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#al munson
steddielations · 6 months
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Wayne pov, implied neglect, abandonment
Wayne gets a call from Hawkins Elementary that Eddie hasn’t been to school in two days.
They couldn’t get ahold of Al on the phone, as usual. Wayne hopes his suspicions are wrong, but he already knows what he’s going to find when he shows up to the shabby old house on Philadelphia street with a McDonald’s bag in hand.
His knock on the door goes unanswered, but he sees small fingers and big round eyes peeking through the side window blinds. 
“Hey, Eddie, it’s your Uncle Wayne. Open the door, it’s alright.”
Eddie shuffles away from the window, but there’s still no answer.
“You hungry? I brought those nugget things you like, that’s all. Some kinda toy in here too.”
After a moment, the door slowly opens a sliver. One big button eye peeks through the crack and a pale skinny arm reaches out.
Wayne hands over the food. “Gonna let me come inside?” 
Eddie’s arm snakes back in with the bag like a claw machine. But after another moment, the door swings open fully, revealing Eddie in rumpled clothes at least a couple days worn. The shadows under his eyes tell Wayne all he needs to know.
“Dad’s gone to the store,” Eddie smiles nervously, he didn’t inherit Al’s ability to lie behind it. “He said he’ll be right back.”
Wayne just nods as he comes inside. One look around confirms what he already knew. By the window, there’s a blanket and a scatter of candy wrappers and empty soda cans where Eddie’s been sleeping. Waiting and watching the driveway for Al.
This wouldn’t be the first time Al’s gone off and left Eddie to fend for himself. Wayne’s been helping out as much as he can since Eddie’s poor mama passed. He doesn’t know much about raising kids but he knows Al’s one dumb selfish bastard to be leaving Eddie alone for days since the ripe age of 8.
Wayne ignores the twist in his chest and the stab of anger he feels and doesn’t mention it. He follows Eddie to the coffee table in front of the couch where Eddie digs into the McDonald’s sack.
“School called and said you weren’t there. You feelin’ bad?” He reaches out, gently pushing back Eddie’s wild curls to feel his forehead. He’s surprised Eddie lets him, too busy scarfing down chicken nuggets. “No fever.” Wayne notes, but Eddie’s hair needs a good wash.
Eddie’s narrow shoulders slump a bit. He doesn’t look at Wayne, tearing open his chocolate milk with his teeth. 
“I just— didn’t wanna go today. I hate school. Miss Taylor always gives me a bad behavior grade even when I act the best in class. She calls me Junior. Munson Junior.”
“Thought you liked being called Junior. Like your dad.”
Eddie shrugs, those shadows darkening on him. “Everyone forgets I have my own name too. Sometimes I just wanna be Eddie.”
Already, he’s feeling the weight of his last name. Al taught him to hotwire the second he turned 10 and how to pick locks even before that. Munson tradition, Al wouldn’t listen when Wayne told him that’s bullshit. What seem like cool tricks to Eddie now already make him guilty in everyone’s eyes. Wayne’s been feeling it all his life, thanks to his old man and now Eddie’s got Al to thank for making it even worse.
“That’s good, you just keep reminding them,” Wayne says, being careful with his next words. “When you finish that, why don’t you go pack a bag, alright? You can come stay with me until your dad gets back.”
Eddie goes stiff, chewing slower now. “It— it hasn’t been long. He said he’d be right back.” His eyes drift over to Wayne, checking to see if he buys it. Wayne doesn’t. So Eddie huffs, “I wanna stay here. I hate the trailer park.”
That’s just him repeating Al’s shit talk, so Wayne doesn’t take offense. “Your friend’s been askin’ about you. That little girl next door.”
Eddie perks up at that, “Ronnie?” Wayne nods and thinks that does the trick for a second, but Eddie stubbornly sulks again. “I can’t go. Dad told me to stay here until he gets back.”
“Well, you shouldn’t be here alone. You don’t have to be.”
“I’m not scared to stay by myself,” Eddie insists, sitting up straighter, looking even younger trying to look older. “Dad said I’m not a little kid anymore. I’m 10 now and I can look after myself. He taught me to use the stove and everything. I always do fine on my own.”
“So he’s been leaving a lot, then? You know you can call me to come pick you up,” Wayne tries not to frame it like it’s Eddie’s fault, pointing to where his phone number is pinned on the fridge with a magnet.
Eddie’s lip wobbles despite how he tries to square his jaw.
“There’s nothing wrong.”
“You ain’t—”
“You said to call if I need you and I don’t need you, Wayne! I'm fine!”
Eddie shoves the food away, his eyes wide and shiny when he cuts them back to Wayne. Not glaring with anger, just hurt. 
“It’s not fine,” Wayne tells him, gentle as the first time he held him, just a tiny thing all bundled up in Elizabeth’s knitting. “Your dad’s got his head in his ass again. You can’t stay here on your own, no matter what he said. I ain’t leaving you by yourself.”
“I’m not going.” Eddie’s more pleading now than arguing. “I have to stay here so Dad can find me when he gets back. Don’t you get that? If I’m not here, I won’t see him.”
That’s what it’s really about, Eddie thinking it’s his responsibility to keep up with his Dad. Instead of the other way around.
“If he comes looking for you, he’ll know where to find you.” But Al won’t. It’s never Eddie that he comes back for. Wayne doesn’t tell Eddie that, but now Eddie’s starting to learn that on his own. Al proved it to him time and time again.
“Why do you even care?” Eddie’s angry now. But it’s not really Wayne that he’s mad at. They both know that.
“It’s alright, son, c’mon now.” Wayne reaches for him but Eddie quickly pushes his hand away.
“You aren’t my dad.” Tears escape with the words, and seeing his pain hurts Wayne more than anything he could say, or do. He pushes Wayne again. “So why do you care? Why are you here?”
He doesn’t need an answer, he just needs to let it out.
So Wayne sits there while Eddie shoves his chest and cries harder, “You aren’t my dad. Why do you care?” Wayne curls his hands around Eddie’s smaller ones as the question turns to, “Why aren’t you?” Then it’s a broken little sob of, “Why aren’t you my dad?”
Wayne catches Eddie when he finally tires himself out, and instead of pushing Wayne away, Eddie’s clinging to him. Eddie’s holding on like Wayne’s all he’s got left in the world. Wayne hugs Eddie to his chest, wishing there was more he could do.
Al put a hole in Eddie and he’s digging it deeper everyday, one that Wayne won’t ever quite fit into. He tries to fill it the best he can, giving Eddie the only bedroom in the trailer, going to the talent show because Al never makes good on his promises to be there for Eddie, not letting Eddie stay in this damn house alone waiting for someone who’s never gonna show up. Maybe Wayne’s not that someone, but he can still be here for Eddie. And he’s gonna be.
“C’mon, let’s get you outta here.”
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I make the rules and this is Eddie's dad now.
Also thank you @edsforehead for putting this deep in my brain
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dreamwatch · 7 months
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STWG daily drabble - 19/09/23
Prompt: we’re not family
****
The ICU is at capacity. An earthquake, they’re saying. It’s been a week and they’re still sticking to that bullshit story.
Wayne’s not an idiot, and neither are these doctors. There are Feds here talking about dog bites and it’s written all over their faces, yeah pal, we don’t believe it either.
A nurse brought him a book a couple of days ago. “To keep your mind off things.” It’s hard to read when he’s listening for the whoosh clicks of the ventilator, the alarms, beeps and bells of machinery, all plugged in to his nephew, and knowing that these sounds mean Eddie’s alive. He doesn’t want to keep his mind off that.
Wayne hears a commotion in the hallway and he’s about to ignore it when he realises he recognises the voice.
He steps out of the room and is stunned to see his little brother arguing with two nurses. It’s like a slap in the face. Wayne didn’t even know he was out of jail.
“Christ, Wayne, will you tell these people we’re family?”
Wayne stares at him. At Albert Edward Munson, the baby brother who he wished for for so long. Who finally showed up a couple of months after Wayne’s tenth birthday and he’d thought it was the best possible birthday present anyone could have got him.
He used to take Al to school for his Ma when she was working, his small hand tucked safely in Wayne’s as they walked. That yardstick of growth, hand against hand, laughter and giggles as Al caught up to him, bigger and bigger each year.
He showed him how to slick his curls back with Sweet Georgia Brown before his first date. Told him he was still proud of him when he failed senior year. 
Hugged him tight when Al was drafted. Hugged him tighter when he came home.
He comforted him when he got Shirley-Anne pregnant, told him it would be okay. Gave him money, helped them get married. 
Cried with him when Eddie was born. Cried with him when Shirley-Ann died.
