lips, letting her gaze wander from his eyes to his mouth in a challenge.
With a growl, Chan nudges his thigh between her legs. At the same time, he hooks his arm around her thigh, urging her to put it around his hips. He grinds into her, lifting her higher in the process. His other hand comes up to rest lightly on her neck, his fingers pressing into her skin like a promise.
“I will make it worth your while, baby girl. Now, say please.”
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spooksicl-e · 2 years
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“happy” is not the right adjective but. happy nov 5th
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stormiclown · 1 month
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After rewatching the Legend of Korra, specifically the pro bending episodes, I feel like it would've made much more sense for Toph to have invented pro bending instead of becoming a cop/chief of police. I can understand why her developing a school to teach metal bending would be an aspect of her future, but a cop? Not so much. Considering her past as the Blind Bandit, creating pro bending makes much more sense for her character.
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uncanny-tranny · 10 months
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I'm going to be real, I think people (particularly neurotypical people) really fail when they see disordered eating as solely a behaviour when it isn't just that (and usually they assume the behaviour can only be restricted eating). Disordered eating is as much a frame of thinking as it is a "behaviour".
I say this is a failure because people are struggling, and they aren't receiving help they need because they're not seen as "eating disordered". The mindset that leads to somebody developing the behaviours associated with disordered eating is - in my experience - absolutely life-ruining and devastating. It genuinely feels like a huge part of your soul has shriveled up and vanished. When you see disordered eating as a behaviour, you are fundamentally not understanding what these issues tend to be, and how they arise.
This is so, so especially important for people who don't "look" the way society expects. For instance, the number of men I see absolutely destroyed by these thoughts, feelings, and compulsions is really almost astonishing. We need to do better for everybody - everybody deserves the help they want and need.
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fishyyyyy99 · 9 months
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"But regardless of intention, the author is dead and the text is subject to interpretation on its own merits."
I just read this on Reddit in the context of someone talking about a specific show, but I just felt like putting it out there, because it applies to all TV shows, movies, books, etc.
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unexpectedstormy · 8 months
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I wonder if the reason why I tend to get overlooked as an LU writer is because I tend to write for Wild and Hyrule and not the "cool" Links like Legend, Warriors, Time or Four.
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daintyduck99 · 5 months
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fake dating for the never have i ever game
So I've never actually written anything with fake dating! I do have a fake dating premise/wip but I haven't touched it in a while...it involves three people so it's a little complex.
If I ever get around to writing that, though: Reggie’s mom is getting remarried. The two of them are a little codependent and fiercely protective of one another and he doesn't want to show up without a date because then she'll spend all of what should be her night worrying about him. He can't ask a close friend, though; they're all happily in relationships. He's about to resort to Tinder or Craigslist or something.
However, Luke is worried about him and that plan (surely just worried and that's all this weird feeling is), so he asks Julie if she'll go with him. The two of them have been together for a long time. He convinces her (on the condition that they all come up with rules and boundaries).
So Reggie calls his mom and tells her that he's bringing Julie. But Reggie’s mom remembers that Julie was always with Luke. Luckily, while Reggie is stammering, she saves him.
"You waited so long to tell me because she's dating both of you, isn't she? That's okay. I know what polyamory is, Reginald, I'm hip."
So now Luke has also been invited.
They all go to the wedding, rules get broken, internal chaos ensues, Reggie doesn't want to go back to their shared hotel room so he ends up going to his grandma for advice.
And eventually he lets Luke and Julie love him and everything turns out fine actually and when morning comes...
They are still right there with him.
(I want to call it Step Into The Daylight)
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sapphire-weapon · 2 months
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>open Twitter >open DMs to send a message to a buddy I haven't spoken to in a while >there's a shitton of messages that I never got notifications for that I just straight-up missed over the course of A YEAR >goddamn it Twitter >this is all Elon Musk's fault >anyway >one of them is from the Project Umbrella guys >remember the big stupid bitchfight I got into with them last year >oh Jesus what the fuck did they want back then that I missed >open DM >HE'S DEFENDING THE RE ARCHIVES >NO FUCKING WAY LOL
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THAT'S NOT WHAT THE RE ARCHIVES SAYS
THIS IS WHAT THE RE ARCHIVES SAYS:
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And that's NOT what happens in Leon's RE3 epilogue. THIS is Leon's RE3 epilogue:
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Oh but wait!
