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#GOD's Judgment
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God’s Judgment on the Ungodly
1 This letter comes from Jude, a servant of Jesus Christ, and James' brother. I am writing to those who are called and loved by God the Father, and who are kept safe by Jesus Christ: 2 May God's mercy, peace, and love increase in your experience!
3 My friends, I was already looking forward to writing to you about the salvation that we share. But now I need to write urgently to you and encourage you to vigorously defend the truth about God, given once and for all time to God's holy people. 4 For some people have quietly crept in among you. They were written about and condemned a long time ago, for they are wicked people who pervert God's grace, turning it into a license to immorality, while also denying our Lord and master Jesus Christ.
5 Even though you already know this, I want to remind you that though the Lord saved his people out of the land of Egypt, later he still destroyed those who disbelieved. 6 Even those angels that were not content with their God-given positions but abandoned their rightful places—he has placed them in eternal chains of darkness until the great Day of Judgment. 7 In just the same way, Sodom and Gomorrah and the towns nearby that pursued immorality and perverted sex are provided as an example of those that experience the punishment of eternal fire.
8 Likewise these dreamers pollute their bodies, disregard authority, and insult heavenly beings. 9 Even the archangel Michael, when he was arguing with the devil over Moses' body, didn't dare to condemn him with a slanderous insult, but said, “May the Lord rebuke you.” 10 But these people ridicule whatever they don't understand; and what they do understand they instinctively follow like unthinking animals—this is what destroys them. 11 They're in terrible trouble! For they have followed Cain's way. Like Balaam and his delusion, they have abandoned themselves to the profit motive. Like Korah and his rebellion, they have destroyed themselves. 12 These people spoil your fellowship meals, for they are selfish shepherds that don't have the slightest sense of shame—they only take care of themselves. They're clouds blown along by the wind that bring no rain. They're bare trees without fruit—twice dead, pulled out by the roots. 13 They're violent ocean waves, foaming in their own disgrace. They're false stars, doomed forever to utter darkness.
14 Enoch, seven generations on from Adam, spoke prophetically about these people: “Look! The Lord is coming, together with thousands and thousands of his holy ones 15 to judge everyone, to reveal all the wicked things people have done, and all the terrible things hostile sinners have said against him.” 16 Such people are grumblers, always complaining. They follow their own evil desires, speaking boastfully about themselves, and flattering others to get what they want.
17 But you, my dear friends, please remember what you were told by the apostles of our Lord Jesus Christ. 18 They explained to you that in the last times mockers would come, following their own wicked desires. 19 They cause divisions; they are worldly people who don't have the Spirit. 20 But you, my friends, are to build yourselves up through your trust in God. Pray in the Holy Spirit, 21 keep yourselves safe in God's love, and wait for the mercy of our Lord Jesus Christ who brings eternal life. 22 Show kindness to those who doubt. 23 Save those you can by snatching them out of the fire. Show mercy—but with great care, hating even the “clothing” that is contaminated by sinful human nature.
24 Now to him who can keep you from falling, and who can bring you into his glorious presence without fault, and with great joy, 25 to the only God our Savior, through Jesus Christ our Lord, be glory, majesty, power, and authority, before all time, now, and forever. Amen. — Jude 1 | Free Bible Version (FBV) The Free Bible Version is a project of Free Bible Ministry; Copyright © 2018, Free Bible Ministry. All rights reserved. Cross References: Genesis 4:3; Genesis 5:18; Genesis 19:24; Exodus 12:51; Numbers 16:11; Deuteronomy 34:6; Psalm 31:18; Proverbs 25:14; Amos 4:11; Matthew 13:55; Luke 1:47; John 5:44; Acts 6:7; Acts 11:23; Acts 20:29; Romans 2:5; Romans 2:14; 1 Corinthians 2:14; 2 Corinthians 4:14; Galatians 6:6; Ephesians 6:18; Titus 2:13; Hebrews 2:3; 2 Peter 2:10; 2 Peter 2:17
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madewithonerib · 10 months
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John 15:22 | If I had not come and spoken to them, they would not have been #guilty of sin, but now they have no excuse for their sin
That is why JESUS flipped tables HE was speaking out against all kinds of sins, sins of omission & sins of commission.
For #profit companies break the law & criticize Christians publicly I've worked at them & did not file human rights complaints against any of them. GOD knows they are doing it and HE will avenge at HIS return; but to go along w/ the way of the world is not how we are to conduct ourselves
Revelation 18:4 | I heard another voice from Heaven say: “Come out of her, MY people, so you will #not share in her sins or contract any of her plagues
When it comes to #sin, people who do it guzzle it & become drunk on it
Foam from the #rapid pouring out.
