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geekgirles · 3 years

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Considering Lies premieres tomorrow, I thought it would be best to upload this now.

And here is part 2 of my analysis on Kagami acting as a reflection of both Marinette and Adrien. This time I’ll be discussing how Kagami is a foil to Marinette and vice versa.

Part 1

Marinette & Kagami

It’s undeniable that these two have as many similarities as they do differences. In a way, they are both as alike as peas in a pod, as they are opposites from each other. And no, the irony of this duality is not lost on me.

Just like Kagami needs to be similar to Adrien for him to bond with her, she also needed to be similar to Ladybug, and by extension Marinette, for him to develop an interest in her.

Both of them are strong, confident, capable, and independent girls who will not hesitate to jump into action if the situation calls for it. Both are also kind and loving, and they care greatly for their friends and loved ones. And have many physical similarities as well. Both are of Asian descent, their hair as it’s pictured in the show is very similar, both have pale skin and freckles, the colour red is very present in both their colour palettes (the difference being that red and black are present in Kagami and Ryuuko’s colour palettes, while in Marinette’s case it’s only there as Ladybug)...

Come on, don’t pretend you don’t remember that theory about Adrien thinking Kagami was Ladybug when the trailer for Riposte first came out.

But just as they have many things in common, they are also incredibly different on their approach to certain things. So different, in fact, that one’s weaknesses become the other’s strengths.

Insecurity:

Now, what really tells Marinette and Kagami apart is their confidence as civilians.

If we compare their “introductory” episodes, there is a clear contrast between the two.

For this we’ll be counting Origins as Marinette’s debut. When the episode starts, Marinette’s demeanour is a stark contrast to the optimistic personality we’ve grown used to. From the moment her alarm woke her up to Sabine’s words of encouragement, Marinette was already defeated. Having spent four years in a row as Chloé’s punching bag had really taken its toll on her, and she believed that year would be no different.

Unlike the Marinette we were familiar with up until that point, who, not only confronted Chloé on a regular basis, but was also brave enough to sass her, the moment she made it clear she wanted the seats behind Nino, Marinette just went along with it and took what now are Chloé and Sabrina’s current seats. And she didn’t get any more confident until Alya spoke up and befriended her.

At the same time, in both parts of the episode, it wasn’t until things were dire that Marinette got a grip of herself and accepted that she was Ladybug and it was her duty to protect everyone. And yet, she still needed Chat Noir’s support to finally become the superhero she is today.

Kagami, by contrast, showed a great level of confidence in Riposte. The only time she looked insecure was before getting akumatised, when we got a glimpse of her lonely life and the high expectations that were set on her. But other than that, she arrived at M. Argencourt’s class and immediately asked to face off against his best student.

Kagami was well aware of her worth and talent as a fencer and was not going to settle for anything less than the proper chance to show off her skills.

During her match with Adrien her strikes were fast and precise, her focus, unwavering, and her movements fluid but intense. So when the match came to an end she was anxious to see she had proven herself as the superior fencer, for she spent her whole life honing her skills to prove just that.

Kagami takes great pride in her skills and who she is as a person. So it is to be expected that an exaggeration of that pride would be apparent as Riposte, where they turned into arrogance and a sense of superiority.

Of course, another crucial aspect reflects on the relationship each has with Adrien.

As Kagami herself pointed out in Frozer, Marinette is incredibly insecure when it comes to Adrien. Because her crush usually manifests itself in her getting tongue-tied, bouts of clumsiness, and embarrassing herself in front of him, she is very reluctant to be honest about her feelings for him. Because all that only gives her more reasons to worry and fear she’ll be rejected.

There’s also the fact that they don’t get to spend much time together. Marinette’s anxiety in Backwarder was fuelled by the fact that Kagami would get to spend a lot of time alone with Adrien in a memorable setting. Add to that all the fencing lessons Marinette knows they’ve had together, and the date she had no choice to witness, and it all becomes very painful to her.

In other words, Marinette knows that, logically speaking, Kagami has more chances to get together with Adrien than she does, which only makes it harder for her to admit her own feelings.

By contrast, Kagami knows her worth. She knows she’s talented, she shares lots of things with Adrien, they spend time together, and he even confided his insecurities in her.

To her, being with Adrien just makes sense. Her whole life she’s been told to achieve her goals, no matter the obstacles; and her feelings for Adrien should be no different.

Recklessness:

We’ve already mentioned Kagami is more reckless as Ryuuko than as a civilian when we compared her to Adrien. But it’s worth mentioning that the situation inverts itself when compared to Marinette.

One of Marinette’s biggest flaws is her impulsivity. Being impulsive has led her to some terrible consequences, but while that trait sometimes transfers itself to her role as Ladybug (Bubbler, Volpina), most of the time Marinette’s civilian self is the one rushing into things, as opposed to Ladybug, who’s a master at strategising.

I wholeheartedly believe that’s the writers’ way of “balancing things out.” Adrien, as himself, doesn’t make mistakes often. Furthermore, the few times he’s been the cause of someone’s akumatisation, he was never directly responsible for it. Some other factor played a role: like his fans getting in the way of Gorilla when he was looking for him, the fact that the decision of his match with Kagami fell upon Marinette, who had never before practiced the sport; his father’s need to cover his tracks…

His biggest mistakes he makes as Chat Noir. Why? Because he doesn’t have to be the golden child, so he doesn’t have to be as cautious with his actions. To put it simply, Kagami’s the same.

Meanwhile, Marinette is painfully aware of the heavy burden she carries on her shoulders as Ladybug. Her very first mission went wrong because she made a mistake and didn’t purify the akuma! So she’s learned to be focused and to take her job seriously. Because when she does make a mistake as Ladybug, it hits her hard.

Just compare her usual demeanour to how she acted as Lady Noire! It’s the first time that I can think of that she was genuinely having fun while saving the day! She said so herself: “It’s a lot easier on the shoulders.”

As Marinette, however, that’s usually when she gets to make mistakes. Since her parents aren’t controlling and she’s lived a normal life until the day she helped Master Fu out, her civilian self is usually when she can afford to be herself, make mistakes, and just be a normal girl.

Her secret identity is where her freedom is. At least until she became the new guardian...

I know I haven’t talked a lot about Kagami, but that is because with the parallels between Adrien and Marinette it’s pretty much explained.

Moving on:

As I mentioned when I elaborated on this same aspect with Adrien and Kagami, Marinette has less trouble moving on from him than Kagami.

I know this might seem a bit contradictory with the way she suffered over her unrequited crush on Adrien in the season 3 finale and the New York special, and it’s true. Marinette is hurting immensely over her feelings for Adrien. But she actually has less trouble than Kagami because she has at least tried to move on!

Among the several factors that set Marinette apart from Adrien’s other suitors (beside the fact that she is the girl he’s in love with or that Chloé and Lila are actually antagonists) a crucial one is that Marinette always puts Adrien before herself. And if that means letting him go, so be it.

Every time Adrien himself expresses a desire to be with somebody in front of Marinette she immediately tries to comply with his wishes and help him be with that other person, not once confessing how much that hurts her. She probably doesn’t say anything either because she doesn’t want Adrien to worry about her when he should be focusing on that other girl.

Deep down, both Marinette and Kagami try to do what’s best for Adrien.

But while Marinette thinks the best she can do is step aside and let him go (not knowing the best she could do is be honest with her feelings for him because that’s the only thing that’s keeping Adrien from realising his own feelings for her), Kagami believes she is what’s best for Adrien.

And because she believes they are meant to be, she keeps pushing and pursuing him even when it’s obvious they’re not on the same page. Adrien is comfortable around her on a platonic level, but the moment they try to go for the romantic route, he hesitates. Because deep down he knows he doesn’t care about Kagami the same way she cares about him, but he keeps trying to move on from Ladybug instead of being honest with himself and Kagami.

Just like Kagami prefers to wait until he feels the same way about her before acknowledging that might never happen and letting him go.

Which could play an important role in Lies...

That is the difference between Marinette and Kagami. While Marinette pulls herself away from Adrien, Kagami pushes forward.

Connection with Adrien:

This is where Kagami truly has the advantage over Marinette. She gets to share many more things with Adrien than her.

Besides their very similar backgrounds, their own parents’ partnership allows for many instances where it can be just the two of them. Adrien is the only friend Tomoe fully approves of, while Gabriel only really encourages his son’s friendship with Kagami over his other friends because that will strengthen whatever deal he’s got going on with Tomoe.

And so, Adrien and Kagami are together in fencing, they go to London together, they spend their time together at the premiere of Ladybug and Chat Noir’s movie, they get to sneak out together and have fun!

Marinette, on the other hand… she doesn’t get to do any of that with Adrien.

She only ever spends some time alone with him either because it’s an extracurricular activity (the gaming tournament, their fencing session in Riposte) or because they happen to stumble upon each other (Gorizilla).

It was precisely that that got Marinette so down in Glaciator. Seeing how she was the only one that was alone when they were all supposed to do one of Paris’ most romantic activities together reminded her of just how far away from her Adrien actually is. And it’s precisely his unavailability that leads her to find some solace in Luka, who unlike Adrien is always there for her, because he can be there for her!

The amount of time they spend together has brought Kagami and Adrien close, which doesn’t go unnoticed by Marinette.

Having said that, things are much more different when we analyse the way Adrien acts around the two…

Adrien’s relationship with them:

Despite Adrien’s similarities to Kagami and the many chances he has to be with her, it’s actually Marinette who’s higher up in his priority list and whom he’s more comfortable with.

Adrien cares for Kagami and is clearly doing his best to try to have a good relationship with her, but for better or worse it’s Marinette who always comes first.

The best example of this would be Frozer.

Adrien was trying his hardest to have a good date with Kagami and give her his full attention, and yet, the moment he saw Marinette fall or get out of the ice rink looking dejected, he immediately went to check on her. He ditched his date twice for Marinette’s sake.

Not only that, but there’s also his reaction to any of them getting hurt because of Lila. It was Lila hurting Marinette that pushed him over the edge enough to threaten to cut ties with her unless she undid what she’d done and get Marinette to come back to school.

Adrien was absolutely furious at Lila for hurting Marinette.

Look how devastated he is on her behalf!

You might say it had to do with Adrien having warned her already in Oni-Chan. Which, true, was partly for Kagami’s sake since Lila’s lies had harmed her to the point of akumatisation. But there is a difference:

Even when Oni-Chan went to Adrien, he still believed Lila only wanted attention. It wasn’t until Ladybug almost got killed that he realised just how ruthless and monstrous Lila truly is. Not only that, but Adrien never mentioned Kagami being akumatised as a reason to keep his distance from Lila, he only said she had gotten Nathalie and Gorilla in trouble.

As true as that is, it’s not like Adrien couldn’t have brought Oni-Chan up. Sure, the true reason for him losing hope in Lila changing for the better was her trying to get rid of Ladybug even when they were trying to save her; it makes sense he wouldn’t bring that up. But Kagami? We’re talking about Miraculous Ladybug’s Paris. Where people get turned into superpowered villains every single day! It’s not like it wouldn’t have made sense if he’d said “Because of you, Kagami got akumatised.” And yet, despite trying to comfort Kagami after the whole ordeal, her akumatisation actually had very little to do with Adrien’s warning to Lila.

But when she went after Marinette… Oh, boy! Did the tables turn!

Ladybug didn’t even have to be involved for Adrien to go “I’m about to ruin this girl’s whole career” on Lila! Adrien was ballistic because it was Marinette Lila was messing with, and he wasn’t having any of it.

That says a lot about who Adrien is closer to.

As I mentioned above, his bond with Kagami allows him to rebel against his father and his expectations on him a little, something he doesn’t do as freely with Marinette. Because if the two are together while Adrien runs away from Gabriel is usually a coincidence; with Kagami it’s all on purpose.

And yet, Marinette is the one Adrien feels more comfortable with.

Aside from Ladybug (oh, sweet irony), Marinette is the character Adrien has opened up to the most. In Gamer he showed her a glimpse of his most insecure side, in Glaciator (as Chat Noir, sure, but it still counts) he confessed his feelings for Ladybug to her, in Gorizilla he talked about his mother to her, in Frozer he asked her for help regarding Kagami, and in the New York special it was her who he thought could work a miracle and get him to stay.

And don’t get me started on Adrien’s love language.

As of The Puppeteer 2 and Oblivio it’s been established that while Marinette shows her love through actions (usually handmade gifts), Adrien shows his by being open about what he feels. But he doesn’t just talk about how he feels, he touches people to show just that.

If Adrien’s close to you, he’ll show physical affection.

And we all know who he’s more touchy-feely than any other character in the show.

Adrien is constantly looking for Marinette’s touch, while Kagami is usually the one to initiate physical contact.

Adrien might be able to do things with Kagami he can’t do with anybody else, but Marinette is the one he’s closest to.

Zodiac signs:

I already did an analysis on this back in the day, but I think what I discovered from it it’s important to point out since it’ll help understand and summarise the way Marinette and Kagami’s characters reflect each other’s better.

In the French dub of Ikari Gozen, instead of the Chinese Zodiac, they talked about their Western horoscope. Marinette said she was Leo and Kagami was Scorpio. Those signs are opposites. Leo is a fire sign while Scorpio is a water sign. But that doesn’t mean they aren’t compatible at all…

(Although, considering Leo is self-reliant, confident, has bravado, and is honest, while Scorpio relies more on strategies and wits, I’d say they got their signs mixed up a little).

Their compatibility per se is low, but there is a great attraction between the two, albeit hindered by their usual clashing. This is shown through the many things the two have in common, but since they used to assess the other without truly getting to know her and their own feelings for Adrien, there was a lot of friction between Kagami and Marinette.

Both signs are jealous. However, while Leo is jealous due to pride, Scorpio’s jealousy comes from a desire to control. Both Kagami and Marinette have displayed jealousy issues. In Marinette’s case, it could be argued she felt jealous towards Chloé, Lila, and Kagami because she didn’t think they were actually good enough for Adrien or better than her. I mean, Chloé is an egotistical, sell-centred bully and as of Miracle Queen, a traitor. Lila is an unrepentant liar, a manipulator, and an enemy to Paris (even if only Ladybug and Chat Noir are aware of it, to some extent). And before she got to know Kagami, Marinette thought she was cold and rude (her brutally honest responses can be seen as this).

Based on that, there’s no way any of them are better for Adrien than she is!

On the contrary, once she got to know Kagami her jealousy comes from the fact that, perhaps, Kagami is more suitable to be his girlfriend than she is.

Kagami, on the other hand, could have displayed jealous behaviour over Adrien because, as her only friend, she felt threatened by him having a life and friends outside of her, who (until Ikari Gozen) only has her family, her responsibilities, and him.

Basically, these two being Leo and Scorpio explains their relationship pretty well. They have enough things in common and enough differences to attract each other and have a good friendship, but at the same time that can also stirr issues between the two.

Final thoughts:

Despite Adrien and Kagami’s similarities, they still have many issues to solve before they can truly be sure if they want to be in a relationship or remain friends. Kagami is sure of what she wants, but that sometimes can clash with Adrien’s own feelings, making their relationship go through a rocky path. Adrien is making an effort to move on and be a good boyfriend to Kagami, but they are not in the same place in the relationship; Kagami is ready for more, while Adrien still has problems of his own to move on from.

This might come to a head in Lies. Truth came as a bit of a surprise to us because we actually expected Lukanette would break up because of Marinette’s feelings for Adrien, but that actually had very little to do with anything! Lukanette ended up breaking up because Marinette is very literally carrying the weight of the world over her shoulders. Her responsibilities as Ladybug are overlapping with, and eventually destroying, her civilian life. Lukanette broke up because of external reasons!

But if Adrigami were to break up in Lies, that would be, or at least should be, for internal reasons. Since Chat Noir wasn’t chosen as guardian of the miraculous, his responsibilities as a hero don’t tie him down nearly as much as they do Marinette (in the previous analysis we already discussed how they actually give him freedom), so it wouldn’t make sense if Kagami and him broke up because of it.

It could have something to do with it, but I can actually picture Kagami pointing out Adrien is not as invested in the relationship as she is better. Maybe she could even point out his feelings for Marinette, which she had suspected of since Riposte. But having Adrien realise that in the second episode would be a tad soon, so I’m not getting my hopes up.

The thing is, if Adrigami breaks up tomorrow, it would make sense if it actually were because of Adrien being more in love with Ladybug (Marinette) than with Kagami. Because the narrative has actually been pointing at something like that happening.

As for Marinette and Kagami, I just hope they remain good friends even after Adrigami breaks up. Because the two would be able to understand each other’s feelings better. As much as the girls want to help Marinette out, none of them really know how being in love with Adrien is really like. They don’t know what it is like to get their hopes up, thinking they’ll get to be alone with him, only for him to cancel or make some change in the plans. Kagami and Marinette do.

More importantly, the way each feels regarding where they stand in their relationship with him foils the other’s and ultimately all depends on Adrien.

Marinette sabotages herself by not being honest with her feelings and hesitating, but it’s Adrien who seeks to get closer to her. Kagami is sure of herself and her feelings, but it’s Adrien’s hesitation that hinders the development of their relationship.

Because those two misjudged Adrien and warmed up to him when he showed himself as an honest, caring boy. Kagami and Marinette fell in love with Adrien for his honesty and his good heart, when he literally tended a peace offering to them. And it’s precisely like that how they came to be friends.

And it would be a pity if they lost each other because of a boy.

@miraculouslycool & @flightfoot

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imaginesbymk · 3 years

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“I’ve Never Wanted Anything More.”

Gotham One Shot

Summary: You’re Lila Valeska’s snake handler and assistant, but little does she know you’re dating his son. So when you both decide to run away together, what’s left to worry about your boss/mother of your boyfriend that was the source of his trauma and neglect? Nothing, right? Unless she were alive...

Pairing: Jerome Valeska x Reader

Requester: @wandamayday “okay so CONGRATS ON THE BIG MILESTONE!!! okie dokie doo so for your oneshot event, how about jerome valeska x reader where y/n is lila valeska’s stage assistant/snake handler who has been secretly dating jerome for a while, and y/n’s the only reason he shows up to his mother’s performances. jerome and y/n plan on running away together, but jerome left a little detail (lila’s murder) out of the plan and doesnt confess to them bc he doesn’t want them involved in *that part* 👀👀👀 i hope this is enough to go off of!! mwah!!!”

Tags: hints of a death

Word Count: 821

Author’s Note: tysmmm lacey!!! i miss jerome every day, waves of nostalgia hits when i write for him, especially for season 1-2

YOU rolled your eyes for probably the tenth time that same hour, having enough of Lila Valeska’s bickering. At first you grew concerned and wanted to make a good impression, but at this point you wished to use Sheeba the snake, let her out of her age and scare her away for good. That was the least you could do to make the employees sigh a bit in relief.

“And make sure the snake is well fed next time!” Lila scolds at you on the other side of the trailer door. “I could have gotten killed! You had one job, y/n!”

You had to single handedly deal with Lila’s nagging, which you couldn’t remember if that was part of the job description or not. “I can assure you Sheeba ate enough of the thawed rodents before the show, Lila.” And sure, Lila was definitely a rodent, too, if that.

The snake performance was a crowd favourite, and you, in particular, was a certain audience member’s favourite, despite you only being the stage assistant and handling the snake with caution and care before and after each show. After hearing her storm off to her own trailer, you plopped in the tiny couch in your trailer, massaging the tensioned spots of your head.

A knock was heard on the trailer door a few hours later. You slumped out of your nap, sighing in annoyance, bracing for another unwanted lecture from the woman herself. You threw open the door. “What is it now, Lila?!” You froze, seeing red hair being moved by the night wind. You felt your heart flutter. “Oh!”

Jerome smiles, inviting himself in the trailer. “I can’t feel my damn feet.”

The trailer was annoyingly small, you two bumped into things every second as you two found yourselves on the couch, making out for a whole minute. You pulled away. “Your mom’s gonna kill the both of us, she lets herself in here without warning.”

“It’s okay, I dealt with her,” Jerome kisses your forehead. “You did?”

“She’s dragged me along with her in this stupid funny farm. I saw the whole thing - Sheeba almost killed her in front of all those people. Are you positive she was fed that hour?”

“Of course,” you nodded. “Your mother just complains about everything, it’s like I can’t breathe without having her point out a tiny thing that she finds wrong.”

“Y/n,” his forehead was pressed against yours, taking your hands and warming them with his. “I wanna ask you something and I need your answer to be straight and true. You understand?”

“Yes, I will marry you.”

