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#you can tell which ones are actually developed by which ones have actual titles/evidence i'm trying to think of a title
mothwingedmyths · 2 years
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✨ ALL MY WANDERSONG AUS ✨
Earth, Sky, and Storms. More like a fanmade sequel but I consider it an AU since I feel like Audrey died at the end in canon- I'm gonna put it on AO3 so I don't want to reveal too much about it
Unnamed Wandersong Flower AU. Pretty similar to canon Wandersong but also drastically different, and I'm also putting this one on AO3 (when I think of a hecking title, that is-) sooo
Over The Garden Wall AU. I actually thought of this just last night while playing Stray, but I really like it already- Kiwi is Greg, Miriam is Wirt, Audrey is Beatrice (except she's a woodpecker and not a bluebird), the Dream King is the Beast, Eyala... idk yet but her being Adelaide would be funny and with Audrey being Beatrice it might make a little sense, and Mask is the tavernkeeper for literally no reason except I felt like it kind of fits
Hollow Knight AU. These are literally my two favorite games and Kiwi loves bugs so it's perfect- Although this has basically no development except Kiwi is a grasshopper, Miriam is a moth, and Audrey is a vessel
D&D AU. This is pretty much just an excuse for Kiwi to get a mind flayer tadpole shoved in their eye because I love mind flayers but it exists and has a little bit of development- Also Kiwi is a bard (obviously), Miriam is a sorcerer, and Audrey is a paladin
The Owl House AU. Literally all I have of this is Kiwi joins the BATTs and Miriam's palisman is a kiwi bird
Vampire Kiwi and werewolf Miriam AU. This was actually my first Wandersong AU but that doesn't mean it's very developed and tbh I just use it to play around with lore for this kind of thing in my various fictional universes- Although basically Kiwi gets bitten by a vampire at some point and panics and tries to keep it a secret from Miriam but she figures it out at some point and then is like "dude you are literally my best (and only) friend why would something like this ruin that"
Spider-themed Audrey-centric AU. I came up with this while vibing to Hello, My Treacherous Friends by OK Go in the car and I genuinely don't know if it's a joke or not but Audrey with eight eyes/limbs and mandibles is super cool and Eyala as a floofy anthropomorphic rainbow tarantula is just plain what more could you want
Ice And Fire (the Minecraft mod) AU. Basically I remembered some old fanfics of mine and impulsively decided to make them but the Sad Pixel Trio instead
Thaumcraft AU. Same deal here (yes I have hyperfixated on Minecraft mods twice. I hyperfixate on random things)
WAIT I ALMOST FORGOT- That AU I posted art of that one time. I think that was my actual first Wandersong AU-
...yeah i have a lot
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sapphorror · 6 months
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so I don't necessarily have anything to *say* about it just yet but I find this moment very interesting because if there's one thing that's always been very central to Dib's characterization it's that he, like Zim, is driven primarily by ego—and more to the point, his sense of heroism is ultimately constructed in much the same way Zim's role as an invader is. It's a shallow fantasy he's crafted for himself to make living more bearable, and I would think that the opportunity to be hailed as an entire planet's chosen savior would be exactly the kind of thing he'd seize on. It's EXACTLY how he sees himself, or at least, how he wants to see himself.
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And the really interesting thing is that we actually DO see exactly this happen later on in the same story, when he finally wins and it maybe just a little bit goes to his head. He's genuinely well-intentioned, and he wants to teach the Plim to rise up and save themselves rather than rely solely on him, but that's just it—his ultimate end goal as Defender of the Earth has always been to expose the truth and make people realize how blind they've been, but now that he's opened their eyes they can go forth and seize their own destiny, which just happens to look a lot like all the things Dib personally cares about. Perhaps ironically, his desired role is less hero than prophet, and maybe that's why he finds it so hard to swallow the notion of starring in someone else's pre-made narrative.
(And there's something to be said here, about how Zim, for all his unrepentant Zim-ness, might've actually gotten one thing a little bit right when he told Dib the Plim weren't suited to self-actualization—that they didn't want it. To Zim's view, of course, this only makes them exploitable and we're right back to him being horrible again, but I think there is something worth considering about the Plim's autonomy and that, faced with all the evidence and every means with which to save themselves, they still asked—literally asked—Dib to do it for them. Which begs the question—is Dib's continued insistence on developing the Plim's independence itself a kind of subjugation? How about his fixation on showing humankind something they so obviously don't want to see?)
... But you know the really funny part?
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Dib ultimately rejects yet another heroic title that isn't to his liking, albeit much less surprisingly this time. Lesson unlearned.
Take this all with a grain of salt—I'm thinking out loud here and quite literally didn't expect to say any of this, but it's an aspect of Dib's character that interests me, and it was actually really unexpected and exciting to read a piece of canon material going into it. I think I'd like it if there'd been more emphasis on Dib's initial motives being largely the same as Zim's in essence—that is to say, feeding his ego and spiting the nemesis—since his ultimate epiphany is that all this time wasted on a petty popularity contest could've been spent actually, you know, being a hero, but the message still comes across and the core of the story being told is really solid. I'm going to be obsessed for weeks.
Also, Plab is everything to me. And I really do think it says something that the single faithful outlier among the Plim still thought Dib could maybe afford to cool it on the reclaiming-their-individuality bit. That's honestly more telling to me than the opinion of any crowd.
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potabo · 8 months
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Deltarune's Ending
So as we have basically all of Deltarune released, it obviously seems reasonable - as many have done- to speculate on the ending of the game.
Now I can't- with a straight face- argue that I have any idea on how deltarune will actually end. What I can do is share a few observations that I haven't seen made elsewhere.
Now evidently the first place to look for any theory of this nature is, of course, the the first thing you see when booting up the game. Not the very nice one with our three protagonists standing very impressively before a dark fountain, but the one that looks like a DOS menu with spooky text. what I'm talking about is, of course,
1. The Title Screen
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Now, as many have no doubt seen and/or heard, there are a number of unique quirks exclusive to this screen that fuel the theory community, but theres always been one thing about this screen in particular that always seemed.... More Important.
As you may know, for a variety of reasons, this screen is frequently taken to be narrated by the G man himself, Goofy nosurname.
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What makes this relevant is that this, in conjunction with:
A. The Twitter announcement for Deltarune
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B. The Game Over Screen
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And of course C. The gonermaker segment at the start of a new run:
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We can reasonably* assume that this character has some amount of influence over the game, if not straight up responsible for its existence.
All of which is to say, of course, that anything that we can glean from this character has the potential to be massively important to the rest of the game- which brings us to the prompter for this particular theory:
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(What's interesting to note here is that, you don't actually need to have 3 identical files for this particular gaster text to appear, you simply need to overwrite any that are different)
2. The Evidence
Now what does this actually tell us about the ending of deltarune? Let's gather what else we know about the ending of deltarune:
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the ever present, ever looming promise (threat) of a single ending, of an inexorable ending to the events of deltarune.
And if that was all, then it would be open and shut, case closed- however there is also... ambiguity as to the finality of these statements:
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Note the question mark and the statement of a "new" future.
There's one final piece of the puzzle we need to make this into a proper, regular, unhinged deltarune theory tm: a bit of a insiders look at the development process.
Specifically:
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deltarune, going forward, needs the capability to act as multiple separate games
3. The Actual Theory Finally
Now we have all the components, so here's the theory:
Deltarune will, in fact, have One ending- but it is the ending we choose. If anything I'm saying here is remotely right, we will need to choose the savefile that we want to be the real ending: hence the somewhat ominous "PREPARATIONS ARE COMPLETE" upon converting all of your savefiles to be the same.
We know there are slight differences between the save files:
File 1
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File 2
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File 3
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And we additionally know that theres some overlap between save files (I'm on to you seem the cat)
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so deciding the One Ending is the decision you make to choose where your file goes. if that makes any sense
In other words, you have to play a different game (or rather the game again) to see a different outcome. This, in my mind, is the ultimate reconciliation of these two contradictory statements: the inevitability of the one ending and the potential to change the future.
Extra bonus mini theory
The second most interesting observation I've had while making this post (beyond the "preparations" what prompted this) is the multiple game instances for deltarune. If I'm anywhere near the realm of correct at this point, it could be that these other instances wouldn't strictly be, you know, deltarune, instead being... I don't know... gastertale and tobyworld or something
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mariana-oconnor · 10 months
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Black Peter pt 1
Haven't heard of this one either. Let's hope that's down to the fact it's a later story and not because it isn't popular anymore because of *looks at title* reasons.
I have never known my friend to be in better form, both mental and physical, than in the year '95.
Watson does keep waxing poetic about the year 1895. Must have been an epic year.
Holmes, however, like all great artists, lived for his art's sake, and, save in the case of the Duke of Holdernesse, I have seldom known him claim any large reward for his inestimable services.
Do we know the Duke of Holdernesse? I don't remember his name. How rude was he to Holmes that Holmes took his money? I feel like that must be arsehole tax.
So unworldly was he—or so capricious—that he frequently refused his help to the powerful and wealthy where the problem made no appeal to his sympathies...
More evidence for the Sherlock Holmes hates the rich theory. It's not that he's unworldly or capricious, Watson, it's that usually they're the bad guys (please see King of Bohemia). Not to put modern biases on a historical fictional character or anything.
down to his arrest of Wilson, the notorious canary-trainer
What did he train the canaries to do?
Was it, like, an entire hoard of pickpocketing birds?
Did they murder people for him? What?
Google tells me it might have been a euphemism for brothel-keeper. Or a singing teacher. So... honestly that story could go any number of ways. I think I'll stick to actual canaries, though. Probably in Canary Wharf.
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During the first week of July my friend had been absent so often and so long from our lodgings that I knew he had something on hand. The fact that several rough-looking men called during that time and inquired for Captain Basil...
Watson pining at home while Holmes is out with rough-looking men and having them call him Captain...
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...made me understand that Holmes was working somewhere under one of the numerous disguises and names with which he concealed his own formidable identity.
Honestly, I feel like this is character development. Before Watson would have just been 'Holmes is away' and 'Who is Captain Basil?', two entirely separate lines of thought. Now he has connected the dots. Proud of you, buddy!
...he strode into the room, his hat upon his head and a huge barbed-headed spear tucked like an umbrella under his arm.
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“If you could have looked into Allardyce's back shop you would have seen a dead pig swung from a hook in the ceiling, and a gentleman in his shirt-sleeves furiously stabbing at it with this weapon. I was that energetic person, and I have satisfied myself that by no exertion of my strength can I transfix the pig with a single blow."
Everyone needs a hobby.
I recognised him at once as Stanley Hopkins, a young police inspector for whose future Holmes had high hopes...
Oh hai, Hopkins!
"However, my friend Dr. Watson knows nothing of this matter, and I should be none the worse for hearing the sequence of events once more."
For the sake of Watson and us, the invisible audience, please to be info-dumping exposition policeman!
"In 1883 he commanded the steam sealer Sea Unicorn, of Dundee."
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"He has been known to drive his wife and his daughter out of doors in the middle of the night, and flog them through the park until the whole village outside the gates was aroused by their screams."
Can't say I'm entirely sorry Captain Carey is dead. In fact, maybe just chalk this up as self-inflicted and leave it at that. Whoever did it probably had a good reason.
However, the nickname doesn't seem to really be racist, so that's better than it could have been. Swarthy, as far as I'm aware, refers to tanned/weather beaten skin usually, which makes sense for a longtime sailor.
"He had built himself a wooden outhouse—he always called it ‘the cabin’—a few hundred yards from his house, and it was here that he slept every night. It was a little, single-roomed hut, sixteen feet by ten."
The original man cave?
The description of him is not crying out the sort of man who would keep tobacco on hand just in case his friends wanted some. It's not crying out the sort of man who has friends, for a start.
“Exactly, Mr. Holmes. I appreciated that point, and I conjectured that it was dropped by the murderer in his hurried flight. It lay near the door.”
Hopkins really is the smartest of the police officers we've met. And I still haven't noticed Watson comparing him to an animal.
So we have a terrible man killed by a harpoon in his man cave and no one noticed for ages because no one wanted to talk to him. I'm kind of hoping that all the women were in on it and they just... harpooned him together.
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nexyra · 5 months
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Just wanted to pass by to tell you that I loved your analysis of Neuvillette's type on PDB! Full disclosure, my opinion is subject to intense bias since I'm an ISTP myself (~90% certainty) however I hope this is at least some validation for your part. It's amusing since his behaviors are significantly different from mine, and yet his words all 'make sense', for lack of a better word. Contrast to Wriothesley, who elicits a 'well he's right, buuuut...' feeling. Difficult to describe in 500 charas.
Hello kind stranger ! This was a very unexpected ask i'll say, even though I suppose my username IS exactly the same on PDB as it is here, making me quite easy to find in practice haha
I'm really happy my comment made sense to you ! Even now, I still firmly believe everything I wrote, and particularly that Neuvillette is a high Ti user. I don't know if you've read it, but I think there's another very good example of his Ti in his character story 5; when he describes his opinion on constellation and "fate"
One as great as he should have no need for a constellation to shine over him. After all, "fate" is merely the manner in which the present ruler of this world plays with living beings. Now that he has obtained one part of seven of the authority over the mortal realm, and reforged the throne and title of a "Fully Fledged Dragon," he is one strong enough to equal and rival "the human realm," and logic would dictate that he need not subscribe to this system known as "fate."
I think this is another good example that, at the end of the day, Neuvillette's thinking process is closer to Ti than it is to Te. There is a lot of "If Y, then logically following from this premise we can conclude X" when we're actually given the opportunity to delve into his mind. Pierce made the distinction between Ti & Te this way:
→ « Introverted Thinking — judgement based on what is subjectively denoted; i.e. a priori analysis; e.g. “If you accept my definition of 'murderer', then you must conclude with me that Colonel Mustard is one.” »
→ Extraverted Thinking — judgement based on what is objectively denoted; i.e. empirical science; e.g. “We all see the evidence (bloody hands, scene of the crime, etc.) therefore, we must all conclude that Colonel Mustard is Mr. Body's murderer.”
