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#and i am so fucking slow
slytherindisaster · 2 years
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I wanted to finish the song asks today to just chill but I am so anxious about my shift tomorrow that I can't focus on anything rn 🙃
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raetttriestowrite · 1 year
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Me, an author, side eyeing my WIP: you're not going to do anything weird, are you? We've discussed this. There's a plan. We're going to stick to the plan, aren't we?
The WIP: *presents subplot, presents additional conflicts, presents character development, laughs in my fucking face*
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massivewaffle · 2 months
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Hello do you know what my favorite ever Fitpac & Phil moment is because I have never seen anyone else mention it somehow?! Probably because Pac isn't even in the damn clip but I digress!
It's the stream where Phil and Fit hang out and Fit shows Phil one of the abandoned houses he found. They walk into the house to access the trapdoor leading to the hidden basement, and Fit goes:
"First of all, watch out for the fucking asshole seagull."
Fit fucking hates seagulls. Annoy him to no goddamn end. He's been on the wrong side of a seagull shakedown; Phil too, agrees.
"I'm just gonna murder him, I'm just gonna-"
And Fit fucking shouts OH NO NO NO to get Phil to stop in time.
"Oh no, Pac will be furious if that seagull dies, even if I fucking hate it."
It's just so perfectly representative of Fitpac. It's not even an official thing yet, and Fit knows Pac well enough to be aware that the seagull's death would upset him. Fit cares about him enough not to want to add any pain or sadness to Pac's life. He cares enough that he doesn't mind sacrificing his own annoyance by the seagull's existence; it's worth it if it makes Pac happy. Fit is all about making sure Pac is happy. He says it with such an exasperated but enamored tone it makes me smile every time. It's a very 'decades-married sitcom-couple laugh track-esque', and it's annoyingly endearing.
And then you get the cherry on top:
"...what if I put him in a cage? And put the cage on the floor?"
It's silly, but I love Phil processing Fit's statement, and rather than making a joke or comment, he reframes the question. I always imagine him going, "Yep. I get it mate." And leaving it at that, simply attempting to find a solution that won't have them yearning for seagull blood all day. Love Fit and Phil's dynamic.
And then Fit looks DIRECTLY INTO HIS CAMERA and sighs dramatically like he's the star of an NBC 8pm EST/7pm CST sitcom circa 2011. This man is the lead in a slow-burn sitcom romance, and I hate him. Motherfucker is lucky they've already got me fixated enough to write a 100k word fanfic. FitMC is too powerful and cannot be trusted.
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xuxudio · 5 months
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successfully choosing the most doomed ship in any media since 1999
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aeviann · 1 year
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This was a huge project to take on, but I finally wanted to dedicate a big piece to one of my favourite characters of all time - Ike means a lot to me and I love him dearly!
Also doing fake movie posters is fun >:)
You can get prints of this on my Etsy!
version without text under the cut
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Hey, I just watched Dead Poets Society for the first time ever! Now, if you guys don't mind, I'm gonna go sit in the corner of my room and scream!
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Bucky Barnes | Rebellion Series | Caution
Part one of the Rebellion Series
Pairing: Bucky Barnes x Reader
Plot: By some miracle, you get saved from the consequences of your own actions. You’re reluctant to join a supposedly good cause. What happens when the good cause is not so legal? And what - or who - is your soft spot?
Warnings: Angst, fluff (?) and mentions of sex.
Words: 34OO
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You have started shaking again. With every tremble of your body, the restraints around your legs and arms seem to tighten and you shudder even more at the awful memory of that feeling. It took weeks for the shaking to stop. Weeks of being locked up into this modern dungeon until you were nothing but silence and numbness.
You knew the rebellion could end in death, knew the consequences would be catastrophic, but at least you’d stood for something, fought for something. And you would choose death any day over the endless silence of this prison. You know for a fact that you’re surrounded by an ocean, but no matter how hard you listen, you cannot hear the wild sea crash. Can only hear the low hum of the air being circulated through your metal cell.
And today, approximately three months after the start of your sentence in the most secured prison on the planet, you have started shaking again. It can hardly be because today of all days, your brain has decided to make you go completely insane. That would be too random. Which means–
Your head snaps to the window, spotting the other cells. Empty. This floor is reserved just for you alone. Because apparently you’re too dangerous to interact with anyone. They even got machines bringing you your daily sustenance. An empty floor like every other day, yet something seems different. Something’s off.
A metal door flies through the middle of the circular space connecting all of the cells and you stiffen. You look at the ground again, keeping completely still. Maybe they don’t know that you’re here. Oh God, oh God, oh God. No, they can’t get to you. Not again.
The destruction clangs through your body and you tremble violently, curling up as much as you can and staring hard at the floor. The cold metal ground blurs with images of the rebellion. The things you gave up, the energy your summoned and wasted, the people you lost. The blood, and pain, and screams and– and– and…
“She’s in there. Grab her and then we get out of here.”
“Steve, I–”
“And hurry up, we don’t have much time!”
Two combat boots step into your vision and the stomps echo in your head, booming you back to reality. But not quite. Your eyes vibrate with fear and you swallow the nails in your throat. Then a pair of knees appear in front of you and a black gloved hand reaches forward. It hesitates, then retreats. As if choosing not to touch you. Wise choice.
“Hey.” The voice is low. And smooth as liquor.
But you don’t look up, focusing on trying not to tremble more and taking the firm contraptions wrapped around your shins and forearms as the protection they now are. Maybe this is another nightmare. It’s different from the ones you usually have, but black gloves… They had black gloves, too. And those firm boots. They may have kicked you in the stomach with those boots once. You don’t remember.
“I’m here to get you out,” the voice speaks again and you can only listen to the tone of voice, the way it sends a shockwave through your body and lessens the violent trembles. “Look up for me.”
You ignore him and focus on your breathing.
“Is she coming?” That first voice. Impatient. Panting.
The male before you turns to the centre of the floor and gives a frustrated sigh, “She’s pretty out of it.”
Before waiting for the other man to respond, he turns back to you and studies you. Even though you don’t see him, his stare burns right through the flimsy clothes they put on you. He lets out a soft sigh and flips out a knife from the holster at his waist, still kneeling before you. You stiffen, preparing yourself for the sting at your throat as they finally decide to get rid of you, but he tries his best not to touch any bare skin as he saws through the materials binding you together.
