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#and i wonder if it's just a normal reaction or if he was getting influenced by his racism there
moinsbienquekaworu · 1 year
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Guess who got a deleted Zootopia scene in her recommended this morning and decided to go back and finally finish the one and only Zootopia fanfic she ever read?
#it's called une route à parcourir à deux (a road to travel together) it's 533k and it's good#ALSO IT INTRODUCED ME TO OMEGAVERSE#like no joke it's the first fic i ever read that had scent stuff and marking and whatnot in there#and i remember reading it and being like 'oh shit that's a cool idea'#let me tell you when i reamised omegaverse was a thing and it wasn't only for furries i was overjoyed#btw quick question cause i never checked out the zootopia fandom or whatever#the fic is nick/judy and i personally think it makes a perfectly normal amount of sense#like you know. they go from 'enemies' to friends. why not lovers as well. you get the idea right like it makes sense#well the only person i told about this back then was vehemently against the ship#and i wonder if it's just a normal reaction or if he was getting influenced by his racism there#yeah long uh. long story. we don't talk anymore. but he was a far right racist so i think that would have an impact on his opinion of -#- an inter species relationship y'know?#anyway yeah someone tell me the ship makes normal amounts of sense#what doesn't make sense is the author acting like he can get her pregnant like?? how would that work??#i think the reasonable thing is you can make them fuck because holes are holes or whatever but they can't have kids#i mean that wouldn't work. they're incompatible. this happens it's normal they can adopt or something#listen this fic has a PLOT it's not the best written piece of literature in the whole world but it's pretty good#and it develops the world in a cool way!#olay whatever the oversharing is over don't comment on 13yo me's incredible blindness to flags redder than a communist protest#wow i have a ramble tag now
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HII, saw your post on wanting asks, well here 🫶 I love talking so, and specifically on playboy yandere!! I'm a sucker for angst and yanderes falling into insanity honestly, so let me ramble a bit
- imagine if reader graduates highschool and gets an overseas scholarships!! They also convince their family to move together with them so Kameron can't hurt or use them to blackmail reader. So with only a break up text saying like "bye manwhore 😍😍", blocking and deleting all their social media, I wonder how long and how far would he take to get reader back again? Would he inherit his parent's riches, hire some private investigatiors to find reader and find the country they're living in, expand his business over to their country in order to gain power to trap his darling. And I wonder how deranged his reaction would be to reader's text and be like no way, they're joking right, and runs to their house and whatever usual spots they're at normally, and just break down into insanity. would he try to use substitutes for reader to maintain his sanity or go fully devoid of emotions and start working hard to gain power and influence to find reader again!! I'm also curious how he would process his darling leaving him, would he become delusional first, saying they got kidnapped or something, or some ex or fling of his hurt reader, and then proceed to anger, depression, grief and then finally accept the reality!!
Ok that's a lot of rambling 😭😭 hope it's okay. I rlly enjoyed that fic, was rent FREE in my mind for a whole day
you know luci, you just gave me an idea. So have a part TWO of THIS DUMBASS HOE 🤝
Yandere playboy x reader
Tw: mentions of murder, kameron being delulu, yandere and obsessive behavior
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💋kameron was having another breakdown. Sobbing pathetically on the floor of your old bedroom. Just how did you run away? And on such short notice too!? Didn't his love mean anything to you!? WHY DID YOU ABANDON HIM?
💋a million thoughts swirled through his head, until he finally got one that just... stuck. He had to get you back. No matter how long it takes. Getting up and dusting himself off, he kicked the front door open and quickly left the empty house
💋it was a shame really. The once sane and popular boy was struggling to keep his image. So he got help. Not professional as in therapists and medication. Just hiring other students to cover for him Incase he slipped up. all while snooping through the head teachers computer to see if they had any notes on where you might have gone. He almost got caught a few times
"shit that was close.. i can't believe these idiots leave their passwords just anywhere"
💋he knew he shouldn't be back at the school, especially since he graduated but he needs all the information he can get. Eventually moving onto private investigators and online stalking through multiple other accounts. He'd try anything just to see what his darling was doing without him. Were you enjoying making him suffer? You're so cruel..
💋hiring other people to befriend you and lower your guard, gathering any Information they can
💋 kameron who spent a while convincing his parents to let him take hold of the company. He had a degree, a bright mind, responsibility. He's perfect for the job! Oh if only they knew where his 60% was going.. funding multiple businesses across the world in exchange for keeping a careful eye. Making him quite the celebrity
💋look darling! He's on the news-! ...oh right you're not here.. one evening, while working in his office, a new secretary comes in to introduce themselves. They look just like you! He could only stare in shock.
"my love..? Is that you!?"
"..who?"
💋turns out it was just a doppelganger. But with enough time he'd delude himself into thinking it was you. Courting them with the same flowers, chocolates and jewelry he'd given you. It worked like a charm! Now you were back In their arms again. They felt whole..
💋he married your lookalike a year later, the poor fool being too naive and oblivious to think. He was happy for awhile.. or until one of his P.I's came in to show him they found you. His reality started to break.
💋no.. how could he do this to you. Replacing you with some cheap street whore. That night, when they went to bed, he gave them a cup of water and smiled sweetly. Watching as their face went red and they started to cough for air after gulping it down. Clawing at the sheets and staring at him with wide fearful eyes. Begging him to help them
"...slut."
💋 burrying the body in his backyard, he paid people with underground connections to cover for him while he was away. Claiming they suddenly vanished, having run away with a small fortune. How idiotic are people, to actually believe him..
💋kameron disguised himself and went straight for the country you decided to flee too. 5 years apart from you.. he had no idea how he managed to live so long without his beloved, but it was all worth it. Because now you'll be back where you belong. In his arms.
💋you were busy working at your job, running a small business was no joke but atleast the people in the area were friendly. So you didn't notice the suited figure Infront of your cash register
"thank you, please come again-"
💋you froze, looking up at the terrifyingly familiar face. He stared back at you with only glee and love
"hello my darling~ you've been on a naughty streak for a while Haven't you? That's okay, I'll just set you straight when we go back home."
💋big burly men all blocked you from escaping by guarding the doors. Dragging all the other customers out so you both could have your moment. Now you could never leaver leave him. Ever.
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vixstarria · 4 months
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A night at the inn (part 1)
A night of relaxation at the inn. Inspired by a cursed screenshot of Astarion looking loopy, drunk and high.   
Astarion x Reader, Astarion x Tav, tbc in part 2
Comfort, fluff, humour, banter, goes from very silly to very horny 
Bits that are definitely not canon that were written solely for my (and hopefully your) amusement. 
TW: It’s all very much in jest, but maybe give this one a skip if you’re struggling with any kind of substance addiction.  
Approximately 2,000 words 
“Don't be ridiculous, these silly druidic herbs have absolutely no effect on me, vampires have a natural immunity. Pass me the pipe again, I’ll prove it,” Astarion giggled uncontrollably.  
“Just hold on to it, friend, I don’t think anyone else will benefit from it,” replied Halsin. 
You, Astarion, Halsin, Karlach and Shadowheart were gathered in one of the inn’s rooms.  
Gale and Wyll were off doing whatever people who didn’t like having fun did. Possibly playing chess or reciting poetry to each other. And Lae’zel had had one look at your gathering before chk’ing, saying that someone competent needed to keep a cool head, and stalking off. 
You and Astarion were sitting crosswise on one of the beds, you nestled between his legs, your back against his chest. Shadowheart lounged on the opposite bed, with Karlach and Halsin settling on the floor between the beds.  
A scattering of glasses and opened bottles surrounded you, and a light haze hung in the air. Tadpoles, vampire lords, demons and gods could all wait until tomorrow. Tonight, for all you cared, all was well in your world.   
Earlier, Halsin had laid out an assortment of herbs, most of which you couldn’t name, and busied himself with mixing them in varying proportions and stuffing them into several smoking implements. Karlach had declined, saying there was no point and that she would stick to grog. You and Shadowheart partook in Halsin's ‘herbalist mastery' together with the druid. And now, to everyone's disbelief and amusement, so did Astarion. 
“What in the hells is in this?!” Astarion tittered, leaning back against the wall, his eyes shut and an idiotic smile on his face. You couldn’t look at him, lest it set off yet another chain reaction of giggling. 
“Part of it is moonflower, which mostly serves as an amplifier,” Halsin answered, cautiously. 
“And? What else?” You wondered whether whatever it was might help Astarion with his nightmares. The scent of the herb was vaguely familiar, but you couldn’t quite place what it was.  
“Wait! I want to guess.” Shadowheart leaned over to whisper to Halsin. He shook his head at her suggestions. Once he whispered back to her with the correct answer she collapsed on the bed with a guffaw. “Oh gods... So it is official.” 
“Halsin...” Astarion croaked. “Halsin, I will stab you... What did you give me?!” 
“I had a hunch, but it was intended as a joke – I didn’t really think it would do anything.” Halsin almost sounded apologetic.  
“Well, spill the beans, what is he smoking that’s so damned funny?! Vampire dust? Cow dung? Some kind of goblin foot fungus?” Karlach was also growing impatient.  
Halsin shook his head, laughing.  
“It’s catnip,” Shadowheart managed, still doubled over. “He’s losing his mind on catnip!” 
Once Astarion regained his ability to speak coherently, you couldn’t get him to shut up.  
Astarion hardly ever took lead in group conversations. He tended to stay on the outskirts of discussions, albeit always ready with a quip or observation. You wondered if his newfound loquaciousness was a glimpse of what he might have been like some 200 years ago. 
It helped that Karlach was bombarding him with questions about vampirism, which he was ordinarily reserved about.  
“So what happens if you consume normal food? Can you drink?” she asked. 
“Well... Kind of..? Although I think the tadpole has had some additional influence. I can drink liquids without becoming ill, as long as it’s not too much. They tend to taste vile or like nothing at all, or not have any effect on me. Coffee smells amazing but tastes like dirt, for example. But potions work, somehow,” he rambled. “Solids are a complete disaster though”. He refused to elaborate.  
“And the wine?” she persisted.  
“Red wine is palatable,” he said, swirling some in a glass that he held in his hand. “But if you want better than ‘palatable’ you really need something of good quality.” 
“You’re just a snob,” you interjected. 
“That may be so, but this is about having something called standards, darling, I’ll teach you about them someday”, he said with a kiss to your temple, as you elbowed him. “But there are ways of going around poor wine.” 
Astarion took your hand in his, pressing his lips against it. 
“May I?”  
Once he had your approval, he carefully punctured the tip of your ring finger with a fang. You idly mused about how completely unfazed you had become by having your skin pierced, as he dripped some of your blood into his wine. 
“Now stir.” He licked the drops of wine from your finger once you were done, and had a sip from his glass. “Like adding honey to tea... Now it’s delectable.” 
“Freaks,” said Karlach, lovingly.  
The conversation moved to him debating wines from various regions with Shadowheart, a subject they were both perhaps unsurprisingly well-versed in.  
“How kind of Lady Shar to leave you such detailed knowledge of something that truly matters, when wiping out so many other memories,” he observed.  
Eventually, the topic changed to Karlach’s years in the Hells, and what it had been like to set just about everything she touched ablaze until Dammon’s recent assistance.  
“Could you do me a favour and hold my hand in yours for a moment?” said Astarion, leaning towards and holding out a hand to Karlach.  
“I haven’t done this in so long this still makes me nervous, you know,” she said, taking his hand in both of hers. “Sorry if I lose my cool and burn you.” 
“I’m sure I’ve had worse,” he replied humourlessly. “...That should do it,” he said after a short while. “Gods, you really do run like a furnace.” You wondered where this was going.  
“Now could everyone look away? I’m about to do something disgustingly sentimental.” 
Immediately, four pairs of eyes including your own were locked on him.  
