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#Old German legend
illustratus · 1 year
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Siegfried finds the sleeping Brünnhilde by Ferdinand Leeke
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moliathh · 10 months
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what if author kept their old design from the prototype mangas, just saying (integra from Hi and Low, alucard from The legend of vampire hunter)
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itsagrummel · 10 months
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Antisemitism in Krabat
Obviously I like the tale about Krabat a lot, including all it's retellings. And since i love it so much, I need to point out flaws in it so that it can be enjoyed in a more honest and reflective way plus allow people to make their own choices about interacting with old tales like it.
Jewish life in central-European regions like Lusatia faced somewhat continuous oppression and persecution. This antisemitic hatred is coded in literature as well, which shows up in the Krabat tale as an old tale carrying those rather classical antisemitic markers:
The antagonist is an evil black magic sorcerer who mistreats, kills and oppresses the otherwise as christian presented characters.
Vulnerable kids and young adults get recruited into the study of black magic. There is also the ritualistic killing of these kids by black magic for the benefit of the antagonist to prolong his life which is a version of the blood libel trope.
The first thing the antagonist teaches the protagonist Krabat is how to dry up a well. That is the antisemitic well poisoning trope.
The antagonist has a secret book called the Koraktor which is the invert of a regular book: it is black with white writing. In it are records on how to do black magic. In the context of the otherwise christian society it is noticeably marked as a bad book, drawing parallels to the depiction of the Tora by medieval Christians.
The antagonist uses his magical powers to be a secret political influence to a king, which leads to the as pointless and just out of evil desires portrayed continuation of a war. This fits the (international) jewish conspiracy trope of as jewish coded people or in this case characters just wanting to harm the good (christian) people out of no reason.
The antisemitic coded antagonist is shown to be greedy, never sharing his wealth with those he is expected to help out, which is another antisemitic trope. Also he orders his students to trick and lie to get him money.
I am sure there are more codes I missed since Antisemitism and both fear of and fascination for the occult go hand in hand in many more facets. Looking at the massive amount of fantasy literature with the same antisemitic tropes as Krabat (eg Harry Potter) it's clear that we need to keep looking at these pieces of literature to learn how to tell great stories without including harmful tropes.
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scarefox · 1 year
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Me getting lowkey paranoid and start to check every of my fav people / bands if they are allies or at least not anti. But so far I stan the right people 😌
It’s a 2 year old post but still nice to see such open support. They were even active in the comment section.
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duskmite · 2 years
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gotten really into non-english music lately and i am VIBING i love not knowing what the hell is being said!!!! it’s like rediscovering fall out boy and mcr
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the-music-keeper · 1 year
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Objective #3 is done. The more articles I read and the more I consider what I'm interested in, the more convinced I am that my musicological research will lean heavily on the historical side.
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suzannahnatters · 1 year
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So here's one of the coolest things that has happened to me as a Tolkien nut and an amateur medievalist. It's also impacted my view of the way Tolkien writes women. Here's Carl Stephenson in MEDIEVAL FEUDALISM, explaining the roots of the ceremony of knighthood: "In the second century after Christ the Roman historian Tacitus wrote an essay which he called Germania, and which has remained justly famous. He declares that the Germans, though divided into numerous tribes, constitute a single people characterised by common traits and a common mode of life. The typical German is a warrior. [...] Except when armed, they perform no business, either private or public. But it is not their custom that any one should assume arms without the formal approval of the tribe. Before the assembly the youth receives a shield and spear from his father, some other relative, or one of the chief men, and this gift corresponds to the toga virilis among the Romans--making him a citizen rather than a member of a household" (pp 2-3). Got it?
Remember how Tolkien was a medievalist who based his Rohirrim on Anglo-Saxon England, which came from those Germanic tribes Tacitus was talking about? Stephenson argues that the customs described by Tacitus continued into the early middle ages eventually giving rise to the medieval feudal system. One of these customs was the gift of arms, which transformed into the ceremony of knighthood: "Tacitus, it will be remembered, describes the ancient German custom by which a youth was presented with a shield and a spear to mark his attainment of man's estate. What seems to the be same ceremony reappears under the Carolingians. In 791, we are told, Charlemagne caused Prince Louis to be girded with a sword in celebration of his adolescence; and forty-seven years later Louis in turn decorated his fifteen-year-old son Charles "with the arms of manhood, i.e., a sword." Here, obviously, we may see the origin of the later adoubement, which long remained a formal investiture with arms, or with some one of them as a symbol. Thus the Bayeux Tapestry represents the knighting of Earl Harold by William of Normandy under the legend: Hic Willelmus dedit Haroldo arma (Here William gave arms to Harold). [...] Scores of other examples are to be found in the French chronicles and chansons de geste, which, despite much variation of detail, agree on the essentials. And whatever the derivation of the words, the English expression "dubbing to knighthood" must have been closely related to the French adoubement" (pp 47-48.)
In its simplest form, according to Stephenson, the ceremony of knighthood included "at most the presentation of a sword, a few words of admonition, and the accolade." OK. So what does this have to do with Tolkien and his women? AHAHAHAHA I AM SO GLAD YOU ASKED. First of all, let's agree that Tolkien, a medievalist, undoubtedly was aware of all the above. Second, turn with me in your copy of The Lord of the Rings to chapter 6 of The Two Towers, "The King of the Golden Hall", when Theoden and his councillors agree that Eowyn should lead the people while the men are away at war. (This, of course, was something that medieval noblewomen regularly did: one small example is an 1178 letter from a Hospitaller knight serving in the Latin kingdom of Jerusalem which records that before marching out to the battle of Montgisard, "We put the defence of the Tower of David and the whole city in the hands of our women".) But in The Lord of the Rings, there's a little ceremony.
"'Let her be as lord to the Eorlingas, while we are gone.' 'It shall be so,' said Theoden. 'Let the heralds announce to the folk that the Lady Eowyn will lead them!' Then the king sat upon a seat before his doors and Eowyn knelt before him and received from him a sword and a fair corselet."
I YELLED when I realised what I was reading right there. You see, the king doesn't just have the heralds announce that Eowyn is in charge. He gives her weapons.
Theoden makes Eowyn a knight of the Riddermark.
Not only that, but I think this is a huge deal for several reasons. That is, Tolkien knew what he was doing here.
From my reading in medieval history, I'm aware of women choosing to fight and bear arms, as well as becoming military leaders while the men are away at some war or as prisoners. What I haven't seen is women actually receiving knighthood. Anyone could fight as a knight if they could afford the (very pricy) horse and armour, and anyone could lead a nation as long as they were accepted by the leaders. But you just don't see women getting knighted like this.
Tolkien therefore chose to write a medieval-coded society, Rohan, where women arguably had greater equality with men than they did in actual medieval societies.
I think that should tell us something about who Tolkien was as a person and how he viewed women - perhaps he didn't write them with equal parity to men (there are undeniably more prominent male characters in The Lord of the Rings and The Hobbit, at least, than female) but compared to the medieval societies that were his life's work, and arguably even compared to the society he lived in, he was remarkably egalitarian.
I think it should also tell us something about the craft of writing fantasy.
No, you don't have to include gut wrenching misogyny and violence against women in order to write "realistic" medieval-inspired fantasy.
Tolkien's fantasy worlds are DEEPLY informed by medieval history to an extent most laypeople will never fully appreciate. The attitudes, the language, the ABSOLUTELY FLAWLESS use of medieval military tactics...heck, even just the way that people travel long distances on foot...all of it is brilliantly medieval.
The fact that Theoden bestows arms on Eowyn is just one tiny detail that is deeply rooted in medieval history. Even though he's giving those arms to a woman in a fantasy land full of elves and hobbits and wizards, it's still a wonderfully historically accurate detail.
Of course, I've ranted before about how misogyny and sexism wasn't actually as bad in medieval times as a lot of people today think. But from the way SOME fantasy authors talk, you'd think that historical accuracy will disappear in a puff of smoke if every woman in the dragon-infested fantasy land isn't being traumatised on the regular.
Tolkien did better. Be like Tolkien.
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boyfrillish · 1 year
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I had thought that today is the day where I finally rewatch pkmn origins (because I have promised myself I would for eight years now. I keep remembering and then never do smh. also because origins!Red is a treasure) but i guess with migraine again, that’s not happening as of yet... unless I try
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comfortless · 3 months
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Only Other
chapter one of three.
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Goth soldier! König x fem, Roman! reader
content/warnings: 18+. minors do not interact. historical au (set around 350BC); potential inaccuracies as i am no historian!, König speaks some German here (as opposed to Gothic), mutual pining & worship, mentions of an arranged marriage with a large age gap, slight sexism, descriptions of gore, groping, dubcon sword/knifeplay. additional warnings will be added to the next two chapters.
notes: for @writersdrug’s request. ^^
wc: 11k.
The barbarians are here.
The dream of river water lapping over your knees and songbirds in swaying trees fades out into a hazy fog as you begin to rise, dropping your legs from the mattress to spur yourself to move across the small room as quietly as your feet can carry you.
Heavy footfalls and staggering hoof beats from their horses weighed down by heavy sacks of supplies is what has pulled you from sleep.
The flames of their torches crackle, accompanied by the shrieks of clanging, well-polished metals singing out as if in the throes of war becomes a dull song; weapons, wicked and crudely crafted unlike the spears of the soldiers donned in red you were so accustomed to by now.
You had heard the whispers on the wind of the untamed beasts from Germania filtering in, settling down here; their arms and their blood for just a sliver of land to claim, soil to birth farmland, a semblance of peace from within the walls of the great empire.
Never, in these small words from gossiping tongues, did you suspect that these rugged men would be taking to camp so very close to your city. Not only that… they’ve been accepted into the walls, the door flung open for them with their gnashing teeth and thick, ugly weapons. These men of myth were usually set further out into the countryside, far from view of polite people to sow seed in soft fields, build the little shacks that seemed far too fragile for their rugged forms that could never compare to the villas built here.
Peering over the sill of the open window, stretching your upper half out into crisp night air to catch a glimpse of torches sailing along the breeze, flames just as ever-shifting as their darkened silhouettes, your breath seems to halt entirely. They look the trueness of harbingers like this: each somehow more imposing than the one they follow behind. You count only two horses split between the eight men of this small band.