The relief of pressure from your skin make you feel so uneasy, you nearly throw up, but a gentle hand covers your arm and you finally look up. Warm, dark blue eyes connect with yours. Below heavy brows and above the faintest cluster of freckles. His mouth is soft and pillowy and his bone structure is otherworldly symmetrical.
“It’s okay,” he tells you gently and offers you a smile that you can tell doesn’t come to him naturally. “Can you walk?”
He pulls you to a stand with a firm, but comfortable grip and you instantly stumble on your feet at the weight suddenly put on them. One arm flies around your waist and hoists you into his side as he catches your fall.
“Okay, okay,” he grunts with a gentle laugh. “I got you. Let’s get the fuck out of here, alright?”
Your throat feels like sandpaper as you hobble along with the wall of a male dragging you along, “Who are you?”
He spares you a brief glance and smiles once more, following ‘Steve’ out of the building and onto an air craft that is way too loud. “Bucky. We’re here to help you. Or I suppose you’re here to help us, little rebel.”
Steve gives Bucky a knowing glare, only breaking it by daring a glance at your bedroom door which you have been effectively hiding behind for weeks now. “You know I can’t go in there, Bucky.”
“You know I won’t let you,” Bucky answers drily with a shrug. As opposed to his best friend, Bucky hasn’t stopped staring at your door.
“You’re not even hiding your possessiveness when it comes to her,” Steve breathes through a laugh. That makes Bucky finally look at his friend.
“I’m not possessive,” he says matter-of-factly. He’s not even offended, just practical. “I’m protective. The last thing she needs is all of the nosy people in this tower swirling around her when she doesn’t trust a single soul.”
“Has she started to trust you?”
Bucky has to keep from wincing at Steve’s question, and he clears his throat. “Sure,” he lies.
If Steve caught the lie, he didn’t let on. It was as much of a dismissal as he was going to get. After watching his best friend walk off to do captain things, Bucky braces himself to step into your room. He has no hope that his interaction with you will be any different than the previous ones.
“Another day of convincing me to be your weapon?” you nearly snarl when he walks into your room.
If Bucky is entirely honest, he thought you would have turned into this damaged girl that would morph into a wild animal as you worked through what had been done to you. He didn’t really expect this perseverance and defiance from the woman he saved from that prison. But he supposes he should have seen that question coming. It wasn’t his best work; starting that day he saved you with all of the things you could be doing for them. Why they had saved you. Simply for their own gain. Or that is how you understood it, at least…
He has never been good with words. That has always been Steve’s thing. Bucky was reliable physically and he paid attention. He never had to use many words to make his point. Yet you keep asking these questions – rhetorical, he thinks – and you keep giving him this penetrating stare until he answers. Which is a sure way to make him fuck up, because how do people do that? Bring sensible thoughts into words and make it make sense?
Especially when the woman asking said questions is so damned… pretty.
“It’s time for you to get out of this room,” he tells you plainly. It seems the tactic of ignoring your questions is effective. It only took him six days to figure that one out.
He strides over to cross the room, not sparing you another glance in your chair in the corner, and rips open the curtains. The cat-like hiss coming from you has Bucky nearly biting back a smile. He turns and watches you stand from your chair, stalking over to him with your chin high and a scowl on your face. He raises an eyebrow with amused intrigue.
“And what, exactly, will I be doing outside of my room?” you ask.
He dips down slightly, but you keep the proximity. “Whatever you want. I don’t care.”
“If you don’t care, why hunt me out of my room?”
He shrugs, “Captain’s orders.” He isn’t entirely lying.
“Why isn’t the captain telling me himself?”
Bucky smirks and leans even closer, making you feel his minty breath fan over your face. “Because I’m the only one who isn’t scared of you.”
You snort at that and roll your eyes before breaking away from him. “I’ll get dressed.”
Bucky tries his hardest not to look too stunned as you retreat into the bathroom. A deep sigh leaves his lips as he paces through your room in wait for you to get ready. It takes a whole lot of effort to muster a smirk when it comes to his interactions with you.
“F.R.I.D.A.Y.?” he asks quietly.
Just as quietly, the house responds, “Yes, Sergeant Barnes?”
“Has she asked for anything from you? To contact friends or family, or other information?”
“No, she hasn’t.”
“Does she have anyone left?” he tries, chewing his lip as he dreads the answer.
“Not that we’re aware. Mr. Stark had me run a background check, but she seems alone. No sign of anyone missing or deceased. No sign of a network at all.”
Bucky doesn’t know why that feels worse in his chest and he swallows. “Alright, thank you.”
A few moments later, you step out of the shower and find Bucky lounging in the chair he found you in, leafing through one of your books. Just as you’re about to check whether he has gotten his hands on one of your smuttier books, your eyes snag on the clothes laid out for you on the bed.
You pause long enough to make Bucky look up from the book. “Did you… Did you seriously pick out this underwear for me?”
Bucky eyes the lace panties dangling from your fingers and shrugs with a smirk. A smirk had never looked so enticing, but you sharpen your stare on him. “Do you prefer the grey, cotton ones in the back of the closet?”
You grit your teeth and scowl at him again, before morphing your mouth into a vindictive smile. “Why? Don’t you?”
His eyes dance at that. “Wouldn’t make a difference to me.”
And it’s the way he said it, with so much casual amusement and… promise. Heat rises to your face and you duck your head down. Snatching the clothes from the bed, you retreat back into the bathroom to get dressed.
The rest of your conversations had been purely functional as Bucky lead you down into the building where Steve was waiting. Bucky rolled his eyes at his friend’s horrible attempt at hiding his surprise. Steve hadn’t seen you since the day they came to save you, he must have never expected Bucky to be successful in his retrieval.
Bucky also hadn’t missed the meaningful look Steve then gave him that indicated he tucked away some valuable information. The information being that if they ever needed to get you to do something, Bucky is the way to get you to do it. Why? Steve seemed to have his theories and Bucky didn’t like it one bit.
However, for now he doesn’t care. Instead, he sticks by you after you reluctantly agreed to join Steve on a walk.
Strolling down the path through the surrounding woods, Bucky catches himself bracing for a fight every time Steve gets a little too close to you. He doesn’t like it. The last time he was this sensitive to proximity, he had just ran from Hydra. He’s seen other traumatised people before, but this feels different. And instead of listening to your and Steve’s conversation, he tries to figure out what it is. He supposes it’s because you have no survival instinct. In the few videos he’s seen of your rebellion and the encounters he has had with you the past weeks, you see danger or conflict and run straight toward it. Nothing scared or cautious about you. It sets his nerves on edge.