“Voyeuristic pricks...” he sighed. “Don’t say I didn’t warn you.” 
He ran the back of his fingers delicately down your cheek before cupping it in his hand. It was warm, almost hot, as you nuzzled into it.  
“Well isn’t that cute,” Shadowheart remarked into her glass of wine.  
Astarion wasn’t always cold to the touch, not exactly. He became warmer after drinking blood. His body was heated by sunshine on sunny days, just like anything else. And after spending some time under blankets with you he felt almost cozy to snuggle against. But he’s never radiated heat the way the hand against your cheek did now.  
“It doesn’t feel like you,” you mustered, looking into his eyes. He gave you a wistful smile.  
“...If there is any other bodypart you’d like me to warm up for Tav’s benefit, do fuck off before you even ask,” said Karlach, breaking the brief silence that had descended onto the room, and the tender moment was gone, overtaken by yet another uproar of laughter. 
Things quieted down as the evening wore on. 
“I wonder what Lae’zel is doing,” said Shadowheart, who had been silently gazing off into space and occasionally blowing smoke rings for the past while. “Probably something infuriating.” 
“You should go tell her how utterly unimpressed you are with her,” goaded Astarion. 
“I should... I will,” she said, suddenly getting up, determination writ on her face, exiting the room with a surprisingly steady step. 
Karlach sighed. 
“I better go look after her and make sure they don’t need to be taken apart. ...Or that no one else does, if they don’t.” She followed Shadowheart.  
“Nature calls,” said Halsin, also getting up. “And I don’t think anyone’s fed Scratch and the owlbear cub.” 
It was just you and Astarion, who had been grazing your neck with his fangs with increasing impatience. 
“Do it,” you said as soon as the door shut behind Halsin. Instantly, you felt an icy chill in your neck and released a small moan as he bit down, drawing your blood, his hands roaming your body.  
“I’ve been thinking of nothing else for hours,” he breathed hoarsely, once he had his fill. Having a miniscule amount of your blood in his wine and then being unable to sate himself more thoroughly would have been the ultimate tease for him. He really did not think that through, per usual.  
You could have offered him your wrist at some point, your companions had witnessed that on numerous occasions. But you knew you both wanted something more intimate. And private.  
You sank onto the bed with Astarion on top of you, as he continued to lick at the puncture wounds, to get them to stop bleeding.  
“Think Halsin’s coming back?” you murmured.  
“Of course he is. Haven’t you seen how he’s been looking at us?” He wedged his hips between your legs as he continued to suck and lick at your neck, more slowly now.  
"Oh, has he been looking at us in some particular way?” you feigned ignorance. Astarion raised his head briefly to shoot you a look that said ‘oh please’.  
“Do you want him..?” He rolled his hips deliciously into yours as he asked that.  
“Stop teasing,” you whispered. You knew he wasn’t going to let you do anything with the erection you felt pressed against you. 
“Never. Do you want him?” He gave you a mischievous look.  
“I don’t know what you mean.” 
“Sorry darling, I’ll try to do a better job at explaining.” He raised himself back up, his face hovering just above yours. “Do you want to feel his hot, hard cock pumping in and out of you, while I watch?” He studied your reaction closely. “Oh you would like that, wouldn’t you..?” 
“Astarion-” It wasn’t easy to make you blush, but somehow he always found a way when he wanted to.   
“Shh love, I already know everything you’re going to say.” Astarion raised his voice in pitch (resulting in something that definitely DID NOT sound anything like you) and returned to your neck, planting a kiss further down with each sentence: “’I love you, Astarion. I only want you, Astarion. I don’t think you’re ready for this, Astarion. You’re going to regret this, Astarion.’” 
“How about, ‘you’re intoxicated, Astarion’?” 
“Barely,” he scoffed. “It’s worn off.” He tugged at your blouse’s lacing with his teeth. 
“Or maybe it’s ‘no, I don’t want that, Astarion’,” you lied.  
He chuckled at those words and came back up to whisper in your ear. 
“My love... You’re forgetting I can hear your heartbeat. I can smell your arousal. Every time your breath hitches and your heart speeds up – I know. Any time blood suddenly rushes somewhere in your body – I know...”  
“That is an entirely unfair advantage,” you protested. 
“Yes, having a lover that anticipates your every need and reads you like a book is so, so tragically unfair, your poor, poor thing...” 
“And also it’s not what you said, it’s how you said it!” you continued. 
“Porridge,” Astarion whispered in his most seductive voice, grinding against you. “The philosophy and theory of divination, volume four. A bulging coin purse. Gale’s purple pajamas. ...Nope, nothing.” Astarion smirked, and continued in a more normal voice, stilling. “Now let’s try... You dripping wet and begging us both for mercy before the night is over.” He grinned wryly as you let out an involuntary whimper. “I thought so...” 
“You’ve told me yourself, you don’t want to share me with anyone,” you persisted.  
“It’s your heart I can’t bear to share. And he’s a wood elf,” Astarion said dismissively. “He may as well be a walking penis, who would get emotionally involved with that?” 
“You did not just call our honourable companion, the esteemed archdruid of the Emerald Grove a walking penis!” you hissed, choking on laughter, covering his mouth with your hand.  
“A giant phallus on legs,” Astarion mumbled stubbornly against your palm, licking it.  
You heard footsteps approaching the door.  
“Do you really want this?” you whispered, angling Astarion’s face to make him look you in the eyes, and releasing his mouth. “Be serious for a second.” 
“I want this,” he said, holding your gaze. “I really want this. As long as you do too.” 
The door opened, and you both turned your heads to regard the tall, broad figure that paused in the entryway, leaning against the doorframe.  
“Is it company or privacy you desire?” 
~~~~~
Part 2
More of my chaos gremlins
AO3
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inlovewithpandora · 2 months
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ᥫ᭡ — Cut The Cameras
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Artists — Hobie Brown x fem!influencer!reader
Lyrics — While you're filming a video for your YouTube channel Hobie walks in your studio and sees you in some revealing attire. When he sees your ass spilling out your shorts all he wants to do is bend you over and fill you up.
Genre — Oneshot
Music Advisory — lighty Halloween themed, subtle fluff, smut, porn w/ plot, afab!reader, p in v (unprotected), overstimulation, mention of creaming/squirting, implied handcuff usage, imagined as black!reader but you can always imagine reader differently
Duration — 1.1k words
Words from Artist — This is my first Hobie smut post so I’m excited to share it with y’all! I wrote this around October but I didn’t post it due to my hiatus so I’m posting it now. Always feel free to comment and reblog, I love reading y’all reactions! I hope you enjoy!!
Current Platforms — main m.list・atsv taglist・navigation
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You stand in front of the mirror making sure your outfit, makeup, and hair are up to your standards before turning on your camera. The intro card begins to play and once it finishes, a smile spreads across your lips and you say your opening line. “Hey, guys! Today, I’m finally doing a Halloween costume haul since a lot of you requested it. I ordered ten costumes from Fashion Nova and I’ll link everything in the description so you can purchase them. Now let’s get into the video!”
You’ve been filming for almost thirty minutes and have shown four different costumes. Once you change into something new you turn the camera back on. “This is the next one.” You turn in a circle, showing off your costume that’s the scandalous version of inmate attire. “I really like this costume, I think it’s snug in all the right places and I love how the color orange looks on me.” As you continue talking to the camera about the costume, showing them the silver handcuffs that came as an accessory, you hear the door to your video room open, making you turn your head to see who is coming in, even though you have a feeling who it is.
Hobie walks in with a confused expression, wondering why you were standing in front of the camera wearing clothing that accentuated parts of your body he didn’t want the world to see. “Hey, baby!” You come over, grab his hand and pull him into the camera’s view. “I’m glad you’re here because I’m making a video for Halloween costumes and I want your opinion.”
You spin around so he can get a full view and just from that small moment, he can see the slight jiggle of your ass that’s spilling out your shorts and your breast moving upward before resting in their normal position. “It looks amazin’.” He walks right behind you, resting his head on your shoulder and wrapping his arms around your waist. “You look so sexy in this.” He mumbles before starting to nibble on your earlobe.
You can feel him flush against you, pressing his growing bulge into the swell of your ass. By the huskiness of his tone and by his actions you can tell what is on his mind. “Hobie, I can’t right now. I have to finish this video.” You tell him while grabbing his arms, trying to free yourself from his hold. You’re determined to get this video finished today because you want to have it edited and uploaded by the end of the week, especially since you haven’t been posting lately due to your busy schedule.
Hobie grumbles at your words and tightens his grip on your waist so you don’t have the ability to escape his firm hold. “We can make a video of our own if you like.” You can practically hear the smirk on his lips as he hints to creating a porno. His hands begin to travel to his favorite part of your body, your beautiful cunt. By gliding his hand down your stomach, he finally reaches your pussy and once he does he cups it, rubbing his fingers across the clothed area. “C’mon, love, I know you want this too. Let me give it to you.” Hobie knows that you weren’t going to give in, that’s why he’s resorting to one of your weaknesses. He turns his head a little and begins to plant kisses on your neck, swirling the tip of his wet tongue on your skin while lightly sucking, creating the first of many hickeys.
“I-Okay, Hobie, y-you win.” Your voice is soft and quiet with a hint of a quiver, feeling your heart pounding inside your chest from the sensation of Hobie’s current attack on your neck. You know that his advances would only increase and that he isn’t afraid to strip you and bend you over with the camera rolling, so you decide to give in and let him have his way. You reach out in front of you and click the power button and once you see it completely shut off, you turn to Hobie with a small smile across your lips. “I’m all yours.” Your voice holds much enthusiasm and lust as you wrap your arms around his neck, pulling him in for a kiss, and before you know it your legs are wrapped around his waist as he carries you to your shared bedroom.
“Hobie, s-slow down! It's too much!” You cry out, feeling his mushroom tip pounding against your cervix while keeping his hand tight on your hips. Hobie is brutally attacking your cunt, slamming his pelvis against your ass, making sure you are receiving every inch of his lengthy dick. Everything is becoming too much since you have come multiple times before this round, so your pussy is far past overstimulated.
Hobie knows that he’s pushing you past your limits, but he has faith that his baby can take it. “I know, baby, but this is the last one. You can cum one more time for me, can’t you?” He coos as he runs his hand down your spine, pushing your back into a deeper arch which allows him to hit new angles of your g-spot. Now, since you’re in a new position, he is hitting the spongy part of your walls, causing your legs to tremble underneath him, a sign that you are close to achieving your next orgasm. “Atta, girl, I knew you could do it f’me. Cream on this dick.” Hobie encourages you with a hard smack on your ass, making your body shudder from the impact.
“Oh, shit!” Your next sentences are jumbled together as your brain short-circuits so the best words you can vocalize are profanities besides your boyfriend's name that all come out in moans. Your cunt begins to clench around his shaft and soon after you come, your cream begins to coat his dick, and your juices squirt onto his abdomen. Hearing the lewd noises coming from your lips, and the squelching sounds coming from your wetness cause Hobie to release his warm seed into your empty womb.
Hobie gives you a few more long thrusts, making sure his semen has reached your uterus before he pulls out. When he withdraws his length from your warmth and lets go of your hips, your body goes limp and falls onto the bed, not having enough strength to do anything else but relax. Hobie can’t help but chuckle at how fucked out you are, but in his defense, he just couldn’t hold back, not when you looked so sexy and desirable in your Halloween costume.
When you finally can muster up some energy, you turn over and are met with Hobie's brown eyes staring down at you with a smirk on his lips, already thinking about fucking you again even though he promised this was the last time. “One more round, baby and this time we’re using the handcuffs.”
