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pencilandinks · 9 months
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cheekylittlepupp · 20 days
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He'll be the death of me..
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steveyockey · 9 months
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“Feel free to share your positive feelings about the film on Twitter after the screening,” said the usher introducing the London press preview screening of Barbie, Greta Gerwig’s Mattel-produced film. The embargo for reviews, however, would not be lifted until two days later, closer to the film’s release. The audience generally didn’t bat an eyelid and it wasn’t the first time my colleagues and I had heard such directives, yet we were left feeling censored: if they won’t allow for our negative reactions, why should they get our positive ones?
The purpose of this strategy barely needs specifying: in addition to the film’s omnipresent marketing campaign, positive reactions on social media were to seal the deal and ensure that the most dubious potential spectators would be persuaded to turn up to the cinema on the opening weekend, the most crucial days for a film’s box office success. The fact that the audience at this preview screening consisted mostly of influencers was another blatant marketing strategy, which would not have been as insulting were it not for the fact that it meant many film critics were unable to see the film before its release. The phenomenon occurred in other cities as well. A few days before the film’s release, Parisian writers were dumbfounded to see some colleagues sharing glowing takes on the film on Twitter, after being told there would be no advance screenings for any of the press. Moreover, what were presented as exclusive interviews with the cast turned out to be prerecorded and pre-approved by the studio. Ahead of its release, the film was to be seen only through pink-tinted glasses.
While it is customary for film studios to try to control the narrative by organising advance screenings if they believe in a film or avoiding them if they don’t, the methods employed for the release of Barbie were more extreme. They are symptomatic of a trend that has been evolving over the past few years and that concerns not only the film criticism profession, but culture at large. If all discussion of a film’s merits before release is left to influencers, whose driving ambition is to receive free merchandise by speaking well of the studio’s products, what can we expect the film landscape to look like? Where will engaging, challenging and, if not completely unbiased then at least impartial conversation about cinema take place, and how is the audience to think critically of what is being sold to it?
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blueskittlesart · 6 months
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Linktober day 27: plants
I think zelda would be the type to keep sketches and research notes in her journals along with the more personal notes we see in totk/botw :) (also yes i did write several paragraphs entirely in the hylian alphabet and no i dont remember what the hell they say. good luck figuring it out)
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killerpancakeburger · 2 months
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Imagine: Ghost giving you the shovel talk after Soap and you made your relationship official
It's the evening, you two are smoking outside in companionable silence, taking in the star-spangled sky. Suddenly his voice pulls you out of your daydreaming.
"So... you n' Johnny, eh?”
You feel an ominous shiver run down your spine - you do not like the turn this conversation is taking. His tone is steady, like it usually is, but it means nothing when that specter is involved. He could be slicing a throat and his voice wouldn't waver a iota.
If there was anything you learned about The infamous Ghost, in the absence of his identity and the face beneath the mask, it was that the names he used for the people he considered his family were anything but random. Soap was the most common way he refered to his Sergeant, but a Johnny could slip here and there. "Johnny" was personal; intimate; vulnerable; and possessive all at once. Not in the way an insecure lover would act - although...? Maybe...? -, but in the way a pack member would bare his fangs at a newcomer to protect his mates.
There was something animalistic buried within him that would resurface from time to time, when the risk was too great, when the survival of the 141 or of any of its members was jeopardized. Something you would not risk to vex. Simon was extremely protective behind closed doors, it wasn’t a scoop, but you thought yourself safe from his fangs... or at least you did until now.
"Yeah?"
How you hate the interrogation in your voice. As if you were seeking his permission. Like a child knowing they're asking for too much but doing it anyway.
You busy yourself with your cigarette, trying to look unfazed.
"He may sound like a fuckin' playboy most of the times, but he's actually a sensible kinda fella. Doesn't go around givin' his heart to just anyone, y'know?"
You gulp. Take a deep breath. The only way out is through. Might as well be done with it.