Psalm 75:8 | For a cup is in the hand of the LORD — full of foaming #wine mixed w/ spices. HE pours from HIS cup, and all the #wicked of the Earth
drink it down to the dregs.
But I will proclaim HIM forever; I will sing praise to the GOD of Jacob.
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ennas-aesthetic · 9 months
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If we DO ever get a Good Omens season 3 (and fingers crossed we will) then using the Second Coming as the narrative device to facilitate the final culmination of Good Omens' ideology and message is brilliant, actually.
Because the Second Coming IS NOT another Adam situation. And, contrary to the misconceptions I've seen, It IS NOT about Jesus being born again as a baby, etc, etc.
THE SECOND COMING. QUITE LITERALLY refers to THE LAST JUDGMENT.
As in. The SAME Last Judgment Michelangelo painted on the walls of the Sistine Chapel. As in - THE JUDGMENT of the Living and the Dead. THE LAST, FINAL, ETERNAL JUDGMENT.
It's the WHOLE thing Armageddon was leading towards. Book of Revelation speedrun: the world ends, everyone dies, and then they get resurrected again to be judged by JESUS himself. He will flick through the Book of Life (WINK WINK WINK DO YOU SEE HOW LOUDLY I'M WINKING AT YOU???), and if your name is there he will go "oh nice you deserve eternal paradise! :D" and if your name is ERASED from the Book of Life he will go "oh no, sorry, you go to the lake of fire for eternity now D:" (except apparently in Good Omens lore it'd just DOOM YOU TO NON-EXISTENCE FOREVER???)
And if you THINK about it, The Last Judgment is the ultimate manifestation of moral absolutism. No shades of gray, no chances. Just BLACK, and WHITE. Never mind that you're like Wee Morag and Elspeth, who are forced to do "bad" things because of circumstances. It's either you pass Judgment Day, or you burn (or disappear forever.) And the way THINGS are going in the Good Omens universe? I don't think there's ANYONE "good" enough to be "saved." Not Crowley, not Aziraphale. Hell, not even the Archangels themselves.
So it provides a PERFECT opportunity for Aziraphale and Crowley to UPEND that SYSTEM entirely.
I think that's what Crowley and Aziraphale would do in s3: establish a new kind of system in which angels and demons have free will to determine the right (or wrong) choice.
Giving them the APPLE, so to speak.
And then they'll go off to retire in a cottage, together at last.
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yeslordmyking · 1 year
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Open my eyes that I may see wonderful things in your law. [ Read devo thought and prayer for this Bible verse ]
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wnnwakb · 1 month
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Part 2 / Part 1
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reversatility1 · 1 year
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Warrior Nun: Beatrice’s journey reconciling the mission with her love for Ava was beautiful to behold
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420jimmyuso · 2 months
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gay ppl r so … wow
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pratchettquotes · 3 months
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What Brutha had thought was a rock in the sand was a hunched figure, sitting clutching its knees. It looked paralyzed with fear.
He stared.
"Vorbis?" he said.
He looked at Death.
"But Vorbis died a hundred years ago!"
YES. HE HAD TO WALK IT ALL ALONE. ALL ALONE WITH HIMSELF. IF HE DARED.
[...] The black-on-black eyes stared imploringly at Brutha, who reached out automatically, without thinking...and then he hesitated.
HE WAS A MURDERER, said Death. AND A CREATOR OF MURDERERS. A TORTURER. WITHOUT PASSION. CRUEL. CALLOUS. COMPASSIONLESS.
"Yes. I know. He's Vorbis," said Brutha. Vorbis changed people. Sometimes he changed them into dead people. But he always changed them. That was his triumph.
He sighed.
"But I'm me," he said.
Vorbis stood up, uncertainly, and followed Brutha across the desert.
Death watched them walk away.
Terry Pratchett, Small Gods
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try-set-me-on-fire · 6 months
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I bet on losing dogs
I know they're losing and I'll pay for my place
By the ring
Where I'll be looking in their eyes when they're down
I'll be there on their side
I'm losing by their side
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raepritewrites · 10 months
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maybe it's my freaky good memory for my special interests, maybe i just dont have anything better to think about, or maybe its that ive been in this fandom for too long and i am now a Wisen Elder but it seems like i come across a lot of posts or questions from demigods who dont know lore thats been known for a long while and im genuinely curious
No judgment if you haven't, and hey im not here to gatekeep. I am always down to gush about this series so if you have questions hit up my dms and ill answer
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Witnesses Against Israel
1 Hear this word that the LORD has spoken against you, O children of Israel, against the whole family that I brought up out of the land of Egypt:
2 “Only you have I known from all the families of the earth; therefore I will punish you for all your iniquities.”