There's more!
This guy then tries to go on to defend the "Adam Benford kidnapped Leon" argument. Let's see how well his argument holds up.
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So let's check his facts. Let's do a search for Jun Takeuchi.
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Interesting. So Takeuchi became an executive around 2017. RE6 came out in 2012. So Takeuchi wasn't an executive at the time RE6 was written or released.
In fact
looking at this
Takeuchi didn't work on Resident Evil 6 at all. So... if he didn't work on RE6, then that would make anything he writes about it... fanfiction... wouldn't it? Otherwise, what gives him word of god for RE6's story? The fact that he was employed at the company at the time? Does this mean that any random environmental artist has word of god over the story? Do the Monster Hunter guys have word of god over RE6, too?
And what about Tsukasa Takenaka? Well, he's not even a big enough name to have a Wikipedia page to begin with. In fact, looking him up, it seems like he had a minor hand in writing RE5, produced Revelations 1, and worked on RE: The Mercenaries 3D.
yikes.
Okay, well what about this dude's other claims?
Adam Benford was director of the CIA in 2002 (according ONLY TO that airsoft ad written by the guy who did not work on RE6; this is NOT stated in RE6 itself), and his position in 1998 is unknown -- implying that he was not actually the director of the CIA in 1998. But Leon was kidnapped in 1998 by the CIA. So if he wasn't the director... then I guess he wasn't behind the kidnapping, was he?
Our friend from Project Umbrella then goes on to make a bunch of other claims right in a row, so let's go down them one by one.
>"Leon and Adam working together for a decade is only an approximation" Okay, but if you're approximating, the number would be closer to 15, not 10. Benford died in 2011. 2011 - 1998 = 13. So the rounded number would be 15.
>it's okay if RE6 gets the date wrong because supplementary material gets it wrong >implying that the game does not have more people working on it to ensure accuracy than random supplemental material. You're telling me that no one on the team of hundreds that worked on this game remembered that Raccoon City happened in 1998?
>RE6 is off by a year re: Chris killing Wesker
Is that true?
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No, actually. That's not true at all. RE6 says it happened in 2009. And, wouldn't you know it. RE5 takes place in 2009.
So, what do you think, Mr. Project Umbrella?
Is that enough research that I've done for you?
Maybe the next time you want to go into a woman's DMs to mansplain at her and call her hysterical, you might want to get your fucking facts right first, you self-important misogynistic piece of human fucking garbage.
So.
In conclusion.
DO NOT LISTEN TO THE FUCKERS WHO CONTROL THE WIKI
THEY JUST FUCKING GO ON THE INTERNET AND TELL LIES
and talk down to women, apparently
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bonefall · 9 months
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I know you're keeping Clear Sky as an antagonist (and he's very compelling as one in your rewrite), but I'm curious: if you absolutely had to give him a redemption arc, how would you go about it? (Besides not fridging his sister and wives, of course.)
If I was forced to give Clear Sky a redemption arc I'd slip a femur right out of my legmeat and beat someone to death with it
I'd never write a redemption arc for him, ever. It would be a completely different character.
Clear Sky's redemption arc is not even an idea worth considering; This an extremely consistent abusive family member who drives the entire plot, a predator who will leverage the love people have for him, whose defining characteristic is that he dresses up his megalomania as "Just Trying to Protect Everyone"
And I'd give that up?! for what?
I'd rewrite the whole plot, JUST like how the writers did with TWO born evil foreigner villains so their story wouldn't get boring, so I could prove the he could be a good boy if he wanted to? WHY?
It's doing the same thing the Erins do, totally uninterested in the story of his victims to write yet another plot centered around the pain of an abusive man.
Elder Bones is disappointed in you if you even think about it, actually. I am holding the femurbone in my hand as we speak. I'm gonna GETCHA
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sad-endings-suck · 2 months
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Blue Eye Samurai: regarding Mizu’s “plot armour” or her “ridiculously over-powered” abilities.
“Mizu is way too overpowered, it doesn’t make sense.”
