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#I guess we all have to learn somehow
doverstar · 2 years
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this is the reason you'll see lots of tumblr users have their own personal tag for that they specifically use when they're posting ramblings or "wank" because then they have a way to find all of those posts themselves, but it keeps them off the main tag.
I'm piecing this all together. Getting a very clear picture, so progress. Wank is someone rambling. I was today years old- Okay, but that does sound like labelling, just not labelling something for a collective group - just yourself. Tags like Hellcheer or Timepetals are for a collective group of people who ship that, and they don't want to see your opinion, they only want positive content. Got it. Thank you!
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ink-the-artist · 3 months
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forgive me if you've been asked this before or if its annoying, but how did you learn to use colored pencils like that? your art is so special to me.
ty :) I took an art class for a few years where our teacher had us buy prismacolor pencils as one of the art supplies and had us use them kinda like paints, pressing down hard right away and blending the colors together. its not how youre supposed to use them she was just trying to teach us to use color and ig this was more to the point. I picked them up again years after i stopped going to that class just bc they were there and i wanted to play around w them a bit and ended up actually enjoying it when doing it on my own terms lol
#it was a weird class#it was just this russian lady doing private lessons in her house that my mom learned about somehow#I did NOT like those classes all we did was still life and they were hours long which is esp rough when im in high school and busy#and she wanted us to stand while working the whole time bc tradition i guess?#she did allow me to work sitting but thought i was lazy for it. idk dude i dont want to exhaust myself fast for no reason#standing is a lot more tiring than walking#i def did still benefit from those classes just from learning to accurately draw from life#did not like the teacher tho#on one hand shed paid for the art supplies for kids whos families were too poor to (and these are nice expensive supplies)#which is very nice#but on the other she was very homophobic and open about it#like when they legalized gay marriage she went on a rant about how horrible it is that they can adopt kids now#and also kind of racist#she was telling me how she got blocked from a facebook group bc she made a post asking if she could speak to a white person#and she didnt realize she was posting that publicly she thought it was a private message to the group owner#im honestly still not sure i heard/understood her correctly bc it was so bizzare and the only time i ever remember her being racist#she talked abt it like she genuienly was unaware it was racist#she described it as a misunderstanding bc she accidentally posted it publicly instead of privately#like it wouldnt have been racist to ask that at all#also one time she talked about how she saw demons in her home once#also she doesnt vaccinate her kids bc of microchips#she was like a walking russian stereotype lol#anyway heres some ink the artist lore
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fromtheseventhhell · 8 months
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Sometimes I wonder if it even makes sense for Arya's first stop back in Westeros to be in the Riverlands. I feel the same way as Arya's response to the Kindly Man when he offers to get her on a ship leaving for Duskendale and Gulltown. She just got there from the Riverlands, what point is there to go straight back? Especially with the way it seems to become a meandering hell for every POV there lol. What developments in TWOW would motivate her to go there? I can really only think of wanting to reunite with Nymeria, or if the faceless men are touchy about cheating death and put a mark on either Lady Stoneheart or Jon that she either has to fulfill or prevent.
It's just when I see actual Arya fans speculate on her TWOW arc it's about running into Jeyne and finding out what's been going on in the North through her name, finding out about Jon's death or resurrection, something to do with the Hardhome wildlings, Bran watching Nymeria through the trees and maybe contacting her the same way he did with Jon, discovering what's going on with the Sealord and maybe getting in his favor, anything involving the keyholders and the Iron Bank, potentially discovering secrets about the red door or even the Sailor's Wife being Tysha, a climax involving the Uncloaking of Uthero... almost everything I can think of would point her back north, to claim herself as the true Arya Stark or getting revenge for Jon's death. Or wanting to reunite if she hears of his resurrection before leaving Braavos.
The only benefit I can think of for landing in the Riverlands first thing is going up through the Neck and meeting Howland Reed. He could give her Robb's will and laugh if she tells him she found out Jon's mother is Wylla through Ned Dayne lol. I want her to meet Lady Stoneheart as much as anyone, but I would prefer Lady Stoneheart stick around long enough to reunite with both Arya and Jon. I don't want the gift of mercy to be given to her before that happens.
See, the tricky part about speculating on Arya's TWOW arc is that she has so many plot connections that it's difficult to imagine that she'll be able to fulfill them all. Arya going to the Riverlands first and ending her story in Winterfell/The North is a way of hitting as many of those connections as possible. I don't think that Arya going to the Riverlands is confined to her antis because a lot of Arya stans make the same speculation, but I do think too many people discount the possibility of her going North. She has several plot connections there in her proxy marriage, Jon dying for her, her connection to Bran (seemingly highlighted in ADWD and hinted at in TWOW), her personal connection to Roose, the likelihood of her encountering Jeyne, her connection to the magical plot, etc. It's also, like you mentioned, unlikely that she intentionally sets out to travel to the Riverlands. George could continue her "never seemed to find the places she set out to reach" and she could get knocked off course, but even then there are other places she could end up. There's a good case for her traveling to both places, or even somewhere new, but there's just too much in the air to say definitively.
