This shot takes my breath away.
It’s… I don’t know how to explain it.
It’s the discarded sword, forgotten because there’s no longer any fight.
It’s the wound, dark and fatal, clearly visible on Arthur’s side.
It’s Merlin’s leg, pressing tightly against Arthur’s.
It’s his left hand, clinging to him desperately.
It’s his right arm wrapped protectively around him, his right hand cupping his head tenderly, his fingers tangled in his hair.
It’s the way Merlin is holding Arthur, as if trying to merge with him and become one.
Or maybe it’s just the way this image alone tells a story, or at least the end of it. The way you can tell it was a good one, epic and tragic and filled with love and loss and all those things that make a story worth telling.
Yeah, that must be it...
Love and devastation and everything in between, all condensed into this very moment and captured forever in a single frame of a TV show.
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Do you ever think about Azula after Zuko's banishment and before she was sent on her mission? About the time it was just her and Ozai? Because I do.
Her worst fear is being what Zuko is to their father. It's easy to look at her smirking while she watches Ozai light Zuko’s face on fire and think that she enjoys her brother’s suffering, but from the day she was born, Zuko has been the bad example. The scapegoat. The failure she exists to surpass. Where he is disrespectful, she will be obedient. Where he is weak, she will be strong. She will make Ozai proud. She will be perfect. She has to be. Because if she isn’t -
well, in that moment she sees that for herself. Iroh looks away, but she doesn’t. This eleven-year-old child watches the whole gory scene that her experienced general uncle can’t stomach, because this is a lesson for her as well, that’s why Father had her be here, and so she must not let herself tremble or cry or flinch or scream. Zuko is. That means she can’t. Instead she will do the exact opposite, smile with a princess’s proper posture.
Then Zuko is banished. He will most likely never return - most likely die young. He isn’t around to be the foil under her jewel anymore, making her shine brighter simply by contrast. (Or to play with her or comb her hair. But it isn’t useful or becoming to miss those moments. She isn’t a child anymore; her childhood was burned through like Zuko’s skin.) All Ozai’s attention is on her. All her people’s hope in the next generation of royalty rests in her. If she doesn’t hold her shoulders back and keep her head high, she will collapse under the weight of her nation’s future. Zuko got what he deserved. Just as whatever happens to her, she deserves it too.
How many nightmares does she have? How many times does she flinch or shake when her father touch her? Or force herself not to? How many times does she smell burning hair and flesh and hear her brother’s agony when she spoke her own opinion in a war meeting? How much does she secretly grieve him, and scold herself for it?
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♫ - Gunners in the Rain, Mili
A crossover with Athrun Zala and Luze Crosszeria!
This was all because I wanted to draw Athrun in his new outfit from the upcoming Gundam SEED movie.
Also, both Athrun Zala and Kanata Wakamiya from Uraboku are voiced by Akira Ishida in Japanese.
I thought of an alternate universe that takes place where they are criminal investigators as partners in a fantasy modern society.
And following about reincarnation from Uraboku, what if Athrun was the reincarnated version from Kanata? The person Luze cared about.
The whole concept was inspired from Descendants of Darkness too. It has been my favorite old anime where they also have investigators that look into paranormal activities from beasts and Demons.
So, with Luze's knowledge of Demons and the like, he may be a lot of help sending information to Athrun.
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Much like Athrun and Luze,
Both Luka Crosszeria and Kira Yamato are together.
Soichiro Hoshi a Japanese voice actor not only voiced Kira Yamato, but also voiced Yuki Giou, the person that Luka cares about.
What if they had met in another timeline in an AU?
Considering that Luka doesn't age since he is a Demon, they possibly would see each other in a military facility meeting or something in a far, far future.
And Kira still inherited the soul of Yuzuki (now Yuki Giou), Luka's former lover, basing off from what Uraboku had with reincarnation.
Would Kira recognize Luka?
I know it's a bit cheesy. But since Athrun and Kira shared the same voice actors as the characters the Twins care about, I wanted to draw this crossover. And it's been a while since I have done one.