Bailed him out of jail when he went on a bender. Cleaned up the bottles and cans in the house so that Eddie wouldn’t cut himself on them. 
Argued with him when he saw the bruises on Eddie’s arms. Hit him when he saw the bruise on Eddie’s cheek.
Disowned him when he threw Eddie out.
He stares at his baby brother, and it fucking hurts because he sees so much of Eddie standing there. The big brown eyes, the dark curls. It fucking hurts because he loved this kid with all his heart and he did everything he could, he did, to steer him right, to keep him on a good path. All for nothing.
Wayne swallows thick and wet. “We ain’t family.”
“The fuck we’re not!” shouts Al. “You can’t keep me from my boy!”
Wayne is a patient man, but that there is his breaking point. He storms towards Al, grabs his shirt in one hand, points right in his face with the other.
“That’s where you’re wrong,” he spits out, venom and anger and frustration, a pressure cooker twenty years in the making finally exploding. “On two counts. I will keep you away from him, and he ain’t your fucking boy no more!” Wayne shoves him away. “You lost the right to call him your boy the moment you beat the shit out of him.”
He catches sight of one of the Feds and well fuck let’s make them work for their money, he thinks as he waves him over.
“This man’s bothering the nurses.” He barely finishes the sentence before Al is being dragged out of the ICU, hollering and shouting the whole way.
The nurses are kind, they ask if he’s okay and he thanks them and apologises. For what happened, not for Al’s behaviour. Because he stopped being responsible for Al Munson a long time ago.
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piratefishmama · 7 months
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i do absolutely want Al Munson to not be as big of a dick as he could be.
like, he taught Eddie how to play guitar, yes he also taught him how to hotwire a car and he's always pulling schemes that get him thrown inside, but... i'd love him to be just one of those guys who's not bad by nature.
he's not a bad guy, he's not a bad father, he just does shady things sometimes. he's not violent, he's not cruel, he's just a schemer, maybe a bit of a con-man.
He's not as good as he could be, but he's sure as shit not as bad as he could be either.
an i really want the only reason for the buzz haircut to be because some idiot put gum in Eddie's hair. Potentially eddie himself, cause he's a silly goose.
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edzmunson86 · 5 months
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Another shot of Eddie and his Dad
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powderblueblood · 4 months
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bethy on beale street
eddie tells lacy the story of how al munson and elizabeth franklin met in memphis, tennessee. or, love is a grilled cheese sandwich. (2k) cw: sickening fluff, me making shit up about beale street, al munson is a junior sleaze but is no match for elizabeth franklin and her sunshine smile. taggin @dieaverage & @fracturedarkness x
part of the hellfire & ice universe
"oh, this is pathetic."
you push your lower lip out a little further, gesturing to the blackened thing of jiffy pop with the pitiful enthusiasm of a door-to-door salesman that needs to make one last sale or else she's giving her exhaust pipe a blow job. "eddie."
"was that your dinner?" he asks, gesturing to the failed science experiment in your hand with the cigarette in his.
a couple of incinerated kernels fall out the bottom. you nod, eyes shiny. he rolls his head around on his neck, groaning with a fervor. he's such a fucking sucker.
"fine! get in here-- you're so goddamn lucky wayne's doing overtime--"
"oh, otherwise i'd starve!" you say, brightening up immediately as you hop through the door of the munson trailer.
"otherwise you'd starve."
"emaciated!"
"a dessicated corpse come monday."
and come a few moments later, you're biting into the most heavenly grilled cheese you've ever had. like, really. the cheese is plastic and gooey and dripping and a string of it clings to your chin. eddie, the chef de cuisine, points for you to clear that up. you'd really underestimated what this boy could do with a pan-- you didn't even think he owned a pan.
watching him whip up this little number with the cigarette still dangling from his mouth was... mystifying. if entirely unhygienic. but if that's what you're putting up with for how this thing tastes...
"s's very good," you say with your mouth full.
"don't they teach you not to talk with your mouth full at miss porter's finishing school for prisses?"
you pinch your brow and give him the finger.
"better be careful," eddie says, tone sauteing in warning as he reaches forward and nudges that offending finger back into your little fist, "this is exactly how my parents got together."
your eyes flare as you wipe some grease off your lower lip. eddie rarely talks about his parents, just like you rarely talk about yours-- for a bouquet of reasons. bonding over your shared daddy issues is difficult when they're criminal accomplices-turned-enemies or whatever.
or maybe it's easier. you two just hadn't tried it yet.
"really?"
"tale as old as time," eddie sighs, sitting backwards on one of the two kitchen chairs and picking up the salt and pepper shakers.
"he was a line cook." shake shake. "she was a waitress." shake shake. "he could not leave the state of tennessee. they used no discernible form of birth control and figured that was a good enough reason to say 'i do'."
"how did they end up here?"
"well, soon as i was let loose upon the world, dad decided he was a little homesick--" eddie's eyelids sag sardonically, "--read, he had to go somewhere and cool off. hawkins is as good a place as any for that, unless you're al munson and trouble draws you in like a fucking electromagnetic force."
there's a beat.
"what part of tennessee?"
he doesn't expect you to ask that. knocks him out of his facetious narration. makes him twist his ring a little, like he's debating whether to tell you or not.
"um. memphis."
you smile, all knowingly. "beale street."
he smiles back, warming back up.
because of course you wouldn't say graceland first.
because you're pretentious and you're psychic, or something, because you're the goddamn oracle of delphi and you'd know to say beale street because...
franklin's diner was on beale street. still could be, eddie doesn't know, because they left memphis when he was still a baby. what he did remember, from what he could remember of his mom and what al rarely trickled into conversation, was that franklin's diner was an institution.
franklin's was beloved. it was the kind of place that slung hash and sausage to people twenty-four hours a day. those people ranged from civilians to cops to politicians to musicians to poets to drunks to degenerates. the hierarchy broke down at franklin's-- everyone was the same. everyone took their hat off at the door and said their pleases and thank yous and ate together. and laughed together. and told stories together.
whoever you were outside of that didn't matter.
so it stood to reason that a man on probation could get a job there.
al munson avoided a stay in the federal correctional institution in good ol' shelby county by the skin of his dazzling midwestern teeth. friends (because friends come by easy for al-- look in any dark, shady corner and there's a friend) had told him to make for franklin's, because not only is there work, but there's work.
and women.
seemed as if back of house was staffed by nothing but a pirate crew of ex-(and soon-to-be)-cons (which ain't a bad transition out of the big house, if you think about it), but front of house?
some of the most dee-vine fading beauties that memphis had to offer. one-time contenders for miss tennessee, each and every one of them, were it not for... the missing teeth, the bum eye, the drinking, the swearing, the smoking, the cussing out the customers.
al, as you can imagine, flourished in this environment. plucky little upstart sleazeball who handled women like don juan by way of some shitstain in indiana no one'd ever heard of? they loved him. cherished him.
and al, a lover of women of any shape, size or moral decrepitude, cherished them right back. in every imaginable way.
("gross." "i know, but stick with me.")
that turned south one sweltering august day when poppy franklin (which is what they called the big man who owned the place) came huffing in after a five-foot-nothing spitfire with a fried blonde dye job.
"y'know what, poppy, fine!" she yelled, her accent ringing through the diner like high, fine crystal tainted by smoke. "you want me as part of the family business, then i am more than happy to oblige-- but i got conditions! if i'm workin' my shift, we are listenin' to my music!"
she grabbed each side of the jukebox like the wheels of a high powered rally car, tongue peeking out the side of her sugar pink lips, eye squinting.
"c'mon, girl," poppy gasped, clutching at the counter. "goddamn ernie ford ain't music?"
"no!" she barked, and she swung around with this megawatt smile that filled her whole face-- filled the whole diner.
"this is music!"
and that first lick of hoodoo man blues rips through the jukebox speakers and the place goes up.
("hoodoo man blues? i don't think i know that." a beat. "what? but you know everything." a lingering kind of look. "i don't know everything! only most of everything." "i'll play it for you." "i'd like that. anyway. as you were.")
so, this little chickie dipped around the back to grab an apron and ran smack bang into al, who'd been ignoring his darla-of-the-week to watch this whole flurry play out via the service window.
she knocked the wind out of him. like, clean deflation.
"he- hey." first time al munson has ever stuttered, ever, on record.
"indiana, right?" she kept on smiling, like it'd hurt to stop, and dug this prefixed name tag out of the apron. "yeah, they said you was pretty."
all al could muster was this huff, like 'heh!' because she was looking at him with these eyes, just picking him apart and putting him back together with this look on her face that felt like the first blast of sunshine out of the joint.
which he knew about, right. so that mattered.
