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#Ronny Writes
steddielations · 6 months
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Flight of Icarus lore dump part 2:
Part 1 | Character List
- Wayne has a green thumb. He reads Gardener’s Weekly magazine. It doesn’t say what he grows, but it says he buys vegetables from the store so I’m going to say that gruff old man Wayne has the prettiest petunias in the whole trailer park.
- Eddie sneaks into the Hawk with his best friend Ronnie to watch action movies and thinks Snake Plissken, Han Solo and Conan the Barbarian are cool.
- Eddie talks for hours about the intricacies of Elven politics in Tolkien.
- Eddie read comics as a kid and hid them all over the house "like a little squirrel" under the bed, behind the nightstand, under the rug. Wayne found his Uncanny X-Men in the freezer between stacks of tv dinners. Also, "Hellfire Club" comes from these X-Men comics.
- Floor time! There's a part where Eddie is literally just lying on his back on his bedroom floor counting down from a million. When Wayne comes home, Eddie army crawls on his belly to the doorway to see him.
- Eddie reads Gormenghast paperbacks, gothic fantasy novels. It mentions that Wayne saved them from the house fire along with Eddie’s guitar. It never says how/when Eddie originally got his guitar.
- Eddie says lots of cc’s original songs have D&D references. It's implied that he writes them. One is called “Fire Shroud” after a spell
- Eddie is called Freak King at school and Munson Junior or just Junior around town and he hates all of it
- Eddie talks about having anxiety a lot and it's implied he has had panic attacks in the past
- Eddie is the lead singer and guitarist of cc. He started the band with Ronnie specifically because it was required to participate in the school talent show.
- Neither Wayne or Al graduated high school. When Eddie (temporarily) drops out, Al celebrates.
- Eddie doesn't cook. He doesn't even own a spatula. The smell of cooking in their house actually shocks him and gives him a deep longing for family meals, which Al uses to manipulate him
- Eddie jokes about being into Saturday Night Fever and strikes the pose a couple times.
- Eddie knows how to hotwire and how to pick locks. Al taught him this at the age of ten. Eddie is "disgusted" with himself any time he does either of those things.
- Eddie "drives like a monster" when he's upset about something.
- Eddie smokes cigarettes occasionally. Weed is mentioned a lot in the book but it never says anything about Eddie smoking it or doing any drugs. He either doesn't smoke much or he hasn't tried anything yet in the book. Also, he’s just now meeting Rick. But It’s pretty clear after everything he went through why he would start
- There's lots of mentions of PBR and Bud Light. Though Eddie says he doesn't like to drink after his shifts at the Hideout (where he's a barback). He mostly drinks off-brand Big Buy soda in the book (he calls it "pop")
- Eddie's parents were married on March 12th, 1966. The date is inscribed on the bottle of their wedding wine. Eddie asks what kind it is and Al says they only had 'red or white' kind of money
- Al breaks out the wedding wine (to manipulate Eddie, you guessed it) it's red wine and Eddie really, really likes it
- Eddie went to War Zone with his dad for supplies for the truck heist (spike strips, coveralls, etc)
- Eddie's band played Exciter by Judas Priest at the talent show. The song was only approved because they emphasized the "priest"
- There was another (?) talent show in Winter of 1981 where Eddie's band played "Prowler" and they were kicked off stage halfway through because the song was considered Satanic, and the PTA visited all their parents for trying to convert everyone to Satanism.
- Eddie imagines hitting his dad twice. Once with a glass bottle and once with a metal wrench. (He should've- oops who said that)
- The only hug Eddie gets in the book is when his dad first comes back, Eddie knows it's the first step in his cycle of showing up, using Eddie and leaving, but Eddie still accepts the hug and feels guilty for enjoying it.
- It's implied Eddie gets close to tears a couple times in the book, but the only time they actually spring up is when his mom's favorite song (from Muddy Waters) comes on in the truck radio while Eddie is doing the heist with his dad and feeling awful about it. Eddie has several flashbacks of dancing with her to this song, it seems like his happiest memory that he always returns to.
- Whenever Eddie is doing what his dad wants (hotwiring, charming a person into their plans) he puts on what he calls his "best Al Munson smile" and he's terrified that it will eventually take over his whole face. There's a part at the end where Eddie is sitting in a jail cell and says "All I want to do is tear my face off. If a new one grows in it's place, maybe it'll make me a different person. Someone who isn't such a complete fuckup."
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ronniaugust · 9 months
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How to Write on Final Draft (without it feeling so daunting)
It's incredibly difficult to open up a Final Draft document without feeling like you're literally writing your final draft, so here's a few features you can use your advantage!
1. Turn on dark mode
Dark mode makes it look like less of a script and more of an outline. Edit and rewrite in light mode, you will feel the difference.
2. Use speed view
Speed view gets rid of pages and page numbers and therefore you are only looking at the words you type.
3. Use focus mode
Focus mode removes the scenes, page numbers, and outlines you have at the top on the program while writing. Another way to forget about focusing on progress.
4. Make a messy beat board
Throw all your ideas onto the beat board, it should help make the document feel a bit more lived-in and less pristine.
Bonus:
5. Set a template with your formatting and use that to start every script you write
While a script format is very ridged, there are things you can do to personalize it. When you find those things, make them in a Final Draft doc (without actual writing) and save as your own template so you don't have to change all the elements every time.
