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eiirisworkshop · 3 years

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The Fanfic Author's Guide to Metatext

(As Used on Ao3) by Eiiri

Also available as a PDF here. This thing is 13,000 words. The PDF is recommended.

Intro: What is Metatext?

Metatext is everything we fanfic authors post along with our story that is not the story itself: title, tags, summary, author's notes, even the rating.

It is how we communicate to potential readers what they're signing themselves up for if they choose to read our story, how we let them make informed decisions regarding which fics they want to read, how we get their interest and, frequently, how they find our story in the first place. A lot of metatext acts as a consent mechanism for readers, it's the informed part of informed consent.

Since most of us who write fanfic also read it, we understand how important this is! But, for the most part, no one ever teaches us how to use metatext; we have to pick it up by osmosis. That makes it hard to learn how to use it well, we all suck at it when we first start out, and some of us may go years without learning particular conventions that seem obvious to others in our community. This creates frustration for everybody.

Enter this guide!

This is meant to be a sort of handbook for fic writers, particularly those of us who post on Archive of Our Own, laying out and explaining the established metatext conventions already in use in our community so we (and our readers!) are all on the same page. It will also provide some best-practices tips.

The point is to give all of us the tools to communicate with our audience as clearly and effectively as possible, so the people who want to read a story like ours can find it and recognize it as what they're looking for, those who don't want to read a story like ours can easily tell it's not their cup of tea and avoid it, nobody gets hurt, and everybody has fun—including us!

Now that we know what we're talking about, let's get on with the guide! The following content sections appear in the order one is expected to provide each kind of metatext when posting a fic on Ao3, but first….

Warning!

This is a guide for all authors on Ao3. As such, it mentions subject matter and kinds of fic that you personally might hate or find disgusting, but which are allowed under the Archive's terms of use. There are no graphic descriptions or harsh language in the guide itself, but it does acknowledge the existence of fic you may find distasteful and explains how to approach metatext for such fics.

Some sexual terminology is used in an academic context.

A note from the author:

This guide reflects the conventions of the English-language fanfiction community circa 2021. Conventions may differ in other language communities, and although many of our conventions have been in place for decades (praise be to our Star Trek loving foremothers) fanfiction now exists primarily in the realm of internet fandom where things tend to change rather quickly, so some conventions in this guide may die out while other new conventions, not covered in this guide, arise.

This is not official or in any way produced by the Archive of Our Own (Ao3), and though some actual site rules are mentioned, it is not a rulebook. Primarily, it is a descriptivist take on how the userbase uses metatext to communicate amongst ourselves, provided in the interest of making that communication easier and more transparent for everyone, especially newer users.

Contents

How To Use This Guide Ratings Archive Warnings Fandom Tags Category Relationship Tags Character Tags Additional Tags Titles Summaries Author's Notes Series and Chapters Parting Thoughts

How To Use This Guide

Well, read it. Or have it read to you.

This isn't a glossary, it's a handbook, and it's structured more like an academic paper or report, but there's lots and lots of examples in it!

Many of these examples are titles of real media and the names of characters from published media, or tags quoted directly from Ao3 complete with punctuation and formatting.

Some examples are more generic and use the names Alex, Max, Sam, Chris, Jamie, and Tori for demonstration purposes. In other generic examples, part of an example tag or phrase may be sectioned off with square brackets to show where in that tag or phrase you would put the appropriate information to complete it. This will look something like “Top [Character A]” where you would fill in a character's name.

This guide presumes that you know the basics of how to use Ao3, at least from the perspective of reading fic. If you don't, much of this guide may be difficult to understand and will be much less helpful to you, though not entirely useless.

Ratings

Most fanfic hosting sites provide ratings systems that work a lot like the ratings on movies and videogames.

Ao3's system has four ratings:

General

Teen

Mature

Explicit

These seem like they should be pretty self-explanatory, and the site's own official info pop-up (accessible by clicking the question mark next to the section prompt) gives brief, straightforward descriptions for each of them.

Even so, many writers have found ourselves staring at that dropdown list, thinking about what we've written, and wondering what's the right freaking rating for this? How do I know if it's appropriate for “general audiences” or if it needs to be teen and up? What's the difference between Mature and Explicit?

The best way to figure it out is often to think about your fic in comparison to mainstream media.

General is your average Disney or Dreamworks movie, Cartoon Network or Nickelodeon shows, video games like Mario, Kirby, and Pokemon.

There may be romance, but no sexual content or discussion. Scary things might happen and people might get hurt, but violence is non-graphic and usually mild. Adults may be shown drinking alcohol or smoking tobacco, and some degree of intoxication may be shown (usually played for laughs and not focused on), but hard drug use is generally not shown or discussed. There is little to no foul language written out and what language there may be is mild, though harsher swears may be implied by narration. There are no explicit F-bombs or slurs.

Teen is more like a Marvel movie, most network television shows (things like The Office, Supernatural, or Grey's Anatomy), video games like Final Fantasy, Five Nights at Freddie's, and The Sims.

There might be some sex and sexual discussion, but nothing explicit is shown—things usually fade to black or are leftimplied. More intense danger, more severe injuries described in greater detail, and a higher level of violence may be present. Substance use may be discussed and intoxication shown, but main characters are unlikely to be shown doing hard drugs. Some swearing and other harsh language may be present, possibly including an F-bomb or two. In longer works, that might mean an F-bomb every few chapters.

Mature is, in American terms, an R-rated movie* like Deadpool, Fifty Shades of Grey, The Exorcist, and Schindler's List; certain shows from premium cable networks or streaming services like Game of Thrones, Shameless, Breaking Bad, and Black Sails; videogames like Bioshock, Assassin's Creed, Grand Theft Auto, and The Witcher.

Sex may be shown and it might be fairly explicit, but it's not as detailed or graphic or as much the focus of the work as it would be if it were porn. Violence, danger, and bodily harm may be significant and fairly graphic. Most drug use is fair game. Swearing and harsh language may be extensive.

Explicit is, well, extremely explicit. This is full on porn, the hardcore horror movies, and snuff films.

Sex is highly detailed and graphic. Violence and injury is highly detailed and graphic. Drug use and its effects may be highly detailed and graphic. Swearing and harsh language may be extreme, including extensive use of violent slurs.

Please note that both Mature and Explicit fics are intended for adult audiences only, but that does not mean a teenaged writer isn't going to produce fics that should be rated M or E. Ratings should reflect the content of the fic, not the age of the author.

Strictly speaking, you don't have to choose any of these ratings; Ao3 has a “Not Rated” option, but for purposes of search results and some other functions, Not Rated fics are treated by the site as Explicit, just in case, which means they end up hidden from a significant portion of potential readers. It really is in your best interest as a writer who presumably wants people to see their stories, to select a rating. It helps readers judge if yours is the kind of story they want right now, too.

Rating a fic is a subjective decision, there is some grey area in between each level. If you're not quite sure where your fic falls, best practice is to go with the more restrictive rating.

*(Equivalent to an Australian M15+ or R18+, Canadian 14A, 18A or 18+, UK 15 or 18, German FSK 16 or FSK 18.)

Warnings

Ao3 uses a set of standard site-wide Archive Warnings to indicate that a work contains subject matter that falls into one or more of a few categories that some readers are likely to want to avoid. Even when posting elsewhere, it's courteous to include warnings of this sort.

These warnings are:

Graphic Depictions Of Violence

Major Character Death

Rape/Non-Con

Underage

Just like with the ratings, the site provides an info-pop up that explains what each warning is for. They're really exactly what it says on the tin: detailed descriptions of violence, injury, and gore; the death of a character central to canon or tothe story being told; non-consensual sex i.e. rape; and depictions of underage sex, which the site defines as under the age of 18 for humans—Ao3 doesn't care if your local age of consent or majority is lower than that.

In addition to the four standard warnings above, the warnings section has two other choices:

No Archive Warnings Apply

Choose Not To Use Archive Warnings

These do not mean the same thing and cannot be used interchangeably. “No Archive Warnings Apply” means that absolutely nothing in your fic falls into any of the four standard warning categories. “Choose Not To Use Archive Warnings” means that you the author are opting out of the warning system; your fic could potentially contain things that fall into any and all of the four standard warning categories.

There's nothing wrong with selecting Choose Not To Use Archive Warnings! It may mean that some readers will avoid your fic because they're not sure it's safe for them, and you might need to use more courtesy tags than you otherwise would (we'll talk about courtesy tags later), but that's okay! Opting out of the warning system can be a way to avoid spoilers,* and is also good for when you're just not sure if what you've written deserves one of the Archive warnings. In that case, the best practice is to select either the warning it might deserve or Choose Not To Use Archive Warnings, then provide additional information in other tags, the summary, or an initial author's note.

Unless you're opting out of using the warning system, select all the warnings that apply to your fic, if any of them do. So if a sixteen year old main character has consensual sex then gets killed in an accident that you've written out in excruciating detail, that fic gets three out of the four standard warnings: Underage, Major Character Death, and Graphic Depictions Of Violence.

*(Fandom etiquette generally favors thorough tagging and warning over avoiding spoilers. It doesn't ruin the experience of a story to have a general sense of what's going to happen. If it did, we wouldn't all keep reading so many “there was only one bed” fics.)

Fandom Tags

What fandom or fandoms is your fic for? You definitely know what you wrote it for, but that doesn't mean it's obvious what to tag it as.

Sometimes, it is obvious! You watched a movie that isn't based on anything, isn't part of a series, and doesn't have any spinoffs, tie-ins or anything else based on it. You wrote a fic set entirely within the world of this movie. You put this movie as the fandom for your fic. Or maybe you read a book and wrote a fic for it, and there is a movie based on the book, but the movie is really different and you definitely didn't use anything that's only in the movie. You put the book as the fandom for your fic.

All too often, though, it's not that clear.

What if you wrote a fic for something where there's a movie based on a book, but the movie's really different, and you've used both things that are only in the movie and things that are only in the book? In that case you either tag your fic as both the movie and the book, or see if the fandom has an “all media types” tag and use that instead of the separate tags. If the fandom doesn't have an “all media types” tag yet, you can make one! Just type it in.

“All media types” fandom tags are also useful for cases where there are lots of inter-related series, like Star Wars; there are several tellings of the story in different media but they're interchangeable or overlap significantly, like The Witcher; or the fandom has about a zillion different versions so it's very hard, even impossible, to say which ones your fic does and doesn't fit, like Batman. Use your best judgement as to whether you need to include a more specific fandom tag such as “Batman (Movies 1989-1997)” alongside the “all media types” fandom tag, but try to avoid including very many. The point of the “all media types” tag is to let you leave off the specific tags for every version.

In a situation where one piece of media has a spinoff, maybe several spinoffs, and you wrote a fic that includes things from more than one of them, you might want use the central work's “& related fandoms” tag. For example, the “Doctor Who & Related Fandoms” tag gets used for fics that include things from a combination of any era of Doctor Who, Torchwood, and The Sarah Jane Adventures.

And don't worry, from the reader-side of the site the broadest fandom tags are prioritized. The results page for an “all media types” or “& related fandoms” search includes works tagged with the more specific sub-tags for that fandom, the browse-by-fandom pages show the broadest tag for each fandom included, and putting a fandom into the search bar presumes the broadest tag for that fandom. A search for “Star Wars - All Media Types” will pull up work that only has a subtag for that fandom, like “The Mandalorian (TV).” You don't have to put every specific fandom subtag for people to find your fic.

If you wrote a fic for something that's an adaptation of an older work—especially an older work that's been adapted a lot, like Sherlock Holmes or The Three Musketeers—it can be hard to know how you should tag it. The best choice is to put the adaptation as the fandom, for instance “Sherlock (TV),” then, if you're also using aspects of the older source work that aren't in the adaptation, also put a broad fandom tag such as “Sherlock Holmes & Related Fandoms.” Do not tag it as being fic for the source work—in our Sherlock example that would be tagging it “Sherlock Holmes - Arthur Conan Doyle”—unless you are crossing over the source work and the adaptation. Otherwise, the specific fandom subtag for the source work ends up clogged with fic for the adaptation, which really is a different thing.

By the same token, fic for the source work shouldn't be tagged as being for the adaptation, or the adaptation's subtag will get clogged.

The same principle applies to fandoms that have been rebooted. Don't tag fic for the reboot as being for the original, or fic for the original as being for the reboot. Don't tag a fic as being for both unless the reboot and original are actually interacting. Use an “& related fandoms” tag for the original if your fic for the reboot includes some aspects of the original that weren't carried over but you haven't quite written a crossover between the two. Good examples of these situations can be seen with “Star Trek: Alternate Original Series (Movies)” vs. “Star Trek: The Original Series,” and “She-Ra and the Princesses of Power (2018)” vs. “She-Ra: Princess Of Power (1985).”

Usually, this kind of mistagging as a related fandom happens when someone writes a fic for something that is or has a reboot, spinoff, or adaptation, but they're only familiar with one of the related pieces of media, and they mistakenly presume the fandoms are the same or interchangeable because they just don't know the difference. It's an honest mistake and it doesn't make you a bad or fake fan to not know, but it can be frustrating for readers who want fic for one thing and find the fandom tag full of fic for something else.

In order to avoid those kinds of issues, best practice is to assume fandoms are not interchangeable no matter how closely related they are, and to default to using a tag pair of the most-specific-possible sub-fandom tag + the broadest possible fandom tag when posting a fic you're not entirely sure about, for instance “Star Trek” and “Star Trek: Enterprise.”

The Marvel megafandom has its own particular tagging hell going on. Really digging into and trying to make sense of that entire situation would require its own guide, but we can go through some general tips.

There is a general “Marvel” fandom tag and tags for both “The Avengers - Ambiguous Fandom” and “The Avengers (Marvel) - All Media Types.” Most of us who write Marvel fic are working with a cherry picked combination of canons from the MCU, various comics runs, both timelines of X-Men movies, and possibly several decades worth of cartoons. That's what these tags are for.

If your cherry picked Marvel fic is more X-Men than Avengers, go for the “X-Men - All Media Types” tag.

If you are primarily working with MCU canon, use the MCU specific tags rather than “all media types” and add specific tags for individual comics runs—like Earth 616 or the Fraction Hawkeye comics—if you know you're lifting particular details from the comics. If you're just filling in gaps in MCU canon with things that are nebulously “from the comics” don't worry about tagging for that, it's accepted standard practice in the fandom at this point, use a broader tag along with your MCU-specific tag if you want to.

Same general idea for primarily movie-verse X-Men fics. Use the movie-specific tags.

If your fic mostly draws from the comics, use the comics tags. If you're focusing on an individual run, show, or movie series rather than an ensemble or large swath of the megafranchise, tag for that and leave off the broader fandom tags.

Try your best to minimize the number of fandom tags on your Marvel work. Ideally, you can get it down to two or three. Even paring it down as much as you can you might still end up with about five. If you're in the double digits, take another look to see if all the fandom tags you've included are really necessary, or if some of them are redundant or only there to represent characters who are in the fic but that the fic doesn't focus on. Many readers tend to search Marvel fics by character or pairing tags, it's more important that you're thorough there. For the fandom tags it's more important that you're clear.