Bucky is well aware of what Steve is telling you and he has to refrain from rolling his eyes at the careful way Steve tries to coax you into their plan, when earlier that week they had not been nearly as careful as they calculated how to get you involved. But even Bucky had to admit that they needed you – specifically, everyone who would follow you into the grave. When Stark had shown him the videos, he was perplexed as to how you got such a huge following when what you fought for was so terribly dangerous. But one look at those sharp eyes and one deep command from you, and Bucky had seen it. That unwavering will and that brilliant brain that was always calculating. Steve could learn a few tricks from you on being a strong leader. And considering Bucky wildly admires his old friend, that is saying something.
They need you. Bucky knows it, too. They need not just someone with great leadership skills and a loyal following, but someone that does it out of empathy for the people mistreated by the system. Because that is who they’re going to be fighting – the system.
Again.
“You haven’t said anything about what Steve told you,” Bucky says on your walk back to your room. The offer to escort you back to your room hadn’t been entirely selfless.
“I need to think about it,” you murmur, deep in thought.
Bucky suppresses his sigh of sympathy. They are asking you to join a cause you were so passionate about, and that after failing so miserably last time. He can barely imagine the things you must have witnessed and endured with your last upraise. How you had gotten so influential that the government decided to treat you like you were a super-human and punished you accordingly. You had been put in the same prison as Wanda. Wanda. That is how powerful you were.
“It can’t be easy to revisit everything after all that’s happened,” he resigns and you blink from your thoughts to raise your eyes to his face. You study him and it takes all of Bucky’s might not to shift under your assessing gaze.
Then you speak up, “I’ve always done the right thing. Steve knows I can’t walk away from it…”
Bucky smiles at that. “Just like him.”
Your eyes narrow at that comment, but Bucky finds no venom in the look. You continue, “Sacrificing my life for the cause was never an issue. But to lead others into that same fate again?” The guilt had eaten you alive. All those people that had gotten arrested, split up from loved ones, hurt– worse…
Bucky interrupts your thoughts before they get a hold on you by clearing his throat. “Tonight, we have dinner with everyone. You’re welcome to join if you’d like.” Your heavy stare on him makes him quickly add, “Don’t give me that look. There will be no talk of overthrowing the government. Just dress fancy.”
The snort of a laugh that comes from you feels lighter to Bucky than he’d like to admit. And to ease the tension, he forces another smirk to his face. You narrow your eyes again warily, “What.”
He shrugs, turning to leave you alone at your door. Then he winks. “Let me know if you need me to pick out some underwear for you.” And then he’s gone.
Bucky hangs onto that cockiness all the way until dinner, where the entire group has showed up. Even Thor said he’d show up for a drink. Barton flew in from his family home to join the group as well. He remembers a time when he’d felt more than uncomfortable around this group of people. But so much has changed. They all saw him as a great asset to the team and even relied on him more and more to supervise the missions. He’s at home with them now. Heart swelling with affection, he listens to his friends – his family – laugh in the kitchen while they pour the drinks.
And then all of their faces turn into one direction, some of them pulling taut, few of them giving warm, comforting smiles. Bucky follows their gaze and it is like someone punched him in the gut, air whooshing out of his body. He doesn’t really know why – other than the obvious fact that you look ravishing of course. But he looks at you and clears his throat to welcome you to the group.
Natasha beats him to it though and it has Bucky’s hackles rising. She shoots him a knowing smile and then he backs off. His pride wounded like a cat booped on the nose. Natasha is good at it, charming people until they feel comfortable. Or take their pants off. But there’s an easy smile on your face – one Bucky knows is at least slightly forced – and you blend in with the crowd easily.
Suddenly, Sam’s at his side. “I know what you’re thinking,” he grumbles with his eyes on you and Natasha, followed by a swig of his beer bottle. “Those two together can only mean trouble.”
Bucky can only grunt in agreement.
“What on Earth are you talking about?” Natasha drawls with a guilty smile.
Barton shakes his head. “The poor schmuck didn’t stand a chance. There is no way you could have taken him if you hadn’t slept with him the night before.”
Natasha shrugs. “Look, a girl has her needs. He met them and the next day he met his fate.”
“Really, Nat?” Steve nearly cringes and Bucky reins in his laugh. “The guy’s moral compass was straight from hell and you decided to sleep with him?”
Natasha barely manages to open her mouth before you decide to pitch in, raising a glass to her. “I get it. Terrible morals do add a little spice in the bedroom.”
Nat clinks her glass with yours and mutters a ‘she gets it’, but Bucky’s eyes are searing through your skin. He doesn’t know why he’s surprised at such outrageous claims coming out of your mouth. There is nothing innocent about you. Good, yes. Innocent? No. Yet perhaps it isn’t ‘surprise’ that is warming his body from the inside out.
Conversation flows easily between the Avengers and the food Tony had made easily beats the Brooklyn comfort food Bucky usually seeks out. Cheeks turn rosy from the drinks, voices get louder, lights get dimmer. Bucky has to really look to be sure what he’s seeing. You, relaxed and happy. Such a stark contrast to the woman he found in the prison. No wonder you’re so good with people. People make you good.
He can barely manage his smirk however, when he notices the strain in your body to keep from looking at him. Why you are so adamant to avoid him, he can’t really tell. But this is now your weak spot, so he cannot help but tuck the info away for later.
The night carries on and everyone switches places, catching up on endless memories and adventures and being surprisingly considerate to include you in most conversations. Bucky ends up at the head of the table, you on the seat closest to him, both listening to Sam. You listen closely and Bucky can only assume you have some relief from being actively distracted from him. And being the arrogant bastard he knows he can be, he ‘accidentally’ brushes a knuckle over the back of your hand that’s resting on the table. He watches you stiffen and swallow, but like a true rebel, you show no other sign that it affected you.
A few more stunts like that had Bucky pressing his knee to your thigh under the table and it takes everything not to pull away from it. So you gaslight yourself to let the touch ground you. To absorb his warmth and relax even more into the touch. And if you guess it correctly, the way you respond to Bucky’s touch is not what he expected… So you find yourself having the upper hand again.
And if you’re going to join these people in their cause, what’s a little game with your menace of a saviour?
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pardon-my-scifi · 6 months
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HOLY SHIT
The most sacred ceremony for Luffy is the sake ceremony. He only does it when he claims you as family. When ever he gets a new crew mate, he does the toast thing. He's claiming his crew as his family. Gods damn it. I'm over here making myself cry.