I feel like a lot of people don’t realize just how much the mind over matter mentality plays a roll in Mizu’s “abilities”. Mizu isn’t the best because she’s physically the strongest, or had the best training, or the most experience, or whatever. Mizu is the best because she has single-minded focus and immense tenacity that borders on psychotic due to how intensely dedicated to revenge she has been for almost all of her life. All the years she spent training, all the time she spends taking out enemies, she is being driven by single minded focus and iron willed determination that never wavers. She has been sharpening and honing not just her body, but her mind, for exactly this. She has dedicated her entire life to her quest for vengeance, and in her own words, there is no room in it for anything else.
People also seem to be making a lot of assumptions about what kind of training and how much training Mizu has or has not had. As the audience, we’ve only been shown bits and pieces of Mizu’s past, which includes her experience learning martial arts. Asking shit like “how is she so good with a sword if she’s only self taught?” is like asking “how can she read and write if Master Eiji is blind?”. The answer is that Mizu has obviously learnt these things from more than one source, but documenting her entire education in detail doesn’t exactly serve a purpose to the narrative. We are explicitly shown in one of Mizu’s flashbacks that she’s been practicing with a wooden sparring sword since she was very young. It’s actually her child self that we see in that brief particular flashback. Not her teen/tween self, her child self. She’s also following the movements and instructions of an older man that is clearly a skilled samurai or warrior of some kind based on context (which y’all love to ignore). Besides, who else would want/need a sword from a master sword-maker besides an expert swordsman? How many skilled fighters from all over Japan have come to Master Eiji’s forge hoping for a blade, and wait with nothing better to do but train while their blade is being made? How many of them have divulged information about certain fighting styles (like Shindo-Ryu, which Mizu was familiar with despite never having been to the dojo before). Or practiced around her and with her? We are clearly shown through Mizu’s flashbacks that receiving training from a visiting client has not been unusual for her throughout her apprenticeship with Master Eiji, and her little spar with Blood Soaked Chiaki was no one time event. Yet Mizu is never given the benefit of the doubt by the audience, despite context clues indicating that she should be.
“Taigen has way more training in an actual dojo, so why is Mizu better?”
Whereas Taigen, while he was determined to become more than just a fisherman’s son and was driven to rise through the ranks of the Dojo and become a skilled samurai, did not have that same desire or determination to hone every part of himself to be the most deadly weapon he could possibly be, like Mizu did. Taigen believes in the samurai code of honor and upholds it in his own way (preventing him from learning how to “fight dirty” so to speak) and he also had a life outside of his training (he had a social life, he drank, he partied, he snuck around a lot to see Akemi presumably, etc). In fact, we actually never see Taigen practice, train, learn, hone his skills, or anything (to my recollection) throughout the whole season, until he’s bested by Mizu in combat. I’m assuming Taigen had to work quite hard for several years to become as good as he is, but I get the sense that ever since he has been regarded as a prodigy he has allowed himself to get cocky and maybe a bit too comfortable. He has always been the best and always thought himself to be the best, so he never needed to give 150% effort when he fought. In fact, as he got older and more practiced, and it became more and more apparent how much better he was than everyone else, he probably stopped giving his 110% and allowed himself to get a bit comfortable putting in 100% effort, and then eventually 80% effort (which is part of the reason why I think he’s so pissed he lost to Mizu in their first fight, because he knows he could have done better: been less cocky, been more tactical, more driven, etc).