If you write real person fiction, you need to tag it as an RPF fandom. Fic about actors who are in a show together does not belong on the fandom tag for that show. There are separate RPF fandom tags for most shows and film franchises. Much like the adaptation/source and reboot/original situations discussed earlier, a fic should really only be tagged with both a franchise's RPF tag and its main tag if something happens like the actors—or director or writer!—falling into the fictional world or meeting their characters.

Of course, not all RPF is about actors. Most sports have RPF tags, there are RPF tags for politics from around the world and for various historical settings, the fandom tags for bands are generally presumed to be RPF tags, and there is a general Real Person Fiction tag.

In order to simplify things for readers, it's best practice to use the general Real Person Fiction tag in addition to your fandom-specific tag. You may even want to put “RPF” as a courtesy tag in the Additional Tags section, too. This is because Ao3 isn't currently set up to recognize RPF as the special flavor of fic that it is in the same way that the site recognizes crossovers as special, so it can be very difficult to either seek out or avoid RPF since it's scattered across hundreds of different fandom tags.

On the subject of crossovers—they can make fandom tagging even more daunting. Even for a crossover with lots of fandoms involved, though, you just have to follow the same guidelines as to tag a single-fandom work for each fandom in the crossover. The tricky part is figuring out if what you wrote is really a crossover, or just an AU informed by another fandom—we'll talk about that later.

There are some cases where it's really hard to figure out what fandom something belongs to, like if you wrote a fanfic of someone else's fanfic, theirs is an AU and yours is about their OC, not any of the characters from canon. What do you do?! Well, you do not tag it as being a fanfic for the same thing theirs was. Put the title of their fic (or name of their series) as the fandom for your fic, attributed to their Ao3 handle just like any other fandom is attributed to its author. Explain the situation in either the summary or the initial author's note. Also, ask the author's permission before posting something like this.

What if you wrote a story about your totally original D&D character? The fandom is still D&D, you want the “Dungeons & Dragons (Roleplaying Game)” tag.

What if there's not a fandom tag on the Archive yet for what you wrote? Not a problem! You can type in a new one if you're the first person to post something for a particular fandom. Do make sure, though, that the fandom isn't just listed by a different name than you expect. Many works that aren't originally in English—including anime—are listed by their original language title or a direct translation first, and sometimes a franchise or series's official name might not be what you personally call it, for instance many people think of Phillip Pullman's His Dark Materials series as The Golden Compass series, so it's best to double check.

What if you wrote an entirely new original story that's not based on anything? Excellent job, that takes a lot of work, but that probably doesn't belong on Ao3! The Archive is primarily meant as a repository for fannish content, but in a few particular circumstances things we'd consider Original Work may be appropriate content for the Archive as well. Double check the Archive's Terms of Service FAQ and gauge if what you wrote falls under the scope of what is allowed. If what you wrote really doesn't fit here, post it somewhere else or try to get it published if you feel like giving it a shot.

Category

What Ao3 means by category is “does this fic focus on sex or romance, and if so what combination of genders are involved in that sex or romance?”

The category options are:

F/F

F/M

Gen

M/M

Multi

Other

The F/F, F/M, and M/M categories are for stories focused on pairings of two women, a woman and a man, and two men, respectively. These refer to sexual and/or romantic pairings.

The Other category is for stories focused on (sexual and/or romantic) pairings where one or both partners are not strictly male or female, such as nonbinary individuals, people from cultures with gender systems that don't match to the Western man-woman system, and nonhuman characters for whom biological sex works differently or is nonexistent, including aliens, robots, and inanimate objects or abstract concepts. There are some problems with treating nonbinary humans, eldritch tentacle monsters, sexless androids, and wayward container ships as all the same category, but it's the system we currently have to work with. Use Additional Tags to clarify the situation.

Multi is for stories in which several (sexual and/or romantic) relationships are focused on or which focus on relationships with multiple partners, including cases of polyamory, serial monogamy, strings of hookups with different people, and orgies. A fic will also show as “Multi” if you, the author, have selected more than one category for the fic, even if none of those are the Multi category. Realistically, the Archive needs separate “Multiple Categories” and “Poly” options, but for now we have to work with this system in which the two are combined. Use Additional Tags to clarify the situation.

Gen is for stories that do not contain or are not focused on sex or romance. Romance may be present in a gen fic but it's going to be in the background. While rare, there is such a thing as a sexually explicit gen fic—solo masturbation which does not feature fantasizing about another character is explicit gen fic; a doctor character seeing a series of patients with sex-related medical needs following an orgy may qualify if the orgy is not shown and the doctor is being strictly professional—but such fic needs to be rated, otherwise tagged, and explained carefully in the summary and/or author's note.

Much like the warnings section, category is a “select all that apply” situation. Use your best judgement. For a fic about a polyamorous relationship among a group of women, it's entirely appropriate to tag it as both F/F and Multi. A poly fic with a combination of men and women in the relationship could be shown as both M/M and F/M, Multi, or all three. A fic that focuses equally on one brother and his husband and the other brother and his wife should be tagged both M/M and F/M, and could be tagged as Multi but you might decided not to just to be clear that there's no polyamory going on. If you wrote a fic about two characters who are both men in canon, but you wrote one of them as nonbinary, you could tag it M/M, Other, or both depending on what you feel is representative and respectful.

When dealing with trans characters, whether they're trans in canon or you're writing them as such, the category selection should match the character's gender. If there's a character who is a cis woman in canon, but who you're writing as a trans man, you categorize the fic based on his being a man. If there's a character who is a cis man in canon, but whom you're writing as a trans man, he is still a man and the fic should be categorized accordingly. When dealing with nonbinary characters the fic should really be classed as Other though, by convention, fics about characters who are not nonbinary in canon may be classed based on the character's canon gender as well or instead. When dealing with gender swapped characters—i.e. a canonically cis male superhero who you're writing as a cis woman—class the fic using the gender you wrote her with, not the gender he is in canon.

Most of the time, gen fics should not be categorized jointly with anything else because a fic should only be categorized based on the ships it focuses on, and a gen fic should not be focusing on a ship in the first place.*

*(One of the few circumstances in which it might make sense to class a fic as both gen and something else is when writing about Queerplatonic Relationships, but that is a judgement call and depends on the fic.)

Relationship Tags

The thing about relationship tagging that people most frequently misunderstand or just don't know is the difference between “Character A/Character B” and “Character A & Character B.”

Use a “/” for romantic or sexual relationships, such as spouses, people who are dating, hookups, and friends with benefits. Use “&” for platonic or familial relationships, such as friends, siblings, parents with their kids, coworkers, and deeply connected mortal enemies who are not tragically in love.

This is where we get the phrase “slash fic.” Originally, that meant any fic focused on a romantic paring, but since so much of the romantic fic being produced was about pairs of men, “slash fic” came to mean same-sex pairings, especially male same-sex pairings. Back in earlier days of fandom, pre-Ao3 and even pre-internet, there was a convention that when writing out a different-sex pairing, you did so in man/woman order, while same-sex pairings were done top/bottom. Some authors, especially those who have been in the fic community a long time, may still do this, but the convention has not been in consistent, active use for many years, so you don't have to worry about putting the names in the “correct” order. Part of why that died out is we, as a community, have gotten less strict and more nuanced in our understandings of sex and relationships, we're writing non-penetrative sex more than we used to, and we're writing multi-partner relationships and sex more than we used to, so strictly delineating “tops” and “bottoms” has gotten less important and less useful.

The convention currently in use on Ao3 is that the names go in alphabetical order for both “/” and “&” relationships. In most cases, the Archive uses the character's full name instead of a nickname or just a given name, like James "Bucky" Barnes instead of just Bucky or James. We'll talk more about conventions for how to input character names in the Characters section. The Archive will give you suggestions as you type—if one of them fits what you mean but is slightly different from how you were typing it, for instance it's in a different order, please use the tag suggested! Consistency in tags across users helps the site work more smoothly for everybody.

This is really not the place for ship nicknames like Puckleberry, Wolfstar, or Ineffable Wives. Use the characters' names.

Now that you know how to format the relationship tag to say what you mean, you have to figure out what relationships in your fic to tag for.

The answer is you tag the relationships that are important to the story you're telling, the ones you spend time and attention following, building up, and maybe even breaking down. Tagging for a ship is not a promise of a happy ending for that pair; you don't have to limit yourself to tagging only the end-game ships if you're telling a story that's more complicated than “they get together and live happily ever after.” That said, you should generally list the main ship—the one you focus on the most—first on the list, and that will usually be the end-game ship. You should also use Additional Tags, the summary, and author's notes to make it clear to readers if your fic does not end happily for a ship you've tagged. Otherwise readers will assume that a fic tagged as being about a ship will end well for that ship, because that's what usually happens, and they'll end up disappointed and hurt, possibly feeling tricked or lied to, when your fic doesn't end well for that ship

You don't have to, and honestly shouldn't, tag for every single relationship that shows up in your fic at all. A character's brief side fling mentioned in passing, or a relationship between two background characters should not be listed under the Relationship tag section. You can list them in the format “minor Character A/Character C” or “Character C/Character D – mentions of” in the Additional Tags section if you want to, or just tag “Minor or Background Relationship(s)” under either the Relationship tag section or in the Additional Tags section.

There are two main reasons to not tag all those minor relationships. The first is to streamline your tags, which makes them clearer and more readable, and therefore more useful. The second reason is because certain ships are far more common as minor or background relationships than as the focus of a work, so tagging all your non-focus focus ships leads to the tags for these less popular ships getting clogged with stories they appear in, but that are not about them. That is, of course, very frustrating for readers who really want to read stories that focus on these ships.

If your fic contains a major relationship between a canon character and an OC, reader-insert, or self-insert, tag it as such. The archive already has /Original Character, /Reader, /You, and /Me tags for most characters in most fandoms. If such a relationship tag isn't already in use, type it in yourself. There are OC/OC tags, too, some of which specify gender, some of which do not. All the relationship tags that include OCs stack the gender-specific versions of the tags under the nongendered ones. Use these tags as appropriate.

For group relationships, both polycules and multi-person friendships, you “/” or “&” all the names involved in alphabetical order, so Alex/Max/Sam are dating while Chris & Jamie & Tori are best friends. For a poly situation where not everyone is dating each other you should tag it something like “Alex/Max, Alex/Sam” because Alex is dating both Max and Sam, but Max and Sam are not romantically or sexually involved with each other. Use your judgement as to whether you still want to include the Alex/Max/Sam trio tag, and whether you should also use a “Sam & Max” friendship tag.

Generally, romantic “/” type relationships are emphasized over “&” type relationships in fic. It is more important that you tag your “/”s thoroughly and accurately than that you tag your “&”s at all. This is because readers are far more likely to either be looking for or be squicked by particular “/” relationships than they are “&” relationships. You can tag the same pair of characters as both / and & if both their romance and their friendship is important to the story, but a lot of people see this as redundant. If you're writing incest fic, use the / tag for the pair not the & tag and put a courtesy tag for “incest” in the Additional Tags section; this is how readers who do not want to see incestuous relationships avoid that material.

Queerplatonic Relationships, Ambiguous Relationships, Pre-Slash, and “Slash If You Squint” are all frequently listed with both the “/” and “&” forms of the pairing; use your best judgement as to whether one or the other or both is most appropriate for what you've written and clarify the nature of the relationship in your Additional Tags.

Overall, list your “/” tags first, then your “&” tags.

Character Tags

Tagging your characters is a lot like tagging your relationships. Who is your fic about? That's who you put in your character tags.

You don't have to and really should not tag every single background character who shows up for just a moment in the story, for pretty much the same reasons you shouldn't tag background relationships. We don't want to clog less commonly focused on characters' tags with stories they don't feature prominently in.

You do need to tag the characters included in your Relationship tags.

A character study type of fic might only have one character you need to tag for. Romantic one shots frequently only have two. Longfics and fics with big ensemble casts can easily end up with a dozen characters or more who really do deserve to be tagged for.

Put them in order of importance. This doesn't have to be strict hierarchal ranking, you can just arrange them into groups of “main characters,” “major supporting characters,” and “minor supporting characters.” Nobody less than a minor supporting character should be tagged. Even minor supporting characters show up for more than one line.

If everyone in the fic is genuinely at the same level of importance (which does happen, especially with small cast fics), then order doesn't really matter. You can arrange them by order of appearance or alphabetically by name if you want to be particularly neat about it.

Do tag your OCs! Some people love reading about OCs and want to be able to find them; some people can't stand OCs and want to avoid them at all costs; most people are fine with OCs sometimes, but might have to be in the mood for an OC-centric story or only be comfortable with OCs in certain contexts. Regardless, though, Character tags are here to tell readers who the story is about, and that includes new faces. Original Characters are characters and if they're important to the story, they deserve to be tagged for just like canon characters do.

There are tags for “Original Character(s),” “Original Male Character(s),” and “Original Female Character(s).” Use these tags! If you have OCs you're going to be using frequently in different stories, type up a character tag in the form “[OC's Name] – Original Character” and use that in addition to the generic OC tags.

Also tag “Reader,” “You,” or “Me” as a character if you've written a reader- or self-insert.

You can use the “Minor Characters” tag to wrap up everybody, both OC and canon, who doesn't warrant their own character tag. Remember, though, that this tag is also used to refer to minor canon characters who may not have their own official names.

Just like when tagging for relationships, the convention when tagging for characters is to use their full name. The suggestions the Archive gives you as you type will help you use the established way of referring to a given character.

Characters who go by more than one name usually have their two most used names listed together as one tag with the two names separated by a vertical bar like “Andy | Andromache of Scythia.” This also gets used sometimes for characters who have different names in an adaptation than in the source text, or a different name in the English-language localization of a work than in the original language. For character names from both real-world and fictional languages and cultures that put family or surname before the given name—like the real Japanese name Takeuchi Naoko or the made up Bajoran name Kira Nerys—that order is used when tagging, even if you wrote your fic putting the given name first.

Some characters' tags include the fandom they're from in parentheses after their name like “Connor (Detroit: Become Human).” This is mostly characters with ordinary given names like Connor and no canon surname, characters who have the same full name as a character in another fandom, such as Billy Flynn the lawyer from the musical Chicago and Billy Flynn the serial killer played by Tim Curry in Criminal Minds, and characters based on mythological, religious, or historical figures or named for common concepts such as Lucifer, Loki, Amethyst, Death, and Zero that make appearances in multiple fandoms.

Additional Tags

Additional Tags is one of the most complicated, and often the longest, section of metatext we find ourselves providing when we post fic. It's also the one that gives our readers the greatest volume of information.

That, of course, is what makes it so hard for us to do well.

It can help to break down Additional Tags into three main functions of tag: courtesy tags, descriptive tags, and personal tags.

Courtesy tags serve as extensions of the rating and warning systems. They can help clarify the rating, provide more information about the Archive Warnings you've used or chosen not to use, and give additional warnings to tell readers there are things in this fic that may be distasteful, upsetting, or triggering but that the Archive doesn't have a standard warning for.

Descriptive tags give the reader information about who's in this fic, what kind of things happen, what tropes are in play, and what the vibe is, as well as practical information about things like format and tense.