Jerome chuckles. “No, seriously. I’ve been thinking about this for too long. You and I are practically the only ones who always get dragged in the mud, we’re outsiders. The circus is supposed to be fun, a family of many talents, yet here I am, cleaning up after everyone, even elephant dong, and you, trailing behind my mother like a shadow, handling a snake that she sees as a prop and not an animal to respect.”

You frown in confusion. “Jerome...”

“They don’t love us...” he whispers. “None of them do.”

“So, what are you saying? We quit, walk away and land a job somewhere in the next town we tour in?”

“Not quite.” Jerome shook his head. “I want to start over, start a new life, with you. Let’s run away and never look back, y/n. The circus will only be a faint memory in our heads that’ll be easy to forget by the time summer hits, and maybe, some day... I can get on one knee and ask you that other question.”

You gulped. You had to admit, you wanted to live a better life with the boy you loved. Who wouldn’t?

“We can catch a train, steal a car, do whatever. As long as we’re away from anything that has to do with all of this. We still have time, but it’s running out, unless we leave tonight.” Jerome lifts you from the couch, and you press your hands on his chest.

“You’re serious? You really want to do this, J?”

“I’ve never wanted anything more.”

“But-” you stop in your tracks. “Your mother, Jerome... she’s gonna call a search party for us.”

“Don’t worry,” Jerome’s sweet innocent voice wasn’t there anymore. You needed to hear it again, because the shivers up your spine didn’t feel the same as the time they shivered when you and Jerome made love for the first time. “I dealt with her, already.”

“What do you mean you dealt with her? What did she say?”

He shook his head, pushing the previous events aside that prompted him to change into a brand new set of clean clothes - bloodstained free.

Grabbing your hand and pulling you out of the trailer, he says in a quick voice, “Never mind that, y/n. We have a train to catch.”

TAGLIST: @lotsoffandomimagines @moonlit-imagines @captainshazamerica

#jerome valeska one shot #jerome valeska imagine #jerome valeska x reader #jerome valeska #gotham one shot #gotham imagine #gotham x reader #gotham #reader insert #imagine #one shot

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crowdvscritic · 3 years

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round up // JULY 21

‘Tis the season to beat the heat at the always-cold theatres and next to fans set at turbo speed. While my movie watching slowed a bit with the launch of the Summer Olympics on July 23rd, I’ve still got plenty of popcorn-ready and artsy recommendations for you. A few themes in the new-to-me pop culture I’m recommending this month:

Casts oozing with embarrassing levels of talent (sometimes overqualified for the movies they’re in)

Pop culture that is responding or reinterpreting past pop culture

Stories that get weEeEeird

Keep on-a-scrollin’ to see which is which!

July Crowd-Pleasers

1. Double Feature – ‘90s Rom-Coms feat. Lots of Lies: Mystery Date (1991) + The Pallbearer (1996)

In Mystery Date (Crowd: 7.5/10 // Critic: 6/10), Ethan Hawke and Teri Polo get set up on a blind date that gets so bizarre and crime-y I’m not sure how this didn’t come out in the ‘80s. In The Pallbearer (Crowd: 8/10 // Critic: 7/10), David Schwimmer and Gwyneth Paltrow try to combine The Graduate with Four Weddings and a Funeral in a story about lost twentysomethings. If you don’t like rom-coms in which circumstances depend on lots of lies and misunderstandings, these won’t be your jam, but if you’re like me and don’t mind these somewhat-cliché devices, you’ll be hooked by likeable casts and plenty of rom and com.

2. The Tomorrow War (2021)

I thought of no fewer movies than this list while watching: Alien, Aliens, Angel Has Fallen, Cloverfield, Interstellar, Kong: Skull Island, Prometheus, A Quiet Place: Part II, Star Wars: The Empire Strikes Back, Star Wars: The Revenge of the Sith, The Silence of the Lambs, The Terminator, Terminator 2: Judgment Day, and World War Z. And you know what? I like all those movies! (Okay, maybe I just have a healthy respect/fear of The Silence of the Lambs.) The Tomorrow War may not be original, but it borrows some of the best tropes and beats from the sci-fi and action genres, so much so I wish I could’ve seen Chris Pratt and Co. fight those gross monsters on a big screen. Crowd: 9/10 // Critic: 6/10

3. Dream a Little Dream (1989)

My July pick for the Dumb Rom-Com I Nevertheless Enjoyed! I CANNOT explain the mechanics of this body switch comedy to you—nor can the back of the DVD case above—but, boy, what an ‘80s MOOD. I did not know I needed to see a choreographed dance routine starring Jason Robards and Corey Feldman, but I DID. All I know is some movies are made for me and that I’m now a card-carrying member of the Two Coreys fan club. Crowd: 8/10 // Critic: 6.5/10

4. Black Widow (2021)

The braids! The Pugh! Black Widow worked for me both as an exciting action adventure and as a respite from the Marvel adventures dependent on a long memory of the franchise. (Well, mostly—keep reading for a second MCU rec much more dependent on the gobs of previous releases.) Crowd: 9/10 // Critic: 7.5/10

5. Liar Liar (1997)

Guys, Jim Carrey is hilarious. That’s it—that’s the review. Crowd: 9/10 // Critic: 7/10

youtube

6. Sob Rock by John Mayer (2021)

It’s very possible I’ve already listened to this record more than all other John Mayer records. It doesn’t surpass the capital-G Greatness of Continuum, but it’s a little bit of old school Mayer, a little bit ‘80s soft rock/pop, and I’ve had it on repeat most of the two weeks since it’s been out. Featuring the boppiest bop that ever bopped, at least one lyrical gem in every track, and an ad campaign focused on Walkmans, this record skirts the line between Crowd faves and Critic-worthy musicianship.

7. Double Feature – ‘00s Ben Affleck Political Thrillers: The Sum of All Fears (2002) + State of Play (2009)

In The Sum of All Fears (Crowd: 8.5/10 // Critic: 7.5/10), Ben Affleck is Jack Ryan caught up in yet another international incident. In State of Play (Crowd: 8/10 // Critic: 7/10), he’s a hotshot Congressman caught up in a scandal. Both are full of plot twists and unexpected turns, and in both, Affleck is accompanied by actors you’re always happy to see, like Jason Bateman, James Cromwell, Russell Crowe, Jeff Daniels, Viola Davis, Morgan Freeman, Philip Baker Hall, David Harbour, Rachel McAdams, Helen Mirren, Liev Schreiber, and Robin Wright—yes, I swear all of those people are in just those two movies.

8. Loki (2021-)

Unlike Black Widow, you can’t go into Loki with no MCU experience. The show finds clever ways to nudge us with reminders (and did better at it than Falcon and the Winter Soldier), but be forewarned that at some point, you’re just going to have to let go and accept wherever this timeline-hopper is taking you. An ever-charismatic cast keeps us grounded (Owen Wilson, Jonathan Majors, and an alligator almost steal the show from Tom Hiddleston in some eps), but while Falcon lasted an episode or two too long, Loki could’ve used a few more to flesh out its complicated plot and develop its characters. Thankfully, the jokes matter almost as much as the sci-fi, so you can still have fun even if you have no idea what’s going on.

9. Double Feature – Bruce Willis: Die Hard With a Vengeance (1995) + The Whole Nine Yards (2000)

Before Bruce Willis began starring in many random direct-to-DVD movies I only ever hear about in my Redbox emails, he was a Movie Star smirking his way up the box office charts. In the third Die Hard (Crowd: 10/10 // Critic: 7.5/10), he teams up with Samuel L. Jackson to decipher the riddles of a terrorist madman (Jeremy Irons), and it’s a thrill ride. In The Whole Nine Yards (Crowd: 9/10 // Critic: 8/10), he’s hitman that screws up dentist Matthew Perry’s boring life in Canada, and—aside from one frustrating scene of let’s-objectify-women-style nudity—it’s hilarious.

10. This Is the End (2013)

On paper, this is not a movie for me. An irreverent stoner comedy about a bunch of bros partying it up before the end of the world? None of things are for Taylors. But with a little help of a TV edit to pare down the raunchy and crude bits, I laughed my way through and spent the next several days thinking through its exploration of what makes a good person. While little of the plot is accurate to Christian Gospel and theology, some of its big ideas are consistent enough with the themes of the book of Revelation I found myself thinking about it again in church this morning. (Would love to know if Seth Rogen ever expected that.) Plus, I love a good self-aware celebrity spoof—can’t tell you how many times I’ve just laughed remembering the line, “It’s me, Jonah Hill, from Moneyball”—and an homage to horror classics. Crowd: 8/10 // Critic: 7/10

July Critic Picks

1. Summer of Soul (…or, When the Television Could Not Be Televised) (2021)

Even director Questlove didn’t know about the Harlem Cultural Festival, but now he’s compiled the footage so we can all enjoy one of the coolest music fest lineups ever, including The 5th Dimension, B.B. King, Gladys Knight and the Pips, Nina Simone, Sly and the Family Stone, and Stevie Wonder, who made my friend’s baby dance more than once in the womb. See it on the big screen for top-notch audio. Crowd: 8/10 // Critic: 9/10

2. Good Morning, Vietnam (1987)

Robin Williams takes on the bureaucracy, disillusionment, and malaise of the Vietnam War with comedy. Williams was a one-of-a-kind talent, and here it’s on display at a level on par with Aladdin. Crowd: 8/10 // Critic: 9/10

3. Against the Rules Season 2 (2020-21)

Michael Lewis (author of Moneyball, adapted into a film starring Jonah Hill), is interested in how we talk about fairness. This season he looks at how coaches impact fairness in areas like college admissions, credit cards, and youth sports.

4. Bugsy Malone (1976)

A gangster musical starring only children? It’s a little like someone just picked ideas out of a hat, but somehow it works. You can hear why in the Bugsy Malone episode Kyla and I released this month on SO IT’S A SHOW?, plus how this weird artifact of a film connects with Gilmore Girls.

5. The Queen (2006)

Before The Crown, Peter Morgan wrote The Queen, focusing on Queen Elizabeth II (Helen Mirren) in the days following the death of Princess Diana. It’s a complex and compassionate drama, both for the Queen and for Prime Minister Tony Blair (Michael Sheen, who has snuck up on me to become a favorite character actor). Maybe I’ve got a problem, but I’ll never tire of the analysis of this famous family. Crowd: 8.5/10 // Critic: 9.5/10

6. The Life and Times of Judge Roy Bean (1972)

This month at ZekeFilm, we took a closer look at Revisionist Westerns we’ve missed. I fell hard for Roy Bean, and I think you will, too, if for no other reason than you might like a story starring Jacqueline Bisset, Ava Gardner, John Huston, Paul Newman, and Anthony Perkins. Oh, and a bear! Crowd: 8.5/10 // Critic: 10/10

youtube

7. New Trailer Round Up

Naked Singularity (Aug. 6) – John Boyega in a crime thriller!

Queenpins (Aug. 10) – A crime comedy about extreme coupon-ing!

Dune (Oct. 1) – I’ve been cooler on the anticipation for this film, but this new look has me cautiously intrigued thanks to the Bardem + Bautista + Brolin + Chalamet + Ferguson + Isaac + Momoa + Zendaya of it all.

The Last Duel (Oct. 15) – Affleck! Damon! Driver!

Ghostbusters: Afterlife (Nov. 11) - I’m not sure why we need this, but I’m down for the Paul Rudd + Finn Wolfhard combo

King Richard (Nov. 19) - Will Smith as Venus and Serena’s father!

Encanto (Nov. 24) – Disney and Lin-Manuel Miranda making more magic together!

House of Gucci (Nov. 24) - Gaga! Pacino! Driver!

Also in July…

Kyla and I took a look at the classic supernatural soap Dark Shadows and why Sookie might be obsessed with it on Gilmore Girls.

I revisited a so-bad-it’s-good masterpiece that’s a surrealist dream even Fellini couldn’t have cooked up. Yes, for ZekeFilm I wrote about the Vanilla Ice movie, Cool as Ice, which is now a part of my Blu-ray collection.

Photo credits: Against the Rules. All others IMDb.com.

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thefirsthogokage · 3 years

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Why did you rage quit the rookie?

(this turned out longer then I meant it to be, but I kept remembering reasons why I hate this show now)

The writing went down the drain. Hard. I was so pissed because it started off well in season one. Granted, it had a couple big ridiculous things that happened, but overall it was pretty good. Especially for a freshman show. One of the best I'd seen in years.

Then season two came along and it became progressively/exponentially worse.

Obviously going for shock value over good content with extreme circumstances in most episodes, often not making sense (why the fuck did Nolan's son and his girlfriend go to that trailer park?)

poor plot lines with female characters (Lopez and Wes getting engaged after only being together a few months, Lopez trying out to be pretty damn toxic and "I was poor, you should have been happy you were rich" and "sorry you're embarrassed of me (which is the same abousive shit my mother would pull), Grace going back to her ex because they had a kid even though their marriage sucked and it was outlined earlier in the season that was a bad idea, Jessica killing that one guy and that was never followed through on and her being psycho and following Nolan around and that never being addressed, Chen never given psychological damage she should have absolutely had even of she did self-therapy, Rachel getting her "dream job" in NY and the writers couldn't even take the time to tell us what said dream job was.)

Poorly planned plots in general (stunningly so)

Most characters not feeling like a proper continuation of who they were in season one. Going a ong with that, Chen and Bradford being way too close basically over night when that isn't natural progression from season one

I was for Chenford after season one, but they escalated it in a very cheesy and non true to character way, which also happened way too quickly. So many of their interactions felt too romantically tinted when they shouldn't have been there yet. HEART EYES ALL THE TIME! Like, I stayed watching the show for them until I couldn't tolerate anymore. Then I tried staying for Nyla and just gave up because I hated the rest of the show so much

obvious lack of research (the serial killer with pathology that made no sense, never finding out the connection between him and the lady, the guy apparently also got a job a prison with a stolen social security number from a disabled person - both of which would have been flagged in a background check!!! Such a genuinely poor writing episode and the season just went even more downhill from there)

Nolan being the hero even more in most of the episodes, and his intellect or lack thereof being a plot device

not letting Chen actually suffer from PTSD like she should have and just had her basically quickly move on in an impossible way (I am including this twice, thank you)

throwing her into a relationship with a guy who was a jackass and went all "leave my woman alone" on Bradford when she absolutely didn't need help

Jackson going to a very public premiere with his actor boyfriend even though he was an active cop. What the actual fuck were they thinking with that? Jackson isn't that dumb, he would have never done that.

this show clearly is not keeping a a continuity or character bible of any sort, getting basic facts of their characters wrong (especially Tim, I just can't remember the specific thing that it was, but it could have been inconsistencies in his wounds. Now that I think about it, Chen said something about him getting shot more then once and stabbed and the only time we ever saw evidence of any injury was after he was shot in episode one. Which actually brings me to my next point...)

they never had Tim have a scar from his gunshot wound

Tim getting his 12-year-old-acting girlfriend out of trouble when she bats her eyes at him. He shouldn't have even been dating her in the first place. No way Tim would have ever dated a friend of his rookie. Completely unprofessional of him, in a way that was not believable for his character.

No way Chen could have been an undercover cop after that documentary episode. And if that episode was mean to be a stand alone, it should have never been in the show. That episode also had continuity issues, and that's not including the absolute insanity of whatever the fuck they did to Stirling. (That poor actor, he really wanted to come back and continue the story with his character and Jackson)

THE WHOLE FUCKING BULLSHIT TIMELINE AND PACING OF THE SHOW! examples: They made the stupid thing current to whatever the real world year was. The problem with that was they had an in-universe schedule set up. The first two seasons should have spanned from like October 2018 to October 2019, and yet, in the episode where Wes got stabbed (earlyish season 2), it was November 2019 when it should have been around like May, 2019. They said it was 2021 early in S3 when it should have never been around that time. Infact, it was supposed to be during their last 30 days of their rookie year, meaning THAT should have been October or November 2019. The time pacing of this show is so bad. They should have done a real time skip in season 3, instead, the first NINE FUCKING EPISODES WERE THOSE LAST 30 DAYS! And, according to someone else's math, because of the bullshit with the timeline, Lopez was pregnant for 11 months. Absolutely fucking insane. Timelines and timetables that are so thoroughly screwed up in a show that it's THAT obvious they are flying by the seat of their pants are just impossible for me to stand. That is so dumbfounding to see on any tv show and alone enough for me to rage quit. It's so bizarre they stuck to a timeframe in-universe, then so obviously screwed up what year it was every damn season at least once (in S3 2-3 times).

Just such piss poor writing. No real planning ability. No writing talent left in that writer's room after season one. Just people who throw words down on paper and hope that people will like it. Which so many people still do for some reason?

There are so many other things wrong with this show, but those are the ones I remember off the top of my head. Granted, a couple are second hand because I stopped watching after the rookies did stuff with the DEA. I couldn't watch that. That was such and insane idea. OH AND THEM GOING ON A FUCKING SECRET OP? WHAT THE FUCK WAS THAT?!

And that's not including what I've heard was their "After School Special"-style take on fighting racism in the police force.

And I don't always pick up on these kinds of things specifically. I generally don't pick up on missteps like that in plot or timelines or whatnot or just things that even someone who doesn't have much specified knowledge in certain things should miss (the "job at a prison" thing I mentioned earlier). I'm good at telling the chemistry between actors, - or lack there of, - not the other stuff. When it's so bad I - of all people - am noticing things that are normally pointed out to me, a lot of fucking up is happening. In multiple departments. Like, normally when anything happens in other shows, it isn't as blunt, on the head, painfully obvious, and frequent as it has been in this show.

So, yeah, if you made it though my rant, congrats. If you don't get irritated with the show and bullshit that happens in it now, power to you I guess.

I really wished I could still hate watch this show, but it checked way too many "this is exceptionally poor craftsmanship: tv show edition" boxes for me to put up with it anymore. It was so promising at first, even with it's various hiccups (that I didn't notice until later on all of them) but I hadn't seen a show crash that hard in quality before. I mean, since then I had to experience the travesty that was Supernatural going from 15x18 to 15x19 and 15x20, but that was after I gave up on The Rookie.

Anywho, I would say I hope that answers your question anon, but I have little room for doubt that it didn't.

#asks #anon ask #antitherookie #tv show asks #tv show ask #fuck alexi for all of his bullshit #from what i hear the last season of Castle was absolute shit and he was in charge of that too #the rookie

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arsenicpanda · 4 years

Text

Bughead Appreciation Day 1 Except It’s Day 2

So I spent yesterday nice and cozy in bed and put this off (good choice, tbh, I was very snug as a bug), but now, now comes the time for me to gush about some people in the fandom! This is definitely not a comprehensive list, I have absolutely left some people out because I am very forgetful, but, in no particular order and under a cut because I’m a wordy bitch:

@tory-b: A delight and a dear, leading writer of monsterfucker!Betty, co-runner of @riverdaleprideandjoyzine, a legend and a friend, we have no choice but to stan. Her stuff is so good and varied and just *chef’s kiss* a delight, two favorites of mine are Fangs/com/Match (Betty/dragon!Jughead meet via monsterfucker Tinder, has some great friendship moments with Kevin and Veronica and is v sexy and funny, features the horniest Betty) and Sticky Sweet Serenade ((past)-friends-to-enemies-to-lovers bughead, mixes up some statuses in Riverdale, excellent mystery, I remember reading it and going, “holy shit, a believable take on Northside!Jughead”). I’ve also gotta mention Whats in a Name? (Betty and Jughead meet on tumblr, Betty writes poetry and Jughead is a shitposter, they slowly connect, it’s great) and To Balance the Scales (scientist!Betty/mermaid!Jughead, currently a slow build, I cannot wait for you guys to see the excellent worldbuilding she’s done). I could keep going, or you could binge all her fics today, an excellent use of your Saturday, I assure you, because I’ve left a lot out.

@stillhidden: Always good for some great thoughts on the show, one of the best reasons for my your thoughts on Riverdale please show them to me tag, I get psyched every time I see a Riverdale text post or ask answer because I know I’m in for a good time. Thoughtful and funny and nice, what a combo!