"So, is this the part where you swear that no one will ever find my body if I hurt him?"
You're proud of how casual you managed to sound.
He actually chuckles at that. A relaxed, raspy, unbothered kind of sound. Maybe you will walk away with your life tonight after all.
"Got it all figured out, don't ya? But that's good. Saves us some time."
He tosses his cigarette and, for the first time since you’ve been outside, he turns to you and look you in the eye. His stare is as intense as ever.
"We're in agreement, then? Ya'll treat mah boy well?"
"Wouldn't dream of anything else."
"Good lass."
A pause, then:
"This works both way, y'know that, right?"
"Hmm?"
Too busy celebrating your escape from the valley of the shadow of death, you haven't been completely paying attention.
"If he gives ya trouble, I'll knock some sense into that thick head of his."
You look at him again, your face beaming and your chest tingling with a newfound joy.
"Thank you."
You smile, unable to stop the motion of your lips. Your gratefulness is not for the threat he proclaimed, but for the friendship he extends to you.
He doesn't answer. He doesn't need to.
Suddenly a burly arm wraps around your neck.
"What were ya guys talkin' about!? You’ve been there for ages." Pouts Soap.
Glancing over at Ghost, you can see that Johnny has tried to grab him by the neck too, with a lukewarm success, considering the height difference between the two of them.
"Nothin' ye need to concern yerself with", retorts Simon, lying as easily as he breathes.
As Johnny turns to you in hopes of finding an easier target that will confess everything, you nearly miss the conspiratorial wink Ghost sends your way. The action is so far removed from his usual character, you understand that the discrepancy is made to amuse you. So you giggle.
Tonight the sky is full of stars, and your heart full of bliss, the way you feel like your chest might burst with happiness at any moment, with those two men at your side.
A/N: Platonic!Reader x Ghost my beloved 😫 🖤 Tried to make Ghost the less OOC as possible, as usual >_< but man its not a walk in the fookin park.
Trouple potential tho? 👀 sorry not sorry, I can't help it, I love the ambiguity...
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jq37 · 13 days
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Your sister who you love so much (even though you’ve never shown it) asks you to be her sister again, her true sister, in deed not just in name. And yes, of course that’s what you want. That’s what you’ve always wanted and now that she’s shattered your defenses and destroyed the ones who would pit you against each other and died right before your eyes, how could you refuse? How could your answer be anything but yes?
So you go home with her, not the ruins of your perfectly posh prison, but a new home which provides love and care and bunk beds and it’s so so nice. Ridiculously nice. Sickeningly nice. And a small, sick part of you almost misses your old home (if you can even call it a home) because yes, it was cruel and awful and you hated every second of it but you knew where you fit. You knew what your role was. You don’t fit in here. Everyone accepts you because they’re all so nice, but they don’t know how to volley back your sharp words or find a hidden, “I love you” within an offhanded insult. 
And then your sister leaves to save the world again because that’s who she is. She’s the kind of person who goes out to save the world with her friends when she’s needed and you’re not. You’re not, not, not. Not on any count. You don’t save things, you destroy them. And friends? You have to allow yourself to be vulnerable for friends so of course that’s out. Your sister is 16 and she’s out saving the world for the third time and you, fully grown at 18, are a wanted criminal who hasn’t even properly graduated from high school. You can’t stop thinking about it and, without your sister and her friends occupying the house as a buffer, the ones who are left try to get you to talk about it so you make a rash decision, as you are wont to do. You leave, like a thief in the night. You can make your own way. You can. You’ll prove it.
You find a shitty apartment and pay for it with the ill-gotten spoils from one of your many exploits. You could probably pawn some treasure for more luxurious  accommodations–there is that chest of rubies just lying around–but you don’t. That’s not what you deserve. And what if your sister needs help later? You don’t have access to your parental funds anymore which means she doesn’t either. You know she won’t ask anyone for help–you wouldn’t. But someone has to look after her. You’re an abjuration wizard. You protect people. You protect her. No, that’s a lie. But you want to make it not a lie. You want to start now.
