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#and I only do it if all the choices are equally chaotic or right
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Sometimes if I see a post with two decisions I can’t possibly choose from I think “ah good one tricky bastard” and like the post without voting
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i-am-so-riddikulus · 2 years
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A Nightly Stroll
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Daemon Targaryen x Hightower!Reader
Summary: pure smut, reader has had a low key thing for Daemon for years, now he feels the same way
A/N: I have been on hiatus for a while, and now that I am in college, I felt that I finally had time for writing. I dearly missed it, but with many familial issues and mental health, it was best not to for a while. I hope to still write well for you all :)  also this is my first smut so im sorry if it sucks (still obsessed with episode 4’s scene)
Word Count: 3.1k
Warnings: smut, non-con, vaginal, unprotected sex (wrap it before you tap it), age-gap, breeding kink, fem reader, im sorry if i missed anything else
“My Lady?”
“Are you okay?”
Their words felt worlds away once you heard your sister would be marrying the King, your best friend's father. Not only did she help you every step of the way through your mother’s death, but she helped when Rhaenyra’s passed as well. She was some sort of a rock for the both of you and now she’s gone with your father, now she’s your Queen.
Feeling the frustration build up, you left the council meeting immediately, Rhaenyra not far behind you. There was no way that you were going to sit there and listen to people who don’t care try to explain why this would be good for the realm.
You sat in the Godswood, the grip on your book as you thought about the day you lost one of your best friends. There was nothing that could describe the loneliness that you had felt now, first Alicent Hightower, now the Queen, had married the king, and then your best friend left for a tour of men that wanted to marry her. You couldn’t be upset with Rhaenyra, she is the Princess after all, and the heir to the Iron Throne, much to Daemon’s dismay.
You had heard of his victories in the Stepstones, and you wondered if he was coming back to the capitol soon. Daemon had been someone that you had always observed in your time at the Red Keep. His chaotic nature was always one that was entertaining to watch, let alone the glances that he held towards you when no one else was looking.
It’s not like you had one-on-one time with the Prince, you had talked with him amongst many other people, but you couldn’t help but to wish that once, he would come up to you on his own. He never did, and once he was exiled, the court became a tedious task for you.
You were brought out of your thoughts once you heard the distant murmur of people talking excitedly, footsteps equally as exhilarated. Without thinking, you left your book to see what the commotion was about, not having heard the excitement of people in over two months. Your jaw dropped as you saw Rhaenyra walking through the hall, not taking anytime as you ran towards her. You collided roughly, Rhaenyra laughing as she embraced you as well, “Oh my Rhaenyra you have no idea how much I’ve missed you,” you whine to her as you hold each other.
“No Y/N, I don’t think you realize how much I’ve missed you,” she chuckles out.
You sit there for another moment before you pull away, “I thought your tour was much longer,” you say as you fix your hair and dress.
“You were right in your thoughts, I wasn’t even finished with half of my tour. I just couldn’t stand listening to men talk about how much they wanted my Valeryian blood for their future babes,” she sighed.
You laughed slightly, “Well I wouldn’t look at it that way, Princess. You are the future Queen, and the fact that you have a choice in the matter is something that a lot don’t have.”
She looks at you with a somber expression, “Well at least your father doesn’t want you to marry some man with a big castle to ensure his line doesn’t end.”
“No, he has no care for me anymore, not since he married my sister away to the King. It seems that he is no longer attentive to anything I do, he hasn’t even talked to me since Prince Aegon was born,” you barely whisper.
Rhaenyra grabbed your hands, “Y/N, you don’t deserve that, one day someone will give you the attention you deserve,” she smiled sweetly, starting to walk off, “though I fear it’s time to go into the court now, since Daemon is back. I know father won’t be too happy seeing me walk in.”
She looked at you once again before entering the throne room, half of the Kingsguard in front of her. You watched her enter the throne room, hoping the King would go easy on her. As soon as you saw her figure vanish, the words dawned on you. Daemon is back! No wonder everyone was hustling about, the exiled Prince was back. You wasted no time in accompanying everyone else into the throne room, eager to see the Prince you missed.
It was shockingly quiet as Daemon walked towards the King, as if the whole room were their breath. Daemon had on a crown, and to your own pleasure, his hair was cut. There was some conversation, he bowed to King Viserys, declared him his King, and handed him his crown. The King then put his hand on his brother’s shoulder, and when Daemon rested his forehead on his shoulder, you knew he had found some sort of peace within himself.
It seemed as if everyone had forgiven Daemon for everything he had done in the past, and the King seemed to be enjoying himself more than ever with his brother. You had been sitting alone on a bench watching the King, his brother, and his daughter speak, when your sister came next to you. As soon as you saw her, your smile faded. She had aided in your loneliness, claiming she had a husband and children to take care of so she could no longer spend time with you. You would never admit it to her, but her carelessness in you left a large wound. “Hello my dear sister,” she had said as she sat down.
“Hello my Queen, to what do I owe the pleasure?” you couldn’t help the sarcasm.
“Well, I just wanted to talk to my sister, I feel as though we’ve grown apart as of late,” she sighed. She feels as though you’ve grown apart? It’s all her doing.
“Well my Queen, it wouldn’t have been like this if you chose to care for your sister, maybe listen to the small things she wanted to say, with no one else around,” the anger evident in your tone.
“Y/N, I’m very sorry-”
“Does there seem to be an issue here?” Rhaenyra’s voice spoke.
“Not at all, Princess, I was just leaving,” and with that you left for an area that was empty in the corner.
You were mulling over the conversation you had with your sister, how could she think that you were at all to blame for your separation. Your father, who was one of the most powerful men in the Realm couldn’t even care for anything you did nor said because of her, and then she chooses to not speak with you or have contact. No. This was her doing, not yours.
The grapes you were eating felt amazing against your tongue, it had been a while since you had this simple fruit. Lost in the fruit, you hadn’t noticed Daemon behind you, “Excuse me my Lady, but I seemed to have seen some trouble with the Queen a moment ago?”
Almost choking on the grape you were eating, “Uh no not at all my Prince, why would you say that?”
“Hm, it seemed to me like you were very uncomfortable, and my dear niece had to break up whatever was going on. I promise I was not the only one that saw.” His head was now cocked to the side, a small smirk playing on his lips.
He had never shown any interest in you besides the occasional look, or conversation that you were dragged in by Rhaenyra, so why speak now? “You seem to have grown a lot since we last met, Lady Hightower.” he spoke.
Your cheeks flushed, “You as well my Prince, it seems that time can do a lot to oneself.”
“Yes I would say so,” he chuckled slightly, “I’m surprised your father has not married you off yet, you are a woman now, he must have to fight through suitors.”
You look down at your feet, feeling yourself pick at your cuticles, something your father tried to get you to stop doing for years, “Well, now that his daughter is married to the King, he needs no purpose for me. He’s as high as he can go in his position. I’m the youngest, and I’m not suitable for a family, or so he tells me.”
You hear Daemon tsk, and his hand cups your lower face, “No my dear, I know you would look astounding carrying a child, having your womb full.” he whispers the last bit, feeling his breath on your face.
Your eyes can’t help but to flutter shut, your heartrate picking up, your breathing quickening. Nothing had made you feel this way, and you even forgot you were in the middle of a courtyard. But just as quickly as the interaction happened, he pulled his hands away, “I will see you tonight at supper, my Lady,” he was gone.
Your eyes quickly scanned the area, for fear that someone had seen you. But, like you were used to, no one had noticed a thing. Daemon had already peacefully put himself back into place with the King, Rhaenyra, and your sister, almost as if nothing had happened a second ago.
In fact, you would’ve thought nothing happened, that you had hallucinated it even, if it weren’t for the way Daemon had been looking at you for the whole of the evening. Normally dinners were very quiet, or if someone had spoken, the conversation never would have included you. But tonight the table was very talkative with Rhaenyra and Daemon being back, so many questions, so many answers, and even more glares from Viserys to Rhaenyra.
When Daemon had been asked many questions about the war, he somehow always managed to ask you something and include you in the conversation, seemingly interested in what little you did around King’s Landing while he was gone. No matter the boringness of your answer, he always seemed delighted to listen, his intent and strong on your form.
Dinner ended more expeditiously than you hoped for, and before you knew it, it was time to head to your chambers. Yet, the room felt… off. Your books were where you left them, bed made, candles lit, what could possibly be the issue? Your intuition proved to be right once you saw a small roll of parchment. The parchment read, “Dear Lady Y/N, I would love if you were to accompany me tonight on a nightly stroll, perhaps we could even see some night life with the common people, please meet by the gates if you would like to join.”
Although the name wasn’t signed, you had a clear idea on who would’ve sent that letter. It took no more than a few minutes to turn from your nightgown to your inconspicuous clothing to meet whoever wrote the letter. Not being important enough to have someone guard your doors, it was an easy slip out. Something that had not been easy was breathing once you realized your assumption was wrong. For some wild reason, you had thought that Rhaenyra wanted to go sneak out with you, but in reality it was Daemon. Your head felt dizzy, heartbeat racing once you realized the Prince wanted to spend the time with you.
His clothing was simple, a hood with some common clothing to hide his Targaryen signature hair. His smile was something else, and you would have sworn he saw a throne instead of you. Approaching him you bowed, “My Prince,”
He hurriedly made you upright, “Sh, Y/N, you do not need to call me prince anymore, just call me Daemon.”
“Ah yes of course… Daemon.” you said.
His hand grabbed yours as he pulled you towards the city. This was unlike anything you had ever seen before. You had been through the city multiple times, but never at night. The people were all having fun, singing, laughing, eating, and drinking. It felt nice to be outside of the walls, outside of the rules, just here to do anything you want.
Daemon first took you to a tavern in the city. The music was loud, but the men carrying the jugs of ale were louder. He wasted no time in buying you both some ale, even though you insisted on some wine instead. “You have been shielded from the life of many with the Red Keep’s wine, it’s time you now taste what a real drink tastes like,” he slid over your ale, encouraging you to take a sip.
After a brief contemplation, you brought the drink up to your lips, the bitterness immediately causing your face to turn. Daemon laughed at your expression, chugging his own down as if it were nothing. The burn it left on your throat actually felt quite nice after many more sips.
You had felt the effects of the ale start to kick in, the liquid slightly affecting your judgment. Daemon just sitting there had made you blush, your whole being just feeling on fire under his gaze. His hand reached out to yours to take it once again, wanting to take you somewhere else. The alcohol in your system was making you feel like you were on top of the world, and there was not a care in the entire Realm that would change that right now.
Down the alley, you noticed there were less and less people. But the distant sounds were an indication to where you may have been headed. Daemon’s hood came off once you entered the building, his hands taking your hat off as well. Confusion ran through you as to why he chose now to remove your disguises. The people around you were all in pleasure. Seemingly, they were their true selves, finding their own true pleasure. You knew now where you were.
Daemon stopped leading you after you had stepped into a more private room, the only thing that was shielded from you were the bodies of everyone else, but their moans stayed. You could feel Daemon behind you, his body warmth palpable. Your heart rate quickened, breathing becoming shallow, the true weight of where you were setting in. “You see Y/N, marriage is a duty, but that doesn’t mean it can’t be fun,” his breath fanning over your ear, “In many marriages, marriage is one thing, and your own pleasure is another. I’m here to offer you a marriage that is not separated from pleasure, one that is full of only indulgence.”
Your lungs felt shallow as you took in his words, now feeling his entire front along your back. How could you say no in this condition? His hand brushed your shoulder, your hand in turn cupping it. “I’d be honored to accept your offer,” you turned to face him, “my Prince.”
His jaw clenched slightly before his hands reached to grab your face, pulling you in for a kiss. It was fervent, almost as if he’d been waiting years to kiss you. Your arms reached up, one on his chest, the other on the back of his neck. You could taste the ale on his lips, the taste assisting in your enjoyment. His mouth switched to your neck, pushing your back against the wall. The cold wall felt strangely thrilling on your back, coaxing a slight moan from you. You could feel the smirk on your neck.
He pulled away, looking at you once more before kissing you again. His hands traveled to your pants, pulling them down swiftly, next was your shirt. Turning your front against the wall once again, you moaned as his hands cupped your breasts, massaging them as he kissed up your neck. His hand traveled down your stomach, stopping to rub small circles on your clit, “Tonight I’m going to make you a real woman.”
Feeling his bulge on your ass, you rocked your hips into his, causing a small hiss from him, “well, well, someone is needy,” he ran his fingers along your slit, “looks like you’re all ready for me anyway.”
Turning you around once again, he pulled his own pants down, then continuing to grab your legs around his waist, rubbing the tip along your folds. Letting out a small moan, your head leaned back, eyes fluttering shut as you felt him nudge against your clit. He slipped in, inch by inch, careful to not hurt you your first time. His head laid against your forehead while he let you adjust.
You tried hard to not focus on the pain, so instead you pulled his face in for a kiss. This one was gentle as he slowly started to move his hips. With each thrust, you could feel the pain ebb away, and soon it turned into pleasure unlike anything you had felt before. His hand grabbed yours, intertwining your fingers, while the other sat on your hip. With one thrust he hit a particular spot, causing you to release a deep moan. This caused him to increase his pace, his other hand joining your hips. The increase in speed felt amazing, “oh yes, Daemon, please,” you moaned out and with each thrust, his abdomen rubbed against your clit deliciously.
You could feel the coil in your stomach start to tighten, every little touch on your body adding to the sensation. The sound of skin slapping was so erotic, and the stench of sex filled the room. “Gods Y/N, you feel so good wrapped around me, letting me fuck you in this pleasure house,” he released a slight moan, “taking my cock so well.”
His words of praise sent you over the edge. Letting out a satisfied moan, your walls fluttered around his cock. His pace became quicker, seeking his own release. You let out a small whine at the overstimulation, causing him to grab your neck, his mouth coming to your ear, “I’m going to fill you up so well, and your cunt is going to take it,” his had moved to your clit, rubbing circles, “tell me you want my cum.”
Your eyes rolled back from the pleasure, a second orgasm building quickly, “please fill me with your seed Daemon, fill me until I’m dripping, until I’m stuffed!” And on your final word, you came together, him letting out a guttural moan as his head laid in your neck, feeling each spurt hot cum fill you up.
It took him a moment before he pulled out, still out of breath. You felt so empty without him being inside you, feeling his seed drip out of you. Your legs almost gave out as they hit the floor, but Daemon caught you before they could.
He chuckled at the sight of you all fucked out by him. “You know, I went very easy on you. Our wedding night will be much different than this.”
Still moderately feeling the high of your orgasm, “Yes well I hope there will be a bed,” you said, laughing slightly.
He kissed your forehead, looking at you smiling, “Yes my darling, there will be a bed.”
