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#as the writer you have to figure out how he is both of these people at once
ranbling · 3 days
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I'm gonna make one last post about this topic to get out everything from my system:
Tommy fans seem all to eager to bury his past and talk about his growth when this curtesy is never extended to female love interests (and Ana, Ali, Natalia and Marisol never acted anywhere close to how he did in the begins episodes). He was absolutely terrible to Chimney and then only stopped pretending he's not invisible when Chimney saved his life. Even then he gave no apology, just a thank you and decided to move on as if his past behaviour haven't happened. And then he acted the same with Hen - pretending she's invisible and making little side comments (I'm not saying only he did that, the everyone in the old 118 is guilty of this) and he and Sal only decided to respect her and actually aknowledge her when she saved made a choice and saved someone's life, who would have been dead thanks to the old captain. And there was no apology to Hen either. The old 118 was a backwards and regressive place, but this an explanation to his behaviour not an excuse.
People can argue how not everything needs to be shown, but I feel like it's hard to make amends when the other party is not even owning up his own behaviour enough to even apologise to the people he hurt with his behaviour.
The date with Buck was also not a great first queer experience. Having your date tell you how he understands working in a macho line of work and not being out to calm your anxiety, than make little side comments when you're not ready to come out to your best friend who just showed up by coincidence is not cool. (As a queer person, I don't think Buck put Tommy back into the closet, it wasn't like Eddie knew they were on a date or Tommy is gay and yeah maybe the finding hot chick comment was unnecessary, but Buck was anxious long before Eddie showed up). Also I get why Tommy wanted to leave, but not telling until the Uber pulls up is also a shitty thing to do. Natalia also leaves Buck and people seem to hate her for it, but she comes back.
Also the Evan thing and calling Buck kid. I hate both things. Calling your date kid is weird and just why would you do that? And I know that Tommy calling Buck "Evan" is supposed to be cute, or special, but it just gives me the ick. It's not his prefered name
Also telling Buck how he's jelaous of the family dynamic of the 118 and then going for a kiss is certainly a choice on the part of the writers.
Tommy is character who had little to no development during the show - yeah they seem friendly in the Bobby begins episode, but do you want to be unfriendly to the guy who works with you and finally decided to not be a dick? and we're just supposed to believe he was always a good guy, who only acted the way he did because the old 118 was old school and he was figuring out his sexual identity?
He's not a character with good development or layers, he's a character who was a plot device to show how horrible work places that are considered macho to poc and women, and now they decided to bring him back for some reason as a first queer experience to Buck and act like him being gay excuses how he acted in the past
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yellowocaballero · 3 months
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You played the golden deer route!! (I think?) What's been your thoughts so far just like in general but also in comparison to blue lions? Claude and the golden deer are just so fun!!
I have not finished yet! Yes I am like 5/6ths done with the Golden Deer fic. I did something that I really shouldn't do, which is like consume 1/4th of the media and go "okay I could make a fanfic out of this" and then write a long-ass fic just based off initial impressions (this is how Theater of the Absurd happened - if you're wondering why everybody was so drastically out of character, that's why). I'm still only mostly done with the Academy phase, so no spoilers!
Thoughts so far? Claude is so funny. I am genuinely so, so fascinated by him. He's one of those characters who clearly has an entire existence and situation and insanity and you're just barely privy to the surface of it. Our C support is me walking into his room (why did I do that?) as he concocts poisons. He's a mad scientist. He wants to dissect his friends like they're insects. He's incredibly self-absorbed. He's convinced he's the smartest person in the room. He's on his gap year and he's taking a vacation with the white people and the country he leads is not his biggest priority. He wakes up in the morning, looks at himself in the mirror, and says "I'm a SCHEMER I'm a TRICKSTER I'm IMPENETRABLE I'm NOT LONELY". He has a biracial narrative and it's left him with a superiority complex because the alternative is to always be inferior. He'd be a better leader if he cared more.
I love Hilda also. She's so cunning but so kind, and her competence is underlined by her severe self-esteem issues. I haven't really connected with most of the Golden Deer - their ensemble narrative is not NEARLY as strong as the Blue Lions or Ashen Wolves. They aren't all part of the same story, I feel like. I'm still working on their supports (which are mostly C and some B right now...I kinda substituted most of them on the battlefield for the AW...sorry I have faves). Most of them are either a little annoying or uninteresting...Lysithea baby girl...Lorenz is actually deeply Felix coded in that he's kinda the sanest. He cares about all of the actually important things that nobody else cares about when they really should, and a lot of unimportant things,
I didn't expect this to happen, but Claude as your BFF actually deeply underscores how 1) Dimitri is insanely in love with you, and 2) Dimitri's bugfuck. Claude's so normal about everything. Makes me go "Wow Dimitri was normal about fucking nothing".
I'm looking forward to the War Phase and seeing how things change. These kids are fucking disasters in their lives and to each other, which mirrors their disaster country. Right now Claude's the most fascinating aspect to me. I'm not plugged into the fandom, but from what I can see his complexity and depth is kind of slept on - he has a comic relief role in dynamics, but I can already tell it's pretty constructed. Writing him as a jokester is like writing Dimitri as a preppy, perfect, adorably awkward nerd. Yes, that is a major part of how they present themselves to the public. I can't entirely call it a lie. But if you think that those performances are genuine, then you're buying what they're selling. Claude, Dimitri, and Edelgard are liars, and if you stay surface level in your depiction you're scrubbing out what makes them good characters. Also, especially in Dima's case, The Point
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dontneedmyheart · 16 days
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#this is not a fully formed thought#but i’m just thinking that if buddie does go canon#one of the things the writers could deep dive into is#how they both have kind of complicated relationship with sex#i’ve been thinking about that post about eddie and does he know he can say no to sex#and how buck used to try to fill#heh pun not intended#an empty hole inside himself with meaningless sex#and how bothered he was that he might have not been able to please all his former partners#so i just think it would be such a good character study opportunity to have them figure out those things when it comes to their sex life#just. you know. have eddie learn that he is allowed to say no#and have buck understand that it doesn’t mean#that he failed as a partner#and that there are other forms of intimacy#that aren’t better or worse than sex but equally important#and even when you KNOW the other person#like really truly know them#you still need to communicate#because even in a commited relationship that is based on trust and love and devotion#you still can’t read your partners thoughts#and even if it’s hard at first it will make your relationship even better when you just talk#and that sex isn’t just some wordless agreement that just happens naturally when two people are attracted to each other#but it’s something that you NEED to talk about#and figure out what works best for everyone involved#i don’t know i have other thoughts about this but like i said#they’re not fully formed and i’m not able to articulate them#🤷🏻‍♀️
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luciusspriggss · 11 months
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not to toot my own horn
but i have figured out massive twists in many movies, shows, and books.
and i mean i figured it out immediately
people hate watching murder, she wrote with me, because a character will be introduced, and after they talk for like a minute, i KNOW they are the killer. and i. am. ALWAYS. right!!!!! i just KNOW
if something surprises me i either think, holy fucking shit that is amazing, i need to rewatch and re analyze so i can prepare for future twists!
OR what the fuck was that?
and i get a headache, rewatching, re analyzing, reading other peoples analysis to get different perspectives (i LOVE seeing how people think and connect things because i then admittedly try to steal that technique to use for future media readings. i mean when i analyze shit, i go first with my gut, THEN i start reading different interpretations and try to understand how they were made in the first place. it is FUN) and i usually am able to figure out various readings and why a piece of media must have done what they did
this finale has truly stumped me
i am at a stalemate for the first time while consuming a piece of media
which tells me i am missing something i haven't even considered yet
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wife-of-all-dilfs · 4 months
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what friends do | f. odair
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summary: you were a simple town girl. finnick odair was the crown jewel of panem. both of you needed an escape and found it at a secluded beach just outside district four. these were three ingredients that created a year-long friendship. but were friends supposed to have… impure thoughts about one another? you weren’t so sure.
pairing: finnick odair x fem!reader
warnings: smut, wayyy too much detail, dirty thoughts, friends-to-lovers, mild angst, mostly readers pov, pre-rebellion, HEAVY dirty talk, fingering, unprotected p in v (big no no), multiple orgasms, so much pining, creampie, cock-warming
notes: i’m so sorry this took me so long. life has been up my ass lately and, as y’all know, i’m a slow writer. but thank you sm to everyone who patiently stuck around, i love y’all <3 this was supposed to be a short smut fic but um, apparently not. anyway, this has taken long enough to come out so imma stop rambling. ENJOY <3
word count: 11.7k
Mid-Autumn was closely approaching District Four.
Harvest in the fishing industry was at its peak and the docks were chock-full with boats bringing in their plentiful catches. The town centre was a bustling scene, crowded with people selling produce and trading for food to bring home to their family's kitchen table.
Last year's autumn harvest was the same picture—overflow, hustle, commotion; chaos like this was something you never came to enjoy. So, it was also around this time last year that you had decided to set off in search of the perfect location away from the rest of society. A place where you could be at peace, where you could forget the disastrous world you lived in.
District Four was home to many popular beaches, but the one you discovered was uninhabited, isolated, found after an hour-or-so-long trek through overgrown dirt pathways and a thicket of sea-grape and palm trees. A true paradise away from society. Or so you had thought in the first few weeks.
You weren't too sure when he had started showing up or how he had even discovered the beach.
However, one evening, as you were seated in the sand watching the sunset on the darkening horizon, you noticed a dark figure diving and surfacing in the flat, glimmering water. Their movements were so poised and fluid like the ocean was something they had conquered. You guessed it to be a dolphin or shark because there was no way a human being could move so gracefully.
But then the figure started wading to shore, and the next thing you knew, they were standing on two legs and exiting the water. You knew then that you had guessed wrong. The sun behind him obscured the bronze of his hair and the swirling lukewarm sea that pooled around his pupils. All you could see was the outline of his tall broad figure as he hiked through the sand toward you.
Fear had told you to bolt from the approaching stranger. You were in the middle of nowhere—it was the perfect place to be murdered or kidnapped. But something else, some deep and tangible instinct, also told you to stay.
"Didn't realise I had a captive audience," thestranger spoke, droplets of gleaming water sliding off his body and into the sand as he stood a few feet away.
Taken by surprise, you fumbled over your words trying to form a sentence in response. "I wasn't—I didn't—"
"Easy, honey," he chuckled. The sound was so warm and pleasant that it almost alleviated the slight chill in the air. "Just pulling your leg."
Your mouth formed a small circle. "Right," you said, gaze locked on the golden sand in embarrassment. "I, uh, didn't think anyone else knew about this place."
To be honest, you were pretty sure it was a restricted area. Probably the reason it was so isolated. If a Capitol official found you, the consequences would most likely involve your tongue, a scalpel, and a hell of a lot of pain. All for a wanting a little peace and quiet.
"Neither did I," the man said. "I only come every now and then. Need an escape from the constant buzz back home. Time for myself, you know?"
"Yeah." You smiled, feeling the stranger's words resonate in your soul. "Yeah, I do know."
You thought you saw the corners of his lips curve into a smile, but the shadows on his face were so prominent that you couldn't tell.
"Mind if I sit?" he asked.
Well... if he were going to murder you, he would have done it already. So, you nodded. Sometimes you questioned your survival instincts. Or lack thereof.
He didn't leave much space as he sat beside you. Only an inch or two, meaning you could feel the humidity of body heat and salt water emit from his skin. Even sitting down, he was still quite tall compared to you, but that wasn't what caused your heart to drop into your stomach.
The setting sun, which no longer disguised his face with shadows, now illuminated his entire figure and revealed his identity. His hair was a mess of wet wavy strands, the colour alight like a pale fire beneath the sun's orange radiance. His skin was sun-kissed, no doubt from days he had spent perfecting his swimming abilities. And those dimples... wow.
He was gorgeous. A man sculpted by the gods of beauty, just like everyone in Panem had depicted him to be. Even his sea-green eyes were as striking as everyone said.
Finnick Odair.
The man who was crowned victor of the sixty-fifth Hunger Games at fourteen. Who trapped multiple tributes at once in a net and killed them one by one with his famed trident. A killer.
The man whose reputation in the Capitol was known nationwide. A proud womanizer.
That was what everyone made him out to be.
Only, in the brief interaction you shared with him, he seemed like quite the opposite. He radiated effortless charm and warmth, but not in the arrogant way the media had portrayed him. Then again, did the media ever accurately portray the truth of anything?
It was then that you determined it didn't really matter who people said he was or what he had done. He was a human being—just like you. He deserved a chance.
His pink lips stretched into a knee-weakening smile; you were grateful that you were sitting down.
"I'm Finnick, by the way."
The both of you knew he didn't need to introduce himself. The whole of Panem knew his name and face. Though the fact that he humbly did so anyway made you like him the tiniest bit more.
You returned his smile with one of your own and introduced yourself.
Time passed and the sun had set; the moon had risen, but you both remained sitting side-by-side in the sand. Conversation flowed so naturally between the two of you that it was difficult for you to remember that stopping and getting some air into your lungs was an important factor in keeping a conversation going... as well as keeping you alive.
You told him about yourself as he did himself—some things that were meant to remain secrets, some things that seemed too strange to tell anyone else.
At some point, he had offered to walk you back to your house. The trek was over an hour long but neither of you seemed to care. The time flew by. 
When you were standing at your front door and he was gazing up at you from the bottom of the steps, you both promised to meet again the next day. And you did. 
As you did the day after that... and the day after that... and the day after that...
**********
As soon as the nights carried that familiar chill and the town congested with markets and fervent buyers, you knew mid-autumn had made its return. This meant most of your evenings were spent at a certain secret beach with a certain District Four victor.
Having already finished his pre-sunset swim, Finnick was sitting beside you, fingers weaving dried palm leaves into the mat beneath you. A couple of weeks after you had first met, he had shown up one day holding it all rolled up in hand.
"Made this for you to sit on," he had said with a proud smile. "Took nearly all night and earned me a few good finger cramps, but I think it was worth it."
Pinpointing the exact moment your attraction to him first formed was tricky. However, that gesture was one your mind returned to often. That little palm-leaf mat, the time and effort he put into making it, was scored on your heart.
Finnick was very much a gentleman.
He would always offer you a hand when standing up and whenever you walked back through the overgrown seaside forest. Sometimes he picked fruits for you such as sea grapes and mangos or would climb one of the palms and knock down a few coconuts. One thing he always, always did wasmake sure you got home safe; he never let you out of his sight until you were safe inside your front door.
All those gestures, big and small, added up. Soon enough, Finnick Odair had infiltrated your heart and consumed all your thoughts. You saw his sea-green eyes staring back at you whenever you gazed out at the ocean by your house. Felt the ghost of his hands on yours whenever you picked a grape from the kitchen fruit bowl. Heard his voice calling out your name in your most vivid of dreams.
But there was more to it than innocent adoration.
The guilt came when your gaze started lingering on his body a little too long whenever he left the water at the beach. Shimmering droplets would glide down his beautifully tanned skin; his arm muscles would flex as his fingers raked back his dripping wet hair. It wasn't yourfault he was the walking definition of perfection.
Unholy was the closest word to describe the filthy thoughts that had perverted your imagination. What started as endearing daydreams soon became fantasies that had you seeking relief between your thighs late at night. Your thoughts went wild whenever he dropped you off at your house. It took everything in you not to invite him inside and ask him to fuck you senseless against the front door.
All you had to do was ask. You knew he would say yes.
A year is a long time to know someone. A long time for feelings to grow. It also serves as a lot of time for things to happen between two people—things that linger in your mind even months after they have happened.
Like the times he would walk by you and teasingly whisper something provocative in your ear, then disappear for an hour of swimming, leaving you all hot and flustered in the sand. Neither of you would acknowledge it when he returned. Or when conversations took such a flirtatious turn, the tension only dissipated when houses were separating you at the end of the night.
But that's just what friends do, right? They tease and banter?
Maybe.
However, not all things could be chalked up to being just friends.
Another thing about Finnick's eyes was that they were transparent. You saw how helplessly they clung to you the days you stripped to your underwear and joined him in the water. He had this sort of reaction that turned his eyes into a dark violent sea, like you were some divine temptation planted to test the strength of his resolve.
Sometimes he could resist. Other days it was obvious he couldn't help but reach out and touch.
He would try to be subtle about it. Hands holding yours a little longer than necessary when he helped you stand up. Sitting too closely beside you so that your arms and legs would graze against each other. Brushing off pieces of seaweed that would stick to the dip of your waist and then constantly using the same excuse just to feel the heat of your soft skin.
There was one interaction, though, that you fell asleep to the thought of every night. It was a moment when things almost went too far; an interaction friends definitely did not share.
You could remember it clear a day. Hell, you could still feel it clear as day.
It was a hot summer evening. Both you and Finnick were at the beach and swimming in the water since being in the muggy coastal heat for more than five minutes was parallel to roasting in a thousand-degree sauna.
You were about twenty meters offshore, bobbing beside Finnick as he dived to collect various seashells. That boy could hold his breath for an unbelievable amount of time which meant sometimes you spent minutes alone on the surface, waiting, listening to the calm waves lap eerily around you.
This is exactly how people die in shark movies, said an unwarranted voice in your mind.
As usual, a minute went by. Nothing to worry about. Then a minute turned into two and you were starting to become a little concerned. And then it was two and a half minutes and you were now panicking.
"Finnick?!" you called out, hoping he could somehow hear you from the dark depths.
Three minutes had totalled, and you were pretty certain he had drowned. Just to add to the utter dread coursing through your veins, something slimy brushed against your foot. Most likely a piece of seaweed, but you didn't make that connection at the time.
That very same moment, Finnick burst through the water's surface, only mildly breathless and pinching a small iridescent shell between his fingers.
"Look at thi—"
Before the words could leave his mouth, he found himself enveloped in your distraught embrace. Your face was buried in the crook of his neck, crying tears of relief. 
Damn that stupid seashell.
He automatically secured you in his arms, concern palpable in his voice as he asked, "Are you okay?"
You pulled away, an indistinguishable combination of tears and saltwater rolling down your cheeks. Though it was hard to miss the look of distress found in your furrowed brows and trembling lips.
