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#I remember how cool it was when a new movie clip came out and we were so excited for it-
jeena-says-hi · 2 months
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Store Worker: Would a Mr. Tarron please come to the front desk?
Krel: arriving at the desk: Hello, is there a problem?
Store Worker: points to Eli and Steve
Store Worker: I believe they belong to you?
Eli and Steve, simultaneously: We got lost :(
Krel: I didn’t even bring you guys here with me-
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copwef · 5 months
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My adventure with Rise of the TMNT and it's community.
I remember very clearly where I was when I heard about rottmnt for the first time. I was over at my sister's house for a night. Everyone else was asleep and I was still trying to watch TV. When all of a sudden their was an ad for a new TMNT show.
At the time I was a fan of 2012 TMNT, but as a child I was too dumb to keep up with the show on a regular basis. Plus we still use cable so I had no way to binge all the episodes. To this day I haven't watched all the all the episodes of 2012 TMNT.
However when I got home at like 11:00 PM the next day. I saw the the first episode of Rottmnt was on. I watched it and while it seemed kinda childish and goofy at first, I slowly grew to like the show more and more. I watched every episode at least once and watched the season 2 finale when it came out. This was the first show I kept up with like this.
However, as I said, I was a dumb kid. I was oblivious to many things such as Donnie's autism, Mikey's ADHD, How the show had been cancelled unfairly, and many other messages of the show.
However a couple months ago, I got reminded of the show and searched it up. I watched a lot of old clips on YouTube until I saw that I had missed the rottmnt movie. I had no way to watch it or the show, so I resorted to watching the few reaction videos I could find at the time. Then I watched character analysis and saw how much of the show's messages I missed as a kid.
One night while I looking at a rottmnt comic dub compilation, I saw something that seemed cool. A comic series that showed what the future turtle's did before the events of the movie. I quickly made a Tumblr account and searched up this au.
I quickly discovered the creator of this au was @somerandomdudelmao and the comic series in question was called the cass apocalypse series. If you have somehow not read this series I HIGHLY recommend it. The characters act like they do in the show, the art is fantastic, and I consider it the closest thing there is to as "season 3" of Rottmnt at this time.
This discovery led me into the rottmnt fandom. I discovered many other very talented artists and writers. If I tried to list all of the talented people in this community I would be here literally all day. It inspired me too both write my 3 part own series called "Rottmnt Atoning" and my first attempt at drawing Leo.
So consider this a thank you message to everyone in the rise of the teenage mutant ninja turtles community. Thank you for helping me rediscover this show after forgetting about it. I have a couple good ideas for Au's and I will try to post them when I can.
Now if only we could get an official rottmnt season 3.... Actually at this rate the community is so talented that if don't get an official season 3 we could just band together and make it ourselves.
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thewordslam · 9 months
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Some days I can go nearly an hour without thinking of the taste of your mouth. Right now, I’m at school watching teenagers fidget through a test. Outside, the sky is smoky and streets are wet and two grackles step lightly in yellow grass.
Two weeks ago in Atlantic City I stood on the boardwalk and looked out across the water – the railing was cool, broken shells dappled the beach – I had been playing the slot machines and lost all but a dollar. I tried to picture you in Paris, learning the sound of your new country where, at that moment, it was already night.
I thought maybe you’d be out walking with the street lights glossing your lips, with your eyes deep as this field of water. Maybe someone was looking at you as you paused under the awning of a bakery where the smell of newly risen bread buttered the air.
I remember those suede boots you wore to the party last December, your clipped hair, your long arms like the necks of swans. I remember how seeing the shape of your mouth that first time, I kept staring until my blood turned to rain.
Some things take root in the brain and just don’t let go. We went to a movie once – I think it was “The Dead” – and near the end a woman told a story about a boy who used to sing: how, at 17, she loved him, how that same year he died. She remembered late one night looking out to the garden and he was there calling her with only the slow sound in his eyes.
Missing someone is like hearing a name sung quietly from somewhere behind you. Even after you know no one is there, you keep looking back until on a silver afternoon like this you find yourself breathing just enough to make a small dent in the air.
Just now a student, an ivory-colored girl whose nose crinkles when she laughs, asked me if she could “go to the bathroom,” and suddenly I knew I was old enough to never ask that question again.
When I look back across my life, I always see the schoolyard – monkey-bars, gray asphalt, and one huge tree – where I played the summer days into rags. I didn’t love anybody yet, except maybe my parents who I loved mainly when they left me alone. I used to have wet dreams about a girl named Diane. She was a little older than me. I wanted to kiss her so bad that just walking past her house I would trip over nothing but the chance that she’d be on the porch. Sometimes she’d wear these cut-off jeans, and a scar shaped like an acorn shone above her knee. In some dreams I would barely touch it, then explode. Once
in real life, at a party on Sharpnack Street I asked her to dance a slow one with me. The Delfonics were singing I’ll never hear the bells and, scared nearly blind, I pulled her into the sleepy rhythm where my body tried to explain. But half-a-minute deep into the song she broke my nervous grip and walked away – she could tell I didn’t know what to do with my feet. I wonder where she is now, and all those people who saw me standing there with the music filling my hands.
Woman, I miss you, and some afternoons it’s all right. I think of that lemon drink you used to make and the stories – about your grandmother, about the bees that covered your house in Africa, the nights of gunfire, and the massing of giant frogs in the rain. I think about the first time I put my arm around your shoulder. I think of couscous and white tuna, that one lamp blinking on and off by itself, and those plums that would brood for days on the kitchen counter.
I remember holding you against the sink, with the sun soaking the window, the soft call of your hips, and the intricate flickers of thought chiming your eyes. Your mouth, like a Saturday. I remember your long thighs, how they opened on the sofa, and the pulse of your cry when you came, and sometimes I miss you the way someone drowning remembers the air.
I think about these students in class this afternoon, itching through this hour, their bodies new to puberty, their brains streaked with grammar – probably none of them in love, how they listen to my voice and believe my steady, adult face, how they wish the school day would hurry past, so they could start spending their free time again, how none of them really understands what the clock is always teaching about the way things disappear.
“Slow Dance” by Tim Seibles
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itsmeinthiscorner · 6 months
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November Gala : My first WMSU Halloween experience and the School USC officer induction amidst Halloween extravaganza
As the sun starts to dive in the horizon, i heard the campus begins to howl music, and i found myself thrust into a weird blend of excitement and awkward confusion. This wasn't just any Halloween bash—it was the eve of a wild extravaganza, the night of the school officer oath-taking, and the moment my sweater decided to take on a gang of goofy, haunted dresses of people. Talk about a night to remember!
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As i stepped into the school ground, the gravity under my eyes sunk short. I see people coming in with their trick-or-treat costumes, all mostly in black get -ups.
My sweater? Totally not keeping up with the cool crowd. It was like a peek-a-boo moment on my part.
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When the dawn kicks off with this whole induction thing. I'm checking out the new leaders' faces, and even though I don't know any of them, there's this cool vibe of camaraderie mixing in with the Halloween fun.
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So, in the middle of the crowd, someone spills the beans – there's this freaky house all set to give the Crimsons a good scare. Everyone can go in by five, and folks can't help but wonder what cool, spooky stuff awaits inside. Like, how wild did they go transforming our school space, you know? I couldn't even help but marvel a thought.
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And then just after our first scream with the four of my classmates echoed, I've realized that the once mundane corridors now adorned with cobwebs, solemn pumpkin candles, spooky decoration and our journey to the leading room was a spur-of-the-moment jumpscares and shouting all over, adding a thrilling chill to the atmosphere, seeping into the fabric of my sweater.
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Here's a clip that captures our craziness 📸::
Upon reaching the end of what it seems a long dim tunnel—with all the adrenaline, panting and sweat, I just took a sec to think about how this Halloween vibe totally flips the script on our small, kinda 'not on it's good shape' campus.
Sure, the place isn't a towering building with vintage libraries, like any other colleges, but guess what? We manage to pull off an awesome Halloween bash with what we've got.
It's like our school's signature style – making the most of what's around, no need for fancy stuff. Halloween here isn't about a huge setup; it's about all of us getting into the spooky spirit together and whatever shivers our spine that came with it.
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Later in the night, there were dances, singing performances, and storytelling each exerting effort, submitting to the ambience. Horror movie trailers were brilliant, from the cast to the cinematography, it feels really great that everyone on the intermission is down to put everybody on the edge of their seats.
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On this very magical celebration, we let ourselves drunk in the beat of the music, under colorful lights, Laughs were shared like inside jokes, and cheers still echo in my ears. My sweater even had a showdown with some fancy cloaks, Halloween OOTD, and chill dresses on the red carpet – a night to remember, for sure!
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In the end, when the clock struck late, and everybody's going home, there we were – me in my cozy sweater and sleeping pants.
Everyone still rocking their makeup.
Stepping out into the quiet night, I couldn't help but feel this cool vibe for the school, the awesome event team, and every pic that caught the essence of my first WMSU Halloween bash.
Yes, no more euphemism—but here's what, to experience Halloween at Western Mindanao state university (WMSU) was the coolest thing so far happens to me this year!
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fairykukla · 7 months
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Freddie's back!
I'm continuing my Halloween Movie Marathon, shifting to modern horror. I'm doing this mainly because I managed to pick up the entire Nightmare on Elm Street series in a two-package set from the thrift store!!
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The first film, the iconic Wes Craven masterpiece, still holds up beautifully. I can see where he leans into the curves with some tropes, and veers right off the tracks with others. It's very clever, and beautifully metaphorical. The Mythology presented is internally consistent, and the characters are all very believable in their various roles.
Bitty Baby Johnny Depp sure is playing a "typical high school boy next door" as Nancy's across-the-street boyfriend. The rest of the cast are taking their roles seriously, including Robert England debuting a career defining role as the villain, Freddie Krueger.
But the core of the horror is about how this monster comes after you when you're at your most vulnerable; asleep in your dreams. What's more, the parents don't believe Nancy because they're guilty of their own sins. "Fred Krueger can't hurt you, baby, because mommy killed him." That's a hell of a reveal.
Robert England is the best thing in it, with his weirdly comedic take on the character, but it has recently occurred to me that Fred Kreuger was a successful serial killer of children; kids don't go along with creepy people. Successful predators are wolves in sheep's clothing. Oh, we *want* to believe that The Killer or The Perpetrator would be readily identifiable. We want him *obvious*. So, even more disturbingly, the original Fred Krueger wore cheerful colors and was kinda goofy/funny, maybe even charming. He apparently goes free due to a technicality, but I suspect that some of the reasons have to do with his being able to masquerade as a charming, non-threatening milquetoast.
Now that he's been revealed as a monster, he's a monstrous version of his former self. And his real sense of humor is dark and gruesome, but still (horribly) funny.
His reasons for tormenting, then killing these specific kids are because their parents were the ones who burned him to death.
The second best thing in it is our Final Girl, Nancy. I remember her as a mature-seeming "older teen" when I first saw the film. I was a young teen at the time, and she reminded me of my babysitters; a few years older and Very Cool. As an adult, I see how young she is, but still courageous and awesome.
(maybe one day Sigourney Weaver and Heather Langenkamp can be badasses together as bitter old biddies. I would watch THE SHIT out of that.)
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And then, this happened. Oof. Wes Craven mostly just signed off on this one. He didn't write it or direct it.
And while it has some excellent moments, the overall story is neither written well, nor executed well. It's a mess.
Freddie wants revenge and uses the body of The New Kid to perform his bloody work. New Kid just moved into "That house on Elm Street," where "A girl went nuts after seeing her boyfriend killed across the street."
But apparently the house where the boyfriend was liquefied and sprayed all over the walls was... what? Sold to a different family right away?
It's "Five years later" but the film came out the following year?
The house is haunted but Dad is so pleased with his bargain that he won't fix anything?
Freddie possessed New Kid at completely random times, finally manifesting fully through him in the real world? Nancy's diary is found to provide necessary exposition?
And the pacing is ponderous, lots of close ups of sweaty, half-dressed teen boys.
So like, bonus points for making the guys into the eye candy, but they made it boring at the same time.
Central theme is... uh... Freddie is scary!
This one is Bad. Watch a couple of YouTube clips or the gif sets and move on.
In point of fact, the second film put me off the marathon for the night, so I'll pick back up and write some more later.
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d-criss-news · 3 years
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Nine Songs: Darren Criss
When Disney, Phantom Planet and Mr Hudson collide: Glee star, Emmy and Golden Globe winner and musician Darren Criss talks Andrew Wright through the pivotal songs in his life and the unexpected ways they found him.
“When we are younger, our gateway drugs to a lot of popular things don’t come from the sexiest of places. It’s up to you how proactive you want to be with your curiosity from there, and how far down the rabbit hole you want to go, if you go down at all.”
Choosing the songs that define you is a tricky business to say the least, especially when the power of song has provided an ongoing soundtrack to your life. “When you’re as avid a music consumer as musical artists are, trying to pin down Nine Songs is difficult,” Darren Criss laughs. So much so, his final choices only really crystallise as our conversation draws to its close. “It’s hard for me not to see the value and joy in literally everything,” he explains. “The curse of the creative person is that your ideas and your interests always move way faster than your body can execute.”
Criss is a creative par excellence. As well as his Emmy and Golden Globe winning performance in The Assassination of Gianni Versace, where he played serial killer Andrew Cunanan, to his upcoming role in Muppets Haunted Mansion Halloween special as The Caretaker, he’s also a prolific musician. Criss enjoyed a decadent musical consumption since childhood, so “this was a bit of an archaeological dig,” he admits. As such, everything from jazz standards, to 808s, punk rock, ‘90s teen pop, and musical numbers are excavated in the course of our extemporaneous journey through the music he loves.
Equally on his mind is how to go about approaching the task of creating his Nine Songs, full stop. “The interesting social experiment is: Are my answers going to be songs that actually shaped my life and were formative to me as an artist? Are they songs that were formative to me as a human being? Or am I picking songs that I think represent who I am to people that do not know me? All three of those things aren’t necessarily the same thing.”
He reaches a conclusion of sorts. “For the purposes of making some kind of decision, I’m gonna lean less into trying to look cool to your very cool readership, and more into the literal, ‘What made me think about music in a different way? And hit me in a very emotional way?’ I think that’s probably the healthiest route.”
Embracing the accessibility that characterises Criss’ picks - or at times the initial touchpoints that led him to them - are something he vacillates over during our chat. “I’ve seen a lot of other people’s Nine Songs and they’re super cool. It’s like Leonard Cohen B-sides and old opera records and stuff. I’m gonna be pretty honest with the pop culture zeitgeist of how I grew up but explain why there is so much value in those moments.” His contemplation continues into the next day, Criss’s publicist passes on his regrets at being tentative to admit how he encountered one of his song choices via the Shrek soundtrack.
A yearning to reinterpret accessibility and the value attached to it drives Criss, however. He tells me that a festival performance that applied the anarchic verve of punk rock to a more refined Great American Songbook number remoulded his perception of music entirely. His love of the fusion of these two genres in particular symbolises the salient musical backdrops of his childhood - the guitar bands he played in with friends, and his musical theatre endeavours that led him to Broadway and multiple Ryan Murphy juggernauts, including his breakthrough playing Blaine Anderson in Glee.
Criss employs these contrasting musical lexicons, and other areas in between, on Masquerade, his new EP. Comprising five stand-alone “character-driven” singles, it sees Criss donning different musical personas. “I’m leaning into people that might know me as an actor,” he explains. “Because if actors can do Shakespeare, romantic comedy, and then do a horror movie and wear a prosthetic nose and a wig, I didn’t understand why I couldn’t just do that with music.” The song “walk of shame” draws on jazz-standard chords interlaced with hip-hop production, “i can’t dance” looks to new-wave, and “for a night like this” is the product of Criss’ goal to create the ultimate end-of-the-night crowd-pleaser for a new-year bash, wedding or bar mitzvah. “This is all of the parts of me as a lifelong fan of these genres, trying my hand at servicing the pieces of them that I love.”
“I really love all styles of music and understanding what makes them unique and special and what makes them really pop. There are so many things that really make things sing - for lack of a better verb - and I like acknowledging those things and celebrating those things.”
“So, let’s begin. I have runners up and shit, and I have artists, I don’t just have the songs, so we might have to pick them as we go.”
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“Part of Your World” by Jodi Benson
“When people read this, they’ll go ‘That’s cute, he likes Disney songs’, but it’s more profound than that. Some of the most formative pieces of music to hit me at a very early age would have been any of the songs that were coming from ‘The Disney renaissance.’ The early-mid ‘90s explosion of The Little Mermaid, Aladdin and Beauty and The Beast.
"One of the through lines between the three of those musicals was Howard Ashman, who is one of my all-time heroes. Dramaturg, songwriter - he really was the voice behind what made those songs great. I have always loved Howard’s lyrical sensibility and also Alan Menken, his partner who wrote these songs with him. There was a musical structure to a lot of the songs which I would unconsciously pick up in my own songwriting, not just musically, but the idea that not only did somebody make these songs, but they wrote them for a story.
“There’s a clip of Howard Ashman vocal directing Jodi Benson, who was the original voice of Ariel. It’s a wonderful example of his genius, where not only was he songwriting but he was storytelling in the way he would tell her how to perform it, and you can really see the song coming to life in that clip. That’s when you cross the street from ‘It’s a song’ to ‘This is an experience.’
"There are certain ingredients that are required to elevate music that goes beyond just a nice melody, a beautiful orchestration and a good voice. There are things that are required to really give a performance a characterisation, context and a vulnerability, that he architects in real-time with Jodi Benson. You see that what he’s doing is what makes the record so special, and that’s something that’s always been inspiring to me.”
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“MMMBop” by Hanson
“I think my love of Hanson was because some people didn’t like it, so I was like ‘Fuck you, I like this, how do you feel about it?’ But this is difficult for me, because you know, I’m speaking to The Line of Best Fit and we’re trying to be cool! Although, do you know what’s cool? Being accessible! Writing a pop hit when you are 10 years old. Being in a band with your brothers and you’re all below the age of 15, you have a record contract where you are writing, producing and performing songs that are doing well.
“I was 10 years old when their first album Middle of Nowhere came out, and I remember reading somewhere that there were these kids that had a record. At the time, I was playing guitar and I was writing songs, but in my mind I was a kid, and that was it. I couldn’t be on the radio; you had to be a grown up to do this.
"This was the first time where I realised ‘Holy shit, kids can do stuff!’ It’s the value of seeing yourself in the media - that’s a whole other conversation to talk about - but there’s an immense value in feeling like there’s a piece of you out in the zeitgeist and doing well because it’s encouraging. You go, ‘Holy shit, maybe I can do this as well.'
“When you see children doing things, you’re ‘Wow, this is so cute and fabulous’, but then when you actually look at it you go, ‘This is miles above what most people in this age group are capable of,’ and that’s all I saw, because I was in the same age group and I was so inspired by that. This whole album was really a turning point for me, where I was like, ‘I can do this, I can do music too, because these guys can.'
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“Ooh La La” by Faces
“This song really blew my mind. It became my own theme. It’s that ‘Make your heart sing’, nostalgic moment when you’re a teenager, driving in the car listening to it, playing guitar with your friends and you’re singing “I wish that I knew what I know now / When I was younger.” You’re like, ‘because I’m an adult now, I’m 15-years-old. If I only knew what I know now.’