"bethy?" he pointed to the nametag.
"holy crow, and he's literate! you're a real diamond in the rough, there, indiana!"
and she threw her head back and cackled like a hyena and al munson knew he was done for. lights out. game over. see y'all next time! y'all come back soon now!
elizabeth 'bethy' franklin had landed back in memphis after an ill-guided attempt to rebel in nashville. she made it about a month until she became incredibly homesick, because bethy franklin was raised around love and family and music and nashville had the music part and some of the love part, and as much as she wanted to do something completely independent of her family, she missed her people. wasn't her time. so she came back, with a shitty blonde dye job that made a mess of her natural red curls.
and she was as effervescent as she was when she was a kid; always had a smile for everybody, and a dirty joke for everybody she liked. and she insisted on pumping that chicago blues out of the jukebox during every shift, dancing her way around that diner. the customers didn't even give a shit when she messed up their orders-- she was that magnetic.
al spent the next three weeks trying everything he could to take her out.
"bethy, you like ribs?" "you know i do, al, and you know i know every rib joint in town." "bethy, you wanna go for a drive?" "last i saw, i was the only one of us with a car!" "bethy, i just got this record by these dudes, uh, the aces--" "you better not be tryin' to impress me with things i already know, indiana!"
she made him work harder than he'd ever worked in his life-- much to the chagrin of every other waitress in the joint, who he'd tossed by the wayside in pursuit of the heiress to the finest, dirtiest diner on beale street.
the only day that franklin's closed was new year's day. poppy had even made it a longstanding rule that they could finish up early on new year's eve, around eight o'clock, to get at least some of the night's dancin' in.
as if they weren't already sick of each other's company, the diner staff stuck together like a pack of rats, descending on downtown memphis and causing a ruckus in the bars. one favored spot of the franklin family, this little tin roof bar that dealt mostly in country music, even called on bethy by name from the stage.
"well, let's see now-- looks like the prodigal daughter has returned safe and sound from the armpit of our national nudie suit, nashville, tennessee! you goin' git up and give us a tune, miss bethy franklin?"
and again, that voice rung clear but raspy, clean through the room and al’s aching heart, "well, i would, john, but your guitar player's just been kicked out the bar!"
"i can play." and al munson stepped up to the plate, to the stage, and he held that gibson like it was excalibur and he'd just yanked the sword out of that goddamned stone.
"you can play?"
"anything you want."
bethy covered the microphone and stared al down with a challenge. "long-legged guitar pickin' man."
which sounded like an insult, but he ripped them first couple chords off like it was nothing.
("and the crowd went up?" "and the crowd went up.")
she could sing, that girl. al too, but she had a voice like a nightingale. and she had him singing that same stupid song as midnight approached, sucking down cigarettes outside the bar. then, twenty minutes to go-time, bethy materialized in front of al and said--
"i could eat."
which is a terrific thing to say to a line cook, especially one that has since decided he would sacrifice the world and its riches just for a minute alone with you.
"bethy franklin, i'm gonna make you a grilled cheese so good, you're gonna ask my father for my hand in marriage."
so they high-tailed in back to their diner, down the street, breaking in with bethy's spare set of keys. al fired up the grill with white bread and all-american cheese on hand and bethy fired up the jukebox and danced herself around the kitchen to where do you go to, my lovely.
("oh, wow." "yeah, thought that might tickle your sensibilities.")
in about ten minutes flat, al was watching bethy insistently pick her sandwich up from his spatula, even though he was insisting she'd burn those pretty hands.
"these hands are fireproof, indiana. they can survive anythin'."
"they gonna survive how good that grilled cheese is, bethy?"
and bethy didn't hold back. she let her eyes roll right back in her head, humming out her mm-mm-mm! credit where credit's due. ate the whole thing in three bites.
"it's elizabeth, by the way."
al looked confused, but something on her face told him to remember this. the eyes that were usually sparkling with light had dimmed a touch; a more intimate setting of her gaze, if you will.
"that nickname. been drivin' me crazy my whole life. kinda... whassa word, diminutive, y'know? i like my name-- it's big and solid and important, don't you think?"
al shook his head and took elizabeth in. the whole big shining beacon of her, the one he'd let himself be burned right up in. singed, to a crisp. moth, meet flame. you get the idea.
and he said, "only one way we could make that name sound better."
"how'zat?" she asked.
and he said, "if we made it elizabeth munson."
and elizabeth smiled again, because she was always goddamn smiling, and said, "what's your daddy's number?"
back in the room.
you exhale big, and eddie's watching your reaction for... he doesn't really know what. he digs around for a cigarette and offers you one.
"this what you're like in hellfire club?" you ask, leaning back in your chair and crossing your legs. "because that was a hell of a story."
"good point. not enough grilled cheese motifs in my campaigns, lacy, i really oughta write that down somewhere..."
"no, i mean it. you're good."
the compliment sort of hangs between you. eddie's not quite sure how to handle it-- he doesn't have asbestos fingers like his mom did.
you look at him for what feels like an excruciatingly long time.
"i think you're like her," is what you finally say, and it feels like when you do that thing where you play with the tension of a situation like a cat with a mouse.
eddie's chest immediately tightens. eyelids stutter. he tries his damnedest to brush it off, but he's leaning in, the way he always does with you. he can't not give. he can't resist, not when it's you.
"i think it's the smile." you say, biting at the tip of your little finger. "provided what you told me is not complete unverified bullshit."
"hold on." and he's up and out of his chair, searching around for his jeans that he'd discarded earlier (yeah, he's walking around in his own damn boxers, it's his damn trailer, grow up (you're being very grown up about it)).
he slides a photo that he keeps in his wallet toward you, leaning over you.
it's a young woman, can't be more than 21, with a little baby that has a shock of dark curly hair. her dark roots are growing out a little. she's beaming toward the camera like her life depends on it.
eddie watches you as you study it, all considered and pouty like you get when you study anything. you hold the photo up right next to his face.
"now smile."
he smiles.
"bigger."
he stretches the corners of his mouth way out.
"just as i thought. identical."
pink colors his cheeks, just a little.
"a couple of all-american cheesers."
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munson-memories · 7 months
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Eddies mom grew up in Tennessee, wayne came from kentucky and Als parents were also southern despite Al being born presumably in indiana (but he could have grown up in kentucky too for a while), so they all had southern accents
Just imagine little eddie having a southern accent before he grew out of it :((
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with al being in the st play and no mention of wayne, i'm going to throw out my own modified hc for the munsons and how eddie came to live with wayne:
i still like eddie coming back to hawkins in middle school, so in my head al left hawkins as soon as he graduated/on some scheme, or just good ol' wanting to get out of his hometown.
his older brother wayne had dropped out of high school to go out on the road. their own dad being absent, someone had to provide for them...so wayne has been driving cross-country in a big rig, collecting mugs, sending hats back for his nephew from all the places he visits.
anyway! al left town, meets eddie's mom, she gets sick, al gets locked up, wayne takes eddie back to hawkins after eddie's mom dies.
he takes a silent eddie home to the one-bedroom trailer (why would wayne have needed more than one? he was always on the road), with nothing but a dufflebag and a single cardboard box tucked under the kid's lanky arms.
wayne gets a job in town at the plant, gives eddie the bedroom because of course he's going to, a boy needs his space after all.
he comes home early one morning to find the lights on in the bathroom, and the unmistakable buzzing of the clippers floating down the hall.
he comes around the doorway quietly to find eddie, his head of curls shorn clean off, tears in his eyes, but a soft smile on his lips as he watches himself shove a hat onto his head in the mirror above the sink.
he takes the cap off, turning to the box wayne can now see balanced on the edge of the tub, and returning with a different one, sliding it onto his unevenly stubbled scalp.
"What've you been up to, boy?" wayne says, surprising his nephew.
he forces himself to keep the smile on his face when eddie's horrified, startled expression jumps to him.