And I think that if we look at how Neuvillette thinks "for himself", beyond his role of judge where he is supposed to follow the laws, he really does fit the former more. Another example I developed somewhere else on his page that even Vautrain's trial shows this tendency imo ! Forgive me for this copy-past and ramble haha, this was in answer to someone asking how exactly Neuvillette could be "impartial" but have a subjective function as dominant, & my answer went like this:
This impartiality & "objectivity" while being subjective is further shown in his story quest. Despite Vautrain being one of the people he is closest to, he does not treat him differently from others in the court. but his judgment is still subjective, as evidenced by the ease with which he considers "different kinds of justice" during the trial. Te users, due to their "inherent" objectivity, often think that everyone with the same information should come to the same objective conclusion, while Ji users do not. Pierce described… Te : “We all see the evidence (bloody hands, scene of the crime, etc.) therefore, we must all conclude that Colonel Mustard is Mr. Body's murderer.” Ti : “If you accept my definition of 'murderer', then you must conclude with me that Colonel Mustard is one.” The way Neuvillette approaches that trial shows that for him, laws are simply a "definition", a logical premise from which a logical conclusion follow in the context of a trial.
Neuvillette: I acknowledge your arguments. Vautrin, your revenge could be seen as a form of justice. Neuvillette: I understand your decision. Which is why I cannot help but feel regret… and even grief about the judgment I must now impose. Neuvillette: However, personal justice does not equate to justice as defined by the law. To execute your plan for revenge, you abused your authority and conducted informal executions. Your actions have thus violated the law. Neuvillette: Therefore, you will be declared… guilty.
Neuvillette personally understands Vautrain's actions, and even "agrees" that depending on your definition of justice, his actions can be seen as just and right. However as the chief's justice, his job is to follow the established laws. And the way he describes that decision is how we can see the use of Ti despite his "following of the laws". Because the way it describes it pretty much echoes the colonel Mustard example. -> Personal justice does not equate justice as defined by the law. If we can agree that this court judges whether actions are just or not depending on whether they follow the law, then we can see that your actions have violated it. This makes Vautrain, according to the law, guilty. This is basically what Neuvillette says, in subtext. And he stays impartial by holding strong to these kind of decisions despite personal feelings on the matter. It's his job, so he follows the rules of his job. What he personally thinks and how he takes decision outside of it though is a whole other matter.
I feel like Genshin has become much less stereotypical & much more interesting in his character writing as of late so Neuvillette is very dear to my heart on that subject ! And he's, as you implied, a very good reminder that MBTI is first and foremost a system that deals with COGNITION and not behaviour. Thus it is how a character thinks, and not its actions, that should be examined to determine his MBTI type. Thank you again for taking the time to tell me here what you thought of my argument, it was unexpected but very much welcome <3 Hope these additions also make sense to you !
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snippychicke · 2 years
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For the Sake of a Smile --Short Four
Title: For the Sake of a Smile-- Short 4: Elsewhere in Walter Park
Fandom: Welcome to Demon School, Iruma-kun!
Summary: Hell on earth was your motto for your job. Granted, you were pretty sure earth really was hell, considering the shit you had seen. And the fact your coworker was a child. Suzuki Iruma, in fact. A kid who’s life was decidedly worse than yours, but smiled despite everything.
And you’d do a lot for his smile. Including summoning a demon and signing your life away.
But as it turns out, hell (The Netherworld, actually) was a lot better than living on earth. Demons were more humane than a lot of humans you knew.
And Iruma’s smile wasn’t the only one that would change your life.
Chapter Four | AO3
Opera was surprised when Lord Sullivan landed beside them, watching as Azazel fought the panther leopard. "Lord Sullivan? What are you doing here?" 
"I saw the newscast and was worried about my precious grandson!" The demon lord answered, pouting slightly. "How could I stay away when my precious Iruma-kins was in danger?" 
That made sense, but only very superficially. "Iruma is with Balam's group." And Sullivan should have been able to pinpoint exactly where the human was, considering both the magic of the Gluttonous Ring and the cologne masking the human scent of Iruma was easy enough to follow.
"Oh, I know," Lord Sullivan confirmed with a smile  and went as far as winking at his security demon "But I have every faith the white gargoyle of Babyls can protect not only Iruma, but maybe impress my dear daughter some more while doing so." 
Opera smiled faintly, their hands clasping together as their tail twitched with glee. "Oh? So Operation: Matchmaker is a go?" 
"Absolutely! Oh you should have seen the way she was smiling at his messages today!" Sullivan pulled out his own phone, showing the feline demon snapshot of you smiling at your phone, simple happiness evident on your face. "Those two are going to be so cute together!" 
"Indeed they will be, sir," they readily agreed. They were happy that perhaps finally, they had found someone appropriately suited to be their kohai's mate. Someone who wasn't perturbed by his skinship habits, or intense love of learning about anything that breathed. 
And you accepted Balam's quirks readily, and even appreciated them. Dare they hope, loved him even for the supposed flaws
Hopefully, you wouldn't be scared off by his physical quirks either. It was easy to tell you found the professor attractive, but you hadn't seen his scar yet either. Or the rest of his demon nature.
"Speaking of which," Lord Sullivan interrupted Opera's silent musings. "Have you figured out which of these lovely demonesses have a thing for our little Iruma?"
"I'm pretty sure all of them, sir. Though Master Iruma continues to be oblivious." 
“I’m glad they can all appreciate how wonderful my grandson is! Though, I have a feeling Asmodeus will be giving them a run for their money.” Lord Sullivan smiled as he watched Ameri land the final blow. “To have the honor of seeing the next era of the Netherworld develop right before our eyes, Opera, is going to be more fun than I thought it would be.” 
Chapter Five
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nelll101 · 1 year
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A Place further than the universe (ep 6, 9, 10, 12)
The comparison between the first set of episodes to the second set of episodes is quite different. We see character development from multiple characters in the show. We see throughout the end of the show that the whole point of the show was to find true friendship and the powerfulness of such. As it relates to capitalism, what I took from it was that no amount of money or consumerism can give you the meaningful things in life. Shirase saved all this money and took a trip to the other side of the world just to find that what she needed wasn't really what she needed. She went there looking for her mother, and instead was content of not seeing her at all. She realized and accepted that her mother would never come back as before she couldn't accept the truth showing character development. This can be compared to Megumi making these lies and telling on Mari because she couldn't accept the truth about herself until, eventually, she came clean to Mari in that one scene. She states, "And because I wasn’t anything I didn’t want you to have anything”. Megumi still yet chooses to walk away from Mari's offer of coming with her because she realizes she needs to learn to live without her, showing some learned independence and character development. 
Shirase believes she has to go where her mom is, “to a place further than the universe”. I'm not sure what she meant by that as she wasn't referring to Antarctica, but she might've meant that she herself has to put herself in a different mindset and mentality (something further than the universe) to fully understand that her mother is gone and reach acceptance. The mind and the universe are both complex systems and by using your mind you can "transcend" to "many universes" (I guess). This seems to be metaphorical as finding her mom in the end was not by seeing her since she was dead, but something she had to realize within her.
Back to capitalism, I wasn't really looking for it in the last set of episodes and missed what was pointed out in class, and decided to try my best to look out for something in these episodes. After watching it, there is none. Antarctica was an escape from capitalism itself and Shirase's journey of finding her mother was something capitalism could not give her.
One scene that was relatable was Mari packing to leave for Antarctica which reminded me of leaving for college. Savoring food from back home that I wouldn’t get here (Mari savoring the pudding drink), taking one last look at my room (Mari doing so as well), etc was exactly what I went through leaving my hometown.
Also something I wanted to bring up, I watched Interstellar recently and some scenes when they were in Antarctica and the title of the show itself reminded me of that movie lol. Shirase still believes her mother is alive and is determined to go see her. She longs and wait everyday thinking her mom will come back and yet, doesn’t. She believes she has to go where her mom is, “to a place further than the universe”. In the movie, Murph feels the same way about Cooper (her father) and Cooper was quite literally somewhere further than the universe. The only difference is that Cooper was still alive but in a different universe while Shirase's mother was dead (unless her mother is still alive only in a different universe than which universe Shirase is living in ??? 😦🤔 To reference the title of the movie, I don't think it was meant to take literally as it is a metaphor so there is no actual place further than the universe her mother is in. There's no evidence in the show to leading us to think this or anything related to time travel like in the movie but just a comparison). Also they’re all on an expedition to Antarctica and in Interstellar they were on an expedition as well (to find new planets to live on).
Overall it was a nice show to analyze the characters and figure out the true meaning of "A Place Further Than the Universe".
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sttheorycraft · 3 years
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There Came an Echo
In Season 2, there's a melancholy, relaxing song that plays in three different scenes: In S2E2 with Will/Mike's Crazy Together scene, then leading into Jonathan tucking Nancy into bed, and then again in S2E7 when Eleven and Kali are just meeting.
youtube
It's called Outside the Realm, and it's from a 2015 video game called There Came an Echo. Synopsis information isn't easily available online, but I just watched a playthrough of this game and wanted to summarize the bits that felt relevant both as context to this song and potentially implications to Stranger Things. While this post won't be a total synopsis of the game, spoilers are ahead (enough to ruin pretty much most of the interesting bits of the game) so be warned.
The Game
So again, this isn't a full synopsis, it's just the bits that I think are interesting or could relate to Stranger Things.
Basically the game revolves around this futuristic technology which is capable of capturing someone's brain state in detail and then at a later time reconstructing it (think 3D printing a brain into a body in the right configuration) such that the resulting clone believes it's the same person that was scanned. So effectively, it's technology that supports save/restore points in consciousness.
An organization in-game develops this technology and then uses it (first just through simulation) to raise a child with the perfect upbringing - whenever anything goes wrong, they just save/restore until it goes right. The end result (which they do 3D print into a body) is this super genius.
Unfortunately, unbeknownst to everyone, they're living inside a massive simulation ("The Realm" of the song's title) and simulating this level of intelligence unchecked would cause such a massive power drain that the simulation would have to be shut down. So some outside forces basically ruin that person's life to reduce the energy drain (saving the other life forms in the simulation from shutting it down).
At some point they escape the simulation and meet the steward of it, who is a creature from some ancient civilization which, filled with existential dread, has basically created lots of simulations to try to bring about other intelligences and add meaning to their world. The creature is kind but fair, and basically a goddess from their perspective. The song plays when they're outside the simulation interacting with this creature.
Finally, the game flirts with religious topics (and honestly, not very intelligently in some ways - it was pretty offensive towards atheists in particular). It dealt a bit with souls, because of course that's the question with this new technology: is the clone lesser because it (the characters assume) doesn't have a soul?
...
Possible Ties to Stranger Things
Honestly, I mostly don't think the game ties in much here, unless I'm missing something. There was however one line in the game that jumped out at me in big, bold letters:
"You can copy her cells, her brainwaves, but she isn't the same. She's just... an echo." - Grace, There Came an Echo
When the characters learn that one of them was this super genius that was 3D printed after being cloned over and over, a couple of them aren't too impressed. Several characters don't think that the clone is the "same" as the restored creature, that it's worth less (because of it lacking a soul seems to be the reasoning behind it).
This is especially interesting to me because even before I got why the game was titled "There Came an Echo", I was thinking that "echo" is a perfect way to describe how I see Eleven's sometimes empty-feeling imitation of others. Like there's something missing there, like she's constrained to produce only what she hears (like a Kenku), in a way that I don't think is simply because of her overly restricted upbringing (though I totally accept I could be wrong, it just feels like a hint).
Then combining it with my theory that Eleven came from the Upside Down, that she potentially died in the water tank, and her psychic reflection became real by passing through the Gate just like the Demogorgon, completely fits with the theme of this game. The version of Eleven we know best clearly has the memories of the Eleven from the tank, but I'm suspecting it's a copy, and isn't completely the same. That the quote above directly fits Eleven.
I guess time will tell...
...
Usage of Beyond the Realm
I don't however see a tie between the video game and the meaning of the song they used in the show. Perhaps Kali is closest to tying into it - the goddess's name is Iris in the game, and right when the song starts in S2E7, Kali's imaginary butterfly cycles through the colors of the rainbow on its wings (yet another rainbow appearance in Stranger Things). But that's only 1 of the 3 times the song was used, and evidently not the usage the show cared most about:
https://www.pcgamer.com/au/stranger-things-season-two-features-a-song-from-this-voice-controlled-indie-strategy-game/
"It's funny because the show is developed under a code name and while the description of the usage is in the contract, it's really super vague, so even with 'context' I didn't really know anything.  Stuff like 'two friends are talking and comfort each other.' So you can imagine how thrilled I was when I learned that the mystery show was actually Stranger Things 2."
If I were to summarize what the three scenes have in common, it seems to be about like someone's missing half. There's also a longing there I think. And there's ambiguity (in this context alone) with Byler vs Mileven there, because the song kicks on when Mike is speaking about Eleven.
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llendrinall · 3 years
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I'm with you on how terrible we found Fantastic Beasts. Now let me ask, how would you have written/built the Fantastic Beasts storyline?
I have not watched the 3rd movie so it’s possible that they have managed to turn it all around, but to start with I would give some actual connection to the movies beyond the title and characters. Otherwise it just feels like those children books: “X goes to the park”, “X in the supermarket”, where we see the same people in different situations but they are disconnected from each other.
I probably would have gone a different route all together, but suppose Warner has already hired the actors and started building the sets so we must use at least some elements from the movies. In that case I would make a story of discovery and reflection in three parts, with narcissism being the main theme.
First movie
Newt goes to NY with his magical bag. Most of the film is the same, but we get a sense of Newt being less childish (less painfully obvious and thinly surreptitious wand waving around muggles) and a bit more selfish. However, we should like him more for it.
Newt is, to the society of the time, completely mental. Rather than going on hunts and collecting trophies, he is recuing animals! I would emphasize that the animals he keeps have been compromised and can’t be safely returned to their habitats and since conditions and wizarding zoos are deplorable, he keeps them with him. The exception is that thunder bird he has come to release.
And that’s his goal, releasing the thunder bird, which he pursues with extreme focus. He doesn’t care about anything else which is why he is so open to Jacob the Muggle. Newt could be imprisoned* and Jacob would be obliviated into a stupor, but Newt doesn’t care about personal risks so he doesn’t care about the danger he poses to others. He is selfish that way. A generous kind of selfishness, sure, but dangerous.
I’m sorry, but the President of the MACUSA is not a woman nor a POC. It must be a white man surrounded by white men, one of whom might be either Catholic or Jewish and that’s all the diversity you see. Are there POC wizards? Yes. But not in positions of power. There is a bigger emphasis on the separation of wizards and No-Maj, with waaay more surveillance and harsher punishments. Suspicion alone may be enough to break your wand in some cases.
* And that’s how I could believe that POC wizards and witches (WWs from now on because “magicals” sounds weird) aren’t intervening in muggle spaces. They must be suffering similar levels of racism. They are tolerated, maybe they have better prospects that POC muggles, but that’s it. I can’t believe none of them would show some solidarity to the Non-Maj, unless it meant being summarily executed.
