#Britney spears documentary | Explore Tumblr Posts and Blogs

crazyutubelady · 8 months

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BRITNEY SPEARS 'Insiders' Talking - Meanwhile Britney remains UNBOTHERED

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thebackwoodsbarbi · 1 year

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Watch "NANCY GRACE Interviews BRITNEY SPEARS' Aunt (Jamie's Sister) - TRAPPED: NANCY GRACE INVESTIGATES" on YouTube

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likeafantasy · 2 months

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#britney spears #britney #for the record #documentaries #britneygifs #SHE HASN'T CHANGED #when you want to gif ftr #so you go to a random spot #and this was it

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menalez · 1 year

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when I was a little girl my mom used to buy those magazines and in one of them there was this picture of young Pola Roksa in black and white and I used to stare at it so much my mom joked "why do you stare at it so much, did you fall in love with her?" and I got so embarrassed to be caught in my dykerry aged 8

tbh i would’ve stared myself hdhdhs

#my family never said such things they were just negligent af #any normal parent probably would’ve said to me ‘why do u keep watching Britney Spears videos and her documentary on repeat #.’ but no they didn’t ask me even that!

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emeto-film-critic · 1 year

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Jamie vs Britney: The Father Daughter Trials - 2022

Season 1

E1 ~ E2 - SAFE

#emetophobia #movie review #tv review #emetophobic #emeto film critic #emetophobia warning #emetophobia help #movies #emetophobia warnings #emeto tw #britney spears #jamie spears #trail #documentaries #documentary

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kkecreads · 6 months

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The Woman in Me by Britney Spears

Simon & Schuster Audible Release: October 24, 2023 Listening Length: 5 hours 31 minutes Narrator: Michelle Williams Genre: Biographies & Memoirs KKECReads Overall Rating: ⭐️⭐️⭐️⭐️⭐️ KKECReads Rating for Performance: ⭐️⭐️⭐️⭐️⭐️ KKECReads Rating for Story: ⭐️⭐️⭐️⭐️⭐️ I purchased a copy of this audiobook on Audible, and I leave my review voluntarily. Britney Spears is a multi-platinum,…

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alpha-mag-media · 6 months

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Britney Spears Was ‘Hurt’ Pals Appeared in Documentaries About Her: Book | In Trend Today

Britney Spears Was ‘Hurt’ Pals Appeared in Documentaries About Her: Book Read Full Text or Full Article on MAG NEWS

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#Britney Spears Was ‘Hurt’ Pals Appeared in Documentaries About Her: Book #Celebrities #Money #Motors #Politics #ShowBiz #Sport #Tech #Trends #UK #US #World

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ur-mag · 6 months

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Britney Spears Was ‘Hurt’ Pals Appeared in Documentaries About Her: Book | In Trend Today

Britney Spears Was ‘Hurt’ Pals Appeared in Documentaries About Her: Book Read Full Text or Full Article on MAG NEWS

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#Britney Spears Was ‘Hurt’ Pals Appeared in Documentaries About Her: Book #Celebrities #Money #Motors #Politics #ShowBiz #Sport #Tech #UK #US #World

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suchananewsblog · 1 year

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Britney Spears’ ‘alarming’ post-conservatorship life: ‘Big problems’

It’s her prerogative. On Monday, an explosive trailer was released for an upcoming TV special that will investigate Britney Spears’ life just 1½ years after her conservatorship was lifted. The special, titled “TMZ Investigates: Britney Spears: The Price of Freedom,” reportedly will give viewers an inside look into the 41-year-old pop star’s marriage to Sam Ashgari, a failed intervention, her…

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#britney spears #celebrities #celebrity photos #celebrity social media #documentaries #entertainment #sam asghari #TMZ #TV

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fullaccessdetroit · 2 years

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SOCIETY 1 Reveals Official Music Video for "As I Die”!

SOCIETY 1 Reveals Official Music Video for “As I Die”!