Personal tags tell the readers things about us, the author, our process, our relationship to our fic, and our thoughts at the time of posting.

It doesn't really matter what order you put these tags in, but it is best practice to try to clump them: courtesy tags all together so it's harder for a reader to miss an important one, ship-related info tags together, character-related info tags together, etc.

There are tons and tons of established tags on Ao3, and while it's totally fine, fun, and often necessary to make up your own tags, it's also important to use established tags that fit your fic. For one thing, using established tags makes life easier for the tag wranglers behind the scenes. Using a new tag you just made up that means the same thing as an established tag makes more work for the tag wranglers. We like the tag wranglers, they're all volunteers, and they're largely responsible for the search and sorting features being functional. Be kind to the tag wranglers.

For basically the same reasons, using established tags makes it easier for readers to find your fic. If a reader either searches by a tag or uses filters on another search to “Include” that tag, and you didn't use that tag, your fic will not show up for them even if what you wrote is exactly what they're looking for. Established tags can be searched by exactly the same way as you search by fandom or pairing, your off the cuff tags cannot.

Let's talk about some well-known established tags and common tag types, divvied up by main function.

Courtesy

A lot of courtesy tags are specific warnings like “Dubious Consent,” “Incest,” “Drug Use,” “Extremely Underage,” “Toxic Relationship,” and “Abuse.” Many of these have even more specific versions such as “Recreational Drug Use” and “Nonconsensual Drug Use,” or “Mildly Dubious Consent” and “Extremely Dubious Consent.”

Giving details about what, if any, drugs are used or mentioned, specifying what kinds of violence or bodily harm are discussed or depicted, details about age differences or power-imbalanced relationships between characters who date or have sex, discussion or depictions of suicide, severe or terminal illness, or mental health struggles is useful. It helps give readers a clear sense of what they'll encounter in your fic and decide if they're up for it.

One the most useful courtesy warning tags is “Dead Dove: Do Not Eat” which basically means “there are things in this fic which are really screwed up and may be disturbing, read at your own risk, steer clear if you're not sure.” This tag—like all courtesy warnings, really—is a show of good faith, by using it you are being a responsible, and thoughtful member of the fanfic community by giving readers the power and necessary information to make their own informed decisions about what they are and are not comfortable reading.

Saying to “Heed the tags” is quite self-explanatory and, if used, should be the last or second to last tag so it's easy to spot. Remember, though, that “Heed the tags” isn't useful if your tags aren't thorough and clear.

“Additional Warnings In Author's Note” is one of only things that should ever go after “Heed the tags.” If you use this, your additional warnings need to go in the author's note at the very beginning of the fic, not the one at the end of the first chapter. If your additional warnings write up is going to be very long because it's highly detailed, then it can go at the bottom of the chapter with a note at the beginning indicating that the warnings are at the bottom. Some authors give an abbreviated or vague set of warnings in the initial note, then longer, highly detailed, spoilery warnings in the end note. It's best to make it as simple and straightforward as possible for readers to access warnings.

Tagging with “Dead Dove: Do Not Eat,” “Heed the tags,” or “Additional Warnings In Author's Note” is not a substitute for thorough and appropriate courtesy tagging. These are extra reminders to readers to look closely at the other warnings you've given.

While most courtesy tags are warnings, some are assurances like “No Lesbians Die” or “It's Not As Bad As It Sounds.” A fic tagged for rape or dub-con may get a tag assuring that the consent issues are not between the characters in the main ship; or a fic with a premise that sounds likely to involve lack of consent but actually doesn't may get a tag that it's “NOT rape/non-con.” A tag like “Animal Death” may be immediately followed by a freeform tag assuring that the animal that dies is not the protagonist's beloved horse.

Descriptive

There are a few general kinds of descriptive tags including character-related, ship-related, temporal, relation-to-canon, trope-related, smut details, and technical specifications.

Many character- and ship-related tags simply expand on the Character and Relationship tags we've already talked about. This is usually the place to specify details about OCs and inserts, such as how a reader-insert is gendered.

When it comes to character-related tags, one of the most common types in use on Ao3 and in fandom at large is the bang-path. This is things like werewolf!Alex, trans!Max, top!Sam, kid!Jamie, and captain!Tori. Basically, a bang-path is a way of specifying a version of a character. We've been using this format for decades; it comes from the very first email systems used by universities in the earliest days of internet before the World Wide Web existed. It's especially useful for quickly and concisely explaining the roles of characters in an AU. Nowadays this is also one of the primary conventions for indicating who's top and who's bottom in a ship if that's information you feel the need to establish. The other current convention for indicating top/bottom is as non-bang-path character-related tags in the form “Top [Character A], Bottom [Character B].”

Other common sorts of character tags are things like “[Character A] Needs a Hug,” “Emotionally Constipated [Character B],” and “[Character C] is a Good Dad.”

Some character-related tags don't refer to a particular character by name, but tell readers something about what kinds of characters are in the fic. Usually, this indicates the minority status of characters and may indicate whether or not that minority status is canon, as in “Nonbinary Character,” “Canon Muslim Character,” “Deaf Character,” and “Canon Disabled Character.”

Down here in the tags is the place to put ship nicknames! This is also where to say things like “They're idiots your honor” or indicate that they're “Idiots in Love,” maybe both since “Idiots in Love” is an established searchable tag but “They're idiots your honor” isn't yet. If your fandom has catchphrases related to your ship, put that here if you want to.

If relevant, specify some things about the nature of relationships in your fic such as “Ambiguous Relationship,” “Queerplatonic Relationships,” “Polyamory,” “Friends With Benefits,” “Teacher-Student Relationship,” and so on. Not all fics need tags like these. Use your best judgement whether your current fic does.

Temporal tags indicate when your fic takes place. That can be things like “Pre-Canon” and “Post-Canon,” “Pre-War,” “Post-Captain America: The Winter Soldier,” “1996-1997 NHL season,” “Future Fic,” and so on. These tags may be in reference to temporal landmarks in canon, in the real world, or both depending on what's appropriate.

Some temporal tags do double duty by also being tags about the fic's relationship to canon. The Pre- and Post-Canon tags are like that.

Other relation-to-canon type tags are “Canon Compliant” for fics that fit completely inside the framework of canon without changing or contradicting anything, “Alternate Universe - Canon Divergence” for fics that are compliant up to a certain point in canon, then veer off (maybe because you started writing the fic when the show was on season two but now it's at season four and you're not incorporating everything from the newer seasons, maybe a character died and you refuse to acknowledge that, maybe you just want to explore what might have happened if a particular scene had gone differently), and the various other Alternate Universe tags for everything from coffee shop AUs and updates to modern settings, to realities where everyone is a dragon or no one has their canon superpowers.

The established format for these tags is “Alternate Universe – [type],” but a few have irregular names as well, such as “Wingfic” for AUs in which characters who don't ordinarily have wings are written as having wings.

If you have written an AU, please tag clearly what it is! Make things easy on both the readers who are in the mood to read twenty royalty AUs in a row, the readers who are in the middle of finals week and the thought of their favorite characters suffering through exams in a college AU would destroy the last shred of their sanity but would enjoy watching those characters teach high school, and the readers who really just want to stick to the world of canon right now.

Admittedly, it can get a little confusing what AU tag or tags you need to describe what you've written since most of us have never had a fandom elder sit us down and explain what the AU tags mean. One common mix up is tagging things “Alternate Universe - Modern Setting” when what's meant is “Alternate Universe - Canon Divergence.” The misunderstanding here is usually reading “Alternate Universe - Modern Setting” and thinking it means an alternate version of the canon universe that is set at the same time as the canon universe, but is different in some way. That's not how the tag is meant to be used, though.

The Modern Setting AU tag is specifically for fic set now (at approximately the same time period it was written), for media that's canonically set somewhere that is very much not the present of the real world. This can mean things set in the past (like Jane Austen), the future (like Star Trek), or a fantasy world entirely different from our own (like Lord of the Rings or Avatar: the Last Airbender). Fic for a canon that's set more or less “now” doesn't need the Modern Setting AU tag, even if the world of canon is different from our own. If you're removing those differences by putting fantasy or superhero characters in a world without magic or supersoldier serum, you might want the “Alternate Universe - No Powers” tag instead.

Some of the most fun descriptive tags are trope tags. This includes things like “Mutual Pining,” “Bed Sharing” for when your OTP gets to their hotel room to find There Was Only One Bed, “Fake Dating,” “Angst,” Fluff,” “Hurt/Comfort” and all its variants. Readers love tropes at least as much as we love writing them and want to be able to find their favorites. Everyone also has tropes they don't like and would rather avoid. Tagging them allows your fic to be filtered in and out by what major tropes you've used.

Explicit fics, and sometimes fics with less restrictive ratings, that contain sex usually have tags indicating details about the nature of the sexual encounter(s) portrayed and what sex acts are depicted. These are descriptive tags, but they also do double duty as courtesy tags. This is very much a situation in which tags are a consent mechanism; by thoroughly and clearly tagging your smut you are giving readers the chance to knowingly opt in or out of the experience you've written.

Most of the time, it's pretty easy to do basic tagging for sex acts—you know whether what you wrote shows Vaginal Sex, Anal Sex, or Non-penetrative Sex. You probably know the names for different kinds of Oral Sex you may have included. You might not know what to call Frottage or Intercrural Sex, though, even if you understand the concept and included the act in your fic. Sometimes there are tags with rectangle-square type relationships (all Blow Jobs are Oral Sex, but not all Oral Sex is a Blow Job) and you're not sure if you should tag for both—you probably should. Sometimes there are tags for overlapping, closely related, or very similar acts or kinks and you're not sure which to tag—that one's more of judgement call; do your best to use the tags that most closely describe what you wrote.

Tag for the kinks at play, if any, so readers can find what they're into and avoid what they're not. Tag for what genitalia characters have if it's nonobvious, including if there's Non-Human Genitalia involved. Tag your A/B/O, your Pon Farr, and your Tentacles, including whether it's Consentacles or Tentacle Rape.

Technical specification tags give information about aspects of the fic other than its narrative content. Most things on Ao3 are prose fiction so that's assumed to be the default, so anything else needs to be specified in tags. That includes Poetry, Podfics, things in Script Format, and Art. If it is a podfic, you should tag with the approximate length in minutes (or hours). If a fic is Illustrated (it has both words and visual art) tag for that.

Tag if your fic is a crossover or fusion. The difference, if you're not sure, is that in a crossover, two (or more) entire worlds from different media meet, whereas in a fusion, some aspects of one world, like the cast of characters, are combined with aspects of another, like the setting or magic system.

If the team of paranormal investigators from one show get in contact with the cast of aliens from another show, that's a crossover and you need to have all the media you're drawing from up in the Fandom tags. If you've given the cast of Hamlet physical manifestations of their souls in the form of animal companions like the daemons from His Dark Materials but nothing else from His Dark Materials shows up, that's a fusion, the Fandom tag should be “Hamlet - Shakespeare,” and you need the “Alternate Universe - Daemons” tag. If you've given the members of a boy band elemental magic powers like in Avatar: the Last Airbender, that can be more of a judgement call depending how much from Avatar you've incorporated into your story. If absolutely no characters or specific settings from Avatar show up, it's probably a fusion. Either way, if the boyband exists in real life, it needs to be tagged as RPF.

Tag if your fic is a Reader-Insert or Self-Insert.

You might want to tag for whether your fic is written with POV First, Second, or Third Person, and if it's Past Tense or Present Tense (or Future Tense, though that's extremely uncommon). For POV First Person fics that are not self-inserts, or POV Third Person fics that are written in third person limited, you may want to tag which character's POV is being shown. Almost all POV Second Person fics are reader-insert, so if you've written one that isn't, you should tag for who the “you” is.

A fic is “POV Outsider” if the character through whom the story is being conveyed is outside the situation or not familiar with the characters and context a reader would generally know from canon. The waitress who doesn't know the guy who just sat down in her diner is a monster hunter, and the guy stuck in spaceport because some hotshot captain accidentally locked down the entire space station, are both potential narrators for POV Outsider stories.

Other technical specifications can be tags for things like OCtober and Kinktober or fic bingo games. Tagging something as a Ficlet, One Shot, or Drabble is a technical specification (we're not going to argue right now over what counts as a drabble). Tagging for genre, like Horror or Fantasy, is too.

It's also good to tag accessibility considerations like “Sreenreader Friendly,” but make sure your fic definitely meets the needs of a given kind of accessibility before tagging it.

Personal

Even among personal tags there are established tags! Things like “I'm Sorry,” “The Author Regrets Nothing,” “The Author Regrets Everything,” and “I Wrote This Instead of Sleeping” are common ones. Tags about us and our relationship to the fic, such as “My First Work In This Fandom,” “Author is Not Religious,” and “Trans Porn By A Trans Author,” can help readers gauge what to expect from our fic. Of course, you are not at all obligated to disclose any personal information for any reason when posting your fic.

The “I'm Bad At Tagging” tag is common, but probably overused. Tagging is hard; very few of us have a natural feel for it even with lots of practice. It's not a completely useless tag because it can indicate to readers that you've probably missed some things you should have tagged for, so they should be extra careful; but it can also turn into a crutch, an excuse to not try, and therefore a sign to readers they can't trust your tagging job. Just do your best, and leave off the self depreciation. If you're really concerned about the quality of your tagging, consider putting in an author's note asking readers to let you know if there are any tags you should add.

You might want to let readers know your fic is “Not Beta Read” or, if you're feeling a little cheekier than that, say “No Beta We Die Like Men” or its many fandom-specific variants like the “No Beta We Die Like Robins” frequently found among Batman fics and “No beta we die like Sunset Curve” among Julie and The Phantoms fic. Don't worry, the Archive recognizes all of these as meaning “Not Beta Read.”

The Archive can be inconsistent about whether it stacks specific variants of Additional Tags under the broadest version of the tag like it does with Fandom tags, so best practice is usually to use both. You can double check by trying to search by a variant tag (or clicking on someone else's use of the variant); if the results page says the broader or more common form of the tag, those stack.

There's no such thing as the right number of tags. Some people prefer more tags and more detail, while other people prefer fewer more streamlined tags, and different fics have different things that need to be tagged for. There is, however, such a thing as too many tags. A tagblock that takes up the entire screen, or more, can be unreadable, at which point they are no longer useful. Focus on the main points and don't try to tag for absolutely everything. Use the “Additional Warnings In Author's Note” strategy if your courtesy tags are what's getting out of hand.

Tag for as much as you feel is necessary for readers to find your fic and understand what they're getting into if they decide to open it up.

A little bit of redundancy in tags is not a sin. In fact, slight redundancy is usually preferable to vagueness. Clear communication in tags is a cardinal virtue. Remember that tags serve a purpose, they're primarily a tool for sorting and filtering, and (unlike on some other sites like tumblr) they work, so it's best to keep them informative and try to limit rambling in the tags. Ramble at length in your author's notes instead!

Titles

Picking a title can be one of the most daunting and frustrating parts of posting a fic. Sometimes we just know what to call our fics and it's a beautiful moment. Other times we stare at that little input box for what feels like an eternity.