@satelliteinasupernova: So talented! Author, artist, co-runner of @riverdaleprideandjoyzine, funny, haver of good thoughts on Riverdale is there anything she can’t do? No, there is not. Every time I see her art I’m like !!!, the colors! how well-drawn the hands are! the accuracy of their hair! the backgrounds! the way I can see the love in their eyes! I cannot even, there are no words. Also! Her fics! So original! One of my earliest memories in the fandom is reading The town called Riverdale (a sort of mystery about the meta fuckery going down in Riverdale, explores time loops, stories that control lives, the roles the Archie characters are “supposed” to have, a mash-up with concepts in Princess Tutu that requires zero knowledge of Princess Tutu) and going !!! is this a Princess Tutu mash-up? Have I been #blessed enough to see a mash up between Riverdale, a story that fucks with archetypes, and Princess Tutu, one of the shows about fucking with archetypes and the way stories ontrol lives? I was and I am and I raved to my non-fandom but Princess Tutu liker friend about it. Has also wonderfully tackled eldritch horror in return to Eldervair and gothic horror/romance in The Lady of the Manor, does fluff, does angst, does it all, so go check her out!

@go-ldy: An angst and time skip queen, tbh, and always has some great thoughts on Riverdale, another reason I’m glad I have that tag. Every time she answers an ask, I’m like, “Yesss, incoming Good Thoughts, I am HERE for this”. But do not sleep on her as an author! Into the Deep is some delightful dark!bughead, and I’ll walk with you in the shadows is such good time skip angst and a mystery and there’s a certain surprise I love but is a spoiler but you simply must read this, you must. The Time after Time series is giving us that good angst bughead content that season 5 is not going to, and I’m so glad it exists and just thrilled that she trusted me to beta it. I’m leaving a lot of stuff out though, so you should go check her out!

@milajovovich: One of the best gif makers in the fandom, I will fight you on this. Makes absolute miracles with footage, the way she makes season 4 webrips look like they’re actual blurayrips is godly, they’re so crisp and so smooth and the coloring is always great. And like, jesus, the way the bluray footage looks? Fucking outstanding, the talent is off the charts. Go marvel at their gifs, go, go.

@imreallyloveleee: A prolific, talented author and funny to boot! loveleee is one of the people who has been here since the beginning, a mainstay in the fandom, and we are so, so lucky she hasn’t left. How do I even begin to rec you some of her stuff? She can write smut with fics like burn, baby (a 3x16 missing moment of bughead fucking in the car as the trailer burns, what a gift to the fandom, I can’t even), is queen of pining with fics like boy problems (season 1 post 1x05 canon divergence, a bughead get together but with that quality pining) and her i’m just a shot away series (two fics, one from Jughead’s POV and one from Betty’s, that are fully of pining and sexual tension and miscommunication and major teenage vibes, you gotta read them), and writer of one of the funniest fics in the fandom and one of my favorite, like spirits in the night (the core four + Kevin perform a seance to contact Jason Blossom and yes, it is just as funny as it sounds, perhaps even funnier). And there are countless others, so settle in and go check her out because she does it all, fluff and angst too, I just don’t have time to rec them all.

@meditationonbaaal: Absolutely one of my all-time favorite fic authors, like across fandoms, the talent, I cannot even properly describe it, like the quality of the prose, amazing, iconic. the devil’s daughter (a season 2 rewrite with some differences in season 1, jumps back and forth through time in the best way, has the best and creepiest dark!Jughead, has some great smut that includes dom!Betty and dom!Jughead can you believe we are so blessed, such a good rewrite of season 2, and you know how I love season 2, so that is some high praise, let me tell you) is easily in my top 10 all-time favorite fics across the many, many fandoms I’ve read many, many fics of, and you simply must check it out, you will not be disappointed. develop, stop, fix just blew me away as a kink week fic of bughead playing with bdsm in a dark room, the layers, the smut, the trust, the feelings, I cannot even. And doll parts! doll parts is so good, just such an amazing take on drop dead gorgeous, a fabulous Jughead and Betty as per usual, dare I say even better than an already fantastic movie. I am behind on loose lips sink ships, but I can already tell it’s going to be a great exploration of the Stonies and a great take on season 4. Keep an eye on her stuff here and here, do not miss out!

@dieqohargreeves: An icon and legend in gif making, just makes the most beautiful and intricate and creative gifs. The coloring is amazing, the techniques are amazing, that shit is Art, I will fight you on this. You gotta check ‘em out, you just gotta, I can’t do their work justice.

@sullypants: The wit! The humor! The observational skills! The talent, my god! Sully is the genius behind @bettycooperoutfitwatch and @riverdalearthistory as well as a fabulous writer of both meta and fic, yet another excellent reason for me to keep up with others’ thoughts on Riverdale. Her a comic miniverse series is so funny and sweet and such a great take on the Archie Comics version of bughead, and the after-party series (Betty and Jughead attend a, well, prom after party, and the events that happen, and I am not doing it justice, but it is v good, I promise) has such a great vibe and such great characterization. And young adult friction (librarian!Jughead is in a kind of competition with librarian!Betty, it’s so funny and so great) is such a delight, and we do not have time to get into everything great she’s written, but go check it out here.

@lilibug--xx: The queen of bughead smut, can you believe she has graced us with her stuff? It is steamy and it is in character and it is amazing. Dark Cherry Chutney is still a fandom favorite of mine, just some great dark!bughead who are unaware of each other’s darkness (but oh, they find out!) as well as some excellent smut. And Pressed for Time (Betty teasing Jughead with her skirts in an effort to get him to fuck her and he is barely holding on until he isn’t, alternating POVs in the best way) is sexy af but makes you work for it, it’s a delight. And give you mine (Betty and Jughead fuck at work and it is so hot, I can’t even) is so goddamn good, just some of the best dom!Jughead out there. Has also written monsterfucker!Betty, which you know I’m a fan of, in once upon a midnight (werewolf-hunter!Betty/werewolf!Jughead with sex pollen where she does not shy away from some wolfy-ness and it is hot af) and has written monsterfucker!Jughead, a rarity but always a delight, with reap what you sow (witch!Jughead/undine!Betty and Betty is so delightfully otherworldly and it is so sexy but also sweet), and there are countless other smut fics, we would be here all day if I went through them all, so you gotta check her out here. One more thing though: she can also write fluff with Lemon Drops and Chocolate Chips, a sweet fic of Betty and Jughead as neighbors that you should definitely check out.

@thatiranianphantom: Funny and thoughtful and talented and has correct opinions on musicals! Writes such good explorations of post-4x17 (and post-4x17 adjacent) scenarios. Like, the we are a masterpiece series is v good and so interesting, and no one else is singing my song is such great angst as a post-4x17 fic and a great use of Crazy Ex-Girlfriend songs. I am forgetting a lot of stuff, I know I am, and I think I might be behind like a fool, so let’s go check out all her stuff together here, yes? Yes. Also? Great for Riverdale speculation, especially about the season 5 musical episode.

@heartunsettledsoul: So talented, queen of canon missing moments, and funny to boot! I love reading her liveblogging of the episodes, and I cannot recommend her stuff enough. Her Forgotten Moments series of canon missing moments is iconic, you must go read all of it, especially there’s witchcraft in your hips, a post-2x13 fic of Betty and Jughead being such teenagers and Jughead being a dweeb about his cheerleader girlfriend and I am not doing it justice but you gotta go read it, man, you gotta. But the series is full of gems from the beginning with Midnight Silence (Betty and Jughead talk post-1x04 about the Grundy debacle and it’s such a delight) and going all the way through to the most recent it might’ve been a nightmare (a 4x12 through 4x16 fic that gives me a wide range of emotions and is fantastic) and your eyes look like coming home (Betty’s diary entries throughout season 1, simply inspired). But she’s also so good at AUs! a dark world aches (for a splash of the sun) is already looking so good as a bughead mystery with some varchie fun on the side, just some quality core four content, and won’t be the same (if you’re not here with me) is a favorite of fake dating, Christmas, and there was only one bed, just the best tropefest. And there are so, so many more, so you must check her out here.

@lovedinapastlife: She writes such a variety of AUs, I am just in awe of them all! The talent, I am amazed. The dark!bughead in The Society is peak dark!bughead with a simply iconic yandere!Betty, and you are seriously missing out if you have not read it yet. Oh, and there’s some more dark!Jughead with a side of dark!Betty in the key to harm(ony) that you must check out because it’s such a great ride and is sexy, what more could you want? Every movie AU she does really takes the source material and makes it her own from works You Drive Me Crazy (but I'm gonna keep on loving you), based on Drive Me Crazy and definitely better than the movie, to the most recent to all the boys (but especially you), based on To All the Boys I’ve Loved Before and just so sweet. But also can write otherworldly fics like Heart’s Desire with genie!Betty and The Second Coming with fae!Jughead, as well as regular aus like Detention (Betty and Jughead in detention and it gets a little sexy but also quite cute), and pure porn like Eye of the Beholder (Betty and Jughead as sorcerers who hook up over sorcerer Tinder and it is sexy but also sweet), as well as some of the best ABO in fandom with her A/B/O Mine series (alpha!Jughead/omega!Betty in high school and holy shit is it hot as hell). I am only just skimming the surface here, so definitely go check her out!

@kyloren aka @jughead-jones: Mila is so talented at making gifs, like goddamn, and also so funny, but I bet you didn’t know that she also has written some damn good fic! She hides it, but it is out there and it is very good, my favorite being let me hang my hook on your splendor, a fandom fave of a Scooby-Doo au that is so much more thoughtful and clever with its casting, and also very amusing, you must check out the rest of her stuff here.

@elizabethbettscooper: A delightful person and a delightful writer who is largely retired from the bughead fandom but still such a talent, like seriously. Her Twin Peaks Riverdale AU The Past Dictates the Future is so good, you simply must check it out, like you must. And yours was the first face i saw is such a fun AU of “what if Betty’s crush on Archie was a front for her crush on Jughead”, you must go read it. And holy shit, her i may be bad (but i’m perfectly good at it) series is peak dom!Jughead/sub!Betty taking place when they’re in college and fucking in so many varied ways, like if you are into that, you must go read these fics, you must, you will have a great and sexy, sexy time. And there’s so much more good stuff, you gotta go read it all here.

@bettycreeper: She does so much for the fandom and she makes such gorgeous gifs! Like, the coordination she does on the @bugheadfamily server and @bugheadfanfictionawards and @riverdale-events and probably elsewhere cannot be understated, she is such a valuable presence in the fandom. And have you seen her gifs? Gorgeous quality, just gorgeous, and her movie poster gifs for fics are simply inspired. Also? She’s an amazing beta, just outstanding.

@stillscape: A very thoughtful person and excellent writer who I can’t seem to tag. Dianthus Caryophyllus is still one of my favorite fics in the fandom, a high school bughead fic with some amazing pining from Jughead with an oblivious Betty, I can feel it, it’s so good. And of course there’s Ninia, an amazing take on the soulmates trope, just so good, I cannot do it justice, you must check it out. The for the life of me series is also such a good AU for Betty and Jughead getting together pre-Riverdale at a summer internship, I have such fond memories of it. And la peste (the plague)! So good, I cannot even. We don’t have time for everything, except you should make time and go check all of it out here.

@theheavycrown: God, where would we be without Sarah? She does so much work for the @bugheadfamily and @bugheadfanfictionawards and @riverdale-events and @riverdalecentral and I’m probably forgetting some, tbh. And so sweet and talented! Her gifs are fantastic and so are her fics. Like, Rain Comes Down (Betty and Jughead fucking in the car on the side of the road while cars drive by)? Iconic, some amazing exhibitionism. you had me howling(Betty in heat in the woods and then Jughead finds her and fucking ensues)? Fantastic ABO, so horny, so desperate. Beneath the Silver Moon Rising? Excellent dom!Jughead, excellent sexy times. You must go check out all of her stuff here, you must.

@50shades-of-bughead: Just some of the absolute cutest art that you must check out, especially their series of dark!bughead that is just fantastic.

@thepointoftheneedle: The variety of work here is phenomenal, the talent, I cannot. Took my ridiculous double fake marriage/draft-dodging concept and turned it into an excellent, thoughtful period piece with phenomenal characterization and a great mystery with Never No Locomotive, I cannot recommend it enough. And Ghosts and Clouds and Nameless Things (ghost!Jughead/grieving-dead-Jughead!Betty with a side of mystery) gave me so many emotions, I think I almost cried, and I am not a crier, I assure you. Hey Pixie Dream Girl, I’m Coming for Your Man! (Betty in her bookstore saves Jughead from his date with a Manic Pixie Dream Girl) is so delightfully funny, and Sunflowers (Betty and Jughead share a working space and fall in love) is so goddamn cute. I have actually found myself behind on her work, which is a crime, it all looks so amazing and I know it will be, and you must check all of it out with me here.

@hellodinoflower: Such an amazing presence in the fandom, such a delight, so clever and funny. She ran @bugheaddrabblechallenge this past summer and gave us all so much joy in the process, and, while her fics are deleted now (as is her right), I promise you that they were amazing, you all missed out if you slept on her. She’s such a great follow, you gotta follow her.

@bluevelvetvideo: A delighful soul, great character insight, great writing. Like, her smut is fantastic, have you read Arsenal (a double feature of Betty and Jughead fooling around in public and then having some sexytimes back in private with some quality dom!Jughead, let me tell you, v steamy)? Because you should. Christmas Lights (Jughead ties Betty up with their Christmas lights, it’s fantastically sexy) is a delight, and you can’t blame gravity (for falling in love) is a very fun take on soulmates and soulmarks, and you simply must go read it. She is a master of smut, let me tell you, and you must check out all her stuff here. Also? An excellent beta, 10/10, I’m so lucky to have her.

@a-true-janian-reply: Very funny, has excellent thoughts on Riverdale! Like, truly, every time I see an original text post or a reblog from her, I am PSYCHED because it’s always going to be SO GOOD.

@writeradamanteve: Such great talent across genres, really impressive. Drive (illegal drag racing Betty and college student but former-ish Serpent Jughead, just fantastic) is one of my earliest fandom favorites, I remember excitedly telling my non-fandom friend about it because I thought it was so clever, and we all know how good Daemon Bound is, yes? Yes, I’m sure we do. Let’s go make sure we’ve read all her stuff here.

@thugheadjones: Has some great insights, some great responses to dumb anons, and some fantastic art, like holy shit, I cannot even.

@bugggghead: A delightful soul, so nice, so talented. Writes some amazing smut, like, have you read intimately acquainted (alpha!Jughead/omega!Betty, meeting up on an app to help Betty with her heat in a heat retreat, four chapters of excellent smut)? Because you should if you’re even kind of interested in ABO. And en pointe is the bughead knifeplay fic of dreams, you gotta check it out. And there are so many other ones, we do not have time to cover them all. She also does cute fics, btw, and Message Me (fanfic-author-who-is-actually-the -real-author!Jughead/gif-maker-and-fangirl!Betty meet on tumblr and fall in love and it’s great) is such a delight, definitely go check it out. In fact, go check out all her stuff here. Also a fantastic beta, I really owe her for that.

@heavy-lies-the-crown: A talented soul who has written so much high quality fic, from the hilarious red ribbon winner (a Christmas fic comedy that I cannot describe well but I assure you is both hilarious and sweet) to the emotional and moving road to me (Betty and Jughead break up, find themselves, and come back together and it’s perfection) to the heart-ripping angst of apizza (a semi post-4x17-speculation fic of bughead together but apart at Yale and the way they will come back together and it is so good and so angsty) to many, many more. You gotta go check it all out here.

@lurker-no-more: Yet another funny person, we as a fandom are so blessed, you must check them out, you just must.

@iconic-ponytail: Another excellent writer! a revelation in the light of day is SUCH a great slowburn and SUCH a great take on both FBI!Betty and Sheriff!Jughead and the two of them falling in love as adults. Also, the side varchie is fantastic, and the mystery is amazing. I have not yet checked out the nighthawks, but I already know it’s going to be good, I can tell, you can trust this author to be quality, so go check all of her stuff out here.

@soyforramen: Funny! Very funny! Also? Writes some great ficlets that are, I think, exclusive to tumblr, which is a tragedy, tbh, but as is their right. But I do have the link to this genius fic about bughead and a platypus in honor of the platypus anon that was going around this summer. Definitely go check them out!

And now I am very tired, I have used up my energy, and I am so sorry if I forgot anyone!

#Riverdale #fandom #fic recs #I mean they're buried in there but they're THERE #can you tell I ran out of steam at the end?

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tabloidtoc · 3 years

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Life & Style, April 26

You can buy a copy of this issue for your very own at my eBay store: https://www.ebay.com/str/bradentonbooks

Cover: Khloe Kardashian is a total fake

Page 1: Lady Gaga in a wedding dress on the set of House of Gucci in Rome

Page 2: Contents

Page 4: The Top 10 SAG Awards Looks -- Mindy Kaling, Jamie Chung, Amy Adams, Sarah Levy, Kerry Washington

Page 5: Kaley Cuoco, Nicole Kidman, Natalie Morales, Viola Davis, Lily Collins

Page 6: Tom Brady and Gisele Bundchen celebrated their 12-year anniversary, posting heartfelt tributes to each other on social media, but their relationship hasn't always been so rock solid -- Tom admitted that Gisele has made a lot of sacrifices for their marriage and she hated living in Boston because she had no friends there and felt so alone because Tom was never around; things got so bad they sought counseling, which was the wake-up call that Tom needed -- he promised to make changes and he agreed to quit the Patriots and sign with a team in a location that was more desirable to Gisele and Tom stuck to his word and he came the new quarterback for the Tampa Bay Buccaneers and since moving to Florida, Tom and Gisele have never been happier and they have date nights every week and always make sure to communicate -- it wasn't easy, but they're both really proud of how far they've come

Page 7: After multiple delays, David Schwimmer, Courteney Cox, Jennifer Aniston, Lisa Kudrow, Matthew Perry and Matt LeBlanc have finally filmed the highly anticipated Friends reunion special and they all got really emotional when they saw the set and being there brought back so many fond memories -- it's the first time in 17 years that fans will get to see the entire cast together since the show went off the air in 2004 -- afterwards, everyone went to Jen's house for dinner -- each of the stars was paid $2.5 million to appear in the special

* Throwback -- Dolly Parton in 1965

* Biggest Spenders of the Week -- Bobby Flay, Aaron Rodgers, Vanessa Hudgens, Angelina Jolie

Page 8: Drew Barrymore revealed that, after three divorces and a string of failed romances, she's sworn off marriage altogether -- Drew doesn't need a man to feel complete and she's happiest hanging out with family and friends -- if the right guy comes along later down the line, great, but for now, she's content with being single

* Becoming one of the most sought-after stars in Hollywood has gone straight to Ana de Armas' head -- the cast and crew are often left waiting for the actress to emerge from her trailer on the set of the new action thriller The Gray Man -- Ana's got a lot going on and she's juggling several different projects, as well as photo shoots and phone calls with her team and people don't stay mad at her for too long, but they have nicknamed her Ana de Diva, but she isn't upset by the scathing moniker because she's a big name now, and with that comes a lot of responsibility and the way she sees it, there are worse things than being called a diva

Page 10: The Week in Photos -- Orlando Bloom got a surprise visit from the Easter Bunny

Page 11: Jennifer Lopez in jeans at a photoshoot for InStyle, Priyanka Chopra dancing around her backyard in a bright yellow dress

Page 12: Animal Tales -- Gilles Marini posed for a pic with his African grey parrot Anya, singer Madison Beer leaned in for a kiss from a caramel-colored stallion, Kate Beckinsale's feline Clive seemed less than thrilled when Kate strapped him to her chest in a carrier

Page 13: Kaia Gerber and her precious pooch Milo snuggled up in bed, Malin Akerman and a goat

Page 16: Stars Behaving Badly -- Lisa Vanderpump let her parched dog drink from her water glass at a restaurant in West Hollywood, Maisie Williams went topless under a translucent jacket while shooting a new TV series about the Sex Pistols in London, HGTV Design Star host Allison Holker used a megaphone to give out instructions to Property Brother Jonathan Scott on the show's finale, Calvin Klein wasn't worried about stains when he shoved a pile of spaghetti into his mouth at West Hollywood's Mauro Cafe

Page 18: Say What?! Helena Bonham Carter who turns 55 in May, Chelsea Handler who admits she consumes mushrooms almost every day, Olivia Munn who is the proud pet parent of rescue dogs Frankie and Chance, Melissa McCarthy on doing her own stunts in Thunder Force, Brian Tyree Henry on Godzilla vs. Kong co-star Millie Bobby Brown

