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#I don't like any design I make for John
gingerrhd · 7 months
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🤝
Hello middle age men yaoi enjoyer scrolling through the malv tag
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edorazzi · 1 year
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It’s Tintin Day again! 💖
I’ve been watching Thunderbirds (original and reboot!) lately and I’m just obsessed with the whole thing, so here’s a fake book cover with both my beloved Tintins! 🚀🔎
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wizard-email · 1 year
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I don't want to add god's longest addition to the would you survive an apocalypse?' poll, but I do actually have an absolutely fallproof plan for the zombie apocalypse. It doesn’t matter what kind of zombies there are & it has exactly (2) steps:
1. Drive to the nearest National Trust proparty
2. win
This is the result of a very lengthy (and completely serious) discussion with my sister so let me break it down for you.
Benefit 1: EVERYTHING'S THERE
For those of you who don't live in the UK (or don't have parents with exactly 1 idea for a family trip ever), all National Trust proparties are broadly speaking exactly the same.
There's a big rich person's house & the courtyard is always converted into a little picnic area containing a combination gift shop/booking desk; a cafe and a secondhand bookshop. The gift shop has like a 60% chances to contain basic gardening tools and a little section for seeds & bulbs.
I won't list their standardised cafe menu (that I do in fact have memorised), but it's pretty good & more importantly most of it is made or at least finished on site. If they rationed, a small group could live off National Trust cornish pasties, scones & gift shop fudge for a month or two I think <3
Here's a list of things that are might be there but aren't 100% guaranteed:
- Kitchen garden
- Fish pond
- Livestock (usually chickens, sometimes pigs or bees)
- Medieval armour (fuck ya'll with guns but I would take a pike over having to worry about ammunition any day)
- Horses and functioning stable
- Forests cultivated for the purpose of deer hunting
John McRichman's gun/archery collection
- Lake
Benefit 2: FUCKING!! CASTLE!!
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??? Where do I start???
1. These things are so easy to defend it's laughable.
I'm sure we all know about spiral staircases being designed to maximise cover for a right handed person during sieges but it's more than that ??? 18th century rich people loved to make their estates look as big, impressive & isolated as possible & they did this by surrounded their houses on all sides with several hundred metres of flat, open grass with thick trees on the edges to block out the horizon.
- Nothing can see you
- No loud noises will be within earshot of anything close to civilisation
- Any zombies that DO somehow show up can be picked off at a distance whether they know how to run or not
- Litterally there are so many little towers & secret rooms & shit how do you even manage to fuck up enough to die here like I would actually be impressed
- ALSO the edge of the estate is usually also walled off and/or fenced & gated, so there's no chance of anything wandering in by accident
2. All the older infrastructure is designed pre-electricity so you'll still be able to have a shower when the power grid inevitably explodes or something
3. You get to sleep in one of those huge 4-poster beds with all the fun embroidery and silk pillows
4. Idk the massive lawn can be converted into a farm if the apocalypse goes on long enough
Genuinely I think my quality of life would actually improve?? and that's just with what's already there - if there was time to pick up some supplies beforehand me & my buddies would just be hanging out. literally what apocalypse im eating scones xoxo
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pfhwrittes · 3 months
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retail hell reader is being bothered by an uncomfortably friendly customer and tf141 handle it in their own ways.
warnings: female!reader (she/her pronouns) isn’t being overtly harassed but you know when a man is being too interested and too friendly? its that. egregious use of scots as inspired by still game, pet names “love”, “hen” and “bonnie girl” used to refer to f!reader.
word count: 1.5k
pairings: kyle garrick x reader, john mactavish x reader, simon riley x reader, john price x reader.
each reader x named character interaction should be read as a standalone but i stuck them all together as they were too short to post individually in my opinion.
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this customer is making you nervous as fuck. you don't think you've been inappropriate with him in any way, just polite and friendly as you sorted out his refund. the problem is that he's massive, easily taller than simon by a couple of inches and he keeps looming over you blaming his difficulty understanding english as to why he keeps getting closer and closer. he's practically mounting the customer service desk to peer down at you (and you have a horrible feeling he's trying to get a look down your polo top).
you're beginning to panic so you do the only thing you think to do (which admittedly is pretty stupid looking back on it) and make your excuses to leave the customer service desk to find one of your friends. or at least find a colleague who will act as a witness if this guy gets any creepier.
gaz handles it like a champ. as soon as he spots the creep following you around he's there. arm around your shoulders and tucking you into his side at the kitchen consultant's desk. his customer service smile is fixed on his face and he refuses to even acknowledge this giant arsehole of a man, just keeps talking to you softly and shows you the kitchen he’s working on. kyle’s beautiful brown eyes only briefly leave your face so he can point out another favourite part of his design, he never once looks over at the creep. it works to soothe you, especially being so close to him. after ten minutes of being blatantly ignored, the creep walks off muttering under his breath. hopefully he’s left the store but unfortunately it’s around that time that kyle has a couple walk up to him asking him if he’s free for a drop in consultation. before he agrees he checks in with a gentle “you alright if i take this appointment, yeah? come straight back if that guy is still hanging around. i’ll deal with him.” he looks so serious you believe him. you reassure him that you’ll be fine and he gives your arm a gentle squeeze before you separate from his warmth already missing the slightly woody scent of his cologne. before you’re completely out of earshot you hear the couple cooing over how cute kyle was with you and his reply of “well, it’s not exactly hard when she’s one of my favourite colleagues…” and the fondness in his voice makes your cheeks heat up. 
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johnny nearly trips over you as you’re crouched behind the paint desk. “steamin’ jesus, what’re ya daein’ under there hen?” you hush him quickly and silently with a finger raised to your lips. you don’t want to speak because you know the giant is still out there looking for you, you thought you’d given him the slip near the paint brushes but then he’d rounded the end of the aisle so you darted for the relative safety of the paint desk. johnny crouches down next to you and whispers “are we hidin’ from someone? is it simon?” you shake your head and go to answer him but then your blood runs cold as you hear that familiar accented voice. “excuse me? i was wondering if you might help, i’m looking for the fräulein who was helping me?” johnny shoots a look at you and you squish yourself further into the corner of the desk hoping against hope that johnny won’t give you away. thankfully, johnny straightens up from behind the desk with his most charming customer service grin “sorry pal, i’ve no’ seen her. ‘s only me on the desk the day.” the creep sounds nonplussed at johnny’s thick glaswegian accent (you’ve certainly never heard it ramped up like that in all the times you’ve spoken with him) and a little crestfallen when he starts to reply with “oh, perhaps you’d be good enough to -” johnny interrupts him, voice still pitched in a friendly manner but you can hear an undercurrent of tension “naw, sorry pal. i’m busy pitin’ the hems oan the tins. is there anythin’ i can dae fer ye mixin’ wise?” there’s a moment of silence and you watch johnny’s smile slowly slip off his face, his lips thinning into a stern line. “ah, um. no thank you. perhaps she will find me.” the creep sounds a little nervous now if the uncomfortable laugh he lets out is any indication. “aye right. well i’d best be lettin’ you get oan then eh?” johnny shifts on his feet slightly so his calf brushes up against your arm. after another tense moment you hear the lumbering footsteps of the giant move away from the desk. johnny looks down at you with a mischievous grin, “i’ve got to say bonnie girl, you look a right sight down there.” you only feel a little bit bad when you punch him lightly in the leg and he yelps in shock as the blush on your cheeks spreads down your neck. 
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simon is less than impressed when you duck under the chain across the warehouse doors and flatten yourself against the noticeboard out of view from the shop floor. “you stupid? chains up which means the forklift is out so you need to be too.” he’s pissed off and thinking about how much paperwork he’ll have to fill out now because you didn’t bother to think about the cameras in your dash for safety. he takes a big step towards you before swerving off to the side to block the customer that has just appeared at the chain. “the fuck do you want?” he practically snarls. ‘this isn’t the fucking caff.” simon squares his shoulders and glares at the oversized dickhead that’s wasting his time. “well? can’t you fuckin’ read? staff access only. and you’re not staff so fuck off.” simon barks at the man, not letting him get a word in edgewise to start bitching about stock or whatever it is that he wants. simon couldn’t give a shit, he just wants the customer (and you) to fuck off promptly so he can start moving pallettes around. the customer just blinks and takes several steps back before turning away. you let out a shaky sigh and thank simon quietly. simon hums in acknowledgement and sweeps a critical eye down your lightly trembling form. “he botherin’ ya?” at your nod he hums again before jerking his head towards the back of the warehouse “go put a hi-vis on and sit in the office, i’ll come get you when i’m done on the ‘lift.”. when simon comes back into the office two paper cups of tea in hand thirty minutes later, you offer him a small smile and catch his lips twitch up briefly before he turns away to plunk his cup down on top of a cluttered filing cabinet. 
