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#will come up. also there will be speeches by people you've never heard of and we're giving faculty members awards instead of congratulating
littlekingbergara · 2 years
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my diploma is supposed to come tomorrow. :)
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waayfo · 18 days
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To you, who have lost yourself:
aventurine x gn!reader. a/n : guess who just broke up w their first ever bf 🤓☝️ tags. light angst, (not rlly) hurt/comfort, breakups, mainly just aven’s letter 4u. might add p2 but idk
Everything went like a dream at first; everything tastes sweet, all of Aventurine's demeanor and words always leave an impression on your mind. He was born to be a gentleman, you think.
But you should know more than anyone, that every sweet attitude and speech is a trap. A trap that pushes you over the edge of a cliff.
The cliff is that will lead you to an endless darkness.
“You look breathtaking, Ves'tacha.” and his hand always guides you.
You always loved it when you woke up in the morning, and looked at him still asleep in awe. How can there be a human who looks so stunning?
Stroking his hair, you always say good morning as soon as you see him start to open his eyes. The birds are chirping, and you both are still rotting in bed.
But saying goodbye was never in your vision. The ‘in the end, everyone you’ve ever loved will became a lesson’ was never be your wish. But you can't deny that not falling for sweet words is a lesson for you.
“This is not your fault, but mine. I.. i just need some time alone.” you are now reluctant to hear the words that came out of his mouth.
“But not breakup!” You can’t help but try to hold back your tears. But all you heard next were excuses coming out of his mouth.
How many days have passed since that day? You don't remember it anymore. You start to overworking yourself to forget it.
Forgetting how to eat on time, and how you miss sleeping with someone in your arms.
That first week was like hell, all you remember is crying. Staring at the letter you were holding, you just listened silently to Topaz—your ex's friend—excuse herself.
You ignore the letter for eight days, reluctant to open and read it. Or maybe you are afraid that you will remember everything again?
Day nine, you try to read it. Aventurine's handwriting that you've been missing all this time is clearly visible on the letter.
The “For you, who have lost yourself” writing is clearly visible on the front of the letter, written a little large by purpose.
‘Dearest,
I hope this letter is delivered safely to you.
I don't want to take back my apology. I also don't regret knowing you all this time. I can be happy and finding out about happiness all this time thanks to you. I can feel what love is thanks to you. I can live and love this life thanks to you. The other side of my heart desperately seeking for you, but it’s all too late now..
I can’t change the fact that i’ve hurt you— someone who loved me, also who’s important to me.
After spending a lot of time thinking and asking Topaz for advice, I decided to write a letter of apology—or rather the words I wish I could have said to you sooner:
Your presence always brings calm to me. I don't know how I can describe all the things you make me feel. And you are appreciated, please remember that well. You must love yourself more than you love other people.
I’m very proud of you. You are enough just as you are.
And I never lie when I praise you. I never lie when I say 'I love you'. I didn't lie when I confessed my feelings to you at that time. I never lie about everything I do and say to you.
I'm sorry I couldn't say this sooner.
I'm sorry I didn't have the courage to tell you everything, especially my past.
I'm sorry for being such a coward hiding behind my words.
I'm sorry I didn't say this directly because I knew you would hate me
I’m sorry for all my mistakes.
It was while writing this letter that I realized the real reason I asked to break up; I want you to find someone better than me. Who doesn't just rely on his words even though he is actually a coward.
All my apologies are not enough to replace your feelings which were hurt because of my actions and words.
‘To love is to let go.’ That's the advice Topaz gave me. And it took eight days for me to understand it.
So please, find someone better than me.‘
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msfeaths · 10 months
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TUTOR
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warnings : none
pairing : peter parker (mcu) x reader
summary : when peter parker simply fell in love with you...
a/n : make any requests you want ! i'll be glad to do them if i can :)
The first time Peter Parker ever saw you, it was mid-february, when you juste came in and sat in the same classroom as he was. Professor Harrington introduced you as a new student, giving his speech saying people had to be nice.
Oh Peter wanted to be nice with you. But he immediately thought he would never had a chance. Of course, your hair looked so smooth, you seemed brilliant, and after a while he noticed the way this cute dimple would show up any time you smiled.. You were so pretty to his eyes, even too good to be true.
But you sat next to this other guy. Obviously you just sat at the first seat you saw, not knowing anybody. But he started talking. He was much more a talkative person as Peter ever would be, much more popular but also much more an asshole. And you noticed that quickly. Peter knew you did, because he kept observing you any time he had the chance, and he saw the way you'd back up a little when this other guy would talk to your face. The way you avoided catching his sight. You did stay in his friends group though, and that's what Peter didn't understand.
He was just thinking about it, at lunch, while Ned was telling him about this new game he cracked yesterday. "Hey, are you even listening to me right now ?" he asked, turning his head in the same direction Peter had. "Ah, I see" , Ned kept going.
Peter would sometimes - pretty often - daydream about how would it be to date you. Would you agree to spend lunch time with him and Ned ? Go to his place ? To hold his hand in public ? Or even kiss him ?
"Why don't you go and talk to her ?" asked a girl who was sitting at the same table. MJ constantly watched as Peter was almost drooling on himself just by seeing you.
"W-What ? Why would I go-" he started before getting cut off. "Come on, not to me" she answered. "You've been addicted to {Y/N} since day one". Peter frowned, denying, but he knew this could never change her mind. "MJ's got a point, dude. And maybe you have a chance with {Y/N}, who knows !?" Ned said and his friend immediately looked around to see if anyone might have heard. "Shh Ned are you crazy ?? And don't say stupid things like that.. Both of you". "Whatever", MJ replied, "But it seems like she wouldn't say no if you asked her to try a new friends group. Her's pretty lame".
Peter slowly raised an eyebrow and looked back at you, to see you walking in his direction. He was wondering, what was happening ? Were you actually going towards him ? You met his eyes and gently smiled, not really knowing how to act with him.
"Hi" you started when you reached his table. Peter looked at Ned who was way more excited to see you talking to him. He elbowed him so he could answer you. "Hum, h-hi ?" "Can we do anything for you ? Can Peter do anything for you ?" Ned immediately asked to help his friend. MJ rolled her eyes just by hearing the conversation.
"Yeah, actually" you smiled. "Mr Harrington told me to talk to you... It seems like you've been chosen to be my tutor. Im Y/N, by the way". You didn't really like asking for this - even though you did not really choose it - but Peter immediately nodded, shyly but still. "Yeah -yes of course no problem !" he replied. "Great ! Thank you. We can meet later at the library ?" you proposed. "The library is closed this week, what a shame !! Though, you should go to Peter's. The.. Temperature is great there. You know, to work..." Ned tried to keep going, making you smirk a little bit. You noticed how Peter's eyes suddenly became wide and the red colouring his cheeks. "Oh, well if you don't mind... You know what ? Just text me later today" you gave him your number under his flabbergasted eyes. He nodded and you went to class after smiling at him one last time. It is probably that exact smile that made him realise how screwed he was.
Peter did text you later that day, sending you his address and how to get there from school. You suggested to join him there at 6:00pm to what he agreed.
You arrived in front if his flat in Queens and called him so he could open, and there you were, on his dining room table, tons of books spread out next to you both. He spent a whole hour explaining all the little details that were important in every chapter that you've missed. Good for him, you were a fast learner, something that made him like you even more. He would ask you some questions to check if you were following, and you always were. That kept going until his aunt came back home. "Hey Pete, I've been trying to reach you out for an hour now and you- oh", she smiled widely, "Hello. Excuse me I didn't know you had company", she said, looking at both of you in turn. "May this is Y/N", he said, hoping she wouldn't say anything embarrassing. "Hi, I'm sorry I hope I'm not bothering. Peter is helping me with all the things I've missed at school. I'm a new student".
"No of course it's no problem ! I am always glad to meet Pete's friends. You can even stay for dinner ! Just make sure to tell your parents" she added and didn't wait for your answer before going to another room.
"You don't have to" Peter said, "Stay for dinner, I mean. N-not that I don't want you to stay, I mean you- I don't mind if you stay. At all ! It's just- ugh - if you have anything else to do, don't feel forced to stay here". You smiled at him as an answer before adding "I'd be glad to stay, I don't have any important plans".
So there you were, sitting at the small kitchen table with Peter and his aunt who had just ordered food, since the dish she started had burnt. It was simply pizzas from this place you didn't know, but Peter assured you they were the best.
"There. Start with this one, Joe's an expert at it". And indeed, you were surprised by the amazing taste of this basic pizza. Dinner kept going, and May wanted to know more about you, much to Peter's despair, even though he was interested by anything you were saying.
"From what Peter told me, you quickly made a name for yourself at school. Do you move a lot ?" she asked. "Yeah, actually. I've moved like, 12 times because of my father's job. I repeated a grade because of it" you answered with a sad smile. "Wait you're a year older ?" Peter suddenly said. "Oh no, I skipped a grade in primary school, so it's like it never changed". Peter nodded "Must be hard, I mean, moving all the time".
You looked at him quite surprised. People usually thought you were lucky because you were able to travel and meet a lot of people. Thing is, when you move that much, you don't really have time to get used to the place and make real friends. And it seemed like Peter guessed that. You liked the fact that he wasn't superficial, like a lot of people. So you smiled slightly, letting the cute dimple that he liked make its appearance "Kind of. But it feels like im gonna stick around for a while, this time". And you might didn't know, but at this exact moment, Peter never had been more thrilled.