(Oh, and there would be this scene in which we see law-abiding and conscientious Tina stalking the house of an African-American muggle family. Nothing is said of it, other that Tina used to work with a muggle-born partner but now she works alone. Keen-eyed viewers will notice some hoodo trinkets in Tina’s flat, and a photograph of Tina with an African American woman, and then we will know).
I don’t remember Credence’s storyline very well, but it doesn’t matter. What is important is that Graves (powerful white man Graves) develops some sort of empathy. He doesn’t want it, but it’s there in his heart now. Maybe something with Newt’s animals. Some “beast” (look at how they say beasts and not animals) should have maimed and eaten Graves, but doesn’t because Newt is there in all his animal-loving glory. Graves gets to see the monster as merely a scared and hurt animal and learns to treat others with some decency and kindness.
That would be a nice classic movie, (prejudiced man gets over himself), but we can’t end it here. I would even allow for Tina’s scene stalking the house to be cut in order to have time for the climax: the moment when Graves realizes his society and his government may not always be right and defies direct orders by helping Credence. As I said, I don’t remember what the deal with Credence was, but Graves fixes it. There will be a personal cost to his career, but losing a promotion is nothing compared to saving a life, which is what he does. No ambiguous explosion or cloud of smoke. Credence is evidently and irrevocably safe at the cost of Graves being demoted.
There is no Gellert Grindelwald whatsoever, except maybe some government secretary mentioning they like that guy from Europe.
Second movie
Set in London rather than Paris. Newt receives the visit from a lovely, lovely, gentleman who, as it turns out, doesn’t think Newt is a fool. The charming gentleman asks Newt about the dragons, specifically the ones in Gringotts and oh, oh, Newt is against it. It’s abominable and unethical. But Newt would rather not think too much about it because, what can he do? He would rather focus on helping those he can and on spreading his thoughts on animal conservation. He is publishing a journal, although he admits it doesn’t do too well. He has twelve subscribers and seven of them openly mock his papers during dinner parties.
The charming gentleman says, but what if Newt could do something about it? What would Newt be willing to do? Would he break the law?
Newt laughs. He is forbidden from leaving the country. He is no stranger to jumping, crossing, tampering or breaking the law.
Marvelous! The charming gentleman reveals that he, like Newt, is unhappy with their society. It is weak and corrupt* and someone must do something about it. They have to fix it.
So the charming gentleman introduces Newt to some other like-minded friends and together they plan a heist to get into Gringotts and release the dragons. It is time to build a society one can feel proud of!
We get the heist, which is clever and delightful. The charming gentleman is brave, smart and powerful with his magic. There is a moment when some of the co-conspirators, and even the charming gentleman himself, get inside some vaults. This is not what they had planned! Not at all. But the charming gentleman assures Newt that he has good reasons.
They get out. And here comes the Nagini moment. Meaning I really, really, really, don’t need to see an Asian woman condemned to whatever that was in the second movie. I don’t need to have beautiful Neville kill a woman who has been turned into a snake and then a Horcrux.
But, do you want an “oh no” moment? Here it comes.
Because of the heist, Gringotts revises their security measures. That poor dragon in Deathly Hallows? The one with scars who had been conditioned to fear a certain sound? Newt’s fault. And the charming gentleman doesn’t care.
We have established in the previous movie that Newt is somewhat selfish and short-sighted. He rejects his society and cares only about his animals which is very nice. Newt is well intentioned, but that is not enough. Not caring about politics is the privilege of those in the elite (and despite Newts’ eccentricities he is very much the elite). The previous movie had Graves’ awakening. The man discovering something about himself in this movie is Newt.
Newt realizes that he must be an active participant in society. Sadly, he only realizes it after he has helped Gellert Grindelwald steal a number of very important artefacts as well as some gold to fund his project to reform Europe.
The epilogue of the movie has Albus Dumbledore visiting Newt, telling him not to be too hard on himself because he, Dumbledore, also fell for Gellert lies. And if Newt wants to do something about it, Dumbledore has some ideas.
* History fans might not realize immediately, but hopefully they will catch on the fact that all of the beautiful arguments from the charming gentleman are about weakness of the state, which is a common fascist trope.
Third movie
In which characters from previous movies are brought back without having to completely destroy their personalities.
Graves is in Europe and he pays a visit to Newt to ask for his help. Graves is using his new found empathy (that he didn’t want) to investigate a series of highly suspicious murders and incidents. The victims were all Latinas so it was dismissed, but Graves thinks there is something.
Two scenes later in comes Tina, who has quitted her job in order to track the murderer of some friend’s friend. An African American child is dead, no it was not the No-Maj, it was someone else, someone who wanted to cover their tracks and leave no witnesses and Tina is going to eat their heart.
Is it possible that Graves and Tina are after the same person? Yes and no. It is two different henchmen but Dumbledore has no trouble going beyond the small picture to see the pattern. He knows Grindelwald always had an interest in powerful artefacts, not just the Deathly Hallows.
Grindelwald has stolen the Macguffin, a powerful artefact belonging to a Latin-American community. With that and the Elder Wand he will be unstoppable. Oh no!
But! Newt realizes there is something missing. The raven is not a symbol of death in all cultures. Grindelwald might not fully understand what he has taken or how to use it.
So Graves and Tina go fight Grindelwald’s organization and be awesome together, delaying Grindelwald’s big coup. Meanwhile, Newt illegally leaves the country, goes back to NY, takes Queenie and deploys her. Because Queenie is nice. She plays the vapid pretty woman, but she is above all nice and if someone can make a hurt and distrustful community open their door to strangers, it is going to be Queenie with the help of Jacob’s bread.
And, indeed! They succeed. The bruja Latina explains about the Macguffin. Grildelwald doesn’t understand what he has stolen. It is not meant to be used like that at all.
They go back to Europe quickly, Newt relays this information to Dumbledore and he steps to his duel with Grindelwald armed with the knowledge and insight that comes from showing some measure of respect to other people for once.
(And if it seems that Dumbledore’s victory rests on other people’s work, well, Dumbledore’s main trait is his ability to earn people’s trust and devotion. But I guess Newt and Queenie could have brought the bruja with them and after a nice chat with Dumbledore she agrees to share their secrets with him, so he has the opportunity to show he is different).
Rather than having a man realize something, this movie is about the consequences of not opening your eyes: Gindelwald’s fall. It would also nicely establish Dumbledore’s best manipulative traits. If we must have het couples, Tina saves Newt’s from some mook and taker a kiss. Graves goes with the pretty Lestrange, I guess, to have a long life of morality sanctioned crimes.
(A TV show. Twelve episodes. Cancelled after the first season. Graves and Lestrange are back in the States helping oppressed communities and dodging the MACUSA and whatever the equivalent of the FBI was back then).
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iatethepomegranate · 3 years
Text
We are not alone in the dark with our demons, Chapter 10
In which Caleb buys a house in Rexxentrum with Beau and Yasha, becomes a professor, is showered in love and support, learns how to be a person again, and tries to protect those like him from going through what he did.
Content warnings: Panic attacks, vomiting, Caleb's backstory
Chapter summary: There's not a lot Caleb can do right now, but he can teach a hurting teenager a new spell and reunite him with his very much alive parents.
Chapter notes: I 100% believe that Astrid knows the Nein call Essek "Hot Boi." Chapter title is from Ghost by Jacob Lee.
****
Chapter 10: And I'm just a stranger who could be a friend
The first thing Caleb did was flip to the page in his spellbook where he had transcribed the Sending spell. It was far into the book. As he pulled out his copper wire, Felix made a sound of surprise.
“You learned this recently?” asked Felix.
“Ja, I travelled with a cleric friend for a long time who had the spell,” Caleb replied. “Not Caduceus; he was there too, though. Jester seemed to enjoy casting it at everyone, even mere acquaintances, so I never saw the need for it.”
“What made you learn it?”
“Jester insisted a few weeks ago, so I could talk to her while we were apart. I knew another wizard who could teach me, and we were spending a great deal of time alone together exploring Aeor, and exchanging theories.”
Felix, despite his distress, was absolutely smirking at Caleb and he was not about to deal with teasing from an actual child. “So… exchanging theories in Aeor? Is that what old people call it now?”
“Hush.” Caleb ran Felix through the basic somatic motions of the spell, before demonstrating it himself. “Hallo, Caduceus. I am teaching Felix the Sending spell. It will take a few hours. Let me know if anything happens.”
“Hey, Caleb. Beau has the monks looking for Nico. They’re playing nice with the Volstrucker, apparently. Don’t miss dinner.”
“Right, so you can have a single two-way exchange out of the one casting,” said Felix. “What’s the word limit again?”
“Twenty-five words. Now, this is a third-level spell. It will take some effort for you at the moment.”
“I’ve been to school, Bren. I know what spell levels are.”
“Call me Caleb. Or Professor Widogast, if you prefer. I do teach here now.”
“Fuck off.”
“Caleb’s fine.”
Felix rolled his eyes. “Whatever, Professor.”
This was better. Caleb could work with impetuous children. Most children he knew were like that. Caleb could tune his behaviour to whatever Felix seemed to find most calming. Or at least distracting.
Felix had great attention to detail, methodically copying out Caleb’s transcription of the spell and yet still finding excuses to make fun of Caleb along the way. It was comfortable, more than Caleb had expected. Felix only knew him by reputation, and one put forward by Trent, no less.
Maybe it was the shared trauma. Maybe it was the fact Caleb was teaching him something. Or because Caleb, despite being a professor here, wasn’t trying to inhabit a position of authority over him in the way Trent had.
Snacks were delivered to the room about halfway through the process. Felix paid it little mind, and that was painfully familiar.
“Felix.” Caleb could not believe he was enforcing a break. That he had become the kind of person who would pull a focused wizard away from study for mere human needs such as food. But he was responsible for Felix, at least for now, and that was a frightening pressure.
“Busy.”
Caleb closed his own spellbook, taking away Felix’s source for transcription. In its place, he put a bowl of fruit. “Eat.”
Felix paused, his pen hovering over the page, frowning. Then he slowly set it down and sullenly grabbed a plum. Caleb sat back against the wall, nibbling on a handful of grapes.
“Don’t forget to stretch before we get back to it.”
Felix rolled his eyes. “Why are you like this?”
“Listen, I’ve had many people do this for me in the last year alone. So I’m paying it forward, and you are going to accept that.” Caleb tried to throw a grape into his mouth, and missed. He grabbed it off the floor and popped it into his mouth. Chewed. Swallowed. “It’s good for you.” If any of the Nein had heard him say that, they probably would have fainted from shock. It was easier to give this advice than to follow it himself.
“I can see why Trent fucking hates you.”
Caleb snorted. “Oh, this does not scratch the surface of Trent’s problems with me.” He threw another grape, catching it in his mouth this time. “Did anyone tell you what my friends and I did to him?”
“No.”
“Well, he tried to ambush us at Caduceus’s family home. One of my friends may have ‘acquired’ evidence of his experiments from Vergesson, and he was upset that I refused to entertain his ego while busy with bigger problems. By the time we were done with him, Astrid and Wulf were on our side, my friends had permanently glued a silencing collar around his neck, and used the leftover glue to stick his hands together. And that glue was in the shape of a dick.”
“Bullshit.”
“Ask Astrid. She activated the collar. Or Beauregard. She put the thing on him.”
Felix had that look of a teenage boy who was trying not to look impressed, hiding it behind a veneer of sarcasm. “Okay. I will.”
They finished their break, stretched, and got back to it. Felix was clever, eager to learn. It brought back memories for Caleb. Good memories, as tainted as they now were. And as much as he was worried for Nico and grieved for what had happened, he was also indescribably relieved they had been able to stop Felix. If he could help Felix reclaim even the smallest amount of good from his stolen childhood, he would take that as a victory.
Astrid looked in on them as Felix practiced the somatic motions around his copper wire, his muscle memory already secure. With a few minor corrections, he would be ready to cast.
“Almost finished?” she asked.
“Almost,” said Caleb. “Felix, that was very good. Just watch that you fully complete the motion right at the end, and hold it until you finish speaking your message. With time, you can find your own method.”
“You learned this method from your special Aeor friend?”
Caleb sighed. “No, these somatic components are developed from watching several casters perform the spell. My colleague provided the basic framework to learn the spell, but his somatic components are more intricate than my own.”
“So he’s your fancy special Aeor friend.”
Astrid chuckled. “It’s not the silliest nickname he’s had. Now, focus. The Martinet is sticking his nose in our business and we need to get you out of here.”
Felix wordlessly practiced the gesture again, meticulously correcting his errors. He ran through the motion a few more times, becoming more confident each time.
“I think you are ready,” said Caleb. “Remember: twenty-five words. Consider them in advance. It may be worth telling Nico he can reply to you.”
Felix nodded and closed his eyes, counting on his fingers under his breath. And then he cast. “Hey, Nico. It’s Felix. I heard what happened. I’m okay. They stopped me. I hope you’re okay. You can reply to this message.” The barest pause. “Love you.” Felix held his breath, listening out for a reply.
Caleb let him have ten seconds, before breaking the news. “Felix. If he has not replied yet--”
“I know,” Felix muttered. He grabbed his spellbook, hugging it to his chest as he deflated, and Caleb’s heart broke. “Just… get me out of here.”
****
Astrid’s teleport brought the three of them back to Blumenthal. The path was muddy from yesterday’s storm. Felix gripped his spellbook tighter, raking his eyes over the buildings around them. The way he held himself, shoulders hunched, inches from bolting, reminded Caleb far too much of himself mere months ago.
“Felix,” he said. “We need to speak to your mother and father, but we will not put you in a situation you do not think you can handle.”
“I don’t know if I can do this.” And wasn’t that just painfully familiar. They had barely made it a few steps before he froze, closing his eyes against the vision of home.
Astrid looked to Caleb, silently begging for him to do something.
“Felix,” said Caleb, completely panicking on the inside, “we will not force you to do anything you don’t want to. Okay? Let’s walk for a bit. Take deep breaths. If we reach your house and you don’t want to go inside, I will stay with you and Astrid will talk to your parents. Is that all right?”
Felix nodded, and he took a step. Then another step. And another. They walked together down familiar but unfamiliar streets. They were in a different part of Blumenthal than they had been yesterday. Caleb blocked out most of it, concentrating on getting Felix through the next few minutes. His own shit did not matter right now.
Felix’s body language remained tense. His head stayed down, barely keeping an eye on where he was going. His fingers flexed around his spellbook. And Caleb was planning. A hundred different options.