If you’re saving the rubies then you need a source of income. You narrow down your least villainous talents to try and find a suitable job and hit on teacher. You’re good at magic, right? So how hard can teaching it be? Hopefully not as hard as securing the job, which proves trickier than expected because, oh right, you’re a wanted criminal who hasn’t graduated high school. But you dip into your villainous talents once more and tell yourself it’s for a good cause. You secure the job. You’re doing it. You’re making your own way. 
You want to text your sister to see if she’s doing alright but you don’t want to intrude and you don’t want to answer any questions about what you’ve been doing because then either you’ll have to lie or explain that you’ve left again, right after you promised you’d be there. Both options make your heart ache, especially since it’s her birthday. So you wait until the house is empty (mostly empty–you’re never really alone in a haunted house) and enter the room you and your sister shared for too brief a time. You paint her walls with carefully rendered runes, filled with all your abjuration magic and stamped with your arcane mark. It’s a possessive bit of spellcraft. A selfish claiming of a climactic kill. You mean to make a different kind of claim. You are claiming your sister, as she asked you to months ago. You are telling the world that she will not be fucked with while you live. Your rooms were so close before. You could hear her. You knew every night she went to bed in the grips of a panic attack with no one to console her. She won’t have to feel unsafe in her own room again. You can make sure of that at least. 
The sun rises one morning and you know that means your sister is alive and well and coming home. You teleport to Falinel to make sure she returns to her favorite dessert. It’s worth the spell slot and the chance of being recognized. The tower where they kept you is long destroyed and you know that this time, if you were ever captured or even killed, rescue wouldn’t be measured in a matter of months. It would be days. Hours even if your clever sister and her powerful divination magic put things together faster. The thought fills you with more emotion than you know what to do with. You leave a note. “I love you,” you think. “Enjoy the nemesis ward,” you write. 
Practicing magic, as it turns out, is a very different skill than teaching magic. The children are loud and obnoxious and you don’t quite realize that maybe your expectations are too high between the hothouse you grew up in and your sister being the world’s greatest diviner, fullstop. You know you can always go back to the manor, but that somehow makes it easier to stick it out. You’ve always been taught that pressure provides the best results but there’s something about the security of a safety net that makes everything a bit more bearable. And so what if you have to take a second job involving a light criminal element. You’re only smuggling–that’s barely even a real crime.
Your sister who has saved the world thrice now, texts you and she wants help. She is looking to you for help. And you do your best to oblige. You offer your knowledge, you offer your rubies, you invite her over again and again. She sends you a text and deletes it. You’re not the diviner in the family but you drain your spell slots scrying for information you already know. Information that you'll hear from her own lips in just a few hours. “I love you.”
She finally visits and you’re not unaware of the state of your apartment. You know you’ve been too exhausted for an Unseen Servant or even a round of Prestidigitations but you know that your sister has seen your mind and there’s nothing messier about you than that. She teases you and you tease her back. She’s the only one who understands how to deliver a complement with a backhand so you can receive it without your skin crawling. The only one who knows how much tartness you need with your sweetness. 
Later, she visits again. She sits in your filthy apartment and you watch trash TV and it’s the highlight of your week. Your month even. That should feel pathetic but, somehow it doesn’t. You want to tell her. She deserves to hear it from time to time without having to filter out the layers of prickliness that you add as second nature, a layer of armor as ever present as your abjurer’s ward. You may not be able to handle naked sentiment but she can. You’ve seen her with her friends. How affectionate they are. You’ve always been taught that loose lips sink ships but you have experience with ship sinking and this prospect fills you with much less dread. You tell her and it’s awkward and fumbling but you manage. Maybe loving people isn’t so different from loving cats.