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price practically walks into you as you come flying around the end of the plumbing aisle. it’s unusual to see you so far away from the customer service desk and looking so flustered. “alright, love?” his hand is on your elbow as he asks. you crane your neck round to look behind you, too worried about that customer to enjoy his large warm hand on your bare skin. price straightens up and drops his hand away from you when he spots a customer behind you, in his opinion the customer is moving a little too fast to be considered casual. price bristles slightly when he catches the dark look on the gentleman’s face. oh no, he doesn’t like the look of this one at all. especially when you look at price and mouth “help” quickly. price steps forward and puts you at his back, blocking the creep from getting any closer. “can i help you, mate?” his gruff voice is just shy of sounding friendly and you watch his back muscles shift under the black polo top he’s wearing. “no thank you, i wanted to speak with the little woman some more.” god the customer is weird, you shudder a little at being referred to as a “little woman”. price shifts to block the customer’s view of you more fully as he does you notice the back of price’s neck has gone a little red. “not possible. i need her for a job.” price’s words sound like they’re being ground out through gritted teeth in response. “i’m sure simon would be more than willing to help you.” you jolt a little when you spot simon at the customer’s shoulder. a man shouldn’t be able to move so silently in steel toed safety boots. you catch a brief wince flicker across the customer’s face when simon’s hand comes down on his shoulder, slightly too hard to be entirely polite. “ah, um, yes. perhaps that’s for the best.” simon leads the customer away and you step up beside price to thank him. he looks deadly serious when he turns to face you “any time love.” his stern blue stare softens slightly and you’re sure you catch his gaze flicker to your mouth briefly before he clears his throat and turns away “c’mon then. back to the returns desk with you.”. 
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AN: i have very much hidden from customers in the warehouse and behind the paint desk at B&Q. don’t be like reader (or me) and hide in the goods-in area, you will get shouted at for it. 
translation for johnny’s scots: “pitin’ the hems oan” = putting the hems on, meaning to put something in order or to restrain something/someone.
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longwuzhere · 10 months
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Some cool Easter eggs I caught watching My Adventures with Superman that I want to show to people so they can be in on it with comic book readers pt2
Episode 1 of My Adventures with Superman Easter Eggs and references is here
Episode 3 of My Adventures with Superman Easter Eggs and references is here
Episode 4 of My Adventures with Superman Easter Eggs and references is here
Episode 5 of My Adventures with Superman Easter Eggs and references is here
Episode 6 of My Adventures with Superman Easter Eggs and references is here
Episode 7 of My Adventures with Superman Easter Eggs and references is here and here
Episode 8 of My Adventures with Superman Easter Eggs and references is here
Episode 9 of My Adventure with Superman Easter Eggs and references is here
Episode 10 of My Adventures with Superman Easter Eggs and references is here
(SPOILERS obviously):
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An obvious one, but a classic, the "up in the sky! It's a bird! It's a plane! It's Superman!" line reference. This one never gets old.
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Jimmy next name drops Flamebird. in the comics Nightwing and Flamebird were Kryptonian superheroes adopting their names from a species of Kryptonian birds. This is where Dick Grayson gets his Nightwing identity from. The page here is from Who's Who: The Definitive Directory of the DC Universe #17 (1986) drawn by Curt Swan and Karl Kesel.
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At the climatic battle of part 2 of Adventures of a Normal Man, we see Leslie Willis become blue and look more like her traditional Livewire look. Her first appearance was in Superman the Animated Series, season 2 episode 5 "Livewire" where she was voiced by Lori Petty, a.k.a. Tank Girl. In the show Leslie was a shock jock radio DJ slinging hot takes live on air knocking down Superman a peg or two
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Obviously MAwS took Leslie in a whole different direction, design choice, and occupation change, but I am excited to see what happens next for her.
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Before we see Clark battle Leslie we see this guy. White hair, wears orange and black, its Slade Wilson a.k.a. Deathstroke. This fool here in like 20 to 25 years will have his life spiral out of control and get his ass kicked by a bunch of colorfully dressed teenagers.
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Deathstroke makes his first appearance in New Teen Titans #2 (1980) (W: Marv Wolfman and George Perez, P: George Perez, I: Romeo Tanghal, C: Adrienne Roy, L: Ben Oda) where he is hired by H.I.V.E. to kill the Teen Titans. In the comics he's a major piece of shit, but a damn good assassin.
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After the fight we see Supes clean up and he picks up a billboard that reads Amazotech.
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This is a good reference to Professor Anthony Ivo, a mad scientist of the DC Universe who built the Amazo robot who could adapt and replicate any power that the Justice League has and weaknesses. Both Ivo and the Amazo robot make their first appearances here in Brave and the Bold #30 (1960) with the cover art done by Mike Sekowsky and Murphy Anderson.
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At the end of the episode Slade name drops Task Force X better known as the Suicide Squad. The name "Suicide Squad" is from the Brave and the Bold #25 where it was the name of Rick Flag's unit in the military. The Suicide Squad pop culture knows first debuted in Legends #3 (1987) as seen below (W: John Ostrander and Len Wein, P: John Byrne, I: Karl Kesel, C: Tom Ziuko, L: Steve Haynie).
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The team at this time was composed of Rick Flag, Bronze Tiger, Captain Boomerang, Deadshot, Enchantress, and Blockbuster. The team members have changed out with each new Task Force X/Suicide Squad iteration.
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Behind Slade, here is Amanda Waller, the most fearsome woman in the DC universe. She's ruthless, politically powerful, and will not hesitate to blow up anyone in the Suicide Squad if they screw up. She makes her first appearance in Legends #1 (1987) same comic series in the previous picture. Very excited to see where My Adventures with Superman goes with this cuz you don't see Superman interact with Deathstroke or Suicide Squad all the often.
Link to Episode 1 of My Adventures of Superman Easter Eggs and references is here
Link to Episode 3 of My Adventures with Superman Easter Eggs and references is here
Link to Episode 4 of My Adventures with Superman Easter Eggs and references is here
Link to Episode 5 of My Adventures with Superman Easter Eggs and references is here
Link to Episode 6 of My Adventures with Superman Easter Eggs and references is here
Link to Episode 7 of My Adventures with Superman Easter Eggs and references is here and here
Link to Episode 8 of My Adventures with Superman Easter Eggs and references is here
Link to Episode 9 of My Adventures with Superman Easter Eggs and references is here
Link to Episode 10 of My Adventures with Superman Easter Eggs and references is here
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shares-a-vest · 8 months
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"Are you sure you don't want to just come over to my place?"
Steve bites his lip, contemplating the proposal Robin has offered him several times this week, ever since he'd told her he was having lunch with his parents.
It was Father's Day after all.
His parents would be home for at least a fortnight this time, on a quick stop-over in Hawkins before leaving again, this time for a vacation somewhere. They needed "a break" his mother had said with a laboured sigh, all whistful and longing as if she wasn't making such a statement amidst a lengthy monologue about all the friends they had just caught up with in Indianapolis.
Steve guesses they were technically a business trip. Though his recollections of such trips he'd gone as a kid (back when his parents absolutely had to bring him along) did involve the odd visit to Head Office in between social gatherings that only ever felt vaguely related to his father's business.
He turns away from the wall-mounted phone in the kitchen to look out at the patio. His father is sitting on a lounge chair, drinking a coffee and, low and behold, reading his new copy of The Bourne Supremacy Steve had handed him at breakfast.
His father was impossible to buy for - so a book was always a safe enough choice, one that would at least give him a "thank you" in return with no further commentary or snark.
"Uh..." he hums into the phone as his father turns a page, "Y'know what? Maybe later."
He gasps as his mother opens the back sliding door to the kitchen, the skirt of her yellow patterned kaftan flowing along with her. He turns back to the wall, crowding the phone base.
"Steve?" his mother asks, chuckling, "You're still on the phone!"
It isn't exactly chastising, more amused like Robin's mother gets about the pair of them talking on the phone for a solid hour at a time.
He looks over his shoulder and rolls his eyes as his best friend groans at the comment.
"Are you sure?" Robin asks, tone abruptly turning serious, "You know my dad loves you, Steve."
"I'll come by later," he insists, "Promise."
"...Okay..." she sighs before hanging up.
As he mounts the speaker, Steve is greeted with a knowing look from his mother. She is holding a glass of iced tea, fresh ice cubes tinkling away in the tall glass.
"Mom, don't," he whines, hoping to get outside and drive straight into the pool and away from any further conversation.
She holds her free hand up in surrender, tilting her head, "Okay, darling."
"I'm going for a dip," he grumbles before heading out to the pool area.
"Your mother and I are headed over to the Martens soon," his father announces as Steve passes by his reclining form.
His stomach drops and he freezes mid-stride to the outdoor chair he'd designated for his towel.
"What?" he blurts out, practically shouting as he whips around.
His father sets his book in his lap and looks up, shielding his eyes from the sun with his left hand. The sunlight reflects off his shiny watch and directly into Steve's eyes.
He grimaces, quickly mirroring his father.
"But..." he begins, trying to even out his clipped tone, "You said... We... You said we were having lunch here?"
"Your mother didn't tell you?"
"But..." he repeats, his voice catching in his throat a little, "It's Father's Day."
His father stands, stretches and gathers up the beach towel he had propped under his knees.
"We wanted to see them before we headed out."
"You're here for two weeks!" Steve argues, waving his hand as if to capture the presumed time his father has to visit his oldest and most insufferable friend.