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milf-harrington · 1 year
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i wrote this in like an hour so please forgive the quality but here's some gentle steddie set somewhere in the early 90's mentions of canonical violence and trauma, but otherwise just a gentle morning scene
5:30 am found Eddie Munson on the back porch steps, watching their liver spotted dalmatian patrol the fence-line with her usual level of seriousness. Ronnie moved like a spectre in the half-light, her edges all blurred and smudged until she stopped to sniff at a weed and became solid again.
The cherry of his cigarette flared bright on his inhale as he brought his knees further into his chest, feet crossed over one another like he could trap the warmth in if he just curled up tight enough. With autumn creeping closer, the mornings were getting crisp.
Luckily, his ears were warm under both his hair and the hood of his jumper,but his legs were prickly with goosebumps thanks to his habit of grabbing whatever was on the floor. This time it was Steve's basketball shorts, the one's that used to be trackpants until he'd taken scissors to them in the summer of '88.
They definitely weren't suited for cooler weather, but they were comfortable and Eddie kind of liked the distraction the chill brought. It was harder to get stuck in memories of snapping bones and dead motors and being eaten by bats when your toes were trying not to freeze off.
Eddie sniffled without tears and wiped his nose with the back of his hand, bringing his smoke back to his lips for another drag. His hands were shaking, but it had nothing to do with the weather.
He'd dreamed of Chrissy again.
The problem with an overactive imagination, is that it could always make your nightmares worse.
After weeks of stress free dreaming, he'd wound up back in his trailer last night, but this time he'd known Chrissy's favourite song. Playing it hadn't worked, and instead the bats had come pouring from her mouth like it was it's own gate. They'd swarmed him before he even had a chance to run, breaking free through the windows and those damn vents before tearing him and Hawkins apart.
He'd woken in his and Steve's bed, in the house they bought with their shady government money, sweat slicked and on fire. His skin was tight and itchy as he'd crept out of bed, tapping the dog awake to take her outside and grabbing his smokes from the dresser.
Ronnie chose then to drop her favoured rope at his feet, head ducked and eyes flitting from between him and the toy hopefully, tail wagging. Eddie secured his cigarette between his lips so he could distract her with a scratch behind her ears, and grabbed the toy with his free hand before she could react. She'd turn it into a game of tug-o-war if he wasn't careful, and it was impossible to ask her to drop it when it took both hands just to keep hold of the thing.
The rope sailed across the backyard in a high arc, and Ronnie almost tripped over her own paws in her haste to get to it.
A few more throws later, the sky was brighter and the back door opened with a familiar wheeze behind him.
Eddie didn't turn as he threw Ronnie's toy again, but listened to Steve quietly walk closer and settle down beside him with a soft grunt.
A moment later, his cigarette was stolen from right between his fingers, but when he turned to complain, Eddie was met with a steaming mug shaped like a bear. He took it with hands that were steadier than they'd been 10 minutes ago.
Steve, meanwhile, had tucked the cigarette between his own lips like he used too when he was trying to seem cool and impressive (before they got their shit together), and unfolded the blanket he'd brought out with him.
It settled over both of their shoulders while Eddie sipped his coffee, feeling it's journey all the way down to his stomach. He watched Ronnie register Steve's presence and come bounding over.
She stopped in front of them with the rope toy swinging from her mouth, tail picking up enough speed to move her hips with it when Steve signaled for her to drop it.
Steve generally wasn't verbal this early in the morning, preferring to sign until the world felt awake enough for voices. Luckily their dog was deaf too, even if she was cheeky about ignoring signals by pretending not to see them.
Finally, Ronnie relented, dropping the rope between Steve's ridiculous old-man slippers as he passed the cigarette back to Eddie. She graciously accepted her vigorous head scratches as reward.
Eddie huffed a laugh and tapped off the excess ash, taking another drag and waiting until the dog was tearing off after her toy to pass it back to Steve.
He accepted the smoke with a smile and didn't ask why Eddie was awake so early, or why he hadn't bothered to dress warmer. Just made sure the blanket was wrapped around him properly, and pressed a kiss to his temple over the top of his hood.
Eddie sighed from somewhere deep and tired inside him and let his head drop onto Steve's shoulder, feeling it drop as he exhaled smoke towards the rising sun.
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Do you think that Leonarda knew the way that the other people in Fobo walked?
Do you think that she could recognize Sunny's footsteps, light, but still sure of themselves, still confident in their own regard? That Leo could recognize Foolish's footsteps, because of course she would be able to recognize the footsteps of her own dad after so long of them together (even if he still sometimes stumbles late at night). That Leo could recognize Luzu's footsteps, because she always learned how to recognize the footsteps of family, and she always learned how to recognize the footsteps of threats, and Luzu was a weird mix of both. That Leo could recognize Ronnie's footsteps if she strained her ears, because they were always quieter than everybody else, quieter than even Sunny. That when Leo couldn't recognize the footsteps, she knew it had to be Charlie, or Lenay, or Chayanne coming to Fobo once again. And even if she couldn't always put a name to the footsteps, they were familiar in a way that made them home.