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xcherryerim · 22 days
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Intoxicating Admiration
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gn!reader vocalist x hard!dom Billy | word count: 2.7k
“Short breathes a whisper, and everythings new. Your still thoughts, cant walk.” — Where The Night Ends by Together Pangea
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SMUT ONE SHOT - MDNI | 18+ ONLY
Warning: choking, oral sex (only Billy womp womp) | quicky, unprotected sex (I can’t stress this enough y’all, wear condoms pls) | Penetration (no genitalia specified) | tying up reader’s wrist | porn with plot. | Car sex.
Notes: Wrote this a long time ago and I revised it like 2 times so… sorry for the repeated words and stuff :)
Also, the song reader sings is the one I linked at the beginning! You don’t have to listen to it but yk…
Summary: Running from the police, Billy finds himself hiding in a grunge bar, unsure of what to do next. He decides to stay for a little while longer and as he watches your band's performance, He is instantly drawn to you.
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Billy's attempt to rob a gas station had gone wrong. The adrenaline pumping through his body kept him going for a while, but soon his legs gave out and he was forced to stop. On the run, he approached a strange bar that looked grunge and worn-out. But he had nowhere else to go, so he snuck inside to hide from the police and plan his next move.
Billy felt out of place in this dark and messy-looking bar, not used to its laid-back atmosphere compared to typical barn-looking ones. He'd been here for almost an hour and couldn't think of a good reason to stay. Even though the police were probably no longer searching for him, something was telling him to stay.
Everyone was watching him, some checking him out while others judging his cowboy-looking attire, but he didn't care. He was drowning in his regrets. It was all caused because he chose to get involved with those bikers, and now he was living off of stolen money. He hated it, hated his life, his choices, and himself. But it was too late to make things right, he was too deep in it now.
Out of sheer frustration, Billy blurted out "What do you want?" when someone stared at him.
The sudden outburst sent them jumping away, startled. After that, Billy sighed and ordered another scotch. His thoughts were plagued by doubt and uncertainty. He couldn't figure out how he'd get back home, how he'd pay off his debt with the bikers, or what to do with his life. He was overwhelmed with a sense of hopelessness and just wanted to forget it all with alcohol.
Billy was too immersed in his thoughts to notice the subtle change in the lighting, or how the other people in the bar were focused on the stage. The loud electric guitars pierced his ears, drawing his attention toward the stage. He turned his face with annoyance and confusion, trying to make sense of what was happening. The bar was no longer a casual, laid-back environment, but a scene for a performance.
You started playing your guitar abruptly as the cues for the song came in. Your fingers moved gracefully and fluidly to the beats of your bandmates, weaving an intricate mesh of rhythm and melody. Your heart was pounding out of your chest, filled with equal parts of anxiety and excitement as you knew your turn to sing was just a few moments away. You needed to put on a good performance, for the sake of the band and your reputation.
“Your long stares. You don't care. I know you want to. Short breathes a whisper.”
Billy was unsure how to react. Alternative music wasn't his thing, it was too loud and too chaotic. But there was something about the vocalist that captivated him. He couldn't quite explain it - it was as if the sound of your voice and your presence lured him in, taking control of his senses. The sight was addictive, intoxicating, and beautiful. Billy felt a strange tug inside him, urging him closer and closer, and for some reason, he couldn't resist.
Billy grabbed his scotch and navigated through the crowd, pushing people out of his way in a desperate effort to get as close as possible to the stage. The lure of the vocalist was overpowering and he had to get closer, even if it meant trampling on other people. The scotch was the only thing helping him maintain his composure, but all the alcohol in the world couldn't stop his mind from spinning and his heart from pounding.
As the lights change color and intensity, you suddenly notice an unfamiliar face in the crowd. The man is staring at you with a passionate, adoring look, his gaze fixed on you. You're not sure if it's your actual self or your performance persona, but you decide to wink at the cowboy-looking fella, encouraging the admiration. You keep on singing, your voice echoing through the entire bar, but you can't help but be aware of his presence, the intensity of his stare, and the heat his gaze is bringing.
“I wanna have you. Tell me where the night ends.”
Once you winked at Billy he felt so intoxicated, so much that the rest of the world faded. His vision was clouded, and he could see nothing but you. Every movement was hypnotic, and the vocals were perfect. Your voice was calling him, calling him to get closer, and no matter how much he fought it, it overpowered him.
You saw him, and you loved the reaction he had toward you. You couldn't help but smile and shake your head lightly, trying to dismiss him. However, his presence was becoming increasingly hard to ignore. You took a deep breath and belted out the high note, hoping it would catch his attention. But instead of looking at him, you focused on the performance, giving it your all. Despite wanting to acknowledge his admiration, you couldn't afford to lose focus on your performance.
As the song came to an end, the crowd erupted in cheers, their energy and excitement overflowing. You took the microphone and named the band once again, acknowledging the crowd for their support. However, amidst the celebrating and revelry, the mysterious man remained still, his eyes never swaying from you, his gaze fixed and intense.
After the show, you gathered some of your equipment and started cleaning up, but one of your bandmates stopped you in your tracks. "Hey, go get a drink, you deserve it. I'll pay." You wanted to say no, but after the demanding performance and the pressure of trying to impress the cowboy guy, you accepted. Walking to the bar section, your mind wandered back to that man with the intense gaze.
As you turned your head to the right Billy approached you with confidence, settling himself in the seat next to you. His face was full of a sense of determination and conviction as if he'd been waiting for this very moment.
"Hey," he said, as his gaze bore into you, searching for a reaction. "Would you mind if I join you for a drink?"
The way he looked at you instantly sparked a flicker of excitement deep within you. "Sure," you replied with a calm smirk on your face, playing it cool.
“I loved your performance.”
“I'm glad you enjoyed it," you added, your eyes never leaving him for a second. In this moment, he was all you could see.
The details of his appearance, from his bruised knuckles to the way his veiny hands played with the rim of the glass, stirred up something inside you. Your head was wondering about the possibility of what those hands could do, and you were overcome with temptation. The intensity of the heat he was radiating made it impossible to stay seated, and your body was beckoning you to be closer to him.
I'm Billy," he introduced, extending his hand towards you. You shook it, your fingers brushing against his, and felt an electric current run through you. You couldn't help but let your eyes linger on his bruised knuckles, wondering about the story behind them.
You introduced yourself back, your voice low and sultry, matching his intensity. You took a sip from your drink and gestured towards your bandmates. "We usually hang out here after the show, care to join us?"
The heat of his breath hit you, bringing a shiver to your spine. He leaned even closer, his face just inches away from yours. The scent of his cologne was intoxicating, and something about the intensity of this encounter was drawing you closer.
He spoke in a soft yet commanding tone. "I'd love to. But I prefer spending some time alone with you if you don't mind…”
The way he leaned in made you catch your breath, and his words just added to the intensity of the situation. Your mind was going a mile a minute, trying to process what his words meant. You played dumb as if you didn't know exactly what he was implying. You sipped your drink for another moment, hoping to calm your nerves and not appear too flustered.
"What is that supposed to mean?" you asked, acting innocent as you raised an eyebrow.
His gaze was intense, his words low and seductive, bringing a shiver down your spine. You could feel the heat of his body so close to yours.
"It means that I find you irresistible," he said, his voice rumbling through you. "I want to know more about you without prying eyes." He raised his glass to his lips, taking another sip, but his eyes were never leaving yours.
You felt your heart race at his words, a flush spreading across your cheeks. "You know, I'm not sure that's such a good idea," you replied, trying to sound more confident than you felt. You couldn't deny the attraction you felt towards him, but you had to be cautious.
He spoke in a soft yet commanding whisper that made you tremble from the intensity. "Let me show you a good time," he murmured, sending shivers through your body. You were powerless in this moment, swept up by the passion and overwhelming attraction you felt for him.
The heat and tension were overwhelming, and the adrenaline rushed through you as everything unfolded quickly. Before you knew it, you found yourself in the backseat of your car, with Billy next to you. The atmosphere was charged with a sense of forbidden desire and overwhelming chemistry, creating a steamy and passionate atmosphere.
Billy spread, comfortable in the backseat of your car as he looked at you. He was relaxed and confident, but something about the atmosphere still felt forbidden and naughty. His words were flirtatious, with a hint of arrogance, but his tone was teasing and playful. "I don't bite,"
“But what if I want you to?” Your teasing response took things to the next level. It was a simple, yet charged statement, making him wonder just how desperate you were for anything he'd do.
He grabbed the back of your head and pulled you closer, finally giving in to his desire to kiss you. Your bodies were pressed into each other, skin against skin, as the heat and intensity of the moment swelled and surged between you. His kisses were passionate and demanding, leaving your lips tingling. As he sucked and bit into your lower lip, you could feel the sting mixed with the rush of pleasure coursing through your body.
His rough hands gently grazed your neck, not too tightly but firmly enough to leave a lasting impression. The light choking sensation only added to the intensity of the connection.
"You look so good with my hand wrapped around your throat," Billy murmured.
With shaking hands, you tugged at his belt buckle, desperate to feel his heat against your fingertips. As you pulled his pants down, his cock sprung free, twitching in anticipation. It was even bigger and thicker than you imagined, and your mouth watered at the thought of tasting him.
You leaned in closer, taking in his musky scent as you wrapped your lips around the head of his cock. Your tongue swirled around the sensitive skin, tasting the mixture of pre-cum and salty skin. With each passing moment, you took more of him into your mouth, savoring the feel of his hardness against your softness.
Your hands roamed over his thighs, up his abdomen, and finally rested on his chest, feeling the rapid thud of his heartbeat against your palms. His hips bucked forward, pushing his cock deeper into your throat, and you gagged slightly before pulling back to catch your breath.
With a lustful growl, he reached down and gripped your hair, pulling your head back towards his cock. "Suck it," he demanded, his voice rough with need. You complied, taking him deeper into your throat, bobbing your head up and down as you worked him.
You could feel his length throbbing in your mouth, his desire pulsing through you. His hands were in your hair, guiding you as you bobbed your head up and down, taking him deeper into your throat. You could feel him twitching, and the sensation was overwhelming.
Billy's breath hitched, and he groaned, his hips bucking against your mouth. "Fuck, you're good at this," he whispered, his voice thick with need. "I've never had anyone suck me off like this before."
With a moan of pleasure, you pulled back slightly, your eyes never leaving Billy's. His cock twitched in anticipation as he gripped your wrists tightly with his belt. You couldn't help but grin, the feeling of being restrained only adding to the excitement.
"Please," You whispered around his hardness. "Do it." You begged, your voice shaky with desire. With that, Billy pushed your wrists together even tighter, the leather digging into your skin. The pain was nothing compared to the pleasure you felt as he thrust his hips forward, driving his cock deeper into your mouth.
You sucked harder, taking him as far down your throat as you could. His hips pounded against your face, the slapping sound echoing in the car. Slowly, he pulled your head back, releasing your mouth from him.
Billy’s hand closed around the leather belt that encircled your wrist. With a swift tug, he pulled you closer to him, the rough texture of the belt against your bare skin sending shivers down your spine.
As he sat you on his lap, his hard cock, already leaking precum, rubbed against your entrance. You could feel the heat emanating from it, the anticipation of what was to come almost unbearable.
He spat into his hands, the saliva glistening in the dim light. With rough fingers, he spread the moisture around your entrance, preparing you for his entry. You arched your back instinctively, begging for him to take you.
Finally, he positioned himself, his cockhead teasing. With a forceful thrust, he pushed inside you, filling you up in one swift motion. You cried out in a mix of pleasure and pain, your body adjusting to the sudden intrusion. His hips pounded against your back, driving him deeper with each passing second.
“Your thighs are shaking so much,” Billy added.
You couldn't help but laugh, your body still adjusting to the sensation of him inside you. "I can't help it," you panted. "It's been a while since I've been fucked this hard."
Billy's hips pounded harder, his thrusts growing more demanding. Each time he pushed into you, the sensation was overwhelming. You gripped the seat, your nails digging into the rough fabric, as you arched your back, begging for more.
Your breath hitched as you watched him, his eyes locked onto yours. His voice was thick with lust as he groaned, "You feel so good. I'm not going to last much longer."
"Don't stop," you whispered, your voice shaking with desire. "I want you to come inside me."
The words sent a jolt of excitement through him, and he thrust into you harder. His cock throbbed inside you, filling you to the brim. With a primal roar, Billy let himself go, emptying himself inside you.
"Damn, that was good," Billy panted, his breath ragged as he pulled out of you. You could feel the stickiness of his come between your legs, the evidence of your passion.
You grinned, your heart racing. "I'm glad you enjoyed it," you said, your voice low and sultry. "But I think it's time for me to go."
“No,” Billy wrapped his arms around you, his body leaning into you as his lips kissed your back. The way he held you was comforting and protective, but there was also a sense of possessive desire in his behavior.
“How about we go back to my place?”
It was clearly what Billy was trying to do. His question brought you back to reality, and the urge to be alone with him for the rest of the night overtook you. You wanted to go with him, to be with him, to be his, at least for the whole night.
“Fine.”
The heat and excitement of the moment had passed, but the passion and desire remained. You quickly changed back into your clothes, adjusting them as best as you could. Billy followed your example, getting himself ready as he sat next to you in the passenger seat.
“Good,” He leaned in again, pressing his lips against yours, taking control of the situation. That single kiss was an indication of what was to come.
“because I’m not done with you.”
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Thank you so much for reading! Hope you enjoyed this 🫶🏻 … Part 2?
If you only want to see my smut work, consider following @xxxcherryerim where I reblog my work!
tag list: @freak-accident419 @joshhutchersonsgf @valreanakuroo (If you want to be added to my tag list let me know!)
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staytinyville · 7 months
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OUTLAW (24)
ATEEZ poly!ot8 x Reader
Cowboy AU / Wild West
Series Masterlist
Warning: none
A/N BETA READ (@mariana-mmtz). HAPPY JONGHO DAY! I posted this the 12th! I love my bear boy so much! Happy Birthday to the amazing and talented Choi Jongho🥰🥰
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“Woo, we have to get the game from the traps.” You had a pout on your lips as you tried to unstick yourself from the man. “Not cuddle.” You told him pointedly. 
“But I like them.” The boy pouted, holding you from behind as he swayed your bodies. “Sweetheart, don't you like my hugs?” He turned you around, pulling you to face him as he inquired. 
“Yes.” You sighed, a smile on your face. “I like your hugs.”
That seemed to please the boy as a large grin overtook his face. “The right choice.” He hummed out.
He let go of you to skip over to a trap they had set out for some animals. Wooyoung had been sent out to gather whatever was caught and you had volunteered to go with him. With the bright smile and glimmering eyes he gave you, you were sure he had been beyond ecstatic to hear you say that. 
However, it proved to be harder seeing as Wooyoung had been talking your ear off about anything that crossed his mind. He was also very attached to you and while you found his excitable nature to be enlightening, you soon found out he didn’t allow you to go about your chores faster. 