The good news is there's really no wrong way to select a title. Titles can be long or short, poetic or straight to the point. Song lyrics, idioms, quotes from literature or from the fic itself can be good ways to go.

Single words or phrases with meanings that are representative of the fic can be great. A lot of times these are well known terms or are easy enough to figure out like Midnight or Morning Glow, but if you find yourself using something that not a lot of people know what it means, like Chiaroscuro (an art style that uses heavy shadow and strong contrast between light and dark), Kintsukuroi (the Japanese art of repairing broken pottery with gold), or Clusivity (the grammatical term for differences in who is or isn't included in a group pronoun), you should define the term in either a subtitle, i.e. “Chiaroscuro: A Study In Contrast,” or at the beginning of the summary.

As a courtesy to other writers, especially in small fandoms, you may want to check to make sure there's not already another fic with the same title in the same fandom, but this is not required. In large fandoms, there's no point in even trying. After all, there are only so many puns to be made about the full moon and only so many verses to Hallelujah.

It may be common practice on other platforms to include information such as fandom or ship in the title of a fic, but on Ao3 nothing that is specified by tags belongs in the title unless your title happens to be the same as a tag because, for instance, you've straightforwardly titled your character study of Dean Winchester “Dean Winchester Character Study” and also responsibly tagged it as such.

Summaries

Yes, you really do need to put something down for the summary. It might only need to be a single sentence, but give the readers something to go off of.

The summary is there to serve two purposes: one, to catch the interest of potential readers, give them a taste of what's inside, and make them want to know more; and two, to give you a space to provide information or make comments that don't really fit in the tags but that you want readers to see before they open the fic.

We've already talked some about that second function. When you put an explanation of the title or clarification about tags in the summary, that's the purpose it's serving. You can also put notes to “Heed the tags” or instruct readers that there are additional warnings in the author's note here in the summary, rather than doing so in the tags.

The first function, the actual summarizing, can be very hard for some of us. It's basically the movie trailer for your fic, butwhat are you even supposed to say?

There are two main strategies as to how to approach this: the blurb, and the excerpt. Blurbs are like the synopses you at least used to see on the backs of published books, or the “Storyline” section on an IMDb page. Writing one is a matter of telling your readers who does what, under what circumstances.

Depending on the fic, one sentence can capture the whole thing: “Sam and Alex have sex on a train.” “Tori tries to rob a bank.” “If anybody had mentioned Max's new house was haunted, Jamie wouldn't have agreed to help with the move.”

Sometimes a blurb can be a question! “What happens when you lock a nuclear engineer in a closet with a sewing kit, a tennis ball, and half a bottle of Sprite?”

Of course, plenty of blurbs are more than one sentence. Their length can vary pretty significantly depending on the type and length of fic you're working with and how much detail you're trying to convey, but it shouldn't get to be more than a few short paragraphs. You're not retelling the entire fic here.

An excerpt is a portion of the fic copied out to serve as the summary. This, too, can vary in length from a line or two to several paragraphs, but shouldn't get too long. It should not be an entire scene unless that scene happens to be uncommonly short. It's important to select a portion of the fic that both indicates the who, what, and under what circumstances of the fic and is representative of the overall tone. Excerpts that are nothing but dialogue with no indication of who's talking are almost never a good choice. Portions that are sexually explicit or extremely violent are never ever a good choice—if it deserves content warnings, it belongs inside the fic, not on the results page.

Counterintuitively, some of the best excerpts won't even look like an excerpt to the reader if they don't contain dialogue. They seem like particularly literary blurbs until the reader reaches that part in the fic and realizes they recognize a section of narration.

Some of us have very strong preferences as to whether we write blurbs or use excerpts for our summaries. Some readers have very strong preferences as to which they find useful. Ultimately, there's no accounting for taste, but there are things we can do to limit the frustration for readers who prefer summaries of the opposite kind than we prefer to write, without increasing our own frustration or work load very much. Part of that is understanding what readers dislike about each type so we know what to mitigate.

Blurbs can seem dry, academic, and overly simplified. They don't automatically give the reader a sense of your writing style the way an excerpt does. They can also seem redundant, like they're just rehashing information already given in the tags, so the reader feels like they're being denied any more information without opening the fic.

Excerpts can seem lazy, like you, the author, don't care enough to bother writing a blurb, or pushy like you're telling the reader “just read the fic; I'm not going to give you the information you need to decide if you want to read or not, I'm shoving it in front of you and you just have to read it.” That effect gets worse if your tags aren't very informative or clear about what the plot is, if the excerpt is obviously just the first few lines or paragraphs of the fic, if the except is particularly long, or, worst of all, if all three are true at once.

A lot of the potential problems with blurbs can be minimized by having fun writing them! Make it punchy, give it some character, treat it like part of the story, not just a book report. A fic for a serialized show or podcast, for instance, could have a blurb written in the style of the show's “previously on” or the podcast's intro. Make sure the blurb gives the reader something they can't just get from the tags—like the personality of your writing, important context or characterization, or a sense of the shape of the story—but don't try to skimp on the tags to do it!

Really, the only way to minimize the potential problems with excerpts is to be very mindful in selecting them. Make sure the portion you've chosen conveys the who, what, and under what circumstances and isn't too long. You know the story; what seems clear and obvious from the excerpt to you might not be apparent to someone who doesn't already know what happens, so you might need to ask a friend to double check you.

The absolute best way to provide a summary that works for everybody is to combine both methods. It really isn't that hard to stick a brief excerpt before your blurb, or tack a couple lines of blurb after your excerpt, but it can make a world of difference for how useful and inviting your summary is to a particular reader. The convention for summaries that use both is excerpt first, then blurb.

If you're struggling to figure out a summary, or have been in the habit of not providing one, try not to stress over it. Anything is better than nothing. As long as you've written something for a summary, you've given the reader a little more to help them make their decision. What really isn't helpful, though, is saying “I'm bad at summaries” in your summary. It's a lot like the “I'm Bad At Tagging” tag in that it's unnecessarily self depreciating, frequently comes across as an excuse not to try, and sometimes really is just an excuse. Unlike the “I'm Bad At Tagging” tag, which has the tiny saving grace of warning readers you've probably missed something, saying you're bad at summaries has no utility at all, and may drive away a reader who thought your summary was quite good, but is uncomfortable with the negative attitude reflected by that statement. Summaries are hard. It's okay if you don't like your summary, but it's important for it to be there, and it's important to be kind to yourself about it. You're trying, that's what matters.

Author's Notes

Author's notes are the one place where we, the writers, directly address and initiate contact with our readers. We may also talk to them in the comments section, but that's different because they initiate that interaction while we reply, and comments are mostly one-on-one while in author's notes we're addressing everyone who ever reads our fic.

The very first note on a fic should contain any information, such as warnings or explanations, that a reader needs to see before they get to the body of the story, as well as anything like thanks to your beta, birthday wishes to a character, or general hellos and announcements you want readers to see before they get to the body of the story. On multi-chapter fics, notes at the beginning of chapters serve the same function for that chapter as the initial note on the fic does for the whole story, so you can do things like warn for Self-Harm on the two chapters out of thirty where it comes up, let everyone know your update schedule will be changing, or wish your readers a merry Christmas, if they celebrate it, on the chapter you posted on December 23rd but is set in mid-March.

Notes at the end of a fic or chapter are for things that don't need to be said or are not useful to a reader until after they've read the preceding content, such as translations for that handful of dialogue that's in Vulcan or Portuguese, or any parting greetings or announcements you want to give, like a thanks for reading or a reminder school is starting back so you won't be able to write as much. End notes are the best place to plug your social media to readers if you're inclined to do so, but remember that cannot include payment platforms like Patreon or Ko-fi.

As previously mentioned, warnings can go in end notes but that really should only be done when the warnings are particularly long, such that the length might cause a problem for readers who are already confident in their comfort level and would just want to scroll past the warning description. In that case, the additional warnings need to go in the note at the end of the first chapter, rather than at the end of the fic, if it's a multi-chapter fic; and you need to include an initial note telling readers that warnings/explanations of tags are at the bottom so they know to follow where the Archive tells them to see the end of the chapter/work for “more notes.”

When posting a new work, where the Preface section gives you the option to add notes “at the beginning” or “at the end” or both, if you check both boxes, it means notes at the beginning and end of the entire fic, not the beginning and end of the first chapter. For single-chapter fics this difference doesn't really matter, but for multi-chapter fics it matters a lot. In order to add notes to the beginning or end of the first chapter of a multi-chapter fic you have to first go through the entire process to post the new fic, then go in to Edit, Edit Chapter, and add the notes there.

Series and Chapters

Dealing with Series and Chapters is actually two different issues, but they're closely related and cause some of us mixups, especially when we're new to the site and its systems, so we're going to cover them together.

Series on Ao3 are for collecting up different stories that you've written that are associated with each other in some way. Chapters are for dividing up one story into parts, usually for pacing and to give yourself and your readers a chance to take breaks and breathe, rather than trying to get through the entire thing in a single marathon sitting (not that we won't still do that voluntarily, but it's nice to have rest points built in if we need them).

If your story would be one book if it was officially published, then it should be posted as a single fic—with multiple chapters if it's long or has more than one distinct part, like separate vignettes that all go together. If you later write a sequel to that fic, post it as a new fic and put them together in a series. It's exactly like chapters in a book and books in a series. Another way to think of this structure is like a TV show: different fics in the series are like different seasons of the show, with individual chapters being like episodes.

If you have several fics that all take place in the same AU but really aren't the same story those should go together as a series. If you wrote a story about a superhero team re-cast as school teachers, then wrote another story about different characters in the same school, that's this situation.

Series are also the best way to handle things like prompt games, bingos, or Kinktober, or collect up one shots and drabbles especially if your various fills, entries, and drabbles are for more than one fandom. If you put everything for a prompt game or bingo, or all your drabbles, together as one fic with a different chapter for each story, what ends up happening is that fic gets recognized by the Archive as a crossover when it isn't, so it gets excluded from the results pages for everyone who told the filters to Exclude Crossovers even though one of the stories you wrote is exactly what they're looking for; and that fic ends up with tons and tons of wildly varying and self-contradictory tags because it's actually carrying the tags for several entirely different, possibly unrelated stories, which also means it ends up getting excluded from results pages because, for instance, one out of your thirty-one Kinktober entries is about someone's NoTP.

Dividing these kinds of things up into multiple fic in a series makes it so much easier for readers to find what of your work they actually want to read.

If you've previously posted such things as a single fic, don't worry, it's a really common misunderstanding and there is absolutely nothing stopping you from reposting them separately. You may see traffic on them go up if you do!

Parting Thoughts

Metatext is ultimately all about communication, and in this context effective communication is a matter of responsibility and balance.

Ao3 is our archive. It's designed for us, the writers, to have the freedom to write and share whatever stories we want without having to worry that we'll wake up one day and find our writing has been deleted overnight without warning. That has happened too many times to so many in our community as other fanfic sites have died, been shut down, or caved to threats of legal action. Ao3 is dedicated to defending our legal right to create and share our stories. Part of the deal is that, in exchange for that freedom and protection, we take up the responsibility to communicate to readers what we're writing and who it's appropriate for.

We are each other's readers, and readers who don't write are still part of our community. We have a responsibility as members of this community to be respectful of others in our shared spaces. Ao3 is a shared space. The best way we have to show each other respect is to give one another the information needed to decide if a given fic is something we want to engage with or not, and then, in turn, to not engage with fic that isn't our cup of tea. As long as our fellow writer has been clear about what their fic is, they've done their part of the job. If we decided to look at the fic despite the information given and didn't like what we found, then that's on us.

Because metatext is how we put that vital information about our fics out in the community, it's important that our metatext is clear and easy to parse. The key to that is balance. Striking the balance between putting enough tags to give a complete picture and not putting too many tags that become an unreadable wall; the balance between the urge to be thorough and tag every character and the need to be restrained so those looking for fics actually about a certain character can find them; the balance between using established tags for clarity and ease and making up our own tags for specificity and fun.

Do your best, act in good faith, remember you're communicating with other people behind those usernames and kudos, and, most importantly, have fun with your writing!

#THE GUIDE #metatext #fandom meta #fandom etiquette #Eiiri made this

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1dsongfest · 3 years

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What is 1D Song Fest?

A fest for fics based on One Direction song titles, lyrics, and music videos!

It’s been ten years since 1D released their first album, and what better way to celebrate than with a fest?! With almost a hundred songs to choose from, there are many fics just waiting to be written!

Modded by @larry-hiatus

All the info you need is below!

Rules

Only songs originally recorded by One Direction are allowed. This means:

No solo songs

No covers (the only exception to this is if the fic is based on the music video for One Way or Another)

No songs written by them but recorded by someone else

Songs that are allowed:

Anything off of the five albums

“Extra” songs like Na Na Na or Another World

Leaked/unreleased songs like Just Can’t Let Her Go and Half the World Away

Any of their official music videos

Prompts can be based on a specific lyric, the entire song, or the music video. Here are some examples to give you a better idea of what this means:

Based on the Infinity lyric, “How many nights does it take to count the stars?” Harry and his boyfriend Niall have a tradition of laying under the stars every Saturday of summer and seeing how many constellations they can find.

Based on the music video for Drag Me Down, Liam and Louis are astronauts about to go into space on their first mission.

Based on the song Through the Dark, Zayn helps Harry deal with his recently developed depression.

You can be as creative as you would like when coming up with prompts and writing fics. You can follow the song/video very closely or just use part of it for inspiration. As long as the relationship to the song can be identified, you can come up with whatever you’d like!

Multiple prompts per song are allowed as long as they are different enough. For example, based off of the music video for Night Changes, you could have the prompt, “Harry breaks his arm ice skating and falls in love with the cute paramedic Louis,” as well as, “Zayn takes Liam to the carnival, and Liam tries really hard to win him every prize.”

It would be ideal to stay away from multiple uses of the same idea, so we wouldn’t want two fics based on Liam at the carnival, even if they took a different approach. If you really want to write your own prompt that you think is similar to one that has already been submitted, feel free to message me, and we’ll see what we can do.

You can write any pairing or even no pairing as long as the fic contains at least one of the five boys, Harry, Louis, Liam, Niall, and/or Zayn. Girl Direction, smut, omegaverse, polyamory, and trans characters are all allowed if you wish!

This fest is for people 18+ only. The fics will not be moderated, and any content is allowed to be written as long as it is appropriately tagged on AO3.

The word count minimum is 2k and there is no maximum. You can write multiple fics, but please make sure you can handle the extra load. Co-writing fics is also allowed.

Your fic title does not need to include the song title or lyrics that inspired you, but it can if you want it to!

Having your fic betaed is preferred. Links to beta and Britpicker lists will be posted at a later time.

Please only submit completed fics. If you need to drop out or you would like an extension, please send a message to let me know. I understand that things can happen.

The fest is not anonymous, so feel free to share snippets and other fun WIP posts. Tag @1dsongfest if you want me to share your post!

Communication about the fest will happen on Tumblr instead of email, so keep an eye on your messages after you sign up. You can send asks or private messages with your questions, and I will be happy to answer them for you!