"Way--Uncle Wayne, I'm sorry, sorr--I just. I wanted--I just wanted to--" Eddie cuts himself off when wayne steps close, picking up the clippers and standing behind the kid.
wayne slides the cap off eddie's head and puts it on his own; it's one that he sent eddie back from that weird cave/lake place he stopped at down in tennessee, "Let's get you cleaned up, hm?"
eddie nods warily up at wayne's reflection, and he gets to work, cleaning up the bits of hair eddie couldn't quite reach.
wayne gets it, he does. did somethin' similar shortly after realizing it was going to be him that'll have to step up for al and their ma. got a shitty tattoo of a star on his shoulder by a shitty friend with a shitty needle.. just to feel like he had control of one thing in his own life...before everything he did was all for someone else.
he doesn't mind it all much anymore; he wants to be the person here for eddie. he wants to do everything he is physically capable of doing--and more--for his nephew.
eddie wanted the same thing. wanted control over one thing in his life. one thing that he did cause he wanted to, and not because of everything that's been happening around him (and to him) outside his control.
once finished, wayne clicks off the clippers, brushes some of the hairs from eddie's shoulders and head (scrubbing a little too hard just to see the kid smile and try to bat him away), finally placing the 'Lost Sea' cap back on his head. "There. All cleaned up now." he says into the mirror, resting his hands on the kid's shoulders. "Glad to see you kept all'a them." he says, tilting his chin to the box balanced on the tub.
eddie glances at the box full of hats and mumbles out a "Of course I did, you got them for me."
wayne's eyes start to burn, and eddie continues, not seeming to notice. "Hats aren't really for me, and my stupid hair always got in the way of me wearing 'em anyway but--" he cuts himself off, looking down at the curls of hair still lounging around in the sink. "But, you got them for me, and..and I wanted you to know I appreciate them and..my stupid brain and stupid hair started reminding me of mom..."
a few tears slip off his cheeks
"Hey now, no worries kiddo." wayne says, soft as he can, as he comes to crouch down at eddie's side instead, turning the kid to face him. "Makes this old heart'a mine feel all warm and fuzzy knowin' you kept 'em all, but'cha don't gotta wear 'em on my account if you don't like 'em."
eddie finally looks up at him, blinking a couple more tears away.
wayne holds up a hand, "Honest truth. We'll head down to the hardware store in town and getcha some hooks instead. You can hang 'em up wherever you want."
eddie sniffs, but smiles just a bit. "You couldn't've told me before I hacked all my hair off?"
lmao this got away from me but @withacapitalp and @stevesbipanic stared saying things in the discord and i HAD to write it down 😅
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steddilly · 9 months
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When Wayne moved to Hawkins fifteen years ago to case the town, he hadn’t expected to end up staying. What kind of hunter purposefully cocked up an assignment? A bad one apparently, but he was fine with that. He’d been sent to the small town in rural Indiana after a strange rise in creature sightings, that sort of thing didn’t take much time getting back to the kind of hunters led by his younger brother, Al.
He quickly found out that Hawkins was acting as some sort of beacon to supernatural beings, attracting them to seek out and settle down in the town surrounded by thick wooded areas. Weres of every kind. Vamps of every kind. Witches, shapeshifters, banshees, and just about every other kind of creature you could think of.
What started out as a task to infiltrate the town to get a better idea of the severity of the infestation quickly turned into something more, because then he got to know the residents as more than just what they were and began seeing them as neighbours and friends. They trusted him and welcomed him into their communities, even the supernaturals grew to trust him and he even watched some of them grow up. He couldn’t hurt these people, they weren’t doing anything wrong.
Wayne never heard much from his younger brother or the other hunters, he occasionally sent Al letters downplaying what was actually going on in Hawkins, it was a low level threat that almost wasn’t worth dealing with. He should have known better, almost two decades of peace sounded like long overdue trouble for a semi-retired hunter, and word travelled fast to him that there were two men asking about him. He knew his brother would eventually show up to track him down, but he never expected his nephew to be dragged out with him.
Albert Munson was a ruthless hunter, more of a shoot first and ask questions later kind of guy. Eddie though... The boy he’d left behind was more sort hearted than his old man, he wouldn’t want to hurt innocent people. Wayne would learn that Eddie didn’t agree with the majority of what his father believed, and refused to be brainwashed with his ideologies towards supernatural beings.
The real trouble begins when Al (unbeknownst to Wayne) set up a few traps in the woods and actually ends up catching a Werecub, who lets out the most heartbreaking cries Wayne has ever heard - but he knew what kind of cry that was, it was a cry for help and not just of fear.
“You’ve been slacking, Wayne. Barely a few hours here and we’ve already caught us a baby monster.” Al was so pleased with himself, standing proudly below the strung up cub with his arms crossed. It made Wayne sick to think that he had once been exactly the same as his brother, conflicted at the time or not, he had participated in the same things.
“Dad, there’s no us. I don't want anything to do with this. You’re hurting him, he’s probably just a kid.” Eddie denied, keeping himself well back from the situation, wanting no part in it.
It wasn’t long before the trio heard an answering howl to the cries, high and haunting and designed to travel - it sounded like a very pissed off mama, and suddenly they felt very unprepared for this expedition. They were expecting a Werewolf (the most common type of Were) or a Werebear (because of the cub), but what came crashing through the undergrowth was a monstrous coyote-looking creature, and she was livid. Her fur was shiny and well maintained, dark rusty shades of brown mottled with grey and blonde streaks. She chased the three of them through the woods until they were far enough away for the Werecoyote to double back and rescue her pup.
“Wooah boy, that was a close one!” Al chuckled after they stopped running to catch their breaths, as if they’d just been out for a jog in the woods and not chased by something that could have easily caught up with them.
The worst part was that Wayne definitely thought he recognised the Werecoyote, and if he recognised the Were then he definitely recognised him. Steve Harrington, resident Were and local babysitter to some of the younger supernatural beings in Hawkins, which meant the cub was most likely one of the kids he took care of and considered his pack. He absolutely knew who Wayne was, and now he knew what Wayne was.
“Relax, Wayne, it was just a ‘yote.” Al clapped him on the shoulder, something he bet his brother thought would be assuring and friendly, but it absolutely wasn’t. “Could’ve been worse. Would’a been a whole other story if we’d attracted a wolf.” - Wayne didn’t think so, but he was the one who was going to be suffering the consequences. - “C’mon, take your brother and nephew home for some grub, all that running’s worked up an appetite.”
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thegayhimbo · 6 months
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Stranger Things Flight of Icarus Review
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If you haven’t yet, be sure to check out my other Stranger Things Reviews. Like, Reblog, and let me know what your thoughts are regarding the show or the upcoming season! :)
Stranger Things Comics/Graphic Novels:
Stranger Things Six
Stranger Things Halloween Special
Stranger Things The Other Side
Stranger Things Zombie Boys
Stranger Things The Bully
Stranger Things Winter Special
Stranger Things Tomb of Ybwen
Stranger Things Into The Fire
Stranger Things Science Camp
Stranger Things “The Game Master” and “Erica’s Quest”
Stranger Things and Dungeons and Dragons
Stranger Things Kamchatka
Stranger Things Erica The Great
Stranger Things “Creature Feature” and “Summer Special”
Stranger Things Tie-In Books:
Stranger Things Suspicious Minds
Stranger Things Runaway Max (Part 1 of 3)
Stranger Things Runaway Max (Part 2 of 3)
Stranger Things Runaway Max (Part 3 of 3)
Stranger Things Darkness On The Edge Of Town (Part 1 of 3)
Stranger Things Darkness On The Edge Of Town (Part 2 of 3)
Stranger Things Darkness On The Edge Of Town (Part 3 of 3)
Stranger Things Rebel Robin Book and Podcast (Part 1 of 2)
Stranger Things Rebel Robin Book and Podcast (Part 2 of 2)
Stranger Things Hawkins Horrors Review
Stranger Things Episode Reviews:
The Vanishing of Will Byers (Part 1 of 2)
The Vanishing of Will Byers (Part 2 of 2)
Synopsis: Hawkins, Indiana: For most, it’s simply another idyllic, manicured all-American town. But for Eddie Munson, it’s like living in a perpetual Tomb of Horrors. Luckily, he has only a few more months to survive at Hawkins High. And what is senior year, really, but killing time between Dungeons & Dragons sessions with the Hellfire Club and gigs with his band, Corroded Coffin? At the worst dive bar in town, Eddie meets Paige, someone who has pulled off a freaking miracle. She escaped Hawkins and built a wickedly cool life for herself working for a record producer in Los Angeles. Not only is she the definition of a badass—with killer taste in music—but she might also be the only person who actually appreciates Eddie as the bard he is instead of as the devil incarnate. But the best thing? She’s offering him a chance to make something of himself, and all he needs to do is get her a demo tape of Corroded Coffin’s best songs. Just one problem: Recording costs money. Money Eddie doesn’t have. But he’s willing to do whatever it takes, even if that means relying on his dad. Al Munson has just stumbled back into Eddie’s life with another dubious scheme up his sleeve, and yet Eddie knows this is his only option to make enough dough in enough time. It’s a risk, but if it pays off he will finally have a one-way ticket out of Hawkins. Eddie can feel it: 1984 is going to be his year.