3 Can two walk together without agreeing where to go?
4 Does a lion roar in the forest when he has no prey? Does a young lion growl in his den if he has caught nothing?
5 Does a bird land in a snare where no bait has been set? Does a trap spring from the ground when it has nothing to catch?
6 If a ram’s horn sounds in a city, do the people not tremble? If calamity comes to a city, has not the LORD caused it?
7 Surely the Lord GOD does nothing without revealing His plan to His servants the prophets. — Amos 3:1-7 | Majority Standard Bible (MSB) The Holy Bible, Majority Standard Bible is produced in cooperation with Bible Hub, Discovery Bible, OpenBible.com, and the Berean Bible Translation Committee. This text of God’s Word has been dedicated to the public domain. Cross References: Genesis 6:13; Psalm 140:5; Psalm 104:21; Isaiah 14:24; Isaiah 45:7; Jeremiah 8:3; Jeremiah 13:11; Hosea 5:14; John 15:15; Romans 2:9; 1 Corinthians 8:3; Revelation 6:13
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aphel1on · 5 months
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neuvillette's lore is actually insane. we all took one look at him and went "haha dragon🫵" but i significantly underestimated how big of a role he would play. he's the incarnation of the original hydro sovereign. he took back his rule right under the heavenly principles' nose. he's the one handing out hydro visions now (not even because he has to, he doesn't, he just grew so fond of humanity that he chooses to). he gave away the hydro gnosis bc he straight up doesn't need it. he's planning to DETHRONE ALL OF THE ARCHONS (in a few hundred years, when the traveler's not around to see it, so it won't be awkward for them). he's kind and soft-spoken. he's full of vengeful rage. he's a father to hundreds. he found his purpose after feeling lost for 500 years. skirk pulled him aside for a super-secret convo and when he saw us again he immediately spilled the tea. as far as i can tell, he spawned into existence fully formed. no other character can fucking compare
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utilitycaster · 2 months
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The thing I've realized, in the broader Actual Play space, is that a lot of creators are trying to turn Actual Play shows into TV shows.
You mentioned Kollok in your tags, and the creator of that has mentioned creating Kollok in a way to try to appeal to the Netflix audience.
And I'm all for experimentation, but tbh if I wanted to watch a TV show, I would go watch a TV show. That's not what I'm looking for in an Actual Play and over editing and gimmicks actively turn me off from it.
Folks creating Actual Play seem to put a lot of weight on it, but I don't know if it's that important from an audience perspective.
Hey anon,
Huge same - I've been thinking about this for a while, especially in regards to choices I didn't like (notably on D20, though the Candela split screen in chapter 3, while relatively minor, felt like part of the same trend and I'm really interested in seeing whether they keep it). I actually did mean to write more about this not in the tags of a reblog, so thanks for this ask because it gives me that motivation to do it!
Earlier this year I was at an event and someone who to be totally honest I found kind of annoying was talking about Dimension 20, and I decided to keep quiet and listen to what other people had to say, and another person (whom I respect and specifically know to be like, left-leaning and inclusive and not gatekeeper dudebro type, which is relevant to the next statement) who is solidly in Gen X and has been playing D&D since at least 2e mentioned that he doesn't like Actual Play at all because he is from the era where D&D was frequently played in third person and is somewhat of a purist in that sense. Ie, this guy would say "Gawain pulls out his sword and smites the dragon, with a 24 to hit", rather than "I'm going to pull out my sword and smite the dragon." He described his idea of D&D as being very much collaborative storytelling in the sense of a bunch of third person narrators who happen to be the storytellers for one specific character, not a first-person acted scene.
I happen to like both forms of narration and am not a purist either way, and indeed use both third person and first person myself as a player (as do many actual players; you see this on CR and D20 all the time). But I think this does show just how broad this spectrum is. You have people all the way on the "I am narrating an improvised story, I am the storyteller puppeting my character and I am not trying to be immersed" side and then you have shows that are trying to push this into full immersion...but so long as you have dice rolls, you'll never achieve it.