Page 20: Pete Davidson has officially moved out of his mother's home and into a $1.2 million luxury high-rise condo on Staten Island, and it's all thanks to his new girl girlfriend, Bridgerton star Phoebe Dynevor -- the Saturday Night Live star showed off his two-bedroom, two-and-a-half bathroom bachelor pad during a Zoom call -- Phoebe is a down-to-earth girl, but she doesn't want to date a man who lives in his mom's basement and she thinks Pete's mom, Amy, is awesome and says it's a great thing that they're super close, but being in a long-distance relationship is difficult enough so Pete and Phoebe need some alone time when they're together, which was almost impossible with his mother hanging out upstairs -- Pete knew it was time; he just needed that gentle nudge

Page 21: Matt James and Rachael Kirkconnell were spotted in NYC together, sparking speculation that the former Bachelor couple have rekindled their relationship -- the pair parted ways while the show was still airing after photos of the graphic designer at a plantation-themed college party in 2018 surfaced on social media -- Rachael made a mistake but she owned up to it and was willing to learn from it and it didn't change her feelings for Matt or vice versa and Matt was in love with Rachael too and he couldn't just turn those feelings off so no one would be surprised if they decided to reconcile

* Michael B. Jordan's girlfriend Lori Harvey was left reeling over photos of the actor sharing a smooch with Chante Adams on the set of their new movie A Journal for Jordan -- of course, they were just shooting a scene for the film, but Lori was still annoyed and she asked Michael about it, and he brushed it off and explained it was part of the job but Lori still has her suspicions and she's been thinking about dropping by the set just so she can keep a very close eye on them

Page 22: Cover Story -- Khloe Kardashian living a lie -- devastated by an unretouched photo leak, Khloe faces claims she's a body positivity hypocrite as she demands the viral image be taken down

Page 26: Alex Rodriguez to Ben Affleck: Back off my fiancee -- Ben gushes about ex Jennifer Lopez in a new article and A-Rod isn't happy about it (not quite Bennifer yet :)

Page 28: Prince Harry overwhelmed with work -- Harry struggles to adjust after trading his cushy royal role for a variety of normal gigs -- though his job for BetterUp is primarily remote, added stress comes in the form of Harry's Spotify and Netflix deals, plus growing charity work -- Harry finds all of his new, non-royal titles fresh and exciting, but while he's a great person, some in his inner circle say Harry's kind of dumb and worry whether he can handle the pressure

Page 30: Lori Loughlin and Mossimo Giannulli life after prison -- reunited following months spent behind bars, Lori and Mossimo try to pick up the pieces -- prison definitely took a toll on Mossimo and he doesn't expect sympathy, but he's still struggling to adjust to what he went through; it really broke him down and forced him to reevaluate his life

Page 32: Who Lives Here? Lil Nas X

Page 34: Entertainment

Page 35: Star Review -- Jonathan Van Ness

* As Seen On-Screen -- Meghan Markle wore a dark green coat while walking through Archie's Chick-Inn during her CBS interview which was J. Crew's Perfect Lightweight Jacket

Page 36: Go Green at Home -- reduce your carbon footprint even more with these eco-chic essentials, because our planet can use all the help it can get

Page 37: Beauty Crush -- get Jurnee Smollett's look from her makeup artist Emily Cheng for the SAG Awards

Page 38: Spring Beauty Must-Haves -- these product picks aim to reign as new-season favorites -- Camila Mendes

Page 40: Diva or Down-to-Earth? Rihanna bagged her own haul at Bristol Farms in Beverly Hills -- down-to-earth, Shay Mitchell worked from home with help from her most trusted assistant daughter Atlas -- down-to-earth, during a photo shoot in Malibu Brooke Burke got a makeup refresh from a personal primper -- diva

Page 42: Social Stars Posts of the Week -- Sofia Vergara sneaking Heidi Klum a chip on the set of America's Got Talent, Neil Patrick Harris finished the first season of The Irregulars while quarantining in Toronto, Jared Leto pretended to pluck the moon straight out of the sky during a masked outing in Italy, Beyonce treated her daughter Blue Ivy to a meal at Nobu in Malibu

Page 44: Horoscope -- Taurus Gigi Hadid turned 26 on April 23

* They're Not Together, But They Should Be -- Capricorn Charles Melton and Virgo Zendaya

Page 48: What I'm Into -- Kameron Westcott of The Real Housewives of Dallas

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discotreque · 3 years

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Disco 3.09: Terra Firma (Part 1)

That scene of [spoiler] flat on the ground getting just systematically pummeled by [spoiler]—punch after punch after punch after punch—was a perfect metaphor for what the themes this season have been doing to me emotionally. It’s been a pleasant, if occasionally heart-wrenching, surprise to feel something about this show besides “whoa, cool CGI!” or bone-chilling dread—but hopefully Season 4 won’t feel quite so much like it’s being aired directly at me.

So I went zero for two on last week’s predictions in the first goddamn scene, lmao. Turns out the post-TNG combadge on Vor’s early-TNG uniform was just a VFX mixup in the trailer, since he’s seen with the correct oval-backed delta in the actual episode—so that’s neither a meaningful plot element nor a cute inside joke about historical accuracy over the centuries, shame. Still got to see Gersha Phillips’s take on a spandex front-zip, though—that piping! *chef’s kiss*

I also thought Georgiou’s condition was “obviously” something engineered by David Cronenberg’s character (subtitles say his name is Kovich). Apparently he didn’t cause what’s happening to her; he’s just here to explain it. Now if only he’d explain what the fuck is up with his tie...

Speaking of the unfortunate Lt. Cmdr. Yor—he was from the fucking Kelvin timeline??? I wasn’t sure they’d ever acknowledge that in prime canon—and I don’t think the mainline Trek universe has ever been called “the prime universe” diagetically until now, either. (“Why not The Mongooses? That’s a good team name! The Fighting Mongooses.”) I especially love what a small connection it is: one guy crossed over from there, a long time ago, in what was apparently a one-off incident. (He also arrived a year before Lower Decks S1 is set—will we see an animated Vor on the Cerritos next year?)

Tilly: *aggressively eats lunch with you*

You can see how the hope and idealism of Discovery’s crew has softened Admiral Vance—his conversation with Captain Saru was so mentorly and almost tender that it gave me the terrible, terrible feeling that his character growth, and especially his soft “See you when you get back,” mean that he’s definitely going to be killed by Ossyra before they actually get back :(

Likewise, Georgiou’s goodbye scene with Saru and Tilly was a transparent attempt to manipulate my emotions, and guess what? I was successfully manipulated 😭😭😭

As a “computer person” myself, I found Adira forgetting to un-pause their descrambling program—then thinking, since it wasn’t running, it had broken—almost painfully relatable 😩 Also in that scene, Stamets sticks up for Gray’s presumable intentions in (sorry for this...) ghosting Adira (...it was right there!), and Adira says, correctly, “but he doesn’t get to decide what’s good for me”—and speaking of painfully relatable moments, I loved Stamets’s reaction there.

When you’re an adult of a certain age and you’re talking to someone a fair bit younger, you’re sometimes confronted with the uncomfortable reality that wisdom rarely comes from quantity of experience alone. To grow wise, you have to experience things that teach you important lessons, and you have to be willing to learn from those things. That can happen at 16 or 46, and realizing it’s more about luck than time when you’re closer to 46 than 16 can give you a little existential vertigo. It’s a lovely grace note in Stamets and Adira’s relationship (and Anthony and Blu’s performances!) that Paul doesn’t always have the high ground when it comes to emotional intelligence.

SPEAKING OF PERFORMANCES, just drive a truck full of Emmy statues up to the Martin-Green household and dump it out on the lawn. Every one of Prime Michael’s pangs of hurt and confusion and desperate affection for Phillipa comes through loud and clear—and Mirror Michael is just unhinged. Sonequa Martin-Green is one of the greatest acting talents any Star Trek production has ever had, she’s clearly having the time of her life sinking her teeth into this role, and it’s a genuine fucking privilege to watch her work every week. I can’t decide whether I want Evil Michael Burnham to have a SUPERLATIVELY AWESOME death scene or show up again down the line as a recurring villain—but this is Star Trek, so you never know, we could easily get both.

David Ajada shows up to collect a paycheque, ask Saru if there’s room in the A-plot yet for Book (not this week, sadly), and walk around looking like the goddamn Wikipedia entry for "compulsory heterosexuality" in yet another long black sweater from H&M’s 2019 "Gender? I don’t know her" collection. (Face it: there’s no man more attractive than a fictional one written by a lesbian.)

I guessed last week (privately; no points) that the barren planet we saw them on in the trailers was going to have some kind of Guardian of Forever situation, but I didn’t expect Paul Guilfoyle to be there, and I did not expect Carl—who, sort of like how Book has a Star Wars vibe, feels right out of Doctor Who.

(The only other headline in Carl’s newspaper that I could make out, by the way, besides the big one about the emperor, was about the USS Jenolan having gone missing—the ship that crashed into the Dyson Sphere with Scotty in its transporter buffer, as seen in TNG’s “Relics.” Easter egg? Or plot point???)

Michelle Yeoh has been so great in so many ways on this show, but she outdoes herself in this episode, in every single scene. Just like Michael Burnham, Georgiou was conceived as a one-season character—she wasn’t designed to have room to grow—and Season 2 didn’t really do anything to write her out of that corner. Season 3, though, has done a really compelling job of giving her interesting things to do and interesting ways to change.

And sending her back to the motherfucking Mirror Universe is possibly the most interesting way to show just how much she has changed, holy shit. (I guess Carl didn’t read about the Interdimensional Displacement Restrictions in that newspaper of his.)

There are two legitimate reasons for sending characters to an AU with extremely out-of-character doppelgangers: to highlight something about our regulars through contrast, and/or to let the actors vamp. The MU arc in Season 1 was grim and almost entirely joyless, and didn’t really shine a light on anything in the prime universe—it was just a generic escalation of stakes for our heroes. The Klingon War was the frying pan, and the MU was the fire.

This time we actually learn things about these people: Georgiou, of course, but also that the “real” Captain Killy has a lot more of Prime Tilly’s trademark nervous disposition than Prime Tilly pretending to be Captain Killy. (Too bad Killy’s destined to get blown up by Klingons with the ISS Disco in the Prime Universe.) It was also a ton of fun to see Rhys and Owo as deadly rivals, Rekha Sharma as Evil(...er?) Landry again, and Bryce throwing knives in the mess hall—at, please correct me if I’m wrong, a brunette Hannah Cheeseman as an un-augmented Airiam?????

Also, I don’t know why they got Mirror Stamets of all people (inventor of the evil spore drive—not, as far as we know, also an evil slam poet) for that dramatic recital at the evil ribbon dance, except I know exactly why: he’s played by Anthony Rapp, who’s a goddamn treasure. And Georgiou changed the timeline here—Mirror Stamets was still alive to get phasered by Mirror Lorca in S1—but I hope we come back to the MU in Season 5 and Stamets is somehow, inexplicably, still around—only to get killed in a hilariously blasé way again, because—again—he genuinely sucks at like, the logistics of betraying people.

Finally, those adorable little DOT-7 drones... but make them eeeeeeeevil.

Next week: We must leave behind all of that which destroys us. A mood for 2021 if ever I’ve heard one. (Plus, Mirror Saru grabs a dude—either Mirror Culber or someone else in medical red—and bodyslams said dude into the ceiling, which... is also a mood for 2021, tbh.)

#star trek discovery #star trek discovery spoilers #disco spoilers #amy's episode notes #terra firma #michael burnham #sonequa martin green

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daleisgreat · 3 years

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Shawn Michaels: The Showstopper Unreleased

WWE has release a few Shawn Michaels DVDs over the years, but continuing on the theme of my last few wrestling-centered entries, WWE Home Video stuck with their “unreleased” brand of DVDs in 2018 with the three-disc release of Shawn Michaels: The Showstopper Unreleased (intro - I could not locate a trailer for this anywhere!). In that clip Shawn quips that the producers deserve an award for finding previously unreleased matches. I believe the criteria for this release is still similar to previous “Unreleased” collections where they may have aired on television (and thus likely in the WWE Network archives) or long discontinued VHS tapes, but this DVD will mark the first time the matches are available on disc. Also included is a new interview with Michaels that they broke up in several parts and sporadically inserted throughout the collection. The first disc is something special as it essentially is a “Best of Rockers” DVD. The first two matches are from Shawn’s rookie year in 1985 for Mid-South in quick enhancement matches for Hector & Chavo Guerrero and Jake “The Snake” Roberts. Matches serve their purpose, but it is nonetheless fascinating to see how Shawn had that already apparent potential in him way back in 1985. The remaining 11 matches on the first disc are all Rockers matches, with the first three tag matches being from their Midnight Rockers AWA days with two bouts against Doug Summers & Buddy Rose and one more with Brian Knobbs & Dennis “I’m not booked” Stamp. The two Summers & Rose matches are show-stealers that had exhilarating beginning/middle/end structures, and was fun to watch the 1980s crowd go nuts for.

The first disc is almost all AWA & WWF Rockers matches!! For the eight WWF Rockers matches, they consist of almost an all-star lineup of a golden age for WWF tag teams where they square off against the likes of Demolition, Brain Busters, Hart Foundation, Natural Disasters and Legion of Doom. The sad thing about The Rockers back then is that as charismatic and agile as they were back then, they mostly made other teams look good in their WWF run and that is the case here as they lose six of those eight WWF matches. Even worse is the two matches they win is a DQ win against the Rougeaus after Jimmy Hart’s megaphone is used, and a countout win against the Orient Express. That said, a lot of the other matches are pretty damn good, with high honors going to the Brain Busters bout, two Demolition matches and surprisingly working in a lot of good stuff against Legion of Doom. Worth pointing out is another good match against the Hart Foundation where it seems noticeable the teams missed their cue to go home because the match starts to feel there is no end in sight when out of nowhere during an abdominal stretch a bunch of wrestlers run in and an awkward impromptu brawl ensues and the match is declared a draw.

Disc two has 12 matches from Shawn’s first singles WWF run from 1992-1998. Some highlights from this are an unsurprising technical showcase with Mr. Perfect, oddly having a positive dynamic with Bret Hart to team up against the Blu Brothers in 1995 and predictable-yet-high quality formula matches during his first WWF Title run against 1-2-3 Kid and Steve Austin. Disc two has a disappointing triple tag elimination match with Shawn, Diesel and Undertaker against Psycho Sid, Tatanka and Kama filled with lots of stalling and headscratching booking for the eliminations. There is also a questionable match against Vader a month after their controversial-yet-excellent Summerslam match, where in this match Shawn takes 95% of the offense and quickly squashes Vader in three minutes. There is also a fascinating bout against Yokozuna from the summer of 1996 in Kuwait, when Yoko is nearing the end of his WWF run due to him putting on excess weight, and the match kind of expectedly plods along, until something must have clicked for Shawn to motivate Yoko into a pretty watchable match in the back half, and the two show respect afterwards which was awesome to see….until Yoko suddenly darts off to the back like he really has to go to the bathroom. The third disc consists of 10 matches from Shawn’s return run to WWE from 2002-2010. All the matches here are from RAW, so that means they follow the formula that still holds true for WWE TV main events today where it is either a cobbled together tag match, or a really good one-on-one match with interference or a hokey finish. There are a couple exceptions with worthwhile clean matches against Ric Flair during a Japan 2005 tour and against Christian in 2004 when he was building momentum with Tyson Tomko by his side. HBK’s matches against Rob Van Dam, Kurt Angle and Chris Jericho are the highlights on disc three, but all three contests have varying degrees of interference to effect the finishes, and in some cases it actually benefits the match as is the case with Angle with the story they were telling. I was delighted to see a post-RAW dark match included with Shawn teaming with Batista against Triple H and Edge. WWE is notorious for usually doing a fun untelevised promo or bonus match for the fans after the cameras go off the air with some quirky moments that would never fly in a televised match. That is the case here with Triple H doing lots of exaggerated selling and fun jawing with the crowd that absolutely ate it all up for a fun time.

Shawn didn't disappoint in his 21st century run, with matches included here that don't disappoint against Ric Flair and Kurt Angle. A couple of promos are uncovered like Shawn doing an open Q&A with the fans when Sensational Sherri was managing Michaels early in his singles run. Another amusing bonus promo is Shawn and Diesel doing a Times Square workout session to hype up their upcoming WrestleMania 11 match with the one-and-only Todd Pentigill hosting. The several interview clips inserted throughout the DVDs has Shawn hitting on certain parts on where he was at that stage in his career and reflecting on the infamous Barber Shop break-up with Marty, his 2002 return, rebooting a less edgy, more goofball version of DX in 2006 and retiring in 2010 (this was filmed before his ill-fated Saudi Arabia return match). From these series of introspections, it was fascinating to hear Shawn think back on why he was not all-in for teaming with Jose Lathario in his WWE Title run, and hearing him settling on being a family man in retirement and turning down multiple

WrestleMania return matches. There are also a few sets of interviews with NXT talent commenting on how lucky they are to have Shawn as a teacher at the WWE Performance Center. Shawn comments a few times here too on being proud of passing on his knowledge, and it is obvious he is genuine on his passion for his new role building talent in NXT. WWE has once again amassed another recommended collection of un-vaulted matches. I am digging this format following the Piper and Macho Man sets where they break up the action every few matches with a set of interviews. Wort mentioning is about a quarter of the 35 matches here have no commentary because they were either dark matches, or from arena shows WWE use to film at regionally in the 80s and 90s and never recorded commentary for and/or lost the rights for the commentary. While there are some skippable matches, the good-to-bad ratio is largely in the positive here, and the not-so-good bouts usually at least have an entertaining backstory or era they emanate from. This all adds up for Shawn Michaels: The Showstopper Unreleased being another must-have installment of the Unreleased branding. Past Wrestling Blogs Best of WCW Clash of Champions Best of WCW Monday Nitro Volume 2 Best of WCW Monday Nitro Volume 3 Biggest Knuckleheads Bobby The Brain Heenan Daniel Bryan: Just Say Yes Yes Yes DDP: Positively Living Dusty Rhodes WWE Network Specials ECW Unreleased: Vol 1 ECW Unreleased: Vol 2 ECW Unreleased: Vol 3 Eric Bishoff: Wrestlings Most Controversial Figure Fight Owens Fight: The Kevin Owens Story For All Mankind Getting Rowdy: The Unreleased Matches of Roddy Piper Goldberg: The Ultimate Collection Hulk Hogans Unreleased Collectors Series Impact Wresting Presents: Best of Hulk Hogan Its Good to Be the King: The Jerry Lawler Story The Kliq Rules Ladies and Gentlemen My Name is Paul Heyman Legends of Mid South Wrestling Macho Man: The Randy Savage Story Memphis Heat NXT: From Secret to Sensation NXT Greatest Matches Vol 1 OMG Vol 2: Top 50 Incidents in WCW History OMG Vol 3: Top 50 Incidents in ECW History Owen: Hart of Gold Randy Savage Unreleased: The Unseen Matches of the Macho Man RoH Supercard of Honor 2010-Present ScoobyDoo Wrestlemania Mystery Scott Hall: Living on a Razors Edge Shawn Michaels: My Journey Sting: Into the Light Straight Outta Dudley-ville: Legacy of the Dudley Boyz Straight to the Top: Money in the Bank Anthology Superstar Collection: Zach Ryder Then Now Forever – The Evolution of WWEs Womens Division TLC 2017 TNA Lockdown 2005-2016 Top 50 Superstars of All Time Tough Enough: Million Dollar Season True Giants Ultimate Fan Pack: Roman Reigns Ultimate Warrior: Always Believe War Games: WCWs Most Notorious Matches Warrior Week on WWE Network Wrestlemania III: Championship Edition Wrestlemania 28-Present The Wrestler (2008) Wrestling Road Diaries Too Wrestling Road Diaries Three: Funny Equals Money Wrestlings Greatest Factions WWE Network Original Specials First Half 2015 WWE Network Original Specials Second Half 2015 WWE Network Original Specials First Half 2016 WWE Network Original Specials Second Half 2016 WWE Network Original Specials First Half 2017

#Wrestling #Shawn Michaels #the rockers #wwf #WWE #awa #marty jannetty #ric flair #kurt angle #Christian #Bret Hart #diesel #psycho sid #dennis stamp #jake roberts #mr. perfect

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bythebigcoolingtower · 4 years

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Eye on Springfield - An Interview with Raymie Muzquiz

Since working on eighteen episodes of seasons two and three of the Simpsons, Raymie Muzquiz has enjoyed a strong, thirty plus years career in the animation industry, including directing eight episodes of Futurama’s second run. Here, Raymie talks about his spell on both shows, his other projects and the industry itself.

Let’s start at the start, how did you get into animation and end up at Klasky-Csupo?