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lunarw0rks · 11 months
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Through The Ashes | Chapter Seven
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Summary: You've been given an offer to join the 141 Task Force. Upon taking it, you find yourself ensnared with the mysterious masked man who won't take his eyes off you.
Warning(s): explicit content (18+), PTSD themes, canon-typical violence, slight gore, mentions of trauma, references parental death, grief, hurt/comfort but also hurt/nocomfort
A/N: should I write an epilogue? (not proofread) | Word Count: 3.2k
꒦꒷ MAIN MASTERLIST ꒷꒦ GHOST MASTERLIST ⋆ ⚘ 🕊 ˚✧ ₊˚ʚ prev. chapter | next chapter // requests | ao3 | playlist
Loose Ends
You dig out the packet from your pocket and slide it across Price’s desk.
“It’s all in the form, Sir.”
He takes it and flips through the pages, skimming the highlighted parts. “Stress leave? You’re sure about this, Private?” He flicks his eyes back up to you and raises a brow.
“Just a few months, until I can figure out my options. And I don’t want anyone to know about it, I don’t want it causing a fuss.”
“I understand.” You nod, relieved for it to be approved. You head for the door and place your fingers around the handle. You’re stopped by him speaking once more.
“You’ve done good work around here. I’m sure you’ll make a good decision.” You flash a friendly smile at Price, and then exit his office.
You’re happy to be back at the Safehouse where your career in the 141 first started, even though it came with plenty of ups and downs. 
El Sin Nombre is in custody, Hassan is dead. For the first time in months, the roster is clear—a perfect time to slip away.
You’re sitting in your barrack, gazing out the window at the secluded country around you. You yearned for the blissful ignorance people carried every day. The horrible things you and your coworkers see and protect everyday citizens from—it does something to you; it makes you look at things differently, even the beautiful scenery around you.
As your eyes are glued to the sky, the enjoyment is null. Your ears fill with the screams of innocents you heard in Chicago over and over again. It’s been a persistence ever since you returned, during any moment of solitude.
You needed out—a few months, maybe a year, and you’d be back in duty. Or maybe, you fulfill your contract and retire early.
A rapid set of knocks stirs you out of your thoughts, making you look up at the culprit. It’s Soap, leaning on the doorframe with a look of unease written on his expression.
“Price wants you. Something about that bastard Graves.” Before you can question it, he zipped down the hall to the meeting room.
Graves? As in, Philip Graves? He was presumed K.I.A. It’s always one problem after another, never seeming to end.
You stand yourself up and quickly follow in Soap’s footsteps, taking your usual spot next to him. Price barely waits for you to be seated before he begins his speech. His brows are tightened, his face is carrying a tension worse than when El Sin Nombre went silent.
“Graves' whereabouts are somewhere stateside, and he’s working with the Russians running some sort of Task Force of mercenaries.” You nearly fall out of the seat with the force of the shock. Russians? How has he flown under the radar so long?
Ghost shifts in his seat a bit, and his eyes grow cold. “Soap killed the bastard himself, how is that possible?”
“He’s had a plan in the works for months.” Price adds. “We need to stop his convoy coming in, and evacuate the civilians nearby.”
Goddammit. The last thing your psyche needed was more casualties weighing on you, especially in the hands of a traitorous con artist like Graves.
“We’re leaving the day after tomorrow. Stay sharp out there.”
Ever since the meeting about Graves, you’ve felt half-in-half-out. He was supposed to be dead, dead and gone, but he’s not. And now he shows up and has some malicious plan to get back at your team.
You must not have noticed it until now, but you’re spacing out again for God knows how long. You snap out of it, and force your hands to continue stapling the papers in front of you. You look over, and Ghost stares briefly, before his gaze goes back to the straight ahead. If anybody knows how you feel right now, it’s probably him.
“Forgot these.” He places a stack of folders down in front of you. You can tell he’s trying not to mention the obvious, not that he would anyway.
There’s no turning back now—you’ll be gone in a few days anyway.
“Ghost.”
“Yeah?” He halts, turning to face you.
“How do you do it? That… way about you? You just… Shut everything off and keep working.”
He almost scoffs right through his mask, leaning a hand on your desk. “I don’t recommend it, Sergeant.”
“Then when does it stop? The things that keep replaying in your head?” Your question hangs in the air a few seconds, before you continue your ramble. “I can’t see past it—the lies and the violence, and the way we all just avoid it.”
He steps a little closer, leaning down to meet your eyes. He knows that feeling all too well, but he’s learned to mask it.
“If you keep thinking like that, it’ll swallow you up. You’re a good soldier, better than most of the muppets I’ve seen. You know that, right?”
You’re fiddling with the paper in your hands, trying to deflect some of the feelings you’re having right now. You press your lips into a line, and nod your head. His words meant more than most.
“You’re not planning on jumping off a cliff, are you?” He asks, letting out a dry chuckle. “Don’t tell me it’s something terminal, either.”
You can’t control the smile spreading on your face. It was not the line you were expecting to lighten the mood, but it worked nonetheless.
He reaches out a fist and gives your chest a few knocks right over your heart. “Feels pretty sturdy to me. You’ll be ‘right.”
Saying thank you would be pointless. He’s not a man of many words to begin with, especially not words of appreciation. You outstretched your arms and gave him a brief embrace, as if to let yourself say goodbye to him without the pressure of figuring out what to say. You debate on even telling him you’re going away.
It’s an unexpected move on both parts, but he doesn’t jerk away from you like he did last time. Instead of pulling away, he places his palm on the back of your head, giving it a gentle clasp.
You both pull away, and he looks as if he doesn’t know what to do with the affection. He loses his eye contact, and his inelegant demeanor returns.
“Felt more like a goodbye… We’ll need you out there when we hunt that bastard down.”
“I wouldn’t miss that for the world.” You reply, almost boastfully. After a seconds pause, you bite the bullet. “I put in for some leave, not sure how long, yet.”
He’s less shocked than you expected him to be, but given the way you vented maybe it isn’t.
“I’ll pick up the slack while you’re gone. But then I want you back bright and early, five-o-clock sharp.” His words lighten, having an edge of humor to them. Then again, he could be serious and you wouldn’t know.
You crinkle your nose to stifle a laugh, finishing sorting the papers that you have procrastinated on for months. You place the boxes under the desk, and then move onto the next batch. You’ve expected him to be gone by now, but he isn’t.
“Before you go—” Ghost speaks from the entrance of the room, as if he stopped in the middle of stride. His eyes look soft again, and they’re scanning you like they’ve done a hundred times.
“—we should have a round together.”
The tires screech to a stop on the pavement, jerking all of you around with force. Door opens, and you and the others pile out, guns drawn and ready.
“I want everyone to evacuate civilians first.” Price commands, standing in front of the group.
“Go in pairs and take one building each. Direct them to the triage center down the road. Graves’ll destroy anything to prove a point, so get the hell out of there.”
You follow Ghost, who’s the first person to your right. Your feet pound as you both bolt up the road. You claim the first building, which is some sort of an office, but the structure looks ancient. He smashes through the glass entrance and steps inside. The flashlight attached to his barrel is the only thing allowing you to see ahead of you.
You turn off and check the lower level, but it’s clear.
“Anyone upstairs?” You shout, since he’s sure to hear you through the thin walls.
“Clear.” His voice echoes down the stairwell.
You meet him outside, waiting to regroup before you move onto the next building. The next one is further up the road—a hotel closed for construction. This time, you take the lead, bursting through the door.
There’s a few employees that you usher out of there, directing them to the triage center. There’s no time to answer their frantic questions, anything could happen in a matter of minutes.
“Convoy is a few miles out. Make sure you’re out of there before then.” Price chirps through, only heightening your apprehension to get through this operation. You rush up the flights of stairs, sweeping each vacant room for anyone. “We’re heading down to the triage center. Both of you meet us there.”
After checking the rooms, you take the elevator back to the ground level, meeting up with Ghost once more. “Upper level is clear,” you say, in between catching your breath.
“Dining hall is the last area. Let’s sweep it before we’re sitting ducks.”
You reach the dining hall, which seems to be the area under remodel. Tarps are spread over the missing pieces of the roof, but you can still see the stars glimmer through the gaps. Pieces of drywall are peeled away, and there’s equipment still left laying askew.
You search through the entirety of it, but it’s as empty as the upper levels.
When you pass by the bar alongside Ghost’s eyes don’t leave the path in front of him.
As you’re both nodding to one another, signaling that it’s time to go, your radio chimes in. It gargles for a while, as if it’s struggling to receive the message at the right frequency. You furrow your brow and press the button, “Repeat that again, frequency is shot.”
Ghost stops in his tracks as he listens through his own, trying to pick out any words or phrases in case it’s an important callout. He shakes his head and pulls out his walkie-talkie, which is also emitting the same error.
He gives it a few smacks and curses when it doesn’t work. He keeps it in his grip just in case it works again, but motions his head in the direction of the door. “Let’s get out of here, I don’t like this.”
“Good to see you boys again.” The glitched voice emitting through your wire stops you dead in your tracks. You place a hand on Ghost’s shoulder, yanking him into a stop so you can hear it further.
When he does, he sprints to the other side of the large room, checking the entrance and windows for any sign of hostiles.
You look at him wide-eyed, as the line goes dead again. Graves had patched into your frequency and clogged it so you couldn’t reach your team. Whatever he was planning before, it’s here now and there’s no time to stop.