Schedule

November 2 to November 16: Prompt submissions

November 18 (the tenth anniversary of 1D’s first album release!): Author signups open

January 31: Author signups close

March 26: Fics due

March 28: Authors will be told what day their fic will be revealed

March 30: Fics begin posting

Feel free to share this post! I appreciate it :)

#one direction fic fest #one direction #1D #Harry styles #Louis Tomlinson #niall horan #liam payne #Zayn Malik #infopost

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secretagent9 · 2 years

Note

You are in all of the OMORI Ao3 comments section! So tell us! Top 3-5 fics you've read!

oH NO I'VE BEEN FOUND OUT. lol, I wouldn't say that I'm in all of them, but—oh god, don't make me choose between my favorites, I've got way too many agsdhjaklakl

in no particular order (heads up, these are mostly sunnflower fics):

Flower Language by mirror_to_the_past

Follows a delinquentesque Basil as he endures shitty high school life and has an all-around terrible time until he meets Sunny and friends in an alt. universe. Doubles as a fantastic character analysis (and Basil's grandma has such a strong presence in it, too, it's great), but if you've ever read any of mirror's work, you won't be surprised. I always love their characterizations of Basil and Sunny and how they write their relationship!

sunflower seeds in the rear view mirror by andrewwtca

PURE POETRY. Like seriously. Sunny and Basil go on a road trip to try and start over, after the events of canon. Feelings are acknowledged, fears are re-discovered. It's cute and sweet and romantic (when things are going well, which isn't always), and written beautifully! Don't always trust Sunny's POV, though, his head likes messing with him (and us, by extension).

the telltale of a recovering melomaniac by saturdayssundae

This one's less sunnflower-focused than the others, but still great! A pretty grounded take on the events immediately following the true/good end of the game, picking up right where it leaves off at the hospital. Also has one of the best takes on Sunny's mom that I've ever read in any fic, in that she's given a lot of depth and treated as someone who's struggling just as much as Sunny is; their interactions (and attempts at reconnecting as mother and son) are honestly the best parts of it.

Their Time by ShardofHope

Pain. Agony, even. It's real fuckin' dark and heavy, but the premise is too interesting for me not to include it, here, and I've genuinely loved it (though I haven't finished it, just yet). Sunny yeets himself off the hospital roof and dies, but Death comes to him and tells him that he'll give him a second chance at life. Maybe. Probably. First, though, he gets to go to the future and see what all his friends' lives are like, after his death. Spoiler, they're all fucking terrible.

Bloom Later by withereddahlia

A sequel to another fic about Sunny and Basil being roommates in college. Very good, very gay. They're fixing their relationship and getting better, in general, one step at a time (and Basil's recently started accepting his feelings, so all of Sunny's hard work and persistence has finally paid off! WOOHOO!) This one's felt a lot like a tv drama I tune into every other week, to see how much better (or worse) the relationship's gotten; the slowest of slow burns, yet it's kept me invested for so long that I have to praise it, lol. Really, though, it's a wonderful read!

In Which Sunny Is Bad At Naming Things by Prince_Enby

Ok so you said 3-5 fics but I didn't want this to just be The Sunnflower Rec List, so I added an honorable mention. A chatfic that introduced me to chatfics, about the Faraway Friends and all that they get up to together, post-canon. When it isn't fucking hilarious with its dialogue, it's incredibly sweet and wholesome (and the serious moments hit like sacks of bricks when you aren't prepared for them, which is never). If you told me that it was all canon, I'd believe you, because it really feels like it with how spot-on all the characters are.

speaking of "damn this feels canon", there was another one that I wanted to include, a big one by tsukithewolf, but I can't remember its name and don't feel like searching through my ao3 history. it's pretty easy to find, though; a nice, long post-canon fic about the gang making new memories together. definitely give it a read, if you haven't! it gave me some good closure after finishing the game itself.

there're honestly more I could recommend (and I love talking about this stuff), but I'll leave it here for now with this handful, so this doesn't get too long, lol. thanks so much for the ask!

#omori #omori ask #fanfic recommendations #looking at my history now it's funny seeing all these names i can recognize #cause i've seen them floating around tumblr lol

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themurphyzone · 3 years

Text

PatB Oneshot: Crystal Clear

AN: Part of an art trade with @plutonis in honor of her upcoming wedding. She tasked me with writing an introspective piece for a Brinky wedding. The art piece I requested is for the next chapter of Nova, so you’ll see the finished product there.

Prompt given by Pluto: I was wondering if you could do a little fic in which Brain is walking down the aisle on his wedding day, and we hear the thoughts going on in his head. What is he thinking? How is he feeling?

AO3 Link

If Brain had his way, he would’ve taped himself to the table leg with extra strong industrial strength duct tape and remained there for the rest of his life.

But Romy wouldn’t let him attach himself to said table leg, and Wakko already ate the duct tape to prevent him from getting it. All other binding materials, including the shoe strings and gluesticks, had been placed on a shelf mockingly out of his reach.

And since he was already in his wedding dress, he couldn’t even climb the shelf to retrieve the necessary materials.

“Dad, you’re killing the glarb,” Romy complained as he pried Brain from the table leg.

“Unhand me at once or so help me, Roman Numeral One!” Brain shouted, trying to break free from Romy’s grip, but it seemed their son had inherited Pinky’s unusual strength.

Wakko wasn’t any help either. He just watched the spectacle from his perch on the dresser, chomping on a platter of garlic prawns swiped from the catering company. Thankfully, Brain had the foresight to order plenty of garlic prawns for their celebratory dinner.

As soon as Romy’s grip loosened, Brain broke free and reattached himself to the table leg.

Funny, how he wanted this for so long. Yearned for it. And when the time came, even after all the progress he’d made, he was still afraid for reasons he didn’t understand.

It was illogical, he knew. He trusted Pinky more than anyone else, even himself.

But even that wasn’t enough to get him moving again.

“Guess someone’s gotta tell Ma you’re not coming,” Romy sighed.

Brain’s fingers dug into the wooden grooves.

“He’s definitely gonna cry. Probably gonna curl up on the couch and watch daytime soap operas with buckets of triple fudge ice cream or something,” Romy continued.

Sweet, innocent Pinky being heartbroken at his own wedding. Running off and doing who-knows-what, because he could be very unpredictable when he was truly distraught. His simple mind eroding away because of the unhealthy combination of trashy soap operas and ice cream diet.

Brain’s heart clenched uncomfortably at that mental image. With great reluctance, Brain let go of the table leg and marched over to the mirror to smooth out the wrinkles in his wedding dress to keep his hands occupied as he quelled that troublesome idea.

“You’re gonna tell him that Brain’s in here, right?” Wakko asked.

“Sure,” Romy replied.

Wait...everyone knew of his intentions to see this wedding through to the end. And he'd never let the hard work and efforts of their wedding plans go to waste.

It was just a ploy.

Brain took a deep breath. To lose his temper before the ceremony would surely spell catastrophe. He wanted to keep this an emotionally satisfying occasion, for Pinky’s sake.

“Romy, I won’t deny that your tactic was effective. But you will refrain from using my fondness for Pinky against me in the future,” Brain said.

Perhaps Roman Numeral One took after him more than he thought. It was impressive and aggravating at the same time.

"Sorry, Dad." Romy's head dropped as he handed the bouquet to Brain.

Like with Pinky, Brain just didn't have it in him to remain angry once an apology was issued. He transferred the bouquet to one hand and lifted Romy's chin from its downcast position.

"Look alive, Romy. This is a celebration," Brain ordered as he turned back to the mirror. "And Wakko, you're not touching our wedding rings with prawn-stained hands."

Wakko pulled out a kitchen sink from his hammerspace and started washing his hands without removing his gloves. With the soft hum of Happy Birthday in the background, Brain turned back to the mirror and examined himself one more time. They didn’t have long before the ceremony began.

His dress towed the line between simple and extravagant. Ruffles in the right places, but not so many that it would hinder movement. A small hole had been cut to fit his tail, carefully sized so that it was easy to thread the stiff appendage through. His sleeves cut off at the elbow, white fabric giving way to a delicate flower pattern, lending an elegant and dignified quality to the outfit.

It hadn’t been easy obtaining this dress. He’d lost track of how many toy aisles Pinky had dragged him down, and he didn’t want his outfit to come from the toy section of Walmart. Pinky had eventually called Dot for help, and with her connections, she arranged for a fashion designer who specialized in making clothes for dolls to help them out.

And while they eventually put the issue of clothes behind them, they had a fair number of arguments when Brain found a reason to reject all the dresses Pinky suggested. Especially with that gaudy puffed sleeve dress Pinky loved but Brain hated.

“I realize we must’ve been insufferable for the past few months,” Brain said. Planning for a wedding wasn’t anything like planning for world domination, as he learned the hard way. But it was Pinky’s wedding as much as it was his, and after one vehement disagreement, Brain had realized he was pushing out Pinky’s contributions to impose his own.

It wasn’t easy, but he did try to turn over some aspects to Pinky, just to see how he did with them. And Brain didn’t regret that choice, because the results were absolutely wonderful.

“Yeah, you and Ma were ruining my vibes,” Romy gave a lazy smile as Brain nudged him in retaliation.

Romy had said something similar when he’d first run away from home, but mischief had long replaced the anger. Though Brain still didn’t think ventriloquism was a lucrative career, he’d made his peace with Romy’s lifestyle while repairing their relationship. And Romy wasn’t the only one who derived happiness from working with dummies.

“Regardless, we’re grateful that you came,” Brain said.

“Wouldn’t miss it,” Romy shrugged. “Better save your sap for the ceremony though.”

“I’m not being sappy,” Brain muttered out of principle rather than true irritation.

It was 2:55 pm. Five minutes until the ceremony began. He was running out of time.

He quickly fixed his leaf crown and attached veil so that it was less crooked. In years past, he never would’ve been satisfied until a golden crown with embedded jewels rested atop his head. But now he found the leaf crown was worth so much more than gold.

Then he made sure the transparent veil covered his face. The thin fabric didn’t hinder his vision, but he felt like he was looking through a lens.

Everyone would be watching him. He wanted that thin wall of privacy between himself and the onlookers. Seeing outside, but concealing his feelings within.

He didn’t have to. He knew he didn’t. But old habits die hard, it seemed.

The clock chimed three. It was time.

What could go wrong?

“Don’t worry!” Wakko exclaimed as he picked up the purple velvet cushion with their wedding rings. “I didn’t mistake these for tiny Ring Pops this time!”

Brain was a fool. A sentimental, lovestruck, starcrossed, and twitterpated fool.

Wakko brought up the lead as they marched through the twisting hallways of the enormous property they’d rented for their Hawaiian wedding. Surprisingly, coming up with a location for their wedding hadn’t been difficult. After a stressful day of making other arrangements, they’d chosen a scenic, relaxing travel documentary to unwind.

As soon as the documentary showed a beautiful Hawaiian beach at sunset, they both agreed on making Hawaii the destination of choice for both wedding and honeymoon. Brain gripped the flower bouquet tightly, careful not to crush the petals between his fingers. Romy’s hand was on his elbow, light enough to not be intrusive but quick to react so Brain didn’t run into a wall.

He’d assigned Pinky to the task of flower selection, and Pinky had researched the meaning of flowers extensively with an unusual amount of focus. If Pinky had his way, he would’ve gathered one specimen of every flower in the world and brought them to the wedding, though Brain eventually convinced him to narrow his list down to a single digit range.

Brain was only familiar with the rose as a symbol of love, and he recalled the meaning of only two other flowers within their wedding. The rest were completely lost on him. The first was the magnolia, which represented perseverance. As such, a white magnolia stood proudly in his bouquet, nestled among the red roses of passionate love. Pinky had chosen the magnolia for Brain, and insisted Brain choose at least one flower too.

Though Brain didn’t place much stock in what the websites claimed, he just went along with it to humor Pinky. But he’d settled on the colorful freesia, just to thank Pinky for his friendship, faith, and trust for all the years they’d known each other.

Their miniature procession stopped at a glass sliding door that separated them from the rest of the proceedings.

Brain gulped and clutched the bouquet to his chest.

Beyond those doors, the wedding guests mingled with each other on the grass. A gorgeous, azure beach formed the perfect backdrop to the ceremony. White, fluffy clouds dotted the sunny skies, and the beauty was rather foreign to him. He’d spent far too much of his life hiding away in the darkness of a sterile lab.

It seemed the entirety of their Animaniacs coworkers had shown up for the wedding. He was surprised by the turnout, but it seemed that everyone had been clamoring for him and Pinky to tie the knot for years.

And while the usual toon antics were prevalent among the guests, Brain’s attention was drawn to the very front, where Pinky was arranging flowers on Pharfignewton, who’d jumped at the offer of being Pinky’s best mare.

Back then, the sight would’ve incited a feeling he’d come to realize was jealousy. Now he was just grateful that Pinky received some physical affection from someone when Brain couldn’t give it to him.

Wakko opened the screen door, causing a stir among the guests in the back, which caused a ripple effect that spread to the front and prompted everyone to take their seats. Pinky slid off Pharfignewton’s back, bouncing on his toes and craning his neck to see Brain.

Even from this far away, Brain saw Pinky’s bright, goofy smile. It made him regret keeping the veil over his face, cloaking his happiness even from his partner.

“Testing, testing!” Yakko said into the microphone. When he’d been ordained to officiate a wedding, nobody knew for sure. He shuffled through the cards for his opening speech. “Alright, everyone. We’ve all been very impatient for this moment, so no more delays, capiche? Dot, start the music!”

A hush fell across the audience, and even the most rambunctious members of the Animaniacs crew fell silent as a soft piano arrangement of A Whole New World began to play.

Wakko proudly held the cushion with the wedding rings over his head and marched to the front. From the aisle, Mindy reached into her basket and threw pink flower petals into the air, and Buttons held onto her so she didn’t fall out of her seat.

Romy released Brain and followed Wakko. Pinky greeted their son with an enthusiastic hug, and Bunny flashed them a thumbs-up from her seat.

All the attention was on Brain now.

He wasn’t sure if he wanted it.

He wanted to flee inside the house. Tell everyone to go home and they’ll get refunded the costs at a later date. Take Pinky to city hall and sign a document to make their marriage official instead.

The audience whispered.

He saw the worry in Pinky’s eyes, a stunning shade of blue that popped out from the beautiful Hawaiian beach. They were too far from each other to speak normally, but Pinky laid his hand on top of the colorful freesia pinned to his white dress shirt, just over his heart.

Trust me, he was saying.

And Pinky had proven himself worthy of his trust long ago.

Slowly, Brain laid his hand on the magnolia, the centerpiece of his bouquet.

I won’t give up.

Pinky smiled that soft, knowing smile of his. Emboldened by his encouragement, Brain stepped out of the house and onto the white, silky path that had been laid out for him.

He took slow, methodical steps to steel his nerves. This was his reward, and he was allowed to have it.

No more electricity, no more fear of rejection.

The happiness of having someone by his side. The sorrow when they were separated either by force or by choice. The surprise of receiving gifts from Pinky when he’d done nothing to deserve them. The guilt that came from upsetting Pinky with morally questionable schemes.