"Steve, John and Louise's son is that busy working, he doesn't have time to be sitting around on Father's Day. So, we figured we'd meet them for lunch."
"Um..." he gulps, now blinking away tears.
He closes his eyes for a moment, breathing in and out as slowly as his growing anger will allow. The sun feels like it is burning into his bare skin, now, no longer feeling like the calming warmth he had felt when he came out to access the pool earlier.
He opens his eyes to find his father turned towards the back door.
"I'm going to Robin's."
He doesn't wait for an answer as he pushes past his father and back into the kitchen. Thankfully, his mother is nowhere to be seen as he makes a beeline for the laundry room where he'd left his work clothes from yesterday with his car keys still in the pocket of his jeans.
He grabs his Member's Only jacket from the coat rack on the way out. Even though the thing is less than weather-appropriate for a Sunday in June, right now it will suffice...
"Steve!" Robin's dad beams after he opens the front door.
The man is wearing a comically bright shirt, a Hawaiian-style button-up with a primary-coloured geometric pattern and squiggly green swirls. Steve thinks his father would hate it.
"Hi, Mr Buckley," he says, offering a tight-lipped smile as he holds out a store-bought key lime pie.
"Steve, please call me Richard," the man insists, unaware that sharing a name with his own father makes Steve want to fucking scream.
Richard takes a pie with a formal nod, his smile dropping a little as Steve shuffles about on the spot. The man looks him up and down.
Shit.
He'd forgotten about the jacket just as quickly as he had shrugged it on before speeding off in his car. But Richard waves him in with an insistent hand, thankfully not prying any further. It is probably quite obvious he isn't wearing a shirt underneath. The thought makes him itch as he becomes all too aware of the slippery fabric, its lining making the back of his neck prickle with sweat.
"Robin is in her room," Richard whispers as Steve steps inside and remembers his flip-flops too as they scuff on the threshold.
"The pie is from Melvad's, sorry," is all he thinks to say.
Richard gives him a pat on the back, just as Robin begins descending the staircase, wearing a shirt just as loud as her father's, only purple and maroon.
She smiles, though her eyes suggest she is clearly worried.
"Steve's here, darling!" Richard announces, intentionally boisterous for their close proximity.
"Oh, thank god," Robin dry-sobs, making grabby hands for the pie.
But Richard snatches it up, playing a one-sided game of keep-away that Robin doesn't even attempt to buy into. He lowers his hand with a swooping flourish, looking a little disappointed.
"Anything's better than the in-laws' dry fruit pudding," he laughs as they both examine the dessert.
"Come on," Robin says, grabbing Steve's hand and yanking him towards the stairs, "This Father's Day's theme is Richard Buckley-Approved Shirts, I've already got one ready for you. It's yellow. You'll love it."
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beatcroc · 2 months
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a year!!! as of today i have now been drawing these funny little pizza freaks, to the exclusion of almost everything else, for!!! an entire year!!! i wanted to do a nice group shot/lineup of everybody to compare to when i first started trying to draw them because oh boy were they bad. i never even posted most of them anywhere because they were so bad. but im posting them here, now, to see how everything's changed/evolved.
this is probably the hardest time i've ever had trying to figure out how to work with a style, but we got there eventually; i'm pretty happy with the handle i've got on everybody now...dont let ur memes be dreams. lots of unimportant journaling and idle thoughts abt it below.
older pics
the first one is the VERY first time i drew them, before i thought i was going to actually have any interest in drawing them [lmao]; it was just the one isolated image, for my friendserver, to illustrate the funney message, so there was no attempt to make it Good or actually understand anything going on w/ the designs or style.
second is the original run of practices sketches to start trying to figure them out for real; done after i started having ideas for the comics and such and realized oh god maybe i am actually gonna draw fanart for this. [again, lol, and lmao.]
third one is the first pt art thing i posted on here. there were a couple weeks of sprite studies between this one and the previous image. the one on the top right wasn't part of that post i just threw it on as space filler; i'd intended to shift to doing Sprite Redraws But Stylized to explore tings more, but that was the only one i did. ¯\_(ツ)_/¯
individual characters
peppino: by far the hardest dear god. bro what ARE your shapes how DOES your face work. jesus christ. everything i have trouble with this style for, peppino has it in excess. i draw in polygons! i need consistency! and that is the last thing this kind of style is concerned with. they are made of squarshy clay and i do not understand how to mold them. i was really hoping trying to learn this game's style would GIVE me that kind of flexibility for fun exaggerated facial expression but i don't think much came of it in the end 😔. anyway on the bright side all this means once i got peppino figured out a little bit everybody else clicked way easier.
fake peppino: honestly i never did anything with him on purpose except for how his eyes work + the perma-smile thing. i figured ok hes supposed to look weird and off model so whatever happens with him happens. and it did. and it kept happening. it is still, in fact, happening.
noise/ette: somehow, for every bit that peppino was the least natural thing i've ever tried, these two worked pretty much right off the bat. i still don't understand it, seeing as pretty much all the things at play for peppino are also at work for them. i think the new sketches are actually a little worse than older ones but not enough that i care.
gustavo: really funny bc i drew him on model twice and just went 'okay, cool nice, easy, um. he doesn't have any fucking legs?' fortunately he was the only one i had a strong idea for how to stylize him [square] and it worked exactly as i was hoping so wahoo.
brick: is an animal and therefore 5000x easier and more natural for me to draw/stylize than anything else in the cast. that is Just a rat bro. i can draw a rat.
gerome: i think the funniest one here. the most drastic and least necessary change imo. i was gonna have him be really small at first, like smaller than the noises, but then i just... didn't. he's just peppino-sized now. also i gave him like. actual human facial structure, which is funny bc in most cases i'd do anything to avoid, but it works well for his being A Rock to give him some angles and definition like that+ to differentiate his vibe from the rest of the cast who are all very squishy. also since he is essentially Just A Head it's good to emphasize that too ig.
john: i only drew john a couple times but he gets to be here because i like him. and because most of the stuff i applied to gerome was readily applicable to john, though i did try to keep him a little more uncanny because he is a Huge And Lanky Freak. i hate that he is barefoot btw but idk how to make his color balance look right with shoes.
pizzahead: i did not want to put him on here honestly but i Have drawn him a handful of times and more importantly i didn't know what i was gonna do with john's pose if i didn't have him there to be glared at. the only thing that's different with him is giving him wider-bottomed pants, which i got from when i tried to draw these guys in clone high style [i never posted that one either][i will eventually]
snick: he gets to be here because 1. he's like 6 lines 2. i like him and 3. ive scribbled him a few times offhand and it went pretty well
misc
there are some guys missing because those are guys i didn't draw enough [or at all] to have gotten comfortable with them. sorry
i would have Liked to shade these but for the time being i have accepted that my grasp of light/shadow has decayed to the point im not going to be happy with anything i try there, so For Now i am working on my presentation with flats i guess. gerome has a shadow only because he's shaded like that ingame and looks naked without it
anyway if you are still reading [hi?] i get to shamelessly plug now. i'm over the hill of my pizza run now, and while i still have plenty of things i want to make here, most of the bigger more in-depth ones have passed. pizza tower was the first thing in THREE YEARS to get me out of my oc groove to doing fanart, and once i am done with my ideas here i will be going right back to it. if you like my art or how i write characters/interactions you should check out my oc/webcomic blog @jamverse . i can't promise people who like pizza stuff will be terribly into my designs, but i can guarantee i treat my guys with the exact same sort of tone i handle the pt guys with. and hell, i've mentioned it a few times before, but like 70% of my characterization for fake pep is just copied off one of my characters, so if u are going to miss him... he will still be there in spirit >;p
and if you dont care about any of that and are still reading thank you anyway. actually making these comics + seeing how shockingly well-received they've been has done a lot for my confidence, and for seeing that my kind of stuff IS something people enjoy :')
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writersundersiege · 3 months
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The New Girl in Town
Race Cameron x F! Reader
Warnings; slight angst and someone missing presumed dead like John b’s dad .
Summary: All the kooks are shaking in the designer's shoes as the new girl in town moves from Malibu, California. She moves to Figure 8 with her father, who's the CEO of Surfboard Hut company, which does well selling pre-made boards and custom surfboards. All the girls want to be her friend or hate her; all the guys love her, and the adults think she's a sweet, free spirit. What may happen when the island's notorious bad boy, Rafe Cameron, can't get her out of his mind? Will she take to Rafe as he takes to her? Or will it take time to convince her there is more to him than the bad boy exterior?
The sizeable moving truck pulls up with a Land Rover and a beat-up-looking blue Jeep with a surfboard rack and multiple boards attached at the top, following in close behind. On all corners of the street, Kooks are walking their dogs, assembling, and checking the mail, all to stare at the new arrivals. Rafe is standing around shooting hoops with Kelce and Topper. Rafe hadn't paid any mind yet to all the people outside talking, too busy trying to prove the point to Topper he could still play as well as he did back in school. It is the only reason he's in the perfect place to meet, probably the most beautiful girl Rafe has ever seen.