“I was doing theatre from a young age and I was part of a young conservatory called A.C.T. in San Francisco. By way of somebody who knew somebody, I had an audition for a movie. As a kid not being near New York or Los Angeles it was really exciting, and this audition was for a film called ‘Max Fischer’, which would become the movie Rushmore, which would become one of my favourite movies of all time by the now very distinguished Wes Anderson.
“Separate from my own objective love of Wes Anderson, when this movie came out I was just around the age of getting into my own sort of identity with music, but also movies - indie movies - and trying to assert who I was. So, I see this movie Rushmore and I love it. I love the soundtrack, I love it so much, it’s one of my favourite albums ever. This song is the end sequence, and the way it made me feel - the vocals on it, I could play it on guitar and it was part of a cool movie - it really represented a lot in my life.
“And because of the acting thing, and Rushmore being great - it’s about this kid in high-school who's misunderstood but has his own agenda - everything about it was just so fucking cool to me. To this day, I cite that song as one of my favourite records of all time.”
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“Recently Distressed” by Phantom Planet
“A guy that really formed the way I would sing and write songs is Alex Greenwald, the frontman of Phantom Planet. I went to see Phantom Planet because I loved Rushmore and I found out that Jason Schwartzman [who had been cast as Max Fischer] was also the drummer for a band called Phantom Planet.
"So, when I saw their name on the bill I went, but I didn't know their music. I was barely 14, but their set blew my mind. It was Rock and Roll, but I loved Alex Greenwald’s voice. I loved everything, and I would follow their career from there. I always tell people that my voice is a combination of me trying to be Alex Greenwald, Paul McCartney and Rufus Wainwright, but failing. Alex was incredibly formative for me.
“One of their biggest records was a little while after I first saw them, which was the song for The O.C., "California." That was more of an Elvis Costello thing, and they employed a lot of stuff that sounded to me like The Beatles and a lot of ‘60s mod/pop-rock. But later they would employ things from Fugazi, Radiohead and harder shit, and that eclecticism, again, only accelerated my love for Phantom Planet.
“Recently Distressed” is from their 1998 album Phantom Planet Is Missing. This was a cool rock song that employed these George [Harrison] and Paul [McCartney] background vocals and included all of the things that I loved. It was harder but melodic and employed minor 4th chords and more complicated chords than I was used to. I had grown up with power chords - which are very Gregorian - on a lot of alt. punk rock, like Green Day or Nirvana, and if Kurt Cobain was using power chords then that’s how I was playing guitar. Hearing this music was like ‘Oh, I’m using full chords, not sevenths, minor 4th chords, diminished chords’, shit that I would learn to use more and more.
“When you haven’t experienced much, anything that gives a hint towards possibility, even though it’s probably always been there, you’re like, ‘I like this, I’ve always kind of liked this, but it’s very encouraging to hear somebody else do it and it’s gonna make me reconsider my possibilities.’ That was literally the moment that my power chords turned into full barre chords.”
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“Cigarettes and Chocolate Milk” by Rufus Wainwright
“I forgot the other day how I got into Rufus Wainwright, because all of this stuff I was getting into quite young. It’s like when I talk to 11-13 year olds, it’s funny to think that this was when I was really starting to build my musical identity. But then I remembered, and I didn’t want to say because I didn’t want to sound uncool, because he is such a revered artist who exists in a much cooler place than what I’m about to say.
“I loved soundtracks and I would always buy soundtracks for movies that had cool playlists. I had the Shrek soundtrack, and there’s a cover of Leonard Cohen’s seminal “Hallelujah” that Rufus does and he smashes it, and I’m like, ‘Who the fuck is Rufus Wainwright? What a beautiful voice.’ Then I saw that he was going to be at the Virgin Megastore in San Francisco one week, so I go and he’s there promoting his new album Poses. I remember I didn’t have enough money to buy the album that day, so I had him sign my sneaker and I saved that shoe.
“The first song on Poses was “Cigarettes and Chocolate Milk”, which is a very dark and reflective song about his own battles with addiction, but he’s singing it over this really beautiful, whimsical song that has a lot of really great wordplay. I always love when artists, especially lyricists, can encapsulate an idea with not exactly what they’re talking about. The song’s called “Cigarettes and Chocolate Milk”, it’s not called “Addiction”. Its talking about things that he craved and how that’s representative of other things that he’s gone through. There was a sophistication and elegance to that that I really gravitated towards, that I didn’t possess but wanted to shoot for. So when I saw him, that was a big one for me and he would also continue to influence me later in my life.
“I’ve become friends with Rufus since. I’ve performed with him and we’ve made records together, which is crazy. His songwriting was very complex and punk-rock, but he had this classic cabaret voice, the kind of voice that I don’t have. I was fascinated that there was somebody that could write this really dark material but have such elegance on top of it. He was virtuosic on the piano, which I thought was very cool because musicianship is always the thing that gets me going the most about artists.
“You know what? People say, ‘Don’t meet your heroes.' I completely disagree. Chase the living fuck out of your heroes. I’ve spent a lifetime doing so, it’s made me a better artist, and I’ve sometimes got to meet them and work with them. I’ve worked on music with Alex Greenwald of Phantom Planet. I’ve performed with Hanson. I’ve performed those Disney songs with Alan Menken at The Hollywood Bowl.
"This is all because there are people that I love who I have put on my vision board, and the things that they have done are the things that are bringing me to them. So it is nuts, but at the same time you’re like, ‘Well, what else did you think would happen?’ They did stuff that some part of me connected with, so obviously there’s a magnetic pull towards that person.
“Rufus Wainwright is one of my absolute favourite artists of all time and like I said, me trying to sing like him and failing is a big part of my own journey as an artist.”
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“3x5” by John Mayer
“John Mayer’s another guy that came around when I was 15. I heard a song of his on a middle-of-the-night, singer/songwriter college radio show. This is where I used to get music. You would listen to these carefully curated playlists that you wouldn’t be able to hear anywhere else, and the host played “No Such Thing”, a new song by this young kid who had just dropped out of Berklee College of Music - John Mayer.
“I’m listening to this song and I’m like, ‘Not only is this guitar playing really interesting, but the lyrical value and everything that is going on here ticks all the boxes.' It was jazz, but it was pop. And he did something that all these other guys and girls I’ve mentioned did. They made something very unique and very accessible.
“I immediately went out to buy this album, Room For Squares, and I listened to it over and over again. It was an album that was really formative for me. "3x5” is a really beautiful song that employs a lot of chord structures and melodies that blew my fucking mind at the time, and it made me wish that I could write songs like that.
“That album was a huge turning point in the way I played the guitar, because it was the first time in my life where I would look up tabs. Up until this point in my life, if I heard a song I could play it instantly. It was like a party trick, I would get how it worked if I heard it, because most of the songs I would hear on the radio - especially those that involved a guitar - were [centred around] power chords. And now I’m hearing all of these ninth chords and thirteenths, and I’m like, ‘What the fuck is this?’ So I’d have to look up tabs.
“I think any young artist can attest to this - when you try and learn other people’s shit, it’s the best tool for educating yourself. Playing other people’s music really helps you lock in what your own style is. Trying to learn these songs - and sometimes pulling it off and sometimes not - really changed the way that my hands moved around the guitar and considered chords and voicings that I’d never really thought of.
“There’s another tie to musical theatre here, where I remember seeing Audra McDonald, who is a very venerated theatre actor, and she did a cabaret. If you’re familiar with cabaret culture, it’s more about performing the story of the songs – ‘Life is a cabaret’. She did a John Mayer song because she thought it was from a musical theatre show, and I was so tickled by this, because I was like ‘Yeah, if you really think about it, I don’t think he knows this and I don’t think his fan base even thinks about this, but there’s a number of his songs that feel very theatrical in the way that the lyrics play with each other and the way the chords move’.
"When I saw this I thought, ‘That is why I like John Mayer’, because yes, he’s an amazing guitar player, but he’s also a really strong songwriter.”
youtube
“Cabaret” by Me First and the Gimme Gimmes
“Also, around this time growing up in San Francisco, as a guitar player playing music with your buddies, the number one thing that you play is punk rock. There are different parts of the spectrum of punk rock, there's the NOFX, Swingin’ Utters, like real punk, punk. And then there’s the pop-punk thing that was happening at the same time, which was also equally influential - blink-182 and Green Day.
“Fat Mike was the frontman of NOFX. I loved NOFX, and Me First and the Gimme Gimmes were a supergroup of different members from different punk bands, of which Fat Mike was one of the main architects. They would cover songs and turn them into punk rock songs. They have an album of hits from the ‘60s, and they also have an album called Me First and the Gimme Gimmes: Are a Drag, and that record is just a tonne of musical theatre covers that are done through punk rock.
“That was completely in line with everything I loved at this time of my life but didn’t really know how to articulate. I loved punk rock but I also really loved musical theatre. Not only the performative element of it, but there was a real musicality to musical theatre that wasn’t as present in some of the other shit that was popular at the time, just harmonically, or where chords would go. There was a sophistication I loved that seemed to not exist in punk rock.
“Then hearing Fat Mike at The Warped Tour going ‘Alright, which one of you Motherfuckers loves Julie Andrews?’ and hearing a mixed bag of reactions, because people were ‘What? I was not expecting that from you, sir?’ And then they start playing “My Favourite Things”, a classic Rodgers and Hammerstein song which is very accessible, but sophisticated nonetheless. And I am just living. I’m like, ‘This has got the attitude and simplicity of punk rock, but the sophistication of a beautiful song.’
“That was the first time in my life where I went, ‘It’s just all music. All these categories and boxes are completely arbitrary.’ So I thought, ‘I can do that.' I was playing power chords in punk bands but I realised that you can take chords and make them into other rhythms and voicings and have the same song. I could take a punk song and make it jazz. I could take a jazz song and make it country. So, quite providentially, I would end up on Glee, where they took popular songs and would sometimes do their own versions.
“By that point, I had been doing this my whole life. The first time this ever became a possibility for me was seeing Me First and the Gimme Gimmes, and that way of thinking about music and genre. I’ve put that into Masquerade, and it’s all born from that moment of ‘Oh my God, nothing has to be one thing. It’s just about how you look at it.'
“Cabaret” is from a pretty famous musical that I would’ve probably heard about later in life, but I first heard that song as a punk song and then I went back and heard the original. It doesn’t matter how these things happen, the inspiration happens and then you can go from there. But Me First and The Gimme Gimmes were a huge gateway drug and I play “Cabaret” now every year at my festival. That’s why the festival is called Elsie Fest, because it covers the song.”
youtube
“Modern Nature” by Sondre Lerche
“One of the great joys of being a younger brother is that you get to inherit the music of your elders. My brother and I were both really proactive consumers of music, so we would share stuff with each other all the time. But then he would come home from college, which is like coming home from a music festival essentially, right? He was in a new time zone with new people, so he’d bring home these mix CDs that he’d made from people that he’d heard about, and he brings home this guy named Sondre Lerche.
“Hearing this guy blew my mind, because he also was using jazz chords and drawing on musical theatre. Musical theatre’s a massive category, so I can’t just say that musical theatre sounds like one thing, but when I say this, I’m referring to The American Songbook, the jazz standard songbook. “Modern Nature” was a duet that I would go on to play many times with one of my oldest musical collaborators, Charlene Kaye. When we got to college and we both found out that we loved this guy.
“There was a much more whimsical way to how he wrote these songs. And what’s crazy is that loving this guy meant that we also loved Rufus Wainwright, that we also loved these other artists. But Sondre was the first time I considered that I loved that type of music, but I didn’t know that you could be a singer/songwriter and put out music that sounded like it.
“I don’t know if ‘twee’ is the right word to use, but with “Modern Nature” there was a playfulness about it, and again, a musicality that I really gravitated towards. There is a through line - there was a sophistication that was accessible, and me trying to learn those songs did make me rethink the way that I was writing music. The structures were weird and different and I liked that.
“To this day, I find myself writing songs that I think might be difficult for people to ingest, because they’re a little too left of centre, and I realise that I’m trying to write like Sondre Lerche, or I’m unconsciously just copying him.”
youtube
“Everything Happens to Me” by Mr Hudson & The Library
“I was in an H&M in Stockholm when I was 21, and I heard this really cool groove and the lyric was “Why must I always play the clown?” It was sung with a really thick British accent, had an 808 feel on it, and lyrically it had an attitude. Who would say something that sounds so like you’re in a Gilbert & Sullivan musical, but it feels hard? It was cool.
“I went home and looked this up and it was off the record A Tale of Two Cities by Mr Hudson and the Library, which would really, really fuck me up. I bought the album immediately because I loved this song. I had to order it on the internet because I couldn’t find it. It was doing well in England and he was on the festival circuit in the early-mid 2000s, but the first song on the album was a musical theatre cover with 808s.
“It was a pared-down, sort of a hip-hop version of “On The Street Where You Live” from My Fair Lady, and I’m like ‘No fucking way, this guy gets where my head is.’ I’d thought about punk rock musical theatre, but I never thought about 808s and 909s scoring these beautiful songs. I go down the track list and he has “Everything Happens to Me”, which is another very famous standard, and he had this really cool, what we would now call chill-hop, ‘study beats’ version of this song. I was like, ‘This is it. This guy gets that good music is good music and you can reinterpret it to offer it as a new song.’
“I would later become great friends with Mr Hudson. I got to meet him years later when I was with Columbia Records, and they said to me ‘Who do you want to meet?’ He was at the top of my list. I went to London and we’ve been friends ever since and have created all kinds of music together.
“He told me a story where Tyler the Creator went up to him once at Coachella and said, ‘Oh man, “Everything Happens To Me”, that’s like my song.’ We both wondered if Tyler the Creator knew that it was a Chet Baker cover. And we were thinking how cool it is that you can offer these songs to a new audience through a different lens. Tyler’s a smart guy, he’s very cultured, and I’m sure he did know. But it’s more the idea that if someone experienced this song and didn’t know that it was a cover, and this is like the first time they ever get to experience it.
“Mr Hudson would go on to do his own thing with Kanye and was on 808s & Heartbreak and has had his own career. I think “Supernova” was a hit in the UK, it didn’t really cross over here to The States, but before that moment for him, that Mr Hudson and The Library album changed my life. People use that phrase willy-nilly, but this literally was a turning point in my life. It all had to do with the same thing that happened with these other songs, where I saw someone do what I always wanted to do but didn’t really know how to pull off. Where he had this fusing of old songs delivered through a contemporary lens, but also laced it with his own original material that also employed the things that made that old songwriting interesting.
“It’s like changing the font of a great essay but finding the font and figuring out that that font is its own art form. He really displayed that marvellously on this.”
The Masquerade EP is out now
106 notes · View notes
mel-the-fangirl · 3 years
Text
Toss A Coin to Your Witcher
Henry Cavill x Reader
Words: 2,362
I am so so so nervous to post this because this is my first time writing a Henry fic and I know that the Henry Cavill fandom is such a tightknit family, I hope you guys have room for one more hopeless Henry stan. I know this isn’t even half as good as the other Henry fics out there but I had this idea stuck in my head for a very long time.
Please like and reblog or leave me some replies if I should do a second part! Thank you!
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The makeup brush swept precisely along your cheekbone, covering it in a subtle shimmer. Production staff milled around behind you, testing sound, testing lights. Being an actor, these things were nothing new. 
"Now remember, say it with me," 
"Don't say or do anything stupid." you recited with your long time agent and friend, Marge.
You thanked the makeup artist and made your way to the set. 
"When have I ever said or done anything stupid though?" you asked
Marge looked at you appraisingly before replying, 
"There's always a time for everything. Now go on." 
The vibe on set dialled to a hundred when you stepped on. It was really flattering how they cheered as you plonked your butt down on the wooden chair, a red tarp was set up behind you and the studio lights surrounded the area.
"Ready when you are Y/N!" the producer aka the ring leader of this whole operation flashed you a thumbs up
You nodded, feeling the nervousness bubble up your throat. 
Surprise, surprise. You still got nervous in front of the camera. It wasn't hard to handle though, you took a couple of deep breaths and you were good to go. 
"Hey guys, gals, and non-binary pals! I'm Y/N Y/L/N. I'm here with Buzzfeed and we're gonna be playing Twenty Questions." you winked at the camera with your arms wrapped around the little jar that had your questions in it
 "Let's get started, shall we?" 
Eager to begin, you stuck your hand into the jar without a second thought. 
"I freaking love Buzzfeed, really. Especially Tasty, I mean, I don't cook. But," you shrugged, wiggling your fingers, hearing the tiny bits of folded paper move around in the jar. "I love watching people cook. Then I love eating."
Scattered chuckles broke out through the crew. 
After a few minutes of rustling around, you figured you’d just come clean, "Okay. Small problem." 
You lifted your hand, the jar coming along with it. The pieces of folded paper crowding around your encased wrist as you waved your arm. 
Another round of shocked giggles started up as a couple of assistants rushed to you and tried to yank the jar off. 
"This is too good," the producer chortled, "Mind if we keep this in?"
"Fine by me!" you watched intently as Marge rolled up your sleeve so one assistant could pour oil all over it. Eagle eyed, she watched as a drop of oil landed on the bottom hem of your sweater.
"Great job, Y/N. This sweater was a gift from that designer you met last week, he said he made it just for you." she scolded, taking charge by grabbing the jar with two hands
"It was an accident, Marge. It's not like I planned on getting my hand stuck in a jar today!"
With a tug and a pop, your hand was free and slick with olive oil. Marge landed on her butt on the floor.
"Marge!" you howled with laughter, helping her up
She straightened her blouse, all business but her cheeks were stained red with embarrassment. 
"Can someone help Y/N wash the oil off her hands? Let's get this show on the road, people!" she barked marching orders at the staff, clapping her hands as she went. She wasn't in charge here but no one dared to question her. 
You chuckled, knowing that this was a cute little anecdote you’d be sharing with anyone who was willing to listen.
A few minutes later, you were back in your chair, having a laugh with everyone. The jar incident already stripped away the majority of your anxiety so you were ready to go.
"Okay! First question!" you squinted at the strip of paper, "What is the most expensive thing you’ve stolen from any set you’ve been on?" 
“Well!” you widened your eyes at the camera, “Bold of you all to assume that I’ve ever stolen anything!”
Marge scoffed rather audibly, making everyone raise their eyebrows at you.
“Okay, fine!” you held up your hand. The stunning ring you had on sparkled underneath the lights, nearly blinding anyone who looked.
“I did a period movie a while back and they had these drop dead gorgeous, and I mean gorgeous pieces of jewelry. I wore this piece,” you gazed down at the ring fondly, “for the whole of the film and I just pinched it after we wrapped, I couldn’t part with it, okay? I’m like a fricking magpie, I love shiny things.”
The crew burst into fits of laughter, making you laugh along with them.
“To clarify! This is the replica the props department had made, a very expensive replica. I can see you freaking out, Marge. And no, you don’t have to call the insurance company.”
You were a big hit, to say the least. You had them in stitches every time you opened your mouth but all good things had to come to an end, right?
It didn’t matter how carefully you dipped your hand into the question jar, this next one was going to make things very messy for you. 
"What do you like to do in your free time?" you read out loud, tapping a finger against your chin
"There hasn't been much free time lately,” you chuckled, “Let’s see… I play video games, yeah. I am so obsessed with the Witcher, it's borderline unhealthy. I’ve read all the books and played the games so many times." 
"What do you think of Henry Cavill as Geralt?" the producer asked you
Henry Cavill.
Just hearing that man's name was enough to make the blood rush to your cheeks. You brushed an imaginary hair out of your face. From behind the camera, Marge raised a knowing brow.