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Editor — @justmemyselfandthemoon
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Fanbase — @inspace1 @phoenixx69 @savagemickey03 @cxsmiclore @soilmayo @liyahsocorro @baizzhu @solanawrld @onlyloaksgf @popeheywardssecretgf @number1gal @taylormarieee @toneystank-3000 @h3art-l3ss @mellagzz @em-x0 @3zae-zae3 @beargracecanbeanyone @miguellover6969 @strawberryclouds22 @ban-al3x @kxllanxtdoor @lorarri @maxlynn17 @iwanttogohomeandtakeanap @miunmoxo @d0ubl-tr0ubl3 @tater-tot0423
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kkkaisan · 4 months
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I finally finished the second chapter of this doodle comic!
Basically from a translation machine:
It's called notes, but it's really bullshit time:
(I didn't put any asterisks in the "text" in order to make the picture cleaner and not make this little comic seem too serious)
①WX says that their body "doesn't have any of those really advanced things" and that "the concept is just bionic", which might make you wonder how WX can agree with their own shortcomings when they are always been so confident in their own machine body. This is kind of a guess: WX's comments in the wiki about Wagstaff being "afraid of progress" and "short-sighted", combined with WX's usual machine-worshiping and violent tendencies, such as their comments about Maxwell "He has that kind of power but he doesn't go out and destroy human". So it's an offense to them, but they actually agree that even though they claim to be superior, I guess WX would like to see their bodies more advanced and even more radical.
② Yes, this WX has acceleration circuits installed.
③ Gnome get✓ Do you guys remember the line where WX checks the Gnome
④ "You're not as kind as you look", how should I put this one, because the Wilson I understand is more or less with a little bit of darkness in his mind, he's someone who is full of emotions but often restrains them with reason, he fears and hates the negative impulses and instincts within himself. And this trait I think probably comes from his good nature, his education and survival experiences and the influence of the Shadow Throne. (But honestly after suffering in CONSTANT for so long, it's normal for whoever it is to be a little psychologically unhinged, not to mention the SANITY setting.) And after WX's soulwalking, they easily have some "psychic empathy" with Wilson... ...... Well, how did that happen Wilson?
⑤ Well I know the reasoning of the empathy module episode is weird ...... In fact, it's mainly because when I drew this plot I didn't have a good understanding of the empathy module, and simply thought of it as something like "emotional deficiency", so this episode was supposed to be Wilson saying "why do I still feel emotional ups and downs blabla" and then WX explaining that it's because of "memories of emotional experiences", which would have made a lot more sense.
⑥I guess it's my own personal setting: although the game doesn't make a distinction, I don't think WX as a robot would have a "headache and blurred vision due to lack of sanity". The system will be affected, sure, but the physiology won't necessarily feel it. It's hard to go from luxury to frugality, and since there is no experience in the eternal realm in the human era, WX can't adapt to the negative impacts of sanity reduction at all.
⑦Wilson's curiosity and desire to explore and then equipped with WX's hardware strength is simply ON FIRE. and "adapting to the human body so quickly" this conclusion mainly comes from the last chapter when the two people just transformed the body, Wilson's side is very difficult, while the WX on the contrary, it seems to be very easy. Even when they suddenly possessed internal organs, blood, light weight and so on, there was no adverse reaction. Wilson, who loves to observe, has always had suspicions (sorry however I didn't draw this clue out)
⑧ on the one hand, just learned a shocking secret, excited and energetic Wilson, on the other hand is the history of the exposure, and is also experiencing unprecedented headache WX. so the two temperament is not quite the same as usual.
⑨ "Wiped of most of their human memories" from the game's credits: "Suddenly recalling the memories of his past life, WX-78 soon decides to change his fate on his own."
⑩ Those of you who have fought Shadow creatures online might know that the only way a teammate's Shadow creature will have hatred for you is if you've forcibly attacked them. What happened here is that WX forced an attack on Wilson's Shadow Creature (except that Wilson was still relying on his headache of empirical judgment and didn't realize that his SANITY was too low), and then WX's own shadow creatures that were looming all showed up as well, which is why it became so much more. I don't have a very comprehensive understanding of this mechanic online though, and it doesn't seem to be very rigorous, so that's probably what it is anyway.
I accidentally added a lot more, mainly because of the limited ability to express the drawing ... Hope you enjoy!
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milogreer · 13 days
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so uhh this is gonna be scatterbrained. but i'm gonna ramble about milo and (what little info we have on) colm. sorry in advance if it doesn’t make sense i just had to exorcise this demon 🫡
i believe "camping with your alpha boyfriend (2021)" is the earliest mention of colm in an audio. obviously we don't actually know milo's side of things because it's told from david's POV, but we still get the mental image of little thirteen year old milo sitting shotgun in his dad's pickup as they drive to their camping spot. gabe's goofing around in the truck bed to make david and asher laugh, and colm joins in the fun by swerving the truck to mess with gabe. very basic dad thing to do, my dad's done the exact same thing to me and my siblings. it feels familiar and silly, and david frames it as a good memory, so it feels like a good memory. which is important to the point of this post
in "celebrating the new house (2022)," we get a little more colm lore:
My dad was forever blowing any cash he made on fucking bets and gambling and shit, chasing some fucking high. My mom was the only reason we didn’t end up out on the fucking street. He didn’t pull his head out of his ass and get some help until after I’d already moved out. So I never got to have that feeling of being in a house that was actually ours, ya know?
already this is a stark contrast to what we've previously heard of colm (i don't think there's any real mention of him between sept 2021 and dec 2022?) and it kinda makes me look at that old memory in a different light, especially with regards to david saying marie was "nagging [colm's] ear off about being irresponsible and a bad example." like. ykwim? like i'm just thinking about that interaction and wondering how far along those problems were at the time, if they were present at all. was this a normal, fun family outing? or would milo have rather been in the truck bed with david, asher, and gabe?
(and the fact that it wasn't until after milo moved out that colm tried getting any help?? i could make a whole other post speculating about milo struggling with wanting to move out of that environment ASAP vs not wanting to leave marie on her own to deal with colm)
so then i'm re-listening to "your werewolf boyfriend is worried about you" and having a visceral reaction to (re-)learning that colm was also an alcoholic:
But what he chose to do with that frustration and that feeling of powerlessness was not his job’s fault, those were his choices. He’s the one who decided to lose himself in booze and gambling and never being home. Never being there for the people he said he loved but apparently couldn’t stand to be around.
the last sentence especially is just an absolute heartbreaker because milo's, what, thirty now? and he's been dealing with this since he was a kid. clearly he's not on great terms with colm. the only times he ever talks about him is when he's shit talking the department. that is a crazy weight for someone to carry their whole life. i don't have experience with the gambling side but i do have an alcoholic family member who i used to be really close to as a kid but grew up to intensely resent as a result of his actions, so it hits a little close to home to see that reflected in milo
but i digress. umm. i bring up the camping story to highlight the most recent mention of colm from milo and how there were good times and sometimes maybe it hurts to remember them when the person involved devastated you as you grew up because they weren't what you thought they were. and how these things follow you through life and impact how you approach certain things. milo has to live with the fact that the same system that royally fucked colm is potentially going to do the same thing to the love of his life; i never drink more than one shot or half a beer, if i drink at all, and i don't like being around drunk people. even though we don't hear about colm very often, his influence is still there whenever milo has to deal with the department in any way
anyway i guess TLDR; imagine living the majority of your thirty years of life feeling like your dad couldn't stand to be around you because he was too busy drinking himself stupid and gambling away every penny he had as a way to deal with the strain that his job put on him. imagine having to witness your mom struggle constantly to keep you cared for. imagine the few good childhood memories you have with your dad being overshadowed by thinking he didn't love you or your mom enough to change. imagine watching the department run your soulmate into the dirt physically and mentally the same way it did your father and wanting to be supportive of them but also being so worried for them. it's a really interesting situation for him to be in and i enjoy it but it hurts me. the end
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eldritch-spouse · 1 year
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Breg’s Angel coming home drunk and overly affectionate
He’s barely lifted a finger and they’re all over him, kissing his face wherever they can and cuddling him tightly
[YEAHHH. Here's a short one, this is a bit silly.]
TW: Reader's very drunk, consent is dubious.
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Breg knows there's something wrong the moment he sees you.
The monster had heard shuffling just outside the apartment for a while now, frustrated tugging followed by the jingling of keys, then something almost like a growl. If he didn't know better, Breg would say some really clumsy robber is trying to break in. But that's definitely your voice.
The moment he opens the front door, he spots his angel locked in place, keys still raised like you're going to put them somewhere. A couple of slow blinks and you finally register that the door is, in fact, open. And there's someone in front of you. Sedately glancing upwards, dilated pupils study the breeder for a moment. Breg's about to ask what's wrong, when a crooked, dopey smile spreads on your cheeks. Your face is warm, he can tell from this distance. Are you sick?
" Breg!! " You shout, startling him. He barely has the time to process it until you've thrown your arms around his abdomen and hug him tight. " I missed youuu... "
His brain fizzles.
Breg's tail erupts into senseless swatting, he clings back to you instantly and chirps from the back of his throat, a sound he couldn't help.
" Haha- I missed you too? " He always does. Seconds pass, Breg expects you to pull back first, as is usual by now. But all you do is nuzzle further into his front, leaning fully on him. The two of you stand basically in the hall. " D- Do you want to go inside? "
" Mhm. " You don't move a muscle.
" Okay. "
The breeder takes a couple of steps back, maneuvering the door shut and taking the bags off your hands. Your keys clatter to the floor, but it's not like he can pick them up with you clutching him like a koala. Or rather, he doesn't want you to stop. You're drunk, he knows you are. That slurred speech, loss of balance, lackluster awareness- He's seen Fasma in similar or worse states before.
The thought of you following in the plasma monster's footsteps is both alarming and saddening. He wonders why you'd get hammered like this... Breg knows that people sometimes drink because they're happy, and that could be the case here, but you never struck him as someone who likes drink much anyway. What if you've been drinking with someone? Bad influences, trying to get you to lower your guard, vulnerable. Who encouraged you to drink? This is exactly why he thinks he should go with you to-
Breg's inner monologue derails entirely as soon as he feels a little hand trace from between his legs to the bottom of his slit, which flexes as if jolted to a pleasant awakening. Huh? The monster shudders, gawking down at you. Still glued to him, giggling at your own actions, you begin pressing kisses to his abdomen and tracing his entrance more insistently, no hesitation or attitude to be seen in your mannerisms.
Breg doesn't really wear anything indoors, there's no need to, and while he knows that's not exactly normal for humans, you never had a reaction like this to his state of undress. So it's definitely all that liquid courage in you coaxing this drunken petting, that he's definitely leaning into when he's well-aware he shouldn't.
" A- Angel? Are you alright? " What kind of question is that? Of course not.
" Are you deaf, Breg? " You seem irritated all of a sudden, this heat emanating off your cheeks. In fact, you look almost a tad sweaty. It's usually the other way around. " I jus' said I missed youu... "
Breg's mental fortitude holds itself together for a whopping three whole seconds before he throws it out the window.
Fuck it.
Drunk or not, you love him, Breg knows that. You wouldn't regret this later, right? Of course not! Besides, he really, really needs this from you. He needs to feel wanted right now. Maybe there's no harm here at all.
When the gentle petting to his already slick slit stops, Breg almost wants to complain, but you grab him by the hips, laughing playfully as you guide him from the hall, into the living room, and shove his ass onto the couch.
Breg's a little high from the attention, his other leg bouncing in excitement until you try to still it that is, succeeding in nothing but making your own body vibrate in time with the bouncing of his limb, which apparently only serves to amuse you more.
Well, you tried to, you're even weaker in this inebriated state. Breg just let it happen, a bright, excited smile on his face. You lean in to plant a series of clumsy kisses all over his face, letting him chirp and nuzzle against you. For a moment, Breg's content to lean back and let you kiss at him, already making blissed out sounds while you chuckle, probably at him, but he couldn't care less. The moment large pale hands try to swipe you onto his lap, you evade the breeder, dropping to your knees instead, head perched on his thigh while you just look at him fondly.