“I haven't gotten to spend time with you like the others, so I want to make the best of this.” He explained to you, moving along to reset a trap that had been triggered. 
You paused in your steps, frowning as you looked down at him. “What do you mean?” You asked, tilting your head. 
“You seem close with the other boys.” He started. “Heck, I literally saw you kissing Seonghwa in the spring!” 
A blush settled on your face, remembering how he had caught you earlier in the day. 
“That first night as well, you and San seemed to be having an emotional talk and I don't know, I felt left out.” He shrugged in a careless way, but his words stung.
You knew at the moment that you were much closer to some of them than others. They were either living away from you or seemed too busy to have conversations with you. Yunho lived near you, but somehow you hadn’t spoken to him the way you had with Seonghwa or Jongho. 
Mingi explained that they all cared for you in some way and it left you baffled on why. You didn’t do anything out of the ordinary that would garner their attention, but yet they still saw you as someone they wanted to keep close. You didn’t know what the conversations about you entailed, but it seemed that they would only talk about the good things. 
They were a family that stuck together and shared every little secret from the looks of it. They cared about what they each had to say and you were sure that if someone wanted to come into the picture they would want to get the other’s approval first. By the looks of it, there was much more than approval. 
Because of this you had found yourself worried that one of them might not want to see you the way the others do or worse–not want to be your friend. You knew it wasn’t the case seeing as they all treated you with smiles on their faces and made sure you were comfortable. You could tell from the way Yunho had saved you from the jail or how San comforted you last night. 
Wooyoung wasn’t someone you were close to–at least not like Mingi or Seonghwa–but you knew he was someone you wanted to see that way. He was a very outgoing person who radiated chaotic energy. While most people would find that bothersome, the way he spoke to people and teased them made you laugh with your whole stomach. You found him appealing, but you guessed you never showed him that. 
“Hey, Woo.” You spoke softly, scooting closer to him. “I'm sorry I made you feel that way. I care about all of you equally. You mean a lot to me.” You told him. 
The boy stood up immediately, looking at you with a confused tilt of his head. “You care about all of us?”
You smiled at him, nodding your head. “It's something I have to think about for myself before I drag all of you into it.” You explained. “I want to make sure it's what I want.”
Wooyoung grew closer, trying his hardest not to reach out to grab you. “What'll happen if you do want it?”
You didn’t turn around from him, keeping your eyes locked on his as your noses bumped against each other. You could tell that he knew what it was you meant. They all probably already knew at that point, but you still weren’t positive with your choice. Not until you knew what it was they wanted.
“That's up to all of you.” You told him. “Anyway,” You grinned, pulling back, leaving him stunned for a moment. “If it makes you feel any better, I don't think the others can make me laugh as much as you do.”
Wooyoung’s lips pulled over his teeth as he watched you skip away. He was quick to rush after you, pulling you by the waist and swinging you around. You let out a squeak followed by giggles from his fingers tickling you. You heard his laugh behind you when your feet touched the ground. The boy laid his head on your shoulder, humming to himself as he buzzed with happiness. 
“Thanks, Sweetheart.” He whispered in your ear, giving your cheek a kiss. 
A blush finally settled on your face, making Wooyoung cackle. How he was reveling in the fact that he got you flustered. That was all he’s been wanting to do since you met. With the light conversation you both had, you guys went back to finding and resetting the traps. 
You had all walked a good 30 minutes when noises from a clearing had caught your attention. While there hadn’t been traps set out so far out, you had explained to Wooyoung it would be best to scavenge for things while you were at it. 
It led you to another group of people who were also walking around what seemed to be a camp. They had set up along the creek and looked to be much bigger than ATEEZ. 
“Who are they?” You asked as you and Wooyoung settled yourself behind some bushes at the treeline. 
Wooyoung had a frown on his face as he tried to gather information about the people. When his eyes caught sight of a flag waving from a travel wagon, his eyes went wide. “It's another gang.”
You looked over at the flag, noticing the hand painted symbol. You weren’t well versed in the gangs around the area, but you knew that they usually had symbols that signified they were part of one. You went back to looking around at the people bustling about. 
A frown overtook your face when you noticed there were no men around. It seemed to be about 5 women and 8 children running around the camp. They were chatting idly, not really caring much about what was going on around them. 
“Where are all the men?” You spoke out loud. As it began to draw on you, your head quickly snapped to Wooyoung. The boy had his own eyes wide as he realized what your words meant. Without speaking, you both turned around and sprinted back from where you came from. 
You were lucky the boys had lent you some pants or else running in a skirt would only be extremely troublesome. You had no clue how close the camp actually was or if the other gang members had already found the others, but you tried your hardest to keep up with Wooyoung’s long strides. 
He had disappeared for a bit before you caught up to him once more. He had come to a stop just at the clearing of the camp. You could hear the clashing and grunts going on in the camp and didn’t plan on stopping. Just as you passed Wooyoung though, he was quick to grip your waist and pull you back. 
Your eyes went wide as you heard and saw multiple older men fight against the boys. They were all clashing against each other, using whatever weapon they had on hand. You would flinch every time a loud bang would ring through the forest. 
“Sweetheart!” He cried out, holding you back from running into the fight.
“Woo!” You cried, struggling in his grasp as he held you back. “They’re getting ambushed!”
“You have to stay here!” He set you down harshly, keeping a tight grip on your arm to get you to listen. “You'll get hurt!” With that, he turned around and rushed to help the others. 
“No!” You stressed, stepping forward but stopping short.
You wanted to stay behind the trees and listen to Wooyoung’s orders, but when you saw one of the boys get punched in the stomach, it made you anxious to just stay by and watch. “To hell, I'm staying!”
You ran along the outside of the camp, trying to find something to use as a weapon. You weren’t thinking much with how you wanted to rush into the fight, however you did know that you wouldn’t make it against grown men. You needed something to defend yourself with. 
Your eyes caught sight of the pans the boys used to cook. Taking the largest skillet from the dishes, you were quick to enter the fight. One of the enemies didn’t even notice you as they ran by, your hands flying up with the frying pan to smack him in the face. 
He yelped loudly as his hands went up to his face. You looked at him wide-eyed when blood started seeping out of his nose. He gave you the deadliest of glares the moment he caught sight of you. 
“You bitc-'' You smacked him again, knocking him unconscious this time. You hated when people stalled in a fight. As if you were going to wait for them to have the chance to grab you. 
You looked back up at the larger fight, trying to find someone you knew. The closest to you had been Yunho who looked to be in a tough fist fight against a man. Yunho was facing you but was too busy to even notice your presence on the scene. As you rushed up closer, you didn’t hesitate to swing the frying pan at Yunho’s attacker. The hit made a loud banging sound, the pain probably resonating from the man’s head. 
He quickly fell over from the possible concussion. Yunho took a step back with his arms raised, looking up to find you staring at him. “Angel?” He looked at you confused. “What are you doing!?”
Before you were able to answer Yunho though, you heard the click of a gun. Your head snapped up to find Hongjoong pointing at one of the men. The only thing going through your head were all the children and women waiting for their husbands to return home. 
“Stop!” You screamed, dropping the pan and rushing to Hongjoong. The man’s eyes went wide as they landed on you, a scowl taking over his features.
At your scream everyone seemed to tense up, watching the man with a gun carefully should he take the shot without warning. Your hands pulled on Hongjoong’s arm, trying to pull it down. 
“They have families.” You furrowed your eyebrows, sighing deeply, as all you wanted to do was hurt them for even thinking about landing hits on your boys. There was a man laying on the floor in front of you two, blood staining his mouth as he panted.
“Better listen to your whore.” He spit out.
Your body tensed, all your care being thrown out the window. You slowly turned around, a menacing look in your eye as your face remained passive. You moved to the side, allowing Hongjoong room to look at the enemy. 
“Captain?” Those around who could hear felt a shiver go down their spine from how cold you sounded. 
“Yes, Princess?” Hongjoong kissed his teeth, raising his gun. 
“Shoot him in the foot.” You said deadly serious.
“Gladly.” The blue haired man had a wicked smirk on his face. 
There was a loud bang followed by a scream of pain. The man on the floor withered as the bullet fractured the bones in his foot. His comrades rushed forward to help him up. You were finally able to count 10 other men, including the two you knocked unconscious. 
“Take this as a warning!” Hongjoong sneered at them. “You got lucky our girl here is nice!”
You crouched in front of the man Hongjoong had injured. You had a dead look on your face, jaw clenched, as you thought about the kind of people they must have been. “They deserve better than criminals like you.” You spoke up, thinking about their families.
“And you think you're any better?” The man was going to spit in your face but thought otherwise when he saw the deadly look Hongjoong was giving him from over your shoulder. “You're running with the most wanted outlaws in the country.”
“Be glad they don't have the decency to kill you, then.” You spoke quietly. As you came to a stand, you looked over at the bodies you had injured. “Don’t forget the ones who are unconscious.” You turned your back, hearing the men all scrambling to leave the camp. 
You all watched as they rushed out, limping or carrying a man on their shoulders. Once the last of them disappeared into the forest line, the boys let out a sigh of relief. They started to scream and yell in excitement, exclaiming how it had been so long since they had a fight with another gang.
“That was a fight.” Seonghwa laughed. 
“Did one of them have a broken nose? Who did that?” San cackled.
“Angel.” Yunho answered. 
They all whipped their heads around to face you. “I used a frying pan.” You smiled awkwardly as your cheeks burned from the attention.
“Guys!” Wooyoung shouted, rushing up to the group. ��Jongho is injured!”
That seemed to move you all back in action.
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obviously, we don't know what exactly solomon is planning, but I find it hard to believe that he seriously thought mc would go against the brothers if it came down to it. if he truly did believe that he hasn't been paying attention. this is the same mc who was willing to use the dagger on themselves if it meant keeping lucifer alive. if they're willing to give up their own life for them, what makes him think they would be any different this time?
I actually believe Solomon when he says he isn't planning on actively fighting the demons or angels. That he's only making contingencies. And that all he is doing is for the sake of humanity. Because he is right, humanity is caught right in the middle of two superpowers & should another full on war break out humans will be at a major disadvantage.
But he put his faith in the absolute worst person.
General MC settled freakishly fast in the Devildom from day 1. They like the Devildom food when humans are not even supposed to be able to eat it. And they've always put the brothers before any sort of common sense.
Solomon might not have been there to see them try to stab themself for Lucifer (and I don't think he would have been told about it) but he was there to see them sacrifice a portion of their life span to save Beel, with 0 hesitation.
But he thought that, even after all that, as humans he would understand MC best, that they'd share a similar goal and ideals and values. And, as it turns out, he was wrong
Also I think it says a lot that this is present Solomon who's still looking for ways to take down the brothers & demons & angels if it came down to it. Present Solomon who has started seeing demons as friends rather than as pawns. Who is very close with Asmo and Barbatos and Simeon and Luke and even Levi & Raphael. Who has seen how the views of angels, demons & humans, regarding each other, has changed. How slowly, they are starting to see each other as something approaching equals. It's this Solomon who, despite all that, despite genuinely being friends with everyone, is still willing to collect the resources to take them down should it ever come to that. Batman Behaviour💅 ✨️
Also can I say, I love that we got a protagonist who was asked to choose between humanity and a second option and went ummmm actually
Diavolo defined demons as being free (which is where their major difference with the angels come in - seeing as the celestial realm is extremely strict). Demons do what they want, they indulge in their sins, and are chaotic because of it. MC has done what they wanted from S1 itself - no matter what they always did what they wanted and they got what they wanted and are stubborn enough to keep working for those things, and because of that they tend to be blunt and chaotic.
Of course they fit in with demons. Of course they made the choice they wanted, the one that'll make them happy, the selfish one rather than the one that was for the good of humanity
Om really gave us the most protagonist of all time <3
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wannaeatramyeon · 9 months
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Love your blog! 🥹 Can you write some general Gun and Goo headcannons? They’re such a fun duo I can’t- 🤠
Thank you for being so sweet anon and again sorry for the looong delay. Take this complete and utter word vom. I.. I don't really know what this is apart from a ramble presented in bullet points.
Gun Park + Goo Kim: Duo headcanons
Fuck, I love these two.
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Let's start from the top.
Gun and Goo might not always get on, often behaving more like a bickering old married couple one step away from throttling each other, but they absolutely respect one another.
Begrudgingly so. Meeting someone that can go toe to toe with them does not happen every day.
Being secret friends or successor though, is completely out of the question. They never even considered it in the first place despite Gun ticking most of Goo's criteria and vice versa.
Both completely unhinged and chaotic in very different, often clashing, ways. Finding each other grating, fighting skills complementing each other due to circumstance rather than naturally.
Gun thinks of Goo as a disloyal, flighty and greedy maniac. Whereas Goo sees Gun as a dull stick-in-the-mud who only cares about fighting.
They're both right.
Gun doesn't care much for material goods. He will still buy the best of the best, because why the hell not. However, he does not form any sentimental attachment to it.
Goo is surprisingly similar. Often preferring shopping sprees as a form of a power trip and to show off how rich he is. There is a fleeting thrill of buying something he wants, but ultimately it gets discarded.
Stealing Gun's things, on the other hand, much more rewarding for Goo.
The first time he laid eyes on Gun wearing the striped yellow shirt and scarf combo, Goo knew he had to have it. Besides, it would look much nicer on him, dont you think? What the hell is Gun Park doing wearing such bright colours anyway.
In all honesty, Gun doesn't waste enough energy on clothing to say anything when he saw Goo in his outfit. Although he did roll his eyes and take an extra long drag of his cigarette.
(A/N: I love the idea of Goo stealing Gun's clothes. But I tend to flip flop between how private Gun is, keeping his work and personal life completely separate. )
If the outfit isn't stolen, then it would mean Goo went out and bought the exact same thing... Which is funnier if you think about it.
Because the sheer amount of effort that that takes, finding the same top, same scarf - because why the fuck would Gun tell him where he got it even if Goo did ask.
The fact that Goo takes a significant time out of his day just to fuck with Gun. Truly, what an idiot. Does he have nothing better to do?
Spending so much time together, they pick up naturally on each other's likes and dislikes. Well, Gun does anyway. Goo does most of the talking, and the few times Gun does talk - Goo doesn't even bother to listen.
Unfortunately, that means if someone asked Gun what happened on the latest episode of an anime series, he would be able to recite exactly what Goo has told him, and then afterwards beat them up for asking in the first place.
There's a closeness there that disgusts them both equally with how well they know each other. Music preferences, how they take their coffee. Knowing each other's mood like their own. Ugh.
Life carries on though and there's still shit to do. WIth most of their waking moments spent together, they weave in their own errands between jobs and missions.