"Well," you cleared your throat and sat up straighter
"To be honest, at first I was really skeptical about his casting. I mean, he is way too good looking. Like way. Way. Too good looking. But…"
"But?"
Your mind drifted to the first time you saw a picture of Henry Cavill in full costume. The white hair, the golden cat eyes, the intense gaze and all that leather? It definitely made you feel… Certain things.
You cleared your throat, propping yourself on the table with your arms. To be honest, your head was still in a Henry Cavill haze so you had zero control of what came out of your mouth next.
"I'd definitely toss all my coins to that Witcher. Toss a few other things as well."
Everyone in the room ooh'ed and whistled, delighted by your saucy reply. The ruckus snapped you out of it and your hand immediately flew to your mouth.
“Please tell me I didn’t just say that out loud.”
“You did.” Marge mouthed at you, trying but failing to contain her laughter
"So you enjoyed his performance as Geralt?" the producer pressed on, hoping to get more audience-raking answers
How many times were you going to blush during this interview?
"Oh, well, about that, I haven't really gotten around to actually watching it.” you admitted sheepishly, “But I've seen photos and some clips. Very impressed by what I've seen so far."
"You will watch it though, right?" 
"Oh, absolutely. No way I’d miss out on that! Henry Cavill is an incredibly wonderful, talented actor. I think he’s also a fan of the franchise so I have no doubt that he played Geralt to perfection as with all his other roles." you nodded solemnly, putting a hand to your heart
Everyone in the room with you caught on that you were gushing over the actor, the sly looks they all exchanged with one another were a dead giveaway. Too bad you didn’t notice before you could try and play it cool.
“Alright! I think it’s time for the next question!” you declared, swiftly plucking another question out of the jar
By the time it was all over, you had convinced yourself that your little crush-related blunder wasn’t even a big deal, it would probably just be a little footnote in that video. No biggie.
But, Jesus Christ were you wrong.
The video took a couple of weeks to edit and in that time, you were busier than ever. A movie you had just done was getting a lot of attention, your performance in particular had critics singing your praises. At that point, you were definitely getting noticed a lot more when you stepped out for coffee.
So, the timing was just perfect.
The second the video went live, your phone was going off non stop. Twitter mentions, Instagram tags, and articles. A few notable entries being:
“WATCH: RISING STAR Y/N Y/L/N GUSHES ABOUT HENRY CAVILL IN CHARMING BUZZFEED VIDEO”
“@geraskier-rights: Y/N Y/L/N REALLY SAID SHE’D TOSS ALL HER COINS TO HENRY CAVILL’S GERALT AND WE ALL KNOW WHAT THAT MEANS”
“@geralt-of-vengerberg: Y/N The Fond™ is showing👀👀👀”
Marge sat on your sofa with your phone in hand, absolutely thrilled while reading tweets out loud. You scheduled a panic session with her over lunch once everything blew up.
“Oh my God.” you groaned, massaging your temples. “Marge, what do I do?”
“About what?” she didn’t even bother to look up at you
You plopped yourself down next to her, laying your head in her lap, “All that. It’s everywhere.”
“And? There’s nothing wrong with it, they all think you’re charming and funny. A true Relatable Queen.”
Was it your sanity slipping through your fingers? Or the overpowering embarrassment? You had no idea but whatever it was, it had you laughing until your stomach hurt.
Marge tugged at your hair, “Get it together, bitch. Jeez.”
“What are you so worried about anyway?” she asked, placing your phone on your stomach
You swiped through your emails absentmindedly, “I’m not worried about anything, it’s just that what if…”
You left the words hanging in the air, you might as well have been dangling from a cliff from how much colour drained from your face.
“What if what?” 
Marge shoveled some pasta into her mouth before noticing that you essentially turned into a statue right next to her.
“Y/N!” she shook your arm with a grip you were sure would leave some bruises. “What’s the matter?”
Wordlessly, you passed your phone to her, the comment from a certain verified account displayed prominently on Buzzfeed’s Instagram post of a little snippet from your video, the “I’d toss all my coins to that Witcher” part, naturally.
“@henrycavill: Dear Y/N, how many coins are we talking about here? Let’s talk about my reward.”
It was all Marge could do to not throw your phone across the room. Her eyes went wide, following your every move as you paced back and forth, a thumbnail in your mouth.
“That did not just happen, I did not just see that right now. I didn’t.” you babbled, your heart beating thunderously in your chest
There it went. Your very own ticking time bomb finally went off. Number of casualties? Just one. You.
“Okay. Just calm down, Y/N.” Marge caught you mid-pace, squeezing your arms
“Maybe it was a fan account. Tell me it was a fan account, Marge. Henry Cavill did not just hear me imply what I implied.” you grasped at her hand with your clammy one
“Well if he has a fan account that’s verified and has fourteen point five million followers?”
“Oh god.” you groaned, sinking to the floor and hugging your knees
“Oh, Christ.”
Marge hauled you to your feet and thrust your phone in your hand. She looked you hard in the eye, “Stop your whining and answer him. You’re Y/N fucking Y/L/N, one of the hottest people on the planet, start acting like it.”
You stared at her, eyes wide. Your chest rose and fell rapidly. Marge’s words started to make sense in your mind and adrenaline started surging through your veins. You nodded fervently, psyching yourself up.
“Fuck yeah.” you breathed, clicking ‘Reply’
“@yourinstagram: @henrycavill I know you take orens, crowns, and florens but maybe we should discuss further?”
Before you could even stop yourself (did you even want to?), your fingers already landed on the blue paper plane.
“I did it.” you exhaled, staring as the likes and overly enthusiastic replies started pouring in
“Fuck yeah, you did. Now, come on. Leave your phone. We’re getting drunk.”
More weeks passed and you actually ended up forgetting about that little reply you left Henry Cavill. You were busier than ever. Guestings, endorsement deals, and awards shows left and right. So, when you finally had a couple of days free, you decided you would set up camp on your sofa and finally watch Henry Cavill as Geralt of Rivia.
You even threw on your Superman pyjamas, “What the hell.” you shrugged
If you were going down this road, you might as well do it right. Maybe you would even watch the Man from U.N.C.L.E after or would it be Night Hunter? The decision would have to wait.
You watched, absolutely riveted as the White Wolf battled against the kikimora, his silver sword hacked at the creature with unmatched expertise. You were only a few minutes in but you already knew you’d be stuck on that sofa for hours.
When the kikimora had Geralt pinned underwater with his trusty sword just beyond arm’s reach, you found yourself on the edge of your seat, one of your cushions in a chokehold.
“Come on, come on, come on.” you muttered as Geralt reached for his sword
You wouldn’t find out if he got it or not. A knock on your door literally made you fall off the sofa.
“Fuck!” you exclaimed, your hip was already smarting from the impact
Whoever that asshole was, you swore you were going to give him a piece of your mind. You stomped to your front door just as that idiot started knocking again.
You huffed and threw the door open then your mind immediately went blank.
“I am so sorry. Are you alright? I think I heard you fall?”
Oh yeah. You were definitely falling.
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You can find the second part here!
1K notes · View notes
leossmoonn · 3 years
Text
Best Friend’s Sister [Fiona Gallagher]
masterlist
pairing - fiona gallagher x male!reader
type - smut, fluff
note / request- requested by @iawaythrown “The reader is a college friend of lip's and is coming to the Gallagher house. While walking in snow the reader has to change in to new dry clothes (they brought) and fiona walks in. The reader has a 6 pack with deep V line and Fiona basically swoons over him. She heavily flirts with him. also add smut” first time writing in a male perspective. also idk like how to write receiving head or anything so im sorry if this sucks. give me pointers if you want! haha. enjoy!
summary - you meet lip’s sister, fiona, while changing clothes and you two get pretty close
warnings - language, smut (oral male receiving, intercourse), underage drinking 
————
*gif isnt mine*
Tumblr media
“Don’t mind the mess,” Lip said to you while you walked through his yard.
“It’s fine. Couldn’t be worse than our dorm room,” you smirked.
Lip chuckled and unlocked the door. You walked into the house after him, seeing clothes strewn across the room, toys everywhere, and the sweet smell of KFC.
“Hey, Lip!” A redhead girl ran up to him.
“Hey, Debs!” Lip smiled and hugged her.
“Who’s this?” The girl looked over to you and asked.
“This is a friend from college,” Lip introduced you. “Hi, I'm Y/n,” you smiled at the girl. 
“Hi, I’m Debbie, Lip’s little sister. Are you staying over?” Debbie asked, gesturing to the duffle bag you had over your shoulder. 
“Yeah, I’m stayin’ for the weekend,” you smiled.
“Cool. Well, I’m going over to Holly’s. See you later,” Debbie said and walked past you. 
“See you,” Lip smiled and waved to her. 
“Hey, you mind if I change?” You asked. “My pants are wet from all the snow.” “Yeah, no problem. My room is straight down the hall. I’ll be down here,” Lip said. You nodded and jogged up the stairs, finding where Lip’s room was. 
You closed the door behind you, settling down your bag. You took off your jeans, finding a new pair and putting them on quickly. You then took off your shirt, finding a thicker one as it was cold in the house. 
Right when you were about to pull out a shirt, the door opened. 
“Lip, I didn’t know you were ho- Oh, fuck, sorry.” You looked to see who came into the room. It was a ridiculously hot girl. She had wavy, voluminous hair and big, pretty brown eyes. She was wearing low-waisted skinny jeans and a tight-fitting long-sleeved shirt.
You noticed her eyes go down from your face to your stomach. Her eyes lingered as she stared at your 6-pack, her eyes going down further to peek at your v-line that trailed down to under your jeans. You couldn’t help but smirk.
“Hey, I’m Lip’s friend from college, Y/n,” you smiled at her. 
Her eyes snapped up to you, face blushing as she got caught staring. “Hi, I'm Fiona. Lip’s older sister.”
“Oh, right, he mentioned you. He didn’t say how pretty you were, though,” you smiled kindly. 
Fiona chuckled, “And he didn't say how hot you were.” It was your turn to blush. “Thanks, I work out.”
“Hm, I can see that. Well, uh, I’ll be downstairs. I think we’re watchin’ a movie tonight,” Fiona said. 
“I’m looking forward to it,” you gave her a flirty smile. 
You noticed her legs give out a little, needing to get ahold of the door frame. 
“Me, too,” she smiled and walked off. You looked at her backside, seeing how her hips swayed when she walked away. 
You shook your head with a chuckle, putting your shirt on and going downstairs. You saw at least 3 more kids in the house. 
“Oh, hey! You must be Y/n,” another redhead, this time a boy, smiled at you. 
“Hey, yeah,” you smiled kindly. “Who’re you all?” “I’m Ian. This is Liam,” Ian said and pointed to the toddler in the high-seat. 
“Cool,” you smiled. “Is this chicken up for grabs?”
“Yeah, make yourself at home,” Lip said. “Thanks, man,” you said and went over to the kitchen table. 
“So, do you two have a room together?” Ian asked. 
“Yep. We didn't originally have one together. We met in one of our classes and became good friends. We decided to switch rooms,” you said while taking a piece of KFC.
“Weren’t you rooming with, uh, Amanda?” Ian asked Lip. “Yeah, until she started to suck my dick in my sleep,” Lip snorted. 
You chuckled with him. “Yeah, she’s wild.”
Lip hummed in agreement. 
“Ready to watch a movie?” Fiona came in with three bowls of popcorn. You turned your attention to her, shamelessly raking your eyes over her body. 
Fiona noticed this and positioned herself to where her hip popped out. She gave you a big, flirty smile, to which you returned. 
“Okay, you guys can stop eye-fucking each other now,” Lip pushed past you and into the living room.
Fiona glared at him and you chuckled to yourself. You got up, following the family to the couch. You sat next to Fiona on the left end of the couch. Lip said next to her, and Ian sat at the other end. Liam sat on Lip’s lap. 
“Where’s Debbie?” You asked. “Probably at her friend’s,” Fiona answered while pressing play on the movie. 
“What friends?” Ian snickered. Fiona hit him on the back of her head with a smile. “Shut up.”
You smiled at their banter, turning your attention to the movie. You were watching ‘Cars 2′. 
Halfway through the movie, you felt a hand on your thigh. You looked over to see Fiona’s hand on you, but her eyes on the tv. You smirked, settling more into the couch, enjoying the feeling of her hand going up your leg. 
Her fingers crept up further, making your breath hitch as she put feathery-light pressure right over your dick. Fiona palmed you through your jeans, massaging you lightly. You looked to her, seeing her eyes already on you. Her eyes were hooded and lust-filled. You gave her the same look, biting your lip to stop a moan escaping. 
“Hey, Lip?” Fiona asked, moving her hand away from you. 
“What’s up?” Lip asked.
“I just remembered that the sink needs to be fixed. Y/n, do you mind coming up with me?” Fiona looked to you, licking her lips. 
“Yeah, sure,” you nodded.  “Alright, have fun,” Ian said as you two got up from the couch. 
Fiona took your hand and ran up the stairs. You followed her quickly, getting pulled into her bedroom. Fiona shut the door, crashing her lips onto yours immediately. 
You kissed her back with fervour, putting your hands on her waist and walking backwards. She fell onto her bed, breaking the kiss to scoot up. You followed her, crawling on top of her and going in between her legs. Your hands went to the bottom of her top, looking into her eyes. She smiled and nodded, you pulling her top off quickly. 
You sat back, a smirk resting on your lips. She had a white, lacey bra that was holding up her perfect, pretty breasts. You could see her curves that were popping out as she laid down. 
“Wow,” you breathed out. 
“Thanks,” Fiona smiled. She fluffed her hair out, putting her hand on your neck, pulling you down on her lips.  Your hands found her breasts, sneaking your hand under her back, expertly un-clipping your bra. 
“Wow, you’re handy,” Fiona as she pulled away for air. 
“There's a lot more where that came from,” you winked. She giggled in response. 
You dove your head down to her neck, finding her sweet spot and sucking on it. Fiona moaned, bucking her hips up to yours. 
“God, Y/n,” she moaned as your hands went up to her breasts, cupping them. Your mouth kissed down her skin, licking and nibbling a trail. Your mouth latched onto her right breast, your tongue flicking her nipple. Fiona whined, you other hand massaging her other breast. You sucked her boob, tugging her nipple gently, making eye contact with her. 
Fiona gave you a smile, panting as you switched breasts. You sucked on her chest and trailed down after a few minutes. 
Fiona’s hands grabbed at your shirt, pulling it over your head. She flipped you two over so she was straddling your waist. She ran her hands along your abs, biting her lip. She went down to your neck, kissing and nibbling over your sweet spot. You groaned quietly, putting your hands on her waist and ass. 
Fiona pulled away, taking off her pants, revealing matching panties to her bra. She looked up at you through her lashes, climbing back up on top of you. Her hands went to your jeans, unbuckling your belt and unzipping your jeans. You helped her take them off, taking your underwear off with them. 
Fiona’s eyes immediately went to your cock, her mouth curling up into a smile. She put one of her hands on your dick, the other over your balls. She massaged your balls slowly, putting your head down to the tip of your cock. 
She made eye contact with you, flicking her tongue over the tip of your cock, licking up some of the pre-cum. You groaned at the sight, your heart dropping as she took your length into her mouth. 
She did little by little, adjusting so she could try and fit all of you. She had her free hand over the part that she couldn’t fit in her mouth. Fiona moved her head back and forth, resting her tongue on the underside of your dick. You put your  hand in her hair, pulling slightly as she went faster. 
“Fuck, Fiona,” You groaned. 
You felt her tongue swirl around your dick, push her lips further onto you. She was able to take you all in, gagging slightly. You gave her a small smile, letting her know with your eyes she didn’t have to, but she continued anyways. 
She deep-throated you, moving her head back and forth, side to side vigourously. You looked at her through hooded eyes, feeling yourself come close as she sucked your dick. You pulled her away. 
“What’s wrong?” She asked. 
“Nothing’s wrong,” you said. “I wanna cum inside of you.”
She smiled and you switched spots with her. You took off her underwear, the sweet smell of her arousal filling your nose. You went in-between her legs once again. 
“Oh, wait, shit. Do you have a condom?” You asked. 
“Don’t need one. I’m on the pill,” she said. “You sure?” You asked. 
“Yep,” she nodded.
“Alright. Ready, then?” You asked, lining yourself up with her wet, glistening cunt. 
“Yes,” she said. 
You entered her slowly, earning a moan from both of you. You slowly entered all of yourself in, letting her take a few moments to adjust. Once she gave you a nod, you started to move slowly, but that didn’t last long. 
Soon, you were fucking her. You slammed into her pussy, Fiona’s nails scratching against your back. Her leg’s went around your waist, her heels digging into the base of your spine. 
“Ugh, you’re so tight,” you groaned as you felt her pussy tighten around you. 
“Fuck, Y/n!” Fiona screamed you went back and forth into her. 
You felt your orgasm build up and she tightened around your cock more. 
“I’m gonna c-cum!” Fiona exclaimed. 
“Me, too, baby,” you panted. 
You came inside of her, feeling her wetness and warmth grow around you. You both groaned as you released. 
You pulled out of her, collapsing other side. You both panted as you came down from your high. 
You turned to her, a smile on your face. 
“That was uh, great.” “I agree” Fiona breathed out. “I guess we should, um, go downstairs?”
“Or we can stay upstairs for a round two,” you smirked. “I could please you this time.”
Your hand crept up her thigh, going up to her pussy. 
“Sounds like a good deal,” she smiled, leaning over to kiss you.
————
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1ddotdhq · 3 years
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Sun 31 Jan ‘21 
Happy Walls Dayyy!!!!!! Today was the first anniversary of our #1 fave debut album of 2020, and we all celebrated, Louis included! Last but best thing first: WE GOT A DEMO!! Louis ended the day by publishing a dreamy clip of a demo of the title song ‘Walls’. His clear voice croons over beautiful sliding electric guitars and background reverberance- if that’s his FIRST draft then he is, as we knew, a GENIUS! AND, the King Himself came on twitter to interact with his “loyal” (his words) subjects (that’s us!). He popped up at first to say that his tour, when it comes around, will be “fucking unbelievable...this is our day!”, and talked about his favorite part of the last year (“the two shows I played”), what he noticed most when performing solo the first times (“the space on stage” ughhhh all the tears), what he was looking forward to after COVID (“everything”) and getting through these times- “remember that everything is going to be better when normality sets back in.” He also explained that while he was gonna put out merch today, he “didn’t want to market the day”, but rather make it “a celebration just for us”. But, uh, the merch will be coming eventually! He then replied that there were “too many greedy fuckers out there” who try turn celebratory events into a “cash grab” (to quote the fan), and harries then got mad at that because THEY were like this must be about Harry (lol uhhhh) and assumed he was shading him and Jeff rather than, I don’t know, his OWN FORMER LABEL?? Cool cool cool, but it’s still Harry’s moth on Spotify, so cope. He told us that his proudest moment on the album was recording the strings for the Walls the Single, that he wouldn’t have approached the process differently because he’s still really proud of the album, that he was most looking forward to us hearing KMM or Walls, that Doncaster is his fav place (to no one’s surprise lmao), and, asked what song he likes to rock out to off HIS ALBUM was like oh hey have I got a rec for you: “Maybe Tomorrow” by the Stereophonics. It goes, “think I'll walk me outside and buy a rainbow smile, but be free” and “maybe tomorrow I’ll find my way home” (huh is there something happening tomorrow that could be linked to... OH. Right. Huh. Well all that is just a coincidence I’m sure, it’s not like Louis ever said he likes to rec songs because he wants us to read into the lyrics or anything... oh wait.)    