LA Based Industrial Metal band SOCIETY 1 has revealed the official music video for “As I Die.” Written by front-man Matt Zane and late, legendary bassist DV Karloff, “As I Die” is off of the band’s new album, Black Level Six. “The album is in memory of DV ‘Dirt’ Karloff. It is the last album we wrote and recorded together before his passing. The corresponding movie is entitled The Altered Noise.…

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#"As I Die”#Black Level Six #Britney Spears #Documentary #DOPE #DV Karloff #Fear Factory #Industrial Metal #Kelly Clarkson #MATT ZANE #New Album #Official Music Video #Punk #Society 1 #Static X #Steve-O #THE ALTERED NOISE

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thesuperiorrobin · 10 months

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Random Damian head-canon because why not: ~

✮ first of foremost he’s a cat person.

✮ yes he loves animals, even going as far as going vegetarian because he can’t stand the thought of having an anime be slaughter for a meal, he just likes them a tad bit better. He still loves all his pets equally tho.

✮ he uses Dick as inspiration when he draw because dick so flexible. It helps him practice his anatomy better. But if word got out he’ll 100% deny any of it and probably burn the evidence too.

✮ actually does enjoy chick flick movies. He thinks their stupid but they draw him in with the conflict.

✮ Likes horror/ thriller movies. Is the type to watch them by himself in his room, in the dark with a bowl of popcorn. But some of the chilling music that’s played right before something happens give him goosebumps.

✮Speaking of horror/thriller, I think he’ll be really into the whole ghost/demonic spirit type shit. Y’know like communication with the dead and stuff. Him and Jon definitely explore places that are hunted.

✮also really into watching documentaries about killers or documentaries about unsolved crimes. (He tries to solve them but gets no where 💀)

✮ he’ll listen to anything music related it just depends on the rhythm and lyrics. He’s not really picky but he most definitely listen to genres like pop, alternative, hard/rock. Be he normally just listen to Britney Spears and lady Gaga because Jason has him listening to them 24/7 🙄🤚

✮spends most of ‘his’ money on art supplies. But he doesn’t really care on how much he spends bc it’s not his money but Bruce’s.

✮hates politics/politicians. He is not a political person and doesn’t want anything to do with them. Unless they are advocating something that catches his eye like animal rights. if not then you probably won’t see him in a voting booth ever.

✮ he reads manga. It’s cannon. Specifically Shoujo Mangas 🙄

✮really hates the summer. Prefers Winter and fall.

✮vents to Alfred a lot, to the point where if he sees Damian walking into the kitchen he already has a set of cookies in the oven.

✮ Dick is his favorite person

✮gets really lonely when he’s alone in the Manor so he talks to his pets as if they were real people.

✮is a loner. His only friend is Jon Kent.

✮ if he was raised by Bruce instead of Talia then he would have had an emo phase. Don’t come at me it’s true 100%

This is just for fun, please don’t get mad 😭

#damian al ghul #damian wayne #damian wayne x reader #batman x fem!reader #robin x reader #batfamily #damian x reader #batfamily x reader #damian al ghul x reader #damian scenarios

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thepastisalreadywritten · 1 month

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It was always going to end this way. The truth about Catherine Middleton’s absence is far less funny, whimsical, or salacious than the endless memes and conspiracy theories suggested.

In a video recorded and broadcast by the BBC, the princess says she has cancer and that she had retreated from the public eye to deal with her condition, while attempting to shield her children from the spotlight.

Instead, she had to contend with the internet giggling about whether she’d had a Brazilian butt lift.

My colleague Helen Lewis summed it up succinctly this afternoon: “I Hope You All Feel Terrible Now.”

What is there to learn from such a sad situation? The internet is made up of people, yet its architecture abstracts this basic truth.

As I wrote a few weeks ago, at the center of this months-long story was essentially “a sea of people having fun online because it is unclear whether a famous person is well or not.”

Underneath the memes was always something a little bit gross and indefensible.

Perhaps humans are just wired this way — to gawk and gossip.

There’s nothing new about hounding a member of the royal family or invading the privacy of a celebrity to sell tabloids or go viral.

You don’t even have to be a scold about it: Famous people are wealthy and beloved at least in part because they’re fun to talk about.

Exactly what we do and don’t know about their internal lives is part of the allure — the discourse comes with the territory to a degree.

