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justaz · 3 days

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semi-dark king merlin au, someone from ealdor tells king cenred about merlin and he is captured and held as a slave in essetir. since merlin despises captivity and servitude, he’d rather be dead and free than alive and in chains so he acts out and pisses people (especially the king) off so they’ll think him too much trouble and kill him. at first they stick to beatings until merlin manages to get his chains around a few necks and now has a body count so they kill him…..only he wakes back up a few hours later and king cenred is Intrigued and keeps him close. merlin keeps acting out but no matter how many times they kill him, he won’t stay dead. merlin has this moment after waking up perfectly fine after his twenty seventh death where he is hopeless and believes there to be no escape, not even thru death. a few other sorcerers in chains come and help him clean up and give him a lil peptalk, realizing him to be emrys, and then they revolt and take over the kingdom and crown merlin as king and now uther is like “wtf” bc his neighboring kingdom who was kinda sorta on his wavelength about sorcery, though uther did not approve of keeping them alive, is now a kingdom ruled by magic. he goes to war with them but with magic running free and fucking emrys on the throne, they don’t make a lot of headway. anyways merthur meet on the battlefield, enemies to lovers, you get it

#bbc merlin #merlin emrys #king merlin #arthur pendragon #merthur #fanfic #fanfiction #fic idea #writing prompt #king merlin of essetir #the angst is crazy #merthur despising each other bc to arthur merlin is an evil sorcerer while to merlin arthur is just like his father who is just like cenred #slowly learning more about each other and seeing their kindness #slowly earning respect between the other #lmao those silly episodes where the hero and the villain come to a truce to fight a common enemy and then go right back to fighting after #morganas ‘betrayal’ to camelot is just joining essetir’s side #she learns to control her magic and finds people like her #uhhh #druids flock to essetir while the antimagic people of essetir flee to camelot #essetir kinda just becomes a magic kingdom lmao #THEY SNEAK INTO CAMELOT AND SET THE DRAGON FREE SO ESSETIR JUST HAS A FUCKING DRAGON #camelot is shitting their pants #when arthur becomes king hes just like ‘we gotta sign a treaty atp theres no way were winning #and i refuse to send more of my men to their deaths’#tense political situation where theyre signing a treaty - one wrong move and everything goes to shit #now that the kingdoms can live in relative peace arthur can see the good magic can do for a kingdom as essetir thrives #since theyre on sorta good terms there can be feasts held w merlin in camelot or arthur is essetir #slowburn babey

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the-magpie-archives · 2 years

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You see, Martin says 'I grieved for you' to Jon, but this doesn't do justice for just what he would have gone through.

As most people know, having a loved one in hospital is horrible, but Jon's case is an entirely different thing. Assuming Jon was initially taken to a hospital in Great Yarmouth, it would've taken Martin a while to get there, even if he left right away. He might have missed Jon's emergency treatment, but he certainly didn't miss the worst of it.

Many people assume that CPR is a quick, simple, lifesaving procedure, it is not. Jon was found not breathing, and without a pulse, so he would have had at least 20 minutes straight of CPR, and that messes up a body. On a person as weak as Jon it would badly break ribs, and cause a lot of bruising. Even if Martin didn't have to watch Jon's chest be crushed to no avail, that type of damage is often visible.

I don't know if you've ever seen a dead body, but it's different to an unconscious one in every way. Jon of course, was not dead, but he would absolutely look it. As I'm sure you know, blood being pumped is what keeps the body warm, and breathing accounts for a large part of what we perceive as living, so the absence of both of these, especially in a loved one, is jarring, and likely to send anyone into shock

In lots of TV shows you see doctors calling deaths, but in reality it's actually quite a difficult thing to diagnose. It's not a quick check of the pulse and you're done, there's a lot of tests; there are many conditions that can look like death. In Jon's case his mind and nerves were still active, meaning it would have been picked up on fairly quickly, but Jon would have been assumed dead until these tests were completed.

The thing with a case like this, is there's nothing the doctors can feasibly do; as Elias says, it's an unknown quantity. The most likely course of action would be to make him as comfortable as possible, and redo the death checks every so often. There would be no hope for his recovery, but legally the hospital would have to do this, and would be able to offer very little comfort.

Although of course you want your loved one to survive, many family members of coma patients confess to hoping that they'd just die. The limbo of waiting is impossible to process, and having them there but having no way to communicate with them can be excruciating. There's no way to properly grieve for someone if you always have it in the back of your mind that they could wake up.