LTHQ did a insta quiz over on their stories (I only got two questions wrong!) and they did the promised virtual listening party and tweeted along to each song and retweeted fans’ reactions (and all the usernames, larries everywhere, we SEE YOU). Friends of Louis joined in the celebration- Only The Poets, Ashton Irwin of 5SoS fame, Helene Hornyck (“all the love,” she said!), Isaac Anderson and more, and All On The Board made one of their lovely Frankenstein poems which mashing up a bunch of LT1 songs, but in keeping with the theme of the day (and COVID I GUESS) did it as fanart rather than the usual in person board. And all of that was the BORING part of the day, can you BELIEVE?? The FUN part was the Walls Fanart that was chosen to be the new Spotify cards on the official Walls album. As in, they are up right now if you want to go check them out, but I’m gonna tell you straight up: they’re half Harry tats! The Defenseless card, especially, as it is just straight up fanart of Harry’s moth tattoo, especially fun when he had JUST got us talking about its Papillion origin with his finsta! The artist had been worried that Louis would be mad at them for submitting ‘Larry art’, and was overjoyed to learn that, uh... apparently, he was NOT. That was not all! The ‘Too Young’ art card is H’s rose tattoo, ‘Habit’ and ‘Fearless’ were both different variations of H’s anatomical heart tat (the ‘Habit’ one even included the word kind :{) ), and the We Made It rainbow wheel did, in fact, make it to Spotify, just like we thought! “Perfect Now” was Louis standing under a rainbow spotlight—they made that one black and white for spotify but the artist shared the original version. Harries were beside themselves, and tagged Jeff (Azoff), Ben Winston, and Gemma Styles (what?), demanding that they make Louis take the art down because it was clearly Harry art, which 1.) how much more blatant can you be if even ANTIS are noticing and 2.) what sort of control do they think Jeff, Ben, and Gemma have over Louis seeing as, uh, none of them currently work for him??? Weird, are they thinking there might be some kind of link... between Harry and his team and Louis... tell me more antis, truly, I’m fascinated!
One would think that’s more than enough for one day but WAIT THERE’S MORE Zayn is in EXCELLENT quirky Zayn form having fun with his own merch—he posted a gremlin (from the old RL Stine movie ‘Gremlins’) in a NIL beanie captioned “one size fits all humanoid shaped heads” late last night, haaaaa. Yes, I agree! The red stitching really makes the gremlin’s red eyes pop, and his fangs have never looked this good! And the question arose, is Harry’s finsta actually just his side account for following nothing but gay meme accounts? Evidence—the discovery of a second follow, of the openlygayanimals account-- would suggest yes! Well that’s valid, imagine having to not only navigate the internet AS HARRY but also without funny memes of your choice, that’s no life to lead. And Niall complained on twitter that people didn’t understand his sense of humor because SARCASM! He also tweeted about golf, which I’m sure was cool for people who understand it.
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badapricot · 3 years
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Lovely Writer: Special 1
This is a rough translation of the first Lovely Writer special. There are 8 in total and other side stories that the author compiled. I’ll try to post 1 a week since they do vary in length, and some are a lot lengthier than this one.
This special is from Nubsib’s POV and it’s about Nubsib remembering his feelings for Gene after seeing him on Facebook, and becoming fixated. Nubsib is 15 at the time and Gene is 20.
At that time, I was in the ninth grade.
Since middle school, my parents had sent me to study abroad with my brother. Because of the wealth of my family, this was never an inconvenience. But living alone in a place that wasn’t your home country required a lot of adjustment, mainly doing everything on your own. You had to learn things that you’ve never seen and known. 
This was one of the methods of teaching the sons of the Thanakitpaisan family.
It was their luck to have a son who was mature since childhood. It didn't take long for me to get used to the culture there, where I went to parties, attended sports clubs, worked a part-time job, and even had typical American teen sex. Being Asian did give me some advantages, when it came to distinguishing myself from the others.
I could only smile when talking to the many blonde women who bragged about our experiences in bed, amongst their group of friends. After some time, I felt differently about it.
"Sib.”
"Yes?" I leaned back on the sofa, and raised my head from his screen when I heard my name.
Neung came downstairs. He was wearing a thick gray cardigan with a scarf. "I’m going to go meet a friend. You're not going anywhere today, right? "
"Hmm."
"Okay, I might be coming back late. Please get my package when it arrives. You’re not going out with your girlfriend, right?”
"We broke up.”
"Huh?” Neung frowned. "You dumped another one? Again? You know, you don’t have the face of a womanizer.”
"…"
Neung opened the door of the house. For a moment, the cool outside air blew in, until the hot air from the heater disappeared. I didn’t care much about either, and stayed looking at my phone screen.
I’m not a womanizer.
It’s just that every time I got together with a girlfriend, something felt wrong. I knew I wasn’t in love with the first girl. The others, I didn’t like particularly much. Sometimes the girls didn’t like me much either, and only wanted a partner themselves, so we’d eventually separate.
It was true, that I was only in the ninth grade. But sex here was too normalized. It had become so normal that I’d become bored. When sex became so commonplace, all excitement was lost.
Mom: (send picture)
Mom: I’ve sent you Thai ingredients that should be delivered soon. They’ll be waiting for you.
Mom: Today, I went to see Aunt Run, do you still remember the house next door? Today is the Aunt's birthday. All of her sons have come home.
Mom: I saw it and I missed you and Neung.
I looked at the message that popped up, from the other side of the world. It was dark here, but over there it was probably in the middle of the day. It was time for them to eat.
Mom: Do you remember Gene? Gene and Jap are all grown up.
Gene?
After reading my mother’s message, it was natural to think of the past. I missed it. During my childhood I would run and play with him everyday, and just the same, Gene would play with me almost every day.
I still remembered “P’Gene” clearly after all these years.
We were five years apart. But we somehow became closer than me and my own brother. Since I moved out of the house, we never saw each other again. We didn’t have any more contact with each other.
When my mother talked about that time, I felt nostalgic.
I moved my finger to type to ask for a picture from my mother. In the end, I sent a simple sticker. I sat on the sofa in the living room for awhile before retiring to my bedroom to shower.
In my warm bedroom,  so different from the night air outside, I picked up my phone again. I went to Facebook to catch up with everything back home. My finger kept scrolling through my news feed, my face blank. I started to feel sleepy, but before I could fall asleep I saw a status.
I wasn’t friends with the person who posted. But I was friends with his mother, who was tagged in the photo.
Jap Jarernpipat posted a picture.
This year, my mother has lost another year, haha.
In the picture was a group of six people. The background was a wide garden and a long table. Both of my parents, and Auntie Run and Uncle Teep were there. But the one that most caught the eye was the man in the lower right corner.
The other person grinned until his eyes were crescents. His hands were raised, flashing a peace sign. His hand held a cake tray with a delicious golden egg. The corner of the mouth was stained with white cream, like he was teasing someone. He was smiling, which made his cheeks round and full.
I couldn't take my eyes off of him. For a second, there was a strange numbness in my fingertips and toes.
I didn’t need anyone to tell me who that was.
P’Gene.
He was still wearing a white uniform shirt. It had been many years since we’d met, if counted by age. Gene would have been in university for three years.
Usually, I was the kind of person who didn’t care about the people around me, or anyone else. But this time, I couldn't control my fingertips. I clicked onto Jap’s Facebook page.
Chasing him down, I found a status posted with the person I was looking for tagged.
Jap Jarernpipat posted a picture
My brother brought me to the movies. What kind of crazy alien movie is this? I might puke, but maybe you guys on Facebook will like it.
The post was from three days ago. One was a picture of a cinema ticket on the top floor of a department store in the heart of Bangkok and the other was of P’Gene in a T-shirt and jeans. He hugged a bucket of popcorn. His hand was holding a large glass of water, lifting it up to his lips and sucking. It was a funny candid photo that many of his friends on Facebook commented on to make fun of him.
...but for me, the only word that came to mind was “lovely”.
I didn’t know why I was doing this but I pressed “save that image”.
Jap Jarernpipat posted a picture
My stupid little brother, you make the whole house look bad.
They were in a garden in the corner of the house that felt familiar to me, but was a little fuzzy. They were in front of a flower bush that had been trimmed into a square. Gene was sitting down, with his butt on the ground. A blue hose fell next to him, the hose spraying in another direction. It made him wet all over soaking his shirt, the thin material clinging to his body.
Both of his arms were behind him, to support his body. Therefore, his shirt and body were stretched, so I could see two small nubs contrasted and poking through his white shirt.
My eyebrows furrowed together, and I frowned.
I cursed when my body immediately had a strong reaction, just from the one picture.
I pressed the comment section, when I saw the high number of comments.
Jiranon Jarernpipat: Jap stop posting pictures of other people.
(Reply) Jap Jarernpipat attached video clip.
I clicked play immediately.
"Ow, P’Jap!”
“Hahaha, why would you say you’ll help me water the plants? You can help if the grass is dead.”
“Can you turn off the water for me first? Why are you recording?”
P’Gene raised his white hand. He wiped the water from his face, and pushed himself off  the ground. His shirt clung to his body, so I could see everything. He had the voice of a man, but he was still so cute.
Finally, the clip ended.
There were still a lot of other videos that Jap posted pranking Gene, all of which stopped me from becoming bored. I saved all of them to my phone and computer. In the end, when more and more accumulated, I created a whole separate folder.
That night when I fell asleep, my brain was filled with pictures of the boy next door, who I hadn’t seen in years.
Another morning, days later, I woke up frowning, and I had to gently breathe out. I’d dreamt of P’Gene again. Since seeing that picture that night, there hadn’t been a day where I could go without seeing his face.
I knew Gene’s Facebook. But he didn’t update much, except to change his avatar or cover photo. But Jap’s Facebook page had tons of pictures of Gene. So I was still able to look at Gene’s pictures and progress in life everyday, like some kind of psychopath.
Even when I closed my eyes to sleep sometimes, I still saw his pictures.
I didn’t want to be this way, but I couldn’t control my subconscious.
I always saw Gene lying in my wide bed. He would smile at me, his cheeks soft and reddish. His hands would hold on to me, and his mouth would gently say, “Sib.”
It was a fantasy that any teenage boy would have. But it wasn’t a woman. Instead, it was the boy next door, who always loved and saw me as a brother.
I circled back to look at his pictures every day. In the end, the feeling accumulated like a huge mountain of snow.
I want to meet him in real life.
I want to hug him.
I want to smell him. 
I want to kiss his mouth. I want to do to him what I do in my dreams.
Since the day I saw his picture and until today, my thoughts and feelings had become more and more intense. So intense, that sometimes I was afraid of myself.
I’d already decided how I’d deal with this.
“Will you finish school here?” Neung had packed all his bags and was ready to go because he finished his studies. I leaned against the door frame, looking into his room.
“Actually, it’s nice here too, you know.”
"No, I'm going home."
“So you’ve changed your mind then?”
I nodded.
“Well, our house is nice and of course, our parents miss you too.”
"…"
"I'm not going to be here anymore, don't bring any women into the house...but you're not dating any girls lately. So it's fine."
I sent off my brother, who took a taxi straight to the airport to go back home to Thailand. Personally, I still had a year to complete my studies.
In the past, I had never thought or worried about how fast or slow time would pass. But now, I felt jealous of my brother.
Back at the house, I picked up the phone. I was still for a while. Maybe it was because Neung had returned to Thailand, but I felt like chasing pictures wasn’t enough anymore. My fingers moved before I could decide to send a message to someone.
Nubsib tanagijpaisarn: P'Jap.
Nubsib tanagijpaisarn: Do you remember me?
I wanted to talk to someone who could tell me everything about P’Gene. 
I wanted to learn everything about him.
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twh-news · 3 years
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"Loki" Director Kate Herron Talks The Epic Season 1 Finale And The Easter Egg Fans Should Go Back And Listen For | Buzzfeed
Warning: There are MASSIVE spoilers ahead for Season 1 of Loki!
Welp, Loki Season 1 just came to an end and I think it's safe to say that the Marvel Cinematic Universe will never be the same. Following the Season 1 finale, we sat down with director Kate Herron to talk about everything — like how it felt introducing the multiverse and Jonathan Majors to the MCU, casting this incredible ensemble cast, Loki's bisexuality, and so much more. Here's everything we learned:
1. First, Kate has always loved Loki, so she knew she wanted to be involved in the "character's next step" in some way.
"Basically, I love Loki, and I found out they were making a show about him. As a fan, I was like, 'I need to know where he's gone.' Then, I just wanted to know what the story was going to be. I loved the character. I think Tom Hiddleston's performance is amazing. I really wanted to be part of whatever this character's next step was because I think Loki's had one of the best arcs in the MCU."
2. Directing all six episodes of the first season felt like filming a six-hour movie.
"Directing all six episodes was a really unique experience, right? Because normally TV is run through the showrunner system, and Marvel didn't do that on Loki. It was incredible. It was quite an undertaking to do six hours and run it like a giant film. I'm so grateful for the opportunity, and I'm really proud of what we made."
3. When Kate signed on to Loki, only the first few scripts had been written, the "rough shape of the show" was in place, and they knew Loki would be arrested by the TVA.
"When I started, Michael [Waldron] had written the pilot. Then, there was a second episode written by Elissa [Karasik], and Bisha's [Ali] episode was written. So, there was a rough shape of the show. It was already fixed in that Loki was gonna be arrested by the TVA and then it had this twist that he was going to try and solve the mystery of who this other Loki was, but then it pivots and becomes this love story about him falling in love with himself. I just thought that was so inspired and the message that had about self-love. I just really wanted to be part of that."
4. And they always knew the show would end at The Citadel at the End of Time and the multiverse would be born.
"As we dug into it with Kevin Wright, our producer, the studio, Michael, Tom, and also our whole team, I think it was always thinking like what was the best story, in particular during the second half of the show. We always knew they were going to The Citadel, something would happen, and the multiverse would be born, but we didn't necessarily know it would come out of Loki and Sylvie fighting. That idea came out of discussions with me, the writers, and the studio."
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5. It was "always the plan" to introduce Jonathan Majors to the MCU during the Loki Season 1 finale.
"I think me and the writers were just like, 'Well, they haven't told us we can't introduce that character. I guess we're doing it.' It was really exciting and I felt really honored that I got to be part of it."
6. Kate was involved with Jonathan's casting for He Who Remains/Kang alongside Peyton Reed, who will direct Ant-Man: Quantumania, and Marvel Studios.
"Being part of the casting discussion with Marvel and Peyton was amazing. It was massive. I was just like, 'Wow, I can't believe I get to be part of this conversation.' Everyone was just so excited about Jonathan. He's one of the best actors. I just couldn't believe we got him."
7. Jonathan brought a lot of "cool ideas to the table" once he was cast, and Kate gave him "space to play."
"He just brought so many cool ideas to the table. I think when you're working with an actor like Jonathan, it's really just about giving him space to play, and let him find the character and give him a cool way to do that. I really enjoyed working with him. We finished the shoot filming in The Citadel, so it was really interesting that we finished filming with Jonathan. I just felt very lucky I got to direct him."
8. Jonathan actually voiced the Time-Keepers in Episode 4, which added to the Wizard of Oz homage.
"Obviously, the Time-Keepers were being made in post, and we hadn't cast anyone [for the voices] yet, and I thought, 'Well, Wizard of Oz. Like it should be the wizard, right?' So I thought it would be cool if it was Jonathan, and I think the key thing then was just working with him in a way that we could disguise his voice. I think the fun thing was, Jonathan is an amazing character actor. So we just sent him the art and he was sending audio clips to me and Kevin Wright and being like, 'What about this voice?' It was just so much fun to do that with him. I think that was just joyful."
9. Kate's favorite Easter egg from Episode 5 was Throg — in fact, Chris Hemsworth recorded new lines and sounds for that small part.
"That one I was very proud of and it was very fun. I had that shot designed for a while. I think I'd seen it in Futurama, and a lot of animation does it, but I love the idea of going through the dirt and it reveals something. I always felt like that shot would be the place to insert an Easter egg. When we had Throg in there, it was so much fun and it was perfect. We also recorded Chris [Hemsworth] for that. It was just so much fun."
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10. She also loved the Thanos Copter and said it was a "funny" detail the producers loved from the comics, so they had to include it.
"The Thanos Copter was great. Kevin Wright, our executive producer, was really obsessed with that copter, I was like, 'We have to put the helicopter,' and it was so funny. Episode 5 is our best Easter egg episode. There's so much deliberately because of the nature of The Void as a place where deleted things are sent."
11. There's one Easter egg/detail Kate hasn't seen fans catch onto yet, and it involves a "familiar" voice at the very end of the Season 1 finale.
"The one I would say is — it's less Easter egg and more cool story-wise. So, at the very end of the finale, when Loki is in this alternate TVA, there's a character that runs behind him and is going to the armory and people should listen to the voice. It's very quick, but it's someone familiar."
12. Loki was inspired by numerous iconic sci-fi movies, like Children of Men, Alien, Hitchhiker's Guide to the Galaxy, Metropolis, Starship Troopers, and more.
"Bisha, in the episode [she wrote], she spoke about Children of Men and also Before Sunrise as a reference, so I was really inspired by that and the idea of bringing these sci-fi things together. Across all the TVA, I wanted it to just be a big love letter to sci-fi movies, like Metropolis, Brazil, Hitchhiker's Guide to the Galaxy, [and] Alien. A reference I could never talk about early was Starship Troopers just because, obviously, the TVA are bad guys and in that movie they also use a lot of propaganda film and we had our Miss Minutes film. So, that movie played a hand. There was so much across the show. We had references from everywhere."
13. And the inspiration for how The Void would look in Episode 5 actually came from Teletubbies.
"I never really spoke much about it, but basically in Episode 5, The Void was originally written like a desert, but when I pitched, I said I thought it would be cool if rather than like a Mad Max desert apocalypse, it's more like an overgrown garden. Like, this is the place where the TVA throw their rubbish in. I just loved the idea of that. I think I realized as it started to unravel that I'd basically pitched the British countryside. As we were building it, I was like, 'Am I just homesick?' I remember trying to explain it to the visual effects artists who were making it, and I was like, 'You know, it's like the Teletubbies. You know, rolling hills just one after another.' So, yeah, the Teletubbies became a useful reference when describing The Void. So, that's how they played a hand in it."
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14. Kate was the one who suggested Sophia Di Martino audition for the role of Sylvie.
"Sophia was in a short film of mine called Smear. I was very happy to pay her, finally, for her talent. When we were reading for the role, I was like, 'There's this actor I know and I think we should ask if she wants to read.' Everyone was like, 'Yeah, sure.' So, she read in these audition tapes, and we were all watching the tapes back and I remember everyone at the studio was like, 'Wait, who's that?' And I was like, 'Oh, that's my friend Sophia.' They thought she was amazing."
15. Sophia's audition tape was so good that she was immediately cast.
"Basically, everyone was really excited by her tape and I think she got cast in the room, which is incredible. I was excited because I got to bring my friend along. She's such a good actor. She's fantastic in Flowers and I was just so happy that she was coming along for the ride. I think she's done such a beautiful job with Sylvie."
16. One of the most important things when crafting Sylvie and the other Loki Variants was making sure they were their own characters, and not just Loki copies.