Observations:
Ordinarily, when I do these reviews, I sum up the synopsis in my own words to convey my experience reading it. This time, I took the synopsis word-for-word from the book cover because I found it unintentionally hilarious and teeth-grinding that the publishers at Random House Worlds would try to bait Stranger Things fans like this. They had to have known most people who bought this book already saw the fourth season and were aware of Eddie's eventual fate. Even if they hadn't seen it, a.) It's pretty much an open spoiler at this point, and b.) You can figure out real quickly from the title (Flight of Icarus) and your basic knowledge of Greek Mythology exactly how this story is going to go. Giving both the audience and Eddie a Hope Spot in thinking things might improve for him was a cruel joke.
I know that prior to this books release, there were fans accusing Netflix of trying to milk Eddie's popularity with the audience despite his eventual fate in season 4. Having finally read the book myself.................it's a little more complicated than that.
Yes, the book does bait the audience with the idea of things getting better for Eddie when we already know that's not going to happen. At the same time though, it wasn't a book devoid of substance. There were themes and character interactions that left a lot to chew on, and might even play an upcoming role in season 5. Just like with Rebel Robin, there were aspects of the book that struck a personal nerve with me because of how they related to what's gone on in my life and what's currently going on in the world right now.
I'll discuss the book in detail here (Spoilers Ahead!) and let you decide for yourselves if this is a book you want to read.
Part 1: Eddie's relationships to other characters
The synopsis covers the majority of the plot. Eddie's in senior year, failing school, and coasting by on the Hellfire Club, his band, and his dead-end job at a bar. Unlike his friend Ronnie, he has no future prospects ahead of him until he encounters a girl from Los Angeles named Paige, who overhears Eddie playing one night and invites him (and Corroded Coffin) to record their music for a studio called WR Records. The hopes are that her boss, Davey, will be impressed enough that he'll invite Eddie and the band to later fly out to Los Angeles for an audition with the executives. Following them recording for Davey, Paige reveals to Eddie that Davey's more impressed with him than his band and only wants him to come out to LA to become a rockstar. However, Eddie still needs the money to make this dream a reality. So when his dad shows up with an illegal job that involves stealing weed from a Kingpin's truck so they can sell it for money, he reluctantly agrees despite knowing things could go wrong.
And just based on where Eddie is by the time season 4 starts, you already know how this is going to turn out.
Eddie on the show was already established as being an outcast who gets blamed for the murders committed by Vecna, but this book further explores that he was the town scapegoat way before any of this happened. Part of it has to do with his low socioeconomic status, part of it has to do with the bad reputation the Munson family has in Hawkins as crooks and lowlifes thanks to the behavior of Eddie's father (who is a loser and a sorry excuse for a dad), part of it has to do with the Hellfire Club and all the pearl-clutching parents did in the 80s about D&D being linked to Satanism (which, as Erica puts it in season 4, was bullshit), and the rest are people in Hawkins projecting their issues onto Eddie. They want to believe the worst in Eddie, and don't care about creating a self-fulfilling prophecy with they way they treat him.
Wayne Munson also gets fleshed-out more in this book, which I appreciate because he's one of the few adult characters on the show that I like. Unlike Al, who is constantly absent from Eddie's life unless he needs something from him, Wayne is a parental figure to Eddie who made sure he was being fed and taken care of when he needed it.
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He's also one of the only people who treats Eddie like a person and believes in him when no one else does.
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On top of that, Wayne is shrewd and able to put the pieces together just by reading a situation. He's the kind of person who can look at someone and figure out if they're being honest or not. When Al comes back into Eddie's life, he knows Al is up to no good, and he puts together pretty quickly that Eddie is going along with Al's con to get money. He allows Eddie to make his own choices, but he also warns Eddie that he's lying to himself if he thinks this is going to go well for him.
On a semi-related note, the way Wayne is depicted here gives more context behind why he was willing to let Nancy interview him when Eddie went missing after Chrissy's death: Unlike other reporters , who were either gearing up to paint Eddie as the villain before anything was confirmed, or else were trying to get their big break with this story, Wayne could tell Nancy wasn't just there to advance her career. She genuinely had an interest in what happened, and Wayne likely suspected something else (i.e. the death of Barb) was motivating Nancy to look into this case.
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Another relationship that gets more context as well is the one between Jason and Eddie. There were hints in the fourth season that these two had a history with one another before Jason wrongly suspected Eddie of killing Chrissy and led the basketball team in hunting him down. This book confirms that history. I will admit I had a headcanon for a while that Jason and Eddie used to be friends before falling out (which is also something Mason Dye joked about), but this book blows that out of the water by revealing they've been enemies since they knew each other. Jason was a part of a jock group led by Tommy Hagan (Steve's former best friend) who bullied students like Gareth who were either outcasts or part of the Hellfire Club. But because Tommy and Jason were valued basketball players at the high school, they were able to get away with their behavior whereas Eddie would get punished simply for trying to help out his friends.
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This puts the cafeteria scene between Eddie and Jason in a whole different light: Eddie's disdain for Jason in that moment wasn't because Jason did basketball, but because he knew Jason as a bully and had nothing but contempt for him:
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Just like with Lucas on the Line, this book doesn't paint Jason in a good light. Not only is he associating with Tommy (who is just as loathsome as he was in season 1), but the book also hints at the darker, zealot side of his personality that's going to be on display in two years following the events of this book:
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Chrissy also makes an appearance, and she's just as nice of a person as she was on the show. She actually intervenes (unsuccessfully) on Gareth's behalf to stop Tommy and Jason from bullying him, and we get to witness the flashback to the talent show when Eddie first encountered Chrissy and she showed him empathy and compassion in a moment when Eddie was feeling vulnerable after his dad didn't show up to watch him perform.
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While I'm not an Edissy/Hellcheer shipper, I understand the appeal of that relationship, as well as why the Duffer Brothers later regretted killing off Chrissy when there was more that could have been explored with her character. I'm also deeply sorry Grace Van Dien was harassed by immature Stranger Things fans because she liked the Eddie/Chrissy ship (to the point Joseph Quinn had to speak up in her defense). No actor or actress should ever have to put up with disgusting behavior like that. I wish people in this fandom would grow the hell up already, and stop treating the actors as if they're props to project themselves onto. 😒
We also get to know more about Eddie's parents in this book. Eddie's mom is dead by this point (though her love for music is a big reason why Eddie was inspired to take up guitar) and Eddie's dad is a contender for one of the worst fathers in the series. He isn't as awful as Neil Hargrove, but he makes little to no effort to raise Eddie (to the point Eddie is often fending for himself), is constantly engaging in illegal activities and ending up in trouble with the law, only comes back for Eddie when he needs something from him (something that Eddie is painfully aware of), and straight-up abandons his son to the cops the moment his heist plan lands both of them in trouble and results in a police officer getting shot. He's a selfish man who's good at lying to everyone around him, and even to himself. The sad thing is, because Eddie is so desperate to get out of Hawkins, he willingly believes his dad's plan to get them rich so they can move to LA and fulfill his dream, which makes it more of a gut punch when everything eventually goes downhill.
Given Eddie's death in season 4, I seriously question if his dad is going to show up at all if he ever hears about what happened to his son. Somehow, I doubt it.
The final character with any real significance is Gareth. In this book, he's a freshman who's up-and-coming in the Hellfire Club, and there's a whole subplot dedicated to Eddie helping him to craft a perfect D&D character that resembles who Gareth is rather than having him borrow someone else's character. Also, as noted before, Eddie is one of the few people who defends Gareth from high school bullies, which is why Gareth has a lot of loyalty towards Eddie. I know Gareth became an Ensemble Dark Horse for many fans when Season 4 premiered, and I would be thrilled if he, along with the rest of the Hellfire Club and Corroded Coffin, got significant roles in season 5. Maybe they could team up with the Party to defeat Vecna.
The rest of the new characters are by-the-numbers. Ronnie is Eddie's lifelong friend who has a future at NYU, and they both have a falling out due to disagreements with Eddie's choices. Paige gets into a romantic relationship with Eddie for a while (which also falls apart later), but she isn't really memorable and doesn't stick out the same way that other characters from tie-in materials do (i.e. Mr Hauser from Rebel Robin, Joey Kim from Zombie Boys, etc). Mr. Higgins, the principal who has it out for Eddie, is the embodiment of Mr. Vernon from The Breakfast Club, and his interactions with Eddie are pretty similar to the ones Vernon has with Judd Nelson's character (John Benson) in the movie. Officer Moore is a stereotypical asshole cop who harasses Eddie because he sees him as a future criminal who will grow up to be just like his dad.