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ask-icedouma · 11 months
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@eyes-like-obsidian thank you for the tag on the dash game!
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teaposing · 4 months
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dynamics edition i guess
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amazingspider-z · 6 months
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a quick sketch page i like to call: what if eyes but fucked up ft. my continued saga of trying (and. ahem. not succeeding) of drawing fire
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bo0tleg · 2 days
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Maverick and Rooster aren't going to be able to immediately fall back to what they were. They care for each other deeply, and saved each others life on the mission, but this sort of shit needs time. One conversation isn't going to cut it with those two.
Look: I like the idea of them falling back into what they were before just as much as the next person, but that's.... not what realistically would happen. And that's ok! It makes sense for them not to know what to do with each other at the start.
For the record: I'm also not blaming anyone for writing fics about them immediately going back to the father-son or uncle-nephew dynamic because, because come on. It's cute as HECK! I'd just like to think about how to explore their feelings and hang-ups about each other in dept!
They're both stubborn fucks and this has been simmering for far too long for anything to be resolved instantly with a single conversation. Bradley un-learned how to talk honestly to people the day he left, and Mav's scared about what honesty can bring. They've sat on this pot for so long they no longer feel it burning their asses, and forgot what they put in the damn thing in the first place, so they stay there. On top of it. Still burning their asses.
Bradley holds onto grudges like it's a lifeline, and one mission isn't going to change that. He listened to Mav in the canyon because he rescinded what he had said with his actions. Mav said that he 'wasn't ready' but then chose Rooster as his wingman, communicating that he is ready and that he trusts him with his life. But that was a life or death situation that Rooster was both present in and could interfere in if he so chose. He saved Mav because he didn't want him to die, and they seem more inclined to deal with it back on the boat, but it's still a long road ahead.
What happened was they rekindled their care for each other, because neither had ever truly given up on it in the first place. Mav never stopped caring and knew it, Bradley did the same without knowing. This just so happens to be the first time they're forced to deal with each other since the fallout.
Just because they care about each other doesn't erase the history that's separated them for all of this time. In fact, it probably makes it worse.
Bradley thought highly of Mav, and he didn't live up to it. Mav wanted the best for Bradley, and did what he thought would be best. Their problems came from the root of care. And it's more bittersweet because of it.
Because of it, resentment and guilt have settled over their shoulders, respectively, and it refused to go away.
They talk, and they try, but it's still not great.
Mav is inclined to just sweep it all under a rug and ignore the lump it forms on the floor. Because of his guilt, he takes all of the blame and sugarcoats Bradley's part in said blame to try and make up for it. Bradley is just as fault as Mav is, but Mav doesn't want to look a gift horse in the mouth.
So instead of fixing things, they look slightly less crooked, but not entirely right. It's a 'their problem' not 'his problem'. They're both at fault, and they both need to deal with it.
Maverick refuses to give up any of the blame, and Bradley is going to refuse to take any of it.
Sure, Mav fucked up, but Bradley blew it out of proportions. Storming off and refusing to talk is a normal response, but not for fifteen years. He barely let Mav explain himself.
Everything "wrong" about himself he blames on Mav. He thinks that Mav fucked him up by breaking his trust as his father figure, so he doesn't trust anybody anymore. He thinks that him being completely emotionally stunted and sensitive to critique is Mav's fault because of the 'your not ready' comment.
Thing is, it's his own fault. It's his fault that he's been fucked up for so long because he never tried to fix what was broken. It's not Bradley's fault that Mav pulled his papers, but he threw away everything, everyone he had before because of a single (justifiable!) mistake. And he doesn't recognize it for what it is, and refuses the blame. Carting it all off to Mav instead of dealing with his own shortcomings.
Mav is aware of this (that Rooster refuses to take the blame), but agreed with Rooster in his analysis of the situation, and takes it all on himself, which is not a healthy mechanism for either of them. It pats Rooster on the head for somewhere he fucked up on, and overloads Mav with guilt that shouldn't be that intense and deep.
But they don't know this. So Mav isn't angry at Rooster, because he's blindsighted by his care.
Thing is, I want someone to be angry. I want someone to be offended on Mav's behalf because he himself won't do it. I don't know who it would be, could be a good number of people, maybe even a child OC.
For fifteen years Bradley left without looking back. He left, and Mav suffered. Someone saw that. Someone was there with him all or most of those years, sitting right beside him as his guilt grew with every holiday that went by, with every letter or call left unanswered.
The obvious option is Ice. However, I want to pull away from that option, because if Ice is dead (stay with me now) it only creates more conflict, more nuance to what's going on.
Bradley cut Mav out of his life, and it's implied that he cut out any association with him too. That includes Ice.
What if he never spoke to Ice either for those fifteen years? Ice died. Bradley went to his funeral. Bradley went to his funeral as a fellow aviator, as an underling obeying orders.
Bradley's face in that funeral was blank.
That is the face of a man watching the burial of someone he once could potentially have considered a father figure that he hadn't spoken with for fifteen years. And he's never going to be able to speak to him again.
At that funeral, I don't think he regretted it. Sad, maybe, but no regret.
The regret only hit later.
He got to mend things with Mav after the Uranium Mission and beyond, but that is no longer possible with Ice.
Bradley regretted what he did, how he neglected them for years, but he regretted it too late for one of them.
I think Brad probably ended up at Ice's grave at some point, and owned up to everything he didn't– couldn't– own up to at the funeral. And he fucking sobbed. Begged. Apologized, over and over.
This is the reason I suggested maybe a child OC, because if the child is Icemav's or just Ice's, Bradley's gonna have a warped perception of them. (Note: When I say "child" I mean that it was their child as in gender neutral for son/daughter, it doesn't necessarily mean the person in question should be an actual kid.)
Bradley's gonna see that kid as penance.
And they're gonna fucking hate him for it.
Bradley is going to look at them and see Ice, and they're gonna hate him for it. Their father is dead, and for the last fifteen years of his life he'd never been truly happy because this prick never bothered to own up to his mistakes. Not even at the funeral Bradley owned up to his shortcomings, and now all of a sudden he waltzes right back like he never left? What the fuck!
Bradley could have done this, idk like a week sooner? But he only came to his senses after Ice died. Their father died and Bradley barely looked like he cared is what they're going to think. But all of a sudden, he goes on a suicide mission and almost died and he's suddenly back? Because when his own life is in danger he changes his mind, but when Ice died he couldn't care less? What the fuck!