As the vehicles come to a stop in front of the house, a girl hops out with (H/T), gorgeous tanned skin and a bright smile; as she walks to the Land Rover, she followed, stopping and talking to a man who looks exactly like her in the eyes and nose presumably her father they laugh, until a lovely looking woman; nearly captures the whole neighborhoods attention, heads turn her way with how pretty she is smiling smacking the older man on the shoulder and pulling the young carbon copy of her into her side looking at the house in front of them.
Rafe turns to Topper. “Did you know you were getting new neighborhoods? I thought the old McCaauns didn't want to sell that place since that's where they grow their stupid prize gardenias for the Charleston Garden Expo.” Topper shrugs, grabbing the basketball from Rafe's stagnant hands. “Mom said something about a meeting. Gosh, I can't even remember her name. The mom, though, said her husband owns part of a surfboard hut company with a buddy of his in California. It's called Crush Wave; it's kinda sick.” Topper pulls out his phone and pulls up their TikTok, showing you and your dad making handmade boards.
Topper pulls up a video of you making a Short Board that is blue and purple and a massive Kraken on the back that almost looks engraved in the actual wood of the board. Rafe watches as you talk and laugh, presumably at the joke your dad made behind the recording causing Topper to laugh too, but he stares at how your eyes crease, and the way you throw your head back in pure bliss.
He only looks up when he hears Kelce say with a dark look, “You're gonna have a nice view from your bedroom, Top.” As he looks up, there it is, your side bedroom window connected to the side of the house that looks right into Topper's room. Your curtain shades are open as the three boys stare up into the room, watching you, dancing around your room, organizing posters on the wall, and putting down little knickknacks and what one could only assume are memorable things from home. Your old home. Rafe watches as you open the window a little to let in a breeze, not even paying attention to the three boys ogling you through your window
In a moment, Rafe catches the lyrics of the song. You seem so consumed by you’re forgetting the whole world around you and he thinks he's heard it. Still, the only words he can catch are, “Baby, don't you see I've got everything you need?” and that line sticks with him, a plan forming in his head and a smirk on his face cause Rafe knows he's going to make you want, need, maybe even crave him but that is for later.
Suddenly, the boys are broken from their sudden stupor and infatuation, by a woman's voice. “Hey boys!” your mother smiled back at them, looking just like you in maybe five years; she doesn't look even that much older than you, which makes Rafes smirk deeper, knowing you are running in a solid gene pool. “My name is Andrea, but call me Andy, and that man over there struggling to carry his toolbox kit is my dear, sweet husband Charles.” The man struggling under the weight of a metal box called out “Charlie,” she laughed, shaking her head. “And our daughter.” she points to where you're now loudly singing a one direction song that has the boys laughing and blushing as you act like you have a microphone that is hanging in your hand and disappearing into what they assume is your closet.
“Her name is (F/N). She's 19 and just had a birthday a few weeks ago. She's our baby; her brother is 23 and at Princeton.” She smiles, watching you dancing and singing Fools Gold so loud you could’ve woke a sleeping giant; she turns to see all the boys entranced by you. She looks down and chuckles, “Would you boys mind helping us? We need help getting the dresser upstairs to that room.” The boys snap their eyes back to your mother and shake their heads while hurriedly rushing through the large white picket fence in front of your house.
As they walk in, they see a fantastic amount of items from all over the world, Maps of almost all countries all over the globe. Significant framed photos of you and your family in front of Buckingham Palace, You in front of the Eiffel Tower posing with a massive smile on your face, a tall boy who looks like you, his arm around your shoulder smiling just the same, Your family in traditional silks and gorgeous materials smiling with a beautiful woman and man she had ornate henna all down her arms and legs. Another photo with your arms over your head, standing on a waterfall, looking like an angel with the water creating a rainbow around you.
All over, there were little statues, maps, books, ship blueprints, rugs, and throws from all different kinds of cultures as the boys walked past the dining room that saw a Chabudai table set up with gorgeous adorned pillows and a large china cabinet full of different types cutlery and ornamental chinas. Rafe squints his eyes, looking at a large framed map that looks super old and says Amazonian on the bottom with more notes. Topper pipes up from one side of the large hall, picking up what looks to be a golden skull from a box. “Um, sorry, Andy, what kind of work are you into?” he says, holding the figure up and wincing as he twists it to look at it.
Andy chuckles, walking back towards the boys, grabbing the skull from him and placing it on the large bookshelf in the hallway. “I'm a history professor, and I just transferred to St. John’s Academy for boys. Do any of you go there?” she asks quizzically; all that boys can think to do is shake their heads. Suddenly, they watch the fumbling and tumbling of your dad with four boxes that cover his frame entirely. “Hey honey, I don't think (F/N)’s couch is gonna fit in that new room cause of how it used to be lofted; now it's a single floor plan, and the ceilings—oh hello.”
The boys grabbed the remaining boxes to reveal your dad's smiling face, staring back at them as he said, “And you are.” Rafe, Topper, and Kelce introduce themselves hurriedly as they set the boxes down and line up to shake your dad's hand, which they do. “Seems like their nice boys with gentlemanly manners out here in the outer banks will be a nice change for our little songbird up there…” but before your Dad can continue, your mother rounds behind the boys pushing through the kitchen saying, “Anyways, he babbles the dresser is in the garage” pushing the three through she opens the double doors to the garage so the three boys can easily fit.
They each take a side and quickly lift it up and through the house up the stairs down the hall to the first set of French doors; your mother knocks when, all of a sudden, the muffled sound of music becomes the center stage, and the bursting smell of ocean water, sandalwood, and coconut hits them in the face. Finally, when their senses returned to them, you were standing there holding the handles of the doors and the sun's yellow glow behind you and a grin from ear to ear.
Then, like a bunch of doves were let off into flight, in a soft, airy voice came your words, “Hello boys, it's mighty kind of you to help me bring my new casa into a retrograde” You laughed a small laugh that had them buckle slightly under the pressures of the weight of your dresser you pointed to the wall opposite the window they were all staring through earlier and said, “Right there would be just fine.”
At this point, Rafe looks around to see where your mother is, and it seems like she is nowhere near at all; this gives him more confidence not to make a fool of trying to talk to you. He has this weird pull for you, and he needs to know why. So far, your family may be the most remarkable group to have moved into OBX since any past gossip and any that will come, but he wants to know you.
After they place the dresser in a specific spot against a wall between the borders, you've created with tons of pictures of you and girls and guys your age, you and your brother surfing, you on a boy's shoulders messing up his curls as you look down on him laughing. He’s laughing up at you, holding you tight, more of you at almost every natural monument you can think of, like the catacombs, Everest, Mushroom forest, and more.
One picture catches Rafe's eye again; it's the curly-haired boy and you with white shirts and what looks to be yellow stripes on your shoulders; he turns to ask, “Were you a deckhand on a yacht?” you look up from the box you were going through crisscrossed on your bed and smile widely with a hint of devilishness behind your eyes. “Not just a deckhand, the lead deckhand, and that was my second 2nd; his name is Luca; we grew up together.” Rafe shakes his head slowly, looking over the boy and then at you. “Luca still around these days?” Topper and Kelce eye you both suspiciously while they are meandering, pretending to look at bookshelves and shells and things from your past on the walls.
Suddenly, the mood becomes grim, and you look down, hand coming up and thumbs running over a small ring attached to a shell necklace. “He's been presumed dead for nearly a year; he and his brother Cameron went deep sea fishing somewhere out here, actually on the coast, and they know their ship went down almost 400 km from shore. They are still gone. Nothing has been found besides this ring and a note in the black box of the boat Cameron got just in case cause—” you suddenly cut off.
You got up, holding a picture of once again the curly-haired boy. Still, he looked to be no more than 12 on one knee, and the girl standing in front of Rafe but so much younger, even brighter than he'd already seen, if that even seemed possible, with a ring pop slid on her ring finger she was no more than ten years old smiling ear to ear.
You look up with a sad smile. “The note said I told you I would get you a real ring one day, but if for some reason I am not there to give it to you, I'll be shining next to the north star, waiting for you to shine back, you know what I mean” she smiles sadly “I'm so sorry I —” You start to laugh “Rafe. Stop that.” Both of the other boys keep watching, stunned. “Luca always said that the only way we can survive as humans is by letting the world ride around us like a wave and holding fast to it, so that's what I do every day, see?” she shoved her wrist into Rafe's hand, which gently wraps his fingers around it to lift to his face to see and caligraphy type wave with a small sailboat and the words “Hold Fast” underneath he smiles and rubs his thumb over the small tattooed skin which send chills down your body
He smiles and says, “Brave the storm like the stories, huh?” Her face immediately lights up. He doesn't know a ton of history but Wheezies been obsessed with that new Percy Jackson show and watched an episode or a few with her and has learned some stuff.
You turn to wrap your hand through his interlocking fingers and drag him to your bed while you pull a big leather-bound sketchbook from under your bed. You flip a few pages to a beautiful pencil sketch of a gorgeous-looking woman holding a baby close to her face with tears trailing down to land on the baby's blanket. It's so detailed she drew and shaded the mother's tear stains on the blankets. At the very bottom, in scripture-style lettering, was “Hold Fast Perseus, Brave the storm.” you can see the swirling raging seas and the baby floating in the basket slowly and sleepily over the raging waves in the back.