In 1988-89, I was working for a movie trailer company. I was a production assistant and then a post coordinator for about 2 years. I learned a lot about film post production and worked on a flatbed editor, dubbing machines, etc. (all pre-digital). However, it was nonetheless a miserable, unartistic, poorly-paying job that laid bare all those awful “Swimming With Sharks”, fear-and-loathing tropes of the movie business. My boss was a horror. He’d yell at me about the dressing in his salad, or the variety of bread on the sandwich. I was his presumed personal assistant to deride. Yet he would shamelessly “lick the boots” of celebs and execs higher up the food chain. To this day, I cannot watch movie trailers. On the rare trip to a theater, I sit in the lobby and have my wife text me when the feature starts.

During this awful period I would look daily through the trades for another job. One day in the Hollywood Reporter there was an ad that included a picture of Marge (I think). Klasky-Csupo (just blocks from my apartment!) was looking to staff for Season 2 of The Simpsons. Since I storyboarded all my student films and some action sequences in live-action low-budget features at Roger Corman’s Concorde/New Horizons in the late 80’s. I applied for a storyboard position. What happened next gave me whiplash. I was given a test. Hours after turning the in the test I hired as a staff storyboard artist to start two weeks hence and immediately given a freelance assignment.

How did I get this plum position with zero experience? This requires some context. The Simpsons was an unexpected TV-animation phoenix rising from the ashes of a poverty-row industry. It is little exaggeration to say that the TV animation talent pool (as opposed to feature animation) consisted largely of old, alcoholic and broken-spirited artists doing Saturday-morning hack-work, subsuming their talent to low budgets and low cel counts. The necessary talent were simply nonexistent for this new, hip renaissance. The doors opened to the young, the students and the inexperienced like me; someone who didn’t go to art school nor drew for a living. It was a singular event for me. I was ignorant that there was even a difference between animation and live action storyboards. I was even naive about my drawing ability. Imagine my reaction when I saw trained artists draw in a professional environment. It blew my mind! My only saving grace was that as a live-action film graduate, I knew film language. I could stage without “crossing the line”. Scenes “cut” together and “hooked up” and I was staging in depth rather than in the traditional “proscenium” cartoon style. My acting was restrained, not broad or cartoony.

I did my first storyboard freelance while still at the trailer company. It was for Jim Reardon; his first directing assignment: Itchy & Scratchy & Marge in 1989.

Can you explain the work you did on the Simpsons?

Everybody probably knows what storyboarding is, so I’ll keep it short. It’s the visualisation of the script/story. It’s TV animation’s biggest step from script to screen. You are staging the characters in space and acting them out and breaking it up into separate scenes that informs the entire rest of the process. Design, layout, key posing, action and timing build off the storyboard.

When you were assigned to work on the show what were your thoughts? It was a phenomenon by that point.

The first season’s episodes of the Simpsons were being re-runned to death. I remember doubting if they’d successfully make more before the buzz died off. When I was hired I couldn’t believe my luck. The Simpsons was THE hip show of the moment. To actually be a creative team member on something fresh and original AND get paid more than beggar’s wages was like winning the lottery.

How closely did you work with the directors and writers, what kind of notes and feedback did you receive?

When I arrived for my first meeting, Mark Kirkland and Jim Reardon were crowded in a small room with folding tables, right off of reception. I believe they were both directing for the first time. Although I was already hired to work in-house, I had to give two weeks to my current, satanic employer, so I was assigned work as a freelancer. It was to board an act of Itchy & Scratchy & Marge by its director, Jim Reardon. Little did I know what I was getting into.

I never had to draw so much in my life! My drawing hand (left) was killing me in those early months. I had to develop a callous on the middle finger. They gave me the “radio-play;” an audio cassette of the recorded dialog to draw to and tons of model sheets.

I remember being overwhelmed by the volume. And you had to draw in these tiny boxes of the formatted storyboard page. I didn’t have that kind of discipline (I never did: I eventually developed a style of drawing on blank pages, then fielding and formatting them onto a page. Sometimes I scaled my drawings down on the xerox machine. I also drew on post-its (the greatest invention in animation after cels) and taped them onto the formatted sheet.

As this was freelance, I actually only met with Jim twice: Once for the hand-out and then again to show him my roughs. I vaguely remember him asking for changes that I thought were off-show (I’d seen all extant episodes multiple times on TV by then). Plus this was my first time and really had no expectations of what the process was.

But--he was the director--I addressed his notes and turned in the storyboard to the receptionist without further feedback. This almost became my undoing. In future, I would know the director should go over the storyboard and decide if it was ready, needed further revision or even just check the “bookkeeping”; the placement of dialog, notes and scene and page numbering before releasing it to the producers (all the Executives at Gracie Films across town). However--for whatever reason--this didn’t happen. It went directly from reception to Gracie. And evidently the executives didn’t react well. I was ignorant of all of this for years; until Mark Kirkland told me what happened...

The Executives were displeased with the storyboard and demanded to know what happened. Someone blamed it on the new guy (me!). So it was decided I had to be fired (before I even started my first day on staff)!

Did I get thrown under the bus? I can’t say. I wasn’t there. I am only relating events second hand.

Anyway, Mark Kirkland, who shared the room with Jim Reardon and was present during my meetings came to my rescue (again, completely unbeknownst to me). He vouched for my character and said I was worthy of rescue and rather than firing me, I could work with him.

So I have Mark to thank for my career. If I was fired, it would have been crushing and I think it’s safe to say I would never have become the artist I’ve become in the thirty plus years of my career.

What was the pressure like working on the show and at the studios during that time?

Because of my lack of experience, I found it difficult judging deadlines and the necessary labor (and just pencil mileage) to succeed. Plus I was traumatised by my previous job; I was conditioned to fear punishment and humiliation at anytime for something I did or didn’t do.

The climate at Klasky/Csupo couldn’t be more starkly different; so egalitarian! Everyone was socialising and goofing around. Gabor Csupo couldn’t be a more laid-back boss! Long lunches with side-trips for comic books and toys! Nerf guns in the hall. I shared a tiny room with two other board artists, Peter Avanzino and Steve Moore. They would both have to vacate the room for me to reach my desk in the far corner. We bantered and laughed more than worked. Celebrities would drop by (Most memorable was meeting Frank Zappa). There were events always going on; bowling, screenings and parties. And yet, a ton of thought and drawing was necessary; especially for me. I worried I couldn’t work as fast as other artists. I often had to work nights and weekends to meet my deadlines. However, there always were other artists doing the same thing; they may have been more experienced than me, but they were young and not so disciplined; so I was never alone. Plus, you never knew how off the mark your roughs could be and after a meeting with the director and Brad Bird, you might suddenly be looking at a ton of revision work. I also remember that Brad was busy weekdays and meetings could sometimes only be done on Saturdays. I simply had a lot to learn and time to put in to build my proficiency. And Brad Bird was very important influence in those days: I could be nervous and exhausted preparing for a meeting with him, but he’d so infect you with his enthusiasm and creative vision that you’d end up re-doing the whole thing but be excited about doing it. He emphasized the cinematic aspects and empowered us to be bold and push the limits of traditional animation staging.

You worked on some of the show’s early classics, could you tell from your position how the episodes would come out?

My next episode for Jim Reardon was “When Flanders Failed”. Because of the kerfuffle of the first episode I did for him, I was anxious to be as professional and impressive as possible. I thought the act I did showed improvement. However, the episode seemed to languish at some point (after animation?) and word got around that it was a bust and wouldn’t reach air. My memory is hazy about this, but I was bummed at the time; thinking my working relationship with Jim was snake-bit.

A season later, it eventually did air. I’m not giving a very good account of this, sorry.

“Flaming Moe’s” was an episode I was excited about. I remember Brad Bird suggesting some very exciting staging that turned my head around. Especially the part where Homer ends up--“Phantom of the Opera-ish”--in the rafters. I think that was a turning point for me; I was going to be a Brad disciple and determined to push the staging from then on.

“Stark Raving Dad”, is memorable to me, but not for a good reason. It was one of the last episodes I worked on; only doing an act. I remember being scandalized that Michael Jackson was the subject of the episode. Being a Simpsons purist, I believed that the show existed in a parallel universe and celebrities were parodied for laughs; it was too hip to be a shill for celebrity. There was no Arnold Swarzenegger, there was McBain. There was no Hal Fishman (our local channel 5 anchor), there was Kent Brockman. Dr. Hibbert was a parody of Bill Cosby. Mayor Quimby was a parody of Ted Kennedy. Even Nick Riviera was supposed to be Gabor Csupo! Having Michael Jackson exist in this universe and embodied in a sympathetic character (rather than a target of ridicule) was seriously “jumping the shark” in my opinion. I believed the show had done the unthinkable and it would prove fatal to the series.

Of course I was wrong. The Simpsons goes on like a perpetual motion machine. But I couldn’t abide watching this wise and subversive show trample over its principles to star-fuck. Now of course, which celebrity HASN’T been on the Simpsons. As you may well know, “Stark Raving Dad” has been pulled from the series since the premiere of the HBO documentary “Leaving Neverland”, giving some credence to my long ago objection: sometimes it bites you on the ass.

“Black Widower” was my swan song. I remember meeting Kelsey Grammer at the table read and being mesmerized by his voice. He sounded just like Orson Welles. The act I boarded included Bob and Selma’s honeymoon. I wanted to give the staging a Hitchcockian influence with deep-focus, Z-axis compositions (like looking out of the fireplace, across the gas burner to Selma and Bob) and my first-ever use of DX (double exposed) shadows to provide menace. I thought that was my best work of the series.

One of my favourite early episodes is ‘Homer at the Bat’ which you storyboarded. What are your recollections on working on it? Did you get any specific notes when it came to the players?

“Homer” was my third “at bat” (pardon the pun) with Jim. He’s a baseball fan as I am, but he also PLAYED Chicago-Style Softball (baseball with a huge, soft ball). I’m a baseball fan too, but I felt I’d be exposed a dilettante due to my terminal lack of athleticism. I was assigned all three acts of the show as well! I really had to be on my game (again, pardon) and not miss any of the references. I reluctantly took him up on his offer playing in one of the Chicago-Style games one Saturday in Burbank. It was a sacrifice as I had to work weekends to keep up with the workload of this episode. I went with a fellow board artist, who’ll remain unnamed (to remain friends).

It went terribly. At bat, I whiffed three pitches in a row, and Jim kept pitching more and more out of pity. I missed them all. He finally had to tell me to just give the bat to the next guy. In the outfield, I stunk just as badly. The piece-de-resistance was when my fellow board artist was at bat and swung hard on a pitch. He missed the ball AND dislocated his knee. I ran to him as he plopped down in agony onto home plate with his knee, shin and foot pointed in the wrong direction. “If my leg stays like this much longer, I think I’m gonna start crying,” he said through the pain. After a terribly long moment, his shin and foot rotated snapped back into place. We hobbled off the field as Jim and his pals resumed the game. Could things have gone any worse? I was certain that Jim had no faith in me by that time. If so, he never said it. He was a laconic guy.

I worked on it a hundred years ago so I don’t feel the pride I objectively should. The episode went against The Cosby Show and beat it in the ratings! There’s even an exhibit in The Baseball Hall of Fame in Cooperstown, that I wasn’t aware of until I went there. No artist other than Matt is mentioned. It’s all about the writers and the players who voiced the show.

I still have the storyboards of Jose Canseco in the bathtub with Ms. Krabappel that Jose objected to and we had to cut. I’ll post them someday.

How do you reflect on your time working on the show? Do you ever watch those seasons and episodes back?

See below for details; but no. I haven’t watched the episodes I worked on or those seasons for decades. I haven’t watched any episodes after the 3rd season at all. I did see the movie.

The relationship between Klasky-Csupo and Gracie Films finished at the end of the third season, when Gracie decided to move production to Film Roman, what was your view of that situation?

With the handwriting on the wall that Fox might pull The Simpsons from Klasky-Csupo, the in-house producer Sherry Gunther countered by getting all us artists to sign a document tying us exclusively to Klasky-Csupo in an effort to block Fox access to the crew. That gambit didn’t dissuade Fox. They pulled the show anyway and took it to Film Roman. At the time, I wanted desperately to follow the show, but naively thought I couldn’t because I was bound by Sherry’s contract. Virtually everyone left Klasky-Csupo for Film Roman anyways; contract be damned.

The studio became a ghost town. I stayed, distressed that I had to work on Rugrats. However, I eventually concluded that being torn away from The Simpsons was the best thing for my creative growth. Wherein The Simpsons was written so well, closely supervised and finding its stride, The Rugrats scripts were mediocre and the gags not funny. Rugrats was a vacuum to fill and I was empowered to add gags and exercise Gabor’s mandate to really push the staging into warped and low-angled baby POVs that defined the series. It lacked the regimentation of The Simpsons and I exposed to all the other processes in making cartoons. On the Chanukah special I directed, I timed the animation, I even helped direct the voice talent and supervise animatic and final edit.

The Simpsons, like many prime-time animated shows, are dominated by writer/producers who closely control the creative aspects and the artists are more or less staying in their lanes.

After the Simpsons you were assigned to work on ‘Duckman’ where you directed eight episodes, what was the step up to direction like?

I didn’t go directly to Duckman. There was a period of boarding on Rugrats and assistant directing on two Edith-Ann specials for ABC. It was a sad time, something like being in purgatory, but one which I believe was necessary in retrospect.

Speaking of being in purgatory, here’s an anecdote. Klasky-Csupo was a bunch of empty rooms after the Simpsons left. I was working on Edith Ann one day and Gabor was walking a tour of potential clients through. I showed them what I was doing and then Gabor directed them to the next room; opening a door to usher them in, various large and small auto parts suddenly tumbled noisily out onto the floor. A car bumper, pieces of trim, a fender and hub-caps.

You may ask why auto parts were in there? I’ll tell you: When Rich Moore worked there, his office overlooked the corner of Highland and Fountain avenues. Over time, he and his crew witnessed a lot of auto collisions on that corner. They would go and retrieve the parts left behind and hang them on the wall. Rich obviously left without taking his collection and somebody decided to hide them all in this room. Suffice to say, it didn’t look professional and I felt terrible for Gabor at that moment.

When I did become director, there was many moments of panic. I was used to storyboarding to my personal standard and quality that defined my aesthetic. Paradoxically, being a director meant losing close control. I had to depend on clearly communicating to the storyboard artists, quickly learning you can only tell artists so much before they “top-off” and forget what you said. No one took notes! It was all by memory! I always took notes as a board artist. A good board artist makes a director look good. There are far more mediocre storyboard artists than good ones; mainly because the good ones are promoted to directors (I feel the quality has improved over time). And I had to deal with freelancers for the first time. They are the guys that fill-in when there’s not enough staff artists. These people were usually moonlighting for extra money and end up storyboarding your show in the style of the show they were working on during the day. There just wasn’t enough time in the schedule to fix everything without working crazy hours. The Simpsons had layout. So storyboards didn’t have to be so precise and if something wasn’t staged right or acting out in storyboard, you could work with a layout artist in shorthand to correct it. Virtually my entire career has been absent layouts. They are very rare for TV nowadays. This makes the storyboard all the more important. The bar must be high; we call them “layout storyboards”; they need to be closer to model and the acting must be spot on.

Animation timing was also something I had to get control of; At first, Duckman didn’t have a supervising timing director, who could maintain the quality and the timing aesthetics particular to the show. It was up to the director to check timing. I had almost no experience and it was a new show. No one person had the answers. I could review the timer’s work (so often a dreaded freelancer) and I could see it wasn’t at all right and I’d wholesale erase it, but then I panicked that I might have done more damage than good; suddenly in over my head. It took time, but I got it.

I believe that the director who masters his x-sheets is true master of his show. I could add quality and personal aesthetics in a new dimension.

Does you background as a storyboard artist influence the way in which you direct?

Absolutely. In animation history, there were directors who didn’t storyboard or even draw. There were a few of these “dinosaurs” on Rugrats. They sat and read the paper when we boarded their shows. But because of the overseas process of animation and the loss of layouts here at home, if you are going to direct at all, you have to be comfortable drawing a detailed, informed layout storyboard. It is literally the blueprint of your show.

That said, I had to mature as a director who storyboarded. It was insane to try and board all my episodes personally, though directors will put some work aside for themselves, especially if its a sequence that would be too hard to delegate to another artist. If a sequence involves a new character, location or prop integral to the story, it may not be designed yet, so I’ll take it on and “feel it out;” designing as I board.

I had to learn how to be a good delegator and a clear communicator. I pitch sequences to the board artist before they begin and give them roughs of designs, poses or staging I think is important for the sequence. From my boarding experience, I don’t like directors who don’t tell you what they want until after you’ve drawn the storyboard. That wastes time and effort. And morale. I want the artists to know my take and hopefully that will inform the storyboard they do. I also know from my board experience that you should balance criticism with praise. Communicate what you like about how they do this and that before you go through critiquing the parts that aren’t working. Ultimately, you want to help the board artists be successful in storyboarding it their way, not my way. If it works, don’t change it just because it isn’t the way you’d do it. Lean into and support what they’ve done.

‘Duckman’ had a cavalcade of guest stars throughout the shows run, did you ever get to meet any of them, and if so, do you have a favourite encounter?

I was always of two minds regarding using live-action stars for animation. Yeah, it’s fun to meet them and some like Jason Alexander can knock-it-out-of-the-park, but sometimes this kind of “stunt casting” backfires. In my first episode, we used Crispin Glover in a stunt role as a crazed maniac with only one line. He showed up brandishing an eight inch hunting knife acting like a REAL maniac. Maybe it was method acting, but we were scared of him and got him in and out as fast as we could. His delivery didn’t work for the line and it spoiled the joke in my opinion, but it remained in the episode. If we used one of the legion of professional voice actors available, we could have worked with them for the perfect “voice” and delivery and nailed it.

We also used Teri Garr for an episode (not one I was directing) and I attended because I was a huge fan of hers. I got to see her behind the mike as she looked over her pages and said acidly, “This isn’t exactly Tolstoy, is it.” That is the opposite attitude you should have when you’re hired. She was soon pitching underwear afterwards...obviously not Tolstoy either.

So I’ll say it again: using celebrities can bite you on the ass.

Performances aside, I certainly did enjoy meeting legends. Carl Reiner played a priest in Noir Gang. Mind you we recorded in a small studio that was in the back of the Rugrats building that was essentially a cavernous storage room. Ed Asner looked visibly uncomfortable when we huddled around him in there. I’ll never forget the look on Marina Sirtis’ face when she arrived to record an episode. Me and a couple of other guys were laying in wait in this sketchy storage area eating our lunches. She was concerned: “is this the right place?” I felt like a lech and stopped going to records that I didn’t have to be at.

Overall, if the celebrity you’ve cast for a voice roll has theater experience, you are more likely to get a good vocal performance. Especially musical theater experience. They are more aware of their voice and have the tools. This goes for Jason and others like Tim Curry and Bebe Neuwirth; all great voice talent to have behind the mic.

You worked on the second run of Futurama, had you been a fan of the original seasons?

No. I didn’t watch the show before. I had to catch up and learn the “canon” when I was hired.

How did you get involved in working on Futurama?

The animating studio, Rough Draft, was something of a clique. They didn’t just hire “anybody” and unlike most studios, they maintain a staff of lifers who usually have the choice positions. I knew Peter Avanzino from our Simpsons days doing storyboards together, so he vouched for me. I was hired to direct on the 2nd season of Drawn Together. So they had a taste of what they could expect from me. I was no longer an unknown quantity when Futurama came around.

One of the eight episodes you directed was, ‘The Mutants are Revolting’, the shows hundredth episode. How special was it to work on such a landmark episode?

It had the most visibility of my episodes, at least internally. They made T-shirts and some publicity art and even the script had a nicer cover. But it was the episode with the most headaches. The scope of the story was huge with multiple set pieces. The opening newsreel, movie in a movie of the Land-Titanic, the asteroid delivery, the party at Planet Express, the riot in the sewers and the flood and “parting of the red sea” climax all required a ton of designs and characters; plus more hand-drawn and CG effects. That’s a lot to manage and marshall for a TV show. Most episodes don’t require the director to do this kind of heavy lifting. I find that when a show demands this much visually, the story ends up being more superficial, gag driven and episodic feeling. Such is the case for this episode. It was visually pumped up because it was representing the 100th episode; meaning I was saddled with managing lots of logistics rather than the usual character-based comedy and emotion of say, Tip of The Zoidberg, which is a relationship story that--as a director--I feel I give more time to flourish and shine with.