Do you think that she used to be able to recognize Tubbo's footsteps? He wasn't her dad, but he was sort of family. He mattered to her dad, and he mattered to Sunny, and in little ways, he mattered to her. His footsteps were softer than Foolish's, but self-assured, and irregular in their own regular way. She knew that when she heard his footsteps chaos would follow.
But he died. Leonarda knew Tubbo's footsteps once, but she didn't know them anymore. Maybe that was the greatest tragedy of them all.
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seeingivy · 3 months
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genuinely so excited to write my little enemies to lovers/fake dating academia setting eren au just so i can let all my frustrations about my research lab job in a fic
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jynzandtonic · 5 months
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Ooooo how would any/all of the boys react to turning 40???
*Sigh* 40 is a damn fine age. Please accept these snaccs:
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Charlie Barber: Henry's all set up to stay with his cousins for the week so you two can get away to the little villa he's booked in Tuscany for the two of you. You'll have the whole time to drink red wine, make homemade pasta, and fuck in the sunshine on the deck off the master bedroom.
Clyde Logan: He feels so damn lucky to be alive, to be with you. Growin' up with Jimmy, two tours in Iraq, all his adventures and misadventures, and he's finally settled down with you and happy as can be. All he wants is to sit with ya on the porch swing and watch the sunset with a beer in hand—but he won't say no to the butterscotch cake ya baked him.
Adam Sackler: Can't really believe he's fuckin' forty. He promises to put some of his commercial money in an IRA and take enough of a break from acting for a little staycation to fuck on every surface of your apartment together.
Flip Zimmerman: You sure you don't want to have a baby, sugar?
Phillip Altman: Perpetual man child. He offers to get matching cougar tattoos with you.
Rick Smolan: Motorcycle tour of Vietnam together, letting you take photos on his DSLR while you ride on the back of his bike.
Ronnie Peterson: Cabo San Lucas with you and all your friends. He wants to drink daiquiris, sing karaoke, and maybe get a sunburn at a nude beach!
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your-mums-nuts · 5 months
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Thinking about Dirtgrub and Ronnie the rat and how they are, at their core, still kids.
They plan ridiculous adventures, they come up with childish business ideas to get rich quick, they play with costumes and swords, they want their mums to be best friends.
They are friendship bracelets and playing make believe and smoking weed behind the school and skipping class and sleepovers and they don’t need to miss their childhoods because they’re right there.
Charlie still thinks Mac is tough, even though it’s been repeatedly shown to be false bravado. Because he still knows Mac as the town weed dealer with slicked back hair and abusive parents, who always stood up for him.
And Mac still tries to protect Charlie, e.g in the high-school reunion episode. Even though he gets thrown to the wolves again and again, he still looks out for Charlie, because to him, that’s still the little boy who is strongly adverse to touch and is most definitely getting molested by his uncle.
So Mac can fall in love with Dennis, Charlie can move in with Frank, Mac can come out, Charlie can sleep with Dee and It will never matter. They’re still thirteen years old, passing a joint back and forth.
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Ok now i'm thinking about Robin again bc of that post... And Robin and my PC's relationship.
Like imagine you have a friend. She's your best friend in the whole world. You grew up together and have always been there for each other. You were never as brave as her who kept picking fights on your behalf, but you were the only one who could give her some comfort, who ever even really saw that tough girl cry. As you guys grew up, though, things started to change.
You have always slept in the same bed and cuddled up together, right? But now it feels so different. You notice your heart speeds up when she hugs you. One day you wake up and she's staring at you in a way that makes you blush and hold her tighter to hide your face.
You know she'll always protect you and pick fights on your behalf just like when you were kids, though, so for a while you hide it when things get bad. You have to make money so you sell your most beloved belongings. She notices and for a moment you fear she's going to do something stupid, but she just takes on your burden and happily tells you you don't have to worry anymore.
You realize you're in love with her. You might always have been in love with her. You think about all your moments together, and wonder if she could feel the same.
When you decide to tell her, though, she shows up with a girlfriend. A scrawny girl from her English class who everyone avoids at the hallways.
"She's bullied a lot." Your friend says, showing her savior complex. "I had to help her."
"Did you have to date her, though?" You try not to let the jealousy show in your voice. "I mean, do you even like her?"
Your friend stays quiet, and that's the end of the conversation as she presses to load your save on Castlevania. You don't mention her girlfriend again.
Then, she starts showing up a bit later to the class you have together. She's always at the library, and you naively hoped that she had just been picking up her studies since she had always been a slacker. Key word, naively. Once the librarian's assistant kisses her cheek on her way out of the canteen, you snap. You leave her behind and don't even care when her weird, jealous girlfriend slips on your table and starts clinging to your friend. You just go to your class, pretending none of this is real.
That doesn't last, and you knew it wouldn't. She knocks on your door at night, looking weary from her waitressing job and saying she was worried you wouldn't let her in.
"She's a friend." She explains, talking about the librarian's assistant. "Like, come on, you know how religious she is. She wouldn't even look at me that way..."
You don't buy it, but you find it strange that she's bringing it up to you. You ask her why she's even explaining herself, and for the first time in forever, you see her hesitate.