He looked up to see that Topper and Kelce had slowly slipped out of the room and down back to Top’s yard and were sending him thumbs up from below in the window they were all just looking through, laughing and hitting each other as they went in Topper's back door.
He clears his throat, realizing you're still staring at him wide-eyed. He swears he can see the whole world through your eyes when finally words don't fail him saying, “This may be the prettiest thing I've ever seen,” not even breaking a moment of eye contact to reference the picture just looking at you. “ you're kind Rafe” you giggle nudging him with your shoulder when you both hear a slight knock and look up to see your brother Jason standing the hall you run and jump in his arms as he laughs and spins you around “Hey kiddo came here for the weekend to check out the place and get all moved in” he points to Rafe “already got a boyfriend I thought you said you were gonna leave the whole California surfer guy thing in the past.”
She throws her head back, laughing, and pushes his shoulder. “Jaz stops. That's Rafe. He's from OBX. He was helping Mom and just got caught up in my blabber fest.” Rafe stands to shake your brother's hand and, shaking his head, adds, “I enjoyed hearing what you were saying. I kinda like learning more history.” now he's lying through his teeth, but it makes you smile, so he smirks back. He doesn't understand why your family is compelling him to be so gentlemanly, but for a moment, he has to catch the smirk he feels from thinking of introducing himself to your brother as his future brother-in-law but thinks better of it.
After the introduction, he turns to you and says, “If you ever need to find me, I live at Tannyhill. It's not hard to miss. Just ask for me, and I'll be there.” he smiles. “ I hope to see you. Around.” You smile at him shyly, looking down and saying, “Me too,” and then you jump on your brother's back, saying, “Onward boah, we've got places to see.” he smiles and shakes his head but continues as Rafe slowly makes his way out of your house and down the steps.
He stands in your yard, watching you and your brother hop in your blue Jeep. It rumbles to life as the music blasts through your speakers so loud everyone in the whole neighborhood can hear the words from Cold Cold Cold by Cage the Elephant from your car as you jump out the top, yelling to your parents as Jason speeds off, saying “Catching some waves be home by the set love ya” you laugh throwing your head back again capturing Rafe with your whole aura.
He stands there watching you disappear, with loud music, a bubbly laugh, and a bright smile in tow with you. Kelcle and Topper walk up behind him, and Topper pats him on the shoulder. “She’ll be the death of you, that's for sure.” Rafe shrugs his hand off and stomps back to the pavement in Topper's yard and says, “Ball-in Top, let go.” Topper and Kelce laugh, shaking their heads, knowing he's already down bad as Rafe is simultaneously thinking about inviting your good Ol’ Pops and Brother to the country club for some golf and town talk to show them the outer banks; he has an excellent feeling about the new girl in town with a devilish smirk and pep in his step he starts to think.
Hey all this is my first writing I've done please let me know if you like and want more of this or something else in open to all suggestions thank you for reading this it means a lot 💕
if you would like to keep on reading:
The New Girl in Town - Masterlist
All rights belong to the owners of Netflix and the Outer Banks. I do not own any characters except the family. The fiction is simply for fun. All copyrights belong to the original owners.
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bruhstation · 3 months
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Since we see him every now and then, what is Ryan like in Casa Tidmouth?
ryan works at the harwick branchline with daisy. in the secret of the lost treasure and misty island rescue arcs, ryan is the bystander to thomas' adventures that lead up to his fight with sailor john and skiff, eventually adding to the number of supporting characters that got dragged into both the mystery surrounding the gold dust and the mess thomas has left on sodor. after sailor john got arrested and thomas went missing, ryan helped thomas' friends look for his whereabouts while also being the key witness to sailor john's mad ramblings about "lady of the legend" and his motives for almost blowing up the island. ryan never asked for any of this but because he likes thomas and knows info that other people don't, he just HAS to step in
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outside of the plot-heavy stuff, ryan's one of the kinder sudrian railway workers compared to his weirdo coworkers. he considers daisy and thomas to be his closest friends despite the former having the tendency to push her workloads onto him in the past and the latter being a bit standoffish despite ryan's attempts at hospitality.
ryan's extended family, on the other hand...
ryan is connected to the gresleys through his mother. his mother is the daughter of joseph gresley I (the gresleys’ grandfather), so he’s the cousin of gordon, scott, spencer, and mallard. he doesn’t talk to his cousins often ever since he’s a teenager because they’re nutjobs who mostly care about themselves and ryan has self-respect and values his sanity
unlike most his cousins who has the power of hater-ism coursing through their veins, ryan is a perfectly normal man who cares about his friends. he talks about his issues directly instead of letting it simmer. he sometimes have drinks with daisy and thomas after work. he used to have trouble articulating his more “negative” feelings and driving his opinion, but he’s doing better lately. he wants to maintain peace by being kind to others, which makes him prone to being dragged into any weird business his cousins have whenever they have the chance.
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whenever holiday season is around the corner, ryan knows exactly what to expect. scott, his most famous cousin, the only one who still GAF about tightening what’s left of the gresleys together, will ask him to come over for dinner with his cousins (his charisma stat is maxed out). ryan can’t refuse because scott will pull excuses like “it’s just once a year” or “there's a dog” and ryan doesn’t have anything else to do. the family party will start off normal, then when mallard brings out the wine (provocateur!!!) things go south. gordon and spencer would badmouth each other about each other's secrets/fails, they get into a fight, scott tries to calm them down, ryan frowns at the disinterested mallard, sighs, goes outside to the nearest telephone booth to call daisy and ask her to pick him up. at this point it’s comical
ryan’s really the opposite of his cousins, from clothing to backstory. when designing him, I took the key components of his cousins’ designs and invert them. his cousins dress lavishly – big coats and suits, but ryan just rolls up his sleeves and dons a vest. his cousins’ haistyles are combed back, gelled, etc, while ryan’s hair goes everywhere (parted bangs show hairline). most of his cousins have horrific trauma related to death and loss from their childhood, while ryan’s just a city boy who grew up with nothing eventful in his life (except attending his cousins’ funerals). he doesn’t even inherit the gresley surname and is oblivious to most of the gossips surrounding or is inside the gresley family.
ryan is his own person who gets thrown around like a volleyball a lot, but he still has a good heart. one can consider ryan to be what any of his cousins would’ve ended up like if they had normal upbringings. who am I kidding? lol
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yandere-wishes · 6 months
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Okay so not an ask more of a Headcanon based on observation and the character he is based on, but I see Honest Fellow as someone who would both idolize/emulate and resent the rich. By his design his clothes, while they pay homage to Honest John with the patchwork pantleg and the misding pinky tip on his one glove seem very well-kempt, on top of that his hat and cane are practically emaculate that cane alone couldn't have been cheap though I wouldn't put it passed the sly fox man to have either swindled someone out of it or stole it from them outright. Point is I'm getting wants to be a rich man but hates the rich people vibes.
All of that is set-up for my headcanon that if he ever had a S/O you can bet he would get them jewelry and expensive clothes. Basically just adorn them in finery he had acquired through whatever means (cough, likely stolen or purchased with dirty money, cough) and proudly have them stand by his side. The thought to use them as a pretty little lure to catch even bigger fish might cross his mind, but I doubt he'd ever use them like that. Personally, I feel like he'd be to possessive to do that even if his darling wanted to help like that, after all what if he let's them go off alone and someone tries to take advantage of his poor darling? He doesn't think they're weak or foolish per say but who could protect them better than him? I think he'd have a difficult time even leaving them alone with Gidelle (only 90 percent sure I got that right), of course he trusts Gidelle, well as much as he can truly trust anyone anyway, but he's the brains of the outfit and unless he's personally by his darlings side he won't ever be truly assured something won't go wrong.
Let's say that darling isn't quite so understanding or compliant, his possessive side would certainly get worse. He can't leave them alone for one second qhat if they try and sneak off. Perhaps to save his pride he'd be a bit delusional, they're just a sweet little naive skittish thing that doesn't know any better, possibly they've never known a love as deep and unshakable as his, it's only natural there would be a learning curve for them and who better than he to teach them? I highly doubt he'd ever use physical punishments on his darling, probably doesnt like punishing them as he thinks they are just still learning, but that doesn't mean he won't find other ways to punish them if necessary. I do think if they actively tried to run he wouldn't waste a minute getting something along the lines of a necklace with a chain, something fashionable but functional as a reminder while they're learning, if that reminder isn't enough though he might go for a bejeweled pet collar and leash. If all else fails isolation in a secure location with him as their only source of human, or well beastman, contact would certainly allow them to see how much they needed each other. Whatever he has to do to make them understand it'll all be worth it later once they're settled and he can spoil them like they deserve.
TLDR: Honest Fellow would love to lavish his S/O in (possibly ill-gotten) finery and would actively and proudly show them off on his arm. Everyone can look and admire, but only he is allowed to touch.