‘The Mutants are Revolting’ features some fantastic animation, most notably a brief sequence of Bender standing perfectly still as the Planet Express ship moves around him. Can you explain the challenges of a sequence like that?

That’s a good, insightful question. A shot like this shows off the resources Rough Draft has that aren’t available at just any other studio doing TV animation. The interior of the Planet Express Ship was built and animated in CG. At it’s gimbal point was a CG version of a stationary Bender; locked to field, but who’s feet move with the CG ship. Once the CG elements were approved, they were printed out as wire frame drawings printed onto pegged paper. My Assistant Director drew key poses of the characters on a separate layer in register with the CG print outs, old school on a light box animation disc. This all was sent to our overseas studio Rough Draft Korea for inbetweening and color of the characters only. That came back as an alpha-channeled digital file and layered over the CG animation in our digital compositing department.

Scott Vanzo runs the department and directs all the CG animation effects. I can’t remember who exactly built the interior of the PE ship and animated it, so I’ll rely on IMDb: Don Kim and Jason Plapp. But all the guys in the digital department do tremendous work and allowed us to fine tune a lot of animation (that doesn’t have CG in it); giving us the ability that raises the quality and takes the curse off of overseas animation limitations.

‘The Tip of the Zoidberg’ was nominated for a Primetime Emmy, how proud were you of that achievement and the episode itself?

The episode was one of my favorites; it was character focused and elaborating on canon so a director couldn’t ask for more. As for the Emmy nomination, it’s one of those show business awards that I realized early I can’t get emotionally vested in. The Futurama guys have a formula for figuring out which episode will be submitted. I think it has something to do with each writer getting a shot at the statue. And then from then on it’s just politics.

You’ve also done work on ‘Disenchantment’, giving you the distinction of having worked on all three of Matt Groening’s shows. What’s your relationship like with him?

I can’t help but laugh at this question. I’ve run into him twice out in public over the years and he didn’t recognize me. Once at the Moscow Cat Circus! But that humbling fact aside, he’s a genuinely nice, funny person devoid of pretence and he’s said some very complementary things about my work. However, it’s all business. Like virtually all primetime shows, he’s with the writers at their separate production office. Animation production takes place in a different geographical location. My face time is limited to usually 2-3 meeting points in a show’s schedule. Anything in between are fielded via emails routed through coordinators and assistants.

As well as short form animation you’ve been involved with several feature length productions, including ‘The Rugrats Movie’ and ‘Despicable Me’, what are the key differences between long from and short form animated projects?

I don’t think I’ve ever had a purely feature production experience. The Rugrats Movie(s) were spin-offs from TV series so some processes were grandfathered in from TV production. Despicable Me was truly off-the-wall in that the storyboard artists were working remotely from literally all over the world. No one met each other. I met with Chris Renaud once. I was not allowed to see the entire script, only pages here and there. It was called “Evil Me” at the time. I was truly working in the dark and ultimately, they didn’t use anything I drew. Which to me seemed par-for-the-course: this was one harebrained, inefficient, right-hand-doesn’t-know-what-the-left-hand-is-doing way to make a show. Again, I predicted it would fail. Again, I was wrong.

At the time I was working on Despicable Me, Gru looked like Snape from Harry Potter and there were no minions yet, just an “Igor” kind of 2nd banana that was a shorter version of the final Gru design.

So my takeaway from those experiences is that I prefer TV production. You don’t have the luxury of a feature schedule, but there is less time for executives to get replaced, sundry monkey-business and creatives pulling the rug out from under you. However, TV is catching up in those regards. See below.

Do you have a scene or episode you’re particularly proud of working on?

I feel fulfilled and proud of directing and being supervising producer on Hey Arnold: The Jungle Movie. I was empowered to work in every aspect of the process and benefit from my experience to make it the smoothest running ship and happiest crew ever. Only at the very end did the executives get into overdrive meddling. But it ran well and looked good. It may not be as funny as my prime time stuff, but I think we elevated the material across the board; writing, design, animation quality. And it was a project put in mothballs 15 years before being resurrected. So it completes me in a way.

Ultimately, I believe work is about relationships and quality of life. The shows where you were empowered and respected and not overworked due to inefficiency are the shows I’m proud to work on. As Jim Duffy would always say, “It’s only a cartoon.”

Often sequences are cut or revised before broadcast. Do you have any favourites that didn’t make it in?

If I had, I’ve forgotten them.

What are the biggest changes you’ve seen in the industry over your time and what do you think the next big change will be?

The trend seems to be as I get better and more efficient at my job, creators and writers (especially in streaming prime-time) are becoming more entitled, indecisive, mecurial and demanding. As processes have evolved in digital technology, we’ve opened the door for those in power indulging in more rewrites, revisions, reviews, etc. Despite the technical advancements, animation remains expensive and time intensive and good artists (especially in TV) have to work intelligently and diligently on tight schedules to produce funny, inspired, detail-oriented work. Rewrites and revisions burn out artists and make us feel like office machines and though our overlords pay for the last minute re-dos, they are often throwing out higher quality work for patchwork revisions that lower the overall quality of a show.

Who inspired you as a young animator and who do you look to now?

Ironically, I never saw myself becoming an animator. I did do some stop-motion on Super 8 as a kid. But that was because I didn’t have access to peers to act and help. What inspired me were live action directors with strong, individual styles: Orson Welles, Stanley Kubrick, Peter Greenaway and Terry Gilliam. I think of these guys in essence as “live-action-animation directors”. The stylization in their sequence planning, shot selection and composition as well as how production design integrates in their storytelling reminds me of how background design and art direction naturally occur in animation production.

I’m sure there are new visionaries out there, but I’ve become so disenchanted with modern cinema, I rarely see new movies anymore. I find streaming TV much more interesting. Current movies strike me as self-consciously mannered and hyperactive. I find it endlessly fascinating looking back into cinema history before movies had to begin with three or four production company logos whooshing noisily about.

What advice would you give to people looking to break into the animation industry?

I’ve seen an improvement in the college educated animation students over the years. They seem to be of a higher intellectual standard than before. They aren’t as thrown by the rigors of schedule and they ALL can draw circles around me.

Be original in your own work, but also be a craftsman (as opposed to purely an artist) who can take criticism neutrally and have the tools to fit in the grand scheme of a show that might challenge your personal aesthetics.

Denis Sanders, a directing teacher I had in college said the director’s job is to be “an expert at all things”. In animation, that translates into intellegently knowing what to draw. If a character is looking under the hood of a car, know what an internal combustion engine looks like and what reasonable pieces you can have your character toss out of said engine. The distributor, the carburettor. Find and use reference! Go that extra step and inform your work with the texture of reality.

Don’t regurgitate old tropes. A trite example of what I’m talking about: If a character is peeking at another, avoid the obvious keyhole in the door trope. Keyholes aren’t in doors anymore. It’s been a cliche from the beginning of cinema. Rather, crack the door open, slide your cellphone under the door, look through a window or punch a hole in the door and look in. Like I said, this is a trite example, but making non-obvious choices rather than knee-jerk non-choices makes cartoons fresh and funnier.

What animated shows do you currently watch and what’s your opinion on the current state of animation?

It’s a terrible admission, but I’m not watching anything in animation. There’s a lot of animation that seems to be just writer-driven, animated live-action sit-coms. There isn’t a reason for them to be animated. Those are the kind of jobs I get offered a lot. It seems like a more trouble than it’s worth.

Who are some young animators you think we should be looking out for?

Gosh, I don’t know.

What projects are you currently working on?

I’m productively unemployed at the moment.

Where can people follow you on social media?

I only do tumblr: mashymilkiesinc.tumblr.com

#The Simpsons #Futurama #Eye on Springfield #Raymie Muzquiz #Not tall or wide

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supremeuppityone · 4 years

Photo

Chapter 119: Part 2 — What Makes Up a Monster

Author’s note: This is a sequel to Chapter 47 - What Makes Up a Monster in my series, A Beautiful Symmetry. This was written for Klaroline Bingo @klaroline-events. P.S. See if you can spot my shameless plug for another of my stories. :)

Part 3 can be found here.

Prompt: “What do you mean you’re a vampire?” Klaus may have played the lead in a wildly successful monster movie franchise, but it never occurred to him that there was any truth to the stories.

Warning: Angst. Also, some sexy times! Plus, I lost count of all the TO shade. :)

“Some birds are not meant to be caged, that's all. Their feathers are too bright, their songs too sweet and wild.” ― Stephen King, Rita Hayworth and Shawshank Redemption: A Story from Different Seasons

Maybe the plastic vines wrapped around that twit’s neck would strangle her. Caroline watched in irritation as the twit actress Camille pretended to struggle with the vines, whose pointy thorns were somehow supposed to mean the demise of Klaus’ character, Hell’s Hybrid. They were a couple of weeks into filming the movie in the immensely popular franchise, Hell’s Hybrid 5: Terrible Tears in New Orleans, and Camille’s hilariously awful overacting coupled with her exaggerated facial expressions only had gotten worse.

But what had gotten better was the view. The familiar clip-clop noise of Klaus’ cloven hooves drew her attention, and she eyed his muscular chest appreciatively. It had been decades since a human had captured her interest like this; every covert wink and sly smirk of his had her blushing like a schoolgirl and she couldn’t wait to drag him back to his trailer for some in-depth makeup removal.

Their initial meeting had been memorable — he’d assumed she was either a stripper or a hooker his brother had hired, and she’d been so charmed by his appreciation for ‘60s horror movie makeup that she’d thrown caution to the wind and revealed that she’d been the mastermind who’d created those designs. Because she was a vampire.

“What do you mean you’re a vampire?” Klaus’ reaction hadn’t been unexpected once he’d seen her black veins and sharp fangs, but once he’d calmed down, he’d bombarded her with questions about her experience in the movie industry over the past century. His enthusiasm was endearing. Klaus had been reduced to a wide-eyed fanboy when he heard about his favorite actors from his childhood.

“You mean the Pageant Screams reaper’s stunt double also was in Chupacabra Cheerleaders? AND he ad-libbed that harvest scene in Cutthroat Coven?”

“Yes, and then the writers forgot to tie his speech back into the main plot, so there were all kinds of embarrassing loopholes with the harvest witches’ ancestral magic. So, I just added more blood spurts to the makeup special effects to distract the audience,” she cheekily explained, heart fluttering a bit at Klaus’ delighted laughter.

“Doesn’t someone’s nose need to be powdered,” Camille snidely asked, jarring Caroline from her thoughts.

Caroline blinked back her monster who’d been a bit on edge after she missed her snack because the extras required prosthetic touchups. Twit actress did not want to light this particular fuse. “Yours certainly does, but I sent one of the PAs for the really big sponges first. It must be awful to be cursed with an oil slick for skin.”

She’d always been a petty bitch, and there was nothing more satisfying than putting someone in their place right after they’d failed to put her in hers. Caroline’s blue eyes twinkled with malice as Camille valiantly searched for a comeback.

They both were distracted when the scene broke and Klaus began to towel off, sending Caroline a flirtatious wink that made her cheeks turn rosy. Camille hissed venomously in her ear, “Just remember, you’ll never be more than Klaus Mikaelson’s side piece.”

“Easy, love,” Klaus murmured as he reached her side, “I assume you’ve no interest in showing your lovely second visage to the rest of the crew?”

Caroline rolled her eyes as they walked back to his trailer. “Your groupies are getting ridiculous. This morning, I caught the one with the perpetual pout adding laxatives to my spiced chai.”

“Bloody hell — we should report that to Enzo. As director, he could kick her off the movie.”

She was touched by the concern she heard in his voice, but she waited until they were safely inside his trailer before she kissed him. “You’re sweet, but it’s not necessary. Most human drugs have little effect on my kind. Besides, I really enjoyed making her think she’d drank my tea by mistake.”

Klaus chuckled as he sat beside her on the couch. “I suppose you’ve acquired...groupies over the years as well,” he asked, determinedly trying to keep his tone light.

“I’ve never been one for blood bunnies,” Caroline sarcastically replied, hating the twinge she felt when their conversations brushed up against anything too real. “Besides, human relationship are hard — they pretty much have to give up their world for yours in order to keep your secret. It’s not an easy life.”

The small circles he traced on her back were soothing. His voice was hesitant as he commented, ��It sounds lonely. I can’t imagine what it would be like to not have...” he quieted, an awkward silence between them as Caroline realized he was going to say family.

It was one of the first things he’d asked about once he’d gotten over his shock at her revelation of the supernatural world. He was very close with his siblings, and it seemed to pain him to learn that she didn’t have a family. Smiling brightly, she laced their fingers together and teased, “It’s not so bad. I’ve gotten to meet giants in the industry — Lugosi, Garbo, Hepburn, Crawford...you...” she trailed off with a knowing smile.

He snorted softly, “I’m not an industry giant.”

“Not yet,” she replied, playfully poking one of his dimples. “But I predict Klaus Mikaelson will go on to do great things.”

Klaus’ gray eyes suddenly lit up, his handsome face breaking out into a silly grin as he told her excitedly, “Actually, I do have some news that I’m really excited to share. I received word today that I’ve been cast as the co-lead in A Simple Kind of Man!”

Caroline let out an excited squeal at his news. Industry insiders were vying for a piece of Spielberg’s bold, sweeping Norse saga. Even a year out from pre-production, it already had garnered more than its fair share of Oscar buzz. “That’s amazing news,” she replied, pulling him in for a fierce hug, “I told you you’d be a giant in this industry! With your talent, it was just a matter of time!”

He laughed, a slight flush staining his cheeks as he enthusiastically continued, “My agent and publicist are planning a big media blitz, so you can’t say anything yet, but this adds a whole new layer to my career. I can parley this opportunity into even bigger and better roles and create a legacy; I’ll be more than just a mere footnote in the industry.”

Her smile dimmed at his words, but she did her best to keep it in place. She’d watched Klaus on and off the set over the past couple of weeks and he breathed so much life into the silly Hell’s Hybrid franchise. He was meant to be a star. He craved it. He wanted to settle into a career that lasted decades; to become the next McKellen or Hopkins. It would be an amazing life for him. And one she couldn’t be a part of.

“Sweetheart, what is it?”

She shook her head, blue eyes shining with unshed tears that she furiously blinked away. It was stupid to mourn something before it had the chance to become something. “It’s nothing. I’m really happy for you, Klaus. It’s everything that you deserve and I know you’ll be amazing.” She lowered her gaze, unsure of how to explain. “You desire the spotlight, and I want you to have it. But being what I am, it’s a place I can’t follow.”

His crestfallen expression hurt her heart, and she gave a half-shrug, chuckling darkly, “Us monsters have to stick to the shadows.”

“You’re not a monster,” Klaus quickly disagreed, “and the time we’ve spent getting to know each other has been amazing. We’re building toward something that could be incredible — don’t you want that?”

Damn it. His pleading, earnest tone made Caroline want to weep. “Of course I do.” She held his face in her hands, desperate for him to understand. “But your world is about to get a lot bigger and way more complicated. That spotlight you crave is blinding and everyone will want a piece of you. And they’ll definitely want to know everything there is to know about the mysterious makeup artist who’s caught your eye.”

Her voice became a harsh whisper. “My survival depends on anonymity. It’s not how I want it, but that’s the way it has to be.” She surged forward, capturing his lips with hers. They’d carried on a flirty relationship since they began working together, trading a few sweet kisses here and there, but it was nothing compared to this. This was fire and carnal need and her skin vibrated under his roaming touch as they sank together on the couch.

Klaus pulled back slightly, his lips still hovering over hers and his tone rueful as he asked, “How are we supposed to walk away from this?”

A tear escaped as she replied with a soft sigh, “We just have to.” Caressing his cheek, she tentatively questioned, “But maybe we could have this first. Can one night be enough?”

Gray eyes blazed as he swore, “One night with you would never be enough. But it will have to do.” He brought his mouth down on hers in a punishing kiss, his hands roaming over her body as though trying to memorize every line.

She purred in delight when he yanked her fuchsia tank top over her head, nibbling at his collarbone as he groaned above her. All those hours he’d spent in her makeup chair had been sweet torture as she’d done her best to avert her eyes from the tight-fitting shorts he always wore. But now, she let her hands roam with wild abandon, eagerly palming him as his flesh twitched in pleasure.

“I want you,” she panted, hooking her thumbs under his waistband to slide down the material underneath his rock-hard cock. She let out a giggle as he accidentally kicked over the side table, scattering his werewolf claws and cloven hooves.

With a sexy growl, he ducked his curly head to lightly bite at her exposed hip, dragging down her ruffled skirt until she was bare before him. His lusty gaze made her feel desired. Like she wasn’t a monster. Caroline let fingers wander down her belly, teasing him as she barely grazed her clit.

“Fuck yes,” Klaus breathed, staring hungrily at her.

He liked to watch. She licked her lips when he joined her, their fingers gently sliding into her warmth, slow, steady pumps that built up that golden sensation to make her weak. She was so close to the edge, but he pulled away at the last moment, plunging their fingers into his mouth with a satisfied grin.

She parted her thighs, a low moan escaping her lips as he positioned his slick tip, slowly rubbing against her. That first thrust wrecked her, their bodies crashing against each other as she cried out in pleasure. It was a thing of beauty to watch his muscles flex and strain to please her, and she wrapped her legs around his waist to bring him closer. She needed to touch every part of him.

Klaus bucked into her, keeping up the punishing pace as she started to ride out the waves of ecstasy. One final, deliciously dirty grind had them both seeing stars, their moans threading together in a steady hum of bliss.

“You’re a bloody revelation,” he panted, pulling her into his arms as they settled back on the couch.

Caroline breathed in Klaus’ citrus and cedar scent, idly wondering if she’d carry him on her skin once they were done. She wanted to remember everything from this moment. “And you’re wonderful,” she sighed regretfully.

His embrace immediately tightened, and she did her best to relax her body against his. Klaus’ tone was gruff as he asked, “So, this is it — we somehow manage to walk away?”

This is it. Caroline knew all of her reasons by heart — even if Klaus had no intention of pursuing fame, he’d never be able to keep her secret — he and his siblings were close and at some point, he’d feel that burden of not being honest with them. Plus, he loved being a star. And as his star shined brighter, paparazzi would swarm them, picking apart every detail of their lives. And then they might find out about her.

Heart thudding in her chest, she leaned over to give him a lingering kiss, traitorous tears clinging to her lashes by the time it ended. Once he opened his eyes, she took a breath, hating what would happen next. “Klaus, I want you to listen.” It was difficult to keep her tone even and melodic, but she pressed on knowing it was important that she did this right. She summoned her monster, letting her eyes widen as she captured his gaze.

He looked at her with so much trust. There was a sadness that settled over him, almost as though he instinctively knew what was she was going to do. “I wish I could trust you, but I can’t take the risk. This is how I survive. It was impulsive and stupid for me to show you what I am, but we had this connection and I couldn’t help myself. I’m selfish.”

Caroline hated his blank stare. The one that she put there. “You won’t remember the time we’ve spent together. You won’t remember what I am. I’m merely a makeup artist for your movie and while we’ve exchanged a few words, you barely know me.”

“I barely know you,” Klaus mumbled flatly, still dazed from her compulsion.

She choked back a sob, quickly pulling on her clothes and leaving his trailer. She didn’t look back.

_________________________________________

She’d mercifully managed to avoid Klaus the next day, compelling Enzo to insist Davina handle Klaus’ monster makeup while she focused on the group of extras that were filming the Abattoir scene. The unnecessarily darkscene because Enzo stupidly had thought that he was establishing a gothic atmosphere, but instead would just give the moviegoers eyestrain when they tried to see the actors. She threaded her way through the giggling extras, in desperate need of a caffeine fix if she was going to make it through the day’s grueling shooting schedule.

“Come on, you’re telling me you’ve never hit that?”

Caroline stopped short, realizing that was Tyler’s voice. Tyler was part of Klaus’ growing entourage, and his main function seemed to be partying on Klaus’ dime. One more exclusive Arcadius diamond timepiece and she was compelling Tyler to give sponge baths at the retirement home in the Valley.

She cautiously peeked around the edge of the fireplace set, noting with a pang that Klaus somehow looked even better today. Of course he would — he hadn’t been up tossing and turning all night. Because he didn’t remember.

He ran a hand through his curls, tossing an irritated look at Tyler. “Caroline’s a makeup artist for this movie and while we’ve exchanged a few words, I barely know her.” Fuck. Caroline felt that all the way down to her toes. You did this. Those are the words you compelled Klaus to say. You aren’t allowed to be upset.

“Whatever. She’d probably be a clingy one-night stand anyway.”