Your earpiece unexpectedly picks up the frequency again when you reach the middle of the dining hall. It gargles out a few words that you can’t understand, and then it emits a high-pitched shriek so boosted it makes you keel over and rip it out.
Ghost moves quicker than before, as your hurried steps try to catch up with him, your boots echoing with each careful stride—as if to not get your foot caught in any of the uneven patches of flooring.
The glass on the chandeliers began to rattle, as did the glassware packed away in boxes. You felt the floor vibrate, and the tarps over the exposed drywall began to whoosh. The electricity flickered as a loud whoosh of a jet passed overhead. The lights exploded into sparks, making you cover your ears for cover.
You had no time to get any closer to the door before the force of a nearby explosion knocked you to the hard ground. The world around feels like it’s been tilted on its axis, and your vision is doubled. You see Ghost already scrambled to his feet, and he’s outstretching his hand to help you up.
You reach for it and just barely brush against his fingertips. When you’re too sluggish, he clasps your upper arm and jerks you toward him, just barely getting you upright.
Another jet passes overhead, the sound of the engine fills your ears once more. When another bomb drops, it’s closer than the last. You knock into one of the pillars, losing your balance again. A clamorous groan of the building causes him to lose his grip on you, and you’re knocked down again, fading in and out of consciousness.
Ghost ripped himself away just as the already fragile structure began to crumble. He covered his head as the blast proceeded, gathering himself when the destruction came to a stop. Ghost coughed away the dust and stumbled through the dimness of the large space.
“Where are you?” He rasped as he felt around, gripping onto one of the pillars still standing.
He climbed through a gap in the boards, looping through one of the neighboring rooms to locate you. His heart skipped a beat when he saw you—draped across the floor with rubble surrounding you—illuminated only by the night sky, its radiance shining through the faulted roof.
Your foot was pinned by a piece of cement, rendering it unusable.
He throws his radio onto the ground and is by your side in a second, knelt beside you. When you finally come to, you try to move, but your foot is pinned completely.
“Don’t move your feet.” He spouts in a low tone, looking around the room for anything he can use to jack it up, but everything nearby is smashed to pieces.
Your eyes dart around the room to assess the damage, but you can’t crane your neck enough to see it all.
Finally, he finds a board to shove some of it away enough. He grabs your calf and pulls your foot out from under, but it’s completely limp. You can’t feel any of this, as if you’re under anesthesia, which is both a blessing and a curse.
You swallow, giving some saturation to your dry throat. “How bad’s the leg?” You murmur, unable to see what kind of deformity he’s tending to.
“You’ll be alright, need to find a way out.” He crawls back to your side, looking every which way as if an exit door was going to appear out of thin air.
He intertwines your hand, attempting to hoist you up. “Lean on me,” he says unsteadily. You can’t use your weight at all, or move for that matter—almost immediately dropping back to the ground.
A sharp, shooting pain runs up your backbone, making you wail in agony. His hands hasten around to find the source of it. Your excruciation is like someone running a knife along his skin. He knows that sound all too well.
He turns your torso, revealing the source of it—shards of metal plates embedded deep within your spine, and it’s been bleeding this whole time. He masks his panic as best as he can, but his silence is every answer you need.
“I can’t feel it anymore…” You whisper, now unable to move anything in your lower half.
The marble floor you’re limp upon is slowly becoming covered with your blood, seeping into the grout and cracks of it. You’re losing too much, too fast—and there’s nothing he can do to stop it.
You feel each breath turn into an irregular wheeze with an increasing amount of seconds between each of them.
Ghost shifted the position you were in so your head was hiked onto his thigh, having no choice but to look up at him. You rest your palm on the ground beside you, using the last of your remaining energy to trace the pattern of the marble.
He stops your hand and clenches it, halting your twitching. He moves his other hand to your hair and holds onto the side of your head, not breaking eye contact with you for a second.
“We should get that drink, Sergeant.” He speaks softly, his eyes wrinkling over the weight of his own words.
You titter at his words, allowing them to distract you from the despondency of the situation you’re in. There’s nothing you can say to him that won’t fissile into the air—the silence is loud enough to fill those gaps in.
Ghost is mirroring what he did when his mother passed, cradling her as if he could nurse the wounds away. He recalls the same way her eyes were washed over with emptiness, no longer hosting any soul in them.
The way your chest rattles, the crimson seeping through the cracks of your skin and leaking onto his clothes—it’s a familiar sorrow.
He leans down and presses his lips to yours after the labored breaths stopped—something he didn’t have the courage to do when you were right in front of him nearly everyday. It was not the lustful, craving kisses you two shared, it was a kiss expelling the torment causing his heart to flutter.
“Ghost? How copy?” His walkie that he tossed chimed, finally coming through clearly. They were minutes late—minutes that they could’ve helped you.
“Ghost, what’s your status?”
He didn’t dare take his eyes off your lifeless body, only wanting to savor the last bits of warmth your skin still had. His lips left yours, quivering in a way that hadn’t since he was a tormented child—something he’d never openly express to anyone.
He removed your head from his thigh, then placed your hand down gently, rising to his unsteady feet.
He looked down at the blood coating his hands and the fabric of his trousers, the way it ran down his fingers and onto his sleeve—it made his skin crawl.
“Ghost, do you copy?”
His head pivots to the radio on the ground. His lip tightens in frustration when he hears the callout. The emotions he’s having all stewing inside him all at once—it’s too much.
He picks up the radio and projects it onto the ground, hearing each piece of it shatter at his feet.
His fists clench at his sides as he looks at you one more time, with you remaining in the same limp position he left you in. The sounds of your agony echoed within him, the feeling of your skin turning cold when he sat there long enough, the fabric of his balaclava now saturated with his own tears.
“I’m sorry.” His words felt void against the emptiness of the degradation surrounding him.
It was a phrase he uttered to you multiple times before,
a phrase he’d never be able to tell you enough,
a phrase you’d never be able to pardon him for again.
[Alternate Ending]
TAGLIST: @neoarchipelago @ghostlythots @gothgirl6-6-6 @cloudyyjanee @ladyelissarose @almightywdm @glitterypirateduck @brokenghostgirl1 @a-jupiter-n-mars-blog @liliumbosniacum (IT WONT LET ME TAG SOME OF U GUYS SORRY)
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sakebytheriver · 2 years
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Community is a Chekhov play and the gun that foreshadows the ultimate tragedy of the Greendale study group is in the Dean's first speech with his missing card,
"Many of you are halfway through your first week here at Greendale, and as your dean, I thought I would share a few thoughts of wisdom and inspiration. What is community college? Well, you've heard all kinds of things. You've heard it's a loser college for remedial teens, 20-something dropouts, middle-aged divorcees, and old people keeping their minds active as they circle the drain of eternity. That's what you heard... However, I wish you luck! ... Okay, you know... Oh-oh. Okay, there's more to this speech. There's actually a middle card that is missing."
That middle card is Community's equivalent of Chekhov having a character hold a gun in the first act. The card is never found just the same way the study group never really escapes Greendale as anything but what the dean describes them as in his speech, the missing card is their potential, lost to time, lost to incompetence, lost on the Greendale campus never to be found again. Troy never really graduates instead becoming the epitome of remedial teens running from the world by literally floating through it on a boat, Britta remains stuck at Greendale a twenty something dropout unable to get a degree but also unable to leave and in the original draft of the pilot the dean even adds an aside that the dropouts are "crawling their way back to society" an acomplishment Britta never reaches by the end of the series, Shirley never becomes more than a middle aged divorcee with a husband that came crawling back only to leave her once again losing herself in Louisiana to play nursemaid to a man she just met, and Pierce dies the same way he lived depressed, gross, broken, and alone. Jeff, Annie, and Abed don't have equivalencies in the speech that appears in the pilot, but Annie is given an aside in the original draft in the same moment as Troy, being labeled "a young person who couldn't get into a university" and she never does make it to a real university. In the end, Annie and Abed are the only two given endings that can be read as happy, she leaving for the FBI Academy and he leaving for film school in Los Angeles, the only two able to escape the Greendale purgatory for supposedly greener pastures, but Annie's ending is to become a cog in the system, a cog that would have happily sent her younger self to jail for the rest of her life for an addiction beyond her control finally reaching the lofty goal she thought she must reach as the small overachiever Annie came to Greendale as, finally able to grow up and be a big girl. Maybe her ending was happy or maybe it was just another form of corruption. Perhaps Abed Nadir is the only one whose ending is truly everything he ever wanted, but he goes to film school alone, he reaches his dream far away from all of the people who loved him, the only people who ever loved him, Abed Nadir ends the series the same way he entered it, the same way they all entered it, alone. And of course, Jeff Winger, the man who wanted to stay at Greendale for the shortest timeframe he could possibly achieve is now stuck there, dedicated his life to teaching there, to fixing the broken school that somehow fixed him and broke him even more left watching everyone else leave him behind.
The missing card, the one that could have told them all what they could be, what they could have acheived at Greendale is never found, but it comes back in the third act in the form of Season 7, the cutaways the group comes up with in the finale of what their season 7 could look like, the missing potential that notecard used to have now inside they're own minds and as Jeff pulls the trigger, fires the only bullet left in the chamber and begs the others to please just stay with him, to stick around and make the idealic season 7 he has created in his own imagination, the gun backfires and explodes in his own hand as reality comes crashing down to steal that last bit of hope he had left
"The plays that Chekhov wrote were not complex, but easy to follow, and created a somewhat haunting atmosphere for the audience."