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gxlden-angels · 1 year
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I have a lot of religious guilt around being angry, especially being angry at someone, and it's so funny talking about it with my therapist because I'll admit something like "I feel like Im in a constant low level state of resentment" or that Im thinking something slightly harsh about a person and my therapist will be sitting in his seat like
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opens-up-4-nobody · 1 year
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#ugh. im feeling chatty today. probably bc i feel kinda weirdly anxious. like when u can Imagine bad things happening in detail#and like it feels like ur wait for it even tho its in ur imagination? whatever. anyway. ive been watching a lotta#stuff on like professional artists and idk maybe im just in too deep on science academia but i dont. i dunno the culture#seems so weird to me? like what does one do in art school? i guess i took a lot of art in high school but my teacher was kinda trash#all we did was paint realisticly using a grid and i hated that. but i image ur supposed to exercise different styles and medias? how tf#does that get graded? i dunno. i haven't taken any uni level art classes. i should tho. id probably like it#its weird tho. anything that tries to give structure to art stuff seems so weird to me. like u go to school for science stuff to build up#ur background knowledge and i guess u can do that with art but it feels different. i guess bc ur training muscle memory. i dunno#i like to imagine an au where i go to art school but i legitimately cannot fathom doing that. cannot fathom a life outside of my toxic#relationship with academia. i dont even kno what i would want to specialize if i went down that path. maybe illustration#bc it makes me happy when ppl say my style looks like something out of a kids book. i dunno#i guess classes would help with things like forcibly learning shadows and anatomy and composition#maybe i just need to make art friends. like what is ur life like? im too much in a science bubble#i guess going to art school also just devotes all ur time to art. not just tiny pockets of time between all the things u have to get done#god. i can only imagine the panic of procrastinating an art project and physically not having enough time to finish it#thats how i felt with my masters thesis. there was just physically not enough time for me to fix my code in all the ways i needed and rew#rewrite things. but i finished it somehow#ugh. god. i have things i need to finish coloring. i will finish them today. i will#i hate coloring. but colors r so pretty ;_;#unrelated
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majorshatterandhare · 8 months
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Apparently my brain really hates when names have A, U, and R in them, because without fail, every time I go to type Arthur my brain wants to spell it “Aurthur” or perhaps “Aurthr” and every time I go to type Marius my brain wants to type “Mauris” or maybe “Maurius” or maybe “Maurias” its unclear because I *usually* notice my mistake by the end because it’s clear to me those ending are wrong. Brain just really wants “AUR” together.
#if you see me misspell those names. that’s why#also im american so i default to pronouncing marius— hang on let me look up some IPA symbols#i pronounce is with this vowel ‘ɑ’ which is the open back unrounded vowel#where as they seem to pronounce it with the ‘e’ symbol which is an english (or at least am english) long a sound.#they say it like the name mary. like ‘marry us’#reasons english needs either more vowel symbols or accent marks#also i am aware the ipa vowels are fucked up but its still the best ive got because even in the same language there are accents and-#dialects and that makes examples hard. i also learned recently that british and australian english has actual long an short vowels.#i knew american english didnt have strut (inverted v) but i didnt know- i mean i kinda did because i had noticed it but like not fully-#understood it. anyway if youve read this far you should go watch dr geoff lindsey on youtube hes great#to be clear we have ‘long’ and ‘short’ vowel sounds in am english. but ‘long’ and ‘short’ are just names. the actual length that we say-#them is apparently basically the same. at least when compared with br and au english.#dr geoff lindsey *just* published a video about this. re: how br and au eng speakers say ‘two o’clock’ and ‘four o’clock’ as significantly-#different lengths. while am english speakers say them the same length. he also touches on a bunch of other interesting stuff#im not gonna fandom tag this i guess#i think its funny though that its arthur and marius since they are both voiced by the same person#oh also i think all IPA symbols should have special names like eng. schwa. and strut. rather than having to be called shit like ‘open back-#unrounded vowel.’ although i do realize that theres a fuck tonne of ipa symbols. i also think each of the names should have the sound it-#represents in it.#im autistic about pronunciation somehow. arent i supposed to be in the… *other* sciences. how did this happen?
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marklikely · 1 year
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hey what is going on in tech right now that we keep having to do this "new buzzword dominating every conversation you have" thing every year
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baekuras · 11 months
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it’s always fun being creative until you work on like 5 things at once so none of them get finished but you have made like half a step of progress on all of them in the past few days
#txts#at least i am not bored?#but also dear god my poor brain juggling all this#and sadly work returns tomorrow#late short shift aka 6hours but STILL#its work so ew#anyhow i have created like 3 characters#fleshed out 4 (side)plots-part of it involved more in the main one so yeah#blocked out an entire relevant location which is 3 levels of inside and 1 of outside...which still needs details but STILL#and have now done flat colours for 1 fandom piece (hi kiyan....help me...pls)#rn it is 1am and i wanna go draw my ocs#it'd be much more helpful if i were to model them or decide on a style bc i would like to actually fuck around with them in game-relevant#thingies and learn that#BUT i guess not....def not at 1am to be fair#not during work week#BUT!!! this means basically everyone of the main cast with the exception of 2 relevant antagonist is done at least style wise#needs refinement etc etc but at least we are getting places#slowly.....but surely......#look i always wanted to throw my ocs and stories or whatnot out in the world somehow#and i am so not there to comit to comics-especially not atm#so....i am going back to 'lets see how hard it is to make game' idea and see if i give up on that#if i do-well....wouldnt be surprised but it is fun to fuck around in game engines so at least there is that#what is life for if not to fuck around a bunch#its also always a fun time of having to take 500steps back bc brain is like#oooooh what if we add all these cool action super amazing thingies everywhere and put all this in#like bitch what if we learn how to make our own shit AND have it work in engine first?#lets start by having a character and walking animation-like...pls#it'll stay small bc...i am me...i am not gonna make a AAA 70hour game lol#i will make smth neat and small that I'll enjoy playing through and thats basically my philosophy w/ all my art#its for me first and everyone else 2nd-but i do love it a lot when others enjoy it
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ruairy · 2 years
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lizardsfromspace · 1 year
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I do have to impress on anyone who wasn't around for it how batshit the reality boom of the 2000s could be. Especially on Fox.