Giving up on someone like that is terribly and awfully painful. You can tell them you're sorry all you want, but you'll always be thinking about how they'd have wanted you to stay. Having to create both sides of an interaction like that when truly you're in control of neither is simply impossible to recover from.

Every action Martin took after Jon's death was justified, logical, even. To succumb to the lonely after leaving the man you love, sentencing him to die alone?

It feels right.

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the-ace-with-spades · 3 months

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(another unfinished post i found on the way to glasgow - that was the longest train ride in my life - I'm sorry in advance)

When Ice finally passes away, at the age of 73, in his sleep, Bradley moves Mav into their house the same day.

He gets the call in the morning, while trying to simultaneously cook Jake's breakfast and try to make their daughter put on a rain jacket. It's not Mav, but someone from the hospital. Jake doesn't know this — Bradley's face twitches only for a second and then he's back to the nagging, relaxing tone and telling their daughter it's raining and it won't stop. Jake only finds out when he comes back home from the school drop-off and Mav is already there on their couch. Jake doesn't even get the full explanation until that night, just a quick, "Ice passed away overnight."

There's only their three youngest living with them at the time — their 18-year-old daughter who attends UC San Diego, and their 15-year-old son who is still in high school, and their 7-year-old daughter — so Mav takes one of the vacant bedrooms.

The first few nights, Bradley sleeps in the same bed with him. Neither of them looks like they get much sleep. They don't really eat, either, just drink coffee and nibble on the crackers.

The kids start coming back home, and their oldest helps Jake arrange most of the things for the funeral, at least for the first few days. Mav is... numb, not really there, and Jake understands — he would, too, if he woke up one day and his husband died in his sleep next to him. Bradley is silent, mostly, the way he usually rambles to fill out the silence, the way he hums, the way he sings at any given time when there are no words spoken, it's all gone and Jake doesn't know how to fill out the silence either, how to ask, how to make it better without asking.

Bradley doesn't cry, or at least not the way he knows Mav does — he can see Mav's red eyes every morning — but there's something empty in his gaze, in the way his eyes follow Mav and in the way he melts whenever Mav is around, always close, always brushing against him. Mav spaces out a lot, doesn't talk much, doesn't—well, doesn't do much. Every time he tries to help with something, paperwork, the funeral arrangements, the hospital bills, even just sorting out the kids' school leave or Jake's own work leave, he fumbles a bit, not really able to focus on anything for long, and it's like his mind is completely scrambled. Jake doesn't know how to help him — doesn't know if they even can.

The kids, well, did not take it well, as expected. The oldest two try to be brave and help Jake with everything, keep the house going, but their youngest daughter doesn't really understand why her pops isn't back, the middle kids don't understand why now — Ice was in remission, in good health, would go hiking with them once a month, play with them in the backyard, talking about plans for the future with them, nothing that would tell them to expect their pops passing away. Mav and Ice had taken care of all of them for years, while Jake and Bradley were still deployable, and helping out as much as they could. Ice was a huge part of their lives, since the very beginning.

Bradley is certainly not doing any better but one couldn't be able to tell if they didn't know him well enough. He's always been more for packing his feelings into a tight neat box, compartmentalizing until there is too much and it all overflows in some explosive way. His focus is mostly on Mav and the kids, trusting Jake to take care of anything he can't.

Jake can't even ask him how he's doing until the night before the funeral.

Mav tells Bradley he wants to be alone that night and Bradley lands in their bedroom.

He acts normal — checks the kids are in bed, checks on Mav, prepares stuff for breakfast in the morning, has a shower. Only when he sits down in their bed, their dress blues, cleaned and pressed sitting on the hangers hooked up on their wardrobe, right in front of him—only then he freezes, a blank stare still on the uniforms.

Jake sits down next to him on the bed. "Talk to me, Bradley."

"I knew it was going to happen at some point, I just," "I just thought we would have a few more years."

Bradley sleeps curled up on his chest — he sleeps the whole night, soundlessly, and Jake is almost settled.

Almost. Mav is a couple doors down, alone.

Ice's been—had been retired many years now, but he had been high enough in the ranks that the Navy still insists on making a military funeral. Jake tried to take away as much of the flashy bullshit as possible, but there are still things leftover — the sailors with the flag, the flyover. But there's no one who wasn't close with the family at the ceremony, there's no speeches, and no one tries to hand either Mav or Bradley a flag.

The wake has an even smaller amount of people, all packed in their house — Mav hasn't been at his own house since — and thanks to Slider, mostly, and his 'the bastard wouldn't want us to mope around', it's less sad and quiet.