"I think the most important thing, minus just tiny little gestures, was really making it important that Sylvie was her own character and that all the Lokis weren't just 'faded photocopies.' They were all their own Loki. It wasn't even that they stood in a similar way or looked similar, but what in their soul made them a Loki. I love that line, 'Lokis always survive.' That idea goes across all our characters who are Lokis."
17. Casting Sylvie was one of the hardest things, and Sophia was able to bring her own spin to the character and she was the perfect "sparring partner" for Tom.
"Sophia has this talent — and I think Tom has it as well — where she's so funny and naturally so witty and charismatic that you can't take your eyes off her. She's also really good at playing characters with a lot of anger, pain, and vulnerability. I just felt that those qualities were so Loki to me. She brought her own spin on it too. Tom's performance is so iconic, so Sylvie was a tough role to cast because you need to give him a good sparring partner, but also, it's another Loki and people love Loki. So, it was really making sure that she felt distinctive enough that she was different, but also that we gave Tom a really fun actor to play alongside. It was really fun watching them. It was really fun seeing their chemistry grow."
18. Sylvie's fighting style was actually crafted to have similar movements to Loki's, thus showing that they are basically two sides of the same coin.
"I know Tom and Sophia spent a lot of time together. I think the fun thing with Sophia was the little things, like the fighting styles. She has a very different life to our Loki. Loki is very balletic in his fighting style, because he grew up in the palace, whereas Sylvie grew up in apocalypses. So, she was going to fight a bit more like a feral cat. I thought that was fun to play with. We worked with Mo [Ganderton], our stunt coordinator, and it was really fun to find little mirror image stuff they would do when they fight. We did a little bit of that on Lamentis and there's little bits here and there where we've done that. There's also little gestures that they do that are quite similar."
19. Kate had a "four hour" phone call with Owen Wilson before he was cast. They talked about Marvel, Mobius, and Loki.
"Everyone was so excited to cast him. I remember, they were like, 'Kate, just call him and see if he's up for it.' That was a lot of pressure. But then, I spoke to him on the phone and we spoke about Marvel and Loki in Marvel. Also, we talked about what our show was doing, who Mobius was, and then just getting his take on it. It was a very detailed conversation. I think we spoke for like four hours. At the end, he was like, 'I'm in.'"
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20. Wunmi Mosaku's role was originally supposed to be a male character, but Kate suggested having an "open casting" because she thought Hunter B-15 would be really great as a female character.
"When I spoke to the studio, I was like, 'This character is cool, but I just think it could be really interesting if this was a female character. So, could we do open casting? We'll have men and women read, and we'll just see who's the best person for the role.' So, Wunmi read for it and just blew everyone away. We were like, 'We have to cast this person!' So, we kind of remade the role, really, around her."
21. Kate loves the idea that Hunter B-15 joins this club of sci-fi female characters who were originally supposed to be men.
"It was cool because I love Ripley in Alien and I love Kara Thrace in Battlestar Galactica. In the original Battlestar, Kara Thrace's character was played by a man, and Ripley in Alien was originally written as a man, so I liked that Hunter B-15 was joining these badass women in sci-fi. That was really cool to me."
22. When Kate pitched her ideas to the studio, she include Gugu Mbatha-Raw as the actor she wanted to play Ravonna.
"Gugu was in my pitch when I spoke to the studio. I was like, 'I think she'll be really great.' I love her work as an actor. From Belle to the episode of Black Mirror she's in, everything she's in is so different. I think that's so interesting with Ravonna because in the comics, Ravonna's been good and bad, and she's such a big character. I was like, 'I'd love to see Gugu's take on that character.' The studio was really excited by that and so was Gugu."
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23. Kate said it was "important" to recognize Loki's bisexuality in the show, and she loved how it was naturally worked into a conversation between him and Sylvie.
"It was just important for us to do it in a way that made it canon, acknowledged it, and also done in a way where like, if someone asked me, I would just be matter of fact about it, like, 'Yeah, I'm bi.' I think that was the important thing for it and building it into the conversation. It was important to the whole team and the way that it was written was really beautiful. It felt like the right place to do it because these two characters are starting to open up to each other and are being a bit more honest about who they are. So it felt like the right place to have that moment."
24. The TVA weren't always going to be Variants/humans. That idea was born out of conversations with Kate, the writers, and the rest of the Loki team.
"When I started, I think it was a bit more up in the air with like, who are the Variants who work for the TVA? Are they Variants? They actually weren't Variants when I first joined. Casey was an alien, for example. I think something we all locked onto was it was more effective to make them more human. It was already in there that the Time-Keepers wouldn't be real and that would be a big Wizard of Oz rug pull. But the extra rug pull we added was that, on top of all of that, the TVA don't realize that they're actually Variants."
25. One of the things Kate enjoyed the most was figuring out the "inner workings of the TVA," like how the Minutemen would operate.
"I think it was really fun, in terms of the bigger structural stuff, to work with everyone. Also, figuring out the inner workings of the TVA, like every squad of Minutemen would have a hunter and they'll be little details sprinkled across all the world building in the show. Generally, we always looked at the characters and what was the best story and how to get to the end goal in the most effective way."
26. The season finale intro — which included seeing space, the sacred timeline, and hearing quotes from the MCU and history — was an homage to Contact.
"Basically, Eric Martin, our writer, he'd written in this amazing idea that for the opening we do an homage to Contact, and kind of move through space to the end of time. Then, we'd see the physical timeline, and then we see The Citadel. I love Contact, and I was like, 'Oh, that's so cool.' We took that idea to Darrin [Denlinger], our storyboard artist, and me and him just nerded out about space and about how we wanted to pay homage to Contact but not be completely the same.
So we played with the idea of time and he was bringing in so many cool ideas. But then, the amazing pitch he had as well was like, 'What if when we pull out at the very end, the timeline isn't a straight line like how you guys have been showing it in the show? What if it's actually circular?' I thought it was such a good idea."
27. Kevin Feige helped come up with the idea to include Marvel quotes over the Marvel logo because it was something the MCU had never done before.
"I had this weird idea where I remember saying to my editor, Emma McCleave, I was like, 'Oh, can we add a baby crying or the sounds of the city? And it's like we just hear life.' So her, me, and Kevin Wright got really into that. So we were adding all of these different sounds into the timeline. We also had quotes from just life, not Marvel. Then, we showed that cut to Kevin Feige and the rest of the team.
They all thought it was cool, and then Kevin Feige was like, 'Oh, do you know what? We've never done quotes on the Marvel logo before.' So, we thought that was cool and we added the quotes to the Marvel logo intro. Then, me, Kevin Wright, Emma, and Sarah Bennett, Emma's assistant, decided to just put the MCU quotes across the whole thing."
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28. Going from hearing all of the voices in the season finale opening to utter silence in The Citadel was also a way of learning something about He Who Remains.
"I loved the idea of all the noise and this Greek chorus building because when you finally pull out and see The Citadel and how isolated it is, it tells you so much about He Who Remains' psychology because he's surrounded by all this brimming life, but he's completely isolated and alone. I thought it tells you a little bit about his character and who he might be before we see him."29. Kate loves that the season finale opening is a "beautiful handover" from the previous phase of the Marvel Cinematic Universe into this one with the multiverse.
"It was a real group effort, and we were just really excited at the idea of it being this really beautiful handover from the previous phase of Marvel. Also, we get to encapsulate a little bit of our world as well, which was really fun. The editing team put so much time into that. I really want to watch it in a planetarium or something."
29. Kate loves that the season finale opening is a "beautiful handover" from the previous phase of the Marvel Cinematic Universe into this one with the multiverse.
"It was a real group effort, and we were just really excited at the idea of it being this really beautiful handover from the previous phase of Marvel. Also, we get to encapsulate a little bit of our world as well, which was really fun. The editing team put so much time into that. I really want to watch it in a planetarium or something."
30. And finally, even though Loki sets up a lot of upcoming MCU projects — namely, Spider-Man: No Way Home, Doctor Strange in the Multiverse of Madness, and Ant-Man: Quantumania — Kate didn't have a lot of conversations with other MCU directors and writers.
"Kevin Wright and Stephen Broussard from Marvel were our producers on Loki, and they worked with Kevin Feige, Louis [D'Esposito], and Victoria [Alonso]. They always steered us in terms of the Marvel big picture and let us know if anything was off base. It's so secretive at Marvel, so I only spoke to Peyton just because our timelines crossed [with Jonathan]. Generally, Marvel manages everything internally and keeps us all in check."
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pl-panda · 4 years
Text
The vines that bind us - Chapter 6
Chapter 1 || Previous || NEXT
Elevator took her all the way to the highest floor. When she exited, the floor was back to perfect condition and several more plants were awaiting her. She promised them silently to check on them soon and went to the main office. She knocked several times on the doors, but nobody answered. Hesitantly, she pushed the doors open, but no one was in the office. After double-checking with security, it turned out that Tim Drake did not show to work. She sighed. Looks like more work for her… Just like Nathalie said.
“Didn’t you cause enough drama…” Lila never got a chance to end that sentence, because Mari delivered a straight one strong enough to send her flying several feet back before she came crashing down. Blood pouring from her nose.
The girl was about to launch herself at the liar and pound her into the ground when two strong arms grabbed her. She noticed the characteristic spikes on the sides of black gloves and stated to trash around. “Let me go you overgrown furry!” She screamed. “I will mix her face with the concrete until it’s nice and even!”
She tried to wiggle herself out of his grip. Most of the class surrounded Lila and were trying to help her. It only served to irate Mari more. She kicked her leg back, hitting Batman’s shin. It was finally enough to let her go. The girl fell down... right into the embrace of Chloe and Adrien who managed to get to her on time. The two blondes hugged her tightly. 
“There. It’s alright Goldie. You got her good. Rest.” The girl cooed and pressed her best friend to her chest, muffling the sobbing. Adrien was just silently there and hugged them both. When Batman tried to approach again, the boy sent him an angry glare. The warning was clear and the vigilante didn’t really need anything from the girl right now. 
After a bit, Mari fell asleep in their embrace. The stress finally caught up to her and she couldn’t hold exhaustion at bay any longer. Chloe easily picked her up and started to walk toward a taxi that was conveniently parked nearby, waiting for them. 
“What!?” Angry Alya looked from Lila who was now being cared for by a pair of paramedics. She turned to Commissioner Gordon who was discussing something with Batman. “You!” 
The policeman looked at her curiously. Alya continued her shouting. “You’re letting her go just like that? She just assaulted Lila! She might’ve ruined her modeling career! Arrest her!”
“Miss.” Gordon shook his head. “These are some of the braves men and women in Gotham, but I doubt any of them would dare to try and arrest her right now. They don’t get paid enough.”
“What?!” Several kids started to protest, but Gordon just ignored them and directed Harvey to start taking statements. He wasn’t paid enough to deal with these brats. 
--------
Bruce sighed as he exited the Batmobile. Almost immediately, he was swarmed by the rest of his family. Jason and Dick practically carried him, still in the suit, to the movie room. 
“Now, Ladies and Gents, we have some of the greatest shows for you. We call it… The Demon Trashing!”
What followed was a clip taken from monitoring in the anteroom of the CEO office in Wayne Tower. He watched as Damian, dressed in civilian clothing, and carrying a simple ninjato on his back entered the room. He walked around for a moment before knocking on the main office doors, but whatever answer he got seemed to have irritated him given the scowl that formed on his face. He walked over to the PA’s desk that stood there, but no one was here. After a short moment, one could see the elevator doors open again and a small girl in a smart outfit walked in. Damian dashed to the shadows before she had a chance to notice him. 
Bruce resisted the urge to facepalm. He could already see where this was going. 
When the girl started to walk to the desk, his son suddenly reappeared with the sword drawn. He pressed the blade to her neck. From the angle, it was impossible to see either of them expressions. The man did not expect his son to kill a civilian for trespassing, but the amount of glee on Jason’s and Dick’s faces was suggesting that his headache hadn’t really started.
The girl suddenly grabbed the blade and pushed it away. Damian, probably acting on instinct, tried to cut her, but she just walked out of the way and disarmed his son before knocking him out. There was a short skip to when Jason and Dick entered the room. The small girl was clearly very much irritated with them from the start and when she reached her limits, she used a pencil as a projectile to open the elevator doors. 
A small smirk made its way to Bruce’s face when he saw her storm past his three sons, carrying the ninjato through a tissue. The video ended with Damian waking up.
“And that’s how Drake’s new PA trashed a certain Demon Spawn. I swear, she could probably give Luthor’s bodyguard a run for her money when it comes to being a badass” Jason commented on the silent video in his typical fashion. 
“Tt. She stole my sword.” Damian huffed.
“You mean the sword she later used to stab Riddler’s man before disarming him?”
“I still consider the best part of today when she called B. an overgrown furry,” Dick said trying to hold back on laugher.
“Wait. I have a new personal assistant?” Tim asked half-awake. 
“Yeah. She was supposed to be an intern, but apparently, Sarah hired her on the spot and quit.”
“Oh… Cool.” Tim said and took a swing from his gargantuan cup. 
“Did you manage to pull the video of her taking down Riddler?” Bruce asked.
“The cameras malfunctioned before she even entered.”
“It was me,” Tim confessed. “I was still in my office when the alarm sounded. I keep a separate copy of my suit in a hidden compartment. To save time I dressed there, but I had to disable the CCTV…”
“Yeah yeah. Whatever.” Jason shut him up. “I also got the part when Damian’s eyes roll back as my new screensaver.”
“Tt. You’re lucky I don’t have my sword.”
“Don’t think you’re getting it back any time soon,” Bruce said in a stern tone and sighed. “What exactly do we know about her?”
“She is from Gotham, but she lives in Paris for some years. She said she was practicing martial arts since she was five.” Dick started
“She is also one bada…”
Jason was interrupted by Alfred, who entered the room with a plate full of cookies and tea. “A young woman just called. She asked me to forward a message to young master Damian.”
“Tt. What is it?”
“I quote. ‘Good luck getting your sword back now. Police took it as evidence. Suck it, Wayne.’ I believe the woman was young miss Chloe Bourgeoise.”
Dick, Jason, and Tim were literally rolling on the floor laughing. Bruce just facepalmed.
“No, you can’t break into the evidence room. You might jeopardize the whole investigation if you taint the evidence.” Bruce said in an exasperated tone. 
----------
It was late after midnight (or even early morning, depends on your definition) when the vigilantes returned from the patrol, only to meet Tim and Barbara working on something on Batcomputer in tandem. Whatever it was, they were completely devoted to it since neither realized they had company until Bruce made a coughing sound.
“Not now.” 
“What exactly are you doing?” The father inside Bruce resisted the urge to force-feed Tim some sleeping meds. 
“We’re doing the background check,” Barbara said while typing frantically.
“On my new personal assistant.” The boy supplied.
“oh?” Bruce raised an eyebrow.
“Like… from what we found she is either the worst bitch on the block or strongest badass around.”
“Langauge master Tim.” Alfred scolded him. 
“Sorry. But like seriously! There are so many contradictions.”
“Check this out.” She pulled out a scan of a letter. It was largely creased, but still perfectly readable. “Her adopted parents one day disappeared, leaving her everything they owed sans some of their clothes. It was like they packed and left.”
“You suspect a foul play?”
“I’m not sure. The investigation was a joke and so was the follow-up proceeding. The interesting part is the custody battle that followed.” 
“Jagged freaking Stone and Parisian Mayor.” Tim interrupted Babs. “It ended with a compromise that Jagged was lawfully named her uncle and Mayor became her guardian. She was the one who suggested it.”
“How can one be lawfully named someone’s uncle?”
“Apparently one can in France. Or they just made some concessions to a celebrity. Seen weirder things.” He shrugged. “She was also his designer for years now. You remember that mysterious MDC?”
“The one you used to fawn over?” Bruce asked.
“She is brilliant so sue me.” The boy huffed. “Also, it stands for Marigold Désign et Création. She runs an internet boutique where she takes commissions from both commoners and celebrities.”
“What does it have to do with anything?” 
“I’m getting to that. Gee.” 
“Maybe I will get there?” Babs tried to take over. “She’s been working part-time as a babysitter to get funds to buy materials for new clothes and received nothing but praise. She also became a class representative. A successful one at that. She also holds the national championship in U-17 Mechastrike.”
“How is that important exactly?” 
“You wanted to know everything about her B., so we are giving you everything.” Tim sassed
“Just… get to the important parts.” He shook his head. What did he do to deserve this?
“Fine. Her school records are a mess. Skipping that they wouldn’t hold to any official inspection, they straight-up contradict each other.” Tim waved his hand in some undefined gesture. “On one hand, she receives nothing but praise from the teachers, but at the same time, there are multiple bullying reports and even several assaults in here. Most of them were met with harsh punishments.” Tim opened a separate file. “Too harsh according to the school charter.”
“It didn’t help that the letter from her parents also mentioned these kinds of things.” Babs chimed in, trying to regain control of the tale. Bruce just gave an exasperated sigh. He just gave up and allowed them to solve it, mentally already cataloging the information. 
“Except! There were statements from several people that contradicted this. Especially Chloe Bourgeois. She said, ‘Puh-lease! Mari is the kindest doormat in the world. I was mean to her for years and she still welcomed me back with open arms.’ Given her track record, I’m inclined to believe it.” 
“There was also this Drama, capital ‘D’, with MDC stealing designs. Several tabloids caught the wind of it and it even led to the police investigation. Only after Jagged Stone intervened, the thing quickly shut up.”
“Now onto the juicy parts!” Babs smiled. 
“And that was what? An introduction?”
“Yup. She has a certified black belt in two different martial arts, is a master gymnast, has an IQ of over 130 and owns two separate businesses in Paris.” She quickly read. “As we mentioned, she is the honorary lawful niece of Jagged Stone, but also designed for Clara Nightingale, Nadia Chamack, worked with Gabriel Agreste, was offered an internship from Audrey Bourgeois before she became her ward. She was seen hanging out with Kagami Tsurugi, world-renowned fencer, and Luka Couffaine, the rising star under Jagged Stone’s tutelage.”
“That was fast.” Tim summarised. 
“Yeah. Also, she was adopted some nine years ago. She originally comes from Gotham.”
“Do we know her biological parents?” Bruce asked, getting serious.
“That’s where it gets juicy. When I tried to pull out her adoption files, the computer shut down to avoid detection. There is some serious encryption on it. Probably due to who her father is. We got some of it. She described her mother as ‘wearing an outfit that showed more skin than her beachwear’, so we suspect she was a prostitute.”
“Hm… It’s not unheard of. You say she was with her mother until she was eight?”
“Between seven and nine the file said.”
“Hm… Do you think she is a threat?”
“No. But I have a different question. Why didn’t the league investigate Paris’ supervillain?”
“We were made aware of him only recently, after what our satellites mistook for Poison Ivy attack,” Batman said in an irritated tone. The fact that there was a supervillain running around for close to four years completely undetected grated on his nerves. “Diana Prince has been investigating for some time now. She has it under control.”
“The only problem I see is that she is only sixteen,” Barbara pointed.
“I mean I’m barely seventeen and I ran this company for two years now. And don’t act high and mighty. You started playing Batgirl at fifteen.”
“Played?!” She screamed. 
“You wore a hoodie and carnival mask at first.”
This quickly developed into an insults contest until Bruce finally had enough. He just shook his head and left. Alfred silently followed him, carrying a plate of sandwiches. 
-----
The next morning, Mari woke up in her bed, with Chloe and her curled together in a mess of limbs and clothes. Of course, she panicked and jumped up, waking the blonde.
“Honestly, Goldie, five more minutes. I need my beauty sleep!” She murmured.