Here are some 100% real 2000s reality shows:
Who's Your Daddy? A woman has to guess which of eight men is her biological father. One of them really is, and if she guesses right she wins $100,000. If one of the seven fake dads convinces her to guess them, he wins $100,000.
Black. White. A white family learns about racism by living a month in blackface, while a black family spends a month in whiteface. The black family was a real family, but the white family was just some actors hired to put on blackface to prove racism exists
Without Prejudice? Five strangers decide which of five strangers gets a cash prize based off clips and their answers to political questions. Cancelled when one of the choosers openly said he'd eliminate all black contestants
Welcome to the Neighborhood. Three conservative white families in a Austin subdivision decide which diverse family gets to move in. Unaired due to being literal housing discrimination
Seriously, Dude, I'm Gay. Two straight men try to pass themselves off as gay and whoever seems more gay gets $50,000. Unaired due to. Due to. Due to
Playing It Straight. A woman tries to find love among fourteen men, half of whom are straight and half of whom are gay, and she must eliminate two men she believes are gay each week. If she ended up picking a straight man in the end, they'd split a million dollars; if she picked a gay man, he'd win a million dollars
Boy Meets Boy. This was Playing It Straight but starring a gay man and he had to eliminate straight people
Who Wants to Marry a Multimillionaire? He wasn't a multimillionaire. He didn't even have a million dollars in liquid assets. He had a battery conviction Fox claims they didn't see. Because it was the 2000s, somehow this ended up with the woman he won being widely vilified and turned into a national punchline. How dare she complain about a massive corporation tricking her into marrying a lying abuser, good thing Matt Lauer's there to take her down a peg
The Swan. A "ugly" woman is given plastic surgery and wins a prize if she's the hottest at the end of the season. If she's not hot enough by the show's standards she's eliminated and called ugly on national TV
The Biggest Loser. Overweight people engage in competitive crash weight loss that often led to awful health complications. Studies showed basically everyone on the show regained any weight they lost once it was over and they didn't have abusive trainers demanding they take huge health risks to win a competitive weight loss competition. Like the others, this one was cancel-oh, it was a massive hit that ran for 18 seasons? Yikes!
Wife Swap and Trading Spouses. These were the same show and had a wife from one family go to another family that was different politically, racially, culturally, religiously etc. Most famous for the God Warrior
At the time people focused on the likes of Fear Factor but looking back it's wild how many of the worst shows toyed with politics. So many of these shows have a premise that's like "what if we exposed these conservatives to these people they hate?" or hyping themselves up as Important Experiments. Then they'd freak out when they got the kind of viral bigoted freakout they were trying to construct the whole time.
There were also a bunch of horrible reality shows, thankfully this time mostly unpopular, in the 2010s that based themselves around economic themes as a response to the market crash, but that's a story for another time
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ramonathinks · 10 months
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gojo and geto would actually be the type to slowly coax you into a poly relationship and you wouldn’t even realize it. 
they are best friends and they’re just plain rich assholes who do what they want and flaunt their money all over the place and somehow you end up doing something minor like spilling coffee on gojo’s expensive ass pants or something and now you’re trying to repay the debt and he’s making you do just a bunch of stuff for him like his laundry, groceries, cleaning his apartment, etc.
he thinks it’s hilarious and cute.
geto convinces gojo to let him borrow you from time to time but instead of cleaning he just wants to talk to you, at first. he is asking you how you feel about gojo, implying that gojo likes you and you’re suprisied but doubtful. he tells you to try to be sweeter to gojo and the more you listen to him, the more you start to like him. he even wins you over by buying a few expensive gifts just so you’ll be nice to his friend.
one day geto comes over and try to get you to come to this party with him and gojo, which would lead him to adding that your arrangement and you’d just sigh and decide to go. getting tipsy isn’t the best and you’ll learn that soon when you end up dancing against both of them. grinding all over while you’re sandwiched between them and gojo is kissing the back of your neck and geto is now kissing your lips.
you wake up with a headache and in gojo’s bed in the middle of the both of them. you’re blushing and you see that you’re only barely clothed, you hurry to leave before they wake but before you’re even down the stairs they’re calling out to you.
you get a few text messages from them saying they need to talk to you and to meet with them. you don’t reply eventually they have to come to you. they confess that they’ve been trying for more than a few months to get you to see how much they wanted you and with the coffee incident it just helped more.
blah blah blah and then they just pitch the idea and you’re just like “i guess we can try.” nervous and such.
they wouldn’t even straight up get to having a threesome they’d ease it in by one on one sex then ease you into it by one of them starting to watch while you and the other are engaging and then after about a few months of taking turns then they’d finally get to it.
Like they’re kissing your neck and hands are just everywhere and all over. You’re losing your mind and at the same time everything is coming together.
no part two. no fic. don’t ask.
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tobiasdrake · 3 months
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*deep breath* Okay. Here we go.
I don't think the Netflix Avatar show likes women very much. It's a great show for fans of Aang, Sokka, Zuko, and Iroh specifically. All four of those characters get a ton of great material. In fact, it's super great for Sokka stans, because the show takes him ultra-seriously and can't go five minutes without one character or another (usually a woman) praising him.