Mav eats two slices of cake, which is the most Jake's seen him eat since, and even laughs at some stories about Ice people are exchanging.

Ice had a good life. A big family. A big happy family that loved him.

But life goes on without him. Jake goes back to work first, then the kids have to go back to school, then Bradley has to back to work. After a couple of days alone at their house, Mav starts bringing up moving back to his own house.

He's not really doing great. He's still quiet, still spaces out more often than not, still forgets himself sometimes, still freezes whenever he tries to say something and the we he uses is one person short. He's—lifeless, for a lack of better word, and seems like he's noticing it now that Bradley isn't with him most of the waking hours.

"That is our home," Mav tells them. "I can't abandon it forever, I'd be abandoning him, too, if I—"

Jake—Jake gets it. He doesn't like it, but he gets it.

Bradley's been fielding off any suggestions of Mav moving out but he's pretty sure that soon Mav is going to pack his stuff and up and leave without asking for permission.

"If he wants to move back home, we can't exactly hold him here. against his will."

"Jake," Bradley says. "I feel like—if we let Mav go back there alone, he's going to die of a broken heart and I won't have either of them anymore."

"Sweetheart—"

"I know it's selfish," he interrupts, "but I can't lose him, too. Not now."

Jake can't make Mav stay with them — so he finds the best solution he can and instead, they all move in with Mav. Hell with it, he's going to try to get everyone to live their lives to the end. They'd done it before, Mav, Ice, Bradley, Jake and their two kids under one roof, when their oldest two were their only two kids.

The two of them and two of their youngest; two of their kids move into their house so they don't have to sell it.

Mav lives on. They try to occupy his mind by throwing their youngest at him — ask him to take her to school, pick her up from school, take her to her gymnastics class, do her homework with her, teach her how to play piano. The other kids pick up on it, too, and their high schoolers would wrap Mav into doing math workbooks with them, or ask him to drive them to their friends' house, and the kids that have moved out ask Mav to go to lunch together or call him to ask him things about car and house repairs that don't exist.

Mav gets brighter every day. Never as bright as before, but no longer so numb.

Their daughter ends up never moving out and so do they.

They all get older but Mav holds up pretty well. He does break his hip when trying to wash the windows, had a limp and terrible back ache ever since, had to stop driving because he can't see shit, had to stop piloting even sooner, and his memory is also shit, but Jake is pretty sure his cholesterol is lower than his own and he has better blood pressure than Bradley. Bradley and Mav are the ones cooking after all, Jake is the one eating all the tasty but not healthiest food, and Mav's life revolves around spoiling his cute great-grandkids and Bradley's is filled with the constant stress of managing Navy's top flying school.

For his ninetieth birthday, Mav flies a fighter jet as a passenger, the oldest person to ever do that — his youngest granddaughter is the one to take him up in the air, a junior grade lieutenant herself. They have a birthday party held at their house, Mav falls asleep in the armchair, Bradley makes fun of him and promptly falls asleep on the couch, too. Jake loves them both so much and still kind of can't believe he has this — house full of grown-up kids and grandkids of his own, his graying husband of over thirty years, his father-in-law coming to an age he wanted to see his mother at.

They're cleaning up, their two daughters who still don't have kids and didn't need to go home helping, and Mav tells them he's going to get some fresh air on their veranda. "I've got a terrible headache," is all he says.

Half an hour passes, they've packed all the clean and dirty dishes, and Bradley huffs to himself. "He fell asleep on the bench again, didn't he," and goes outside.

Bradley shouts for him in less than a minute. The ambulance is there in eight. Within the half-hour and a CT scan in the hospital, the neurologist tells them Mav is too far gone to survive the day. Within six hours, every single person from their family has come to say goodbye. When they pass the seven hours mark, Jake stands up from the plastic chair behind Bradley — he's not about to tell Bradley he should rest, but he's been holding Mav's hand since the minute they admitted Mav to the ward and hasn't eaten or drunk anything all day. He tells him he'll go grab them a coffee and bagels and gets a little nod and a smile.

Jake comes back twenty minutes later and Bradley doesn't even look up from where he's gripping Mav's hand.

"Can you get the nurse for me?"

#this isn't really about Ice's death or Mav's death #but more about getting old in a family #sorry in advance #dunno if this made sense #idk felt some way when i wrote it #my nan had a stroke around that time and as a person who works mainly with critical stroke patients it hit hard #i didn't get into detail here but stroke patient at the end of their lives are very emotional sight for relatives #icemav #hangster #angst #pete maverick mitchell #tom iceman kazansky #bradley rooster bradshaw #jake hangman seresin #tgm #charlie writes #op

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celluloidbroomcloset · 5 months

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Reasons why "Calypso's Birthday" is actually really good, actually.