Then, she kisses you. It could have been the best day of your life, and it briefly was, but then you remember she still has a girlfriend. She tells you that the note you put in her room and then took away as soon as you came back from school, she read it. She knows how you feel, and she feels the same. She was just afraid of it seeming like she was taking advantage of your reliance on her. You could cry, then.
It's only after you two let out all of the tension that had been building up inside of you both for years that she shatters your world.
"I'm not breaking up with her." She tells you, no longer hesitating after you ask if her girlfriend isn't going to be upset if they break up. At your flabbergasted expression, she continues. "She needs me."
"What about me?" You allow yourself to be selfish again. Don't you need her?
"...You know me." She smiles weakly. "You're always first to me. But... I can't let people push her around again. I just can't."
You wonder how having her tongue deep inside that girl's throat does anything to stop the bullies, but you don't have the courage to say it with your chest. You've never been as brave as her. That's the end of the conversation, and you know you'll ruin it, the thing you've dreamed of for so long, if you push your luck too far.
So you try to make amends. You can have her every day, most of the time, you try to remind yourself, and her so-called girlfriend only clings to her for a few minutes during lunch time. That's bearable. You can do it. You can do it to sleep with her every night, to kiss her every morning. Keeping that girl safe is important to her, so you bear it even if you don't get it.
So you bear it. You bear it when she definitely seems much closer to the librarian's assistant now, as they leave you to stare at her girlfriend stab food with a fork during lunch and then you see them in hallway as they giggle with their arms intertwined, sharing a milkshake like you used to do with her. You even bear it when she starts getting friendlier with that one bully who has always made your lives hell. And you bear it as you see her girlfriend taking your place in her bed as you try to slip into her room, knowing you can't say anything about it.
You wish you could stop, but it's all you can do. She still gives you strength, she tells people off when they make fun of you for dressing like a boy (like yourself, you try to say, even if no one listens), she protects you from worse threats on the daily. Bearing it is maybe the least you can do.
You turn your anger outwards. The first time you hit someone with a book for giving her pain, she looks at you differently. Maybe that was what you were missing all along. When you slip into her room that night, she seems much eager to have your body as close as possible to her own.
You stare at the little owl her girlfriend gave her, and disgust that can only be washed away by her sweet kisses fills your mouth. You really wish you didn't have to bear it, especially not in your own home. You wish that creepy girl had to be the one to see the person she loved clinging to someone else, for a change.
Ah, yes, how you wish she'd see it.
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ronnieroseart · 1 year
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Do you think your precious guide can save you here?
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cosmic-kaden · 1 month
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Well this is new.
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Ship: Ronnie x Kaden
Words: 2,084(OHMYGOD WHAT!? No pressure to read holy shitttttt)
cw: Ronnie's pov, oops Ronnie doesn't know how emotions work! D: Mindy and Cliff being goofs lol (No real CWs)
summary: Bobby's sibling is new in town- Place your bets! :3
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Quiet, it was always quiet. Maybe that's why they say this is a nice place to be. No excitement of the good or bad variety. Not much to do either, wasn't a bustling city with malls and movie theatres, no concert halls or nightclubs, just a quaint little town.
Ronnie sat, arms crossed over his chest at his desk, staring at the clock as it ticked by, every so often checking his cell phone, reading news from other more exciting places in the world. It's not that he hated it here, he liked that it was quiet, fewer people, fewer crimes but sometimes he wished for something to change. Anything really.
"Hey, did you hear?" Mindy broke the silence in the station as she pulled up a seat at her desk. She pushed up her glasses and sat back in her chair.
"Hear what?" Ronnie asked flatly, his brow raising slightly.
"Bobby's got family living here now." Mindy smiled.
That was the one thing about such a small town, nothing was ever kept private and if it was it didn't stay like that for long. Everyone knew everyone and gossip was a pretty common thing.
"Is that so…" Ronnie glanced up from his phone to look at Mindy and Mindy smiled.
"Yeah- some of us are taking bets."
"Taking bets? On what?" Ronnie asked, once again drawing his attention back to his phone.
"On if whoever has moved here ya know…" Mindy gestures vaguely and Ronnie looks at her with furrowed eyebrows. "Looks….like him"
"That's sort of rude don't you think?" Ronnie is looking at her a little more seriously now, he was never one for gossip and not to mention the subject right now had him wildly uncomfortable.
"I guess it kinda is but hey, what else we got going on. Want in?" Mindy grinned.
"No."
"Do yoooou at least want to go with Cliff and me to introduce ourselves?"
"You mean go and see who won the bet?" Ronnie raised a brow and Mindy sighed.
"….yes"
"Fine." Ronnie simply said, standing to his feet and grabbing his jacket.
The drive to Bobby's shop wasn't far. He owned a little gas station comic shop hybrid, all the local kids went there for junk food and to get their sci-fi kick. Already something was different, there was music loudly blasting from the shop.
"Someone likes it loud," Mindy mumbled as they pulled into the shop.
Cliff, Mindy, and Ronnie got out of the car and trailed inside the tight little store, a quaint, slightly run-down storefront, full of of nostalgia and a holdout against the creeping decay. The shop's sign, "Centerville Comics," flickers with a vintage neon glow, inviting those seeking escape into worlds beyond the unsettling quiet of their own. Inside, the shop is a labyrinth of towering shelves, each one groaning under the weight of comic book history, from dog-eared classics to the latest issues. The lighting is dim, with sporadic beams of sunlight filtering through dust-speckled windows, illuminating the colourful covers
The music was usually some twangy country but today was more instrumental progressive rock… that was new. Ronnie bobbed his head a little as Mindy and Cliff glanced around the store before someone came out from the back of the shop and everyone's eyes landed on them.