Could any of them even speak in your tongue?
What stories could they tell?
Had any of them ventured as far as the sea or had they only bathed in waves of warm blood?
With eyes wide, you even dare to perch there to watch on, never bothering to conceal your underclothes with the faith that the darkness would hide away anything more than a illusory view of your shape.
Through the faint glow of the yellow-red flickering flames, your gaze drifts to something large, hulking and brutish, darker still against the backdrop of a sable horizon.
The shadow walks in line with the others, their proud and raucous foreign voices feathering through the otherwise quieted air… only he does not speak, does not make a single utterance of mirth or glee. He stares only forward as his feet tread on just paces behind the rest of the group.
Nine, then.
Like the tales you’ve heard of the Goths, you’ve also listened in on the children spinning wild stories of monsters, the legends of heroes of old slaying cruel beasts told by their elders. You had always believed them, even without the evidence currently striding through the sleeping streets, dark like a crypt, like the underworld itself. A true titan.
Just as your eyes track the brooding, silent form, he abruptly turns his head in your direction.
The glow of a nearby torch paints the shrouded face in the color of a dying sun, casts a glint on the thick seax strapped to his hip.
In that moment, it isn’t wonderment curling through your blood, but surprise, maybe even a tinge of fear.
Your heart hammers as you pull yourself from the window to whisper hurried, hushed prayers to Juno, protectress of women, as you reject your curious nature and climb back into your bed. You’ll bring your offerings to her altar just as any devout: incense and a sweet pastry so long as she keeps you safe, chaste.
Buried beneath cushions stuffed with straw and thin fabric sheets to tuck yourself away, you wish only to return to dreaming of the river’s silt beneath your feet and colorful birds parading past in the open air that smells only of violets and honey.
Instead, you dream of fire.
You dream of the city bathed in gold, molten and angry as the walls come down around you.
You watch as your neighbors, friends, all begin to writhe and shriek as their skin begins to blister, boil beneath until it melts layer by precious layer to puddle like oil where feet once stood until the mighty, wraithful scorch takes even that away too. What once was human becomes smoke: women, men, children, it made no difference. It all becomes a mighty roaring flame as the structures wail and crumble around you.
Yet, you remain untouched.
Dawn breaks with the puppets sewn in shadow all but entirely forgotten, washed away in the fearsome tides of your own dreaming.
You startle and bolt upright as you wipe cold sweat from your brow with the back of your hand.
You’re no oracle: it’s just a dream… Vulcan would never turn his fiery gaze to your people after you’ve all honored him so, the offerings paid at his altar had been plentiful this past year with the steady expansion of the empire and the need for well-smithed weapons.
There were no volcanoes here to sweep away your life with magma and sulfur… only the lemures that haunted old shacks with their wailing had paid a visit to you last night. You let them in with your fears, and you would ward them away next with your courage.
The sun’s warmth creeps its way in, sweeps up from your blanketed legs until it curls and caresses at your cheek. From its positioning, proud and impossibly high in the sky it’s almost as though Sol himself were staring down at you, radiant yet scolding.
You’ve overslept.
Hurriedly, you ready yourself for the day, cinching your waist, clasping the shoulder of the stola, and dutifully washing your face with still water held in a clay pot. There was little else to do than bide your time with tedium: the animals loitering about needed tending to, a neglected sewing project lay strewn across the floor that had long-awaited its completion, and as the questions began to stir in your mind again… perhaps, gods willing, you would safely be gifted the opportunity to peek at the barbarian camp. To see that peculiar titan that they kept tethered at their sides.
It was dangerous and unheard of for a maiden, of course, but with little else to do than work and practice stitching threads for a betrothed you held no true affection for, this was a significant reprieve from the humdrum of what was scrawled out into the stars.
You weren’t given the luxury of further studies and communing with the aristocrats at their hearty banquets, sipping wine and prattling onwards about politics and how to further Rome as a whole. A part of you preferred this simple life of taking to the street, to peruse the market with what little money you held clutched in your palm, to pet the horses and watch as bulls sparred out in the fields beyond. Returning home to an empty house was a comfort, too.
As always, the market is a lively place, full to bursting with people exchanging anything under the sun, either beneath painted wooden stalls or from the first floor of their very homes, all with very little regard for you.
The city was simply too full to take in every name and face, and only their chatter seemed to intrigue you anyhow. You didn’t need a scroll or a song about each individual, your people were easy enough to read: war, pride, and duty all embedded into their very blood. The only ones that drew your attention were the poets and bards, entertainers who spun their stories of lives vastly different from your own… but there were none awaiting coin on the streets today.
A man passes with his wife at his side, loudly bolstering onward about his progress on some expedition.
Women with flowers woven into the braids of their hair laugh softly behind their palms as they exchange their secrets in singsong whispers.
The children play and pocket with eager palms when salesmen are unaware, likely to be caught later on and have their hands whipped raw.
There’s no talk of the Goths.
With these foreign men, most of your people seemed unbothered, taking solace in the knowledge that the empire’s cavalry would ride to strike down any opposition. A tentative, arrogant sort of comfort that you knew very well not to trust entirely. Most were simply not as educated on the potential of what could be, hadn’t snuck around on quiet feet to listen in on the men discussing failed treaties and negotiations.
The Goths could find their own food, their own women and shelters after fighting for the empire for a time: likely what they were here to do… give up their lives in exchange for a sliver of a Roman dream. A band as small as the one you witnessed could never quite hope to topple an empire, anyhow.
That sense of safety brought forth disinterest and smug little grins with little else to say, whereas your mind only took to further conjuring curiosity.
The more you wander the more you question whether you saw them at all, or if they were mere specters, already slain and silenced on some field far off from here, long dead and forgotten by all but the sleep-addled mind of a maiden.
You’ve never felt so disheartened. Though the city remained constantly bustling and full of intrigue when you knew where to look, these days the ease of it all only seemed to further the boredom. If nothing were to come, it would be no surprise to find that Juno would serve her purpose, looking after all with her blessings. You almost regret calling for her safety last night.
If the barbarians were indeed real, had some plot to overthrow an empire with their small numbers, perhaps only a vulture would be pleased with your thoughts now: teetering on the cusp of anticipation and wonder. You would never think yourself treasonous, but to learn, to see more… Your appetite for something further than a life spent sewing and child-rearing after marrying a man that made your skin prickle with distaste in the coming winter was rational.
Maybe not to most, but to you.
The fruit stall pulls you from thought with its sappy, honey-sweet scent and brilliant colors littered in crates: reds, greens, even some soft and blue… You only then notice you’ve been standing entirely still here, lost in thought, as if expecting a bolt of lightning to split the world in two.
Two apricots were purchased, one for you and the other for the gray mare in the stable you had grown fond of. You give the merchant a smile and a few bronze coins and carry on your way, nibbling at one of the fruits on your walk.
There were usually servants tending to the horses just beyond the city's paved streets, but it seemed today they were busy with other affairs: Quinquatria would be upon the city soon, and there was much to prepare for such an important festival. The place was empty all apart from yourself and the horses, some off in the fields to gallop to their heart’s content, while others like your mare, secured by wooden gates and paddocks.
You feed her, cooing gently as she takes the pitted fruit from your hand and between her blunt teeth; then, allows you to lead her into the grass with your honeyed words and languid steps.
One day, you hoped to have the opportunity to ride her, perhaps far away to touch the waters of the ocean, to see the foreign trees in some great adventure that would leave you more fulfilled. Ideally, without being weighed down heavy with child.
Your hand strokes at her nose before she begins to tense, eyes wandering from your form to something just beyond, far off and nestled in tall, fluttering grass and small bushes. You track her gaze for a moment, finally turning to look over your shoulder.
The wind has the tops of the trees swaying along the hills, grass pushed down to kiss the earth with each flutter of air. It all smells and feels so gentle, carrying the scent of wildflowers and the soil and salt of the earth itself. Ceres would have found herself prideful at the sight; everything rich and lush with the spring… Harvests would be bountiful this year, and everyone would be well-fed and contented. It’s no surprise that after pilfering through old calendars and running his tests upon the soil, Gaius had declared that this was the year he would take you to be his wife.
Past the expanse of soft blossoms and a cavalcade of greenery, all sweeping and rolling, a beauty that would stifle anyone should they think to look hard enough… but amidst all of this sits a man that you recognize immediately. Though he remains utterly faceless, his stature is somehow enough to make a gladiator blush and turn tail in shame.
There, just where the hill dips down and gives way to the soft rush of the stream, sits your warrior. His head is lowered as he crouches by the water, hands tucked to his front as he busies himself with something in his lap. The bare expanse of his back presented to you is unfathomable even from such a distance.
The men from Germania were said to be huge, dwarfing those that you were accustomed to by lengths, tall and thick like the weapons that they carry. They were said to be handsome, too… and like some hazy dream you were already certain that he was, somehow, beneath the pelt tied round his waist to keep him warmed at night, the sable shroud hanging over his head as he works away at sharpening the blade laying over his lap.
Your legs feel weak like a freshly birthed lamb’s as you watch him; the muscles of his bare arms bulging and quivering, his nude back tensing with effort. The soft rays of the sun beaming down only seem to paint him golden, untouchable except by higherborn women and men who could pay well to have him dirty his blade or his cock. Radiant, cruel, maybe even a bastard son of Mars himself, because what better a place for a man so vast and laden with scar tissue to be than in the midst of some great war.
Someone like this, you know with a certainty, would have no time for fickle maidens with their heads filled with the fluff of fantasies, and in a way that only seems to solidify a plume of possessiveness stirred up within your head.
You wonder even, if he calls to Vulcan as he pauses to hold his blade up to the sun to marvel at his work, the sharpened silver glinting in the light. The weapon casts its rays to only further illuminate the paleness of his flesh, coupled with the gleam of the flowing water ebbing past it only serves to make him look the very picture of those old stories and myths. The older women in the city would have tapestries embroidered of this scene, no doubt, if they could see through your eyes now.
Your horse trots off, satisfied that there is no true threat here, and you feel yourself begin to creep forward.