"Don't ever do that to me again!" you exclaimed, gripping his arms to emphasise your urgency. "You hear me?! Ever!"
Finnick's head tilted slightly, surprised by your emotional reaction. He hadn't realised he meant so much to you. The surprise faded into remorse, softening his features.
"I won't. I won't, I promise," he said sincerely. His eyes flickered over the worry lines etched on your forehead. He unconsciously brushed his thumb over the lines, hoping to draw out the anxiety with his touch, and then tucked away a strand of hair. "I'm sorry I scared you."
You took in a deep, shuddering breath in an attempt to compose yourself. A mess of emotions stirred inside you—worry, embarrassment, irritation. You were partially frustrated with Finnick for making you fear for his life. Mostly annoyed with yourself for showing such vulnerability in front of him.
"God, you're an idiot sometimes," you sighed, shaking your head.
He smirked. "Didn't think you cared so much about me."
"No, you just don't think, Finn."
He glanced off into the distance for a moment with furrowed brows. "Well, that's definitely not true," he countered, meeting your gaze again with a half-smirk. "I think about a lot of things, actually."
"Oh? Like what?" you asked, slightly annoyed. "Do tell me what the great Finnick Odair thinks about instead of his own safety."
Slowly, the smirk faded from his lips. Something new tinged the atmosphere and suddenly everything around you seemed hotter than it previously was. Not an uncomfortable or sweltering heat, but one that held an intensity that sparked the air with electricity.
You suddenly became very aware that Finnick was still holding you in his arms. You recognised the confined proximity between you and him and realised that, before this moment, your bodies had never been so close.
Your legs were curled around his hips, pelvis pressed firmly against his. The position of his hands, which were keeping you afloat, was bordering on inappropriate but would only be deemed as such if you cared. Which you didn't. You liked it—having his hands on you.
One thing you couldn't ignore was the flickering of his gaze. How his eyes kept dropping to your lips. How they blatantly revealed a long-awaited confession that words just couldn't capture. Still, you wanted to hear him say it. You wanted to hear the purr in his voice as he told you.
Then he was leaning in. You weren't sure whether it was on purpose or if the pure magnetism of the tension between you was drawing him closer. Regardless, you started to lean in closer too, eyes drooping as you focused on his mouth.
And before the short distance between your lips and his became immeasurable, you whispered, "Tell me, Finn."
The hands keeping you afloat trailed up and down your back restlessly as Finnick forced a tense exhale through his nose. He seemed to be wrestling with thoughts. You waited in anticipation, and right when it seemed like he was going to make a move—
"I think..."
—you were interrupted. By no less than a pod of dolphins as they leapt from the water, causing you and Finnick to jolt from each other's embrace.
The rest of that evening was not worth mentioning. Not because you had forgotten what happened, but because the sheer awkwardness between you and Finnick afterwards was so torturous that you wanted to keep the memory squashed in the recesses of your mind. Neither of you acknowledged what happened. Finnick still walked you home, but it was done so in agonising silence.
Surprisingly, you both returned to the beach the next day. You hadn't expected him to be his usual upbeat self, but he was. So, in turn, you too acted like the previous day was erased from history. But your friendship with him was never the same.
Flirty conversations no longer felt like a joke; they now had a deeper meaning. Fleeting touches caused full-body goosebumps that didn't happen before. There was so much unresolved tension, and it was painfully thick. Inescapable.
So, as Finnick sat beside you present-day, weaving dried palm leaves into the mat beneath your bodies, you couldn't help but notice the transparency of your body language and his. The gap between you both was comparable to the size of a pearl and even though neither of you acknowledged it, you kept catching each other stealing quick glances every half-minute or so.
When you were sure he wasn't looking, you found your gaze drawn to his fingers. They were sturdy, yet nimble; curling and manoeuvring in ways that had your face feeling hotter than the heat of any sunburn or warm summer's day. This heat was beneath your skin. Spreading through your limbs in little tendrils and wrapping around your nerves. A dip in the salty sea wouldn't cool you down nor would a gulp of cold fresh water.
As you stared at his hands, you knew only the source of the sensation could offer reprieve. But that wouldn't happen, so there you burned.
The fact that he was shirtless and that his hair was a gorgeous mess of damp bronze curls helped not one bit with taming the consuming desire inside you. God, you were a mess yourself.
You sighed.
The sun, glowing intensely with a divine orange, was beginning its descent on the horizon. Your feet were buried beneath the soft sand, trying to retain some warmth as a slight breeze blew against your exposed skin.
Wearing a short sundress probably wasn't the most practical idea. Embarrassing as it was to admit, practicality wasn't what was going through your mind when you decided to wear it... Someone—Something else was.
"Something on your mind?" Finnick asked suddenly.
Your heart fumbled in your chest, terrified that he had somehow heard your thoughts. "Sorry?"
"You sighed," he said, turning his head to look at you. "Or am I just getting so old that I'm already starting to hear things?"
With relief of his lack of mind-reading abilities, you laughed softly. "You're definitely getting a bit old, Finn," you teased. "Any nursing homes you've been considering?"
"I heard retirement by the sea has its perks," he quipped, subtle dimples present as he returned to his weaving. "Although, I will need someone to make sure I don't fall asleep while swimming and get carried out by the tide. What d'you say, sweetheart? Up for becoming my personal lifeguard?"
Absolutely. "Depends. Will you force me to wear one of those awful flowery swimming caps with a matching tankini?"
He clicked his tongue in disapproval. "I'm thinking more like those little red bodysuits. You know, the ones that zip open down the front?"
You reprimanded him by pushing his shoulder, wearing a betraying smile. "Very charming."
"I just think red's your colour, that's all," he laughed.
Your stomach fluttered. You knew he was teasing you; teasing was basically the foundation of your... friendship. Deep down, you knew there was also some truth behind his words. A truth that was as electrifying as it was upsetting—how long were you both going to keep up with this whole 'friends' charade? Could you handle it if the answer was forever?
Best not to think about it. For your sanity's sake.
Finnick finally settled into a comfortable position with his forearms locked around his bent knees, apparently having decided to continue his mat-weaving another time. He had been extending it bit by bit ever since he first made it for you. At this point, you were sure he was attempting to cover the entire beach. For now, it was only big enough for two people to lie down on.
Sounds pretty convenient, came an abrupt thought.
And then you fell down yet another rabbit hole of depraved daydreams... A pair of hands interlocking your own above your head. Hot lips pressing kisses to your neck. Tongue gliding up the sensitive skin of your jugular. Your fingers tugging at bronze curls between your thighs.
You were sick. Diseased with immorality. Finnick was your friend. If not your best friend. You're not supposed to fantasise about fucking your best friend.
"Thinking about anyone in particular?"
You almost choked on your saliva. "W—What?" 
How did he keep doing that?
Finnick seemed to find joy in your perplexity. It was written all over his face. God, those fucking dimples. "You've been completely still for nearly five minutes and your legs are covered in goosebumps," he pointed out. "Hence the question: who are you thinking about?"
As you looked down, you found that your skin was in fact riddled with goosebumps. It didn't occur to you then that the only reason he could have noticed was if he was staring at your legs in the first place. It also didn't occur to you that Finnick obviously had the very same debauched thoughts running through his own mind.
Why did you have to wear such a revealing dress? He already struggled enough with resisting you at the best of times.
If you had been paying attention, a simple glance in his direction would have revealed how his ears were pink and his pupils were dilated. More importantly, you would have seen his legs constantly shifting to ease the discomfort tenting his pants. Fortunately, he had mastered the art of winding himself down in a short amount of time.
Unfortunately for you, that ability was not within your skill set.
You scoffed. "In case you haven't noticed, Finnick—it's autumn," you said, a quick snappy lilt in your tone. "I know you've got some weird internal space heater built into you, but normal people tend to have a reaction to the cold."
Well, it's a good thing you didn't sound defensive...
Finnick raised an eyebrow at you, displaying a puzzled half-smirk that spoke a thousand words.
You lowered your head in embarrassment, grinning sheepishly. "Sorry," you murmured. "I just, uh, don't really like the cold."
"Who could've guessed."
Despite serving as an excuse, it wasn't entirely untrue. You really did dislike the cold. And it was now that you seriously regretted your choice of sparse attire. The breeze kept blowing up the dress's skirt, threatening to expose your dignity to the world. Or more accurately, to Finnick. Thankfully, you had decided to wear a pair of delicate lace underwear that morning instead of old granny panties.
Nevertheless, now that it was on your mind, you couldn't think about anything but the cold gusts of wind blowing against you. Chills ran over your skin and you were shaking like a leaf.
Finnick, being the gentleman that he was, scanned the surrounding area for anything he could use to keep you warm. He would've given you his shirt had it not been crumpled in a ball of wet sand on the ground.
There was nothing else of use. Nothing except a single apprehensive idea sitting in the forefront of his mind. It was all he had. He bit the inside of his cheek as he contemplated the potentially disastrous idea.
Then, after taking a silent deep breath, he finally said, "Come here then." Your eyes snapped to his. You must've looked like you had seen a ghost because his brows knitted together in confusion. "What?" he breathed out a chuckle. "I'd prefer not having to carry you home as a block of ice."
You thought about it for a moment. Was it really such a good idea after the thoughts that were just swarming in your mind? Another gust of wind blew by and you instinctively wrapped your arms around yourself.
"I won't bite, sweetheart. Not unless you want me to," he added.
You rolled your eyes. "Oh, shut up."
With that, you slid across the mat, positioning your body, which was still facing the sunset, in front of his legs. There was a moment of hesitation. Anxiety. But before you could reconsider, Finnick wrapped a strong arm around your middle and pulled you back against his chest, situating your body between his legs.
The exhale that left your lips was instantaneous and you couldn't help but shudder at the warmth of his skin. "God," you sighed, overwhelmed by the sudden change in temperature. "How are you so warm all the time?"
"Oh, you know. Weird internal space heater."
You laughed softly, then felt Finnick's chest vibrate against your back as he joined you. His bare arms wound tighter around you, motivated by the affectionate atmosphere. Your body seemed to melt into the cocoon of warmth he provided, and a soft smile graced your lips.
"Better?" he asked.
You nodded, responding with a whisper, "Thank you."
"Anytime."
You could hear the smile in his voice and how intently he was trying to hide it. You wished you could have seen it. To see the sense of peace you shared. However, feeling it in the way he held you was enough.
Instead of blood, your heart now seemed to be pumping out rather odd alternatives—waves of sea-green salted ocean, iridescent seashells, smiles paired with heart-stopping dimples. How could he? How could Finnick condemn you to loving him like this? So unwaveringly; so without a hope of ever being able to return to life without him in it.
He made a mess of you. A ruin. And even with wholesome affection running through your veins, you still couldn't ignore the hazy images conjuring in your mind from the way his body was pressed firmly behind you.
How could he?
The sun had just touched the horizon, granting the sky a few more minutes of light, meaning it was almost time to head home—an upsetting reality. You weren't sure how much time had passed before your body started to ache from lack of movement.
You wiggled your toes which were buzzing like television static. The feeling started moving up your legs and you knew if you didn't stretch, you would later embarrass yourself trying to stand on dead legs. So that is what you did. You started moving.
First, you stretched out the muscles in your legs and then moved onto straightening your back against Finnick's chest, feeling the faint pops of your spine offer you relief. And then you started readjusting your position and wriggling your hips to fit more comfortably between Finnick's toned thighs. That was your first mistake.
"Stop moving."
You were taken aback by the rigid inflection in his tone. "What?" you asked, ignoring his warning and continuing your restless movements.
"Stop. Moving," Finnick repeated, sounding more strained.
His hold on you became stiff. Completely frozen.
You were confused. Everything was perfect a moment ago, and all you were doing was stretching—why was he being so weird and snappy?
In response, you exhaled sharply. "I'm just trying to get comf—"
"Fuck," he breathed out.
Your eyes widened and it was safe to say your stomach had flipped inside out.
That was the moment you finally realised your second mistake. The rigidness in his voice wasn't him being snappy with you at all. Not even close. He was just trying to prevent the pleasure he felt below from reaching his vocal cords.
But it was too late. It wouldn't have mattered if he managed to keep quiet because you could feel it now. The achingly hard length that was pressed against your backside, reaching all the way up to your tailbone.
"...Oh," you whispered.
"Yeah," Finnick said. "Oh."
Now it was your turn to freeze. Fear consumed you, similar to what you imagined having to remain motionless in front of tyrannosaurus rex to prevent from being eaten alive was like. Thanks to the damning wind, strands of your hair blew behind your shoulders, undoubtedly tickling the exposed skin of Finnick's chest. Even that minuscule movement had your heart threatening to explode with anxiety.
As per usual, panic wreaked havoc in your mind.
What do I do? Do I get up? How will we come back from this? Does he—
Finnick cleared his throat. "Uh, you still alive in there?" he chuckled nervously.
You felt minor relief enter your bloodstream upon hearing the normality in his voice. At least one of you was composed enough to act normally. Well, as normal as one could act after becoming hard due to their best friend sitting in their lap.
"Is it—" You swallowed the nerves rattling your voice "—is it because there's a girl sitting on your lap, or is it because it's me?"
That was the million-dollar question. Was his reaction simply biological? A natural response to stimulation? Or was it deeper than that? More personal.
Finnick was silent.
The rapid thumping in your chest moved to your ears, like a drumroll leading up to some grand reveal. You felt dizzy; both filled with dreadful anticipation and exhilaration. Your senses were so heightened, fuelled by an inane bout of adrenaline. You swore you could almost hear the gears turning in Finnick's mind, smell the smoke as they rotated over and over, trying to make sense of your question and form a suitable response.
Religion never played a factor in your life, but, oh, how you were zealously praying his answer would be the one you spent all your nights fantasising about. But still, he was silent.
And right when you believed he wasn't going to respond at all, his lips finally uttered that single life-changing word. "You."
Fireworks seemed to light up every nerve in your body. You.
You weren't sure what to make of your thoughts at first. The overwhelming abundance of emotion caused by a singular word was difficult to fathom. Only one sentiment stood out from the rest—and that was the fact that Finnick felt the same as you did for him.
It was no longer a speculation. It was a fact. A truth. An undeniable reality. You had both verbal and physicalproof, literally digging into your backside.
Finnick slowly, very slowly, unwound an arm from your torso, and you held your breath. His hand slid across your waist and then plastered itself over your hipbone, careful not to apply too much pressure to make you feel uncomfortable. When you felt the slight movement of his thumb gliding across your clothed skin, you exhaled the burning air in your lungs with a shaky sigh.
"Do you want me to get up?" you asked softly while staring at the sunset, although you were focused on anything but.
"Not a chance." And then he unwound the other arm, now cupping both sides of your hips with two large hands. The heat from his palm sank into your skin, sinking deeper layer by layer until it reached the rapid flow of your bloodstream. "Do you want to get up?"
You felt a pulsing sensation between your thighs that had your parted lips inhaling slow deep breaths, and you knew the only logical answer was no. So, you shook your head.
Finnick reached up to skilfully tuck a lock of hair behind your ear before placing his hand back on your hip. He then leaned down beside your ear, voice a hot, velvety whisper, "What next then, sweetheart?"
A wave of chills ran down your entire body.
What next? Another question for the ages. You had dreamt of this moment a million times over. You had pictured the unholiest, most vivid of scenarios, and yet here you were, mind blank as an empty void.
Then it hit you. Rather than acting from a pre-planned script, wouldn't it be better to just let your body act on what it naturally desired? On instinct? You took in a deep, stabilising breath and gave yourself into moment.
You slowly began turning your head to the side until, for the first time since he pulled you into his arms, your eyes flickered up and found Finnick's. His lips quirked with the ghost of a smile at the exchange, but he held it back. His jaw clenched and unclenched, muscles ticking with tension.
He was looking at you in a way you had never seen before. Or perhaps, you were just never close enough to notice, and he had always looked at you this way. There was a blazing intensity in his eyes, dark and penetrative, a bridge between yearning and total reverence. It was so enticing that you could feel your hands itching to undress yourself in front of him.
Finnick murmured your name.
"Yes?" you managed to whisper.
"Do you have any idea how long I've waited for this?"
Those words—he had stolen them from the tip of your tongue.
You couldn't find the strength to muster any profound response. So instead, you found your head tilting back and the crook of your elbow winding up and around the nape of his neck. You didn't need to guide him down; he came willingly.
His lips caught yours in a soft, warm exchange. Singular yet prolonged. Then there was a brief pause of disconnection, a calm before the storm. And with Finnick, when it rained, it poured. Suddenly, a hand was cupping the area where your jaw and neck connected, and his lips were on yours again.
There was so much more heat in this kiss. A depth that kept growing with each connection of your lips. You could hear the fervour in the breathless exhales that exited his nose, the quiet groans that slipped into your mouth. Though the same could be said for you.
You couldn't subdue the moans and meek whimpers that leaked out. Especially when his tongue slipped into your mouth and took control over your own. At this point, you couldn't even be called putty in his arms; you were pure liquid, totally and completely submissive in his embrace.
It was impossible to tell who was throbbing beneath you anymore. All you were sure of was that the pretty lace panties you had put on that morning were now soaked. Though even if he never touched you, you wouldn't have cared. Having his lips on yours, his tongue on yours, was enough. And if he kept at it long enough, you were sure it would even be enough to get you off. That's how much power Finnick had over you.
Apparently, he felt the same too. Because when you leaned further back into him and your ass pushed against the length of his erection, his fist scrunched the fabric of your dress by your hip and his lips left yours to let out a shuddering breath.
"Fuck, sweetheart," he huffed, half chuckling.
Technically, it was a suppressed moan. Either way, you swear you almost came then and there.
With one last gentle kiss, you opened your eyes, pulling away to replenish your lungs with air. Finnick's eyes were already locked on yours in a drunken haze from the taste of your lips. Your arm unwound from his neck, grazing down his broad shoulders and bicep. During so, your eyes caught on the tiny bumps and raised hair scattered across his arm.