But the way it handles its female cast is troublesome.
Katara
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So, all three of the main trio got some changes made to their stories. They changed Aang's story so that he wasn't running away from his responsibilities; He was just clearing his head and somehow accidentallied himself into a tsunami. Whoopsy-dooodle. Aang did nothing wrong.
They changed Sokka's story so that him being a leader of his people and a great guardian warrior is treated with complete seriousness. Multiple times, characters stop to talk about how brave and noble Sokka is for taking on such an intense responsibility, and tell him to his face what a great warrior and a wonderful leader he is. Also his misogyny is erased.
And they changed Katara's story so that she directly got her mom killed because she sucks at waterbending.
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Katara tries to waterbend to attack the Fire Nation soldier but couldn't manage it, provoking the soldier to start actively searching for her and forcing her mom to fake a waterbending attack and draw his fire. They changed Katara's story so that her bad decision making fucking got her mom killed.
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This is treated with the same level of severity as "Sokka was bullied by mean kids and also his dad doesn't think he's good enough to be a leader."
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"I hoped Sokka would do better but not everyone is meant to have people's lives in their hands," Sokka's dad says of him.
Yeah, you're right, that's totally comparable to watching your mom get barbecued because you tried to waterbend in a situation you shouldn't have and then failed.
In fact, they give Sokka's greatest trauma more weight because it gets examined again with Yue next episode, while Katara actively getting her mom killed isn't brought up again at all. We get traumatized glimpses of it throughout the season leading up to the reveal, but after this scene in episode 5, it never comes up again.
But to be fair, Katara was a child. An event this significant would surely have motivated her, driving her to become the great waterbender she is now, right?
No! Katara sucks at waterbending and needs men who aren't even waterbenders to teach her how to waterbend. She requires instruction from Aang in episode 1 to learn how to waterbend, then from Jet in episode 3 to learn how to waterbend better.
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And unlike the show, her relationship with Aang isn't a give-and-take; Katara doesn't teach Aang a single goddamn thing. He never learns to waterbend. She is a strictly a pupil throughout the whole season. Though she at least gets officially labeled a master in episode 8, so there's that.
In any case, the whole traumatic memory thing isn't even the only time she's directly compared with Sokka. Episodes 3 and 4 see Katara and Sokka bicker over whose morally dubious side character is better. Sokka likes the Mechanist and Katara likes Jet.
Ultimately, Katara is forced to eat crow when Jet turns out to be the worst, while Sokka is vindicated when the Mechanist sees the error of his ways and reforms. But not before two separate arguments where Sokka calls Katara childish and accuses her of acting like a little girl.
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Arguments ultimately resolved when Katara apologizes to Sokka for not adequately respecting his very serious and ultra important role as village protector and leader. Gives him a whole speech about how great and glorious he is. And Sokka... appreciates Katara learning to respect him properly, I guess, because he never offers any similar sentiments back to her.
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The show just... They need you to know how important Sokka is, okay? It's very important that you respect Sokka.
Suki
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Suki suffers tremendously from that whole "Sokka's misogyny was removed" thing. Y'know, because they need something else to do with that episode. The show is deeply aware that Suki is Sokka's love interest, so they just do that right off the bat. Suki falls madly in love with him from the moment they meet, and spends the entire episode making goo-goo eyes and trying to get him to Notice Me Senpai.
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They still do the "Suki Trains Sokka" stuff. But Sokka is a serious, dignified manly man worthy of the deepest respect now, so of course they don't make him wear the Kyoshi uniform. Instead, the main purpose of his training is to allow them to flirt some more. It's less martial arts training and more an excuse to grope each other and near-kiss.
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Suki's just a waifu now. She still fights real good, but all of the stuff that made her relationship with Sokka interesting has been erased.
Yue
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Yue, similarly, leaps straight to shipping from the word go. They write out her fiance, Hahn, by having Yue briefly meet Sokka earlier in the season. She spends one minute talking to him in the Spirit World about Spirit World lore; In that time, she falls so desperately, madly, unfathomably in love with him that she breaks off her marriage to Hahn and devotes herself to waiting for him to one day come to her.
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"Never have I known such joys as that time you let me explain the spirit bear Hei Bei to you. Truly, we are destined to be together for life."
Like with Suki, they go out of their way to have Yue and Sokka already be a ship from the word 'go' so they don't have to spend time developing any kind of meaningful attraction.
They just. They really want you to know that Sokka is the manliest and most desirable man ever to walk this earth. It is very important that you understand how great he is. Women hurl themselves into his arms with zero effort whatsoever, because he's just so goddamn irresistible.
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Fortunately, Hahn is super okay with this turn of events. He's the most chill guy ever, he gets along perfectly well with Sokka, and he completely supports Yue's right to dump him! In the famously misogynistic Northern Water Tribe, no less! What a swell guy. Aren't men swell?
June
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June gets hit with that "rewritten as hollow waifu" stick too, but her eyes are set on Iroh. They rewrote June to be super attracted and flirty towards the man who was her unwanted sexual harasser in the source material. So that's fun.
Also, she barely does anything. Zuko hires her to find Aang, she succeeds, and then she fucks right off out of the show - But she manages to find time to express how unbelievably sexy Iroh is twice during that time.
She seriously just dropped into the show to flirt with Iroh and leave. She is unbelievably inconsequential.
Kyoshi
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And then there's Kyoshi. They really want you to hate Kyoshi. She's constantly shot from below, as if looking down on Aang and the audience. Her voice takes on a demonic echoing reverb at one point as she's screaming at Aang that "THE AVATAR MUST BE A MERCILESS WARRIOR!!!"