That man went to that funeral as a subordinate, not as the son he was.
The kid doesn't have the tinted lenses Mav has on about Bradley. All the resentment Mav doesn't feel, this kid is going to feel for him.
Bradley is going to understand their resentment because of Ice, and is going to focus on fixing that part with them, without noticing that the resentment isn't just because of Ice, it's about Mav too.
The kid is going to be pissed because they are not Ice. Bradley is going to be too worried about making it up to a dead man through his child that he's going to neglect the very much still alive man he ALSO has to make amends with.
But Ice didn't have a direct hand in pulling his papers, so Bradley understands his mistake with him (he shouldn't have cut him out over someone else's mistake). Mav, however, did have a direct hand and he's still bitter about it. And the kid sees it. They see him doing exactly that.
Bradley is focusing on the wrong thing, because he's trying to redeem himself in an impossible way, trying to answer to someone who no longer demands it.
He goes after it because the silence is a more comfortable answer than the conflict he's bound to face from someone who's still alive.
In the process, he's going to hurt Mav.
Bradley's gonna be so caught up in making it up to Ice (the one he can no longer make up to) that he doesn't think to properly make it up to Mav (the one he can still make it up to) because he thinks he has to.
Ice is gone. Ice is gone and there's nothing he can do about it. And If he'd just changed his mind earlier maybe there could have been. Admittedly, Ice still would have died, but maybe he'd have died more settled than he did. He'd have died with the knowledge that his son came back. That his son still cared. But he didn't, and Bradley hates himself for it.
So, he veers to the kid. He doesn't outright apologize other than the first time, but he's gonna treat them like either a piece of glass or a carbon copy of his father figure. Regardless, they're going to hate him for it.
It's not them he cares for, it's what he sees them as. They can see straight through his bullshit because there's no deep emotional connection there to blind them.
They could try to care and love for him for Mav's sake, but it'd be much better if it were on their own terms, that Bradley would care for them as them and not as Ice's child.
On top of that, the neglect Bradley has for Mav is humongous. And he himself doesn't see it because the resentment he feels is still there. Mav was the one who pulled his papers. He blames Mav for his own decisions.
He's alone, and he blames Mav. He doesn't let anyone in or near, and he blames Mav. But it wasn't Mav that made him shut everyone out, he did that on his own.
He hasn't thought about why Mav did what he did, choosing to believe what Mav claimed to be the reason. It's blatantly obvious that Pete 'Maverick' Mitchell of all people would never stop someone from going to the Academy because he thought they aren't capable. That's what they did to him, he's not going to do that to someone who is virtually his son.
Bradley was irrational and stuck to that irrationality for fifteen years. He used the emotional stuntedness he himself created as a guise to not actually process what happened. He refused to think about it, and still does.
He and Mav reconnected after the mission, but it's a frail margin. Bradley was more inclined to listen because he's confused that Mav cares at all. In his rage, he didn't notice that he did it out of love, and doesn't know what to do with it. The entire training, he's confused, pissed and uncertain all the while.
He still doesn't know the real reason Mav did what he did, and doesn't understand the love he still sees in his eyes. Rooster thought that he shattered everything he had with Mav when he felt, most of all cemented it with all the time spent in that state.
By the end of the movie, he knows for certain that Mav loves him, and understands that he, himself, never stopped loving Mav either, despite what he claimed.
Bradley wanted to be a pilot because of his dad. Goose wasn't a pilot. Maverick was.
The betrayal hit him harder because he wasn't running after Goose, he was looking up to Mav. He wanted to be like Mav.
And he became a pilot, even when Mav pulled his papers, even after having the person he did it all for ripped him into shreds. He still did it.
He still wanted to be like Mav. Deep down, he still saw him as a role model even through all of the repression.
But he still doesn't know why. He doesn't know why Mav did what he did, because Maverick himself refused to say why.
Mav isn't going to be doing great either. He fucked up, and he fucked up big time. He shouldn't have pulled Bradley's papers, period. I know about Carole, but still. He should have communicated with Brad about it, and they'd fight about it, but Bradley wouldn't have walked out to never return then.
To worsen matters, Maverick has a horrendous martyr complex that makes him take the brunt of Bradley's resentment instead of Carole, the actual perpetrator.
Over the years, he's blamed himself more and more every year that passed, but I don't believe he ever regretted it.
He fulfilled Carole's last wish. It didn't stop Rooster from becoming a pilot. He gave both of them what they wanted.
But he's trying to protect the Carole Bradley has in his head because he doesn't want to stain his memory of her as he did with himself. This has been discussed a hundred times over, so I will try to be brief.
Mav is scared that instead of him, Bradley's gonna resent his mother. His dying, cripple mother that said that in her death bed. His widow mother who saw her husband die in the skies and didn't want her baby boy to have the same fate. His sorrowful mother that had to watch her friend, someone she considered a little brother, keep going up into those same skies and hear all the whispers the people on the ground flung upon him because of it.
So he took it all on himself. Because he sees himself as expendable in favor of her.
So, safe to say he's not going to be the one to tell Bradley the truth. Because of it, Bradley's resentment is going to continue to fester.
After the mission, Bradley knows that Mav's not telling him everything, but he refuses to talk about it so what the hell is he going to do?
They fix things well enough for them to talk to each other, but don't make it too deep in fear of opening up more wounds instead of stitching the old ones back together.
Mav thinks this is as good as he can get. Bradley is annoyed at Mav's hesitance.
Despite mending things, Bradley is still going to think all of his problems are Mav's fault. And he's a petty bitch, so he won't let it slide.
He hasn't properly processed it due to the lack of information, and can't let go because of it.
He's going to slip in dry comments about how Mav affected his mental health and life because of what he did. He's going to be cagey about everything that happened in the in between. He's not going to know basic shit about Mavericks life because he refuses to acknowledge that he was wrong in more than one way.
And Mav's gonna fucking take it.
He's not gonna say anything, not gonna even defend himself because he thinks he deserves it.
Bradley is a stubborn fuck whose pride has been hurt once, and refuses to acknowledge that it could be hurt again. He's just like Mav when he was younger, but ten times worse in the emotional department (I have no fucking idea how he managed that, but he did).
So yeah, soon enough they're going to be balls deep in miscommunication with grudges held close to their chest.
Maverick wants to communicate but doesn't want to communicate a very important piece of information that could potentially make things better and Bradley straight up doesn't want to if he doesn't have to.