But Catherine Middleton, of course, is a human too.

During this saga, I kept thinking about the reappraisal of Britney Spears in 2021, as well as the backlash toward past media and tabloid coverage of her rise.

A New York Times documentary dredged up old coverage of Spears from the mid-aughts, showing a young woman clearly in distress, being picked apart by glossy magazines.

Her suffering became entertainment. The response to this film was swift.

Some of the people and institutions that had shamelessly delighted in her pain backtracked: Glamour publicly apologized to the pop star on its Instagram account, noting, “We are all to blame for what happened to Britney Spears.”

Contrast the Spears reckoning with the Middleton drama and, if you’re being generous, you can see some of that newfound attitude in the media.

I was struck by Lewis’s observation that “Britain’s tabloid papers have shown remarkable restraint” throughout this mess.

Progress, perhaps, but what’s also telling is that they didn’t really need to do the dirty work: Random people on the internet were doing it for them.

They recklessly speculated, memed, and used their amateur sleuthing and networked faux expertise to concoct elaborate, semi-plausible explanations for her absence.

Was Catherine’s face actually Photoshopped from a Vogue spread? It wasn’t, but the conspiratorial tweet got 51.1 million views anyhow.

Missing from much of the discourse was the idea that its main character was a person who was likely struggling.

In essence, the internet democratized the tabloid experience, turning the rest of us into paparazzi and addled editors workshopping headlines and cover images — not to sell magazines but to amass some kind of fleeting online popularity.

In my least charitable moments, I see this toxic dynamic as the lasting legacy of social media — a giant, metrics-infused experiment in connectivity that has had a flattening, pernicious effect.

In 2021, I interviewed Elle Hunt, a journalist who’d tweeted an innocuous opinion about horror movies one evening and woke up to find she was trending on Twitter, her feeds choked with thousands of furious replies and threats.

When I asked her to describe the experience of becoming Twitter’s main character for the day, she summed it up thusly:

“You’re repurposed as fodder for content generation in a way that’s just so dehumanizing.”

Three years later, these words resonate even stronger.

What Hunt described to me then as “a platform failure,” feels to me now like a learned behavior of the internet, where people, famous and not, are repurposed as fodder for content generation. The cycle repeats itself endlessly.

This afternoon, the memes about Middleton shifted — from jokes about her whereabouts to jokes about how awful it was that everyone had been making fun of a cancer patient.

Feeling bad about the memes tweets immediately became a meme unto themselves.

Despite the tone shift, the reason for these posts is the same: They’re a way to take a person and repurpose their life for entertainment and engagement.

If this sounds exhausting and depressing, it’s because it is.

But the internet is also too big to be one thing. Clicking through social media this afternoon, I saw dozens of heartfelt testimonials, apologies, and well-wishes for the princess.

For a moment, from my perspective, it felt like watching a collective of people come to their senses.

A recognition, perhaps, of the humanity of the person at the center of the maelstrom.

Then, only a few seconds later, I saw a different post. It was a screenshot from the blockchain platform Solana, where users can create their own cryptographic tokens for others to invest in.

The name of the token in the screenshot is “kate wif cancer,” and its logo is a still of the princess sitting on a bench, taken from this afternoon’s video.

The coin’s market cap briefly surpassed $120,000. Only six minutes later, the price had cratered — the result of a standard memecoin sell off.

An awful thing happened. Some people made a joke about it. Other people made some money. And then everyone moved on.

NOTE: Edited

#Princess of Wales #Catherine Princess of Wales #Catherine Middleton #Kate Middleton #British Royal Family #cancer #chemotherapy #internet #memes #fake news #disinformation #misinformation #platform failure #social media

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throne-for-queens · 1 month

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After seeing clips of quiet on set and seeing what happened to Britney Spears, Michael Jackson and so many more I feel so bad for child celebrities. No child should have to be the sole bread winner of their family and carry such a huge weight at such a young age. I hope that with all the documentaries coming out that there will be better laws and standards in place to protect future child stars

#quiet on set

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katseye-daily · 5 months

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Meet KATSEYE*

The HybexGeffen global girl group Katseye (cat’s-eye) will debut in 2024 with a Netflix documentary releasing that summer! Learn more about the members here <3 Who’s your bias?