" I love you, you know? " You slur after a short pause.
He stops immediately.
Those words. The thing he wishes you'd say more often so badly. You've always hesitated, like it doesn't come to you as naturally as it does for him, like there's something wrong with them. But Breg knows you're just shy, you're not used to real love, true love! These things are hard for you to say, but one day you will, just like right now. On your knees, flustered, needy.
He's getting hard without even knowing.
" B-Breg! " You cackle, seeing both his cocks slip out, already chubbing. Even totally hammered, you realize how ridiculous it is that he's going full-mast from a half-hearted declaration of love.
" Hahahh I- I'm sorry... Hhn! "
It's apparently pleasing to you anyway, because soon he's being kissed and licked from all sides, a sloppy mouth taking one length down before popping off it to fetch the twin. You've never been this eager to go down on him before, sloppily sure, and you're definitely still occasionally giggling around his dicks, but the enthusiasm, the affection, it has him smiling and chuckling too, throbbing in your mouth.
" I love you too- Ohn fffuck- So much! "
Maybe the alcohol helped loosen you up, because the breeder swears you're taking his girth further than you ever have before. It has him drooling and lifting his hips, being a little mean to your face, but helpless in his pleasure. Especially when you gag and start fingering the small gap between both cocks. Holy fuck, you always know where to hit.
Breg pants like an animal, driven wild by the amount of drool your hammered self can't hold in, creating a warm mess that cascades to the cushions while you service him, occasionally lazily glancing at his dark blue cheeks. He's riding an amazing crescendo of pleasure when you abruptly pull away, causing him to make a groaned growl of a noise, disappointed.
Mild annoyance turns to lewd leering the moment he notes strings of pre-cum connecting your lips to his members while you recover, strands of drool severing to coat your chin. He's even more bewildered when you practically jump onto the couch next to him, looping your arms around Breg's neck and dragging him down, onto you. His heart flutters.
" Breeeeg- " You whine out, the breeder shivering hard at your desperate tone. " If you really love me, then fuck me. " It's a small miracle he didn't come right then and there.
He hates that he feels this way, but Breg wishes you got drunk more often now...
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N Sewell's Big Secret - A Theory
So, I've been replaying N's route lately and an epiphany came to me last night when I was playing the end of Book 3.
It's in Book 2 I believe that you can ask Nate if he's ever killed someone while talking to him about how old he is. He frowns for a minute and says, "Not with my own hands, no."
Weird, right? After what we see in the mirror at the carnival, when he says he got turned at sea, it's clear that the image in the mirror was of that time right after he got turned. He's covered in blood, surrounded by bodies while wearing a British Royal Navy uniform.
Originally, since Falk declared N Not Guilty, I assumed that perhaps N had come to terms with the reaction they had to being a newly turned vampire. I thought maybe they'd lost control and slaughtered the men of the ship, or perhaps they'd been attacked and defended themself. A sort of Jekyll + Hyde situation where N doesn't consider their frenzied state to be truly Them.
BOOK 3 SPOILERS AHEAD
And then we get into Book 3, and it's really clear that N has not been to therapy enough to not blame themself if they'd killed that many people. They're overprotective and selfless to the point of self sacrifice for the slightest inconvenience and they blame themself for any little inconvenience that befalls MC. Clearly, they are not well-adjusted enough to separate something that happened in desperation and fear from who they truly are.
This put me on the back foot, trying to figure out what that could mean. If you are dating N, they tell you about their brother, M*lton, who was killed by vampires. They tell you about joining the Navy to seek revenge or to at least find out what happened to their brother. Makes sense.
The moment that made my theory CLICK in my head happens at the end of the book, if you ignore Rebecca's idea and go alone to the auction.
So, you get captured and the auctioneer person tries to sell you off for your blood. Just like the other 3 routes, N will come to rescue you at the auction, and they have a brief spat with someone in the audience who tries to outbid them.
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[ID included on screenshot.]
This moment I originally thought was a pheromone thing. It doesn't seem like just a threat, as Nate seems visibly shaken and weakened by whatever it is he did. Also, the strange way the supernatural responds seems to suggest some kind of influence.
And then it hit me --- "Not with my own hands, no."
N's power is some kind of mind control / suggestion ability.
They never killed anyone with their own hands because they told the pirates / vampires to kill each other or kill themselves.
The theme of control comes up several times in N's route. N prides themself on being very in control of their body and their emotions, keeps their wants hidden and their true feelings locked firmly away beyond anything that is pleasant or kind. It makes me wonder if, aside from being able to influence people on command, if they can accidentally influence people when they get too emotional.
I also think it might require touch to really make the power work. They constantly keep their hands in their pockets and, while this is a normal enough idle motion, the fact that they touched the supernatural here and often put their hands in their pockets / withdraw touch when having a disagreement with someone suggests it might have something to do with it.
The amount of trust that UB must have in N when they have a power like that is enormous. It also sheds new light on the arguments that N and A often get into, as it seems that if N really wanted to, they could get their way every time via this weird power.
It also sheds new light on Rebecca's concern for N and MC. The assumption that MC is immune to this ability is there, but there's always the chance that they aren't, and Rebecca being worried about N forcing MC into doing things via suggestion seems to be very real.
It also makes me wonder if N has ever tested out whether their suggestion works on MC, or if they've thought about it with something small. Makes me wonder if we are entirely immune or if there's going to be some caveat like with M and their pheromones causing MC pain.
EITHER WAY, I feel like I figured it out. I'm losing my mind with the implications of it all.
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soft-and-bitter · 9 months
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Not for the first time, you realize just how badly you need to escape from Steve. You have to, before he decides to turn a passing comment into reality and you’ll be trapped with him forever.
The Cure & The Cause
Mafia!Steve x Captive!Reader
Word Count: ~2k
Notes/warning(s): some sexual content, coercion, Steve is sweet but a little psycho, no plot just vibes. Reader’s been kidnapped by Steve and is being held captive for a bit before story begins. Part of the same universe that Failed Bargaining belongs to.
If you enjoyed this, please consider reblogging or leaving some feedback, thanks! ❤
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When the car rolls up to the curb and a member of Steve’s unit opens the door, Sharon exits first before it’s your turn. You’ve barely stepped out of the black Range Rover before several bodyguards usher you towards the entrance of the multi-storied boutique, but the small stretch of sidewalk you cross is simply not enough for you to attempt an escape. Figures.
You’ve only ever gone shopping for a wedding dress once, when you had accompanied your best friend in search of hers. But with the costs of her traditional wedding adding up quickly, Lisa had been forced to make some concessions where her dress was concerned. Her final choice was still lovely, in the end, though admittedly it wasn’t perfect in every capacity that she’d envisioned.
As soon as you step foot into the bridal boutique, you realize right away that whatever financial concerns Lisa had during her own wedding planning, Sharon will not have. Money is, quite frankly, the least of her worries. For starters, Sharon is one of Steve’s highest-ranking, and she’s getting married to Sam, so it’s no surprise that all the stops have been pulled out. This upscale boutique is apparently one of many salons she has in mind to visit, but already it’s proving to be the most impressive. 
“We have the whole place to ourselves,” Sharon mentions with uncharacteristic giddiness, just as you and the rest of the group settle into plush white sofas. You thought that that in itself spoke to Steve’s influence and wealth, but when the senior manager in her stylish black dress and six-inch heels pops open a bottle of Dom Perignon circa 1996, you’re left wondering how much of Steve’s largesse these people are truly hoping for. 
Together with the champagne, the store’s personnel offer you and the others an assortment of French pastries while Sharon gets into her first dress. A collection of them has already been set aside for her based on previous consultations, but today is when she gets to try them on. You’re already reaching for your second flute when you think that for just a second, you want to imagine that this is all a normal picture, that these women you’re here with—Sharon, Nat, Wanda and Sarah—are in fact your girlfriends, rather than accomplices to your captivity. That without him present, you might just be able to subscribe to the illusion. Combined with the right amount of ridiculously expensive champagne, it’s more than possible. 
This scares you more than you want to admit. Mostly because you’re stuck realizing how lonely you’ve been up to this point, even before Steve decided to take you, but also how your perception of your captivity is beginning to morph into something less depraved, a jagged picture where the edges are becoming dulled. 
You swallow down another bit of champagne in response, and then a little bit more; the next thing you know, time is flying by and your reaction at every dress Sharon steps out in gets more expressive, louder. Somewhere along the way you even end up in Nat’s lap, arms flung over her shoulder, the both of you choking on laughter at a snide comment Sharon’s made about the gown that Wanda—yes, her—has chosen to try on. It’s the very portrait of idealized friendship, of closeness and devotion and support. Of course you want to believe all this, even if only for a minute.
“It looks like you ladies have gone through most of the champagne I sent,” says a low, timbrous voice that slices through the racket of laughter and loud talk.
You, together with everyone else, process Steve’s sudden presence in the salon at the same moment, only your reaction is nowhere near as positive. Amongst the wild cheers and drunken shrieks that the other women let out, you merely stare at him with your mouth agape, blinking at the sight of him in the doorway, Bucky lingering not so far behind. Rather than disappointment, your brain can only process how fucking handsome this man is, how the top of his head nearly grazes the lintel as he enters, every step full of confidence. You’re completely out of his league, your brain foggily reminds you, though you know that—just like you know what’s beneath the gray suit he’s wearing, the one tailored to perfection. 
More treacherous thoughts, you realize, just like most of them today.  
“It feels like I’ve stepped into a party,” Steve says, rounding a sofa to enter the fray. His blue eyes cut to you, take in your place on Nat’s lap and the way you’re holding on to her, but he says nothing. 
“That’s because it is a party,” Sharon insists, a little too loudly, the tendrils of her hair dancing along the sides of her face. “What are you doing here, anyway?”
“We were driving through the district and I thought I’d drop in,” he says, still hovering over them. Bucky’s leaning against the doorway with his arms folded across his body and a look of mild amusement on his face, but he doesn’t attempt to intrude any further.
With his hands poised on his hips, Steve looks over at Wanda standing before the wall-to-wall mirrors. “Last time I checked, you’re not getting married. What’s happening here?” 
“Nobody says you have to be a bride to try on a pretty dress,” Nat explains beneath you, one arm still loosely wrapped around your waist. “Sharon needed a breather, actually, so we’ve decided to take turns modeling now. Right, babe?” 
She knocks a shoulder against one of yours.
When Steve swivels his head to look down at the both of you, there’s a smirk tugging at one corner of his mouth. “In that case, it’s your turn,” he commands, eyes fixed squarely on you. “Now that I think about it, I'm curious to know how you’d look in a wedding dress. And you want to please me, don’t you?”
You blink at him, letting his words wash over you. You remain sitting on Nat’s lap, even though you’re still not sure how you ended up there in the first place, and you can’t quite believe that Steve’s here too, but reality is starting to sink back in, your little fantasy cracking at the edges. These women around you aren’t your friends, and this isn’t some typical shopping excursion at a designer bridal house.  
When you respond, you’re only vaguely aware how much the champagne you’ve been knocking back has emboldened you. His champagne, no less.
“Forget it,” you say, shaking your head. “I don’t want to.”
You think you may be imagining it, but the room suddenly feels quieter. Steve, though, is still looking down at you, his face still set in a calm expression.
“Find a dress, sweetheart, or I’ll choose one and get you into it myself.” He sinks into the plush sofa adjacent to yours, the sole occupant. “Knowing your tastes, you won’t like what I have in mind for you.”
You know that Steve’s not messing around, because he’s made good on a similar threat before. Worst of all, none of the women around you dissent on your behalf, not even Nat, sitting so close to you. You should feel betrayed by their silence, but it’s partly your fault you helped craft the illusion you so badly wanted to believe in. 