We also never see Taigen meditate or mentally or physically prepare himself the way we do with Mizu. Mizu will pray before a major upcoming battle, not because she’s religious, but because she’s mentally, emotionally, and spiritually preparing herself. We even see Mizu submerge herself in very cold ocean water (during the winter mind you) as a ritual/practice of sorts that serves to center herself and prepare mentally and physically for what’s ahead when she feels herself getting “too emotional” or too stressed or unfocused or even just slightly off kilter. Mizu sacrifices every part of her life, so that she can be the deadliest version of herself possible. She has no social life. She has no friends, or significant others (Mikio aside). She has no other activities to participate in, because she’s been completely alienated and thus being anything but the best is not an option in her mind because she has no options. She tried married life. She had the best possible life that she could have had as a biracial woman in Edo era Japan. She did as she was told by her “mother”. She showed her true self to Mikio, just as he desired. Yet the blood and vengeance still caught up with her. She has no other options anymore. Pursuing revenge is the only thing she knows how to do, because every other avenue in life has been cut off from her. So she has to be single-mindedly focused on her vengeance, which means being as skilled and as dangerous as she can possibly be. She has no hobbies or jobs or responsibilities beyond sword-making (which allows her to become as familiar with the blade as possible) and training herself. If she has extra time, she uses it to practice, to train, to improve, to simply maintain peak performance. Such as when she was hacking through those trees in episode 2. Afterwards, we see Taigen attempt to replicate her training (by cutting down trees with his sword). Though even then, it was more about curiosity and trying to suss out Mizu so he could gauge her skill level, then it was about actually honing his own abilities (until episode 3 when he practices with Chiaki’s broken blade). Which does count as training in its own way (assessing your enemy), but my point still stands. Taigen does not have the same unwavering focus and force of will that Mizu does (partially because he does not actually want to kill Mizu, as we do see Taigen go cold blooded with focus when he kills Heiji Shindo, but those are whole other discussions).
“Mizu just has ridiculous plot armour, that’s the real reason she survives every encounter.”
I feel like people that think Mizu has ridiculous plot armour are just not at all familiar with the Samurai or Western/Cowboy sub-genres at all, or even action as an overarching genre on its own. I don’t believe I have ever engaged in a single piece of action media in which the protagonist didn’t have “plot armour” in some way. Basically half of all male protagonists from any and all modern western action movies ever, have been way too over-powered and been able to take a ridiculous amount of damage that should have killed them multiple times over. These action heroes (who in western media are almost always cis-het white men) have ridiculous plot armour in the most classic sense. Yet no one complains when it’s a white man. Only when it’s a queer-coded biracial woman of colour. Shocking.
In fact, you could argue that every main character in every fictional story ever told has plot armour to a certain degree, because having an entire narrative revolve around one character is inherently “unrealistic” and therefore the main character has plot armour, yes? No? Yeah, that’s what I thought. Oh, and on the topic of the samurai genre specifically (and many martial arts based action media) there are certain genre specific tropes that are nearly integral to the genre. One of the most prominent being the samurai/ronin/warrior/martial arts master that is “ridiculously over powered”. It’s literally part of the genre. In fact, the western/cowboy genre is quite similar to the classic samurai genre. Now, how many westerns have you watched in which Clint Eastwood or John Wayne shoot 5+ guys with one pistol before any of the guys they shoot even get a shot off? A lot I bet. Is that not the definition of “over-powered” and “unrealistic”? Or is it just a genre trope, or even perhaps, a genre staple? No one thinks Arthur Morgan (Red Dead Redemption 2) is over-powered. No one thinks that Joel (The Last of Us) is over-powered. In fact, when the TLOU show came out, people actually complained that Joel, the fifty-something year old man that has been living in a post apocalyptic wasteland for 20 years, was not badass or strong enough (he kills dozens of humans and super zombies and he’s legally a senior). So, who is the “judge” of what is and is not realistic in action media that borders on sci-fi/fantasy based on how “over-powered” the protagonists “realistically” are?
“It’s just weird that Mizu is so powerful when other characters within the story are not. It makes Mizu such a Mary Sue.”
