not negating anybody's experience i know black sails is outstanding regardless of how or when or how quickly you watch it. but also, as a gay person who watched it in real time, you really had to be there. they introduce anne bonny and you know your pirate history so you KNOW she's a girlliker. she has a moment with max but youre not sure where it's gonna go. because it's 2014. you wait over a year for 2x01 and she and max fucking obliterate you with the sword drop kiss scene. all anybody is talking about in the tags is vaneeleanor. a few weeks later 2.05 drops and flint is not only textually gay and kissing a man but he is waging war on england, on all of civilization for taking away his male lover. you find this out after investing fourteen hours on this show that have spanned over a year and a half in your real life. not to mention the miranda stuff and silver's arc and mr scott and madi and the death march that seasons 3 and 4 feel like when you have no inkling of how it's gonna end. but you stick with it regardless because it's good and besides it's 2014-2017 and the only genre show with gay people in it is fucking... the 100? lol anyway. more gay people flock to black sails between seasons and the tag becomes more about the gay shit than vaneeleanor, thank fucking god, finally. you all dread the last season. you brace yourselves for the worst. you thank the stars this show airs weekly because watching even just two episodes together is too overwhelming. 4.08 airs. you cry. 4.09 airs. you cry. 4.10 airs. your life will never be the same. you cry so hard you catch a fever and have to stay in bed all week to recuperate. you know this was a once in a lifetime experience never to be repeated again but you can't help but hold every other show to this impossible standard.
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Oh my god I woke up this morning and my Stardew Valley meta post had almost 150 notes????? Hello?????????? Anyways I started writing this last night because @moon-is-pretty-tonight left nice tags on the original so thank you so much!!
We know from the starting scenes of the game that the farmer's grandfather loved Stardew Valley. So why did he leave? Pelican Town is a good place to grow old; George and Evelyn are just fine. It's a fine place to raise a kid, but maybe he just wanted to raise his child closer to real schools and other children.
Or maybe, just maybe, he understood.
Was there a day when he was in his thirties where he looked at his friends and realized they weren't like him? That he could run faster than them, work longer, explore deeper into the hidden places of the valley?
Was there a day when he went to the wizard to ask him for help, for knowledge if nothing else? Did he learn then that his family was different? Special? Chosen? And how did he react? He couldn't possibly raise a child in the valley if they would be as strange and fey as him. He had to leave. There was no other way.
But years later, on his deathbed, did he regret that choice?
Is that why he gave the farmer the letter?
Is that why they went back home?
When the farmer steps off the bus that first day, the valley is still on the cusp of winter, just barely tipping over into spring. The flowers are starting to bloom, but a chill still hangs in the air. As soon as the farmer's boots touch the soil there's a change. The air gets warmer. The trees get greener. Not by too much, not all at once, but it changes.
The junimos watch the farmer as they do their work. They're new to farming, but take to it with frightening speed; their first batch of crops is perfect. None of the townsfolk tell them that parsnips don't normally grow in less than a week, that cauliflowers don't grow to be ten feet tall, that fairies don't visit when the sun goes down and grow potatoes and beans and tulips overnight. The junimos talk amongst themselves in their strange, wild language, and agree: this is the one. They're back. The valley recognizes its own, even when they've left for a generation. The farmers have come home.
Things change fast in the valley. The community center, empty and decrepit for so many years, is rejuvenated. (Lewis says it was abandoned only a few weeks after the farmer's grandfather left. Strange coincidence, he says, that it both came and went with the farmer's family.) The mines and the quarry, similarly abandoned, are explored for the first time in ages. The town becomes cleaner, brighter, more vibrant, happier.
And it is happier. Not just the environment, but the people. It's the talk of the town for weeks when Haley does her first closet purge. Leah's art show in the town square is a huge success. Shane's smiling for the first time since he moved to the valley. All of them, when asked, say it's all thanks to the farmer.
People love to ask why Lewis didn't fix the community center on his own. Why Willy never repaired the boat to ginger island. Why Abigail or Marlon never went down to fix the elevator in the mines, or why Clint didn't fix the minecarts.
But isn't it so much more interesting to ask how those things were there in the first place? How they got so broken down? If the stories the townspeople tell are true, the valley was once a beautiful place, flourishing and full of life; why did that change? When did it change?
Was it when the farmer's grandfather, the locus of the valley, its chosen representative, left town?
And if so, what happens when the farmer comes back?
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Thinking how the importance of style for beginner artists is often so overrated. So many artists obsessed with “finding a style” and panicking when they can’t/their style is constantly drastically changes. But the style is just a combination of things you love and happen to find comfortable and comforting for you to draw and I think eventually you just…circle to the tendency in style you find the most convenient. I don’t think there is a necessity of running after style above all else. Just find the things you enjoy drawing, find the artists whom you find visually pleasing. If you wanna, try to break down their work for studying, it’ll help you to understand which parts about their style you enjoy the most. Adapt the things you learned for your work, test them out, see if they stick. If not - that’s ok, not all things that look cool in other’s work is good for your own work. Have fun, don’t pressure yourself to have a consistent style by tomorrow, it’ll come around even if you don’t see it yet. Artists are also often blind to their style sometimes, just by the sheer amount of time we spend looking at our,all stuff and thinking that it should have looked different.
Give yourself some time, do not rush
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we need more unusual byler aus. like yeah i love a good coffeeshop au or whatever else but i'm talking like give me assassin will and target mike where will can't kill him because he's already associated with him and is falling in love with him. give me burglar will who, upon breaking into mike's apartment and seeing that he has nothing, decides to crash there for the night because mike isn't intimidated by him at all and also wants someone to hang out with for once. give me an au where they're coworkers working boring office cubicle jobs and have been trying to work up the courage to talk to each other since they are next to each others' cubicle. give me byler during the 1600s. give me a byler au inspired by some obscure anime. COME ON GUYS PLEASE I AM BEGGING YOU. APPRECIATE UNUSUAL AUS BECAUSE THEY CAN BE SO FUN 🙏
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(Another Tim and Jason 4am meeting)
Tim: You think there's a universe out there where Superman is evil?
Jason: There's a universe out there where Batman dresses as an owl and tries to destroy the entire multiverse, so, yeah, probably. Why?
Tim: Why would he do it, I wonder?
Jason: Dunno.
Tim:
Tim: You think it would be because he fell in love with the Joker?
Jason: Excuse me, what the fuck-
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Do you think one could attain decent-ish ability to read Japanese just by studying kanji? Specifically asking because the kanji learnin' service "wanikani" is the single Japanese resource that works best with my brain, but then there are separate resources for grammar and vocab and and and.....
You will get REAAAALLLLLYYY far knowing only the kanji but you're going to have to know hiragana and katakana at some point too. Tofugu, the company that did Wanikani, has two mnemonics-based guides for the kana that are basically Wanikani Lite. They're how I learned the kana and I swear by them.
Here's hiragana: https://www.tofugu.com/japanese/learn-hiragana/
And katakana: https://www.tofugu.com/japanese/learn-katakana/
Hiragana are especially vital to learning kanji; you won't be able to use 99% of Japanese-English dictionaries without them. BUT they're pretty easy and the rules for using them are consistent. You won't have to remember any irregular exceptions for any of them.
I haven't tried it yet, but I've heard really good things about the Crystal Hunters manga series as a fun/low stress way to learning Japanese vocab and grammar. It eases the reader into new concepts and then repeats them throughout the chapter so you remember them. There are free vocab and study guides/lists for each chapter too. Might be worth checking out once you get some kanji and the kana under your belt? The first book is also free.
Official site: https://crystalhuntersmanga.com/
Good luck!!
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