“Um… Why are we in one bed?”
“Because you fell asleep hugging me yesterday and refused to let go at any point. I swear I wanted to get a crowbar. Ridiculous!”
“Sorry…” Mari gave her a sheepish smile.
“None of that! You ruined Lila’s face in one punch. Adrien texted me that in the end she lost seven teeth and will require plastic surgery for her nose not to look like a mashed potato.”
“No…!” Her eyes widened. 
“Yup.” Chloe grinned, popping the ‘p’. 
“That’s awful! I can already imagine how much the class will hate me now! And the employees that saw this! There were cameras there!”
“Some people actually applauded you. It could be also because you called Batman an overgrown Furry though…” Chloe’s voice wandered off. Mari collapsed onto the bed, head buried in the pillows.
“Kill me…”
“Can I kill you with hugs?”
“Fine…”
When the panicking bluenette finally calmed down, Chloe got her to sit down and showed her the headlines.
Brave WE employee saves dozens of lives!
A hero without a suit!
Civilian stopped Riddler!
Personal Assistant takes down a dangerous criminal!
They were all overly positive and showed much support. Only one tried to vilify her based on Lila’s comment and her being punched, but it quoted Ladyblog as a reliable source, so it was dismissed. The majority of the comments were also positive. The ‘overgrown Furry’ was already trending too. 
Only one of the articles contained the list of names of people killed in the attack.
Ted Black - a security guard, put himself between the bullet and another employee Sigfried Osborne - a security guard, died when he tried to stop them from entering Molly Bishop - a PR specialist, called the police when she thought the guards were busy Heidi Dickson - a security guard, killed in crossfire Craig Lloyd - an HR employee, wrestled the gun from one of the henchmen before he was shot in the back. Ethel Arson - A lawyer, killed in crossfire Christian Thorn - a security guard, shot two of the riddler’s henchmen in defense of a group of hostages.
Their room had several live plants on the rail. Mari walked to them and allowed her powers to flow. Slowly, the flowers bloomed. She picked seven beautiful flowers and put them on the table.
“Mari… I’m sure they will understand if you don’t come to work today…” Chloe placed a hand on her best friend’s shoulder.
“No… No. I won’t be scared into hiding by Riddler of all people.” She said with determination and some coldness in her voice. She stood up and walked to her suitcase. From there, she gathered a different outfit. Now she would wear a red shirt, a black blazer with the Ladybug logo on her right breast, a black pencil skirt, and black leather ballet shoes (she still hated heels). But the greatest change was her hair and eyes. She let go of her twin pigtails and allowed her wavy hair to run free. It was no longer black, instead turning dark blue with purple highlights. Her eyes also changed. Her bluebell eyes also changed. The iridescent green she used to suppress was now mixed with the normal eye color, giving an entrancing effect that was hard to stop looking at.
“It’s time to rock this place.” She smiled at her best friend.
------- (Play ‘Confident’ by Demi Lovato) --------
Marigold and Chloe entered the Wayne Enterprises in full stride. Flashing her pass, she got them through control without the queue or checking, much to the shock of the class (who still had no idea Mari was now technically their boss). Adrien showed the girls thumbs up. Lila was seething, but neither Chloe nor Marigold paid her any mind and guards didn’t let her follow them and straight-up kicked her to the back of the queue. 
Mari gave a nod to the receptionist, but they didn’t slow down. Elevator was about to close, but one of the employees held it for her. Once they entered, she quickly checked her tablet and the to-do list she had for that day. First stop: PR. Chloe was going to HR to receive a new mentor after… the previous day.
When she entered the Public Relations department, Mari didn’t stop to chat with the employee that looked at her in awe. Her goal was the department’s head office and that’s where she would go. Gently knocking on the doors before entering, she pushed the doors. While she was smiling kindly, her whole posture screamed professional. 
“Hello. Mr. Drake will need the Friday press conference plan adjusted in response to what happened yesterday. There needs to be a mention of the event, as we won’t want to sound too detached. The press would tear us apart. Some gesture to show the public that we care…”
“Maybe a memory board in the lobby? And perhaps schedule Mr. Drake to visit each of the families somewhere next week?”
“I think it will be okay…” For a short moment, Mari allowed her confidence to drop, but she quickly gathered herself and made a note in her calendar. 
“If that’s all…”
“I will also need a press statement no later than by lunch.” She said quickly. “Make it a priority and forward it to me to read before you post it.”
“Yes, Ma’am.” The man smiled. Mari was about to leave when he spoke again. “And thank you for yesterday. Many people owe you their lives.”
She stopped in her tracks, unable to say a word. Finally, she regained her composure. “Thank you. I… I’m coping.” 
As she left the office toward the elevator, Lila and Alya, who were interning in that department, tried to speak with her, but she didn’t even spare them a glance. Alya tried to grab her, but she was stopped by one of the older employees. As the elevator doors closed, Mari could see the girls receive a serious scolding. A grin made its way onto her face. Lila and Alya would have a really hard life for the next two months. Especially if she had anything to say about it. 
Her next stop was the security office. She entered it with a neutral expression, but it lasted only maybe five steps from the elevator. She didn’t tear up. She was a Gothamite inside. Right as one walked out of the elevator, there was a small bar, behind which a board was filled with pictures. Some looked really old, black and white or even sepia, while some others were high-quality and new. Roughly half of them were the clean pictures one would attach to a resume. The other half were profile pictures from social media. Or a photo that was taken in the forest. One was even a detailed drawing of a person. There were maybe fifty of them in total.
“It’s a reminder. Guards who lost their lives since the founding of WE” An older man said. “Silas Wayne started the tradition after he served in the Great War. You’re here for something miss?”
“Oh… Yes. The security on Friday press conference. We must increase it by about fifty percent. And make sure that only those with invites can enter.”
“Yes, ma’am.” He saluted her.
“Um…” Mari suddenly felt a bit uncomfortable. 
“Don’t worry. It wasn’t your fault.” He said in a comforting voice.
“Thank you, sir.” She allowed a weak smile to enter her face before she left. Only two more stops. 
The elevator next took her to the Legal Department. She had many things that needed to be done here. Chloe met her as soon as she exited the elevator. Mari managed to regain her professional posture and once more emanated the aura of confidence. She wasn’t sure how long she could keep it up, but she was determined to show that she was okay. 
“I already forwarded your requests. At first, Madame McKinsley was reluctant, but apparently, our entrance is already the top corporate gossip. Good job Mari-bear.”
“Good. Thanks, Chlo. Now get back to work before someone sees me get friendly with an intern. I have a plan.” Before they separated, Marigold let a smile ghost her face. “One more thing. You’re free to unleash the foxes of war.”
Chloe lit up at that. Her whole demeanor changed to almost beaming light. She immediately started planning. Mari left her to the devious scheming and instead went to McKinsley office. The head of the Legal Department was a middle-aged woman with short, slightly graying brown hair and no-nonsense composure.
“Miss Bourgeoise informed me of your visit. I already had several documents prepared, but I will need clarification on several things.” She offered the young PA a chair, but Mari refused with a shake of her head. She opened her tablet and started to go through the list.
“First of all, the video that caused the attack was leaked by an intern. What actions exactly can be undertaken in response?”
“There are several options. We could terminate their contract entirely, but as it’s their first offense, it could’ve been seen as too harsh. It would also require to terminate all internships.” The woman was clearly unamused by the situation. Mari just raised her eyebrow and gave her a quizzing look.
“I’m not sure who in their right mind wrote their contracts, but when I track them down they are gonna get their ass demoted to toilet cleaner. It’s one big mess.”
“Don’t I know it…” Mari deadpanned. “So, other options?”
“We can move them between departments, so having them demoted to Toilet cleaners could also work, but it’s not exactly a legal punishment. The fact that it was Riddler really threw a wrench in any legal proceeding as he is clinically insane and the video was not directly calling him out and only speaking about him. I could give you the legal mumbo-jumbo, but the gist is that they are somewhat protected.”
“What about revoking their privileges?”
“Take that to HR.” 
“Will do. Now, about the next matter.”
“It was much easier. She can’t do anything to you, not even forward the bill. You were in shock and there are several recordings showing her taunting you. If she pushes it, she will lose. You’re a public hero right now. Good job by the way.”
“I was only doing what had to be done.” Mari brushed it, doing her best to keep a professional face. 
“Sure…” It was clear that McKinsley did not believe her.
“Now about the last thing?”
“Ah. The slander. I already directed it to our French and Italian departments, but it’s slow-going. That witch made it an international case. It will definitely bite her, but we have to be patient.”
“Brilliant. Thank you for your time.” Mari left the room with a grin on her face. Now onto the HR.
As she strode through the floor, people turned their heads to look at her. In the killing outfit, she looked older than she was and the aura of confidence and professionalism made her seem like a powerful woman. They had no idea just how powerful she was, but the way she carried herself was enough to make them shake in their shoes. 
----
When the doors of the elevator opened, Juleka and Rose were waiting for her. Both looked furious. Before either got a chance to say anything though, Marigold silenced them with a murderous glare that took away their voice. She strode past them looking fabulous. Any other employee removed themselves from her path to avoid her ire. The rumors were already circulating and the fact that she took down Riddler before Batman even arrived did wonder to her image. 
“Hello. I had an appointment.” She said when she entered the head of the department office. 
“Yes. Miss Dupain-Cheng. I was told you forwarded a list of topics, but an intern lost it.”
“Was this intern from my class?” She asked in a cold voice.
“Um… Yes actually.” The woman said after checking a small post-it.
“Then it was probably sabotage.” Mari spat the words. “I asked to have a list of possible punishments in regards to the newest intern group prepared. Two of them were responsible for the leak. Sadly, as one of them is the class representative, she is quite popular.”
“Ah. Well…”
“First of all, both Alya Cesaire and Lila Rossi are to have all possible privileges revoked for breaking the rules. They leaked or were involved in the leak of video. Neither of them is to be handed anything more important than refilling a stapler or bringing someone coffee, to ensure they are no further threat to this company. They will also receive an official warning and an entry to their acts. They are also restricted to the lower floors. If possible, I want their access to electronic devices restricted. Maybe assign them a pager each so it doesn’t negatively impact their work.”
“Hm… I will see what can be done, Ma’am.” The woman replied, already going through her notes.
“Good. Onto the next business, while it pains me to do it so fast, we need to hire more security as soon as possible. But make sure to triple check their backgrounds.” 
“Understandable.” 
“And the last thing. Why was Damian Wayne allowed to bring a ninjato into the building?”
“There is actually no restriction on bringing swords ma’am. We’re trying to fix it, but we’ve been blocked at every turn even when Mr. Wayne was the CEO.”
“And whose permission is needed?” Mari allowed a small grin.
“Yours would do. Sarah was always too stuck up to even leave her desk unless forced so she didn’t care that much.”
“Consider my permission granted. Forward the paperwork to me.”
“And if Mr. Drake disagrees?”
“He can try.” She said coldly, remembering how close she came to being cut in half.
“Oh…”
“Last thing. When is the top floor scheduled for repairs?”
“It should be done already. It was made to withstand an assault from a much larger force, so we only had to replace the furniture. Following the instructions that were left, we repotted the plants into bigger and more decorative pots. As per your request, we added some more plants.”
“Thank you. Plants always calm me down.”
“I prefer cat pictures.” She pointed at the wall where a cheesy calendar with a cat giving her thumbs-up was hanged. It took all of Marigold’s willpower not to burst into laugher at the image of Chat Noir posing for such a calendar.
“Good. Thank you.” With that, she left. This time, Rose and Juleka did not try anything. They were too terrified of her. 
Elevator took her all the way to the highest floor. When she exited, the floor was back to perfect condition and several more plants were awaiting her. She promised them silently to check on them soon and went to the main office. She knocked several times on the doors, but nobody answered. Hesitantly, she pushed the doors open, but no one was in the office. After double-checking with security, it turned out that Tim Drake did not show to work. She sighed. Looks like more work for her… Just like Nathalie said.
----
NEXT
259 notes · View notes
mcwriting · 4 years
Text
Live from New York, it’s Saturday Night!
In which the reader is the musical guest at Saturday Night Live the same week Tom Holland is hosting.
Ship: Reader x Tom Holland
Word Count: 5747 (what in the heck?? my longest piece ever lol)
Warnings: Mild alcohol consumption
Rating: K
Preface: I mention the NBC page program, which is like an intense internship/fellowship with the company where college grads work with at least 3 parts of the company over a year to get job exposure. A lot of famous actors and actresses were pages!
***
Walking into 30 Rockefeller Center on Wednesday afternoon was a surreal experience for sure. As a young NBC page led you through hallways and up to studio 8H, you were getting butterflies.
On one side of the hall was a sign for studio 8G, which hosted Late Night with Seth Meyers, but the page turned the other way, guiding you through doors to the Saturday Night Live studio.
There was hustle and bustle all around you as she took you to your green room, which had a sign printed with your name on it over an NYC skyline. You almost pinched yourself.
You had known for about a month that you’d be performing as the musical guest for SNL the upcoming weekend, but now that you were here for your first rehearsal, things were getting real. 
When your manager had asked if you wanted to play the show, she’d been met by your enthusiastic “YES! Are you kidding me?!” It was even better when she mentioned who the host would be:
Tom Holland.
You’d watched every season of SNL since you were probably in middle school. You could easily name off every cast member but would have to remember to keep your cool until after Saturday.
Another thing you’d need to stay cool about was Spiderman himself. You had the biggest crush on him, but who your age didn’t? He was charming and British, disregarding physical features. You were most nervous to meet him. 
The page let you put your things down and took you to Lorne Michael’s office where he and some of the production team wanted to talk to you about your set. You’d only get two songs, but one of the writers also asked if you’d want to be in a couple sketches, too.
Later that evening would be the normal pitch meeting, where writers who’d spent all Tuesday afternoon and night into the early hours of Wednesday writing finally got to show the host and cast their ideas. They’d narrow it down to eight, so you were surprised they wanted you in not one, but two sketches.
It wasn’t difficult to say yes to that. You wouldn’t be present for the pitch meeting, however, because in just a few short hours you’d be heading down to studio 6B to film a segment for Jimmy Fallon’s show. 
Your management team stayed behind at the hotel to work on details for a couple concerts you had and were planning to head up to the studio before your interview.
After the meeting, you were shown around to familiarize yourself with the studio and stage before starting your first rehearsal. For one song, it would be just you and a piano, but the other song would have a band playing while you sang and did some limited choreography. 
You sat in front of the keys of a beautiful grand piano, stretching your fingers. Someone requested you play one of your songs, so you looked around, as if asking for permission. Everyone in the room nodded for you to play, so you began the tune of your favorite song from your album.
Your voice wasn’t warm and there wasn’t a mic on you, but you got lost in the lyrics and chords like you always did. By the song’s end, you’d drawn a small crowd. They clapped and you blushed when you finished, closing the lid and standing to do a sheepish curtsy. 
Most of the small crowd dissipated and you were talking to some crew about stage setup when someone interrupted you.
“Sorry to bother, but that was incredible. Can’t wait to hear how good you’ll be this weekend,” said a male voice with a distinct London accent. You turned to find Tom Holland right in front of you. 
“Oh, well, thank you! I- I uh, didn’t expect to meet you so soon,” you stuttered, thrusting out a hand. “Y/n y/l/n.”
He gripped your hand firmly and shook it, nodding his head once, too.
“Tom Holland. You know I was excited when I heard you’d be performing the same week I host. The last film I did, we listened to your music like, all the time. You could say I’m a fan.”
Was this real? Tom Holland was a fan of you!? You chuckled.
“I could definitely say the same for you. I love your movies. ‘Been a fan for years.”
You both smiled happily and Tom was about to respond when the page who’d been showing you around the whole time came up.
“Sorry to interrupt, but Miss y/l/n, they’ve asked to get your measurements in costuming if that’s okay.”
“Oh! Yes of course!” you said to her, then turned to Tom. “Sorry. It was nice meeting you! See you around?”
“Of course! Nice meeting you also!”
As the young girl led you away again, you missed where a younger brother of Tom said to him,
“Think you’re in love yet?”
***
After an eventful visit at the Tonight Show that included you and Jimmy playing box of lies and performing one of your songs for the audience, you headed back up to 8H alone. 
You’d remembered leaving something in your dressing room and had let your team go on back to the hotel without you. You’d felt confident that you could sneak back to your hotel safely without causing a big ruckus. It was only a few blocks away.
You were digging in your bag for your phone when you bumped into someone. Each of you said a quick “oh, sorry!” before looking to see who the other was.
It was Tom again.
You hadn’t realized before, but his room was the one right next to yours. It made sense, both of you being guests and all, but you were still caught off guard. 
“Headed out?” he asked. You felt yourself blushing a little.
“Yeah, well. I just finished at Fallon’s and they don’t need me back here until tomorrow so I’m heading back to my hotel to order pizza for my whole team and then crash,” you laughed. 
“Oh yeah? That sounds about like what we’re doing,” Tom gestured back to his brother and best friend, who you shook hands with gladly. 
You talked as you wound through the halls and quickly realized you were all staying at the same place.
“That’s crazy! We were just going to get a cab if you want to just come with us. I’m already paying for it, so...” he offered. You were surprised.
“What? No, no, I couldn’t just ride on your coattails like that,” you started.
“No seriously, y/n. It’s fine! We’re literally all going to the same place and no one can bother us from a taxi cab. You don’t even have to talk to us if you don’t want to.”
You looked at the other two boys questioningly and they nodded, encouragingly nodding for you to accept the offer. 
“Okay, okay! If all of you are fine with it, I’ll come.”
They cheered and you continued in happy conversation as you headed downstairs. A doorman called a cab for you and you piled in. Harry took the front and you offered to take the middle, sandwiched between Harrison and Tom.
Never in a million years had you expected to be in such close proximity to one, much less all, of them. It was a short drive and the driver took you to a back entrance, the place celebrities usually entered.
You still weren’t quite used to the star life. Up until you’d hit it big, it was normal for you to do pretty much everything yourself and stay in relatively cheap hotels like any other person.
Now, your management team handled most things and you were staying in five star places with secret celebrity entrances and prices that would probably make your grandmother faint.
Inside, you’d also realized you were on the same floor, both of you staying in large suites used by many elites over the years. You parted ways, anticipating seeing each other in the morning for rehearsals and later that evening when you’d be doing Seth Meyers’ show together.
***
The studio was buzzing when you entered Thursday morning. Your small team headed straight for the dressing room as you were taken away to a sketch read. Both sketches the writers had asked you about had been greenlit, so you were excited to work on them
“Morning, y/n. How was the pizza?” Tom asked cheekily when you first walked in. A couple of people passing by gave strange looks but said nothing.
“Well, who doesn’t love a good New York slice, huh? I’d say it was pretty darn good. And you?”
“We ended up getting room service, but pizza’s definitely next on my list,” he joked before you were handed scripts and asked to review them. The writers and cast were trying to figure out some basic spacing as you looked over your lines and cues.
You finally got to work rehearsing the two sketches. You broke a couple times when Kate landed a punchline and when Beck accidentally tripped. 
When they decided to move on from those, you where whisked away to wardrobe and makeup to shoot "bumper” stills and videos, the photos and clips between sketches and commercial breaks. 
You were excited to see how they envisioned your style and personality and would bring it to life. The photographer collaborated with you and shot some really incredible photos, both serious and goofy.
Next you were back in music rehearsals figuring out more about the staging and running some diagnostic sound checks. Once lunchtime came around, your stomach was growling.