Okay… so, with all that in mind, let’s circle back to where I started when referring to Mizu as someone driven by unwavering determination, and how that affects her “abilities”. That facet of her personality and motivation is nothing new when it comes to the action genre, especially for protagonists of revenge storylines. Think of Kill Bill or John Wick. Why does John or the Bride keep going and keep winning even when they are constantly getting injured and always fighting. Is it because they are simply that much better than everyone else? Yes and no. No, because they are not superheroes (technically), but also yes. Because their single minded determination and need for revenge drives them to push that much harder than anyone else on their skill level. They are the best, but they win against everyone else that is also “the best” because they want it more. They need it more. Mind over matter. They are willing to endure what others are not through sheer will and pure cold rage. Mizu, Beatrice Kiddo, John Wick, and so many more similar protagonists in action-revenge narratives don’t keep winning and keep getting back up no matter how inured they get because they are just “that much stronger and more talented than everyone else”. Yes, they are extremely skilled and would probably be one of the strongest and most deadly combatants/killers in their respective universes regardless… but their refined skill and raw talent and power are not the only reason they win. Their unwavering force of will, extreme determination, ice cold fury, and single-minded focus on revenge is what drive them to be that much tougher. Their tenacity is their superpower. They want to win more than their opponent does. They need to win, because this is their one and only goal in life as of now. Mizu (Blue Eye Samurai) Beatrice (Kill Bill), John (John Wick), they all share a philosophy in life when it comes to their revenge, which basically boils down to “Either I kill you, or I die trying. There is no middle ground, there is no negotiating, no other choice, no path of least resistance, no other goal or motivation. You will die, because I ain’t fucking dying until you do.”
Mizu doesn’t have plot armour and she’s not over-powered. She is an archetypical protagonist of the action-revenge narrative and the samurai/western genre as well. She arguably even has better reason to be completing the feats that she does than John Wick or The Bride, because the medium of Blue Eye Samurai is animation and not live action, and the genre borders on magical realism far more than Kill Bill or John Wick. Now, how many anime protagonists (probably almost all male) can you think of that are “ridiculously over-powered” especially compared to any live action counterparts, but no one complains about it? Why does no one complain about it (aside from misogyny)? Because the medium of animation inherently has different “rules”, expectations, and set standards for suspension of disbelief, than the medium of live action film or television. For example, is it ridiculous and unrealistic when you’re watching a Looney Tunes cartoon and Bugs Bunny’s legs pinwheel in super-speed for 3 seconds straight before he starts running, or when he runs off a ledge and gravity just lets him hang there for a sec so he can look straight at the camera before he falls? No, it’s not “unrealistic” or emersion breaking, not even a little, but why? Is it because any of those things seem even remotely probable or “realistic”? Of course not! It’s perfectly acceptable because the medium, genre, target audience, atmosphere, art/animation style, narrative choice, storytelling style, and more, have all established that Bugs Bunny defying physics is normal in Looney Tunes, and therefore not a “plot-hole” or “unrealistic”. In fact, if Bugs Bunny or Tom and Jerry didn’t defy physics in ridiculous ways all the time, then it feels far stranger and off-beat than if they did. Same goes for pretty much all action anime. If the characters in those stories were strictly limited to what is 100% humanly possible in real life, most of those animes wouldn’t even have storylines anymore. They’d be turned into completely different content that may be unrecognizable from the original source material. Or wouldn’t even have any material anymore because all the characters would be dead after their first fight scene. So why is Blue Eye Samurai being held to a different standard?
Now, do y’all get it yet?
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captainkirkk · 10 months
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If a fic author deletes their work, what’s your take on people who’ve previously downloaded the fics sharing their copies? I’m personally torn on it - I can understand both sides, but was wondering what others think.
This might be a controversial opinion, but I think it's fine to share downloaded copies of fics in certain situations. For example, if a friend mentions they have the fic and another friend asks them to email it to them. Or someone is desperately looking for their all time favourite fic that was deleted and asks for it on tumblr, I think it's okay for someone else to answer and offer to email it to them. I think, as authors, we need to accept that we give up a certain level of control when we publish a fic. Anyone can download it, even if we later delete the fic.
ALTHOUGH, I think posting it in a more public setting for other people to access (e.g., sending a link to a massive discord server) is probably a no-go?? Also, if the author has come out and explicitly asked people not to share downloads, then I'd say respect their wishes!!
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lazaruspiss · 8 months
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so many people just hear "dick was a cop" and go "eww im gonna pretend i didnt see that" and like. if its just bc you cant handle the subject matter thats one thing, but often times its just. performative. especially because the actually storyline is so much about dick trying (and as far as ive gotten to reading so far, failing) to make a change in the system and be a "good cop". it's an extremely heavy but genuinely very interesting storyline. dick does find other "good cops", but they're very much the minority and usually keep their heads down, because cops are bastards and will ruin the lives of "fellow officers" who try and do things right. they try to frame dick for murder at one point and everything.
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