This quote from Chekhov's wikipedia stands out to me in a way that perfectly describes a modern sitcom and I feel it especially fits with the atmosphere Community created. It was funny, it was broken, it was irreverent, and it was goofy, but it's a show that has haunted me for years, has haunted the entire fanbase for seven years demanding a movie until the powers that be finally gave in
E. J. Dillon thought "the effect on the reader of Chekhov's tales was repulsion at the gallery of human waste represented by his fickle, spineless, drifting people" and R. E. C. Long said "Chekhov's characters were repugnant, and that Chekhov revelled in stripping the last rags of dignity from the human soul".
And these quotes, while they were striking at Chekhov's work in a disparaging way, they just make me think of the characters from Community. Is there a better description for the Greendale 7 than a group of fickle, spineless, drifting, repugnant people stripped of their last rags of dignity? Chekhov was known for being able to capture the specific sadness of an ensemble of depressed codependents trapped in the utter monatony of a working class sedentary life and his popularity was credited to his, "unusually complete rejection of what we may call the heroic values." There are no heroic values in any of the Greendale 7, they are a group of flawed indivudals who come together to create a flawed Community. The Greendale 7 don't have a perfect happy ending, the last moments of Community don't fall into place the way you want a feel good sitcom about a group of friends to end. The ending is bittersweet and broken, a show that shambled on for more seasons than anyone ever believed it could hemoraging cast members along the way feeling like it had died many years before it actually ended, but Abed delivers a speech about the nature of TV and you're crying and you're smiling and when they all leave for the last time with a tight hug that feels like the earth is shattering you're launched into one last self aware fourth wall breaking gag that jolts your emotions before credits roll and they're the last credits that play for the entire show and you don't know if that was an ending or if you should wait for something else.
Virginia Woolf mused on the unique quality of a Chekhov story in The Common Reader (1925):
"But is it the end, we ask? We have rather the feeling that we have overrun our signals; or it is as if a tune had stopped short without the expected chords to close it. These stories are inconclusive, we say, and proceed to frame a criticism based upon the assumption that stories ought to conclude in a way that we recognise. In so doing we raise the question of our own fitness as readers. Where the tune is familiar and the end emphatic—lovers united, villains discomfited, intrigues exposed—as it is in most Victorian fiction, we can scarcely go wrong, but where the tune is unfamiliar and the end a note of interrogation or merely the information that they went on talking, as it is in Tchekov, we need a very daring and alert sense of literature to make us hear the tune, and in particular those last notes which complete the harmony."
Community ends not with a bang but a whimper and a broken note that makes you question what happens next, where do they go from there, what scene fits here in the script, is this truly the end or just where the writer put down his pen. It's a Chekhov play written in six seasons and soon to be a movie
In the end, the tragedy of Community is literally written on the cards
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pascaloverx · 7 months
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Invisible Bonds: The Power of Destiny
Author's Note: This fanfic contains possible strong language and explores themes of unconventional love. The relationship between the protagonists will be handled with sensitivity, without explicit scenes.
preview chapter two
*pictures credits are not mine, credits belong to their owners
Chapter One
You woke up feeling discouraged, but with a hopeful feeling that things would get better. How could you not feel hopeful when the love of your life is about to marry an incredible woman?
"Darling, Taehyung called to let you know he'll be waiting for you at the beauty salon. He said you'd know which one. He also wanted to remind you that he remembered to pick up the tuxedo and the shoes. He asked you to call his friend about the wedding rings." Your mother shouted from downstairs, and you felt the urge to never leave your bed again. How could you be a bridesmaid in a wedding you theoretically should prevent? But then again, who are you to go against the dictates of destiny?
Your mother came to visit you this weekend because Taehyung considers her a second mother, and she's thrilled to see her heart's son getting married. She has already given up of the ideia of you getting married.
You shout back that you're already getting ready to meet the groom. Damn, you had forgotten to call Taehyung's childhood friend, Jungkook. You haven't met him in person, but you've heard the guys talk a lot about him. And by guys, you mean the college friends you met through Taehyung: Jin, Namjoon, Yoongi, Hoseok, and Jimin. The lilac dress that the bride has chosen for all the bridesmaids is so delicate that you feel like you shouldn't even take it out of the closet. You quickly slip into it and fix your hair within minutes. Why take your time when you're not the bride, right?
Finishing getting ready, you search for Jungkook's number on your phone. You wonder why you volunteered to help with this wedding and why, out of everyone, you ended up with the task of calling this guy. The phone rings and rings, but no one answers. When I call again, he finally picks up. His voice is hoarse; it feels like I just woke him up. Oops...
"There better be a good reason for calling me this early in the morning then..." He says in an almost rude tone. You wonder if there's a way to slap someone through the phone. Perhaps in the future, there will be.
"Good morning, Jungkook. I hate to break it to you, but as an adult, you should've been up hours ago. My name is (Y/N), and I'd like to know if the wedding rings and their bearer will be here on time for the wedding." You reply, trying to be as patient as possible, but honestly, you're furious. Always having to deal with other people's issues.
"Has anyone ever told you that you have a beautiful voice? Ever thought about becoming a singer or a voice actor?" He says while you can hear noises in the background, a woman murmuring something. He's too busy getting romantically involved with someone to remember to be a good friend, how wonderful.
"Instead of trying to flatter me, make sure you're here at the agreed time and with the rings. If you want to invite your company to come along, feel free. But know that if you mess something up today, I'll be your particular nightmare." You say as sternly as possible. You even slow down your speech in the last part to appear more intimidating.
"If this is your way of asking if I'll be accompanied today, the answer is no. As for the rest, I'll do exactly as you asked, if you promise to reward me at the end of the night." He says, trying to be seductive. You prefer to pretend you didn't hear that proposition.
"I'm sorry to burst your fantasies, but I don't plan on getting involved with anyone. You can pretend that I'm saving myself for my other half." You reply firmly, putting an end to any further advances.
"Believing in soulmates is for fools. I bet I can convince you otherwise at the wedding." You don't even know the guy, but you're already envious of his arrogance.
"Listen, I have things to do and can't waste time. I expect to see you in a few hours, appropriately dressed and with wedding rings in your pocket." You say firmly, ending the conversation and hanging up the phone.
You descend the stairs, seeing the table full of food that your mother is packing for you to freeze and eat during the week. You thank her and let her know you won't be able to have breakfast together. She says she doesn't want to inconvenience you, knowing that Taehyung needs you. You nod in agreement and give your mother a goodbye kiss. A few minutes later, you're finishing up the last details at the reception hall. Of course, you had already organized things at the church. Everything is going as planned. You arrive at the beauty salon where the bride and groom are getting their skin and hair done.
"I was starting to miss you. You look breathtaking." Taehyung says as he gets up from the chair where he was finishing his makeup. He looks so radiant, as if his smile could light up the world. It heals me even as it hurts. He isn't my soulmate; God knows he never thought of me romantically, but I simply love him.
"Look who's talking. Haewon is going to feel incredibly lucky when she sees you walking down the aisle like this. Although, she looks stunning. I sneakily peeked because I thought you'd want to know." You say as you adjust Taehyung's tie.
"I'm so nervous. It's worse than that time we were at a concert, and I got called up on stage to sing. I don't know how I'm going to walk down the aisle and wait for my future wife patiently." He says as you lock at each other. It's not romantic, but it's a moment of tenderness. After all, he is my best friend, and he's getting married.
""Taehyung, today you embark on a new chapter of your life, and I have no doubt that your love story with Haewon will be as magical as the bond that you guys already share. No nervousness in the world will ruin your moment." You say, trying to be as positive as possible.
"You always know what to say. I love you, you know that?" He says, hugging you.
"I love you too, now come on. We have a beautiful wedding waiting for you, and it's not nice to keep the bride waiting." You say as you send a message to the driver, letting them know Taehyung is ready to go. According to the schedule, Haewon will be making her grand entrance in about ten minutes.
The journey from the salon to the church takes about five minutes. Up until now, everything has been going perfectly. Right now, Taehyung is surrounded by friends and is nervous. Not because of the bride, but because Jungkook hasn't arrived yet. That idiot.
You knew you shouldn't have trusted him to get the rings. You can't believe he's going to mess everything up in the end. And just as you lose patience completely, Jungkook walks into the church. At least, you think he's Jungkook. I must admit he looks elegant, almost like he stepped out of a movie. He arrives with a smile, as if he's the main attraction.
And suddenly, you feel it—a suffocating sensation as if the air has been sucked out of the world. A pain in your chest so immense that it makes you stumble, clinging onto Taehyung for support. Then you notice Jungkook doesn't seem well either. Damn, this can only mean one thing. As your body collapses to the ground and your consciousness fades, amidst people shouting and lifting me to call for medical help, you feel something inside you that only soulmates feel for each other. You can't believe that out of all the people in the world, your other half is Jeon Jungkook.
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alegacyofmonsters · 10 months
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Legacies 1x03 Rewatch
Haven't even made it past the Previously On ... and I'm already rolling my eyes at Alaric's speech to Hope. Like how did the writers think yes, let's sprinkle this all in so heavy handed but next season, when it's his blood daughter doing all that and more, let's have him sit silently and coddle her and force her murder victims to be nice. The character assassination -
I can't be the only one who does not give a fuck about the flashbacks over the season. Like not a single one is memorable except the Ben/Jen ones. I forget they exist and I really don't care.