Emotions he’d once derided as frivolous were now precious and dear to him.

All the good, all the bad, and everything in between. And this occasion marked a brand new beginning, a new chapter of their lives that would bring new happiness and surprises. Though they’d be sad, angry, or terrified sometimes, they’d always be together.

That’s what counted most.

The melody of A Whole New World floated gently through the air. An airy tune filled with wonder at a world previously unknown to them.

He and Pinky dueted this song so many times that the lyrics and background instrumentals were permanently etched into his mind.

Only now did he understand what the song was truly about. Leaving behind their defined roles, into a freedom-filled sky. Just the two of them, exploring a huge world together. The burdens of the past and worries of the future left on the ground, and all that mattered was the present.

Being themselves, and experiencing things they’ve never experienced before.

It was terrifying and exhilarating all at once.

He could hardly wait.

Pinky waited for him, taking Brain’s hand in his own. He was absolutely breathtaking up close.

“Narf,” Pinky whispered, and Brain would never tire of that endearingly stupid word. “You did it, Brain.”

“All thanks to you, Pinky,” Brain replied, and Pinky’s tail wagged at the praise.

Together, they walked to that beautiful wedding arch with intertwining pink and blue flowers, stopping in front of Yakko’s podium. Brain gave his bouquet to Romy so he could properly hold Pinky’s hands. Romy gave them a lazy grin, and Pharfignewton lowered her head so Romy could have a good perch. Wakko proudly balanced the cushion on his head, and Dot stood beside her brother, giving him a friendly shove without knocking the wedding rings off.

And Brain realized he was still seeing the world through veiled eyes. Though his vision was unimpeded, he’d barely noticed there was a filter among all his doubts and fears.

He’d kept the veil for a transparent amount of privacy when he walked down the aisle, but now that he was with Pinky…

Well, it just wasn’t necessary anymore.

He brought Pinky’s hands to the veil. Their eyes met, and a silent understanding passed between them.

Then Pinky threw back the veil, and the filter he’d been looking through was completely gone. And Brain saw the...no, he saw his world through fresh eyes.

A bright, happy, silly mouse stood before him, a colorful burst of freesia on his chest, and beautiful sky-blue eyes filled with endless love, promising hope and warmth and companionship forever more.

“You’re so pretty, Brain,” Pinky giggled.

It was the most wonderful sound for his compass, his heart, and his world.

No more tolerating. He fully accepted the undeniable fact of how much he loved Pinky, and Pinky loving him back from this point forward.

Never before had he felt so much happiness, and he was ready for everyone to see it.

Unable to contain himself, Brain leapt into Pinky’s arms and kissed him. Though he heard their audience reacting with shock, it was all just background noise to him. And he’d never been a patient mouse.

Pinky was surprised at first, but his strong arms wrapped around Brain to support him, and he kissed back wonderfully.

Fireworks exploded in Brain’s mind, or maybe the Warners set some off, he didn’t know. But he had to come up for air, and he released the kiss, though it seemed Pinky could keep going for quite some time.

“Technically, you’re supposed to wait until I say ‘you may now kiss the Brain’, but who am I to stop true love?” Yakko grinned.

“Sorry,” the mice chorused, though neither of them regretted the little break in protocol.

The audience burst into cheers, and Yakko led them in a standing ovation for a good five minutes before they all settled down enough for him to start his opening speech.

“Love you, Brain,” Pinky whispered as he put Brain down and took his hands again.

“Love you too, Pinky,” Brain replied, and he couldn’t wipe the smile off his face.

Everything was laid out before them, clear as crystal and bright as day.

End AN: This is cheesy but I don’t care I love it and they’re married now.

The Hawaiian setting is not a reference to the PatB fic Trouble in Paradise, it’s just that the last wedding I went to was in Hawaii and it was so romantic.

3rd time I’ve referenced A Whole New World in these fics. This song is just too perfect for them.

#pinky and the brain #brinky #patb fanfiction #cheesy in a good fluffy way

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flameohotwife · 2 years

Note

Happy FFWF! Pick three of your most cherished fics that you've written and rank them. Why rank them so?

Okay this was hard. For you, friend, I went with only fics rated T and under, so I think my ranking is going to be:

1. Balance and Babies

2. Happiness and Love

3. Love is a Form of Energy

I actually had Noble Predicament in this list but as I was perusing my fics to try and choose the top three I remembered this sweet little fic I wrote as one of the fluff prompts this fall and I had to add it in, so, sorry Noble Predicament (and other fics)!

I think I've talked extensively about my feelings for Balance and Babies, and how it's my love letter to parents who are trying to keep everything together for their families. Someone recently told me about a concept by Nora Roberts that parents are constantly juggling dozens, sometimes hundreds of balls in the air, and that some of them ARE going to drop, but that the key is knowing which balls are made of plastic (and will therefore bounce and can be picked back up later) and which ones are made of glass (which will shatter and can't be fixed), and I thought of (my life, obviously, but also) this fic, and Aang learning all of the things Katara had to think about just to keep their house running day-to-day, and Katara learning all of the things Aang sacrificed and struggled through when he had to work away from his family.

Happiness and Love holds a special place in my heart not just because it has the best kudos:hits ratio of any of my fics, but because as a mixed-race kid myself, I felt strongly about showing all of the care and planning and thought that goes into a mixed-race family, even before the kids are born. Knowing that by committing to someone outside your own race you will inevitably have to sacrifice *part* of your heritage so that you can also embrace your partner's, but also loving them so so much that it doesn't feel so much like a sacrifice as creating something NEW. Especially for Aang and Katara, who have lost SO MUCH in terms of their respective cultures, I feel like this would be a big deal for them. But also I don't buy into the fandom idea that they ONLY placed value in airbending or that they ignored the kids that didn't show the same proclivities as they had. Did these people watch the original show? Aang and Katara would NEVER.

Love is a Form of Energy makes me happy in many ways, because I got to explore the concept of love being reborn, and not just the Air Nomads' love for Aang, but ALSO Kya's love for Katara. I got to explore the origin of them calling each other "Sweetie." I got to do a cute meet-the-family scene. The love these two share means so much to me and it is so much deeper than many in the fandom give them credit for. Reciprocal, respectful, open and honest... these two have it all. And of course they are human and still make mistakes but just... UGH I love them, ok? Hahaha sorry this got long, but thanks for making me go back through some of my less-read fics so I could remind myself of this gem.

#ffwf #northerngoshawk #asks #my writing #kataang #kataang fic #aang #katara #sweeties #cloud family

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eirenical · 3 years

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First Lines Meme

First Lines Meme:

Rules: Make your own post, then list the first lines of your last 20 stories (if you have less than 20, just list them all!). See if there are any patterns. Choose your favourite opening line. Then tag 10 of your favourite authors!

I was tagged by @elenothar and @missfangirll to do this and it's been a while since the last time I did, so let's go. ^_^

(All links are to the respective tumblr posts which have extensive tags and warnings. I’ve tried to note the major warnings, but if you go to the post, then you’ll get everything. ^_^)

"You leave him alone! If you touch even one hair on his head, I'll—!" –Reclamation, LFS x XXC, LFS x Xu Rui’an, GYADL (Rape/Noncon Warning, rated: e)

It started with a tomb, like so many things did. –When is a Curse Not a Curse? When It's a Gift, Wu Xie x Xiaoge, Iron Triangle Feels, TLTR

Wu Xie glanced down at his watch: waterproof, scratch resistant, state of the art, GPS enabled, it had saved his ass on more than one tomb adventure gone wrong. –the stories say more than that, Wu Xie x Xiaoge, DMBJ novels (hints of TLT2 and TLTR), rated: e

“Does he know?” –A Man Obsessed, Grantaire & Javert, Les Mis

"—n-jiaoshou!" –beyond the end of the story, Shen Wei x Zhao Yunlan, Da Qing & Shen Wei & Zhao Yunlan, Guardian (Grievous Bodily Harm warning, podfic available by the immensely talented @flamingwell ^_^)

One month. –Awakening, LFS x XXC, GYADL (Rape/Noncon warning), rated: m

"A-ha!" –Nothing but Filial, Da Qing & Zhao Yunlan, Guardian

Shen Wei lowered his spoon back into his bowl, then slowly pushed the bowl to the side. –Soup Is the Highest Expression of Love... but So Is a Venus Hand Trap In the Right Circumstances, Shen Wei x ZYL, Shen Wei & Ye Zun, Da Qing & Ye Zun, Guardian

"As promised." –To Steal a Jujube, Grim Reaper x Sanchez, Hotel del Luna

Five had never had a family. –Meeting in the Middle, Four & Five, Dark Matter

"Well, I suppose you can give this one points for a mild amount of ingenuity, but still… blue ice cream?" –Love Must Be… Mango?, Fah x OFC, Aon x Boy, Cornetto "Unexpected Love" Commercial

Zhao Yunlan didn't look up at the soft 'click' of the bathroom door opening, busy arranging blankets and pillows on the couch. –The Inherent Intimacy of Walking Barefoot Around Someone Else's Home, Shen Wei x ZYL, Guardian

"…he won't thank you, you know." –This is Not a Shovel Talk, Shen Wei x ZYL, Chen Xingyan & Shen Wei, Guardian

Luo Fusheng had lived much of his adult life in the hours between sunset and sunrise. –Nostalgia, GYADL (Rape/Noncon warning), rated: e

Luo Fusheng matched the head guard’s gaze stare for stare. –Afterlife, LFS x XXC, GYADL, rape/noncon mentions

“Where do you think you’re going?" –Grief, Hong Lan & Lin Ruomeng, GYADL

The guards had left Fusheng his watch, a cruel joke at best when he could no longer trust it. –Obedience, LFS x XXC, GYADL

In the heat of battle, time slows. It dilates, expands, turns back on itself to make way for feats of heroics. –…indefinitely…, LFS x XXC, though mostly gen, GYADL

Jin Ling had never known his father. –Legacies Lost, LWJ x WWX, The Untamed

Ye Zun didn’t look up when a shadow passed by him on the couch. –If You're Going to Lay on a Couch, You need to Protect Your Sensitive Bits... and Resign Yourself to Becoming a Cat Bed, Da Qing & Ye Zun, Shen Wei & Ye Zun, Guardian

Bonus: "Xiaoge, the door!" –WiP, working title: this jadeite is too big, Wu Xie x Xiaoge, Iron Triangle Feels, DMBJ novels/TLTR (there will be a dubcon warning on this one when it goes up)

Discussion under the cut. ^_^

So, I seem to be leaning hard into the "let's just drop you into the middle of some dialogue" thing these days, eh? ;D 9/21 of them seem to start that way. I find that it's a really fun way to just dump people right into the action and get on with it. ^_^

Also noticed a bit of a trend (especially in my Guardian fic) to have titles that are longer than my first lines. XD Oops.

That being said, on the whole, I think my first lines tend to vary. My LAST lines, OTOH, almost all follow a VERY particular pattern: Clause A… Clause B (often very sappy ;D). For example:

Surrounded by the warmth of his friends, and with the world finally, blessedly silent around him… Wu Xie slept. –When is a Curse Not a Curse? When it is a Gift., TLTR

And Wu Xie would keep his silence and let Pangzi tell the tale however he saw fit, because it would make Xiaoge smile, and if it would make Xiaoge smile… then Wu Xie would relish every minute of it. –the stories say more than that, DMBJ novels (hints of TLT2 and TLTR)

You get the idea. XD Sometimes I vary off that, but NOT OFTEN. Even if the punctuation changes up, I tend to keep to the same rhythm. I don't know why that appeals to me so much for ending lines, but there we are. ^_^

As for a favorite from among the 21 up there… it has to be #14 from Nostalgia. It's just… so bittersweet? Melancholic? Atmospheric? I don't know, but it paints a definite mood picture in my head that carries on for the rest of the opening, and I love it. ^_^

How about the rest of the paragraph?

Luo Fusheng had lived much of his adult life in the hours between sunset and sunrise. Mei Gao Mei’s shining brilliance, shipments at the docks, transportation of goods that were just the wrong side of legal; all of these things were best served by a backdrop of darkness. So, he was no stranger to “days” spent mostly under the harsh glare of artificial lights. But even for Fusheng, the unrelenting sameness of lights that were never fully turned off, of the lack of windows to even view the night sky, eventually took their toll. He could no longer tell whether it was day or night, and even meals—simple meals, thoroughly unexciting, and utterly the same from one to the next—were not enough to help him track the passage of time.

OMG, so many people I know who write have already been tagged in this. I’ll try to think of a few of you who haven’t been, or that I at least haven’t seen it, but in the meantime, if you would like to do this, consider yourself tagged, and please tag me in your response so I can come see it!

Tagging: @besanii, @enechelon, @fixaidea, @kholran, @onemuseleft, @dreamer-wisher-liar, @jadedbirch, @porthos4ever, and as mentioned above, anyone else who wants to do this, please do!

#ask meme answers #first lines meme #eirenical writes things

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mightbewriting · 3 years

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So I came to W&H and B&E in an odd way. I'm a long time Dramione fic reader who like many of us doubled down on in 2020 to find comfort in a bananas year. I kept seeing W&H on everyone's rec list, but for whatever reason kept putting it off. Then I heard about the prequel and decided to wait for that to be finished, read it, then do W&H. But once it was finished, I saw you recommended W&H first so I was like okay I'll do that. I struggle with impulse control but am trying to do better so when I saw the audiobook for W&H I was like perfect, I'll listen rather than read that way I won't gobble it up in a day. Ha well that did not work, I listened to the first 3 chapters (at that time those were the only chapters they had recorded) then instantly ran not walked to A03, reread said chapters, then continued on. At Chapter 4 of W&H, I thought hmm maybe I'll read them simultaneously. I continued that way maybe through Chapter 13 of B&E and Chapter 7ish then fully committed to W&H first. I cannot imagine reading these fics in real time because reading them in full, back to back was the most intense glutenous binge and it's taken over my life in the best way. I have been living in your fictional universe for the past two weeks. I started a list of all the parallels and callbacks and eventually had to call it because they are innumerable. I'm awed. In literal awe. Thank you, thank you, thank you.

Your writing - the individual words of your vast vocabulary, the way you string said words together into hilarious, heart breaking, heart stopping, beautiful, and visceral feelings is astounding. It's hard to explain but even good writers (and/or an intriguing plot) sometimes do not create an overall immersive feeling. But the feelings your words evoke are all encompassing and truly universe building. Like it's not just the wording or the plot or the charters but all of it together come to make something even greater than the sum of their parts. Your writing, your universe of W&H, S&S, and B&E live in my mind and heart and in an embarrassing amount of screenshots of passages on my phone and in voice memos to myself as I don't have anyone irl to fan girl with. When I think of your words and the world you built, I'm reminded of a Taylor Swift lyric: "it cut deep to know you, right to the bone". That is how I'd describe your writing's effect on me, but in the best way.