Stede "Lover of Beauty and Total Bitch" Bonnet dedicating an entire room to Ed's plunder because some of the stuff is "really ugly" and he's tired of tripping on it.

The crew spending a day Feng-shui-ing the ship.

Archie's birthday snake story. I swear to God, I know women like Archie and they always come out with the most unhinged shit and I love them.

Jim and Frenchie asking their dads if they can throw a party, then the dads taking the kids shopping.

Stede inventing yet another incredibly effective pop therapy term: "poison into positivity."

The implication that Ed bought Stede both leather trousers and a shirt with an exceptionally low neckline.

Ed gifting two children lots of money and knives.

WEE JOHN'S CALYPSO LOOK.

Izzy "Toxic Masculinity is My Jam" Hands putting on drag and being cheered for it.

Stolen tub filled with rum punch at Pyrate Pryde.

Ed protecting Stede with his entire body.

Fang hiding during the raid to protect his goat.

Black Pete and Lucius's twenty-four-hour sex marathon engagement celebration.

Ned Low being the best villain since fucking Chauncey.

All the bitchiness. Like, just all of it. So much bitchiness.

Stede charming the fuck out of Hellkat Maggie.

Stede taking care of things with his people positive management style, thus spreading worker unionization across the Caribbean.

"WALK."

Ed barely hesitating to go comfort Stede, who badly needs him, because Ed knows Stede better than anyone.

WALL SLAM. WALL SLAM. WALL SLAM. NOD OF CONSENT.

Hottest 2.5 second kiss in TV history.

And Then They Had Really Good Sex.

It's a great episode, c'mon.

#ofmd #our flag means death #ed teach #edward teach #stede bonnet #ofmd s2 #ned low #calypso's birthday #izzy hands #gentlebeard #blackbonnet #i get that it's a little messy in places and could've been better paced #but it has some fantastic stuff in it #and is very cathartic in so many ways #and it works as a bridge between the relatively lighter episodes and the danger that's looming

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writingwithcolor · 5 months

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[Running Commentary] Zombies are Zombies: Cultural Relativism, Folklore, and Foreign Perspectives

She obviously started getting into media in Japan, and (from my research into Japanese media and culture), Japan’s movies about zombies are mostly comedic, since due to traditional funerary practices the idea of zombies bringing down society is ridiculous to a lot of Japanese people.

Rina: OP, this you? https://www.tofugu.com/japan/japanese-zombies/

Marika: Counterpoint: Parasite Eve. Resident Evil. The Evil Within.

Rina: Literally all the grody horror game franchises that people forget were developed and written by Japanese people because the characters have names like “Leon Kennedy” and “Sebastian Castellanos”

~ ~ ~

Based on the reception we received the last time we did one of these, the Japanese moderator team returns with another running commentary. (They’re easier to answer this way) (Several of Marika’s answers may be troll answers)

Our question today pertains to foreign perspectives on folklore—that is, how people view folklore and stories that aren’t a part of their culture. CW: for anything you’d associate with zombies and a zombie apocalypse, really.

Keep reading for necromancy, horror games, debunking the Sapir-Whorf hypothesis, Hong Kong jiangshi films, Japanese disaster prep videos, and Vietnamese idol pop...

Essentially, in my story there’s an organization who wants to end the world. They think this one woman in particular, a woman of mixed Vietnamese (irreligious, Kinh) and Japanese descent who spent her formative years in Japan, is the person to do it because she’s (for lack of a better term) a necromancer; powers are semi-normal in this world. She prefers not to use her powers overall, but when she does she mostly talks to ghosts and spirits that are giving people issues. She could technically reanimate a corpse but she wouldn’t because she feels that would be morally wrong, not to mention she couldn’t start a zombie apocalypse in the traditional sense (plague, virus, etc.) in the first place.

(Marika (M): Your local public health officials would like to assure necromancers that reviving the dead will not provoke a zombie apocalypse. This is because necromancy is a reanimation technique, and not a pathogenic vector. Assuming that the technique does not release spores, airborne viruses, gasses, or other related physical matter that can affect neighboring corpses in a similar way, there should be no issue. However, necromancers should comply with local regulations w/r to permitting and only raise the dead with the approval of the local municipality and surviving family.)