Which means they're going to come to a stand-still. And someone is gonna have to interfere.
If I were to guess, it'd either be Slider or Sarah (Kazansky). Regardless if Sarah is Ice's sister or wife (up to interpretation), she knew how important Mav was to Ice and obviously cares about him too from the few scenes we got of her. Slider also knows, and it's obvious he also genuinely cares about Mav too despite claiming otherwise.
I'd honestly vote for Slider to be the one to do it, simply because he'd also see the Ice favoritism and the Mav neglect, and would pull Bradley's ear about it to hell and back. Because he also knew Goose, and this... entire thing is not something Goose would be happy about, at all. Slider has a much more subdued connection to Bradley, so he'd have no qualms about calling him out on everything.
Especially if he ever found out that Bradley said 'My dad trusted you, I'm not going to make the same mistake.' I sorely believe Slider would end up in jail if he ever heard about that one.
If Sarah were the one to do it, she'd probably be more understanding and much less violent than Slider, but she'd be blunt. That's still someone she cares deeply for they're talking about, and she also saw all of it. She wouldn't sugar coat what needs to be said, but she'd be understanding too. Not you did nothing wrong kind of understanding, but a you had your reasons to be upset kind of understanding.
Either of them would probably do this without Maverick's consent, because that's the only way to get it done.
When Bradley finally comes to know exactly why Mav did what he did, he's gonna be in shambles. Not only for Mav, but for himself.
His entire life has been built around that single happenstance and now it's gone, he was wrong. He was so wrong. He can't go back to being the way he was, he doesn't remember how he was.
He's gonna have to start over, rebuild himself from the ground up to be someone better and spare everyone in his life the suffering. Everyone in his life has suffered the consequences of his resentment. He doesn't know if he can make up for it.
To start over, step number one is apologize.
This right here is were he finally lets his ego drop, and fully apologizes to Mav. Finally owns up to his mistakes to the person that deserves it most. He's not gonna leave Mav be, he's definitely going to demand a full explanation from him and then is going to scold him for it, but he's gonna finally fully let go of the grudge he held this entire time.
That's to say, everything isn't a sea of roses.
Maverick isn't the only person he needs to apologize to, and on top of it, Maverick is probably the only one who is going to let him down easy.
Bradley is going to be on a tight leash with everybody else for a while, and they don't have any hold ups about calling him out on his bullshit. He's going to need to learn how to take critique to improve himself rather than read it as a straight up insult that he's going to get mad about.
Maverick is going to need to learn that Bradley isn't going to up and leave, and that he shouldn't hold himself to such low standards. Not only that, he's also going to need to learn that Bradley is bound to make mistakes just like any other human.
Bradley is still gonna fuck up in some places, but he's gonna be better at recognizing it. Mav's also gonna fuck up sometimes, but he's going to get better at accepting it and moving on.
With time, Mav is going to call Bradley out on his bullshit too, and Bradley is going to do the same when Mav starts doing his 'I'm less important than other people' shit.
They're going to be sad about it because they think that the reason the other does some of the things they do is because of themselves, but that's a story for another time.
They try. That's what matters.
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wonder-worker · 1 month
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I've been thinking about the tragedy of Elizabeth Woodville living to see the death of her family name.
I don't mean her family with her husband, which lived on through her daughter and grandson. I mean her own.
Her sisters died, one by one, many of them after 1485. When Elizabeth died, only Katherine was left, and she would die before the turn of the century as well.
All her brothers died, too. Lewis died in childhood. John was executed. Anthony was murdered. Lionel died suddenly in the peak of Richard's reign, unable to see his niece become queen. Edward perished at war. Richard died in grieving peace. For all the violence and judgement the family endured, it was "an accident of biology" that ended their line: none of the brothers left heirs, and the Woodville name was extinguished. We know the family was aware of this. We know they mourned it, too:
“Buy a bell to be a tenor at Grafton to the bells now there, for a remembrance of the last of my blood.”
Elizabeth lived through the deposition and death of her young sons, and lived to see the end of her own family name. It must have been such a haunting loss, on both sides.
#(the quote is by Richard Woodville in his deathbed will; he was the last of the Woodville brothers to die)#elizabeth woodville#woodvilles#my post#to be clear I am not arguing that the death of an English gentry family name is some kind of giant tragedy (it absolutely the fuck is not)#I'm trying to put it into perspective with regards to what Elizabeth may have felt because we know her family DID feel this way#writing this kinda reminded me of how I am just not fond at all about the way Elizabeth's experiences in 1483-85 are written about#and the way lots so many of the unprecedentedly horrifying aspects are overlooked or treated so casually:#the seizure and murder of two MINOR sons and the illegal execution of another;#her sheer vulnerability in every way compared to all her queenly predecessors; how she was harassed by 'dire threats' for months;#how she had 5 very young daughters with her to look after at the time (Bridget and Katherine were literally 3 and 4 years old);#how unprecedented Richard's treatment of her was: EW was the first queen of england to be officially declared an adulteress;#and the first and ONLY queen to be officially accused of witchcraft#(Joan of Navarre was accused of her treason; she was never explicitly accused of witchcraft on an official level like EW was)#the first crowned queen of england to have her marriage annulled; and the first queen to have her children officially bastardized#what former queens endured through rumors* were turned into horrifying realities for her.#(I'm not trying to downplay the nightmare of that but this was fundamentally on a different level altogether)#nor did Elizabeth get a trial or appeal to the church. like I cannot emphasize this enough: this was not normal for queens#and not normal for depositions. ultimately what Richard did *was* unprecedented#and of course let's not forget that Elizabeth had literally just been unexpectedly widowed like 20 days before everything happened#I really don't feel like any of this is emphasized as much as it should be?#apart from the horrifying death of her sons - but most modern books never call it murder they just write that they 'disappeared'#and emphasize that ACTUALLY we don't know what happened to them (this includes Arlene Okerlund)#rather than allowing her to have that grief (at the very least)#more time is spent dealing with accusations that she was a heartless bitch or inconsistent intriguer for making a deal with Richard instead#it also feels like a waste because there's a lot that can be analyzed about queenship and R3's usurpation if this is ever explored properly#anyway - it's kinda sad that even after Henry won and her daughter became queen EW didn't really get a break#her family kept dying one by one and the Woodville name was extinguished. and she lived to see it#it's kinda heartbreaking - it was such a dramatic rise and such a slow haunting fall#makes for a great story tho
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just read the new hatchling skin rules and am having Some Type Of Initial Emotional Reaction and am now writing down said Initial Emotional Reaction uncensored as i currently Strongly Feel A Type Of Way and Require Venting. i cannot word this more politely. i do not have the capability to render this rage into polite borderline corporate-speak for the sake of the damn rules that act like anything short of apologizing for being alive to make up for having even the most constructive understanding friendly criticism or even personal mild non-critical dislike of something like a color or a breed is tantamount to personal targeted hatemail. i cannot wait until i cool into calm bitterness later because if i think about this enough to write about it again i will just go right back to being furious and the fact that everyone ielse who's complaining is focusing entirely on the lolita fashion thing and not on in my opinion the far more significant and offensive part is pissing me off even more. extremely angry unedited ranting ahead
fr having it's own "female presenting nipples" moment right now, not that i'm particularly surprised, they've been a prime example of "conservative protestantism in a lefty-language veneer" for a long while now.