"You've got goosebumps," you smiled, trailing your fingertips across his skin.
His gaze moved to follow your hand, wearing a boyish grin. "Would you believe me if I said I was cold?"
Your throat buzzed with a suppressed giggle. Seeing the way his body reacted to yours was incredibly motivating. Someone telling you they lusted after you could easily be spoken with deception. But having visual confirmation, witnessing a reaction that couldn't possibly be forced, was a whole different story. Finnick's body craved you.
Given that incentive, the slight trepidation still holding you back now disappeared into the back of your mind. Your fingers curled around his wrist, dragging the hand beneath your jaw down to your neck, and then down to your chest. It didn't take him too long to figure out your intentions. He overtook your influence and autonomously moved his hand to cup your breast.
You were essentially caged in his embrace. Exactly how you wanted it.
You stared ahead with relaxed eyes, watching as the sun slipped into the dark water. Night had officially blanketed District Four and, now being shielded by darkness, the stars were your only witness. Strangely enough, you felt a new sense of shamelessness.
So as Finnick kneaded your breast in his warm hand and pinched the sensitive peak of your nipple between his thumb and forefinger through the lace of your bra, you allowed a soft moan to escape your lips.
It was almost as if you could actually feel the smirk growing across Finnick's lips behind you. One thing you actually could feel was the twitch of his achingly hard cock beneath you.
"You like that?" he asked, definitely smirking.
"Yes," you sighed almost immediately.
If only he knew how truly euphoric you felt. If only he knew how many times you had imagined being in this exact situation. Having him touching you like this. The guilt of imagining him in such a way used to eat you up. But now that you were past the guilt, there was no shame connected to the thought of Finnick eating you up.
Fuck, he would look so perfect between your thighs—bronze curls all messed up from your pulling and tugging; sea green eyes squeezed shut as he dedicated his attention to dragging you down to the pits of hell with his tongue.
Your head fell back against his collarbone. He took this as a signal to move your hair aside and start planting hot kisses onto the curve of your shoulder. Then he trailed further across, brushing his lips across your skin until he reached the side of your neck and started sucking gently, though enough to leave behind pretty little red marks of possession.
"What about this?" he murmured against the delicate skin.
The faint taste of sea-salted air sat in the back of your throat as your breaths deepened. You felt his tongue glide partially up the length of your carotid artery, and your entire nervous system seemed to short-circuit.
"Yes,"you practically whined.
He must have found this amusing because you could feel the vibrations of his chuckle against your neck. But he wasn't finished yet. Hell, the finish line was a lifetime away regarding the things he planned on doing to you. They probably couldn't all be done in one night though, unfortunately.
You had completely forgotten about the hand still splayed on your hip. Why would you pay it any attention when it was sitting idle? Only it wasn't simply resting on your hip anymore. No. Now it was moving. Moving down.
His lips were still on your neck and he was still cupping your breast, but all you could focus on was the carnal descent of his hand. He found the hem of your dress, fingers toying with the flimsy material as one did when deciding whether or not to go through with something potentially consequential. Ultimately, he began to drag the fabric up your thighs, knuckles grazing over your soft skin until the skirt of your dress was ruched around your hips.
You sucked in a sharp breath. The vulnerability of suddenly being exposed in such a manner hit you like a tonne of bricks. This was really happening. Finnick, the Capitol's darling, District Four's golden boy, and more significant;y, your best friend, was touching you. He was kissing you. He was seeing and feeling parts of your body you had never let him see or feel before.
Naturally, this unfurling web of thoughts produced a surge of insecurity.
But, when his hand curled around your inner thigh and spread a wildfire of warmth across your skin, every thought that was previously passing through your mind disintegrated and was replaced with unadulterated yearning.
Finnick's mouth finally detached from your neck to hover beside your ear. "And this?"
He lightly kneaded your thigh to emphasise his question, dangerously close to the place that undoubtedly crossed the boundary between friend and lover.
You were speechless. The desire running through your veins was paralysing. All you could do was look, see, feel, and hope to god you didn't pass out from the shallowness of your breathing.
"Come on, sweetheart," he roused in that low, seductive purr. "Don't go quiet on me now. Use your words."
And how could you ever disobey a voice like that? It took every ounce of strength and concentration you had in you, but eventually, you managed to find your voice.
"I—" You cut yourself off with a gasp as his thumb purposefully wandered up to the edge of your underwear. Asshole. "I lie awake every night imagining us like this, Finn. You don't need permission to touch me. You've already had it for months."
Suddenly, a gentle finger was turning your chin, compelling you to meet Finnick's gaze. His eyes lacked the intensity from before and were now brimming with awe, brows knitted as if he was asking for confirmation if what you had said was truthful. And it was, painfully so.
To answer his wordless question, you leaned forward and connected your lips with his. He responded with ardency, and not long after, you could feel his hand wander up to the waistband of your panties. 
He wasted not a second before dipping his hand beneath the lace material and finding that sensitive spot that had been begging for his attention.
Your lips separated from his to let out a breathy moan. "Finnick."
He simply smiled, two fingers rubbing circles around your clit. He pressed gentle coaxing kisses to your lips, and you really did try to respond, but you were never one for multitasking. Especially when the man you had fallen in love with was touching you so.
His other hand wandered across your torso, holding your waist, grazing over your stomach, tracing the length of your sternum. All very loving adorations compared to what his other hand was doing.
"I think I'm going to hell because of you," he murmured, millimetres away from your lips. Such a disconcerting thing for someone to admit, but all you could manage was a hum in response. "Every time I see you, I can feel myself getting closer and closer. You derange my thoughts, sweetheart. You corrupt them.
How am I supposed to be around you if I want to fuck you every time you say my name? And what makes it so much more impossible is that you don't even mean to make me feel this way; you just do. God, you're maddening. So sweet and maddening," he cooed, fingers picking up in pace which caused you to melt back into his chest and let out a pretty little moan. "Drives me crazy."
"And to think," you managed, "I thought you had your hands between my legs because you hated me."
Your hips were rolling lightly along with the rhythm of his fingers.
At the very same time Finnick's thighs tensed around your hips from the friction against his cock, he abruptly plunged two fingers inside you. Punishment.
The moan you let out was positively filthy.
"Such an attitude you have," he said. "Anyone would think you're completely innocent in a dress like this. But I know better than that." His fingers slid in and out, curling every time the base of his fingers bottomed out inside of you. "I know exactly why you wore it. Just like I know exactly why you wore those lace panties you pretend that I can't see whenever you bend over."
Heat crept up into your cheeks from hearing his words. You wanted to provoke him by saying 'And look where it got me'but who knew how his fingers would respond to your attitude.
"You can't do that to a man," he continued. "It's criminal."
"It's only fair, Finn," you breathed out, struggling to keep your voice level. "You ruined me."
A deep moan rumbled in his chest, though it never escaped. He couldn't break that easily. He needed to remain in control. This moment, to him, seemed like an eternity forthcoming. He needed to make the most of this moment with you, needed to show you what it was like to receive earth-shattering pleasure so that you only ever wanted to receive it from him. No one else.
Despite his obvious attempts at keeping himself in check, you could still feel his thick impatient cock twitch beneath your ass. Even through the layers of clothing between you, you could tell that he was incredibly big. So much so that it worried you a little. Only, when his fingers curled again, you forgot all about it.
The pads of his fingertips buried into your inner walls with every curl. The heel of his palm struck your clit with every thrust of his fingers and you could feel your stomach start tightening. Fuck, he was amazing at this.
It had been so long since someone had touched you like this. Well, someone that was actually good at it. Just a few minutes and Finnick was already about to make you come.
"Feels so good, so—ah—good!" you moaned, eyes fluttering shut.
He reached a free hand up to your breast, lightly pinching your nipple between his fingers until you let out a gasp. At least one of you was good at multitasking.
"You gonna come?" he asked, not that he even needed an answer. He could feel the way your walls were contracting around his fingers, feel the sticky warmth of your slick leaking onto his knuckles.
You nodded fervently.
"Say please first."
"Finn," you whined in frustration.
You could hear him chuckle self-satisfyingly behind you. "Come on, baby. Sweet girls are supposed to have manners, aren't they?"
His low, husky voice almost threw you over the edge. Oh, how you would love to listen to the sound of him talking you through your orgasm. That is if he ever even let you get to that point.
Never had you ever thought you would be pleading with a man for anything, yet here you were. Though, Finnick Odair could hardly be called a man. He was so much more than that; he was bordering on divinity. And you weren't going to miss the chance of being unravelled at the hands of a divine being.
"Please, Finnick," you begged, your body literally buzzing with desperation. "Please make me come."
He pressed a kiss below your earlobe. "Since you asked so nicely."
His fingers picked up in pace. They weren't even plunging in and out anymore but were rather curling, over and over again in that electrifying spot inside you. He went hard and fast, working to bring you to your high as quickly as possible. Your moans were so unrestrained, so breathless and shallow that you started to feel the world spin around you.
Your hand flew back to hold onto his arm, nails digging into the hard muscles of his bicep. Your hips were writhing in Finnick's lap and you could hear him groan out a string of curses. He held you down by the hip to try and keep you still, then moved across to the bottom of your abdomen where he pressed down.
That is what did it for you.
You cried out as tightness spread down your stomach and pure ecstasy took control. Finnick murmured words of praise and reassurance as you rode through your high, though a lot of it didn't register in your mind. You heard only a few bits and pieces which were enough to prolong the feeling that was overwhelming your entire body.
"Taking it so well."
"That's it, sweetheart. That's it."
"Such a good girl."
As the waves of pleasure slowly began to subside, you returned to reality. The heat that had been building up inside you started melting away, leaving you in a state of relaxation. Your fingers, which previously clung onto Finnick's arm, now grazed absentmindedly across his skin. It felt like you had been sucked into a dream—a little hazy and surreal, but incredibly tranquil.
"You okay?" Finnick asked softly.
You hadn't even noticed that his fingers had left your body. He had pulled down the hem of your dress— not that your dignity really needed saving anymore—and was holding your melted figure in his arms.
"Mm," you hummed contently, eyes fixed on the view in front of you. "Warmed up."
If only you were able to see his face, his smile. Those dimples. A powerful longing to be able to see every expression known to man morph his facial features washed over you. It was a little ridiculous how attracted to him you were. Nonetheless, you indulged the desire.
You pushed yourself from his lap and pivoted to face him
You were straddling his lap before any ounce of hesitation could hold you back. Finnick circled his arms around your waist, pulling you closer into his chest. He was smiling. He was smiling and it was even more beautiful than any sunset you had ever witnessed. You concluded that you had definitely made the right choice in deciding to face him.
"Hi," you whispered.
He smiled. "Hey, stranger."
He brushed back a few pieces of hair from your face, observing the blown size of your pupils and the sultry colour of your lips. He did that—he could not get over the fact that he did that to you. Finally.
You shrunk away from his gaze, a timid smile on your lips.
Finnick tilted his head slightly. "Shy thing."
You buried your face into the side of his neck, groaning quietly in embarrassment. You could hear the perfect sound of him laughing above you. He stroked the length of your spine, somehow managing to ease the nerves from your body with a simple touch. You left a quick kiss on the warm skin of his neck and rose back up to meet his gaze.
"Feeling better?"
"Much," you replied, sheepishly. Your eyes flickered across Finnick's, hesitated, and then gestured downwards. "But... you're not." His head tilted as though he were confused as to what you were suggesting, so you leaned in closer until your lips ghosted over his. "Still need to take care of you."
A breath of warm air fanned across your face as he chuckled. He shook his head. "It's alright. I can hold off for another time."
And although the prospect of doing this again another time was downright exhilarating, you couldn't ignore the palpable heat still lingering in your lower stomach, throbbing between your thighs. You could only imagine how he must have been feeling—cock throbbing with a need for relief, though ready to deny himself the same amount of pleasure he just gave you.
You suddenly curled a hand around the back of his neck and brought him into a slow kiss. To show him he was allowed to indulge himself. That you wanted him to. You ground your hips down on his lap and felt his lips falter against yours.
You pulled back and echoed your previous words, "It's only fair, Finn."
Time seemed to pause for a moment. Your breath and his mixed with one another in a sort of hot whirlwind of anticipation. Your bodies were still. Finnick's eyes were half-lidded staring at your mouth.
Then came the explosion.
His hands were hastily tugging your sundress over your head; his lips were on yours as he reached down between your bodies to unbutton his pants. It felt like a race against time. Like if you didn't do this now, the chance would never come by again. Hell, his pants hadn't even made it off his legs before he was holding himself in his hand and you were rising to your knees, positioning yourself directly above his length.
Your lips never left his, strenuous as it was, meaning the only gauge you got of how big he was wasn't from seeing it, but from feeling it as you pulled your panties aside, guided his cock to your entrance with one hand, and felt the entire veiny length of him fill you completely as you lowered yourself onto him.
A quiet, synchronised gasp left both your lips as you enveloped him completely in wet velvety warmth. His pelvis was connected with yours and his cock was pressed right up against your cervix. So incredibly deep, you could almost feel him in your stomach.
You stayed like this for a few seconds.
"So big," you gasped against his lips.
His hands were on your back, dragging up and down. "Want to stop?"
"Never."
This was so not what friends did.
He trailed kisses from your mouth, to your jaw, and down to your neck. You were grinding sinuously back and forth, Finnick's hands now on your hips as a guide, feeling his tip bury into the sensitive walls inside you. Your head fell back with a gratified moan as he nipped your neck unforgivingly, only to soothe the spots he marked with the glide of his tongue.
At that moment, the past and future were of no significance. The idea that doing this might ruin your relationship with him afterwards didn't concern you. You didn't bother recollecting a time when you and Finnick were merely friends, nor did you ponder how you even managed to reach this point.
All you could focus on was how fucking perfect his cock felt inside of you.
The cold, which was previously a nuisance, now served as a stimulant to your nipples which were only covered by the thin unpadded material of your lace bra. They were bouncing with every movement you made, the hard peaks rubbing against Finnick's chest and creating a triangle of pleasure between them and the depravity that was happening further below.
He was so hungry in the way he kissed you. His lips were soft, but they moved with heat and determination. His tongue was supple as it pushed against yours, moving masterfully in a way you could only compare to how he swam in the ocean. A conqueror—able to bring you into submission with ease.
You pushed yourself upwards, the muscles in your thighs slightly burning as you did so, and felt his cock glide through you. He inhaled harshly through his nose when his tip almost left your wet heat, and then groaned into your mouth when your hips sunk back down, engulfing him once again.
"Shit," he almost whined as your walls clenched around him. "I fuckinglove you."
You pulled away to look him in the eyes. It was incredibly difficult for you to contemplate his words—his confession—when he was, what, eight or so inches deep inside you?
He didn't look like he regretted saying it. He was simply staring at you with raised brows pinched together in pleasure, awaiting your response as you continued your sequence of rising and sinking to fill yourself up with his cock.
"You love me?" you asked in a laboured breath. He only nodded in response. You sank fully down onto his lap, discontinuing your movements, willing him to prove his so-declared devotion. "Then show me."
He was breathing heavily and watching you through strands of sea-salted hair messily splayed across his forehead. He was so beautiful it actually kind of hurt to look at him. His eyes fell to your mouth during this brief amnesty, a decision prominent in his mind. Then he was rushing forward, crushing his lips to yours and forcing your body to lay back on the mat beneath you.
Finnick somehow managed to remain inside you as he switched your positions—him now above you as your legs were wrapped around his waist. His body pinned you down with a comfortable weight, skin warm and flush against yours.
He was overpowering and dominating, and his thrusts were laced with a sense of appropriation like he was making you his. The slow grinds of his hips were hard yet measured and so breathtakingly deep, and the gentle upwards curve of his cock made sure his tip was prodding against that swollen pleasure-inducing spot every single time.
His kisses were sensual and slow; his tongue slipping languidly into your mouth, swirling and massaging your tongue like it was made of pure silk.
You had told him what to do—now he was showing you. Finnick Odair wasn't fucking you. He was making love to you.
Your hands were on his back, fingertips leaving red marks on the curves of his shoulder blades. You moved up to his hair, scratching your nails softly into his scalp, which earned you a soft moan in your mouth. Even you could feel yourself pulsing around his cock. Everything he did, every sound and action he made, had your body yielding to him.
His hand pulled you up into him by the waist, arching your back off the palm-leaf mat so that he was thrusting more profoundly into that blissful spot inside you. He never sped up his pace. He didn't need to. He was savouring the moment as much as he could, memorising each warm ripple of your walls his cock glided over inside you, every intoxicating moan your soft lips released, the pressure of your warm supple thighs hugging his waist.
He was committing every aspect of you to memory. Inside and out.
Having that knowledge only made the moment so much more pleasurable. Knowing that he wasn't just thinking about you with his cock, but was thinking about you with his heart too.
That feeling started creeping up inside you—the blissful burn of heat pooling in your lower stomach. It made your walls flutter around him. Made you whine and moan uncontrollably into his mouth until you couldn't focus on kissing him anymore and had to pull away.
Your head fell back onto the mat, hair strewn out around you. The sounds coming out of you were pure sin. Desperate, greedy sin.
Finnick chuckled adoringly above you. "Too fucked out, sweetheart?"
He couldn't exactly talk. The second you clenched around him again, he groaned out a curse and you—the parts of your mind that were still relatively comprehensible—were sure you could feel the warmth of pre-cum ooze inside you.
"Finnick," you mewled, and he caressed the baby hairs framing your face. "Feels so good. Should—should've done this sooner."
Through your half-lidded eyes, you watched as he nodded and then descended to your forehead, pressing his lips tenderly against your skin. I know, the gesture said. You felt a rush of affection flood through your body, ultimately accelerating the build-up happening inside you.
You could feel yourself teetering so impossibly close to the brink of your orgasm. The tightness inside you was so hot and overwhelming; it was a struggle for you to keep your eyes from fluttering shut and rolling back, though you willed yourself to keep them open. You had to.
Watching Finnick's face contort with pleasure as he's thrown into his own high from feeling your walls contract around him would probably be the highlight of your entire life.