“Come on beautiful, let’s go find you something,” Nat says gently, nudging you to stand. Maybe it’s the hurt you’re feeling, but this time around you don’t object as you follow a sales consultant, Nat trailing close behind. You pass by Bucky as you leave the private room; he throws you a look akin to mild sympathy before he joins the rest.
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“My god, look at you,” he breathes, slowly rising from the plush white sofa. “My sweet, sweet girl, all dressed up to get married.”
You’d chosen a dress that made you think of a suit of armor. But by the way Steve studies you, his gaze sharp enough to pierce through any material, you just feel vulnerable. Exposed. Ironic, because your first and final choice felt the most conservative compared to all the dresses that Sharon and the others had come out in. Nat had coaxed you into wearing a veil, too, completing the whole look. 
The champagne keeps your fiery spirit afloat, your tongue looser than normal. “I'm never getting married,” you say.
Steve lifts an eyebrow, his eyes twinkling with amusement. "Never?"
"Never," you parrot.
“Well that's too bad, 'cause that won't be a decision you get to make. Now come here.”
You think about ignoring him for a second, just turn right back where you’d shuffled from as your own quiet brand of fuck you. But there’s a look of expectancy on his face, and at his full height, Steve isn’t one to spar with. 
His hands are already on your waist when you turn to the expanse of mirrors. You weren’t wrong when you deemed this dress less eye-catching than the others, but that doesn’t mean it’s any less lovely. 
“What do you think?” he asks. You can feel his fingers playing with the veil that waterfalls behind you, the way his knuckles ghost along your back.
“It's . . . fine, I guess,” you say, staring at yourself in the mirror.
“Oh, I think it’s more than fine,” he insists. “Stunning, in fact. Should I buy it?”
He doesn’t mean it, you convince yourself, but it’s not enough to clamp down on the panic rising within you. Didn’t he just hear what you’d said a second earlier?
Until now, Steve has never mentioned marriage or anything of the like. But since when did you know how his mind worked? You wouldn’t be here if you did. 
“Well?”
You shake your head. “Don’t. I can’t wear white to another bride’s wedding,”
Steve chuckles as he gently draws back the veil and your hair away, sweeping both over your left shoulder. “In that case, you can wear it at home, just for me. And you’ll make sure not to wear anything underneath, won’t you?”
Goosebumps dance along your skin. His hands on your waist have you trapped in place, body pressed against his. To your alarm, you feel him hardening against your back, a threat and a promise.
" I liked it more when it was on the rack," you say hastily, trying to ignore his growing desire, "now that I'm in it, I'm having second thoughts."
In the mirror, you can see Steve shaking his head. "No, you're absolutely radiant in this. It's perfect . . . and it's just so you."
He acts without warning. You inhale sharply as his tongue trails up your neck, slow and hot. Steve was licking you—licking you—in front of everyone, without an ounce of shame. It reminds you all too well of the other night, when he had spread you out across his desk and eaten you out while he'd taken a call on speaker. He'd taken his damned time too, keeping you on the very precipice while the caller spewed all this babel your mind couldn't comprehend, all thanks to the desperate state you were in. And when he finally let you come, it had been with his hand shoved against your mouth.
Not for the first time, you realize just how badly you need to escape from Steve. You have to, before he decides to turn a passing comment into reality and you’ll be trapped with him forever.
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Yeah I have no idea what this is lol; it was such a basic and simple premise that really didn’t need to be 2k plus words long, but here we are I guess. Graphics by me.
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I WILL PROVIDE FOR YOU
Imagine Scaramouche showing you his new outfit to get your opinion on it, and you just stare at him, each second feeling your skin get hotter casue wow, he’s hot. And he blushes for a few seconds cause wow, you’re just staring. Then he smirks and goes”Like what you see?”
Scaramouche showing you his new outfit to your surprise
Scaramouche
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After Scaramouche had awakened and Nahida gave him the anemo vision that was bestowed upon him when he was in a coma, he was instantly acting proud and egotistical (muttering how he “didn’t need his mother” when the anemo god clearly favors him more). But although it was good to see him back to his normal self, he came to you one day and asked for you to help with something, never specifying what is was.
Dragging you into a famous tailor in Sumeru City and pulling you into the shop while telling you to wait while he showed you something, there was a look in his eyes telling you that he might be trying to mess with you but you trusted him and let it go. Only to be stunned when he came out of the changing room in a brand new outfit that had odes to all his previous life events. “Well?”
Like the lotus designed hat alluding to his new found freedom (and his previous one that got destroyed much to his dismay) in Sumeru thanks to Kusanali and his blue and white kimono design that looks strangely like his fatui uniform with the clear Inazuma influence. It looked even better than what he previously wore, the sheer black bodysuit he wore underneath also did wonders to your mind and claused your eyes to wander from his toned chest down to the cutouts on the sides of his shorts.
It was clear from the beginning Scaramouche was attractive and even he knew it (often taking advantage of the fact) but now with his new appearance it was so obvious to anyone that he was divinely created to be as gorgeous as the archons themselves. You didn’t realize you had zoned out until you saw the puppet in question right in-front of you and felt his hands tilting your head up to meet his lavender eyes, blush growing when you’d been caught and instinctively turning your head but couldn’t because of his hold on you.
”Like what you see?” He smirked and got closer before pulling away at the last second just to tease you, handing a pouch of mora the the tailor before grabbing your wrist and hat to head back to his makeshift home. “Based on your pleasing reaction, I think this is quite flattering, no? Guess I was correct to go with the open chested option…”
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dddomenstarstwst1 · 2 years
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A friendly rivalry
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Synopsis: ace and deuce always get on each other's throats, and it pisses you off. So, how about helping them get along?
Characters: Ace Trappola, Deuce Spade
Genre: smut
Warnings: dom!gn!reader, sub!Ace, sub!Deuce, voyeurism, exhibitionism, blowjob, rimming, riding, biting, unprotected sex, creampie, ace x deuce, inexperienced ace and deuce, ace tries to be bratty, polyamorous relationship is implied, yet the characters never had sex with each other
a/n: the characters are aged-up and depicted as 18+. I was supposed to post it much earlier but got caught up in looking for a job, so you could read it as a prequel to nsfw part of this!
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You've told them many times, you've tried every method that exists - Ace and Deuce just can't stop bickering and fighting. Sure, it might be some friendly fights, but after you've stopped them from beating each other up for the third time in a day, it kinda started pissing you off.
You needed a break, you wanted Ace and Deuce to, at least for today, be like normal people. That's how the three of you ended up in your room, enveloped in dim lights, as the two before you sat on your bed nervously. None of them knew what you were planning, but when you told them you wanted to "play a bit" their eyes lit up.
It's fascinating how different they are: Ace gets bratty easily, and just as easily he can be tamed with just some touches and dirty talk; Deuce obeys every command and thrives off of being your good boy, however he can talk back on some occasions, Ace is a bad influence.
"Why are you sitting there? Didn't you wanna play?" Ace looks at you, confused as to why you settled in a chair across the bed. Deuce gives him a brief glance, but immediately averts all his attention back to you. You see how both of them await your move like good puppies, it's a shame they don't have tails, otherwise they'll be wagging right now.
"Yes, I did. But i came up with another idea, and since both of you really got on my nerves today, i think I'll just watch. No touching from my side, you'll pleasure each other for me, won't you?" Their eyes widen, as if you've just done something horrifying. Well you did, according to them.
"No! Ew, don't even think about it!" You roll your eyes at Ace's dramatic response, Spade was silent, clearly debating whether or not it was worth it. But he knew he was wrong in fighting with Trappola so much, so a former delinquent sighed deeply. "Okay," you hum in approval of his answer.
"What the hell, dude? I don't wanna fuck you!" Deuce shrugged his shoulders, "Then I will fuck you, doesn't matter to me." Ace opened and closed his mouth, a light blush dusted his cheeks as he never imagined he'd find his classmate saying this hot. A red-head looks away from the boy next to him, too embarrassed by his own thoughts.
"Deuce, be a dear and kiss Ace," Blue-nette nods obediently, grabbing the boy in question by the chin, before slamming their lips together. You tsk, "Gently, Deuce. It's not a battle, it's an intimate moment." You guide him with your words, and Deuce shyly follows your instructions, as he, now gently, kisses Ace.
"Ace, open your mouth," he refuses, sending you a death glare, and you tell Deuce to force Trappola's jaw open. Spade slips his tongue inside the other's mouth and places his hand on the back of Ace's head, playing with his messy hair. "Good boy, Deuce, now suck on Ace's tongue," he hesitates, but does it nonetheless.
Ace grunts, right hand gripping Spade's shirt, the left one sitting on the blue-nette's thigh. You observes his reactions, and quickly enough Trappola starts moaning in a passionate kiss and wraps his hands around Deuce's neck. Might the latter be that good of a kisser, you wonder.
"Enough. Take off your clothes for me," they break a kiss, panting heavily, undressing each other with shaky hands. Once they're fully naked, you tell Deuce to lay on the bed and command Ace to get on top of him, but upsidedown so his crotch would be above Spade's face.
Trappola does as told, but quickly gets too embarrassed for his own good. Deuce's dick was right in front of his face, a smell of musk filling his nostrils. Deuce was slightly above average length, on the thicker side, and Ace felt his own cock grow harder.
"Good boys. C'mon, Ace, give it a taste. You're looking at it like it's some lollipop!" A ginger bit his lip, darting his eyes from your face to Spade's erection. He hesitantly wraps his hand around Deuce's shaft and begins stroking it.
A blue-nette gasps when Trappola licks a long stripe along his cock, moaning at the salty taste of pre-cum. Ace takes the tip in his mouth, sucking on it, and Deuce bucks his hips up, making a red-head gag. "Now, Deuce, eat him out."
"Wh– I'm not sure..." You coo at him, "I'll guide you, baby," you tell Deuce what to do, and he gets to work, licking at Ace's rim. The boy on top lets a dick out of his mouth, throwing his head up, looking back at where Spade is. A former delinquent laps at his dorm mate's hole, teasingly slipping the tip of his tongue in.
"F-Fuck! Deu-ce! Where the fuck did you learn to be s-so good?" Deuce pushes his hips at Ace's face, his, now fully erect, cock leaking crystal juices. Trappola smirks and opens his mouth, taking the length in. It's an extremely hot show, and you're glad they're enjoying themselves.
"Good job, both of you. Now to the main course! Ace, sit on Deuce's lap," the ginger nods and takes the position, facing the blue-nette. You leave your seat and come closer to the boys in front of you. "Wanna feel his cock inside of you? Want him to stretch you so good, Ace?"
Ace whimpers at your words, he indeed wanted all of this, and he figured Deuce wanted it too with the way he licked his lips and his eyes half-lidded. You lift Ace above Spade's tip and help him take it in, "F-Fuuuck– gn, big! 'S big!" You soothe him by kissing his neck, and once Deuce is fully inside Trappola, you let him adjust.
"Gh, it's warm.." you hear the blue-nette whispers something to himself and ask him to repeat, "he's so warm, i feel like my dick is melting," you giggle and pet his hair. Ace turns his head to you, eyes teary and ginger locks messily scattered on his face, a bright red heart is now smudged.
"Aw, poor baby, is it too much?" Trappola nods, tears sticking to his eyelashes, "but you haven't even moved yet!" You say as your hands grab Ace's hips and lift him up, then slam him to the base of Deuce's cock. Both of them moan in unison, eyes widened, as you keep on using the red-head as Spade's personal fleshlight.
Deuce wraps his arms around Ace's waist and fucks into him, ripping broken moans from the latter. Trappola's eyes roll to the back of his skull, his whole body shaking, he grips the blue-nette's shoulders. Your hand sneaks in between their bodies and begins jerking Ace off, he gasps out your name, a warm pool of arousal builds in his abdomen and Trappola bites Deuce's neck to stifle his scream.