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This has got to be the most effort anyone has ever put into something they sent in my ask box!! THANK YOU SO MUCH!!
Okay so right off the bat let me say that YES!! This is canon I don't care what anyone says.
I can see him as "wanting what they have" but "not wanting to be them". Essentially he wants the ability to give his darling the best of everything. Yet still ultimately preserving his own "personality". Like you said Fellow hates the rich. They're insufferable, self-absorbed and loathsome, but he'd be lying if he said he didn't crave the glitz and glammer.
Now I can kinda see Fellow only really interacting with his darling at first to use her as bait. Winning her over with expensive gifts and pretty cloths (all from dirty money ofc) and sure darling does start to fall for his tricks. But here's the thing, the moment his darling begins to show the tinest interest in him Fellow FALLS HARDER!! All of a sudden he doesn't want ANYONE near his darling! Just him only him. Sooner or later his darling will start to feel suffocated, she'll be desperate to get away from him. Forsaking the pretty presents and charming "boyfriend" for just a moment of freedom. But Fellow's a sly fox, always one step ahead. He knows how to ensnare his darling before she's even run away.
Overall Fellow will lavish you, treat you like a queen, getting you anything you desire (through underhanded means) but you'll never be allowed to leave him. Forever trapped by his side on the island of pleasure…
Quick question is Fellow meant to be the same age as the third years or is he older??
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la-petite-lapin · 4 months
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Double the Love | Part Three
Double the Love masterlist
Simon "Ghost" Riley x Johnny "Soap" MacTavish x female civilian!OC Word Count: 1.8k Series warnings (may change between chapters): 18+, Minors DNI, angst, mentions of death, mentions of violence, mentions of poor mental health, injury description, eventual explicit sexual content, polyamory, M/M/F, FMC is bad at feelings, Johnny is a big softie
The guys have a chill day
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Ghost yells in his sleep.
I find that out on the second night. His screams wake me up, practically vibrating through the walls of the apartment. I lie awake in bed, not knowing what to do, listening to the faint sounds of Johnny's voice as he consoles him. After a while, a buzzing silence fills the room again.
It takes me a while longer to realise that I won't be able to fall asleep again. Instead, I creep out into the kitchen. It's just gone six a.m. so I just decide to start the day early.
I make myself a mug of hot chocolate - try not to think of those ungodly, heart-wrenching screams - and switch on the TV at a low volume to try and fill the silence. I scroll through my emails, double-checking that the small interior design company I joined last year is doing okay.
This is the first time I've taken any time off since I started. According to my wonderful manager, I deserve a break so they're making me use some of my annual holiday up - meaning I should have two perfect weeks of uninterrupted rest time. Originally, I intended to spend it alone, binging on TV shows and slouching around the apartment in my PJs. Now, it looks like I'll be spending it with two soldiers.
A message alert appears across the top of my screen, so I click on it while I wait for the milk to finish heating up.
JOHN PRICE: Hey Tali, how's it going over there? TALIA KELLER: So far so good. TALIA KELLER: Ghost has night terrors. Johnny seems like he knows what to do though. JOHN PRICE: Ah, yeah. JOHN PRICE: They're getting better. Slowly though.
Jesus. If that was "getting better", then I dread to think what bad looks like.
JOHN PRICE: You're okay with them though? TALIA KELLER: Yeah, it's fine :)
I finish making my hot chocolate then take a seat in my armchair, savouring the low hum of the TV with my eyes closed as I drink. When I'm done, with a belly full of hot chocolate, I start to fall asleep again. I'm almost gone when I hear the soft squeak of a door opening in the hallway.
"Tali? a Scottish-accented voice whispers in the darkness.
I turn around, glancing over the high back of my chair. A pair of blue eyes meet mine. Johnny stands in the hallway, dressed in a pair of grey sweatpants and a plain white t-shirt, his expression one of concern. He looks tired; his hair sticking up at odd angles. I can see the padding of the thick gauze bandage over one side of his ribs through his shirt.
"Hey," I say softly, not knowing what else to say.
Johnny bobs his head. After a moment of hesitation, he joins me in the living room, dropping down onto the sofa with a quiet oof. "We woke ye up, didn't we?"
I nod. "Don't worry about it. I'm a light sleeper anyway."
The answering frown that forms on his lips makes me wish I'd just lied. "'m sorry. He hasn't been that bad recently. I think it's being in a new place that's making it worse. He should settle down soon."
"Seriously, don't worry about it."
A beat of silence passes before I say, "So... tell me about you and Ghost."
And, just like that, the discomfort in Johnny's expression melts. His eyes glow with pure adoration, flickering behind me in the direction of their room.
I don't know how much he can tell me - their unit seems pretty secretive, and Ghost seems rather content on keeping me as far removed from their lives as humanly possible - but it's worth a shot. Johnny always seems happy and at ease wherever Ghost is concerned. It's not something that I personally can fathom; Ghost has never made me feel anything other than uneasy.
"We met in the 141. He's my L.T., so it's a bit frowned upon, but we keep ourselves to ourselves so it's never really a problem. On base, we aren't out." A flash of something passes across his face, disappearing almost as quickly at it came. Something akin to disappointment. "John and our mate Gaz are the only people who know 'bout us. Ghost 'as always been private. I did'nae expect anything else."
The corner of my mouth lifts in a half-smile. I pull my legs up to sit cross-legged in the armchair and tilt my head to one side. "I can't imagine him being particularly soft or cuddly."
Johnny barks out a loud laugh. "Nah, that's me. S- Ghost isn't very affectionate. Not physically, anyway. More like acts of service and words of affirmation. That kind of stuff."
"So, what brought you all back to London then?"
"I almost got gutted on our last mission. We're lucky tha's all that happened." He grimaces and lets out a deep sigh, lifting one massive hand to massage his temples. With one hand over his ribs, he settles back against the sofa cushions. "Everything went to shit. Ghost won't admit it, but he's aggravated some old injuries too. And we lost a pilot, and three allied soldiers..."
Alex's face flashes in my mind. His light brown hair mused and messy, his beard short and scruffy - just the way he liked it. The soft, twinkling glow of amusement dancing in his eyes...
"Does that happen often? Losses," I ask before I can think. I don't really want to know - don't want to upset Johnny or hear how common it was for good men to die. Like I don't already know.
Just like that, he's frowning again. "Don't worry 'bout it, lassie. Prolly shouldn't 've said anything. Ruined the moment."
I lift one shoulder in a half-hearted shrug. "It's fine."
We sit in silence after that, watching TV as we wait for Ghost to wake up.
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By day four, I have a budding friendship with Johnny. We have inside jokes and a handshake. We've even started mirroring some of each other's mannerisms.
I also know that Ghost doesn't like it.
It's around lunchtime when John and another guy - someone else I don't recognise - show up at the apartment, laden with six packs of beer and bags of snack foods. I let them in with a bewildered laugh. The second John's through the door, he pulls me into his arms for one of his signature bear hugs.
"Oh Tali, how I've missed you." The words are mumbled into my hair as I let out a soft giggle, squealing as he lifts me off of my feet.
"I've missed you too. Now put me down before you break a hip, old man."
By the time he's set me back down, the boys are already making themselves at home in the open plan kitchen. Johnny moves around sorting various snack foods onto plates and into bowls, gliding with the confidence of someone who's lived here for years, not days. His other friend - a man with dark, curly hair tucked for the most part under a baseball cap, and dark, expressive eyes - stands back, leaning against the counter with an open can in one hand, taking sips of beer between speaking. Then there's Ghost, leaning against the opposite counter, eyes never straying far from Johnny.
"How have they been?" John asks, his voice low and quiet as he watches the boys interacting in the kitchen.
I offer him a reassuring smile. "They've been okay. Johnny has a brilliant sense of humour; I like him."
John smiles. "Thought you would."
"What are you two ladies gossiping about?" a voice calls from the kitchen, the words laced with an east London accent. I glance up to see the newcomer looking at me, eyes glittering with interest. He must be the local John was talking about when he first called me about the boys.
"Wouldn't you like to know," I say, wiggling my eyebrows.
Johnny's own eyebrows shoot up into his hairline, his mouth quivering before an extremely loud, abrupt laugh bursts out of it. "Well she got you there, Gaz."
Gaz. The last remaining member of Alex's unit that I had yet to meet.
"Where are my manners?" Gaz walks around from behind the kitchen counter, coming to stand in the living area with me and John. He extends a calloused hand for me to shake, offering me a boyishly charming smile as I do. "Name's Kyle Garrick, but everyone just calls me Gaz. Feel free to call me whatever; I'll probably answer to it. What's your name?"
"Tali."
His grin widens. "Nice to meet you, Tali."
I return his grin. "Likewise."
With that, moving with the same natural easiness as Johnny, Gaz walks back to his spot in the kitchen, picking up his beer and taking another sip. I meet Johnny's eyes, noting the reassuring smile and nod that he flashes in my direction. But that also means that I catch the scowl coming from Ghost.
The whole interaction makes me realise a couple of things.