Your brain's capacity to plot, plan, and flawlessly deliver W&H THEN B&E? Idk how you kept all the threads and plot points and moments and timelines in check. My head aches just thinking about how you wrote these stand-alone but also inextricable works of art. Like how does one's brain function in such a level? And it's especially telling in B&E because we knew where we were going but I still gasped, screamed, squealed, giggled, had to put my phone down, clutched it to my heart, fist pumped, stopped half way through just for a minute to breath and take it all in, and overall looked and acted as an utter idiot during each and every chapter because while I knew where we were going I also had no idea! I'm just floored you managed to keep us at the edge of our seats with a prequel? Who does that? You do!

The texts in the final chapter of W&H devastated me, literal chills. I think about that daily. It's exactly what H and we needed. Just like a reminder of what they went through. It reminded me of Chapter 41 of B&E. Like a summary of where they had been and where they are now.

The other thing that rattled in my brain is the motifs of choice and time, life kind of boils down to those two things huh? But choice especially. It's funny because choice is so prominent but at the same time how W&H and B&E give off soulmate vibes even though this is not a soulmate fic (also are the rumors true...?!) because despite time turners, breakups, and lost memories, they always come back together. But more on choice: it's just as Draco says - in a million scenarios he'll always choose her and he feels lucky she chose him just once. But of course with W&H, she does it twice. And she does it in both timelines of B&E, and of course that's the problem when Draco realizes he has not done the same hence heartbreak 1.0. And just god - he wants her to have a choice with the potion, a choice with her memories, and stops the timey wimey madness by realizing he's taking her choice (and in a way H started it by taking away his choice and leaving the first time). And then those parts about how he chose her, she chose him, but they could not chose each other. This motif, these callbacks. I'm flabbergasted. It's just hitting me now that you extend the choice to us as readers - we get to choose whether H get her memories back or not.

Theo in all your Wait and Hope universe, but especially S&S broke me. Blaise asking who is taking care of Theo when he's taking care of everyone else? Theo's literal and figurative demons? Yikes. Those were unpleasant looks in the mirror for me. I'm glad Theo has his Blaise. Where's mine haha? Also just shout to your underrated Blaise. The fact that he might be my favorite of the Slytherians in your stories says a lot since he doesn't say a lot haha. But he packs such a punch in all your works.

Okay, after singing your well deserved praises and fan girling and marveling at your works (god this is so long, I'm so sorry!), at long last my ask. I still cannot get this out of my head: what did Theo mean in Chapter 1 of B&E when he suggests to Draco “I know that. Maybe you could—tell her some of—” some of what? I zeroed in on this as soon as I read it and it's been rattling in my brain ever since.

um. hi? holy shit. i dont know how to process this. i am resisting the impulse to cringe away from the level of praise happening here because i really need to learn how to take a compliment but oh my god? i am not...this is just...wowzers. you are very literally too kind to me. i have melted into a puddle of feelings in my reading chair here.

so, first things first: thank you. these are some of the nicest things i’ve ever heard about my writing and i can guarantee i will come back to this ask when I'm feeling like i suck and need a motivation boost. i can’t deny...it feels really nice to know that at least one person out there caught and appreciated some of the insane attention to detail i forced upon myself lol. so thank you. truly, thank you so much for saying such amazingly kind things that have short circuited my brain!

and im sure my friends at @etl-echo-audiobooks will be over the moon to know that their recording work was such a hit! your trajectory reading these stories is so fun and hilarious and probably the most unique reading experience i’ve heard so far xD

also, please be advised that your analysis on choice in these stories is probably going to live in my head rent free for the rest of my life. i feel seen, you know? you just...picked up what i was putting down and it feels really nice to know that it worked for you!

and ok. your question. that little dash of ambiguity i was planning on leaving open ended. but let it be known i can be plied with compliments. i can’t just *not* give you something in return for such a lovely and kind and thoughtful dose of joy you had absolutely no obligation to give me today.

so, in my mind, after draco’s house arrest ended and before he went abroad for his mastery, he and theo had an extensive (most likely drunken. also blaise was probably there too) night of reflection where they kind of just looked back at their childhoods and the war and the history of blood purity and just sort of went: “what the fuck?” i imagine draco probably confided in theo that when he went abroad, he planned to just try and pretend like none of it mattered, to see if that was really true. and draco probably kept him updated via owl (even though draco did not write enough and theo had feelings about that) so that by the time draco returned and we have theo asking that sort of trailing question, the implication at the end is “what if you told granger some of your realizations about it all?” so...not all that exciting? but there you have it!

in conclusion: thank you! you are too kind! i appreciate your thoughtful commentary SO much! i’m so happy you enjoyed these stories. and i hope the explanation of what theo was going to say wasn’t too underwhelming.

#thegirlwhowatchedeverything #asks #death by kindness #my death #i am dead #oh also yes #they rumors are true #im writing a soulmate story next #i intend to hurt you #you being ALL of you #*evil laughter*

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lamardeuse · 3 years

Text

first line challenge

I was tagged by @oatflatwhite to do this one, here we go! (note: one of the lines has a potentially triggering slur so it’s ***’d out here, but it does appear unredacted in the fic)

rules: list the first lines of your last 20 stories (if you have less than 20, just list them all), see if there are any patterns. choose your favorite opening line. then tag 10 authors!!!

Not seeing a lot of a pattern here except that my first lines largely seem to either fall into “surprise hook” lines or “establishing shot” lines that locate them in time/place/character or all three. (Are there any other kind? IDK I just write what comes out of my brain).

Bases Loaded (9-1-1) - Buck's never told someone he's in love with them before he even kisses them, but then Eddie's not like anyone else.

Tipping Point (9-1-1) - Buck's the only one of the team who doesn't hug him when the whole nightmare is over.

too many heartbeats for one ribcage (9-1-1) - Eddie’s thirteen years old the first time he hears his father call someone a f*****.

Hold Onto Me as We Go (9-1-1) - Eddie’s strategy with Buck, if you can call it that, has always been to tread lightly and let Buck come to him.

The Street’s the Place to Go (9-1-1) - Maddie's fortieth birthday party took Buck and Chim about a month of extensive and secret planning, but it ended up being worth it for the look on her face when she arrived at the LAFD Museum in Hollywood and found a huge crowd of friends and family eager to celebrate with her.

the kiln-blaze in my body (9-1-1) - It's nearly six months before Buck tells anyone.

Transformations (Spies in Disguise) - Lance was beginning to think he was losing his mind.

A Time For Sleep (Good Omens) - Aziraphale doesn't recognise the feeling at first; it begins as a nagging sort of numbness at the base of his skull, spreading rapidly to his limbs.

All Our Troubles Will Be Out of Sight (Merlin) - Up until that point, Merlin had convinced himself he'd been coping fairly well.

A Bar of Soap and a Belt Sander (Night Court) - Harry wasn't sure how he ended up in Dan's apartment, though he was pretty sure he knew why.

Overshare (New Blood) - “Erm,” Stefan said.

Love for Sale (Merlin) - “Oooh, yes, lovely,” Morgana cooed, looking Percival up and down as though he were a particularly well-formed horse.

Auspicious Beginnings (Merlin) - When Arthur awoke, there was a cat staring him in the face.

Rocky Mountain High (Selfie) - Henry's midlife crisis happened when he was twenty-six.

An Honest Man (Die Hard 4) - The sad thing was that John thought he was being subtle.

Something Old, Something New (The Grand Tour) - Gone were the days when the three of them could get bladdered every night of a live tour.

Moonlighting (Brooklyn Nine-Nine) - “Rosa Diaz, I know your secret.”

They’re Playing Our Song (Captain America) - For Steve's twenty-first birthday, Bucky gets him a girl.

Alterations (Merlin) - Merlin stood staring up at the theatre marquee, his heart pounding from a heady mixture of anxiety, terror and exhilaration.

No Time Like the Present (Lewis) - It happens like this, with a sudden thunderclap and a swift, dizzying fall, and Robbie Lewis has always been a little thick about these things, but afterwards he thinks that this is impressively thick even for him.

Tagging whoever I love who would like to do this, you know who you are! Sorry, I’ve always sucked at tagging. <3

#my fic

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wolfstarlibrarian · 4 years

Note

hey legend! your account is basically the reason for my happiness, so thanks lmao. i was wondering if you had any good fics that also featured a lot of jily?

Hello friend! The Librarian is so honored that you like this blog! Thank you for waiting for this list. It was hard to choose just a few, but these are some of the Librarian’s favorite fics that include a good amount of Jily, as well as two previous Jily lists. Happy reading!

Everyone Lives AU: Wolfstar + Jily

Best Friends Crushing: Wolfstar + Jily

Wolfstar + Jily Favorites

Addicted To The Magic - orphaned account Sometimes you meet a stranger on the tube, and the entire course of your love life changes--even if you have no idea who they really are. And sometimes you know exactly who the messy-haired, speccy prat is who keeps showing up at your work, and as much as you try and deny it, he truly is growing on you.

However beautiful you may be by @makerofaqueen Lily has a childhood friend she's never mentioned and now she's trying to pair Sirius up with him. This cute boy, however, seems to be very private and not at all easy to get close to. Not that that's ever stopped Sirius before.

Friends in Rich Places by wannnabesuper Scholarship student Remus Lupin is working too many jobs just to get by. But when ultra rich Sirius Black takes an interest in him at a party, are things about to change? Of course they are; now Remus is working too many jobs and, when he has a bit of spare time, shagging a millionaire.

Tumblr Trash - orphaned account

Padfoot and Moony meet over mutual follows on Tumblr. Remus, the blind student, hires Sirius, the fallen Aristocrat, to be a reader for his classes. They fall in love in separate ways, and fall apart. Then fall together. Their love is almost as ridiculous as they are.

The Things We'd Do For A Coffee Maker by AllThisAndLoveTooWillRuinUs

In which to cover up a lie to Lily, Sirius and Remus have No Choice but to get fake married. “So what you’re saying is, you’re planning to marry Sirius for. . . fun?” “And for a coffee maker, yes.”

The Quiet War by CF_Casper "Let's use love like a knife try to cut through the surface Love can break through the ice when you're fighting a different kind of war” (Sirius and Lily are in a gang. James and Remus run a book shop. Everyone falls in love.)

The Hot Barista by @tonftyhw Remus is a tired, hardworking Starbucks barista, and Sirius is a Hot Topic cashier. Slowly, but surely, the two find themselves falling for each other.

A Tall Drink of Chardonnay by @museinabsentia A one night stand a couple of years ago has Sirius comparing every date to a man he can’t find. That is, until James throws himself an engagement party.

The Great Gryffindor Dating Game (No Money Back, No Guarantee, Accept No Imitations) by @shaggydogstail Sirius likes Remus. Remus likes Sirius. Their friends are supportive. Christmas is coming and romance is in the air. So it should be a simple matter for them to get together, right? Except that maybe their friends are a bit too supportive and that’s where the trouble started. What with the pretend dating, the mistletoe, the sleigh rides and say, what’s in this drink? Oh, and the fairly extensive gambling ring. It’ll take more than goodwill and glitter to sort this one out.

Advent by @coyotesuspect-blog It's December of 1976. The Ministry is more concerned about cracking down on werewolves than it is about disappearing Muggleborns, Remus is a lousy prefect but a decent friend, and James has declared that all Christmas gifts must be "creative" this year. Includes strongly worded letters to the editor, Muggle protest tactics, Quidditch games, and a very temperamental Sirius. Happy Christmas!

Check For the Shivers by @devnoel Remus never expected the first words his Soulmate would say to him to be out of a sappy romance novel. But this was just outrageous.

If you need more recommendations, ask the Librarian!

#wolfstar #jily #remus x sirius #james x lily #remus lupin #james potter

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927roses-and-stuff · 4 years

Text

Miracles in Gotham: Chapter 4: Unwelcome Discoveries (Part 2)

Hey, guys! This fic is inspired by @ozmav’s Maribat AU. Shoutout to @mystery-5-5 for brainstorming ideas with me for this fic.

Woah, updating twice within the same week? It’s like I finally learned how to manage my time!... Not. Honestly this is my stress relief right now because I have two papers due tomorrow and those subjects are not as much fun to write about. On another note, I just finished my midterm and passed! So, yay! Anyways, hope you guys enjoy and have a little bit of luck come your way too.

Btw, after you’re reading this can you guys please tell me if I’m writing too much angst after reading through this chapter??? I am writing what I think would logically happen in this type of scenario, but I also tend to be really pessimistic.

If you want to see more, follow: #miraclesingotham or ask to be added to the tag list.

Tag list: @northernbluetongue @zerotosiki @spicybelladonna @my-name-is-michell @legendaryneckjudgestudent @lokiifriggasonn

First Previous Next Fanfic

By the time Marinette entered the classroom, her mood had lifted considerably from moments before. She sat at her usual seat and prepared her things as the rest of the class filed in. Her mood was slightly disrupted by a disgruntled Lila who roughly swept past her, but otherwise it seemed like today was finally going to be a normal day; well as normal as one could get in Paris, anyway. As the last remaining students settled in, Mme. Bustier walked into the room with a huge stack of papers. She settled them on her desk before addressing everyone.

“Good morning, everyone!”

“Good morning, Mme. Bustier,” the class parroted back in varying degrees of enthusiasm. Mme. Bustier smiled in satisfaction.

“Now before we begin our usual morning exercise, I would like to call up Marinette and Alya to help me distribute these packages for you. I will give you a few minutes to look through it before discussing it further,” she said, as she split the pile of papers in half and handed one half to each girl. Marinette’s eyes bulged. The stack of papers consisted of multiple stacks of paper about twenty pages long each. She and Alya shared a glance before obeying Mme. Bustier’s orders. She started at Chloe and Sabrina’s desk and ended with Rose and Juleka at the back. Then, she returned to her seat, analyzing the stack of papers in front of her.

“Wayne Enterprises Sponsored International Connections Program in Gotham City, USA Information Package and Permission Forms”

After that was a bunch of paragraphs that Marinette skimmed over. The first few pages detailed what the program was for, their accommodations, costs for travel along with what necessary documents were needed, and all sorts of other details that made Marinette dizzy. The next few pages after that outlined the risks specific to Gotham and resources that students and their guardians were strongly recommended to review before even stepping onto Gotham grounds. The pages after that were permission forms asking for the legal guardian’s consent, her personal info, insurance, etc.

Needless to say, the whole class was baffled. In fact, some of them were downright lost, considering they didn’t even know a Gotham City existed in the US. Or what Wayne Enterprises was supposed to be and why they were offered to join this program. Only Max and Alya seemed excited at the prospect of the field trip, judging on the excited murmurs that Marinette could hear. She picked up on the word “vigilantes” from Alya and “greatest detective” from somewhere behind her and suddenly it all made sense. She wasn’t sure if she heard correctly, but she was pretty sure she heard Lila talking in self-assured whispers to the confused people around her. She held in a scoff, before returning her attention to the papers in front of her.

Marinette frowned, closing the package and pushing it away from her. She waited for Mme. Bustier to explain the details more clearly. Unfortunately, Marinette already knew there was no way she could go, at least, not without risking Paris’ safety.