Spade feels hot stickiness cover his stomach and chest, and the look on Ace's face is the last straw for him. Deuce cums, spilling his semen inside of the ginger, panting heavily as he came down from his climax. Trappola pulls him in a kiss, hips twitching when he shifts on Spade's still hard dick.
Wait, it's still hard? Ace pulls away, "Didn't you just come, you sex machine?", You laugh, hugging the red-head from behind and leaning close to his ear, "He did, but I didn't. Don't think it's the end, baby, we'll make sure to leave you limping for the whole week."
He's going to die, but, fuck, Ace doesn't complain. He wants you two to ruin him for everybody else to see.
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kerubimcrepin · 2 months
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The Card Games Overview - Part 1
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"I would have wanted to be Joriiiiiiis, to be able to do my shoooow!" - The Hypermage's Blues
Joris, as discreet as he is efficient, is the emissary of the king of Bonta.
Already we're starting strong with the first card here, because, and you will never believe this, — the implications for lore this has are huge.
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It is a parody of this song, "Le blues du Businessman", which implies that: (and I beg you to forgive me for taking this silly little song reference so seriously. I am neurodivergent about this. It gives me pleasure to overanalyse things)
Within the World of Twelve, this song is about being a huppermage, and the pain that comes with it. (They are called here "hypermages", because this was their name in 2009-2010, when their lore was still being developed).
Someone in the huppermage class community has formed a parasocial relationship with Joris?? Imagine namedropping princess Diana in your depression song.
It makes me wonder what other famous huppermages' names could be used in the World of Twelve version of this song. "I would have wanted to be Juliiiith, so I could shout who I am!!" or something??? Would Bakara be name-dropped (actually, she probably would... she does have a parasocial fan in Dofus MMO, despite probably having been dead of old age for centuries)? Does this song make Joris cringe so much he almost dies?
This seems very rebellious, considering huppermages have what seems to be a very... conservative, rigid in-culture, that is against outside influences, and somewhat in favour of in-group hazing, (Wakfu quests — professors' reactions to students being attacked within the huppermage temple amounting to "you'll get over it." + what I've heard about institutionalized huppermage on huppermage violence that happens in Julith et Jahash comic.)
The other thing that makes it seem rebellious is the fact that Joris probably isn't welcome among his own people, with his independent personality, relation to Julith (this one is a mixed reason: during his youth, she was hated, — but as of Dofus MMO times, she was seemingly a figure that was revered just as strongly as Jahash, among huppermages), and affinity for other classes' (ecaflips) cultures and beliefs.
Another lyric that includes the word "artist", "I would have wanted to be an artist, to have the world to remake, to be able to be an anarchist, and live like a millionaire" makes me insane in this context. This fits him so well because this fucker doesn't give a shit about huppermage rules (he hits people with a log to give them concussions instead of using magic), and lives like a millionaire (smokes expensive blunts while drinking Chateau Lafite Rothschild in his nasty room filled with plushies and cartoon figurines).
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These are the only two crepinlore adjacent cards in the Wakfu TCG, so, we will move onto Krosmaster:
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You can't just tell me that, by ecaflip standards, Atcham is considered disabled and expect me to be normal about it. This confirms a lot of what I already thought: Atcham feels scorned for a multitude of reasons:
People think he's bad looking, he can't have a romantic relationship (if he didn't have Kerubim to blame for everything, god knows he would have become an incel. And I don't mean that as a joke. I mean it in the "blaming people being awful to you bc of your looks/neurodivergency/social skills — on other, random people, because the pain of being unable to change your situation is too much" way. He already does that. In canon.)
His lack of fur actually causes issues with his health. (we didn't need a card to tell that, but feels good to have it acknowledged. Just google how vulnerable sphynx cats are to temperatures. I feel bad for him.)
He feels... "uncute". Catboy body dysmorphia is both real, and fucking depressing.
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There isn't any lore here, but I want to acknowledge something: Isn't it weird that he never wears pants as an old man, except in his first 2 official arts in Krosmaster? Isn't it whacky that he speaks in one episode as if he does wear pants? I am haunted by this, folks.
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His dice have a wrong design on the first art here. Sorry for noticing insane things like that.
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I have so many thoughts, and none of them coherent.
The scales, the fangs, Atcham's sword, the fact that it's called "draconian crisis"... I am in loves. Also "strange little boy" is on par with other things Joris gets called in canon. Like "funny little man" and "weirdly endearing for a curtain twitcher".
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An error I noticed: he isn't wearing the tights/stockings he wears in Aux Tresors de Kerubim. I can see that because they coloured his knees the same colour as his shoulders/hands.
(Yes, yet another insane "I had watched Dofus Aux Tresors for 83492734 times" detail only I would ever notice.)
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He is so, so,,...
A discussion with a friend made me want to present to you the next scenario: imagine Joris, being offered to play boufbowl as an adult. He would say "No, I shan't, I really shan't", before defeating everyone in record time. Just because he's smug like that, and loves to show off how cool and awesome he is, but in a subtle, quiet way. Athletes unironically hate him.
He should listen to Speedfreaks FM while running around.
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Big news for Joris Pain enjoyers: Grougalorasalar can inflict nightmares upon people. And personally, I want him to have done this to Joris. Repeatedly.
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I have a lot of emotions about her...
I wish more people took her alcoholism as more than a joke. I think it's fucking depressing that she's around 20yo, already an alcoholic, doing the whole huppermage thing just because of her brother, and the pressure of other people, and the only other stress relief she has besides alcoholism, is Violence. Jesus fucking christ.
I will probably write many more words on this topic, when we get to the movie, or to a particular comic, — but that will have to wait.
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deadendtracks · 3 months
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responding to @divinekangaroo's response to me!
re: the Lizzie scene in s2, I never feel like I can articulate what I see in any kind of coherent way. It's one of those completely *weird* scenes that CM throws in every so often that isn't quite what you'd expect it to be but isn't particularly easily defined, either.
The impending assassination and his emotional shut down over Grace are definitely elements!
The ability to get away from being used to kill, but then being locked back into it against his will.
Yeah, absolutely, this is incredibly important to both season 2 and season 3 (and arguably season 5 in a different way).
I have such a sense he’s almost *forcing* himself to do it.
Yeah absolutely, that's how I look at it too. I don't sense any anger in it, but Tommy does often react to situations he can't escape by 'going away' in a sense (dissociating, detaching, withdrawing emotionally).
I wonder how this fits with what you talk about later regarding him 'acting out' on Lizzie what's being done to him -- would he have to so obviously force himself to do this if that were the case? It seems like it would be more compulsive/irresistible and feel necessary for him if that was the motivating factor? He doesn't seem to be aware enough to have it be the case that he feels this compulsion and knows where it's coming from and is struggling with it by becoming detached, idk.
From Lizzie’s words (and how warm the two of them are in the typewriter scene) I have to assume they’ve had a relatively amicable paid sexual relationship, and Tommy’s definitely acting different in that particular scene.
Yeah definitely. This tends to be misinterpreted by some parts of fandom as how he *always* is with Lizzie, but Lizzie's reaction to him is definitely a little "idk what *that* was about" and she wouldn't behave the way she does if that was how he typically treated her. There's also the fact that despite his demeanor in that scene where he seems to be dismissive of her, in the next scene he shows he'd listened to her and thought about what she said.
It’s not really about pleasure or release before a risky venture that might kill him. It’s not even about Lizzie at all, or a comment on his prior (or upcoming) connection with Lizzie. A reminder to himself about being used, the way certain disadvantaged people are always used no matter what they actually want, the way he feels about being used that way. And a very strong reminder at the end when Lizzie outreaches for connection that you take the money and treat the exchange as a transaction.
Yeah, that could be part of it, though to me it doesn't feel like he's aware enough even of Lizzie's presence for this to be a kind of acting out of that dynamic on another person -- instead it's like she's not even there (and he's not there either). In some ways you wonder why he's doing it at all. One of my theories about Tommy & sex is that he uses it to get out of his own anxiety spirals/out of his head, so maybe that was what he was hoping would happen and he was just too dissociated from the fact of what he was about to do to get anything out of it but taking the edge off.
So he uses Lizzie, not cruelly or unfairly in that desk scene given she is a prostitute then: she’s his only lover that he doesn’t have to perform with. He can have terrible sex, he doesn’t have to think about her pleasure, he doesn’t have to perform or satisfy her or try to influence her.
In some ways she's also the only person he doesn't have to perform for period, he's always performing for his family, he's always performing for his enemies and for the upper classes. He can often be quite 'flat affect' with them but never quite to this extent; with Lizzie he can drop even the pretense that he's present. Which isn't great for her! But his reaction to her wanting *more* from him ('i wish just once you wouldn't pay for it like normal people' or whatever she says) could be all about the fact that what he *wants* in that moment is to not have to be anything or anyone to her or himself, he wants to *not be.*
Tangentially: I also think a lot of his behaviours with Lizzie are actually about what’s going on in himself, not about his feelings for her.
Yeah, absolutely. His first scene with her at Epsom is about this; he's too wrapped up in what he's about to do to even hear what she's saying or how she feels about it; and I don't think it has a lot to do with what he thinks about her as a person, he's just dropped into that headspace where he can't spare anything for anyone.
This Lizzie as a Tommy-distorted-mirror warps and shifts over time, but I think S2 in particular she’s almost this “sexual-tool / extension-of-himself” to be that mirror of him being used as a “killing-tool” where he has no choice, and he actively uses her that way in the sex scene and at Epsom.
That's an interesting point. To riff on it a bit I think it connects to "everyone's a whore, Grace" and to "everyone gets tired, Finn" -- I think in a wider sense Tommy's thinking is nearly always war-time, in that everyone around him is also a combatant and there are no civilians. It's the same with his brothers often, it's the same with how he has disregard for the civilians in the housing project in the season 4 shootout: this is a battlefield for him so he treats everyone else as if they're also in the battlefield situation with him.
Which... at least for Lizzie and those civilians in s4, they didn't sign up for this! He blurs the lines between how people use their bodies-as-tools, including, later, himself. I think a lot of this comes from having been a lower level officer ranked over his brothers -- to have mentally survived at some point he'd have had to detach from any personal feelings about who he's 'using' to fight these battles and how, and now he can't turn it off.
He also fully intended for Lizzie not to have to go through with it, which is important; at the same time he'd have to know there'd always be a risk of that going wrong in ways that (at that point) wouldn't be true of himself (he'd end up injured, killed, arrested rather than raped).
asking for Lizzie as a thing/a Tommy substitute -- well, he actually did do that to Lizzie at Epsom, because he couldn’t do it himself. 
And it shows how he changes by s5 where he absolutely would never offer Lizzie to Moseley even if it would be strategically advantageous; instead he'll keep putting himself into the position where it's possible he'll have to do it himself, which terrifies him.
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itsclydebitches · 10 months
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I’m screaming Clyde, what WAS that epilogue?! Also since semblances were just a discussion did you notice the moment when the guy tripped and Qrow caught him THEN we see the pin? Which is probably calling back to the mine incident where he tripped and Clover caught him? But now he’s kinda in the unique position of causing both. Looks like Qrow did indeed get a semblance upgrade without explanation. Maybe that’s why he’s so dang happy lol
Oh man you're right! That callback didn't occur to me, but it seems too big a coincidence to not be a callback. Yeah, I'm wondering now if we're meant to take this as further evidence that Qrow's semblance has evolved into a kind of...equalizer? The man near him still trips (bad luck) but now Qrow, in a mirror of Clover and his own good luck semblance, is able to catch him with a smile. I mean yeah, we could simply chalk that up to Huntsmen reflexes, but it seems a little too on-the-nose to not be meaningful, particularly after the miraculous save on the airship. That begs the question though of what this actually means for Qrow moving forward. I mean, if he has good luck and bad luck now, don't they just cancel each other out? That's just normal luck. Congrats, your semblance makes you like everyone else where some good things and some bad things happen in your vicinity.