At least Goo does. Gun's life is much more orderly instead of a whirlwind of chaos. He is proactive and reactive whereas it appears to him that Goo will just fulfil his own whims as they come up.
Either way, Goo is the one driving and it's his car so Gun has no choice but to go with.
Well. Gun can stay in the car like some sort of pitiful dog awaiting their master's return or join in with Goo.
He usually opts for the latter, and also regrets it too. For example, getting cookies together for fuck's sake. Grabbing ice cream. Ring shopping!
Really, don't let anyone tell you that Gun is impatient. He puts up with far too much from his blonde partner. He can be extremely level headed, often choosing to walk away from things not worth his time rather than waste his energy. There's a lot of hill where he would prefer not to die on where Goo Kim is concerned.
If you asked Goo what was the one thing he hated most about Gun, the ensuing silence would be the longest he has ever been quiet for. Because there really is so much he hates about that fucking guy.
Just one? Then Goo would likely say the smoking. Not only does it stink, but the smell seeps into the car interior and lingers on everything. Goo often likes to pretend he's choking when Gun lights up. Putting on a coughing fit and spraying spittle everywhere until Gun walks away in disgust.
If you asked Gun what he hated most about Goo Kim? Completely deadpan and straight faced, he would say 'everything'.
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zor and pheonix swap bodies. what happens?
(for a possibly less chaotic choice, its handler and zor)
I assume a race to dismantle their respective operations from inside either via wanton violence and arson, clever thought out strategies or just exposing each other's organisations, or some other equally devastating course of action.
(Okay this turned longer than I expected so I'm just gonna put the rest under a cut here.)
And I mean like depending on if it's long term or short term body swap there's a lotta stuff that could happen differently? The good doctor could certainly set up some... clever plan to unravel all of the Agency without risking their own exposure or whatever, but it would take time and resources to set up, so possibly they just collect vital intel for later use? Actually you could probably make an intriguing story out of "Phoenix and Zor wake up in each others' body - and they are forced to act as each other to avoid exposure" and whatnot. Like. Stepping into your greatest enemy's shoes...
Of course the fun part isn't that, like, they "learn how hard the other one has it" and "grow a new appreciation for each other" no those two would absolutely kill each other with Zero hesitation given the means motive and opportunity. Like yes Dr. Zor tends to not directly kill Phoenix, just. Death traps. I'm somewhat sure they even banned Juni from taking the Agent out while he had them unconscious? Don't quote me on that I have terrible memory abilities anyway what I was saying was they might prefer to toy with Phoenix but they still want them dead and if the Agent was right in front of them they would pull that trigger no hesitation, especially because the Agent would very likely be gunning for them, too. So. No hesitation there's no fondness between them. Or at least nothing to outweigh the desire to see the other dead.
Okay that ramble out of the way - the only reason they don't walk that borrowed body off a cliff is 1. It would kill them too, 2. They have the opportunity to royally screw the other's life up, annnd 3. The other guy (presumably) has their body and can royally screw them up, too. Which is a problem that they need to deal with. So what do they do? Consider it undercover work, I suppose. Plus, no better way to get to know your enemy than being your enemy, right?
Oh the wonderful chaos of "infamous secret agent forced to act as an evil mastermind" and vice versa. They might get a little lucky in that I assume the Doc has things set up to mostly flow smoothly without them, and Phoenix is already so strange that Zor being a lil weird might slip under the radar... problems arise in that Reg knows Phoenix, and Zor is still needed for resolving the petty conflicts and snags in the plans, of course - nothing can just be that easy...
Also, Zor and Reg swapping wouldn't necessarily be less chaotic. The Handler has just as much of a grudge against Zoraxis as Phoenix does, was definitely about as chaotic as them in his field days, and probably definitely wouldn't pass up the opportunity to tear Zoraxis down entirely from the very core. Then there's the issue of Reggie being a decently important Agency employee as we know, which means he might have some sway in the organisation - you think Zor wouldn't abuse the hell out of that?
Hmm. Might add more later I need to collect my thoughts,, I woke up not even two hours ago
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captainpikeachu · 2 years
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Okay so this prevailing sentiment that I keep seeing about how “this doesn’t make sense why would Bucky be with a team of bad guys” really kinda annoys because...most of the MCU Thunderbolts team members aren’t even bad guys???
Ghost, Taskmaster, and Yelena literally all share similar kinds of backstories to Bucky, they are all victims of a system that either mind controlled them or forced them into doing horrible things. They’ve all broken free and are trying to make their own choices and trying to recover and get better in their own ways. 
Alexei is literally just a chaotic man being chaotic, and the last we saw of him, he was part of the protagonist team of the Black Widow film. Hardly any sense of being a “bad guy”, just a big dork guy who really wants to punch some folks and admittedly trying and sometimes failing at being a dad.
And as much as folks want Walker to be a bad guy, even the Falcon and the Winter Soldier show didn’t bother making him the villain of the story, instead head writer Malcolm Spellman even stated that Walker and Bucky are two sides of a veteran’s story, and the last time we saw of Walker, he was actually trying to save hostages and helping Sam and Bucky, with him and Bucky even working together.
The only person with remotely a whiff of possible “bad guy” is Val, and we don’t really even know enough about her to say if she’s actually doing bad things because she’s evil or if she’s just like a Nick Fury who sometimes do shady things for what she thinks are the greater good.
Sure, many of these characters have served antagonistic roles in the stories they appeared in, but being an antagonist does not equal to being a “bad guy” or being the villain. Protagonist doesn’t mean Hero, and Antagonist doesn’t mean Villain, and sometimes I fear that fandom spends so much time trying to shove characters into boxes and ends up losing sight of the characters’ complexities. 
The Thunderbolts are not just a “team of bad guys”, even in their decades of comics history, this team line up has run across all ends of the spectrum with Bucky being a member of this team at various points. The most recent new comics run is even a team of heroes led by Clint Barton himself.
And if one really takes a good look at this currently known line up of the MCU Thunderbolts team, with the exception of Val whose backstory is shrounded in mystery right now, these are all characters who’ve had trauma, who’ve been through a lot, who are soldiers and warriors who’ve all fought for what they thought was right. Sure their moralities can be a bit skewed, but they aren’t just people who go around killing people for no reason and just enjoying being bad for the sake of being bad. This is a team of broken traumatized messed up chaotic warriors seeking for another chance to prove themselves, for redemption, and is that not the kind of people whom Bucky would share commonality with? Is that not the kind of people that he might be able to help, to provide guidance and advice to? He’s walked their path, he of all people knows what it takes to make a recovery stick.
What better way to continue his journey from the ending of the Falcon and the Winter Soldier than to make him the “mentor” of a group of people each trying to seek their own redemption in their own way? Wouldn’t it be character growth for Bucky to go from the learner to now the teacher?
Honestly I think Thunderbolts director Jake Schreier said it best:
I just think The Thunderbolts are an exciting opportunity to take these characters that have been seen in a certain light and kinda bring them together, and through coming together, possibly view them in another light. 
So many of these characters on the team, we all have a way of seeing them through our various biases and perspectives, and this film might actually teach us all to let go of certain biases and see these characters in a new way through their perspectives.
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mac-macarena · 2 months
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Who Got the Kids in the Divorce? Theme Songs
YouTube Playlist (all links below are to YT) Spotify Playlist (organized by character)
Monkey Fam
The Ballad of Smokin' Joe Rudeboy by Tom Cardy - While the story does not exactly line up with what happens in WGTKITD (obviously), it is hilariously very close, with Wukong being Smokin' Joe, his wife being Macaque, and his long lost daughter being Savage, of course. Some say many years ago, Before Joseph Rudeboy was Smokin' Joe, He had a wife, her name was Bo, Bo was with child in a happy home [...] Joseph Rudeboy was too slow, For a child that he'd never know, Joseph Rudeboy you're too slow, Burning inside Joseph died, But from the ash the man who rose was---Smokin' Joe [...] One day an outlaw came to town, "Come out here Smokin' Joe, You're just as well already dead," He wore a velvet cloak but Joe saw red [...] And as Joe fell, He beheld the outlaw's face, A young girl who'd seen it all, And grew up in a terrible place, Whose mother once told Joseph, To run and bring back help, A girl who thought her father, Had run out to save himself.
Here Before by Vashti Bunyan - This song is Wukong's view towards Rumble (Once I had a child, He was wilder than moonlight, He could do it all, Like he'd been here before), then Savage (Once I had a child, She was smiling like sunshine, She could see it all, Like she'd been here before), and, finally, MK (Then I had a child, Took his while like northern summer, And he knows it all, Like he's been here before), and how he lost the Eclipse Siblings and fears loosing MK too.
The Truth from 36 Questions - This is literally just a song about how many different views of truth there is to the tale of the Monkey Family---how each one of them views it differently, and how they chose to hide or distort the truth. Generally, I interpret the two singers as Rumble and Savage, speaking about each other and about their parents, and perhaps both of them are speaking to MK. And what’s true for you, Doesn’t have to be true forever, And sometimes the truth isn’t always, For the better, It’s something that we aspire to Or maybe, that’s something we say, Until it gets in the way [...] But the truth is, The truth doesn’t exist in, Black and white, And sometimes two sides, Can both be right [...] The truth is that you will never really know, The truth is that you will only think you know.
Too Far by ChaoticCanineCulture - This song can represent each member of the Monkey Family, as they all have moments where they "went too far, leaving scars." Generally, Wukong and Rumble are the more openly "guilty" parties and therefore fit the song more, but Macaque (especially Macaque) and Savage both hold a lot of guilt too. Looking inside my mind I see the truth, I was always the one who tormented you, This was my choice, my evil doing, 'Cause I died inside when you stop moving [...] There's no excuse for what I did to you.
Crazy Human Psycho Crush (mashup) by doodleoodle - The chaotic intertwining of multiple different stories/viewpoints fits the Monkey Fam perfectly. Oh, and I know, and I know, and I know that I've been acting so strange, But you should know that you're the one who made me this way, I'm a psycho just like you said I'd be [...] I feel like all of this has aged me, Right on the edge of twenty-two, You look like you've just seen a monster, Is that what I look like to you? [...] 'Cause I'm so sick of the drama and I hate to shout, But you drag it out of me [...] You can't love someone and just let go, And yeah, I know that I'm a little bit intense, right, But can you blame me when you keep me on the fence, like, (Three words, two hearts, one maybe Say something before I go crazy now)
Runs in the Family by Amanda Palmer - It runs in the family, what can I say? Mostly the speakers of the song would be Rumble and Savage equally. Mary, have mercy, Now look what I've done, But don't blame me because I can't help where I come from, And running is something that we've always done well and mostly I can't even tell what I'm running from, Run from their pity, from responsibility, Run from the country and run from the city, I can run from the law, I can run from myself, I can run for my life, I can run into debt, I can run from it all, I can run 'till I'm gone, I can run for the office, and run for the cause, I can run using every last ounce of energy, I cannot, I cannot, I cannot run from my family, They're hiding inside me, corpses on ice, Come in if you'd like but just don't tell my family, They'd never forgive me, they say that I'm crazy, But they would say anything if it would, Shut me up.
Shadowpeach
Peach by The Front Bottoms - Self-explanatory. You are my peach, you are my plum, You are my earth, you are my sun [...] Once I sink my teeth, your skin's not so tough, I'll leave a tiny cut, there'll be a lot of blood, But once you wipe it up, You will feel better about our entire situation.
No Children by The Mountain Goats - Self-explanatory. I am drowning, There is no sign of land, You are coming down with me, Hand in unlovable hand, And I hope you die, I hope we both die.
First Burn from Hamilton - Macaque's PoV. The implied cheating can be replaced instead with Wukong listening to Azure over Macaque's warnings about the battle. Heaven forbid someone whisper, "He's part of some scheme," Your enemy whispers, So you have to scream, I know about whispers [...] If you thought you were mine (mine, mine), Don't.
Red Like Roses Part II by Jeff Williams - Macaque (red): I wasn't dreaming when they told me you were gone, I was wide awake and feeling that they had to be wrong, How could you leave me when you swore that you would stay? Now I'm stuck inside a nightmare every single effing day [...] I know you didn't plan this, You tried to do what's right, But in the middle of this madness, I'm the one (I'm the one) you left to win this fight.
Wukong (white): I know you're broken down by anger and by sadness, You feel I left you in a world that's full of madness, Wish I could talk to you, if only for a minute, Make you understand the reasons why I did it, I wanna tell you that you're all that ever mattered, Want you to know that for eternity I'm shattered, I tried so hard just to protect you but I failed to, And in a prison of abandonment I've jailed you, I never planned that I would leave you there alone, I was sure that I would see you when I made it back home. [...] I didn't have a choice, I did what I had to do, I made a sacrifice but forced a bigger sacrifice on you.
This is Love by Air Traffic Conditioner - Both Wukong and Macaque could be perceived as singing this at different moments. There is an implication that their fates are forever horrible interconnected as they always come back to one another despite it all. You're no good, you're no good, You could kill me and you should, I'm an idiot for thinking, This was anything but blood, On the wall, on the couch, On the corner of my mouth, You must like being the victim, You've done nothing to get out, Of this pattern of pain, Washed away by the rain, You'll forgive me if I promise, And do nothing but the same, This is life until death, Could be my last dying breath, But this is love, love, shut up, this is love [...] It's pathetic, I know, A jealous fool who won't let go, If I was sorry for my actions, Would I ever stoop so low?
Goodbye Old Friend by The Devil Makes Three - Fairly self-explanatory. Wukong and Macaque can both be the singer, reminiscing on their complex relationship of love and hatred. I need you and I want you 'cause I know you from before, I hate you and I fear you but I hold open the door, I see you and you see me and we know what must be done, So we draw knives and lock eyes 'cause it does no good to run. [...] I've missed you, you know that's true and I've retraced every scar, [...] I chased you to embrace you like the sun chases the moon, I burn you and you burn me but I know I'll see you soon [...] I've held you and you've loved me but our lives cannot be spared, I trust you and despised you, shadowed your every move, Scorned you and warned you, befriended everyone you've used.
Old Friends by Ylvis - The calm reveal of someone being twisted ("I'm aiming at the kids") reflects nicely on Wukong and Macaque's relationship post-fire where Wukong was shocked to see what had happened to Macaque and how Macaque was simultaneously so calmly cunning yet unstoppably demented. Their respective "wives" in the song is the other one, simply their past selves before the battle/the fire. And he threw a rock, So I threw a rock, We both put some gravel in a sock, And he threw the sock, I said we should stop, He smiled at me then threw a rock in a sock. [<-these lines are about how they both keep fighting] [...] Oh [Macaque], oh [Macaque], don't you worry bout me now, I'm doing just fine on my own, There are other things to life than your soft skin against mine, And [Tripitaka] is helping me move on, I'm moving on.