There are a few brief cameo's from the main characters: Hopper appears towards the end when Eddie is arrested, and is one of the few people sympathetic to Eddie's plight. Will and Jonathan also make an appearance when Eddie defends Will from jocks who make fun of Will for being "Zombie Boy," gives Will some encouragement about being who he is and embracing his love for D&D, and even offers to sell Jonathan some weed (which is cheeky foreshadowing for Jonathan's drug habit that develops in season 4).
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Out of all the interactions with the main characters, the one between Will and Eddie was my favorite. Even though Will never joined Hellfire Club due to moving to Lenora, it's nice seeing these two get to interact and bond over something they love.
So that sums it up for the characters and main story. Let's talk about the main themes:
Part 2: Eddie and "Forced Conformity"
Just like with El in season 4, and even Steve, there's always been this stigma that because Eddie did badly in school, it meant he was dumb. However, unlike El, who struggles to catch up with her peers because of the way Brenner raised her (but is keenly aware of concepts even if she doesn't have the words for them at the time), or Steve who was more interested in chasing popularity at the expense of his grades (but has demonstrated his intelligence and ability to make connections that other people miss), Eddie doesn't put effort into school because he doesn't care to. School and homework doesn't interest him. D&D, Corroded Coffin, playing songs on his guitar, and even the works of J.R.R Tolkien do, which is why he invests more time into those things:
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There was a GIF set last year with bits of trivia about Eddie, and something that was noted in it is that Metallica's album Master of Puppets was released on March 3, 1986. Given the night Eddie performs their song "Master of Puppets" in the Upside Down was on March 27, 1986, this means he had less than 3 weeks to learn how to master the song on his guitar. Some fans will probably dismiss this as "lazy writing" (which I notice gets thrown around a lot these days when people don't want to think critically), but I beg to differ. Eddie is invested in music. It speaks to him. That investment, combined with doing something he loves, means he's going to put time and effort into learning the song. I can buy he learned "Master of Puppets" in less than 3 weeks because he's that good of a guitarist, and he was passionate about the song in the same way he's passionate about D&D and Tolkien.
The problem though is those kind of interests aren't considered "acceptable" by the school system, which is more interested in churning out "productive members of society" and punishing those who don't get on board with the program (This is a theme that's also explored in both Rebel Robin and Lucas on the Line). It doesn't help that Hellfire Club, D&D, and the music Eddie loves to play constantly come under fire due to the Satanic Panic at the time, which only causes Eddie's resentment towards Hawkins and his school to fester.
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You'd think things would have changed in the 4 decades since this series took place, but given how we're still living in an era of "concerned parents" wanting to ban specific books from being read by kids, or else enforce a conservative viewpoint in schools that prevents any kind of critical thinking, it's fair to say we haven't. In fact, there's an argument that things have gotten worse in recent years.
We can talk all day about the problems with the education system and school curriculum in the United States until the cows come home, but the point is Eddie is aware of the "forced conformity" schools impose on students, and is having none of it. As a result, he's punished for rebelling against the system.
It doesn't help that none of the teachers, nor Mr. Higgins, are remotely interested in trying to reach out to Eddie. They have decided in their minds that Eddie is a waste of space, and are either condescending or dismissive towards him. Even Robin, Mike, Lucas, Dustin, and Will had teachers like Mr. Clarke or Mr. Hauser who were interested in bringing the best out of their students. Eddie has been written off as a lost cause, and aside from his uncle Wayne (who's limited in what he can do for Eddie), no other adults believe in him. That just makes his eventual death later on harder to stomach.
I hate teachers and school authorities like Mr. Higgins. I get they have to put up with a lot of crap, both from kids and from the stress their jobs can bring, but I have no respect for teachers who either go to the lengths of bullying their students, or come up with preconceived notions about a student and then unfairly project that onto them so they can feel justified in treating them with contempt.
I had two teachers like this when I was growing up: One of them was from fifth grade. The second was my English Teacher from my senior year of High School.
The former was a straight-up bully who had a reputation for making kids cry (I was one of them) and was a Bitch in every sense of the word. I do not have good memories of her class, and I know several students who had their lives impacted by her for the worst: One of them was someone I went to the same church with whose mom later pulled him out to be home-schooled because he was frequently targeted by that teacher. The second was a former friend who had a rough time in her class, and later forfeited going to college entirely (and now works in retail) because of the impact she left on her. I make no secret that I DON'T miss her, and I hope she's no longer teaching.
As for my English Teacher, she was a condescending twat. She presented herself as an expert in literature, but I later found out that A LOT of her so-called "discussions" and "lessons" were taken straight from SparkNotes. I remember her going out of her way to publicly humiliate me in front of the class because I did a presentation that she didn't like, and then she later got patronizing with me over a different assignment several months later, saying she could see how I was struggling and then said "Allow me to give you some advice: Try harder." This was when I was also juggling 4 other AP classes and a Spanish class, along with my extracurricular activities, so this wasn't like I was half-assing my work. Once again, I was not the only person she treated like is. Multiple students despised her, and there was even a rumor for a while that she was a misandrist, which is why she treated the girls better than the boys. I can't confirm if this was true, but I wouldn't be surprised if it was. My brother (who's one of the smartest people I know) was fully aware of her reputation prior to his senior year, and specifically took a different English class just to avoid her. I still maintain that was the best decision he ever made.
I should briefly mention that, despite the two examples I just listed, I had some wonderful teachers growing up. Ones that not only encouraged me, but made their classes engaging to the point that I took an interest in topics I hadn't before. The entire reason I later pursued a degree in History is BECAUSE of my teachers in High School.
Regardless of whether people want to admit it, teachers are some of the most important people next to parents in a kid's life. They can either be the ones to elevate a student and set them on a good path, or they can be the ones to tear them down and dismiss them as a lost cause. It's a big reason I feel strongly about who teaches in schools and how our education system is structured, and why I get angry whenever teachers or school authorities either abuse their power, are apathetic about their jobs and their students, or else project their issues onto kids. I'm not saying there aren't kids out there without major behavioral problems that need to be dealt with (I literally had one such kid yell "Fuck You" at me two weeks ago from a speeding truck for no discernible reason, so I'm not advocating that all kids are sweet angels), but it infuriates me to see characters like Mr. Higgins who are smug in their belief that they have teens like Eddie figured out, and don't want to hear anything that contradicts that. People like that shouldn't be teaching in schools, period.
Part 3: The Evils of Society
Back in 2005, there was a horror movie called Chaos that was released, which got negative reviews and a scathing response from film critic Roger Ebert, who proceeded to call the movie "ugly, nihilistic, and cruel." The film's writer and director didn't take this well, and posted a letter to the Chicago-Sun Times where he condescendingly told Ebert that the movie was supposed to be ugly, nihilistic, and cruel as a way of conveying what evil was like in the 21st century, and smugly asked Ebert if he preferred the movie was sanitized of violence. Ebert later responded in a very classy and intelligent manner, where he not only called out the director for his sanctimoniousness, but also deconstructed his whole argument of depicting evil in a movie with no meaningful point or catharsis:
"I believe evil can win in fiction, as it often does in real life. But I prefer that the artist express an attitude toward that evil. It is not enough to record it; what do you think and feel about it? Your attitude is as detached as your hero's."
"Your real purpose in making "Chaos," I suspect, was not to educate, but to create a scandal that would draw an audience. There's always money to be made by going further and being more shocking. Sometimes there is also art to be found in that direction, but not this time. That's because your film creates a closed system in which any alternative outcome is excluded; it is like a movie of a man falling to his death, which can have no developments except that he continues to fall, and no ending except that he dies. Pre-destination may be useful in theology, but as a narrative strategy, it is self-defeating."
I've seen fans who've complained about the direction season 4 took in its tone and it's depiction of bullying and the Satanic Panic, with people complaining about it being "trauma/torture porn," which............I strongly disagree with. Trauma/Torture porn is (as Ebert points out) the kind of thing that has no point beyond indulging in meaningless suffering. Season 4 was dark (probably the darkest season they've done so far), but there was a message the Duffer Brothers were making with it; Not just in depicting how and why bullying becomes a pervasive problem, or how Vecna acts as a metaphor for depression and trauma driving people into despair, but also how the current social systems and attempts to force people to be "normal" cause long-term problems.
Bullies like Angela and Jason didn't suddenly decide to become awful overnight. Their behavior was enabled, not just by their peers, but by the adults around them who did little to nothing to stop the way they acted. Look at when El gets publicly humiliated at Rink-O-Mania by Angela and her friends, and how the adults there either participated with the other bystanders in it, or did absolutely nothing to stop what was happening to El (yet were conveniently available for Angela's benefit when El smashed Angela's face in with a roller-skate). Look at how Jason was able to turn a room of adults into a lynch mob to go after kids who were a part of the Hellfire Club by appealing to their fear of the Satanic Panic, as well as their fear of all the terrible things that had been happening in Hawkins.