Caleb refused to force this boy to face his parents before he was ready. If the time came, and he couldn’t do it, he would need somewhere else to go. Somewhere away from here. If Astrid allowed it, there were a few options. Veth in Nicodranas would take Felix if Caleb asked, but he wasn’t sure if Felix would feel comfortable being around a family like that, especially with a small child. Or Felix could stay at the Lavish Chateau, but Marion was a busy woman who had been through enough on Caleb’s account. There was the Gentleman’s hideout, but Caleb wouldn’t want to leave him alone there. He could take Felix to the Blooming Grove, where the Clays would willingly care for him, but taking a boy who almost killed his parents to a graveyard was possibly not the best option.
There was Reani, wherever she was, but he wasn’t so sure that Felix could handle her on his own, or that her rigid morality had shifted enough to take him in without killing him if she found out even a fraction of the shit he did while under Trent’s power. Taking Felix to Nila and her young family, who Caleb believed had returned to her clan, would bring up many of the similar issues as taking him to Veth. And the Guiatao clan had suffered greatly at the hands of the Iron Shepherds, including many deaths, so Caleb wasn’t sure that would be a good place for him to cope with nearly killing his own parents.
And Caleb was not putting Felix on a pirate ship, so that ruled out Fjord, Jester and Kingsley.
They could always bring Felix back to Rexxentrum and he could either stay on Astrid’s estate (possibly too traumatic) or with Caleb and the lesbians, but Ludinus was poking around and that could get messy. Not to mention the whole “harbouring a Drow fugitive” thing.
Caleb circled back to Veth. If Felix could handle it, he would feel most comfortable taking the boy to her if he wasn’t able to go home. Caleb hadn’t told her what happened yet; he was not looking forward to that conversation. Even if it would help him in the end.
Of course, this all depended on Felix. If he agreed to go home, this would be irrelevant. But Caleb felt better having come up with a plan.
They reached a quiet street. Felix headed to the house at the far end, partially concealed by a granary. Caleb thought, with faint nausea, that even the physical isolation of their parents’ homes could have been a factor for Trent.
Felix made it all the way to the small vegetable garden out the front of the house, but faltered between the carrots. He stared up at the modest house. A single-storey affair, small even for a family of three. The front door was painted cherry red. The boy’s lips parted; no sound came out. His eyes traced the features of the house - the red door, the two small windows, the thatched roof in need of maintenance.
A woman’s face appeared at the window. And the door flew open.
“Felix!” The woman ran out of the house, and Caleb was just barely able to take in her simple dress and heavy coat, blonde hair gathered in a loose bun. But as she got close, Felix stepped back, wide eyes fixed on her face, as she spoke in rapid Zemnian. “No one has heard from you in weeks. Where have you been? Are you okay?”
“I can’t do this.” And he was backing away. “I can’t.” He tore his eyes from her, and ran.
“Go after him,” Astrid told Caleb. He wasted no time chasing after the boy. Caleb had run from a great many things in the past few years, but he was not the fastest man alive. But he was fast enough.
Felix barely made it around the granary before he collapsed into the grass. Gasping for breath.
Caleb knelt beside him. “Felix, listen to me. You’re okay. Slow down, breathe. Let the air fill your lungs. Feel the grass beneath your hands.”
Felix dug his fingers into the dirt, gulping in air. He was listening, at least. Being on the other side of this was not especially familiar to Caleb, but he had coached Essek once or twice. He could do this. They could do this.
Of course, Felix barely knew him, so it wasn’t like Caleb could just hug him. That would probably make things worse. So he would have to use his words.
“Felix, you got this. How does the grass feel?” Caleb gave Felix a moment to process, and then he supplied options, taking a pause between each. “Is it dry? Wet? What colour is it?”
Felix coughed a little, sucking in a shaky breath. “Wet. Green.” His hand slid across the grass. “Short. Muddy.”
“Good.”
Felix leaned away and vomited onto the grass. Then he staggered to his feet, grabbing Caleb’s shoulder for support. They moved a little further from the house, and Felix leaned against the granary, knocking the back of his head against the wood. And he laughed, that kind of unhinged, hysterical laugh that was not funny at all. Caleb knew it well.
And then he was in tears. Caleb reached for his shoulder, carefully, and Felix didn’t shake him off.
“I was going to kill her,” Felix said quietly. “If you hadn’t… I almost murdered my parents. I love them. I love them… and it didn’t matter. I was going to… oh gods....”
“Felix,” Caleb said, and did a very poor job hiding the tremor in his voice. “I am so glad we found you.”
“What the fuck does it matter? I would’ve done it.”
“Felix, as somebody who did… it matters a great deal.”
Felix stared up at him, eyes wide and wild.
“I will not force you to go home if you’re not ready,” Caleb said, pulling his voice back under control. “All I will say is this: I would have given anything to see my mother and father again. I almost did. And I know it hurts to look at your mother, knowing that you were going to end her life because of a lie. But you didn’t. She is still here. So is your father. And you have time to heal, all three of you.”
Felix wiped his face on his sleeve, cleared his throat. “Okay. Danke.”
***
Astrid was seated at a small dining table with Felix’s mother and father. Nobody got up from the table when Caleb brought Felix in, though it took visible restraint from his parents. Felix took after his mother--blonde hair, blue eyes, soft features--but he was closer to his father’s build.
The father tore his eyes from Felix with visible effort, and when his gaze fell on Caleb, he froze. And Caleb recognised him, and his wife. Friedrich Schneider and Louise Fischer--probably Schneider now. They were a few years older than him, but he could recall playing together as children.
“I heard you were back,” said Friedrich. “You were helping Nico out yesterday, ja?”
“Ja, I was there,” Caleb said carefully. “As were Astrid and Wulf.”
Louise pulled out the chair next to her. “Felix, come here.”
Felix, still gripping his spellbook like a lifeline, shuffled over and fell into the seat. Caleb sat next to Astrid on the opposite side of the table to the family.
“I have given some details of Master Ikithon’s arrest,” Astrid told him. “We were just about to discuss options for support. If you would?”
“Ja, of course.” Caleb compartmentalised his old memories and focused on the task ahead of him. “We are organising a support group for Ikithon’s former students. We are still nailing down those details, but we will be sure to pass them on. I have also been appointed as a teacher at Soltryce Academy, and we are hoping to put the students back into school when they feel ready.”
Louise and Friedrich grasped at Felix, who curled in on himself but did not complain.
“We just got him home,” said Louise. “After everything Astrid has told us, why would we let him go back?”
“The students in Felix’s position are at a delicate stage of development,” Astrid said, with little inflection, and Caleb sensed she was compartmentalising as well. “They are quite skilled, but have lost the guidance they had. That is dangerous. Good or bad, Ikithon was…” She sighed, and the mask melted away a little. “He engineered this situation. We were dependent on him. Even those whose families still live. Bren, you have been out of his influence longer. Do you have thoughts?”
“Ja, I do.” Caleb had spent his fair share of time soul-searching in the past few weeks, as well as the past year as a whole. “Ikithon shaped each of his students in a very specific way: patriotic to a fault, willing to do anything to get the job done, and unfalteringly loyal to him. It is a gradual process. By the time you realize it is happening, you have already done terrible things at his command. For most, there was no way out. My situation is unique, because I was able to escape in a rather dramatic fashion, but it has taken years to shake off the influence he had on me. I was alone and homeless for most of that time, and let me tell you: almost every fragment of positive change in me happened in the past year, because I had a support network. I found people who cared about me, and they learned how to help me. It was a group effort. I am now in a position to offer that kind of support to others.”
“Say we let him go back,” said Friedrich. “Will he have to live in that place?”
“Not all the time,” said Astrid. “You are not far from Rexxentrum, so I do not see a problem if he wishes to come home regularly. Bren and I both live off-campus if he needs a break but cannot make it to Blumenthal.”
“You do not need to decide now,” said Caleb. “The seniors do not start for another few weeks.”
“We’ll think about it,” Friedrich said flatly. “What happened to Nico?”
“He did it,” Felix said quietly. “Had a breakdown. Ran the fuck away.”
“We have people searching for him,” said Astrid. “Bren taught Felix a spell to talk to him, if he likes.”
“He prefers Caleb,” Felix muttered.
“Danke, Felix.” Caleb had not expected Felix to speak up on his behalf, not when he had his own shit going on. “Astrid gets a pass and, well, your parents knew me when we were children. I go by Caleb Widogast these days, but I will answer to either name.”
“Why the change?” asked Friedrich, still in that flat tone of distrust.
“I went by many names after I escaped Master Ikithon,” said Caleb. “For safety. I gave that one to a woman who eventually became my best friend. Now, it’s my name. But, for you, I don’t mind.”
Both Friedrich and Louise did not look trusting. At all. A mere muscle twitch from openly glaring at Caleb and Astrid, really.
Louise sighed, and some of the hostility dropped. “Thank you for bringing Felix home.”
“We will check in regularly,” said Astrid.
“Felix can message either of us with the spell I taught him,” said Caleb. “If he so wishes.”
Things were too tense to continue much conversation. Caleb and Astrid said their goodbyes, and left. They did not speak, except for Astrid’s short incantation to teleport them back to Rexxentrum.
They landed on the outskirts of the Shimmer Ward. Astrid immediately combed her fingers through her hair, hands shaking.
“That was…” She groaned softly. “Thank you for coming. I will keep you updated on the search for Nicolaus.” She turned on her heel and marched deeper into the ward, pausing for a split second, before she continued onwards without looking back.
Caleb slowly worked his way back to and through the Tangles until he was home. He couldn’t fault Astrid for being distant right at the end. The last twenty-four hours had been intense for everyone involved.
It was close to dinnertime as he reached the house. He entered his side and shut the door, leaning against it as the strength left his body. He’d done it. Today had been two-thirds of a shitshow, and he had made it through.
Felix was home with his parents, and he had the means to contact Nico, and Caleb himself, if he wanted. That was a win.
Nico, however…
Caleb knew, intellectually, that it had been a freak occurrence. A series of imperfections had tangled together into a knot, and that knot had been Nico’s escape. Almost every wizard in that room had more than one try at countering Nico’s spell, but they had not been unable to unravel it. Nico, empowered by panic and grief, had thrown all he had into a powerful fireball, and had the adrenaline to power through what should have hurt him a great deal.
Caleb hoped he was okay. Physically, at least. Psychologically, Caleb knew he wasn’t.
He sat on the floor, resting his back against the door. And he tried something. Coil of wire in hand. “Hello, Nicolaus. This is Caleb Widogast. You may know me as Bren Ermendrud. I was with you today. I’m sorry we frightened you. Be safe.”
He didn’t expect a response, and he did not receive one. A small part of him feared Nico wasn’t responding because he was dead. It was all too likely. There was no way he hadn’t been injured in the blast. Once the adrenaline wore off, the pain could’ve taken over and left him vulnerable to any number of attackers.
Gods, if after all this, Nico had died on the side of a road…
Caleb was tired. But he forced his fingers to cooperate, and worked through another casting.
“Me again. I want you to know: Trent Ikithon is in prison for what he did to us. You’re welcome in my home, when ready.”
Again, no response.
“Caleb?” A form slid into view at the top of the stairs, blending into the dark, but Caleb knew Essek’s voice anywhere.
“Ja,” he said, with the remaining strength he had. “Felix is home. We have both tried to message Nico, with no response. I…” He didn’t want to speak it into existence, so he shifted the morbid statement on his tongue into something more positive. “I hope he’s alive.”
Essek floated down the stairs and sat beside him, squeezing into the remaining doorspace. “If he's anything like you, I would expect nothing less.”
“Danke.” Caleb dropped his head onto Essek’s shoulder, and let himself rest.
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author-a-holmes · 3 years
Text
Underwing Challenge Day 3
"Who is your main cast? Describe as many of your OCs as you can cram into one post."
(Event Link) - (Day One) - (Day Two)
As many as I can cram into one post? Whooo-boy, you have no idea what you've asked for <3
Because Stolen is a Fantasy Romance, it's written in Third Person Close/Limited from the points of view of Stella Korazon and Reilly Mosswolf.
Stella Korazon
"Loving someone forever is the easy part, so long as you actually love them in the first place." - Stella
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At the start of Stolen, Stella is a young but very talented thief. She was raised by her Da', Colm Korazon in a wagon that they used to travel the East Coast caravan route of Moryann.
Her greatest skills include being able to read a persons body language, and her pick-pocketing. She was taught how to fight, but her preferred reaction is to evade, dodge, run, or a mixture of the three.
Physically she's small. Short, and very slim, and with long blonde hair to her waist/hips and large blue eyes that make her look younger than she is, a look that she often uses to her advantage.
Stella's also a very good mimic, she can copy people's patterns of speech and behaviors as long as she's given sufficient time to study them.
Her biggest disadvantage is innocence. While Stella isn't naive to the dangers of Moryann, or the darker sides of the world she lives in, her Da' always encouraged social isolation. Teaching her to trust him, herself, and no one else. This makes for a strange dichotomy to her character that I enjoy playing with where she might be able to flirt with a mark and fluster them enough to rifle through their pockets unnoticed, but blush and stumble when being on the receiving end of genuine thanks or kindness.
Reilly Mosswolf
"You're in trouble, and I can help. Do I need more of a reason than that?" - Reilly
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Reilly's parents were murdered when he was very young. He's elven, so very young for him was around 22 years, the developmental equivalent to mid-teens.
After his parents death, Reilly had his younger sister to look after, so he took to stealing. He was rather bad at it, and was caught. Luckily, for him, but the Guild Master of the Antillune Thieves Guild, Aldune Lamuird.
Instead of turning Reilly over to the guard, he took Reilly and his sister into the guild and looked after them, training both siblings himself when they expressed a desire to learn the trade.
At the start of Stolen, Reilly is 252 years old, and the current guild master having inherited his position from Aldune. Despite that he, and the guild, are in trouble.
For the previous year or two, there has been a rival guild from the Western side of Moryann beginning to encroach on the Antillune Guild's territory and while it hasn't yet escalated to an all out war, tensions are building.
Not least because around 6 months prior, Reilly's sister was found dead, having been clearly tortured. While Reilly is sure that the rival guild are responsible, he has no evidence and won't put the thieves under his protection at risk for a personal vendetta.
Physically, Reilly has the black eyes and sun-burnished skin of his mother's Desert Elf heritage. He also has black hair that he keeps shoulder length, and a scruff of a beard that helps give a messy edge to a face that would otherwise stand out in a crowd. He also has the traditional Forest Elf tattoo's that span from shoulder to wrist along his left arm; His family history written in elven.