The gods and goddesses must play their tricks, because you are no fool. The pull only feels undeniable, something that you could not fight with a stern will alone. You pacify your impromptu decision with the thought that you could turn away at any point in the meters it would take to reach him. Surely, if he turned to face you before then that same fear from the night before would come to surface and you would sprint, startled and wary.
Perhaps he would even give chase…
There’s no excitement to be held on him, either acutely unaware or ignoring your presence entirely as you draw ever-closer. The grass softens your footsteps, the breeze blanketing any sound from each shift of your legs beneath the linen stola. You’re near silent in your approach, only halting where the hill crests over the bank several paces away from where he remains seated.
Only then does he turn to look your way.
There’s no greeting, no display of friendliness. His body language remains closed off, distant, like that of a wolf in cautious preparation; deciding whether or not it would be necessary to bare his teeth, to snap and growl until your flesh rends beneath him.
So it’s left up to you and to Juno who remains harbored in your heart. The goddess would protect you most assuredly, you’ve left her offerings for as long as you could remember, prayed at her altars and devoted yourself entirely— perhaps not in the same way of the temple maidens, but certainly more so than most.
You take a breath, watching him with kind eyes and an air of unease about you that only seems sweet by comparison to the very danger that his presence proposes. He only returns your stare with something colder, detached and unamused beneath that ugly veil he wears: two holes for the eyes, dyed beneath with the red rimming yellow like the tissue a butcher may find in a plump calf.
“Can you understand me?”
There’s a long, tense silence that follows your frail question. The titan stares, looks you over from the crown of your head, briefly pauses midway- at your hips- then further. It’s both heated and cold, coaxing yet analytical.
Finally, the barbarian gives a curt nod in response, seeming no less frigid and closed off even as your voice feathers over the breeze. But he understands, can decipher your language, that’s a start.
“You are… one of the barbarians, yes?” Is that even what they preferred to be called? The word certainly sounded prettier on your tongue than the brutish pronunciation of ‘Goths’. There would certainly be some price to be paid if your blood was spilled over a mere insult…
Graciously, he only seems to overlook it as he sheaths his blade and rises to his full height, tall like the mountains you had only heard stories of, where gods and goddesses sit in council not meant for mortal ears.
Freed of any covering upon his upper body, you find yourself reluctantly mesmerized by the trail of light hair that runs from chest to abdomen and down further… until a little tuft peeks from the hem of the pelt tied around his narrow hips. The layer of fat over his midsection paves a way upward to reveal the muscles of his chest, wider and more prominent somehow than most breasts you’ve seen.
Unruly thoughts clutter that would have others questioning your status and devotion to your Gaius if they could hear them. It couldn’t be helped, you reason; you had never seen a man quite so vast, so meant for battle and breeding.
“That is what your people call me,” he huffs, bull preparing to charge. His words come out with a thick accent, northern. The trees and mountains would sound similar if they could speak at all.
He drinks you in with his eyes, fingers twitching at his sides as though itching to touch your most sensitive parts. Though he doesn’t move yet, you get the sense that all it would take is one false move, a skitter in your step that leaves you tumbling to the earth, and he would be upon you like the downpours of spring. You even wonder if he would roar like the thunder delivered from Jupiter’s weighty palms if he were to mount you.
Of course, what he sees before him is not a maiden of Rome. His people didn’t care for purity, for your religions and ideals: you’re a fertile little doe, wandering straight to a buck in his prime.
You swallow hard, a little bob from your fragile throat, to force those treasonous thoughts from your mind. Even talking to this man was a risk to your reputation… Your poor betrothed, nearing thrice your age and horribly delicate by comparison to this beast, would be up in arms if he were to find you here. More concerning, you couldn’t find it within yourself to care.
“What do you call yourself, then?��� Your voice comes almost breathless, thighs pressed together beneath your stola as your own body sends its signs and omens to tell you that you’re precariously close to the underworld just by gracing him with your presence. Perhaps it would be that dark, too, if this giant decided to push you to the soil, hover over you as he plucked you apart like petals from a flower.
His eyes track that subtle shift of your legs, crinkling at the outer corners when they roam back upward to your face. The beast grins beneath his hood, you’re certain of it, and those eyes of pale blue seem to glitter like the sun's rays on the stream to your side. He shifts, crosses his arms over his chest and tilts his hips just slightly forward, some strange display undoubtedly meant to tempt and charm you.
You don’t budge from your perch, despite your body’s persistent singing for him. Enticing scents and views of flesh could do that… this man wasn’t special, you were just curious. That’s all that it was.
“König.” He answers things plainly in that lilted voice, as though he’s trying to seem more of a man to spite that boyish way of speaking. And gods help you- it’s cute.
“Does it have meaning?,” you settle to ask when he does not request your name in turn. A bit rude, though you do wonder if perhaps the bullish men in his settlements see delicate things like you more like pets anyhow. The thought of this warrior whisking you away and naming you one day… You swallow that lump in your throat again, teetering back on your heels as if to place more distance between you two.
“What do you think it means?”
That simple non-answer does finally allow your pulse to settle, only to rise immediately to find it insulting— as if this wild man with no proper education had the right to insult you at all.
He only smiles again beneath that veil when your face sours. Awful, wretched, gorgeous creature… You’re no threat to him and he knows it. He’s only playing with you, dodging your pretension with a bit of his own, and unfortunately… This is the most pleasant conversation that you’ve had with any man.
Your betrothed was only arrogant and dull, there’s no light in his eyes when he smiles at you- everything is duty. Not here. Not with König, and surely the goddess of marriage and love is frowning down at you from her lofty throne, because you’re almost certain you’re infatuated with the brute by now.
“You’re a bit rude.”
“King.” He grins, a grin that you can see when he frees the leather flask from his belt and shoves his mask upward to take a heavy gulp of what is undoubtedly Roman wine. The glimpse alone makes you weak again, honey drips from your thoughts to your cunt, and you know now that you were never simply curious.
No, this brute would be the end of your engagement and even you if you allowed it.
You watch him take his fill, catch the bitter scent in the air as a bit trickles down from his rough jaw to his throat, all covered in scars. He’s been in battle for a long time, likely why he wears the hood at all. The rest of that handsome face is undoubtedly a wreck just as what could be seen of his body, all covered in memories of where he’s had scrapes and dances with daggers only to fell his foes one by one with that long seax dangling from his hip.
After the hood and the flask are in their proper places once more, he gives you a nod, then speaks, “How many coins?”
It takes a moment for the question to register in full; he isn’t asking what you have on your person, but how much you’re worth. How much it would cost for you to spend a night in his bed, tolerating this giant between your legs…
Your attractions billow up in smoke immediately, just as you expression sours and your hands curl to fists at your side, crushing the half-eaten apricot in the process. You toss the ruined fruit to the ground, allowing the sweet juice to coat your fingers as it flows downward.
You wring your hand as you very nearly shout, “You are an animal. I’m not here to sell myself.”
Your voice falters to a meek, little whisper with your final words, the breath a weak gust through the first tiny blossoms of spring.
Of course he catches onto your body language, to the way your thighs rub and tense beneath your skirt, the way your nipples peak at the mere sight of him and all of the infatuation and curiosity in your eyes. Men knew things like this, offhandedly, it seemed; if the others were correct then this beast could surely smell you, too.
The bastard only stares, eyes narrowing as his brow pulls together beneath the hood in some strange confusion. The whores wore their togas, not the stolas of maidens and married women, even a barbarian should have known that: his men were certainly no strangers to the sweet women with their faces chalked in lead.
Then, his shoulders pull up to fall in a shrug.
“Run, then, little one.”
It’s almost as though he knows your thoughts in and out, a lemure himself as he presents the bulk of him that would strike fear into any man, taunts and goads. You don’t want another fire dream. You force your courage and mirror his stance: chin up, back straightened as you look down upon him like a goddess sent to deliver her fury with… a pitted apricot at your feet rather than bolts of famine and misfortunes.
His eyes become stars, twinkling in earnest when he sees you then. You’re no aristocrat, no empress, but you certainly feel the part when the giant’s gaze finally relaxes its pilferage and settles upon your face instead.
Your act is all for naught, because you realize that his men are approaching, opposite the stream. One of them was enough, but a hoard of others… You were not even certain that he could understand you properly, and the others could be even less patient. Your gaze travels over their forms, smaller than this ‘König’, but each equipped with their own weapons and their own scars from battle.
They look from their leader to you, eyes grazing over the plush flesh that your stola dutifully conceals like starved dogs. One of them mutters something in a foreign tongue, harsh and guttural, his eyes never leaving your shape in a display of brazen appraisal.
König responds in turn, voice taking on a lower octave as he all but barks his response: harsh, unyielding language that you couldn’t hope to interpret… but if you had to guess, you were nearly certain that his men were asking who would lift your skirts and have their way with you first.
You depart from them with tentative yet hurried feet, and you don’t look back as you cross across the lush field. There’s no stopping at the stable, not a thought in your head except that you would most assuredly not be returning. The barbarians could have the field, the stream, whatever the city’s officials had allowed them.
Just not you.
It’s Gaius that greets you when you arrive home, to the little villa he had secured for you; to the place that would become less of a home and more of a prison once the two of you were wed. You’re barely a foot in the door when the man’s gaunt face turns to you, his lips set in a stern line.
“Where were you?”
You knew that look, it’s the very same that he gives to his slaves when he’s about to bleat out his orders like an enraged goat, shove them or grab at them to feel less small than he truly is.
Your brow pinches, a shaky breath leaving your mouth as you try in earnest to look the part of an innocent lady who had not just crossed a field and fantasized endlessly of some rude, barbaric oaf.
“In the field. With the horses,” you deliver your half-truth with practiced ease. This wasn’t the first time you’ve lied to him, and it certainly would not be the last. If the protectress of Rome could overlook your stunts and recognize your discomfort in this wretch’s presence… then she might even side with you; save you from a future of sharing this man’s bed.
Gaius relents then— as much as a stoic, old man could. He reaches out to cup your face with one weathered hand and you have to force back to urge to shudder.
It’s not that you mean to be cold, not after all that he’s done to care for you… it just comes as naturally as the seasons and the wills of the gods. Something about him always made you feel ill.
You eventually, tentatively jut your chin forward just a bit to force yourself into leaning toward the touch of his cold hand.