"don't adultify" is such a fucking vague and easily selectively interpreted rule, not to mention insulting for a number of reasons,
but putting that part aside the whole idea of "nothing that suggests that the dragon is an adult in a young body" is. look, i'm not exactly fond of the "adult who looks like an anime schoolgirl" trope myself, but i fail to see how in the absolute FUCK having it be canon in-universe that it is both possible and legal for someone to be forced to stay as a child permanently, is somehow LESS creepy than just saying eternal youth dragons have dwarfism. also, fuck you to anyone with dwarfism apparently i guess?
and "no zombie baby dragons" is just stupid. even fucking minecraft has baby zombies, and microsoft has steadily butchered that game into one of the most t for toddler babymode things on earth this side of cocomelon.
and "no scars on hatchlings" so fuck you to any kids with scars too apparently, even though that's way more common than anyone seems to realize. you hear that, kids? if you're under 18 and have scars your very existence is too obscene for public view. 13+ year olds will be irreparably traumatized if they have to know you exist at all! fuck you disabled kids and fuck you amputee kids and fuck you any kids that have suffered anything ever at all for not appearing as a perfect unspoiled image of conservative christian child-doll innocent purity. flight rising staff says your body and existence is inherently too nsfw to even be acknowledged as existing much less visually seen. everyone knows REAL children don't get damaged at all, and if they do then they're too horrifying and defective at their job of Being A Child Properly to exist in public spaces! how dare ugly things that might make us uncomfortable with their existence by contradicting out ideals about aesthetic moral purity be allowed where good respectable normal people can see them!
i don't say any of these words lightly, and i'm very much not the type to go around calling people whatever-ists and in fact find that kind of thing extremely annoying, useless, reductive, and more or less only ever see it used as a blunt cudgel to shame people into line so they don't question you, and have historically found it especially annoying when people pull out the accusations-of-ism card on fr staff over things that are far more likely just completely understandable (if dubiously competent) issues of certain things simply not occurring to someone on code and design level due to lack of sufficient exposure to the idea, and have always been of the belief of giving them the benefit of doubt (even if often that just means i think they either most likely made an understandable mistake that i would likely also make, or, when i'm feeling less kind, that they're simply not particularly competent rather than actively hostile) so understand how much it means coming from me when i say- flight rising staff, sincerely, from the bottom of my heart, fuck you, you ableist batch of pricks, so far up your own asses with your performative veneer of vaguely lefty-flavored language that you don't realize how fundamentally extremely conservative all of your actual beliefs underlying them are. for every update you make that i approve of there's another that does twice as much damage as the good update fixed (and i'm starting to wonder if you maybe know what you're doing with that too-always batching the fucked up shit on the tail end of some big thing you know people will be excited about, always hiding these controversial moderation changes under something shiny and new, to the point that now i dread any new good update that genuinely seems a step in the right direction and/or is something we've been wanting for awhile because i'm just constantly expecting the knife hidden behind the footnotes afterwards, the fucking "ban tiktok/gay marriage/strip rights from this population/end net neutrality/whatever/ect" clause stapled onto the end of a bill about something entirely unrelated functionally holding a change people want hostage until they allow the fucked up part through. i've been here most of the site's 10+ years and i've seen this sort of thing happen far, far too often.) and every year the shit that gets pulled on the management and moderation end of things makes me more and more almost glad i've never had an income to spend on this, and the fact that apparently the moderation behind every single other petsite in existence is somehow significantly worse fucking astounds me. the only reason i stay around here is because It's Free Dragon Pictures, because it's literally the only actually good petsite game i've ever played and not gotten sick of within a week or so (and really the only good low-energy game i've ever played in general, which i'm increasingly convinced is in spite of it's management), and because somehow, despite all of this shit, i still genuinely love the game itself, because unfortunately by some accident of creation it seems they apparently stumbled purely by coincidence into making an actually good game idea no one else quite has. and after all the fuckery that gets constantly pulled, i refuse to believe the game being good is anything other than, much like many of the of the incidents i think they're unfairly accused of malice and -ism over, an accident.
Disabled children too obscene to fucking exist. fuck you. good to know half the child population's existence requires a trigger warning to even be allowed to be acknowledged as existing to you. good to know if the heart surgery i had when i was 11 had left any visible external scars i would be considered inherently too obscene to exist to you. good to know if the overhealed and benignly potentially cancerous scar on my back from whatever actually happened when i was a toddler (i don't trust either of my parents to ever be accurate about something like that) was in a more visible spot you would demand i have a trigger warning to post selfies online. good to know if any of the shit that's broken me emotionally left visible physical marks you would think it was good and right for me to be forcibly hidden from good normal people's view and considered too taboo for even the slightest discussion without hiding it with makeup and lies, just so i don't make good, lucky, undamaged, normal people uncomfortable, god fucking forbid. should we hide the gays too, since they also make so many people uncomfy? i imagine it won't be long before disabled adults are too obscene for your polite societytm sensibilities too. i've had the feeling for a long time that amputee and disabled skins were living on borrowed time with your rules, kept technically not explicitly dissalowed where all other forms of injury and ""body horror"" are banned simply out of fear of the backlash it would cause to include them, and well. the doomsday clock on that one just got a little bit closer to midnight, huh?
the only reason i wasn't a (physically, visibly, externally) scarred kid was pure sheer fucking luck. the only reason you weren't a physically scarred kid too is pure sheer fucking luck. the only reason you're not some type of disfigured or ugly or amputated or visibly injured or whatnot is pure sheer fucking luck. you're lucky. nothing more. if having to contend with that fact-the fact of how easily it could have gone a different way and there is nothing they would be able to do about it- makes good normal tm people uncomfortable, then well, get the fuck used to it, other people children very much fucking included don't exist to cater to the aesthetic sensibilities of a lucky perfect few. the only thing that separates you from the damaged ones you find too obscene is a bad day and an unlucky hand. and one day, even if you were lucky enough to escape being damaged when you were young, you and i will both be just like them too.
more festival skin winners slots is good. elemental swords sound fun.