“If you have finished, please bring your attention to me. I will explain everything. Please leave all your questions till the end,” Mme. Bustier said, clapping her hands to get everyone’s attention. “As you may have noticed, this opportunity has been given to us by M. Bruce Wayne of Wayne Enterprises. He has chosen our school as a trial school for a program that he wants to implement next year to help expand student achievement nationally and internationally. As well as to encourage young students like yourselves to make connections with students from other countries. In fact, I believe it was Mayor Bourgeois who sent M. Wayne a glowing recommendation of our class from fundraising events to everyone’s extracurriculars and achievements! I am so proud of all of you.”

At the front, Chloé straightened in her seat and smiled smugly. Beside her, Sabrina was looking from Chloé to the stack of papers in front of her in disbelief. The class was in a similar state of shock, and soon whispers erupted excitedly from most people in the class before Mme. Bustier silenced them all.

Oh, that made sense, Marinette thought. Despite the sense of pride she felt for herself and the class (their hard work deserved some reward after all, especially with all the akumas recently), she knew Mayor Bourgeois was not the type of person to recommend just anyone from the goodness of his heart. He had recommended this class to M. Wayne for Chloé’s own success. Which was a bit of a shame, Marinette thought, since Chloé had more than enough resources to find opportunities for herself. However, she couldn’t help but feel grateful to whatever deity convinced Mayor Bourgeois to include the class, anyway.

“Anyways,” Mme. Bustier said when the class had calmed down. “I expect everyone here to listen to what I have to say and take it to heart.” Mme. Bustier’s voice settled lowered, her tone becoming dangerously low. “This program is a huge opportunity however, Gotham City is full of many risks and I am making it absolutely mandatory for everyone in this room, as well as their legal guardians to use the sources outlined under “Risks to be Aware of While in Gotham City” Section. While M. Wayne has assured the supervisors for the trip as well as M. Damocles that our accommodations will be in Gotham’s financial district, there is still going to be danger; more than what we’re accustomed to in Paris.”

At the end of her spiel, the atmosphere in the room weighed heavy on Marinette. She had never seen Mme. Bustier so strict before, her teal eyes piercing through everybody in the room.

“Um, Mme. Bustier?” Lila spoke and stood up. The class swivelled their attention to her. “I’ve actually been to Gotham City and have met M. Wayne before for a humanitarian project. I’m sure M. Wayne will make sure to do everything to keep us safe.”

“That may be, Lila, but I assure you, these instructions were given to me by M. Wayne himself via email. He will do his best to make sure our trip is as safe as possible, but that means we need to do our part in keeping ourselves safe.”

Blinking owlishly, Lila faltered. “Yes, of course, Mme. Bustier.” She forced a smile. “I was just saying so because it would be an absolute shame for anyone to miss out on such a great opportunity!”

Marinette rolled her eyes. Sure, she thought. That, or she just wanted everyone to know that she knew Bruce Wayne- whoever he was- and be impressed. At least she didn’t claim that she saved Bruce Wayne’s horse or something similar. Or claim to be friends with the vigilantes Alya had been fangirling about earlier.

The rest of the morning was spent going through the rest of the package from how to ensure that everyone had their visa, to what they should bring and how they should behave while they were there. Marinette frowned; there was something off about this trip. She wasn’t sure whether it was the duration of the trip ( which had a minimum of one month, with extra time being granted in case of any future interruptions), or why an American company would choose this specific French class for the trial program instead of a class in say, London, or any other country that spoke English. It seemed that Max was thinking along the same lines as her, because the moment Mme. Bustier finished, his hand shot up in the air.

“Yes, Max?”

“I have a few questions concerning this program. Why is there a minimum allotted time for our stay? Would our parents need to agree to any extension of staying? And how are we supposed to communicate or even understand anything when most of us don’t speak English?”

Mme. Bustier smiled. “Those are all excellent questions. As I have said before, Gotham City is dangerous so there might be trips that are part of the program that will need to be rescheduled or we may need to take a later flight in case anything happens at the airport. Therefore, we need to be aware that our trip may last longer than the required month. Next, while we are there, you will be put in remedial English classes along with any classes you choose to take at Gotham Academy for the duration of our stay. This way, you will have the opportunity to brush up your English skills.”

Alya was quick to stand up and shoot her hand in the air. “Will we be going on any field trips outside of Gotham City? Like Metropolis?”

Mme. Bustier stared at her. “Maybe, but as for now, all details of the trip are included in the itinerary in your packages.”

Alya deflated, slumping in her seat. Marinette turned toward her and whispered, “What’s so special about Metropolis?”

She perked up and whispered excitedly. “It’s the home of Superman, Booster Gold and Blue Beetle!” Marinette had absolutely no clue -nor any real desire to know- who those were. It didn’t seem to matter as Alya rambled on. “And, and, and, it’s also the home to Pulwitzer prize-winning journalist Lois freaking Lane from the Daily Planet. I love her. I think I told Nino once that I would leave him for her (Nino gave an affirmative “uh huh”) if the opportunity ever arose and he said he wouldn’t mind as long as he could be with Superman. But that’s alright because Lois Lane is a badass and I love her; she is a genius-”

“Ahem.” Mme. Bustier coughed. Alya stopped mid-speech and laughed sheepishly. Her voice must have been louder than she realized.

“Sorry Mme. Bustier.”

“No problem, Alya. Just keep your excitement until the end of class.” She smiled softly. “And, I will see if I can mention your love for Lois Lane to M. Wayne.”

The way Alya froze in her seat, her jaw unhinged and wide eyes, Marinette wasn’t sure if she was in normal shock or if Mme. Bustier had actually managed to kill her with words. She chuckled before nudging her side to bring her back to reality. Shaken out of her stupor, Alya thanked Mme. Bustier and sat in her seat. Her smile was record-breakingly wide and she seemed to vibrate in place.

Letting out a giggle, Marinette was ecstatic for her best friend. Sure, she may not know the superheroes she mentioned, and still wasn’t too sure of who Lois Lane was, but Alya looked like she won a million euros and meeting her idol would be a great opportunity. As Alya continued to freak out however, she shared glances between Adrien and Nino in front of her and had to stifle their laughter.

Maybe if Alya did meet Lois Lane and Superman, and Gotham vigilantes, she could share her excitement with Marinette when the class returned to Paris.

The rest of the day had been pretty normal, with the addition of excitement in the air as her class discussed the trip to Gotham. Students from other classes seemed to be split between being jealous of the class for the opportunity, or relieved at the foreseeable absence of what they dubbed as “the akuma class.” Students from her own class huddled together in their small groups, already planning on what they wanted to do, what they thought Gotham would be like, and how they were excited to meet any cute Americans. Marinette couldn’t help but let their excitement affect her as well. Not only was going abroad always a cause for excitement but surely it was a relief to be able to leave Paris in the foreseeable future. It was exhausting being targeted by stupid demonic butterflies and sucking up your feelings like they didn’t exist (Unless you were Lila, then you cried and let everyone worry about your emotional state and any akumas that could come from it, that is). However, Marinette had a feeling that this trip to Gotham would stir a lot of drama within their class, when everyone had the chance to reveal any negative emotions without the consequence of an akuma around.

Well, that was that, she supposed as she went home for the lunch break, the permission forms tucked under her arm. She had been half tempted to chuck them in a bin somewhere, but knew her parents would be pissed if she didn’t tell them. Thus, she entered the bakery and once there was a lull in the orders, asked both of her parents if they could talk.

She led them upstairs in the living room and placed the bundle of papers on the dining room table. Marinette briefly explained the program and let them read through the package carefully. By the time they finished, Marinette only had an hour left of her two hour lunch break.

“So?” She prompted, trying to gauge their reactions.

Her maman and dad exchanged a glance and nodded, before turning back to her.

“You’re definitely going.” Her maman said, putting the package back on the table.

Marinette’s jaw dropped. “Wait, Maman, don’t you need some more time to think about this?” She couldn’t believe it. She should’ve chucked the package in a bin.

Her dad frowned. “Marinette, we don’t like it either, and it’s not...ideal, but we believe it’s for the best if you stay away from Paris for now.”

Marinette’s eyes widened, glancing back and forth between her maman and dad. “What do you mean?”

Her maman sighed. “Ever since we almost got akumatized on the day you were expelled, me and your father have been talking, and well, Paris isn’t safe for you anymore. It hasn’t been for a long time.”

Her dad nodded in agreement. Marinette felt befuddled. She felt like she definitely lost a few brain cells.

“Gotham City isn’t safe either, Maman, Papa. Didn’t you see the risks listed?” Marinette asked, grabbing the package and desperately scouring through the package. This was so not happening; she couldn’t afford to leave Paris.

She heard a sigh coming from her maman, before her hands settled on Marinette’s own. Marinette glanced up to stare at her maman’s cloudy grey gaze. “It’s definitely not ideal, and we wish you were somewhere safer, but I trust that M. Wayne and the school administration would never have allowed this to happen if it was too risky.”

“But-”

“And, “ her dad interjected before Marinette could continue. “If this hadn’t come up, we would’ve sent you away with your grandmère and you would’ve had to pause your schooling and travel around Europe with her until it was safe to come back home.”

“Or,” her maman added, giving Tom a small glare. “We would’ve sent you to Shanghai with your uncle Wang. At least this way, you can continue with your schooling and still be with your friends under the maximum amount of protection.”

Her breathing turned heavy at her words. Her heart was beating faster, was it just her imagination or did it feel like the room was stuffier than before. She didn’t understand. Why now? They had been planning to send her away. She pressed a hand against her chest to try to control her breathing. In through the nose, out through the mouth. It had been a calming trick Master Fu had shown her when she had been at the edge of getting an anxiety attack.

Not for the first time, Marinette wished she could just tell her parents she was Ladybug. Then again, maybe that would’ve motivated them further to get her out of Paris.

No, her maman and papa loved her. They just wanted her to be safe. They weren’t aware she’d been taking care of Paris all this time.

She felt her maman’s warm presence beside her as her papa engulfed them both. She barely registered the apologies her maman whispered as she stroked her hair. She was too busy pushing down all her anxieties.

She couldn’t risk getting akumatized.

Her lunch break had been long over by the time she had calmed down. By then, both her maman and papa had returned to the bakery with promises that they would talk about this tomorrow and that they would call the school to report her absence for the afternoon.

Marinette barely registered them as she trudged up to her bedroom. Then her bathroom. Shower. Dry hair. Change of clothes. Bed.

She didn’t know what to feel. She didn’t notice the kwamis flying towards her and snuggling with her, in her hair and the crook of her neck.

“What do I do?” She asked listlessly.

Tikki floated to her field of vision. “Marinette. It’ll be okay.”

“How?”

Tikki didn’t give an answer. She sighed and sat up. She was going to write in her diary until she read her last entry. Right. Marianne. She sighed. She’d call her and then go on an early patrol of the city.

She didn’t want the helplessness that came with being Marinette.

Taking a long, deep breath, she grabbed her tablet and called Marianne through video chat. Surprisingly, despite her age, Marianne adapted to technology pretty well. She and Master Fu were living somewhere in London, enjoying their retirement together. Marinette liked to keep up with them regularly, since she missed Master Fu, and their present now gave her hope for her own future.

She waited for the screen to load, and smiled widely when Marianne’s face entered the screen. She looked like she had just gotten home; the makeup she was wearing was starting to fade, and her hair was tied in a slightly wet updo bun.

“Marinette! Bonjour! How have you been, darling?” Marinette noticed that she had adopted a slight British accent when she talked. It hadn’t been that long since they last talked, so maybe her and Master Fu had been going out more.

“Bonjour Marianne.” She softly waved her hand. “Everything’s fine actually. How are you and Master Fu?”

Marianne smiled, re-focusing her own screen so Marinette could see her more clearly. “Everything’s been great. Wang has taken to liking massage parlors again. We just visited one yesterday.”

Marinette smiled fondly. She could feel Wayzz’s presence on her shoulder as he listened intently. If anyone had been more devastated than Marinette about Master Fu’s amnesia and departure, it would have been Wayzz. It had taken a long time for him to open up to Marinette and the other kwamis, often leaving the Oolong tea she brewed for him to run cold. Fortunately, he was getting better and opening up more. Their love for Master Fu had been what helped he and Marinette bond together as a new Guardian and kwami.

“I’m glad. It seems like you two are really happy.”

Marianne squinted her eyes; she could feel her gaze through the screen. “Why did you call, Marinette?”

“I, ah, had a question about the Miraculous actually. I was wondering if your time with Master Fu before had given you any insight to them.”

Marianne frowned slightly, rubbing her chin. “I’ve picked up on a few things, but Wang was really secretive. I’ll give it my best shot for you, dear.”

“Thank you! I was wondering if you had any clue as to why the Miracle Box turned into an egg when Master Fu renounced his Guardianship to me?”

Marianne sighed. “I wish I could tell you, but I’m as lost as you are.”

She deflated. Her hands gripped the tablet tighter. She knew there was only a miniscule chance that Marianne would’ve known anything, but a tiny part of her had hoped that luck would be on her side. Exhaling, Marinette thanked her.

On the other side of the screen, Marianne’s frown deepened. As happy as she was with Wang Fu, it was cruel for destiny to hand such a young child the enormous and numerous responsibilities that the Guardian had to bear. She glanced at Wang, who was sleeping on the couch contentedly. She was happy they could now spend the rest of their lives together in peace when most of it had been previously spent in war.

Speaking of war…

“Marinette, darling! I think I might know of someone who can help you!”

Marinette perked up. She had been about to change the subject or close the call, but maybe she had a bit of luck on her side after all.

“Who?”

“During the war, when Wang and I escaped to Paris, we were aided by someone who would become one of our closest friends. When he was recruited to battle in the war, he was very young, so Wang had lent him the Snake Miraculous for its powers of Intuition, at least until the war was over.”

Marinette felt Wayzz stiffen on her shoulder.

“She doesn’t mean…”

“Unfortunately,” Marianne continued. “When he returned home, he had an argument with Wang and almost didn’t return the Miraculous. It was only a month later that he left it on our doorstep. We haven’t heard from him since, but maybe he might know something. He was always a genius and intuitive beyond his years.”

Marinette frowned. “Do you know where he might be now?”

“His name is Alfred Pennyworth. He mentioned once that his family had a tradition of serving a family called the Waynes.”

Marinette’s frown deepened. There was the name Wayne again. Which meant Gotham. It felt like the universe really wanted her to go there. She sighed. At least she’d have an objective while she was there- if she did go in the first place. She smiled again, once she saw Marianne’s worried stare.

“Thank you so much, Marianne. I need to go now and plan what to do. I hope you and Master Fu stay well.”

Marianne smiled. “You too, Marinette. Don’t hesitate to call me for anything, dear.”

She merely nodded, and they both logged off. She set aside her tablet and turned to face Sass, who was already in front of her.

“Tell me everything you know about this Alfred Pennyworth and your time with him, Sass. I need to know if he can help before considering everything.”

The snake kwami merely nodded. “Of course, my Guardian.”

#and of course by universe i mean me #miraclesingotham #mlb x dc #maribat au #maribat #yall im really gonna add trauma to this already traumatized butler huh #i am so sorry #this arc was not supposed to be three chapters long #even i want them to go to gotham already but the set up ugh #ml x dc

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