One: Ghost does not particularly like me. Two: Ghost could give me his real name, he just chooses not to. It seems like he wants nothing more than to remain at this level of impersonal with me for the entire duration of his stay, unlike Johnny who seems dead-set on getting to know me. In the four days that they've been here, I still haven't gotten a clear look at Ghost's face. The whole time, he's been wearing a hood to cover up or - most days - a surgical mask to cover the lower half of his face. Anything to keep me at arm's length.
"Hey, pretty lass, do you want a beer?"
My eyes fall on Johnny and the two cans in his hands. There's a hopeful look on his face that makes me nod yes. With a smooth underarm throw, he tosses me a can and flashes me another broad grin.
"Do you mind if we hang out here for a bit?" John asks softly, just for me to hear. When I look up at him, his expression tells me that if I ask him to leave, they will. No questions asked. "There's a footie game on and Gaz wanted to watch it with the lads. It's a tradition we normally do on base, but I'm sure we could find a pub playing it or something."
"Watch it here." I genuinely want them to. I want to spend time with them; want to see how they all interact. And I've missed hanging out with John while he's been away. There's also a small, selfish part of me that wants to see how they all fit as a team. To see if I can spot the gap in the dynamic where Alex would have slotted in; to see what his life would have been like in those last few weeks. "Maybe I want to watch it too. If that's okay."
"Of course it's okay." John's arm wraps around my shoulders. "Which reminds me. Ghost and Soap might need somewhere to stay for the long haul. At least until Soap is fully healed, that is."
I nod slowly. "And you want them to stay here?"
"Would that be okay with you?"
I glance across to the kitchen, watching Johnny and Gaz playfight under Ghost's watchful eye. Even messing around, they're respectful; keeping a mindful distance from anything fragile or expensive. As much as I hate to say it, I'm growing used to Johnny's constant playful presence in the apartment. Even Ghost's brooding is starting to grow on me.
"I think I like having them here. As long as they're both happy, they can stay as long as they like. I can talk to Winnie about logistics if it comes to it."
John nods, the corners of his mouth ticking upwards. "They both seem happy here, Tali. Ghost seems relaxed; that hardly ever happens."
Really? If this is Ghost relaxed then I'd hate to see him stressed.
"Again, ladies?" Gaz heckles playfully. He folds his arms across his chest, clicking his tongue and shaking his head like a disappointed parent.
At that, John straightens, a mischievous glint in his eyes. "We might be off duty, but I'm still your captain, sergeant. Now - all of you get your arses in here."
The three of them head into the living room, filling the coffee table with cans and the various bowls that they've prepared. One by one, they choose their seats for the next couple of hours. As Gaz tries to drop down into my armchair, Ghost shoots him a pointed look, and he opts to sit on the floor instead, eyes twinkling once again.
Hm.
"Right, now everybody shut y'er mouths. I'm putting the game on."
And, with that, Johnny lines up the football on the sports channel and we all settle in.
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a/n: happy new year guys! hope you all enjoy this chapter. I know that it's a bit shorter than the last one, but I'm currently battling with a mild case of writer's block this is also a repost as tumblr decided to not show this the first time around - hope to see you all again very soon, lapetitelapin :)
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focsle · 7 months
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have you written anything about tattoos? is that relevant? don't know how your niche lines up with generic "sailor" tradition, but wikipedia simply says on knuckle tats that deckhands may get "HOLD / FAST" as a charm to support their grip on rigging, and i thought that was kind of cute.
I haven't written anything myself, mostly cos if you throw a stick out in the internet you'll find any number of articles about the symbolism of sailor tattoos, like hold fast and pigs and roosters and swallows and all that!
In my narrow window (the middle decades of the 19th century), I don't see tattoos mentioned all too often, compared to late 19th and throughout the 20th century where they became more common. For instance, this register of seaman's protection certificates (which are admittedly limited in the scope of things, since they're only from a few specific ports) from 1796-1871 rarely list tattoos as distinguishing marks, beyond the odd mention of being marked with an inked anchor, eagle, or letters here or there. Here's a neat jstor article (if you have any more of your 100 free monthly articles to read with a google account) that goes into late 18th-early 19th c tattoos that has some tables and visuals. The research was also done using seaman's protection certificates, with the following stat:
"The SPC-A records start in 1796 and include tattooed men born as early as 1746. There were 979 tattooed men out of a total of 9,772 men whose records survive from 1796 through 1818.26 These men were marked with a total of about 2,354 separate designs."
So, not a large number, but also 10% isn't insignificant. The protection certificates while a reliable source, also only describe the man in one specific moment. I'm sure a few of those men who just have their moles and scars and crooked fingers listed eventually picked up a tattoo or two in their time. Most journal keepers perhaps didn't think it important to mention who had tattoos or what of, though the typical motifs of anchors, nautical stars, girls, religious & patriotic imagery, etc. were certainly a part of the visual language at this point. Whaler William Abbe who sailed in the 1850s, devoted considerable attention to describing the physical appearance of some of his shipmates. In one instance, he wrote about the tattoos of one 'Johnny Come Lately' or 'Jack Marlinspike' (Real name, John Hewes of Buffalo NY)
'from beneath this cap his face looms out - while beneath supporting his comical head is a bare neck and breast — hairy + brown —the upper timbers to a stout hull of a boat that boast a pair of arms all covered with India ink tattooings — the figure of American Liberty — Christ on the cross — an American Tar holding a star spangled banner in one hand + a coil of rope in the other — a fancy girl — + anchors, rings, crosses, knots, stars all over his wrists + hands — the memorials of different ports he has visited — for Jack has been in all kinds of vessels from a man of war to a blubber hunter — + has consequently been to many ports.'
From the logbook of another whaler who sailed in the early 1840s, James Moore Ritchie, he had a page of his drawings with prices included. This potentially may have been a tattoo flash sheet for his shipmates:
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American whalers also noted the tattoos of indigenous people who had signed on to whaling vessels, particularly in the South Pacific. William B. Whitecar, whaling in the 1850s wrote: "Several New Zealanders in the respective crews of these vessels attracted my attention from the tattooing on their bodies" making mention of "figures on their face and breast".
I'm too sleepy to have a conclusion lol. Tattoos! They existed! Though perhaps not as ubiquitously as the pop culture sailor designs would imply, at least prior to the late 19th c.
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mayfieldss · 1 year
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Dating Pope Heyward would include;
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Pope's not a PDA kind of guy.
He prefers time alone with you, where he can be himself completely in your presence.
He loves holding your hand though. Whenever he's stressed out, he likes knowing that you're there with him, and holding your hand is the perfect way for him to do that.
Long walks on the beach with you have to be one of his favorite things.
He can talk for hours with you about anything.
He can be mischievous too and if you're not careful, he'll throw you over his shoulder and run into the ocean at full speed, taking you with him.
Pope has the most confidence when he's with you, and that means a lot of chaos.
Tickle fights, chasing you around the beach when you steal his things, passionate kissing in the sand.
The whole package really.
Cuddles is a must. Big hugs from you after a long day or night are the cure to Pope's concerns and fears.
He's anxious a lot, but with you, he's calmer. He feels more in control of himself and his life when you're around.
Dates, lots of them.
He's a romantic guy, and he tries hard to make and keep you happy, which is why date night is a big thing.
We're talking candle-lit dinner out on the dock.
Stargazing, where he points out all his favorite constellations.
Pope thinks teddy bears and continuous apologies are the cure for every fight, and he might be right because somehow, when you're mad at him, Pope showing up at your door with a stuffed animal and a sad face makes you forget why you're angry.
"I don't know what I did to deserve you."
The first time Pope says I love you, it's awkward.
It's one of those situations where his mouth keeps moving, but he's stopped thinking.
He blurted it out super-fast as you were walking away from him.
"I think I love you."
It was strange but sweet, and you'd turned right around when he said it.
He kept blabbering on forever afterward, explaining the reasons why, and how he didn't know why he'd told you the way he did.
You shut him up with a kiss.
Now, it's a common occurrence, keeping him quiet by pressing your lips to his.
Pope likes it when you do it, though, mainly because he loves kissing you.
He likes reading to you too.
Falling asleep on the couch, cuddled up with Pope as he reads to you is a treat for both of you considering you hardly get any time alone.
Teasing from the rest of the Pouges is a definite in your relationship with Pope.
Most often it comes from John B and JJ who just love to tease anything that moves.
"Aww, Pope you're so romantic."
"Aren't you two just the sweetest?"
Pope hates all the dangerous situations the Pouges put themselves in.
He's the designated sanity holder of the group after all and trying to talk everyone out of doing dumb shit is his job.
But one thing is for sure if you're going, Pope's going with you.
He's going to try his best to keep you safe even if it breaks him, because, well, he loves you.
a lot.
AN: Stan Pope for clear skin.
Please let me know if you want me to expand on any of these!! I will do it happily <3
GENERAL TAGLIST; : @heliads @candywh0r3 @caplanreads @hiya-its-amber @s00buwu
OUTER BANKS TAGLIST; empty
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Today, we're at the 1728 Baroque style manor, The Ivy, in Chippenham, Wiltshire, UK. 4bds, 4ba, £3M / $3.647M. It's got everything- history, modernity, whimsy, etc. Look at this delightful home, and I have to say it's a bargain at £3M.