M: I think it makes sense for most people of E. Asian descent, including Japanese and Vietnamese people, to find it culturally reprehensible to reanimate the dead. I imagine the religious background of your character matters as well. What religion(s) are her family members from? How do they each regard death and the treatment of human remains? Depending on where she grew up, I’m curious on how she got opportunities to practice outside specialized settings like morgues.

M: It’s true, space in Japan is at a premium, even for the dead. You note that most of Japan cremates, but, surely, it must have occurred to you that if there aren’t that many bodies in Japan to raise…she doesn’t exactly have much opportunity to practice with her powers, does she? I yield to our Vietnamese followers on funerary customs in Vietnam, but you may want to better flesh out your world-building logic on how necromancy operates in your story (And maybe distinguish between necromancy v. channeling v. summoning v. exorcisms).

Rina (R): OP, this you? https://www.tofugu.com/japan/japanese-zombies/

M: Counterpoint: Parasite Eve. Resident Evil. The Evil Within.

R: Literally all the grody horror game franchises that people forget were developed and written by Japanese people because the characters have names like “Leon Kennedy” and “Sebastian Castellanos”

R: And yes, the Tofugu article uses Resident Evil and those games to support its theory, with the reason that they are set in the West. But that only suggests that Japanese people consider zombies a Western thing, not that Japanese people consider zombies nonthreatening if they were to exist.

M: Same with vampires - series like Castlevania also use Western/ European settings and not “Vampires in Japan '' because vampires just aren't part of our folklore.

(M: Also, realistically, these series deal with individuals who quickly perish after their bodies are used as hosts for the pathogen in question, rather than the pathogen reanimating a corpse. Although the victims are initially alive, they soon succumb to the pathogen/ parasite and their organic matter then becomes an infectious vector for the disease. It should be noted, infecting ordinary, living humans with viruses to grant them elevated powers, is not only a major violation of consent and defies all recommendations made by the Belmont Report (in addition to a number of articles in the Hague Convention w/r to the use of WMDs) and is unlikely to be approved by any reputable university’s IRB committee. This is why the Umbrella Corporation are naughty, naughty little children, and honestly, someone should have assassinated Wesker for the grant money.)

R: wwww

From what I know Vietnam didn’t have a zombie movie until 2022.

R: Do you mean a domestically produced zombie movie? Because Vietnamese people have most certainly had access to zombie movies for a long time. The Hong Kong film Mr. Vampire (1985) was a gigantic hit in Southeast Asia; you can find a gazillion copies of this movie online with Viet subs, with people commenting on how nostalgic this movie is or how they loved it as a kid.

M: “Didn’t have a [domestic] zombie movie” is not necessarily the same thing as “Would not have made one if the opportunity had arisen.” None of us here are personifications of the Vietnamese film industry, I think it’s safe to say we couldn’t know. Correlation is not causation. It’s important to do your research thoroughly, and not use minor facts to craft a narrative based on your own assumptions.

(R: …Also, I did find a 2017 music video for “Game Over” by the Vietnamese idol Thanh Duy which features… a zombie apocalypse.)

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(R: The MV has a very campy horror aesthetic and zombie backup dancers (which I love, everyone please watch this lol). But the scenes at the beginning and end where people are biting their fingers watching a threatening news report clearly establish that the zombies are considered a threat.)

So at one point, she laughs about the idea and remarks how ridiculous it is to think zombies could end the world. What I’m struggling with are other ways to show her attitude on the issue because I’d assume most non-Japanese readers wouldn’t get why she thinks like that. Are there any other ways to show why she thinks this way, especially ones that might resonate more with a Japanese reader?

R: The problem is this does not resonate in the first place. Your line of thinking is too Sapir-Whorf-adjacent. The Sapir-Whorf hypothesis, otherwise known as linguistic relativity theory, claims that language shapes cognition—that you can’t conceive of something if you can’t express it in your language. This is a very weak theory that you can easily bring evidence against: think of the last time you felt an emotion you had a hard time putting into words; just because you didn’t have the language for it doesn’t mean that you didn’t feel it, nor does it mean that you won’t be able to understand or recognize it if you feel it again. Similarly, it’s not a sound assumption to say that if some kind of subject matter does not exist in a culture, then people of that culture couldn't possibly conceive of it. This excerpt from linguist Laura Bailey sums it up quite well.

M: Just because ghosts may be more culturally relevant doesn’t mean that zombies (or vampires, or whatever) are nonexistent in a Japanese or Vietnamese person’s imagination when it comes to horror and disaster.

R: Really, if anything, Japanese people are much more attuned to how easily a society’s infrastructure can be destroyed by a disruptive force without adequate preparation. Japan is natural disaster central. A Japanese person would know better than anyone that if you aren’t prepared for a zombie epidemic—yeah it’s gonna be bad.