His strengths are his experience, and his willingness to listen to opinions and advice other than his own. Reilly is a strong fighter, and Aldune taught him to carefully balance the racial specific talents of both his parents bloodlines, and to use them to his advantage. He has the powerful blows that belong to the forest clans, but the speed of the desert elves, making him a formidable opponent before he even picks up a blade.
Reilly's biggest disadvantage is his fear of losing people. Over the years, Reilly has lost almost everyone he's ever loved or cared for. His parents, Aldune, his sister Eryn, even a lover or two. He has an inner circle of people he relies on within the guild, six people he trusts above all others, but his best friend and the only one truly able to get through to him is Dara Brookor.
Reilly uses nicknames and pet-names to distance himself from his guild members, giving the illusion of closeness, but using the affectionate names to distance himself, and make sure he can't put a real name to a face should one of the people under his protection turn up dead.
It's when Reilly begins to use a person's real name, that they've truly begun to worm their way under his armor.
***
Stella and Reilly are surrounded by a small supporting cast, each of whom has a very important part to play in either the main characters lives, or the main plot, although that may not come to fruition within the first book...
Dara Brookor
"So you're trying to tell me that, when you realised you were developing a meaningful connection to a person you have known for less than a decade, you didn't panic, pull back, and avoid them like a complete moron?" - Dara
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Dara runs most of the administrative side of the Antillune Thieves Guild. She handles all the records, job allocations and thief payments, and is also responsible for pairing up thieves whose skills will compliment each other.
She's also the best friend to Reilly Mosswolf. She met Reilly, and his sister Eryn, when they were attempting to steal from one of her clients. Before joining the guild, Dara ran a brothel in Antillune, and when Eryn Mosswolf tried to disguise herself as an employee to get close to her target, Dara interfered in an attempt to protect her staff.
Once the situation was explained, she ended up helping Eryn and Reilly with their job, and occasionally passing along information on good targets if a client tried to skip out on their bill.
Dara is over six feet tall, and almost half as broad, which is the only sign of her part ogre heritage. She has honey-blonde curls that she keeps cut to her jaw, and dark blue-green eyes.
She made good use of her imposing form to keep her staff protected and her clients in line, but eventually her establishment was set on fire by a competitor, which is when Reilly asked her to work for him instead, in the administrative side of the guild.
The fact that it meant Reilly got out of most of the paperwork was, he swears, simply a bonus.
Dara's strength is her ability to connect with people. While she isn't a thief, her long history in Antillune has given her a network on contacts across the city that feed her a steady supply of information, and Dara can quickly utilise those contacts to seek out any specific leads she or the guild needs.
Her weakness is that she doesn't want to think badly of anyone, and it can cloud her judgement. She doesn't automatically look for deceit and deception, which has often led to her finding herself in dangerous situations.
Thankfully, Dara strikes an intimidating form, can curse like an Antillune sailor, and knows how to wield blades well enough to back up her threats.
Myris Orinan
"I am not the youngest graduate from the college of Wizardry in nearly two centuries for nothing." - Myris
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Myris Orinan is, simply put, a genius.
A forest elf in possession of extremely powerful elemental magic, Myris is one of only 3-4 people in Moryann who can control all four branches of elemental magic and manipulate them simultaneously to access the rare Kurro or Healing magic.
He completed his training at the College of Wizardry in less than 100 years, making him one of the youngest graduates to ever complete the training and he is also passable-to-fluent in over ten languages.
Myris is also entirely mute.
Married to Tanar Orinan, the pair met when Tanar had been hired to steal something from the library in the College of Wizardry. Myris discovered the thief, mid-job, because he'd been working late into the night and bound Tanar before demanding an explanation for his presence.
Tanar agreed to surrender the book, and forfeit the contract, in exchange for being allowed to court Myris and the pair were quickly inseparable.
Due to this close association with the Antillune Guild, however, Myris was attacked, kidnapped, and tortured for information on the guild, and on Reilly Mosswolf in particular.
Even though, at the time, he had no knowledge to give, his attackers punished him for withholding information by forcing an alchemical mixture into him that burnt away his vocal chords, effectively rending his magic useless as it's commonly accepted that without the ability to speak a spell, spellcasters and wizards are rendered powerless.
Myris proved everyone's theories on elemental magic wrong however by slowly developing his own language using hand positioning and finger shapes to communicate words and phrases, and with practice and strength of will he gradually taught himself how to cast spells with a non-verbal trigger, instead of a spoken one.
While Myris has physically recovered as well as he can from the experience, and his magic is as strong as ever, despite requiring more effort to cast non-verbally, Myris has been left with a powerful hatred of Vine, and an ever encroaching fear that such an attack will happen again.
After his recovery, and several assessments by the College to prove that he could continue to retain his Wizard title, Myris moved to the Antillune Thieves guild to work as their wizard in residence, providing wards and magical services to the guild in exchange for a modest fee and even working to create unique items to help the guild function better and to keep its members safer.
Myris does not leave the Guild grounds without Tanar by his side, and even then only in exceptional circumstances. If he is required to leave the guild for any reason, it also tends to leave him with nightmares for several weeks.
Honorable Mentions
I had some others I was going to do but this is so long already, and I'm already 7 hours into Day Four that I'm pushing them into an honorable mentions section instead.
Tanar Sotor Orinan, Indre Larieth, Lurall Penrith and Nilion Kurez are all additional members of the guilds Inner Circle.
Tanar is half plains elf and half human, and is married to Myris. He used to be the thief partner to Eryn Mosswolf after Reilly was made guild master.
Indre Larieth is a half-elf who was recruited by Nilion Kurez, but has remained steadfastly loyal to Reilly for many years. Due to her Snow Elf heritage she can appear stand-offish and cold, but she cares deeply for her chosen few, and will go to extraordinary lengths to do whatever she thinks is nessecary to protect them.
Lurall Penrith was once trained by the Ikhari guild of assassins. It wasn't a path he chose, but instead of running her decided to become good enough that the guild would have no choice but to allow him to leave. After he met Reilly, he leveraged the backing of another guild to convince the Ikhari to let him walk away. Lurall now runs the Guild Outpost in the Western Desert, but frequently visits Reilly in Antillune.
Nilion Kurez is a Forest Elf, and has been a member of the Antillune thieves guild since Aldune Lamuird founded it. He helped write many of the guilds laws, and has known Reilly most of his life, having watched him grow up inside the guild, and in many cases been one of Reilly's teachers.
Hawk Denill is the face of Vine in Book One, and the person who hires Stella to break into the guild and steal from Reilly Mosswolf. He is a dark character who I intend to be a thorn in Stella and Reilly's side for at least the first three books. Once a member of Reilly's own guild, Hawk was banished when the guild discovered he was responsible for a series of grisly murders in Antillune. Hawk has returned to the city only recently, confident with the backing of a new guild.
Liandra 'Andy' Jenkin is a bright but brash young thief who Dara partners with Stella once she settles into the guild. Andy is Human, but makes up for the disadvantages this gives her in speed and strength by sheer enthusiasm, and stubborn determination. Andy has a grudge of her own against Vine, since their people laid an ambush on her last job that injured her and killed her previous partner.
Colm Korazon is Stella's Da'. While Colm is also a thief, he's not a particularly good one. He raised Stella in a travelling caravan, using it as a base to sell all sorts of false herbal remedies, imitation magical items, and any other junk he could con people into purchasing. All the while training Stella to do what he could not. By the time she was old enough to blend in with the crowds that gathered around his stall, the items he attempted to sell were merely a distraction to allow Stella to silently search through pockets.
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mallowstep · 3 years
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How serendipitous that the queue had the ask that started it all scheduled for today. How about we do another round of title asks? Why did you pick "saccharine tithes of love and glory" to title your seer AU? If you want, you can explain the individual works, but I think those are pretty self-evident how they are fitting, so I'm only asking for the series as a whole.
so i had "saccharine tithes of love and glory" sitting in my "this will make a good title!" folder for a while before i used it. i actually initially had it as the title for the fic now called "i saw a face in the window of the house on high" which yes is in fact the most Unwieldy title for a one shot and i need to rework the outline bc it turns out no i cannot keep myself from writing squilf pov so i think it's going to be three parts and like that means i could do it in three chapters and anyway i'm rambling.
right so "i saw a face" was conceived of After stolag, but that's another story. i had stolag down as "medicine cat swap au" for a Long time, and then i was figuring out the fic/chapter titles (this was before i had decided how i was publishing), so i finally decided i was using ivy for part titles, because it's about forbidden love, which is what stolag is about. albeit, the focus is on family over romance, but still.
so well. in my Personal Vault of Associations, sugar and love go hand in hand. i have an essay titled "sucrose" that's about my experience with relationships and love and hold on.
I never wanted to kiss him while we were dating. Or ever, for all that it matters. The action seems pithy to me, pointless. You press lips, and it goes mechanical and slow, me caught in honey and amber. I don’t want to kiss, I don't crave it. He pulls me on to his couch and I pet his dog and we don't make eye contact because if I look, I'll think about the sweetness and how it hurts my teeth like the cold.
(from "sucrose")
see i have Sensitive and Soft teeth but also a sweet tooth, so it's a very personal association, but it's one i've developed through this essay and into my broader poetry.
and you know,
The kiss tasted like honey, honey and earl grey tea, honey and want, honey and need.
(from "sucrose")
there is something to be said for what is painful being good in the right amounts.
so stolag's title is tied to some really personal associations. like, i don't really Expect others to understand it the way i think "here is the deepest secret nobody knows" is pretty straightforward. but stolag comes from this idea as love as sugar and pain.
there's a bit more to it: tithes conjures religious imagery (why seers are sent away), and glory: seers are tied to honour. but mostly, it's from a personal association.
work title explanations under the cut (considerably shorter because they Are fairly straight-forward and there are 8 + 1 of them):
"grieving for the living": yellowstorm's fic establishes the status quo. basically every other seer is going to be about Breaking the rules in some way or another, so she's the anchor. and so her motif is about the fact that her kin has to grieve for her because they'll never keep her.
(If she had asked, the answer would have been, "Because I, and my mother, and her mother, and her mother, have yellow eyes, and I want to give you something to remember us by." Most seers' names are gifts like these. Trinkets and tokens of families they will one day part with.)
"where the spirit meets the bones": easily the most straightforward title in the series. spottedleaf represents spirituality, and riverclan tells with bones. there's not much to be said here, considering how central the motifs of visions and bones are to the whole fic.
"putting roots in my dreamland": cinderpelt stays in thunderclan for a very long time. i believe a year and a half? and so when she leaves to shadowclan (a clan she already has problems with), she's very uncomfortable there.
later, she goes back to thunderclan, and the thing is, she isn't. unlike yellowstorm, she hasn't assimilated to her new clan as well, but it's still hers. so, you know: she's got roots in thunderclan, far stronger than most, but she recognizes that it's not her place.
kldfjsa i could probably say more but there's a lot to cover.
"it's been promised to another": okay look there are several interpretations of this title. in fact the whole Fic is a repetition of this idea. but the two Big ones, the ones i was thinking of, are
leafpool goes to windclan instead of riverclan (straightforward)
and the three are crowfeather's kits (as opposed to mothwing's). the Dynamics of all of these relationships are...complex, to say the least, but leafpool and crowfeather are this coping mechanism of a relationship. leafpool's love is mothwing.
"in a faith-forgotten land": yes okay mothwing is an atheist but actually it's about the sightstone, the thing that gets mentioned in yellowstorm's fic and then doesn't come up again except i swear it will i have not forgotten about it it is going to be relevant i swear to god.
anyway, "faith-forgotten" is a good description of mothwing in this au. she starts off fairly spiritual, and spirals out of it, because she can't connect with starclan when she has problems she needs help with. and...her fic ends with her getting flamepaw. idk. there's something symbolic in that that i can't Quite find the words to express.
okay, before i go into unpublished fics, so that people don't have to risk spoilers, "there's holy water, undiluted; i see the divine": sometimes i just Like How Things Sound, okay? but also...i mean this is a very literal interpretation of the fic.
there's not a Ton to say i just really liked this title and it fit the fic really well since you know. the whole concept of the fic is establishing the lore for the "the divine cannot be diluted" motif i use in riverclan, and specifically, expand on something that i couldn't include in wtsmtb for pacing reasons.
right, here on out is unpublished fics, read at your own risk.
"for moments that we stole": squilf loses two kits as seers. enough said.
but of course, it's also about her sister, it's also about...heh no not giving too much away. but i will say, squilf's fic centres around characters who have been background casualties of other stories (lostface, hawkwing). like the reason i'm giving her a fic is best expressed by the characters themselves, so a lil sneak peek for you:
"I didn't," she agreed. She wrapped her tail around Squirrelflight. "You know what story the elders never tell? What happened to her kits." She rested her head on Squirrelflight's. "They don't tell us what they thought or what they wanted." "They can't. No one wants to hear that story." Lostface purred. "I do. I want to hear that story."
(in case it isn't clear, bc this is pretty stripped of context, they're referring to moth flight's kits.)
squirrelflight's fic is a chance to tell stories for characters who arguably are just as tragic as the seers. cinderpelt tells lostface she didn't have a chance to say goodbye; how must it have felt, as brightpaw, to awaken with her sister gone? that's.
moonkitti said, in a recent video, something to the effect of "leafpool's choices had bigger consequences on the cats around her" and wow that's Real true of stolag.
anyway there's more to say about this but i've shown enough cards.
"sit and watch what we'll become": ah, jayfeather. in this au, him being a warrior is never a question...but that doesn't mean he doesn't have struggles with ableism. each fic in stolag is in fact chosen to explore something new in the universe. like, i didn't just pick seven of my favourite thunderclan medicine cats and one squirrelflight, i had Actual Purpose behind them.
yellowstorm: establish normal; spottedleaf: breaking the rules of no violence; cinderpelt: an unsuccessful assimilation; leafpool: forbidden love; mothwing: discuss atheism; squirrelflight: those who are left behind
jayfeather and alderheart's specific purpose will stay quiet, because i can't. like squirrelflight's piece was something i wasn't going to explore, but i needed her for a narrative purpose, so that was something i chose to explore through her.
anyway, jayfeather's fic title is basically him to starclan.
"on begged and borrowed time": hmmm how to explain this one...it's a bit of a nod to squirrrelflight (the line in the song is "for moments that we stole on begged and borrowed time"), but alderheart...
i really, really can't say very much about him. but i'll say, i saw a comment on a moonkitti video and said "oh shit, i have an ending for stolag, i can actually write the au"
alderheart: the ending.
and yeah, that's it!