His lips curl into an unsightly grin; then, he pats your cheek and draws away enough to bless you with fresher air to breathe without his withering presence alone contaminating it.
“I brought you a gift, meum corculum.”
“Oh…” Your words come in a little hiss, your heart stuttering in your chest as you teeter back on the heels of your sandals. The straps along your calves feel tighter now, your stola too… maybe even the room itself: everything seems to close in, and you could only silently hope he doesn’t request your affections for doing such. “… you didn’t have to-“
“Nonsense.” Gaius raises both of his hands, arcs them before stepping out of your path to reveal a new dress lying on the wooden table just beyond him, dyed a light blue.
It’s pretty, well-spun and soft-looking… yet you still hesitate a bit when you step closer to run your fingertips over the fabric. It yields beneath your touch, bunches when you move each digit along the pliant linen, and it’s the softest thing you’ve ever touched, maybe even softer than the lambs and kittens you’ve played with in the streets.
“I thought that you might like something nicer to wear during Quinquatria,” he adds from just behind you. You feel his hands trace along your arms, further, until they reach your shoulders and give a gentle, but almost demanding squeeze.
It’s meant to be affectionate and he is your husband-to-be… but he still manages to make you feel ill. It’s only a blessing that he’s never requested more from you than a peck for his offerings to you.
What a man in his late stage of life could see in you, you couldn’t hope to imagine. A fertile womb, likely, and you could only hope that that isn’t also what he saw in the women he kept as slaves in his own home further toward the city’s center. Nosy, dull man that he was, of course he needed to be closer to the housings of banquets and discussions to feel some level of importance while he kept you locked away toward the wall and the slums like some filthy little mystery.
“I’m tired, my love,” you manage, voice thin as you slowly pull yourself away, from both Gaius and the delicate blue thing you would be forced into wearing for the coming festival.
The man balks, but doesn’t push. A few seasons and he would have what he’s awaited for years, the confident gleam in his eyes tells you that he’s certain of it.
It’s difficult to believe that someone you had once considered a hero and a friend could make you feel so much disgust now. You were naïve, then, and now you only feel how those poor horses locked away in the stables must feel, burdened with a constant yearning for your own freedom.
“Then rest.”
When the door shuts behind him, you’re only then able to expel your relief. The weight of what you must do settles upon you, heavy and unyielding, the boulder of Terminus.
You can not marry Gaius. You can not continue to breathe in the stink of the city from its miasmic aqueducts, perfumed only by the crowded marketplace full of mortals so contented with their own tedium. The unknown calls and calls, howling like a mother wolf to guide you. Even with the stories told of what fiends and horrors lie outside of the city you could almost feel with a certainty that you were destined for it.
You light your incense with a lump of coal in the burner of a clay pot. Just cinnamon would have to do for now. You make your peace with that promising Juno whichever sweet, flaking pastry that appeals most during the festival of Minerva.
Though you were more than content with your wish for nothing more to do with the barbarians after meeting with König earlier… he comes rushing back into your mind, rolling and lapping like waves as you begin to prepare yourself for sleep. The polished tin of your hand mirror reflects your face as you twirl the handle in a curled palm and you stare. Did he see beauty or simply a womb…? Had you taken offense to nothing? The questions stir up remorse as you strip away your gown and take to the bed.
Just one more meeting with the foreigner, maybe. Just to say your farewells, wish him luck in future battles, bless his seax and his shield with a touch and a prayer (if he even had the sight to keep any form of defense on his person).
When Quinquatria comes, when the people are busy and satisfied with their food, fortune telling and the gladiator games, you will take your mare and ride off into a sea of stars. Each light will be a point of guidance until you reach the riverbed you’ve only ever dreamt of, until you scale the mountains that sang so sweetly from the goth’s tongue…
And perhaps he will chase you.
— — —
Quinquatria used to be one of your favorite festivals. The fortune tellers were your favorites, always seeming to know so very much with so little insight into your life. Then there were the revelers donning their colorful masks, barking out song with bitter wine painting their tongues.
You try to listen in on them as a woman traces over the patterns in your palm, the curved lines and straight, fine indentations. Palmistry, rather than any proper reading with sacrifices and proper seers stood before a temple. You reason that this is for fun, just like the wine-drinking and the gladiators fighting for their lives and the horrible stink of the city’s streets: natural, reasonable, and dreadfully normal.
The fortune teller hums as she reads you through your hand, laughs a bit when she seems to note a secret or… something. You were not entirely sure. The woman was young, her belly likely as full of fermented fruit as everyone else’s as they dance and crowd the street where you two are stood.
“You’re unhappy, girl,” the woman muses, giving you a sympathetic look before another laugh pulls from her lips.
You give her a nod but don’t say a word as she continues to stroke at your palm. Of course you were, anyone could tell just by the frail look upon your face, as if you were indeed bereft and ready to cry at any moment in this horrible, dainty dress with your betrothed fondling some lady mere paces from you.
“Yet, so lovely,” she continues, nimbly running her fingers to your wrist. She curls them around you, turns your hand over and gives it a soft pat to signify that your reading is done.
“You’re destined for a summer wedding.” Winter, you want to correct. “And your husband… strong and brave like the sacred wolf.” Weak and old, you force back with a clenched jaw.
She releases your wrist with one last assessment, “Juno favors you, sweet girl.”
You want to call her a fraud, but instead you merely part with the bronze you had promised to her. With Gaius preoccupied, his wrinkled hands already tucked beneath the skirt of the other woman’s stola, now would be the best time to wrench the door of your little cage wide open… not make a scene.
Your chest feels tight, and for the first time it isn’t from some unknown fear, it’s excitement. Your heart hammers as the blood stirs within your veins, belly tense and breathing shallow, taking a stiff pace to walk along the shadow untouched by silver paths of moonlight.
There’s a bellow, a wail as the gladiators fight some distance off. Soft words and whispers filtering past like eerie words from something ghastly, moans from a brothel, bells on the wind, the stink of rot and perfume all from all that you’ve known for so long as you leave it all behind.
Your mare is pacing restlessly in the field, her ears flicking and tail swaying behind her. You’ve no saddle, you hadn’t even thought to procure food or any supplies. You’re not even certain that she’s been ridden by anyone, but you coax her over to the wooden fence that your body rests over; hands find the velvety fur of her gray snout, fingers moving to gently caress her mane and ears.
“We are going to be free,” you whisper as your hands curl over her neck. The mare makes her displeasure known immediately, huffing and tensing immediately… and you realize that this isn’t going to work, not without her bucking you off and leaving you injured or dead. You’re not stupid or brazen enough to break a horse or anything, really. Not Gaius. Not…
You would find König. Perhaps you could even trade the Goth for a horse already accustomed to being ridden… he had already revealed his intentions, and he was easy enough on the eyes to entertain the thought.
You give the mare a kiss farewell, right on the softness of her cheek and detach yourself from the fence to wander past the silver field, the gently flowing stream. The water dampens your dress, embeds it’s cold into your very bone where the sandals fail to protect. Spring or not, it’s hardly warm at night, and there are only so many rocks lying in the water to keep you from sinking in.
The clothes are drenched by the time you crawl to the other side. On the opposite bank, it’s only then that you turn back to look over at the city, one final glimpse of a place bathed in gold; cinder and ash from torchlight, flowers and the creeping scent of decay carry on the breeze. Even from the distance you can hear the music, chimes of steel on steel, the laughter and cries of mirth and pleasure.
Begrudgingly, you feel the first seeds of regret plucking at your heartstrings. You’ve nothing to your name apart from a few coins in a pouch strapped to your hip, no weapons, no food. You could die, you verily would if you went at this alone. And still, you force your face forward and continue your steady waltz to look the unknown straight in its bloody maw.
You won’t panic, won’t fear. Whatever awaits would be better— it had to be.
The barbarian camp comes into view some time later. You couldn’t be certain how long you’ve been walking, as though some spirit had plucked the chords of your mind and left you in some confused daze. It couldn’t have been your own desperation. Something greater had to be at play, a proper destiny: one much better than the life of Gaius’s wife, owned like a hound, imprisoned and uninspired.
Though their torches burn, their tents stitched together amalgamations of old pelts and cloth, the air is fresher here. You expected the reek of death, heavy on their skin, bathed in blood and the rot like visions of Mors herself. Instead, you smell smoked meat and wine on the air: a boar and fermented grape, fruit from the surrounding orchards, the heavy scent of men. There’s no celebration here, a few men talking quietly as their eyes wander over what you can only assume to be some sort of map— tactical discussion for their next bloodbath.
You puff your chest and steel your gaze as you walk towards them, expression set not unlike the stern looks your betrothed would give.
Your attempt at intimidation only earns a flicker of hunger in the gazes of these men, and then a bout of grating laughter. They glance at one another, discussing you in hushed voices in their mother tongue before one finally looks to you and asks a simple, “Was?”
“König,” you answer simply. “Where might I find him?”
The question undoubtedly goes uninterpreted, but the name does spark a wave of interest that passes between their faces. Finally, one points toward the tent at the far side of the camp: ugly thing, vast and layered in dark tones of gray and maroon, the very structure is a bleeding animal.
You hear the laughter behind you, the lewd whispers and jeers and only a simpleton wouldn’t be able to interpret the meaning; the titan that heads their little group has a lovely woman seeking him out like a wayward dream, and with adrenaline already coursing through you the thought of spending your night here doesn’t even seem an insulting prospect.
The flap serving as the door of the tent parts as your hands move to lift it, and sure enough… the beast lies in wait in his den, seated on a mattress made up entirely of fur. His hood remains over his head as he traces the carvings on the handle of the seax, under flickering flame and the shadow of the tent König seems further unearthly, god walking amongst men as he toys with his weapon in some strange sort of ritual.
The ritual only seems to be one of boredom, because his eyes light up when they rest over you, standing like a dream as your dress billows with the breeze creeping in. You’re drenched and dirty and pitiful in his presence, but he only seems to soften when he beckons you toward him with a curl of his fingers meeting his palm.
You obey with tentative steps, stopping next to him as he waits on the bed. If it were possible for your heart to seize and halt entirely without you collapsing to sink beneath the earth, it surely would now, so close to him.
“I need a favor,” you explain in whispers. “A horse.”
“A horse,” he repeats as his weapon is set aside, “Warum?”