M: Earthquakes, tsunami, typhoon, floods: Japan has robust disaster infrastructure out of necessity. 防災 or bousai, meaning disaster preparedness is a common part of daily life, including drills at workplaces, schools, and community organizations. Local government and community agencies are always looking for ways to make disaster and pandemic preparedness relevant to the public.

M: Might “zombie apocalypse prep as a proxy for disaster prep” be humorous in an ironic, self-deprecating way? Sure, but it’s not like Japanese people are innately different from non-Japanese people. Rather, by being a relatively well-off country practiced at disaster preparation with more experience than most parts of the world with many different types of disasters (and the accompanying infrastructure), it likely would seem more odd to most Japanese people within Japan to not handle a zombie apocalypse rather like might one handle a combination of a WMD/ chemical disaster+pandemic+civil unrest (all of which at least some part of Japan has experienced). Enjoy this very long, slightly dry video on COVID-19 safety procedures and preparedness using the framing device of surviving a zombie apocalypse.

youtube

M: Living in Los Angeles, I’ve often experienced similar tactics. We do a fair amount of advance and rehearsed disaster prep here as well. In elementary school, the first and last days of class were always for packing and unpacking home-made disaster packs, and “zombie apocalypse” simulations have been around since I was in middle school for all kinds of drills, including active shooter drills, like the one shown in this LAT article. The line between “prepper” and “well prepared” really comes down to degree of anxiety and zeal. So, it wouldn’t be just Japanese people who might not be able to resonate with your scene. The same could be said for anyone who lives somewhere with a robust disaster prevention culture.

M: A zombie apocalypse is not “real” in the sense of being a tangible threat that the majority of the world lives in fear of waking up to (At least, for the mental health of most people, I hope so). Rather, zombie apocalypse narratives are compelling to people because of the feelings of vague, existential dread they provoke: of isolation, paranoia, dwindling resources, and a definite end to everything familiar. I encourage you to stop thinking of the way Japanese people and non-Japanese people think about vague, existential dread as incomprehensible to each other. What would you think about zombies if they actually had a chance of existing in your world? That’s probably how most Japanese people would feel about them, too.

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greentrickster · 2 years

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“I’m sorry. For English.” rolls through my head every time I’m reminded of what a freaking nonsense language it is in context of someone else learning or trying to comprehend it.

(Also, this is a really cute, fun comic in general, highly recommended!)

#english language #I'm sorry for english #let's speak english #mary cagle #the creator also has an ongoing absolute banger called Sleepless Domain #it's a magical girl story with some similarities to Madoka in that it's relatively dark #and also that death is Extremely Real and not reserved solely for baddies or side characters #but also the MC is baby and I love her

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aroaceleovaldez · 1 year

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non-exhaustive list of canon powers Nico di Angelo either has shown or is heavily implied to have:

Shadow-travel

Manipulation of shadows/darkness (also possibly use of shadows as a pocket-dimension a la Magicians using the Duat in The Kane Chronicles)

Becoming intangible/shadows

Complete control over skeletons/bones (dead or alive, including summoning, reanimation, and/or changing shape of them) and being able to sense their presence

Summoning, reanimating, commanding, and dispelling the dead/undead (Skeletons, zombies, ghosts, etc & varieties) and being able to sense their presence

Ability to understand/communicate with the dead/undead and potentially other beings of the Underworld

Inherent complete comprehension of Latin

Ability to perceive the usually unperceivable/possibly look upon a deity’s true form without repercussion (at least moreso than the average demigod, though possibly is restricted to chthonic beings) (ex: Tartarus, potentially also interacting with his parents, etc)

Interacting tangibly with ghosts (implied to be a Ghost King thing rather than a Hades/Pluto thing)

Partial or complete immunity to different effects of the Underworld/things within (can consume food/drink of or in the Underworld without repercussions, effects from the Lethe wear off over time instead of being permanent like usual for mortals, etc)

Astral projection/”Walking in dreams”

Dream manipulation and projection (Sending dreams to others, etc.) (presumably includes sharing/projecting dreams with others) alongside inflicting sleep upon others even from a distance.