My chain spell potential. Wasted.
No but why is Lizzie actually so nice to Penelope in the beginning?? Like last episode, she's willing to go along with Penelope's ideas and this episode, of all the people in the room, she's the one to say why Penelope's absent? I know Josie said she used to have a crush on Penelope but GIRL GET UP.
"If it pleases the court." Is this and 4x12 foreshadowing Lawyer!Lizzie? Because if so, I'm down for it.
"If anyone should take the blame, it's Josie." "WhAt?" I mean, look. Did Lizzie need to point it out? No. Bitch move. But it literally is because of Josie. How is she gonna stand there and pretend like it wasn't.
"I promise I'm not gonna betray you by being friends with Hope (who I made you believe hated you and did some fucked up things to you)." The very next morning:
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"You only play by the grown-up rules when you don't need something from me." Get him again Hope!
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"Baby, I'm a loser, yeah, yeah, yeah." as Lizzie stares at Hope's ass. I can read between the lines.
"Litter, weeds, graffiti." And then they immediately forget about weeds. Like they split into two groups and not a soul went to weed??
"I love trash. As of this moment." "Your sister's kind of a dumpster fire." HOPE. I SEE YOU. I SEE RIGHT THROUGH YOU.
"Daddy's girls." Said the pot to the kettle.
"You run, I run. Period." BRING RAFAEL BACK TO ME ALREADY. THE JOKE ISN'T FUNNY ANYMORE.
"She hates me, doesn't she?" "I don't want him to hate me." Tethered.
As much as I hated it, I miss Kaleb's stance on supernatural-human relations. I hate that it just went away. It made him into a villain-like character, but damn it, it was interesting. Why did Legacies let all their interesting plots go in favor of "immortal man dies again" "the girl who grieved grieves again" "girl who ran runs again"??? I would have rather seen Kaleb start a small sect of students who believed in his idea that supernaturals were better than humans than listen to Josie whine about how she wants to leave again because people don't like that she murdered them for a season and a half.
No because fuck MG and Connor for that one. I will never understand the absurd Lizzie hate in S1. It reads like a bad fanfic where they layer on the abuse to set the tone but it also is wildly unrealistic and not based on anything.
PEDRO! (Side note: Had a dream last night where J*lie appeared to tell me there was a spin off about Pedro coming and I just told her everything she did wrong)
Enough time has passed. Emma and Alaric should've ended up together.
Call him a bitch, Lizzie. You know you want to.
"Hope and Josie are all sisters in solidarity." Baby, just say your crush is picking trash with someone else.
"But as I was walking home, I did the work and I dug deep." I want to give you a hug.
"She has a point." This is gonna be a real controversial opinion here but I think Emma was more of a mother figure to Lizzie than Caroline was.
"People disappoint." "When I let my guard down, people disappoint." How did I not see what they were setting up from the beginning.
Lizzie sacrificing herself for all of Mystic Falls who had done nothing but treat her like shit really get glossed over
"We've known each other over a decade and anytime you get the chance, you poke." Maybe because you've been spreading rumors about her and bullying her since you were eleven?? She heard that shit??? God, I can't stand Josie's fake innocent act.
"I can heal it." BUT YOU CAN'T HEAL THAT BEAUTY OF A SHOE HOPE.
"Sir, we've already taken your money twice." Landon's so soft.
"I just think that that's making me a little bit nauseous." It's called jealousy.
"MG has the impulse control of a pre-schooler." That's such a nasty thing to say about your "best friend" who has diagnosed ADHD?? Open a fucking book.
"He also always goes for the wrong girls." Yeah, you're gonna tell me that wasn't a shot at Lizzie? The one girl MG goes for repeatedly??
"Lizzie has dibs" and mind you Lizzie just arbitrarily decided to try and crush on him
"She always has dibs." So is it canon that Lizzie called dibs on Penelope then?
"Lizzie's sensitive." IF I SPEAK -
"That's why she's extra testy lately." No I'm pretty sure that's because in the last 48 hours, she's been assaulted several times, you've been lying to and gaslighting her, and her father's been a giant hypocrite. But sure. She's not there to defend herself, so keep going.
Jeremy really just showed up once and never again, huh?
Josie feels it when Lizzie is attacked by monsters but not when she uses black magic?
Dana and Penelope would have been best friends and she should've been in the Dana x Josie AU.
"I had to ask the honorable -" Blah blah blah. I'm really finding it hard to fall for the nice guy act this time around knowing what he does at the end.
Standing there silently while Kaleb talks all sort of misogynistic shit on Lizzie. Ooh if I could reach through a screen -
"She didn't. I did." ... okay?
No because Rafael losing Cassie and Hope losing Landon at the same time would have hit hard. And what if I just rewrite Legacies myself? Like damn.
I love that they just leave Lizzie on the floor. Like not a soul even holding her hand as she whimpers in pain. Wow.
Alaric jumps in front of Hope like she wouldn't just wake up a Tribrid if the gargoyle had got her. You're telling me this man was ready to die if his research was wrong just so she could stay human?? I'm not buying it.
"Me being the evil one in this scenario?" and I know she was flashing back to eleven years old hearing Josie make all the witches laugh at her for being a villain
"These secrets are gonna tear us apart." If only she knew.
"In their minds, we're the villains because we won't give them what they want. We don't even know why they want it." Oh the Dark!Josie foreshadowing.
Me, trying to listen while also trying to jam out to Raign.
"I had the kitchen make these. Your favorite. Brownies." "Someone else's baked goods?" Oh Hope was throwing shots and I didn't even know yet.
Also Lizzie's favorite isn't brownies. It's key lime pie. She says so later in the season. Get it to-fucking-gether, MG.
No because Dana running into the Salvatore School to deface it, finding out about the supernatural, and turning THAT into a plot would have hit so good.
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itsclydebitches · 11 months
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The thing that gets me about the 'Remember her message' crap is like... Remember what? Her message wasn't some inspiring speech or moral lesson, it was essentially saying "Shit is going down, here are people who know more. And Ironwood is a bitch ass mother fucker.". What, does Winter think people will forget the important details?
Though Ruby's message is definitely generic, I personally have no problem with that. Generic can be great when it plays to a genre's strengths and the audience's expectations. Ruby does spend the second half of her broadcast asking the people not to panic, telling them to pull together, and reassuring them that they can in fact beat Salem. On paper, it sounds like a pretty solid speech that, yes, is worth keeping in mind after she's supposedly perished and things have well and truly gone to shit. Hell, part of what Ruby asks is that the people of Remnant keep moving forward even if Atlas falls, with the implication being that she may die too, but they should heed her warnings even if she's no longer around to remind them. The scraped epilogue shows the people doing just that.
The problem—multiple problems, really—is that this message within RWBY's specific context is nonsensical. I spoke a lot about this back when Volume 8 first aired, but it's worth repeating in light of the epilogue. Ruby's speech is heard as one unbroken transmission, yet Ruby skips over a ton of crucial information, implying that the people of Remnant have heard it off screen... yet, given how this is written (both that unbroken stream + they have literally one shot at this message with Penny buying them time), that's simply not possible. Ruby admits that the Maidens and the Relics sound insane, but she never told the people what those are. She reassures them that Salem can be beaten even though she can't be destroyed, but she never tells them that she's immortal in the first place (which is HUGE given what went down with both Ozpin and Ironwood). Ruby announces that Ironwood can't be trusted, but provides no reason or evidence for why that's the case. She further tries to provide reassurance by saying that they must be a threat to Salem because if not, she would have attacked long before now, but that's another huge, baseless assumption. (Plus, the viewer knows there's no in-world weakness that Salem is hindered by, one that Ruby is strategically alluding to. She just didn't attack earlier because the show didn't start earlier. Salem, as a character, waited around for Ruby to grow up enough to fight her.) Perhaps most damning from our perspective, Ruby talks big about stopping Salem without once even considering how they might beat her, let alone coming up with a viable plan to present to the people.
In short: she's pulling an Ozpin. Ruby knows that saying, "Our enemy is immortal and we have no idea how to stop her, but you should keep fighting anyway!" is a very bad gamble, so she doesn't lie exactly, but implies that she has a much better handle on the situation than she actually does. She is, on a literal level, doing precisely what Ozpin did to the girls except on a world-wide scale. And unlike Ozpin who at least offered information that made sense to people based on what they already knew, Ruby references things on the fly that are either a) meaningless to the people or b) entirely unpersuasive. This is a kid who hacked every screen in the world to say, "Hi, it's me, someone you've never seen before. An entire kingdom is about to fall to grimm, but it's okay! See, everything bad that's ever happened in history, from those grimm to the White Fang to random crime around Vale, is all orchestrated by a woman named Salem. We can't beat her, but we can totally beat her. How? I won't say. Also, a world leader is evil now. How do I know this? I won't say. Also also, "maidens and Relics." Don't worry if those words don't mean anything to you. So see? If you just band together everything will be fine!"