Genghis Khan by Miike Snow - A song about how possessive, jealous and selfish Shadowpeach are of to one another. I know there's no form, And no labels to put on, To this thing we keep [...] 'Cause I don't really want you, girl, But you can't be free, 'Cause I'm selfish, I'm obscene [...] I wanna make up my mind, But I don't know myself, No I don't know myself [...] I get a little bit Genghis Khan, I don't want you to get it on, With nobody else but me.
Kiss With a Fist by Lungs - Self-explanatory. Shadowpeach's relationship is all about hurting the other. It's romantic! You hit me once, I hit you back, You gave a kick, I gave a slap, You smashed a plate over my head, Then I set fire to our bed, oh [...] I broke your jaw once before, I spilled your blood upon the floor, You broke my leg in return, So sit back and watch the bed burn, Love sticks, sweat drips, Break the lock if it don't fit [...] A kick in the teeth is good for some, A kiss with a fist is better than none.
Kiss Me You Animal by Burn the Ballroom - Self-explanatory. Another song about how Shadowpeach just can't keep their hands off each other, and how they love to see the other hurt. You say you wanna tear right through me, I welcome you to try (Kiss me, kiss me), I wanna see your teeth girl lemme see you grind, yeah, Woah [...] Kiss me you animal, I need to take you in real slow, Cause dying on your lips is how I wanna go, Connect with the sound you're making, Connect with my body whoa, Kiss me you animal and don't ever let me go.
Therapy from tick, tick... BOOM! - Literally listen to it. It is the pinnacle of Macaque and Wukong talking about their miscommunications and struggling to get along yet attempting to. Wukong: I feel bad, that you feel bad, About me feeling bad, about you feeling bad, About what I said, about what you said, About me not being able to share a feeling [...] I was afraid that you'd be afraid, If I told you that I was afraid of intimacy, If you don't have a problem with my problem, Maybe the problem's simply co-dependency [...] I thought, You Thought, I reacted shallowly, When I reacted to you. [...] If I were you and I'd done what I'd done, I'd do what you did when I gave you the ring, Having said what I said.
Macaque: If I thought that what you thought, Was that I hadn't thought about sharing my thoughts, Then my reaction to your reaction, to my reaction, Would have been more revealing [...] Yes, I know, that now you know, That I didn't know, that you didn't know, That when I said, "No," I meant, "Yes, I know," And that now I know that you knew, that I knew you adored me
Both: I'm not mad that you got mad when I got mad, When you said I should go drop dead!
Eclipse Twins
Evelyn Evelyn from Evelyn Evelyn - Self-explanatory, although not technically correct as Savage and Rumble did not grow up "closer than most." In fact, they are closer post-everything than they were as kids. Still, the point stands that they are two siblings who have a lot of differing opinions, perspectives, and arguments. One side struggles with keeping everything perfectly together while the other desperately wants to be free. Rumble (female): I’m only trying to do what is best for us [...] Looking in your eyes, I’m coming home [...] Now I realize, I’m not alone [...] But you never cared for me [...] ‘Cause you’d never dare to be [...] ‘Cause you never listen, you’re always insisting, I’m just reminiscing, I feel something missing, I just want you here with me, God can’t we just get along?
Savage (male): Well, I never asked for this, I never wanted this, All that I want is some time to myself [...] Just get away from me, please just stop touching me, You’re always trying to be somebody else [...] Well, you’re only scared of me [...] Why don’t you let me free? [...] ‘Cause you never listen, you’re always insisting, just stop reminiscing, I feel something missing, I just want my privacy, God won’t you leave me alone!
Wake Up by ChaoticCanineCulture - The song starts with Savage singing about how "they" (Macaque, Rumble) are haunting the halls and "killing her," and how she can't take the demand of killing her own father. My brother i'm begging you please understand, When I cry, I really can't take the demand, Oh they're killing me. Rumble continues the song as he finds himself just as lost and haunted as his sister, but with a flavor of self-torment. These dreams are made of things, I can't deny, I cannot flee, They're constantly tormenting me, can't close my eyes tonight. Then, the song ends with them begging to be saved. Wake up wake up, they're here, Please won't someone just save me?
Wukong's
Never Love an Anchor by The Crane Wives - Relatively self-explanatory. Wukong reflects on how his love only ever brought pain to others so he shouldn't get too close to them. It's a secret I keep tucked inside my chest, With this heart of mine that's guilty, not remorseful [...] There are times when I still wonder about you, You are someone I have loved, but never known, And you'll never see the reasons I had, For keeping my claws away when they were close enough to hurt you, I am selfish, I am broken, I am cruel, I am all the things they might have said to you, Do you ever think of me and my two hands? And wonder why they never soothed your fevers? [...] And wonder why they never held you gently? And wonder why they never had the chance to lose you?
My Ordinary Life by The Living Tombstone - Fairly self-explanatory. Much like the singer, Wukong reflects on how much he has been given in his life that he might not have necessarily deserved (such as forgiveness), and how out of touch he feels with reality sometimes. Do you feel me? Take a look inside my brain, The people always different but it always feels the same [...] The haters wanna hurt me and I'm laughin' at the pain [...] They tell me that I'm special, I smile and shake my head, I'll give them stories to tell friends about the things I said, They tell me I'm so humble, I say, "I'm turning red," They let me lie to them and don't feel like they've been misled, They give so much to me, I'm losing touch, get me? [...] The people blend together but I would be lost without their love, Can you heal me? Have I gained too much? When you become untouchable, you're unable to touch, Is there a real me? Pop the champagne, It hurts me just to think and I don't do pain.
I'm Your Man by Mitski - Completely inspired by this animatic, which will give you all the context to the lyrics you need. I'm sorry I'm the one you love, No one will ever love me like you again, So when you leave me, I should die, I deserve it, don't I? [...] People always gave me love, Others were never to blame after all, You believe me like a god, I'll betray you like a man.
Against the Kitchen Floor by Will Wood - Wukong apologizes for not being able to be as affectionate and trusting as he used to be, but promises he wants to do better for his family and friends, and Macaque. It just don't come natural to me to think that you'd want me for me, I swear, I'm really trying, Oh, I'm sorry, I promise, I'm doing my best, I just haven't learned how to be human as you are yet, I still don't know who you are, I only know that I'm still lonely, That morbid sort where even company can't cure me, And the more you reassure, the less I trust [...] I've lived more lives than enough, I haven't died quite as much, But I'm not a real person, just the shit you can't make up [...] I'm catatonic in your arms, Crying, "How did I cause so much harm?" I'm down pounding my head against the kitchen floor, Apologizing for my life and ever entering yours [...] I'm still in the process, but I'm making progress, I promise, I honestly wanna prove improvement's possible, I swear, I'm so fucking sorry, I'm not a good person, I'm barely a person at all, But someday I'll be perfect, and I'll make up for it all.
You Were Perfect & I'm Sorry by Mickey Darling - Very much a reflection of the title itself---Wukong believes Macaque deserved everything and is sorry he ruined everything, but with a self-deprecating egotistical twist to it. You were perfect and I'm so sorry, I'm such a dick, But you still love me, I still regret letting you leave me, Don't you forget you used to need me [...] How can I love someone that can't stand, The thought of loving me back? Why do I think I need that? [...] I remember what you said, You were wishing I was dead, Now, you're wishing me the best, 'Cause my song's stuck in your head.
Feed My Ego by Mickey Darling - Wukong mourning the relationship he lost, but make it self-deprecating egotistical again. I hurt u, For selfish reasons, U are all, I ever needed, needed, needed [...] U would be so good without me, happily, Nobody could ever be as, sad as me, All i need is compliments please, constantly, I make people think i’m happy, comedy.
HEAVEN SAYS. (remix) by GamePlayah - Wukong atones for his sins on the journey, slowly converting and accepting the pain from the fillet as his punishment. Now spell sinner: F-R-I-E-N-D-S Wrong! The correct spelling is Y-O-U, Just let go, Your past is sinful, Stop standing up, You can’t escape. [...] Answer for your crimes, Beg for mercy.
It's Been So Long by The Living Tombstone - Self-explanatory. Wukong mourns the death of his kids, and seeks revenge on their killer (Erlang Shen), though Tripitaka reminds him killing isn't justified. Justification is killing me, But killing isn't justified, What happened to my son? I'm terrified, It lingers in my mind, And the thought keeps on getting bigger, I'm sorry my sweet baby, I wish I'd been there.
the last beautiful thing I saw is the thing that blinded me by Paris Paloma - Despite the misleading title, this song is Wukong's perspective on Macaque's second death at his hands, albeit in a theatric, poetic, solemn way that is more Macaque's style. The moment of Macaque's death and imprisonment was difficult, and Wukong cut himself off from feeling anything ("blinding" himself). The dove represents Macaque and how he "became a demon," but the fact that "somebody else" killed her reveals the story is made-up and Wukong feels a disconnection from reality. I came across an injured dove, I wanted to put her out of her misery, There came no signal from above, No sign, no guide, I thought "whatever could this mean?" And with my hand I picked her up, And in that moment, oh it shifted magically [...] Because I wanted all of it to stop, And I didn't know how to tell you, I didn't know how [...] And I looked up, into the sun, It separated all the colors, And the ice, into my eyes, It fell and left me blind.
Used to be Young by Miley Cyrus - Wukong reflects on his younger years, both the good and the bad, and how people still believe he should be how he used to be. I know I used to be crazy, Messed up, but, God, was it fun, I know I used to be wild, That's 'cause I used to be young, Those wasted nights are not wasted, I remember every one, I know I used to be crazy, That's 'cause I used to be young, You tell me time has done changed me, That's fine, I've had a good run I know I used to be crazy, That's 'cause I used to be young.
Macaque's
The Moon Will Sing by The Crane Wives - Self-explanatory. Macaque always felt like Wukong's shadow, and wished he could have been seen as more than what he was, and that he hadn't followed Wukong so blindly. The moon will sing a song for me, I loved you like the sun, Bore the shadows that you made, With no light of my own, I shine only with the light you gave me [...] (I could've been anyone, anyone).
iGhost by MNQN - Macaque talks both fondly and angrily about how all he ever was was Wukong's "Van Gogh" (the painting, and the artist), and how he fears getting hurt again by getting too close. You fooled me once, You fooled me twice, again, I had a hunch, That it was all pretend [...] I'm hypnotised, You're telling lies again, You were my life, And now you're not my friend [...] I'll play it safe, I cannot be broken, I've been erased and now I'm gone again [...] The senses deceive us from time to time, And it is prudent never to trust wholly those, Who have deceived us even once, But yet, I still come back.
taking a stand by updog - Macaque lamenting to Wukong how he was neglected, ignored, and pushed aside, and how he won't stand for it anymore. And no amount of words could ever fix the damage done, No matter how much you ignore it wont come undone, Hard to blame you when you acted out of cowardice [...] Picturing your end, I will not pretend that, It might feel so sweet, You left me no option. 'Cause this scar it never healed, All the hurt will be revealed.
The Ballad of Lucy Gray Baird from The Hunger Games - Macaque tells the tale of how he and Wukong grew up, then grew apart, and questions what Wukong would do when he was gone. Well, all right, I'm bad, but then, you're no prize either, All right, I'm bad, but then, that's nothing new, You say you won't love me, I won't love you neither, Just let me remind you what I am to you [...] It's sooner than later that I'm six feet under, It's sooner than later that you'll be alone, So who will you turn to tomorrow, I wonder, For when the bell rings, lover, you're on your own.
taixu (ネジ巻き師と太虚鳥) by Iasah - This one is more symbolic, fitting Macaque's love of theatre. The white crow and black crow represent Macaque's selves, but also his fates (Which of the crows told you the truth? [...] The crows were both myself, Or was it you?). The song reflects on how he used to perceive that he and Wukong were destined to do great things together, but then it became that only Wukong was destined and Macaque, "was not chosen." The list of deaths is both literal and metaphorical, representing, in order: The first end came so suddenly, You couldn't say goodbye to me (his death in the fire; literal), The tenth end came with agony, I thought that we were meant to be (Wukong killing him; literal), The hundredth end was simply just, An apathetic day for me (the resurrections of the Eclipse Sibs; literal), The thousandth end was ecstasy, The people begged for me to bleed (the failure of killing Wukong; metaphorical), The millionth end was vanity, I thought I saw you smile at me (Possessed!Wukong fighting Macaque; metaphorical). By the end of the song, Macaque has realized his life is up to him to choice (I killed the crow that tried deceiving, "No, the world is up to me!").
Pomegranate Lips by Derivakat - Macaque would make this his self-assigned theme song because it's cool and mysterious, which he thinks he is, and also all about how someone screwed him over but he's better than them. Been through nine circles of hell, even dragged some people down, I can cut right through a soul with a snap, don't need a spell, So what gave you the right? I'm the queen of death and life, Whether you like it or not [...] So bite your tongue and watch your back, Show some respect or you'll get a taste of these, Pomegranate lips.
Tool by Derivakat - Macaque spitefully believes that Wukong only ever sought to use him like a tool. So I'll cut you off once, you say try, try again, I'm ghosting you twice, you still claim I'm your friend, You set me on fire three times, now I'm done, 'Cause you lit the fuse, and you loaded the gun [...] I'm done with your lies, and I'm done with your games, So cry all about it and I'll take the blame.
Eden by Derivakat - Opposite to the anger in Tool, this "version" of Macaque is much calmer, though sadder, about how he believes Wukong never cared about him, though he believes it wasn't necessarily Wukong's intention. We were living in a garden made for two, But two is one too many and he doesn't understand, When he crushes all the flowers that I grew, I want him off this land [...] 'Cause he's nothing but a liar, Caught up in his own desire, He started this fire, so let him fall in flames, You know he's the one to blame [...] Kick him out of paradise, Finally he'll realize, Too late to apologize to Eden, To Eden, to Eden.
Mrs. Bluebeard by They Might Be Giants - Macaque laments bitterly on how he never should have trusted Wukong, and how the world is cruel. I want to say I learned something valuable today, Alas, my murdered remains are incapable of learning anything, Trusted you, I should have never trusted you, In fact I never did, What's the use [...] Most people wouldn't hang the corpses up for review, Dearest, I can only hope most people are nothing like you [...] Is this how you thank somebody, For their selfless loyalty? Is this what you do? Pardon me for failing to grasp how this works, Excuse my breathtaking ignorance.
The Haunting by Set It Off - Macaque talks about how he suffered and how he will torment Wukong for the rest of his existence. So you dragged me by my feet, To a ghost town, where you buried me, No wonder no one heard my screams [...] Run away, boy, if you couldn't tell, Baby's got a thirst for blood [...] Catch a lover, turn an enemy, Just to watch them burn alive [...] No one will love you like I did, Will treat you like I did, So go on, wear that scarlet letter, No one will love you like I did, Will touch you like I did, So good luck finding something better.