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She despises Aang, calling him a coward for running away from his responsibilities - Which, I remind you, is no longer a plot point because they unwrote that flaw from his character. So she's just a complete and utter asshole, shot from the asshole angle, yelling violently at him with asshole sound effects. They want you to despise this woman.
Azula
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Awkwardly, they do not seem to want you to despise Azula.
There's a lot to be said for how Ozai treats Azula in the original show. The way the favoritism he shows her is every bit as cruel and manipulative as the unfavoritism that he shows Zuko. Ozai does not love Azula. He loves the reflection of himself he sees in her eyes, and his encouragement urges her to polish herself to ensure his reflection always shines through.
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This is not that. The show instead erases the favoritism entirely. Ozai doesn't really care one way or another about either of his kids. He plays them against each other, bragging openly to Azula about how great Zuko is and unpleasably writing Azula off as weak and useless.
They've rewritten the dynamic between abusive father and his two abused kids in order to take Azula's pride away. Reimagining her from a gifted prodigy who excels at imitating the toxic behaviors of a father who doesn't truly care for her, to a put-upon overachiever tearing herself in knots to live up to the standards of her unpleasable father.
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This results in a truly wild portrayal of Azula as insecure and jealous of Ozai's seemingly love for Zuko. Here, she is simply a browbeaten child constantly complaining to her friends about how mean her father is and conspiring to get one up over Daddy's Golden Child Zuko.
Which she fails at, because she backs Zhao. Zuko deftly defeats her without even realizing they're in competition.
Conclusion
The season ends well for some of these women. It ends promising that maybe we'll see Katara teaching Aang some day. It ends with Zhao bragging that Ozai just used Zuko to train Azula so maybe we'll see the more confident and misguidedly proud Azula some day. Yue becomes the moon like she's supposed to. June's still out there so maybe she'll get to do something again some day.
Katara gets to fight Pakku and lose, but she looks pretty cool. She gets to fight Zuko and lose, but she looks pretty cool. Azula learns to lightningbend because she's just so mad about Ozai's contempt for her and favoritism for Zuko, which isn't how you lightningbend.
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But promises of future content fall flat when the content that exists is so underwhelming. This season made its feelings on these characters pretty evident, and it's unwise to expect better material from creators who've disappointed you with the material they already made.
The women of Netflix Avatar simply do not get to shine, outside of superficial moments like the "Women of Northern Water Tribe demand the right to fight and then fuck off and don't do anything for the entire rest of the episode" bit.
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"In the midst of battle, we demand that you stop being sexist and give us permission to fight! This is a way better idea than convincing you to teach us to fight before the battle begins."
The characters of this show feel as if they've been reimagined to glorify the boys at the expense of the girls. The boys are treated with a great amount of care. They're dignified and made important movers of the plot, with their rough edges sanded off. While the girls are molded around them.
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kitorin · 4 months
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g.satoru - 1:19 am
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"i can't believe you kissed him—"
it's the dead of night when gojo satoru's fuming, acting as a means of prevention to your long awaited (and well deserved) sleep.
you pull your shared blanket, covering the entirety of yourself. "shut up. not now."
satoru rips the blanket off you. "yes, now. don't try to run away from the consequences to your actions."
an effort to pull back the blanket becomes futile, as you decide not to bother. "you're overreacting."
"why him, why not me? majority of his face is forehead and he's built like a rugby ball. he doesn't even look like a man" he inhales sharply. "what about this face isn't perfect?" satoru gestures to it, hair still slightly damp from the late shower and blindfold nowhere to be seen. "this is basically cheating. why would you do this to me? shall i get rid of my bangs so i have a bigger forehead?"
"satoru, he's just a plushie." you pull the white softness of the cinnamoroll plush to your chest, fingers stroking it's fluff.
"lucky bastard..." a curse or two accompanies his words, as he wraps himself in the blanket, as far away from you as possible. "should've been me."
"satoru—"
"i bet my hair's softer."
"why don't you come here and prove that to me then?"
the blanket unfolds to reveal a pouting gojo satoru. "you even called it a he."
cinnamoroll settles on your bed's head rest, somehow balancing with his 'majority forehead face'. satoru shuffles closer to you, closing the distance between you two.
you shrug. "he's my son. my baby."
"i'm your baby."
"he's baby in the sense of an actual, cute baby. you're baby in the sense of an immature grown ass man."
he responds with an eye roll. "wow. okay. plushie's more important than me i see."
another shrug from you, biting down on your lip to swallow a snicker (it wasn't successful).
"love it's just a plushie—"
"i tried to tell you that initially." satoru faces you to pout, but it has no effect on this little squabble of yours, maybe only a giggle or two from you. "he's so cute, c'mon.
without much effort, satoru picks cinnamoroll up, staring, no, glaring at the poor dog. "you can't find someone cute after they stole your lover."
"he's my son. that would make him your son." the observation makes him stick his tongue out. "all i did was kiss him."
"me related to him? no thank you." satoru continues to inspect the plushie from the sky blue, plastic eyes to the swirly tail on its bottom. "i hate him."
"you look the same. white hair, blue eyes."
satoru scoffs, very pretentiously. "that shade of blue is so dull. mine's bright and shiny. therefore prettier."
you lean in closer, not to whisper to him but to the plush. "i guess you'll be fine with having satoru's good night kiss?"
his jaw drops—literally, betrayal scrawled on his features. "you wouldn't."