Mindy grinned, subtly holding her hand out towards Cliff who Cliff, reluctantly handed her $20. The person emerged to the counter, they had black-blue hair about shoulder length, and long bangs that swept across their eyes, when they brushed the hair from their face their eyes were green.. light green with a darker green ring around it. They adorned an eyebrow piercing in their left eyebrow with purple studs that matched the same ones that were in their lower lip.
Ronnie's mouth went agape for a moment as he sucked in a breath of air. Why did it feel like he had suddenly run a marathon? His heart was beating wildly in his chest? The regular musk of ink and paper scent of the shop was replaced by something else…Flowery? Fruity? Mocha? it was a combination of the three that filled his nostrils, no doubt it was whatever this person was wearing. It was alluring. Ronnie had to swallow thickly and try to compose himself despite looking calm on the outside, his stomach was doing backflips and it only intensified when he saw them flash a toothy smile.
The smile on their face changed to one of concern, however. "Oh shit! Am I too loud!?" They reached for the remote to the sound system and turned it down a bit.
"No, no you're good. We just wanted to stop in and say hello, we heard Bobby had some family visiting and--"
"and ya'll had to rush over to see if I was a skinny-haired nerd too?" They interjected, grinning widely and Ronnie cracked a little smirk that didn't go unnoticed by Cliff.
"I-- we---" Mindy stammered in shock and Cliff looked rather embarrassed.
"It's alright, Bobby told me that it might happen. So who won?"
"Mindy." Cliff thumbed towards her and she shyly smiled.
"So Mindy.." they turned their attention to the older gentlemen.
"Cliff."
"Cliff…" They echoed as they turned towards Ronnie and their eyes flicked up to him.
"Oh, R-Ronnie-" He stammered, a small hitch in his voice as he reached over the case to shake their hand. Why was he so nervous? Again the stammer didn't go unnoticed this time by Mindy and Cliff.
"Kaden, nice to meet you Ronnie~" They smiled sweetly at Ronnie and he felt like his heart was going to explode in his chest yet on the outside he remained his calm and cool self or at least he thought he was.
"Well, it was a pleasure to meet you. Tell Bobby we said hi" Cliff smiled and turned on his heel.
"Coming Ronnie?" Mindy raised a brow, taking note of how his gaze seemed to be lingering on Kaden.
"Huh?" Ronnie broke his gaze and looked at Mindy.
"Are you coming?"
"Oh- uh-"
"Actually…" Kaden pressed their palms against the glass case as they leaned on it. "Can I borrow him for a bit? He has something I need."
"He does?" Mindy looked at Kaden curiously.
"I do?" Ronnie also looked to Kaden and why was he suddenly feeling nervous?
"Yeah. His height. Can you help me out with those.." Kaden pointed to a stack of boxes "Up there?" They pointed to the shelf that was closest to the ceiling. "Bobby wants to put up some of the new arrival comics but he clearly doesn't believe in owning a step ladder or at least one that I can find in this cluttered mess back here. I know it's an odd request but it seems like not much goes on here so can you spare your deputy for a moment?"
"I dunno, Ronnie? Can you be spared?" Mindy's lips pulled into a half smirk and Ronnie felt his heart sink into his stomach.
"Y-Yeah, no I can absolutely help out if you need it." Ronnie stammered again and Mindy shot him a knowing look.
"Great!" Kaden smiled.
Mindy and Cliff left and as they were outside Mindy offered Cliff another little bet..
"He's smitten."
"I see that."
"I give it a month tops before he crack."
"you're on."
Back inside Kaden motioned Ronnie to come around the counter. "Thanks for the help~" Kaden hummed softly.
"Oh, it's no problem." He replied softly. the look on his face was stoic and he offered a small smile to Kaden and noticed the way they soon followed suit, giving a small smile themselves and there were those butterflies again, slowly fluttering in Ronnie's stomach. He swallowed thickly again.
"Here you are sir~" Kaden chuckled as they went into the box and grathered a pile of comics in their hands. Although they didn't have the greatest grip on them within moments they were scattered across the floor. "Shit!"
Ronnie moved on instinct, squatting down to help with the mess as well as Kaden and within moments their heads collided with one another. Kaden hissed and held their head as did Ronnie.
"Ow!" Kaden exclaimed a small laugh coming from them as they glanced up at Ronnie who was also holding his head.
"Sorry..are you alright?" Ronnie asked as he looked over to see Kaden already staring at him. He took relief in the fact that Kaden was laughing and the sound sent a spark of warmth through his chest that he had never felt before.
"I'm okay..heh are you okay?" Kaden chuckled softly as they stood to their feet, handing Ronnie a bunch of books from up off the floor.
"I'm okay." He spoke softly, just above a whisper.