Problematic by BoyWithUke - Macaque sings about how Wukong broke his heart and his trust. Why did you love me so? Watch me as I let you go? Told you that I'm better off alone without you in my home, I let you in my heart, let you back into my arms, Fool for thinking we could make it faking every single part, I thought that maybe you could be the final fucking remedy, The one to pull me out if I were ever stuck inside a dream, I'm looking back at times we had, the things we did and things we can't, How could you stab me in the back? I thought you were better than that.
You're Going Down by Sick Puppies - A good ol' battle song between Shadowpeach. The singer is Macaque rather than Wukong here as the singer laments that the fight is no longer worth it, yet he can't let go and must keep fighting. Let's take a trip down memory lane (do you remember me?), The words circlin' in my brain (look what you did to me), You can treat this like another, all the same, But don't cry like a bitch when you feel the pain [...] This is hardly worth fighting for, But it's the little petty shit that I can't ignore, When my fist hits your face and your face hits the floor, It'll be a long time comin', Bet you got the message now, 'Cause I was never goin', Yeah, you're the one that's going down!
Hermit the Frog by Marina and the Diamonds - While its also a Savage song, the romantic undertones push it towards Macaque. This song reflects Macaque's conflicted mental state post-family-break-up, where he's started to recover himself a little bit, but still feels this hatred inside of himself. Yeah, I feel it coming on When I've been static for too long, And an explosion comes in time, Before I go and cross the line [...] Well, I went to the doctors believing, The devil had control over me and, I was finding it hard to breathe in, Finding it hard to fight the feeling [...] You can take your double standard love and keep it, I can't help the devil likes to make my heart a double bed.
Villain by Bella Poarch - Macaque sings about how he'll be the villain, but make it flirty. I'll be the villain tonight, I kinda like when you despise me after we fight, (Feels so much better when I'm), Pushin' all your buttons 'til you're crawlin' on the floor, You say you hate my guts, but you're still coming back for more [...] What's you and I without a little pain? Tastes bittersweet each time you say my name, If love was poison, we would drink it anyways, Feels so good playing these wicked little games.
SAY THAT YOU MISS ME by Mickey Darling - Macaque both taunts Wukong for what he did (Hey necrophiliac what are you doing? I said why are you trying to fuck me, If I am dead to you?) and demands an answer from Wukong, not willing to honestly admit that he misses what they had, instead hiding behind anger. I said "you broke my heart," You said "boo hoo," I said "I'm going to leave," You said "please do," I said "I hated you," You said "me too" [...] It's harder than you think finding someone for me, That could ever compete with somebody like you, I cant help that I hate every fucking girl I date, Cause it always feels the same, like im cheating on you, Hate that I have to say, babe, I made a mistake, Thinking anybody could have ever been you, They'll never be you.
Hell and You by Amigo the Devil - A song portraying Macaque's obsession with Wukong, be it in love or as enemies, or something twistedly in-between. Cause I'd rot in hell with you, If you'd just ask me to, I love the shitty things we do together, Live with me in this sin forever, Hell and you, I know you want it too [...] I'd crawl in bed with you, Even on someone else's blood on top of someone else's love, In the worst motel we find, Cause home is the last place that I'd stand to be with anyone but you.
Cannibal by Naethan Apollo - Another song about how Macaque is obsessed with Wukong, even when he hurts him, as he struggles to choose between leaving him alone entirely or continuing to seek his attention. Think I got the message, Thought our love was destined, But it's more like a death wish, A guarantee for misery [...] Tell me when I overreact, No, tell me again, please, I love being told what to do, But only when I'm told by you, At least, that's what I used to think, But nowadays, I'm on the brink.
The Red Means I Love You by Madds Buckley - Another song about Macaque being obsessed with Wukong, but this time it's set when he truly was obsessed with him---post-fire, post-imprisonment, post-resurrections. This Macaque can't see clearly at all, and is obsessed with making Wukong bleed if it's the only way to feel close to him. They say such a shame, I turned out this way, A maniac, Well, yeah, I get manic when I cause a panic, And of course, I'm excited when I see you around [...] You leave me high and dry, A rush comes to my mind at the drops, Of blood you leave behind, Run as you might, my love will never, ever, Stop.
TERRIBLE THINGS by Axie - This song follows the degraded mental state of "zombie" Macaque, post-Eclipse Sibs' resurrection, and how he knows he is doing terrible things, but that he cannot bring himself to feel anything remorseful, until time goes on, and things start changing inside him. This song also lists his deaths: 30 years with torture you can’t comprehend (the fire), 40 years, they’re seeking for means to an end (killed and imprisoned by Wukong), 50 years attached onto puppeteer strings (the Eclipse Sibs' resurrection, and his subsequent debt to LDB). The song begins to hint towards Macaque regretting and wanting to be free near the end. I just want to die, yeah, So please just let me die!, I’m undefeatable, I'm thriving, ‘Cause I know a thing or two when it comes to being killed, It’s oh so very painful, And I don’t want it to happen again, and again, and again!
Savage's
Catabolic Seed by The Scary Jokes - Savage feels lost and hopeless after everything that's happened to her, and she desperately wants to feel like she's in control. That dissipated so fast, seems the good times never last, And I always fall flat on my back, like an upside-down cat, But is bad luck really such a crime? [...] I want to destroy everything that's mine [...] (I'm safe, I'm whole, I've got it under control), My structure's compromised, (I'm safe, I'm whole, I've got it under control), But you still batter at all my fault lines, (And I will protect you even if you won't protect me too), I can't run, I can't hide, but you can't say I didn't try.
Second Child, Restless Child by The Oh Hellos - She was born the second child, though truly she wasn't the restless child---that was Rumble. But the song does reflect how she wanted to run away from it all. And they saw trouble in my eyes, They were quick to recognize the devil in me [...] And Heaven knows how hard I tried, But the devil whispered lies I believed [...] You've got to go on, further than you've ever gone, You've got to run far from all you've ever known.
Shared Eyes by Blixemi - Savage laments about how misunderstood she is and how mistreated she was by her family, and how much she simultaneously wants to hurt them and wants their attention. I figured this would be, A great time to misunderstand me [...] I used to beg and plead, But you sit there ever silently, 'Cause you can't hear it, Won't stand to hear it [...] I'm not who you think I am, If you think of me at all [...] You've let hate blossom, Now you cannot recognize [...] I wish your silence came from hate, Then at least I'd know why I'm to blame [...] So fine, I'll find the rage, To scorch out on my own, And in my wreckage, may you burn upon your throne [...] It seems to me, That I have always been the problem, Though I'd wish to solve it [...] I'm not who I think I am, When you think you've seen it all, In this frozen state of apathy, I've blossomed with every flaw, To hate I've fallen, And I now can't recognize, Your eyes that you despise [...] This feels wrong, It's not playing out right, How am I colder now, Upon a bridge I chose to ignite? [...] You close your eyes but open mine, I hate the way you make me hate myself for sharing eyes, You're not who you think you are, And I wish I never knew, I don't want to see the irony, That you hate me for being you.
Play With Fire by Sam Tinnesz - Savage copes with lighting fires, and she likes being dramatic. This song would be her jam. Let a girl be edgy and cringey. Insane, inside, The danger gets me high, Can't help myself, Got secrets I can't tell, I love the smell of gasoline, I light the match to taste the heat, I've always liked to play with fire.
Dead Mom from Beetlejuice - Savage sings to her Alive Dad, Wukong. Alternative lyrics can be found in the comment section on WGTKITD... somewhere. And no one sees me, Nothing seems to fit, Mamma is this it? Are you receiving? I want something to believe in or I'm done.
Already Dead by KittenSneeze - Savage talks about how she felt almost "possessed" by Macaque and Rumble as they forced her to fight and attempt to kill her own father, and how, now, she can't tell what she does or doesn't want anymore. I woke up in a daze, My mind in a haze, The smell of devastation lingers, What did he make me do? Or did I want to? I can't get the blood off my fingers [...] You don't need to believe me but just understand, That you can't get too close, Not with what I have planned [...] Do any of you know what it's like to walk through the fire? Know how to fight the crushing desire? Go with a knife to do what's required? I'm already dead since you got in my head!
Daddy's Little Monster by TryHardNinja - As the title suggests, Savage pleads for others to understand that she doesn't want to be cruel, she's just "daddy's little monster," referring to Macaque (for the most part). She wants to start anew, but feels like she's kept in a prison, especially as she looks at herself and remembers what she looks like now... Please don't be afraid, we're a little bent, Broken souls looking for a way to start again [...] You need us, we need you, it'll be alright, Yeah, it's alright, We don't want to stay under lock and key, You can help break the curse, we all wanna leave [...] If we could only shed our shells, Wear a mask and escape these cells, On the surface, we could start new.
Miss Wanna Die by JubyPhonic - Savage isn't exactly about being resurrected, and she isn't happy with her life... She would resonate with this song a lot. It both fits her character, and is a song she would listen to. Ah wanna die, wanna die, But don't really wanna die, You were there, you would care, Making me aware, Every scar, all the blood, More and more, they’re never done, Not enough, not enough, Ah wanna die, wanna die, But don't really wanna die, If I died, you would cry, And I don't know why [...] I wanna live, wanna live, Deep inside I've always been, Reaching out for a hand, so don’t let this be the end.
The Devil Within by Digital Daggers - Let's be real, this is how Savage sees herself, or wants to see herself. Cool, mysterious, dangerous... But really she's just angry. And dangerous. But, the song's vibes still stand---she wants to hurt others and protect herself. I made myself at home, In the cobwebs and the lies, I'm learning all your tricks, I can hurt you from inside, I made myself a promise, You would never see me cry, 'Til I make you [...] I'm gonna make you suffer, This hell you put me in, I'm underneath your skin, The devil within [...] Look what you made of me, Now I'm the heavy burden that you can't bear.
Rumble's
Sin Triangle by Sidney Gish - Rumble desperately wants to be like everybody else, but struggles with his own inner demons as he tries to fit in and be cool as a young demon, and then struggles with rebuilding his family as he feels guilty for destroying it in order to get what he'd wanted. Two-faced bitches never lie, And therefore I never lie, Diagram this sin triangle for me tonight, because, I don't know what to say, A sickness by another name, Wouldn't be sweet either but, With luck, it would at least look much more tame [...] Bill Woodruff here has something on his mind, He wants something, In fact [...] You want certain things from other people and your environment, The way you go about getting those things, Reveals your personality [...] Did you ever want, so much, To make a good impression on someone? What did you do? How accepted was your personality? Did you ever feel alone, out of place, When you wanted very much to be part of the group?
¿Viva la Gloria? (Little Girl) by Green Day - On the inside, Rumble is cracking under the knowledge of everything he did to harm (manipulate, deception, double-crossing) his family. He feels like a stray without a home. Little girl, little girl, Why are you crying? Inside your restless soul, Your heart is dying [...] There is no place like home, When you got no place to go [...] Little one, little one, The sky is falling, Your lifeboat of deception, Is now sailing [...] Your bloodshot eyes, Will show your heart of treason, Little girl, little girl, You dirty liar, You're just a junkie, Preaching to the choir [...] The traces of blood, Always follow you home, Like the mascara tears, From your getaway, You're walking with blisters, And running with shears, So unholy.
Icicles by The Scary Jokes - Rumble convinces himself of his self-entitlement; that he is better than everyone else. He is jealous of what everyone else has, both in past and present. He hates having to always be the one to "play nice." But, at the same time, his flaws (The one where you are crying, And I don't do anything at all, directly referring to his treatment of Savage) are catching up, and he can't stay on the pedestal he put himself on forever. Get in your zone, don't even look at them at all, Their shallow observations will only stall the transformation, You've become art, how could they even start to see, Beyond your presentation when they've got no imagination? [...] I can only be forgiven if I'm giving myself up to you, On a silver serving tray, Must I bare myself to the stabbing of your knife and gnashing teeth, While our lovely company appears so entertained? [...] My world has turned so cold, but I won't cry, 'Cause icicles don't soften when they die, So why should I?
Soup Song by Nep - Rumble has very mixed feelings towards his family, and he struggles under the weight of being the "good one" when no one else will try. I hate you and I loved you for a very long time, I do not share any more, I'd ask you how'd you do if I was feeling kind, I do not dare anymore, My mom got a new job, and my dad's doing just fine, I do not mind anymore [...] If I had a tendency to yell, Your ears would be numb, If I had it in me to tell you off, You would be done, I'm not used to feeling so down and so dumb, Guess I thought that I was lovable, Kinda thought that I was lovable [...] I put my head down, and you stepped on my neck, I cannot take any more.
Smokey Eyes by Lincoln - Rumble desperately wants to bring his family back together, and struggles through his emotions with how difficult it is. The song also has implications towards his struggles with addictions and unhealthy coping mechanisms. Some people want to be your friend, Some people just want to be free, And the worst thing about me, Is that I’m somewhere in between, I might miss you, But I’m still trying to get clean [...] Quiet lies that you’re telling to, Those black and screaming skies [...] This is not what all my idols told me college would be like, I hope someday you learn to take your own advice [...] So help me make amends with all my friends, Most other people are just dead ends, There’s nothing worse than making friends.
How Did You Love by Shinedown - Rumble would totally sing this family to his family, specifically his parents, questioning, "how did you love?" and what they left behind. You can try to fight it, just like every other careless mistake, How do you justify? I'm mystified by the ways of your heart, With a million lies, the truth will rise to tear you apart [...] Nothing ever feels the quite same when you are what you dreamed, And you will never look at anything the same when you see what I see, How we forget ourselves, lose our way from the cradle to the grave [...] No one gets out alive, every day is do or die, The one thing you leave behind, Is how did you love, how did you love?
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wawamouse · 2 months
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big fan of this expanded alignment chart i found on reddit.... this guy gets it.....for the most part. I don't agree with some of these, for example Glynn—absolute good? don't make me laugh—but I think that's more an issue of there being 6 seasons and the fact that the characters sort of change.
Definitions below the cut in case you're unfamiliar:
Other thoughts:
Lawful impure and anarchic neutral are the funniest possible descriptors for Chico and Miguel so A+
Big fan of the concept of impure in general; 1) funny name, 2) the concept of almost pure evil but whoa! Hey!! Some lines shouldn't be crossed!
I think the exalted row is well chosen especially
Rebel/chaotic/anarchic evil is a close call tbh but it's true that they do all just barely get one over the other, so well placed again
I think Glynn should be in the Moral category rather than the Good but Basil is already there so I understand lol
Poet as true neutral makes sense! And Omar as the (often poorly ascribed) chaotic neutral is good too
(Taken from various sites/explanations):
Absolute - Total and complete devotion to following and enforcing a code of conduct
Lawful - Following a set list of principles
Social (civil) - May have lines that they don't cross, or a general sense of what they should and should not do, generally more disciplined than Neutral, but not as strict as Lawful.