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Adults play a major role in whether kids become spoiled, entitled brats, and that was absolutely the case with Angela. As for Jason, he was a star basketball player who made Hawkins High look good, which is why Mr. Higgins and other teachers always looked the other way at his behavior (as depicted in both this book and Lucas on the Line). It's also why both Angela and Jason felt justified in their awful behavior: Angela was able to convince herself that El had snitched when she hadn't, and therefore deserved to be punished for it. And when El finally had enough and lashed out, Angela twisted the narrative in her head to make it out like she was the innocent victim and El was the bully. Same thing with Jason in regards to how he treats Eddie: Jason sees himself as the perfect "All American Boy" and Eddie as the freak who may one day become a criminal and gives Hawkins a bad name. And while the deaths of Chrissy and Patrick (combined with witnessing how Patrick died which he chalked up to Eddie being in league with Satan) played a major role in Jason's actions, he already had preconceived notions about Eddie without truly getting to know him first. There's an argument to be had that, even without Chrissy's death, he would have looked for any reason to go after Eddie if he felt justified in doing so.
Even isolated areas like Hawkins Lab weren't exempt from this: Dr. Brenner specifically fostered a culture among the special kids where he would put them at odds with one another to fight for his approval, and allowed El to be viciously bullied by Two and the others in the hopes it would unlock her potential and get him the results he wanted. Brenner established the institution where El grew up in, and was the main person who benefited from it. Two was a vicious bully similar to Angela, but the reason he became that is because Brenner and his cronies enabled his behavior (only punishing him as a means of building up resentment among the other kids towards El and making her more of an outcast as part of his plans).
Likewise, there's an interesting parallel between Eddie and Vecna: Both are "outcasts" whom society tried to force to be "normal." However, while Eddie still maintained compassion and empathy for others, as well as making it his mission to look out for other outcasts like Mike, Dustin, and Lucas so their lives wouldn't be miserable, Vecna internalized the rage and resentment of "performing in a silly terrible play, day after day" until it consumed him and turned him into the monster everyone feared. Now he intends to destroy everything and everyone so he can create the world he wants.
It's the Harvey Dent quote from The Dark Knight:
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Eddie, despite being treated badly for most of his life, died as a hero, protecting those he cared about. Vecna lived to become the villain, and has abandoned his humanity in pursuit of his goals.
Tying this all back to Roger Ebert's letter: While Season 4 may have been dark, there was meaning to be found in the darkness: The season hit on the theme that, in spite of how Hawkins looks like a perfect suburban neighborhood, there's a lot of rot underneath, and NOT just from the Upside Down. There's an inherent bigotry in the town (and others like it, such as Lenora), of institutions trying to mold students and teachers into "productive members of society" at the cost of their happiness and well being, of punishing anything that's considered abnormal or against the status quo, of how ostracizing "outcasts" can lead to a self-fulfilling prophecy where the person either becomes the monster (Vecna) or is scapegoated and can never escape those stigmas no matter how hard they try (Eddie).
The Duffer Brothers aren't apathetic in their attitude about how they depict characters and themes on the show. If anything, they care deeply. It's why they wrote the character of Eddie in the first place, and based him off of Damien Echols, one of the West Memphis Three who was wrongfully convicted in 1994 of the murder of three boys in Arkansas, with a lot of bias directed at them due to the three of them being "delinquents" (as well as how the police pressured them into giving false confessions), which resulted in their lives getting ruined. Likewise on the show, Eddie is accused of killing Chrissy when he didn't (simply being in the wrong place at the wrong time), and his life got destroyed because of it. Even if he was a delinquent with his own personal issues, he didn't deserve what happened to him. Neither did Damien Echols. Society failed both of them, and allowed the true killers to go unpunished.
There are a lot of problems in our society today that have carried over from the 80s: From cultures that enable bullies and punish their victims, to attempts to control what kids learn in schools and how they should act, to bigotry and biases that aren't just rooted in people but in the institutions and laws that uphold the social structure, to people like Jason who take the law into their own hands regardless of the collateral damage it will cause, to government corruption, to people dehumanizing others because it's more important for them to be right over being nice, and so on. Stranger Things may be a love letter to the 80s, but it does not shy away from deconstructing the uglier aspects of that decade, and conveying how some of those issues had carried over into today's culture.
Final Thoughts:
Overall, this book is a mixed bag. It gives interesting details about Eddie and his life, and provides better context for certain scenes in season 4. Given that Caitlin Schneiderhan (the author of the book) had talks with the Duffer Brothers and other Stranger Things writers prior to penning this, it's likely this book can be considered canon. It's also a book that inspires discussion (as you can tell from what I've written), which is always a plus.
However, if you're a fan of Eddie, and you were upset over his death, this book isn't going to give you any catharsis. Unlike others, I'm not going to claim it's milking off of Eddie's popularity. At the same time though, it is hard to read when it teases that things might get better for Eddie and you already know what Eddie's fate is going to be.
In other words, you have to decide for yourself if this is a book you want to read. I hope my synopsis and this review gives some idea of what to expect.
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steddielations · 6 months
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Flight of Icarus lore dump:
Part 2 | Character List
- Eddie is a barback at the Hideout (rundown bar) where his band plays sometimes. He doesn’t sell drugs until the end. At 18, he moves in permanently with Wayne and starts dealing to help with the bills.
- Lots of people in town call Eddie “Junior” for his likeness to his dad and he hates this. He calls himself Junior condescendingly when he’s doing something that lives up to his dad’s criminal reputation.
- Steddie writers, when Wayne is conveniently absent from the trailer, he’s not always at work. He goes to a bar called the Attic on Fridays with guys that Eddie considers nice and upstanding.
- Eddie lives alone in his dad's house, but throughout his life, he’d stay with Wayne when Al disappeared. The first time, Eddie was 8, he fell asleep by the window waiting while he was left for days with little food until Wayne got him. At the start of the book, Eddie’s 18 and has been there alone for months. Wayne checks on him and brings him food. But Eddie is stubbornly independent, since 3rd grade he thought he could take care of himself.
- Eddie likes metal, but also rock, Chicago blues, country and bluegrass bc of his mom. His dad taught him guitar, but he learned to love music through his mom (Elizabeth Munson neé Franklin), who passed when he was 6. He still listens to her records, mostly Muddy Waters. He has memories standing on her feet dancing to that record. It brings him to tears once.
- Eddie’s dad Al is charismatic, Eddie calls it Munson Magic but doesn’t think he has it. “I inherited his hair, his van, and his guitar picks. But nobody’s loving Eddie Munson on sight.” Still, Eddie’s worst fear is being like his dad. Al only shows up to manipulate Eddie into helping him with schemes. Two of which get Eddie held at gunpoint twice and hit in the head with a shotgun. Al screws ppl over and gets their house burned down, with Eddie’s mom’s records.
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dwobbitfromtheshire · 2 months
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Do you guys think that Al Munson finally turns it around when he hears about his son's death? Sometimes, I think about it, and sometimes I think about Al turning himself in to clear his son's name. Finally, he's not being selfish for once.
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kriture · 6 months
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Steve Harrington gets stabbed with a kitchen knife (he loves though dw) (he would totally die in real life though)
Summary: The people of Hawkins were sure that if anybodys parent(s) turned out to be a murderer, it would be Eddie Munson's father, Al. Al was a thief whose son would begin selling drugs and actually be accused for murder. Nobody would expect golden boy Steve Harrington's dad to be as short-tempered as he was.
Ships: Steddie and mention of Jancy
Warnings: graphic violence, low key child abuse, verbal abuse, physical abuse, very innacurate treatment of wounds, even less accurate healing rates, brief mention of suicide, hospitals, and descriptions of blood,
Note: No, I don't actually think Steve's dad is like this in canon. I just watched a tiktok of Vanessa and William from the fnaf movie with Love the Way You Lie by Rihanna and got inspired. Also, I refuse to not write like a soap opera. This isn't realistic at all. Also, pushing Greek/Italian!Steve agenda.
***
7:27 PM
When asked who would be capable of murder, Hawkins citizens always said, "Al Munson or his kid."
It was the obvious answer. Al had a criminal record and was arrested for murdering his wife. It was almost named a suicide, until police found the cause of death wasn't overdose but strangulation. The night police came to arrest Eddie's dad was the last time he ever saw him.
Eddie didn't feel for his dad; he hated him. He believed every word the police told him about his father, but be still visited.
"I saw you two arguing, dad. You threatened her!"
"Listen, kid. I'm telling you, I loved your mother. If anybody killed her, it was Miguel Harrington."