"So beautiful," he cooed as he thrusted into you. "My sweet girl's gonna come, isn't she? Can feel it."
The words flew out of your mouth. "Come inside me."
"Come inside you?"
You were pretty sure he was mocking you from the devilish curve of his lips and furrow of his brows. But your lust-drunk brain didn't really care.
"Please. Wanna feel you—" Your chest heaved with each breath "—everywhere."
Finnick was so obviously trying to keep himself from giving in before you. But you could see how delirious his eyes were as they stared down at you and you heard how every low, gratified—frustratingly sexy—sound he made betrayed him. He was so close.
"Anything for you, sweetheart," he said, finally.
He managed to unhook your hands from around his back and guided them upwards, holding your wrists together above your head with one hand before he brought his other back to your waist. It was oddly romantic how he held you, given that he was fucking you like life after that night wasn't guaranteed.
And then, without warning, he was pounding into you, bottoming out completely with each thrust.
It was almost animalistic now—how you were both unable to control yourselves anymore. You were writhing beneath him, impulsively fighting against the grip he had on your wrists. And Finnick, well, he was fucking you so hard, you weren't sure if walking home that night would be a possibility.
He was a disaster of pleasured vocals, deep moans, and heavy breaths. You thanked the absolute heavens he was because it was the most beautiful sound you had ever heard in your entire life.
When your own moans started to rise in pitch, you knew you were done for. You felt so full. Stretched out to the max. Blinded by the heat that was drowning you. But your eyes managed to remain clear and locked on Finnick's the entire time, just as his were on yours.
With a fleeting glance downward, he once again placed a large hand over your abdomen and pushed down, and your back arched off the ground.
You were gone.
"Oh fuck!"
The heat, white and fiery, had consumed you. Your thighs tensed uncontrollably around Finnick, your body shaking beneath him as your insides pulsed all the way down to your stuffed entrance. White, sticky sweetness covered Finnick's cock as he continued to thrust into you, the wet sounds overpowering the waves cresting on the sands. It felt like fucking heaven.
He let out a moan, broken and breathless, and released the grip he had on your hands. In that short moment, you instantly gripped onto him, feeling his body shudder beneath your hands as his throbbing cock spurted out ropes of warmth deep inside you, the essence of both of you mixing inside your body, making you one.
You pulled him down and crushed your lips to his with a sudden intense urge to be as close to him as you could, if it were even possible to be any closer to him at that point. It felt a little spiritual, the way you practically wanted to merge your body with his. That's what having sex with someone you truly loved was like, you supposed.
The kiss was sloppy and messy, but it never lacked heat or affection. Lacking heat was impossible between you and Finnick.
A lot of time passed before either of you even contemplated pulling away from one another. Finnick was inside you for what must have been a good half hour after you had both finished. It felt close. Deeply intimate. He held you in his arms, his hands mapping out various parts of your body with unhurried measure as you lay beneath him, lazily yet affectionately making out with warm, reddened lips.
There were quiet giggles and heated words whispered between you that would have prompted another session had either of you been graced with the energy.
But it was late. The remnants of the sun had long since disappeared beneath the horizon, dimming the sky to a deep dark blue, the world's only source of illumination being the stars casting their sparkling light on the rippling water.
It was a new moon.
Eventually, you ended up laying over his chest, legs strewn across his as you both faced the ocean. Your head rose and fell with each breath Finnick took and it felt unreal. 
You were momentarily worried your infatuation with him had grown too out of hand and you had imagined the whole day, or perhaps, the entire time you had known him. That it was all a figment of your vivid imagination.
Then, his warm hand slid into your own, which was draped across his stomach, and you knew that this, the newfound relationship between you and Finnick, was undeniably and rapturously real.
He slowly lifted them together above your bodies, palms flat against one another. There was a notable size difference between them—his palm was large and calloused with long fingers that squared off at the tips, meanwhile, your own fist could probably fit into his palm.
Your fingers danced delicately together as you both watched from below. He traced the length of your fingers with his fingertips; followed the etches in your palm, and turned your hand to explore the protrusions of your knuckles. There was a certain gentle curiosity in his touch, similar to that of someone who was discovering the act of human connection for the first time.
"I don't know if I can walk home," you whispered.
Finnick lowered your interlocked hands to his lips, pressing a tender kiss to your knuckles before placing them back on his stomach. "I'll carry you."
"For an entire hour?"
"I'll manage," he said, "I've got muscles."
You scoffed quietly to yourself, smiling. "Ok, big strong man."
"Says the girl who needs to be carried home."
"Well, you are kind of the one to blame for that."
You tilted your head to glance up at him and found exactly what you were expecting to see. He was wearing a proud grin, all apple cheeks and crinkled eyes. It was something you had come to adore, even though sometimes it was out of arrogance.
Your head turned to rest back on his chest. You watched as his thumb caressed slow circles over your knuckle.
"What you said before," you began, "is it true? Do you really... love me?"
The heart beating beneath your ear genuinely sounded like it skipped a beat. You imagined that was a good sign, though your nerves were still a little frayed. What if he had only said it because of the heat of the moment?
A beat went by. "I've been trying to tell you ever since I first wove the mat for you," he confessed, his voice quiet yet holding the weight of the history that made up your friendship.
There it was—the truth laid bare. Despite hearing the words, it didn't really change anything. You suspected deep down you knew the entire time; you were just too self-doubting to accept it. To accept that Finnick Odair, the crown jewel of Panem, had fallen in love with you, an ordinary girl from District Four who just so happened to meet him at a secret beach.
Although, there was a sensation you remember upon first meeting him. That instinct that had told you to stay instead of running away, as any logical human being would do upon being approached by a stranger in the middle of nowhere. That instinct, despite sounding utterly ridiculous, caused you to believe that perhaps it was fate.
Maybe you were destined to meet. Maybe it didn't matter that he was a nationwide celebrity, nor you a simple town girl. Maybe your souls were entwined from the start and, one way or another, you would have met anyway.
Maybe.
"That's a long time," you said.
He laughed. "Yeah, well, I thought you would've gotten the hint by now."
And you couldn't help but join him. You thought you were the one who was deranged out of their mind. Here Finnick was telling you he had spent an entire year trying to confess his love without you even realising.
"I'm sorry it took me so long."
"It's alright," he said, earnestly. "I'd say it worked out pretty well. I mean, look where your obliviousness got us."
You smiled. Your legs were tangled with Finnick's; his arm was holding you tightly against his bare upper body, and his fingers were lovingly tracing over yours. Yeah, you were pretty grateful for your obliviousness sometimes. A new pair of underwear might have been something to consider, though.
A silence settled between you, comfortable, peaceful. Being in Finnick's embrace almost made you forget entirely about the reality of your existence—the Games, the dominion over Panem, the chaotic environment back home. It was the reason you had set off last year in search of a place away from society.
You had now found that the escape you were looking for wasn't a place or a hidden paradise, but a person. It was Finnick.
"Finn?"
"Yeah?"
The trees and palm leaves danced in the light breeze. Waves lapped on the shore.
You angled your head back to look at Finnick and felt him pull you closer. His expression was a picture of relaxation and contentment. His eyes gazed down at you, glimmering with the reflection of scattered stars in the night sky, just like the sea in front of you.
He seemed to already know what you were going to say. Always the mind reader.
"Say it, sweetheart." The corners of his lips twitched expectantly.
Sweetheart. Oh, how could you have ever felt for him in any other way?
"I love you too."
His face broke into one of the happiest smiles you had ever seen.
...roll credits
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lunamugetsu · 2 months
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Danny is an ao3 writer
Hear me out!
Y'know how there's a running joke that ao3 authors/writers will put in the author's notes that they're sorry that they took so long to update and their reason is because of either they got into a horrible accident/ life threatening health issue/serious personal issues/ their life went up in flames figuratively or literally, or somehow a combination of all of those scenarios. And they're all like "Well enjoy the chapter! tee-hee!" and everybody who's reading it all collectively go "are you okay?!" (aka the ao3 writers curse)
So I want to take this, and add Danny
Danny begins taking a liking to the classic literature that Mr. Lancer talks about during class and decides to writes a fanfic about it along those lines. It all starts for when he writes a Pride and Prejudice fic where Charlotte gets a better life where she's both happy and comfortable. And when he gets pretty supportive comments about it. He starts writing fics for other books as well (and it never stops)
During that time, who else but the Jane Austen fan, Jason Todd reads this fic. Yes he reads fanfic (do not ask him about his ao3 history), he yearns for more Jane Austen, but unfortunately she's not exactly able to write more books for him to read. So he turns to ao3 where there are some people who have incredible talent for writing pretty good regency era romance.
So what happens when he finds a couple of Pride and Prejudice stories written by " HalfDeadHalfAliveWriter
And when reading through the stories and looking at the author's notes.
All with very weird scenarios happening to the writer that he can't be sure that if it's a joke or if it's an actual thing he should be very worried about.
Author's notes such as:
Sorry it took so long for me to update this I was being shot at by my parents and ended up getting a burn on my hand and couldn't use my computer for awhile.
Sorry the chapter's so short, all the people in my town are being possessed by a hoard of angry ghosts because somebody had a bright idea to steal an artifact that belongs to an ancient civilization. So I had to get this out quick before they ruin my wifi connection
Sorry I haven't updated in awhile, I had to fight off a crazy guy that is obsessed with killing my father so he could marry my mother and become my new stepfather.
Sorry for the wait I got sent back to Ancient Egypt by my mentor to hunt down a runaway ghost that was messing with time.
But honestly the most recent author's note on a fic that hadn't been updated in week is what makes Jason really worried.
Sorry for not updating for a couple months guys, I was taken by a government agency that started vivisecting and torturing me. Thankfully my sister and friends busted me out and now I'm working on healing up. Anyway here's the Great Gatsby fic where Nick and Gatsby kiss.
After reading that author's note, Jason just sits there thinking only one thing.
What the fuck?
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inkskinned · 3 months
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most writing advice is good as long as you know why it is good, at which point it is also bad. the hardest thing (and most precious thing) about being an artist is that you gotta learn how to take critique. i don't mean "just shut up and accept that people hate your work," i mean you need to learn what the critique is saying and then figure out if it actually helps.
i usually tell people reading my work: "i'm collecting data, so everything is useful." i ask them where they put the book down, even though it's too long for most people to read in 1 sitting. i ask them what they thought of certain characters. i let them tell me it was really good but i like it more when they look a little stunned and say i forgot i was reading your book, which means they forgot i exist, which is very good news.
sometimes people i didn't ask will read my work and tell me i don't like it. and that is okay, you don't have to like it. but i look at the thing that they don't like and try to figure out if i care. i don't like that you don't capitalize. this one is common, and i have already thought about it. i do not care, it's because of chronic pain and frankly i like the little shape of small letters. you use teeth and ribs in all your work. actually that is very true. i don't know what's up with that. next time i will work to figure out a different word, thank you. you're whiny, go outside. someone said that to me recently and it made me laugh. i am on the whine-about-it website as an internet poet. you are in my native habitat, watching me perform a natural enrichment behavior. but i like the dip of whiny, how the word itself does "whine" (up/down, the sound out your nose on the y), but i don't know if i want to feel whiny. maybe next time i will work on it being melancholy, like what you would call a male writer's poetry.
repeated "good" advice clangs in a bell and doesn't hold a real shape, dilutes in the water. like sometimes you will hear "don't use said." you turn that around in your head and it bounces off the edges of your brain like it is a dvd screensaver. it isn't bad advice, but it feels wrong somehow, like saying easy choices are illegal! sometimes i will only use "said." sometimes i will just kick dialogue tags out to the trash. sometimes i make little love poems where the fact that i do not say "said" is very bad, and makes you feel bad in your body, because someone didn't say something. i am a contrary little shitbird, i guess.
but it is also good advice, actually. it is trying to say that "said" sometimes is clutter. it makes new writers think about the very-small words and very-small choices, because actually your work matters and wordchoice matters. "i know," you said. "i know," you sighed. "i know." we both know but neither of us use a dialogue tag, because we are in a contemporary lit piece.
it is too-small to say don't use said. but it is a big command, so it gets your attention. what are you relying on? what easy choices do you make? when you edit, do you choose the same thing? can you make a different choice? sometimes we need the blankness of said, how it slides into the background. sometimes we don't.
i usually say best advice is to read, but i also mean read books you don't like, because that will make you angry enough to write your own book. i also mean read good books, which will break your heart and remind you that you are a very small person and your voice is a seashell. i also mean you need to eat books because reading a book is a writer's version of studying.
my creative writing teacher in the 7th grade had a big red list of no! words and on it was SUNSET. RAZORS. LOVE. GALAXY. DEATH. BLOOD. PAIN. I liked that razor and love were tucked next to each other like birds, and found it funny that he believed we were too young to know the weight of razor in the context of pain. i hated him and his Grateful Dead belt, where the colored teddy bears held up his appraisal of us. i hated his no list. it is very good/bad advice. i wasn't old enough yet to know that when you are writing about death you are also writing about sunsets and when you write about love you are tucking yourself into a napkin that never stops folding.
back then my poetry was all bloody, dripped with agony when you picked it up. i didn't know there is nothing beautiful about a razor, nothing exciting about pain. i just understood sharpness, which he took to mean i understood nothing. i wrote the razor down and it wasn't easy, but it was necessary. that's what i'm saying - sometimes it's good advice, because it's not always necessary. and sometimes it is very bad advice, because writing about it is lifesaving.
hang on my dog was just having a nightmare. i heard that it is a rule not to write about dogs - in my creative writing mfa, my teacher rolled her eyes and said everyone writes a dead dog. the literature streets are littered in canine bodies. i watched the rise and fall of his ribs (there is that word again) and had to reach out and stop the bad dream. when he woke up he didn't recognize me, and he was afraid.
it is good/bad advice to say that poems and writing have to mean something. it is bad/good advice to say they're big feelings in small packages. it is better advice to say that when my dog saw where he was, he relaxed immediately, rubbed his face against me. someone on instagram would make fun of that moment by writing their "internet poetry" as a sentence that tumbles across a white page: outside it is sunset and my dog is still in a gutter, bleeding a galaxy out of his left paw. or maybe it would be: i woke the dog up/the dog forgot i loved him/and i saw the shape of a senseless/and impossible pain.
the dog is alive in this one, and he is happy. when i tell you i love you, i know what i said. write what you need to write, be gentle to yourself about it. the advice is only as good as far as it helps. the rest is just fencing. take stock of the boundaries, and then break them. there's always somewhere else you could be growing.
i love you, keep going.
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artistmarchalius · 8 months
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Cockney Rhyming Slang Phrases Part 1
Part 2
In a previous post I went into Cockney rhyming slang history and gave some tips on how to use it.
In this post I’ll give you some commonly used Cockney rhyming slang phrases, phrases that I find funny, as well as some phrases that I think would be useful for Spider-Verse fic writers specifically.
So let’s get started!
A-B
Adam and Eve - Believe
E.g. “I don’t Adam and Eve it!”
Apples and Pears - Stairs
E.g. “He fell down the apples.”
Aunt Joanna - Piano
E.g. “Play me a song on the old Joanna!” Or “Get on the Joanna and we’ll have a sing song!”
Barnet Fair - Hair
E.g. “How do I fit my barnet under my mask? Wouldn’t you like to know.”
This is a very common Cockney phrase; you’ll hear a lot of true Cockneys talking about getting their barnet done.
Barney Rubble - Trouble
E.g. “Looks like someone’s lookin’ for a Barney!”
Bread and Honey - Money
E.g. “I ain’t got enough bread for that.”
Bird Lime - Time (in prison)
E.g. “He’s doin’ bird.”
Bird lime is a sticky substance you spread on trees to catch birds (now illegal, thankfully). You can understand why people relate it to feeling trapped.
Boat Race - Face
E.g. “He’s got a handsome boat!” Or “Shut your boat!” Or “I’m not just gonna show you my boat race, mate. Secret identity and all that.”
Bottle and Glass
I’m going to let you figure this one out.
E.g. “Look at the bottle on that guy!” Or “I slipped on the steps and went bottle over tit!”
Brass Tacks - Facts
E.g. “Let’s get down to brass tacks!”*
*Some people think that this phrase originates from the Cockney rhyming slang, however others say that it is referring to brass tacks used in upholstery or tacks that were hammered into sales counters to indicate measuring points. I don’t have the answer.
Brown Bread - Dead
E.g. “He’s brown bread!”
This is an example of a Cockney rhyming slang phrase that you don’t abbreviate. You always say “brown bread” and never just “brown”.
Bubble Bath - Laugh
E.g. “Are you having a bubble?”
This is meant more in an irritated sense rather than joyful laughter, like saying “You must be joking!” Or “Are you having a laugh?”
Butchers Hook - Look
E.g. “Let’s have a butchers at that.” Or “Take a quick butchers at this!”
It’s good to keep in mind that there can be multiple Cockney rhyming slang phrases for the same word, as well as multiple Cockney rhyming slang phrases that start with the same word. For example, ‘Birds Nest” and “Bristol and West” both mean chest, and “Birds Nest” and “Bird Lime” both can be abbreviated to “Bird”. For the latter, context is important for knowing what someone is talking about.
As always, I’m not an expert; a true Cockney would know far more than I do. I just want to share the knowledge that I have. I hope that someone will find this helpful, informative, or entertaining at the very least.
I’ve got more Cockney rhyming slang phrases coming, but if there’s any other areas of British slang you’d like me to go into, let me know and I’ll see what I can do!
Happy writing and happy speaking!
My other British slang posts: Cockney Rhyming Slang, British Police Slang, Terms of Endearment, Innit VS In’t - a PSA
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laenordeservedbetter · 3 months
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Thieves & Prophecies
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Words: 2.6k
Pairing: Clarisse La Rue x Fem!Reader (Daughter of Poseidon)
Synopsis: When your friends accuse Clarisse of stealing the lightning bolt, you make a choice that dooms Olympus.
Warnings: PJO EPISODE VI SPOILERS, r has anger issues, r isn't too fond of the gods, ooc!clarisse, Luke. [Let me know if I missed any.]