You have a new job which is perfect because the school year is almost over and, blackmail or no, you aren’t sure how many times you’ll be able to get away with casting Sleep on your class to give yourself a break. Honestly, you should have applied for jobs in Leviathan from the start. Why would pirates care about your sketchy history and lack of credentials? You could teleport yourself to Leviathan every day but that would be a waste of a spell slot when the door to the Compass Points is right there in the manor (and if your sister happens to be there too then hey, happy coincidence). While you’re there, you might as well do your laundry. And stay for dinner from time to time. And spend time with your sister in your her room where your runes stand sentinel and your old bunk lays untouched. You don’t think you’re staring but later, as you go to grab a snack from the kitchen your sister throws you a casual, over the shoulder glance. 
“You can just move back in, if you want.”
And would it really be that easy? Just like that? After a year of trying to make a point or a plan or a better version of yourself or whatever? Just like that? 
You remember a year ago. You and your sister and words that will be burned into your mind forever. 
“Despite the fact that you have not earned it, I do love you.”
Just like that. 
You say yes. You stay. 
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sergle · 7 months
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I'm thinking abt that pretty fall leaves embroidery pattern post and about how like... it is categorically a repost, it's a reupload. right? a thing that is generally disliked. but because it's credited, it's genuinely boosting the artist in question. and it could ALWAYS be like this. reposting content could ALWAYS be a symbiotic relationship, but because sourcing back to the original creator of something is so uncommon, it's just easier to ask people not to repost it at all. and people still don't understand the difference. or they'll go to the effort of cropping out usernames/signatures to repost something, which is More Effort than literally crediting the creator of something you liked enough to want to repost. Like. I literally don't actually care if my own shit gets reposted, you have to understand. I just don't want it STOLEN. But "do not repost" is easier to write on my art than "you can repost this, but don't alter the image/remove my signature, don't you dare write 'credit goes to the artist' because that is not credit, please link back to my original post or someplace that you can actually find me. please use an actual link/url instead of writing a non-clickable link of my username, because making it text instead of a clickable link cuts the number of people who will go to the effort of visiting my own page in Half." All those aggregate themed accounts, those fuckin annoying as hell instagrams and facebook groups that are like "body positive art we love wamen 💕 hashtag feminism" and then MASS-STEAL plus sized art created by women, if pages like these that always go and steal my older self-portraits and other works... If they just put a link to my prints of those pieces in the text of those posts, or, fuck, my commission info page? I would literally be living on the moon right now. I would have a house on the moon
#there is actually nothing morally wrong with running an account that just reuploads ppl's artwork or their jokes or their cosplays#if you just put a VISIBLE LINK in the description of your post with proper credit then it would be beneficial for everyone#because you can get your little clout or whatever it is you want by putting a bunch of same-category content on a page#but nobody's getting fucked over because if your post blows up then people just get FUNNELED to the source#because it's placed so plainly where everyone can see it#and yeah it's better to retweet or reblog but#on the rare occasion that I see my shit reuploaded on tumblr WHICH IS WEIRD BC I MAKE MY OWN POSTS HERE but anyway#someone making their own post where they upload my stuff. and it's always the floral self portraits so let's say it's a post with all those#if I scroll to the bottom and it says like. Artwork by Serglesinner on Twitter <-- clickable link [Sergle's Prints] <-- clickable link#to my etsy#I'm like oh okay and all the anger leaves my body and I'm like ah I see. and I toss the rock aside#like oh okay so you actually care that a person made these pieces. Instead of posting the caption ''women <3'' or smth#like you've GOTTA die if you do that. but if you just link back#or if you go to the effort of writing like a description with a BLURB? like it's a damn museum. like a light paragraph of info#about what the art is and who made it and their links#I am literally sucking you in a strange and peculiar manner. that is extremely helpful#and maybe other artists don't want this AT ALL and they'd rather people not reupload even if it is credited#but I feeeeeeeeel. like 99% of the time this would solve the issue#reposters could genuinely be helping ppl. sometimes the repost gets more traction than the real thing#as long as it credits the creator then that's an okay thing to happen!#that can land somebody a sale! a commission order! a new fan! A JOB#A JOB!!!!!!!!!!#sergle.txt#I didn't write this eloquently AT ALL what the fuck ever barkbarkbarkbark
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fantastic-nonsense · 6 months
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just saw a screenshot of the worst TikTok ever y'all
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d8tl55c · 4 days
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rip ✳️ ⭕ ✴️⭐✨
first image without vfx:
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effects brought to you by this smudge brush specifically
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paintpanic · 1 month
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(original video)
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meownotgood · 7 months
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thinking about aki who's a bit of a pervert.