Klaus glared at Tyler, a hint of a growl in his tone as he said, “Don’t be daft. I suspect one night would never be enough.”

#kcbingo2020 #klaroline fanfic #uppity bitch fanfic #klaroline #klaroline aesthetic #aesthetic #i swear this started out fluffy and then took a wrong-ass turn somewhere

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impulsive-astrophile · 4 years

Text

Post-ep fic recs for days

@muldaaah as promised, here’s a post-episode fic rec list!

It’s not comprehensive by any means, but it will probably be pretty long! Nothing past the end of s7 as that’s where I stopped. (if there are any eps I don’t include that you would like me to, let me know)

Recs will be sorted into categories (in bold, linked to their corresponding tags on AO3 for a comprehensive list for that ep) by episode, will not include tags, and can be found under the cut to save your dash. All recs have MSR and are hosted on Ao3 unless otherwise stated.

As always, make sure you read the tags on the work before reading to make sure it’s content you want to consume!

Pilot (01x01)

Pilot Sex (series)

Summary: What if Mulder and Scully fucked in the pilot episode?

Rating: Explicit

Words: 22397

Fire (01x12)

Sick Day

Summary: An early MSR post ep piece of "Fire" of Scully taking care of Mulder.

Rating: Gen

Words: 617

Beyond the Sea (01x13)

My Lover Stands on Golden Sand

Summary: "So who are you leaning on, Scully?" asks Mulder gently. "I'm fine, Mulder," she says, and he tightens his arm around her. "It's okay if you're not," he whispers... and that's all it takes for her to break down.

Rating: Teen

Words: 3428

Fearful Symmetry (02x18)

Shampoo

Summary: Smutty Post-Ep for "Fearful Symmetry"

Rating: Explicit

Words: 3145

Paper Clip (03x02)

It's Cold Outside (multi-chapter)

Summary: For the Easter Fic Exchange: Mulder finds himself trapped at Maggie Scully's house during the course of recreating a family holiday with the rest of the Scully clan. And there's a blizzard. What else could happen? (Set Season 3 shortly after 'Paper Clip').

Rating: Mature

Words: 11302

731 (03x10)

Prayers Answered

Summary: SUMMARY: This is my entry into the Fandomonium First-Time-Smutfic Challenge; my episode: 731.

Rating: Explicit

Words: 7978

Got You(r) Back

Summary: "Mulder, you look like crap." "Aren't doctors supposed to have a warmer bedside manner?" "Aren't FBI agents supposed to have some concept of risk management?" Missing scene after S3E10 "731." Mulder's pretty beat up. Scully looks after him.

Rating: Teen

Words: 4933

Syzygy (03x13)

Cosmic Hearts

Summary: A month after the events of Syzygy, Mulder and Scully face the feelings that were brought out on that case.

Rating: Teen

Words: 3018

A Little Frustration Between Partnerd

Summary: A Tumblr prompt for the first time Mulder talked dirty to Scully and her reaction to it. Set during Syzygy. Rating: Explicit Words: 542

Truly, Madly, Scully (multi-chapter)

Summary: Mulder and Scully hastily leave Comity and its once-every-84-years craziness borne from the syzygy of Mars, Uranus, and Neptune. Driven by the tempestuous Scully in the middle of the night, she and Mulder end up in a motel where Mulder will soon discover another form of syzygy: his Truly Madly Scully.

Rating: Not Rated

Words: 12516

Make a Change (multi-chapter)

Summary: Indulging into their vices, some unspoken truths become uncovered between Scully and Mulder. But then there's the aftermath. (Set during Season 3, Post-Syzygy. Tags will be added as needed.)

Rating: Explicit

Words: 11308

Chasing Fire

Summary: She could stop this right now, and their partnership would remain beyond reproach. There would be a few awkward weeks, but they'd put this night in the box labeled 'Things Never to Talk About,' and they'd move on. Like they always do. Except, she'd die an old, lonely maid because there would never be another man who could set her soul on fire the way Mulder does. She'd always be chasing that fire.

Rating: Explicit

Words: 8316

Shipper’s Digest 313: Syzygy Convergences (multiple works, not hosted on AO3)

Summary: It's been a while between digests, so I thought I'd dip the proverbial back in with this smut companion for that beloved Season 3 episode, Syzygy. Enjoy.

Rating: Explicit

Words: ~27622

Grotesque (03x14)

Fall Back Together

Summary: Post-Grotesque, our heroes engage in some bondage with the intention of relaxing and reconnecting. When it doesn't go to plan, they must navigate their way back to each other before the chasm deepens. This is maybe 5% porn, 5% dungeon emergency, 40% ode to meditative bondage, and 50% gross domestic aftercare.

Rating: Mature

Words: 4660

Keeping Them Away

Summary: Keeping the nightmares away. This time.

Rating: Gen

Words: 781

Pusher (03x17)

Enjoy The Silence (multi-chapter)

Summary: The horizon paled on the other side of the house, they fell asleep again, waiting for words to come back.

Rating: Explicit

Words: 9068

esoterica

Summary: There are times she thinks that she could love him. (Or: Chocolate and a Supermarket Scene.)

Rating: Teen

Words: 3927

Quagmire (03x22)

The Replacement

Summary: Mulder gets Scully a replacement dog after Queequeg; post ep: Quagmire.

Rating: Gen

Words: 1351

Wetwired (03x23)

the creature in the deep (multi-chapter)

Summary: In the aftermath of Scully’s mind control via television, she and Mulder depart to Norway to investigate the Kraken.

Rating: Teen

Words: 17548

Unruhe (04x04)

Rest

Summary: It was Mulder’s name she screamed, voice ricocheting off the walls. It was Mulder’s name she kept thinking about, promising herself he would come for her and promising herself that she would remember his name if he came too late. She had poured all her confidence in him, telling herself to keep talking because he would get there any minute. This dependency scares her a little bit. But she’s not the only one who has that dependency. She can also hear Mulder’s voice in her head – the way he banged on the side of the trailer, bellowing her name like his life depended on it. She could still his frantic calls as he smashed through the door, gun raised and pupils wide.

Rating: Gen

Words: 1983

The Field Where I Died (04x05)

Once More With Feeling

Summary: I can't live without you again.

Rating: Gen

Words: 12245

a roll of stars and fade to black

Summary: A rewrite of "The Field Where I Died".

Rating: Teen

Words: 9688

But Always Together.

Summary: This is basically me giving a giant middle finger to "The Field Where I Died." Mulder and Scully, throughout the ages.

Rating: Gen

Words: 2028

Searching Souls (not MSR)

Summary: Scully is drunk and annoyed. Mulder is amused. Clearly the perfect time to psychoanalyze the nature of past lives. Post-ep scene for "The Field Where I Died"

Rating: Gen

Words: 2243

Paper Hearts (04x10)

Will you take me as I am?

Summary: Angst. Written as an extended/alternative ending for Paper Hearts, which is one of my favorite episodes.

Rating: Gen

Words: 1934

Small Potatoes (04x20)

2:47 AM

Summary: N/A

Rating: Teen

Words: 2394

Demons (04x23)

It Lingers

Summary: The aftermath of trauma and the lingering effects of Mulder’s risky attempt to recover the truth about Samantha’s abduction leads to a revelation from Scully about her own coping mechanisms and flashes into a past she doesn’t fully remember...and the path to which they lead thereafter. For Miss Rachel (red2007) - I hope it is everything that you're looking for (and more?).

Rating: Teen

Words: 10014

Li(f)e

Summary: "Why did you do this," she said into the darkness, feeling the powerlessness and dread crash against her conscience.

Rating: Teen

Words: 1020

Demons

Summary: After the events in "Demons", Scully takes care of Mulder.

Rating: Teen

Words: 1474

Detour (05x04)

A Kitten to Build a Dream On

Summary: Mulder finds a kitten on his way to work, but he's running late for a meeting with Skinner, so he has to take it with him to the office. A day of adorable feline chaos ensues.

Rating: Teen

Words: 6885

Living

Summary: 18. “You’re the most beautiful thing I’ve ever seen.” 4. “Shut up and kiss me.”

Rating: Explicit

Words: 2431

Fault Lines

Summary: If she'd known how much time she would spend playing twenty questions with him on long drives, she never would have taken this assignment. (Mulder & Scully, in the car and on the plane, arguing all the way home from Leon County, Florida.)

Rating: Gen

Words: 1705

Chinga (05x10)

Calling You

Summary: Yet another phone conversation between Mulder and Scully in "Chinga". This is one is just a little different.

Rating: Explicit

Words: 1814

All work and no play...

Summary: The relief he feels lasts a grand total of four hours. Four hours where he has the office to himself, not having to think about justifying anything to anyone, not engaged in any arguments about anything, not even fighting over who gets to pay for lunch… god he’s bored.

Rating: Gen

Words: 2882

Kitsunegari (05x08)

The Aftermark

Summary: "How many more pushers were there in the world, waiting to turn him against his partner? What was Scully safe from, who could she trust with her life, if not him? " An episode tag for 5x08, "Kitsunegari", because there is not enough post-trauma cuddling on this show.

Rating: Teen

Words: 1708

Kill Switch (05x11)

Cling to me

Summary: Scully is being all clingy and Mulder is annoyed. Or is he?

Rating: Gen

Words: 1132

The Pine Bluff Variant (05x18)

Don't Ever Be Sorry

Summary: Mulder and Scully post Pine Buff Variant. MSR.

Rating: Gen

Words: 1276

Sanctuary

Summary: Mulder, entangled with the New Spartans and wracked with guilt. Scully, suspicious and worried. How do they cope in the aftermath of this case?

Rating: Mature

Words: 6748

All of This (a round) Us

Summary: A broken finger, a bottle of whiskey, and a conversation. Scully sets a bone.

Rating: Teen

Words: 2240

Invariable (not MSR)

Summary: Mulder is a man of many talents, but lying to Scully is not one of them. An episode tag for 5x18, "The Pine Bluff Variant".

Rating: Gen

Words: 1773

Stop Me If You've Heard This One Before

Summary: Post-ep for The Pine Bluff Variant. Scully wants to get Mulder away from the scene of the coverup.

Rating: Teen

Words: 2016

Stolen Moment

Summary: Written for the XF Missing Scene Challenge. This is a (slightly) NSFW scene for “The Pine Bluff Variant”.

Rating: Explicit

Words: 2014

Folie a Deux (05x19)

Committed

Summary: Mulder finds himself living out a longtime fear of being held in a psychiatric hospital. Spoilers for Folie a Deux

Rating: Teen

Words: 4235

Triangle (06x03)

Side Effects

Summary: After Mulder's doped-up declaration of love, Scully takes him home to rule out brain damage.

Rating: Explicit

Words: 5532

Walls crumble down

Summary: Mulder finally says "I love you" to Scully in his hospital bed after his adventure in the Bermuda triangle. How does this affect Scully? How does she react to this?

***

Remember those walls I built Well, baby they're tumbling down And they didn't even put up a fight They didn't even make up a soundI found a way to let you in But I never really had a doubtHit me like a ray of sun Burning through my darkest night You're the only one that I want Think I'm addicted to your lightI swore I'd never fall again But this don't even feel like falling Gravity can't forget To pull me back to the ground againFeels like I've been awakened Every rule I had you breakin' The risk that I'm takin' I'm never gonna shut you outYou're everything I need and more It's written all over your face

Rating: Teen

Words: 3447

Accord

Summary: A mostly Scully-sided look at the few moments beyond the final scene of Triangle and a simple, possibly canon-compliant gesture.

Rating: Gen

Words: 1159

Standing on the Precipice

Summary: Summary: If he dies, she’ll kill him. Or: How does Scully go from being gun-ready-to-go-off woman-on-a-mission to rolling her eyes at Mulder’s confession at the end of Triangle? Because surely nothing says I love you more than that whole scene.

Rating: Teen

Words: 1973

How the Ghosts Stole Christmas (06x06)

How Maggie Stole Christmas

Summary: Mulder hasn't really celebrated Christmas since Samantha was taken and unbeknownst to Scully, he receives an invite from Maggie to celebrate with the Scully family!

Rating: Teen

Words: 2930

Arcadia (06x15)

Into the Woods

Summary: A missing scene from Acadia; a direction the story ultimately didn't take.

Rating: Explicit

Words: 3988

Alpha (06x16)

Alpha

Summary: Their edges overlapped, bled, blurred together. Territorial, intimate. They laid claim to each other and then moved through their lives as though nothing had changed. What were they ever going to do with this? A domestic post-episode tag. “Alpha,” season 6.

Rating: Teen

Words: 1750

The Unnatural (06x19)

Rainstorms and Revelations

Summary: After an evening spent playing baseball together, Mulder and Scully make their way home in a rainstorm.

Rating: Gen

Words: 3143

Biogenesis, The Sixth Extinction, and Amor Fati (06x22, 07x01, and 07x02)

Voices In the Dark (Amor Fati)

Summary: A post-ep of "The Sixth Extinction II: Amor Fati," Mulder and Scully cuddle and talk in the early morning hours for a bit after he wakes from a nightmare. Fluff pretty much.

Rating: Teen

Words: 1108

Ophelia (Triptych) (all three eps!)

Summary: Love, distance, and mental illness

Rating: Teen

Words: 7720

replantation (Biogenesis)

Summary: She’s positive that she’d felt him, the moment that she saw him on the camera feed, pacing in circles and screaming, the sound raw and harsh and still ringing in her ears. He’d looked directly into the camera, directly at her, and she’d felt him, like an extension of her own body, brutally severed and left twitching with muscle spasms against the padded wall. [which Scully gets to him, regardless of the consequences.]

Rating: Teen

Words: 2524

The Goldberg Variation (07x06)

Ready

Summary: After the Henry Weems case, Mulder and Scully end up grocery shopping together

Rating: Teen

Words: 1048

The Amazing Maleeni (07x08)

Magic, Stars, and Desires

Summary: Takes place immediately after the end of The Amazing Maleeni. Mulder and Scully spend the day enjoying their time together. Flirting and fun is on the menu.

Rating: Mature

Words: 4201

Sein Und Zeit (07x10)

Dark Reflections

Summary: "It's been a hard night for him."

Rating: Teen

Words: 6523

You Make Me Feel Like I'm Not Good Enough

Summary: Missing scene for Season 7's Sein Und Zeit.

Rating: Gen

Words: 636

Luctus

Summary: “It’s been a hard night for him.” spoiler alert: this isn't a drabble

Rating: Explicit

Words: 2509

Shoved; Then Jumping

Summary: She didn’t want to think, didn’t want him to think — didn’t want to separate awkwardly, go about picking up strewn clothing and making apologies. So she didn’t.

Rating: Explicit

Words: 2475

Scully’s Brüste

Summary: This vignette takes place during Season 7, Episode 10 of the X-Files, “Sein und Zeit”. After the scene when Mulder breaks down crying in his living room in the dark with Sculy comforting him, and sometime before the scene the following morning when Skinner knocks on his door. This is something that may have happened...

Rating: Explicit

Words: 1313

Just Keep Breathing

Summary: A missing/ post scene from Sein Und Zeit. Scully tries to calm Mulder down after the death of his mother.

Rating: Not Rated

Words: 860

X-Cops (07x12)

nothing to hide

Summary: This, for once, isn’t their usual dialogue.

Rating: Gen

Words: 651

Stargazing in L.A. (multi-chapter)

Summary: Now that Mulder has found some closure regarding his family history is he ready to move on with the rest of his life? A short story based on Mulder and Scully's visit to L.A - what will they do with their evening off following their starring role in 'Cops'. Angst-free happiness.

Rating: Explicit

Words: 7044

All Things (07x17) - [this one’s very popular, I just haven’t read many of the fics yet]

in all things.

Summary: "Something had flicked a switch within her at that Temple and she realised that all things had led to this life, this man, this moment. From now on she was going to decide her own future and own it, and that meant fully embracing what she had with her partner. Her partner in all things."

Rating: Mature

Words: 2142

Brand X (07x18)

Wasted Breath

Summary: Post-"Brand X," what if the tobacco beetles left something behind?

Rating: Gen

Words: 5799

His New Mouthwash

Summary: Mulder can't get the taste of nicotine out of his mouth after Brand X. Scully helps him.

Rating: Explicit

Words: 635

#fic recs #xf fic recs #xf fics #fics #mine

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darksaiyangoku · 4 years

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Monty Oum & What RWBY Means to Me

5 years ago, the RWBY and Rooster Teeth community was stricken with the tragic news that Monty Oum had passed away at the young age of 33. He was a very talented young man with a knack for creating some of the most bizarre yet fucking awesome concepts, his fan films Haloid and Dead Fantasy, his work on Red vs Blue Seasons 8-10 are considered landmarks in the show’s history and RWBY is now one of Rooster Teeth’s top franchises.

Today, I want to honour him and show the world that they’re missing a bright star.

A Brief History of Monty Oum

Monty Oum was born in Providence, Rhode Island in 1981. A highschool dropout, he was making fan animations as early as 2002, with his most famous, Haloid, being released in 2007.

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This got him noticed by many people in the gaming industry and he even managed to get a job at Midway Games and later Bandai Namco as a combat designer in 2008. However, he soon realised that the gaming industry wasn’t as appealing to him as he thought, so he left to peruse filmmaking.

In 2010 he met with Bernie Burns from Rooster Teeth and was hired as lead animator for their hit series, Red vs Blue, for their 8th season.

Now I’m not familiar with Red vs Blue, outside of a few clips that my friends showed to me back in college. But from what I’ve seen, Monty brought a level of energy for Seasons 8-10, featuring a lot of his signature stylistic fight choreography. It was during this time that he had an idea for his own series that he wanted to make. He pitched it to Bernie, who agreed to it if he could deliver Season 10 of Red vs Blue.

Once Season 10 wrapped up, featuring Elijah Wood no less, Monty teamed up with his friends and fellow Rooster Teeth employees, Kerry Shawcross and Miles Luna, and created his crown jewell; RWBY.

RWBY

Between late 2012 and mid 2013, four trailers were released promoting a new series for Rooster Teeth. These featured four girls wearing elaborate and colourful outfits, an anime styled aesthetic, kickass music and the epic fight sequences that would soon become synonymous with this series. The trailers were named after the colours associated with each of the characters; Red, White, Black and Yellow. It would later be revealed to coincide with their names; Ruby Rose, Weiss Schnee, Blake Belladonna and Yang Xiao Long.

Once the final trailer hit, it was announced that the premiere of the first episode would be held at the next RTX Event. Following the premiere, the series would be released on a weekly basis on Rooster Teeth’s YouTube channel and their own website. 7 seasons later, RWBY has proved to be a huge hit and has since become Rooster Teeth’s flagship series.

I first heard about RWBY when my friend showed it to me in college back in early 2014. Before heading to my first lesson early in the morning, he took out his phone and showed me this cool trailer of a cute girl killing demonic wolves with a scythe-gun. My jaw was on the floor and I was really impressed with it. He told me that it was part of this new anime series and that I should give it a watch. Unfortunately I never did, as I was busy with other anime and TV shows at the time.

Then 2 years later, tragedy struck. During one of our weekly sessions in our anime club, it was announced by my friend and leader of the club, that Monty Oum had unfortunately passed away. For the rest of the day, we dedicated ourselves to watching the original four trailers and some clips of Red vs Blue in his honour.

I was shocked to say the least, especially considering the fact that I wasn’t very familiar with his work at the time. But from watching glimpses of his work, I could tell that he had so much talent and passion and he was dedicated to leaving his mark on the world.

Fast forward a few years later into 2018, I was at my lowest point. I returned home to my parents and reconnected with my family again after a period of isolation. After a rough patch, which I’ll talk about another time, I was beginning to feel like myself again and it was on one faithful day that I decided to boot up YouTube and watch RWBY.

Not only did I love it, I was hooked! The characters, the storyline, the influences from fairy tales and mythology, the anime aesthetic, the fight scenes and the music. I loved it all and watching it brought back a creative spark in me that I didn’t feel in quite a long time. Throughout 2019, I was hit with new motivation to resume my own project; a novel series inspired by superheroes and mythology. Alongside that, I also delved deep into the RWBY fandom and discovered a whole host of amazing fan-content such as comics, fan art, cosplayers, fanmade music, AMVs and of course, fanfiction.

RWBY fanfiction really cemented my love for the series and it moved me how much fans looked up to Monty and his creation. Their expression of love through this medium was heartwarming, to say the least and their creative passion really shone through with their own alternate takes on RWBY lore. But at the same time, all the admiration I had was accompanied by guilt. I felt so horrible that I never looked to Monty Oum or watched RWBY much sooner and I if I could go back in time, I’d watch RWBY when it first started airing.