Illusions

Manipulation of emotions/aura that inflicts specific emotions on others (ex.: radiating fear/death onto enemies)

Projection of emotions and memories onto others (can be so forceful it causes physical damage like a shockwave)

Geokinesis (all forms but also specifically generating black marble) (presumably also specialized control over precious gemstones & non-paper currency)

Temperature manipulation (seemingly only lowering temperature)/creating frost)

Control/manipulation of souls, including living beings (ex: ripping out Bryce Lawrence’s soul)

Perceiving/reading/judging of souls (most likely also a Ghost King thing over Hades/Pluto thing, but possibly both)

Converting living into dead/undead, aka instakill (ex: disintegrating monsters to bone with one touch)

Lowering or manipulation of own vitals (breathing, heart rate, etc)

Death Trance/pseudo-hibernation (possibly also general control over states of consciousness at least for self, in combo with control over vitals & dreams)

Sensing death (impending or when it occurs, sometimes receiving dreams/visions of it occurring)

Able to sense other children of Hades/Pluto (potentially also other chthonic beings in general/able to identify based on sense alone) and also just living beings in general, such as mortals (possibly via souls).

Improved navigation underground/in the Underworld and ability to traverse restricted or normally unnavigable parts of the Underworld

Enhanced strength/abilities when in the Underworld

Inherently unnaturally quiet (possibly able to silence sound on a designated target)

Hiding/shielding self from being perceived (seemingly related to shadows/silence)

#pjo #riordanverse #nico di angelo #long post //#MY BOY IS OP AS FUCK and i love this about him #so many of these are so underutilized #when will Nico get to use his geokinesis again #we only see him make marble once in BoTL and then never again #based on that he should theoretically be able to do everything Hazel can do. which also implies Hazel can do everything he can do #let Hazel summon a skeleton for once and Nico hits somebody with a rock cmon #also i still firmly believe Nico should get to turn invisible #we've seen him become intangible. his dad's notable item is a helm that makes you invisible. let him turn invisible.#but yeah big 3 kids are op. look at nico go. and this is just physical abilities not including stuff like Annabeth being smart #or cabin 7 kids being good at music or whatever #presumably for Nico/Hazel it'd be like a penchant for diplomacy and legality-related things presumably #and i like to hc he has a personal inherent knowledge bank of everyone who has ever died in his lifetime - just details about their deaths #mostly anyways and then like basic facts about who they were/next of kin/etc #so they can tap into that at any time and be like ''hold on lemme look this person/their relatives up real quick''#i usually like to write that as how Nico confirmed what was up with Jason when they first met #he just kind of squinted at Jason and went ''okay. hm. who are you next of kin of? Beryl - OH YOU'RE THALIA'S BROTHER''

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mispelled · 6 months

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Wasn't going to post this because I was just playing around with color and it's messy but I kinda like it so. Old man yaoi be upon ye

#scams stupid fucking arms were almost the death of me. i love the idea but every time i draw it i get frustrated that i have to like #fit all his arms around each other #its trying to find a balance between him looking relatively anatomically correct vs non euclidean #but i will probably never be able to draw scam exactly how he looks in my head. and thats because i dont know what he looks like in my head #mispelled draws #misp draws #dndads #dungeons and daddies #dndads fanart #dndads s2 #scam likely #scam actually #jodie foster dndads #scamster

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cha1cedony · 7 months

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Just thinking about how Frank’s watch that Grant got from Darryl has a little mark etched into its face of the when the dads were supposed to kill Grant and eat his skin 😀👍 Darryl scratched the time into the watch when they jumped off the bus in For Knights.

And now that time is forever on Grant’s wrist: a reminder of how he was supposed to die, how he cheated death, how he was forced to cheat death by killing something else. The watch has been broken for years. Its hands are frozen, and I wonder if that reminds him of Frank’s death or of his own… his childhood that died in that moment. He’s forever that scared little 12 year old blindly swinging an axe too big for his body and hoping to (praying not to) kill something.

#or if it reminds him of Frank… and how Darryl’s childhood died with him #ahem ahemn anyway.#chalcy stuff #dungeons and daddies #dndads #tw violence #tw death #cw violence #cw death #idk how to tag content warnings on Tumblr :( sorry #or if it’s necessary #but better to be safe than sorry ig #I am still new and relatively inactive here okay 😭