"learn to get along with our son then."
satoru huffs indignantly, but brings the plushie to his chest, hugging it tightly. "well he's nice to cuddle. and his big head doesn't look so bad anymore."
finally, you reclaim the blanket stolen from you. "we both know you love him as much as i do."
"ew, as if." but he knows very well you're correct.
[he ended up forgetting the goodnight kiss he was fuming about]
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© kitorin : do not repost, plagiarize, change, or translate
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mrfoox · 1 year
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i wish i trusted my own feelings more but here i am?
#me: i feel this way (: someone i like: um... are you sure? i think you feel more that way#me: oh shit... maybe i do? binch i gotta think this one through now..........#i dont think my answer will change but its uh... worth another look#oliver said a while ago he thinks i'm in love with fabian.. and immidetly i said very confidently apperantly that i dont#and now ive been thinking about it and im like....... ok but am i?#told oliver again and he was like 'what i thought you said you werent? you sounded very sure about it'#yeah i mean...... at one hand i am but also...... i think my brain can do a lot of shit to keep me away from things that will probably end#badly. and genuinly i do not think me and fabian would have any chanse even if somehow he would be into me too#i'd never feel good enough for him. so i may just have gone into the whole thought of#its never going to happen so you obviously just like him in a friendly way. the end. idk#as usual romantic feelings for me is a mess. i dont divide love in that way naturally. for me love is love. if i love you i love you#i'd do anything for you and anything you'd want with me i'd be down for unless we are very unlike character wise#i just can see myself liking almost#all my friends in a romantic way? i can imagine it from my pov but its theirs i cant#not something i actively think about tho its just.... something i have and i know?#maybe this actually isnt how i think but theres another explanation (like oliver said 'being afraid of others leaving so youre willing to do#anything they want to keep them aorund) but until i learn otherwise this is what i keep thinking.  i feel like a freak tho bc i dont think#anyone can really... understand it unless they feel soething similar ? or are super open or such. the friends ive told i think got a bit#scared. makes sense... but i cant make it sound better or more normal like yeah. everyone is safe from me romantically but also#almost everyone is welcome to hmu if they wanna try dating i guess. i speak big but i do have some exceptions#mainly bc of character meshing :'))#miranda talking shit
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inkskinned · 4 months
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most writing advice is good as long as you know why it is good, at which point it is also bad. the hardest thing (and most precious thing) about being an artist is that you gotta learn how to take critique. i don't mean "just shut up and accept that people hate your work," i mean you need to learn what the critique is saying and then figure out if it actually helps.
i usually tell people reading my work: "i'm collecting data, so everything is useful." i ask them where they put the book down, even though it's too long for most people to read in 1 sitting. i ask them what they thought of certain characters. i let them tell me it was really good but i like it more when they look a little stunned and say i forgot i was reading your book, which means they forgot i exist, which is very good news.
sometimes people i didn't ask will read my work and tell me i don't like it. and that is okay, you don't have to like it. but i look at the thing that they don't like and try to figure out if i care. i don't like that you don't capitalize. this one is common, and i have already thought about it. i do not care, it's because of chronic pain and frankly i like the little shape of small letters. you use teeth and ribs in all your work. actually that is very true. i don't know what's up with that. next time i will work to figure out a different word, thank you. you're whiny, go outside. someone said that to me recently and it made me laugh. i am on the whine-about-it website as an internet poet. you are in my native habitat, watching me perform a natural enrichment behavior. but i like the dip of whiny, how the word itself does "whine" (up/down, the sound out your nose on the y), but i don't know if i want to feel whiny. maybe next time i will work on it being melancholy, like what you would call a male writer's poetry.
repeated "good" advice clangs in a bell and doesn't hold a real shape, dilutes in the water. like sometimes you will hear "don't use said." you turn that around in your head and it bounces off the edges of your brain like it is a dvd screensaver. it isn't bad advice, but it feels wrong somehow, like saying easy choices are illegal! sometimes i will only use "said." sometimes i will just kick dialogue tags out to the trash. sometimes i make little love poems where the fact that i do not say "said" is very bad, and makes you feel bad in your body, because someone didn't say something. i am a contrary little shitbird, i guess.
but it is also good advice, actually. it is trying to say that "said" sometimes is clutter. it makes new writers think about the very-small words and very-small choices, because actually your work matters and wordchoice matters. "i know," you said. "i know," you sighed. "i know." we both know but neither of us use a dialogue tag, because we are in a contemporary lit piece.
it is too-small to say don't use said. but it is a big command, so it gets your attention. what are you relying on? what easy choices do you make? when you edit, do you choose the same thing? can you make a different choice? sometimes we need the blankness of said, how it slides into the background. sometimes we don't.
i usually say best advice is to read, but i also mean read books you don't like, because that will make you angry enough to write your own book. i also mean read good books, which will break your heart and remind you that you are a very small person and your voice is a seashell. i also mean you need to eat books because reading a book is a writer's version of studying.
my creative writing teacher in the 7th grade had a big red list of no! words and on it was SUNSET. RAZORS. LOVE. GALAXY. DEATH. BLOOD. PAIN. I liked that razor and love were tucked next to each other like birds, and found it funny that he believed we were too young to know the weight of razor in the context of pain. i hated him and his Grateful Dead belt, where the colored teddy bears held up his appraisal of us. i hated his no list. it is very good/bad advice. i wasn't old enough yet to know that when you are writing about death you are also writing about sunsets and when you write about love you are tucking yourself into a napkin that never stops folding.