Even beyond the amazing fan content, I’ve also met great friends through this fandom and many of them on tumblr and Discord. We share ideas, theories and our own works because this series and the man who made it filled our hearts with joy.

So to Monty Oum, I thank you for creating such a wonderful series and inspiring me to get back into writing. Thank you for building a community where other creators can get together and share their works through you. Your legacy will live on, through us and through RWBY. My wish is to become a creator that’s just as talented, inspiring and amazing as you.

R.I.P Monty Oum. 1981-2015. We will carry on your spirit, as fans and as aspiring creators.

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#monty oum #rwby #red vs blue #haloid #rooster teeth #rwby fandom #rwby fans #rwby fans united #tribute #thank you #thank you monty #cold rwby #casey lee williams #jeff williams #monty oum tribute #rip monty oum #rest in peace

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rochey1010 · 4 years

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PART 3:

Ok, so this is about Eliott and the link between S5 and S6. Like Eliott out of everyone was crafted in this season so damn well. And yeah his arc in S6 was plotted here but it's the whole character. And it goes back to his S3 debut. France has remained so damn consistent with this character. Nothing is forced or out of place. It's a natural flow to this point now, and probably what is to come.

So just before i jump into S5. What do we know of the Eliott character? So we meet him in S3 and he's beautiful, like out of someones league beautiful. And he's mysterious, and has a loner vibe but from the trailer looks troubled. The trailer shows so much that will crop up again throughout the show in regards to Eliott. He enters the school with a prison atmosphere (just left one or is about to enter one). He quickly walks through, hurried, not wanting to make an imprint, hiding in his environment with the 'catch me if you can' vulnerable hoodie up style. Everyone notices him but he notices no one. He just wants to get this over with (same cycle different environment). The people either know him (Imane) are attracted to him (Alexia) or intrigued by the new guy (Emma). So he walks down the corridor and bumps into a very important person. That is Lucas and it's the first inkling from Eliott that something has penetrated his bleak dark world. The first hint of the light/dark motifs that S3 would be centered around. Before we know it's even a concept POLARIS is everywhere.

Eliott does something that i love. He stops, but doesn't turn around just yet, Maxence plays it like he's taking something in and waking up. And then he turns and looks, and we get everything in that look to Lucas. You feel his intrigue, attraction, fixation, awe of this unknown guy. That this guy has shook his world. And then he does something else i love. This tiny wry smile appears for like a milisecond, and then he looks him up and down signalling to the audience that we're in for a hell of a ride, and that Eliott is showing some playfullness towards Lucas. The hint that he's gonna pursue him. Then crucially he walks down the corridor to Colouring - In motion (range remix) awesome and reflective lyrics. Into the black, back into the dark he goes. And this is a direct contrast to Eliott and his world. Sees nobody but Lucas and is turned towards him looking, and then there's Lucas turned towards Eliott but oblivious and not looking.

So as the season goes on we see that he is all those things but so much more. He has a romantic, goofy, sweet and tender side, he's very vulnerable and fragile but he also has a darkness and it comes out as fear, anger, jealousy etc. He's the Even that we see snap at times e.g. class outburst, Chloe, Lucille.

And another thing is that he's the Even that gets developed off screen with the brilliant utilisation of his insta for mental/emotional state. It fits Eliott with the mystery, puzzles, metaphors and plot foreshadowing that takes us through the season. It's Eliott's journal and we're the therapists in a session with him. Each time he posts isn't fickle. Everything has meaning, everything connects and it's linked up so well onscreen. So we see Eliott onscreen but we see into Eliott offscreen. And that mental illness insight has continued and remains true to not only real life but who Eliott is.

We find out that he has so much fear. That it makes him hide in relationships and quite literally hide in the dark. That he created his magnum opus POLARIS that is all about fear and running from true connection. That has so much bipolar symbolism in it and that has Eliott settling in this dark world of MI. Because as any one who can identify with Eliott, sometimes there is a morbid comfort in staying stagnant and not reaching for something because deep down the light and happiness is something you don't deserve. It's horrible negative feelings of shame, embarassment, and self loathing that permeates. Anyone that struggles with their mental health will attest to this.

So he, facing this fear reaches for Lucas, and they fall in love. Eliott is chasing the light in Lucas that has made him want to enjoy life again. Then something horrible happens, Eliott is confronted with all his worst fears of himself being reinforced by the one he loves the most. Eliott being a crazy person that Lucas doesn't have time for. He's literally slapped in the face with his SKAM. And he's the Even that literally bleeds out right there on the screen. There's no mask which racoon Eliott is adept with it. He took it off and it shows how deep he was in with Lucas as he can't even pretend anymore. In that moment he is truly exposed and to this day it's heartbreaking to watch. He also does something that no other Even did either. He begins to ghost Lucas in this scene with the hair ruffle and that truly disappointed look when he's backing away. It's almost like a self resignation in himself like "well i was right, the light is not my world, and i shouldn't have been stupid enough to think this would have gone any other way" and he's truly disappointed and so damn heartbroken.

So he goes back to the ex thinking it's a clean break. But he realises he can't stop what he feels for lucas. So he pines on his insta, trying to reach out and trying to be honest but comes to the conclusion the only way to have lucas is to hide his darkness (bipolar). So they reconcile and are happy, and then it goes to absolute shit. He has a manic episode and the truth comes out. Eliott runs again back to the dark. Back to the comfort of his world. Doesn't expect anything, doesn't reach out because he has no hope that he can be loved with this defect, and just cries. 😭 in total despair. It's that level of self loathing that keeps cropping up rooted in his MI.

Lucas proves him wrong and saves him (this is crucial for Eliott's S6 arc) and he accepts him but now we see that Eliott still doesn't accept himself (S5, S6) minute par minute is a very important scene that is being revisited in S6 and will be crucial for Elu. Eliott wants to end the relationship, he sees no way it can work, and Lucas fights and gives him a perspective to hold onto.

Sorry i got into a S3 character study there. But i felt it was the only way to show how Eliott as a character has been built through the show and layered with so much depth but so much darkness. He's actually not only one of the darkest Even's but one of the darkest SKAM characters. And the reason i feel that, is because of the contradiction of the character. That he has such a postive sunshine aura and will smile at anyone and instantly bring a warmth. But yet has this deep well of struggle and pain that you can feel is there underneath that "I'm the happiest person in the world" energy. And you have to ask yourself how much of that is Eliott projecting to keep the demons at bay? As someone who can relate to MI. There is a level of exhaustion where you feel like you pep talk yourself on an almost daily basis. Quite literally you fake it untill you make it. And i just feel that Eliott is such a walking dichotomy between 2 extremes. That he perfectly represents the bipolarity of this character.

But rambling aside, so that's the Eliott we know and in S5 we kick off his arc with an insta post. He posts his new job 'new job, new school, same boyfriend' caption with a pic of the video club. Lucas follows it up with 'and soon, new appartment'. This tells us Eliott has not only started working but he's in Uni now and about to move in with Lucas. The video club is also dropping the hint that Eliott has found his new vocation within art. And that is movies. Now, what we know of Eliott is that he dabbled. He had many artsy interests. And we saw his love for not only movies (POLARIS) but he enjoyed literature (Virginia Woolf) and painting (Jackson Pollock) and he liked greek prose (Apollo and Hyacinth, Pygmalion). He had an affinity for artists who suffered with mental illness (pollock and Woolf both bipolar) and a true identity fixation with Woolf (mentally ill, bisexual and drowned through suicide) now that takes on a much more serious meaning with what Eliott revealed about suicide in S6. So he was an artsy hipster and he added graffiti and urbex too. A very talented and creative guy is our Eliott.

But considering POLARIS was how we were introduced to Eliott and that art side. We had to have known that his chosen field would have been movies, as it is now confirmed with his job, his uni project and his insta this season focusing on movies. How they add to the plot and how he's using them as inspiration for his project.

So it's setting him up to make a movie and to bring back something from his past that failed for him, and could have led to a spiral as we don't know how long after that all the Idriss stuff went down. All we know is that Idriss was there with him in the video interviewing him as he explained POLARIS. So the fallout must have been very soon after. And the failure of the movie on top of that must have been horrible for Eliott.

Lucas posts instas of him basically of him supporting eliott with this job and visiting him etc. So we see Eliott loves his job. And S6 shows us this more in depth.

The next we see of Eliott is a nightclub scene of new years and just basically the gang and elu happy, having fun and in love. It's just showing you for Eliott that he's come so far. Obviously we know what happens with Arthur so i won't get into that. Then there's the house warming and this is a crucial scene because Eliott has to explain something, and the audience is learning something. That this is the 2nd house warming and the 1st had to be cancelled. Eliott starts to explain himself and it's same feelings in regards to the mental illness again. Maxence plays it like Eliott is so fragile, that he's vulnerable and embarassed, and it oozes out of him. That Eliott finds it hard to go to that place where he has to talk about his mental illness. We see Eliott struggle to get the words out, look over towards Lucas, Lucas quietly reassures him and then steps in when he senses that it's too much. We see Eliott curl into Lucas in gratitude and like a child who needs comfort. And again it tells you that Eliott is very affected by his bipolar. That it's a huge effort for him to confront it and even talk about it. And now you see how it's such a focus in regards to power and agency over himself, the fear of not having it, how he can help others and how he frames it in his love with Lucas.

"And i have Lucas...i can't lose this"

That this is the crux of everything. That all the fears, insecurities, feelings are rooted in his SKAM. And we further see this explored as we begin to see the domestic scenes between Elu. How Eliott doesn't seem to be around the chaotic boygroup like the fanbase thought he would. And that's an issue because we have to admit to ourselves that we built Eliott up in a certain way, and we expected him to integrate with the gang, but the show naturally evolved Eliott the way the character is at his core. And that is why his spirit animal is a raccoon (curious, intelligent, friendly, mischievious, nocturnal, wild at heart, will lash out if threatened or cornered, wears a mask said to protect against night glare) basically Eliott is at heart a wild creature, that he goes off at night exploring, that he's chaotic in nature and a lone wolf. That he gravitates towards situations and behaviours that reflect his inner nature. That is who Eliott is.

So we see a lot of chaos and loudness in the boygroup centered in Elu's appartment in early S5. Lucas joins in and they scream over social media, and they literally hangout there all the time. After the party they stay the whole weekend, and Lucas does eventually say guys c'mon not tonight it's date night with Eliott. But you're shown basically that they do it alot. And probably more hangouts happened off screen. Crucially you're shown Eliott is not there joining in on the chaos. And in S5 the boygang were dialed up in energy and i don't think that's a coincidence at all. They were so much that even i felt over stimulated. Now like i said i do think this is important for Eliott and important to his arc. He told Lola that he needed something for himself in the urbex and that he needs to be by himself and breathe. I can attest that people who suffer from mental illness need to get the fuck away sometimes. That the mind becomes chaos and over stimulated and you need to recharge your batteries in a safe space. I believe, and i think S6 is showing this, that this is what happened with Eliott. That it was too much, and in his own love nest, so he left Lucas to do what he wanted with his beloved friends, never kicked up a fuss and just went and did his own thing e.g. urbex and otteli. That he found peace in this natural art environment channeling his raccoon and made it a safe space. And that now Lucas is shown hanging out a lot with the boygang and Eliott is otteli the extreme urbexer. I also believe that this may come up between them as part of minute par minute. That they may be letting things slide on both sides for fear of upsetting the other. In S6 Lucas was hanging out with the boygang sans Eliott and Eliott was alone and able to go help Lola at a crucial moment. Lucas is out of the loop as he was away and that caused conflict between Elu the next morning. I think all of this will finally come to a head in the following weeks.

At one point under all the fanbase jokes and memes about Eliott and Lucas being adoptive parents to these idiots. It start's getting serious, because we find out Eliott has been going through a depressive spell. And while all this shit was happening too. That he was probably going through one as far back as the house warming, and put a brave face on. That him waking up at 3pm was part of it or even a hint to Otteli urbexing. But they show you that the boys wake him up. That he's not part of the meeting but joins later.

And then another scene that sets up Otteli the raccoon urbexer. He brings the gang to an abandoned building. This is the confirmation of what the fanbase always suspected about Eliott. That he has an urban exploration hobby. With La Petite Ceinture it was debated that Eliott liked to explore the Parisian underbelly in S3 but it wasn't expanded on. Now we see it. And Eliott brings sprays and they graffiti and have fun. This sets up so many things e.g. urbex, otteli tag, street art and the expression of art as a seasonal theme focussed on Eliott. This clip is about Arthur but now looking back it's actually Eliott. It sets up his hobby, how he helps people using art, how specifically he expresses himself through art, his secret identity, and his passion for urbex. All in this little clip. To add he's already tagged the building, probably when he found it. He uploads graffiti insta art that day of him in practice. Once again it's positive art and it's a beautiful flower. And in S6 we see all this. Eliott as an artist is a direct contrast to Lola and when Lola expresses herself through art it reflects through damage and breakage, ugly and negative depressing photography. I believe this is a theme and we see it with Lola and Eliott. Eliott will use his art to help her and seeing how he expresses love and connection through art e.g. polaris, love mural, friendship mural, possible art we have yet to see. Lola will change her view of not only the world but of how she expresses herself artistically. I do believe that is a theme of S6.

Then Eliott goes away for a few weeks. Lucas is asked about him and he lets the audience know that Eliott is struggling with his mental illness and lucas can do nothing but love him and wait. The week after Eliott posts on insta a cuddle selfie with the caption 'spring of the senses' and a hedgehog emoji. This tells us that Eliott is out of his depressive spell, that he's grateful for Lucas and considers it a rebirth. Again we see that Eliott's MI is ongoing and doesn't just get fixed in this relationship. We see Lucas's maturity with Eliott's illness but we also see hints that this mental illness is a weight on the relationship. That Eliott has sorta hinged the love on his mental health. That there's a theme in S6 right now of Eliott trying to lead Lola out of the darkness that he once found himself in. That Eliott himself was led out of the darkness by Lucas but there are now issues of agency and capability. That he fixates on this sorta 'saviour complex' maybe, and it'll be something very important for his rock bottom moment. Maybe Eliott must face and save himself this time to bring his arc full circle.

There are little hints which i don't think are accidental for Elu in S5. One of them is Lucas being late to the laser tag. Now i must stress Lucas is never late. That's Eliott's department, and the fanbase picked up on it. And i think it was to hint at Elu issues. Also when Lucas has his outburst at Arthur on Valentines, and Arthur rips into him. If you look at Lucas you see that he goes to say something, like he's trying to explain something but stops and doesn't continue. And the way Axel plays it is like Lucas looks stressed and strained. Again i don't think that's an accident at all. There's issues at home clearly.

Then Eliott shows up for the holiday. And he rents and drives the van for the gang. We see Elu domestic and in love, and again a pattern, as once again in S6 they'll fight but make up being all cuddly again. We see it when Eliott posts a love declaration to Lucas 2 days after their big Idriss fight in S4, we see it in S6 when they fight and then post a couples selfie later on. And it's probably hinted at here. They fought in the background at some point and are now super in love. So the show is depicting that they'll argue and still love each other. But it's also depicting issues being pushed to the side so they can be in love again (love bubble).

Ok, so Eliott is super happy and bouncy sunshine just loving life and Lucas. At one point he falls in love with a bunny he names Fifi. Now we see this is a habit as he also fell in love with a chocolate labrador and tried to steal him in the past. So Eliott just responds to vulnerability with affection and adoption e.g. lab, fifi, taking lola under his wing. For all his demons we see Eliott has a lot to offer the world. He's just well meaning and cares. Lucas gives into his pleading which is cute and then Fifi is killed and Eliott is heartbroken. So we see he gets attached to things and he puts a lot into that attachment. And when it backfires it hurts. Now i don't know if this is true but someone from that group chat leaked that Eliott was supposed to have an episode but it was cut. If true it again highlights how stressors can make Eliott spiral and he may spiral again (S6) but again i don't know if that S5 spiral is true, so i'm not gonna go further into that.

So then there's the cheating conversation and Eliott gives his view and then answers Bas's question. He's aware of what he did to Lucille. He says he's not proud of it but he emphasises Lucas's importance to him. He does it again in S6 and he's hinged his mental health on it which is crucial. Again it's just Eliott being Eliott. A hipster view of humanity, and not really judging anybody in particular. Just a general statement of the human condition. I just feel it's Eliott wanting to see the better in everything and not label anyone specifically.

You do see though that oblivious nature to Eliott's perspective. Like he says this around Lucas who has huge abandonment issues. Now i must stress it's not Eliott's fault because Lucas shows with Arthur later on that he hasn't confided these fears in Eliott. So Eliott is kind of blind here. Like he's playing with Lucas's hair. He's not even talking about their relationship. So i feel bad for the attacks that happened on Eliott. But it sets up how Eliott being friends with Lola is going to lead to miscommunication and mistrust. And it's setting up when Lucas comes clean to Eliott about his fears how puzzled Eliott's going to be, how on another page Eliott is. And it's setting up Eliott finally declaring to Lucas himself how much he means to him.

Then as Lucas is talking to Arthur about Eliott, Eliott bursts in early in the morning super sunshine giving zero fucks cuddling and kissing Lucas. And it shows that divide right in front of Arthur. How Lucas is like all worried and stressed over Eliott straying and then a second later he's all loved up and happy and just pushes that shit to one side. Like Lucas literally turns it off and on in this scene. And Eliott has no idea his boyfriend feels like this. This is the definition of the love bubble. And look at how well Lucas's hides this. That scene shows it all. It also sets up Eliott having a friend in a girl (Lucas and pansexuality) and Lucas fearing that Eliott will find something better and leave Lucas, it sets up the movie spoiler and how Lucas will take it, and it sets up the abandonment issues coming to the forefront in S6. It sets up them both understanding just how much they've been afraid to share and it sets up them trying to keep the relationship in the honeymoon mode. They're basically afraid to be real.

Last we see of Eliott he is back in that building and partying and vibing being Eliott. He then paints another mural. This time it's a friendship mural. And cements Eliott's art being used as a theme for the season e.g. S3 love, S5 friendship, S6 connection (upcoming theory). He is used to wrap up Arthur's themes and motifs in his season (Arthur fixated on space and the cosmos and using his insta to reflect the vacumn and loneliness of being HOH) now Arthur is among this huge cosmos grounded through the connection of friendship. It sets up the completion of the gang being at the forefront of the show, it shows the importance of them in each others lives. But crucially it shows Eliott seperated from that. So it is here where we see that Eliott doesn't include himself in the mural. This is Eliott establishing himself as a lone wolf on the periphery of connection. That he also has a perspective because he's on the periphery of the group, which serves him in S6 and connects him to the story. That he's not insulated, so can navigate the bigger picture. Can see what the group can't. It also sets up no matter how deep the demons run in Eliott he can still see love, positivity and connection in the world. That he gives back through his art. So the friendship mural was a gift to the gang and because he loves Lucas and knows the place the gang have in Lucas's life. And he has never interferred in that, or felt threatened. We see how Lucas looks at him and the gratitute and love coming from him.

Then Lucas posts an insta of him and Eliott in front of the mural holding hands. We see that Lucas has brought Eliott into the mural to say you're important to me too. But we see that he's there through Lucas and not because he belongs there. We see that Eliott doesn't feel a place in this group. That he'll be at the big events but other than that Eliott may be yet to find his place, or it could just simply be that Eliott forms small connections and not big ones. And now in S6 with his friendship with Lola and what he said in the church about not being comfortable around people? I took that to mean large groups and i took it to mean Eliott expressing himself with his MI and largely being an introverted person, as introverted people can be drained by their environment.

Finally i just wanted to address what Maxence said in the recent interview about. "He's lonely" first of all i was sad because i feel deeply for Eliott, but i'm also trying to work out what this means. Does he mean Eliott's lonely right now, or always has been? Is it to do with Lucas spending a lot of time away from him and it's caused him to try to find a distraction of his own? Is it to do with his introverted nature? Is it to do with him wanting someone to understand him? Is this his arc, to accept that's it's ok to be alone and not feel shamed, or is it simply his mental illness making him feel out of step with everyone? I haven't worked it out yet as you can see all the questions. But i may do a seperate post on this at some point. But i do believe right now it adds to the S6 themes of insulation v isolation.

My final post will be about Eliott and Lola's friendship. Thanks for reading. 💜

#skam france #skamfr #eliott demaury #lucas lallemant

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