Neutral - Apathy towards most situations/maintaining equal balance within one's life apart from all others or all else
Rebel- Acting against what is socially accepted or appropriate, either out of choice, apathy, or one's own ambition. Not as out there as Chaotic.
Chaotic - Living free and without restraint, whether self-inflicted or imposed by others, and living only for one's own ambition and goals
Anarchic - Going beyond what's possible or acceptable to meet one's goals, no matter the cost
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Exalted - As good and pure and selfless as you can possibly be; more of a symbol of what one can inspire to.
Good - Acting selflessly for the betterment of oneself or others and trying to uphold integrity and justice.
Moral- Doesn't go out of their way to do great deeds and adventures and such, but still has a sense of right and wrong, and will definitely throw hands with a bad guy.
Neutral - Apathy towards most situations/maintaining equal balance within one's life apart from all others or all else
Impure- May do bad things, but only because they don't know right from wrong, or only do bad things because of the situation they find themselves in. Acting selfishly and with darker/malicious intent with enough restraint to keep them from pure evil.
Evil - Acting selfishly to meet one's personal goals even--or especially--if it means hurting others or destroying those/that which would stand in your way.
Vile - As evil and selfish as one can possibly be with no regard for anyone or anything; so evil that it repulses even EVIL ITSELF.
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karin-gespenst · 3 months
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Season 13 episode 2 & 3 combined rewatch
Phyllis teaching the student midwives about the privilege of attending to mothers during a home birth is a powerful scene. Joyce asks about the safety of hospital births and BOY has this question made people feel emotions ever since hospitals were an option for giving birth. of course, the options for giving birth vary a lot from country to country and region to region. Having choice is so important and infrastructure for emergencies is equally vital. But I'm sure what nobody really wants is families having no safe option at all. Sadly that's what I see happening in too many regions. The hospital where my kid was born is no longer a hospital but a hospice. The town where she was born will no longer have a hospital with a maternity unit in the near future. The next hospital with one will be 20 minutes drive away. And while that is not too bad in comparison to other regions, it would have been too far for me back then. Nobody wants BBA situations in cars or on parking lots, and not everybody can stay home safely. Also, there are not enough midwives who attend home births because they would have to pay a fortune for insurance and they don't get paid enough to do so. Midwifery being a calling does not justify the low pay. With the high responsibility and skill level and especially working conditions they should all be paid much more.
Joyce shows how quickly she learns when attending to Edna. Giving her encouragement and valuing her work makes such a difference. Shelagh is adding her own experience with the repeated suggestion of financial aid. I remember the episode with young mother Marion who did not want help around the house, and then a fellow mother gave her the right nudge with the simple words "You're entitled."
The driving "lesson" with Matthew is supposed to be comic relief, but all it does is give mood whiplash after the heartbreaking scene with Edna feeding her son.
Is learning to drive harder when you're learning in a van? Fred's van seems a little more three-dimensional than the tiny green thing Trixie drove before.
Nancy and Joyce talking about their mould-experiences and how hospital is lovely and clean - germs resistant to antibiotics were not as common back then. it's a shame they became so widespread. Maybe Timothy's generation of doctors will learn to not give everyone precautionary antibiotics just because they can.
I'm growing more and more fond of Sister Veronica. She has the bite that Sister Evangelina brought to the table, and her knowledge of the different possibilities for help makes her highly valuable for Nonnatus House. Her "embellishments" are sometimes just the thing that is needed to bring the right people in or move an obstacle and that is a chaotic-good character trait with a lot of potential for entertainment.
effin ineffable? Colette dearest, that's another show.
social worker training in only 6 weeks? They must have needed them very badly. Today it's three years study at least where I live.
What I love about the newspaper shop as a location is that we're getting to see a lot more newspapers and magazines. The prop department can show off their skills, likewise with the sewing shop, but the paper shop sells an even wider range of wares and that means they can use almost everything in there.
The way that other candidate says the word "mayor" it sounds like "Mäher" in German and that's exactly the kind of gardening device that Fred injured himself on.
Rosalind with the nursing book and ideas for postnatal classes: of course new fathers also need a bit of looking after, but it's not the new mother who should have to do that. It should be friends and relatives and neighbours and I think especially other fathers. The only instance I can remember of fathers looking out for each other is the Fleming family when Derek goes for a pint with his national service friend after Christopher has died. Or maybe way back Tony Amos and his father-in-law.
Gillian's husband looks very much younger than her.
Trixie does use a particular voice on the phone with the shop. The theatricals of being a Lady are like a role that she steps into. Her actual self is showing clearly when she's comforting Violet and preparing her to see Fred in the hospital.
How did you choose your couch? I got mine because I liked the outrageous color. Should I get a new one, it'll have to be one that can open up into a guest bed.
I had a look into how hip problems in newborns are treated today and the kind of hip problem Stephanie has is found in 2-3 newborns. The devices to treat the condition look a good deal more comfortable than the one we saw on the show. Some baby carriers can also help in keeping baby in the right position, with the legs and bottom in kind of an M shape.
they fooled me the first time I watched the episode when the doctors rushed to help the man in the bed beside Fred, and again when I rewatched the scene. Sister Monica Joan sunk into deepest prayer reminded me of how many decades of her life she must have spent praying. Would heaven hear her prayers all the more loudly because of it? Kind of like when Trixie called the shop as Lady Aylward to make them open up late. "This is the most senior nun of the entire order of midwives, don't you dare take our friend from this earth before his time!"
Mrs. Wallace is growing on me. We might not agree on religion, but I respect her sense of community and her attitude towards helping anyone who comes her way. I feel like she is the Miss Higgins of her church, keeping everyone in order.
Miss Higgins! her contribution this week will flow into a different post.
Reggie's idea with bringing Italian food to the hospital is fabulous!
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muzzleroars · 1 year
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Opinions on ULTRAKILL ships?! ( If you are comfortable with it at least-!! )
in general, i'm all for them lol personally, i'm obviously hugely biased to v1/gabriel because i just think there's so much to chew on with them, to the point where i've got no clue where to even start on why i enjoy them. and this. turned into me trying to do just that!!!! sorry!!!!
v1/gabriel – my main ship and honestly it’s so difficult to condense down all the reasons why i love them. like aesthetically and thematically everything hits just right – they are the mechanical and the divine pitted against one another by programming and orders now obsolete. they are so alien to one another, they were created on different planes and never should have known the other existed, yet they fit painfully together, they understand what it means to be a tool only made for the singular purpose of violence. their identities are obscure things, v1 denoting a prototype without a proper model name and gabriel reflecting only his use to god, growing into their sense of self in part from meeting the other. and they are irrevocably star-crossed, their very love corrupting one another to their deaths – gabriel has lost his light and is burning out for his choice, while to me, v1 gaining a sense of love and sentimentality is so antithetical to its purpose that its code is becoming increasingly unstable. they are dying like the world all around them, yet they somehow found love, found someone that can understand them through their violence. but everything beyond those fundamentals, beyond the deep ways they are tethered, is brand new to one another in a world that seemed to have nothing new to offer.
i so enjoy how their story is told too – we watch it happen through the eyes (eye???) of an auxiliary antagonist, how the world of the protagonist is destroyed and his identity rebuilt through who he believed to be the villain. gabriel as a queer character who’s been so hurt by dogmatic faith twisted by authority and how he followed it for so long because he had no choice, how he loves someone they believe shouldn’t even exist. it’s tragic but there is an ecstatic joy in it, in gabriel finding himself and being freed of his own choice to follow his own beliefs as well as love who he wants to. a machine and an angel, made only to follow orders finding a brief happiness in each other and the agency borne of their love. it just. really resonates, you know?
there’s MORE too, but i’ll lightning round them – we’ve discussed it before, but tiny mechanical beast with giant dignified angel is SO cute ok!!! i also see them as having a massive mutual respect for each other as combatants, that they are equally matched in skill and their sparring regularly ends in equal wins and losses on either side. and just the personality dynamics. i think of gabriel as very kind, refined in the way he speaks and interacts with a lot of sweetness and gentleness cultivated from knowing just how strong he is (ALWAYS thinking about him described as “radiant”). v1, meanwhile, is a little barely contained storm, it’s impulsive, chaotic, and far too curious without any pleasantries – it doesn’t mind itself whatsoever and is often carelessly rude, thinking so many thoughts a second that it’s always unpredictable. HOWEVER they’re both ridiculously arrogant and deeply proud in their own ways, so as a couple they’re just insufferable. awful. they can’t understand why the other acts like that and they’re madly in love with their mind because of it.
SORRY I TALKED ABOUT ONE PAIRING…but quick opinions on some others!!! gabriel/minos i do think had a relationship and it’s incredibly messy, for so many reasons even outside the obvious. minos/sisyphus 100% and they’re very tragic, wish these old men could have gotten a break. gabriel/ferryman is one-sided to me, but i think the ship is super cute if not also just. sad. but who isn’t here (i also think gabriel may have shown them some affection knowing their feelings, he just didn’t know what to do because he feels bad about it hhhh). v1 & v2 i can only see as evil siblings, so there’s no ship there for me personally, just them spiritually chasing each other through the house with improvised weapons. I think that covers it hhhhhh
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is-she-suffering · 2 months
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11/2000 - Metal Hammer Whatever Happened To Katie…“ 
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WHATEVER HAPPENED TO KATIE JANE?
Chaotic, Intriguing, Fetish obsessed and dangerous - Just some of the terms recently used to describe London four piece Queen Adreena. Pete Wadeson explores the warped mind of vocalist and original riot grrrl Katie Jane Garside.
Exciting, emotionally charged gigs that teeter close to the shambolic have created a buzz around Queen Adreena, not seen since anarcho-grindsters Daisy Chainsaw rattled walls of the pubs and clubs in the early nineties. No suprise then that vocalist Katie Jane Garside also fronted the aformentioned band. With her gutteral howl and unpredicatable Iggy-style stage performances, offset by long blonde dreadlocks and ripped antique dresses, the band not only rattled venue walls but also airwaves thanks to their suprise top 40 single Love Your Money. Refusing to sell-out by playing the game with the lip-synching manufactured pop posturing hype-machines (they turned down a TOTP performance) it was hardly suprising Daisy Chainsaw - sooner rather than later self imploded. Tensions, particularybetween Garside and guitarist Crispin Gray, although always turbulent, finally snapped in 1993. Garside by her own admission was lurching close to a breakdown having said of the time “If I hadn’t left it would have killed me. I was trying to make something mine that wasn’t mine. Because I didn’t write the songs I could never give enough, never go far enough. I couldn’t bleed in words, I couldn’t bleed in lyrics - I could only bleed in performance and that meant attacking me, literally.” A fact all to evident to anyone who witnessed the band live at the time.
Well, that was then and this is now as they say. So whatever happened to Katie Jane? It’s been seven long years since the Chainsaw’s final massacre and through the filth and fury Katie Jane has fought inner demons to return to the fray with a new band, that consists of cross dressing bassist Orson Wajih, drummer Billy Freedom and amazingly old sparring partner and guitarist Crispin Gray. Proof positive that Garside and Gray have a bond that lasts far beyond the trials and tribulations that forced them apart and seemingly bears testament to the fact the Daisy Chainsaw legacy is relevant to the present. “Daisy Chainsaw relate absolutely to the present in the sense that I wouldn’t be doing what I’m doing now if I hadn’t done what I did then. It’s a page in my diary. I come from the school of no choice, I think theres no such thing as choices as everything that I do right this moment is created by everything that I do right this moment is created by everything I did before that, Queen Adreena is the next chapter of the book.”
Virtually impossible to catagorise, the bands debut album ‘Taxidermy’ released on Blanco Y Negro, bears witness that somebody somewhere believes in the band big time. Whilst Queen Adreena are a tight, musically accomplished unit equally at home mixing hard edge punky riffs and haunting melodies with the occasional psychedelic soundscape, it’s Katie’s inexplicable presence that draws the eye and attention of public and media alike. Her sexuality is obvious in the way she looks, dresses and lyrically voices her views on the world she perceives. So is what we see manufactured for the public consumption or the real Katie Jane Garside? “No, who do you think came up with this look? What you see is what you get. I think the most truthful performance should involve a little bit of altered state and transcendence but I think while performing you just get magnified. I live under the microscope when I perform. Everything that’s tiny gets big.”
But what influences the complexity of Garside’s musical visions? “I always cite white noise as my biggest influence, it’s the sound of the sea, the sound of the wind, it’s everywhere. That sound sends me into a complete trance. I find it a very beautiful thing. But i don’t separate things. Music to date has been my focus and it’s given me my sanctity; it protects me. I’m doing what time tells me to do, if it works it works, if it doesn’t then it’s not for the want of trying because we work really hard.” This work ethic has seen Queen Adreena visit the States which was an eye opening experience for Katie Jane. “I used to find it very frightening as there’s no control there, but its also very exciting. Sometimes life of the edge of the cliff’s a lot healthier, theres a brutal honesty to it. L.A.’s extraordinary, we played the Viper Room but it was very strange - New York suited us better, its darker and grittier.” By her own admission Katie’s honesty and previous naivety is the result of an up bringing whereupon she moved frequently, even spending years with her family sailing around the world. Hardly suprising Katie has a myriad of experiences, dreams and imaginings to slip in and out off to fuel her eclectic lyricism. Some may say even the fragile hold she has on reality. “I’m a child of the sea - because i lived on a boat for a long time. When i came back i went to a really hardcore secondary modern school so i changed from being this innocent person not understanding the norm and how you should behave to knowing how you should be. Sexuality became quite fetishised for me - it became quite distorted. I think it is for everybody, but it’s all behind closed doors. I like to magnify that world, i wear it on the outside.”
The facet of Garside is highlighted in the short Black and White film, which is included on the debut album. In this bizarre visual experience Katie can be seen naked riding guitarist Gray who crawls on all fours with a big between his teeth. In the past Katie has been accused of being fascinated by the fetish world, this would seem to be proof of that - is she obsessed? “Yes I am, because I think there’s a lot of truth down there, there’s a lot of truth under the floorboards. We’re animals, we’re blood. There’s a thin veneer of control. "At risk of saying something very dangerous there’s a tribe in Africa where children’s sexuality is completely out in the open and they’re not discouraged from being sexual and it’s numbered as one of the only tribes in the whole world that’s not been to war.”
Unconventional!? Maybe, but Katie’s obviously not afraid to voice her opinion. Suprisingly though, Ms Garside readily admits finding it hard to deal with 'real’ life. “I can’t define the difference between imagination, fantasy and so called real life. I think that’s why I do what I do, dancing around on stage showing my knickers,” She laughs, Katie Jane doesn’t seem to laugh a lot but when she does it’s very infectious. She continues “But it’s playing live where i feel most comfortable. Because I have led an isolated life I was rapidly in danger of not being here. I don’t find communication on a mundane level in day-to-day life easy. I perform to understand myself, i write songs to understand myself.”