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silver-wield · 3 years
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Come on, first I wasn't rude to keep getting a joke like that, but whatever, if you wanted to correct me, you could speak politely and show the source, but ok. I don't think they read my text and they didn't interpret any of it either, I'm sure the thing I repeat most in that text is "They're using ELEMENTS, but not the story itself", I comment on how the subsequent interviews with the developers always comment that they're going to use elements from the compilation, and they're actually using and bringing in elements, but in a different context for the remake, that's basic reasoning. And no, Nomura's interview wasn't mistranslated, and another, in a recent interview talking About Ever Crisis, Nomura comments that FF7 OG, First Soldier and Remake are separate entities, so much so that soon after he comments that he doesn't think that would add other titles from the compilation. So, so far Nomura has not contradicted himself at all. Seriously, even though I'm showing you how Deepground isn't even from DC, and showing how they were released before the meteor incident that happens at OG, this being a drastic change in history, already nullifying the DoC events, who will probably be one of the villains in the next part, do you still think it's the same thing? The question is simple, does Deepground exist? Yes. Is it the same as DC? No. That's why they're only using ELEMENTS, I have to highlight this sentence, because the person did not understand the meaning of it, he doesn't even try to put a narrative that I didn't put, at any time inducing that they are deceiving the players, on the contrary, they already commented that Remake is a new way to tell the story of FF7, so it is not a simple Remake. But speaking of how things change over time, how about we discuss Ultimania
In reference to this, I guess...
Dude, I did provide sources, and I'd like to know how you would provide evidence of an interaction not happening between two characters. If Leslie never says he knew Tifa in the past during the kids are alright then how can I show you that he says he doesn't know her? It's not in the book. It's the comprehension of the continuity that draws the result. We see Leslie knows Tifa in the kids are alright, we're told the compilation is canon with several pages in the ultimanias listing them, but because Leslie doesn't say anything about the past to Tifa (which at that point in reality hadn't happened, so you're asking for a live edit of a published novel) then that means the compilation isn't canon?
That's not how it works.
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The walk through Midgar lists all the compilation entries in Remake.
The events of dirge are in the future and what we saw now is pre events that establish the organisation that's eventually thrown over. The ones in charge of the tsviets were killed by them and they broke out of deep ground. Obviously this occurs well after the events we saw in Yuffie's episode, but things were also established in it with Nero casually murdering the people who control him. That's not going against canon, it's confirming details of canon we never saw.
Nomura's said just as much as the rest that the game is the same as OG and the compilation is the last entry in the series. He's never said Remake will overwrite the timeline of events post OG, and SE would never authorise that because they'd lose all their future revenue from AC and piss people off. They've literally just released AC and AC Cloud play arts Kai again. Do you really think people would be pleased to learn those things are redundant after spending £100's on them? Se ain't stupid. They want to keep churning out those special edition boxsets and so on, and if they suddenly announce that, well, actually, none of that matters cause Remake rewrote the future like it thinks it's ff13, then people are gonna be less willing to buy all that expensive merch.
Ff7 is their gravy train. They're not gonna fuck it over for a bunch of idiot's wish fulfilment, especially when those idiots never buy anything in the first place.
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"Since the main story is based on the original"
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The devs are all saying the same thing: that the story is being brought together under one title. Not that what exists now is no longer relevant. The only title being rewritten and retconned is OG since Remake is literally a remake of OG.
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fleckcmscott · 4 years
Text
To Have and To Hold
Summary: Y/N makes an oversight at work. The resulting extra hours with Arthur delight them both.
Warnings: Swearing, Smut
Words: 4,272
A/N: This story had been kicking around in my head for about two months, but I hadn’t been sure if I was going to write it. Then I read @sweet-nothings04‘s amazing Hand-in-Hand (which you all need to check out, if you haven’t), and knew I had to put it on paper. Thanks to her for the inspiration to finally develop this, and for the title, too!
If you have any thoughts or questions, please comment, feel free to message me, or send me an ask. Requests for Arthur and WWH are open! 
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Perhaps it was the sunshine that stirred her. Or the horns of traffic on congested streets. The hammering of a distant construction site. The chatter and occasional yelling of passersby.  The hum of Gotham awakening.
Y/N blinked in confusion - how could it be so bright this early? - and squinted at the clock at Arthur's side of the bed. No numbers greeted her, just its blank, plastic display. Stretching, she reached to her left for her watch, in its spot by the beige rotary phone on the nightstand.
"Shit!"
Nearly knocking over her glass of water, she clambered off the mattress. Arthur had warned her the lights could go off in his apartment. Not often and not for long. But enough to annoy. Naturally, his building's shoddy electricity had to mess with the alarm today. When she'd stayed up too late. When he'd had to leave ahead of her to commute to the other end of the city for a rare winter gig. When her body had chosen to oversleep in the coziness of his blankets.
Her nylons had never been yanked on with such haste. Arthur had made coffee but she skipped it in favor of brushing her teeth. Pausing on her way out, she took a calcium supplement and grabbed a note from the counter. She read it while riding the wood-paneled, graffiti covered elevator: "Your presentashin will be great. You snored a lot. Good thing your cute. - Arthur." He always signed his name. As though she wouldn't recognize his scrawl. As if anyone else wrote her sweet, sassy missives. She grinned until she hopped on the for-once punctual subway.
The presentation he'd referred to was set for that afternoon. She was expected to discuss the evidence and court file for this week's contested hearing. Last night, she'd sat at Arthur's breakfast bar to compile the case's final details and finish prep sheets. Gently, she'd rebuffed his subtle advances. His attempts to draw her attention from work to him.
Excitement had been palpable as he'd hovered near her. She was fairly certain she knew the cause because it enthused her as well. In three and a half short weeks, he'd be moving in with her. They'd officially begin traversing whatever the future held for them together. Hesitation had been clear in his posture, his drawn shoulders when (after plenty of convincing on her part that yes, she really, really, wanted him) he'd finally accepted the key to her place. But since he'd added it to his own keyring, he'd brightened. Strode a little taller. Walked a little prouder. Touched a little bolder. As though the weight he carried had lessened, at least by a couple cinder blocks' worth.
At his slight pout, she'd decided to find a way to involve him. He'd perched on the stool next to her, rested his cigarette in the pink ashtray to the left, and taken the proffered exhibit stickers with a quirked brow. Y/N had handed him papers, which he'd added labels to for her to write on. Then she'd stacked them in four different piles according to type. It had taken longer than usual - she was faster alone. But the intimacy of sharing the professional elements of her life with Arthur (besides the office wear he liked, claiming it showed how "smart" and "pretty" she was) had tightened her chest. And the curved-up corner of his thin lips had reflected how pleased he was, too.
They hadn't been able to collaborate on everything, however. It was past midnight by the time she'd joined Arthur, who had retreated to the bedroom an hour or so earlier. He'd been sitting against the headboard, half under the cover. The harsh blue light emanating from the old black and white TV at the foot of the bed had sharpened his features. Deepened the set of his eyes. He'd stubbed out his smoke as she closed the door. "I taped The Honeymoon Game. We can watch it when you're here again." A beat. "If you're not busy."
"This is supposed to be my last big project for a month or so." Sighing, she'd gotten her nightgown from her overnight bag. "I didn't mean for it to take all evening." She climbed in next to him and threw her arm across his lap. "I'm sorry."
He'd been stiff. Unyielding. The telltale signs he was miffed or upset. But he'd twined her hair around his finger, let his touch fall to her brow bone. "It's okay," he'd said lowly, adjusting to lie alongside her. "I don't want to be... I'm not being fair."
"You don't have to pretend with me, Arthur. It's all right to be annoyed." Tiredness had pulled at her as she'd fought to watch the rest of Gotham Tomorrow Tonight. The contact of his socked toes to her bare ones had made her smile, though, and she'd nuzzled his bicep. "I missed you," she'd mumbled, then promptly passed out.
The squeal of wheels on metal tracks prompted her to sling her canvas tote onto her shoulder. Shaw & Associates was a short sprint from the nearest station. She was certain she looked ridiculous, running down the street in her high heels. But she managed to slip into the office with two minutes to spare. Once she poured herself a cup of joe and straightened her blazer, she settled in her cushioned chair to get started.
It was only when Matt told her he wanted to meet before lunch that she'd rummaged in her bag. And realized she'd neglected to bring the file. Recalled it was sitting on Arthur's kitchen counter.
Fuck.
Her nails tapped the wood surface of her desk. Excusing herself to the bathroom so she could go retrieve it wouldn't fly. Matt would send a search party. She could try to discuss everything from memory, tell him documents were still being gathered. But he wasn't that oblivious. She settled on owning her error. "It's at home." Her delivery was nonchalant.
He waited until she'd loaded her typewriter with paper, then responded wryly. "You're not supposed to take files home anymore. Remember what happened last time?"
She leaned back as he stepped in front of her. "There was the slew of family cases that came in. With Patricia on leave, I'm handling all our calls and mail. Not to mention paperwork on her filings. It wouldn't have gotten finished if I hadn't taken it." Snorting, she shook her head at herself. Heat bloomed in her neck. "Not that it matters when I don't have it."
Expression softening, Matt stuck his hands in his pockets and jutted his chin at her. "How long did you work on it?"
It was hard to discern if he actually cared about the hours she put in. Or if he merely wanted to gauge the possibility of her doing investigations off the books again, something he'd explicitly prohibited. "I don't know." She waved dismissively. "Three or four hours?"
He let out a huff. "You put in enough time already. Go home at noon. We'll get to it first thing tomorrow."
"I have a lot to do." Her eyes widened at the myriad piles of folders laying around. "And I can't imagine you playing operator."
"I've managed when you've both been in court or at appointments. Besides," he continued as he headed back to his office. "You never take days off."
Straightening, she wheeled her chair to watch him plop down on his leather seat. "I'm taking three days next month," she countered.
His glare contained an unequal mix of mirth and consternation. "Y/N?"
The phone started ringing. She succeeded in making one ear ignore it. "Yes?"
"I know you haven't forgiven me for that whole Renew Corp. thing." She flinched at the casual mention of the company she loathed. Of her failure. But she forced herself to listen. Matt picked up a pen and started writing. “Rather than being stubborn, try saying, 'You're right.'"
~~~~~
Y/N stood in front of the narrow, white stove, stirring the soup she'd thrown together using bouillon, carrots, onions, and pasta. Ingredients she'd found in Arthur's kitchen. Music poured, at a respectable volume, from the radio on the windowsill. Swaying out-of-time, she added a sprinkling of black pepper, one of the only three spices he had (along with powdered garlic and salt). Wearing a content smirk, she sampled the steaming broth.
When she'd left the office, she'd been frustrated at herself. Yes, she was human. Everyone made mistakes. But she wasn't the forgetful type. Particularly if someone was depending on her. However, as she'd stopped in Burnley for another change of clothes, hopped on the train to Otisburg, and pictured Arthur's reaction to finding her in his home instead of having to call to wish her sweet dreams, her disposition had improved. Not only would he have her for an extra night. He'd get a late lunch, too.
The click of the deadbolt and clank of his keys on the entrance table came the second she turned off the stove. She listened to his heavy exhale as his bag dropped to the floor and shut the door. In her peripheral vision he froze, then approached tentatively. She reveled in his delicate hold on the dip of her waist, the peck he planted on her cheek. The smell of greasepaint wafted to her nose. "I hoped I hadn't made this up," he sighed with what sounded like relief. "But your meeting."
She angled herself towards him, gaze roving over his red and blue plaid blazer. The painted-on smile. His irresistible brown curls, mostly flattened by the wig he'd worn. Fidgeting with the petals of the squirting flower on his lapel, she scrunched up her face. "This morning went to shit." She explained the power outage, the clock, her own stupidity at leaving the file in his apartment. "I've packed it. Don't worry."
His posture grew pensive. "Sorry. Maybe- Maybe we should have stayed at your place. Your building's better."
Him thinking her error was somehow his fault had to be nipped in the bud. "No," she said. "You asked to make more memories here before we move in together. I'm happy to do that."
He paused, long enough she could have sworn she'd heard the gears in his head grinding. "Are you in trouble?"
Not unexpectedly, he had put together her mistake and her early dismissal from work and assumed the worst. "If I wasn't fired for trying to stop the Waynes, it's going to take more than an oversight to get me thrown out on my ass." Her brow furrowed. She sneaked a hand under his jacket and placed her palm on his chest. "I just hate that I wasted last night for nothing."
Soft lips, slightly sticky with red paint, grazed her temple. "It's okay," he said. "You're here now. And I got to help you."
The balm of his kindness loosened her rigid stance. His zeal to assist her, to ask questions, to learn about every aspect of her branded her heart completely. She leaned into him, kissed the squishy fold of skin under his chin, and nudged his ribs. "Food's ready. Go change. I want to hear all about your day."
Arthur emerged from the bathroom within minutes, clad in his worn, blue house pants and toweling his hair. Dimples were on constant display while they ate. The glint in his eyes was the one he usually had if his act or a job had gone particularly well, if he was pleased with himself. Was the one starting to be an almost weekly occurrence. Was the one that made his green eyes sparkle and caused her stomach to flip. He inched closer to her with every sentence.
The kids at the new children’s medical center had liked Carnival, he said. They hadn’t minded that he’d "filled in" for Gary. The magic tricks had all gone without a hitch, and the clinic had provided the balloons, which was a savings. The nurses and doctors had been nice; they’d even asked for his card. He’d had to provide a slip of paper with his address and telephone number instead. But he was sure he’d be invited to perform again. And he asked Y/N for help writing Gary a thank you note for the referral, claiming, “You’re better at that than me.”
“You’re the one who journals every day.” Her bowl and spoon clattered in the sink. “And your letter to me was beautiful. Just let me proofread it.”
Soon they were reclined on the sofa, sharing the flat pillow he’d used when he’d had no choice but to sleep there. The tape he’d recorded yesterday was playing. The Honeymoon Game had been a casual watch before, he’d explained. Not a nightly ritual like Murray. Given that he had a girlfriend and was a boyfriend himself, it had become fun to view.
She was only half-focused on the TV’s talking heads. Her mind was drifting to moving day, which filled her with gladness. She examined the plaid walls, the white cream color ceiling, the knick-knacks strewn about in the glow of the setting sun. The lantern with an owl hanging in the corner; the green, plastic drawers by the television; the curio cabinet... They were all a part of 8J, but assuredly not a part of him. How much would he be bringing with him, she wondered. And what would he be leaving behind?