And then the world... did that, with the side benefit of not panicking and drawing grimm like everyone agreed would happen back in Volume 7. But that's a writing decision entirely separated from the reality RWBY's built. From the perspective of Remnant, Ruby's speech is unsubstantiated nonsense. At best it comes across as a conspiracy-theory obsessed child playing a prank. At worst it's panic-inducing without providing a shred of explanation or reassurance. If there was ANY consistency in the show the girls would arrive in Vacuo to find the majority of the people going about their daily lives because... wait. You actually thought we were going to listen to you when you spouted all that ridiculous stuff? Meanwhile, a handful of believers are now ready to fight ... because they think Salem can, in fact, be beaten. She's an enemy, yeah? We're brave! Let's go kill her! All Ruby would have done is put those people in the same position they were pre-Volume 6, with information they probably should have been able to use to figure things out (how is Salem still around after centuries if she's not immortal?) but more likely they just jumped to the easiest, most reassuring conclusion. You said there was an evil lady controlling everything, but that we could beat her. So... let's go beat her? And Ruby is standing there, sweating, because oh yeah, she has no idea how to beat Salem. She is ACTUALLY speed-running Ozpin's choices except she pulled the entire WORLD in instead of just a few, choice hunters already committed to half the fight and instead of damning her for that like Ozpin was the show goes, "Yes. This was a lovely message worthy of murals in her honor."
So Ruby did have something akin to an inspiring message alongside the "Shit is going down, others know more, Ironwood is an asshole" spiel. But it's only an inspiring message when removed from eight Volumes worth of world-building and arcs that show precisely what happens when people do this. In that light, Ruby's message isn't inspiring at all, it's just another lie undermined by her giving no explanations and no proof that she can back up her reassuring claims.
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As you've discussed in your blog there's a distinction between Catalans and Valenciansin terms of identity, is there also one for Balearics?
(Sorry it took me a few days to answer, I've been very busy lately and I didn't have time to write a long post.)
First of all, I wouldn't quite say there is a distinction between Valencian and Catalan identity, because for many there isn't. For many Valencians, it's obvious that Valencians are part of the Catalan Countries, but there are right-wing groups who try very hard to push the idea that they're completely different, ignoring uhhh.... All of history, language and most of culture, and basing on pseudohistory, a handful of dialectal/accent differences and mostly a lot of Catalanophobia and Spanish nationalism/supremacy (some of this groups are openly fascist/neo-nazi). I know you're simplifying in order to ask the question, but I just wanted to make it clear.
For those new to the argument, I'll link to a previous post talking about Blaverism (the right-wing movement to consider the Valencian Country separate from the rest of the Catalan Countries, only a region of Spain, justified with conspiracy theories that contradict every serious historian and linguist):
To answer your question: in the Balearic Islands, it hasn't really happened. Technically it exists, it's the posture known as "neogonellisme", but it's soooo small that most people have never heard about it, and very often (as we'll see below) it's imposed from outside of the Balearic islands. In the (extremely few) cases where people from the Balearic Islands have defensed this, it was always Spanish nationalists who wrote exclusively in Spanish (mostly Antoni Alemany). When there's people in the Balearics who want to distance themselves from the rest of the Catalan Countries, it's usually just Spanish nationalism with Mallorcan regionalism, not an indentity in itself (like the now dead Centro Cultural Mallorquí and the still "active" Grupo d'Acció Baléà, Catalanophobic groups created by copying the Valencian blaverist groups).
I've only heard of the existence of these groups years ago when I was doing research into Blaverism, but I've never heard any Balearic person consider that their language isn't Catalan or that they're culturally something else. I know many Mallorcans, some Menorcans and an Eivissan and I think they'd be surprised to hear about this micro-movement.
However, right-wing Spanish groups are trying to push this idea there, since the "divide and conquer" strategy kind of worked in the Valencian Country. For example, the conservative politician Pablo Casado (of the PP party, he's from Castille) went to the Balearic Islands and gave a speech saying "what you speak in the Balearics isn't Catalan, you speak Mallorcan, Menorcan, Ibizan and Formenteran". Basically, this dude who doesn't even speak the language comes to tell us what is it that we speak lmao, but not only that, he says that each island speaks a different language! If I hadn't heard him on the news and knew about the Blaverism he's trying to copy, I would think this was made up as a joke. Sadly, a few time later, the Spanish so-called "left" wing party Podemos also copied this idea and tried to pass a law saying that Catalan in the Balearic Islands from now on should be called "Balearic". Both of this things were widely mocked, of course, since they don't make any sense and everyone considered them ridiculous.
So yeah, the idea exists, but it mostly comes from Spanish people who don't even speak the language and who try to convince us of it for purely ideological reasons, not because they actually believe it's something different. However, very few people actually believe it or defend it so it's basically seen as a joke, unlike Valencian Blaverism which is a bigger movement and well-organised in neo-nazi or philofascist organizations that have even attacked people for it and often get books banned for being written in "Barceloni", have prohibited Catalan TV and radio stations in the Valencian Country, etc., as we explained before.
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nate-windsor · 12 days
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the tidbits.
NAME: Nathaniel Windsor NICKNAMES: Nate AGE: 30 BIRTHDAY: April 27, 1994 OCCUPATION: currently unemployed NEIGHBORHOOD: Echo Acres SPECIES: werewolf, beta (born) LENGTH OF TIME IN LUNAR COVE: 5ish weeks
the bio but in bullet points.
triggers: reform camp, death, parental death and alluded to emotional abuse, violence, substance use, assault
Nate was born the only child to Margarget and James Windsor, a surname with a generational history in politics and positions of authority in Southern California. As you can probably imagine, there was a lot of expectation that came with that.
Nate was not the little baby prodigy they were hoping for: too curious, too outspoken, too "soft". He struggled to reconcile the son they wanted and the one that he was, and as a teen, he was shipped off to a reform camp to be straightened out.
Surprise, it was not at all like an extended summer camp, but rather a place intended to strip him of all the things that made him him. It was here, though, that he met @skyecarrington. Skye helped him, along with others, escape the camp. But when faced with the choice of setting off on his own or returning home, he chose home. Still, Skye gave him his number and told him to call if he ever needed anything
Upon Nate's return home, he did his best to go through the motions and be the Windsor heir that everyone expected him to be. He studied poli sci, he volunteered, he made speeches and earned the public's adoration. As it turned out, he was really good at charming people. It served him well.
He was super not interested in politics, though. He wasn't really interested in the future wife his mom had picked out for him either. So it was nothing short of fate when he met @daphnebishop. For him, he would have sworn it was love at first sight. She was bold in all the ways he'd been malleable, she was living color to his black and white life.
His parents hated it, of course. They did what they could to break them up, but no dice.
Eventually, they were married. It was the best time of Nate's life. He blossomed under her love, the kind of unconditional thing he should have always had and never did.
But good times never last and when Daphne learned of her sister's death, the real divide began. He lost her day by day to her obsession for answers he didn't believe she'd find. His parents were on him hard to rein her in and he begged her to just let it go.
But instead, she let him go. He woke up one morning to divorce papers and a sudden reappearance of that black and white life. He would be ashamed to admit that he lost himself in the heartbreak. For two months, he was little more than a recluse. He drank away his feelings, he didn't leave the house except to get more alcohol. It was during one such trip that he was jumped in an attempted mugging. When it became clear it was a 'him-or-me' situation, a shard of broken glass aimed at just the right spot saved his life.
It had unknowingly triggered a werewolf curse. The morning after the next full moon, he awoke naked in the middle of a field, dried blood under his fingernails with only bits and pieces of memory from the night before. Something told him to call that number Skye had left him with all those years ago. He'd heard about his death, had even mourned him in private. But still, something told him to call. Imagine his surprise when Skye picked up.
After brief discussions, Skye convinced Nate to come to Lunar Cove. He promised he would find what he needed there. And Nate, with nothing tethering him to California, and a desperate need to understand what was happening to him, made the move.
Now, he's just trying to figure out what life even is now.
the headcanons.
Nate can play the piano and sing surprisingly well. He also taught himself a little bit on the guitar through youtube videos, but he's way less practiced with that
You'll probably never see him in a t-shirt. For as down to earth as he is (especially if you've ever met his parents), he still dresses expensive. He loves long-sleeved dress shirts and button downs with the sleeves rolled to the elbow. But often, he'll add a basic little baseball hat to his outfits which really throws off the whole thing in an awww he's trying kind of way
....I felt like I had tons more hcs to add here when I was stuck at work all day and now that I'm here, I have zero thoughts. Soooo this will be updated!
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windvexer · 2 years
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Hello Chicken! 🐓 Often people list meditation as a "foundamental skill you need to have before starting to do magic / witchcraft". Do you agree? And also, what do you think are some of the other skills needed? Thank you for your time.
It's the year 1525 and you caught Old Lisbeth muttering to herself in the woods again. After much pressing she finally reveals to you that when she sleeps a fairy man named Grisbone takes her to a strange hill which has a hidden door. Together, they go inside the hill and feast on food, and when she wakes up she can hear the trees talking to her until the moon turns dark.
Old Lisbeth tells you about the Black Book and the loving affections of the Devil King, and how sweet the wine is, and how strange and lovely all the pale folk are under the hill.
You want to talk to plants. You want the Pale Master to give you a familiar friend, who will go out and steal cream while it's still inside the cows. You want to sign the Black Book and dance until dawn. You ask Old Lisbeth to teach you how to do all these wonderful things.
"Very well," she says. "I will go down to the hill tonight and ask Grisbone if you too can join us. When I have the answer, I will return to you."
You stay up all night, sick with worry. What if you are denied passage? What if you will never listen to the whispers of the plants, or know the companionship of wee devils who grant wishes?