As Ronnie and Kaden finally straighten up, each holding a portion of the spilt sci-fi comics, the last few books find their way back onto the shelf. The slight bump on his head from their accidental collision is nothing compared to the rapid thumping in his chest. Ronnie can't help but replay the moment over and over in his mind, the soft surprise in Kaden's eyes, the brief touch of their hands. It's ridiculous, he thinks, how a simple accident feels like it's rewired his entire day—
As Ronnie and Kaden finally straighten up, each holding a portion of the spilt sci-fi comics, the last few books find their way back onto the shelf. The slight bump on his head from their accidental collision is nothing compared to the rapid thumping in his chest. Ronnie can't help but replay the moment over and over in his mind, the soft surprise in Kaden's eyes, the brief touch of their hands. It's ridiculous, he thinks, how a simple accident feels like it's rewired his entire day—no, his entire outlook on what he came into the comic shop for.
"Thanks for the help," Kaden says, their voice pulling him back from his daze, a smile playing on their lips. It's casual, the way they say it, but to Ronnie, it feels like a scene straight out of one of these comics—unexpected allies meeting in a twist of fate.
"No problem," Ronnie manages to say, hoping his voice sounds steadier than he feels. "Guess we made quite the team, huh?"
"Yeah, we did," Kaden agrees, their smile broadening, oblivious to the feelings that they've flamed inside Ronnie.
As they stand there, amidst the quiet hum of the shop and Kaden's music that was playing in the background, surrounded by tales of intergalactic adventures and time-travel mishaps, Ronnie finds himself wishing they were characters in one of those stories. It would be easier, maybe, to express how he feels if he could blame it on some cosmic anomaly or a twist of fate written into the stars. They just met after all and it would be weird to just blurt out that he found them attractive, plus that wasn't Ronnie. He was calm and collected at all times…..right?
He takes a moment, watching Kaden's enthusiasm for the comics, the way their eyes light up at certain titles, and he wonders if maybe, just maybe, there's a universe out there where he's brave enough to say, "Hey, I know we just met, and we might be nothing more than two strangers who bonked heads over a pile of comics, but I feel like there's something here. Do you feel it too?"
But he doesn't say any of that. Instead, he tucks those words and feelings away, a secret storyline that no one else gets to read. For now, he's content to bask in the aftermath to hold onto the spark of something new and thrillingly unknown.
"See you around?" he ventures, a tentative offer to extend this moment into something more a chance to see them again hopefully, less head-bonking encounters though.
"I'd like that," Kaden responds softly, the smile on their face ever-present. If Ronnie was paying more attention to Kaden than to his own inner thoughts and feelings he may have noticed the faint tint of pink that spread across Kaden's cheeks.
"Okay, well…see you later then."
"Bye, It was nice to meet you, Ronnie."
"Y-You too.." Ronnie stammered and was mentally kicking himself, he wasn't like this. He wasn't someone who allowed strong emotions get the better of him and yet here he was, heart racing and words faltering. He turned on his heel and headed out of the shop and allowed himself for the briefest moment to feel what he was feeling. He smiled fully to himself, something new and exciting was finally happening in this quiet little town.
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Tag list: @ama-ships || @heatobrienswife || @kylars-princess || @roboraindrop || @lysandreslittlechatot || @dragonsmooch
Absolutely NO PRESSURE to read this. I didn't think I could make a 2000 word fic but hi? hello????? If you read it fucking thank you!? you're literally a rockstar and I'd die for you??? <3
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future-crab · 9 months
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I'm listening to the Amazing Devil again, and by God, I'm gonna make it everyone's problem
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ronniaugust · 10 months
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How To Write Good Dialogue (Part 1)
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I'm gonna start this by saying I'm not trying to sound like a know-it-all. I am just tired of posts like these being absolutely fucking useless. I am aware this is basically me screaming into a void and I’m more than okay with that.
This guide is meant for intermediate screenwriters, but beginners are also absolutely welcome. :)
(about me)
-♠︎-♠︎-♠︎-♠︎-
I've noticed a rise in film students who want to make films that have no dialogue. Probably after your professor showed you Doodlebug, right? Fuck that.
I'll make another post about writing a short film, but all you need to know is: Don't waste the audience’s time. Most of these no-dialogue shorts have very little substance and take way too long to tell the shortest possible story. Not a good idea.
Useless Dialogue
Plain and simple, don't write useless dialogue. Useless dialogue is dialogue that just doesn't fucking matter. Dialogue matters by having ✨subtext.✨
What is subtext? Subtext is the meaning behind the action. That's it.
If I tell you that I love you and I got big doe eyes while I say it, it means I love you. If I tell you I love you through a clenched jaw without looking at you, I don't necessarily love you right now.
Simple, right? Great.
Now think about the subtext behind every line. Does your character mean what they're saying? Are they doing it to get what they want? What is going through their mind as they say it? As long as you know your character, you’ll have these answers ready to go. If you don’t, you’ll figure it out eventually. Just keep writing.
When you write your character walking into a Starbucks and saying, "One venti iced coffee," does that do something? Why do I need to see someone's boring Starbucks order? Do I need to know that your character's boring? Why are you writing a boring character? [Of course, in the rare situation where this is some revealing clue to the massive crime investigation, then it makes sense.]
Useless dialogue is any dialogue that has no meaning or purpose in your script. Delete and move on. You don't need to write entire conversations or scenes that bore us, just write what we care about.