You don’t want to explain a thing. He’s working with the very men that could drag you back to the city after being paid heavily by Gaius… your trust is blind and foolish and you almost want to break apart right here. How stupid to believe that you could find some solace here, with a giant that walks along the cusp between men and beasts. Your shaking hands reach out to drag along his vast shoulders, lingering on the healed wounds that dent and give rise to his flesh.
“I’ll do what you want,” you offer quietly, earning a pleased rumble from his chest.
Though after a moment, he only sieges your wrists, pulls you down to the mattress at his side. He touches you no further, only stares down at you in a twist of amusement, reverence and confusion.
“Warum?,” he repeats, “Tell me.”
You wind over onto your side, staring up at him with a desperation that you’ve never known until this night, clawing down from your throat to bed it’s way into your roaring pulse, frightened and pleading. Just give in, ask no more, you want to wail to him as your vision begins to blur with tears.
Mercifully, he doesn’t ask again. König lies at your side, mimicking the way you curl onto your side and again… he smiles, though this one is unlike the way he looked upon you by the stream. It lacks that boyish twinkle, the intensity of the lines forming beneath his eyes: it’s more of a pleasantry than anything genuine.
“You are married?”
“What? No…” You swallow hard, toying with a thread that’s begun to pull free from your hip, twirling it between your fingers. “…not yet.”
“Ach… but you belong to another, ja?”
You want to howl out your frustrations up to every god and goddess above, burn through the Elysian with your misery alone. You wish, yearn for the courage to cast off that mask and lure him in with a kiss, erase any memory of Gaius with the kindling of a truer passion.
Your voice doesn’t come, and your fingers steadily pluck at that thread, feeling more unsure of yourself with each passing second.
Again, your bastard god grants his mercy as he raises a hand to cup your jaw, the warmth of him singing away the memory of the weathered hand that had touched you there before. His hand is so much larger, strong and riddled with calluses; you swear that you can feel his own fluttering pulse through his fingertips when they press against your bottom lip.
“Not after tonight,” he hums.
When the shroud is tugged up and his mouth meets your own, König’s kiss is exactly what you had expected: a sloppy, eager clash of teeth and tongue. He steadies you with a hand pressed to the back of your neck as his grunts filter past your own lips. Your eyelids flutter, then close as you allow your mind to finally relax, coaxed into the ethereal with each swipe of his tongue and pleasured sound drawn up from the well of his throat.
He pulls away with a gentle peck to the corner of your mouth, gazing down at you as though he’s been deprived of light for the entirety of his being and had only now met the sacred flame. It’s incomparable to how easily your betrothed would cast his scrutiny; though the hunger is similar, there’s something far more enticing here.
“Do you trust me?”
König’s voice holds no apprehension as he speaks; the question is just as blunt as each bulge of muscle and peek of teeth through the grin on his face, only set aglow by dim candlelight in the tent. You don’t nod, don’t even reply immediately as you stare at him a little dumbly, still intoxicated by the ferocity of his affections.
“… I don’t know.”
He moves a hand over your eyes then, gently presses his palm over you until you’re bathed in such darkness that you shudder. It’s a disconcerting feeling— not because you fear him so much anymore, but because if this were Gaius you would have already been squirming away, rushing to hide. You want to kiss his palm, revel in whatever piece of him he gives to you.
“Sehr schön,” König coos to you in a whisper. You settle further, allowing the tension to leave you almost entirely as you fall into the velvety embrace of all of this darkness and the pelts beneath your back.
He shifts at your side, and almost immediately there’s a cold chill at your collar, something sharp that he rakes over the softness of your flesh, then down, down to snag at the top of your dress. Your gasp is quieted by a kiss as you feel his weight shift over you, and just as you begin to melt into it… the fabric begins to tear, shreds as he guides his blade further, past your breasts and along your sternum, your belly, further.
“Don’t..,” you manage to hiss against his mouth, immediately taken over by the feeling of his tongue lapping at your teeth. Your nipples peak at the sudden chill as your dress lies ruined to either side of your body, thighs trembling as the blade hooks along the linen concealing your maidenhood.
One more generous, gentle cut and that comes away too.
You’re entirely bare when he retreats to your side again, one hand still clutching the blade as he moves his head to lay over your breast and… never, never had you heard of a man lapping and suckling at a woman like a pup, but that’s what he begins to do; his tongue circles over the bud, tugging it between his teeth until you feel the wetness between your legs beginning to drip to smear upon the mattress.
It’s caught, quick, as he turns the blade in his hand to slot its grip against your sex. It’s cold, but his mouth is warm, attentive as he licks between the valley of your breasts to capture your other nipple.
The noises that leave your mouth are filthy, rivaled only by the sounds you’ve heard in brothels… König only seems appreciative of them, muttering praises as he grinds the cold metal against your cunt, careful as the ridges of it graze your throbbing bud, gathering your slick to make the glide that much easier.
When he moves to dive for your breasts again, you cradle his jaw in your hands, peering up at those moonlight eyes in silent pleading as you capture him in another burning kiss.
The blade turns again, its sharpness directed down so as to not bring you any harm as you desperately roll your hips against its coldness. He groans into your mouth, panting softly just as you begin to whine.
You’ve never heard of a man making love to a woman with a weapon… or of one suckling at her as though she’s lactating when she is not, but… it has the desired result when your body tenses and all that can escape you is a frail whisper of his name.
The heat sweeps from your foggy head to your middle as your thighs squeeze around the damned thing and König presses his lips to your temple. You climax for him, chasing wave upon crashing wave of intensity with stilted bucks of your hips. He clicks his tongue in approval when you’ve finished, holds up the seax again, smeared wet with your essence and twinkling as though it had been bathed in the stream once more.
You know with a certainty you’ve lost Juno’s favor. If he chose you to carve you open with his come-stained blade the goddess would not make her descent to save you.
“Gut,” he whispers into your hair. To your horror, maybe even fascination, he raises the dirtied silver to his lips and licks your sweetness from it with another low groan.
“Wh… why would you do that..?” Your rapture feels almost shameful as you watch him lap at the weapon, the long tongue meeting silver only warmed by your heat.
He’s mad, certainly, and you only find yourself further infatuated: you reason that you must be too…
König doesn’t answer you as he sets the seax aside again, not in words. Instead, he cups your face and directs your lips to his own where he laps at your tongue, suckling it in the same way he did your tits. It’s slow and sensual, and you can taste yourself in his mouth, smell yourself on him as his hands find your waist and tug you closer until you’re lying almost entirely over him; one leg thrown over his thigh with your hands splayed over his chest.
The titan is hard beneath the pelt he wears, felt against the plushness of your thigh, the brown fur wrapped around his hips is pushed to rise where it’s harboring something akin to a pillar… but he doesn’t force you to settle over it, makes no attempt to tug it free, despite its throbbing against your leg,
“I needed your blessing,” he mutters, a hand settling over your naked hip, tracing small shapes with his thick fingers. The other finds your shoulder to pull you into a cuddle, pulled so tightly against him that you’re hardly able to discern where your warmth ends and his begins.
“A.. a blessing?” Your voice comes as a trembling croak, head pressed into the gap between a broad shoulder and the column of his throat.
“We are leaving in the morning.”
“Oh…”
“I will give you the horse when I return.”
Your head feels like a mess. You’re not even certain of what you’ve just done— did that count as sex? Would he tell the Roman soldiers he works alongside of how he had convinced some pompous aristocrat’s lovely bride to lustrate his blade with her essence? You could hit him, demand the horse now and bolt, but you only melt against him: eyelashes fluttering as exhaustion takes hold and the tension leaves you entirely.
“That’s all?”
König pets you, running a hand along your spine and back up to repeat. He presses his nose to the crown of your head, nuzzling against it until his hand is freed from your form and only then does it coax its way beneath the fur covering his groin.
He laughs at the weak sound of surprise you elicit when that beast is pulled free, another, thicker weapon curled in his hand. The thickness, the length of it that tapers off to a layer of skin, eager and pulled back from the tip, leaking beads of milky white: something that would surely tear you if he were not careful, and the thought brings you to squeeze your thighs together, concealing the leaking, thrumming thing between.
“I will fuck you when I return, too,” he huffs into your scalp, causing you to further bury your face against him, intent not to let him see the effect his derangement seems to have on you. You would let him bury himself into your chest, steal the breath from your very lungs, but you don’t breathe a word of it. Something tells you it’s a mutual thing, perhaps it was all spelled out for you when he asked for your favor rather than from any of his foreign gods.
You count your undeserved blessings. He seems sated only ruining you with his touch for the time being, you’re very comfortable here, and though you dare not speak it… you do find this brute charming. He speaks where you fail to, whispers of your beauty being like that from myths and dreams.
He doesn’t force you to leave, either, only paws at and squishes your breasts until you squeak and whine your protests, already sore from his teeth leaving their marks all over them. When he tires of his fun, you’re pulled into a crushing embrace where he rests his head against your own, blankets you in himself entirely. You were right… the shadow he casts over you blackens out the sun, moon, stars all of it; dulls the haze of carnality with something far more tender.
Your night becomes entirely made up of König: his scent like forest and sweat, the furs from beasts he’s chased down and slain, his soft breathing and gentle snores when he does fall asleep against you.
No dreams come to you, no lemures to haunt you with their wails and flames. Not even Juno descends to punish you. You’re warm and soft and contented like the kittens curled up in clusters along the streets on cold nights.
It’s the first night of peace you’ve had in some time.
When morning comes, the brightness of the sun peeking through the flaps of the tent, you wake to find König already out of bed. He stands at the far side of the tent, strapping on pelts and gear and the leather pouch filled with wine. His seax is held up in utter revelry, and mortifyingly enough… you immediately note that he hadn’t cleaned away the remnants of what occurred last night either.
When you bring yourself to sit upright, the giant only drops to his knees at your feet and curls his arms around your middle, pressing a kiss to the valley between your breasts through the thick fabric of the hood.
And… it almost hurts, to realize then that this is something you’ve longed for. You’re not arrogant enough to believe yourself worthy of some foreign worship, but he seems to liken you of some devout little acolyte, as if your come and kisses could grant him favor while he butchers poor souls all in favor of your empire: the people he had likely been communing and trading with only months before. Traitorous, mad, utterly enthralling man… You’re not certain whether you want to relieve yourself from him or guide him back into bed for more frenzied pleasures.