A/N: People say you should write to get over writer's block, so here's another Clarisse x reader. The new episode had me stressing out for Clarisse and she wasn't even there. At least we got good Percabeth scenes.
masterlist || previous work
---
You’re leaning against a wooden crate while Grover proceeds to explain why Clarisse is the lightning thief. The pounding of your heart was the only thing you made yourself hear, tuning out of the conversation. You couldn’t believe it. You refuse to believe it. Clarisse wouldn’t do something like that. Something’s wrong. They are wrong.
“Y/n?” Percy stands in front of you, looking apologetic. You meet his gaze, realizing that they must have finished talking. You don’t say anything, figuring that your conflicting emotions are visible to them. “I’m sorry about Clarisse. I know that you think she’s not capable of stealing the lightning bolt, but all signs lead to her.”
The glare that you send Percy makes him flinch. “She didn’t do it.” You claim. Percy opens his mouth to protest, but you weren’t done talking. “I know she didn’t. I’m sure of it.” You say the words with such conviction that Percy can’t help but feel bad for you. You scowl upon seeing his sympathetic look, shaking your head. “Don’t give me that look.”
“Y/n…” Grover interjects, moving to stand beside Percy. “I know that this is hard to hear since Clarisse is your—” Grover cut himself off, “But there’s no other half-blood Ares could possibly want to protect except his favorite daughter.” He says softly, trying to reason with you.
You were far past reason, however. Not when Clarisse is involved. You walk a few steps closer to them, your jaw clenching. They both take a step back, their backs hitting a combination of crates and cages. They weren’t used to seeing you like this. They’ve watched you protect them from monsters, but they haven’t experienced being on the receiving end of your wrath. It was not a good feeling.
“Say one more word about Clarisse being the lightning thief and I will make sure none of us get to the underworld in time for the solstice.”
Grover and Percy merely nodded, too afraid to argue.
You retreated to the corner furthest away from them; feeling more exhausted than you had been since the quest began. A part of you wanted to ensure that Percy completes his quest and that he clears his and your father’s name, another part wants nothing more than to protect Clarisse, but the emotion that overpowers both is your anger.
How could they all just sit there and come to that conclusion without thinking it through? Their accusation didn’t even have that much of a backbone to support it with. You were mad at yourself for not being able to convince them otherwise. You were mad at Ares for taking Grover’s bait and for not ratting out the real thief, which you probably shouldn’t say out loud. Though, at this point, you didn’t care because tomorrow morning, Percy and Annabeth were going to send an Iris Message to camp and there will be nothing you can do to stop Chiron, Mr. D, and the rest of the demigods from going after Clarisse. You needed to act and you needed to act fast.
---
As soon as Percy, Annabeth, and Grover fell asleep, you stood up and silently moved to the truck’s doors. Percy was leaning against one of the cages, his eyes peacefully shut. Sometimes, you forget that he’s still a kid. He should be enjoying his childhood, not going off fighting monsters. But unfortunately, that’s just the way life goes when you’re a half-blood, being in constant danger. Yet another reason to be mad at the gods. You shake your head, trying to ignore the pang of guilt when you think about leaving your brother. If there had been another way, you would have taken it.
You just hope Percy forgives you when all of this is over.
…Or if he survives the solstice.
You stop in your tracks, wondering if what you’re about to do is the right decision to make when Annabeth starts to stir.
It was now or never.
You continue making your way to the door, but something in the corner of your eye stops you.
The bag that Ares gave.
There was something about it that drew you in. You know you shouldn’t, but you grab the bag, opening the top zipper. There was cash, clothes, and golden drachmas, exactly what the god of war said. You had no need for cash or clothes, so you take those out. You scoop a few drachmas and place the rest on the floor, putting the coins inside the bag since it would be handier than putting it in your pockets. You sling the bag over your shoulder and bolt for the doors, the metal making a loud bang the moment you force it open. Before either one of the trio could go after you, you were already a few miles ahead – or behind, depending on which direction you’re looking from – of them.
You don’t stop running until you reach a coast. You wanted to collapse in exhaustion, but you force yourself to keep going until your feet touch the water. Sighing in relief, you close your eyes, allowing the water to give you strength. The wind was chilly tonight, darkness looming above you. The possibility of war was getting closer yet here you were, having just abandoned your brother for Clarisse.
You didn’t know what you were going to do when you reached camp. Would you try convincing Chiron that Clarisse wasn’t the culprit? Would you run away with your girlfriend? Or would you take the blame despite not having the lightning bolt yourself?
You hear a whine before you, prompting you to open your eyes. A creature with the head and front legs of a horse but with the tail of a fish appeared in front of you, tilting its head a little. Your eyebrows scrunched in confusion, “Did my dad send you?” You asked.
Yes, my lady.
Your brows scrunch even more (if that was possible) at the term. Your hand reaches out to pet the hippocampus, the creature leaning into your touch. You were still surprised that your father, Poseidon, decided to help you. He did listen to your prayers most of the time, but you thought that he wasn’t your biggest fan at the moment, seeing how you were about to go to camp and possibly ruin his reputation. You guess you were wrong. A small smile graced its way onto your face as you mumble, “Thank you, father.” You get on the hippocampus, the creature making sure you were properly seated before it started moving.
---
The sun had completely risen by the time you reached camp. Being on a hippocampus was by far the best mode of transportation, in your opinion. You got good sleep this time. You get off of Summer (you learned that that was her name when you were trying to make conversation), your feet landing on the shore.
“Thank you, Summer. I promise I’ll give you a snack when I see you again.” You promise, smiling softly.
Summer made a noise of approval before diving back into the water.
You look towards the woods, feeling like something was about to go wrong. “You can’t back down now.” You mumble to yourself. Clarisse needed your help. This is the reason why you came back to camp. You will your feet to move, one foot in front of the other.
This wasn’t gonna end well.
---
Sneaking into camp was easy. Getting past the campers was the hard part. If they saw you, they would bombard you with questions. You can already sense the kind of questions they’d ask, the things they would say. You grit your teeth in annoyance. Everyone seemed to be doing something. Though, the number of campers in the archery practice range and the dining pavilion were smaller compared to the last time you were here. Odd. You shake your head, trudging forward, trying to look for Clarisse.
“You stupid moron! I told you. I didn’t steal the lightning bolt!”
Ah, there she was.
Your heart flutters upon hearing her voice. There was no mistaking that that was her.
You see Luke get out of the armory. You could make out a figure behind him, a girl tied against one of the tables. Your expression hardens as you stare at the Hermes cabin councilor. Before he could meet your gaze, you hide behind one of the cabins.
Anger coursed through you again. Your fists clenched, leaning your head against the structure of the Zeus cabin. You wait for a minute, then another, then another, before you feel your anger subsiding. You use the back part of the cabins in order to get to the armory, rushing past groups of campers before they could spot you.
The armory was unguarded, which was a bad decision on Luke’s part. Like seriously? The armory is the best choice you can come up with to lock up the alleged thief in? There are dangerous weapons in there. If they had caught the real thief and locked them there, it would have been a bloody day. You scowl at their incompetence, but your expression morphs into one of worry when you open the door and see Clarisse.
She glances towards you, squinting her eyes from the harsh glare of the sun. “Y/n? What are you doing here?”
“I don’t have time to explain.” You march towards her and settle yourself in front of her. Her hands were tied. “Gods, what have they done to you?” You mutter, grabbing a dagger from the table above her and using it to cut the rope.
“They’re accusing me of stealing the lightning bolt, which is stupid because I didn’t do it. This must be Percy’s doing.” Clarisse grumbles, an apologetic look crossing her face after she says the last sentence. “Sorry. I know he’s your brother, but…”
“They’re wrong. I know.” You nod reassuringly. Not a second after you finish cutting the rope, Clarisse surges forward to pull you into an embrace. You laugh in surprise, pulling her closer, “Woah, there. Hi.” You close your eyes, inhaling her familiar scent. It was good to have her near you again. You let out a sigh of relief, placing your hand on her hair. “I missed you.” You say.
“I missed you too.” Clarisse replies before reluctantly pulling away. She places both of her hands on your face, as if memorizing it all over again. Her brows were scrunched as she looks at a scar that wasn’t there before you left and you found yourself wanting to ease her worries.
“It’s not as bad as it looks.”
She scowls. “You got hurt.”
“I’m okay now.” You insist. Before she asks follow-up questions, you try to state why you were here in the first place. “I tried to convince Percy, Grover, and Annabeth that you didn’t steal the lightning bolt, but they wouldn’t listen. So, I jumped out of the truck when they were sleeping. I got a few drachmas in case of emergencies. Then, I went to a beach, where a hippocampus appeared and brought me here. And now I’m realizing I didn’t think too far ahead because I don’t know what to do now. If I can’t convince Mr. D or Chiron that you’re innocent, I… We can run away. Yes, that we can do.”
“You did all of that for me?” Clarisse had an unreadable expression on her face. She looked like she wanted to kiss you, yell at you, and cry all at once.
Your brows furrow. “Of course I would. Why wouldn’t I?”
“You could’ve gotten hurt.”
“But I didn’t.”
“That was really stupid.” She says.
“I know.”
“You jeopardized the quest.”
“I know.”
“You could’ve experienced your father’s wrath.”
“I know.” A small laugh escapes you.
Clarisse shakes her head, “You’re unbelievable, you know that?”
“Yes, so I’ve been told.” You roll your eyes.
“Gods, I love you.” Clarisse mumbles.
You sport a teasing grin, “Aww, you do?”
“Shut up.” She punches your shoulder playfully.
“Ouch!”
“What are you doing?”
Your playful banter came to an end when you hear Luke enter the front door, two of the kids from the Athena cabin standing behind him. You turn, stepping forward to stand in front of Clarisse. You’ve been in similar positions in the past, except she was the one protecting you. Now, it was time to return the favor.
Both Athena kids step forward on Luke’s signal, dragging both you and Clarisse outside, where there was a cluster of campers watching you.
Great, a show. Just what you needed.
“What were you doing with the lightning thief?” Luke questions.
It took a shake of Clarisse’s head to stop you from attacking him. You settled for “accidentally” stepping on his toes instead. “Clarisse is not the lightning thief.” You state. Around you, there stood at least two dozen campers. You spot Chiron and Mr. D amidst the campers and your eyes light up. “You don’t even have proof that she stole the lightning bolt, so how can you be so sure that it’s her?”
Luke ignores your question entirely. “Just give up, Y/n. Stop protecting her. You know that she stole it. We all do.”
“She didn’t steal it!” You yell, meeting Luke’s eyes. It felt like having a staring contest with a statue.
“Yeah, well, how do you know?!” His voice raises to match yours, his cold gaze almost scaring you. Almost.
You fall silent, not having a proper answer to that. Truth was, you didn’t. You could just feel it. But making choices based on feelings isn’t a good enough reason for anyone in this camp. You turn towards Chiron for help, but he doesn’t say anything. The entirety of the Ares cabin is quiet as well. That’s when it occurs to you that if they don’t speak up, there is a zero percent chance that anyone else will.
Luke appears smug, as if he had proved his point. “Exa—”
“Because I did it.”
You shock even yourself at your words, but you do nothing to take them back. You weren’t able to see any other option left. You were surrounded. If you’d try to escape with Clarisse, you weren’t making it out of camp alive. This was your last resort.
“What?” Clarisse says beside you, her voice barely above a whisper. You force yourself not to look at her. You wouldn’t be able to stand the look of betrayal on her face. You’d rather have her hating you than have her punished for something she didn’t do.
Luke scoffs, “No, you didn’t.”
“Yes, I did.”
You don’t break eye contact with Luke as you say the words, ignoring Clarisse’s screams of protest.
For once, Luke was taken aback. He keeps shaking his head, “No, you’re lying. Just give up already. You can’t protect her anymore.”
“I stole the lightning bolt.” You say, louder this time around.
“Miss L/n, that is a serious admission.” Chiron says, his tone grave. You could see the apprehension in his eyes. “Are you sure you stole the lightning bolt?”
“She’s bluffing.” Luke announces, but he sounds unsure.
Your bag grows heavier, as if someone placed a boulder inside it while you were talking to Luke. It was too much to carry. Naturally, you removed the bag from your shoulder, setting it down on the grass. You open the backpack’s zipper, your breath hitching when you see the thing that has been weighing it down. You pull it out of the bag, hearing gasps and words of alarm from the campers.
The bolt crackled in your hand, the color mesmerizing you. You tilt your head with a sly grin, your eyes fixed on Luke.
“Do you believe me now?”
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vavandeveresfan · 21 days
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J.K. Rowling has been proven right!
"The Cass Review is a damning indictment of what the NHS has been doing to children.
"Dr Hilary Cass has submitted her final report and recommendations to NHS England in her role as Chair of the Independent Review of gender identity services for children and young people.
"Hilary Cass’s report demolishes the entire basis for the current model of treating gender-distressed children. Its publication is a shameful day for NHS England, which for too long gave vulnerable children harmful treatments for which there was no evidence base. It’s now clear to all that this was quack medicine from the start. 
"Dr Cass delivers stinging criticisms of NHS gender clinics, both adult and child, and her description of the Gender Identity Development Service is absolutely damning. It is disgraceful that GIDS, alongside the adult clinics, did not cooperate with her attempt to survey its practice, or to carry out a high-quality, long-term follow-up study on the treatment of children as part of the review, which would have been a global first."
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You can read the entire review here. (pdf)
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"Glinner" is Graham Linehan, a writer, screenwriter, and comedian who's been fighting against transitioning minors for years, losing friends, his job, and his agent along the way. But he's kept on fighting.
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The tide has turned in the UK and in Europe. When will American media finally begin reporting on the closing of "gender clinics" and the bans on puberty blockers for children? I figure nothing will happen here in the U.S. until the lawsuits start flooding in. It's already begun. And with proof like the Cass Review and the WPATH files, it's going to be very, very difficult for clinics, doctors, and therapists to continue lying about how transitioning does no permanent and irreversible physical and psychological harm.
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bone-and-butterflies · 10 months
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How to hide plot twists from both your readers and your characters in a way that is not frustrating or annoying.
So I was watching a book review for a book that I liked but both loved and hated some of the plot twists. Of course this got me thinking about plot twists and why they work for both readers and the characters that are falling for these plot twists.
Readers
The key is to control the information that your readers have. Your readers aren't going to consider an option unless (1) that twist is really common for your genre and that reader has read that genre a lot and will therefore be expecting it or (2) you have very obviously given them the specific information nessesary to unintentionally figure out the twist before the characters.
Why does this information stand out, you may be wondering. It is because there is nothing else going on to distract away from a piece of information that can seem meaningless with the right context.
Most of the time, if you're not writing a very specific plot line with a very specific genre, your reader isn't going to immediately know where the plot is going so they may not be looking out for the information relevant to a later plot twist, so as long as you justify an informational choice that explains a later plot twist in a way that covers a variety of basis, they're probably not going to pick up on the one piece you left out, aka what is going to make this twist fun.
This piece of information should be something small and unassuming. It can be magical, but if you're writing fantasy that magic has to be hidden really really well. I find that a plot twist works the best when the piece of information that is missing is something you wouldn't really think about, like the reason a prince was able to infiltrate a prison and hide his identity was because he had his cousin standing in for him and we don't know that this cousin existed and knew the limits of that world's magic (this is actually a plot twist that fooled me btw despite how obvious at sounds now).
A good plot twist that fools the reader relies on twisting the information that the reader has and therefore twisting how they think the story will go.
Midway sidenote: not every plot twist needs to exist to fool both the reader and the character, sometimes it is really fun to watch a character fail because of something inherent to that character.
Characters
Remember how I said sometimes it's really fun to watch a character fail. That only works sometimes.
It is more annoying to figure out a plot twist that is really obvious and then have the character miss it because the author said so.
So how does a writer pull this off?
Be intentional. Have an idea in mind of when you want the reader to figure it out and ask your beta readers when they figured out your plot twists to control that as much as you can.
Your character does not know which genre they're in, so you have to both get inside the character's head and take the reader along with you so they understand why this character is making these poor choices and missing the most obvious villain in the room.
Why would a character miss a plot twist?
They are distracted or delusional. Characters have goals and they may ignore their better judgments to achieve these goals based on their personality. Put more emphasis on your character's motives to hide information that may make plot twists more obvious. Also, your characters may use information about their world to explain their motives and this information may also be vital to understanding a later plot twist
The average person does not go around thinking everybody around them is out to get them especially if those people seem incapable of that through the pov character's ego or the other character's demeanor. If your character has known somebody for a really long time or knows a piece of information that is vital to the worldview they're probably not going to immediately discard it. Fun fact: in the real world, when people have their views disputed, even with very good evidence, it can make them more likely to hold on to that old belief.
Expectation of harm. Different characters have different experiences with shape how bad they think things can get. For example, if a character has never experienced something, they may not know what can lead to that thing. (FYI older characters are more likely to know more things so be careful with this one.)
The Twist
For a twist to work, it must make sense with both real world and in world knowledge as well as common sense, so keep this in mind as you plan.
Conclusion
This isn't comprehensive because good plot twists require a lot of information to make them work and that's makes them very specific. While I would love to explain why different plot twists work, part of them working is them fooling you and hindsight bias is kind of a thing.
Keep writing. If a plot twist just isn't working either scrap it or let it sit until you have the information to build reasons why it should work.
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dreamingonclds · 2 months
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Unintentional | FA14
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Summary: Y/n and Fernando Alonso were both professionals, both only seemingly having time for their careers. They both have had their fair share of relationships but they’ve never become serious for either of them. Y/n is an A-list celebrity, a highly respected actress and Fernando a champion athlete, a Formula One driver. Nobody could’ve ever imagined both of their paths to cross but, they do. It was said that their relationship was destined to fail, their 16 year age gap being too large to be sustained. But, to everyone's surprise, a blessing they created without intention was just enough to fill that gap, like fate.
Pairing: Fernando Alonso x Reader
Word Count: 2,722
Warnings: None
Chapter 1
Note: If you would like to be added to the taglist, please @ yourself in the comments!