back then my poetry was all bloody, dripped with agony when you picked it up. i didn't know there is nothing beautiful about a razor, nothing exciting about pain. i just understood sharpness, which he took to mean i understood nothing. i wrote the razor down and it wasn't easy, but it was necessary. that's what i'm saying - sometimes it's good advice, because it's not always necessary. and sometimes it is very bad advice, because writing about it is lifesaving.
hang on my dog was just having a nightmare. i heard that it is a rule not to write about dogs - in my creative writing mfa, my teacher rolled her eyes and said everyone writes a dead dog. the literature streets are littered in canine bodies. i watched the rise and fall of his ribs (there is that word again) and had to reach out and stop the bad dream. when he woke up he didn't recognize me, and he was afraid.
it is good/bad advice to say that poems and writing have to mean something. it is bad/good advice to say they're big feelings in small packages. it is better advice to say that when my dog saw where he was, he relaxed immediately, rubbed his face against me. someone on instagram would make fun of that moment by writing their "internet poetry" as a sentence that tumbles across a white page: outside it is sunset and my dog is still in a gutter, bleeding a galaxy out of his left paw. or maybe it would be: i woke the dog up/the dog forgot i loved him/and i saw the shape of a senseless/and impossible pain.
the dog is alive in this one, and he is happy. when i tell you i love you, i know what i said. write what you need to write, be gentle to yourself about it. the advice is only as good as far as it helps. the rest is just fencing. take stock of the boundaries, and then break them. there's always somewhere else you could be growing.
i love you, keep going.
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Dp x Dc Crossover
Danny and Ellie somehow get tangled with Cadmus and frozen for study later. Obviously it comes to the JL’s attention and they all go ‘oh no another clone’. Anyone’s choice of who they think it is or if it’s a collection of people they took DNA from and meshed together to make these two sassy children.
Would be funnier if they came to DC universe by accident and didn’t have time to really learn about it before capture. The result being they have no idea superheroes are a thing and the heroes just thinking ‘these kids were traumatized and held captive, they don’t even know who Superman is!’ and cue another layer of hilarious misunderstanding.
When confronted about the whole clone thing, Danny immediately defends and protects Ellie. Obviously. Then they notice he was not defending himself, to which Danny goes ‘I’m not a clone!’ The heroes look at each other in clear doubt. ‘Oh he was in denial or seriously didn’t know who he was made from. That will make this harder.’
I may have started something though…
They found a discrete laboratory hidden in plan sight, underneath an office building. When researched, they found connections to Cabmus.
Considering the last encounter they had with the organization, they wanted to be prepared. Hence why when the small team noticed Batman walking down the stairs, Superman followed behind with a tight expression.
“Report.”
Red Robin stepped forward.
“Two cryo-stasis containers holding two nearly identical people. The first a male, approximately 13-14 years of age. Stable. The second a female, younger, approximately 10-11 years of age. Also stable, but her stats are lower than the boy’s.”
“What do you know?”
“Virtually nothing,” Connor says casually. “There are no documents left behind, digital or physical, and there are zero labels on these things.”
They arrive toward the back of the basement where the two frozen containers were sitting upright. One unit obviously smaller than the other most likely holding the girl. Batman has to peer down into the larger unit to see the boy’s face. Frost collected on his eyelashes and black hair like a forgotten doll. No movement from either forms, not even breathing.
“So we don’t know who they are made from,” Superman pushes, clearly displeased.
Batman keeps looking at their faces. The curve of their noses, the shape of their jaws, the positioning of their cheekbones. They didn’t look like Connor. No, they reminded him of someone else.
“We suspect hybrids of some sort,” M’gann contributes. “A mixture of different heroes if I had to guess, but there is no way of knowing with our lack of information without waking them up.”
“Can’t you look into their minds?” Clark questions.
M’gann squirms at the directness and Connor steps forward to defend her. Tensions rise.
“No, sir. They are frozen so there is hardly any brain function except to keep them alive. They aren’t even dreaming.”
She looks them over sadly, obviously distraught with not being able to connect to their minds in anyway.
Batman turns to Red Robin, the younger already watching him.
“You see it too, right?”
Batman grunts. Yes, he saw it.
“Is there a way to move them?” Batman brings back the focus.
“The containers are connected to the buildings power and then a back-up generator in case of emergencies. We’d have to switch the power to something mobile and there’s no telling what kind of effect that would have on the kids,” Connor explains, against the idea of moving them.
“It’s six in the evening. Most everyone in the building above as gone home for the day,” Red Robin helpfully adds.
“Evacuate the rest. Then call a medical team.”
“Wait,” Superman interrupts as the three younger heroes jump to do as instructed. “You’re not thinking about waking them up now, are you?”
“You have a better idea?”
Batman doesn’t even look at him as he studies the stats on the old screen connected to the nearest pod. This one holding the boy. He’ll be the first one out seeing as he’s the more stable one.
“They could be dangerous. They could try to attack us.”
“That’s why we’re here,” Batman deadpans. He didn’t state the obvious that they were children who had been frozen for who knows how long. If anything they’ll need reassurance that they were safe, not weapons in their faces as soon as they wake up.
Clark was not happy with his decision, but as long as he didn’t antagonize them Bruce left him alone.
It wasn’t long before they were ready to begin. Three medical personnel stood several yards back behind the heroes. Red Robin begins the defrosting procedure and they have to wait maybe an hour before the door slides open. There is a breath among them as they wait for his eyes to open. Instead they hear a cracking of thin ice and the boy falls forward without the door holding him in place. Connor is the one to catch him before he hits the floor face first.