“You will stay?,” he murmurs into your skin as his kisses trail up to your neck.
You hadn’t even considered what you would do, it never came to mind, but staying in a shoddy tent in wait for him to return with the horse he’s promised was far from favorable. You’re out from the city, still without food or weapons, your dress and underclothes are a torn ruin on the floor, nothing but the wind and the stream and König’s stinking furs… The bathhouse seems to call to you now more than ever. Your lower lip trembles when you think of returning to that stale place, to be questioned endlessly about your affairs from your ‘doting’ husband-to-be…
Your head shakes solemnly. “I’ll wait for you at home.”
König drags you up onto your feet and closer as he savors in another embrace. You’re cloaked in a gray pelt, tied up and over your shoulders like the gaudiest tunic in the world, but you bur your nose into its shoulder, humming in contentment when you find that it smells just like him.
He’s more confident and proud than you’ve ever seen him now. The filthy blade remains strapped to his hip when he gathers you up to sit at his front on the back of his horse— a dark stallion with a pelt the same shade as the night sky. It doesn’t even seem to flinch at your combined weight, just canters along smoothly as König directs it through the sprawling field and past the stream to lead you back towards the city’s gates.
You’re not thinking of Juno or Gaius or traditions when König cinches your waist with a thick arm to draw you in closer; there’s nothing but fluffy warmth pooling in your chest sent by Venus when you feel his hips shift to press himself against your back. His head dips to kiss at your neck, your burning cheeks, shoulder, anyplace that he can.
When the horse comes to a halt with a sharp tug of its makeshift reigns, some length of rope and twine, his hand is at your rear.
Everything’s incensed and floral when you’re lowered to the ground, when he lifts the hood to grin down at you, not only with his eyes this time. It’s a sheepish, gluttonous grin, drunk off your very presence.
“I will come back for you, meine Göttin.”
And you know now, that the palm reading had been true— there’s your wolf in preparation for a hunt, the man who’s unwittingly aiding you in your pursuit of freedom painted with mountains and vast, blue skies. You will convince him to come away too, lay down the blade you’ve blessed with your pleasure. A summer wedding… far from wars of greed and smirking old men.
Your head swims when he bids you farewell, rides off on his massive horse back to his camp to gather his own men to march. You watch him go, breath caught up in your throat, a burning longing in your chest that you can not entirely dismiss.
The walk of shame only comes when you’ve crossed the threshold separating König’s world from your own.
The stink of the streets immediately washes away any lingering scent of him on your skin, on his pelt you now hide away with your arms curled around your waist.
You catch your reflection in stagnant water held in a pot, swaying and ebbing gently as others breeze past you.
You’re in a foreigner’s clothes that just barely crest your thighs, hair a mess and the carmine you had worn to bring a false blush to your cheeks is smeared over an eye and down to your jaw. You look the part of an adulteress, maybe, even as you dip your hand into the water to wash the makeup from your face.
There isn’t much to be done about the marks left over the hints of your chest revealed beneath the fur, but you make your way home without anyone even bothering to ask. If anything, the festivities from the night prior only seemed to subdue the standard bustle. You could only imagine how exhausted the hungover soldiers may have been as they undoubtedly prepare for the expedition König had mentioned.
That overrides your shame, sobers you from that sugary elation somewhat. You’re worried. It’s not just about König himself, not about the threat of fucking you when he returns left unfulfilled— though, those are enough to make your heart begin it’s hammering, rabbit in the throes of a chase. The horse, too. That proud stallion, your hope of a swift escape before winter comes and it’s all lost. If his drunken allies fail him in battle, if some other barbarian’s spear strikes true and fells your titan then the dream is dispelled into smoke, sunken down to river bed to be lashed away by frothing waters.
Whoever decided that the day after revelry would be the time to move was a fool indeed. The deities couldn’t look at you after last night, you know if they saw their noses would be turned up in disgust… perhaps not Jupiter’s, he’s more guilty than you could ever be, but your offerings had never been for him had they?
You fret and hiss below your breath as you wind your way back to the villa with its white walls and terracotta-tiled roof. The sun bears down on you like the flame of your dreaming. You’re afraid again, letting the lemures find their way in through the gaps in your shivering limbs to haunt your dreams.
Gaius is not there to greet you, likely still recovering from his own fevered night. You’re grateful for that.
The little altar to Juno still stands atop a table in your room, the burner still smells of cinnamon, dried flower petals and a dish of honey still sat there entirely untouched. She hasn’t split it in two, abandoned you, but it does feel that way when you peel away the fur.
Your fingers nudge at the bruises laden into your skin, the marks that look like teeth to either side of your breast. You press into them, gently, immediately feel that coil of heat, and you don’t want to sleep. That fire from your dream only seems to have become a part of you: you know it intimately now, it comes with pleasure and bite marks and a heavy weight harbored in your chest.
You cinch your waist and tie your stola at your shoulder, brush your hair out with a comb made of ivory. You rub your bruises with a salve made of honey, bandage up what you can and hide away what you can’t by tugging up your breast band.
The same as any other day, you take to the streets of the city and peruse the marketplace, take to the empty bathhouse to wash away all that’s consumed you over the past day. And you watch the soldiers go as they march through the streets, women and children waving away their fathers and brothers with prayers and sentimental words.
They don themselves in red, clutching their gladiuses, spears and heavy shields as they filter out and away where your very being longs to be. Their faces are giddy, almost: the prospect of pillaging and felling each enemy another delightful treat just like those found in the gladiator pits and amidst rolling with the whores in their brothel beds. You can not hope to understand their mirth, the happiness in any of the civilians either.
You watch them leave wistfully, lips pressed to a thin line, fingers digging into the waist of the stola. You down your fair share of the wine Gaius has left in your cellar. The day merely passes you by, the sewing left undone on the floor, altar bathed in cinnamon and saffron as you make your prayers and beg like any dog.
The mattress feels lonely and sad without the warmth of a body made for war curled against you, without his breath in your hair and his arms wrapped around you. It’s cold, too, and far harder than his, all straw and thin sheets. None of this feels like home.
Your eyes eventually close as the last of the sun’s rays begin to die, blotted out by the dark, untouched by torchlight.
You dream of fire.
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illustratus · 1 year
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Hjalmar bids farewell to Örvar-Oddr after the Battle of Samsø
by Mårten Eskil Winge
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breelandwalker · 1 year
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JSTOR Articles on the History of Witchcraft, Witch Trials, and Folk Magic Beliefs
This is a partial of of articles on these subjects that can be found in the JSTOR archives. This is not exhaustive - this is just the portion I've saved for my own studies (I've read and referenced about a third of them so far) and I encourage readers and researchers to do their own digging. I recommend the articles by Ronald Hutton, Owen Davies, Mary Beth Norton, Malcolm Gaskill, Michael D. Bailey, and Willem de Blecourt as a place to start.
If you don't have personal access to JSTOR, you may be able to access the archive through your local library, university, museum, or historical society.
Full text list of titles below the cut:
'Hatcht up in Villanie and Witchcraft': Historical, Fiction, and Fantastical Recuperations of the Witch Child, by Chloe Buckley
'I Would Have Eaten You Too': Werewolf Legends in the Flemish, Dutch and German Area, by Willem de Blecourt
'The Divels Special Instruments': Women and Witchcraft before the Great Witch-hunt, by Karen Jones and Michael Zell
'The Root is Hidden and the Material Uncertain': The Challenges of Prosecuting Witchcraft in Early Modern Venice, by Jonathan Seitz
'Your Wife Will Be Your Biggest Accuser': Reinforcing Codes of Manhood at New England Witch Trials, by Richard Godbeer
A Family Matter: The CAse of a Witch Family in an 18th-Century Volhynian Town, by Kateryna Dysa
A Note on the Survival of Popular Christian Magic, by Peter Rushton
A Note on the Witch-Familiar in Seventeenth Century England, by F.H. Amphlett Micklewright
African Ideas of Witchcraft, by E.G. Parrinder
Aprodisiacs, Charms, and Philtres, by Eleanor Long
Charmers and Charming in England and Wales from the Eighteenth to the Twentieth Century, by Owen Davies
Charming Witches: The 'Old Religion' and the Pendle Trial, by Diane Purkiss
Demonology and Medicine in the Sixteenth and Seventeenth Centuries, by Sona Rosa Burstein
Denver Tries A Witch, by Margaret M. Oyler
Devil's Stones and Midnight Rites: Megaliths, Folklore, and Contemporary Pagan Witchcraft, by Ethan Doyle White
Edmund Jones and the Pwcca'r Trwyn, by Adam N. Coward
Essex County Witchcraft, by Mary Beth Norton
From Sorcery to Witchcraft: Clerical Conceptions of Magic in the Later Middle Ages, by Michael D. Bailey
German Witchcraft, by C. Grant Loomis
Getting of Elves: Healing, Witchcraft and Fairies in the Scottish Witchcraft Trials, by Alaric Hall