you find yourself over at aki's place to drink an awful lot these days. he's been inviting you, and it's not like you have any reason to say no. work has been stressful, you could use the break. it's more fun to drink with him anyways, with just him. aki is kind and thoughtful, he's reserved and he isn't like all the other guys in your department that turn into idiots the moment they've had a drop of alcohol.
no, aki is sweet. gentlemanly, you'd say. innocent, even. he told you one time that he's never had a girlfriend before.
aki's your best friend, the kind of guy someone might bring home to their parents — the only guy you have absolutely no problem getting shitfaced around because you know he'd stop at nothing to take care of you.
and once you've had a bit too much to drink (because you always seem to) aki will do as he always does: insist you stay the night instead of trying to go home. it'd be dangerous for you to try and travel when you're this inebriated. he's looking out for you, that's all.
although, tonight, one thing is different from before. usually, he'd give you his guest room to have all to yourself. but now that denji and power have moved in, aki supposes there's no other option than to have you sleep with him.
he's not going to allow you to sleep on the living room floor, that's just rude. you're a guest. his closest friend. it's getting cold these days, you'd be freezing if you had to do that. besides, you trust aki more than anyone, so you have no problem sleeping in his bed next to him, do you?
of course not.
aki's just being polite, like he always is, and you're none the wiser. he's polite when he offers to toss your clothes in the laundry and give you his to sleep in. he wants you to be comfortable, that's certainly true, but it definitely isn't also because he was hoping for a chance to touch your stockings and your bra. he commits the feeling of the fabric to memory, the way your stockings stretch when he pulls at them — they stretch the same way around your thighs, too. he drags his fingers across the intricate lace of your bra — lace? he didn't think you were the type to like something like that, but it makes sense. it'd look better if it was on you.
he compares the size of his hand to the size of your bra and tries not to forget that either before tossing everything in the wash. maybe he'll get lucky, and you'll forget to grab your clothes before rushing home.
he scoops you up and carries you to bed when you're too exhausted and drunk to move. he's trying not to think anything dirty as he sets you down in the center of his bed and props himself up over you; he's breathing hard, starting to sweat, the sight of you under him is the prettiest thing he's ever seen, but his breath gets caught in his lungs when you wrap your arms around him and pull his body close to yours with a drunken giggle. aki leans his head into your shoulder, and he doesn't attempt to separate the two of you.
yeah, and it's really only out of politeness that aki's offered to have you sleep in his bed. it's not because he grows warm to the ends of his ears at just the thought of someone, of you sleeping beside him. nobody's ever slept with him like this before. he can hear your breathing, he can feel it on his neck. he shifts away from you a little and he can see the bare skin of your collarbones peeking out when his shirt that's way too big for you starts slipping down your figure. god.
he won't sleep tonight, he's already sure of it. but how could he? between this and the way you were acting earlier, how is he supposed to get any sleep?
you're such a sweetheart when you're drunk, more than you are usually, you'll sway left and right and end up clinging onto aki's arm to keep yourself steady. you'll coo his name so sweetly into his ear, you'll thank him for inviting you and mumble something about how much you appreciate him, how good of a friend he is.
you're welcome, aki tells you with a completely level tone, despite the fact his heart is fucking hammering in his chest so hard it hurts because you've really just thanked him, you're happy because of him, you really are. he wants to make you even happier, he wants you to sing his praises more. he wants to hear your soft voice pant his name over and over again.
