crazy take: aside from actual lesbian romance stories, obviously, nothing passes the bechdel test better than moe "cute girls doing cute things" anime. its always just a group of girls, few to no named male characters, boys and dating are hardly ever brought up beyond the abstract, if at all. like we're focusing on the girls hanging out rn, we dont need to worry abt that shit. mugi just ate mio's strawberry.
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Maybe this is just a me thing but the MOMENT I realize a person in my life, whether romantic or platonic, doesn't reciprocate my feelings - I drop it. If I say "Hey I really like you" and they go "Oof sorry, I don't feel that way " or they leave or they try to change the subject? I will never bring it up again. Fully never happened.
I feel like a lot of people (specifically with regards to the romance genre in media) have this fantasy of being chased and having someone fight to tear their walls down, or to stick around even when they are constantly being pushed away - and perhaps it's because I have always envisioned myself in these scenarios as the one forced to do the chasing - but it feels... sad? Imbalanced? Pushy and coercive?
I don't want a relationship I had to talk the other person into. I don't want to have to give a grandiose speech about all the reasons loving me is actually worth the effort, or roll out a full marketing presentation to convince my partner that our relationship could be a good thing if they just "gave it a chance".
If a person I care for decides not to be around me? I'm going to trust them to know what's right for them. I'm going to trust a person if they say they don't want me or don't have space for me in their life. The moment you say you don't want me around, I'm gone. Poof.
IDK. There is just something about responding to blatant rejection by trying harder that makes me sort of sad instead of the happy tingly feelings these stories are trying to elicit.
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On a serious note, I do feel mysterious case lotusbook has a lot of sincere themes about getting older, realities of responsibility and dreams realized, how it's difficult to succeed and not always the direct path one expects, how there's value in little aspects of life. Almost every li lianhua scene seems to be about that to some degree. The murder cases aren't particularly deep as far as super complicated to figure out or Able to be predicted super well (since they don't always give all the details in the initial setup), but the themes about who was killed and why do connect to li lianhuas situation.
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I’ll even give you my life
Without forgiveness or atonement
"Hector…
I’m so glad I met you…
I didn’t think that God was at the altar, but He still gave me the chance to meet you… I’m grateful.
Hector… Thank you for being born... for being here…"
"Hector?"
"Rosaly… Thank you…"
Even if everything in the world rejects me
As long as I have this warmth
Let me live
With you
"What’s the matter? I was exaggerating. Are you crying…?
Your hand is warm…"
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Dating advice for straight people on social media is literally deranged at this point. Its all 'how to get into most soullessly transactional relationship and do a cold calculation to play the dynamic into your advantage'. Does anyone even fall in love anymore?
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venti is already an adult i am so tired of some people insisting the 2600(+) year old depressed alcoholic god is a child because he looks feminine. i'm tired of people doing "adult venti" designs as an excuse to make him more masculine. there's female characters that have the same proportions as he does but they dont "look like they're 12" to these people because they're women therefore femininity is acceptable, but a male character having feminine proportions means immediate infantilization for any male character no matter how obvious it is that they're an adult. "adult venti" my ass you just made cisgender venti / adheres to gender roles venti 🙃🙃🙃
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no but listen what really gets me about wrightworth is the comfort of it. it doesn't even need to be regarded as a romantic ship (there's so many ways to interpret their relationship anyway) in order to understand why they gravitate to the other.
every time i see wrightworth art where they simply exist. simple live together and make coffee in the morning and eat lunch somewhere and all the other mundane everyday things, i can't help but think "finally, they can just be, after everything".
their journey was so long and complicated that them being in the same room, at peace, for more than 5 minutes is so meaningful. they fought for that moment of peace. to simply be in the other's presence.
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