Ngl, after RWBY semi-canonically introduced the concept of some semblances severely impacting mental heath via Ironwood, my mind immediately jumped to the possibility of Qrow's upgrade coloring his reaction to everything. Not that I think this is actually happening in the story (and not that I'd want RT to attempt such a story-line), but from a fun AU possibility my brain went, "Qrow is acting all content and optimistic after everything in his life has gone to shit. Salem won back in Atlas, she's two steps closer to destroying the world, a whole Kingdom is dead/displaced, his nieces are presumably dead and at some point he's going to have to tell Tai that... and yet he's smiling. Not even in a 'I'm holding it together through extreme denial' way, but acknowledging that yes, he's actually, surprisingly happy. That doesn't make sense! I wonder if this spontaneous upgrade that presumably revolves around generically Good Things is fucking with his head somehow." In more nuanced and respectful hands, it might be interesting to explore what it means for a magic-based power to influence someone's mood. Can it be equated to medication? Is it seen as an "unnatural" version of who they are (something that, again like meds, could be a bias the show works to unpack)? As events unfold, is it revealed that his semblance simply gives him a stronger, more optimistic will for shouldering such tragedy, or does it become clear that he's not reacting appropriately to what everyone recognizes as—formerly for him—crippling emotional blows? There's a difference between, "My semblance keeps me from sinking back into my self-destructive depression. No, I'm not like who I was before and that's a good thing" vs. "Ruby? Yang? Uh... sure. I guess I miss them? I recognize that I'm supposed to miss them... but I'm fine! Why wouldn't I be? They did a good thing, those girls, trying to save the world and all, but now it's time to move on. Chins up, everyone! :)"
In my attempts to work through Qrow's everything from the epilogue, I'm also dying to know how long has passed. This is one of those times when a firmer timeline makes a huge difference because it can make or break our acceptance of these characterizations. How long did it take for them to accept that Team RWBY aren't coming back? How long passed after that when Qrow goes to wipe dust off the grave? If it's, say, a few days or weeks then I'm like hey wtf they should still be DEVASTATED. If, however, we've jumped forward six months, a year... that at least makes a little more sense. I don't like that we've skipped over all the cliffhanger conflicts of Volume 8 as well as a long-term grieving arc for every character that would fundamentally change who they are and their approach to this war... but I find that slightly easier to swallow then Qrow strutting around the new slums with a smile on his face, happily telling the ghosts of his dead family that he's doing surprisingly good during the end of the world.
Also, in the realm of skipped-over character growth, I saw someone point out that Oscar's tiny smile at the group's arrival... might not be Oscar's. Or might not be Ozpin's. God knows the writers have proven that they don't know how to write the merge on screen—they just keep insisting it's happening without either of them changing in any meaningful way—so this would be the perfect opportunity for them to just skip over all the important bits and land on the final product, a la Oscar getting over his crisis in Volume 6. If we hypothesize based on what RWBY has shown us before (ha) we should expect for Ozpin to be gone for good and Oscar is now in control, but with mannerisms and knowledge that he's never displayed before; a fundamental shift in his personality. After all, we never got to hear Ozpin the host. The show acts like Ozma existed on his own after a certain point, a body without a voice in his head anymore, but living as a, you know, merged version of himself and whoever was last with him. Which I hate! And Oscar hated it too, as evidence by him understandably freaking out about it, but the story never bothered to let him work through that. (Or just solve it with the magical aura machine + android bodies that have already been introduced.) As a favorite of mine, I'm not looking forward to being told that they've merged now. It's not Oscar. It's not Ozpin. It's someone who sounds like both at times, but really the characters you enjoyed are gone... without fully being gone. Combined with worry that Ironwood might come back—someone commented that the "Don't come back" was directed at Weiss, though that doesn't make any sense to me?—if we do get Volume 10 I can't help but think that, like Penny, the writers aren't going to leave these characters alone, despite them supposedly having left the story.
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stewyhosseini-bf · 1 year
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no i do think you're right that people do dramatize when ken is mean to his siblings way more than when the roman and shiv do it. like roman mocks kendall's stutter all the time but when kendall does it to shiv... i wonder why that reaction is tho? sometimes i think it's bc people are just so set on the kendall will turn into logan arc that they latch onto everything kendall does as logan-coded more than the other kids. more than the writers intend us to too
yeah I truly do wonder about it as well. And I could totally see that 'kendall is being logan-ified' thing as a reason, but I feel like there's something else to it as well. I mean, to be fair, Kendall and Shiv are both probably a bit more ruthless with each other than either of them is with Roman, for example, or Roman with them (shiv telling Logan to send Ken to prison, Shiv's letter, ken sabotaging shiv's speech, all the insults Kendall throws at her, especially in s3) while each of their fights with roman are, mostly, more like 'normal' sibling-fights, aka insults and/or physically fighting each other. which isn't to say they're not still fucked-up and hurtful, but I feel like the scale of the consequences is often bigger with ken and shiv's fights, as demonstrated perfectly in 4x8.
So I can see why people have stronger reactions to their 'fights'. I think what puzzles me though, is when people pick one of their sides and insist they're the 'better' one/ the other is the 'worse' one? without acknowledging that they're both continually pretty horrible to each other. Which isn't a kendall-and-shiv-specific problem but more of a thing that exists within discussions about any relationship and character on the show - the idea that there is always some 'better' person, whose actions can be excused because someone else's actions were worse. Which is not how anything works and also just not how this show is written.
I don't know. I also think, to get back to the ken and shiv discussion, something those one-sided arguments tend ignore is that they're actually pretty close, when they're not destroying each other's lives lol. They both defend the other person in fights (last episode's tom thing, but also in Austerlitz when shiv gets mad about Logan spreading rumors, or kendall about Logan yelling at her, etc), they both, consistently, are the first or only person the other turns to when they're in trouble / need support (Ken asking shiv to take care of him in 2x4, Shiv calling Ken to tell him Rhea fucked her over and to help him in 2x7 /2x8, etc) and they often enough cannot stay mad at the other person, no matter what they say (like how shiv is the first one to soften up and talk to Ken/forgive him after the bear hug thing, how he says to her he doesn't know if they come back from the letter but then pretty quickly jokes about it and seems to have forgiven her). Like, I guess, the way people simplify and remove all nuance from their relationship by picking sides and acting like any wrongdoing on either of their parts stems from them actually hating each other / being rivals / being plain ruthless and horrible people is incomprehensible to me. It's pretty clear to me that they're siblings who love each other but never learned how to do that without also fighting each other every step of the way, and being in constant competition, fueled by Logan pitting the kids against each other from a very young age. But, again, that whole mindset people have is not at all merely a shiv and kendall thing, and it stems from the same misunderstanding of the show that makes people watch it as a game of thrones-style fight for who gets to be CEO, instead of a show about a very complicated and broken family abusing their enormous amounts of influence and power in ways that have immensely destructive outcomes.
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tarisilmarwen · 11 months
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Rebels Rewatch: “Spark of Rebellion”
With the Ahsoka show coming up here in August, I have just enough time for a full refresher so, you know, I Might As Well.
This is going to be different from my normal liveblogs, obviously, less real-time reactions and more commentary and meta analysis, though you’ll probably still get some incoherent nerdery and feelings spew here and there.
All right, let’s get into it.
You know with the benefit of hindsight, Vader’s speech to the Grand Inquisitor here is actually a perfect encapsulation and summary of the premise of the show.
“Hey so the Jedi are dead and the Empire reigns but the Emperor is still worried about threats to his rule, so your job is to hunt down and kill anyone a little bit too Force Sensitive and also anyone Order 66 managed to miss.”
It’s an interesting choice of phrase too.
“The Children of the Force”
Emphasizes the villainy of our bad guys in that they’re hunting down literal children and also seems to suggest some kind of protectiveness from the Force here; these are its children, people born into its “family”, so to speak.
Anyway.
OKAY WAIT NO I NEED TO STOP BECAUSE I STILL CAN’T GET OVER HOW THIS SCENE IS PARALLELED IN THE FINALE.
SHOT FOR SHOT.  SHOT.  FOR.  SHOT.
The show opens with the “boy who was lost” and closes with the “girl who was broken”, Sabine’s move into more narrative prominence S3 onward was not a writing mistake, it was purposeful, it was deliberate, the show is their coming-of-age arc, they are co-protagonists, they are each other’s Most Important Person and have so much influence on each other’s character development and it’s reflected so perfectly in that seventy-something episodes later we’re going to see Sabine standing right here where Ezra’s standing now.
*sobs*
Okay I’m good.
Right here is also when we hear our first classic Star Wars leitmotif, as the Imperial March blares out with obnoxious brassy flair.
Followed almost immediately by the short excerpt of the Rebel Alliance theme that functions as our stinger.
(I’m going to be talking about the score A LOT this time around, better get used to it lol.)
Ugh, there was this one stupid post that was like, “What’s so bad about the Empire regulating commerce anyway?  Controlling food safety is a good thing!”  REGULATIONS ARE A TOOL OF THE STATE TO CONTROL ITS PEOPLE SHARON, you notice they harass this vendor specifically because he hasn’t asked permission from the oh-so-benevolent Empire to make a couple credits selling a single basket of fruit, as if that’s something the Empire needs to control, and when he dares to complain about it they immediately want to toss him in prison.  That’s the epitome of petty state authoritarianism.
This is also such a wonderful character establishing moment for Ezra, because as much as he says he’s only out for himself and doesn’t stick his neck out for people the very first thing we see him doing in the show is surreptitiously sticking up for this harassed vendor.
We learn three main things here: 1. He’s clever and agile, 2. He’s a street kid trying to survive, 3. He actually really does care about people.  All in less than a minute.  Very tight writing.
I love the sound effect they use to signify Force use.  It’s very pretty.
Aaaaand of course accompanying it, the quiet string prelude to the classic Force theme.  An immediate auditory clue cueing us into the fact that Ezra is also Force Sensitive.  So unconsciously, we’re already primed to expect that.
Snrk, I still love how casually Sabine tosses the grenade onto the speeder.
There’s a strechiness and elasticity to the character models here that I think they lose later, as the tone evens out into being more serious, but it’s very Disney-esque.
Actually hilarious and kind of fascinating that instead of stopping Ezra, Sabine lets him keep part of the shipment and have a fair shot at escaping.
She definitely sounds like she likes his gumption.
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If no supposed to ship, why let Tiya say the line so playfully here?
Zeb’s resigned thumbs up always cracks me up.
It bears repeating but the animation?  Very Disney-esque.  The whole way characters move, their design, how they emote and express.
I was always particularly impressed by the hair.
Look at it.
It’s always shifting softly around Ezra’s face and blowing in the wind and reacting to his movement shafkjghkajh.
SO much better than early Clone Wars.
No, shut up, go back and watch those awkward early episodes.
The faces don’t emote.
Kanan’s fond little smile. :)  He already loves that kid so much.
Again with the animation being very 2D Disney hand-drawn inspired in the way Kanan sloughs his shoulders here replying to Hera.
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Hgnnnglllll the little shine in Ezra’s irises shifts like it’s an anime sparkle, I love this animation I love it I love it your Clone Wars could never.
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If no supposed to ship, literally why have this moment with the classic Sees Her In Sparklevision trope?  (Okay so I added the actual sparkles but still.)
Seriously Filoni.  “I think there’s an automatic instinct to ship them.”  WELL WITH THIS COMING DAY ONE EPISODE ONE WHAT DID YOU THINK WAS GOING TO HAPPEN?!
Hi Kallus!