“With one sugar and a shot of milk.” Arthur’s lively voice broke through her contemplation. Ah. He was reacting to the questions posed to the contestants, and making the answers about her, as he was wont to do.
She nestled back into the pleasant warmth of his firm frame. “Three sugars,” she replied, confirming she knew how he took his coffee. They continued to play along, with him showing off everything he’d memorized about her, and her replying with what she’d gathered about him.
Eventually, he shifted behind her. Raised himself on his elbow. “How did you know you loved me?”
Her hum was soft. Short. Possible responses were multitude. She’d suspected she could fall for him early on. When he’d wanted to repay her for doing what anyone should have done on the subway. And the first time he’d had the courage to call her after they’d split a slice of pie, his slight stammer revealing his nervousness. Maybe she’d say it was how slowly he’d drunken his wine during dinner, initially squinting as he sipped, his inexperience with alcohol obvious.
But she chose to go with what she believed was truest. What she assumed he’d hear most keenly. “Before we slept together, I hadn’t been with anyone for four years. And even then, it was different.” His hand splayed on her abdomen, thumb dragging along the waistband of her green leggings. A delightful ache flared in her center. “When I woke up, I felt perfect.”
“You felt like you were perfect?”
“No, silly,” she laughed, batting his forearm. “I knew I hadn't made a mistake. I reached out to your side, first thing - I’d thought of it that way, even then.” At the sensation of his hardening shaft against her rear, she giggled. “You’d made me so happy. You always do. I wanted to you to bed me again.”
The round tip of his nose skimmed her cheek, and she shivered at the dip of his fingers into her panties. “I want to again,” he rasped, paraphrasing her. The grind of his length was making her light-headed, and she twisted her torso to look at him. “I’ve been thinking about it.” Cheekbones glowing, he averted his eyes. “Ever since I woke up.”
“My monthly started,” she said regretfully. His descent halted, and a groan of frustration left him as he lowered his forehead to her shoulder. She mused. While he was becoming more apt to say what he desired, it happened rarely. But she loved it and didn’t want to discourage him from letting himself be assertive. Would he be offended by her suggestion? “I freshened up before we laid down. I have a tampon in. There are other things we can do.” She pressed her lips together, hoping she didn’t sound presumptuous. “If you’re comforta-“
“I’m comfortable.” His mouth quickly claimed hers, opening on a sigh. The tip of his tongue laved at the seam of her lips, and his messy enthusiasm made her whimper. Leaving a scorching trail in its wake, his hand traversed to her upper leg, gliding over the crease where her thigh and vulva met.
Shallow breaths caressed the nape of her neck, stoking the heat threatening to consume her. But the studio audience blaring from the television’s mono-speaker kept wresting her out of her haze. She snatched the VCR remote from the coffee table and hit the pause button.
The tease of his fingertips at her dark curls caused the peaks of her breasts to stiffen. She gasped as the rough fabric of her sweater dragged along them. His fore- and ring fingers spread her outer lips and she shuddered. The leisureliness of his fondling didn’t detract from its intoxicating effect.
Though it was a tad rough. “You’re kinda dry. Hold on.” Swiftly, he brought his hand to his mouth and wet his fingertips. Y/N blinked at him. It was clear he thought nothing of it, which shouldn’t have been a surprise, considering he’d confided he liked going down on her. Still. Seeing this normally reserved man improvise so he could pleasure her made her center throb with need.
Y/N was doing her damnedest to get her leggings and underwear down. Arthur snorted at her spirited, failed attempt at kicking them away. “It’s okay,” he chuckled, pushing them off her ankles with his foot. Then his touch fluttered at her swollen folds. She arched into him, already feeling as though she would burst. Bent at the knee, her leg lifted until her foot was flat on the couch cushion, allowing him easier access. He took advantage, sweeping forward and back along the rigid line of her engorged clitoral hood. She rolled towards him subtly, her moans getting louder with each tap to her sensitive nub.
Still holding himself up, he cradled her head. "Your sounds make me crazy," he said lowly. Once his hips started following hers, faintly rutting against the flesh of her backside, she closed her eyes. Hurriedly, she reached behind her to yank at his pajamas. "What?" he asked.
"I want to feel you," she whispered. There was a huff and some fumbling. And moments later his cock was settled at the cleft of her bottom. She bit her lip, savoring the weight of him. God, he felt wonderful.
His fingertips whispered over her clit, daring to follow the edge of her inner labia. She heard him gulp. "How does it feel when we're together? When- When I'm in you?"
"Warm. Full. Like you belong there," she replied with a smile. That last part of her response must have been unexpected, given that his grazes ceased and he trembled. "Don't stop," she whined, placing her hand on his. "Please, Arthur. You know just how to touch me."
Groaning, he started anew, deftly swiping quicker and quicker. The undulations of her pelvis hastened unevenly, begging both for release and for their coupling to last forever. She ran her palm up her torso, kneading her breast and plucking at her nipple. He nuzzled at her ear, grunting low in the back of his throat. Winding her fingers into his loose waves, she tugged lightly. Her belly twitched. Her whole frame tingled.
His skillful touch. The love they had for one another. The noises he was making in the crook of her shoulder. They all combined to throw her over the edge, and a wave of pleasure crashed through her. She cried his name brokenly, feeling empty without him inside her. But he kept holding her, guiding her through the crests of her climax. She was gasping, struggling to suck in air. Surely, she thought, he could detect the thundering of her heart against her ribs.
Gradually, the quivering grip she had on his locks eased. The kisses he planted on her neck were open-mouthed, desperate. And he hadn't halted the ardent movements of his hips. Y/N turned onto her other side. Gazing at him, she raked his curls out of his face, caressed his cheekbone with her knuckles. His look was hungry, darkened with need. The creases between his brows deepened as her hand trailed through the sparse dusting of hair on his chest.
There was a youthful charm to this situation, she considered. To them craving each other but not completely joining. It reminded her of being a teenager. When she'd been curious and horny, but nervous and not quite ready to go "all the way" with her ex. Being with Arthur allowed her to do all that again. To relive those experiences, to explore and make discoveries with him. To fall further in love with him daily.
She tenderly pecked the freckles at the top of his sternum, nestled against the notch above his clavicle. "I'm lucky to have you."
He didn't miss a beat, even as she trailed past the ticklish spots on his flank. "I'm luckier."
"I disagree." She outlined the slender muscles of his stomach, the v-lines leading to his cock. Played with the springy, brown curls at the base of him. "Without you, I'd only have my work. Which was enough before. But not now." After a moment, she concluded she was being sappy. She had to change it up. "And I wouldn't be having the best sex of my life."
Clearly flustered, he muffled his laugh. "Really?" His blush was prominent, his grin ecstatic.
"Really." Groans short and sudden, he rocked into her touch when she encircled his ample girth. Her fingers danced along his shaft, marveling at the contrast of his velvety skin with how hard he was. Pumping up and down, she tugged at him, trying to match the speed of his thrusts. He nudged his nose to hers, gazing at her before his hooded eyes flitted to watch what she was doing. Then she looked, too.
The sight of him fucking into her hand made her dizzy with want, even though he'd just gotten her off. The crimson, swollen head glistened, slick beading generously at the tip. Y/N licked her lips and spread it around him with the pad of her thumb. Moaning sharply, he bucked harder. Her motions quickened, flicking repeatedly at the notch on the underside.
Demand was implicit in the grasp he had on her upper arm. And it strengthened as his hips' stuttered, becoming unpredictable. Ragged pants hit her face. "I'm- I'm gonna make a mess.”
"It's all right," she soothed. Keeping ahold of him, she lay on her back. He followed and settled on top of her. Whimpering her name, he rubbed himself against her labia. But she gently pushed him onto his knees and continued palming him, her fingers teasing the ridge on his erection. It wouldn't take long to make him come. She could see it in the clench of his jaw, the tightening cords in his neck, his abrupt, needy cries...
Plunging forward, he held himself in place, grunting, clutching her urgently. His release hit her abdomen, warm and wet, and she gasped, her body curving up towards him. The feel of him spilling onto her couldn't completely distract her, though. Not from the beauty of his parted lips. Not from the relief that gradually spread across his features. Not from the slackening of his muscles as tension ebbed.
Sweat had gathered on his forehead. A droplet ran from the end of a dark brow to his jawline. Then he kissed her, his mouth groping at hers. "I love you," he said. He gave her one last peck and sat up on his knees. Holding onto the arm of the sofa, he retrieved her underwear from the floor and wiped her belly off. "That was fun." He tucked his chin bashfully.
"I concur." She entwined their hands and sat, then stretched as she pushed herself to stand and walk to the bathroom. The washcloth he'd designated as hers hung on the hook by the towels. She cleaned herself, listening as Arthur started the show again.
A new round of questions was just beginning. "When you and your spouse first met," the host started, "what was your first impression?"
Arthur's answer was instant. "Nice."
Y/N said the first thing that came to mind. "Handsome."
She popped her head out of the room to find him leaning on the entrance of the short corridor, beaming at her with hitched giggles. He was probably waiting for his turn to clean up. Like he normally did. But she couldn't stop herself from staring at him. Loving eyes met hers and his brows lifted expectantly. "Yes?"
Smiling, she wrung out the washcloth and put it back in its place. She stepped to him with a smile and smoothed his hair back. The rush of happiness in her soul, one she wasn't even sure she had, enamored her. Not only at what they'd shared on his old, scratchy sofa. But at Arthur being Arthur. At knowing soon she'd get to sleep next to him every night. Build a life with him, one she hadn't dreamed of even six months ago. Nothing she could say seemed adequate. So she went with a kind gesture, one she knew he'd appreciate. "I'll make us some decaf. And I love you, too."
~~~~~
Tag list (Let me know if you want to be added!): @harmonioussolve​ @howdylilflower​ @sweet-nothings04​ @stephieraptorr​ @rommies​ @fallenstarsabyss​ @gruffle1​ @octopus-plasma​ @tsukiakarinobara​ @arthur-flecks-lovely-smile​ @another-day-in-chuckletown​ @hhandley80​ @jokerownsmysoul​ @mrscarnival
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i am out there!! i'm glad you liked it! i'm definitely trying out the recipe you left in the tags. it sounds way better than just banana and peanut butter. i always have to pay a lot of attention when i type banana because i've ended up with "bananana" way too many times
i was planning to run straight to your askbox the second i saw you replied but then the end of the semester happened and it killed me. hopefully i'm done with it now
i do exactly the same thing with height! if you tell me your height in feet i have absolutely no idea how tall that is. if you say that in centimetres that's easy. i mean you're 155cm so that's 12cm shorter than me. when you told me that in feet i was like okay cool i have no idea how much shorter than actually is
i love birds!!! so that seems awesome! i am now titling you the queen of birds. and i'm glad your vacation was good! i think i saw a couple of posts you made about it so it definitely does seem like a lot of fun! and did you ever figure out completely what that see through animal (?) in the sand was? i had no idea stuff like that even existed so now i'm invested in knowing what it is
i am 100% hiring you for my coming out party i'm throwing in a couple of years. it's gonna be fun. if we don't get immediately kicked out i promise good food and some spicy drama between my homophobic relatives and my accepting relatives! and my brother's, who i already came out to, dry commentary
i was definitely not the one you told about burma trails! but from the tags i'm just gonna say how is that allowed and why does it seem like a weird type of torture? i hate it, i probably would've had a heart attack 3 seconds in
oh yeah i actually can't tell most of the time if the memories from my childhood are actual memories or if it's just a combination of having seen photos and heard stories about it
my glasses prescription is fine i think. my eye doctor said that i get headaches from glasses because... well i tried to explain this and then deleted it all because it was a very scientific explanation when she said it and i zoned out pretty much halfway through and even the part that i did understand i can't translate to english! but it has something to do with the fact that with contacts it's enough to move my eyes in the direction i want to look at and with glasses i have to move my whole head and my brain got so used to contacts that it overdoes it with the eye movements when wearing glasses? i dunno. this is the best i can do in explaining it
i must admit i'm very jealous of the never snows part because while snow is pretty to look at it's absolutely freezing! for the past week i slept under a duvet, three blankets while wearing pants and a long sleeve shirt and i still woke up cold. because for a couple of nights it was around -22°C. it's great
ohhh you got pretty lucky as a kid then! my kid self would have absolutely lost it at getting the equivalent of 5/10 bucks. i probably would have bought so much candy
excellent!!! hope you’re enjoying the vague void from whence you came! i’ve never said whence before in my LIFE i wonder if i used it correctly. anyway. the actual recipe was way more specific but once i saw ‘2 frozen bananas’ and looked at all the sliced bananas in my fridge, having no idea how many there were, i just started improvising sdfkhsdfs. I’d be interested to try it with yoghurt though if I can get some dairy free plain stuff, I’m sure I can somewhere. Banana used to be my biggest problem when I was younger. Then I learnt words like occasion and necessary and embarrassed and I realised the more english I tried to learn, the worse my life was gonna get. And I was right. On the bright side, developing an inability to ever spell occasion correctly made banana seem a lot easier to handle.
that is fair. end of semesters are rough. i cannot function during them at all. i hope everything chills out for you!! i’m not sure how the school year is over there but maybe it’s break time? that’d be nice. but rest in peace anyway, enjoy being dead! they say necromancy is frowned upon in all societies but I reckon it’s just called making a friend when you’re dead so maybe you wanna take that up as a hobby! I’ve heard it’s nice this time of year!
yup! sometimes I’m like oh you’re 5 foot 4? that sounds way taller than me. but it...it really isn’t...it’s like an extra 8cm or something. which adds up! but in my head I was picturing a MUCH taller height. In my head I think I picture 6 foot and 5 foot 4 as the same height, now that I think about it.
!!!!! my first order as queen of birds is to meet a morepork face to face so we can chat about the price of pork these days. yes!! the first half was nice but the second half was really fun. my best guess is still that it’s a salp? Maybe? So many salp pictures are massive groups of them but like,, from what i can tell of singular photos,,, it was maybe that? I guess the only other possibility is it’s just some clear jellyfish but salp does seem more likely. At first I was like oh duuude boob implant for the ocean!! but then I realised it actually seemed kinda alive and was probably an actual creature. my bad.
excellent. i’ll break any tension by dropping the vampire act for the mouse act. will do backflips for cheese. will bite ankles for homophobic comments. Will pull a knife out of god knows where, not to threaten anyone, just to clean my nails with to make everyone nervous. I offer many services. I’m flexible. And I love me some good food.