Though she denies it, Katie’s had more than a little influence on the whole riot grrrl scene. In particular Courtney Love, who has pinpointed Katie Jane as one of the 3 women who paved the way for the whole phenomena, Katie seems equally enamoured with Courtney. “I think Courtney is stunning, she’s undeniable, she’s an archtypal force, a goddess. She’s Kali!” gushes Garside. “You can draw a parallel to what I said earlier. Everything that Courtney is, is a result of what happened before. Why should she keep ploughing the same furrow year after year? the fact she’s survived is extraordinary, so all power to her - she can do no wrong.”
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irfire · 2 years
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OK, wow do I want to talk about all the bible verses Tamsyn uses in her John chapters! But, first a disclaimer: I’m Jewish and have a pretty solid background in TaNaKh and Jewish textual criticism but basically none in Christian/second testament textual criticism. Despite my lack of knowledge in the second testament, I went through and collected each of the bible verses for each of John’s excerpts - along with in some cases relevant following lines - because I just... had to know.
Part of my fascination here is that in many of these verses, John’s experience parallels elements of Jesus’. But, the biblical John is a disciple, not a messiah-figure like Jesus. John blurs the lines between Earth’s disciple, and “god” figure himself. The blurring of the lines in Tamsyn’s verse choices are also particularly interesting following her most recent interview where she said she’s got like six christ characters all running around. Everyone is a christ figure - and they all do it differently. Even the characters that are supposed to just be a disciple find themselves trying to play at a christ or a divine story line. Anyways, what follows is all of the verses and some of my loose and chaotic thoughts. Curious what others are noticing. All translations are from the New International Version and compiled using Blue Letter Bible.
John 20:8 “Finally the other disciple, who had reached the tomb first, also went inside. He saw and believed.”
Okay when I first opened the book and obviously googled this right away I got CHILLS. We open with a reference to reaching the tomb and believing. This both feels like it’s in reference to everyone seeing the Earth as a tomb and believing. As well as, of course, everyone who at the end of the book, will go to the tomb and believe. She begins, as always, foreshadowing the end. And I find that infuriating and incredibly metal of her.
John 5:20 “For the Father loves the Son and shows him all he does. Yes, and he will show him even greater works than these, so that you will be amazed.”
“Most of the bodies got the melt, like we thought they would... But, Harrow... all the ones I touched, all the ones I loved... they stayed incorrupti” (NtN 76).
Fascinated by what is either a careful writing choice, or a sloppy copy error to leave out the period after “incorrupti”. It’s as if Tamsyn whispers back at the scripture to add an ominous open ending to the “amazed”.
John 15:23 “Whoever hates me hates my Father as well.” And continuing to the next two lines “If I had not done among them the works no one else did, they would not be guilty of sin. As it is, they have seen, and yet they have hated both me and my Father. But this is to fulfill what is written in their Law: ‘They hated me without reason.’”
I’m still sitting with this reference. This is the chapter where U-- And T-- are renamed and John moves them from across the room. “If I had not done among them the words no one else did” feels tied here. John’s growing sense of self righteousness continues as he becomes more fanatic... curious what other’s think. It’s a juicy line and an intense chapter.
John 5:18 “For this reason they tried all the more to kill him; not only was he breaking the Sabbath, but he was even calling God his own Father, making himself equal with God.”
This is the chapter where they stream John’s necromancy. His journey towards presenting himself publicly as a “god” begins in earnest.
John 8:1 “but Jesus went to the Mount of Olives.”
This is the story that even I’ve heard about where a woman is brought before Jesus and accused of adultery while he is sitting at the courts and he says “let those who are without sin cast the first stone”. John is beginning to present himself as a savior - people come to see him for their sufferings and their problems. John moves further into the public sphere.
John 19:18 “There they crucified him, and with him two others—one on each side and Jesus in the middle.”
“Anyway, we all had Interpol warrens... Anyone who wanted to go, I let them go (NtN, 220).” This is also where it becomes clear just how bad the situation is - the rich are leaving the Earth to be crucified. The lines are blurry between who is being crucified and is it the disciple, the executioner, or the divine being telling the story.
John 5:1 “Some time later, Jesus went up to Jerusalem for one of the Jewish festivals.” Followed by 5:2 “Now there is in Jerusalem near the Sheep Gate a pool, which in Aramaic is called Bethesda and which is surrounded by five covered colonnades.”
Tamsyn also mentioned Bethesda in her article, and earlier on John does seem to get into a kind of faith healing. But the chapter this verse titles is when John begins playing puppet master to a dead world leader in exchange for money and nuclear weapons. This feels like such a sinister perversion of the healing waters of Bethesda, and in many ways this chapter feels like the beginning of the end.
John 3:20 “Everyone who does evil hates the light, and will not come into the light for fear that their deeds will be exposed.” 3:21 continues “But whoever lives by the truth comes into the light, so that it may be seen plainly that what they have done has been done in the sight of God.”
OOF. What a fuckin’ verse to pair with John going full necromancer while he’s nursing a nuke under his floorboards. WHOABOY.
John 9:22 “His parents said this because they were afraid of the Jewish leaders, who already had decided that anyone who acknowledged that Jesus was the Messiah would be put out of the synagogue.”
John does (his first?) mass murder. This is the moment of trial to his disciples. They are not thrown out, John manipulates them, and they stay.
John 1:20 “He did not fail to confess, but confessed freely, “I am not the Messiah.” … And a few lines following in John 1:23 “John replied in the words of Isaiah the prophet, “I am the voice of one calling in the wilderness, ‘Make straight the way for the Lord.’ ”
“I am not the messiah” titles the chapter where the bombs go off. The world is demolished - there is no going back. “I am the voice of the one calling in the wilderness, ‘make straight the way for the Lord’”.
The line from Isaiah quoted in John reads, reads: ק֣וֹל קוֹרֵ֔א בַּמִּדְבָּ֕ר פַּנּ֖וּ דֶּ֣רֶךְ יי יַ��ְּׁרוּ֙ בָּעֲרָבָ֔ה מְסִלָּ֖ה לֵאלֹקינוּ׃ “A voice calls out in the desert ‘Clear a way for G!d, straighten out a pathway for our G!d through the wilderness” (My translation).
OOF.
John 5:4 From Blue Letter Bible: “Some Greek manuscripts exclude this verse. The NIV related footnote for 5:3 states:
Some manuscripts include here: “wholly or in part, paralyzed—and they waited for the moving of the waters. From time to time an angel of the Lord would come down and stir up the waters. The first one into the pool after each such disturbance would be cured of whatever disease they had.”
From time to time an angel of the Lord would come down and stir up the waters. Alecto awakes. I wonder what disturbances and diseases she will take it upon herself to cure?
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shining-gem34 · 8 months
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Mallory, what do you know of the old gods? The ones that came before you, born from the slumbering abyss? What do you think of them?
Musing with Anons || Accepted
Interview of the Gods and Goddesses featuring Mallory (I)
As a precaution, Mallory checks his surroundings for any eavesdroppers before he peers at the parchment again. They were questions that any mortal, even ones that turn their backs on their gods, would have some knowledge of. Somehow, he has a feeling they're searching for a different answer.
But, why him, a God of Misfortune, of all people?
Still, it is rare for anyone to seek him out for knowledge. He'll indulge their curiosities for a bit.
Besides, his mistress didn't force him to sign any non-disclosure agreement contracts regarding this topic.
"I know about as much as any other deity. There are gods much older than me, such as my mistress, Lady Papillio. However, she is not born from the abyss. She was created by a certain Goddess to promise equality between two or more parties during a chaotic era. As for her methods, that choice belongs to her- by creating contracts. But many mortals started associating her with the underworld because she chose to stay there most of the time."
If you ask him why she decided to stay in the underworld, Mallory will shake his head as if he doesn't know the answer either. He can make a few guesses, but he'll miss the mark.
He blinks and realizes he forgot to add something, "If you don't know already, which I won't blame you for: I am Lady Papillio's servant. My general opinion of her...I do not hate or like her, she rescued me on a whim for her own entertainment. But at the end of the day, I am indebted to her."
If you try to prod him for more details regarding the nature of his relationship with his mistress, Mallory doesn't elaborate any further and continues.
"Anyone older than my mistress...There is her lady friend, a fellow goddess: Lady Lillith, the Overseer of the Underworld. You can curse her or sympathize with her, but she- Well, I can't say she won't care too much. She is the statue you pitiful fools pray to for vengeance against someone, especially if your love is slighted. Personally, I wouldn't dare to cross her...openly at least so I am keeping my inner thoughts to myself."
Mallory had to pause and think briefly about Lady Lillith's origins. The many oral tales of her beginning are vague and embellished for dramatics than the truth. He has a feeling perhaps his mistress may know since they're good friends, but he dares not ask without walking into another contract. Asking the Overseer of the Underworld herself is less than pleasing since Mallory avoids her as much as he can.
Right, moving on...
"I'll answer one more and end it here for now. Since we're still on the topic of the Underworld..."
The air shifts dangerously, Mallory's golden eyes narrow revealing his pure disdain for the next topic. He crosses his arms and begins.
"I'm sure you're familiar with the name 'Soul-Eater', yes? Though he's not a god. Oh no, he's something much, much worse than any immortals. His true name is Abythes, the embodiment of corruption that has existed since the beginning of time. He wanders around the underworld eating the souls of the damned. Horrible, am I right? A hideous creature whose appetite can never be satisfied. If only there was a way to destroy him for good...Ah, don't mind my musings."
A long sigh escapes Mallory because this is the longest he has talked. He should find something to drink after this to sate his parched throat.
"Fortunately for you mortals living in the overworld, Abythe's existence is chained to the deepest part of the underworld. Unfortunately, his spawns are a different story. Unlike their father, they freely wander between the worlds and middle with no consequences."
Then, the God of Misfortune smiles so sharply that it can cut stone.
"Don't you think we, the ones cursed by corruption, are better off gone? After all, we are evil except..."
Mallory's expression falls, golden eyes turning distant as he gazes in the general direction where he knows the first snow will drop. He seems almost wistful.
"...That child is different from us. He deserves to live his life to the fullest with his beloved far away from the corrupted ones."
A small bow from the God of Misfortune before his form disappears in a flurry of black crow feathers.
Until next time, my pitiful lambs.
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this-is-krikkit · 2 years
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Top 5 queer characters
ooooh good one, thank you !!
5. Frankie Bergstein. The most gentle soul out there, hilarious whether she wants to be or not, an incredibly loving and warm character who ends up falling in love with a woman who's shown her nothing but disdain most of their lives before they end up in the same shitty situation. What i especially love about her is that in my headcanon where that show didn't queerbait us to death, she's the bold and crazy one who doesn't care about other people's opinion, she's the one you'd expect to be brave and loud and clear about how she's in love with her best friend and it's not just platonic. But i actually love the idea that she might be the one struggling most with that realization and how to act on it, because she used to be so open and loving of everything and everyone (and still seems that way) for the seven decades before the show starts ; and she got her heart broken so badly from the twenty year old affair, that although she did get attached to Grace quickly enough and jokes about being more than friends all the time, she's deadly afraid of those feelings and what may come of them. I absolutely love this strong and funny and silly woman on the outside, who hides a much more vulnerable and frightened woman on the inside, who deserves all the lifetime of love and affection Grace has never allowed herself to feel or show anyone.. until now, post-canon !!
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4. Crawley, my actual demon child, who is way too good for this world, and the other two he's visited. (And i've been torturing myself for a solid half hour trying to pick between him and his equally amazing boyfriend Aziraphale, and ended up flipping a coin for it. I'm sorry Aziraphale. I love you so much.) Anyways, back to Crawley and his ridiculous crush on an angel that makes him do crazy things such as going to actual heaven to save said angel's ass, and who embodies Iris by the Goo goo Dolls so perfectly it's a lil suspicious and he probably had smth to do with that song coming to life while he was under cover on Earth. I love a tv show that brings a book to my attention, i loved both of those media and i cannot wait for season 2.
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(do i need to explain that gif choice ? no i don't. bye.)
3. Charity Dingle, chaotic bisexual icon if i ever saw one !! haven't had a chance to catch up with the soap since the Vanity shit hit the fan, but i'll get back to her one day because i miss the truly Slytherin Queen that she is (sorry for the HP mention but it belongs to us now, fuck JKR and terfs in general). Pretty sure she's the most flawed character in this list, but i apparently LOVE a queer anti hero ? She's a lot of things and not all of them good ; she's a cheat, a liar, a bad mom most of the time, selfish and venale and has trust issues towards everyone and herself the size of a mountain. She's also a survivor of terrible abuse, a fighter, a love-starved but deeply insecure person who won't let that be seen easily. She's the only such representation i've ever seen of a wlw woman esp in a popular soap, and her simply existing gives me so much hope that society might just be evolving in the right direction ? Idk man, on the good days where i still have faith for lgbt future, she sorta gives me hope for our queer lives to become part of the norm and not just sensational and weird.
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2. Regina Mills from OUAT. What a great show with a great lesbian power couple and awesome message about queer families, or so i'm yelling somewhere in that parallel universe where the two cowards who wrote it grew courage instead of magic beans and made Swan Queen canon. I grew to love this character, it wasn't love at first sight (although def lust at first sight, shout out to them Evil Queen gowns) and now i'm trying to write self indulgent fics from her pov and day dreaming about all the things she deserved that she never got. Best redemption arc (apart from my #1 down there maybe) i've ever seen, a full badass bitch energy. Sidenote, Lana Parrilla being the biggest and loudest Swan Queen supporter in the cast felt suspicious to me in the beginning (idk, i don't get me either), but i'm finally at a point where i can fully appreciate how awesome that was of her.
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(Yes that gif was queerbait. Yes i still get excited seeing it.)
1. Obv my number 1 queer bitch forever is ROOT from Person of Interest, it's been 6 years and i'm still in denial of the byg trope they pushed down my throat a meer day after she finally got her tiny sociopathic soulmate back. She was a lot of things that i can't detail or i would die from dehydration bc the tears would consume my entire stock of water, but she also happened to appear in a TV show i actually loved. I mean i did start watching strictly for the gayness i vaguely knew was ahead, let's be real, but POI is a show i really came to love so much even when she wasn't a main character. It touched me deeply, and i still rewatch it and get blown away by the genius of so many of its episodes, from the mind blowing plot twists to the soundtrack. I had so many kids on that show and loved them all so much, just thinking about it hurts... We were robbed of a Shoot reboot, and i'll leave it at that.
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(look at her being so passionate and right and fierce and hot. loooooook. i would have followed her into battle from day one of her psych ward escape 😢 )
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