~

Name: Sophia

Country: Philippines

Age: 20

MBTI: ENFP

Zodiac: Capricorn

About: She can speak English and Tagalog.

– She is Christian.

– Her nicknames are Sophie, Fifi, and Sopheezy.

– Sophia has a chow dog named Charlie.

– Her mother is Carla Guevara Laforteza; a singer and actress.

– She graduated from high school in 2021.

– Sophia is a fan of BTS and her bias and role model is V. (Elle Korea)

– BTS are the reason she applied to the audition in the first place.

– Sophia is also a fan of ENHYPEN and Jungwon.

– Her role model is LE SSERAFIM‘s Huh Yunjin. (Weverse, IG)

– She appeared in a 2022 episode of Family Feud Phillipines.

– 3 words that describe Sophia: Hysterical, caring, and diligent.

– She is the chef of the group

Name: Lara

Country: USA

Age: 18

MBTI: ESTP-A

Zodiac: Scorpio

About: Lara is from Los Angeles, USA.

– She can speak English and Tamil.

– Lara is ethnically Indian.

– Her nickname is Laru.

– She produces music.

– Lara enjoys fashion alot.

– She was featured in the video for Michelle Obama’s Global Girls Alliance campaign.

– Her role models are NI-KI of ENHYPEN and Jimin of BTS. She has stated that their dancing and elegance gives her the most inspiration. (Weverse Interview)

– Lara would like to collaborate with Rihanna, Britney Spears, Timbaland, BTS’s Jimin, Pharrell Williams, and M.I.A.

– 3 words that describe Lara: Passionate, confident, and real.

Name: Yoonchae

Country: South Korea

Age: 15

MBTI: ESTP

Zodiac: Sagittarius

About: Her nicknames are 브루니 (Bruni), 마시멜로우 (Marshmallow), and 정육면체 (Cube).

– Yoonchae speaks Korean and basic English.

– She passed the auditions for CJ E&M in 2020.

– Her role models are Jennie of BLACKPINK and BTS.

– Yoonchae has mentioned that BTS are the reason she got into K-Pop and got inspired to pursue K-Pop.

– 3 words that describe Yoonchae: Sexy, cute, and innocent.

Name: Daniela

Country: USA

Age: 19

MBTI: ENFJ-A

Zodiac: Cancer

About: Daniela is from Atlanta, Georgia, and Los Angeles, California, USA.

– She can speak English and Spanish.

– Her nickname is Dani.

– Daniela is ethnically Venezuelan and Cuban.

– She is a ballroom dancer.

– She is a model and actress for many commercials.

– Daniela is a huge fan of Carti and Lil Uzi Vert. (TikTok)

– Daniela earned 10th place in the 13th season of So You Think You Can Dance?.

– She auditioned for the eighth season of America’s Got Talent with a dance act but was eliminated during the Vegas Rounds.

– Daniela placed 2nd in the international competition show Super Kids Europe.

– She appeared in Matty B‘s music video for his song “Dramatic“.

– She made an appearance on the Queen Latifah Show as part of an America’s Most Talented kids segment.

– 3 words that describe Daniela: Affectionate, charismatic, and determined.

– Daniela can do these type of dances: Afro-Cuban, Afro-style dance, cha-cha-cha, and salsa.

– She would love to collaborate with Beyoncé, Shakira, Rosalía, Rihanna, TXT, BTS, Doja Cat, and Playboi Carti.

Name: Megan

Country: USA

Age: 17

MBTI: ISTP

Zodiac: Aquarius

About: Megan is from Honolulu, Hawaii.

– She is ethnically Chinese, Singaporean, and White.

– Megan speaks English, basic Cantonese and basic French.

– Her middle name, Meiyok (美玉), is also her nickname and Chinese name.

– Her role models are BLACKPINK‘s Jennie and Jimin of BTS. (Weverse)

– She is a runway and fashion model and has participated in Paris and LA’s fashion week for high fashion couture.