As you meticulously applied your lipstick, your mind couldn’t help but wander to the thought of who you would meet tonight. Your stomach bubbled with nerves, a sensation you always got with meeting new people; despite how long you had been in the industry for. You met new people almost weekly, nothing new in the entertainment industry. You were used to meeting wealthy business people and pretending to care about anything that came out of their mouths. But you were genuine about meeting new directors, writers, and filmmakers; you genuinely cared about what they had to say.
Tonight was no different, you had been invited to a dinner by some friends. It just so happened that those friends were in the industry too and it just so happened that the dinner would be in Beverly Hills. So, you knew that tonight would be a night of pretending to care because the people who actually cared for the artistry of entertainment would never choose to dine in Beverly Hills. And you were a professional, so you sucked it up, put a smile on your face, and decided to have a good night.
So, you decided that to have a good night you had to have a good outfit. You were a public figure, a very popular one at that, so you did have to dress to impress. And you didn’t mind, you loved fashion and you loved to shop so it all worked out. You also cared about your appearance and wanted people to like you, but not for how you looked. You wanted people to like you for the person you were and what you brought to the table. And unfortunately, that goes hand in hand with physicality in this world. So you slip on a back silk dress because those always do the job.
Arriving at the restaurant, you thank your chauffeur as he helps you out of the car and guides you to the entrance. Stepping into the restaurant you’re immediately greeted by your friends and introduced to all the unfamiliar faces. Soon enough you're all making your way through the restaurant, several diners turning their heads to you all, some trying to sneakily snap pictures which you notice every time. Once you're seated at the ridiculously large table, you notice the empty seat beside you and around the table.
“People missing?” you ask your friend sitting right across from you.
“Yeah, they’re running a little late but they should be here very soon.” she answers, giving you a small smile.
After a little conversation, you all turn your heads to the chatter that is seemingly making its way towards you all. Sure enough, it’s the missing half of your party and as you scan your eyes through all of them, one catches your eye.
“Here they are!” your friend announces, standing up to greet them and everyone follows.
In the midst of the commotion, bodies moving left to right you hear your friend declare seating arrangements.
“Fernando, why don’t you sit next to Y/N, she speaks Spanish too.” she says pointing you out so he knows who you are.
You see a man nod and begin to approach, you notice the brunette with semi-shaggy hair and a short beard. Sure enough, it’s the one who caught your eye earlier on. He greets you with a kiss on both cheeks that you reciprocate and helps you into your seat.
“What a gentleman, thanks. Fernando, right?” you look towards him, wanting to start a conversation like the rest of the table is doing
“Of course, Y/n?” he nods in response and you do the same, noticing his accent. As you make eye contact, you begin to note the faint lines around his eyes and the maturity of his face. Your mind begins to wonder, whether he’ll take you seriously noticing the lack of physical maturity on your 26-year-old face. Usually, men over 5 years older than you never took you seriously, their conversations always started professional but quickly turned to comments about your body and sexual experience.
Before either of you could get another word in, the waiter begins to ask for your drinks of choice. Usually, you would go for a beverage that would liven you up but, you had a rule that you only drank at dinner when everybody at the table were your friends. So, you asked for the next best thing.
“I’ll take a coke please.” you tell the waiter, who quickly jots it down and looks to Fernando next
“Uh, I’ll take the same please” Fernando turns to look at you with a confused look
“Oh, I don’t know everybody at this table so, I’d like to get to know you with a sober mind.” you tell him matter of factly, hoping that was the explanation he was looking for. Although it was the truth, you did want to get to know the rest of the table; but specifically him. In what seemed like record time, the waiter comes back setting down all of your drinks.
“Igualmente” Likewise he nods towards the brown beverage in front of him.
“I thought maybe you were still too young to drink, you look young, why do you want to get to know me?” he asks, bringing his glass to his lips.
“I’m 26, not that young. And you're sitting right beside me, we have a long night ahead. Why not get to know you; your friends.” you add the last part in, trying to deflect and hide your interest in him; hoping he doesn’t catch on.
“Why’d you copy me, I mean no offense but, you don’t look like you just turned 21?” he brought up your age first, two can play at that game.
He chuckles, still looking at you.
“I’m 42, not that young either.” he says in truth. And before you can respond he speaks again.
“Pretty girl, pretty dress.” he brings his glass to his lips, looking away nonchalantly.
“And you’re sitting right beside me.” he states matter of factly, using your own words against you.
Your jaw drops the slightest and your eyebrows scrunch in surprise. His confidence, so abrupt it takes you a few seconds to bring your face back to its natural resting place. Despite your efforts to look cool and unaffected, you can see the pride your reaction gives him. With a teaseful look in his eye, he offers you a smirky smile that makes your stomach erupt in butterflies. Your cheeks and ears go hot, and you now find it hard to sit still or contain the smile pulling at your lips.
The rest of the night goes exactly as expected, the two of you deep in conversation and completely ignoring the rest of the table. There’s a tension that's rising that even the others can feel. Neither of you even realize how many times they’ve teased you two or tried to get you to join their conversation. You’ve also failed to notice the pointed phones from other diners and sneaky restaurant workers.
As you all are ending your dinner, restaurant patrons and workers start making their way to your table. Asking for pictures and autographs from you and your party alike, both separately and together. Little did you know that those images would lead to a whirlwind of speculation, the world seemed to spiral at the thought of you together.
Your group converses outside the restaurant for a few minutes, a back and forth of what the plans for the rest of the night were. You stood there to yourself contemplating whether you wanted to continue your night. You had a fitting in the morning and a couple of online meetings you had to prepare for. Considering it was nearing 1 am, you decided to head home with a professional attitude to your day ahead.
Before you can interrupt the group to bid your goodbye, Fernando makes his way to your side.
“Are you going out for more drinks too?” he turns to you.
“I have meetings in the morning, I think I’m just gonna head home.” you nod your head.
“Me too actually, I drove here by myself. Let me take you home.” he points at himself.
“Yeah, that’d be nice actually; thank you.” 
You both take a few steps forward towards the group, ready to bid your farewells together. But before either of you can mutter a word, your friend's chatter amplifies into a passionate discussion about who knows what. Fernando turns to look at you, an amused smile on his lips that turns into a chuckle after noticing your surprised expression.
“Mejor nos esperamos.” We better wait, he jokes, and you giggle looking towards him, only to realize his eyes were already set on you.
“Buena idea” Good idea,  you say with a smile, continuing the playful vibe of the setting. You two carry on with your light-hearted conversation. Unconsciously backing away from the group until your back hits the restaurant's ornate rail. Fernando holding on to the rail on your right side, halfway caging you in, seemingly protecting you from passersby giving you questioning glances; realizing who you were.
Your conversation continues and you two get lost in getting to know each other. You learn that he’s a champion F1 driver and he learns the movies he’s seen you in, not knowing it was you. Before he can finish saying where his next race will be, you're drawn out of your heart to heart by shouts from your group.
“Hey lovebirds, you guys coming?” your friend shouts pointing down the street, implying a prolonged night out.
A sheepish smile forms on your lips and you shake your head, “We both have busy mornings tomorrow. We’re gonna skip this one!”
“Alright then, don’t have too much fun!” someone teases, causing the rest of the group to laugh.
Fernando smiles and shakes his head at the joke, “I’m just going to take her home!”
You all exchange thank you’s and appreciation for dinner before saying your goodbyes. Then begin to make your way down your respective sides of the street. He leads you to his car, not in front of you but by walking closely behind you, guiding you with a light touch to your back. He helps you in, chivalrously, taking your bag from you, opening the door, and taking your hand to help you in. You take notice of what car he drove, a luxurious sports car, that to you matched the reputation of an F1 champion. You questioned yourself on if you wanted him to live up to the reputation of a man like him.
Before he can drive off, he makes sure you’re both buckled in and asks for your address. You give it to him and then you're off to your luxurious hotel, which the movie you were in Beverly Hills for set you up with. You two continue your conversation the whole time, only stopping when Fernando gets out of the car first to open your door. He walks you to your room, as he insists on “dropping you off”. But really, you’re more than happy to oblige to his request as you didn’t want the night to end.
“No paps.” Fernando blurts randomly, as you both make your way through the lobby.
You scan the room and realize he was right, you only saw the employees and the occasional normal guest.
“Oh yeah” you acknowledge, normally every hotel in Beverly Hills was swamped with paparazzi no matter the time. So you worked it up to luck, you two got lucky tonight. Little did you know that this would foreshadow the rest of your relationship.
You make it to your room and unlock the door, stepping into the doorframe and turning to face Fernando. You two stand there for a few seconds, just staring at each other, Fernando's hands in his pants pockets and your hand on the door, an undeniable tension lingers between you two.
“Do you want to come in?” you suggest hesitantly, pointing inside, ready to face rejection.
“Uh yeah, can I?” he answers quickly, surprising you and catching you off guard. 
“Come on in.” you say, widening the door and stepping back, letting him inside. He makes his way towards the living room area of your massive hotel room and you follow him. Before you can sit down on the couch beside him, you notice the complimentary bottle of champagne in the ice bucket, now sitting in water that was ice a few hours ago. You go to the table and pull out the bottle from the bucket, wrapping it in a towel to prevent it from dripping.
“Quieres?” Do you want some? You offer him, showing him the bottle.
“Por favor” Please He stands up and heads towards you, taking the bottle from your hands to open it himself. You hold up the two glasses, also on the table, for him to pour into. After pouring, he sets the bottle down and you hand him his glass.
“Gracias” Thank you You both say at the same time, which causes you both to giggle.
“Let's go to the balcony” you suggest and head outside, he follows you but, not before grabbing the bottle to take with.
You lean on the rail, one forearm resting on it while your other arm brings the glass to your lips. Fernando places the bottle on the small table conveniently outside and then he goes to stand in front of you. He halfway cages you in again, one arm holding the rail close to your side, and you notice this protective pattern of his. Both of you stand there, not saying anything with words but instead through the looks you’re giving each other.
“You are very beautiful.” he blurts out, scanning your face with a pensive expression on his face.
You scrunch your eyebrows in confusion for a quick second before smiling and meeting his eyes.
“Thank you, you are very beautiful too.” you respond in honesty and nod your head when he looks at you confused. A shy smile breaks onto his face and he looks at the ground stepping away from you. 
He looks back up, licking his lips ever so slightly and takes the glass from your hand. He goes to place yours and his glass on the table while you stand there confused. He comes back to his original spot in front of you but this time way closer than before. His hand comes up to cup the side of your face and your eyes look deep into his as his thumb caresses your cheek. You go to say something but are cut off by his lips pressed against yours. You quickly catch on and move your lips with his. His hand comes off of your face and moves to your waist, you step away from the rail to try and get closer to him. He wraps both of his arms low around your waist and his fingers dance right above your bum. You instinctively bring your arms up to wrap around his neck and your fingers go to dance in his hair at the nape of his neck.
He smoothly turns you both around so now he is against the railing. Your makeout continues for a short minute until you realize something and your eyes open.
“I don’t kiss on the first date.” you say exasperated, pulling away and trying to catch your breath. He leans back trying to get a look at you, breathing heavily, eyebrows scrunched in confusion.
“But I’ll make an exception tonight.” you say quickly, he smiles before you lean in and desperately attack his lips again. He grabs your thighs, wrapping your legs around his waist and walks inside towards the bed. He gently lays you down and stands back up separating your lips, he swiftly removes his shirt before hungrily coming back down on top of you.
The rest of the night goes as expected and contrary to your usual experience with men, he stays the night. You both sleep comfortably in each other's arms, not even wondering how it all led to this moment. Although you were both trying to figure out why this all felt so natural, you both knew one thing, this was the start of something special.
Taglist:
@minkyungseokie
@ursforever129
@thatchickwiththecamera
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howtofightwrite · 3 months
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For a character that virtually can’t die and regenerates in order to keep living, how do you make action interesting? Emphasize they still feel pain, why they’re doing it?
I'm actually going to step back a bit from this question first, and complement it. This is a very honest question, and something most writers who include violence in their work, should really think about. Even if you don't think you have characters like this, you do.
Now, I'm going to dunk on Ben “Yahtzee” Croshaw for a moment. Ages ago (I think it was in one of his Resistance reviews), Yahtzee described, “threatening to blow up the world,” as the laziest form of raising the stakes. Because, “hey, I live on a world.” He's mostly correct. Threatening your protagonist's life is even lazier. In the vast majority of cases, your audience knows you won't go through with it. That you won't kill off your protagonists.
With that in mind, when you decide your protagonist is completely immortal, that changes less about how you write them than you might expect. The biggest difference is simply that they're directly aware of their plot armor, rather than them engaging in faux indecision based on their perceived mortality. Again, this is something that every writer who uses violence should think about, at least a bit. It is natural for a character to fear for their life, and have reservations about risking their life, but making the part where your character's lives are on the line isn't automatically suspenseful. In a lot of cases (consciously or not), your audience will call your bluff, when you threaten to kill off a major character.
If you think back to major character deaths where something drops them without warning, part of what makes those scenes work is the lack of (apparent) setup. The writer didn't spend pages teasing you with the idea, they just went for the throat and ended that character on the spot. This is more respectful of your audience, because you're not telling them, “well, I might kill this character, or I might not.”
To be clear, I'm not saying that there's no place for teasing your audience with a character's impending demise, just pointing out that in a lot of cases, this won't generate the kind of suspense you'd hope for.
So, to get back on topic, how do you make it interesting? Remember that while this character can't die, the same is not true for the characters around them. Depending on the tone you're going for, you could create an absolutely brutal crucible effect, where everyone around your immortal gets burned off, sooner or later. Whether that's literal, or figurative, is up to you. Even if your character can't die, watching people they care about suffer and die is going to have an effect on them.
You probably don't need to draw special attention to the physical pain they experience, but you do want to be aware of it. Especially in the context of how pain affects the victim's behavior. Beyond that, there is probably an element of pain being far more annoying to the immortal than it would be to a normal person. They know it's not telling them anything meaningful, but it is distracting.
Long-term, both of these can easily result in personality shifts. And, legitimately, this is a scenario where a character may be immortal, but they would still experience significant changes over time, and with the growing emotional pain, could have very adverse effects on your personality. This does have some very real, “live long enough to see yourself become the villain,” potential. How many friends can you lose before you stop caring? How many funerals can you attend before you start taking the phrase, “you're either part of the solution or part of the problem,” a little too far? How many times can you pick yourself up off the pavement a blood-covered alleyway, surrounded by corpses, before you start to forget what made you human in the first place?
And, that's not the only option. The simplest answer for maintaining tension when one of your characters is immortal is keeping your eye on what they're trying to accomplish. Keep track of their objectives, because I guarantee they can fail those. Even just keeping their own nature concealed from the mortal world is probably fairly important, because of the idea that men in hazmat suits will drag them away to some research lab and poke them until they figure out how to replicate their immortality, is a classic (and potentially plausible) threat. (Bonus points, if you're wanting to loop in something like the medieval inquisitions, or some other secret societies that could pose this kind of a threat.)
So, what do you do? To dig out an old cliché threat, “there are fates worse than death,” and it's probably worth exploring them. This also opens up new possibilities for threats. Finally, it's worth remembering that immortality does not guarantee success. If your character is hoping for that, it might be time to give them a very harsh lesson.
-Starke
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riddlerosehearts · 4 months
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thinking about how people who watch the emperor's new groove and somehow come out of it shipping pacha and kuzco, or thinking yzma only became evil when kuzco fired her and that she would've been a better ruler than him, are both so wrong in so many different ways and are also missing one of the things that i absolutely love about the movie. which is that, the way i see it, pacha and yzma are counterparts. as parental figures to kuzco.
like, just to get this out of the way first, yzma was a dismissive asshole to a peasant whose family was starving. and yeah, if kuzco had been in her place he definitely would've also done that, which... is why she would not be a better ruler than him. she'd just be the same because they're both horrible people in the exact same ways. her reaction to being fired is to plot murder, and as soon as his funeral is over she sets everyone to work on replacing paintings of kuzco with paintings of herself and covering the palace with imagery that makes it clear that it's all about her now. i'm not even sure why this is a discussion tbh.
and also, kuzco is literally a teenager. he's barely 18 years old. source: in the movie, yzma says at his funeral that kuzco was "taken from us so tragically on the very eve of his eighteenth birthday." she also claims in the movie to have "practically raised" him, to which kronk replies "yeah, you'd think he would've turned out better". and sure, she could be exaggerating, but what evidence do we have that she is? we learn absolutely nothing of his parents, who are never mentioned even once in the movie, or of anyone else who could've raised him, and she's his advisor who for some reason sees no problem with attending to royal duties in his place. most likely because she's his regent. also, i'm not exactly a fan of the sequel tv series "the emperor's new school" but it does have something that backs up my point: kuzco is revealed to be an orphan and just before his father went and got lost at sea, he asked yzma (who was also his advisor) to take care of kuzco if anything happened to him. so, yeah, the writers who worked on the series clearly thought that yzma genuinely did raise kuzco, and nothing in the movie contradicts this.
and i find the idea of her being his only parental figure for pretty much his whole childhood incredibly interesting because, and this also goes back into why she wouldn't be a better ruler than him--she mirrors him as a reflection of what would've become of him if he'd never met pacha. they're both incredibly arrogant, power-hungry, selfish, and cruel, with a tendency to blame their problems on everyone but themselves. yzma was even originally going to have her own reprise of kuzco's theme song "perfect world", which i really wish had been kept:
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[ID: Lyrics that read:
I'Il be the sovereign queen of the nation And the chicest chick in creation I'm the cat with all the cream and ooh-la-la This deadly concentration Will put an end to my frustration Now this perfect world begins and ends with moi
What's my name? Yzma, Yzma, Yzma Yzma (what's my name?) Yzma, Yzma (What'd you say?) Yzma (Ha ha ha ha ha ha ha ha ha!) Yzma. End ID]
(this song can be fully heard in "the sweatbox", the documentary about the making of the movie, and is also on youtube btw)
anyway, i'm sure yzma would not exactly have been the most nurturing or hands-on guardian, especially given that she and kuzco don't exactly treat each other like family. but it makes a lot of sense to think that her behavior influened kuzco's throughout the years. and for the entire movie, she remains determined to kill him. when he tries to reason with her and admits that he should've been nicer, she says the same thing to him that he originally said when he fired her. she never grows or changes and in the end, she hurts the one person who was willing to stand by her (and even then, kronk had never fully been on board with her plan) and he ends up trying to crush her with a chandelier. kuzco on the other hand is able to realize the error of his ways, come to regret who he was in the past, and start taking steps toward being a better person. his theme song gets a reprise where it's changed from a song about one person being the center of the world to a Power Of Friendship song. why? because, as i've already mentioned, he has pacha.