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ladystoneboobs · 6 months

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ya ever think about how the lannister sibs all have big secrets kept from each other, like huge life-altering experiences? jaime's is the most obvious, the most talked-about, with the full story of his kingslaying and everything he endured from aerys leading up to it. it's clear enough to me that brienne was the first he opened up to about that, including either sibling. they never asked, but unlike ned stark and the rest deriding him as kingslayer, their lack of curiosity is no offense in itself bc as tywin's other children they would never judge him for turning his cloak purely out of family loyalty. ned's assumption of jaime's motives is directly tied to his judgment of jaime, but it's the judgment that rankles jaime so. choosing your father's life over a king's is hardly the worst crime in itself. how can he explain all the other reasons without prompting when its not just about his crime but all his trauma too? is there any basis for that in his relationship with cersei, who always relied on him for comfort and consolation but seems less adept at providing the same to him? or even with tyrion, his only real male friend for years, but also his baby brother, the one he was meant to protect and take care of, who was only 10 at the time of the kingslaying? even to fully share all with tyrion years later, both adults, could be something of a role reversal, forever shattering tyrion's image of him as the strong invulnerable golden big brother by revealing his own broken inner child. jaime can't break out from those sibling roles and patterns, so neither can ever understand that part of him, never knowing the early life he had at court without either of them with him.

and tyrion, who trusted jaime more than anyone in the world before learning the truth about tysha, still could not confide in him freely even when all that trust was still intact. jaime must have heard some story of what tywin did to tysha to feel the need to confess his lie, but he def didn't hear it straight from tyrion bc imo there's no way he could still think confessing would help anything if he understood how scarred tyrion was by what he witnessed and esp not knowing that tywin ordered him to participate at the end. tyrion could reveal all that to bronn when they barely knew each other but not to his beloved brother, his first and best friend. how can the most abused child explain all his unknown abuse to the golden child, the big brother meant to protect him who couldn't always do so? how does he even begin to reveal the deepest trauma that happened to him when jaime wasn't in the room, esp when the story does start with jaime apparently trying to help him by fixing him up with tysha?

and then there's cersei and all her secrets. she always turned to jaime for consolation, or at least when he knew she needed it, but how many times did he not know? how personally could she confide in him as they grew older and their paths diverged? we know the first big secret was maggy the frog's prophecy, her first big scare, which came on the cusp of puberty, an experience she couldn't share with her twin bc he would prob just laugh and make a joke of it. in their first real scene together, in bran's pov, he mocks lysa's motherly fears and likens her to cersei. ("I think birthing does something to your minds. You are all mad." He laughed.) then he makes light of her marital discord, ("And whose fault is that, sweet sister?"), having no idea of the depth of pain she'd suffered from robert, beyond his infidelities. he later blames her for being robert's queen, not his, only thinking of how she managed to arrange his kg post, that power to forever tie him to her in secret, never grasping her lack of control in marriage, that "a queen is only a woman after all". in her pride it was hard to reveal all she'd suffered as a woman, but she also couldn't rely on jaime's response if he knew of her abuse, knowing he would kill robert and get himself killed too, only making her and their children's lives more precarious. she couldn't trust him to listen about securing the throne before dealing with robert or that as robert's victim it was her right to decide such matters, to choose his fate, not jaime's place to avenge her without her say-so first. all bc they were both too stuck in their idea of jaime as her sword, nothing more, with jaime determined to protect her and tyrion, always a bodyguard before he ever donned a white cloak.

something something tywin did his best to play his children off each other and the most effective thing he did to divide them was by setting jaime up as the golden child and family protector. the designated lannister sword only pointing at threats outside their house. a knight serving his family whose protection was always limited, who could never protect them from the person who first hurt cersei and tyrion and made them who they were at a distance from him, bc ofc he couldn't fight his own father, much less slay him with a sword.

something something maybe the reason that joff+marg+loras was a surer recipe for kingslayer stew than robert+cersei+jaime is all down to that tyrell lack of abusive structure. not that loras cared more about marg, was more willing to kill for her than jaime was to kill robert, but that there wasn't a chance of marg hiding her misery from him if/when her husband abused her in their shared household. it's not like he understood her to the point of mind-reading but when their previous royal marital household involved her bearding for his boyfriend then they prob had a pretty good basis of open communication. in that sense, the lannicest twins with all their sexual and physical intimacy still had less emotional intimacy than the tyrell queen and her kg brother.

#valyrianscrolls #asoiaf meta #jaime lannister #tyrion lannister #cersei lannister #tywin lannister #asoiaf #pride of lions #happy murderous meowmeow monday #who else would save him if not his brother?#golden days and silver nights #margaery tyrell #loras tyrell #some roses have steel thorns #(c)lsb #like i have seen someone wonder if jaime held it against his sibs for not asking more about the kingslaying #when tyrion was literally 10yso may as well ask why the starklings didnt ask ned abt the rebellion and lyanna's death #when your older war vet relative doesnt volunteer info you try not to pry #and we need to talk more abt all jam didnt know abt cers besides her post-robert affairs

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