– 3 words that describe Megan: Intriguing, fun, and caring.

– She would like to collaborate with Beyoncé, Lana Del Rey, Danja, Billie Eilish, BLACKPINK, Olivia Rodrigo, and Drake.

Name: Manon

Country: Switzerland

Age: 21

MBTI: ENFJ

Zodiac: Cancer

About: She was born in Zürich, Switzerland.

– Her mom is Swiss-Italian and her dad is from Ghana.

– Manon can speak Swiss-German (first language), German, English and a little bit of French.

– She is a photography model.

– Her nickname is Manz.

– She is a fan of Billie Eilish.

– Her role model is Beyoncé. (Dream Academy TikTok)

– She enjoys travelling.

– 3 words that describe Manon: Cool, kind, and non-judgmental.

– She has been a songwriter since she was 5 years old.

*Member information from Kprofiles

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genderisareligion · 8 months

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Supposed to be quitting this blog and just using main again finally but one last thing I wanna say on here is that I watched the Britney Spears documentary on Netflix yesterday and holy fuck was that situation worse than I ever thought. Piece of shit waste of oxygen sperm donor talking about "she has dementia" "she's too mentally unwell to choose her attorney" but she's still militantly songwriting and choreographing her own tours and making him millions. Like is the fucker dead yet?

I remember when the stans on here started getting really worried in 2018-19 but didn't even remotely recall all the details about her from my teenagehood. The era of her shaving her head and getting that first divorce and always being in "crazy" paparazzi shots is I think hard stamped in millennials' pop culture. Infuriated me watching the crowds of dogs with cameras damn near run her over on foot or by car and it was like that every day of her life until recently, like how on Earth did she survive that?

I know a thing or two about hateful sperm donors but what a nightmare.

#shadow.txt

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battyblog · 3 months

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Scorned Women Media

This post was inspired by my recent watch of the gorgeous new Sophia Coppola biopic Priscilla. As Coppola does so well, the film created a hazy pastel world, a series of snippets from Priscilla’s time with Elvis Presley. Allowing us, the viewer, to watch the teen girl slowly be manipulated and abused by this rock and roll legend. The perfect femme fatale, no doubt that she is the victim in this scenario. Priscilla adds to the growing pop culture catalogue of scorned women media. This post will explore the intricacies of the femme fatale and whether or not our obsession with the female victim can be empowering.

When I say the term ‘Scorned women media’ I mean both fiction and non-fiction stories that focus on the women as the victim in the scenario. We love depictions of woman suffering in the same society we do. Whether it is their lived experience or as collateral in another’s story. See the popularity of Princess Diana. A clear example of this is the shift in attitude towards Paris Hilton after her 2021 YouTube documentary. Paris disclosing that she was actually playing more of a character and a victim of abuse in the Troubled Teen Industry. Through such a personal disclosure she went from being a bimbo who can’t DJ, to a survivor and businesswoman who leveraged societies prejudice to make millions. The truth being that this Paris was there the whole time, we just weren’t looking.

Biopics are a staple of cinema and becoming ever more popular. The biopic allows us to enter the world of a well-known figure, satisfying our natural human curiosity with a healthy dose of nostalgia. In terms of Priscilla, Coppola not only told her story but recreated her world, which I personally loved being a part of. But when we look back at the Biopics of the past few years the female led stories are greatly overshadowed by those of men. Just 33% of films in 2022 were those depicting solo female protagonists. In 2023 we had twice the amount of male led biopics to female led (18:9). It is important to tell stories of iconic figures in society, but the Hollywood funding bias leads to an oversaturation of white- male led stories.

Something that made Priscilla stand out as a female biopic was the inclusion and input of Priscilla herself as a producer. Blonde and Spencer are recent films (2021 and 2022) posthumously telling the struggles of their main characters. In both cases, this lack of humanisation of their main characters leads to a violent depiction of their suffering and presents fiction as fact. Although Spencer does admit itself as more of a ‘fable’ it is a tough 2 hour exploration of ar Di’s presumed mental state and provides the titular character little relief or redeeming characteristics. Is it too much to ask to see a woman succeed?