Finally, morning comes. You finish your chores in a rush and fly out the front door, anxious to meet Old Lisbeth. She motions for you to join her in the woods.
"I have my answer from the folk under the hill. You may join us in our dances and feasts, and you may sign the Book. But first, you must complete a trial."
"Yes!" you exclaim. "Anything."
"First, you must wait for five hundred years for Swami Vivekananda to give a speech in Chicago."
"Who? What's Chicago?"
"Chicago won't exist for a couple of hundred years. Don't worry about that. A man from the East will give a speech, and then Americans will become very interested in meditation."
"Americans?"
"Never mind that. What matters is meditation."
"What the hell is meditation?"
"I have no idea. I've never heard of it before in my life. Anyway, just wait until the year 1960 or so until it gets really popular in a secular way, to the point where it's so stripped from its religious and cultural roots that people start to believe it's a universally necessary practice and start applying it to totally unrelated spiritualities."
"Okay, so I have to live for five hundred years until something called meditation gets really popular in a place that doesn't exist yet? And then I can meet the Lord of the Hill?"
"No, then you have to start meditating. You have to get really good at it."
"But you just said that witchcraft is a totally unrelated-"
"Well, you're not allowed a familiar until you do so."
"So... anything else?"
"Yes, you've also got to learn visualization and energy work."
"What the fuck?"
"Your guess is as good as mine. Honestly, I thought they might have been making up some of these words."
"Did you have to do any of this?"
"Of course not, it doesn't make sense. I was churning butter one day and praying, and I saw Grisbone and he took me under the hill, and when we came back I had finished churning the butter. That's how I got started."
"So why can't I do that?"
"Because in the year 2007 someone will make a website called Tumblr, and people are going to start making up a lot of rules about witchcraft. And the gods and spirits feel so bad about how ridiculous those clown fools will look that they decided we had better start changing witchcraft now, so in half a millennium when people say meditation is a fundamental skill of witchcraft the spirits won't weep in despair."
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adambja · 7 months
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Hi Adam
I don't know why I'm telling you this to be honest hehe,but as my fav blogger I want to ask you for advice.
So I discovered the law last two years and for 8 months I tried using subliminals each one month but no matter how hard I stuck to one subliminal it never gave me results.
Then last year I read motivation on loa and all in other bloggers post but I never manifested anything no matter how hard I tried,I tried to be the creator of my reality,I pretended to be living my dream life even though I was broke asf and my family was suffering,ppl called me stupid but I didn't care,even when I never got results I believed it would come soon,I literally kept convincing myself for a year,I worked so hard but nothing happened,I never Manifested anything,and then I heard about the void state,I didn't believed in it but then I saw success stories and I believed it immensely,I thought there's still hope for me,for months I suffered but I pushed through and tried to get into the void state every day and every night,I worked on my self concept,I applied the law in every way but then nothing happened and then my dad fell ill,I was worried and I kept affirming to manifest his health,I affirmed in tears and I was fed up.i wanted to pay you for a custom tape because I thought it might help me but then I had no cent on me,so I could only keep affirming and affirming but nothing happened and then my mum died,she couldn't keep up with all of these,I had no siblings so yeah,then the dad died too.but I still didn't give up I didn't want to but it's useless,right now when I see any blogger giving ppl motivation,it annoys the hell outta me,I know I might be wrong but the law never helped me so now I'm gonna be sent to an orphanage home tomorrow in which girls are constantly molested each time,I literally pass by and see guys trying to touch them and I don't wanna go there please I need your advice,I'm tired of all these you are the creator speeches it's annoying to be honest,I wouldn't say I didn't try enough because I did extremely well,my phone is the only thing supporting me right now pls I need you to tell me what to do,it was my dad's gift to me on Christmas,he worked so hard to buy me one.ive tried every method possible
Most of y'all think you've had it bad??? I've faced worse,I don't even have access to my own house because of my fucking family members y'all give up immediately you try something
I tried for over 2 years but I never got anywhere and I need help,I'm going insane,if there's anything you can do to help me please do if there isn't then it's okay
First of all
My name isn't Adam it's adambja baby it's A GIRL HERE AND THIS IS WHAT I CALL A TRAUMA DUMPING THAT'S it
I didn't read anything because I am about to sleep I am so tired but you are welcome to talk to me privately and we will see
I understand your frustration and all your feelings and all this anger about some bloggers here saying the same repeated things over and over!
It's not my responsibility either cause I am not even like them hopefully I helped a lot of people here!
But when you send me a message make sure you tell me about what you want from the tapes if you are gonna buy them BECAUSE I DON'T MAKE CUSTOM TAPES FOR FREE you gave me your whole life thing how would I even help you if you aren't paying me for your personalized tape or coaching!!!!
I CAN LITERALLY HELP YOU IN ONE MONTH WITHOUT ANY VOID SH IN YOUR NORMAL PHYSICAL REALITY I DID HELP A LOT OF PEOPLE WHO HAD THE WORST SITUATIONS YOU CAN EVEN IMAGINE!
This is the issue here guys
This is MY ISSUE okay? Stop trauma dumping instead tell me WHAT DO YOU WANT TO HAPPEN!!! NOT WHAT HAPPENED CAUSE IDGAF ABOUT WHAT HAPPENED I AM HERE TO MAKE YOUR NEW REALITY HAPPEN
Again the old story MUST BE DEAD!
Also baby you need tapes NOT TALK NOT WORDS YOU NEED TO REWIRE YOUR SUBCONSCIOUS MIND
How SHOULD I MAKE THE OLD STORY DEAD, ADAMBJA?
Just tapes THAT'S WHY I AM MAKING TAPES WITH BENEFITS ITS BETTER IN MANY WAYS
And that's what I am originally a coach for!
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Text
Liveblogging Black Sails 2x10
So now what, is Vane gonna storm Georgetown and rescue Flint personally? I would love to see his face. And then there's the matter of the dead crewmembers to talk about...
Also I love that the boys are getting along now, but who is gonna rescue Eleanor??
Still can't believe Miranda was killed simply for yelling.
Also did nobody notice the pirate ship in the harbor, the one they were supposedly so carefully watching, being attacked by other pirates?
God, I'm not ready for this episode.
Really enjoying Abigail's silent fury though. The more I see of her, the more I love this girl.
So that's the plan? Leave Flint's men behind with all of Vane's that disagree with the plan? Oh my god, that is never going to work.
But I gotta say, I love this new "We're all in this together" Vane. But then, he was half right all along - Flint's plan to reconcile with England failed (through no fault of his own). But Flint was also right - war with England is inevitable and they can't survive unless things change.
Also the fact that Miranda, who always tried to convince Flint to re-join civilisation, was the one that, in the end, couldn't stomach what it would take. God, I've been thinking about this way too much.
Vane even still has the blood of Flint's crew on his shirt. Yeah, this is going to go over well.
Flint manages to look done with everyone even while heading to his own execution, that is a skill.
Ugh, Lord Ashe trying to make himself feel better. I hope somebody kills him.
A CONFESSION? You've got to be kidding me.
Flint's words are as sharp as knifes here, though.
God, his face as they defile Miranda's body. Is that the first time we see him close to tears, if only for a moment, before it's replaced by anger?
Eleanor's disappearance is gonna destabilize Nassau quite a bit. They're celebrating now, but this could be a problem later...
Also how exactly are Vane and his men gonna sneak into the square? There hardly is a man who looks more like a pirate...
First time we see Anne on a ship. Love her hair blowing in the wind <3
Her conversation with Jack reminds me of what Eleanor (or dream!Eleanor rather) said to Vane: That next to him, she would always just have been a woman. But they still manage to be partners.
Oh no, Silver's co-conspirator, here to cause trouble again...
Awww, Silver is finally making friends! Or something.
And here we go, people are beating each other's heads in, to the surprise of absolutely no one. On the other hand - smart of Vane to leave behind the men he couldn't trust, because they're expendable to him.
Okay, that was over quickly. Let's see what still happens...
I don't think Lord Ashe can be happy that Flint is interrogated so publically. Some nasty things he could say...
"Everybody is a monster to someone." <3
That is the plan?? Okaaaay?
Awww, he came to defend him. <3 He couldn't look like more of a pirate if he tried though, for real, at least clean up the blood!
Ah yes, Abigail's diary!! I had forgotten about that. Now they have a problem.
Ugh, they've really never heard of true justice, have they? It's disgusting.
Aww, Max buying Eleanor's place, maybe in part because she still cares for her?
Hm, the Silver of S1 might have done this thing, but I have a feeling this Silver won't.
Oh fuck, is this how Silver loses his leg? Because he stays loyal to Flint??
Hahaha, Flint's and Vane's conversation during the trial. Maybe now they can finally talk some shit out.
"Figured if anybody makes a trophy out of you, really ought to be me." Awww, the beginning of a wonderful friendship??
Haha, Flint is so smart, of course he doesn't believe that's the whole plan. (And that's kind of reassuring.)
Ugh, seeing those two united with a common goal, however temporary it might be, really is the best thing ever. I'm about to vibrate off the couch from excitement.
Hahaha, Vane loves giving rousing speeches, and finally he has a receptive audience, must be a dream come true.
Even shackled these two are still so dangerous, I love it.
YES, justice for Miranda!!
Oh Silver, you smart, smart man, I could kiss you.
Nice, rescuing some slaves along the way (or at least giving them a fighting chance).
Ugh, the Man o'War appearing from the smoke and firing, what a beautiful picture.