Right so after this sequence where Ezra feels inexplicably guilty for not doing more to help the people of Tarkintown despite him literally only finding out they existed two minutes ago there was pretty much no way I wasn’t going to love him.
I think my brain subconsciously recognized, “Oh, he has a Hero Complex.” annnnd yep, yep, that did it, he’s my son now.
Interestingly, this is also I believe the first time we hear Ezra’s leitmotif, which like Luke’s theme is primarily in brass but in a minor key, slower, more somber, more introspective, almost a thematic foil to the adventurous bold excitement of Luke’s theme.
Luke’s theme, AKA the Star Wars Main Title theme, by the way, is primarily used throughout Rebels to denote heroism.  Typically it comes in whenever we have a Gunship Rescue from the Ghost or some other kind of Big Damn Heroes moment.
Side note appreciating the animation again, the storyboarding and blocking is very cinematic.  The camera moves as it might on a modern Hollywood production instead of a weekly TV serial, which I think helps makes Rebels feel closer to the Original Trilogy.
And here the full Force theme breaks through. :)
Note: At this point, behind the scenes, Hera and Kanan have already discussed Ezra’s potential Force Sensitivity, and agreed to test him.  I am still sorely in need of fanfics that cover that conversation.  Just saying.
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AGAIN.  WRITERS.  YOU NEED TO BE A LITTLE MORE AWARE OF JUST HOW SHIPPY THINGS COME ACROSS BETWEEN EZRA AND SABINE THIS FIRST EPISODE.
Like, there’s a reason why this conversation and footage is used in a million Sabezra amvs.
Ezra rubbing his hand on his neck, Sabine’s soft looks of concern at him, how warmly she finally reciprocates on telling him her name...
(Also notice how Ezra, empath that he is, immediately cottons onto the fact that Sabine considers the Ghost crew her family and discerns that something or other happened to her bio family.)
Gremlin child Ezra. <3
I’m sorry, I just noticed this:
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What is that look, Sabine?  Lolol.
Hera going into Mom Mode immediately.  Her cheeky look back at Kanan, lol, she knows exactly what she’s doing.
Edgy TWC bros complained so much about the humor in early Season One and I say they have no taste, “rare hairless Wookie” is hilarious.
Part Twooooooooo!
For all his bluster and his devil may care facade, Ezra had that Jedi compassion and drive in him from the very start, I will hear NO slander otherwise.
Something in this escape sequence I absolutely love?  Ezra clinging to Zeb’s back.  Just the way he grabs Zeb’s legs and climbs him like a feral cat.  And Zeb does not appreciate it lol.
Oh hey, we’re at The Scene That Basically Sealed Ezra As Tari’s New Favorite Whump Target.
Yeah, protip to all showrunners, you put an emotionally vulnerable young male protagonist in mortal peril and you basically guarantee that I will obsess and fixate on them forever.
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EVERY SINGLE FRAME OF THIS SHOT IS MORE HEARTBREAKING THAN THE LAST.
Hngl and you can hear him hyperventilating too ow my heart.
A brief excerpt of Ezra’s theme plays right here too, as if to compound Zeb’s guilt about the whole thing lol.
Like the score itself is saying, “HEY AREN’T YOU MISSING SOMEONE?!”
Sabine automatically assuming Zeb did something to Ezra. <3
Hera full-naming Zeb. <333333
A couple people pointed out before that Ezra flinches pretty noticably when Kallus reaches for him, and Kallus definitely marks that reaction with his eyes.  It’s such a quick little sequence but it’s fascinating in the layers it suggests.
I reiterate: The subtle facial animation is this show is fantastic.  The minute little emotions that you can pick up tell so much story.
Chopper voting with Hera to go back for Ezra. <333333333333333  The murder hobo does have a heart.
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I love the little sideglance these troopers give each other after Ezra seals them in.  You can’t even see their faces but you know they’re chagrined all, “Oh.  Ohhhh we’re in so much trouble.”
And the joke is even followed up on when Kallus demands to know how Ezra escaped and this poor dude just has all the notes of, “This is the worst day of my life.” in his voice lololol.
I gotta gives props to Taylor Gray, he pulls off Ezra’s impersonations really well.
So how much do you want to bet Kallus had unfortunate flashbacks every time one of Sabine’s bombs threw him?
“I’m sure your parents must be worried sick.”  “I don’t have parents.”
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*URGE TO ADOPT HIM INTENSIFIES*
(Also, same, Hera, same.)
Speaking of entire stories being told in the subtle expressions...
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Tangenting here a little bit, I’ve seen more than one bad faith reading chiding Kanan and especially Hera for “manipulating Ezra into being a child soldier” and hnnghghghgkjgdksh could you guys have any worse comprehension?
Ezra’s fate, narratively and meta-textually speaking, was sealed the moment he volunteered the information about the Wookies and actively took part in their rescue.  He didn’t have to do any of that.  He could have stayed quiet.  He didn’t.  He could have made Hera drop him off first.  He didn’t.  He could have stayed on the ship the whole rescue.  He didn’t.  And yeah, some of the reason why is because Hera told him it was better to fight for others than only for himself, but also have you considered that Ezra maybe is just that selfless at heart?
(See above where his Establishing Character Moment was saving that fruit vendor.)
ANYWAY, if he hadn’t done any of that, Kallus would have never seen him leap far higher than he was supposed to be able to, and would never have marked him as a Force Sensitive, would never have alerted the Inquisitor to him and basically marked him as a target.
Any time the local Lothal garrison spotted him, their impetus would be his capture and/or extermination.  Ditto for when news eventually reached the Inquisitorius.
The safest place for him was absolutely staying with the Ghost (where he could be trained to protect himself) and they even gave him the choice about it.
To say that he was manipulated or guilted by Hera into following instincts that were already inside him denies Ezra his narrative agency; he chose to become a Rebel and fight against the Empire.  Hera might have awakened his heroism but it was Ezra who Answered The Call.
All right, tangent over.
Oh ho man, you can tell they went into this with zero plans to redeem Kallus.
I mean, I’m glad that it happened, I definitely enjoy that aspect of his character.  But there was noooooo groundwork laid for it in these early episodes lol.
Writers got halfway in and realized, “Shit, we like him.” and then had to scramble to come up with something, which, I mean... I relate.
Ah, here’s what I mean when I say Luke’s theme is used primarily as a shorthand for the element of heroism.
And for an example of what I’m talking about re: cinematic camera motion, there’s the bit right where the crew charges out of the cargo hold onto the platform on Kessel.  The camera is behind our subjects and instead of immediately cutting to an exterior shot (which would be perfectly acceptable), instead it sort of rolls out behind them, pushing down and forward with them, for a more dynamic shot.
Add several tracking shots after that, that basically follow specific characters, and with that simple cinema magic, the action sequence feels more frenetic and energized.
Gosh, Ezra was so tiny back in Season One.
I do like this cue right here, when the Imperial ship drops in, don’t know if it’s generic action filler or it becomes a leitmotif later, will have to pay attention I guess.
With context from A New Dawn, we know that Kanan has not ignited his lightsaber since Order 66, though he apparently came pretty close it in that book.  I just find it rather beautiful and poetic that the Force tells him it’s time right when he has a padawan to protect. :)
And this reveal is still excellently done, fine candidate for my personal No Context Signature Scene Test (that being a scene which, when shown in isolation, showcases off the best of a movie or show and entices watchers to check out the rest, it must do a good job of selling the work, essentially).
POV shot as Kanan stands up out of cover, cut to in front of him, the action music drops out and fades into the Force Theme and Kanan just kind of... casually walks through shots, leaning around them, the sound gets muted slightly, we get the gunslinger shot of the lightsaber pieces clicking together and then the Force Theme gets a bass drum flare to emphasize the moment.  Awed looks from everyone.  A triumphant musical cue.
Even Kallus is unnerved for a second lol.
And I love the verbal hesitation when he says, “Focus your fire on... on the Jedi.” like he can’t even believe he’s saying that.
Is it any wonder why I love the whole Rebellion Era Jedi aesthetic?  It does such a good job of encapsulating pure eucatastrophe, the sudden happy turn for good, a beacon of light and hope breaking through the darkness and despair.
The Wookies look at Kanan like a living legend has stepped out of the pages of their storybooks.
HNGH no one touch me.
And of course, Kanan stepping up immediately inspires Ezra to do the same, I love these two so much.
Wilhelm scream, lol.
See people, Kallus already associates Ezra with Kanan and has marked them as a master-padawan pair, there was no chance Ezra was going to just be able to keep his head down and live his life after this.
And again with the subtle expressions, there’s just a flash of sadness from Ezra here as he watches Kitwarr reunite with his dad, HAVE I MENTIONED I LOVE HOW UTTERLY EXPRESSIVE THE FACES ARE IN THIS SHOW?
I do kind of wonder what made Ezra decide to swipe Kanan’s lightsaber.
He had a thought to sell the holocron but honestly it seems like he wanted to keep the saber.  As a keepsake?  To use?
Honestly though I love it when writers have Force Sensitives just kind of compulsively drawn to Jedi artifacts and tools.  Like some part of them is called by the Force within the items.
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There’s a really cute, almost shy way that Sabine ducks into her shoulders here.  I see it in amvs all the time but no one ever really talks about it.
I mean, along with Chopper’s sad little moan I think it’s meant to convey that they’re already fond of him and regret him having to leave.
Chopper loved Ezra from the beginning and only gave him grief because that’s how he shows affection change my mind.
Ezra does not take Zeb’s playful hit well, flinches like he did with Kallus.  Of course later he’d get used to it but right now Ezra definitely does not associate roughhousing with affection.
Ezra gets so timid in his body language here.
I... I would really love to know how Kanan got up the tower.  Where exactly is the turbolift in this thing?  Is it in Ezra’s room?  How’d Kanan sneak past?
I know we’re meant to believe Kanan is physically there and just Batmans in and out but honestly I don’t blame the people with the wild theory that Ezra’s having a vision of Kanan in this moment.
Speaking of Ezra’s timid body language, have you noticed how often he crosses his arms, in an insecure kind of self-protective fashion?  This all but goes away in the later seasons as he grows up.
Aaaaaand we hear a snatch of Leia’s theme as Obi-Wan’s message plays again, a little musical Call Forward to the princess’s iconic plea for help perhaps?
Interestingly it fades into a very understated version of Luke’s theme, without the full orchestral accompaniment, just a single trumpet and then some quiet strings playing the notes.
I’m going to have to pay attention but I’m tentatively hypothesizing that Leia’s theme will primarily represent the aspect of hope in the series, to accompany Luke’s representing the idea of heroism.
Hope and heroism, two classic archthemes of Star Wars, lol.
Maybe it’s fitting that Ezra’s theme kind of blends the feel of both of the twins’.
On a completely different note, nice to see composer Kiner keeping in the tradition of assigning the Ominous Latin Chorus to the villains, lol.
I like Grand’s theme, it’s reminiscent of the Emperor’s, all bass male voices and dark minor chords in the strings.
I warned y’all I was gonna be talking about the soundtrack a lot in these.
And that’s the pilot premiere down.  Some people said they found it hard to get into the series at first, but I was never one of them, the pilot had me hooked from the get go.  Granted it was my birthday and I was a bit, ah... sloshed at the time.
Still, there was pretty much no way I wasn’t going to be into this show.  The classic Star Wars feel, the lovely animation, the fact that Ezra was basically exactly My Type... (Orphan, tragic backstory, Hero Complex, heartwarming relationship with (surrogate) father figure, this boy was ticking off boxes left and right lemme tell ya.)
Pilot still holds up.  Not every show’s first episode does but this one does.
This was a fun exercise.  I think I’m going to try to knock one of these out a day at a time until Ahsoka drops, maybe not as in-depth and rambly as this one, but we’ll see.
Until tomorrow then.
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