Steve and Eddie go through the whole adoption process in 1996, despite how difficult it was to find somewhere willing to help them at all and despite their conflicted feelings on adoption.
The way they saw it though, providing a loving home for a child who needed one was better than the alternative. Eddie had enough experience with temporary foster homes to know stability was better than constant moving and questionable foster parents.
They get a foster placement almost immediately, a six year old girl named Amelia. She’s quiet, but not in a way that worries them. She’s very focused, and enjoys going to school more than any regular children’s hobbies. Neither of them know what to do with that other than keep encouraging it.
She stays for months, months turn into a year, and the agency finally gives them the go ahead to complete the adoption process.
But they don’t do anything without talking to Amelia.
She’s happy there, her therapist signs off on it immediately and explains that Amelia has shown more personality development and less signs of trauma with them than she had even living at home. Not to mention they actually brought her to appointments, unlike her previous guardians.
To celebrate, they throw a party with all their friends and family and tell Amelia she can invite anyone from school she wants. She invites everyone.
Turns out their daughter is a social butterfly and is friends with everyone.
At the party, Eddie pulls out his guitar, plays a bunch of popular kid-friendly songs after a very scathing look from Steve as a reminder to behave.
Amelia walks over to him after a few songs, on a sugar high like he’d never seen on her before, and asks to play the guitar.
He’s hesitant, but not because he’s still protective of his guitars, more because he doesn’t want her to embarrass herself in front of her friends. Kids are cruel, even and especially at seven, and the last thing he wants is this to be the thing that kids talk about for the next ten years.
She sits on the couch and holds it, arranging her fingers…correctly. Eddie watches.
Steve is watching from across the room.
She starts strumming, very quietly at first, not as confident as she’d been a moment ago. And then she starts really playing.
It’s one of the songs Eddie wrote. He played it for the last four months nonstop as he perfected it, and she’d apparently been watching.
Eddie’s jaw is on the floor and he quickly looks over to Steve, who has a similar look of surprise on his face.
He doesn’t interrupt her. She makes it through the entire song.
She looks up.
“When did you learn to play guitar?” Eddie asks.
“When I was watching you.”
“But have you played before tonight?”
Amelia shook her head, looking down. “Didn’t wanna touch it without asking.”
Eddie pulls the guitar from her hands and sets it aside, then pulls her into his lap and hugs her. Steve sits down on the couch next to them, hand on her back.
“You can always ask, sweetie. And if you’re this interested and this natural, we can buy you your own guitar if you want. I didn’t think you were interested in playing.”
“I wanna be like you,” Amelia admitted against his shoulder.
Eddie was done for. He looked at Steve, half-panicked, trying not to cry in front of these people, but Steve wasn’t faring any better.
“Then we can go get you a guitar tomorrow. You can get your own picks, too. They might even have purple ones.”
“Can I have red? Like yours?”
“Of course, sweetie.”
It only took them two days after that to realize she could play by ear, just like Eddie.
And then it only took another day after that to realize she had taught herself to read music too.
They spent hours and hours every week playing together while Steve cooked dinner or checked her homework or just watched them.
When Eddie’s band decided to record another album and go on tour when Amelia was 12, Eddie insisted that she get to be on it.
She ended up helping write one of their songs, played on the track on the album, and with a lot of work, convinced Steve to let them homeschool her for the entire 8 months they’d be on tour so she could perform on stage with her dad.
“Can’t believe she’s not even genetically yours. Are you sure you didn’t have an affair?” Steve asked the night before they were leaving for Europe.
“When would I have had an affair? I came back to the tour bus or hotel with you every single night,” Eddie kissed him softly. “She’s amazing, huh?”
“She is. What happens when she wants to be a full blown rockstar like her dad too?”
“Then we make sure she’s protected and has good people around her like I have. She could be a rockstar easily. She’s got the talent and the presence,” Eddie smiled. “And she’s got me to make sure no one takes advantage of her. But she’s only 12. We’ve got time to worry about that later.”
“You’re bringing her onstage every single night all over the world for the next eight months, baby. I think later is now.”
Eddie sighed. “She’s gonna blow them all away. I’m proud of her. Let’s focus on that for now.”
And she did blow everyone away. The fans and the media had nothing but good things to say, and Steve didn’t have to go into overprotective mom mode at all until she was 15 and signing a record deal of her own.
But between Eddie and him, the entire industry knew better than to fuck with her or them.
They made rules, of course. School still came first, she still had required family events to be at, she still had regular friends at home. She wasn’t allowed at any parties, not even the events for award ceremonies.
But she didn’t really need those rules. She had no interest in parties or abandoning her friends or family, and she was a straight A student who still had hopes of getting into Brown for Journalism like her Aunt Nancy. She had a passion for music and wanted to share it, but not at the cost of the rest of her life.
And Eddie and Steve did everything they could to make sure she got to have everything. That’s what they’d promised her from day one.