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Clearly an artist lives here. The sitting room is a wonderful mix of old, new, and art.
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Details of the fireplace mantle and fascinating art piece above.
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Cozy little room. Love the fireplace and dark moody walls.
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This room looks like an office space or a work room.
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Love the vintage kitchen with the original fireplace, and look at that green Aga stove! It's old, but they're built to last and that size is worth $22K.
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The entrance foyer from the garden- notice the original worn path down the middle.
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It doesn't have to be, but this makes some fabulous art atelier.
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Marble fireplace at the foot of the stairs.
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The halls are certainly wide enough for more stuff.
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Another sitting room off the hall.
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Additional cute little kitchen.
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This bed is sure private- it's almost totally enclosed.
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I don't think that any of the bedrooms are designated as a primary. They're all pretty grand. Although, I do like this one.
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Pretty vintage bath. Look at the shell in the tub, and it's an unusual looking tub, too.
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How pretty that little sink is.
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Looks like this is a bedroom, but isn't used as one. Every room is filled with art.
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Nice light-filled library in the attic. It looks like they mat pictures up here.
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Stunning gardens.
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I don't know, I don't think this is a swimming pool. It's more like a water feature.
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Such lovely grounds.
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ninjaturtlemaniac · 2 months
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Part 8 Trolls Headcanons/ Theories/ Thoughts/ Ideas
Part1 Part2 Part3 Part4 Part5 Part6 Part7 Part9 Part10
Queen Barb - messing with the Rock String made Thrash lose his mind and made Barb more aggressive. Notice they both seemed to be more level headed after the strings were destroyed?
Riff - studying to work in Aged Care. His studies are sponsored so that he can look after King Thrash.
Classical Trolls - hosts the Trolls version of the Met Gala. All the tribes leaders and their entourages are invited. Also huge names in each genre are invited; Brozone, Sugar Gals, Bad Hair Day, Val Thundershock. (The MeTROLLpolitan Museum of Art 😆)
Trollings - can't make their hair into a gradient style until they are older. (survival/camouflage situations they can do, but only temporarily)
Putt Putt Trolls - use the courses tokens as general currency.
Viva - blows raspberries on peoples cheeks/arms/stomachs to show affection.
Viva - likes to collect 'things'. (Canon?) Never know when you might need the thing again. It can be reused for a different purpose. Side effect of trying to survive. Borderline hoarder. Clay does it too, he is just more organized about it.
John Dory - sometimes refers to himself in the third person. "John Dory doesn't need a map!"
John Dory - doesn't 'get' modern art, pretends he does so people don't think he's dumb.
John Dory - will try to use fancier sounding words in a sentence, thinking it makes sense. It doesn't.
Clay - has a lot of energy. When he isn't dancing, he fidgets, taps his foot, bounces his knee, drums pens.
Clay - has many, many of the same sweater romper. All of them are different shades of green.
Clay - eventually hires an assistant. The assistant is mentally prepared for Clay to be a dictator of a boss. They are shocked when Clay keeps saying things like "Have you had a break yet?" "I think you need a day for your mental health." "Yes, that's how much I'm paying you. How are you going to save for your own pod if I pay you any less?" (I have designed him, I've called him Rye if anyone wants to see him)
Floyd - used to busk to earn extra cash (based on that one concept art)
Floyd - felt he needed to start a solo career because he wrote a lot of songs that JD didn't pay attention to.
Floyd - did in fact live with the other Troll tribes for a while. Hard Rock Trolls were the last ones he met. This was where he met his manager/mentor. (Have also designed him if anyone is interested)
Bruce - all the kids now request Brozone songs instead of lullabies.
Bruce - opened the restaurant before he met Brandy. Used all the money he had left from Brozone to open it.
Bruce - teaches his kids about body positivity.
@jorjafrozen 🤪
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theresattrpgforthat · 8 months
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I found a goth speakeasy/coffee shop by my school that does a Thursday tabletop night where you can bring and run your own games and I was wondering if you had any recommendations for games you'd feel comfterble running with a table of strangers / mostly strangers? Thank you!!
THEME: Games to Run with Strangers.
Hello friend, fall comes upon us and I finally get around to answering your ask. Thank you so much for your patience! I’d definitely recommend bringing some safety tools to any of these games, since you’re playing them with strangers. That being said, I tried to pick games that were easy to pick up and quick to learn considering you’d probably want each session to be a standalone one.
I often run games with groups of people who don't know each-other beforehand, and I'd recommend allowing silliness to blossom when possible, even if you're running a spooky game. Let’s see what we can find!
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Wizardry and Bureaucracy, by Oh Little Moth.
You are a member of the National Parks Service. You and your team would do just about anything to protect your national park. Also, you’re wizards. But all the magic in the world can’t save you from the slog of paperwork you have to endure as a civil servant. Your mission is to preserve your park and all creatures living in it, promote a love of nature and the environment, and also keep park visitors from seeing through the curtain separating the magical from the mundane.
Like most Lasers and Feelings games, this has quite a bit packed into one page. Easy character generation, a standard list of gear, an introduction where you collaboratively design your park, and the classic Lasers and Feelings mechanic that makes you automatically better at one thing and worse at another. The game is also set up to be raucously silly. This game includes the very good piece of GM advice that I adore for improv: ask questions and build on the answers. You don’t have to come up with the entire story yourself! Give your players the chance to tell you how exactly magic interacts with the local National Park.
The Children of Saturn, by Dan John Crowler.
The people of Petrikstein are tormented by a blood craving beast prowling the night. Players take the roles of parish appointed investigators on a mission to find and slay this alleged Vampyr, before it claims even more lives. Will they be able to find out the truth in web of lies, myths, and fear fueled superstitions? Play to find out!
The Children of Saturn is a neat little game that combines the Keys mechanic from John Harper’s Lady Blackbird with the graded 2d6 roll of Powered by the Apocalypse. You can accumulate dice to roll depending on whether the action in question is in line with your character, and failure increases the chances of success the next time you roll. The characters are pre-made to some extent, but the players will be able to make them unique through names, descriptions, and how they decide to role-play. This game also come with a small hex map for your characters to explore - and everything fits on one page! If you want something spooky and quick to prep, this is definitely worth checking out.
2400, by Jason Tocci.
2400 is lo-fi sci-fi. It’s centuries in the future, and it’s a decades-old modem that screams like a dying robot when it connects to the net. It’s a space ship with an FTL drive, artificial gravity, and a flickering display you gotta tap a few times to see the jump coordinates. It’s hacking something together with whatever cheap materials you have on hand, ignoring the rules until you need them, banging out something that might not sound finished, but definitely sounds fun.
The 2400 system is a stripped-down ruleset inspired by the OSR that has been used to create a number of hacks in different settings. Every time I’ve run a 24XX game, the session lasted about 2 hours, so it definitely has the ability to play quick. The original page for 2400 currently has over 20 different settings to choose from, so if one of them really hits off, you could come back with a different setting each week for your friends to play through!
The Great Soul Train Robbery, by Cloven Pine Games.
On the road to hell there was a railway line. An express train to the infernal city of Dis, crewed by furies and carrying treasure and souls to damnation. You’re going to rob it.
The Great Soul Train Robbery is a tabletop roleplaying game for 2–6 players and 1 gamemaster about Desperados robbing the train to Hell. Spin an allegorical Weird Western yarn as your sharpshooters, fiddlers, homesteader widows, and other Desperados attempt a Hellish train heist. Will you claim your prize from the train, or be overcome, damned, or broken by the heist?
This is probably the biggest Honey Heist - inspired game that I’ve seen to date. It’s a solid pitch, with very little background needed in order for your players to grasp what exactly it is they’re doing. If players aren’t sure what kind of character they want to make, all of the options have d6 roll tables to give your group a goal, your train some complications, and your character a name and a special item. There’s quite a few pages of GM advice in this, which is probably a big boon to anyone running the game, as it allows you to construct a more complex train than what you might have created out of the top of your head. I’d probably even just steal the train construction section to use for other similar games!
Hold Your Own, by Sharkbomb Studios.
It's a time and place, not unlike the one that you, the players, grew up in. A dark mirror of the decade of your youth.  You play as a group of friends at the cusp of adolescence and life is hard. You're unpopular and unwanted. All you've got is each other.
But it comes worse: A strange menace threatens to devour everyone you know. And nobody wants to believe you, not the teachers, not the parents. It looks like it's up to you to save your home.
Fans of It and Stranger Things will probably like this game. This game uses small dice pools and four basic stats. You’ll be facing off against an antagonist called the Menace, a threat that the rest of the community believes doesn’t exist. The Menace will always be strong enough to provide a challenge, and as you play, you’ll learn more and more about what it is exactly that you’re fighting against. This is a great game for fans of suspense, and it’s also small enough to learn it within the few hours that you’d have at a coffee shop.
Games I’ve Recommended in the Past
Something is Wrong with the Chickens, by Elliot Davis.
Koboldly Go, by CoffeeSnake Studios.
Faewater, by A Smouldering Lighthouse.
The Station, by pidj.
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