Ghost and Witch in the Sixteenth and Seventeenth Centuries, by Gillian Bennett
Ghosts in Mirrors: Reflections of the Self, by Elizabeth Tucker
Healing Charms in Use in England and Wales 1700-1950, by Owen Davies
How Pagan Were Medieval English Peasants?, by Ronald Hutton
Invisible Men: The Historian and the Male Witch, by Lara Apps and Andrew Gow
Johannes Junius: Bamberg's Famous Male Witch, by Lara Apps and Andrew Gow
Knots and Knot Lore, by Cyrus L. Day
Learned Credulity in Gianfrancesco Pico's Strix, by Walter Stephens
Literally Unthinkable: Demonological Descriptions of Male Witches, by Lara Apps and Andrew Gow
Magical Beliefs and Practices in Old Bulgaria, by Louis Petroff
Maleficent Witchcraft in Britian since 1900, by Thomas Waters
Masculinity and Male Witches in Old and New England, 1593-1680, by E.J. Kent
Methodism, the Clergy, and the Popular Belief in Witchcraft and Magic, by Owen Davies
Modern Pagan Festivals: A Study in the Nature of Tradition, by Ronald Hutton
Monstrous Theories: Werewolves and the Abuse of History, by Willem de Blecourt
Neapolitan Witchcraft, by J.B. Andrews and James G. Frazer
New England's Other Witch-Hunt: The Hartford Witch-Hunt of the 1660s and Changing Patterns in Witchcraft Prosecution, by Walter Woodward
Newspapers and the Popular Belief in Witchcraft and Magic in the Modern Period, by Owen Davies
Occult Influence, Free Will, and Medical Authority in the Old Bailey, circa 1860-1910, by Karl Bell
Paganism and Polemic: The Debate over the Origins of Modern Pagan Witchcraft, by Ronald Hutton
Plants, Livestock Losses and Witchcraft Accusations in Tudor and Stuart England, by Sally Hickey
Polychronican: Witchcraft History and Children, interpreting England's Biggest Witch Trial, 1612, by Robert Poole
Publishing for the Masses: Early Modern English Witchcraft Pamphlets, by Carla Suhr
Rethinking with Demons: The Campaign against Superstition in Late Medieval and Early Modern Europe from a Cognitive Perspective, by Andrew Keitt
Seasonal Festivity in Late Medieval England, Some Further Reflections, by Ronald Hutton
Secondary Targets: Male Witches on Trial, by Lara Apps and Andrew Gow
Some Notes on Modern Somerset Witch-Lore, by R.L. Tongue
Some Notes on the History and Practice of Witchcraft in the Eastern Counties, by L.F. Newman
Some Seventeenth-Century Books of Magic, by K.M. Briggs
Stones and Spirits, by Jane P. Davidson and Christopher John Duffin
Superstitions, Magic, and Witchcraft, by Jeffrey R. Watt
The 1850s Prosecution of Gerasim Fedotov for Witchcraft, by Christine D. Worobec
The Catholic Salem: How the Devil Destroyed a Saint's Parish (Mattaincourt, 1627-31), by William Monter
The Celtic Tarot and the Secret Tradition: A Study in Modern Legend Making, by Juliette Wood
The Cult of Seely Wights in Scotland, by Julian Goodare
The Decline of Magic: Challenge and Response in Early Enlightenment England, by Michael Hunter
The Devil-Worshippers at the Prom: Rumor-Panic as Therapeutic Magic, by Bill Ellis
The Devil's Pact: Diabolic Writing and Oral Tradition, by Kimberly Ball
The Discovery of Witches: Matthew Hopkins' Defense of his Witch-hunting Methods, by Sheilagh Ilona O'Brien
The Disenchantment of Magic: Spells, Charms, and Superstition in Early European Witchcraft Literature, by Michael D. Bailey
The Epistemology of Sexual Trauma in Witches' Sabbaths, Satanic Ritual Abuse, and Alien Abduction Narratives, by Joseph Laycock
The European Witchcraft Debate and the Dutch Variant, by Marijke Gijswijt-Hofstra
The Flying Phallus and the Laughing Inquisitor: Penis Theft in the Malleus Maleficarum, by Moira Smith
The Framework for Scottish Witch-Hunting for the 1590s, by Julian Goodare
The Imposture of Witchcraft, by Rossell Hope Robbins
The Last Witch of England, by J.B. Kingsbury
The Late Lancashire Witches: The Girls Next Door, by Meg Pearson
The Malefic Unconscious: Gender, Genre, and History in Early Antebellum Witchcraft Narratives, by Lisa M. Vetere
The Mingling of Fairy and Witch Beliefs in Sixteenth and Seventeenth Century Scotland, by J.A. MacCulloch
The Nightmare Experience, Sleep Paralysis, and Witchcraft Accusations, by Owen Davies
The Pursuit of Reality: Recent Research into the History of Witchcraft, by Malcolm Gaskill
The Reception of Reginald Scot's Discovery of Witchcraft: Witchcraft, Magic, and Radical Religions, by S.F. Davies
The Role of Gender in Accusations of Witchcraft: The Case of Eastern Slovenia, by Mirjam Mencej
The Scottish Witchcraft Act, by Julian Goodare
The Werewolves of Livonia: Lycanthropy and Shape-Changing in Scholarly Texts, 1550-1720, by Stefan Donecker
The Wild Hunter and the Witches' Sabbath, by Ronald Hutton
The Winter Goddess: Percht, Holda, and Related Figures, by Lotta Motz
The Witch's Familiar and the Fairy in Early Modern England and Scotland, by Emma Wilby
The Witches of Canewdon, by Eric Maple
The Witches of Dengie, by Eric Maple
The Witches' Flying and the Spanish Inquisitors, or How to Explain Away the Impossible, by Gustav Henningsen
To Accommodate the Earthly Kingdom to Divine Will: Official and Nonconformist Definitions of Witchcraft in England, by Agustin Mendez
Unwitching: The Social and Magical Practice in Traditional European Communities, by Mirjam Mencej
Urbanization and the Decline of Witchcraft: An Examination of London, by Owen Davies
Weather, Prayer, and Magical Jugs, by Ralph Merrifield
Witchcraft and Evidence in Early Modern England, by Malcolm Gaskill
Witchcraft and Magic in the Elizabethan Drama by H.W. Herrington
Witchcraft and Magic in the Rochford Hundred, by Eric Maple
Witchcraft and Old Women in Early Modern Germany, by Alison Rowlands
Witchcraft and Sexual Knowledge in Early Modern England, by Julia M. Garrett
Witchcraft and Silence in Guillaume Cazaux's 'The Mass of Saint Secaire', by William G. Pooley
Witchcraft and the Early Modern Imagination, by Robin Briggs
Witchcraft and the Western Imagination by Lyndal Roper
Witchcraft Belief and Trals in Early Modern Ireland, by Andrew Sneddon
Witchcraft Deaths, by Mimi Clar
Witchcraft Fears and Psychosocial Factors in Disease, by Edward Bever
Witchcraft for Sale, by T.M. Pearce
Witchcraft in Denmark, by Gustav Henningsen
Witchcraft in Germany, by Taras Lukach
Witchcraft in Kilkenny, by T. Crofton Croker
Witchcraft in Anglo-American Colonies, by Mary Beth Norton
Witchcraft in the Central Balkans I: Characteristics of Witches, by T.P. Vukanovic
Witchcraft in the Central Balkans II: Protection Against Witches, by T.P. Vukanovic
Witchcraft Justice and Human Rights in Africa, Cases from Malawi, by Adam Ashforth
Witchcraft Magic and Spirits on the Border of Pennsylvania and West Virginia, by S.P. Bayard
Witchcraft Persecutions in the Post-Craze Era: The Case of Ann Izzard of Great Paxton, 1808, by Stephen A. Mitchell
Witchcraft Prosecutions and the Decline of Magic, by Edward Bever
Witchcraft, by Ray B. Browne
Witchcraft, Poison, Law, and Atlantic Slavery, by Diana Paton
Witchcraft, Politics, and Memory in Seventeeth-Century England, by Malcolm Gaskill
Witchcraft, Spirit Possession and Heresy, by Lucy Mair
Witchcraft, Women's Honour and Customary Law in Early Modern Wales, by Sally Parkin
Witches and Witchbusters, by Jacqueline Simpson
Witches, Cunning Folk, and Competition in Denmark, by Timothy R. Tangherlini
Witches' Herbs on Trial, by Michael Ostling
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sas-soulwriter · 5 months
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Masc. victorian names for your book
Augustus: Meaning "majestic" or "venerable," this name reflects the grandeur and dignity associated with the Victorian era.
Clement: Derived from the Latin word "clemens," meaning "gentle" or "merciful," it represents virtues valued during the Victorian era.
Leopold: Of German origin, meaning "bold people," this name has a regal and strong connotation.
Ambrose: A name of Greek origin meaning "immortal," it suggests enduring qualities and perhaps a touch of the romantic.
Percival: With Arthurian legend ties, this name means "piercing the valley" or "pierce the vale," signifying a sense of adventure and nobility.
Thaddeus: Of Aramaic origin, meaning "heart" or "courageous," it reflects qualities admired in Victorian times.
Archibald: Of Germanic origin, meaning "genuine" or "bold," this name conveys strength and authenticity.
Edmund: Derived from Old English, meaning "wealthy protector," it embodies the Victorian emphasis on familial and societal values.
Reginald: Meaning "counsel power" in Old German, this name suggests wisdom and authority.
Gilbert: Of Germanic origin, meaning "bright pledge" or "shining pledge," it carries a sense of loyalty and promise.
Montgomery: Derived from Norman French, meaning "Gumarich's mountain," it has an aristocratic and sophisticated feel.
Humphrey: Of Germanic origin, meaning "peaceful warrior," it combines strength with a sense of peace.
Alfred: Of Old English origin, meaning "elf counsel" or "wise counselor," it reflects the Victorian admiration for wisdom and guidance.
Rupert: Of Germanic origin, meaning "bright fame," it suggests a sense of distinction and honor.
Lancelot: With Arthurian legend associations, this name means "servant" or "attendant," representing loyalty and chivalry.
Ephraim: Of Hebrew origin, meaning "fruitful" or "productive," it embodies prosperity and abundance.
Barnabas: Of Aramaic origin, meaning "son of consolation" or "son of encouragement," it conveys a nurturing and supportive nature.
Horatio: Of Latin origin, meaning "timekeeper" or "hour," it reflects a sense of order and discipline.
Clarence: Of Latin origin, meaning "bright" or "clear," it suggests clarity and distinction.
Winston: Of Old English origin, meaning "wine's town" or "joy stone," it combines elements of conviviality and strength.
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oconswrld · 5 months
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! Merry (late) Christmas !
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Your secret santa XoXo - Kimi Raikonnen x Reader
summary: Y/n is Kimi's favorite santa.
warnings: age gap, romance, too cute🫶, Not retired Kimi!! rawdogging(not proofread)
author's 🗒️'s: i haven't had much time for writing so i did a bit of a cutesy christmas fic for the part 2 hope its good w u guyss <33 enjoy loves!!
( Seb nd Kimi arent retired, reader is at AM with Lance!!)
part 1, part 2, ...