pacha, who similarly to both yzma and kuzco is in a position of authority as the leader of the village but unlike either of them is gentle and humble. who isn't afraid to stand up to kuzco and be honest with him even though he's the emperor, who agrees to take him back to the palace but has no obligation to be so helpful, kind, and caring toward him--and just about every reason not to be--and still chooses to be anyway. pacha who is 45 years old (also stated in the sweatbox documentary) and can see that kuzco is practically still a kid, not a single day over 18, who has time to grow and change. pacha, who already has a wife and two kids with another on the way, but practically treats kuzco like one of his own. who acknowledges that if kuzco dies all his problems will be gone and then still worries about him and goes out of his way to rescue him after he wanders into the jungle. who sees kuzco shivering at night and covers him with his poncho, who carries him when he's genuinely too weak to keep walking, who refuses to give up on him even after repeatedly being betrayed by him because he believes there's good in everyone.
also, while yzma ends up repeating kuzco's harsh words of dismissal as she tells him of her plans to kill him, kuzco had previously repeated pacha's words that "nobody's that heartless" after he saved pacha's life. and as the movie progresses kuzco and pacha's relationship becomes more and more equal and is constantly contrasted by moments of yzma being cruel and unappreciative of kronk's kindness. a good example of this is how kronk is constantly being forced to carry yzma everywhere on his back while yzma literally walks all over him and steps on his hands when she gets down, whereas when pacha briefly carries kuzco after the latter collapses he tells him he'll have to walk the rest of the way later and kuzco doesn't even protest.
idk if i'm even explaining well what i'm trying to say here. but basically, if yzma actually raised kuzco and contributed to his current behavior, then she and pacha both are figures who guided him and helped him grow. only yzma helped him become the tyrant that he was at the start of the movie, who was selfish and callous and saw everyone else as beneath him. whereas pacha helped him see the value in being selfless and considerate of others. and in the end, yzma is stuck as a cat and nobody is concerned about her. kronk has found a new job that makes him genuinely happy, while kuzco has decided to build a hut on the hill next to pacha's and effectively joined his family. in the sweatbox documentary it's even mentioned that chicha and the kids were at risk of being removed from the film, but it was decided that they needed to be there because having just pacha as a single guy who lived alone wasn't interesting enough--kuzco needed to go from having basically an empty world where he had nobody to being able to come together with pacha's whole family. and i just think that's incredibly satisfying and beautiful. it also leads up to one of the few things i really do enjoy about the emperor's new school, which is the fact that during the show kuzco moves in with pacha and chicha and pretty explicitly thinks of them as basically his parents while he's like a son to them.
idk. i feel like my mind went in a million different directions while i was writing all this. but i guess i just think that for all of the praise the emperor's new groove gets for its comedy and for how hilarious yzma and kronk in particular are as a duo, the movie also has a lot of genuine heart that gets overlooked. kuzco's character growth and his unique dynamic with pacha is, for me, really what elevates the movie from just a funny movie that i like to one of my favorite disney movies. and i wish more people appreciated that aspect of it and saw it as a found family story in the same way that treasure planet, brother bear, and lilo and stitch are all found family stories.
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krirebr · 5 months
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More Than This 1
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Pairing: Ransom Drysdale x f!reader, Steve Rogers & f!reader
Word Count: ~4.1k
Summary: Arranged marriages have always been used to solidify business deals among the ultra-wealthy. Your stepfather wants to be in business with Harlan Thrombey, so now it's your turn.
Warnings: Heavy angst, age difference, adult themes, institutional sexism, a very brief conversation about the possibility of abuse, explicit language, the slooowest burn - Warnings will be added as needed for subsequent parts. All of my work is 18+ - Minors DNI
Dividers by @saradika-graphics
Masterlist
A/N: And here we go! A huge thanks to @drabblewithfrannybarnes for helping me nail down some of the worldbuilding details and @paperweight91 for reading so much of this and especially telling me how to fix the scene that refused to be fixed. You're both the best!!
Any comment, reblog, or ask to let me know what you think will be greatly appreciated. Even if it's just screeching at me. As always, thank you so much for reading! 💜
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It was uncommon to be called to your stepfather’s office. The high rise on the edge of Studio City had housed the heads of his family since the silent film era, give or take a remodel and expansion or five. You’d only been here a handful of times, mostly left out of the family business. When his assistant opened the door for you, you were surprised to see a small group of people, all in expensive business attire, surrounding your stepdad, Joseph Rogers, at his desk. Even more surprising was the figure standing in the corner, staring out the window – your mother. 
“Mom?” you asked, unable to hide your confusion. She just gave you a tight smile in return and turned her attention to her husband.
“Sweetheart,” he called to you. It’s what he’d called you since you’d first met him as a child and it had always felt patronizing and empty. You were well aware that you were an annoyance he’d been saddled with when he’d married your mother for her late first husband’s connections. Eighteen years later, you wished he’d drop the pretense already. “Please, have a seat,” he gestured to the leather chair in front of his large oak desk. 
You sat down across from him. “What’s going on?” you asked, an uneasy feeling building in your gut.
“Congratulations are in order,” he said, smiling at you. “You’re engaged.”
Years of experience at bullshit industry and society parties had you pasting on a benign smile. This was your fourth, no fifth engagement, the first one dating all the way back to when you were 10. They’d all dissolved for one reason or another, the business arrangements at the heart of them disintegrating too. But looking around the room at all the extra people in attendance, you knew better than to dismiss this outright. You were older now. Many of your friends from school had found themselves married as part of business deals in the last few years. Love matches were uncommon in the circles you frequented. There wasn’t much patience for love when this much money was at stake. But still, just because it was expected, that didn’t make you any more ready for your turn. 
“That’s wonderful,” you said, putting all your effort into keeping your tone even. “May I ask whom I’m engaged to?” 
“Ransom Drysdale,” Joseph said. “He’s the grandson of Harlan Thrombey, the mystery writer. We’ve been trying to secure the movie rights to his works for years and this should finally cement it. It’s fantastic news for our family and this studio. The joining of our families should create many opportunities for all of us. Ransom is one of the most eligible bachelors in Boston. You should feel very lucky.”
Lucky was the last thing you felt right now, but you kept your face schooled as you ran through your mental Rolodex to try to figure out if you had any social connections to this man. The fact that he lived on the other side of the country made it less likely but not impossible. 
“So,” he continued, sliding a stack of papers across his desk to you, “all you need to do is sign and initial the contract where it’s marked, and we can get started finalizing the details for the wedding next month.”
At that, all your poise disappeared and the smile dropped off your face. “Next month?”
Joseph nodded. “It’s important to strike while the iron is hot with deals like this. So go ahead and sign so that we can all move on to the next stage.”
Your heart thumped wildly in your chest. This was happening. This one was real. “Shouldn’t I read it first?” you asked, somewhat desperately.
He shook his head, “No need,” he said, gesturing to the man you recognized as one of the family lawyers standing beside him. “Julian has already gone through it with a fine-toothed comb. All of our interests are well represented. It’s all in legalese anyway. Impossible to understand if you aren’t a lawyer.” He chuckled and many of the people standing around the desk, staring at you, joined him. 
“I just–” you stammered. You didn’t know what to do, but you knew you couldn’t pick up that pen.
Irritation bloomed on your stepfather’s face. “Lydia!” he called. 
Your mother stopped staring out the window and stepped up to your chair. “Honey,” she said gently, putting her hand on your back. “This will be such a good thing. And then we can get to all the fun parts of planning the wedding!” She picked up the pen and held it out to you. You took a moment to look at her. Her features were drawn and her eyes looked exhausted. She’d looked that way as long as you could remember. It did nothing to reassure you. 
You glanced at the door behind you. You knew you weren’t getting out of this room without signing the contract. You took a deep breath and took the pen from your mother. There was nothing else to do. No other choice. You quickly flipped through the papers, initialing where indicated and signing the last page. Your hand was shaking so badly you weren’t sure any of it was legible.
When you turned over the last page, Joseph clapped his hands together. “Excellent!” He took a large binder off the desk and passed it over to you. “We’ve put some information together for you on your new fiance. Ransom will be in town next week to take you to dinner so that the two of you can get to know each other. Now, I’m sure you want to go celebrate, so we won’t keep you any longer.”
At the clear dismissal, you stood up. Many people in the room offered their congratulations and you nodded to them, forcing a strained smile. Then you made your way out on shaky legs, needing to see the one person who might be able to help you process what had just happened.
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You’d been six years old when you and your mother had moved into the Rogers mansion. You were terrified, already able to sense Joseph’s indifference towards you. But your comfort during that time, and all the time after, had been his son, Steve. Twelve years old, still reeling from the death of his mother and just as deeply lonely as you, he’d named himself your protector, shielding you from his father’s annoyance and your mother’s sorrow. He guarded you from monsters when you woke up in the middle of the night after a nightmare and would stare down your bullies on the playground. You were very quickly inseparable. 
When you became engaged the first time when you were ten, sixteen-year-old Steve had taken you out for ice cream, telling you not to worry too much, there was so much time before anything would happen and that everything would be ok. When the arrangement had fallen apart, he’d hugged you and whispered in your ear, “See? I’m always right.”
That was the memory you couldn’t stop thinking about as you let yourself into your stepbrother’s apartment, using the key he’d given you on the day he’d moved in. He wasn’t in his front room, so you moved all the way to the back, to the spare room he used as an art studio. You lightly knocked on the doorframe as you entered, trying not to startle him. He was standing with his hands on his hips, staring at a half-finished painting, but looked over his shoulder as soon as he heard you. There was a warm smile on his face, but it dropped as soon as he took in your expression. “What happened?” he asked as you flopped down onto his couch.
“I think I might be really fucked, Steve,” you said quietly, your hands still shaking. You couldn’t get them to stop.
“What happened?” he asked again, more forcefully this time, as he dragged a chair from the corner of the room so that he could sit right across from you.
“Your dad, he–” You stopped and shook your head. Steve’s face darkened. “I’m engaged,” you said with a helpless shrug.
“Okay,” he said evenly. “That might not be the most dire thing. You’ve been engaged before. Nothing ever comes of it.”
You sighed. “They’ve set a date this time.”
“Oh,” was all he could say at first, surprise on his face. “That’s new.”
“Yeah.” you nodded. “A month from now.”
That had Steve sitting up straight. “The hell?!”
“It’s happening this time. I can feel it.”
“Hey, no,” he said, reaching out to touch your arm. “Let me try to talk some sense into him. Buy you some time. He might listen to me.”
You shook your head. “Everything’s already signed. They made me sign. I don’t think there’s any getting out of it.”
“He give you a name?”
“Ransom Drysdale.”
Before he was able to stop himself, Steve grimaced.
“Fuck,” you muttered, briefly covering your face with your hands.
“No, it’s– I’ve only met him once or twice, ok? I don’t actually know anything about him.”
“But you don’t like him.”
“He’s–” Steve paused, clearly trying to find the words that wouldn’t upset you even more, “a strong personality.” He looked at you carefully. “And he’s older than you. Older than me, even.”
“I know,” you sighed, reaching for your bag and taking out the folder. “They gave me this.”
You handed it to Steve and he paged through it. “This is intense. Do you think they gave him one about you?”
You shrugged. “Dunno. Probably. Can’t imagine it says anything interesting.”  
Steve nodded, seriously. “It’s probably pretty thin. Just the story of that time you completely freaked out when you weren’t allowed to bring Mr. BunBun to school with you.”
You grabbed the pillow next to you and hurled it at him. “You’re such a dick!” you laughed. “I’m very upset!”
He batted the pillow back at you and cackled when it hit you in the chest. “He deserves to know the kind of person he’s marrying. The kind who throws a five-alarm tantrum when she’s separated from her stuffed bunny.”
“I was eight, asshole!” You laughed again but then your brain caught on something Steve had said. “Holy shit, he’s marrying me. I’m getting married. I don’t know anything about him. He could be anyone. You don’t even like him! He could hurt me and–” 
“Hey, no!” Steve interrupted quickly. “I might not know much, but I know that. He won’t do that. I’m sure of it. And if he ever even tried, I’d be there so fast. They’d never find his body.”
“Will he be kind to me?” you asked quietly. He opened his mouth to say something, but you stopped him. “Be honest with me. Please.”
He sighed. “I don’t know.”
“Well,” you said, trying so hard not to cry, “I guess at least now we know exactly how your dad feels about me.”
Steve closed his eyes and quietly said your name. When he opened them, there was a resolved look on his face that was painfully familiar. His ‘I’m going to fix this’ face. He was intractable when he got like this. He set his jaw. “I’m going to talk to Dad.”
You shook your head. “Steve.” Your stepfather was just as intractable as his son. This would only result in a shouting match that wouldn’t go anywhere.
“It’s going to be alright,” he said resolutely.
All you could do was say “OK,” with a wan smile, knowing it was a lie. You lay down on the couch and curled up on your side. “Do you mind if I stay here for a bit?”
“Of course not. Lola good on her own for a while?”
You nodded. Your little dog was probably asleep in her kennel. “Yeah, for a while.”
“Do you mind if I keep working on this?” he asked, gesturing to his painting.
“I like watching you paint,” you said, trying to find comfort in the familiarity of something you’d done since you were small.
He stood up and turned back to his easel, and you did your best to focus on watching him paint and not think about how, if this went through, you’d have to move to Boston and you wouldn’t get to have this time with your brother anymore.
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As expected, Steve’s talk with Joseph yielded no results when it came to your future. The only thing it seemed to have any effect on was their own relationship, Steve announcing to you that he was no longer speaking to his father the next time you saw him. You hadn’t expected anything else.
For your part, you spent the next week vacillating between going overboard preparing for your first meeting with Ransom—pouring over your folder on him, making salon appointments, shopping for a dress that would make the right impression—and pretending your problems didn’t exist. As such, the day of the dinner still snuck up on you. You were a nervous wreck. 
The plan was for him to pick you up at your apartment, but an hour before he was supposed to arrive, you got a text from an unfamiliar number telling you to meet him at the restaurant instead. 
So now you sat at the table, alone, in a new dress with your hair done. You’d arrived ten minutes early, and he was now 20 minutes late. You took a deep breath, staring at the empty seat across from you. He would show up. He had to. 
Another ten minutes passed and, as you waived off the server for a third time, you let yourself consider what it would mean if your future husband had stood you up. You should go. It’d be pathetic to stay. And even if he did show up after you’d gone, it’d make a point. Show you had a backbone. You should definitely go.
Just as your hand began to inch toward your handbag on the table, the hostess came through, leading a tall, handsome man to your table. She stopped beside you and then ducked away. The man looked at you critically. He said your name like a question and, when you nodded, he sat down. He didn’t introduce himself, but he could only be Ransom. 
He was dressed nicely in an expensive sweater and slacks, but much more casually than you were and looking around the restaurant than most of the other people there, too. And when he sat down, you could see the places in his sweater where it was threadbare or torn. You tried very hard to not take it as a sign of how he felt about this dinner, felt about you.
You cleared your throat to say something, you weren’t entirely sure what when he glanced at your glass of water. “You don’t drink?”
“No, I do,” you said, but when he smirked you realized how that sounded. “I can,” you amended, but that sounded odd too. “I mean, I don’t have anything against it. I was just waiting for you.”
He snorted. “Well, aren’t you polite?”  His tone made it feel like the worst thing you could possibly be. He flagged down the server and ordered a glass of the Macallan 18, then huffed impatiently while you asked questions about their wine selection. You didn’t know how he could be half an hour late and make you feel bad for taking your time ordering. 
Once you’d finally made your choice and the server left, you tried not to squirm as he gave you a once-over with his eyes. You felt disappointing without really knowing why. You tried to shrug off the feeling, but then Ransom said, “How old even are you?” with scorn in his voice.
You cleared your throat. “Twenty-four,” you tried to say with confidence.
“Jesus Christ,” he muttered.
You did your best not to shrink in on yourself. Maybe he was just nervous too. It was a weird situation. But, “Didn’t they tell you about me?”
He snorted again and rolled his eyes. “Gave me a whole binder. I never opened it.”
You looked down at your empty place setting, embarrassed. You’d studied every inch of what they’d given you, hoping to show him how seriously you were taking this and he couldn’t care less. “Oh,” was all you were able to say. 
He grinned a little meanly. “You got one too, didn’t you? Don’t tell me you’ve memorized facts about me that you were ready to rattle off to impress me.”
“No,” you growled out. You weren’t going to let him make you feel small just for trying to show interest in the person you were going to have to spend the rest of your life with.
He swiped one hand over his mouth and chin. “My god,” he muttered, “this whole thing is fucking ridiculous.”
The waitress came back and set down your drinks. Ransom immediately took a large gulp of his scotch. You itched to do the same, but you suddenly felt like proving a point. Even if you weren’t entirely sure what that point was. 
You were ready to order, but Ransom hadn’t glanced at his menu yet. Just as you were about to ask for a few more minutes, he said, “Go ahead and bring me another one of these right away,” and gestured with his drink in dismissal. She nodded and left.
Fuck it, you let yourself take a large drink of your wine. “Do you know what you’re going to have?” you asked, nodding to his menu.
He shook his head. “I have dinner plans after this.”
Heat shot through your whole body. “I thought these were the dinner plans.”
He rolled his eyes again. “Getting a head start on the nagging?” he asked, dryly. “Wow, it’s like we’re already married.”