he's terrible, really. maybe it's because of his lack of intimacy. maybe the frustration of always being alone. maybe it's his fault to begin with for falling so head over heels for you. aki has no idea.
he can't help but feel guilty every time he invites you over, knowing it's because he wants to be close to you and have you all to himself. he hates how he can never seem to stop ogling you, hates how he can't even get a moment of sleep right now because you're hugging him, you're fast asleep with your arms around him and he can't think, he's so hard his poor cock is throbbing.
aki shifts off of you, tearing your arms away from him and curling up at your side. he mutters a quiet I'm sorry when you grumble with displeasure in your sleep, he tugs the blanket around you and lifts your head to tuck his pillow underneath.
turning over, he forces his eyes to close. aki ignores the ache in his gut, he resists the urge to slip his hand down his pants while you're lying right beside him. he breathes in shuddery gasps, says a silent prayer to himself that you'll stay for at least a few more hours tomorrow.
it'll be fine. he'll forget about all of this until next time. when you're gone.
because if you've slept with him, even after you've left, his sheets and his blankets will smell like you. the clothes you wore, too. then, when he's lying in bed at night, all alone, with the shirt you were wearing pressed up to his nose, and maybe the stockings you wore the day before in his fist and around his dick (if you managed to forget them), it'll be so much easier to imagine whatever the hell he wants about you. and you'll have no idea.
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orange-coloredsky · 3 months
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The two most popular reads of the synth plight in Fallout 4 are that of the race allegory and the Red Scare/McCarthyist allegory. In the former example, synths get racialized in a similar way to Black Americans in the late 19th and early 20th century, but just barely. The Underground Railroad is quite literally remade, synths are subjected to slavery at the hands of their human creators and punished harshly for escape attempts. Others have likened synths to fears of immigrants or asylum-seekers from nonwhite majority populations. Synths in these imaginings of Fallout 4 are painted as needing to be saved at the same time as they are vilified and dehumanized – sometimes by the same character over the course of the story. This duality could be a great opportunity for a dive into how white saviorism tends to play out, but in reality it ends up being a messy, deeply uncritical exploration of the impact of race and racism in society. The factions doing the racialization and/or saviorism’s motives are never questioned, and there is a very clear depiction of “good vs. evil” being the end-all-be-all of anti-racism work (again, with no critical thought as to how the “good” side is made almost completely of non-racialized people making decisions on behalf of a marginalized group). Worse yet, it’s contrived. The android-racism analogy has been a thorn in the side of the science fiction genre ever since Isaac Asimov wrote the 3 Laws of Robotics. There’s very few iterations on the idea that have come from popular (white, Eurocentric) media that aren’t riddled with the same aftertaste of white guilt and fundamental misunderstandings of how racism plays out in day-to-day life.
The less common, slightly more agreeable interpretation is that of the Red Scare – which, given Fallout’s inspirations and the setting’s original critique of reliving America’s “good old days”, makes perfect sense. In this example, synths take the role of the Soviet spy: watching over everything Americans are doing and reporting back to a secret base that is plotting to overthrow the world as we know it. Psychological screenings as well as inhumane tortures are utilized to pick synth “spies” out from the good, red-blooded residents of the Commonwealth. A neighborhood is founded entirely around the protection of the “old ways of life”, complete with a white picket fence comically decorated with automatic machine gun turrets. While this is a more charitable analogy that’s grounded in a slightly-deeper-than-surface-level exploration of American history, the Red Scare interpretation is victim to the same pitfalls that plague the racism interpretation. Midway through the game, the player discovers that there actually is a secret base of evil villains hiding underneath our feet, plotting to annihilate our beautiful Commonwealth lives. People do get taken and replaced by synths, they are in our governments, there is an actual reason for synths to be feared. Sure, some synths are perfectly fine people with no wish to be made tools of the Institute’s tyranny, but that is greatly overshadowed by the fact that the Institute’s stated goal is to use synths to gain control over the Commonwealth. There is no real critique of McCarthyism, there is no ideology to be challenged, because the Communists are here and killing your loved ones in their sleep.