I took a class once where my professor called a version of this "trimming the fat." Get us into your scene and out of your scene in as little time as it takes to have it achieve its full purpose in the script.
[P.S. You don’t “inject” subtext into your lines. Idk who started that vernacular in subtext teachings but I hate it.]
Show vs. Tell
I remember a glorious fight I got into with a Redditor last year about show vs. tell… TL;DR: Dialogue is “show” if you write it with intention and subtext. If someone says that dialogue is inherently “tell,” they’re wrong and can go fuck themselves.
Dialogue that is “tell” is expositional dialogue. But, hot take: Exposition isn't just in dialogue. It’s also those annoying clichés that make you roll your eyes in the theater (which we just call clichés and not exposition). I’m sure every professor I’ve had will disagree with this and then get me into a long conversation about it, but let’s ignore that for right now.
Have you ever seen a movie where a character rubs an old, worn-out photo of a young girl while looking depressed? That's exposition. That character has a dead daughter. No shit.
Clichés are incredibly annoying. We all know that. Assume that any cliché you see - in this context - is exposition and try your best not to write it. (Tropes are different and sometimes necessary, so I’m not talking about that.)
Point blank: When you have subtext in your lines, they are "show,” not “tell.”
Before moving on, I'll bring up that while technically the dead daughter photo is subtextual, it is as close to the character saying “My daughter is dead,” as you can get. Don't treat the audience like we're fucking stupid.
The First 15
If you don’t know what the Inciting Incident is, please look up “3 Act Structure” before reading this.
The first 15 pages of your script is the part that comes before the Inciting Incident. This is the part you want to get right because, although people probably won’t leave the theater, they will absolutely find something else on the streaming service they’re using. The people making said movie will also just toss your script in the trash before it’s even produced, so it's best to get it right.
Dialogue in the first 15 generally follows the same rules, but carries a heftier additional rule. All dialogue in the first 15 minutes must, must, must tell us something about your character.
Remember when I talked about that boring Starbucks order? Why is your character boring? Don’t write that. Don’t write nice characters. Or pleasant characters. Or friendly characters. No one cares.
You want empathy. This does not mean “relatable.” It means “empathetic.” There is a difference.
I personally relate to Vi in Arcane, but I empathize with Theo in Children of Men. Both are excellent, but one personally resonates a bit more with me. You cannot write a character that deeply resonates with every single person, it is impossible.
With each line of dialogue, you must be saying something about your character that generates the empathy. Instead of telling you how to do this, I’ll direct you to a movie that will do better than an explanation: Casablanca.
Watch how Rick interacts with the world. What kind of man is Rick? Watch what he does, what he says, and how he treats people and himself. Watch that empty glass on the table. Watch his contradictions. Everything. Those things matter and it’s what makes you want to watch Rick for the entire duration of Casablanca.
“Realism”
This is maybe more directorial, but make your characters human enough, not too human.
Too human is when you’ve tried your best to capture all those little life-like speech patterns. You know, the ones that no one fucking cares about.
If your character coughs, they’re sick. If they clear they’re throat, they’re uncomfortable. If a bruise isn’t going away, they’re going to die. Simple.
Every moment on screen matters. Everything the audience sees is meant to lead them to a conclusion. Not the conclusion, just a conclusion.
The realism you want is in the choices your character makes, not how many times they say “Uh,” in a sentence.
Conclusion
Dialogue matters and should not be treated lightly or without care. Once you have this all engrained in your mind, dialogue should become effortless.
If you want an excellent way to think about this, Robert McKee's Story has an excellent chapter that helped clarify this all for me. Here's an excerpt and the context.
Warning, spoilers for Chinatown.
"If I were Gittes at this moment, what would I do?"
Letting your imagination roam, the answer comes:
"Rehearse. I always rehearse in my head before taking on life's big confrontations."
Now work deeper into Gittes's emotions and psyche:
Hands white-knuckled on the steering wheel, thoughts racing: "She killed him, then used me. She lied to me, came on to me. Man, I fell for her. My guts are in a knot, but I'll be cool. I'll stroll to the door, step in and accuse her. She lies. I send for the cops. She plays innocent, a few tears. But I stay ice cold, show her Mulwray's glasses, then lay out how she did it, step by step, as if I was there. She con-fesses. I turn her over to Escobar; I'm off the hook."
EXT. BUNGALOW-SANTA MONICA
Gittes' car speeds into the driveway.
You continue working from inside Gittes' pov, thinking:
"I'll be cool, I'll be cool ..." Suddenly, with the sight of her house, an image of Evelyn flashes in your imagination. A rush of anger. A gap cracks open between your cool resolve and your fury.
The Buick SCREECHES to a halt. Gittes jumps out.
"To hell with her!"
Gittes SLAMS the car door and bolts up the steps.
Story by Robert McKee, pg 156
The context of this page is McKee's way of explaining how to write characters. I found it very helpful.
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Thanks for reading! I probably forgot something, so I made this a “part 1.”
I hope this helps someone since I’m really tired of finding short films on YouTube that are all fucking silent. The few who have done it well have been copied to death, so please write some dialogue. I promise you it’s so much better if you do.