"Why would he kill mom?"
"He hated me."
"You didn't know the Harrington's back then. They moved here after mom died."
"You don't know anything. Just be careful of them. I'll bet you his son is even worse."
"It's you who doesn't know anything. Steve's nice, so is his dad. They're why I'm not in here with you right now."
"Don't say I didn't warn you."
"I won't."
Eddie dropped the phone and walked out of the room. When he got back to his trailer, he was greeted by Wayne and Steve watching football.
"Theres no fucking chance he made that- Oh. Hey Eddie." Steve's voice changed from frustration to love in a second. "How'd the talk with your dad go?"
"Alright, or as well as talking to a psycho can go." Eddie sat down next to Steve on the couch. "What's your dad like?"
"Why?”
"Just asking. You never talk about him."
"Well, he's loud, bossy, and... He's kinda just a rich asshole, you know?"
"No, I don't know. Like the ones on TV?"
"Yeah, actually."
Eddie leaned into Steve's chest.
"Who are we rooting for, Stevie?"
"Neither, we hate both of these teams. They both suck ass."
"Who do we hate?"
"Who do we hate less?"
"Well, I like the Chiefs, but Wayne likes the Falcons. This game isn't really that important though because 49ers are definitely gonna win."
"No, the Saints are gonna win."
"We'll see about that, Wayne."
The conversation was cut off by the phone ringing.
"I got it. Tell me who wins?"
Steve reminded Eddie that the game just started.
"Eddie?" The voice on the phone asked.
"Yes?"
"Great, is Steve there? He wasn't at his house."
"Robin?
"Yeah."
"Yes, Steve is here. He's watching football with Wayne."
"Can I come?"
"Yeah!"
The phone hung up from the other line.
"Robins coming over?" Steve asked.
"Mhm"
A few minutes later Robin came in, dropped off by Nancy who didn't stay sue to a date with Johnathan. They were all laughing and having fun. Eddie and Robin didn't really know what was going on, but they had fun badly commentating on what was going on. Life was good. When Robins curfew came (8:30), Steve drove Robin home and went back to his house. To his surprise, and slight dismay, his parents were waiting for him.
"Hey, papá"
"What are you hiding?"
"Nothing."
"You're my son; I can tell when you're hiding something."
"I'm not, dad."
"Tell me!" Miguel's voice roared through the otherwise silent house.
"Okay okay I have a boyfriend and I didn't want to tell you because I didn't want to be kicked out I'm so sorry."
"Why would we kick you out? Just don't get that new virus going around. Who is this mysterious boy?"
"His name's Eddie."
"Munson?" Steve's mother, Cora, chimed in.
"Yeah. I know he doesn't have the best reputation, but he's nice-"
"Stop seeing him." Miguel ordered.
"Why?"
"Because I said so!" Steve would swear the walls shook.
"Papá, can you just tell me why? I'm getting tired of not feeling like I have a say in what I do in my life."
Miguel grabbed a knife from the kitchen and began walking towards his son.
"Dad, please put the knife down."
"I'll give you a reason. His mother was a bitch. She would've stolen everything had I not done something-"
"What? Did you kill her or something?"
"And now I have to kill you. I'm sorry, son."
"Miguel! Put down the knife. Lets talk like a family. It's time we tell him our sins. They're old enough to know."
"No. No, they can never know."
"MIGUEL!"
Steve looked up at his dad with a knife shoved above his right chest, more towards his collarbone if anything.
Miguel looked at his son with a mix of horror and numbness on his face.
"We should go, Cora."
"Okay.”
"Mamá, please.”
Cora looked at her husband, then at her son.
"I'm sorry, my boy."
The last things Steve heard were a door slamming and the car engine of his parents convertible starting. His breath shook before his eyes closed. He laid on the floor, hopeless.
***
8:38 PM
Eddie had realized that Steve left his watch in his trailer. He got into his van and left for Steve's house. Eddie knocked on the door.
"Steve, you left your watch!...... Steve?" He knocked again.
He peered through the window and saw a pool of blood on the floor. Eddie hastily opened the door.
"NO"
His voice could be heard from Türkiye. Tommy opened the door to his house and ran towards the house.
"Is everything okay- Holy shit! Um, Munson, do you think you can call an ambulance?"
Eddie nodded, tears falling like a raging waterfall. Tommy went to check on his pulse, slow but there.
"Yeah, it's a knife wound near the chest...They'll, um, be here soon."
"Okay, good news is that he's alive. Bad news is that I don't know how long he'll stay alive."
"He'll be okay. He's always been okay."
"I don't know...get some bandages. We have to stop the bleeding."
Tommy took Steve's shirt off and took the knife out of his chest before applying pressure to the wound.
"Other good news, it's only about a 2 or 3 inch cut."
"ANY CUT IS A BAD CUT!" Eddie ran in with towels and bandages.
"I'm trying to stay positive here! Put his head on your lap or just get his back off the ground. Now when I say 3, as soon as it leaves my mouth, put the bandages on his chest. 1..2..3 okay wrap it."
"I'm trying!"
"Try harder!"
Sirens interrupted the bickering
"Keep applying pressure to the wound. I'll carry him outside."
"Okay."
***
9:00
Nancy, Robin, Johnathan, and the kids arrived at the hospital. Police questioned Tommy about what he heard that night, not much, he was watching football. A nurse walked up to the party.
"Is it looking alright? Is he alive?" Robin asked.
"He is alive, stable. He's still unconscious, but it looks promising. He's already healing quickly."
"Do the cops think it was attemptee homicide?"
"You'll have to ask the cops for that."
"When will he wake up?" Lucas questioned.
"We don't know. It could be some time tonight, tomorrow, a few days, weeks, maybe a month. However, it would probably range from 4 days to 2 weeks."
"Okay."
"It's a good thing you found him when you did-"
The nurse was interrupted by a scream of bloody murder. She hurried to the room.
"So much for 4 days."
Hopper walked to them. "The police don't think this was an accident, but now they can ask Steve once he's ready."
The scream stopped a few seconds after it started.
"Steve, I need you take deep breaths for me. Can you do that?"
"Yeah."
***
9:45 PM
"Can you tell us what happened?"
"Like I told the nurses when they checked my memory, I got curious and stabbed myself. It wasn't attempted homicide."
"Have you had thoughts of suicide before?"
"It wasn't like that. I just wanted to see what would happen... Look, it really isn't something to investigate.
"If you don't want to press charges, then there isn't anything we will do."
"There isn't anybody to press charges against."
The officer walked out, and Robin and Eddie walked in.
"Did you really do it to yourself?" Eddie grabbed Steve's hand and rubbed circles on his palm.
Steve shook his head no. "I'll tell you later... I'm sorry."
"Do you feel okay?" Robin asked him.
"Yeah."
"You were just laying there. Covered in blood. It made me realize how much I love you."
"I love you too, Eds."
Tommy walked through the door.
"What's he doing here?" Robin said.
"Okay, 1. Me and Steve may not be friends, but I don't want him to die, 2. I helped save his life."
"Thank you."
"I just wanted to make sure you're okay."
"I am." Steve jumped as the door shut following Tommy.
"Steve what really happened?" Robin asked.
"I can't say it here. I also can't stay at my house anymore."
"You could stay with any of us. I'm sure Claudia would welcome you, youre practically Dustins brother, Wayne treats you like his son-in-law, and my parents love you.
"We could talk about it later, Robs."
"Okay"
***
7:00 AM
Steve woke up on the hospital bed.
"You spent the night with me, Eds?"
"Yeah, how are you feeling?"
"As good as somebody who just got stabbed can be."
"Please, tell me who did this to you."
Steve signaled for Eddie to lean in and whispered in his ear, "it was my dad."
Eddies eyes widened in realization.
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This will probably get a second part. Maybe a third if you guys want it.
I apologize for not knowing anything about football or medicine.
This isn't proof read either.
I'm sorry for the soap opera ass plot and dialogue. Dynasty (2018) got me going fucking crazy.
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eddiemyl0ve · 9 months
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"It was like Wayne sensed it, the grip on his shoulder tightening as Al’s breathing became tight.
“None of that,” he said firmly, in the same way he had when they’d stood outside the delivery room together, when Al was twenty years old and terrified of the tiny thing that was fast asleep in his mother’s arms in the next room. “Your kid learned a little something about not running when things get too hard. Might be time for you to follow his lead.” "
Al Munson gets out of prison, and has some catching up to do.
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edzmunson86 · 5 months
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Eddie on the shady scheme with his dad. (We agree that fp Jones is Eddies dad right? :D)
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powderblueblood · 4 months
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hear me out HEAR ME OUT
you know who would EAT as al munson
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