Yes, Flint freeing the rest of Vane's crew. ;_; (Speaking of which, where are the men that rappelled down from the city wall? Did any of them make it?)
Vane might not like Flint, but he does respect him. That satisfied little smile when Flint anounces that he will destroy Georgetown... he really does value strength in other people, doesn't he?
Silver really has become a part of this crew. Who would have thought... But it must be pretty scary for someone like him to have to rely on other people for help.
The Man O'War firing on the defenseless city like a giant angel of death... what a picture.
I hope Abigail is safe, though.
Aww, they actually made Silver quartermaster! <3
But Flint doesn't seem too concerned about Eleanor's arrest. I wonder how Vane took that one.
Noo, Silver still lying to Flint. But then, what else is he supposed to say...
Goddamn, can nobody ever tell the truth in this show? But they found the gold?? And the walrus?? And the gold??!!
Holy SHIT that is a lot of gold.
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brehaaorgana · 2 months
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HEY Y'ALL IF YOU'VE EVER BEEN TOLD YOUR VOICE IS TOO QUIET OR YOU MUMBLE TOO MUCH, AND SO YOU'VE BEEN STRAINING YOUR VOICE TO BE LOUDER AND THIS HURTS YOUR THROAT, I WOULD LIKE YOU TO KNOW THERE'S A REASON WHY AND IT'S THAT YOU NEED TO BREATHE BETTER.
I just saw some random video clip of some girl saying she's used to her scratchy "projection" voice now because she was always scolded in school for not speaking up.
Having a quieter resting voice doesn't mean you can only project to be louder by straining your voice! And it doesn't mean you can only shout or whisper and nothing else.
And while I don't think anyone should like, belittle children for being quieter, if you have the ability to speak, then it's nice to be loud enough to actually be heard and to communicate with people better. Especially because not everyone you meet will be able to hear you if you are extremely quiet.
(Like personally, I have ADHD, and with that, sometimes I have auditory processing issues. My ability to hear volume is just fine! And I've never had any problem understanding people with a wide variety of accents in English! What I struggle with the most is when someone is very quiet or mumbly.)
If you feel like your speaking voice is a whisper because everything else is straining your voice, it's probably because you're projecting from the wrong place. I mean, look, I'm not a speech therapist. I am not an expert. My expertise is the deeply unscientific "loud cultures" and "former drama kid" type.
If you want to adjust your speaking volume:
Sit up. Place your hand over your stomach and below your ribs. Bellybutton area and slightly above. Observe what happens.
Inhale. Exhale. Notice whatever you did.
Okay good. Now: Inhale and make sure your stomach is expanding out as your lungs fill downwards, then out. Exhale — letting the expanded air leave, and your stomach fall.
Got it? You need to FEEL your diaphragm moving. Outwards inhale, inwards exhale. This is where all your volume comes from. You have to breathe correctly FIRST. Step one is just "breathe correctly."
Now, yelling from your throat/vocal cords will HURT because you are straining the wrong muscles to be loud. (Not scientific terms here). The loud muscle is your diaphragm. This is volume control. You don't actually have to talk loudly to practice this. You can just breathe in, then exhale as a "ha" movement. You don't need to add vocals, just exhale in the...shape of "ha." It will sound funny, but you can modulate how much air you're pushing out for quieter or louder exhales.
Then you can practice speaking slightly louder, which is also different from projected public speaking. You can add vocal sounds and say "hey!" Or "ha!" At different amounts of exhale. You feel this all in your stomach/chest ("say it from your chest"!) and NOT your throat or the back of your mouth/tonsils which will HURT. Don't tighten your throat. Relax your throat!! The diaphragm does the volume. Relax your mouth.
Don't end up in pain trying to be audible!!!!! You're not using half of the thing that makes up your voice, which is BREATHING and air control with your diaphragm!!! That's why it hurts!! Use your vocal chords AND diaphragm!!!
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transskywardsword · 3 months
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you'v mentioned that hero's gate links dont equal in game links so now im curious! you have talked lots about how ur links talk, but what about in-game links? i know u really like mute link so im super curious!!!!
so yes, my links =/= the links in the games. i see mine as characters inspired by the games, if that makes sense? i have lots of other, often conflicting, headcanons for the in-game links! im always ALWAYS down to talk about link verbality so here we go!!
(also- im only just learning the terminology surrounding verbality; if i saw anything wrong pls let me know!)
skyswd link: fully verbal, but quiet unless he knows you well. spoke rarely and with a significant stutter as a child that required speech therapy and when he's upset the stutter creeps back in
minish cap link: selectively mute and only speaks to Ezlo, Zelda, and his grandfather
four sword link: no real headcanon. chatty
oot/mm link: selectively mute as a child due to extreme bullying, only spoke to Saria, and when he left the Kokiri forest, found difficulty communicating as the only signs he knew were Kokiri. While he could understand Hylian, he had difficulty pronouncing it, further limiting communication. He only really spoke verbally to Zelda/Sheik, Malon, and Navi in oot, but began to experiment with being more vocal in mm. The trauma he faced there did the opposite, and link lost compete verbality for years as a negative coping strategy. He slowly became more comfortable with verbal communication when he moved in with Malon post majora's mask, but still is very, very quiet.
tp link: quiet with a lisp and thick accent. Unlikely to speak to anyone outside of Ordon. Took at least a month to speak to Midna. Not selectively mute, just has no desire to speak.
hw link: fully nonverbal. proxi translates for him through a mental link
botw/totk: nonverbal pre-calamity, but not post. Before, he was borderline noncommunicative, completely nonverbal and signing very rarely. post shrine of resurrection, the difficulty speaking lingered, though he wasn't sure why, as he had no memories of being nonverbal. due to losing the memories of a good deal of his trauma, he regained some verbality but found primarily comfort in signing. very chatty. began speaking verbally post botw, but only with people that he trusts. has a speech impediment and signs more than he speaks. he would like to be more verbal, but it is an extreme struggle.
wind waker link: can speak but chooses not to out of convenience. no one he knows other than his gran has ever heard his voice. very expressive and easy to understand despite his limited signs
spirit tracks link: nonverbal, and rarely signs. doesn't really care if he gets his point across.
hero of legend link: can talk, chooses not to. people are genuinely surprised when he lets out even a little 'ow' after stubbing his toe. sings frequently
albw link: similar to legend. can talk, but rarely does so. this is mirrored by ravio, who never shuts up
loz1/aol: semiverbal and very, very quiet, but will talk your ear off only if he trusts you. his limited verbality is a survival mechanism due to the learned helplessness that comes from living in his hyrule. doesn't know signs, how to read, or write, leading to communication difficulties
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enneamage · 5 months
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my dream is to become a content creator, could I have the mage analysis/speech you were mentally drafting up for that other anon, pretty please? curious what you think about it
I might have overestimated how long I would need to go on for, but The Urgency was real. 
If this were more one-on-one, my impulse would be to walk people through their motivations for wanting to be a CC and being sure that those wants wouldn't get met easier somewhere else. It's very possible to truly want to Post, and I'm not trying to be the person who scares people off from their dreams, but if the motivation leans into a general "I want to feel like I make a difference in people's lives", that might be better served by another line of work. I'm saying this part in particular because I've heard people who grew up watching or looking up to CCs can have an outstanding sense of the positive impact that CCs can have on people, and can focus on that as a source of connection and meaning-making over other things. Being a CC can be very lonely, unstable and high-risk, so my impulse is to make sure people are sure what they're signing off on beforehand. 
I guess I think it's important to understand early on that being a CC is the gig economy wearing a wig. A lot of what drives people crazy is how conditional it turns out to be, the lack of stability seems to slowly wear on people's minds and ethics. Maybe it's not that much of a secret, but sometimes the survivor bias around the scene makes it look like it's something that people 'outgrow' as they get bigger, but that isn't fully the case. 
I guess this is the same speech I would give to anyone who wanted to go into 'creative performing' on some level, since "I want to be an actor/singer/writer" became "I want to be a CC" in early life stat gathering. It makes sense-- normal life can feel like there's no room to 'play' or be creative as an adult, so sometimes people come to think of doing something creative as a job as a way to preserve that in their lives. It can look like CCs have maximised freedom from the outside, but they're probably most vulnerable to the wants/needs of the market, and the 'doing your own hours' thing can easily become working all the time with no clear borders. It can be easy for your life and crativity to be co-opted by something you don't have as much control over as you would like. This is the point that I would want to make the clearest, since It's a tragic mistake to make a bid for freedom on one hand and then wind up stuck more consumed by the job than an office 9-to-5. It's a big bait and switch that people sign up for before they can see the other shoe drop, most people are stuck chasing results over fully being able to forge their own path.  
Being a CC also puts people in front of the court of public opinion in a way I'm sure you've seen if you're on this part of tumblr. People can be unfair, obscure in their reasoning, and hard to predict. Sometimes you'll even have to worry that your peers will go after you, which is a whole other thing. I wont go into this part as much since you probably already know, but this is also a big factor that I would want to warn people about. 
I don't know anything about your background, but my hobby is worrying about everybody, so don't take my fretting personally. Like being an actor, someone's gotta do it, and it's never impossible. It's probably enjoyable for the people who are deeply passionate and have a will to develop a talent for it. I just want to provide an alternate speech to the 'but what if it doesn't work out' lecture, since there are plenty of drawbacks that come from things working out 'perfectly' for an imperfect job too. 
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