Priscilla peppers in scenes of abuse, yet still spends enough time with our main character for us, the audience, to see other characteristics of hers. There has been slight backlash into the favourable view of Elvis in this story, but with Priscilla herself as the producer, could this not just be her personal view. I hope that Priscilla is a sign of a shift in scorned women biopics to be made based on stories of its victims and prioritise what they WANT to say rather than sensationalise their suffering. Such personal and vulnerable depictions of women need to be more empowering, rather than add to the exploitation that they have already suffered from.

Another 2023 hit was the autobiography of Britney Spears ‘The woman in me’, that allowed her to finally speak her truth after years of public exploitation. Spears’ book allowed her to reclaim her narrative, which is never a bad thing. The change in public attitude towards Britney shows a more general shift in how we view women and the symbiotic relationship this has with the media (we’re nicer to women so they are too). In her youth, Britney was so heavily exploited through stories told about her, the relentless hunting from paparazzi and their capitalising on her most vulnerable moments. The demand and space for her to write this book shows that we are more sympathetic to the struggles of women and our it-girls. ‘The woman in me’ will draw rage from any reader, rage towards how Britney was treated by the media, her family and her ex-partner Justin Timberlake. Their relationship was heavily prevalent at the time and was used by Timberlake to further his own career, by creating a false victim narrative and feeding into a pre-existing sexist hatred of Spears. He spread rumours that he was the victim of cheating, discussed her virginity in interviews and used a lookalike in his music video, all to draw sales. With the release of ‘the woman in me’ his reputation was shot through, his exploitative actions exposed (not like they weren’t already obvious) and Britney winning the public court of opinion.

It took the release of the Britney’s autobiography to cause such a shift in public opinion. We, as a society, needed the victim to underline and contextualise his shitty actions, it brings into question whether anything would have happened if Spears had not so clearly corrected his lies. Well, in a clear case of Justin Timberlake, we see that it did in fact take a dressing down from Spears for him to admit his wrongdoings, not only to her but to Janet Jackson. The Janet Jackson incident being a wardrobe malfunction that led to him exposing Jackson’s breast in the 2004 Superbowl. This resulted in Jackson being uninvited from the next Grammys, and Timberlake winning multiple. Whilst Janet Jackson herself has only spoken positively about Timberlake and the incident, was her not allowing herself to be portrayed as a victim stopping us from seeing Timberlake as a controversial character. If Jackson had filled this role of scorned woman would we have seen her as being unfairly treated. Victim or not, the cancellation of Janet Jackson for this incident was disgusting and heavily sexist.

But the point of Jackson vs Timberlake also brings into question the racial element of scorned women media. Previous examples of Priscilla, Spencer and Blonde all show beautiful, young, WHITE women. I believe this is due to the pre-existing views on white women as natural victims, frail and those to take care of. Although the slow feminist shift in attitudes has allowed us to now support the Paris Hiltons of the world- the reliance on big budget offerings to do such takes the little funding and heavily directs it to favouring space for white women to share their woes. Sexist predispositions are one thing to fight, but Black and POC women are handed another burden of racial bias. This dichotomy leads to stereotypes such as the ‘Angry Black woman’ , this pre-exsiting bias limits opportunities of scorned black women to present themselves as such. Our feminist shift needs to evolve to allow space for ALL victims of sexism to speak their truth in an EMPOWERING way. By no means do victims need to share their stories if they are not ready, but priorities must be shifted to allow those who choose to, to have the ability to. With this needs to be space for victims' stories to be consumed without them being patronised or sensationalised.

Whilst we may benefit from seeing the representation in victimhood, we, as consumers, need to be aware of the forms of scorned women media we consume. We need to demand the depiction of women at their most vulnerable to be empowering like Spears’ autobiography. It needs to cause a shift in perception like Paris’s documentary. It needs to benefit the ones at the center of it rather than benefit from their suffering. The scorned woman is not just the beautiful white woman. An unfortunate fact about our society is that every woman is scorned. But now this growing societal focus must shift to stories of POC women, to further dismantle stereotypes and force self-reflection.

#feminist blog #feminism #priscilla movie #britney spears #long post

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