You just barely caught Tom as you went for lunch, he was finishing up as you built your plate. As it always seemed, you only got a few words in with each other before someone was dragging Tom off for his own photoshoot.
You got to talk to Harry and Harrison for a little bit, too, until your manager asked to have a quick meeting about your schedule. Once you were free, you were taken to costuming to try a few things on and figure out hair styles that would fit the show.
There were more music rehearsals and you read the new scripts (as they had already been rewritten twice now). You were pretty tired by the time someone asked you to head across the hall to prepare for Late Night.
You grabbed a quick bite to eat on your way out of 8H and finished is by the time you were in the doors of 8G and a page led you to your green room, once again located next to Tom’s. 
Since you were both doing SNL together, you and Tom were going to be interviewed together, but you also had the added bonus of being the musical guest again. 
You only needed to rehearse a couple times to get the sound down (it’s not like it’s live, so you could easily restart if something went wrong). Once you were finished, they brought in the studio audience and you got a chance to go back to your green room and chill for a little while. 
Seth had a couple other guests, so while you were waiting, you knocked on Tom’s door to greet him and discuss the talking points each of your management had given Seth.
As the in-house band was warming up, Seth came into the room.
“Well I didn’t expect to see both of you in here,” he joked, shaking both of you hands. Tom had been on the show before, but this was your first time meeting the host. 
After a couple minutes, Seth was informed of the time and made his leave, going out to meet his audience and begin taping. After his monologue and the first guest, you and Tom were called to the stage.
“Now for our nexts guests we have both the host and musical guest of this weekend’s Saturday Night Live, Tom Holland and y/n y/l/n! Come on out here!”
Tom gestured for you to go ahead of him, so you walked out, waving to the cheering crowd. You took the seat nearest to Seth’s desk. 
“Well hello, there. Good to see you two,” he greeted as you settled in. “Welcome back, Tom, and welcome for the first time, y/n.”
“Wait this is your first time here?” Tom asked incredulously. You laughed.
“Yeah! Up until a few months ago like, no one knew who I was. Not even Seth!” you poked right back. Seth jokingly agreed. 
The interview went well, both of you telling some funny stories and explaining how the week was going. Finally, you cut for a commercial.
“Alright we’ll return with y/n and Tom after this short break!”
You were right back to the interview after the commercial “break.” Towards the end of it, you all got off on the subject of alcohol.
“You are 21, right?” Tom asked you. You rolled your eyes and gave an exaggerated hair flip.
“Yes, I am of the legal age. You should know as well as anyone what it’s like to have a baby face,” you roasted, causing the audience to go “ohh!” and Tom and Seth to raise their eyebrows.
“Wow looks like we’ve got a little rivalry now. The real question is who can handle their alcohol better. I think we oughta bring you two back for my day drinking segment to settle this!”
Both of you overconfidently pointed at yourselves when Seth asked who was better with alcohol.
“Now that’s an idea I can get behind!” you exclaimed before the interview finally wrapped up and you got ready to go sing. Tom and Seth stayed at the desk while you performed, which thankfully only took one shot.
As you wrapped up the show, you gave final waves to the audience and then headed offstage. You and Tom walked through the halls together and Seth caught up with you after finishing his outro.
He thanked you both for being on the show, you took a few pictures, then talked for a while. Seth was eventually called away to look at something, so you said your goodbyes to him and continued towards the green rooms.
“You were great tonight. Your voice is phenomenal,” Tom said to you. “and honestly I can’t believe you haven’t been doing talkshows that long. You’re a natural.”
“I think it has a lot to do with the fact that I love to talk about myself,” you quipped. “But seriously, thank you. Everything leading up to now has happened so fast, it’s hard to really gauge if things are going well or not.”
“I can relate to that. It’s hard, but having my family and brothers helps keep me grounded, you know? Harrison, too. They know that they can call me out and, yeah, I might get mad at first, but I understand that they’re keeping me from getting a big head.”
“Yeah I can’t imagine how overnight it must have been for you. My family and friends definitely don’t miss the chance to poke a little fun here and there to keep my ego down, too. You know, it’s nice talking to someone who understands for once. I love them, but unfortunately they’ll never fully get what it’s like, but you do,” you smiled.
You talked a little more, then spilt off to actually go to get ready to leave the building for the night. The upcoming Friday was going to be a long one.
Once again, you let your manager and assistant and everyone leave ahead of you. Regardless of whether you would hitch a ride with Tom again, you could find your way around easily.
You waited by the door until you heard their voices nearing and the boys came into the hallway.
“Oh y/n, you’re still here, too,” Harry said.
“Yeah, I was trying to decide what to do for dinner tonight before I head back to the hotel.”
“Well we’re going to grab some pizza if you want to join us,” Harrison offered happily, causing Tom to look at him funny. 
“Y/n probably doesn’t want to be bothered by us all day every day and plus, she had pizza last night, I’m sure she doesn’t want it again. Sorry, y/n, don’t feel pressured by this div,” Tom said apologetically.
“Honestly, I could eat pizza everyday, so that’s not an issue, and I honestly love hanging out with you guys. You remind me of my friends back home. If y’all want to eat together, I seriously would not mind.”
“Really?” Tom asked incredulously, then recomposed himself. “Well, yeah, sure. We were gonna head back to the hotel to change clothes and then figure things out from there, is that okay?”
“That sounds perfect, except I’m paying the cab fare this time.”
***
In most situations, a group of guys you’d only known a couple of days asking you into their hotel room would be a major red flag, and it probably still should have been, but you threw caution to the wind and went to Tom’s suite anyways.
Harry answered the door and let you in, and inside you found Tom and Harrison on the floor of the living space drinking beers. They both raised their cans up to you as you came in.
All three of the boys were in simple sweats and t-shirts, similar to you in your leggings and sweatshirt. It wasn’t much later that Harry went to the lobby to retrieve the pizzas they’d ordered and you were all digging in, seated around the coffee table talking.
You all discussed random things, poking fun at each other like you were old friends. It was like they’d already accepted you as one of their own.
“How you think this weekend’s gonna go, y/n?” Tom asked between swigs of his ale.
“I’d say pretty good. I’m hella nervous though. SNL is like its own universe.”
“You can say that again. This is like nothing I’ve ever done before.”
“Oh, come on. You two are both going to do great Saturday. Don’t think too much about it and just have fun,” Harrison encouraged as you continued eating.
Throughout the evening, you couldn’t help but pick up on the way you and Tom kept making eye contact. It was brief, but it was different than how you and Harry or Harrison looked at each other. There was something else there.
Your stomach fluttered. Who else could say that they spent an evening drinking with their biggest celebrity crush? And then continually exchange flirty looks?
At one point Tom even tossed a wink at you after cracking a joke, causing your heartbeat to quicken momentarily. 
After getting lost in conversation with the boys, you realized the time and prepared to excuse yourself back to your own room. The coming morning was going to be an early one, after all. 
“Oh man, I better head out. We’ve got a long day ahead of us,” you commented, stretching as you stood up. The boys followed suit.
“Wow I didn’t even realize how long we’ve been sitting here,” Tom added.
“Yeah. Thanks again for letting me come over tonight. I haven’t gotten to do something like this in a while so it’s nice to just spend time with people who I don’t pay to hang around me all day, you know?”
“I understand and definitely can agree, since these divs are kind of paid to hang around me.”
You all laughed as Tom walked you to the door. 
“Well. See you bright and early...” you trailed.
“Yeah, see you then,” Tom answered, awkwardly sticking out his arms for a hug. You obliged, squeezing your arms around his neck as his held your waist.
And goodness did he give good hugs.
***
You were definitely tired walking into 8H Friday morning. The caffeinated drink in hand helped a little, but late night beers paired with waking up early didn’t quite go hand in hand.
It wasn’t really a hangover either, since you hadn’t been fully drunk, but it didn’t help the exhaustion from traveling, working the past two days, and a lack of sleep.
The first thing you had to do was rehearse your songs for Saturday as the set team worked on transporting and putting together large set pieces that had been made at the navy yard in Brooklyn.
Tom and the cast weren’t far away, figuring the live show with costuming and quick changes along with doing some pre-filmed sketches. The writers were continually making adjustments and figuring out how things would be done. 
They eventually called you over, too, to rehearse your sketches and film one of them. You had to get used to the costumes and cue cards and blocking of each. There had been some minor changes as well, so you had to be quick on your feet.
By lunchtime, all the cast took a well deserved break to sit and have a bite. The writers were having to shuffle around while they tried to eat as you and Tom sat down to talk some more.
“Hey, sorry to bug you, but do you guys mind if I take a picture or two for the SNL social media accounts?” a page asked while you were munching on sandwiches.
You and Tom looked at each other and shrugged.
“Fine with me,” you answered, Tom giving a similar reply. The two of you leaned in next to each other, holding up your sandwiches and laughing.
A few photos were snapped and you and Tom approved of them to be posted online. You thought nothing of it as you went to more rehearsals, working through the show’s order and trying to get down timing before Saturday’s dress rehearsal and show.
You couldn’t help but laugh watching the sketches, as this was your first time seeing the ones you weren’t a part of. Tom’s comedic timing and dry British humor paired well with the material he was given.
When the day came to an end, you were looking through instagram and gathering your things. You went to SNL’s page and put the post of you and Tom together onto your story, adding the text “Can’t wait for everyone to see my favorite sandwich partner host the show tomorrow!”
As before, you thought nothing of it and posted the story, heading out the door to ride back with Tom and the boys.
***
At the hotel, you and Tom had decided to not hang out for the evening since you’d be having a late, late night Saturday and wanted to get some sleep. You opened up social media as you laid in bed to wind down.
You decided to look at the picture of you and Tom from lunch again and read some comments, hoping there would be some funny ones and whatnot.
Instead, you found hundreds of comments saying “omg ship” and “my two faves together” and “this couple would be everything!!” 
You were honestly shocked to see people saying that about you, especially since you had never heard of your fans indicating that they wanted to see you two together.
Twitter was also buzzing over you and Tom’s picture, some fan pages just talking about either one of you, while others also talked about shipping you.
In your heart, you kind of enjoyed it, since you were hardcore crushing on Tom now, but you had no idea how he felt.
Did he like you back? Did he just think of you as just a friend or acquaintance? Was he secretly dating someone and you were just reading too much into it? 
It was much to think about, so instead you closed your phone and fell into a deep slumber.
***
You didn’t have to be in the studio as early as the past days since dress rehearsal wasn’t until 8pm and the show started at 11:30. You felt better rested than the day before, but butterflies were constantly erupting in your stomach.
You and Tom caught each other at the building’s entrance and went up the elevators together.
“Ready for tonight?” you asked, tapping a foot anxiously.
“Absolutely not. You?”
“Same here. Not only is it going to be watched by millions, but some of the most important people in my life are coming and I’m freaking out a little.”
“Oh yeah?” he asked softly. “And who would that be?”
“Well, my parents and some friends from home. I can sing in front of sold out stadiums but I still get nervous if I know they’re in a crowd. It’s stupid, I know.”
“No I totally get it. My parents and brothers will all be here, too, and my heart races when they watch my work. The best advice ever given to me, though was ‘turn nerves into excitement,’ and that’s exactly what I’m trying to do.”
You nodded and smiled up at him.
“That is pretty good. Thanks,” you replied as the elevator doors opened. 
The halls were bustling with what seemed like every employee as you headed to your green room. It wasn’t long before you were being thrown updated scripts and rehearsing again.
Finally as dusk turned to night, the dress rehearsal audience seats began filling up. You were bouncing nervously in the hall as you watched the cast begin the cold open on a monitor.
“Nervous?” a male voice asked quietly next to you. It was Tom, of course. You bobbed your head from side to side.
“Excited,” you replied cheekily. He smiled and was about to say something else when a crew member came by to lead him to his starting place for the monologue. He gave a quick wave before heading backstage, instead. 
The dress rehearsal went okay, certain jokes and lines being cut and rearranged by the end for time. Thankfully the audience received everything well, for the most part. 
Your own music and sketches felt like a rush, but you were proud. Tom’s advice had really gotten to you, because you were bubbling with excited anticipation for 11:30 broadcast to begin.
There was about an hour between dress and the actual taping, so you scarfed down a few bites of food and tried to shake out some jitters. You also sipped some caffeinated hot tea and did vocal runs to stay in tip top shape. 
Your friends and family stopped by the green room to say hi before they joined the audience, giving you hugs and encouragement for the evening ahead.
As the clock neared 11:30, you were walking down a hall already dressed for your first song when you almost bumped into Tom.
“Oh, hey! Great job at dress! You’re gonna do amazing,” you immediately said, making him beam.
“Thank you! And you too! Your voice is on fire tonight, as if it’s ever not.”
“You haven’t heard me try to sing sick, then. I sound like a diseased animal.” You shook your hands and head to dismiss yourself. “But, uh, earlier I was gonna tell you ‘break a leg’ and then I remembered you used to dance, sooo... merde.”
Tom raised his brows and chuckled. 
“You know that phrase too?” You nodded. “Well then merde to you, too. Oh, and I was wanting to ask if tonig-” 
Tom was cut off by someone once again needing to drag him away to prepare for the show, causing you both to toss waves at each other again. Maybe he’d finish his thought later.
This was it. The real deal. 
You took that as a cue to find your place by the monitors until after Tom’s monologue and the commercial break, when you’d start moving to stand with the band.
The cold open landed well, and you felt chills hearing two of the cast yell,
“And live from New York, IT’S SATURDAY NIGHT!”
The classic jazz music of SNL played over the intro and Tom made his way down the iconic steps to do his monologue. 
Your heart fluttered seeing him stand on that stage with a wide smile, waving at the crowd. He was dressed in a blue suit and his curls were styled just right. He looked incredible.
The monologue landed well and you felt an even bigger flutter as you heard Tom lead into commercial, saying the iconic line,
“We have a great show for you tonight! Y/n Y/l/n is here! So stick around we’ll be right back!”
With that the camera panned out and cut, and chaos began as the crew moved everyone to set the first live sketch. In the meantime, a prefilmed sketch played, the one you had participated in.
The audience cheered and laughed at your surprise appearance in the sketch, which made you feel really good. You had moved now to a place where you could see the stage in person.
The camera panned in as the audience applauded and the next sketch began. Even after having seen it multiple times that week, you couldn’t help but laugh as the ridiculous character Tom played so well. 
When they cut to another commercial break, it was your time to get ready to sing the first song. 
Your stomach fluttered like it always did before a show, but Tom shot you a thumbs up before the break ended and boosted your confidence. A camera was pointed in his face as he calmly said,
“Ladies and gentlemen, y/n y/l/n,” as he gestured towards you.
The lights came up and you began playing, and you became lost in the music like always. It came and ended quickly, and suddenly you were listening to the cheers of the audience. You waved and bowed in thanks as the cameras panned again.
Up came the weekend update, your favorite part of any Saturday Night Live. The jokes for the segment were typically written on Saturday, so many of them were new to you. 
Tom came and stood next to you during the update with a bowl-cut red wig dressed in khakis and a sweater vest over a button up. You looked him up and down amused.
“Your performance was amazing,” he whispered.
“Thanks. You’re doing great out there. They love you,” you whispered back.
“I sure hope so. Hey I’ve been trying to ask if-” he started, but then was cut off by someone grabbing him and leading him towards stage for the next sketch. Your stomach fluttered again.
What could he possibly want to ask me?
The live sketch transitioned into a prefilm and then you were up again, this song was more energetic and included some choreography, and you felt confident in the shimmering gold bodysuit and boots you were wearing. 
You happily danced and sung after Tom reintroduced you to the crowd and got a large round of applause. There was only one sketch left of the show and you were in it, so the team rushed you into a quickchange booth offstage to put on your costume and a quick wig.
The sketch began and you stood to the side nervously. When your cue came, you burst onto the stage clumsily, as directed by the script. Your character made some inappropriate comments to Tom’s which garnered you many laughs again.
It was satisfying.
Once the sketch ended, all that was left were the goodnights, so you were again rushed off to change into a cute jumpsuit and reaffix your hair. Tom came out in a blue suit with the jacket unbuttoned, a black tee underneath. 
You rushed to take your place next to him as other cast members filed in around you, Lorne standing in the middle of the room watching to make sure everyone came out. The audience applauded as the music played and camera panned.
After they gave the final countdown, Tom began giving thanks to many people, from cast and crew, to family, and to you.
“I want to give a huge thanks to tonight’s musical guest, y/n y/l/n,” he exclaimed, gesturing to you. The crowd cheered and you laughed and waved, giving him a joking elbow. 
“I love you all! Goodnight!” he finally exclaimed. 
With that, the music was brought up and everyone began hugging as the credits rolled. You immediately turned to Tom and he to you, both of you throwing arms wide. 
You wanted to hug him forever, but realized that it would look fishy and there were many people you still wanted to hug and thank.
Both of you pulled back, giving each other a quick “good job!” before turning to others.
***
You were finally offstage and had said quick goodbyes to your family, who wouldn’t be staying for the afterparty. As you headed towards the greenroom for the last time that night, you were stopped by Tom.
“Hey! Y/n,” he said, putting a hand on your shoulder.
“Oh my gosh there you are!” you said, turning to give him another hug, this one more emotional and less performative.
“I’m serious y/n, you were incredible. I know I’ve said it a million times but you have a real gift. Not to mention your acting skills,” he said into the crook of your neck.
You pulled away to look at him, arms still loosely wrapped around him.
“Well thank you, but you were great too. Everyone loved you. I loved you out there.” You paused for a moment, arms sliding from his shoulders as you continued to walk down the hall. “You know I had a lot of fun this week. Doing this and just hanging out. I was really nervous to meet you.” 
“I did too, and yeah, we were all super nervous to meet you, too. Like I told you before, we listen to your music a lot. But, uh, that being said. All night I’ve been trying to ask if you’d like to go to the afterparty with me?”
“Oh yeah that’s perfect! Are the guys coming too?” you asked enthusiastically, not detecting the nervousness in his voice.
“No, no. I mean, yeah they’ll be there but...” he stopped and you followed suit. “I’d like you to go with me with me. And ideally leave with me... alone.” 
Your eyes widened and breath hitched. Now it clicked. He was asking you out.
“Oh! Well then... I’d like that very much.” You smiled.
“Yeah?” he asked, incredulous.
“Yeah,” you answered.
Let’s just say you were singing a different kind of tune that night once you left to your empty hotel room “with him.”
***
A/N: omg omg omg I started this story forever ago but finally got around to finishing it! No new marriage project chapter this week, I thought I’d just post this to hold y’all over ;) Thanks for reading!
Permanent tag list: @jackiehollanderr, @one-big-fangirl
If you’d like to be added, pls message or send an ask so you can verify that I’ve added you!
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adultswim2021 · 3 years
Text
Ephemera Week (2002)
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Mission Hill (originally aired on WB, 1999-2000)
Mission Hill was a perfectly good animated series from former Simpsons show-runners Bill Oakley and Josh Weinstein. It was a sitcom about cool young people in a cool young people city. Andy French is an aspiring cartoonist, intended to be a Matt Groening type who would (over the course of many many seasons) eventually find success and get his own super-successful animated series called THE SIMPSONS: SEASONS 1-8.
The premise of the show was that Andy’s parents retire and sell the childhood home, displacing his nerdy high-school aged younger brother Kevin. Kevin moves in with Andy and learns how to be a cool city style guy, you know, the kind that’s always “walkin here!” and sucking off Bob Balaban in the men’s room and whatnot.