You opened your mouth to do something, you weren’t sure what. Everything in your mind had gone white. But once again, Ransom beat you to it. “Alright, let’s get this done. You’re moving into my house. Fine. But I already have everything we need, so I expect you to pack light. I don’t need your shit cluttering up everything.”
You didn’t know what to say to that. You didn’t know how to have a conversation with him. Someone who left no room for you and seemed not to care at all about anything you had to say. And then there was the voice in your head that kept shouting about how incredibly important this dinner was to the rest of your life. And now it wasn’t even dinner. So when you opened your mouth to speak, what came out was, “I have a dog.”
He stared at you for a moment, seemingly surprised that you’d spoken at all. “What? No. Absolutely not. You’ll have to get rid of it. I hate dogs.”
You didn’t even bother to try to think through the static in your head. “She’s coming with me. I don’t care what else happens, I’m fucking bringing my dog.”
Ransom just narrowed his eyes and stared at you for a moment, then, “Fine. Just keep it away from me. And if it destroys my house, you’re getting rid of it. I’m serious.”  
“She won’t,” you said, as sure of that as anything. “She’s a good girl.”
“Whatever,” he said, as the server returned with his second drink. He slid his empty glass to the end of the table, then said, “The bill,” without looking at her. As she took his empty away, he continued to you, “I don’t know why you want to deal with a dog and a baby, but…” he shrugged.
You just blinked at him, trying to catch up with the massive leap he’d just taken. “Baby? What? Who said anything about a baby?”
He laughed, loudly. “Oh my god, they didn’t tell you?”
“Tell me what?” you asked, harshly, panic starting to build up in your chest. 
“Of course, they fucking left that to me. There’s a clause in the contract,” he said, “requiring you to get pregnant with my child within the first year.”
You stared over his shoulder, you couldn't look him in the eye, horrified and speechless. You couldn’t breathe. How were you supposed to breathe?
“You seriously didn’t read your own marriage contract?” The judgment in his tone had you shrinking in on yourself. You couldn’t help it.
“They didn’t give me any time,” you said, quietly. “They just made me sign it.”
“And you always do what you’re told, don’t you? Yeah, you look like a good girl.” He said it the same way he’d called you polite when he’d first sat down with you. Like it made you weak. Stupid. You’d never thought so before, but now you wondered if he was right.
“Fuck,” you whispered.
He chuckled humorlessly. “We agree on that,” he said. “This whole thing is fucked.”
At some point, without your notice, the server had returned with Ransom’s card and the receipt. He signed it quickly, then stood up. “Listen, now, at least, we can go back to our parents, tell them we met, chatted, got to know each other. Everything is hunky dory. And then do whatever we want for the next three weeks. Right now, I’m going to try to salvage my night. You go do,” he gestured vaguely at you, “whatever you need to do. I’ll see you at the wedding.”
And then he was gone and you were alone.
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You sat in the back seat of the car on the way back to your apartment, running over every moment of your evening. You kept thinking about the way he’d looked at you, talked to you. A baby. You were supposed to have a baby with him. A child that you’d have to raise. By yourself, judging by how invested in all this he seemed to be. Forty, fifty years of him looking at you like that, talking to you like that. And a baby. You leaned forward and asked the driver to take you to your parents’ house instead. 
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Once you arrived, you said you needed to speak to your stepfather urgently and were shown to his study. You stood in the middle of the room, too anxious to sit down, and waited. Everyone was making you wait tonight. 
Several minutes later, Joseph finally came in. “We weren’t expecting you tonight,” he said. “How did it go?”
You ignored his question, which you guessed was an answer in itself. “Please don’t make me do this,” you pleaded. 
“Sweetheart,” he sighed, disappointed, and moved over to his bar, pouring himself two fingers of decanted whiskey. “I’m sure it wasn’t that bad.”
“It was. It was awful. He’s– I can’t do this. Please, please don’t make me.” Your voice broke, but you couldn’t be embarrassed about it, not when you were staring down an entire lifetime with him. 
“Everyone gets nervous before their wedding. You’ll be fine. This is important. To all of us.”
“It’s not nerves!” You were close to shouting, suddenly. “You weren’t there. You don’t know. There have to be other families we need things from. It doesn’t have to be this family, does it? It doesn’t have to be right now. Please, please, anything else. I’m begging you, don’t make me marry him, have a child with him.”
He chuckled lightly. “Oh, that’s what this is about. It won’t feel as scary once the baby is here. You’ll make an excellent mother.”
You just stared at him, agape. He wasn’t listening to anything you had to say. “How could you not tell me that was part of the contract? I deserved to know. I wouldn’t have signed!”
His face hardened at that. “You were naive to not expect it. Of course, children are part of this. I admit that the timing is a little fast, but Harlan insisted.”
“Joseph, please listen to me. I can’t. I can’t. Please. If you care about me at all, you won’t make me do this.”
“You’re being ridiculous. It’s done. Everything’s signed. You signed. Now,” he said and took a drink, “it’s getting late. It’s high time you went home. Hopefully, you’ll be able to calm yourself down there.” And then he left the room, ignoring you as your whole world fell apart.
As you left, you passed your mother in the hall. Neither of you said anything.
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When you got home, Steve was waiting for you, having already let himself in, holding Lola in one arm. “How did it go?” he asked seriously. You shook your head and finally let the tears fall. He pulled you into his arms, smushing you against your dog, and gently guided you into your home.
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Part Two
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breathlesswinds · 26 days
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(Devlog) What We Learned Making A Trans Dating Game
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Hello, Amelia here, the writer for Breathless Winds. It's been 250,000+ words, countless revisions, and three years since this game entered development, and I wanted to talk about what I've learned leading up to release.
The concept for Breathless Winds was actually sort of a joke between friends. I was talking with Doris about how there should be a dating game where you play as a trans woman and your dating options revolve around certain ‘tropes’ we’d both seen in trans fiction-- the totally accepting cishet guy who falls in love with the trans heroine before she even knows she’s a woman, the cool trans woman who the heroine doesn’t know if she wants to date or wants to be, and so on.
Doris wound up suggesting we make this game ourselves. We both like visual novels and want to tell LGBT stories. Still half-jokingly and half-seriously, we started fleshing out what the romance options would be and coming up with a setting-- and soon, we were fully committed to making this game real.
I was a fan of visual novels but had only ever written prose. I knew which visual novels I liked and which scenes stood out, but I didn’t know why they did or how to make my own. 
I read some great advice from visual novel developers, but a good amount of my knowledge came from just working on Breathless Winds. As our first project, this game has grown a lot with us and we’ve learned a lot while making it.
Learning How to Write Visual Novels
A bad habit I had to break out of was only using the ‘novel’ part of the game and not the ‘visual’ part. I would sometimes write “He smiled” or lines like that, and Doris informed me that we can convey this much more simply with a sprite change.
It sounds obvious in retrospect, but lines like that are often pretty invisible when you’re reading a non-visual novel. These lines change the sprite of the character inside your head (if that makes sense, haha). I realized that I’m so used to them being ‘invisible’ that I didn’t notice their absence in visual novels I liked, so I would accidentally include them while writing. 
I was also writing these routes in a word processor, so I didn’t have the visual portion to reference, myself. I wound up making a lot of ‘tone’ notes like, “Lantana should be smug here” so that the meaning would carry when revising and implementing these into Ren’py. 
So, while visual novels share a lot with prose, they’re an entirely different medium. On the subject of representing things visually, I’ve struggled trying to figure out how much can be visually represented and how much should be written. 
Every asset in the game has to be drawn by Doris, so if I want the characters to go to a new location for a scene, I have to keep in mind that’s another background that Doris has to draw. If I want a new character to show up, that’s another sprite she has to draw. I don’t want to overload her, but if I’m trying to avoid this entirely, characters sometimes wind up standing in one room talking for ages without anything significant changing on-screen.
I’ve learned that it’s recommended for something to almost always be changing on-screen, though, so sometimes I just have to ask Doris to make a new asset for a certain scene. I still try to stick to locations/characters that already exist more often than not.
Every single thing in a visual novel is deliberate. Another thing I’ve had to learn that I never even considered before is how to write each line so it fits in the text box. It sounds obvious, but when I’m playing a visual novel, I don’t usually think about how each line has to be carefully constructed so it doesn’t need to be split up into two or more text boxes. In my mind, if a visual novel is well-created, there’s not much that breaks a reader’s immersion.
Planning & Outlining
The previous section might sound really weird to some people, so let me elaborate.  I’m a lifelong ‘write by the seat of your pants’-er, so the biggest trial-and-error of creating Breathless Winds for me was planning out the game.
Initially, I created outlines for each of the four routes, and we agreed ahead of time on which CGs each route would have. That way, Doris could draw the necessary backgrounds and CGs while I was in the long process of drafting this game.  My original outlines weren’t great. I know a lot of people have different experiences with writing, but for me personally, a story is always shaping itself in my mind. When I started making the outlines for Breathless Winds, I knew the concepts we wanted to convey, but I didn’t know what each route (and the game as a whole) was really about yet. This might sound weird and unprofessional, but sometimes, I don’t know what a story is about until I finish the first draft.
So while I was writing, I would look at my outlines and I would think, “this doesn’t actually make sense, he wouldn’t say that” or “this plot point would work better if moved to this other section” or “there’s a plot hole here I didn’t notice”. The story wound up changing a lot in this way as I learned what it’s really ‘about’. 
And even after I finished the first draft, I’d get feedback from Doris and/or my editor and they would suggest fixes to problems that even I hadn’t noticed, and then I would revise the route some more, and later on I’d come back and need to redo part of the route to comply with something I wrote in a later route-- I haven’t really felt ‘finished’ with Breathless Winds at any point, and I think I’ll still feel this way after the game is released.
This means that sometimes, a background was created but would go unused because there was no space for the scene that would use it, or we’d need a new CG last-minute, or so on. 
When I’m figuring things out as I go while writing a non-VN, the only person that I can adversely affect is my own self… so I’m eternally grateful for all of Doris’s patience with me on this matter. I think Breathless Winds has come out a much better game for all the re-plotting and revision. 
I redid the outlines several times as I went. I think I’ve understood how to create outlines that personally work for me-- ‘living’ outlines that hit all the main points, but leave wiggle room for moments when a character does something unexpected, work the best for me.
Scope Creep
So, originally, each route was meant to be 40,000 words. “With four routes, that’s only 160,000 words!” I thought. “And some of my favorite visual novels are about that long, so I can write that much, too!” ← clueless
This is the most infamous mistake that new creators make, and I walked right into it. I should have known better since I’ve bitten off more than I can chew with past non-VN writing projects before, but I was starry-eyed and didn’t realize how much work it is to make a VN. Some of those favorite visual novels I referenced were made by much larger teams, writers whose full-time job was writing (I wrote all of these routes on the side while working at a day job). 
If I could have done it again, I would have asked Doris to start out with a really short VN. But, I don’t regret making Breathless Winds at all. It’s brought Doris and I a lot closer, for one. Every time I thought I wanted to give up on this, Doris would motivate me to continue. Without the two of us both and our strong friendship, Breathless Winds wouldn’t exist, and I think that’s beautiful. 
No matter what, we’re going to see it through to the end. (I hope people like it, though…)
Anyway, here I am talking about how much 40,000 words is. Each route now is about 60k to 70k words. The problem with having evolving outlines is that they can often evolve into double their original size.
We came up with the idea of the poachers really early in development, and then not addressing the poachers felt like a failing, but by that point it was too late to remove the poachers entirely… and so the game wound up a lot longer dealing with the poachers. 
I think that if we had an editor sooner on in the game’s development, then we might have had someone to tell us, “do you really need all of this in the game? Does this plot point really need to be there? Will you be able to write all of this in a reasonable amount of time?”, haha. But Doris and I were really excited about the possibilities of this game when we started creating it, and without anyone to reel us back in, we wound up coming up with more and more things we wanted to put in the game.
Did you know there was going to be an island full of talking rats who say things like “the big cheese” and stuff all the time in Breathless Winds? Yeah. 
The Core Design Philosophy of Breathless Winds
So, for anyone who’s read this far but doesn’t know yet-- the premise of Breathless Winds is that you play as a trans woman who doesn’t know she’s trans yet, and she finds love with one of four love interests as she discovers her gender identity. 
In real life, it can be a lot messier for a person to date when discovering their gender identity. To put it briefly and mildly, a trans person’s life and sense of personal identity can rapidly change during a gender crisis and the early stages of transition. 
However, we wanted to make this game a ‘wish-fulfillment’ type story-- a trans fantasy about acceptance, community, and love. During a gender crisis, it can be easy to feel as if one has lost touch with themselves and become isolated from others. A sincere wish shared by many trans people is to be accepted, loved, and even celebrated as their true gender, not just tolerated. 
Since many trans people don’t get love and acceptance in real life, especially with the ongoing transphobic moral panic, we wanted to create a game that would bring this feeling of trans joy and celebration to trans audiences. 
We also hope that cis players will still enjoy the story and characters, and maybe come away from the game with a new understanding about being transgender and other aspects of LGBT identity (although we never intended this game to be ‘educational’).
Making Characters that Celebrate Trans Identity
Although we went through several revisions, the core identities of each character stayed the same since the game was first ‘jokingly’ pitched. In another post, I discussed how each character is themed around a change in seasons. (I also wound up theming them around the four humors when I was initially concepting them-- I really wanted to avoid too much ‘overlap’ in the LI’s personalities, haha). 
Ultimately, characters are created to serve a role. The LIs in Breathless Winds were designed to be love interests, of course-- characters who would appeal to the hypothetical trans femme audience. As mentioned earlier, we modeled them after other trans fiction tropes because these types of characters have a certain tried-and-true appeal, but this left plenty of flexibility to put our own spin on it. 
A trans woman being loved as a woman by a cishet guy can feel like a high form of ‘passing’, ‘fitting in’ to the female gender role, and being validated by his orientation. He only likes women, and he likes you, so you’re undoubtedly a woman. As a cishet guy, he represents a sort of acceptance into a societal norm that trans women can desire to live to. (Lantana, as a cis lesbian, represents the sapphic counterpoint to this-- although there is of course a big gap between the ‘normalcy’ of a cishet man and a cis lesbian woman, and I don’t mean to say those two are equivalent.) 
But not all trans women want to live to that (cis) societal norm. Rue and Valerian, as a trans woman and a trans man respectively, are the t4t options. 
Rue’s route represents that trans/sapphic ‘envy’ (“do I want her or do I want to be her?”) as well as finding power in community aside from what society considers ‘normal’. We’ve always been pretty clear about what we wanted to do with Rue’s route.
We went back and forth a lot more on Valerian’s route. Initially, we were unsure if he should be trans. He and Rue are the two less-friendly love interests (at least initially), so I was afraid it would come across that t4t is a more hostile option, which is not true at all. But it also felt like a mistake to not have a trans man in the game-- but making Gallardia trans would have required a big overhaul of what we had in mind for him and his route. (Although, childhood friends t4t is a really good idea...)
Beyond that, Valerian takes a villainous role in any route that isn't his own. We were worried that it would be wrong to have a trans antagonist who represents unjust power. However, Breathless Winds is a queer game with other positive trans characters, and we've always approached Valerian as a hot anti-villain man that you can't help but like.
In the end, Valerian’s route is about breaking generational cycles and what it is that makes you a man, and I also managed to sneak in a scene where they dance at a ball in the royal palace, so in the end I think it all worked out great.
Wish Fulfillment and Catharsis
Doris and I both agreed that we wouldn’t depict on-screen transphobia in Breathless Winds. Poppy worries about not being accepted, but fear of acceptance can come with any change in identity. Rue was rejected by her family for being trans, but this doesn’t take place ‘on screen’ in the game. There exist certain metaphorical parallels for transness and transphobia, but every route has a happy ending. 
Following up on this-- it can be difficult to write about discovery of gender identity without writing about transphobia, considering how many trans people suffer from internalized transphobia during their period of repression.
Sometimes, repressed/closeted transgender people ‘hyper-perform’ their assigned gender as a form of denial. A trans woman might grow out a beard and join a gym, while a trans man might become very interested in makeup and feminine clothing. 
In Breathless Winds, Poppy often struggles with ‘strength’ and what it means to be a man. In several routes, she tries to prove her strength under the assumption that being stronger would make her happy. Afraid the world would reject her if she became who she really is, she preemptively rejects herself.
Not every trans person suffers from prolonged denial, internalized transphobia, or even gender dysphoria. I don’t think it’s impossible to tell a purely-positive story about trans joy. 
While Poppy never gets rejected for being trans, faces transphobia, gets called a slur, etc, she faces both internal and external (metaphorical) obstacles to realizing and accepting her identity. 
Gallardia represents a societal norm that Poppy can’t live up to herself as a man.
Lantana suffers from certain aspects of her identity as a woman, which makes Poppy feel guilt for wanting to be a girl.
Rue is isolated from town at the start of her route, a ‘punishment’ for breaking this societal norm.
Valerian has to hyper-conform to his masculine gender role at first in toxic ways before finding acceptance from within and from his loved ones.
These struggles are real to a lot of people, but instead of pretending they don’t exist, I hoped to tell a story about catharsis. Poppy is able to live up to her truth as a woman and finds love with Gallardia, Poppy and Lantana redefine what being a woman should and does mean to them, Rue and Poppy find community in others who don’t fit the norm, Poppy and Valerian stop seeking gender validation from a society that was never made to serve them. 
Although these powerful forces of oppression exist, loving yourself as a trans person- and loving those around you, protecting the natural world, and standing up for what you believe in- can save the day. That’s the kind of story we wanted to tell.
Wrap-up
There’s a lot more I could write, but this has already gotten really long (sorry!) so I’ll wrap it up here. 
Learning how to write a visual novel in terms of technical skill (how to depict events on-screen, how long each line should be) as well as in terms of writing skill (how to outline the game, how to plan visual assets) has been a massive undertaking for me. 
Writing Breathless Winds has been a big challenge but also deeply rewarding, and all of your support has made the experience even more wonderful. Thank you for reading and thank you for supporting the game!
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