Superboy turns him to lay him flat on the floor, the boy’s body still stiff with cold. Frost makes his hair and eyelashes brittle. His lips are a faint shade of blue.
“He isn’t breathing,” Connor informs quickly.
One of the medics push forward first, oxygen mask in hand.
“Bring the thermal blankets. We need to get his core temperature up,” the woman urgently instructs.
They get to work quickly in warming up the boy who is too small and fragile. After several minutes of the medics squeezing air into his mouth and rubbing his limbs and chest to get the blood flowing, the boy takes a breath. Then another. He coughs roughly, his throat scratchy, and starts to shiver.
“There we go.”
He whimpers and tries to move his hand, but the action is jerky and unpracticed.
“His eyes,” M’gann informs them, finally able to get some brain activity. “He can’t open his eyes. The ice-“
Connor takes a water bottle the medics brought and poured the room temperature water over his eyes to melt the ice holding them together. The boy jumps in surprise and tries to turn his head away but Connor continues until he can manually wipe away the ice and water from his eyelids.
Blue eyes. The boy has bright sky blue eyes. They aren’t the Krytonian blue, but they were still familiar.
He blinks and squints and looks around, breathing picking up at the people surrounding him and the unfamiliar environment. M’gann, sensing his distress, kneels down and sets a warm hand on his leg.
“It’s okay. No one here will hurt you. You’re safe now.”
He doesn’t relax, but he seems to at least understand her. He studies their uniforms and then her face before his eyes flick to something behind her and they widen. His breath stutters in his chest, making him wheeze out on the exhale.
They look behind the green skinned girl to see the smaller pod still holding the little girl, no change in her status.
The boy reaches out a shaky hand toward it, scraping against the cold concrete in his lack of energy to lift it.
“She’s okay too.”
He opens his mouth to speak, licks his lips, tries again.
“-ou-,” he rasps. His breath hitches and he’s coughing again. They help him onto his side.
“You want us to get her out?” Red Robin interprets.
The boy squints through the tears from the lack of oxygen at the hero. His expression is scrunched in discomfort and worry. As enthusiastic as he can manage, the boy nods.
“Okay, we can do that. You just have to wait, she needs to thaw out, just like what we did with you,” Red Robin explains to the boy.
He nods again in understanding, his eyes glued back to the girl in the pod. He still shivers harshly and his breathing isn’t regular but he’s not panicking and in no shape to attack them, so it seems like they were in the clear with that one.
While the girl is thawing, they get him more comfortable with warm blankets and get him to drink some water for his throat. He still wasn’t moving much except to curl up on his side and breathe on his colorless fingers. Every time he swallowed he cringed like he was drinking acid, so talking was off the table for now.
The boy was fighting sleep by the time the container door slide open. Connor was there and holding her before she could fall like the boy had.
Superboy lays the girl down close to the boy, seeing the pale hand reaching for her. As soon as he backed away the medics were on her to get air in her lungs and warm her body same as they did for the boy.
The boy watches, quietly holding her hand. Siblings it looks like it. Seeing them side by side was startling. They seemed to be clones of each other, one just younger and the opposite gender, but they were the same.
It was concerning as the number of minutes increased and there was no change. She didn’t breathe or move. She looked dead.
“Get the defibrillator,” the medic ordered, urgent.
The boy surprisingly wasn’t panicking, instead he held a hard determination that made some of the heroes curious.
Pushing himself up onto his elbow, he leaned over the girl and started weakly pushing the blankets out of the way. Thinking he was just helping to make the medic’s job easier, M’gann helped until her torso was exposed.
“You need to back away so they-“
She stops when she sees him tug at the girl’s white shirt to get into direct contact with her skin, hand pressed to her chest.
“What are you-?”
He narrows his eyes in concentration.
Red Robin unconsciously takes a step back when the boy’s blue eyes change into a glowing toxic green, illuminating the girl’s face, frost shining in the light. The hand pressed to her chest also starts to glow the same green until it seeps into her skin like she’s absorbing this weird energy. It reminded them of Starfire actually.
The green in his eyes fades as soon as the unknown green energy is lighting up her entire torso just under the skin. He pulls away and looks expectantly at the medic holding the defibrillator. She flinches into moving, setting the machine down and charging it. She’s hesitant to touch the green energy but the boy nods in encouragement, not looking concerned for anything but the girl’s health.
“Clear!”
It takes one shock for the green energy to disperse through her body and cause her to gasp. The girl starts coughing harshly and the boy pulls her to lay on her side facing him. Connor quickly helps the boy to cover her in blankets. The boy goes as far as tucking them around her and taking one of his own blankets to pile on top. He was moving more easily now even if it was sluggish.
M’gann gasps quietly just as the girl starts sobbing, whining when the act of crying hurt her throat. The boy pulls her close, wrapping his arms around her and tucking her under his chin so they could barely see her. They watch as he calmly comforts her until they are both eased into unconsciousness.
Batman give Superman a pointed look as he passes him. Clark doesn’t respond.
“Get them to the Watchtower med bay,” he orders.
It’s Superman who picks up the pile of two children tangled together and wrapped in layers of fabric, nearly throwing them at how light they both weighted. The three younger heroes follow behind, Tim mumbling about “Lazarus pits” and “Jason”, M’gann twisting her fingers in anxiety, and Connor keeping a close eye on the two kids being carried by his original.
It’s unsurprising that it’s Connor who volunteers to say with them when they are settled down in the med bay, still clinging to each other in sleep.
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