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So anyway -
The point is that Pizza Tower still has a racist, outdated stereotype of Indigenous people in the Oregano Desert level.
It even has a achievement for rain dancing around a totem pole (totem poles are a Pacific Northwest thing, not a Plains Tribe thing). They war cry at you and they throw tomahawks (because it's always tomahawks or spears).
Bellyache about the screencaps being 5 years old if you want, but the stereotype made it into the game, so he hasn't changed that much. He didn't change enough to have a shred of awareness about using a racist stereotype. And before anyone tries: that trope isn't a hallmark of Wario games or 90s animation, it's a hallmark of racism.
Even if he "doesn't" make bigoted jokes anymore (though I would consider the Tribe Cheese one such joke), he made an entire level based around that trope.
And like every other time there's an anti-Indigenous caricature in videogames or popular media, it doesn't get mentioned, or it gets glossed over because the creator went "Oopsie! That was cringe."
The exclusion of the Tribe Cheese from that salvo of screenshots undermines the entirety of it, because it's a solid example of him not having changed enough to be conscious beyond "that was unfunny," and everyone just focuses on what he said and when - without the connection to how that mindset still lingers in the final product of the game.
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Yeah Roy was Jamie’s special interest (affectionate) before he met him but I don’t think we talk enough about the fact that Jamie got on Roy’s nerves so immediately and completely that he was Roy’s special interest (derogatory) since before Ted showed up and certainly long before Roy was a coach or intentionally spent time with him
Like I’m imagining later on when Roy and Jamie are still in their he’s not my best friend phase, Jamie finds some big fan made how much do you know about Jamie Tartt quiz and sending it to the team group chat to telling everyone to do it and send their scores
Roy assumes it must be a super easy quiz and common knowledge so he doesn’t really think anything of it when he responds with a screenshot of his like 95% and it calling him a Jamie Tartt super fan with “I’m going to kill myself.” But he responded too soon to realize that it is in fact not the super easy quiz he assumed it was until the team starts responding with way lower scores
Like they’ve got varying levels of passing knowledge but no one even remotely competes with Roy or gets labelled a superfan in their results including Keeley who Jamie sent it to separately (she knew lots and got higher than most people but like she absolutely does not know or care about his stats and shit like that and she hasn’t watched all of his interviews to hear all of the stuff on there) and including Jamie who sends back his 85% with “how THE FUCK did u score higher than i did???”
And Roy is incredulous like “How did you not know the answers? This whole quiz is about you” and Jamie’s like “u expect me to remember everything that ever happens to me and everything ive ever said???” And Jan responds “Apparently Roy does”
And basically the entire team never lets Roy live his Jamie Tartt super fan status and knowing more about Jamie than Jamie does down and Roy deeply regrets not waiting for other people to respond before he sent anything/faking worse results
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here’s the thing.
if you’re one of the people celebrating our flag means death’s cancellation for whatever reason right now, i need you to realize that this is just a sign that whatever you love is next.
and i’m not saying that out of spite. having your favourite show cancelled is awful, i wouldn’t wish it on anyone. but if our little-gay-pirate-show-that-could can’t get its third and final season, the future of queer media is extremely grim.
ofmd was the definition of a sleeper hit. hbo max had no faith in it when the first season came out. it gained popularity purely through word-of-mouth. but it became one of max’s biggest shows, and it’s since been marketed as their flagship series.
it was the #1 most in-demand series in the world for 8 weeks (7 of those weeks consecutively). it’s currently in the 99.7th percentile of the comedy genre, meaning it’s in higher demand than 99.7% of all comedy series in the u.s. it has a 94% audience and critics score on rotten tomatoes. it’s the most in-demand hbo original series even above euphoria, succession, and the last of us.
it was nominated for 16 awards for the first season alone, including a GLAAD award and a peabody award. the second season was just nominated for an art directors guild award, which it was previously nominated for and won in the same category for season one.
besides awards, ofmd is critically-acclaimed and praised for its representation (including a cast of majority queer, bipoc, and disabled characters) and themes of anti-colonialism, challenging gender norms/toxic masculinity, and self-discovery/acceptance. it also has a diverse team of directors and writers consisting of several bipoc, women, and queer/trans/non-binary people.
on top of all of this, the plan for the show all along was only ever for three seasons. david jenkins only wanted three seasons for the full romcom structure to tell ed and stede’s story. that’s it. nothing more.
this isn’t an attempt to make you care about the show. but ofmd’s cancellation isn’t just a loss for the fanbase and the cast/crew. it’s a sign that it does not matter how successful or profitable shows highlighting lgbtq+ (or otherwise inclusive) narratives are or how many big names are involved. ofmd would not have been cancelled if it were a straight romcom. they would’ve magically found the budget. but corporate greed doesn’t care about us. they have no respect for queer people or queer media. and in the age of streaming, it’s only a matter of time until we lose all of it.
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