#110
tw: implied violence
For the first three seconds, the villain is absolutely certain the hero is dead.
He’s just returning from a dart across the city and isn't even 100 metres from the little front door when he spots the hero. Who on god’s green earth has left a hero on the floor, out in the open? The villains are meant to be trained better than this. They’re practically begging for attention, and on their literal doorstep. Someone’s getting a good talking to about this.
The villain approaches tentatively, leaning down to hold a hand in front of the hero’s mouth. Okay, so they’re alive. He’s not sure if that makes the situation better or worse.
He pushes the hero over slightly to try and see what on earth got them here—and whether the villain needs to worry about any split-second, lifesaving decisions—and earn an incoherent groan in response. He almost drops the hero in surprise; alive, clearly, and somewhat conscious.
“[Hero]?” The villain can’t say why that’s his first port of call. The hero’s barely awake, let alone in any state to reply. He carefully brushes the hero’s hair out of their face; he’s not sure why. “I’m gonna try to get you inside, alright?”
Another halfhearted noise. The villain punches the code into the door, shoves it open, and, as gently as no strength and an ingrained sense of apathy will allow, drags the hero into the bright white of the villains’ hideout.
No one’s around, thankfully; he’s not about to take the flak for someone else’s mistake. He dumps the hero on the floor half-gently, abandoning them there momentarily to grab a first aid kit. Villains come back in pieces more often than not—they’ve learnt to keep ways to fix themselves within arm’s reach.
The villain hurries back, kit in his arms, dropping it and himself to the ground without a care next to the hero. He’s opened the bag and shoved his hand into it before he realises he didn’t hear the door shut behind them.
His gaze snaps up to the doorway. A figure is stood there, her foot holding the door open, her eyes roaming curiously. “Hm,” she says brightly, “nice little hideout you have here.”
The villain’s on his feet immediately. He has to be—it’s not like he can deal with the hero with a stranger wandering about. “Who the hell are you?”
The stranger’s gaze finally falls on him, part intrigued, part humoured. “Ah, I suppose you wouldn’t know me,” she says wistfully. “It’s been so long since I was in the field.”
The villain’s been in said field longer than most. He squints in an effort to place this random person acting like she belongs here, his hand against the sharp bump in his coat like a comfort. “That doesn’t answer the question.”
A bright smile, like the sun is invading this room and trying to blind everyone in it. “I’m [Superhero].”
The villain’s dagger is in his hand before he can even think about it. The superhero takes a half-step inside and lets the door shut behind her.
“Got your attention, didn’t it?” She nods her head to the hero on the ground. “I know you villains love your heroes… weak.”
The villain tightens his grip to stop the blade from shaking in his hand. The superhero looks mildly amused by his apprehension, as if she belongs here, as if she always has. She hums a laugh, turning her gaze onto the hero still laying on the floor. “Consider this my résumé.”
The villain’s gaze flits to the hero as well. They haven’t moved. Time is short. “You want in with us?”
The superhero positively beams like he’s solved an age-old puzzle. “I’m sure a bunch like you could find some use in an authority like me.”
The villain has to believe her. He tucks his knife back into his belt and kneels down to the hero. “Dramatic change in career path.”
“Who’s to say this wasn’t always the plan?” The superhero watches as the villain unravels bandages from a well-used roll. “You wouldn’t take me in as a novice, so I’ve made myself valuable. Wouldn’t you say so?”
A superhero genuinely being on their side is undeniably, colossally valuable. The villain carefully wraps the larger of the hero’s wounds in the dressing. Wounds the superhero has inflicted, for what? Personal gain? To prove something? Where’s the line in what she wants?
The hero makes some incoherent noise of discomfort from the floor. A smile teases at the corner of the superhero’s mouth, like this is right, like this is exactly what she wants.
The villain’s attention is so focused on keeping his hands gentle against the hero’s pain that he takes a second too long to realise the superhero is inviting herself further inside.
“What—” is halfway through coming out.“Might as well meet my future coworkers, huh?” She laughs again, like this situation is highly amusing. Like she holds the cards and she knows it. The villain hates it, but she does. “I bet they’ll love me. Everyone always does.”
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Hey friends!
LONG POST MOMENT !! Tumblr needs me to cut this post up, so I will reblog with the rest of the works :]
A new work, The Devasted writer by my_own_new_paradise, was published on February 25, with 2/2 Chapters released! It has a rating of Teen And Up Audiences and Graphic Depictions of Violence, with addtional tags "trigger warning, Prismo is depressed, Panic Attack, Neurodiversity, Prismo is Sleep Deprived, Prismo has insomnia, Scarab takes care about him, Scarab worries, Soft Scarab, top scarab, bottom prismo, actually they're both versatile, I mean switch, soft prismo, Scarab wants to be a father, but he knows Prismo is not ready, Anxiety, anxiety attack, Scarab knows how to calm down Prismo, Scarab tries to help, Hurt/Comfort, Emotional Hurt/Comfort, Comfort, Mild Hurt/Comfort, Fluff and Angst, Slice of Life, alternative universe, Alternate Universe - Human, non-canon, Alternate Universe - Canon Divergence, Canon Divergence, Established Relationship, Prismo has low self-esteem, At least not mentally, But he thinks Prismo would be an excellent father, Scarab is Prismo's beta-reader, Scarab is proud of Prismo, Scarab encourages Prismo to publish his stories, if I write a second chapter I might add more tags, ah yes my classic tag, take italics away from me, I meanI love italics and the emphasis, but is a pity taking so long editing my story just to write the italic format, Adoption, fanchild, Fluff, Domestic Fluff, domestic life, They're parents now"
You can read it here:
This work has a suggestive part towards the end, but it's nothing explicit :]
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NSFW works are below the cut :].
Cicada's Last Song, by othersin, was updated on March 9th, with 3/3 Chapters released! It has a rating of Explicit and Creator Chose Not To Use Archive Warnings, with additional tags "reverse, Role Swap, scarab is a version of the wishmaster, prismo is a version of the god auditor, Rough Sex, Accidental Voyeurism, Voyeurism, is is weird to watch your alt selves doing the nasty, probably, ProhibitedWish, Relationship(s), Romance"
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You can read it here:
A new work, The prisoner and his guard by my_own_new_paradise, was published on March 2nd, with 3/3 Chapters released! It has a rating of Mature and Graphic Depictions Of Violence, and Major Character Death, with additional tags "Fantasy, Medieval Fantasy, Alternate Universe - Medieval, Alternate Universe - Fantasy, Historical Fantasy, prisoner, Magic, Alternate Universe - Magic, Alternate Universe - Human, Human, human prismo, Manipulation, Brainwashing, Implied/Referenced Brainwashing, Implied/Referenced Torture, Implied/Referenced Rape/Non-con, Torture, Psychological Torture, Past Torture, Past Relationship(s), Scarab is not guilty, This Is Not Going To Go The Way You Think, Scarab is naive, he don't know Prismo have suffered so much, he's just his guard, Prismo is dangerious, that's why is a prisoner, but they use him on their own benefit, Scarab cares about him, is the only one indeed, Scarab trust Prismo, Trust, Prismo knows everything, but he's not allowed to explain what happened to Scarab, Scarab is also a prisoner, He doesn't know, Implied/Referenced Abuse, Implied/Referenced Sexual Assault, reference to Human from The killers"
You can read it here:
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