Asks are open! :)
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2271me · 1 year
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fuck it I've had enough. I had an intro to cultural anthropology class a semester ago, but looking at recent bullshit in Florida, I have a few things to say:
I'm sick of people treating culture like it's some chunk of earth.
It's neither something you can wage war on nor fight for. It is not a finite amount of substances that is adulterated with new introductions. It isn't something precious in the same way a piece of jewelry or what have you; not preserved safe by being put in a locked box. Cultures are not the current models of bludgeon that groups of people impose upon others. One's culture, in total, is not an "immovable cornerstone" of anything made by humans. It is not in any way like stone.
It did not exist before there were people to possess it. A culture is something we've created amongst each other. In short, it is a conversation. one of beliefs, institutions, and knowledge; spoken by the beliefs and actions of it's participants. It is a conversation that you have a voice in too.
If you forget anything I say before or since, please do not forget that.
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seeingivy · 5 months
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today's mood. took a massive L and am very sad about it but you know F it we ball. deflated hello kitty balloon x 1000
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becca-e-barnes · 2 years
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Hey Becca U got any thoughts on subby winter soldier
Why tf is that so hot? Like the thought of him leaning into every gentle touch, totally desperate for attention.
He’d really enjoy giving in to pleasure because he wouldn’t let himself do that very often, not that he's given the chance very frequently anyway. He’s definitely not used to allowing his body to feel so when he does, it brings an all consuming kind of release.
And I don’t think he’d particularly care what you want to do to him. So long as you’re touching him, giving him little soft praises with the promise of an orgasm at some point, he’s more than content.
It’d take a lot of teasing to fully break him though and a little part of him loves to get that pathetic. He loves to lose control of himself, hearing himself whining and begging, his whole body taught from being edged for too long. “P-please, ma’am. Oh God, please, don’t stop this time.” The thin sheen of sweat on his furrowed brow glistens slightly as he squirms under your touch. Your hands have been relentless, lubed up and insistently tugging on his weeping cock.
All that militant self control is gone. Every shred of the stoic soldier you know has melted away under your touch. He’s back to being a man consumed by the sensations his body needs to feel and it’s the most freeing mindset for him, even while being denied. “No, Soldat. Not yet.” You hardly recognise that stern voice as your own because it’s just so easy to fall into this role with him.
His little whimper is pathetic, his abs taut as he babbles that he can’t take any more. You know he can though. He can because he has to. You’re going to make him.
His eyes are squeezed shut, refusing to watch how your hands are touching him so you take the opportunity to lean over, spitting on the tip of his length, rubbing circles over the tip with the palm of one hand, letting your spit keep him nice and slick.
“Oh no god, please. Ma’am, that’s too much. Oh God, that’s good.” He sobs, sounding so beautifully broken. His back arches, unsure if he needs to you to stop immediately or never ever stop.
“Get off on this. Cum all over yourself, Soldier.” Your hands keep working at a steady pace, one jerking his base while the other rolls over his tip. It’s methodical, almost mechanical compared to the very human response it’s eliciting.
He doesn’t need to hear the same command twice, that’s for sure and it’s not long before his hips are bucking up into your soft, slick hands.
“Thank you, oh God, thank you.” He’s totally gone, cum coating the flat of your palm in a seemingly endless stream. It drips from your palm, down his shaft, adding to the spit and lube you’d used and knowing he’s made such a mess of himself just makes him cum that little bit harder.
After he’s spent and quivering, cleaned up and beautifully pliant, he’s so needy, clinging to your body, needing to feel close and cared for even just for an hour or two.
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hawkinsleather · 11 days
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The Ballad of Eddie Munson’s Battle Vest
by hawkinsleather
art link / playlist
Word Count: 16,713
Chapters: 5/5 (completed)
Archive Warnings: No Archive Warnings Apply
Rating: Teen
Pairing: Eddie Munson & Wayne Munson, Ronnie Ecker & Eddie Munson, Al Munson & Eddie Munson
Character: Eddie Munson, Wayne Munson, Ronnie Ecker (Stranger Things), Al Munson
Tags: Canon Compliant, Pre-Canon, this is set in 1978, Eddie Munson & Ronnie Ecker are best friends, Good Uncle Wayne Munson, Al Munson is not a good dad, Flight of Icarus references, Child Abandonment, complicated father son relations, a whole lotta music references, love is stored in the biscuit tin that's actually full of sewing supplies
Summary:
"Thought you'd like to make one of those cut off vests I've seen your heavy metal heroes wear. I need a new jacket, so I thought you could use my old one. You just need to cut the sleeves off," he lifts the jacket up by the shoulders. "An' Benny donated his old shirt for the back." Eddie knows Wayne likes to make do and mend, find new use for old things, never throw away anything that's still functional in some way, and he does not mind a second hand present that's a work in progress. He likes to do things with his hands. There's just one big problem with this one. "Thank you, Wayne," he hugs the older man. "But I don't know how to sew," he continues as he lets go of his uncle and looks at him with his big sad puppy dog eyes. - - - - It’s Eddie’s 13th birthday and his Uncle Wayne has a special present for him with some assembly required, and he’s going to teach him how to do it. But first Eddie has some plans with his best friend Ronnie.
Beta Read by: sarasmiling & cheesbeurger
art by: artbean
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