I actually DON’T know the reason behind burma trails. I really don’t. The reason ‘it’s a fun activity!’ seems a little fake. if it’s a fun activity then why did Mrs. G. tell us a horror story about the forest before we went out to navigate said forest at night, blindfolded, surrounded by wildlife and parents supervising (*cough* waiting for the opportunity to jump out at you *cough*) with a teacher at the end waiting to scare us. So we can learn how to navigate the forest in the dark? So we learn how to follow a mysterious rope INTO the forest at night? seems dodgy to me. school camps be like [drives you out to forest] follow this rope and don’t take your blindfold off. like. bruh. i almost DID have a heart attack one time, I got stuck like something was holding my leg. First thought-ah, must’ve got my leg stuck in a big stick. Second thought-maybe this is one of the parents fucking around, it feels more like a grip than a twig. Third thought-I cannot get my leg free no matter what I do what the fuck is HAPPENING so I started crying out for help. When they FINALLY came they found nothing my leg was caught on so that was fun. love that for me. I was able to move as soon as they arrived. That’s not weird at all. anyway.
I think most of my early memories are just from stories I’ve been told and photos I’ve seen. My memory tends to be horrible I highly doubt I remember that one time I was eating dirt from the garden out in the yard gleefully. I just saw the photo evidence. mm spaghetti. bone apple teeth. my character hasn’t changed at all since I was a wee babe.
ohhhh okay. I think I get what you mean by that. Thank you for trying to explain! That’s really interesting. I guess I do move my head a lot with glasses. Although I have massive glasses so it’s probably easier for me to just move my eyes where I want. I reckon with smaller glasses I’d have to move my head way more.
the temperature comment is so funny because during the heart of winter i tend to sleep with a sheet, a blanket, a duvet, then 2-4 blankets on top while in a long sleeve shirt and long pants and sometimes bed socks and often a hottie (i’ve never realised how that sounds out of context...a hot water bottle...is calling it a hottie normal or is a my family thing? is this a nz thing? now i’m questioning myself). in my uni accommodation last year we didn’t have proper heating during most of winter and well. there was a quilt added to everything else. every blanket i could find. how cold does it get here in winter? rarely ever past 0 degrees celsius. I would literally die in your position, clearly. I could not survive that. Props to you for making it through aha.
yesss. Before when I found five dollar notes it’d be on the street and I’d be like oh no! Mum we have to hand this into the police station! It’s a lot of money, someone will be looking for it! Understandably she was like,, lindsey they might miss it but there’s not really any way you can find them,,, I still refused to spend it. That was like my first time really getting that much money for myself. The dairy on main street sold lollies for 10 cents each and they had like, 30 different lil glass boxes so you’d go I want 3 of 26, 5 of 7, ohhh and 5 of 13 please! I dunno if they’re still 10 cents each but I thought it was the best thing ever as a kid. I think I wanted to save the money though sfdjsdkfhs put it in my piggy bank to save up for something ‘super cool’. Aka probably like a neat soft toy to sleep with sdfsdkfs.
#Anonymous#i wrote the majority of this reason like a couple hours after you sent it#then i went to bed because it was late. thinking to myself. oh i'll finish the last bit in the morning!#but of course in the morning the lil 1 didn't show up above mail and it was located in my drafts now so my dumb ass was like ah yes#absolutely nothing to respond to here!#i should know by now i never remember if i save things to drafts sfjshkdfhsdf#anyway#i REMEMBERED. a few days late. BUT i didn't just forget entirely so! there's that!#now i'll finish the last bit of the response and edit the incomprehensible tired mumbling parts#although i'm currently overheating so now it'll be incomprehensible overheated brain parts! fun!#no i cannot handle cold temperatures no i cannot handle 'hot' temperatures i can handle like a one to two degree range#and nothing else. life is. a trip.#I still don't know what to call dairy's when talking to people outside nz#corner store? they're not always on corners. convenience store? maybe. small shop? idk dude#i don't quite know the correct thing to equate them to.#but they sell lollies sometimes. that's the main point here sdkjhskdf#now to decide what I'm doing tonight#play stardew valley. watch someone else play stardew valley on youtube. stare at my ceiling thinking about stardew valley. do the dishes#earlier today i was like maybe...maybe i'll watch a movie...add some variety to my life...#i wanted to rewatch whatever movie has that song that is like agggooonnnyyyyyy#that's the only word i remember from the song. so it's that. or...well...back to my obsession
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wallisjewellie · 4 years
Text
Deleted Obi-Wan and Padmé scenes
Interesting information about Attack of the Clones (https://m.imdb.com/title/tt0121765/trivia):
“According to producer Rick McCallum, a scene was shot with Obi-Wan and Amidala swinging from one area to another, much like Luke and Leia in Star Wars: Episode IV - A New Hope (1977), but the scene was cut.”
In case anyone is interested, the ANH scene can be watched here: https://youtu.be/VrbvWt5kerw
And it made me thinking.
It is often argued that Obi-Wan and Padmé have little screen time together with actual interaction happening between them. In fact, quite a number of their scenes were omitted during the post-production phase. Some are small, yet clearly discernible. For example the one where they meet after a decade of being apart.
The AOTC original script depicts it as such (http://nldslab.soe.ucsc.edu/charactercreator/film_corpus/film_20100519/all_imsdb_05_19_10/Star-Wars-Attack-of-the-Clones.html):
“OBI-WAN
It's a great pleasure to see you again,
M'Lady.
PADMÉ
It has been far too long Master
Kenobi. I'm so glad our paths
have crossed again... but I must
warn you that I think your
presence here is unnecessary.
OBI-WAN
I'm sure the Jedi Council have
their reasons.”
The lines indicated with bold letters are left out of the film.
But when one revisits the final scene (https://youtu.be/Wm593Vhs3bI), the editing is evident from 1:07 to 1:11. Padmé’s lips keep moving (“I’m so glad our paths have crossed again...”), but she is muted, and we transition right to the part where she turns her attention from Obi-Wan to “Annie”.
It is bad editing. Only if Obi-Wan’s mouth was not moving at 1:12... He is probably finishing the sentence with “...have their reasons” at the end, and hence why Padmé’s attention is focused on him as well as why there is a more serious expression on her face. Otherwise why would there be such a sudden change in her mood? Literally a moment ago she was beaming at Obi-Wan. But then she calls his presence “unnecessary” by using some unfortunate wording, and the face she makes at 1:12 is probably the reaction to Obi-Wan’s polite, yet valid comeback.
When it comes to ROTS, the loss is far more substantial, and not only by the omission of the infamous scene where they kiss and embrace each other (from 1:03 https://youtu.be/xd5qQRXhoLI), which bit, in fact, can be found in the original script (https://thescriptsavant.com/pdf/StarWarsEpisode3RevengeOfTheSith.pdf):
“187 EXT. CORUSCANT -PADME'S APARTMENT-VERANDA- AFTERNOON
The cockpit of the sleek yellow Galactic Speeder opens, and a HOODED FIGURE emerges and walks onto the veranda. An ALARM GOES OFF deep in the apartment. The FIGURE stops before a security curtain that protects the veranda. C-3PO enters the veranda and approaches the FIGURE.
C-3PO: Hello, might I help you . . . Oh, it's you, Master Kenobi. Come in, quickly.
The security curtain disappears, and the FIGURE lifts his hood. It is OBI-WAN. The alarm stops sounding.
OBI-WAN: Has Anakin been here . . . ?
C-3PO: Yes . . . right after the attack on the Jedi Temple. PADME comes down the stairs in a robe. THREEPIO leaves.
PADME: Master Kenobi . . .
She embraces Obi-Wan.
PADME: (continuing) Oh, Obi-Wan, thank goodness . . . you're alive.
OBI-WAN: The Republic has fallen. Padme . . . The Jedi Order is no more . . .
PADME: I know, it's hard to believe everything to which we've dedicated our lives is gone.
OBI-WAN: I believe we have been part of a plot hundreds of years in the making.
PADME: The Senate is still intact, there is some hope.
OBI-WAN: No. Padme . . . It's over . . . The Sith now rule the galaxy as they did before the Republic.
PADME: The Sith!?!
OBI-WAN: I'm here looking for Anakin . . . When was the last time you saw him?
PADME: Yesterday. [...]”
In the end we have this scene from “When was the last time you saw him?” in the final product. Sad.
And we have also been denied the scene where Obi-Wan and Padmé have a candid conversation in her apartment. It had been shot, then did not make the cut. You can have a glimpse at it here from 6:40 to 6:44: https://youtu.be/5ihqDETf324
In the script it looks like this (https://thescriptsavant.com/pdf/StarWarsEpisode3RevengeOfTheSith.pdf):
“94 INT. CORUSCANT-PADME'S APARTMENT-LIVING ROOM- EARLY MORNING
PADME and OBI-WAN sit on one of the couches. OBI-WAN: Has Anakin been to see you?
PADME: Several times . . . I was so happy to hear he was accepted on the Jedi Council.
OBI-WAN: I know ... he deserves it. He is impatient, strong willed, very opinionated, but truly gifted.
They laugh.
PADME: You're not just here to say hello. Something is wrong, isn't it?
OBI-WAN: You should be a Jedi, Padme.
PADME: You're not very good at hiding your feelings.
OBI-WAN: It's Anakin . . . He's becoming moody and detached. He's been put in a difficult position as the Chancellor's representative . . . but I think it's more than that. I was hoping he may have talked to you.
PADME: Why would he talk to me about his work?
OBI-WAN studies her.
OBI-WAN: Neither of you is very good at hiding your feelings either.
PADME: Don't give me that look.
OBI-WAN: I know how he feels about you.
PADME: (nervous) What did he say?
OBI-WAN: Nothing. He didn't have to.
PADME is a little flustered. She stands and Obi-Wan follows. She walks to the balcony.
PADME: I don't know what you're talking about.
OBI-WAN: I know you both too well. I can see you two are in love. Padme, I'm worried about him.
PADME looks down and doesn't answer.
OBI-WAN: (continuing) I fear your relationship has confused him. He's changed considerably since we returned . . .
They stand on the balcony and look off at the early morning city. OBI-WAN starts to leave. PADME stays looking off into the distant city.
OBI-WAN: (continuing) Padme, I'm not telling the Council about any of this. I ... I hope I didn't upset you. We're all friends, I care about both of you . . .
PADME: Thank you, Obi-Wan.
OBI-WAN: Please do what you can to help him.”
And has anybody noticed that the promotional stills seem to be out of sync with the visual seen in the film? Well, probably because some parts of the material already filmed were discarded.
Tumblr media Tumblr media Tumblr media
Such as these ones (https://thescriptsavant.com/pdf/StarWarsEpisode3RevengeOfTheSith.pdf):
“228 INT. POLIS MASSA-MEDICAL CENTER-NIGHT
The TWINS are being delivered as BAIL ORGANA, YODA, ARTOO, and THREEPIO watch. OBI-WAN is in the operating theater with PADME. He takes her hand.
OBI-WAN: Don't give up, Padme.
PADME winces from the pain. The MEDICAL DROID is holding the BABY.
MEDICAL DROID: It's a boy.
PADME: Luke . . .
PADME can only offer up a faint smile. She struggles to touch the baby on the forehead.
MEDICAL DROID: ... and a girl.
PADME: . . . Leia.
R2-D2, THREEPIO and BAIL ORGANA watch from an adjoining space.”
“230 INT. POLIS MASSA-MEDICAL CENTER-NIGHT
OBI WAN leans over PADME and softly speaks to her.
OBI-WAN: You have twins, Padme. They need you . . . hang on.
PADME: I can't . . .
PADME winces again and takes OBI-WAN's hand. She is holding Anakin's japor snippet.
OBI-WAN: Save your energy.
PADME: Obi-Wan . . . there . . . is good in him. I know there is ... still . . .
A last gasp, and she dies. OBI-WAN studies the necklace.”
A smaller one, but might be of great significance if one thinks about either the Rebel Alliance subplot or the nature of Obi-Wan and Padmé’s relationship. (https://thescriptsavant.com/pdf/StarWarsEpisode3RevengeOfTheSith.pdf)
“195 EXT. MUSTAFAR-LANDING PLATFORM-DAY
[...]
PADME: I was so worried about you. Obi-Wan told me terrible things.
ANAKIN: What things?
PADME: He said you have turned to the dark side . . . that you killed younglings.
ANAKIN: Obi-Wan is trying to turn you against me.
PADME: He cares about us.
ANAKIN: Us??!
PADME: He knows . . . He wants to help you.
ANAKIN: Is Obi-Wan going to protect you? He can't ... he can't help you. He's not strong enough.
PADME: Anakin, all I want is your love.
ANAKIN: Love won't save you, Padme. Only my new powers can do that.”
The clip from the film can be watched here: https://youtu.be/J8QLKWvVK14
From 1:28 to 1:31 there is again an odd transition as a result of getting rid of the lines “Is Obi-Wan going to protect you? He can't ... he can't help you. He's not strong enough.” Anakin’s facial expression, of smugness and and condemnation, makes more sense in this context.
And from 3:24 to 3:28 there is another line missing:
“ANAKIN: Because of Obi-Wan?
PADME: Because of what you've done . . . what you plan to do. Stop, stop now. Come back! I love you.
ANAKIN: (seeing Obi-Wan) Liar!
PADME turns around and sees OBI-WAN standing in the doorway of the Naboo Cruiser.
PADME: No!
ANAKIN: You're with him. You've betrayed me! You brought him here to kill me!
PADME: NO! Anakin. I swear ... I ...
ANAKIN reaches out, and PADME grabs her throat as she starts to choke.
OBI-WAN: Let her go, Anakin.
ANAKIN: What have you and she been up to?
OBI-WAN: Let her go!”
So, there you go. I think there could have been plenty of opportunities for them to end up in more scenes together, but whatever. Even according to Natalie Portman “All of [Obi-Wan and Padmé’s] relationship developed off screen, so between Episode II and Episode III [they have] sort of become friends, to the point where he feels comfortable coming to [Padmé] and telling [her] things that are very personal.”
Also, do we know if Obi-Wan and Padmé met between TPM and AOTC? We know for sure that Padmé and Anakin didn’t, but then the film remains silent on Obi-Wan who is referred to as an “old friend” of Padmé’s by Palpatine (http://nldslab.soe.ucsc.edu/charactercreator/film_corpus/film_20100519/all_imsdb_05_19_10/Star-Wars-Attack-of-the-Clones.html)
“PALPATINE
I realise all too well that
additional security might be
disruptive for you, but perhaps
someone you are familiar with... an
old friend like... Master Kenobi...”
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