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OKAY who wants to hear about why i think nimona challenges amatonormativity? you do! 🫵
one of the main ways this is accomplished is through ballister and ambrosius’s relationship. it’s arguable that it doesn’t necessarily fit the traditional model of romance - not only are they a queer interracial couple, and not only is their relationship ambiguous in the book, but there are certain instances, especially in the movie, that subvert traditional ideas of romance and friendship.
one instance that really stands out to me is when the director asks ambrosius what’s on his mind and he goes on his imagined rant about how arm-chopping isn’t a love language - you know the one. when he mentions ballister, he refers to him as “the man i love, my best friend.” and not just one or the other, but both! the man i love, and my best friend. he places equal emphasis on both the romantic and platonic aspects of the relationship, valuing ballister in both a romantic context and a platonic context without treating either one as more important than the other.
and even moments such as the first “i love you” and the kiss manage to subvert tradition. both of these things are generally seen as a pretty big deal, especially in fiction - if the characters are kissing or saying “i love you,” it’s usually a moment in which everything changes. a line is drawn, dividing the story into after and now. sometimes it’s dramatic and climactic, with fireworks and a swell of music, but even when it isn’t it’s still seen as a turning point of sorts. now it’s official, now it’s real. but this isn’t the case in nimona. both moments are certainly significant - they do a good job of showcasing the character development and where ballister and ambrosius are on their respective journeys, and are certainly important in terms of representation - but neither one follows the path that most fictional romance does.
another way in which nimona challenges amatonormativity would be the emphasis on friendship! in the tavern scene (in the movie) when ambrosius suggests killing nimona, ballister disagrees and says “she’s my friend.” ambrosius replies with “aren’t i more than that?”, implying he’s more important than a friend - thus upholding amatonormative ideas. ballister becomes angry at that and leaves - challenging this idea and prioritizing his platonic relationship with nimona over his romantic one with ambrosius, as nimona is the one he wants to defend.
additionally, a big part of this scene is the way ballister deliberately rejects institute values while ambrosius unintentionally upholds them. and because the story challenges homophobia and transphobia (and other forms of bigotry) through the lens of the institute, it would make sense for it to challenge amatonormativity too! it’s something that’s become incredibly normalized, to the point that lots of people don’t even know it exists, and this is reminiscent of the institute brainwashing, especially when it comes to ambrosius - he’s been manipulated his whole life and probably genuinely doesn’t understand the level to which he’s internalized institute beliefs.
ballister prioritizes nimona many times, actually. when he tells ambrosius she’s “smart, kind, and quite sophisticated,” when he’s overjoyed to see her again at the end, when he refuses to kill her and saves her instead. over and over, he proves how much he cares about her, even when this involves directly going against what ambrosius wants - which, of course, is really what the institute wants. a core tenant of amatonormativity is the false notion that romantic relationships are more important or valuable than other types of relationships, but ballister actively goes against this!
to conclude, as a story that at its core is about identity and challenging societal beliefs, nimona defies expectations and traditional ideas of what it should or shouldn’t be. it’s possible that amatonormativity wasn’t what the creators had in mind, but the story still manages to challenge it with grace and elegance. just like its main character, nimona refuses to conform to what others want it to be.
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einsatzzz · 4 months
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H.K. & H.K. 🥹💖✨ khr x sanrio collab will always live rent-free inside my brain
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http-byler · 1 year
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☆ HOME ☆
and it feels like coming home, like Christmas morning with the people you love, like crayon masterpieces on walls, like impromptu dance parties in the kitchen. it swallows you whole and tucks you safely into bed. a nightlight, quelling the horrors of your mind. a balm, soothing and warm. home, as it turns out, has a heartbeat.
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eganeyes · 2 months
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😭😭???
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