I prefer something in between: I do love watching people act, but I really like the gears and wires! I love mechanics! I think people who say "I love actual play D&D but I don't really care for combat, only RP" don't actually like actual play D&D! This is a specific format and I do not want people to hide the fact that they are using the rules of a game and are at a table, because they are and we know it.
This came up when I and others talked about the Legend of Vox Machina adaptation: they're probably going to have to find a way to convey the same tragedy and gravity of Scanlan's ninth level counterspell that doesn't require viewers to know the mechanics, because if you watch that scene as actual play the meaning of Sam saying "Nine" is immediately apparent. It hits hard with that one single word, but that won't be the case in an animated adaptation where no one is rolling a D20. Mechanics are in intrinsic part of actual play. You can enjoy actual play without that knowledge, but a solid grounding in those mechanics will only enhance that enjoyment (well, unless you're one of those rules-lawyery weirdos who gets bitter about any GM rule of cool/homebrew that they couldn't predict from the rulebooks but those people will never be happy).
The more general context of "being in a game", not just mechanics, is also in my opinion valuable. Brennan, on a Worlds Beyond Number fireside chat, referred to certain NPCs like Caramelinda as "furious that they are in a D&D game" and it's a funny and true statement. I feel like trying to push actual play into the realm of scripted shows is that: it feels like you're trying to hide the origins, and I think the quality of the show will ultimately suffer when you do that. It feels almost ashamed of what it is, and I don't think you can make something that transforms a medium/genre/thing in between the two without having a profound love and respect for the original, even if you also find it flawed. (This is also, tbh, how I feel about a lot of attempts to divorce D&D from the fact that it is ultimately a game influenced heavily by sword-and-sorcery fantasy, or about attempts to turn high or heroic fantasy into something that neatly affirms all of one's 2024 real world political beliefs, but that's another post).
I also think that the out-of-character element of actual play is a big draw. I have been open about having complicated feelings about the parasocial and projection aspects; but those feelings are "hey, this is still a show that is a source of livelihood, you are not hanging out in someone's living room and getting weird about the fact that the CR cast no longer responds to every tweet is dumb" and "you have not been betrayed by the creators because you didn't get the plot you wanted," and "the fact that two actors sit next to each other is not, in fact, a solid basis for shipping." I am equally opposed to the idea of "the actors do not exist, only the characters do," put forward in that attempt to make actual play Netflix-ready. It's fun to watch the CR cast rib Travis for turning bright red for, as people said, pretend kissing his real wife. It's fun to watch the Intrepid Heroes heckle Brennan when he plays a villain. It's fun to hear Aabria and Erika scream at WBN plot developments and for the McElroys or the NADDPod crew to wheeze with laughter and all of these shows but CR are to a degree edited, and all leave that element in, which I think says something really important about what actual play is understood to be!
It does not escape me that the seasons/shows using heavier camera edits have often, in my opinion, sacrificed story quality for a visual style I don't even care for. I do watch prestige television, and one of the more striking cinematographic choices I've seen lately are the extremely long single take shots used on both Succession's final season (Connor's Wedding, 4x03) and The Bear's first season (Review, 1x07). Prestige TV is not doing the glitchy Neverafter stuff. Hell, I liked Sagas of Sundry: Dread and never finished Madness before it went offline and haven't made an effort to seek it out specifically because the black box theater feel of Dread felt fun and new but not too removed from actual play vibes, whereas the higher production values of Madness, ironically, made it feel too artificial and stilted to keep my interest.
Actual play is its own beast, and in trying to appeal to a new audience you're probably going to lose a lot of the one you have. A big part of why I haven't been motivated to check out Kollok is that everything I hear about it, even positive reviews, makes it sound like it's missing the things I like from actual play and doesn't achieve the level of scripted shows. Honestly I think the REAL answer here is that if you want to find a space between a Netflix drama and an Actual Play show, ditch the rules and make stuff like Midst, which is as discussed inspired by ttrpg/actual play spaces, but is broadly plotted out in advance. I think that approach can combine the best of both worlds, whereas I feel as though attempting to be a Netflix show will usually spend so much time trying to hide the fact that there's a table there that it will detract from the actual story.
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yeslordmyking · 2 years
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We know him who said, 'It is mine to avenge; I will repay,' and again, 'The Lord will judge his... [ Read devo thought and prayer for this Bible verse ]
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lokiina · 6 months
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"take it easy..." - Damian Priest
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lemalfrog · 2 months
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some ugly sketches (school is killing me and I don't draw at all)
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