The show is at least better than the bad seasons of the Simpsons, and has a cool alt-comics style that suits the show really well. Not to damn it with faint praise, it’s a good show. There are a handful of GREAT episodes and plenty of strong jokes. There's news of a revival in the works focusing on Gus and Wally, the older gay couple in the show. It's supposed to take place in the same era the show originally aired in, which is just great.
Like Baby Blues and Home Movies before it, I did catch this show randomly on it's network of origin. I saw one or two of the final episodes to air on WB. I liked it! I was glad to see it get revived for a run on Adult Swim. I've wanted more episodes ever since.
I don't think the show is available for streaming anywhere, which is too bad. It came out on DVD with special features. That DVD set was reissued on DVD-R without special features, so... buyer? be wary. There's also a number of music replacements that ruin some of the scenes. At one point I had a bootleg set where somebody took the DVD video and replaced the audio with the as-broadcast version of of the show. Good luck finding it.
Here's an episode guide showing their debuts on Adult Swim. Bold episodes were originally unaired, making their debut on the channel. Also note: episodes had an innocuous title and a spicier in-house title in parentheses. It’s real Police Squad! shit.
12AM Monday Morning:
May 20: Pilot (or The Douchebag Aspect) May 27: Andy Joins the PTA (or Great Sexpectations) June 3: Kevin's Problem (or Porno for Pyro) June 10: Andy vs. The Real World (or The Big-Ass Viacom Lawsuit) June 17: Andy and Kevin Make a Friend (or One Bang for Two Brothers) June 24: Andy Gets a Promotion (or How to Get Head in Business Without Really Trying) July 1: Kevin vs. the SAT (or Nocturnal Admissions) July 8: Unemployment Part 1 (or Brother's Big Boner) July 15: Unemployment Part 2 (or Theory of the Leisure Ass) July 22: Kevin Finds Love (or Hot for Weirdie) July 29: Stories of Hope and Forgiveness (or Day of the Jackass)
11PM Sunday Night:
August 4: Happy Birthday, Kevin (or Happy Birthday, Douchebag) August 11: Plan 9 from Mission Hill (or I Married a Gay Man from Outer Space)
ALSO NOTE: There are about five episodes that were in early-stages of production and if you poke around you can find scripts for these episodes ( here as of this writing). A full animatic and table read for “Crap Gets In Your Eyes” exists if you search for it. 
MAIL BAG
London Arbuckle ASKS! or, states! sorry I’m writing this lead-in without having read the whole message yet.
Another confusing Baffler Meal thing: the deleted cold open that's on the DVD. It gets called back to in the actual episode ("Between two steamed buns", "Nine dollars!? For what?") and provides crucial context, BUT it also gets contradicted in the actual episode (SG sells out for "one serious speaker" instead of owing a restaurant money). Also I remember all the ads for this episode used a clip from the cold open! It always kinda bothered me that they cut it but boys (matt & dave) will be boys!
I do think the cold open is nice and I always make a point to watch it with the episode. In my mind they are as essential as watching that boring Terry Gilliam short before Meaning of Life. The next step is pointlessly editing them together using Nero. Yeah, that’s the ticket
Here’s ANONYMOUS, baby!
It's summertime and we are talking about Adult Swim and I gotta ask when's the last time you've been to a pool. Have you ever in your adult life enjoyed the benefits of an adult swim. Tell us just how much you like splash around. Yes, that would be quite illuminating I'm sure (rolleyes).
Man, when was the last time I went into a pool? It’s been literally years. I think the last time I swam I did a bad job. I am definitely am getting “bad job” vibes off my hazy memories. Man, my memories used to be precious. Damn!
do you think theyll ever work with george lowe again in any major capacity or do you think he's just bad news.
I was about to say “isn’t he on American Dad” based on him name-checking American Dad as one of his many credits but I just looked it up and he was only in one episode. Damn. Somebody give George work he seems nice.
beakman's world, anyone? The wild and wacky world of Paul Zaloom? Hmm? Anyone?
lol you wish...
Baby Blues really was my everything back in the early 2000s, it may not have head the punk rock cred you clearly seem to crave it was a soothing balm for myself as a new father in a scary world (9/11 and all that, terrible stuff).
you raise a good point, that you’re a huge dork “with child” and I’m cool and laughed at 9/11 because it was funny to me, actually
Just read your Baby Blues "take down" and I gotta say: In the immortal words of Mike Francesca, "You're a fool. ho-kay? A total fool."
Uh huh. Yeah okay. Mike Francesca hordes pot bellied pigs in his apartment and lives in filth. He stinks, and so do youd
Baby Blue is like every animation nerd's wet dream. What if they made the rugrats with only the parents part. And here it is. Be careful what you wish for, chunky.
Yeah and it’s too bad because judging from the previous mail bags my audience is primarily made up of BABIES.
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vinnieswife · 4 years
Text
Bozer´s friend?!
Angus Macgyver x Reader
Angus Macgyver
Cute, fluff,action
Summation: the reader is a friend of Bozer and helps them with a problem with the Fenix ​​foundation
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It was like 3pm when you got a call from your friend Bozer, it was a rainy afternoon where you just wanted to eat chocolate and watch some cheesy movie on TV.
Yn: there is Boz-you answered calmly
Bozer: Yn! I need you right now! It is very urgent take your car and come to this address (insert address because I don't know what to put :)) - he was very upset and yelled, poof or that a serial murderer was going to kill him.
Yn: ok ok, I’ll be there in 5’ are you okay?! - you were scared too. You and Bozer met at the University, he did arts and you study Bio-chemistry, he was your best friend.
You quickly took your car, and your mobile phone, you accelerated until you reached the address that Bozer sent you and simply when you arrived you heard your name.
Bozer came running as if he were going to die accompanied by a blond boy that he made known.
You came out of your trance when you heard several ... SHOTS ?! They were bullets mother of Jesus Christ that this idiot has gotten himself into now.
They both got into the car with a kind of tube with something fluorescent yellow inside that looked familiar and you got out of there as fast as you could, when you were driving on a lonely road you asked.
Yn: well ... eh I don't want to be nosy but ... I CAN KNOW WHY THE FUCK THEY WERE SHOT?! - Now you were upset - it's not very normal for your best friend to call you and tell you to go look for him when They're shooting you know Bozer?
Bozer: it is confidential, I can not tell you anything, it is my job-he replied
Yn: worth your job, now who is he? -You asked looking at the blonde next to you.
Bozer-ooohhh Yn he is Mac my co-worker -smile
Mac-you mean that “you” are my co-worker Bozer -he said laughing
Yn: wait wait, is he Mac? You described him to me as if I was an idiot and a lot of ugly I mean he’s not-you answered
Mac: thanks for the compliment, hey bozer drive to phoenix
Yn: Phoenix? That is not a technological foundation?
Mac-eehh if we work there, those guys who shot us have stolen an Acid that can leave whole hectares infertile with a single drop, which is what this thing here has been. -He pointed to the tube in his hands.
Yn: oh my, that is terrible, if that makes a drop imagine and they threw everything into a river, or a wastewater canal. It could alter the water agents and burn cities or entire towns through which the flow passed.
Bozer: Yn when you speak in a scientific plan I do not understand you-he say laughing
Yn: I mean if that acid falls into a river, all the places that guy passes will be contaminated.
Mac: Bozer didn't you tell me that I was so smart, that you studied? -He asked
Yn: you blushed-I studied Bio-chemistry and advanced Biology in decoding (I heard this in CSI, I don't know if it exists lol)
/////////////////////////////////////////////
Upon arrival at Phoenix Bozer and Mac led you to a large room with a container full of clips?
When entering the room there was a girl with a computer, so you imagined it was Riley, Bozer has an obsession with this girl, but she is very pretty. And also a tall guy, reading something on his cell phone.
Yn: hello-you smiled at everyone without knowing very well what to do
Jack: and who is she? Mac, do you have a girlfriend? There is how I'm happy for you! -he hug you very tight
Mac-what? Jack no-oh the big guy was called Jack, cool-she’s friend’s with Bozer Yn
Jack: wait wait, she is Bozer's friend?! I thought you would be ... you know like Bozer- he laugh
Bozer: what did you mean by that- he asked with that descriptive tone
Jack: you know very well what I wanted to say-he replied
Riley: a tip stay away from these two idiots, I'm Riley-extended his hand and you took it "I'm Y/N a pleasure"
Yn: Bozer talks a lot about all, I mean it's a bit exaggerated, he talks a lot-you smiled
Mac: well I hope it consoles you that he talks about you all the time-he smiled back
Jack, Bozer and Riley gave each other a look when they noticed  how Mac was looking at you and how you were looking at him.
The sound of a door opening brought you back to reality.
Matty: a perfect job guys the acid is already safe in the bio-weapons zone-concluded
Yn: Mrs. Webber? -you did not expect to meet your boss here
Jack: do you know each other? -His astonished face was worth millions
Yn: uh yeah, Mrs. Webber is my new boss, remember Bozer? From the project that I mentioned the other day-you answered
Matty: the lady (your last name) helped us to separate the substances that made up the acid, to find ways to dissolve it-She answer looking at you
Mac: So Bio-chemistry huh? -He smiled looking at you
Yn: Let's say MIT is a good university after all-you smiled back.
Matty: you blonde, leave the flirting for another day- She said as she went out the glass door, Bozer and you following her.
You paused behind the glass walls to tie your shoelaces, when you hear Mac and Jack talking.
Jack: You got caught buddy-patted him on the shoulder
Mac: what? I-I wasn't even flirting with her, I mean, if she's beautiful and god she's incredibly smart-Mac noticed the smile he had on he’s face and quickly erased it-but I wasn't flirting with her-he sentenced
Jack: of course, what a smile you made when you were talking about her, Mac likes Yn! - started to sing
Maybe you would help Bozer more often.
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considermewhelmed · 3 years
Text
Achilles Come Down by Gang of Youths- Tim Drake
TW: attempted su*c*de/su*c*dal thoughts, anxiety, depression. 
a/n: hey remember in the Master when I said these would be short fics? Ha. Yeah. Me too. Good times. 
Tag list: @river9noble
Master
“Achilles, Achilles, Achilles come down/Won’t you get up off, get up off the roof?/You’re scaring us and all of us/Some of us love you/Achilles it’s not much but there’s proof.” 
“You may feel no purpose/Nor a point for existing/It’s all just conjecture and gloom/And there may not be meaning/So find one and seize it/Do not waste yourself on this roof/Hear those bells ring deep in the soul/Chiming away for a moment/Feel your breath course frankly below/And see life as a worthy opponent.” 
Tim stood on the edge of the building, overlooking the city. His cape billowed lightly in the cool air, and he took a deep breath. 
‘Red Robin, report.’ Barbra’s voice asked in his ear. 
Tim remained silent, his eyes scanning the streets, but his mind far away. 
‘Red Robin, report.’ She repeated. 
‘Red Robin, are you okay?’ 
A new voice broke onto the comms. 
Dick.
He had been thinking a lot. About Dick. And Damian. Bruce. Steph. Babs. Duke. Luke. Cass. Kate even. There were just… so many of them. So many. One less surely wouldn’t matter? 
He imagined he wouldn’t get a huge memorial like the one for Jason in the batcave- he was choosing this, he did it himself, there was no honour in that. He didn’t mind though, he wasn’t sure he even cared to be remembered. 
They barely remembered him alive, why would death help? 
He wondered how long it would take them to forget him. The voice is the first thing you forget about a person, when was the last time he talked to them all? 
‘Red Robin, where are you?’ Dick.
‘Is his comm offline?’ Steph. 
‘No, it’s online. It should be working. Receiver and all.’ Barbra. 
‘Red Robin?’ Dick. 
He looked down. He’d survived some pretty unlikely things, but this was too much. Too high. There was no way his heart could take his fall, let alone the pavement below waiting for his body. It called his name, whispering the promises of sweet relief with every breeze, the streetlight spotlight marking his entrance to his final bow. 
‘Can you get his tracker online?’ Dick. 
‘Red Robin, come in.’ Bruce. 
‘No. He’s bypassed the security.’ Barbra. 
‘Really Drake?’ Damian. ‘Sneaking off during patrol?’ 
‘Red Robin, report.’ Bruce- and Tim imagined he sounded worried in the way only Batman could be. 
‘Where was his route?’ Dick. 
Tim tuned them out, but couldn’t bring himself to turn the comms off completely. He didn’t have the heart to be alone- he was selfish and desperate. 
He shrugged off the cape, letting it fall to the rooftop, and quietly unclipped his utility belt. He wished he felt scared, or sad, or anything, but instead he just felt numb. Human instinct should be trying to get him back safely to the solid roof behind him, but instead he just swayed in the wind, as if even his own body was impartial to the decision. 
He closed his eyes and sighed quietly, rolling his shoulders back, resigning to his fate. There was no use in fighting anymore. 
That was it. He felt something. Tired. 
Not just tired. Exhausted. Bone deep exhaustion, the kind of exhaustion that made even sleeping a chore. Tears gathered in his eyes, and with each drop his mask got looser and looser. He thought of something to say- some sort of goodbye. Not for them, but for him, for closure. His own eulogy. Last words, maybe? 
Did he deserve last words when the villain he lost to was his own mind? Internal, eternal, and inevitable? It was a dance he’d been a part of for far too long and he was just tired. 
“Hey Replacement.” 
Tim expected his whole body to go rigid, for his instinct to take over, for any kind of fight to bubble up inside him, itching to get out. He and Jason reconciled, sure, but sometimes when he caught him off guard, Tim still had the same knee-jerk reaction. 
Instead, his body just stood there, open and unarmed. It solidified his resolve- even his instincts knew it was over. The idea that Jason could easily shoot him, or push him off the roof didn’t scare him. 
Why would it? 
He could hear Jason’s quiet, heavy steps as the older boy approached. 
‘Red Hood, status, have you found him?’ 
Dick’s voice came over the comms. 
Tim didn’t look at Jason. There was a soft click. 
“No, not yet. I’ll keep looking. Just cover my area Dickhead.” Jason said before the soft click happened again. 
The two boys were quiet for a minute. 
Behind him, Tim could hear the familiar whirring of the mechanics- mechanics he helped design -that indicated the removal of Jason’s Red Hood helmet. A thump after indicated Jason had opted to ditch it on the roof. 
Normally, Tim would yell at him for being so careless with his equipment, especially since Tim worked hard on the last updates, but he couldn’t even find his voice. 
He heard the clatter of weapons hitting the ground, and Jason stepped closer. 
“Come on Timmy,” Jason said softly, and Tim’s chest tightened at the nickname. “You’re shaking. You gotta be freezing.” 
It wasn’t until Jason said something that Tim realized he was vibrating. Even the air was unforgiving in Gotham, and somewhere between his decision to step on the ledge and the loss of his cape, it turned into an icy grip that cut through the thin material of his suit. 
The wind stung his face where the tears had started to slip beneath his mask. His knees buckled and he sucked in a sharp breath of air. 
“I can’t.” He choked out, his hand gripping at his chest. “I- I can’t move.” 
‘Red Robin?’ Dick’s voice cut through the comms. ‘Come on buddy, where are you, I’ll come get you.’ 
Tim couldn’t hear him over the roar of his own blood in his ears, and took his comm out of his ear, throwing it off to the side. 
It was then he caught sight of Jason, and was shocked by the lack of not only helmet, but mask as well. Jason’s eyes had a green shine to them- a side effect of the pit -and they were trained on Tim. 
Jason held out his hand to Tim. “Take my hand baby bird.” He murmured. 
“No,” Tim cried. “I want- I should- I have to- I’m going to fall Jason-” 
“No.” Jason said sternly. “No you won’t.” 
Tim inched closer to the ledge. “It doesn’t matter-”
“Of course it matters dipshit, you matter. I wouldn’t be here if you didn’t.” 
Tim’s lip trembled and a sob tore from his throat as his knees gave out from under him and for a split second he was falling- 
And the next he was wrapped in a tight hug. 
Tim reached out instinctually and grabbed onto whatever he could hold, staying as close as possible to the smell of leather, gun polish and sweat, a surprisingly comforting combination. 
Maybe it was just because it meant safety. 
“I’ve got you baby bird,” Jason mumbled, and he could feel Jason bury his nose in Tim’s hair. “I’ve got you.” 
“I’m sorry,” He sputtered through his tears. “I’m sorry, Jay, I’m sorry,” A whole new breakdown washed over him, and he couldn’t get a grip on his emotions. 
“You have nothing to apologize for,” Jason scolded him lightly, and rubbed little circles on his back. “I’ve got you.” 
“I was going to do it,” Tim cried. 
“I know.” Jason whispered. 
“They hate me. They’re going to hate me more!” Tim whimpered. “I can’t- I don’t want-” 
“I know.” Jason repeated. “But no one hates you, Tim,” He promised. “Hell, even Barbra threatened to get out here to find you.” 
Tim buried his face in Jason’s chest and just stayed there. “I’m nothing more than a placeholder,” He mumbled. “I’m a pretender. A replacement.” He sniffled. “I didn’t- I didn’t even want to be Robin. God. I wanted Dick to be Robin. Batman needs Robin.” He was close to hysterics, and god Jason still didn’t know what to do. 
“Maybe,” Jason agreed. “But Bruce Wayne needs Tim Drake.” Jason said quietly. “I’m pretty sure the old man would be lost without you Timmy.” 
Tim shook his head and Jason snorted. “You set up the system in the batcave, make sure the Wayne business is intact and running smoothly, you’ve updated all the security, you always make sure there’s coffee in the manor, and no one makes him smile with bad jokes like you do.” 
Tim stayed quiet, and Jason alternated between rubbing his back and running his hand through Tim’s hair. The boys stood there for as long as Tim needed to and Jason realized how small Tim was because Jesus Christ this was just a kid in a costume and he just wanted to be loved. 
“Can we go back to the Manor?” Jason murmured. “My bike’s not far.” 
Tim didn’t move. 
“We can watch a movie?” He suggested. “I’ll let you pick.” 
“Why are you being so nice?” Tim mumbled. 
“Well… I could punch you instead if you’d like. Not sure that’ll make you feel better though.” He offered, and was rewarded by the smallest, quietest laugh. “C’mon, we can raid the kitchen.” 
“You aren’t going to make me talk?” Tim asked. 
Jason shook his head, tightening his grip on him. “I’m not going to make you talk about anything you don’t want to baby bird.” He said softly. “But if you want to do that, I’m here for that too.” 
Tim tightened his own grip and kept close- Jason was keeping him grounded and that’s all that mattered. “What was it like?” He whispered. 
Jason was quiet for a long moment, and Tim regretted asking almost immediately. 
“Long.” Jason decided. “Dark. Quiet.” 
“Good quiet?” 
“No.” Jason said softly. “Too quiet.” 
“I’m sorry.” Tim whispered. 
“Me too,” Jason mumbled. “You’re not alone Timbo. I’m right here, alright?” 
Tim nodded and pulled away after a moment when he felt like he could stand on his own. Jason collected their things and handed Tim his mask, cape and belt, putting his own mask and helmet back on, clipping his holsters on. 
The ride back was quiet- Tim’s comm must have busted when it hit the roof, and if Jason heard anything he wasn’t giving it away. Jason came up with some half-assed lie about what happened to Barbra and the other Bats over the comms, and immediately claimed the living room for him and Tim, heading upstairs. 
Tim was asleep by the end of the opening credits, tucked safely into the side of his big brother. 
Maybe Tim couldn’t fight the villain in his head on his own, but having someone like Jason Todd on your side certainly made it easier.
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