The Akutagawa siblings are fun to think about for the way they are really, really similar to each other with only a few key differences, but by far one of the most notable to me is this.
Akutagawa: There's no point in trying to untangle the maze that is Dazai's mind. He is brilliant and unknowable. Try to dig too deeply and you will be ensnared in a web of darkness.
Gin, in Beast: This guy's lonely as fuck
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i don't personally agree with the perspective that "miguel NEEDS to partially correct about canon events, otherwise he's a villain" because like. setting aside the issue of possibly naturalising the irl choices writers made (e.g. fridging gwen) through the concept of 'canon events', to me defining miguel's morality comes down to two questions:
What is Miguel's intent when pursuing his goal? <- it's unambigiously heroic. he desires to save people. and -
Can I plausibly understand how he has come to the belief system (and therefore goal) he has? Yes. I can understand why, when viewing the things he did (universal patterns of suffering between spidermen & the trauma of that dimension collapse), he came to the conclusion he did.
Keep in mind the other bits of information we and the characters are working with are:
Anomalies seem to affect the world they're in (Vulture appears to affect the Guggenheim's structure w glitches)
They're also in danger of dying if they don't have a stabaliser like the watch
But say for the sake of argument Miguel is completely wrong about breaking canon and doing so would not endanger anyone and the alt dimension collapsed for reasons utterly out of Miguel's knowledge or control. That still doesn't negate the heroic intent he operated by nor his desire to save people.
What "How much or little is Miguel correct?" affects is how tragic it makes Miguel's guilt and the moral concessions he feels that guilt about. Whether you would argue for it being needlessly tragic or bleak is another conversation entirely but how correct he is about what damage canon events cause doesn't actually change the fact he operated on sincerely good and heroic intentions.. And I think atsv already sets up that last point in an understandable manner.
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Lol I keep seeing the “the show is telling you what really happened and in the book Billy couldn’t tell Julia the full story because he didn’t want to hurt her”, and again, I have to wonder if everyone saying that has read the book because…. Things Billy tells Julia, a grown woman who is fully aware that her father was too fucked up to be there when she was born:
A) that he fucked multiple groupies on the first tour while married to her mom, who was pregnant with her at the time
B) that he, at one point “may have” been MORE in love with Daisy than HER MOTHER
Like… I’m sorry, where is this idea that Billy, a guy who took forever to admit that but did admit that, was sparing Julia’s feelings, coming from? How is telling your child “yeah I did love this other woman more than your mom and it was agonizing and I did kind of wish I could bail on y’all for a minute” THE SOFT HIT LOL.
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Just listened to Bayo3’s Moonlight Serenade and it just hit me again how absolutely furious I am about this game. Waiting 5 years since the announcement and then 2 further years before I could finally play it just to be met by that was… I don’t even have words for it.
And the worst part is - I was having so much fun playing it! Sure, it wasn’t on the level of Bayo1 or Bayo2, but it was still a delight to play! I loved the new designs, I loved the new weapons, I loved the music, I loved the new flow of combat, I genuinely had such a great time! Alright, the writing wasn’t exceptional, but the idea of parallel universes was still fun to explore - and I’m not fond of the enemies’ design in general, but I had a blast fighting them once I figured them out, and I appreciate the fact that they tried to do something different once again (after fighting angels in Bayo1 and demons in Bayo2). I even loved Jeanne’s little spy levels!! They were so cool and charming and so much fun to play through!
And I liked Viola! The narrative really didn’t do her justice but she was still such an endearing character! Her fighting sections were different but still enjoyable, and I enjoyed everything about Cheshire, which made her levels even better.
And I just - to take all that potential, all that joy, and squander it so completely and maliciously right at the end was just… devastating to me. I know Bayonetta isn’t made for the girls and the gays, but that’s not even the point - I would’ve at least enjoyed a Cereza/Luka ending if it had been written properly! Instead they decided to assassinate the characters we all knew and loved, spit on all the established lore and themes of the previous games, stomp on all the newly introduced characters, and all to shoehorn in a fated-lovers narrative that doesn’t even work on its own, without taking into account everything that contradicts it in the previous instalments.
And as if that’s not enough, they forced it into the most depressing, most nonsensical, most malicious finale I have ever witnessed. Why are you punishing me for winning the fights? Where is the reward for getting to the end? I was waiting at the edge of my seat for the entire game to see how Cereza would turn the situation around, how she’d overcome the impossible odds and come out dancing on her enemies, and instead they told me no, she saves almost no-one, she dies a pointless death she could’ve easily avoided so we can get a) the stupidest romance ever seen and b) a new protagonist that we spent no time developing, and nothing you did in this game had any meaning at all, fuck you.
Sorry for the rant, but I’m just… I’m so disappointed. I really really wanted to like this game and instead the finale ruined the whole experience for me. I literally sat in silence as the final scene and credits rolled out because I just couldn’t fathom what I was watching. How do you take such a great cast of beloved characters and decide that this is what you want to do with them? With a 5-year development time, no less? They deserved better, Cereza especially deserved better, and we all deserved so much better.
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I don't necessarily support the reading that Crowley somehow wasn't aware of his own romantic feelings at all until confronted by Nina/Maggie but indulging for a moment bc it's really funny to imagine a reality where Aziraphale has known about his own feelings since 1941 and thinks they're on the same page of mutual unspoken agreement not to do anything about it while Crowley has no idea. Like Aziraphale truly said "you go too fast for me Crowley" with all the devastation of someone who knows what he's really saying and it went clear over Crowley's head. Can you fucking imagine. What did he think they were talking about
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Did your parents are you Want us to come to the same conclusion as I did
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