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shoutout to all my fellow 4th Unenjoyers who curl up in a corner with earbuds/headphones blasting music or videos to drown out the Noise <3 i hope the night passes Quickly for yall <3
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ahollowgrave · 8 months
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Hey! I love your screenshots so much! Do you have a guide on how you take them? Which mods, if any, do you use? How do you get the camera parallel to the ground at different heights etc? Any help would be amazing. Thank you!
Hey! Thank you! I love them, as well, and it’s always lovely to hear when others do!
Unfortunately, I am not much of a technical writer so I don’t have any guides.The reality is I spend hours and hours taking screenshots and I often feel like I luck into things looking nice.
But I can give you the same tips I give to my friends who have said it’s helpful advice:
Vanilla gpose is very good! You can do a lot in it without the need for 3rd party tools and I’ve found having a good, solid understanding of how gpose works is what really rockets shots into ‘oh wow’ territory. You really just have to touch all the buttons and see what they do and how they interact with each other.
The main thing is, for re/g-shade users: If it doesn’t look good in vanilla lighting, the preset isn’t going to make it suddenly stunning.
The second thing, for everyone, is: Play. Play is very important. If you’re not having fun you’re probably not gonna love the final result. If it feels like a chore, come back to it later! Play a different game!
The third thing, for everyone, is: These are not rules, these are not laws. Just because I do something a certain way doesn’t mean it’s the ‘right’ way to do it. Your eye is what makes your art beautiful.
I'm putting the rest under a cut because this wound up being three pages without the pictures because I ramble.
The parts of vanilla gpose I touch with every shot:
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Camera Position: The first slider is your field of view. For portraits I set it to 200, but I tend to fiddle with it in all other shots until I get something I like. The second slider is rotation, very helpful to get to exactly 45 degrees or 90 degrees for shots. But you should also be able to use Q and E to rotate and this is fun to get neat angles on shots! Play with it!!
Depth of Field: I’ll be honest, I turn this sucker off because Reshade has ADOF which I think is better! But, I still suggest playing with this a little bit.
Lighting settings: You have three lights, each with three levels and each able to be a unique color. USE THEM. Find lighting objects in your setting that you can use to base the colors and directions off of. Is the moon full and above? Use a pale blue light as a rim light. 3a. Also, highly recommend looking at RL photography lighting set ups. This has been the most helpful. You can do a lot with three lights!!!!! 3b. Typically, I am mostly using two lights at type 1 or type 2. Sometimes I’ll use a third light, or that type 3 lighting, but it depends heavily upon the vibes. 3c. On this page there is ‘Character Lighting’ this makes your character brighter. I don’t use this at all because it tends to wash out shadows and shadows are an important part of lighting. I DO suggest that YOU use this to see how it works! A little is a lot, you know? 3d. THE MAIN THING IS TO PLAY WITH IT. Get weird with the lighting. Do really intense close up lights! Do funky colors! Cover them in bi lighting!!!!
Lighting Round Two: The one thing that my friends have said is the most helpful is telling them to use the Manual Birghtness Adjustment. This is on the general tab, not with your other lighting settings (circled in red). This controls the light of the WHOLE setting, including the brightness of your three lights. This is what really makes me go OH WOW. Turn it on, wiggle it around, be amazed. (Say it with me: Play with it!)
ADJUST YOUR LIGHTING.
Vanilla Gpose has a Motion Settings tab. This is what I use for my expressions but also a lot of ‘poses’ are just well captured emotes. A lot of this tab should be self explanatory.
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The Eyes: The first eye has your subject turn to face the camera. You can have them look in a direction, turn it off, and freely move your camera around. The second eye is eye tracking. This is your friend! The head will stay stationary and the eyes will follow the camera.
Movement: Walk, run, sprint. Forward, left, right, back. Pause, play, reset.
Lip Movements: This, in junction with expression emotes, is very handy! Type 1 is minimal, type 3 is a lot more head movement. Pause, play, reset buttons.
Emotes: You already know what I’m gonna say. PLAY WITH THIS. Almost every emote can have an expression emote overlaid it and have lip movement added.
A personal favorite is /aback, /beam, lip movement 2, eye tracking.
Now. When you enter Gpose your subject is gonna be doing the animation they were last doing. To stop this, ground sit and stand before you enter gpose to start with a clean slate. However, this is also how you can get cool action shots. Using a dummy you can use an attack, reset the dummy, and enter gpose and your subject will be flailing wildly.
Some of the emotes and actions can move very quickly! To move things frame by frame we’re going to use the Disable/Enable Motion buttons. You have two of these at the top of the gpose settings.
Disable/Enable All Motion - This will pause or start all the motion of all the targets in your gpose! My Keybinding for this is 1 and I think this is the default for PC users. Disable/Enable Target Motion - This will pause or start the motion of your current target. (Tab cycles through the characters caught in your gpose.) My Keybinding for this is 2 and I think this is the default for PC users.
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To go frame by frame by frame through an emote or action you’re going to freeze the character (1) and then, rapidly, you’re going to hit 1 then 2. (1 2 1 2 1 2 1 2) this unfreezes your subject and then refreezes them. Be mindful of your eye tracking and camera! One last thing: Take a LOT of shots. From all sorts of angles, with all sorts of lighting, with different expression. For every 1 screenshot I post there are about a 100 others that I didn't like as much.
Whew, okay, I think that covers the stuff I tell my friends. Sorry this got kinda long and it might be confusing because, again, I am no technical writer!
Now, I do use 3rd party tools but I’m only comfortable talking about those off anon! Other than Reshade. I understand social anxiety might keep folks from asking directly but I am a nervous person myself and just do not feel comfy talking about that stuff so publicly. But I try to be helpful where and when I can!
Apologies, anon, if this isn’t what you were hoping for in a reply but if anyone else reads this maybe they’ll learn a new trick or idea of idk something!!!
If you read the all thing that's fucking WILD and the only reward I have for you is my love !!
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