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First Kill - Narration/Presentation of Theme by Juliette and Calliope
I wanted to do a little write up on what I think are the main themes of ‘First Kill’. Every episode has a short piece of dialogue narrated by the main protagonists at the start and end of it that seems to present the main theme of each episode except for the first episode, ‘First Kiss’, as that is nearly all narration and it’s an introduction to the story, characters and world told from both point of views of the main protagonists. Which is why the first episode is structured like a novel and why the seven following episodes play more like extra chapters to that novel. Which makes a lot of sense because the creator of the TV show is a novelist and is the author of the short story the TV show is based on. But only the first episode is the short story,… the rest of the episodes are a continuation of an entire novel not written in book form which is why I say they are extra chapters to the short story that was. Using the narration by Juliette and Calliope as well as what happens in each episode, I will explain what I believe the main themes are for the seven following episodes after the first.
First Blood - Action and consequence
JULIETTE: “As explained by my physics teacher Mr. Myrick in excruciating detail... Newton's third law states that every action has an equal and opposite reaction. Once an action is taken... you must live with the consequences.”
CALLIOPE: “Actions always have an equal and opposite reaction. Newton's third law. Once an action is taken, you have to live with the consequences. I am a member of the Burns family, a Guild-trained house of monster hunters. Our hearts drive us. Duty and logic lead us. And we vowed to rid the world of all monsters.”
First Fight - Instinct
CALLIOPE: “My dad always says a hunter is only as good as her gut. Shouldn't this gut thing guide me? Give me confidence? Or is it supposed to weigh me down with guilt for doing what I know is right for me?”
JULIETTE: “Some decisions you have to mull over, consider, contemplate. But sometimes, you know in your gut the right thing to do.”
First Date - Choice
JULIETTE: “In Savannah, you know a bad storm's coming when the sky turns black. With every growl of thunder you ask yourself, ‘When will the heavens part and offer some relief?’”
CALLIOPE: “When you're in the middle of a storm, the kind where the sky turns black and there seems to be no light at the end of the tunnel, you have two choices. You can wait for the heavens to part, offer even a tiny bit of relief. Or you can run. And keep running until the growl of thunder disappears behind you.”
First Love - Destiny
CALLIOPE: “Hysteria, devastation, crazy uninhibited highs, the crashing lows of withdrawal. It's not pretty. Not like in the sonnets or pop songs. It was no match for the gods of Olympus. So why would I be immune to the insanity of first love?”
JULIETTE: “It is impossible to be immune to the insanity of first love. A union predestined, written in the stars. That's the only way I can wrap my head around it. But every tear, every skipped heartbeat, the passion, the pain, it's all worth it in the end.”
First Severing - Connection
JULIETTE: “Humankind is connected by a series of intimate experiences that knit us together. Nurture these connections and they become the ties that bind us, make us whole. But is it possible to honor these ties that bind and also be free from them?”
CALLIOPE: “Life is all about connections. If you nurture them, they get stronger. But sometimes, severing connections is the only way for you to get stronger. The only way to freedom.”
First Goodbye - Understanding
CALLIOPE: “What is a monster? The man who threatens to kidnap you, forces you to fight for your life, and ends up losing his? The bigoted neighbor who's so sure she's on the side of right, she defaced your property to prove your beliefs are wrong? Or is a monster anyone or anything you fear will harm you, and therefore you must harm it first? Keeping the victory to yourself, of course, so that you can live to fight another day.”
JULIETTE: "’Whoever fights monsters should see to it that he doesn't become a monster.’ Friedrich Nietzsche said that. In other words, if you're a monster hunter... it's possible that your actions make you a monster too.”
First Betrayal - Regret
JULIETTE: “‘The sweetest honey is loathsome in his own deliciousness, and in the taste confounds the appetite. Therefore, love moderately.’ Romeo and Juliet, Act II, Scene 6. Love moderately? Did Shakespeare really believe you could control how deeply you fall? Like your heart is something you can pour into a measuring cup and simply stop at the two-thirds line?”
CALLIOPE: “Act II, Scene 6, Friar Laurence advises Romeo that violent delights have violent endings. ‘Therefore, love moderately.’ It makes sense to me now. I fell too deeply. Had I never met Juliette Fairmont, maybe I could have loved moderately…”
JULIETTE: “Had I never met Calliope Burns, maybe I could have loved moderately…”
CALLIOPE AND JULIETTE: “… And I never would have been in this much pain.”
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