______
It's Christmas. Secret santa with the grid and snow. Well not snow because all of us are still in Abu Dhabi. Knowing glances exchanged after the secret santa pulling. If i remember correctly i was pulled by i think Lance. Im not sure if it really was Lance, but the canadian is a pleasure to know and is just perfect at gifts.
I pulled Kimi, the legend, and my best friend. Maybe my best friend. Knowing how he and Seb are. Obviously it's not only platonic feelings with the way he acts around me.
Thinking about presents for Kimi is rather hard, seeing he doesn't really have a thing he likes but doesn't have. I'd say alcohol but do i wanna heed into his alcoholism? A bit, but only if it means i get a gift for him.
-
The tea in front of me was cold, but the weather kept me warm. Sebastian sat opposite of me, asking for advice on what he should get for Oscar.
"What about i buy him, his gift and you buy Kimi's for me." I suggest a deal thinking of all the things i could give Oscar.
"Don't know what to buy your little boyfriend, eh Y/n?" Teasing smirk pulling on his mouth, the german dared me for an answer.
Eyes rolling into the depths of the back of my head, showing clear annoyance yet he still kept talking.
"Maybe you could finally confess to him, he's all over you whenever you're near him anyway" Sassy tone pulling out his german accent, the sentence making my jaw drop lower with every word. Catching my jaw, i shook my head. Trying to act unbothered, sipping from the lemon tea in my hand.
"Are you really this bored, that you're invested in your two best friend's love life ? Old man." I look away as i hear Kimi's voice in the distance. My head turned to see him talking to Mark Webber, possibly an interview with all those cameras around. The signature straight smile from Kimi appeared. Uncomfortable aura around him.
I nodded back to Seb only to see him already looking at me. 'What?' I silently asked him, only getting a knowing look back.
"Let's just buy those gifts before i regret even sitting here."
-
Giddy feeling in my stomach affecting my hold on the wrapped object. Looking at the usual secret santa interviewer making small talk, handing over the gift.
The wrapping contained a letter and an object Seb helped me pick. I feel kind of weird, specifically the fact that i don't know if he will like it is weird.
After half an hour, the interviewer approached me again, cameramen following close by. Small talk exchanged as she got ready for the video.
"Okay! One, two, and three, it's on!" A smiley voice came from her notifying me.
I was handed a gift box and the santa hat. Placing the hat on my head i examined the box, wrapped in pink wrapping paper which had hearts written all over it. All i gathered is that it must be one of my friends. I brought it up to my ears to shake and maybe smell.
The shaking part was unsuccessful since the box made nearly no noise, however the smell was gentle yet slightly familiar. Kimi's cologne. Versace eros eau de toilette. The one you recommended to him, because you liked it. Mint and lemon are dominant over the smell of paper.
"That's Kimi." I looked up knowingly, smiling a bit.
"Smells like him. Unless it's Seb and he's again interested in my business." Rolling my eyes, earning a snicker from the woman handling the microphone.
I start opening the paper gently, since i wanna save the heart on it. As soon as i take the top off, i see what i got. Caramel chocolate and snacks from my home country, paired with a bottle of jägermeister. Underneath these items there's a hoodie, unfolding it i see the embroidery on it.
'No. 7'
Holding it close to my nose, i smell it. Versace.
___
author's 🗒️'s: I kind of left it on a cliffhanger but im traveling 4 hours tomorrow im gonna do the end tomorrowww :PPPPP anyways cuties i hope my writing isnt a disaster im so sleepy rn its an actual nightmare...
taglist: @i-wish-this-was-me , @keii134 , @littlesatanicassholebitch <3
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thatswhywelovegermany · 2 months
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Frau Gauden
In the German region of the Prignitz, Frau Gauden (Mrs. Gauden) is the leader of the Wild Hunt. She leads this army of supernatural hunters together with her 24 dog-shaped daughters.
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The Wild Hunt, also known as the Wild Army or the Wild Ride, is the German name for a folk tale widespread in many parts of Europe, particularly in the north, which usually refers to a group of supernatural hunters who hunt across the sky. The sighting of the Wild Hunt has different consequences depending on the region. On the one hand, it is considered a harbinger of disasters such as wars, droughts or illnesses, but it may also refer to the death of anyone who witnesses it. There are also versions in which witnesses become part of the hunt or the souls of sleeping people are dragged along to take part in the hunt. The term “Wild Hunt” was coined based on Jacob Grimm’s German Mythology (1835).
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The phenomenon, which has significantly different regional manifestations, is known in Scandinavia as Odensjakt (“Odin's Hunt”), Oskorei, Aaskereia or Åsgårdsrei (“the Asgardian Train”, “Journey to Asgard”) and is closely linked to the Yule season here. The reference to Wotin/Odin in the name Wüetisheer (with numerous variations) is also clear in the Alemannic and Swabian dialects; In the Alps, people also speak of the Ridge Train. In England the train is called the Wild Hunt, in France it is called Mesnie Hellequin, Fantastic Hunt, Hunt in the Air, or Wild Hunt. Even in the French-speaking part of Canada, the Wild Hunt is known under the term Chasse-galerie. In Italian, the phenomenon is referred to as caccia selvaggia or caccia morta.
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The Wild Army or the Wild Hunt takes to the skies particularly in the period between Christmas and Epiphany (the Rough Nights), but Carnival, Corporal Lent and even Good Friday also appear as dates.
Christian dates have superseded the pagan dates, which see the Wild Hunt moving, especially during the Rough Nights. This period of time is assumed to be originally between the winter solstice, i.e. December 21st and, twelve nights later, January 2nd. In European customs, however, since Roman antiquity, people have usually counted from December 25th (Christmas) to January 6th (High New Year).
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The ghostly procession races through the air with a terrible clatter of screams, hoots, howls, wails, groans and moans. But sometimes a lovely music can be heard, which is usually taken as a good omen; otherwise the Wild Hunt announces bad times.
Men, women and children take part in the procession, mostly those who have met a premature, violent or unfortunate death. The train consists of the souls of people who died “before their time”, that is, caused by circumstances that occurred before natural death in old age. Legend has it that people who look at the train are pulled along and then have to move along for years until they are freed. Animals, especially horses and dogs, also come along.
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In general, the Wild Hunt is not hostile to humans, but it is advisable to prostrate yourself or lock yourself in the house and pray. Whoever provokes or mocks the army will inevitably suffer harm, and whoever deliberately looks out of the window, gaping at the army will have his head swell so much that he cannot pull it back into the house.
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The first written records of the Wild Hunt come from early medieval times, when pagan traditions were still alive. In 1091, a Normannic priest named Gauchelin wrote about the phenomenon, describing a giant man with a club leading warriors, priests, women and dwarfs, among them deseased acquaintances. Later references appear throughout the High and Late Middle Ages.
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retropolitan · 11 months
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Mogel-Montag Part CXL: The Legend of Zelda: Ocarina of Time | Tipp für das Nintendo 64 (Bildquelle: big.N - Magazin, Ausgabe: März 2002)
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hotvintagepoll · 2 months
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Propaganda
Louise Brooks (Pandora's Box, Diary of a Lost Girl)—Louise Brooks started off as a dancer and went to work in the Follies before going to Hollywood. Disappointed with her roles there, she went to Germany and proceeded to make Pandora's Box, the first film to show a lesbian on-screen (not her but one of her many doomed admirers in the film), and Diary of a Lost Girl, both of which are considered two of the greatest films of the 20th century. She helped popularize the bob and natural acting, acting far more subtly than her contemporaries who treated the camera as a stage audience. After the collapse of her film career and a remarkably rough patch as a high-end sex worker, she was rediscovered and did film criticism, notably "Lulu in Hollywood," which Rodger Ebert called "indispensable." Also, christ. Look at her.
Ruth Weyher (Secrets of a Soul, Warning Shadows)—my vintage crush
This is round 1 of the tournament. All other polls in this bracket can be found here. Please reblog with further support of your beloved hot sexy vintage woman.
[additional propaganda submitted under the cut.]
Louise Brooks propaganda:
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"Defined the style of the modern flapper. A gaze that could make a stone fall in love."
"Louise Brooks left a legend far greater than her real achievement as an actress, but even today few people have seen her films. In our own time, the fascination with Brooks seems to have begun in 1979 with a profile by Kenneth Tynan in the New Yorker, which revealed that the actress who made her last movie in 1938 was alive and living in Rochester, N.Y. Such was the power of Tynan's prose that people began to seek out her existing films, primarily this one, to discover what the fuss was about. What we see here is a healthy young woman -- she was 23 when the film was released -- with whom the camera, under G.W. Pabst's influence, is fascinated. There is a deep paradox in Brooks and her career: the American girl who found success in the troubled Europe between two wars; the vivid personality who briefly dazzled two continents but faded into obscurity; the liberated woman who had affairs with such prominent men as CBS founder William S. Paley as well as with women including (by her account) Greta Garbo but wound up a solitary recluse. And all of this seems perfectly in keeping with her most celebrated role in Pandora's Box. For despite her bright vitality, her flashing dark eyes and brilliant smile, Brooks's Lulu becomes the ultimate femme fatale, careering her way toward destruction, not only of her lovers but eventually of herself."
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"She invented having bangs to indicate that you have borderline personality disorder"
"chances are if youve ever seen a "flapper girl" character or even just art of a generic flapper type made after the 20s it was based on her appearance - particularly the bob hairstyle! she had some pretty rough experiences through her life before during and after her tumultuous acting career which ended in 1938 but she made it to the 80s, wrote an autobiography and did a lot of interviews that she was never afraid of being honest in about her own life or peers of the age, and apparently was unabashed about some affairs she had with well known women (including greta garbo!!)"
"She read Proust and Schopenhauer on set between sets. She was one of the original flappers/new women of the 1920s. She had a one night stand with Garbo and was the inspiration for Sally Bowles in Cabaret. Truly a stone cold fox."
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"on her wikipedia page it says her biographer said she "loved women as a homosexual man, rather than as a lesbian, would love them" and while i have no idea if this is true or not i thought that was very gender of her"
"despite being american she was big in german expressionist films and thus her aesthetic was unmatched!!"
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So far ahead of her time in regard to portraying complicated women. Timeless elegance. "I learned to act by watching Martha Graham dance, and I learned to dance by watching Charlie Chaplin act.” - Louise Brooks
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Ruth Weyher propaganda:
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